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Reik Morat La Bella y La Bestia 2

This musical document is the score for "La Bella y la Bestia" ("Beauty and the Beast") by Reik and Morat. It contains musical notation across 28 lines with symbols representing notes, rhythms, dynamics, and other musical elements. The score has a time signature of 4/4 and is written for multiple vocal parts and instruments.

Uploaded by

Ángela Sofi
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
233 views4 pages

Reik Morat La Bella y La Bestia 2

This musical document is the score for "La Bella y la Bestia" ("Beauty and the Beast") by Reik and Morat. It contains musical notation across 28 lines with symbols representing notes, rhythms, dynamics, and other musical elements. The score has a time signature of 4/4 and is written for multiple vocal parts and instruments.

Uploaded by

Ángela Sofi
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Reik,

Morat - La Bella y la Bestia


CesarFullHDMusic

                                  
 
 = 90

 
       
  
   


                                   
4

     

    
  

                                    
7

 
        

                     
           
10

     
  

                      
          
13

   
  

                              
16

      
  
  

  
                                
19

            
   


                      
           
  

22


         
  

                 
                    

25

    
 
       
3

                                   
28

          
    
 

                      
          
31

     

    
   


2

                              
34

    
    
    

            
              
 
37

           
          

               
               
 
41

 
          
 


                      
         
45

         
       


                                   
48

           
  

         
                         
51

 
      

   
 

3
              
               
54

      
          
  

                                  
 
57

     
            
 

           
                  
60

  
     
              
 


           
64

     
       

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