Be WALTER CARLOS oprsens THE MUSIC HIGHLIGHTS from IGHTS froin “A CLOCKWORK ORANGE” ($345, WASNER BROS. /& KINNEY COMPANY. resents A STANLEY KUBRICK PRODUCTION: 2 : j : Fe e me Pee any ik pane‘About WALTER CARLOS: AA tren tn would ineatrs of classical music, none has had more success with the public than Walter Carlos, whose "Switched On Bach’ is still, after more than a year, the bast-selling classical album But who is Walter Carlos, what is he? He's a boyishly slim, young physicist ané musician (born in Pawtucket, Rhode Island), who, at the precocious age of 10, composed a "Trio For Clerinet, Accordion And Piano”, and four Years later, constructed a small computer.” At seventeen, he ‘assembled an electronic studio and produced an electronic composition which utilized sounds created and manipulated ‘on tape recorders. ‘At Brown University (1988-1962) Carlos studied music and ohysics and taught electronic music. Later at Columbia University, he did extensive work at the Columbia-Princeton Electronic Music Center, and participated in ‘many concerts, including one in ‘which he assisted Leonard Bernstein in a program of electronic music at Philhermonic Hell in New York City Walter Carlos lives in a New York brownstone, amidst tape consoles, 2 Moog synthesizer and convoluted mazes of wires and cords .. . the most amazing electronic musical equipment to be found anywhere in the world Intending to develop an electronic sound producer which could validly be termed a musical instrument, Carlos began a collaboration with engineer Robert Moog in 1966, The result was prototype of Carlos’ special synthesizer on which he performed and recorded his realization of Bach and other composers. Walter Carlos’ latest triurnph is the score to Stanley Kubrick's “A Clockwork Orange”. The iano transcriptions in this book {aro several of the highlights presonted in the score of tho motion picture, some of which ‘were done with his collaborator. Rache’ Elkind, whose name appears on the Warner Bros. record album as producer of the synthesized recordings. ‘THE CRITICS’ REACTION TO. “A CLOCKVIORK ORANGE” “"Dazzles the senses and mind.” “The most startiins, profound, sardonic probe of our civilization.” “Utterly absorbing and often horritying.” “Bizarre, yet exciting use of musi ABOUT THE STORY The story depicts a young man named Alex, whose passions ‘are violenes, sx (preferably by force) and Beethoven. The life of ‘Alex and his underlings is ane of thrillseeking crime. Alex, jailed for murder, becomes the subject of an experiment that will change him into a being who hates violence, sex and his beloved ‘musig. The experiment hes conditioned him to react petsivoly to overything, but the inner conflict induces violent despair in the young man. Itis when Alex is driven to a suicide attempt, he becomes a cause Celebre anc a political menace, so ‘the “state” is forced to uncondition ‘him 10 allow nim to pursue, once again, his reckless, violent ways. With Carlos’ use of Beethoven's Ninth Symphony, William Tell Overture, Pomp And Circumstance Marches No.1 and 4; as woll as the original theme written especially for the film by Walter Carlos, the music counter-points the coexistence of beauty and horror, ard enhances the emotional build-up the film's director wants you to feel. And 50 “A Clockwork Orange” ticks away with deadly precision right into musical history.10 TITLE MUSIC By WALTER CARLOS and RACHEL ELKIND Grave Cc) Fm a c —— eee t i i =a = > * corr Cm Ab Fm G Gm Cm D Gm Eb Fm Bb ©1971 by Temp Muse, ne This arrangement ©1972 by Tornoi Music, in. International copyright secured. Made in U SA. Al ights reserve. Used by Perms af the Copyright OwnerTHE THIEVING MAGPIE " By G. ROSSINI Th. familiar theme of Rossini’s “The Thieving Magpie” begins with the following phrase and is played through to the end. In “A Clockwork Orange”, Walter Carlos chose to have this work performed orchestrally, rather than on the Moog synthesizer. Therefore, we are presenting this work in sketch score form with piano accompaniment to make the work more readily comprehensive. ‘The top line may be played as a solo for the right hand. Where passages occur in octave form, either the top note or lower note may be played. pocotranguilto e ? (Brasseva) (Poco animato) Strings plzz. ‘Violin F, + a. ¢ nimato) (tranguilloy ; P00 animes ©1972 by California Music Prose Internationa copyright secured. Made in U.S.A. Al Uses by permission of the Copyright OwnerMe lee 1.6 Bango z a No) (poco (poco animate) 4 A aT (poco tranguilio) (Brass ava) (Poco animato) =F P = (poco animate) i ae trangquitto) a —=-—Ss > tranguilto) (£060 animato) Pico. Raseson > " = rags B ; sFeazas Peatbatea13 Horne &8.Dr(aaaCle) aide? PP Cello” WW. Horne pps ‘td uet Vio. omer PeeSemprecresc, ~~ inti, Am Mm aca, = ay nm SSS Violin iV A — 2ndViol &Viola 2 it6 ‘Tempo. Via Violn a2. PP stace.el => Tempel. (poco tranguslio) Per am (Poco tranguitlo) (pizz)6 er _. (Poco tes ) oso animate) vere a. (oco animato) (poco trangquitto (poco animatoy (pove animate) 1g.etestlore Evol. —= «- >>_—? — {Goro tranguittoy (Poco animato) ‘0b, Bassoon i 4, 2. (Brass) .Cette-Horn Barron — (poco tranguilto) (Poco animato)prpize) aac tnt Viol. & Cle, Hore we my ana Viol, PHyigin ava)” slorne ‘Viol. sempre pp tm a -8 cresc. poco @ poco Sempre cresc. - Pris mosso19 ‘Voline- FLAC, Rnd Viel a CLO cresc. molto — > tet 5 Bod Vieline 5 = ‘Viollne-Cello-Rase-Rannoon String WW A er WW, & Brass sustain ae20 THEME FROM ‘A CLOCKWORK ORANGE” By WALTER CARLOS and RACHEL ELKIND Moderato fe oe - Ea BE, 8, 7 mnf"a tempo ©1971 by Temp! Musi, ne ‘Tris arrangement © 1972 by Tempi Music ne International copyright secured. Made in U.S.A. All right reserved, aed by Permission of the Copyright Ownera SL atempo© WIARGA FRUIVE A CLOUCRVVUORK ORAINGE - By WALTER CARLOS Allegro assai vivace. Alte marcia. PP fob, Jwie seinne| Son - nen, Joi - ne [Son nen | te - gen, Na . de [ed | NY ©1971 by Termpi Music, Ine. International eapyright secured. Made in U.S.A. All rights reserved Used by Permission af the Copyright OwnerSon nen | fie- gen | durch deo |itim- mels | prpchtrgen | Plax, AA el Tans fet, [Br wie poof Sk aN . a Chor. Tas = fet, | Bet - des, [en - re & ee ane mat om pl ap ee, | wie in trea” dig, | trea aig, : trea > éigy eyeJetreng ce rete ar27 = ats] wo deta streng ge | teil Men = schen lo. dtr, | wo dete sanf-ter | Flu =WILLIAM TELL OVERTURE By G. ROSSINI Andante(M.M.J=ss) | —____—_—_—_=—_ P >OD Pp! | fotto’voce. Editors note: In the film, Walter Carlos fades from the preceding to the following. Please note change of key. | it F Allegro vivace.(J= 152) Sf,30tutta forza. sempre stace. 333stringendo—POMP AND CIRCUMSTANCE MARCH No.4. By SIR EDWARD ELGAR Nobilmente melodia marcato33 FONE AND CIRCUMS TANCE MARCH No.1 By SIR EDWARD ELGAR cantabile THT THI ey ie TRIO 4 Cr lp7t xf? —= = =. yey 1e7 1P7 7187— 5 HITempo I(Tecet — ) pesante * | poco allargando,45 Introduction to TIMESTEPS Bros. soundtrack recording of the music from’"A Clockwork Orange”, F.M. (frequency modulation) stations and the so-called college “underground’” radio stations throughout the country have been featuring the "‘Timesteps”” track from the album Requests for reference lines to this music have been continually pouring in from all points, not only from students of music, but from scholars who were anxious to see the “layout” of this intriguing work. Perhaps the sounds achieved by Walter Carlos may be likened to a “trip through time”... but in any event, it was most generous of the copyright owner to grant the unusual permission to reprint, in Mr. Carlos’ own handwriting, the entire score of "‘Timesteps”, and we respectfully do so on the following pages, in mini-pocket score size.By oes esesoce (eco eesrnss 07) ~ Gd Time sre" gaeas47[kG —— conrmies , mo + mca ce facetsMED “Companenrs” “BIE a) eetanis cm» te fo) emma ©, esa [errs oe)51 Are Gna aan isure HE sean! ates aenp m wenttn m Ee talon) Se ——a, (¢ once ts)SHUM gy Bt ty Popo de £ Tey mae Oe > = a 7 — in ee ck) ad pee a5 a 7S WALTER CARLOS presents THE MUSIC HIGHLIGHTS tom A STANLEY KUBRICK PRODUCTION A : '