“The Interpretation and Representation of Latino Cultures: Research and Museums”

Bibliography

This bibliography is a compilation of reading material used during the seven years of the Latino Graduate
Training Seminar, sponsored by the Smithsonian Center for Latino Initiatives and Inter-University Program
for Latino Research. (Note that some entries are missing bibliographical data.)

“American Voices: Mexican American Photography in the U.S.” Washington, DC:

Circular Gallery, National Archives and Records, 1989: 18-24, 41-46, 59-63.
Adler, Patricia A. and Peter Adler. “The Past and the Future of Ethnography.” Journal of
Contemporary Ethnography 16, no.1. (April 1997): 4-24.
Alaiz, María L. and Chris Wilkes. “Reinterpreting Latino Culture in the Commodity
Form: The Case of Alcohol Advertising in the Mexican American Community.”
Hispanic Journal of Behavioral Science 17, no. 4. (1995): 430-451.
Alarcon, Norma. “Chicana Feminism: In the Tracks of ‘The Native Woman’.” Cultural
Studies 4 (October 1990): 248- 255.
Ames, Michael. “Cannibal Tours, Glass Boxes and the Politics of Interpretation.”
Interpreting Objects and Collection edited by Susan M. Pearce, 86-106. London:
Routledge, 1994.
Archetti, Eduardo, P. “Playing Styles and Masculine Virtues in Argentine Football.” In
Machos, Mistresses, Madonnas: Contesting the Power of Latin American Gender
Imagry edited by Marit Melhuus and Kristi Anne Stolen, 34-55. New York: Verso,
1996.
Archives of American Art, Smithsonian Institute. Guide of Latino Artists In the United
States. (Draft)
Aronowitz, Stanley. “The Future of Socialism?” Social Text 8, no. 2. (1990): 85-87.
Atkinson, Paul and Mike Hammersby. Ethnography: Principles in Practice, 1-26.
London: Tavistock, 1983.
Bal, Mieke. “The Discourse of the Museum.” 201-218.
Baról, J. M. “Cyber Chapel: Mixing Technology With Tradition, Four Women Shatter
The Stereotypes That Burden Hispanic Art And Its Artists.” The AlbuquerqueTribune,
16 March 2001.
Bartis, Peter. Folklife and Fieldwork: A Layman’s Introduction to Field Techniques.
Washington, DC: American Folklife Center, 1979.
Bates, Lucy, Olivia Cadaval, Heidi McKinnon, Diana Robertson, and Cynthia Vidaurri.
“Culture & Environment in Rio Grande/Rio Bravo Basin; A Preview.” Smithsonian
Folklife Festival, 1998: 79-86.
Bauman, Richard and Patricia Sawin. “The Politics of Participation in Folklife Festivals.”
In Exhibiting Cultures: The Poetics and Politics of Museum Display, edited by Ivan
Karp and Steven D. Lavine, 288-314. Washington DC:Smithsonian Press, 1991.
Becker, Howard S. “Photography and Sociology.” Studies in the Anthropology of Visual
Communication 1, no.1. (Fall 1974): 3-26.
Behar, Ruth. “The Vulnerable Observer.” Miami Beach: Beacon Press, 1997: 1-33.
Belk, Russel W. and Melanie Wallendorf. ““Of Mice and Men: Gender Identity In
Collecting.” The Material Culture of Gender 7-26.
Benevidez, Max. “Chicano Montage: Art and Cultural Crisis.” Distant Relations/
Cercancias Distantes edited by Trisha Ziff, 105-113. Santa Monica: Smart Art Press,
1995.
Bonami, Francesco. “KCHO: Surviving the Dream of Yourself.” 80-83
Borja-Villel, Manuel. “The End(s) of the Museum.” 9-15.
Boxer, Sarah. “How the Other Half Defies Its Image.” New York Times, 30 April 1995.
Broyles, Yolanda. “Toward a Re-Vision of Chicana/o Theater History: The Roles of
Women in El Teatro Campesino.” In El Teatro Campesino: Theater in the Chicano
Movement, 130-163, 252-255. Austin: University of Texas Press, 1994.
Buchloh, Benjamin H. D. “The Whole Earth Show: An Interview with Jean-Hubert
Martin.” Art In America (May 1989): 150-159.
Bunch, Lonnie G. “Fighting the Good Fight.” Museum News. (March/April 1995): 32-36.
Bunster, Ximena. “Talking Pictures: Field Method and Visual Mode.” Methodology and
Data Collection: 278-290.
Campbell, Mary Schmidt. “Introduction.” Black & Hispanic Art Museums, 1-5. New
York: Ford Foundation, 1990.
Cardenas, Gilberto. Spring 1996 Syllabus. Visual Sociology (Soc 360M).
Castaneda, Antonia. “Language and Other Lethal Weapons: Cultural Politics and the
Rites of Children as Translator of Culture.” Mapping Multiculturalism. Ed. By Avery
Gordon and Christopher Newfield. (Minneapolis: University of Minnesota Press,
1996): 201-213
_____. “Sexual Violence in the Politics and Policies of Conquest: Amerindian Women
and the Spanish Conquest of Alta California.” In Building With Our Hands: New
Directions in Chicana Studies edited by Adela de la Torre and Beatríz M. Pesquera,
15-33. Berkeley: University of California Press, 1993.
_____. “Women of Color and the Rewriting of Western History: The Discourse, Politics,
and Decolonization of History.” Pacific Historical Review 61 (1992): 501- 533
Chavoya, Ondine C. “Collaborative Public Art and Multimedia Installation: David
Avalos, Louis Hock, and Elizabeth Sisco’s Welcome to America’s Finest Tourist
Plantation (1988). 208-224
_____. “Images of Advocacy: An Interview with Chon Noriega.” Afterimage 21, no.2
(May 1994): 5-9.
_____. “Pseudographic Cineman: Asco’s No-Movies.” Performance Research 3, no. 1.
(1998): 1-14.
Choldin, Harvey. “Statistics and Politics: The ‘Hispanic Issue’ in the 1980 Census.”
Demography (August 1986): 402-418.
Clifford, James. “Museums as Contact Zones.” Routes: Travel and Translation in the
Late Twentieth Century, 188-219. Cambridge, Massachusetts: Harvard University
Press, 1997.
Cohen, Rebecca S. “Framing the Border: Photography In the Land Between Mexico and
the United States.” The Austin Chronicle (1 May 1998): 34-39.
Constable, Anne. “‘Our Lady’ Only Latest In String of Art Controversies.” The New
Mexican 1 April 2001.
_____. “Museum Shortens Stay For ‘Our Lady.’” The New Mexican 23 May 2001.
Cooke, Lynne. “The Resurgence of the Night Mind: Primitivist Revivals in Recent Art.”
In The Myth of Primitivism, 137-157.
Corrin, Lisa G. “Introduction.” Mining the Museum: An Installation by Fred Wilson.
Exhibition Catalog edited by Leslie King-Hammond, 1-21. Baltimore: The
Contemporary in Cooperation with New York Press, 1994.
Crimp, Douglas. “The Museum’s Old/ The Library’s New Subject.” The Contest of
Meaning: Critical Histories of Photography edited by Richard Bolton, 3-10.
Cambridge, Massachusetts: MIT Press, 1989.
Davalos, Karen Mary. “La Quiceañera: Making Gender and Ethnic Identities” Frontiers:
A Journal of Women Studies 16, no. 2/3. (May 1996): 101-127.
De Alba, Alicia Gaspar. “The Solar of Chicano/a Popular Culture: Mi Casa [no] Es Su
Casa.” Chicano Art: Inside/Outside The Master’s House, Cultural Politics and the
Cara Exhibition, 31-89. Austin: University of Texas Press, 1998.
De Alva, J. Jorge Klor. “The Postcolonization of the (Latin) American Experience: A
Reconsideration of ‘Colonialism,’ ‘Postcolonialism,’ and ‘Mestizaje.’” After
Colonialism: Imperial Histories and Postcolonial Displacement, 241-275. Princeton:
Princeton University Press, 1995.
Del Castillo, Adelaida R. “Covert Cultural Norms and Sex/Gender Meaning: A Mexico
City Case.” Urban Anthropology (Fall-Winter 1993): 237-258.
Del Castillo, Richard Griswold, Teresa McKenna, and Yvonne Yarbro-Bejarno. “Preface:
The CARA Exhibition.” Chicano Art: Resistance and Affirmation, 1965- 1985, 27-32.
Los Angeles: Wright Art Gallery, University of California, 1990.
Delgado, Antonia. “Moradas and the Penitent Brotherhood.”
Duncan, Carol. “Art Museums and the Ritual of Citizenship.” Exhibiting Cultures: The
Poetics and Politics of Museum Display edited by Ivan Karp, Steven D. Lavine, and
Christine Mullen Kreamer, 56-64. Washington, DC: Smithsonian Institution Press,
1992.
“Editorials: State Curators Need To Show Sensitivity.” Albuquerque Journal 21 March,
2001.
Featherstone, Mike, Mike Hepworth, and Bryan S. Turner, eds. The Body: Social Process
and Cultural Theory. (London: Sage): 36-102.
Fergasen-Acosta, Dennis. “Symposium on African American and Latino Museums and
Other Collections” Chicago: American Association of Museums, 8-9 May 1990.
Firmat, Gustavo Perez. “Lost in Translation.” In Life On the Hyphen: The Cuban-
American Way, 21-47. Austin: University of Texas Press.
Flores, Juan. “Broken English Memories.” Modern Language Quarterly 57, no.2. (June
1996): 381-396.
_____. “The Latino Imaginary: Dimensions of Community and Identity.” 1996
_____. Notes Presented On the Topic of “The Latino Imaginary.” 23 June 1995.
Flores, Juan and George Yudice. “Living Borders/ Buscando America: Languages of
Latino Self-formation.” Social Text 8, no. 2 (1990): 57-84.
Foster, Hal, ed. Discussions in Contemporary Culture 1 (1987).
Frank, Arthur W. “For a Sociology of the Body: An Analytical Review.” In The Body:
Social Process and Cultural Theory edited by Mike Featherstone, Mike Hepworth and
Bryan S. Turner, 36-102. London: Sage Publications, 1991.
Freidenberg, Judith. “The Social Construction and Reconstruction of the Other:
Fieldwork in El Barrio.” Anthropological Quarterly 71, no. 4 (October 1998): 169-
185.
Fusco, Coco. “The Other History of Intercultural Performance.” The Drama Review 38,
no. 1 (Spring 1994): 143-166.
Gaither, Edmund Barry. “Hey! That’s Mine: Thoughts on Pluralism and American
Museums.” Museums and Communities: the Politics of Public Culture edited by Ivan
Karp, Steven D. Lavine, and Christine Mullen Kreamer, 56-64. Washington, DC:
Smithsonian Institution Press, 1992.
Galla, Amareswar. “Issues for Museums In Post-Colonial Societies.” Connections.
(Winter 1993).
Garcia, Ignacio M. “Juncture in the Road: Chicano Studies Since ‘El Plan de Santa
Barbara.’” Chicanas/Chicanos at the Crossroads. Ed. By David R. Maciel and Isidro
D. Ortiz. (Tuscan: The University of Arizona Press: 1996): 181-203.
Garfield, Donald. “Making the Museum Mine: An Interview With Fred Wilson.”
Museum News (May/June 1993): 47-49, 90.
_____. “Dimensions of Diversity.” Museum News (March/April 1989): 43-48.
Gibbs, Nancy. “A Whole New World.” Time 157, no. 23 (11 June 2001): 38-45.
Gomez-Pena, Guillermo. The New World Border: Prophecies, Poems, & Loqueras for
the end of the century. San Francisco: City Lights, 1996.
González, Alicia M. and Edith A. Tonelli. “Compañeros and Partners: The CARA
Project.” In Museums and Communities: the Politics of Culture, edited by Ivan Karp,
 Steven D. Lavine, and Christine Mullen Kreamer, 262-284. Washington, DC:
Smithsonian Institution Press, 1992.
González, Deena J. “Chicana Identity Matters.” Culture and Difference edited by Antonia
Darder, 41-53. Westport, Connecticut: Bergin & Garvey,1996.
_____. “The Widowed Women of Santa Fe: Assessments on the Lives of an Unmarried
Population, 1850 – 80.” In On their Own: Widows and Widowhood in the America
Southwest 1848 – 1939 edited by Arlene Scadron, 65-90. Chicago: University of
Illinois Press, 1988.
Hall, Stuart. “Notes On Deconstructing ‘The Popular.’” Cultural Studies: 227- 239.
Hammersley, Martyn and Paul Atkinson. “What is Ethnography?” In Ethnography:
Principles in Practice,1-26. New York: Tavistock Publications, 1995.
Haraway, Donna. “Teddy Bear Patriarchy: Taxidermy in the Garden of Eden, New York
City, 1908-1936.” In Primate Visions: Gender, Race and Nature in the World of
Modern Science, 237-291. New York: Routledge, 1989.
Hawkins, Peter S. “Naming Names: The Art of Memory and the Names Project AIDS
Quilt.” Thinking About Exhibitions edited by Reesa Greenberg, Bruce W. Ferguson,
and Sandy Nairne, 133-155. New York: Routledge, 1996.
Heartney, Eleanor. “The Whole Earth Show: Part II.” Art In America (July 1989): 91-97.
Henessy, Rosemary. “Queer Theory: A Review of the differences Special Issue and
Wittig’s The Straight Mind.” Journal of Women in Culture and Society (Summer
1993): 964-972.
Henry, Leonard M. “Trend Report:Theory and Practice of Visual Sociology.” Current
Sociology 34, no. 3. (Autumn 1984): 1-68.
Hernandez-Avila, Ines. “Relocations Upon Relocations: Home, Language, and Native
American Women’s Writings.” American Indian Quarterly (Fall 1995): 491-507.
Hinojosa, Maria. “Living La Vida Latina.” Time 157, no. 23 (11 June 2001): 79.
Hooks, Bee. “Alters of Sacrifice: Re-membering Basquiat.” In Art On My Mind, 35-48.
New York: New Press 1995.
Hummels, Mark. “Lawmakers Denounce Artwork.” The New Mexican 4 April 2001.
Hutchison, Bill. “Out Takes: An Early Curtain For ‘Our Lady.’” Reporter 23-29 May
2001.
Karp, Ivan, and Fred Wilson. “Constructing the Spectacle of Culture in Museums.”
Thinking About Exhibits, 251-267. London: Routledge, 1996.
Katel, Peter. “Don’t Stop Thinking About Mañana.” Time 157, no. 23 (11 June 2001):
72-73.
Keenan, Thomas. “No Ends in Sight.” 17-29.
Kelley, Robin D. G. “AHR Forum: Notes on Deconstructing ‘The Folk.’” American
Historical Review (Dec 1992): 1400-1408.
Kidwell, Claudia Brush. “Fulfilling The Mission: Incorporating Gender.” Report by the
National Museum of American History, 22 March 1993.
Kuo Wei Tchen, John. “Creating a Dialogic Museum: The Chinatown History Museum
Experiment”. In Museums and Communities: the Politics of Culture, edited by Ivan
Karp, Steven D. Lavine, and Christine Mullen Kreamer, 285-326. Washington, DC:
Smithsonian Institution Press, 1992.
Lamadrid, Enrique R. “La Querencia: Moctezuma and the Landscape of Desire.” Blue
Mesa Review.
Lassalle, Yvonne M. and Marvette Pérez. “‘Virtually’ Puerto Rican: ‘Dis’-Locating
Puerto-ness and its Privileged Sites of Production.” Radical History Review 68,
(1997): 54-78.
Lather, Patti. Getting Smart: Feminist Research and Pedagogy With/in the Postmodern,
70-100. New York: Routledge, 1991.
Lavine, Steven D. “Museums and Multiculturalism: Who Is In Control.” Museum News
(March/April 1989): 36-42.
Lee, Morgan. “Archbishop Says Art Trashes Virgin, Insults Catholics.” Albuquerque
Journal 27 March, 2001.
_____. “From Lady to Lightning Rod: Guadalupe Hearing Rescheduled As Throngs
Swamp Meeting Site.” Albuquerque Journal 5 April 2001.
Leese, Rosaliá. History of the Bear Party: Narrative of Mrs. Rosaliá Leese. 27 June
1874.
Lindsay, Arturo. “ORISHA: Living Gods in Contemporary Latino Art.” Santeria
Aesthetics in Contemporary Latino Art edited by Arturo Lindsay, 201-203.
Washington, DC: Smithsonian Institution Press, 1996.
Lipsitz, George. Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics
of Place. New York: Verso, 1994.
McCarthy, Terry. “The Coyote’s Game.” Time 157, no. 23 (11 June 2001): 56-60.
McCauley, Elizabeth Anne. “Taber and Company’s Chinatown Photographs: A Study of
Prejudice and its Manifestations.” 9-16
Majewski, Jan and Hank Grasso. “Barriers to Developing Accessible Media.”
Meijers, Deborah J. “The Museum and the ‘Ahistorical’ Exhibition.” 7-20.
Melkonian, Neery. “Contested Territories: Miguel Gandert’s Documentary
Photography.” Afterimage (December 1991): 5-7.
Mercer, Kobena. “Who’s Doin’ The Twist? Notes Toward A Politics of Appropriation.”
In English Is Broken Here: Notes on Cultural Fusion In the Americas edited by Coco
Fusco, 65-77. New York: New Press, 1995.
Mesa-Bains, Amalia. “Curatorial Statement.” Ceremony of Spirit: Nature and Memory In
Contemporary Latino Art, 8-17. San Francisco: The Mexican Museum, 1996.
_____. “Domesticana: The Sensibility of Chicana Rasquache.” In Cara: Chicano Art,
Resistance and Affirmation: An Interpretive Exhibition of the Chicano Art Movement,
1965-1985, 156-163. San Antonio: San Antonio Museum of Art, 1993.
Miller, Michael. “Santa Cruz Church Restored to Former Beauty.” New Mexico
Magazine (March 1997): 38-43.
Miller, Nicole M. “One Man’s Virtual Vision: Manuel Carrillo’s Photos Go Online.” The
Washington Post, 10 August 2000.
Montero-Sieburth, Martha. “The Education of Hispanic Adults: Pedagogical Strands and
Cultural Meanings.” In Adult Education in a Multicultural Society edited by Beverly
Benner Cassara, 96-118, 211-231. New York: Routledge, 1990.
Morales, Teresa. Letter to Ms. Elizabeth Veatch. 2 February 1995.
Morales, Teresa and Cauhtemoc Camarea. “The Community Museums of Oaxaca.”
Presented At the 92nd Meeting of the American Association of Museums in
Philadelphia. 21-25 May 1995.
Museum of International Folk Art. “Cyber Arte: Tradition Meets Technology.” February
2001-2002.
National Museum of American History. “Fulfilling the Mission: Incorporating Gender.”
(Draft February 5, 1993.
Navarro, Bruno. “Arroyo Seco residents wake church from 37-year slumber.” New
Mexico Magazine (March 1997): 38-43
Noriega, Chon A. “Art Official Histories.” 1-12.
_____. “Collectors Who Happen To Be…” 8-16.
_____. Letter from Chon Noriega, Asst. Prof. UCLA to Elisabeth Sussman, Curator
Whitney Museum of American Art, 5 February 1993.
_____.“On Museum Row: Aesthetics and the Politics of Exhibition.” 57-81. Summer
1999.
Padgett, Tim and Cathy Booth Thomas. “Two Countries, One City.” Time 157, no. 23 (11
June 2001): 64-66.
Padgett, Tim and Elaine Shannon. “The Border Monsters.” Time 157, no. 23 (11 June
2001): 69-70.
Perez, Emma. “Irigaray’s Female Symbolic in the Making of Chicana Lesbian Sitios y
Lenguas (Sites and Discourses).” In The Lesbian Postmodern edited by Laura Doan,
104-117. New York: Columbia University Press, 1994.
Pérez, Emma A. “Oral Narratives as Chicana: (His)tory Text”. In Working Paper 32, 3-
19. Tucson, Arizona: Women's Studies, The University of Arizona, 1994.
Pérez, Laura Elisa. “El Desorden, Nationalism, and Chicana/o Aesthetics.” Between
Woman and Nation: Nationalisms, Transnational Feminisms, and the State edited by
Caren Kaplan, Norma Alarcón, and Minoo Moallem.Durham, North Carolina: Duke
University Press, 1999.
Perez, Marvette. “Interview with Bernice Johnson Reagon.” Radical History Review 68
(1997): 4-24.
Prown, Jules David. “Mind in Matter: An Introduction to Material Culture Theory and
Method.” Winterthur Portfolio: 1-19.
Ramirez, Mari Carmen. “Brokering Identities: Art Curators and the Politics of Cultural
Representation.” Thinking About Exhibits, 21-38. London: Routledge, 1996.
_____. “The Representation of Latino/ Latin American Art in the United States: Selected
Bibliography.” Presented at the IUP/ Smithsonian Institution Workshop on
“Interpreting Latino Cultures: Research and Museums.”
Richard, Nelly. “Postmodern Decentredness and Cultural Periphery: The Disalignments
and Realignments of Cultural Power.” Beyond the Fantastic: Contemporary Art
Criticism from Latin America. Ed by Gerardo Mosquera. (Cambridge: The MIT Press,
1996): 260-269.
Roche, Timothy. “Just Another Day in a Bridge Town.” Time 157, no. 23 (11 June 2001):
50-55.
Roosevelt, Margot. “No Bad Days.” Time 157, no. 23 (11 June 2001): 62.
Ruffins, Fath Davis. “Reflecting on Ethnic Imagery in the Landscape of Commerce,
1945-1975.” In Getting and Spending: European and American Consumer Societies In
The Twentieth Century edited by Strausser, Susan, Charles McGovern, and Matthias
Judt, 379-405. Washington, DC: Cambridge University Press, 1998.
_____. “Myths about Aging: Use of Time in Daily Life” Atención Socio-sanitaria y
Bienestar (2000): 17-22.
Sackler, Elizabeth. “Spoils of War: A Call for Code of Ethics in the Indian Art Market.”
Native Peoples (Spring 1996): 18-19.
Selected Bibliography. “Latinos and Museums.” Museum Reference Center, Smithsonian
Institution, 1995.
Selected Bibliography. “The Representation of Latino/ Latin America Art in the United
States.” Smithsonian Institution Task Force on Latino Issues. Willful Neglect: The
Smithsonian Institution and U.S. Latinos. Washington, DC: The Smithsonian
Institution Press, May 1994.
Tuly, Judd. “Carlos Gariacoa: Art In General and Carla Stellweg.” Art Nexus 22
(October/ November 1996): 154.
Tyrangiel, Josh. “The New Tijuana Brass.” Time 157, no. 23 (11 June 2001): 76-78. U.S.
Congress. House Committee on Government Operations. The Challenge of Cultural
Diversity and Cultural Equity at the Smithsonian Institution: Ninth Report By the
Committee on Government Operations. 101st Cong., 1st sess., 1989. H. Rept. 101-391.
Vega, Moreno Marta. “The Purposeful Underdevelopment of Latino and Other
Communities of Color.” In Voices From the Battlefront: Achieving Cultural Equity,
edited by Marta Moreno and Cheryll Y. Greene. New Jersey: African World Press,
Inc., 1993.
_____. “The Failed Promise of Wartime Opportunity for Mexicans in the Texas Oil
Industry.” Southern Historical Quarterly 95, no. 3 (January 1992): 325-350.
Wilson, Fred. “Mining the Museum: Artists Look at the Museums. Museums Look at
Themselves.” Mining the Museum: An Installation edited by Lisa G. Corrin, 1-21.
New York: New Press, 1994.
Yau, John. “Please Wait By the Coatroom.” Out There: Marginalization and
Contemporary Cultures. Ed. By Russel Furguson et al. (Cambridge: MIT Press,
1990): 133-139.
Ybarro-Frausto, Tomas. “The Chicano Movement/The Movement of Chicano Art.”
Exhibiting Cultures: The Poetics and Politics of Museum Display edited by Ivan Karp
and Steven D. Lavine, 129-150. Washington, DC: Smithsonian Institution Press, 1992.
_____. “Rasquachismo: A Chicano Sensibility.” In Chicano Art: Resistance and
Affirmation, 1965-1985 edited by Richard Griswold del Castillo, Teresa McKenna,
and Yvonne Yarbro-Bejarano, 155-162. Los Angeles: Wright Gallery, University of
California, Los Angeles, 1990.
_____. “The President’s Statement.” The Rockefeller Foundation 1991 Annual Report.
Yeingst, William and Lonnie G. Bunch. “Curating the recent Past: The Woolworth Lunch
Counter, Greensboro, North Carolina.” Exhibiting Dilemmas: Issues of Representation
at the Smithsonian edited by Adrienne L. Kaeppler, 143-154. Washington, DC:
Smithsonian Institution Press, 1996.
Zamora, Emilío. “Voluntary Organizations and the Ethnic Mutuality: Expressions of a
Mexicanist Political Culture.” In The World of the Mexican Worker in Texas, 86-109,
236-239. College Station: Texas A&M University Press, 1993.
Zamudio-Taylor, Victor. “Amalia Mesa-Bains Private Landscapes and Public Territories:
The re-Annexation project, 1848-1998.” In Distant Relations edited by Trisha Ziff,
73-77. NewYork: Smart Art Press.
_____. “Arte Chicano Emergente (Emerging Chicano Art).” ARCO 3/4 (1997): 41-46.
_____. “¿Dónde está el Corazón ensangrentado? ¿Dónde está el Cactus? Tendencias
Artícas Contemporáneas De Dislocaciones “Chicanas” Y “Latinas”: Notas Sobre Los
Trabajos Ed Amando Rascan, Jesse Amadok E Íñez Manglano Ovalle.” Atlantica
(1996): 83-92, 167-172.
_____. “José Bedia: George Adams Gallery.” Art Nexus 22 (October/November 1996):
150-152.
_____. “Miguel Calderon e Iñigo Manglano: Andrea Rosen Gallery.” Art Nexus 22
(October/ November 1996): 152-154.