MakingMoneyWithMusic.

com SOUND RECORDING OWNER SPLIT SHEET

SOUND
INSTRUCTIONS: Use this Sound Recording Owner SplitRECORDING
Sheet to capture ownership OWNER SPLIT
and other credit information at theSHEET
time you create your composition. Keep in mind
this split sheet form can be a binding agreement between all parties since signing it means you agree to the percentages and details you fill out. For more
information on using split sheets (as well as generating revenue and boosting your income), check out the book, Making Money With Music, by Randy Chertkow & Jason
Feehan (St. Martin’s Press). Also, sign up to the FREE Making Money With Music Newsletter at MakingMoneyWithMusic.com/newsletter for more how-tos, tools, and
techniques to boost your income.

SOUND RECORDING DETAILS Reference #:

This is optional, but you can provide a form # so
you can keep track of all your split sheets.

Song Title: Song Split Sheet #:

Recording Title: ISRC #:
Each sound recording should have its own ISRC code. 

Version: See Making Money With Music for more info.

Since you can have many recordings of a composition, we recommend listing the type of recording or use the checkboxes below.

Studio Version: Live Version: Remix: Acoustic/Unplugged: Instrumental: Stems:

Demo: A cappella: Alternative Version: Cover: Other:

Date(s):
If created over multiple days, include each date.

RECORDING ARTIST, FEATURED MUSICIANS, & STUDIO INFO

Recording Artist:
Label:
You may be your own label. If not, enter your label ‘s name here.

Producer Name:
You may be your own producer. If you have a 3rd party producer, capture his/her contact info and Sound Recording PRO info (in the US, this is SoundExchange).

Address:
Email:
Phone:

Additional
Musicians:

List out all musicians who played on the track including their contact Info (email/phone) and Sound Recording PRO info (in the US, this is SoundExchange).

Studio Name:
Address:
Email:
Phone:
Non Royalty-Free Sample Used: Yes / No
If you used a non royalty-free sample, circle “Y” and document where the sound came from.

Sample Details:

Capture the song/recording title, artist, year of recording, & label the sample(s) came from.

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SOUND RECORDING OWNER 1 — OWNERSHIP & DETAILS

Recording Ownership: %

Name:
Address:
Email:
Phone:

PRO:
Enter the name of the Sound Recording Performance Royalty Organization (PRO) you're affiliated with (i.e., in the US, this is SoundExchange).

Label Ownership: %
You may be your own label and if so, enter details here. If you are signed to a 3rd party label and they are entitled to all or a percentage of the sound recording, then list this party’s information.

Name:
Address:
Email:
Phone:

Signature: Date:

SOUND RECORDING OWNER 2 — OWNERSHIP & DETAILS

Recording Ownership: %

Name:
Address:
Email:
Phone:

PRO:
Enter the name of the Sound Recording Performance Royalty Organization (PRO) you're affiliated with (i.e., in the US, this is SoundExchange).

Label Ownership: %
You may be your own label and if so, enter details here. If you are signed to a 3rd party label and they are entitled to all or a percentage of the sound recording, then list this party’s information.

Name:
Address:
Email:
Phone:

Signature: Date:

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SOUND RECORDING OWNER 3 — OWNERSHIP & DETAILS

Recording Ownership: %

Name:
Address:
Email:
Phone:

PRO:
Enter the name of the Sound Recording Performance Royalty Organization (PRO) you're affiliated with (i.e., in the US, this is SoundExchange).

Label Ownership: %
You may be your own label and if so, enter details here. If you are signed to a 3rd party label and they are entitled to all or a percentage of the sound recording, then list this party’s information.

Name:
Address:
Email:
Phone:

Signature: Date:

If you need more sound recording ownership slots beyond these 3, use this same form but mark the form as a continuation to this Split Sheet by referencing the Ref #, so it’s clearly an addendum to this first sheet.

Questions about filling out this form? For more information

on using split sheets check out the book, Making Money With
Music, by Randy Chertkow & Jason Feehan (St. Martin’s
Press). The book also covers the 14 registrations you should
do for each song and sound recording to make sure you get
all the royalties owed to you worldwide. Don’t miss out on
earning all your royalties!

Also, sign up to the FREE Making Money With Music

Newsletter at MakingMoneyWithMusic.com/newsletter for more
how-tos, tools, and techniques to boost your income.

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