Exam 3
Karl Serge ASWAD 
     12190627
The topic that
I am choosing
    is Akira
   Kurosawa
    and his
  movie, Ran.
      Japan’s Golden Age
•   The Japanese new wave
    movement started after the
    world war in the 1950s, where
    there was a large movement
    of directors who wanted to
    express themselves, one of
    which is Kurosawa. 
•   Although we will be speaking
    about Ran, the main film that
    put Japan on the spot was his
    film called “Rashomon”,
    which won the Golden Lion
    award
Who is Akira Kurosawa
•   Akira Kurosawa is known as the Beethoven of movie
    directing. 
•   He is known for having great movements in cinema. This
    means that he had is own unique, style, aesthetics and
    cultural political objective. 
•   In total he has made 30 films.
•   As side from being a director, he was also a painter, which
    tremendously helped him directing films because of his
    lose of vision.
His paintings and his
   director vision
             RAN The Movie
•   Ran was released in 1985
    and was directed by Akira
    Kurosawa
•   During the production of the
    film, he had lost his wife. Not
    only that, he was also loosing
    his eye sight, which left him
    almost completely blind.
•   Ran means Chaos, which is
    depicted heavily in his
    movies because of its gory
    scenes.
              What is it about?
•   Its about a Japanese war lord,
    Ichimonji Hidetora who was going to
    retire and split his kingdom amongst
    his sons. 
•   Although most of the brothers agreed
    to this split, one of them disagrees and
    assumes that they will eventually fall
    out. Because of his sons honesty, he
    bans him from ever being around him. 
•   However as he is dying, he realizes his
    sons will not live up to their promise.
•   Its basically the remake of a
    Shakespeare play - King Lear.
            Cinematography
•   Although most of his films
    were made in black and white,
    the ones that are made with
    colors utilizes it to the max.
•   He uses color to show blood
    “bright red” and the color of
    the sky bright green. This idea
    comes back to how he uses
    movement to keep audience
    interested as the slow plot
    progresses.
     What made him unique in
       the Golden Age Era
•   As we previously said, he had
    detailed movements in his
    filmed, which meant that there
    was always something going on
    in the background a scene. For
    example, there was always
    heavy weather and fire in it.
•   It was unique because even if
    there was a slow scene, it was
    interesting because the
    background gave it some sort
    of meaning. It made the viewer
    feel something In spite of it
    being slow.
His use of body language
•   He uses blocking or body
    language to reflect on the
    feelings that a person has.
•   For example, he would have a
    man taking a large amount of
    space to depict anger, or he
    would hide the face of people,
    when they are scared or sad.
     He is a master of camera
             movement
•   What makes his movies
    unique is his ability to have
    one scene as a beginning, a
    middle and end, Example, 
•   The shot on the top right
    corner, is the beginning
•   The shot on the middle right
    is the middle
•   The shot on the lower right
    is the end
                In Conclusion
•   Akira Kurosawa was the master of using movement to depict the
    beginning, middle, and end of scene. 
•   This technique made his scenes more interesting, and keeps the
    audience engaged. 
•   Unlike movies that use dialogue to dictate the pace of a scene, he was
    the master of using body language, weather, and color to tell the story
    he wants to tell, which was proved in the movie Ran, where he used
    the green weather and the bright red color for blood. 
•   That way, the dialogue can be minimal, but the audience would be
    hooked because of movements going on in the background of the
    scene. He also used body language and dark spots to depict the
    feeling of a person without being verbal about it.