0% found this document useful (0 votes)
87 views57 pages

Ode

This poem describes the narrator's memories of the natural world from childhood and how it seemed filled with 'celestial light'. It explores how that sense of wonder fades with age and the desire to reconnect with that sense of joy and magic from early life.

Uploaded by

Amir Nazir
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
87 views57 pages

Ode

This poem describes the narrator's memories of the natural world from childhood and how it seemed filled with 'celestial light'. It explores how that sense of wonder fades with age and the desire to reconnect with that sense of joy and magic from early life.

Uploaded by

Amir Nazir
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 57

This is a reproduction of a library book that was digitized

by Google as part of an ongoing effort to preserve the


information in books and make it universally accessible.

https://books.google.com
Sulonations of
Immortality

BY

WILLIAM
WORDSWORTH

20 .
ILLVSTRATED

lang

lib
WODO
1837
ARTES SCIENTIA

LIBRARY VERITAS
C HIGAN
OF THE

UNIVERSITY OF MI
9 E PLURIBUS UNE

TUE BOA

STQUAERIS-PENINSULAM AMOENA
CIRCUMSPICE
12444
an

APPARELLED IN CELESTIAL LIGHT .


ODE

INTIMATIONS OF IMMORTALITY

FROM RECOLLECTIONS OF EARLY CHILDHOOD

BY

WILLIAM WORDSWORTH

Mezw

DOVE COTTAGE, GRASMERE

BOSTON
D. LOTHROP AND COMPANY
FRANKLIN AND HAWLEY STREETS
828
W930

Copyright by
D. LOTHROP AND COMPANY

1884

Press of Berwick & Smith , 118 Purchase Street .


WILLIAM WORDSWORTH .

(Photographed from the painting by Mr. Henry Inman


( 1844 ), now in possession of Mrs. Reed,
Philadelphia , Pa .)
1

1
WILLIAM WORDSWORTH .

(Photographed from a portrait on ivory, painted in 1841 by


Miss Margaret Gillies, and now in possession of
Mr. William Wordsworth .)
AUTHOR'S NOTE .

This was composed during my residence at Town-end, Gras


mere . Two years at least passed between the writing of the
four first stanzas and the remaining part. To the attentive
and competent reader the whole sufficiently explains itself ; but
there may be no harm in adverting here to particular feelings
or experiences of my own mind on which the structure of the
poem partly rests. Nothing was more difficult for me in child
hood than to admit the notion of death as a state applicable
to my own being. I have said elsewhere,

" A simple child ,


That lightly draws its breath ,
And feels its life in every limb,
What should it know of death ! ”

But it was not SO much from feelings of animal vivacity


that my difficulty came as from a sense of the indomitable
ness of the spirit within me. I used to brood over the sto
ries of Enoch and Elijah, and almost to persuade myself that,
whatever might become of others, I should be translated , in
something of the same way, to heaven . With a feeling con
genial to this, I was often unable to think of external things
as having external existence, and I communed with all that I
jaw
as something not apart from , but inherent in , my own
immaterial nature. Many times while going to school have I
grasped at a wall or tree to recall myself from this abyss of
1ο AUTHOR'S NOTE .

idealism to the reality. At that time I was afraid of such


processes. In later periods of life I have deplored, as we have
all reason to do, a subjugation of an opposite character, and
have rejoiced over the remembrances, as is expressed in the
lines,
“ Obstinate questionings
Of sense and outward things,
Fallings from us, vanishings. ”
To that dream - like vividness and splendor which invest ob
jects of sight in childhood, every one, I believe, if he would
look back , could bear testimony, and I need not dwell upon
it here ; but having in the poem regarded it as presumptive
evidence of a prior state of existence, I think it right to pro
test against a conclusion, which has given pain to some good
and pious persons, that I meant to inculcate such a belief.
It is far too shadowy a notion to be recommended to faith ,
as more than an element in our instincts of immortality. But
let us bear in mind that, though the idea is not advanced in
revelation , there is nothing there to contradict it, and the fall
of man presents an analogy in its favor. Accordingly, a pre
existent state has entered into the popular creeds of many
nations ; and , among all persons acquainted with classic litera
ture, is known as an ingredient in Platonic philosophy. Archi
medes said that he could move the world if he had a point
whereon to rest his machine. Who has not felt the same as
pirations as regards the world of his own mind ? Having to
wield some of its elements when I was impelled to write this
poem on the “ Immortality of the Soul,” I took hold of the
notion of pre -existence as having sufficient foundation in hu
manity for authorizing me to make for my purpose the best
use of it I could as a poet.
ILLUSTRATIONS.

SUBJECT ARTIST.

Apparelled in celestial light. Frontispiece F. CHILDE HASSAM .

Dove Cottage, Grasmere FROM AN ETCHING .

William Wordsworth . Portrait HENRY INMAN .

William Wordsworth . Portrait . MARGARET GILLIES.

The Child . Vignette Miss L. B. HUMPHREY .

And while the young lambs bound EDMUND H. GARRETT .


As to the tabor's sound

And the Babe leaps up on his Mother's arm Miss L. B. HUMPHREY .

Behold the Child among his new -born blisses, WM . T. SMEDLEY .


A six years' Darling of a pigmy size

Thou little Child , yet glorious in the might WM . St. John HARPER .
Of heaven -born freedom on thy being's height
The thoughts of our past years in me doth breed W. L. TAYLOR.
Perpetual benediction
F. H. LUNGREN .
Ye that pipe and ye that play .
W . T. SMEDLEY .
The Man . Vignette

The engraving by George L. Cowee and John Schoelch .


ACKNOWLEDGMENT is due the Wordsworth Society (England ), through whose
courtesy , by its Secretary, Professor William Knight, the two portraits of Words
worth in this volume are given . They are from a set of five photographs from the
originals, prepared for the members of the Society .
It may not be amiss to quote here, from the Transactions of the Society (No.
IV. ) , what is said of the Inman portrait, which, out of some twenty -seven , Mr.
Wordsworth himself considered the best likeness : “ The true man , Wordsworth , as
he was, as he lived and moved among the sons of men .
speaks in the
Inman picture. It is a likeness . It is the man , with the far -off gaze, who wrote
the poems ."
SOWEL
INTIMATIONS OF IMMORTALITY

FROM RECOLLECTIONS OF EARLY CHILDHOOD .

The Child is father of the Man ;


And I could wish my days to be
Bound each to each by natural piety.

1.

THERE was a time when meadow , grove, and


stream ,

The earth, and every common sight,


To me did seem

Apparelled in celestial light,


The glory and the freshness of a dream .
NS TY
16 IVTIMATIO OF IMMORTALI

It is not now as it hath been of yore ;


Turn wheresoe’er I may,

By night or day,
The things which I have seen I now can see no
more .

II.

The Rainbow comes and goes ,

And lovely is the Rose,


The Moon doth with delight
Look round her when the heavens are bare,

Waters on a starry night


Are beautiful and fair ;
The sunshine is a glorious birth ;
But yet I know , where'er I go,
That there hath passed away a glory from the
earth .
Amine v

AND WHILE THE YOUNG LAMBS BOUND


AS TO THE TABOR'S SOUND.
FROM RECOLLECTIONS OF EARLY CHILDHOOD . 19

III .

Now , while the birds thus sing a joyous song,


And while the young lambs bound
As to the tabor's sound ,

To me alone there came a thought of grief:


A timely utterance gave that thought relief,
And I again am strong :
The cataracts blow their trumpets from the steep ;
No more shall grief of mine the season wrong ;
I hear the Echoes through the mountains throng,
The Winds come to me from the fields of sleep,
And all the earth is gay ;
Land and sea

Give themselves up to jollity,


And with the heart of May
Doth every Beast keep holiday; -
20 INTLIATIONS OF LIIMORTALITY

Thou Child of Joy,

Shout round me, let me hear thy shouts, thou

happy Shepherd -boy !

IV .

Ye blessed Creatures, I have heard the call

Ye to each other make; I see


The heavens laugh with you in your jubilee ;
My heart is at your festival,
My head hath its coronal,
The fulness of your bliss, I feel — I feel it all .
Oh evil day! if I were sullen
While Earth herself is adorning,
This sweet May -morning,
And the Children are culling
On every side,
In a thousand valleys far and wide,
CoANverD STHexE IBABE LEAPS UP ON HIS MOTHER'S ARM .
FROM RECOLLECTIONS OF EARLY CHILDHOOD. 23

Fresh flowers ; while the sun shines warm ,


And the Babe leaps up on his Mother's arm : -
I hear, I hear, with joy I hear !
But there's a Tree, of many, one,

A single Field which I have looked upon ,


Both of them speak of something that is gone:
The Pansy at my feet
Doth the same tale repeat:

Whither is fled the visionary gleam ?


Where is it now , the glory and the dream ?

V.

Our birth is but a sleep and a forgetting :


The soul that rises with us, our life's Star,

Hath had elsewhere its setting,


And cometh from afar :

Not in entire forgetfulness,


And not in utter nakedness,
1

2+ INTLNATIONS OF IMMORTALITY

But trailing clouds of glory do we come


From God, who is our home:
Ileaven lies about us in our infancy !

Shades of the prison -house begin to close


Upon the growing Boy,
But he beholds the light, and whence it flows
He sees it in his joy;

The Youth, who daily farther from the east


Must travel, still is Nature's Priest,

And by the vision splendid


Is on his way attended ;
At length the Man perceives it die away,
And fade into the light of common day.

VI .

1
Earth fills her lap with pleasures of her own ;
Yearnings she bath in her own natural kind ,
SMOLY

BEHOLD THE CHILD AMONG HIS NEW-BORN BLISSES,


A SIX YEARS ' DARLING OF A PIGMY SIZE !
1
FROM RECOLLECTIONS OF EARLY CHILDHOOD , 27

And even with something of a Mother's mind,


And no unworthy aim ,
The homely Nurse doth all she can
To make her Foster - child , her Inmate Man,

Forget the glories he hath known,


And that imperial palace whence he came.

VII .

Behold the Child among his new -born blisses,


A six years' Darling of a pigmy size !
Sce, where 'mid work of his own hand he lies,
Fretted by sallies of his mother's kisses,
With light upon him from his father's eyes!
See, at his feet, some little plan or chart,
Some fragment from his dream of human life,
Shaped by himself with newly - learned art :
28 INTIMATIONS OF IMMORTALITY

A wedding or a festival,,

A mourning or a funeral,
And this hath now his heart,

And unto this he frames his song ,


Then will he fit his tongue

To dialogues of business, love, or strife ;


But it will not be long

Ere this be thrown aside,

And with new joy and pride


The little Actor cons another part;

Filling from time to time his " humorous stage


With all the Persons, down to palsied Age,
That Life brings with her in her equipage,
As if his whole vocation

Were endless imitation .


THOU LITTLE CHILD , YET GLORIOUS IN THE MIGHT
OF HEAVEN -BORN FREEDOM ON THY BEING'S HEIGHT,
1
FROM RECOLLECTIONS OF EARLY CHILDHOOD. 31

VIII .

Thou, whose exterior semblance doth belie

Thy Soul's immensity ;


Thou best Philosopher, who yet dost keep
Thy heritage, thou Eye among the blind,
That, deaf and silent, read'st the eternal deep,
Haunted forever by the eternal mind ,
Mighty prophet! Seer blest !
On whom those truths do rest,

Which we are toiling all our lives to find ,


In darkness lost, the darkness of the grave ;

Thou, over whom thy Immortality


Broods like the Day, a Master o’er a Slave,
A Presence which is not to be put by ;
Thou little Child , yet glorious in the might
Of heaven -born freedom on thy being's height,
32 INTIMATIONS OF IMMORTALITY

Why with such earnest pains dost thou provoke


The years to bring the inevitable yoke,
Thus blindly with thy blessedness at strife ?
Full soon thy Soul shall have her earthly freight,
And custom lie upon thee with a weight,

Heavy as frost, and deep almost as life !

IX .

O joy ! that in our embers


Is something that doth live,
That Nature yet remembers
What was so fugitive !
The thought of our past years in me doth breed
Perpetual benediction : not indeed
For that which is most worthy to be blest ;
Delight and liberty, the simple creed
Of Childhood, whether busy or at rest,
With new - fledged hopes still fluttering in his breast :
THE THOUGHT OF OUR PAST YEARS IN ME DOTH
BREED PERPETUAL BENEDICTION
1

1
FROM RECOLLECTIONS OF EARLY CHILDHOOD . 35

Not for these I raise

The song of thanks and praise;


But for those obstinate questionings
Of sense and outward things,
Fallings from us, vanishings;
Blank misgivings of a Creature
Moving about in worlds not realized ,
High instincts before which our mortal Nature
Did tremble like a guilty thing surprised:
But for those first affections,
Those shadowy recollections,
Which , be they what they may,

Are yet the fountain light of all our day,


Are yet a master light of all our seeing ;
Uphold us, cherish, and have power to make
Our noisy years seem moments in the being
Of the eternal Silence : truths that wake,

To perish never ;
Y
MATIONS RT ALIT
30 INTI OF IMMO

Which neither listlessness, nor mad endeavor,


Nor Man nor Boy ,

Nor all that is at enmity with joy,


Can utterly abolish or destroy!
Hence in a season of calm weather,

Though inland far we be,


Our Souls have sight of that immortal sea
Which brought us hither,

Can in a moment travel thither,


And see the Children sport upon the shore,

And hear the mighty waters rolling evermore .

X.

Then sing, ye Birds, sing, sing a joyous song !


And let the young lambs bound
As to the tabor's sound !

We in thought will join your throng,


Ye that pipe and ye that play,
CONS
YE THAT PIPE AND YE THAT PLAY ,
FROM RECOLLECTIONS OF EARLY CHILDHOOD. 39

Ye that through your hearts to-day


Feel the gladness of the May!
What though the radiance which was once so bright
Be now forever taken from my sight,
Though nothing can bring back the hour
Of splendor in the grass, of glory in the flower;
We will grieve not, rather find
Strength in what remains behind ;
In the primal sympathy
Which having been must ever be ;
In the soothing thoughts that spring
Out of human suffering ;
In the faith that looks through death
In years that bring the philosophic mind.

XI .

And O, ye Fountains , Meadows, Hills, and Groves,


Forbode not any severing of our loves!
70 INTIMATIONS OF IMMORTALITY .

Yet in my heart of hearts I feel your might;


I only have relinquished one delight
To live beneath your more habitual sway.
I love the Brooks which down their channels fret,

Even more than when I tripped lightly as they ;


The innocent brightness of a new -born Day
Is lovely yet ;
The Clouds that gather round the setting sun
Do take a sober coloring from an eye

That hath kept watch o'er man's mortality ;


Another race hath been , and other palms are won .
Thanks to the human heart by which we live,
Thanks to its tenderness, its joys, and fears,
To me the meanest flower that blows can give
Thoughts that do often lie too deep for tears.
意中
NOTES.

[ From the edition of Wor rorth Poetical Works (Edinburgh, 1883) , edited
by William Knight, LL.D., Secretary of the Wordsworth Society ( England ), and
Professor of Moral Philosophy, St. Andrews, Scotland .]

The edition of 1807 concluded with this poem , which Words


worth simply named Ode, prefixing to it the motto , “ Paulò
majora canamus .” In 1815, when he revised the poem through
out, he named it, in the characteristic manner of many of his
titles — diffuse and yet precise — Ode. Intimations of Immor
tality from Recollections of Early Childhood ; and he then
prefixed to it the lines of his own earlier poem on the Rain
bow (March, 1802 ) :
The child is Father of the Man ;
And I could wish my days to be
Bound each to each by natural piety .

This longer title and motto it retained in all the subsequent


editions.
The Ode on Immortality was written at intervals, between
the years 1803 and 1806 ; and it was subjected to frequent
and careful revision . No poem of Wordsworth's bears more
evident traces in its structure at once of inspiration and

elaboration ; of original flight of thought and afflatus on the


one hand, and on the other of careful sculpture and fastidious
choice of phrase. But it is remarkable that there are very
few changes of text in the successive editions. Most of the
44 NOTES.

alterations were made before 1815, and the omission of some


feeble lines which originally stood in stanza viii ., in the

editions of 1807 and 1815, was a great advantage in disen


cumbering the poem . The main revision and elaboration of
this Ode, however an elaboration which suggests the passage of

the glacier ice over the rocks of White Moss Common , where
the poem was murmured out stanza by stanza was all fin
ished before it first saw the light in 1807. In form it is ir
regular and original. And perhaps the most remarkable thing
in its structure is the frequent change of the keynote, and the
skill and delicacy with which the transitions are made. “ The
feet throughout are iambic. The lines vary in length from the
Alexandrine to the line with two accents . There is a constant
ebb and flow in the full tide of song, but scarce two waves
are alike.” (Hawes Turner, Selections from Wordsworth .)
>
In the “ notes ” to the Selections just referred to, there is
an excellent commentary on this Ode on Immortality, almost
every line of which is worthy of minute analysis and study.
Several of the following are suggested by Mr. Turner.

( 1. ) The winds come to me, from the fields of sleep,


The morning breeze blowing from the fields that were dark
during the hours of sleep.

( 2. ) But there's a tree, of many, one,


Compare Browning's May and Death :

Only one little sight, one plant


Woods have in May, & c .

(3. ) The pansy at my feet


Doth the same tale repeat,
NOTES. 45

French “ Pensée." " Pansies, that's for thoughts.” Ophelia in


Hamlet.

(4. ) Our birth is but a sleep and a forgetting,


This thought Wordsworth owed , consciously or unconsciously,
to Plato. Though he tells us in the Fenwick note that he
did not mean to inculcate the belief, there is no doubt that
he clung to the notion of a life pre-existing the present, on
grounds similar to those on which he believed in a life to
come. But there are some differences in the way in which
the idea commended itself to Plato and to Wordsworth . The
stress was laid by Wordsworth on the effect of terrestrial life
in putting the higher faculties to sleep, and making us “ for
get the glories we have known.” Plato, on the other hand ,
looked upon the mingled experiences of mundane life as induc
ing a gradual but slow remembrance of the past.
past. Compare
Tennyson's Tico Voices, and Wordsworth's sonnet :
“ Man's life is like a sparrow , mighty king."

( 5. ) Filling from time to time his “ humorous stage'


With all the persons,
i. e. with the dramatis personce.

(6.) Thou eye among the blind,


That, deaf und silent, read'st the eternal deep,
There is an admirable parallel illustration of Wordsworth's use
of this figure (describing one sense in terms of another ), in
the lines in Aira Force Valley :
“ A soft eye-music of slow waving boughs.”
( 7. ) Full soon thy Soul shall have her earthly freight,
And custom lie upon thee with a weight,
Heavy as frost, and deep almost as life !
ES
46 NOT .

Compare with this the lines in the fourth book of The Ex


cursion , beginning:
Alas ! the endowment of immortal Pain
Is matched unequally with custom , time.

(8.) Fallings from us, vanishings,


The outward sensible universe, visible and tangible, seeming
to fall away from us, as unreal, to vanish in unsubstantiality.
See the explanation of this youthful experience in the Fen
wick note. That confession of his boyish days at Hawkshead,
“ many times, while going to school, bave I grasped at a wall
or tree, to recall myself from this abyss of idealism to the
reality ” (by which he explains those
fallings from us, vanishings, & c.),
suggests a similar experience and confession of Cardinal New
man's in his Apologia (See p . 67 ).
The Rev. Robert Perceval Graves, late of Windermere, now
of Dublin , wrote thus in 1850 : “ I remember Mr. Words
worth saying that, at a particular stage of his mental progress,
he used to be frequently so rapt into an unreal transcenden
tal world of ideas that the external world seemed no longer
to exist in relation to him , and he had to reconvince him
self of its existence by clasping a tree, or something that
happened to be near him . I could not help connecting this
6
fact with that obscure passage in his great Ode on the • In
timations of Immortality,' in which he speaks of
Those obstinate questionings
Of sense and outward things,‫ܕܕ‬
Fallings from us, vanishings.

Professor Bonamy Price farther confirms the explanation


NOTES. 47

which Wordsworth gave of the passage, in an account of a


conversation he had with the poet. It was an experi
ence, however, not, I think, as Mr. Price imagines, peculiar
to Wordsworth - and its value would be much lessened if it
-

were so — but one to which (as the poet said to Miss Fen
-

wick) "every one, if he would look back, could bear testi


mony.”

“ OXFORD), April 21 , 1881 .


“ My Dear Sir, You will be glad , I am sure , to receive
an interpretation, which chance enabled me to obtain from
Wordsworth himself, of a passage in the immortal Ode to Im
mortality.
“ It happened one day that the poet, my wife, and I were
taking a walk together by the side of Rydal Water. We were
then by the sycamores under Nab Scar . The aged poet was
in a most genial mood, and it suddenly occurred to me that
I might, without unwarrantable presumption, seize the golden
opportunity thus offered , and ask him to explain these mys
terious words. So I addressed him with an apology, and
begged him to explain , what my own feeble mother -wit was
unable to unravel, and for which I had in vain sought the
assistance of others, what were those 66 fallings from us, van
ishings,” for which, above all other things, he gave God
thanks . The venerable old man raised his aged form erect ;
he was walking in the middle, and passed across me to a five
barred gate in the wall which bounded the road on the side
of the lake. He clenched the top bar firmly with his right
hand , pushed strongly against it, and then uttered these ever
memorable words: “ There was a time in my life when I had
to push against something that resisted , to be sure that there
was anything outside of me.. I was sure of my own mind ;
S
TE
48 NO .

everything else fell away, and vanished into thought.' Thought,


he was sure of ; matter, for him , at the moment, was an In
reality — nothing but a thought. Such natural spontaneous
idealism has probably never been felt by any other man .
BOXAMY Price ."
Professor Knight.

The following is from S. T. Coleridge's Biographia Liter


aria ( ch . xxii ., p . 229, ed . 1817 ) .
“ To the Ode on the Intimations of Immortality from Rec
ollections of Early Childhood ,' the poet might have prefixed
the lines which Dante addresses to one of his own Canzoni:
6
Canzone, i' credo, che saranno radi
Color che tua ragione intendan bene :
Tanto lor sei faticoso ed alto. '

• ( ) lyric song, there will be few , think I ,


Who may thy import understand aright :
Thou art for them so arduous and so high !'

But the Odle was intended for such readers only as had been
accustomed to watch the flux and reflux of their immost na
ture, to venture at times into the twilight realms of conscious
ness, and to feel a deep interest in modes of inmost being, 10
which they know that the attributes of time and space are
inapplicable and alien , but which yet cannot be conveyed, save
in symbols of time and space. For such readers the sense is
sufficiently plain , and they will be as little disposed to charge
Mr. Wordsworth with believing the Platonic pre-existence, in
the ordinary interpretation of the words, as I am to believe
that Plato himself ever meant or taught it. "
!
UNIVERSIT O MICHIGA
Y F N

3 9015 06834 2629

You might also like