PFISTERRodo 2022 Thesexualbodytechniquesofearlyandmedieval China
PFISTERRodo 2022 Thesexualbodytechniquesofearlyandmedieval China
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Chapter 22. The sexual body techniques of early and medieval China –
underlying emic theories and basic methods of a non-reproductive sexual
scenario for non-same-sex partners
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The sexual body techniques of early and medieval China are treated heuristically to form
a sexual scenario for non-same-sex partners that is discussed in (1) textual sources dating
from approximately 200 BCE to 1000 CE. These texts were transmitted and reformulated
throughout this period as part of the wider sexual knowledge culture of imperial China
(Wells and Yao Ping 2015; Yao Ping 2018). Minimal referential series of short extracts taken
from such primary sources will be presented in a historical order to illustrate some fairly
consistent basic ideas, concepts, theories and practical advice documented therein.
This concise review discusses (2) general aspects of the sexual scenario of early and me-
dieval China in which gender-specifc roles during the sexual encounter must be empha-
sised. As ‘essence’ is considered to be the most precious generative fuid in the human body,
men are advised to (3) deal with male essence as a scarce good, and thus learn to avoid
emission and ejaculation during a sexual encounter. In stark contrast to this male preoc-
cupation with containment, women are thought to be a superior source of nourishment.
(4) Repeated female ejaculation provides the ‘female essence’ that can be absorbed by the
man. (5) Performing a sexual encounter means mutual stimulation to this end during fore-
play and onset phase, followed by a series of penetrative ‘advances’ with ‘intermissions’, and
culminating in a ‘grand fnale’.
(transl. Doniger and Kakar 2002) – in the bamboo and silk manuscripts excavated from
Tomb 3 at Mawangdui 馬王堆 (near Changsha, in today’s Hunan province) that date to the
late third, or the early second century BCE. (See the archaeological reports of Fu Juyou and
Chen Songchang 1992, and He Jiejun ed. 2004. For source texts, see Mawangdui Hanmu
Boshu Zhengli Xiaozu 1985; Ma Jixing 1992; Qiu Xigui ed. 2014; Ōgata 2015; Chapter 3
in this volume).
Two of the recovered bamboo manuscripts – Uniting Yin and Yang (*He yinyang 合陰陽)1
and Discussion of the Utmost Method Under the Sky (Tianxia zhidao tan 天下至道談) – treat exclu-
sively a sexual scenario for non-same-sex partners. A third – Ten Interviews (*Shiwen 十問) –
includes additional advice for general health, breathing techniques and wellness. The frst
two manuscripts mentioned are made up of small modular text sequences that are organised
as a hypertext whose links the reader mentally constructs by jumping from module to mod-
ule (Pfster 2013). The third text consists of ten dialogues in a question-and-answer format.
These early sources are written in a concise, often metrically regulated language. They use
lists and rhymes to facilitate memorisation, and develop a special technical vocabulary that
now needs to be reconstructed and interpreted as its terminology became obsolete early
on, or underwent considerable changes in transmission. (See the translations in Wile 1992;
Harper 1998; Pfster 2003; Ōgata 2015; compare Harper 1987; Li Ling and McMahon 1992;
Li Ling 2006.)
The sexual scenario falls within the overall topic of nurturing life techniques (yangsheng),
which receive further treatment in silk manuscripts. Recipes for Nurturing Life (*Yangsheng fang
養生方) includes prescriptions to cure various sex-related health issues, to increase arousal
and to stimulate sexual performance, as well as a line drawing of the vulva labelled with
the names of outer aspects of the genital area and locations inside the vagina (Pfster 2016;
Chapters 25, 26, 30 and 49 in this volume).
During the Later Han dynasty (25–220 CE), ‘arts of the bedchamber’ ( fangzhong shu 房中術,
in Japanese bōnaijutsu) became a bibliographic label for various sexual body techniques,
which was set apart from medical and nurturing life writings, but this distinction was not
followed in later Sui dynasty (581–618 CE) listings (Chen Guofu 1963: 365–9; Okanishi
2010, vol. 2: 1183–8; Lin Fu-shih 2008: 335–7; Li Ling 2011a: 207–10).
In 984 CE Tamba no Yasuyori 丹波康賴 (912–995 CE) presented a monumental work
to the Japanese Emperor Eny ū 円融: The Core Prescriptions of Medicine (Ishinp ō 醫心方). This
work comprised a large compilation of thirty scrolls, and gives a comprehensive view of
Chinese medicine as understood in the 10th century CE (Tamba [1955]2000; Liu Xiuqiao
ed. 1976; Gao Wenzhu et al. 1996; compare Ōta Tenrei 1976; Society for the Commemora-
tion of the One Thousandth Anniversary of the ‘Ishimpo’ 1984; Triplett 2014).
Tamba excerpted mainly medical texts brought to Japan from China, and meticulously
noted the title of each fragment throughout. Many of the titles mentioned were subsequently
lost in part or entirely in China. Scroll 28 is entitled ‘On the Chamber-Intern’ (bōnei 房內 in
Japanese, or fangnei in Chinese). Nei 內 means both the ‘inner quarter’ reserved for women
in a major household, and the women themselves thereby addressed as ‘inmates’. Thus, the
chapter title politely points to the sexual encounters of a patriarch with his several women in
their closed sphere; however, the process of them ‘being brought in (the household)’ (na 納)
is not discussed. Issues of reproduction are treated separately in Scroll 24 (Chapters 23, 24
and 30 in this volume).
Scroll 28 contains thirty subchapters or rubrics that deal with various aspects of sexual
body techniques (Table 22.1; Pfster 2013). This topical categorisation allows us to assess the
relative importance of the sources quoted therein. Most prominent is Secret Decisions in the
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Jade Chamber (Yufang mijue 玉房祕决), as its passages are quoted in most rubrics before any
other source text, and several rubric titles are probably derived from it (Table 22.1). It is fol-
lowed by Master Dong Xuan (Dongxuan zi 洞玄子), Essentials of the Jade Chamber (Yufang zhiyao
玉房指要), The Book of the Dark Woman (Xuannü jing 玄女經) and several others. (Transla-
tions include Van Gulik [1951]2003, [1961]2004; Umayahara Shigeo et al. 1967; Ishihara and
Levy 1969; Hsia et al. 1989; Wile 1992. For critical reviews of Van Gulik, see Furth 1994;
2005, and Hinsch 2005.)
Even though The Book of the Plain Woman (Sunü jing 素女經) is quoted only twice in
Ishinp ō 28.1 and 28.5, and despite Tamba no Yasuyori’s explicit titling of all citations, Ye
Dehui 葉德輝 (1903: 1a–11b) assembled all the Ishinp ō passages mentioning the interlocutor
‘Su nü 素女’ (‘Plain Woman’) into a composite work of his own making. By assigning those
passages a single title, this made-up ‘Sunü jing’ confates several sources, including cases when
passages contradict each other, or otherwise do not ft. Yet, Ye’s rifacimento Sunü jing of 1903
was received as the major work on sexual techniques in the twentieth century (trans. Mussat
1978; Wile 1992: 84; 85–94, The Classic of Su nü (sic); compare Rocha 2015).
Tapping into the same early medieval texts as the Ishinpō, the famous medical writer Sun
Simiao 孫思邈 (581–682) includes in his voluminous work of 652 CE – titled the Essential
Prescriptions Worth a Thousand in Gold for Urgent Cases (Beiji qianjin yaofang 備急千金要方
27.8: 488–91) – a chapter on ‘Replenishing and Beneftting in the Bedchamber’ (Fangzhong
buyi 房中補益; trans. Wile 1992: 114–1, and Wouters 2010: 73–8). This chapter shares its
composite character, its intertextual relationship with predecessors and the combination of
health-related and Daoist religious concerns with ‘Losses and Benefts in Steering Women’
(Yunü sunyi 御女損益), Chapter 6 in the Records on Nourishing the Disposition and Prolonging the
Mandate of Life (Yangxing yanming lu 養性延命錄) of unknown date and origin (trans. Wile
1992: 119–22; textual history, Stanley-Baker 2006).
The sexual rites of Celestial Master (Tianshi 天師) Daoism – ‘merging the pneumas’ (he
qi 合炁) – were distinguished from the arts of the bedchamber by this religious commu-
nity itself, which criticised the latter, and they appear to have been socially oriented rites de
a Rubrics that do not quote the Secret Decisions in the Jade Chamber.
b Rubrics quoting exclusively the Secret Decisions in the Jade Chamber.
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passage rather than focussing on the sexual encounters of couples (see Maspero 1937: 401–13;
Kalinowski 1985; Raz 2008, 2012; Kleeman 2014; Mollier 2016). The relationship of the
sexual body techniques with various Daoist religious movements awaits further clarifcation
(on the latter, see Maspero 1937; Needham 1983; Hidemi 1991; Zhu Yueli 2002; Lin Fu-shih
2001, 2008; De Meyer 2006: 345–74; Hudson 2007; Chapter 27 in this volume).
Literary treatments that use the vocabulary of sexual body techniques, like the Rhapsody
on the Great Pleasure in the Mutual Joys of Heaven and Earth, Yin and Yang (Tiandi yinyang jiao-
huan dale fu 天地陰陽交歡大樂賦, trans. Idema 1983; see Umekawa 2005a; Harper 2010;
Yao Ping 2013; McMahon 2019), the art of charming (Li Jianmin 1996; Zhang Hanmo
2013), aphrodisiacs (Harper 2005; Umekawa 2005b; Lo and Re’em 2018) and treatment
strategies for sexual disorders or sexual medicine (Liu Jie 1995; Fan Youping et al. eds 2007),
as well as later developments of the art of the bedchamber (see Van Gulik [1951]2003, [1961]
2004; Kobzev 1993; Li Ling 2006; Sakade and Umekawa 2003; Marié 2007; Tsuchiya Eimei
2008; Chen Hsiu-fen 2009: 83–128; Yao Ping 2015; Wells and Yao Ping 2015; Umekawa
and Dear 2018), lie outside the topical or temporal focus of the present entry (Chapters 23,
24, 30 and 49 in this volume).
A note of caution and critique is due regarding the twentieth-century reception of the
textual sources of the arts of the bedchamber: not only did translation of this ancient knowl-
edge culture pose exceptional difculties (as amply documented by Wile 1992 in his notes,
albeit not without adding Verschlimmbesserungen), but also the conceptional frameworks used
did not attempt to recover or reconstruct emic perspectives on body, consciousness and dis-
ease concepts of their times. (On the emic-etic distinction, see Headland, Pike, Harris eds
1990; de Sardan 1998.) Instead, various kinds of then new, normative approaches to sexolog-
ical issues were anachronistically inserted without discussion of their being etical terminol-
ogy. ‘Orgasm’ may serve as an example: it was considered as being synonymous with male
ejaculation or used to translate a medieval Chinese term for male and female ‘satisfaction’ or
‘jouissance’ (kuai 快, see Pfster 2012), but came without refection on the shifting technical
meaning and conceptual development ‘orgasm’ underwent in modern sexology. (For critical
remarks on orgasm paradigm, and its development, see Walter 1999; Lewandowski 2001;
Janssen 2007.) Some terms like ‘injaculation’ and ‘sexual energy’ are applied to translate
terms or to paraphrase concepts. But while this might appeal to a fashionable Zeitgeist, it
does not faithfully render the Chinese wording and emic perspective. (General overviews of
the feld include Wile 2018, Wells and Yao Ping 2015 and Yao Ping 2015, 2018. For insights
into the reception process and hybrid popularisations, see Rocha 2011, 2012; Chapters 25
and 26 in this volume.)
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The sexual body techniques
which the sexual techniques seek to address men’s health issues, especially those of men past
forty (Beiji qianjin yaofang 27.8: 488b). Thus, yin and yang are used to describe a fundamental
and dynamic asymmetry in female and male sexual responses, and each gender is advised
to adopt a specifc kind of learned behaviour – or sexual body technique – to play out the
basic programme that unites yang with yin (on the concept of body techniques, see Mauss
1935, and Crossley 2005). The yin-yang language obscures to a certain extent hierarchies
and asymmetric conceptual features as applied to ‘sexual intercourse’ – or jiaojie 交接, an
‘exchange’ ( jiao 交) (of bodily fuids) and ‘contact’ ( jie 接) (by touch).
To create norms for sexual behaviour is conceptually naturalised: ‘When humans are
born only two things are not to be learned: the frst is breathing, the second is eating. Besides
these two, there is nothing that has not to be learned and practised. Because what reproduces
life is eating and what diminishes life is sensuality (se 色), sages must have standards (ze 則)
for uniting men and women’ (Tianxia zhidao tan, slips 40–41). Such teaching ofers guidance
in potentially life-threatening situations. As humans leak, the ‘nine openings’ of the body –
the two of the lower body, anus and urethral meatus, and the seven of the sense organs – are
problematic spheres of in- and outfows. They are inroads for diseases, and the generative
fuid or ‘essence’ ( jing 精) escapes during ejaculatory coitus. The learnt practice is meant to
overcome men’s most serious problem of losing a scarce good necessary for life-maintenance.
From an outsider perspective and psychologically speaking, sexual body techniques open
detailed standardised ways for phantasmatic self-afection (Lohmar 2008), but emically and
androcentrically these are seen as a self-reproductive process: ‘The Daoist considers essence
( jing) as a treasure. If spent, it engenders others; if retained, it engenders oneself ’ (Yangxing
yanming lu 6: 8b; a similar formulation is found in Wangwu zhenren koushou yindan mijue ling-
pian, Yunji qiqian 64: 19a).
What may be considered as non-reproductive sexual behaviour (Wundram 1979) between
non-same-sex partners in early and medieval Chinese texts is indeed more than recreational
sex – one of its twentieth-century interpretations (Rocha 2012). Earlier thought communi-
ties held that sexual intercourse should nourish men in need for essence, and thereby ‘heal
humans with humans’ (Beiji qianjin yaofang 27.8: 488b). The sexual arts are presented as a
healing method, and were assumed to have an enormous therapeutic value for needy men.
Androcentric self-reproduction – viewed as a therapeutic process – serves to resolve the
considerable male feeding envy. Grafting – a widespread metaphor for sexual intercourse
(Taiz and Taiz 2017: 299–301) – is used to express linguistically this idea of nourishment. In
*Shiwen, several interviews describe methods titled with the phrase ‘to graft the privates’ ( jie
yin 椄陰), implying a form of intimate contact in which the man – conceived as scion – draws
up the sap from the woman’s slit – forming the rootstock, and thereby ‘feeds his spiritual
fow’ (shi shenqi 食神氣). The eighth-century text Numinous Tablets of the Secret Instructions
on the Yin Elixir Orally Transmitted by the Perfected Person of Wangwu (Wangwu zhenren koushou
yindan mijue lingpian 王屋真人口授陰丹祕訣靈篇) takes up the idea as follows: ‘The arts of
prolonging life are similar to the grafting of trees ( jie shu 接樹), as one develops one life
mandate with another life. (...) As one begins to open the jade gate, it should have the signs
of blood [xue hou 血候]; the initally stopped up embankment veins (chengli 塍理) start to
become permeable [i.e. the vasocongestion of the labia minora and suburethral region sets in
like the mud ridges or “embankments” are opened when felds are watered]. When yin and
yang stimulate another, it is the time when conception is going to occur. Whether one acts
in such a way as to let the life mandate of descendants ripen [i.e. one begets children], or
develops the life mandate of us forebears [i.e. one engenders oneself], are matters of one and
the same category. The principle is clear as daylight, too. In this moment it is only important
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Rodo Pfster
to not let [the essence] leak out (wu xie 勿洩)’ (Yunji qiqian 64: 19a; reject emendation cheng
塍 to cou 腠!). The late imperial Exposition of Cultivating the True by the Great Immortal of the
Purple Gold Splendour (Zijin guangyao daxian xiuzhen yanyi 紫金光耀大仙修真演義, hereaf-
ter Exposition of Cultivating the True, fol. 111, transl. Wile 1992: 144) gives a slightly more
eloquent description of the matter in section 18 ‘Renewed Blossoming by Grafting on the
Decayed (Rootstock)’, including the motto: ‘Worldly people who do not know the principle
of prolonging life merely have to look at the grafted pear in the mulberry’.
Conceptually speaking, this phantasmatic absorption theory is not presented as a nega-
tively connoted ‘sexual vampirism’ (revamped by Goldin 2006), but rather as a men-centred
optimisation process of self-growth whose possible adverse efects on women do not enter
the picture. The subjective phantasmatic experiencer perspective visualises textually the
permeable, excited bodies, and assumes that as soon as their body images merge, the female
essences can be transported from the female to the male system.
However, a concrete guide to literally drawing up female fuids by the penis could not be
found in our Chinese sources. This kind of exploration of the humanly possible has appar-
ently only been executed by Bengal yogins in Tār āpīṭh applying the vajrolī mudrā (lightning
seal) for seminal retention and absorption of female fuids during sexual intercourse. They
use rubber or silver catheters to train their uro-genital musculature in order to develop
urethral suction (Roşu 2002; Darmon 2002; Mallinson 2018). It remains unclear what emic
perspective then explains what should happen with the fuids once they arrive in the urinary
bladder.
Taken at face value, one might conceive of the rubric 3 ‘Nourishing Yin’ as the female
counterpart to rubric 2 ‘Nourishing Yang’ (Table 22.1), where the Secret Decisions in the Jade
Chamber advises menfolk to change partners frequently in order to beneft more (from the
female partner’s fuids), to choose, preferably, young women – not under fourteen and up to
thirty years old – who have not given birth, and to keep the sexual arts secret from them.
Despeux and Kohn (2003: 36–40) claimed that three passages of the Secret Decisions in the
Jade Chamber promote the ‘power of yin’ by embracing the woman’s female sexuality, ‘giving
encouragement to all women who follow her’. However, their partial translations omitted all
those passages wherein female adepts are judged negatively. We read that the Queen Mother
of the West ‘copulates once with a man, and this establishes damaging diseases’; and that
she likes to have intercourse with young men, which is said ‘not to be admissible to teach
to the world; why was the Queen Mother like that?’ The explicit call is for moderation and
restriction; we read that an early exhaustion of a woman’s ‘yin essence’ (yin jing 陰精) should
be ‘adequately restrained and observed’ (specifcally when, on hearing that the man has
had sex with others, she becomes jealous and agitated, so that her ‘essence juices’ fow out
by themselves), and we are told that a woman who ‘knows the art of nourishing yin’ might
‘transform into a man’. Clearly, theories of equal beneft were secondarily emerging, derived
theories that did not even attempt to smooth out the theoretical inconsistencies with their
forerunners. An early example for such an equal beneft scenario can be found in the Biogra-
phy of Lord Pei, the Realised Person of Pure Refnement (Qing Ling zhen ren Pei jun zhuan 清靈真
人裴君傳; see Raz 2012: 185–6).
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The sexual body techniques
with fve kinds of spoilt ejaculated fuids, and their respective damaged body constituents,
all of which are results of hectic intercourse, leading to abrupt and violent emissions (Ishinp ō
28.20: 25a). Compare also the seven afictions and seven injuries to the male uro-genital
system as given by Marquis of White Waters in the Wuwei medical tablets 85A–85B (trans.
in Yang and Brown 2017: 293–5), and in Bei ji qian jin yao fang (19.8: 354a).
‘Essence’ as such constitutes a scarce good. In 1335 CE, Master Shang Yang calculates in
his Great Essentials on the Golden Elixir by Master Shang Yang (Shangyangzi jindan dayao 上陽
子金丹大要 3: 1a–2b) that at age sixteen, the ‘essence’ in the body only amounts to about
1,520 ml (1 sheng 升 6 ge 合) of liquid volume, which according to the text weighs 633 g
(1 jin 斤). By a continent lifestyle, it can be continuously augmented up to about 2,850 ml
(3 sheng) at best. But each ejaculation results in a loss of about 47.5 ml (half a ge), which is of
great concern!
Li Shizhen 李時珍 (1518–1593) cites the calculation without mentioning the source in his
Materia Medica Arranged According to Monographs and Technical Criteria (Bencao gangmu 本草綱目,
juan 52; vol. 2: 1932). By his time, the total volume of essence in the body would vary from
about one at sixteen years of age to about three litres in a continent life, and the ejaculation
would amount to 50 ml. However, if Master Shang Yang had used earlier standards of mea-
surement, all these volumes would have been slightly lower than indicated above.
Using the voice of the Selected Woman (Cai nü 采女), the everyman’s question ‘wherein
lies the fun of preventing ejaculation?’ is answered by Ancestor Peng: ‘If the essence is emit-
ted, trunk and body parts become sluggish and limp, the ears are bitterly (painfully) buzzing,
the eyes can hardly be kept open, the throat dries out, and the bones and articulations loosen
and decay. Even though there is occasionally a short-term satisfaction, in the end it is not
pleasurable. If one stimulates and does not ejaculate, the force of the qi has a surplus, trunk
and body parts can be at ease, ears and eyes are sharp and bright. Even though one restrains
and calms oneself, imagination and (loving) care are emphasised even more. It is constantly
as if it were not enough, how can this not be pleasurable?’ (Yufang mijue, Ishinp ō 28.18: 22a;
see Pfster 2012: 52–3).
Thus, ejaculation – the ‘short-term satisfaction’ (zan kuai 暫快) – is contrasted with an
intermediate state of bliss, echoing prepubescent boys’ orgasmic experiences. (On the princi-
pal and experiential separation of ejaculation and orgasm, see Marcuse 1922; Haeberle 1985:
266–8; Kothari 1990.) Several texts elaborate on the proftable health outcome of a series of
prolonged sexual intercourse performed without ejaculation: from improved sight and hear-
ing to a glowing skin, to strengthened spine and bones, to free-fowing waterways (of the
uro-genital system), to a hard and strong erection; and as one’s strivings become untameable
(a feeling of boldness) (see Tianxia zhidao tan, slips 22–4; *He yinyang, slips 112–15; *Shiwen,
slips 19–22). This culminates in an altered state of consciousness, during which subjective
light experiences emerge as he ‘follows the heavenly blossom’, or his ‘spirit brightens up’.
Clearly, the sexually stimulated inner transports of the ‘essences’ beneft overall ftness and
well-being – at least from the experiencer’s perspective – and contribute to agreeable psy-
chological states, and a feeling of bodily lightness. (See Pfster 2006a on spirit brightening;
Pfster 2012 on phosphenes and Hsu 2012 on the feeling of lightness. On altered states of
consciousness during sexual encounters, see Swartz 1994; Cohen and Lévy 1996; Meston
et al. 2004; Safron 2016.)
The basic methods to avoid emission and ejaculation are (a) the free-handed method, (b)
the urethral pressure method and (c) combinations thereof with visualisations. Ejaculation is
not completely avoided, but simply decreases with age (Maspero 1937; Needham 1983; Wile
1992; Pfster 1995; Karamanou et al. 2010).
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Rodo Pfster
Rubric 18 of the Ishinpō 28 is named ‘reverting the essence’ (huan jing 還精), a term that
denotes internal dispersion of the essence after high excitation during sexual intercourse and
avoiding emission and ejaculation. However, the meditative texts of the Shangqing tradition
use the term in solo practices that move around visualised contents and circle coloured qi inside
the adept’s body (Maspero 1937: 379–80; Robinet 1984, I: 175 n. 1; Hudson 2008: 413–30).
a The Mawangdui texts report a free-handed method closely linked with an altered state
of consciousness: ‘The matter of the spirit brightening consists in what is locked away;
cautiously handle the jade lock (yu bi 玉閉), and spirit brightening will arrive’ (Tianxia
zhidao tan, slips 18–19). While maintaining a light and regular breathing pattern
throughout and avoiding vocalisations, the man reduces thrusting movement and ‘con-
tracts the ring’ (xi zhou 翕州, i.e. the anal sphincter) to maintain the ‘jade lock’ (and
thus avoid emission and ejaculation), that is, by locking away his own ‘essence’, which is
made one whole (yi 壹) that will be shifted (qian 遷) upwards in his body (Ibid., slip 22).
The use of anal sphincters and genital musculature is in no way tabooed or restricted
(on anal pleasures, see Lo and Barrett 2012). Insight into pelvic muscle function might
have been furthered by squatting behaviour, and sitting on mats, which trains relevant
musculature on the go (Paciornik 1985).
Before each ‘intermission’ (yi 已), he stops moving, sucks air in and presses the penis
downwards, waiting for some time in order to ‘retain the surplus’, or washes the penis with
an aphrodisiac lotion, so that it begins to erect itself anew; this action is called ‘stabilising
the tilting’ (Ibid., slips 31, 33–6). In all, there are eight ways to ‘increase (bodily) fow
constellations’ (yi qi 益氣) and overall stamina of the man (compare Pfster 2006b: 90–7).
Yufang zhiyao (Ishinp ō 28.18: 22b) adds some elements to guide the man’s attention away,
stating: ‘When the essence is strongly aroused, you quickly raise the head, open your
eyes wide and look to the left and to the right, upwards and downwards; you contract
the lower body, hold the breath, and the essence is stopped by itself ’.
b The urethral pressure method is considered by some a beginner’s practice, which should,
after some training, be replaced by the free-handed procedure. ‘The method to revert
the essence and to replenish the brain (marrow) (huanjing bunao zhi dao 還精補腦之道):
as the essence is greatly aroused during sexual intercourse, and about to be emitted, press
quickly to drive it back with the two middle fngers of the left hand behind the privates’
bag [scrotum] and in front of the great opening [anus]. Press it during its bristling activ-
ity, prolongedly eject the breath while clapping the teeth ten times. Do not block of the
breath, as in that case your essence will be released. Whereas if the essence is not allowed
to be emitted, it returns and reverts in the jade stalk [penis], and moves upwards into
the brain (marrow)’ (Yufang zhiyao Ishinp ō 28.18: 22b).
More than a thousand years later, the method was integrated without further ado into
planned parenthood tracts of the twentieth century, but now called the ‘urethral pres-
sure method to prevent conception’ (niaodao yapo fa 尿道壓迫法, or yapo niaodao biyunfa
壓迫尿道避孕法; see Yang Geng 1964; Han Xiangyang 1972; Edwards 1976).
Retrograde ejaculation of semen into the bladder is an undesired outcome of cases when emis-
sion was already on its way, and urethral pressure applied a trife too late. It would become
apparent as cloudy urine in the lacquerware urinals in the form of a tiger (huzi 虎子) that
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were used by men in well-to-do households in early China (Huang Gangzheng 1986). An-
cestor Peng explains it to the Selected Woman: ‘One forcefully presses [the essence in the
urethra], and closes it of tightly; it being difcult to hold and easily lost, this causes one’s
essence to leak and the urine to be turbid’ (Yangxing yanming lu B.6: 9a; Beiji qianjin yaofang
27.8: 490a; Maspero 1937: 382). The late imperial Exposition of Cultivating the True (fol. 104,
section 12) describes the difculties encountered by beginners who want to ‘lock and bar the
mysterious trigger’, and quantifes the occurrence of refux: ‘Wanting to forcibly close it of
(qiǎng bi 強閉), the wasted essence (bai jing 敗精) necessarily silts up (ni 泥) and enters the uri-
nary bladder and the kidney bags. (...) Out of a number of fve thousand (sexual) excitations
(sh ān gu 肩<扇>皷), one only about once emits wasted essence’ (Revising Wile 1992: 140,
265 n. 3). By this estimation, retrograde ejaculation is considered an occasional and relatively
rare event, which can be avoided by using a more gentle approach to prevent emission, the
texts’ own elaborate free-handed method.
345
Rodo Pfster
(Slips 129–32; the parallel passage of Tianxia zhidao tan, slips 56–8, ends with ‘foodlike fow
constellations are only now emitted’; see Pfster 2006b: 98).
*He yinyang is unique in claiming a debit by postulating that a women owes the man her
ejaculate: ‘In the evening the essences of the man are provided for ( jiang 將) [by prolonged
sexual intercourse without emission and ejaculation], in the morning the essences of the
woman are demanded (ze 責) [i.e. emitted and ejaculated], and thereby my essence will be
nourished by your essence’ (slip 127). At the time of the ‘grand fnale’, body boundaries are
lost during the experience (Meston et al. 2004: 177), and this allows for the phantasmatic
transport of essence from woman to man (slips 128, 133; Pfster 2006b: 97–100).
a Foreplay, or the ‘playful ways’ (xi dao 戲道), sees the partners breathing upon each oth-
er’s bodies, embracing, snuggling, touching and arousing each other in a leisurely way.
The man learns the fve proofs of her fvefold desire, which are rising bodily fows and a
heated face, hardened nipples and a sweating nose, descent of bodily saps and wet thighs,
a dry throat and swallowing saliva. Only after all the proofs are seen, he is allowed to
mount. A rich vocabulary is used to describe the caressing of her erogenous zones from
the wrist, over neck, to ‘mount constancy’ (chang shan 常山), massaging her by breath,
touch and body weight (*He yinyang, slips 102–11; see Harper 1987; Li and McMahon
1992; Middendorf 2007).
b The onset phase, called ‘approaching the matter’ (lin shi 臨事), or ‘approaching the ride’
(lin yu 臨御) – despite being a regular rubric in the literature (Ishinp ō 28.5) – has so far
been overlooked by virtually all modern commentators. Onset is diferentiated from
foreplay – when fngers and tongue arouse the couple – by its use of the penis in order to
promote frictional pleasure and to further tumescence of the erectile tissues of both par-
ties. Here, the distinction between ‘outer’ (wai 外) and ‘inner’ (nei 內) aspects of the fe-
male genitals is technically important. It is paralleled by the male actions of ‘mounting’
(shang 上) the vulva and mons veneris, and ‘entering’ (ru 入, na 內 or 納) the vaginal canal
itself, where thrusting can be directed to both areas, varied and alternated in either a
vulval or ‘shallow’ (qian 淺), or a vaginal or ‘deep’ (shen 深) fashion. During onset – that
is, before any ‘deep’ penetration occurs – special attention is given for some time to the
clitoral complex. (On the conception of the clito-urethro-vaginal complex, see O’Con-
nell et al. 2008; Foldès and Buisson 2009; Jannini et al. 2014; Mazloomdoost and Pauls
2015; Levin 2018.) In *He yinyang, he takes the penis or ‘jade whip’ to ‘hit upwards’
(shang zhen 上揕) without penetration in order to cause her bodily fows to arrive (zhi qi
致氣), producing ‘warmth’ (slips 108–9). In Sunü jing, the woman reclines, and the man
positions himself between her legs; he uses his lips on the ‘mouth’ and sucks the ‘tongue’
(clitoris) of her genitals, and by holding his ‘jade stalk’ then ‘beats’ ( ji 擊) both sides of
her ‘jade gate’ (aiming at the clitoral bulbs) for about the ‘time of a meal’ (shi qing 食頃;
346
The sexual body techniques
Ishinp ō 28.5: 11b). Even more detailed is the description in Dongxuan zi: ‘The jade stalk
drags at the mouth of the jade gate. (...) He then attacks and hits with the yang blade
to and fro, or storms downwards to the jade streaks (yu li 玉理) [fourchette], or rams
upwards to the golden ditch ( jin gou 金溝) [pudendal cleft]; he hits and pierces the sides
of the ring wall (bi yong 辟㢕, read 璧廱) [the side areas around the urethral meatus, or
periurethral glans (Levin 1991)], or rests at the right of the reddish jade platform (xuan
tai 璿臺) [elevation of glans clitoridis]’. An added interlinear commentary specifes:
‘The above is wandering outside, and not yet copulation inside’. To stimulate the cli-
toris, the clitoral bulbs and the area around the urethral meatus for quite some time by
hitting with the penis guided by the hand are known in Rwanda as gukubita rugongo, ‘hit
the clit’, and on the Chuuk Islands and the Ulithi Atoll, it’s called wechewechen Chuuk,
‘Trukese striking or prodding’ (see Vincke 1991: 175; Bizimana 2005: 64; 2008: 60–64;
Swartz 1958: 477–8, 481–3; Lessa 1966: 87). All three cultures prefer wet sex, and thus
our last text concludes the passage with: ‘The woman’s lustful juices must spill from the
cinnabar grotto, thereafter you throw your yang blade into the children’s palace [i.e. the
vagina]’ (Ishinp ō 28.5: 11a). The onset activity mimicks ways of same-sex and solo stim-
ulation that further erection and tumescence. The deliberate insertion of such an onset
phase, which specifcally stimulates the clitoral complex, modifes the infuential, but
often criticised four-phase model of the sexual response cycle – consisting of excitation,
plateau, orgasm and resolution phases – established by the modern sexologists Masters
and Johnson (1966) (see also Haeberle 1985: 65–7; for criticisms, see Tiefer 1991; Levin
2001, 2008). It is a research desideratum to analyse ancient Chinese recipes to tighten
the vagina and other vaginal practices regarding the question if they further lubrication
(wet sex preference), or rather dry up the vagina (dry sex preference) (Levin 2005).
c The linking passage in Tianxia zhidao tan elucidates what should be at one’s disposi-
tion during the encounter: ‘Hold ready the ten embellishments, arrange conveniently
the ten positions, and vary the eight ways [of thrusting]’ (slip 47). Purposefully using
some adapted military terms, the sexual interplay is cadenced by ten ‘advances’ (dong
動), each followed by an ‘intermission’ (yi 已). (On metaphors of fghting and warfare,
see Van Gulik [1951]2004: 68, 158–9; [1961]2003: 76, 157, 278–80, 320; Wile 1992:
35.) The scenario thus relinquishes the one-climax-structure for a ten-fold, longer and
thoroughly modulated one. The ten positions have animal names; one needs to know
in what position toads or dragonfies copulate to get the point of the list. Later texts list
in dense description up to thirty variations (Dongxuan zi, Ishinp ō 28.13: 16a–18a). Some
positions are considered therapeutic, especially those to increase the man’s weakened qi,
where the woman straddles over the reclined man and provokes the emission of her ‘es-
sence juices’ that ‘overfow to the outside’, coming ‘like rain’ or a ‘spring’ (Xuannü jing,
Ishinp ō 28.12: 14b–15b). The sources transmit several partonymic sets of vulvo-vaginal
locations, which allow insights into the prototypical cognitive representation of the
female genitals (Pfster 2007, 2016; Middendorf 2007). The observance of the distinc-
tion between shallow and deep thrusting addresses stimulation to both vulval (clitoral)
and vaginal locations in changing rhythms, which are organised into a series of thrust-
ing, punctuated by intermissions (on the role of rhythmic stimulation, see Safron 2016;
Levin 2018).
The male participant observer interprets her ‘fve sounds’ or vocalisations to guide his ac-
tivity: when her breathing is throaty or she catches her breath – she’s inwardly tight; when
gasping – she reaches delight; when continuously wailing – insert the jade whip and the
347
Rodo Pfster
nourishing starts; when breathing with a *hmaj sound – pleasant sweetness is extreme; if
she’s grinding her teeth – he should wait for her. By carefully distinguishing the sounds,
he recognises where her ‘heart’ (attention) is located; likewise, he knows by her ‘eight ways
of [involuntary] movement’ where pleasure passes through. Four examples out of ‘eight
observations’ may serve: if she reaches out for him with her hands, the bellies should draw
close; if she extends her elbows, the hammering of the upper vaginal wall is wanted, while
he supports himself with his hands on the bed; if she crosses her thighs, the piercing is greatly
overdone; if she’s shivering, it’s excellent (Tianxia zhidao tan, slips 50–53, 63–4; compare *He
yinyang, slips 120–26; see Levin 2006).
Slowing down and lingering without losing persistence is the essential advice given to
men at the end of the Discussion of the Utmost Method Under the Sky, adding a description of
emotional afterglow: ‘For the teasing entertainment it is important to endeavour to linger
on and hold out; if one is capable to linger on and hold out, a woman greatly rejoices. She
will be attached to you as to her younger and older brothers, and take care of you as of her
father and mother. Everyone who can go this way is called a heavenly master’ (slips 66–7).
Note
1 Manuscript titles are starred * when their title was added by modern editors. Translations of titles
and excerpts of source texts are those of the present author throughout.
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