essa se ta La? a8 oe) WSERIIES (cj { poR ANTHOLOGY SERIE CONTENTS AFRICA /ToToIW 2 - [Direclo TI ANIMAL /PAST TO PRESENT/ 44 CARMEN /ISOLATION 2& XT celal os GIRL GOODBYE /TOTO/ 36 HOLD THE LINE /TOTO/ aG@ Dire cl: HYDRA /HYDRA/ G& Diced ' THINK | COULD STAND YOU FOREVER /TURN BACK/ 5 JAKE TO THE BONE /KINGDOM OF DESIREY Tae. LOVERS IN THE NIGHT /TOTOIV/ @G& +; PAMELA /THE SEVENTH ONE/ 8-7 ROSANNA /TOTOIV/ 108 7 SOMEWHERE TONIGHT /FAMRENHEIT/ 4-4 STOP LOVING YOU /THE SEVENTH ONE/ 424 WITHOUT YOUR LOVE /FAWRENHEIT/ 43u e ee Transcribed oy KENN CHIPKIN, NEAL JOHNSO’ T SCHARFGLASS, JOSH + 4AT$$ Words and Music by DAVID PAICH and JEFF PORCARO i ES 2 Moderately J = 94 Intro: Gtr. 1 (12-string acoustic) . E/G* Ctm7 Drums & Perc. Rhy. Fig. ---------------------------------- 4 “Bass gtr. plays note to right of slash. ee —* E/Gt Ctm7 i. Verse I: B 4m I hearthedrums ech-o - ing to- night. hold throughout 2-9-1 27 © 1982 HUDMAR PUBLISHING CO., INC. & COWBELLA MUSIC (ASCAP) Al Righis ReservedGt? B/FE A/E E/FY but she hears - ly whis- pers of some qui-et Gtm7 A E/G$ Cim7 B Dim? She’s com-ing in, twelve - thir-ty- flight Rhy. Fig. 2 Gtm7 Africa 9-2 PG9627 BMFt AIE EF} — z Moon - lit te - flect the stars_ that guide me toward. sal -Gina A E/GICtm7 = B Dim va . tion. I stopped an oldman a- long the way, end Rhy. Fig. 2 Gtm7 BFt AE E/Ft — = — hop-in’ to find__ some old for- got - ten words__ or _an- cient ——~ Gtm7 A E/Gt Ctm7 B Dim7 mel - o = dies. He tumed_to me__ as if__ to. say,_ Rhy. Fig. 3 kL Att! Africa 9-3 69627Africa 9-4 PG9627 Gim7 A E/G$ Cim7 “Hur- ry, boy,_it’s" wait- ing there__ for_you.”. Chorus: Fim Dsus2 end Rhy. Fig. 3 BQ) Fim Dg 2 ne: from you. There's noth-ing that a hun-dredFim D could ev- er do.. I bless the rains____. down in Af- A E FinvE E Fim Dsus2 cae Gon-na take some time_ to do__ the 4fr. “a ct ES Gtr. Ae J oD J things we nev - er had.___ Mmm, end Rhy. Fig. 4 Africa 9-8 PG9627wiRhy. Fig. 1 (Gir. 1) 2 A (E/G} Cim7) A E/GHCtm7 J 2 = end RITA ~ hmm, Verse 2: w/Rhy. Fig. 2 (*Gtr. 1) 2 times Dim? Gim7 BrFt — f — 7s ——s = = fe 7 2 The wild dogs cry out = in_— the night__ as they grow rest - less, 2 gtrs. arr. for 1. . AE EFI Gtm7 A E/GICtm roomy long-ing for some sol - tar com - pa- ny. Ooh.. B Dim7 Gtm7 = + . fe ee ai a I know_that I___ must do__ what's right, sure as Kil-i- man-ja - 10 AIE E/Ft Gim7 7 E/G} C: cryrcr ris - es like O - lym- pus a-bove the Ser - en-ge- ti. Ooh. w/Rhy. Fig. 3 (Gir. 1) B Dtm7 Gim7 I seem to cure__what's deep_ in - side. Fright-ened of ___ this Chorus: w/Rhy. Fig. 4 (Gir. 1) simile A E/Gt Ctm7 Fim Dsus2 Q a thing that I've__ be - come. It’s gon-na take a lot_ to drag_me a-w Aftica 9-6A EQ) Fim D§ from you. There’s noth-ing that a hun-dred men_ or more_ A E Fim could ev - er Cee I i A E FimE E Fim * Dsus2 none ~ —~ ri - ca Gon-na take some time— to do the wIRiff A (Gtr: 2) A Cim7 E Fim E/Gt Mmm, things we nev - er had. A E/G} Cim7 A E/G¢ Ctm7 hmm, Instrumental Solo: w/Rhy. Fig. 2 (Gtr 1) simile B Dim7 Gtm7 B/Ft ALE E/Ft Gtm7 w/Rhy. Fig. 3 (Gtr. 1) simile A E/GiCtm7 B Dim7 Gtm7 A E/G¢ Ctm7 7 Hur-ry boy, she’s wait-in’ —there_ for you Aftica-9-7 69627Chorus: wiRhy. Fig. 4 (Grr. 1) Ist 4 bars only Fim? D A E » “ . dene. It’s gon-na take a lot to drag_me a-way__ from you. Gtr. 2 Fim D A D > There's noth-ing that a hun-dred men_ or more_____— could ev- er a w/Rhy. Fig. 4 (Gtr, 1) Ist 4 bars only Fim D A E Cee ee ~ bless the rains, down in Af i. 7 *1st time only ttt ttt tt ttt tte *Lead vocal ad lib, on repeat. Africa-9-8 G9627A E mo —~»/~:——> Fim Z bless the rains_ttt. down in Af . Ti - ca w/Rhy. Fig. 4 (Gtr. 1) last 5 bars only D A z 1 A BT rm____ gon - na take it now. I bless the rains. down in Af - Ti- ca. w/Riff A (Gtr. 2) Fim I'm gon-na take some time_ to do__ the things we nev - er have. Outro: w/Rhy. Fig. 1 (Gtr 1) 3 times Repeat & fade E Fim E/Gt A E/G} Ctm7 A. E/GHCtm7Words and Music by DAVID PAICH and JEAN-MICHEL BYROD ee rae rite Str ue. B 123 Moderately J = 106 (J7) = I) Intro: AS Gtr. 1 (Acoustic) r+ SF) *Gtr. 3 (Electric) mf L—.—) = Gtr. 2 (Electric) whtrem. bar ae PM. until change *w/distortion. ~— NC. Em) RiffA Gtr. 2 (Fim) Fim? BS/Ft Fim7_ N.C. (Fim) Gtr Gtr2 end Riff A Ef Spoken: Animat- 15-1 PG9627 © 1990 DAVLO MUSIC and LORDS & TRAMPS MUSIC Riehiy Reserved!wIRMY A (Gir. 2) (Em) Em7 AS/E Em7 NC. (Em) (Fim) Fim? BS/Ft Fim7 2 Gtr 1 Verse I: wRiff A (Gtr. 2) *Em Em(maj7) Em7 Em6 Ftm Fim(maj7) T've nev-er felt_ like this_with some - one, I nev-er knew _ I could feel this way at all. *Keybd. harmony. Fim7 Fim6 Em Em(maj7) Em7 Em6 ee Pre- des - Gtr. 2 na - tion by— ap - point - ment, sto - ry - Fim Fim(maj7) Fim7 Fim6 book re-al - i - ties_ are com- ing true. nimmal = 15 <2 G9627Gtm G$m(maj7) Gtm7 Gtm6 scared; you looked_so help - —_less,_. lust was wIRifl A (Gtr. 2) GIA AB NC. Em Em(maj7) in good dis - guise. I took you home_ to meet_my moth- Em7 Em6 Fim Fim(maj7) Fim7 Fim6 er. Just like me, she fell straight in love_ with you. wIRift B (Gir. 2) Em Em(maj7) Em7 Em6 You took me to your. own___ a: - part - __ment. Was it me, Fim Ffm(maj7) Ftm7 Ftm6 —_ or does the night do things_ to you?________ Animal - 15-3 9627Gtm Gtm(maj7) Gtm7 Gtm6 GIA AB You read from Ve - nus_ and A-don - is. Hon - ey, how__ could I fe - sist? E E7 A/E E7 ae Said come on, we've got to- night._ =——ee *2 girs. arr. for 1. Cim7 —, when_ two gers FWCH = C#m? tae pu) iE sais TIL lift you yp and nev - er let_ you down._ tt Animal - 15. 4 69627A/E E7 Chm7 FCt babe, and you'll be the crown... Cim7 B7 = We're in- stinc - tive - ly im - pul- sive; Riff C a- we're an - | imal - 15 -s 9627Instrumental: wIRiff A (Gir. 2) NC. Gisus G¥isus ATsus Affsus *Em Em(maj7) Em7 Em6 “Played by keybds. Verse 2: wiRiff A (Gtr. 2) : Fim Ffm(maj7) Ffm7 Fim6 Em Em(maj7) A bod-y like yours should bear - rest - Em7 Em6 Fim Fim(maj7) oa Hon- ey, IL should be locked up. in a cage. wIRiff B (Gir. 2) simile Fim7 Fim6 Em Em(maj7) —— We are — | we are car - nal, we__ are hu - Em7 Em6 Fim Fm(maj7) Fim7 an Oh, we've got de- sires we can't con - tain. Gim G$m(maj7) Gtm7 Gim6 GIA AB Smoke a-larm_ is___ go-ing off _a- gain. I guess I’m gon - na have to cool you down.. \nimal - 15-6 169627Chorus: = Said come on, ba - by, we've = got —to- night._ Gtr.2 RiffD - Ctm7 FCH Noone los - es when_two ti . gers fight imal - 19 -7 G9627w/Rift D (Gtr: 2) Cim7 E7 ce —— ae Ctm7 FYCE Ctm7 So come on, Animal - 15-8 PG9627whiff C (Grr. 3) B7 — 4 In - stinc - tive - ly im - pul - sive, end Rhy. Fig-1 ae Gtr 4 AT G7 BT G7sus Gi7sus A7sus Af7sus ———— i we're an - va ZA Z Animal - 15-9) G9627Guitar Solo 1: wiRhy. Fig. 1 (Gir 3) simile & Rift D (Gir. 2) 2 times c7 D7 DIT E7 Cim7 FWCt ct Cim7 B7 trem, bar trem. bar 3 hold — + nal - 15-10 62721 w/Riff C (Gir. 3) mmm ee MONE NEN 0 3 3 3 trem. bar 1 igeg=-. ee G7sus Gfisus A7sus Affsus (Em7) Verse 3: wiRiff B (Grr. 2) Fim7 BS Fim? Nc. (Em) Some girls may Animal 15-11 PG9627(Fim) __ my head, eon yon be lead - in Gin Gim(maj7) Gh? Gim6 — me on__ When_wetouch, it’s so_ ex - plo-_ sive. It seems my GIA AB a = ¢ Ef =a ee F + —=- tT life’s been lead - ing to this.. = ‘Come on, ba - hold - ~~ -» Chorus: wiRhy. Fig. 1 (Gir. 2) simile & Riff D (Gtr. 2) 2 times E7 AE E7 ~ — by, we've got to - night___ No one los - Cim7 FUCE Ctm7 == AE E7 a es whentwo ti - gers fight,___ Yoube fi - re, Tl be the ice, Gtr 4 re 38 —a A snimal 15 - 12 69627= Cim7 FYCI cim7 = Socomeon, ba - by, melt_ me, ooh, so nice._ wIRIff C (Grr. 3) / —~ B7 We're = an - i - mals. ———— Woah!_ Guitar Solo 2: WIRiff D (Gtr. 2) 3 times Gisus__ Gi7sus A7sus Af7sus E7 ~, *2 gtrs. arr. for 1Ctm7 FHC Cim7 gehh tp & kt & My, my, my, my, my, my, my, my, my,_ my, oh_ Da os — Y¥i!___ Da da dee da da Cim7 FYCH Cim7 de da dum bee_ da dum. Bo be da dum be da dum be da dum be da dum, PM, Gtr. 3 imal = 15-14 9627ge) \ wiRiff C (Grr. 3) B7 AT G7 B7 G7sus G¥isus A7sus Af7sus Animal « 15 15 PG962726 Words and Music by ' DAVID PAICH and JEFF PORCARO Moderately fast J = 153 Intro: *ES Em7 DG G Bm7 D Em Em7 DIG G Riff A --- - : Gtr. 1 “Chords derived from combined tonality throughout song. Bm7 G Em Em7 DG G Bm7 D Em Verse: Em? DIG G Bm7 D Em Asus2 4 a ee SSS & 7 T I. Last night — she ——$= 2. See additional lyrics +Chord is synth, part arr for gtr. Carmen - 10-1 PG9627 © 1984 HUDMAR PUBLISHING CO., INC. and RISING STORM MUSIC (ASCAP) This Arrangement © 1996 HUDMAR PUBLISHING CO., INC. and RISING STORM MUSIC ASCAP) All Rights Reservedes) E/A Am DIC ran a- way__t (Left a let- ter by the tel- © - phone.) Asus2 BA, Am DIC She did- n't take the time to. say__. good - bye. P cresc. f I Substitute w/Fill 2 (Grr Substitute w/ (Gtr, 1) Verse 2 ‘Asus2 E/A ra He knows he has to find___ her.Substitute w/Fill 3 (Gtr. 1) Verse 2 cf Asus2 DIC —~ ob, (Find a way to make her come back__ home.) She stretched her wings. Substitute w/Fill 4 (Gu: 1) Verse 2 — BIA Am DiC —— and leamed_. to yo Car - trem. bar f ee ; ac! Chorus: wIRiff A (Gir, 1) 3 1/2 times, simile ES Em7 DIG G Bm7 D Em Em7 DIG G Zs — men, Car - men, don’t you care for me?. men 10-4 1960729 Bai D Em Em7 DG G Bm D Em ——™ Car - — men, Car = — men, don’t you care, 1. wiFill 1 (Gir 1) Em? DIG G IBmv D Em 2, wiFill 1 (Gir. 1) [Bro D Em Bey men, don’t you care for me?. Interlude 1: DS Csus2/D Gm/D Dm CE *Volume swell. BUF Fm BYE Fm BUF Fm (PM) -- = 2430 Synth Solo: BUF Fm BUF Bm FYB Bm7 E/D D A Verse 3: GD Asus2 trem. bar BIA Am Dic real- ly miss that °G962731 Asus2 E/A Am DIC Asus2 E/A Am with- out___ her. (’'m so Chorus: WARIff A (Grr. 1) 3 times, simile pic > ES Em? DIG G trem. bar harm, Carmen - 10-6 69627Bm7 D Em Em7 DIG G Bm D Em men, don’t you care for = me?___ Car - Em? DIG G Bo D Em Em? DIG y° Car - men, don’t you care, Car - men,don't you care NC. Interlude 2: — wiFill 5 (Gtr. 1) *Bass gtr. ar. for gtr. Carmen - 10-7 Pas627= wiBass Riff A (Gir: 2) 6 1/2 times ES En DIG G 2 Gtr 1 Rhy. Fig.1 ---------------- Play 4 times w/Rhy. Fig. 1 (Gir. 1) w/Rhy. Fill 1 (Gtr. 2) Bm D Em Em? DIG G Bo7v D = mi ie a * Chorus: ‘Scoops w/trem. bar. wIRAff A (Gtr. 1) 3 1/2 times, simile Em? DIG G Bm? D Em Em7 oS DIG G ~~ men, don’t you Rhy. Fill 1 Gtrs. 1&2 Carmen - 10-8 P962734 Bm? D Em Em DIG G Bm? D = men,don't you care,__ Car - w/Rhy. Fill 1 (Gers. 1 & 2) NC. Em? DIG G wIRiff A (Gtr: 1) 2 times, simile —————— BS Em7 DG G — men, don’t you care for me?. Bm7 D Em Em7 DG G Bm7 D Em men, don’t you care, Car - men, don't you care for me? Outro: W/Rhy. Fill (Gtrs. 1 & 2) WIRiff A (Gir. 1) 3 1/2 times, simile NC. [che .C tg DIG G Bm? D Em = a VY, Leer ~ armen «10-9 59607= Em? DG G Bm? D Em Em? DG G hold bend =~ —-~4 nm Bm7 D Em Em7 DIG G NC. Keybd. Gtrs. 1,2 &3 *Gtr. 3 only oI ee eee *Gus. 1 & 2 tacet, Verse 2: He calls but there’s no answer. Operator, ring it one more time. He thinks of her and shuts his eyes. She wears the ring he gave her. Something magic and it once was mine. Will she be thinking of him tonight? (To Chorus:) Carmen - 10+ 10 C962736 GIRL GOODBYE Words and Music by DAVID PAICH 1 EmB BL Bmaj? Bm7— BB EB TH re. Tle. i. ee. af. sez bat 1a 2333 put 1333 Moderately J = 162 Intro: EmB B EmB B ‘Gtr 1 ° ° ° o 7Gtr2 mf Rita mf “Organ arr. for gtr. throughout. +Synth. arr. for gtr. for Riff A only. wIRUff A (Grr. 2) | =e=s=s EmB Bmaj7 EmB Bmaj7 Bmaj7 o> ° ° | Goodbye - 10-1 2627 © 1979 HUDMAR PUBLISHING CO., INC. (ASCAP) ‘This Arrangement © 1996 HUDMAR PUBLISHING CO., INC. Al Rights Reserved37 Verse: Bm7 ‘Well, I'm out —on__ the road,. 2. Smoke in__ the air, end Rift SS , ee Rhy. Fig. 1 EB ae eee and] the: devils coe my. so and there’s blood ev - ‘ry - where. Em7 A Gmaj7 Bm look-in' for_ the Lord in New York Cit hop-’ing that_the white. man well hedon’t rec - og - nize Git Goodbye - 10-2 PG962738 wiRhy. Fig. 1 (Gtr. 2) => Hey, I'm out on__—the mun. I'm so sor - ry what I’ve done EB Em7 heat, got a_—_ gun. a Tey coo finde say it not in fun. when I tell you. that___ there's. Gmaj7 Bm? - EN it'-M be damn_ pit : y. ssiieeEe no one left in . side. me.. *chorus: G DF = ~~ So, it’s good-bye, girl, good - bye, *Chord symbols reflect overall harmony. Goodbye - 10-3 627bes A At Bm7 girl, good- bye. G DIA AB NC. (m7) truth____ with the sun in your eyes. D/Ft G D/FE A AL — Good - bye, girl, good - bye, girl, girl good - bye. itl Goodbye - 10-4N.C.(Bm7) cs GS AS Must be in the way_ that youcry._ N.C.(Bm7) cs GS AS Must be in the way_ that youcry. NC.(Bm7) cs = 2 — Must be in the way_ that youcry.. w/Riff B (Ger. 2) Bm? B/B Yr EmB eae eee Gio No ° ° ° —— AR “Be irl Goodbye - 10. § °G962741 9. Guitar Solo: | wiRiff B (Gir. 2) 3 times Bm EB Em/B Cont. rhy. simile es : |—) grad. release ra ao B Bm7 [4 Girl Goodbye - 10-6 PG9627Girl Goodbye - 10-7 Pos627‘wIRIff A (Gtr. 2) 2 times EmB B Em/B B EmB Gtr1l io ° ° 2 WwIRIff B (Gtr. 2) Ist 6 bars only Bmaj7 EmB Bmaj7 Bm? EB ° ° (a. ° wFill 1 (Ger. 2) Em/B B DS.% al Coda a ° ° ° - Ci Outro: Coda ~ 4 ; ee tr. Girl Goodbye - 10-8 PG962744 irl Goodbye 10). 69627[OH 1 Goodbye - 10-10 39627HOLD THE LINE Words and Music by DAVID PAICH ex BS CES DS FIS lm AB ae. 16 ft ne. Str. fe. Sf. ly J. = Moderately J | AIC Bm7 *Piano art. for gtr. w/Rhy. Fig. 1 (Gtr 1) J 1/2 times, simile Fim A/CH Bm7 tGtr. 2 2 gurs. arr. for 1. E Esus E Fim AIC} Bm7 EXvI J the Line -9 1 627 © 1977, 1978 HUDMAR PUBLISHING CO., INC. (ASCAP) All Rights Reserved47 %& Verse: WwiFill 1 (Gtr. 3) & (Gtrs. 3, 4 & 5) Verse 3 only (end of Solo) *Bm7 Ctm7 Fim7 Cm? ————— 1.yr’s notin the way that you hold me, 2. 3. See additional lyrics tase a mp t PM. until change Chords derived from piano, Vibrato on Verse 2 only. Bm7 Cim7 Fim? ~ Cm i's not in the way you___ say Flt (end of Solo) Gtr. 3 — Pp AA tee (end of Solo) Gtr. 4 PP Pp fold the Line -9 = 2 6962748 Bm? Ctm7 Dmaj7 E Cm7 Its mot in the way you’ve__ been treat - ing__ my friends, Bm Ctm7 Dmaj7 E Cm? it’s not in the way — that___ you stayed till__ the end. Bm7 Ctm7 D6 E Ws notin the way you look or the things that you say that you'll do, Hold the wo. PM f ld the Line -9 = 3 962749 Chorus: wiRhy. Fig. 1 (Gtr. 1) 3 1/2 times, simile, Verses I & 2 wiRhy. Fig. 1 (Gtr: 1) 7 times, simile, Verse 3 Fim A/C} Bm E Esus = line, love is - n't al - ways__ on Rhy. Fig. 2 Fim A/C} Bm? EB Esus E Fim A/C} Bm? time. Whoa,_whoa, whoa. Hold the os end Rhy. Fig. 2 To Coda © : wiRhy. Fill 1 (Grr: 1) simile A/C} Bm7 love is- n't al - ways_ on__ time. Whoa,_whoa, whoa. , *Cont. in slashes 5 *Verse 2 only. d the Line -9 4 162750 Guitar Solo: re | © ® w/Rhy. Fig. 1 (Gtr: 1) 3 1/2 times w/Rhy. Fill 1 (Gtr. 1) simile Of. Tht omeeae ne 7 ct E Ft A chs DS aoe ce dobry J d+) J bh = = : i— whoa. Gtr. 3 (w/echo effect) a grad. release ay the Line - 9-5 27SI FAIS CHS DS po b d da) 3 Fill 1 (Gir. 1) simile wn. ig. 1 (Gir 1) 3 172 times, simile 2 MITT Paw eae PEO SS Ne 112 vib, whar aTIO TD ITVITR IIT IT ST Te53 D.S.% al Coda w/Rhy. Fill 1 (Gir. 1) oo fr. Bir. FAS y ye 5 DS y J E: , a , ‘ a ax Cont. in notation fe *Both girs. ———— w/Rhy. Fill 2 (Ger. 2) w/Rhy. Fig. 2 (Gtr. 2) I 1/2 times % Coda Bsus E Fim A/CIBm7 E Esus E | i. fie Holdthe tine, love is-n't al - ways. on Fim A/Ct Bm7 E Esus E ——— ea as b i J ia time. Love is- n't al - ways, love is - n't al - ways on time. Hold the “Ftm At Bm? E Esus E love is - n't al - ways. on. Md the Lane 98 1962754 Fim A or J ve “DD J ) 7k . Play 3 times Love is- n't al - Freely Fim A Bm Jxrr J Dd) * Jap ~ om whoa,_ whoa, whoa, Verses 2 & 3: It’s not in the words that you told me, It’s not in the way you say you're mine, ooh. It’s not in the way that you came back to me, It’s not in the way that your love set me free. It’s not in the way you look, or the Things that you say that you'll do. (To Chorus:) old the Line -9 9 3962755 I THINK I COULD STAND YOU FOREVER Words and Music by DAVID PAICH Gsus2D/FY Asus? Am = Am/B_ Am/C__B7sus on i franca] TH tom horas 2 a at 2 / BR, AS FS CHS at. Ha tH if a3 Toa isa 3 tT : Moderately J = 86 Verse: NC. Gsus2 D/FE Rhy. Fig. 1A Gtr 1 (2nd time) 7) 7 7 ds 1.Would you say no. if I asked__ 2. See additional lyrics Gtr. 1 (Acoustic 12 strings) Rhy. Fig. 1 ke hold throughout *2 gtrs. arr. for 1. Asus2 NC. SRIWTII FR ORR Lome RP, for your hand?___ Could you be- lieve_ end Rhy. Fig.1 I Think | Could Stand You Forever - 9 1 C9627 © 1981 HUDMAR PUBLISHING CO... INC. (ASCAP) ‘This Arrangement © 1996 HUDMAR PUBLISHING CO., INC Al Rights Reserved56 wiRhy. Fig. 1 (Gtr: 1) Verse 1 w/Rhy. Fig. 1A (Gir: 1) Verse 2 Gsus2 DF A ; = —" — in the same__ words that I don't un - der - — stand?__ Gsus2 DAF Rhy. Fig. 2 tooittines) > I) FT) SB FIT) FID BB (Andy would you, cry i fod you 1 must go? TOD DB Toe a me w/Rhy. Fill 1 (Grr 2) 2nd time Pre-Chorus: Bisus Genoa G D Ds Gs D A a Rhy. Fig. 3 4 oD Think { Could Stand You Forever - 9-2 "69627Chorus: A Fim G Em ing such a long, A Fim think I could stand you for- ev - er. I've been want - ing you a long, PM.-4 Mink f Could Stand You Forever -9- 3 3962758 7 long time. I could stand__ you for - ev end Rhy. Fig. 4 = WA Guitar Solo: I | 2 : w/Rhy. Fig. 1A (Gtr. 1) 2 times *(A/G) Ge) 2.Would you say *Played by keybd. D/Ft A Asus2 A ae tee a G9) D/Ft semicharm ~~ 1 AH 1 B10 Think I Could Stand You Forever - 9-4 69627e) w/Rhy. Fig. 2 (Gir. 1) GE A Asus2 DF Am wiRhy. Fig. 3 (Ger: 2) Bsus G D ! Think {Could Stand You Forever - 9 - 5 P9627hink t Could Stand You61 Chorus: w/Rhy. Fig. 4 (Gir. 2) A Fim G Em ing such a G A Fim think I could stand you for- ev - — er. T've been want - ing you G Em D A GS cer) A) FR: a a long, long time. I think I could stand_ you for-ev - er. ® Sf. G5 J TW M4 TDS === think 1 could stand___ you for - ev - er. © wiRhy. Fig. 3 (Gtr. 2) Ist 4 bars only, 2 times [ G a 4 o Think 1 could stand you. Think 1 could stand you. for - ev - G D G Geiy ) J D A Bkgd. Voc. Fig. 1 yeah Think = 1 could stand you for er, [Think t Could Stand You Korever - 9-7 PMTirs w/Bkgd. Voc. Fig. 1 (2 times) TIT OY tT a er, yeah. Think I could stand you too THU) eae ——s £££ 4 === « > 3 o SS for-ev-er and ev - oh., Outro/Guitar Solo: wiRhy. Fig. 3 (Gtr, 2) Ist 7 bars only D A G D G a a ow, ea) TD — — Think I could stand____ you for - ev - a) Think I Could Stand You Forever - 9-8 3962763 Think { Could Stand You Forever - 9 po9627 9 Verse 2: ‘Would you say no if I asked you for this one chance? Am La fool to believe that this night is circumstance? I wish that for once you could see the look in your own eyes, woah. (To Pre-Chorus:)HYDRA Words and Music by DAVID PAICH, JEFF PORCARO, STEVE PORCARO, ‘ STEVE LUKATHER, DAVID HUNGATE and BOBBY KIMBALL. Free-time Moderately J = 120 Intro: Synth, & Sound Effects D E FE 235 ei end Rhy. Fig.1 *Gtr 1 “Keybd. art. for gtr. w/Rhy. Fig. 1 (Gtr 1) 4 D E 13, FI Synth. Hydra 10-1 o © 1979 OTOT MUSIC (ASCAP) ris tanga © 1996 OTOT MUSIC TR RecenedVerse: wiRhy. Fig. 2 (Gtr. 1) 3 times, simile Fim7 Dmaj7 Cim7 Fim? E Daj? Cim7 Fim? Cim7 1. There was a man. 2. 3. See additional lyrics Hydra «10-2 6962766 Fim? Cim7 Fim7 Dmaj7 Cim7 Fim? E Dimaj7 Ctm7 who walked a-lone___ search-ing for the girl__who had just____ caught his te eee ee Fim? Cim7 Fim? Chm Fim7 Draj7Cin7 Fim? E a was a fool,”_he cried. His mind had wan- dered;___ he blinked and_the sky_moved_ev-er so_ Dmaj7 Cim7 Fim7 Cim7 Fim7 Cim7 = — slight - ly. He searched the cit-y and she was no- where to be found,_ Hydra - 10-3 C962767 Pre-Chorus: Fem7 Dmaj7Cim? Fim? E Dmaj7 Cim7 NC. 7 Dy mean- while she was float- ing down - ward, down- ward. * Shh da da da shh da da da **Vocal enters on 3rd repeat of D.S. ; Chorus: Play 4 times w/Rhy. Fig. 2 (Gtr: 2) DS ASIFL ES = NC. : DS AS ES dada dada da_ooo. 1.Do you want_your free - dom? Doyou want. my love?_ 2. 3. See additional lyrics D.S.% al Coda t To Coda I NC. ree eg Do you want your free - dom from_ the © one____ you're think- ing of? o Invertudes Coda I = Bass gtr. Hydra 10-4 6962768 wIRiff A (Gtr: 2) 3 times DS ES NC Gtr. 3 ydra~ 10-5 6962769 D.S.% al Coda it FR D E Fi WIRift A (Gir, 2) 3 times Bass gtr. Bass Fig. 1 Hydra 10-6 PG9627a) Guitar Solo: wIRiff A (Gir. 2) 15 times wBass Fig. 1 5 times end Bass Fig. 1 Hydra 10.7 696277 wiRhy. Fig. 1 (Gtr. 1)6 times D CE (8vay» “on Hydra - 10-8 P9627mf w/vol. control = w/vol. control Outro: WIRiff A (Gtr. 2) until fade wiBass Fig. 1 until fade Ft NC. Gtr. 3 6 FR Hydra 10-9 PG9627Hydra - 10-10 73 ae eee ~aeeeeeeeer aa Fade Verse 2: There lie the lady, naked and yet not knowing. A spell, it gains her heart forever. Prayed upon by the wolves in Times Square, Fell into an abyss of thin air, Innocently caged in sanctuary. There sat the dragon lord, playin’ solitary. Defying the rules of the holy mores leap hell’s kitchen. (To Pre-Chorus:) Chorus 2: Do you want your freedom? Do you want my love? Do you want your freedom from the man who lived without. (To Interlude:) Verse 3: Suddenly, a voice was heard. Flash, the brave young man appeared. ‘The dragon whirled and cut him with his tail; Chased him through the stairway, Caught him half-way to the top. Sent him whirling down Fireballs, summer solstice. Dragon lord descended down on him. She turned and looked, but saw only darkness, silence. Chorus 3: ‘You don't want your freedom. ‘You don’t want my love. You don’t want your throat cut by the same I'm thinking of. (To Coda)JAKE TO THE BONE yo ssioicry STEVE LUKATHER, DAVID PAICH, MIKE PORCARO and JEFF PORCARO. ' En? DD Em B Cin?’ BESIDE SCE CUMYE GHM5) 7 14 fr. 1 Sfr. * He i TT ait mana ea Am D473) DING?) Em74 FI2) Gmajrt11) E7sus Chm Dmaj7$) a 198, ifr. ae. ff HHS: es 13. Sti, te ne. Foe. ti ! Hy” HR if a. 11st a 132 131 EQ/G) A/B Fim7(4) oe Sr. fH Sf. 7. fi 7H 3 Moderately J = 132 Rhy. Filt.-------E™7 ¢phy. Fig. D Bm7xv “m2 = 2 or So ror MAb - Gtr. 3 (w/echo effect) *Keybd. arr. for gtr. Gtr. 2 play this section 2nd time only. D Em7xV Fh end Rhy. Fig.1 x ske To The Bone - 13 - 1 69627 © 1992, 1996 BUDDY LOVE MUSIC, DAVIO MUSIC, MICHELUCE MUSIC and RISING STORM MUSIC ‘All Rights Reserved Used by Permission75 WiFilL 1 (Ger. 3) & Rhy. Fill 1 (Gin 2 Substitute w/Fil 2(Gte 1) 2ndvcne? time Chm Bo Cin? WRIT A (Gtr: 1) Ist 7 bars only w/Rhy, Fig.2(Gtr. 2) Substitute w/Fill 3 (Gir. 1) 2nd time wRhy. Fig. 1 (Gir, 2) 2nd time 2 times, 2nd time Chm? : Fil4 4 3 xe To The Bone «13-2 19627ES/DI_ DSICt canye GHIA) Rhy. Fig. 3 —s— 2 bx)-———.. 2) ) 5 RIB ( KY ee — [am pond Rhy Fig. 3 pi7d) pgp Em | 2 2 3 J rT a _y end Rift B £ iia. ae. ae 2. Amd pi7d2)_ ps7 JJ) 4 je J AJ NC. 5) + *Gtrs. 1 & 3 *Gir, 2 tacet, jake To The Bone - 13-3 69627ag WIRiff C (Gers. I & 3) 4 times Gtr. 2 Play 3 times Keyboard Solo: PI = w/Riff C (Girs. 1 & 3) I] times lay 4 times 22 Gtrs. 1&3 DS Amaj7/D DS = Amaj7/D DS Amaj7/D DS Amaj7/D wiRiff C (Gtrs, 1 & 3) 3 times NC. (E5) 6 D5 Amj7/D DS Amaj7/D DS Amaj7/D DS Amaj7/D DS DS) DS DSi) DS E7 ake To The Bone = 13-4 6042778 wIRIff A (Gir. 1) simile & Rhy. Fig. 1 (Gtr. 2) Ist time only Em7(4) FH(2) Gmaj7(f ll) E7sus Ctm7xVE SS! ee J) *Gtr. 3 vy, trem. bar *2nd time only (Gtr, 3 tacet Ist time). wiRhy. Fig. 2 (Gir. 2) Substitute w/Fill 3 (Gir: 1) simile w/Fill 5 (Gtr, 1) w/Rhy. Fig. 3 (Gir. 2) & Riff B (Gtr. 1) Te B Chm? B Cin Em7() Am9 on2 12 207 (A *Gtr.3 *~N 3 **Play note in parentheses Ist time only. f Half-time J = 66 19, Guitar Solo: DI7Gs) DING) Dmwj769) d Rhy. Fig. 4 | eee ° erent Ce eee decresc. P PP tcresc. wlecho effect Cranes we {Volume swell Jake To The Bone 13.5 9627719 E(2\/Gt Em7(4) AB J } fr. ‘open Fim7(4) FE EB — 2 ms | ee 2 hold ~~ ~~ 4 w/Rhy. Fig. 4 (Gtr. 2) 3 times Dmaj7(6/9) ee E(2)/Gt Em7(4) AB bee age ie L trem. bar trem. bar * *Pull up on trem. bar. ake To The Bone - 13-6 69627Fem7(4) NC. ta we de a ‘tHammer onto grace note 3rd finger. Dmaj7(6/9) aa 3m — 3 a yy EB (2G Em7(4) AB Ftm7(4) va Dmaj76/9) aN £ Jake To The Bone - 13-7 6962781 E(2/Gt \ JS ya Em7(4) AB N = Fim7(4) wiRhy. Fig. 4 (Gtr. 2) Ist 3 bars only (60ajD PIT!) Jake To The Bone - 13-8 PG962782 E (2)/Gt (evap 2 7 Original tempo J = 132 Fim7(4) Gtr. 2 4¢————— )-~ | ————_ p~]. Qo Oy ow Pp Fp) end Rhy. Fig. 5 J _ y wiRhy. Fig. 5 (Gtr: 2) 2 times 4 B wiRhy. Fig. 5 (Gtr. 2) interlude: mf PM. until change Jake To The Bone - 13-9 PG962783 “Gtr. 2 chords (2nd time). B (CM) ®) w/Rhy. Fill 3 (Gtr. 2) 3 times, 2nd time only Gtrs.1 & 3 A Som. Rhy, Fill3 Gtr 2 Jake To The Bone - 13-10. C9627Double-time FAS vans ST) FLD “~~ Gtr1 ™ *Gtr. 2 tacet. BAD PR On» — ae ‘Gare 1&3 TT) RD) ITA ITT) TRA ~~ ae ee TTT TRA OT TB TO85 Original feel T7771 ORLA a Gtrs. 1&3 Play 3 times DS Amaj7/D DS Amaj7/D DS Amj7/D w/Rby. Fig. 1 (Gtr: 2) DS Amaj7/D DS DS) DS DS(#l) DS E7 D “Gtr *Gtr. 3 tacet. Em? D Em7 w/Rhy. Fig. 2 (Grr. 2) I 1/2 times Jake To The Bone 13-12 PG962786 why. Fill 2 (Grr, 2) Cim7 Em7 w/Rhy. Fig. 1 (Gir, 2) D Em7 *DS DS Amj7/D D5 Amaj7/D DS — Amaj7/D *Gur. 2 tacet —— DS Amaj7/D DS Ds(#il) Ds DS(#ll) DS To The Bone 13.14 62787 PAMELA Words and Music by DAVID PAICH and JOSEPH WILLIAMS Am GC Ami3 D133) C/G G Dm iSfr. Sf. Str. tf att tt 13 Bi PSP Par Be Am7 Ctype2. Gfaug_- G/A_ Amftype2. Fmaj7—F/A |Sfr. }7fr. \8fr. Sir. |5fr. 1385 a ot Double-time feel (9= J°3) Fast J = 196 Intro: conc FIC Am ce Amt3 Keybd. arr. J 2 ce gtr.) ° < mf D13@) C/G G c FIC Am GIC Jd) » ) ; end Riff A. *Volume swell. Pamela -9-1 C9627 © 1988 HUDMAR PUBLISHING INC. (ASCAPYJOG] WIMBALL MUSIC (BM) All Rights Reserved ‘Used by Permission88 FIC c Dm Eaug J J J Fat End double-time feel Am? Ctype2 ce ciG Gtaug on Fig. 1 end Rhy. Fig. 1 J J J gh) oy Gtr. : Sure end Riff B w/Rhy. Fig. 1 (Ger: 1) Am? Ctype2 cE cig Gtaug Ric 7 > end RUE Verse: wiRhy. Fig. 1 (Gtr 1) 4 times w/RiMt B (Grr 2) Am? Ctype2 cE cIG Gtaug Am? Ctype2 I. Side by TH be yours_ for - 2. See additional lyrics Gtr 1 2nd time only89 ce cIG Gtaug Am Ctype2 Ww/RAEEB (Grr: 2) CE cIG Gtaug. Am7 C(type2) Rhy. Fig. 24 C/E cIG Gtaug Dm? Cree* Gtr. 3 “ ee : : SS There is-n't an - y - thing IT would- n't do SS sessecene at gradual release % *Volume swell. Bass gtr. only. Pamela -9-3 PG9627G/A Amitype2[1. Dm Cire G will 1 (Grr. 2) = ¥ d I a end Rhy. Fig. 24 Let’s take_what's get- ting old_and make_ it new.___ Oh, . end Rhy. Fig. 2 * * Chorus: w/Fill 1 (Gir. 2) G aug %S ama F 2.Dm7 CE (nd time) . ad Pam - e- la,_ don’t break this road we're on_ is clear. as far_ as I___ z Gtr. 2 o RTD ~ww Gsus Em7 F Bb E/Gt > be —~ it may not heal this__ time.__ Pennannannannnaanneeaed re - mem - ber, Aarne heart of mine;_ just A trem. bar eee ~ trem, bar Pamela 9-4 962791 To Coda @ > ot G7sus Gm7 Gm iE CE EbS *FS who leaves it all_ *Bass gtr. plays D. wiRhy. Fig. 1 (Gir 1) 2 times ‘w/Riff B (Ger. 3) Absus2 ASS Absus2 Eaug = Am7 Ctype2 CE elle} Gtaug Verse 3: w/Riff C (Gtr. 3) wiRhy. Fig. 1 (Gtr. 1) 4 times Am c cre C/G Gtaug = Am? Ctype2 _ you,, lit tle girl. Black and WwARifl B (Gtr. 3) cre cic Gtaug Am7 C(type2) Ce C/G Gtaug > white al - ways go to - geth - er, T know w/Riff B (Gtr. 3) Amt Ctype2 cE ciG Gtaug Am? Ctype2 day and night, you're the pre - cious jewel. 1 treas ' ure, Pamela -9-$ paagr792 wiRhy. Figs. 2 (Gur: 1) & 2A (Gtr. 3) cre C/G Gtaug = Dm cr G GIA Am? Av la la, la. Want-ing ev - ‘ry part. of you. is not a crime. Chorus: wIFill 1 (Gtr: 2) ‘w/Rift D (Grr: 2) Da cr G EBaug Am? F a =~ Could it _be__ that you're_the one_ that's wrong_______ this time?_ Pam - e- la don’t break this Gsus Em7 F = Dm Bb i ~ E/Gt heart of mine;_ just re-mem = = -_ ber,__ it may not heal this_ time._ Gm F CH ELS *FS G7sus Gm7 ao fo b there is no sec-ond chance for the one_ who leaves it all_ be - Pam - e- Ia, *Bass gtr. plays D. Keyboard Solo: whRhy. Fig. 1 (Gtr 1) 4 times Absus2 ADS Absus2 Eaug Eaug Amv Cc Ce cIG Giaug Am7 c CE C/G Gtaug Pamela-9- 6 C962793 Am7 c CE CIG Gtaug Am7 c CE C/G Gtaug Guitar Solo: Amitype2 Dm Fmaj7 G cig G Double-time Bridge: wRiff A (Gir. 3) 3 times c FIC c Gic nl J J .. .. cla-9-7 794 w/Riff Al (Gtr. 3) on D13@) Baug D.S. % al Coda a ° te thou- sands__ of —miles___ a-way_ but alo - ways in__ my heart.. wiRiff C (Ger. 2) @ Absus2 AbS Absus2 Baug Am7 F G En? Coda hind. Pam - €- la, don'tbreak this heart of mine;__ just re- mem- F Dm Bb - EGt Gm F ——.A$ ben _ = ben it may not heal this. time. there is no Pam - €- la, CE BIS FS/D G7susGm7 Absus2 AbS Absus2 — Baug oo b, _— sec-ond chance_ for the one__ who leaves it all__ be - hind, it all__ wIRiff A (Grr. 3) & Rhy. Fig. 1 (Gir 1) Both repeat until fade Ani Ctype2 CE C/G = Gtaug = Am7 — Ctype2 CE C/G Gtaug — __ be- hind. Am7 — Ctype2 cre C/G Gkaug Am? — Ctype2 CE C/G Ghaug Gtr. 1 io Pamela -9- 8 6962795 Am7 Corpse, ce C/G Ghaug Am7 — Ctype2 CE CIG Gtaug ——— Am? — Ctype2 CE C/G Gtaug Am? Ctype2 ce C/G Gtaug AH. pitch: G Am7 — C(type2) ce C/G Gtaug Am7 — C(type2) cre cig Gtaug Fade An? Ctype2 CMH C/GGtaug Am? C(type2) CR C/G Gtaug Am? — Ctype2 trem. bar grad bend w/bar ae harm, Verse 2. Eye to eye, It’s a blinding confrontation. You and I, We're a deadly combination. Well, don’t start mixing truth with jealousy. The road we're on is clear as far as I can see. Pamela -9-9 ; PG9627 (To Chorus.)96 LOVERS IN THE NIGHT Words and Music by DAVID PAICH BS EGE AS Bus BO Bm see. 1334 Flgus Fim Cin Gt Is fr, ofr HTH sae. is) 213 23 Moderately J = 132 Finvct Cin E/Gt A Bsus B Play 3 times *Gtr 1 Sf hold throughout *Keybd. arr. for gtr. throughout. : Verse: Fim/Ct Cim EIGE A AS Gtrs.2 & 32 ¥ yd Cont. in notation LIts just the soul Gtrs.2&3 2.It's just the soul *Bm7 Esus E that mat - and I don’t know why. that mat - and keeps her sat - is - fied. *Chords derived from keybd. part. Lovers in the Night = [2 = P9627 © 1982 HUDMAR PUBLISHING CO.. INC. (ASCAP) IL Rights ReservedEsus2 AS 97 GS GHA - Gtr 1 Gtr, | tacet y on1 J) ‘You know she’s gon-na make you cry. You know she’s You know she’s gon-na make you cry. You know she’s i. Gtr 3 de 1 22 oz gon-na make you cry. She'll have you gon-na make you cry. She'll have you *Bm7 Gtrs.2 & 3 Rhy. Fig. 1 Esus E walk be-neath_ the lad - — der you were meant wish - in’ that__ you had. her come rain “Chords derived from kybd. part. Lovers in the Night - 12-2 PG9627Esus2 EB GS G A G5 ; Gti 2 is) a ‘You know she’s gon-na make you try.__ You know she’s You know she’s gon-na make you ty. You know she’s end Rhy. Fig. 1 gon-na make you gon-na make you PM. PM.- ~~ -) Chorus: FinvC} Cim (E/G1) AS BS — So "1 : i the ht. Rhy, Fig. 2 Ooh. you know they’re lov - ers in the nigl Wwers in the Night - 12-3 3962799 will 1 (Gtr. 4) Rhy, Fil ----------""- : FinvCt Cim E/Gt AS Bsus B Fim/Ct Cctm — oud J dD). _ SS Gtrs.2 & 3 Ooh, end Rhy. Fig.2 Rhy. Fig. 3 (E/G#) AS BS Fim/Ct Ctm a, — you know they're lov - ers in the night. ~ wiRhy. Fig. 1 (Girs. 2 & 3) BS *Bm7 Gtr. 3 end Rhy. Fig. 3 *Chords derived from keybd. part. Cay _——>, w/slide Lovers in the Night = 12-4 pG9627eu, : 7 . : : eery DTD ITT) + SID ITI + db TD ITI Fisus Fisus OTM sn nth Guitar Solo: To Coda wiRhy. Fig. 2 (Girs. 2 & 3) Fdim7 ed Cim DS OD Lovers in the Night - 12-5 69627101 wiRhy. Fill 1 (Grr 2) wiRhy. Fig. 3 (Girs. 2 & 3) FinvCt Cim E/Gt AS BS (8va)~ — w/Rhy. Fill 2 (Ger: 2) FimvCt Ctm E/Gt AS Verse: w/Rhy. Fig. 1 (Grrs. 2 & 3) BS *Bm7 *Chords derived from keybd. part. Lovers in the Night - 12-6 PG9627102 ters, and keeps us sa - tis - fied. You know she's G G_AG G5 - 2 Gtr gon-na make you cry. Gtrs. 2 & 3 gon-na make you cry. wRhy. Fig. 1 (Grrs. 2 & 3) BS Bm? She'll have you wish - ing that you had. her come = rain__ Lovers in the Night - 12-7 PG9627103 Esus E Esus2 E D.S.%& al Coda 2 DID NS bn bnim Fdim7 Db DAT DIM nm ono Chorus: wRhy. Fig. 2 (Girs, 2 & 3) Bm FE Cim Gt NC. Fimv/C} =Cim ~ DST) 1 STD Lovers in the Night - 12-8 C9627wIFill 1 (Gir. 4) wiRhy. Fill 1 (Gir. 2) E/Gt AS BS Fim/Ct Cfm E/Gt AS Bsus B — you know we're lov - ers in the night. WFIU 1 (Gir 4) wiRhy. Fig. 4 (Gtrs, 2 & 3) 3 times, simile Fim/Ct Ctm EGE AS BS Fim/Ct Ctm — Woo, ‘woo. Ooh,. Rhy. Fig. 4 you know we're lov-ers in the night. —__ Ooh, Gtrs. 2&3 end Rhy. Fig. 4 w/Eill 1 (Ger. 4) E/Gt AS BS Fimv/Ct Cim an aii 2 — [5 tte —=—— ; — you know they’re lov - ers in the mghe Ooh,__ w/Fill 1 (Gir. 4) E/Gt AS BS Fem/Ct Chm —— you know they're lov - ers in the night Ooh, Outro: E/G$ AS BS crs EGE AS BS Rhy. Fig. 5 end Rhy. Fig. 5 Gtrs.2&3 , 2 ) | —— you know they're lov-ers in the night. Gtr 5 per a er ae | f trem. bar a™ a trem. bar a ers in the Night - 12-9 1627105 wiRhy. Fig. 5 (Girs. 2 & 3) 8 12 times, simile ii be) E/Gt AS BS chs Ra wRby. Fill 3 (Gtr. 3) E/G} = Bsus B NOK a mS wRhy. Fill 3 (Gtr. 3) cis E/Gt AS Bsus B 1 1 1 1 1 : trem. bar (grad. dive) Rhy. Fill 3 Gtr. 3 covers in the Night - 12 - 10 69627106 cis E/Gt AS BS cis E/Gt = BS cts E/Gt AS BS Lovers in the Night - 12 - 11 P9627107 chs E/GE AS BS cis B/G! AS BS chs E/Gt AS BS CIs fee Lovers in the Night = 12 - 12 69627108 ROSANNA Words and Music by DAVID PAICH FQ Em7 CS FS EIS DS = Gm_—EV/A FH et. sei. se. i # Hi LUD be 33 3 fe Hite Boe el BG iG Gtr. 6fr. fA fal tt He ber rs att 13 HEH saa Slowly J = 80 (=23) Drums G Gsus GGsusk G Gsus G Gsus2 Giri 4 Fill l- ------------------------ . *Gte2 4 Rhy. Fig. 1 *Piano arr, for gte. throughout, G Gsus G Gsus2 G Gsus G Gsus2 end Rhy. Fig.1 Rosanna - 10-1 PG9627 © 1982 HUDMAR PUBLISHING CO., INC. (ASCAP) Al Rights Reserved109 Verse: wIRill 1 (Gir. 1) 2 times wiRhy. Fig. 1 (Grr: 2) G Gsus G Gsus2 G Gsus G Gsus2 1.All I wan-na do when I wake up in the mom-ing is see your eyes. Ro - 2. See additional lyrics G Gsus G Gsus2 FQ) Gtr. 1 o Gt a RO never thought that a girl like you__ could ev - er wiFIll 1 (Guz 1) Em7 G eee ° ‘rem, bar he ieee | ee Ro - san - na.. Rhy. Fig. 2 Gtr 2 “ne Gtr. 3 cs, FS All I wan-na do in the mid-dle of the eve- ‘ning is end Rhy. Fig. 2 anna - 10-2 1627S.C - be > as hold you tight. Ro) en ie Ro een a did-n’t know you were look-ing for more_ than could ev- er give. % Pre-Chorus: F/A Bb Eb/Bb Gtr.2 J } 7 e .) 7 7. ~ mf = oF) \ === _ é = EE eee x as se FC . a Now she’s gone and I F/A_ Bb Gtr3 BS F BUF TF AS PIR LJ ~~ have to say: Meet you a Gtr 4 _—————— cosanna - 10-3 69627ML Chorus: wIFill 2 (Gir. 1) 4 times BYC* Cm7 Bbsus2 Bb F Gm *Bass gtr. plays C. . BYC*Cm7 ELS BIS FS Gm7 Rhy, Fig. 4 end Rhy. Fig. 4 Gt.3 = z 1 AAS PYF. z Fil2 Gtr 1 Rosanna = 10-4 PG9627112 BUC Cm7 Ebsus2 Bb F Gm7 To Coda Bb Cm? BIS BIS ans PLL 7 le) ; aT Synth. Solo: wiRhy. Fig. 1 (Gtr. 2) | G Gsus G Gsus2 end Rhy. Fig. 3 FQ) Em7 w/Rhy. Fig. 2 (Ger. 2) Gtr3 cs cr 2 : = 2 a Rosanna - 10-5 C9627Guitar Solo: FS ° ee = Gtr. 5 a a — AL J—~_ DS.% al Coda Fis Dads J oe BbS FS = Gm7 ssanina = 10-6 39627114 wIFill 2 (Gtr. 1) 4 times wRhy. Fig. 3 (Gtr. 4) wiRhy. Fig. 4 (Gtr. 3) 3 times BYC* C7 Ebsus2 Bb F BYC Cmi7 Bbsus2 & = === all the way, meet you all the way, Ro - san- “Played by bass gtr. Bb F Gm? BYC Cm Bisus2 Bb : na,_____yeah._ Meet you all the way, meet you BYC Cm7 BS on. Po BATRA Outro: kosanna - 10-7 "69627ae) w/Rhy. Fig. 5 (Gtr. 2) simile until fade BYG C/G DmG C/G BYG C/G BUG CcIG Dm/G CcIG end Rhy. Fig. 5 BYG CIG Rhy. Fig. 5 BG C/G Dm/G C/G BUG C/G Rosanna - 10-8 6962712 BYG C/G DmG Ch BUG CcIG BYG CIG DwGCIG BWG C/G 8va~ ~~ - we ————— inna - 10-9 627gosana = 10-10) coy —— Dy Fade Verse 2: Ican see your face still shining Through the window on the other side, Rosanna, Rosanna. I didn’t know that a girl like You could make me feel so sad, Rosanna, All I want to tell you is now ‘You'll never, ever have to compromise, Rosanna, Rosanna, I never thought that losin’ you Could ever hurt so bad. (To Pre-Chorus:)SOMEWHERE TONIGHT Words and Music by DAVID PAICH, JEFF PORCARO ‘ Te and STEVE LUKATHER Moderately J= 68(JJ=J J) Intro: Em? Fim7613) — Gmaj7 As NC. (3rd time) mmm. Rhy. Fig. 1 Verse: BmA Bm Play4 times Bm A Bm (Verse 2 only) (2nd time) Mmm, mmm, (Verse 2 only) Yeah. 1. When you meet a spe- cial end Rhy. Fig.1 2. See additional lyrics =~ trem. bar Ag A E7sus Em7 per-son, and it feels good pass - ing time, You tell your-self it's cas- a smewhere Tonight - 6 - 1 9627 © 1986, 1987 HUDMAR PUBLISHING CO,, INC.. COWBELLA MUSIC & REHTAKUL VEETS MUSIC (ASCAP) All Rights Reserved Used by Permission119 but they have some-thing else in mind.___ ‘You try to make some rea- son. A voice calls out from a - cross_ Gmaj7 A6 —— the room She runs a - way with-out an an-swer, she runs a - way 1 ——>~ trem. bar trem. bar tt tte — Somewhere Tonight - 6 -2 poi9627% *Chorus: Substitute w/Rhy. Fill 1 (Gtr 1) Verse 2 Bkgd. Voc. Fig. 1 BS Bm to - night, > Lead vocal ad lib. on repeats. AG Em9 D A some - one’s cry = ii Rig hold ~~~ ~~~ ‘ hold - —- 4 Rhy. Fill 1 Gtr1 jomewhere Tonight = $ 69627121 Substitute w/Rhy. Fill 2 (Gir 1) 2nd & 3rd times Bm A Em9 — Some - where_ to - night some- one’s cry - in’. Rhy. Fill3 - --------------- Ooh eee Some: where OF nigh some one's Substitute w/Rhy, Fill 3 (Gir. 1) 2nd time Em9 D i. Bm a oo Ooh,_______________Some- where__ to- night, hold ~~ -— 4 hold ~~~ 4122 To Coda A6 Em9 some - one’s cry Bridge: - w/Rhy. Fig. 1 (Gr: 1) 4 times NC. BmABm NC. BmABm a There’s_ a lone - ly sign. _ all a 2 round. Cry - in’, cry - in, cry - in’, cry - in’ D.S. $ al Coda Fes On, Lord! Somewhere Tonight - 6+ 5 P9627123, *Chorus: 0 w/Bkgd. Voc. Fig. 1 (4 times) Coda Em9 D A Bm t——3—— a> a ke . *Lead vocal ad lib. on repeats. Repeat & fade A6 Em9 D A Verse 2: We all belong to someone, Sometimes they're so far away. You write down words in letters, Not quite sure what they say You know that she needs you And you miss her in your heart. But a certain feeling lingers That keeps us miles apart, oh! (To Chorus:) ‘Somewhere Tonight - 6 - 6 69627124 STOP LOVING YOU DAVID PAICH and STEVE LUKATHER Moderately J = 102 Intro: at Bb Dm ic F Bb Dm c Gtr1 *Chords played by keybd. . F Bb Dm c Bb wy Keybd. & perc. re-enter Bass re-enters Drums re-enter Gisus G7 ete G7sus G7 G7sus Stop Loving You - 10-1 PG9627 © 1988 HUDMAR PUBLISHING INC, (ASCAPYREHTAKUL VEETS MUSIC (ASCAP) AMD Rights ReservedVerse: G7 1.Re- flec - tions in my 2. See additional lyrics My heart. is rac- ing and_the night_ goes G7sus com-ing from_your pho - to Stop Loving You - 10.2 PG9627 G7sus on. thoughts_I can’t. de *Played by bass gtr. G7 Fun-ny how a al - most hear_ a look_ can pe Se laugh share_ a126 Substitute w/Rhy. Fill 1 (Gir. 1) Verse 2 F cre* G7 G7sus thou - sand — mean - ings. Well in - tend-ed lies, con-tem- plat-ing al - i - bis is it real-ly you_or is_ it me__ I’m _ blam-ing?_ A dis - tant. mem-o - ry__ Rhy. Fill 1 Gtr 1 op Loving You - 10-3 39627ae ag G7sus G7 e- ven though you're gone, I feel_ you deep_ Substitute w/Rhy. Fill 2 (Gtr 1) Verse 2 NC. BIS DS CS BbS F/A BbS Dance be-neath_ the light with_ that look in. your —:— Rhy. Fill2 Gtr.1 Stop Loving You - 10-4 PG9627128 Chorus: lov - ing you. ~ es quick - ly__ LLL stop til I'm through ee Stop Loving You - 10-5 69627= his wiFill 1 (Ger. 2) | 2s oe you, girl. Guitar Solo: G FS Gtr. 2 *Pull up bar and snap back Stop Loving You 10-6 PG9627130 w/Rift B (Grr: 1) 2 times oe G FS (8ya)~ ~ he ~) ~~ 2 . >, end RIB stop Loving You - 10-7 69627ae BIS DS cs Ooh.. | dane- (8va)——~ 4 i B—s- top Loving You - 10-8 G9627EPs BIS AS BbS Dm Cc F Bb Dm c aie ~ ing with_that lodk_that’s in_ your eyes.__ stop lov - in’ you. Time pass - es quick- ly and chanc - es Dm = BbS stop til ’'m through lov - in’ you, girl.__ WRiff A (Gir 1) E Bb D c F ul Bb cat stop lov - in’ you Time pass - es quick - ly and. p Loving You - 10-9 9627133 chanc - es are few. 1_____ won't stop till__ I’m through lov - in’ you, Outro: wARitf A (Gtr. 1) F Bh Dm c F Bb eo ~e. Fade Verse 2: There’s a window in heart I’ve tried to look through from the start. You're never really sure what someone else is thinking Someone's broken something new, Another altered point of view, Just a certain someone's conscience playing, Theld it in my hand, I did not understand, What lives inside the wind that cries her name. ‘Trying to catch a shooting star, What seems so close can’t be that far, Living in a dream that's never ending. Dance beneath the light with that Look in your eyes. (To Chorus:) ‘Stop Loving You - 10-10 P9627134 WITHOUT YOUR LOVE C3 Em Words and Music by DAVID PAICH c Dsus 134 333, tt Moderately J = 70 Intro: *Gtr. LINC. “Bass gtr. arr. for gtr. Verse 1: It's Jate at night, noth - in’s feel - in’ since you've gone_ a - way._ I think I know why you left this time, but it's still, hard-to say. 8 —— Without Your Love - 12-1 69627 © 1986, 1987 HUDMAR PUBLISHING CO., INC. (ASCAP) All Rights Reserved Used by Permission135 Tinear-ly lost it when he came a- round you, now I'm hold-in’ it all in - side_ andit's kill- ing me.. Gtr. 2 af wlecho effect *G Bm? Em We used to meet at an old ca - f€ down in Chi- na- town_ At Gtr. 2 (Gir I cont, simile) eeeEREII *Chords played by keybd. Without Your Love - 12-2 PG9627136 G Bm? Em D G c Fi first. you could hear the wind stop, then my heart_would —pound._ I re- mem- ber ev - ‘ry ~ thing you wsed____________ todo, Ooh, CE D Am? Bm7 Em7. i> Now I'mlearn-ing some - thing. that you. al-read-y_—_ knew. It's not the same. Without Your Love - 12-3 PG9627137 Bm7 Em7 — oy ; Ev-'ry nightand ev-'ry day, girl. with- out 9 —————————— It’s not the same_ Gtr2 Rhy. Fig.1 G D Am7_ Bm7 Em7 i You don’t have to be a - fraid.__ —— with-out your. love._ f It's not the same. Gtr. 3 ~ o ia Gtr. 2 Am7 Bm7 Em7 Ev-'rynight 'n’ ev-'ry day, girl with- out your___ love... It's not the same_ Gtr. 2 thout Your Love - 12-4 19627138 Verse 2: G Bm7 T saw you through the door with your mo - tor run - nin’, I can your_ love._ end Rhy. Fig-1 Gin 9 Em D G Bm7 still hear the sound. I knew then,when youasked him in, you let your st Em? D G ise CE guard___ down._ You're tak- ing soft. Don’t tell me, but Without Your Love - 12-5 69627139 D S—~ c cre te cin you're sin + cere-—_—= I just called to tell__ you that I'm the D Am7 — Bm7 Em7_ w/Rhy. Fig. 1 (Gir. 2) simile — — on- ly one here. It’s not the same. with- out Amy Bm7Em7, Ev- ‘ry nightand ev- ’ry day, irl. 2 ee ee ee ee G D Am7__Bm7 Em7 —_— doesn't have to be this way. Te’s not the without your__love.. ie De Am7 Bm7 Em7, Ev- ‘ry night 'n’ ev- ‘ry day, girl. It’s not the same. with- out your_ love. Without Your Love - 12-6 "09627140 Guitar Solo: G Bm7 Ze Gtr. 3 tas “Bend string, quickly depress trem. bar & release. G Bm7 Without Your Love - 12-7 P9627 Em7 Em Cont, in slashesGtr. 2 cs Em Em Dsus Dp (m7 Ctm7 Fim7) a It'snot the same_ *Chorus: Bm Cim7 Fim? i with-out —your_ love,_ Oh, ev - ‘ry night, ev-"ry day, =i. It's not the same_ Gtr2 ay, Fig. 2 *Gtr, 3 and lead vocal ad lib, on repeats Vithout Your Love - 12-8 "69627Neer Play 3 times A E Bm? Ctm7Fim7 =. 3 — You don'thave to bethat way.___ : ———with-out — your_ love... I's not the same_ end Rhy. Fig-2- Gin 2 Gtr. 3 hold -------~- 4 = = / wiRhy. Fig. 2 (Gir. 2) simile Bm? : Ctm? Fem — rom —_with-out your_ love. I's not the same. Gtr. 3 Outro/Guitar Solo: A a Ctm7 with - out your. love... a Gtr 3 Gtr. 2 N a : = <= Wout Your Love «12.9143 Fim A Cim7 Fim? Ls Cim7 Fim7 ithout Your Love - 12-10 i9627A Chm Fim7 ee ee Vithout Your Love = 12-11 169627145 w/irem. bar ~ 4 _ A Cim7 Fim7 Fade & Without Your Love - 1212 PG9627GUITAR ANTHOLOGY SERIES PNG TH) + ANIMAL CVT] Came) \ 4 4 ee Pa ae Lat yyy aOR mit at] JAKE TO THE BONE Se ace et . ee ae) : ; : Ly Uy) . RTs eg Rye TM Le Oe wi) 3 eet WM) 2 WARNER BROS. PUBLICATIONS Sy Flori