An Introductory English Grammar
An Introductory English Grammar
LILES
AN
INTRODUCTORY
TRA NSFORMA TIONA L
GRAMMAR
AN
INTRODUCTORY
TRANSFORMATIONAL
GRAMMAR
Prentice-Hall International, Inc., London
Prentice-Hall of Australia, Pty. Ltd., Sydney
Prentice-Hall of Canada, Ltd., Toronto
Prentice-Hall of India Private Limited, New Delhi
Prentice-Hall of Japan, Inc., Tokyo
Bruce L. Liles
University of Missouri, St. Louis
AN
INTRODUCTORY
TRANSFORMATIONAL
GRAMMAR
Prentice-Hall, Inc., Englewood Cliffs, N.J.
For Robert W. Ackerman
13-502294-0 (C)
13-502286-X (P)
10 987654 3 2 1
PREFACE
Ten years ago a person could read most of the important works in
linguistics in a few months, and the scholar could afford to buy most of them
for his library. Since that time research in all phases of linguistics has
progressed so rapidly that scholars who have been keeping up with develop¬
ments in their discipline are finding it difficult to read all the relevant works
published each year. The person wanting to begin a study of linguistics is
overwhelmed by the amount of material available, much of it far too
technical for him to understand. The present book is directed toward this
person, and it is limited in scope to English transformational grammar.
The student of transformational grammar needs both theory and
applications. This book attempts to fuse the two. Also, it shows the reader
that there are still many aspects of the English language that are poorly
understood and that are being investigated. The exercises at the end of the
chapters allow the reader to work with the material that has been discussed
and to use the techniques he has learned.
I would like to express my gratitude to the people who helped me in
writing this book: to David H. Grady, who suggested that I write it and who
worked with me in the initial stages of production; to Frances Cassel and
James Foster, who read the manuscript and offered useful suggestions; to
Wanda Giles, who proofread the final copy. It would be impossible to list
all the books and articles in journals that have affected my thinking; their
influence is found on almost every page of this book.
v
CONTENTS
PHRASE STRUCTURE
chapter one
GRAMMARS OF ENGLISH
TRADITIONAL GRAMMAR
Until the sixteenth century, Latin was the primary language of scholarship
in England and the rest of Western Europe. The only grammars studied in
English schools, therefore, were Latin grammars, which were designed to
give Englishmen the skills needed to read, write, and sometimes converse
in this lingua franca of Western Europe. During the sixteenth and seven¬
teenth centuries, grammars of English began to appear. Since these early
grammars were studied exclusively as an aid to learning Latin, they
rigorously followed Latin models, although the structure of English is quite
different from that of Latin.
For an example of differences between these languages, we can look at
how they indicate such relationships as performer and receiver of action.
In Latin these relationships are expressed primarily by the forms of the
words. In the sentence Puer virum videt, “The boy sees the man,” we
know that puer, “boy,” is the one performing the act and virum, “man,” is
the one receiving it because there is no ending on puer, but - urn is added to
vir to give virum. The sentence would mean the same thing if the word
order were reversed: Virum puer videt. To alter the meaning, one must
change the forms of the words, not their order; hence, Vir puerum videt
means “The man sees the boy,” since vir has no ending and puerum ends
in - um. In contrast, by the sixteenth century English was relying exclusively
on word order to indicate these relationships. The sentence The boy sees
the man shows that the boy is the performer because the word boy precedes
the verb; the man is the receiver, since man follows the verb. A change in
word order produces a change in meaning (The man sees the boy) or a
meaningless sentence (Sees the man the boy). Logically, a grammar of
Latin should discuss the forms of words, whereas one of English should give
more emphasis to the order in which they are arranged. The purpose of the
3
4 chapter one
| English iland was respelled island by analogy with French isle, although the two words
are not related etymologically. The b in doubt and debt was added by analogy with Latin
dubitum and debitum, although Old French had lost the b in these words before English
borrowed them.
grammars of english 5
STRUCTURAL GRAMMAR
TRANSFORMATIONAL GRAMMAR
| Archibald A. Hill,Introduction to Linguistic Structures (New York: Harcourt, Brace and World,
1958). W. Nelson Francis, The Structure of American English (New York: The Ronald Press
Company, 1954). Norman C. Stageberg, An Introductory English Grammar (New York: Holt,
Rinehart and Winston, Inc., 1965).
grammars of english 7
exercises
A. Make up five sentences that you think you have never heard, read, or said before.
B. Select any book at random and make a list of the sentences you find repeated in it.
Set yourself a reasonable time limit or number of pages. What does your list
suggest about the number of sentences possible in English ?
f The concept of a universal grammar was discussed during the seventeenth and eighteenth
centuries and was then ignored for two centuries. Many linguists now regard this early idea
as essentially correct. For a discussion of the theories of the seventeenth and eighteenth
centuries, see Noam Chomsky, Cartesian Linguistics (New York: Harper and Row, 1966).
grammars of english 9
C. Reread this chapter and mark the sentences you think you have read or heard
before. Why were you able to understand the sentences that were totally new
to you?
D. Listen to a conversation that you are not actively participating in and find
examples of sentences that do not accurately reflect the speaker’s competence.
Are false starts, incomplete structures, and other mistakes very common? Why
do they normally go unnoticed ?
If you examine the sentence Yes, my neighbor has seen the dog, you notice
that the words are arranged in a definite order. Any other arrangement is
ungrammatical:
10
the structure of the sentence II
We will use names to label structures so that we can show which ones are
similar. My neighbor and the dog are called noun phrases since a noun is the
chief word in each.f
Almost all fields of study have abbreviations for terms that are often
repeated; this grammar is no exception. Instead of writing sentence many
times in our rules, we use the abbreviation S; similarly, sentence modifier is
abbreviated SM, noun phrase is NP, and verb phrase is VP. Rules in a trans¬
formational grammar are expressed in the following way:
Nuc -> NP + VP
The arrow means ‘‘consists of” or “is to be rewritten as.” These rules say
that in English a sentence consists of a sentence modifier and a nucleus; a
nucleus (Nuc) consists of a noun phrase and a verb phrase. The parentheses
around SM mean that this element is optional; i.e., the sentence may or may
not contain it. Since Nuc is not in parentheses, every sentence must include
a nucleus. Notice that there is no plus mark between parenthesized elements
and adjoining elements. In the second rule the fact that NP and VP are not
in parentheses indicates that both are necessary for every sentence in
English. The rules also indicate the order in which elements must be
selected: the sentence modifier must come first, then the nucleus; in the
nucleus the noun phrase must come first, then the verb phrase.
A sentence modifier is a word or group of words like yes, no, certainly,
naturally, maybe, perhaps, possibly, in fact, to be sure, or obviously. In
Yes, that woman drinks coffee, the SM is yes, and the Nuc is that woman
drinks coffee; in the Nuc, the NP is that woman, and the VP is drinks coffee.
As you may have noticed, noun phrase is the name of the structure that func¬
tions as the complete subject of a sentence; the verb phrase is the structure that
functions as the complete predicate. This distinction between structure and
function is the same one traditional grammarians were making when they
called a word a noun or pronoun by structure but subject or direct object by
function. In the sentence Of course John snores, the SM is of course and
the Nuc is John snores; the NP is John, and the VP is snores. In the
sentence John snores, the optional SM has not been selected. Notice that a
noun phrase may be a single word (John ran) or a group of words (The
little boy ran).
Our use of the word rule is different from that used in traditional
grammar. A rule for a transformationalist is not an explanation of how to
f We are not using the word phrase in the same sense that traditional grammarians used
it.
12 chapter two
NP VP
The sentence That man drinks milk is represented without the optional
element SM:
S
I
Nuc
NP VP
All rules in a transformational grammar are numbered: PI, P2, P3, etc.
P stands for phrase structure, the name for this section of the grammar. There
will be some skips in the numbers given in the rules at this time, since some
of them will not be needed until later in the chapter. Also, some rules will
be expanded in later chapters of this book. So far we have two rules:
P2: Nuc NP + VP
The parentheses around Det and PI mean that these elements are optional.
A later section of the grammar will tell us to read book + PI as books,
egg — PI as eggs, dish T PI as dishes, deer -f PI as deer, child + PI as
children, etc.
The tree contains all of the information from the rewrite rules for
each sentence generated. Here is the representation for Those apples look
green:
The triangle under VP tells us that no further analysis is being given for
look green.
14 chapter two
This means that a verb phrase consists of (or “is rewritten as”) an auxiliary
(Aux), a main verb (MV), and optional adverbials of manner (rapidly,
with ease), place (there, at home), time (then, at noon), or reason (because
of the noise). In the sentence The man will drive carefully in town today
because of the ice, the Aux is will, the MV is drive, manner is carefully,
place is in town, time is today, and reason is because of the ice.
Later we will have a great deal more to say about the English auxiliary,
but for the present only one element will be introduced:
These two rules say that every auxiliary contains tense, and that tense is
either present or past. In the sentence The woman sang to me, the tense is
past; in The woman sings to me it is present. In They are at home, the
tense is present; in They were at home it is past. You will notice that tense
is not a separate word, as are the other elements we have been considering.
We list gave as past -f- give (i.e., “the past tense of give”), gives as
the structure of the sentence 15
' be (place
fNP
P6: MV
|ap
v (NP)
Whenever we speak of verbs, we are excluding forms of be (am, is, are, was,
were, be, been, being). You can probably think of other structures following
verbs, such as Susan seemed happy and We considered Susan lucky. These
will be treated in a later chapter.
AP is an abbreviation for adjective phrase, which consists of an optional
intensifier (Intens) such as very, extremely, rather, etc. and an ad¬
jective (Adj) such as old, happy, green, etc. Here is the rule:
2. The prepositional phrase (in the yard, at school, over the fence).
say that the bank is a noun phrase, but that to the bank is a prepositional
phrase used as an adverbial of place. |
We can incorporate all of the information contained in our rewrite
rules in trees:
Nuc
NP VP
she
Notice that the tree shows the structure of the sentence. We call each of the
places at which a symbol is written a node and say that a node dominates
anything connected by lines below it. From the tree we can see that John
is an N, since the N node dominates it. Similarly, an is a Det, be an artist
is an MV, present be an artist is a VP, etc. On the other hand, John
present be is not dominated by any single node and is, therefore, not a
structural unit.
f Some grammars would list to the bank as an adverbial of direction. In this text we will
not be distinguishing between place and direction, since they are both replaced in questions
by where.
18 chapter two
exercises
G. Some traditional grammars point out that many adverbs end in -!y and answer
the question how. To which class of adverbs do these criteria apply? According
to this information, what part of speech should sickly be in She was sickly most
of the time ? If-ly is added to a noun, such as love, friend, or heaven, is the result
an adverb? What part of speech normally results from -ly added to an adjective,
such as sudden, careful, or peaceful? Are adverbs the only words that answer
how?
chapter three
THE AUXILIARY
The only element in the auxiliary that we have seen so far is tense. We now
need to expand our rewrite rule so that it will include such auxiliaries as
those in the sentences We had been eating and They must have been
looking at us. The sentences in the left column below contain nothing but
tense in the auxiliary; those in the right column have had something added
to them. Analyze these expanded sentences to see what has been added:
In the sentences on the left, tense is attached to the main verb: si ngs (present)
and sang (past), eat (present) and ate (past). In the sentences on the right,
however, the main verb does not change with variations in tense; it remains
singing or eating, regardless of which tense is selected. Variation in tense
is shown, rather, in the auxiliary, which is a form of be: is singing (present)
and was singing (past), am eating (present) and was eating (past). Along
with this form of be that has been added to the auxiliary there is another
morpheme (a unit that cannot be broken into smaller grammatical units):
the present participial ing. This morpheme is attached to the word that
immediately follows the auxiliary be: is singing, was eating. We can now
make the first of several expansions of the auxiliary:
This means that every auxiliary contains tense. The elements be and ing
are optional, but if they are chosen, both must be selected and they must
come in this order, following tense. Ing is attached to the word that follows
19
20 chapter three
Again, you will notice that with the addition of some element in the
auxiliary besides tense, the tense morpheme is no longer attached to the
main verb, but rather to the other auxiliary: have or has (present) versus
had (past). For the time being forget about time in relation to tense; we shall
have more to say about that later. Since the only change in form that can
be made in have taken or has taken is to had taken, we say that have taken
and has taken contain the present-tense morpheme, had taken the past-
tense morpheme. Instead of be + ing, this time we have added a form of
have in the auxiliary, and with it we have added en (the past-participial
morpheme) to the following word (taken, drunk, been, had in the sentences
above). We represent this morpheme with the symbol en regardless of the
actual form of the past participle. En -f- eat is eaten, en -}- hear is heard,
en -f- drink is drunk, en T hit is hit, etc. By en we are not indicating the
pronunciation of any part of the past participial form of any verb; it is
the auxiliary 21
merely a convenient, short symbol so that we do not have to write past par¬
ticiple of each time we use it. We could now rewrite rule P4 as follows:
The only reason we do not is that we have already seen that be + ing may
also be part of the auxiliary.
We know that either be T ing or have -|- en may exist between tense
and the verb. We now need to^see whether they are mutually exclusive or
whether both may be selected for the same auxiliary. Examine the following
sentences:
It is obvious that both be -f- ing and have -j- en may exist in the same
auxiliary. When both are present, have + en comes first. Tense is attached
to have. We can expand rule P4 like this:
This means that every auxiliary must contain tense. An auxiliary may
contain both the other pairs of elements, one of them, or neither. If have is
selected, then the next word must contain the morpheme en; if be is selected,
the next word must contain ing. Whichever elements are selected, they must
come in the order in which they are listed in the rewrite rule. Tense is
attached to the element that immediately follows it. Here is a tree for a
structure in which both have and be have been selected as auxiliaries:
The past form of have is had, the en form of be is been, and the ing form of
smile is smiling; the sentence is He had been smiling.
We need to make one final addition to the auxiliary. Examine the
following sentences:
But such a rule ignores the tense relationship that does exist between such
pairs of sentences as I can do it now and I could do it yesterday. We will,
therefore, continue to use a rule that has become accepted:
For most verbs all combinations of the auxiliary are possible. There
are some nonaction verbs, however, that do not exist with be -f- ing: seem,
hear, know, hate, understand, etc. (*She was seeming frightened). The
copula be as in He was a nuisance does not take the auxiliary be -f- ing,
although there is another verb be (He was being a nuisance) which expresses
action. This feature will be treated as a peculiarity of certain verbs and will
be included in their dictionary entries. We do not need to change rule P4
for these exceptions.
Here is a tree for the •'sentence He
could have been running. It contains the
maximum expansion of the auxiliary.
You have probably wondered about
our treatment of tense in some sentences.
We have said that He has seen us con¬
tains present tense, but He had seen us
contains past tense. It is obvious that both
sentences describe action that occurred
during past time. Also we have called the
tense in He will go present and He would go past, although they both clearly
indicate future time. In fact, we have not even mentioned a future tense.
Traditional grammar lists three basic tenses. It defines present tense
as an expression of action occurring at the present time, past tense as action
occurring during the past, and future tense as action occurring during
future time. These tenses are represented by the following forms of the
verb: I see (present), I saw (past), I shall see (future). In addition, there are
three perfect tenses, indicating completed action and formed by the addition
of have en to the auxiliary. Many traditional grammars stop with these
six tenses; but others add three progressive tenses, which indicate continuing
action and are formed by the addition of be Y mg to the auxiliary. Tradi¬
tional grammars generally assume that there is a strict correspondence
between time and the form of the verb in English.
Such a correspondence does not exist in actual usage. Present time
may be represented by the present-tense form of the verb as in Now I
understand or Here comes Sally, but it is usually represented by the present
progressive form: He is sleeping; They are leaving now; I am eating. For
politeness we sometimes use “future tense” for a present action, as a check¬
out clerk may say, “That will be $6.50, please.” The normal meaning of
the present-tense form is not present time, but rather action that is habitual
or universally true (i.e., past, present, and future time): Tim is a policeman;
Water freezes at thirty-two degrees; I eat lunch at one o’clock every day.
For many verbs it is impossible to state an action occurring specifically in
the present time with the simple present tense: *1 eat the cake now (cf. I
eat cake often and I am eating the cake now).
24 chapter three
exercises
C. Write the formula for each of the sentences below, make the addition Or deletion
that is called for, and write the resulting sentence. Example:
Sally was playing. NP T past + be + ing + play
Add have + en: NP + past + have + en -f be + ing + play
Sally had been playing.
1. I ate then. (Add be + ing)
2. They drank the wine. (Add will)
3. We had gone to the window. (Delete have + en)
4. You could have listened to me. (Add be + ing)
5. They might be disappointed. (Delete may)
6. Sam was telling a lie. (Add have + en)
7. You could have been repairing the clock. (Delete be 4- ing)
8. I was going. (Add shall)
9. I could see him well. (Delete can)
10. The waitress must be laughing at us. (Add have + en)
chapter four
LEXICAL FEATURES
DIVISIONS OF A
TRANSFORMATIONAL GRAMMAR
In the last two chapters we developed the phrase-structure rules for English.
These rules begin with a single symbol S and progress through ordered
expansions until no further expansions are possible. The rules are repeated
below:
P2: Nuc —► NP + VP
\
NP
be AP
P6: MV
Place
1,V (NP) /
PI Nuc
P2 NP + VP * %
V
P3 NP + Aux + MV
There are no longer any symbols that can be rewritten since nothing in the
final line occurs to the left in any of our rewrite rules. Symbols such as
Det, N, or present that cannot be rewritten by the phrase-structure rules
are called P-terminal symbols. A sequence, or string, of these symbols is called
a P-terminal string. A P-terminal string such as
Nuc
NP VP
Det N Aux MV
/ \
Det N present be ing V Det N
lexical features 29
These, of course, are not the only words we could have chosen for this
structure; the following choices are among the many others that could have
been made:
✓
This is the order for the question Is the boy reading a book? The rearranged
structure is illustrated by this tree
S Such transformational rules will be dis¬
cussed in detail in the next two parts of
Nuc
this book.
Even with the application of
transformational rules, we still do not
have a grammatical sentence of English.
Another set of rules is needed:
phonological rules that tell us how to
pronounce the string that we have
generated. These rules will be discussed
in Part Four, and they will tell us how
combinations of words are pronounced;
for example, present -f- eat is eats,
30 chapter four
past -f- drop is dropped, etc. (Notice that inflectional morphemes, such
as past, en, and ing, remain before the verbs since they are merely symbols,
not phonetic representations.) After we apply these rules and those for the
addition of stress and pitch, we have a sentence: Is the boy reading a book?
We are describing rules that will enable us to produce the sentences of
English. We call this collection of rules a grammar. The grammar is organized
into three sections or components:
V
TRANSITIVE AND
INTRANSITIVE RESTRICTIONS
The lexical entry for each verb will have to state whether it permits a
following noun phrase or not. Vanish and occur will be listed in the lexicon
with the feature [ —_NP ], and bring and prove will be listed with
[ -j-_NP]. The underline indicates the position filled by the verb,
lexical features 31
before an NP. The plus indicates that the verb in question can fill the
position; the minus indicates that it cannot. Some other verbs with the
feature [ T_NP ] are shoot, wax, and tear, as illustrated in the following
sentences:
1. He shot a rabbit.
2. I waxed the car.
3. Someone tore the page. „
Other verbs like these are watch, steal, and read. Whether these verbs have
a noun phrase following them or not, there is no alteration in meaning.
These verbs still have the feature [ -f-_NP ] even when the noun phrase
is not present. The feature merely states that a noun phrase is permitted
after the verb with the meaning given.
One word of caution is in order. The classification of a verb depends
upon its meaning in the sentence under consideration. There is a difference
in meaning in He ran fast and He ran the store. We set up run in our
lexicon as two separate entries, or as two separate words. The entry with
the meaning as in He ran the store has the feature [ +_NP ]; the entry
with the meaning He ran fast does not have this feature, but rather
( —_NP]. This distinction may become complicated for verbs whose
meanings are metaphorically extended. Notice fly in the following sen¬
tences :
We will list fly in our lexicon six different times, one for each meaning.
Similar metaphoric extensions can be seen in rise (The sun rose; The boy
rose; Prices rose) and die (The man died; The car died).
32 chapter four
Unlike the simple intransitive verbs, these must have an adverbial of place
following them. Other examples are lie (recline), step, and glance. These
verbs have the feature [ -f_place]. The adverbial is not optional.
Sometimes to avoid repetition we delete elements that are otherwise essential.
*We sneaked, for example, is ungrammatical by itself. It may occur,
however, in the context How did you get past the guard? We sneaked.
Underlying We sneaked is the complete sentence We sneaked past the
guard. Past the guard has been deleted to avoid repetition. This kind of
deletion does not affect our classification.
There are also transitive verbs that must have adverbials of place
following the noun phrase:
These verbs have the feature [ +_: NP place ], meaning that an adverbial
of place must follow the NP.
With these features—[ -f-_ NP ], [ —_ NP ], [ +_ place ],
and [ +_NP place ]—we can account for the native speaker’s intuition
that sentences such as *We persuaded and *Someone shivered the man
are ungrammatical.
SUBJECT-VERB RESTRICTIONS
As the last two examples show, we may not select just any noun or verb, but
we must impose certain restrictions.
Notice the following sentences:
These are all unacceptable because the subject noun phrases are nonhuman
and the verbs require human subjects like the following:
assign the feature [ + human ]; all other nouns will be [ — human ]. Thus,
woman, bo/, and aunt are [ + human], and cat, ivy, and door are
[ — human]. Verbs that do not permit nonhuman subjects have the
feature [ — [ — human ]_]. The underline indicates the position of the
verb, after a noun with the feature [ — human ]. Verbs such as pray, talk,
faint, worship, complain, praise, acknowledge, and thank will be listed
with this feature to limit them to [ + human ] subjects. Other verbs will
not be marked for this feature.
We can thus explain why *The door fainted and *The dog praised me
are ungrammatical. In children’s stories or other imaginative literature, of
course, door and dog may become human. Some people will argue that
all of the verbs in the last paragraph may have animate nonhuman subjects;
normally they do not make this claim for all animals, but only for pets or
certain other animals of which they are particularly fond. Rather than
extend the features of the verb for these people, it seems better to say that
the distinctions human and nonhuman have been erased in certain cases
or perhaps that dog, horse, etc., sometimes have the feature [ + human ]
(when they are the subjects of verbs such as worship and acknowledge).
The features we have given will account for the grammaticalness of
sentences la, 2a, and 3a and for the ungrammaticalness of lb, 2b, and 3b:
Since these are grammatical sentences, limiting these verbs to human subjects
would be too strong a restriction. Animals as well as humans can bite, run, or
taste something. We need, therefore, another classification of nouns that
includes humans and animals. Dog, horse, girl, man have the feature
[ + animate ]; rose, rug, and rock have [ — animate ]. Verbs that do not
permit inanimate subjects have the feature [ — [ — animate ]_].
lexical features 35
The need for a final restriction between subjects and verbs can be seen
in the following sentences:
Sentences lb and 2b have abstract subjects with verbs that require concrete
subjects; 3b and 4b have concrete subjects with verbs that require abstract
subjects. Generally speaking, concrete nouns name objects that can be
touched or seen (cat, apple, woman, etc.). Abstract nouns do not (hap¬
piness, honesty, courage, etc.). Abstract nouns are not physically located in
space. Concrete nouns have the feature [ + concrete ]; abstract nouns have
[ — concrete ]. A verb that does not permit abstract subjects has the feature
— [ — concrete]_] (sit, rise, lie, etc.); one that does not permit
concrete subjects has the feature [ — [ + concrete]_] (occur, befall,
elapse, etc.). A verb such as amaze, which may occur with either concrete
or abstract subjects, will not be marked for this feature.
The four features [ — [ — human ]_], [ — [ — animate ] _],
[ — [ — concrete ] _], and [ — [ + concrete ]_] will be given in
the lexical entries of only those verbs which are restricted as to the kinds of
subjects they may follow. Other verbs, such as seem and appear, will be
listed without any of these restrictions since they apparently occur freely
with concrete or abstract, animate or inanimate, human or nonhuman
subjects.
The verb features we have given are illustrative rather than exhaustive.
For example, we could have a classification for verbs that require animate
objects (surprise, astonish, terrify, frighten, etc.). Or we might group
those verbs together that require living subjects: humans, animals, and
plants (grow, die, thrive, etc.). Some verbs take only abstract objects
(guess, pretend, announce, etc.). A complete classification of this nature
would go far beyond the scope of this book.
Some verbs are even more specific: evaporate must have a subject
that is a liquid; read and write must have objects pertaining to writing.
Other verbs have equally severe limitations on their subjects (disperse,
dissolve, corrode, etc.) or their objects (sing, whistle, say, etc.). A complete
lexicon would describe these idiosyncracies.
36 chapter four
Here are some verbs with their syntactic features as they would be
given in a lexicon:
admire eat
[ + NP] [+ NP]
[-[-- human ] ] — [ — animate ] ]
<
seem occur
[ - NP] [--NP]
[ — [ + concrete ] ]
To account for the differences between the grammatical and the ungram¬
matical sentences above, we must discuss additional noun features.
Nouns are either common [ -j- common ] or proper [ — common ].
The traditional definition of a proper noun as the name of a particular
person, place, or thing and of a common noun as any one of a class works in
many cases: Joe vs. boy, Omaha vs. city, etc. On the other hand, the names
of seasons of the year, which are traditionally considered common nouns
and are not capitalized, are as specific as names of the months, which are
proper nouns and are capitalized. Also, the devil seems to be as specific as
Satan. Normally proper nouns do not take plurals or articles, the word the
in such names as The Hague and the Amazon being taken as part of the
name and not a determiner. But even here there are problems. No one
would question calling Mr. Smith and Mrs. Smith proper nouns, but when
we speak of them together as the Smiths, we have added both an article and
a plural morpheme. The following sentences also present problems: The
lexical features 37
Americans landed three Sundays ago; A Canadian has two Chevrolets; There
are two Jims in my room; He is not the John Smith who lives next door to
me. That there is some real system underlying the distinction common and
proper can be seen in a sentence such as Blamp opened the door. The
native speaker recognizes Blamp as the name of a person (or pet), although
it is a new word to him. Our grammar should be able to draw similar
conclusions. No doubt much of our confusion is caused by a too close
association of the noun designation proper with an initial capital letter.
The differences between common and proper nouns is a subject that needs
further research.
Some nouns name objects that can be counted, whereas others do not.
The sentence I read a book can be altered without changing the structure to
I read two books or three books or four books. Book has both a singular
and a plural form, and various numbers can be placed in front of it. We
call book a count noun and say that it has the feature [ -f- count ]. In the
sentence I drank a glass of water, the word water cannot be made plural,
even if we alter the number of other nouns and verbs in the sentence, nor
can we add numbers directly in front of the word. Unlike glass in this
sentence, water is a noncount noun and has the feature [ — count]. The
following sentences provide further examples of this feature:
often seem to mean substance or material (they are often called mass nouns),
whereas the count nouns mean the individual items. A dictionary usually
lists these meanings separately. We will treat the count noun stone in
sentence three as a different lexical entry from the noncount stone in
sentence four.
Sometimes a noun is noncount although we could count the items it
names. Furniture, for example, in He owns much furniture, is noncount,
since we cannot say one furniture, two furnitures, three furnitures, etc.
Yet we can count the pieces of furniture. Similarly, sand in He got sand in
his shoe is a noncount noun, although we can count grains of sand.
Some abstract nouns are noncount and do not permit determiners or
plural morphemes: *The honesty is good; *They have courages. Other
abstract nouns, such as idea and trait, are count nouns and take determiners
and plural morphemes freely.
The features [ + count ] and [ — count ] determine which determiners
may accompany a noun. If the noun is [ — count], a may not be used:
*A happiness was felt; *A furniture was in the room. If the [ — count ]
noun is [ — concrete], normally the, this, and that may not be used:
* I felt the sadness; * He was full of that enthusiasm. Nouns that are [ — count]
and [ + concrete] take the freely: The oil is leaking on the furniture.
Count singular nouns may take a or the; they may not exist without any
determiner: A man sat in the room; *Man sat in room. Count plural nouns
may be preceded by the or by no determiner; they may not be preceded by
a: The students came in cars; *A students came in a cars.
Features of a noun can be represented in a matrix, in which we have
rows of positively or negatively specified features. Below are the features
for the boldfaced nouns in the following sentences: Mary loves truth. The
woman owns a cat.
concrete + + + —
animate 1
“T + + —
human ‘ + + — —
THE LEXICON
The direction [ — rule M5 ] tells us not to apply the rule for regular noun
plurals, which would yield * mouses. Current dictionaries seem to indicate
the plurals for entries two and three as we have given them. This infor¬
mation may be inaccurate; for these uses there may be no plural forms, or
the plural may be mouses.
exercises
C. Examine the following sentences and decide why some of them are ungrammat¬
ical. What generalizations can you make about much, many, fewer, and less?
1. Much energy was spent on this project.
TRANSFORMATIONS I
chapter five
THE NEGATIVE TRANSFORMATION
✓
43
44 chapter five
of the auxiliary, but not all of it. In fact, it follows only the first auxiliary
after tense. In not Jerry could hear me, could is a case of past + can. Can
is the first occurring auxiliary; therefore, not follows it in the surface
structure. We use the abbreviation Aux1 for the first auxiliary that comes
after tense. In the following sentences Aux1 has been marked:
The information on the left of the arrow describes the structure to which the
rule is applicable: one with the SM not and an Aux1. If either of these
conditions is not met, the rule does not apply. The information on the right
of the arrow describes the structure after the change has been made. The
double arrow means that this is a transformational rule rather than a
phrase-structure rule. Whereas phrase-structure rules merely expand
elements, such as Nuc into NP and VP, transformational rules rearrange,
delete, add, or substitute elements, thereby altering the underlying structure
of the sentence. The symbol X stands for anything coming between not and
tense, such as another sentence modifier or a noun phrase. Since the rule
operates the same way regardless of what follows not, we can simplify our
rule by using the symbol Xfor any structure coming between not and tense.
Similarly, Y stands for anything following Aux1. This may be other aux¬
iliaries, a verb, and anything that follows a verb. Since the same process
applies regardless of what follows Aux1, we can improve the rule by using
the symbol Y for this.
For the deep structure not they present can hear you, we can illustrate
the rule in the following way:
not they present can hear you they present can not hear you
This gives They can not hear you, after the phonological rules have been
46 chapter five
applied. This process can be illustrated with trees. Here is the deep
structure:
N Aux MV
Nuc
After the application of phonological rules, we have the sentence They can
not hear you.
Before going further, you should practice with the following structures.
Remember that you are trying to understand the process and the mechanics
of the rule.
1. not they are our friends They are not our friends.
2. not Jane was friendly Jane was not friendly.
3. not the bird was there " The bird was not there.
Like the sentences with Aux1, these demand a rearrangement of the structure.
This time not is placed after be instead of after an auxiliary. Notice that in
these sentences be is not an auxiliary, since there is no verb following it and
since there is no ing on the next word. The be in these sentences is part of
the MV. We write this rule as follows:
Adj
The rule transforms the deep structure into the following surface structure:
Adj
In the surface structure not comes before the verb and after tense, which is
attached to do. If we omit do from the surface structure, we obtain the
following:
These are not grammatical sentences, since not cannot be altered to show a
contrast between past and present. To provide a grammatical sentence, we
add the word do. Although this word has no lexical meaning, it can carry
the tense morpheme: do and does in contrast to did. These sentences
require two rules:
The negative rule moves not between tense and the verb. In the second
rule, A stands for any morpheme other than an auxiliary or a verb. Any
time tense appears before any such morpheme, we add the word do to carry
the tense. To convert the deep structure not we present jump here into a
surface structure, we apply the negative and do transformations as shown in
the following trees.
the negative transformation 49
SM Nuc
N VP.
N Aux' MV place
tense V
Nuc
exercises
A. Transform the following deep structures into surface structures by applying the
negative transformation and, where applicable, the do transformation:
1. not John present be in the room
2. not of course the children past can go with us
3. not those chairs present need paint now
4. not she present look tired
5. not they present be the leaders
6. not the boys present will have arrived by then
7. not no that cat present resemble my sister’s cat
8. not they present have seen me here
9. not Patsy past be friendly
10. not his foot past become infected
B. Study the following sentences and determine what governs the use of some and
any:
1. I read some new magazines. *1 read any new magazines.
2. Some people were at the door. *Any people were at the door.
3. It isn’t in any of the drawers. *It isn’t in some of the drawers.
4. He didn’t have any money. *He didn’t have some money.
5. Some dogs were in the yard. *Any dogs were in the yard.
C. Write five original deep structures that contain the SM not. Be sure that you
can account for all of them with the phrase-structure rules, and use variation
in the selection of auxiliary elements. Then transform them into surface structures.
chapter six
QUESTION TRANSFORMATIONS
51
52 chapter six
question: You heard him come in? We will not be treating these kinds of
questions, although they can easily be handled by the same processes we
use for yes/no and WH questions.
It would be possible to derive yes/no questions from related declaratives
such as the following:
With this approach we would have the same morphemes in both structures
(except for do in Did he hear us?), but the transformation would change
the meaning of the sentence. Is Tom sick? does not mean the same thing as
Tom is sick. A principle of our grammar is that transformations affect the
form of a structure but not the meaning. By means of the negative trans¬
formation we derived He will not go from not he will go, both of which
have the same meaning. He will not go is not derived from He will go, but
is merely similar to it.
Likewise, Tom is sick cannot be the deep structure for Is Tom sick?
although the two are similar. Just as the idea of negation must be present in
the deep structure of a negative sentence, so the idea of interrogation must be
present in the deep structure of a question. This idea is expressed by the
SM Q, which indicates that the structure is a question. More specifically,
it may be interpreted as meaning “I request that you answer yes or no to the
question. . . .”
The sentences on the left below are deep structures that have the
sentence modifier Qy those on the right are surface structures:
The process of forming questions, like that of making negatives, is not new
to you. When you were very young, you incorporated into the grammar
that you were learning certain rules for forming questions and negatives.
These rules are still part of your grammar, but you are probably not
conscious of the intricacies of this grammar, and your observations about
it may be inaccurate. You might say that you are moving the verb in front
of the subject noun phrase to form a question. This process, of course, would
give *Could sing she well? for the first question above, and you would
begin refining your observation, as you did in describing the negative
transformation. Tense and the first auxiliary (tense -f- Aux1) have been
question transformations 53
placed in front of the noun phrase in the surface structure; Q has been
deleted. This transformation, like the negative, involves a rearrangement of
elements. This part of the yes/no rule can be written as follows:
When tense is the only element of the auxiliary and the main verb is be, the
subject noun phrase changes position with tense and be, and Qis deleted:
If we omit the meaningless word do from the surface structures, we are left
with structures such as past John read my letter. When there is no
auxiliary other than tense and the main verb is not be, tense and the noun
phrase change places, so that Q she present know my name becomes
present she know my name. Since present cannot be attached to she, we
apply the do insertion rule: present do she know my name. These steps
can be shown as follows:
S
question transformations 55
Not has been included in parentheses to allow for such sentences as Isn’t
she going with us?
According to our rules, we can have a deep structure like Q not she
is going with us. We apply the transformations in the order (1) negative,
(2) yes/no, (3) do. By negative we get the intermediate structure Q she
isn’t going with us. A structure like this that has had one or more trans¬
formations applied to it but which still is not a surface structure is called an
intermediate structure. Then the yes/no transformation applies to produce
the structure Isn’t she going with us? Since tense can be attached to be,
the do transformation is inapplicable.
Now let us examine the other kind of question, the WH question, as in
What is he saying? This surface structure is derived from Q he is saying
something, or preferably Q he is saying NP-WH. After the application of
the yes/no transformation, we have the intermediate structure Is he saying
NP-WH? The WH transformation substitutes the interrogative what for
the noun phrase and shifts it to the beginning of the sentence: What is he
saying? These processes are illustrated by the following trees. Here is the deep
structure:
ing V
Notice the process in the following sentences. The ones on the left are
intermediate structures that have undergone the yes/no transformation;
those on the right have had the WH transformation applied to them:
who
X + (Prep) NP-WH + Y => (Prep) X x Y
what
question transformations 57
In the structure are you reading NP-WH now, X is everything before the
noun phrase (are you reading) and Y is everything after it (now). Either X
or Y may be nothing, as in Are you reading NP-WH, Y is nothing.
As we have stated the rule, there is no way of knowing whether Q you
saw NP-WH will become What did you see? or Whom did you see? This
choice between who and what depends on whether the NP has the feature
[ -f- human ] or not. The deep structure will attach to the NP not just WH,
but also [ + human] or [ — human]. The lexicon will give who as
( -)- human ] and what as [ — human ].
But noun phrases are not the only structures that may have WH
attachment. We may find it on an adverbial of place, as in Where are you
going? which derives from are you going Adv-p-WH. Various adverbials
may have WH attachment; the interrogatives that replace them are listed
below, along with a possible answer:
Adv-p-WH where
Adv-t-WH when
Adv-m-WH how
Adv-r-WH why
Y => ( whose ) X A- Y
Det-WH + N j which 1 + N
( what J
(Prep) NP-WH
_ <-p) (:i:«) _
exercises
B. Give the deep structure from which each of the following sentences was trans¬
formed :
1. Are you watching the clouds ?
2. Have you eaten today?
3. Does she know his address?
4. Were they in the drawer?
5. Did Bill plant the tree?
C. Our rule for the yes/no transformation changes the deep structure Q you present
have a dime to Do you have a dime? It will not produce Have you a dime?
Similarly, the negative transformation of not you present have a dime produces
You don’t have a dime, but not You haven’t a dime. Have you a dime? and You
haven’t a dime are still common in British English, although they are dying out
in American English. Can you revise our rule or add a new one to take care of
these structures ?
D. Perform the WH and do transformations, where applicable, on the following
intermediate structures:
1. were they singing NP-WH
2. present you live Adv-p-WH
3. was she answering Adv-m-WH
4. have they answered Det-WH questions
5. past you see NP-WH
E. Transform the following deep structures into surface structures, performing the
transformations in the order (1) negative, (2) yes/no, (3) WH, (4) do, and only one
at a time:
1. Q, Bob will speak Adv-p-WH
2. Q,not he is going Adv-r-WH
3. Q,he wrote with NP-WH
4. Q, not you have found Det-WH book
5. Q she wanted NP-WH
F. Give the deep structure from which this sentence was derived: What could the
man have been doing?
1. From the deep structure give the words that are represented by the following:
Aux1, V, M, be, Aux, MV, VP.
2. Which tense is found in this sentence? Which word shows the tense?
3. In this sentence why is the ing form of give used instead of gives or given?
Why is the en form of be necessary? (Answer these questions from the
standpoint of form, not meaning.)
4. Perform the yes/no transformation on your deep structure. From the rewrite
rule for the WH transformation, which words in this intermediate structure
are represented by X? by Y?
G. Why do modals not have en or ing forms?
H. In the yes/no rule for sentences containing auxiliaries, why do we specify Aux1
instead of just Aux?
I. The verb have has an ing form (having), but the auxiliary have does not. Why?
chapter seven
TRANSFORMATIONAL
PROCESSES
59
60 chapter seven
Since this structure does not contain not or WH, it does not meet the
conditions for the other transformations we have discussed so far. This is,
then, a surface structure. The rules in the phonological component of the
grammar will give the structure a pronounceable form: Were you sleeping?
A transformation may involve any of four processes: addition, deletion,
rearrangement, or substitution.
to give:
Since the deep structure must contain the full meaning of the sentence,
only words which are relatively empty in meaning, such as do, may be
added transformationally.
2. By deletion we remove something from the structure. We have not yet
encountered deletion, but you can readily see how it operates on the
following structure:
In the second sentence the MV underlying hear you has been deleted,
since it is repetitious. Only elements that cause no loss in meaning may
be deleted.
3. Rearrangement changes the ordering of the structure. We have seen this
process in the negative, yes/no, and WH transformations. As with the
other transformations, rearrangement produces a change in structure
and is not just a shifting of words.
4. Substitution involves replacing an element of the deep structure with
another element, as the substitution of where for Adv-p-WH. The WH
transformation involves a combination of rearrangement and substitution.
ADVERBIAL MOVEMENT
Since these sentences mean the same thing as the corresponding sentences
la, 2a, and 3a, we would like to account for this in our grammar. The
structure underlying I saw her at the bank yesterday is as follows:
S
i
I
^Nuc
NP
It will be possible to derive Yesterday I saw her at the bank from this same
deep structure if we rearrange the elements:
INDIRECT OBJECTS
Our phrase-structure rules will account for la, 2a, and 3a, but not for lb,
2b, and 3b, in which the words me (lb), her friend (2b), and me (3b) are
said to function as indirect objects. Since sentences la and lb mean the
same thing, we would like to derive them from the same deep structure:
Nuc
This is the deep structure for They sent a note to me. If we rearrange the
structure, we can derive sentence lb:
transformational processes 63
X + V + NP1 + { j+
f°r Np2 => x + v + Np2 + Npl
The NPs are numbered so that we can distinguish them. We may illustrate
the sentence She cooked a meal for me as follows:
We want to state our rules precisely enough so that they will permit
all grammatical sentences of English; at the same time, we want to prevent
all ungrammatical ones. This rule will account for They sent me a note
and the other sentences we have given, but it will also permit the following:
From these sentences we see that in the deep structure the first NP following
the verb must contain a common noun, but the NP after the preposition
may contain any kind of nominal. Hence, the structure of They sent the
book to me fulfills this requirement since book is a common noun. They
sent it to me does not since it is not a common noun. We are speaking only
of American English, since there are slight differences found in British usage.
We should now revise the rule:
64 chapter seven
+ N to
X + V + (Det) + NP
-f- common for
+ N
X + V + NP + (Det)
+ common
IMPERATIVES
The first part of these sentences before the comma is generated by the
phrase-structure rules that we have already outlined. Following the comma
is a repetition of tense, Aux1, and noun phrase. We could write a rule for
this kind of tag question:
Notice that the tense remains the same, that the first occurring auxiliary is
repeated, and that there is no change in the noun phrase: He was going,
wasn’t he? but not *He was going, isn’t she?
Now let us see what tag questions are necessary for imperatives:
These examples show that in the deep structure the noun phrase is you,
the tense is present, and the first auxiliary is will. These three sentences
must go back to structures similar to You will close the door, You will be
good, and You will answer my question. These structures have no mor¬
pheme in them that requires a transformation; we, therefore, add the
sentence modifier Imp (imperative). We now can generate a deep structure
like this: Imp you present will go home. Notice that this differs from the
deep structure of you will go home by the inclusion of Imp, which means
that the sentence is an imperative.
Here is the rule for the imperative transformation:
exercises
TRANSFORMATION y
Walter saw me
I was seen by Walter
In addition, the auxiliary has been expanded. This expansion of the auxiliary
should be examined carefully. Below only the sequence Aux + V has been
given:
It should be obvious now that be -f en has been added between the auxiliary
and the verb.
67
68 chapter eight
Both Walter saw me and I was seen by Walter have the following deep
structure:
Nuc
NP
Nuc
Not all verbs that have noun phrases following them may undergo the
passive transformation:
There is one sentence in which have occurs in the passive: A good time was
had by all. This is, of course, an exception. There are also two exceptional
verbs that have passives but no corresponding actives: to be born and to be
had (“to be taken advantage of”). For some of these verbs, such as have,
there will be a feature listed in the lexical entries to block the passive trans¬
formation. Others can probably be shown to result from deep structures in
which there is no NP after the verb.
Sometimes the deep structure subject is vague, as in these sentences:
Only indefinites or other obvious NPs, such as The defendant was found
guilty (by the jury) may be deleted. The listener must always be able to
understand what has been deleted.
It is possible with the selection or rejection of various optional trans¬
formations to have several different surface structures all deriving from the
same deep structure:
The native speaker recognizes all six sentences as meaning the same thing.
Our grammar accounts for this.
Grammarians in the past were often concerned with the meaning of
the terms subject of and object of In the sentence Her husband washed the
dishes, there is no problem. Her husband, the actor, is in subject position
before the verb; the dishes, the receiver, is in object position after the verb.
the passive transformation 71
structure can both shorten the rule and, more importantly, show the
relationships among the parts: “Admire may not have a deep structure
subject that is abstract; it has no restrictions on the deep structure object.”
Hence, neither *Honesty admired the man nor *The man was admired by
honesty will be possible since they would share the same deep structure
which has been blocked by the feature constraints. Both The man admired
honesty and Honesty was admired by the man are possible, since their
common deep structure violates no constraints. '
exercises
B. Write the deep structure from which each of the following sentences was derived:
1. The rocks are being hurled by that boy.
2. Treasure was found by the pirate.
3. The note could have been planted by the suspect.
4. John was being persuaded by them.
5. Your lesson could be prepared by Sam.
C. Below are five pairs of surface structures that differ. In each pair if the sentences
mean the same thing, account for their differences in form by giving their deep
structure and showing which transformations have been applied. If the two
sentences do not mean the same thing, show how their deep structures account
for this:
la. Sally has been sent a present,
b. Someone has sent a present to Sally.
2a. What has he discovered in the drawer?
b. Has he discovered something in the drawer?
3a. Didn’t he tell the secret to his wife?
b. Didn’t he tell his wife the secret?
4a. Bill wasn’t fired by the superintendent,
b. The superintendent didn’t fire Bill.
5a. You won’t be staying there long,
b. Don’t stay there long.
part three
TRANSFORMATIONS 11
chapter nine
PRINCIPLES OF
TRANSFORMATIONAL GRAMMAR
Now that we have discussed the phrase structure, the lexical features, and
the process of transformation, you are in a better position to understand the
principles of transformational grammar than when we first mentioned them
in Chapter One. It will be useful now for us to restate those principles and
illustrate them with material from the grammar that you have studied.
During the first years of a child’s life, he hears many sentences spoken.
Eventually he begins experimenting with sentences as he tries to speak. He
learns to associate objects and actions with specific words, and he learns to
combine these words with one another to produce larger, meaningful
structures. The English-speaking child learns that determiners precede
nouns and that prepositions precede noun phrases. He learns that if he has
more than one book, he speaks of his books; similarly, the plural of toy is
toys and of dish is dishes. The plural ending is pronounced differently in
each of these words. When he learns a new noun, he automatically applies
his rule for plural formation to it and produces cats, ducks, dogs, foots, and
mans. The last two he later learns are exceptions and memorizes their
plurals. When the child says foots or mans, we know that he has mastered
the rule for plural formation in English. By the time he is five or six, he has
mastered many other rules, such as word order and past-tense formation.
We do not know what form these rules have taken in his mind, since their
application becomes routine with him. The rules he has developed which
permit him to understand and produce the sentences of his language are
collectively known as a grammar. The child’s grammar constitutes his
knowledge of the language.
Each person develops a grammar of his language. Furthermore, he
develops it largely by himself with very little technical help except an
occasional correction such as “Don’t say singed; say sang.” It should not be
surprising, then, that no two people develop exactly the same grammar.
People’s speech patterns are as distinctive as their fingerprints. This
uniqueness is made obvious by our ability to recognize many people’s voices
75
76 chapter nine
Other structures are grammatical for some speakers but not for others:
For the speaker of sentence 4, the principal parts of see are probably see,
seen, seen; for the speaker of sentence 5, see, saw, saw; for the speaker of
sentence 6, see, saw, seen. These differences exist because these three
speakers probably were not in contact with the same people as they were
learning to talk. Each one developed a rule based on the raw material that
he heard. Notice that the grammars which produced sentences 4 and 5 have
only two distinct principal parts for see; the grammar that produced
sentence 6 has probably made a similar simplification for such verbs as
cling, slink, stink, and shrink, all of which originally had three distinct
forms. Each of the above six sentences is grammatical for some speakers of
principles of transformational grammar 77
English; none is grammatical for all. Notice that our use of grammatical
means nothing more than that the structure under consideration follows
the rules of whatever grammar we are discussing. We are not using this
term to appraise the grammar for its effectiveness or its ability to conceal
one’s regional or social origin.
The rules comprising this grammar that each person creates are limited
in number; also, the number of words each person uses and understands is
finite. With a limited number of words and rules for combining them into
larger structures, a person is able to create and to understand an infinite
number of sentences. You would see that this statement is not exaggerated
if you looked for repetitions of sentences in a large book. And if you taped
your own conversations for a week, you would find that such repeated
structures as Good morning, How are you? and What time is it? make up
a very small part of what you say; there is very little repetition in your
other sentences. Although you are not conscious of it, most of the sentences
you encounter each day are totally new to you; on the other hand, the
rules that formed these sentences are very well known to you. This is one of
the ways your speech differs from that of a talking bird. The bird says only
sentences it has memorized. You have memorized almost no sentences, and
it would be impossible for you to memorize all of the ones you need or can
use. You are able to make use of a finite set of elements and rules to create
an infinite number of sentences.
If there were some way to discover the form these rules assume in a
person’s mind, the linguist’s task of describing the language would be easy.
As it is, he must be content with trying to describe the regular patterns that
he observes. His description is expressed in the form of rules, and we call his
collection of rules a grammar. We, therefore, use grammar with two meanings.
The first is the rules a person has developed which permit him to understand
and to create sentences in his language. The second is a theory about these
rules and is an artificial, less efficient way of expressing them. It tries to
describe the native speaker’s knowledge of his language; no one claims that
it succeeds in duplicating this knowledge, nor is it likely that it ever will.
Subject, object, noun phrase, etc. are terms the linguist has created to describe
certain relations. Although the concepts that these terms name must exist in
the individual’s grammar, the terms belong strictly to the grammar of the
linguist. We avoid further confusion over the word grammar by referring to
such matters as choice between don’t and doesn’t, who and whom as usage.
Notice that this kind of grammar is intended not as a model for learning one’s
language. Such a grammar attempts the much more difficult task of de¬
scribing the grammar that the individual has developed.
The central component of transformational grammars is syntax,
which consists of two divisions: the phrase structure and the transformations.
78 chapter nine
Q -f- the -f- woman + past + be + ing -f- sell -f- apple + PI
With this string and its structural description we momentarily leave the
syntactic component.
The second division of the grammar is the semantic component,
which operates on the deep structure. The morpheme Q, contains the
meaning of “question” in the deep structure of the above sentence and gives
it a different meaning from the related positive statement, in which Q, has
not been selected. The semantic component shows how the meanings of the
lexical items combine to give the meaning of the sentence as determined by
the syntactic structure. As an example of the dependence of the semantic
component upon syntax, look at the following group of words: old several
buckets rusty metal. Unless you rearrange the words in your mind, you
see no meaning beyond that of each word in isolation. If you rearrange the
words to read several old rusty metal buckets, you find more meaning than
is contained in the individual words. You are able to apply the rules in the
semantic component because you perceive a syntactic structure.
We now return to the syntactic component and apply transformational
rules to our structure to produce
This transformation has rearranged elements, but it has not affected the
meaning. Other transformations may add or delete elements; some sub¬
stitute one element for another.
The third division is the phonological component. It tells us, among
other things, to pronounce past + be as was or were, ing -f- sell as selling,
and apple + pi as apples. It gives us an intonation pattern that differs from
that of a group of words read as a list. The phonological component operates
on the surface structure and gives the sentence its final form. We will
describe the phonological component in Part Four of this text.
Transformationalists hope that their grammars will eventually specify
all of the grammatical sentences of the language and no ungrammatical ones;
principles of transformational grammar 79
this is the proficiency that a native speaker has. No such grammar has yet
been written.
Earlier, structural linguists felt that the ideal way to collect data for
their observations about language was to gather large samples of speech,
preferably recorded without the speaker’s knowledge, and to analyze them.
The transformationalists argue that if the linguist does nothing more than
analyze such a corpus of material he is studying the speaker’s performance
of his language, rather than his competence. If a speaker changes his
train of thought in the middle of a sentence, this structure will be analyzed
along with the “normal” ones, as will false starts and words that are out of
place. Furthermore, the corpus may lack certain constructions, such as
passives or indirect objects. The structural approach analyzes only observed
utterances and makes no comments about those that are not observed. The
transformational approach, however, is as concerned with potential utterances
as it is with those actually spoken at a given time. It attempts to state
whether a structure that has not actually been observed is possible or not.
The transformationalist is interested in the speaker’s competence, the
grammar that he has developed. He has to study the speaker’s performance,
or application of the grammar, but it is merely as a means of approaching
the underlying system. In addition, he makes use of the speaker’s comments
about his language, while realizing that these comments may be inaccurate.
We can see the difference between competence and performance if we
look at an example. In speaking about competence, we will use the terms
grammatical and ungrammatical; for performance we will use acceptable and
unacceptable. In a moment of excitement a person might scream, House is
on fire! If we are speaking of performance, the sentence is acceptable; it
will communicate the idea perfectly well and get the desired results. From
the standpoint of competence, the sentence is ungrammatical: house is a
singular count noun and may not exist without a determiner. Studying the
sentence will add nothing to our understanding of the underlying system of
English determiners; in fact, it could easily lead to the false generalization
that determiners which are normally obligatory are omitted in certain
circumstances. We would be basing this assertion on only one sentence, and
we would have a long wait before we heard another spontaneous utterance
like it. On the other hand, if we ask a native speaker about House is on fire!
he will confirm our original impression that this is a nonce occurrence. It is
also possible for a structure to be grammatical but unacceptable because
it is too long, too conversational, too formal, etc.
The transformationalist in studying the system of language says that
every sentence has a deep structure and a surface structure. Traditional
grammarians at times made similar statements when they said that Go
home comes from You go home; that There is a man at the door should be
converted from its “inverted order” to its “natural order,” A man is at the
80 chapter nine
The second sentence can mean I found the room cluttered up by the presence
of many students, but usually it means I found the room messy. Although
the first sentence can also have two parallel meanings, the more usual is I
found the room that the students had mentioned. The differences lie not so
much in semantics as in the arrangement of the deep structure. Cl uttered by
the students can be a reduced relative clause, but in sentence 2, it would
usually be an objective complement. It is only through an analysis of
underlying or deep structures that this difference can be brought out.
Without the use of deep structure, it is impossible to show the relation¬
ship between the following sentences:
With deep structure we can show that these sentences originated from a
common source; without it, we need two sets of rules for adverbial particles
immediately after the verb and at the end of the sentence.
Or look at these sentences:
exercises
C. It has been said that every normal six-year old knows a grammar of his mother
tongue. Explain. How does this meaning of grammar differ from that used in
question B ?
D. Does grammatical mean the same thing to the transformationalist as it does to the
traditionalist? Explain. Do they both mean the same thing by rule?
E. What are some of the objections linguists have to traditional grammar?
F. What is the purpose of studying the grammar of a language ?
G. What effect should our understanding of a child’s competence in his language
have on the teaching of reading in the first few grades ?
H. Considering the scope of grammar, how useful do you think is much repetition
of words in first-grade readers of the type “Look! Look! Look! See Jack run!
Run! Run! Run!” What reactions do you have to the syntax in sentences like
these ?
chapter ten
COMPOUNDING ,
DELETION, AND PRO FORMS
So far we have discussed sentences that derive from only one S. It is possible
to join two sentences with a co-ordinating conjunction (and, or, nor, but,
yet, for) to produce a compound sentence: Alice wrapped the package,
and Susan addressed the card.
1. We went to the exhibition, but (we) did not stay long. (Deletion of the
second we is possible.)
2. We went to the exhibition; however, we did not stay long. (No deletion
is possible.)
S" ]
PI: S
(SM) Nuc J
83
84 chapter ten
With this revision we may still select (SM) Nuc as the rewrite for S and gen¬
erate the sentences we have discussed in the preceding chapters. But we
now have another possibility: S may be rewritten as two or more Ss without
limit (Sn). In the preceding paragraph we saw a sentence in which only two
instances of S were selected. It would be possible to extend this indefinitely:
Alice wrapped the package, and Susan addressed the cards, and Beth
bought the stamps, and Frances mailed the package. .•■ . . Such a sentence
would be monotonous and stylistically awkward; if we made it very long,
no one would be able to remember it all. But these factors do not affect
grammaticalness. Because of this rule it is impossible for us to point to any
sentence and say that it is the longest in the language. Any sentence can
always have another S joined to it.
Our revised rule for S will permit trees such as the following:
s
/i\
s s
A rule will add a conjunction, such as and, before each S except the first one:
If there are three or more Ss, a further rule will optionally delete all con¬
junctions except the last one:
1. Dave went to the carnival and (Dave) rode the Ferris wheel.
2. Bill sold his car and (Bill sold) his motorcycle.
3. Sue (visited us last night) and her husband visited us last night.
4. I was frightened, and Tony was (frightened), too.
5. I enjoyed the concert, but Sally didn’t (enjoy the concert).
6. I could see him, and so could Bob (see him).
Another transformation will attach the NP Don and the conjunction and
to the first Nuc:
Usually two or more structures may be conjoined if they are alike (i.e.,
both Ss, both NPs, both VPs, etc.):
1. Do for a VP or a verb
a. I saw the accident, and Bill saw the accident, too.
I saw the accident, and Bill did, too.
compounding, deletion, and pro forms 87
Although we did not label them as such at the time, the WH words which
substitute in the WH transformation are Pro forms. The use of Pro forms,
especially pronouns, is not restricted to repetition within a sentence: I didn’t
know that Bill lived next door to you. Does he visit you often? Some
Pro forms, such as one and someone, are often used because the person they
represent is not known or is generalized. We used these forms in explaining
the passive transformation when we said that Someone has found the ring
underlies The ring has been found.
Transformations show how some sentences that are paraphrases of
each other are related:
(Det) N (PI)
NPW
This rule is parallel to the one that rewrites S as Sn. It produces compound
NPs like these:
NP NP NP NP NP NP NP NP NP
The same rule that adds conjunctions between compound sentences will do
the same thing here:
N N
And a rule will optionally delete all but the last conjunction
NP NP NP
derived from different deep structures as shown in the following trees for
Ann and Tom are married.
But upon examination we see that this is an ambiguous sentence and that
the two meanings correspond to the different derivations. It can mean:
1. Both Ann and Tom are married. (But not to each other)
2. Ann and Tom are married to each other.
Ann and To m are married with the meaning of the first paraphrase is
derived from the first tree, with the meaning of the second paraphrase from
the second tree. Other examples of ambiguous surface NPs are seen in the
following sentences:
exercises
A. For each of the following sentences give the deep structure and show which
transformations have been applied:
1. The figurines will remain in the living room, but the flowers will be moved
to the den.
2. The Smiths dropped by after work but didn’t stay long.
3. I couldn’t hear the speech, but Esther could.
4. We went to the lake and to the park.
5. Won’t Henry or someone be at home in the morning?
6. He didn’t write or telephone us.
7. She is pretty but very dumb.
8. The Smiths left early, and I did, too.
9. Bill arrived early, but he didn’t stay long.
10. We were sitting on the front row, and they were sitting there, too.
11. Bach and Handel sound alike to Homer.
12. Susan and Agnes met each other in Seattle.
B. Show how the ambiguity of the following sentences can be accounted for by their
deep structures:
1. Herb and Louise got divorced last week.
2. I like hot dogs and ice cream.
3. Patsy and Sam have two children.
4. She invited Pam and Frank.
5. A dog and a cat followed me yesterday.
C. Classify the following sentences as grammatical or ungrammatical and decide
what constraints on compounding account for the ungrammatical sentences:
1. The burglar raised the window carefully, and he listened to see whether
anyone had heard him, and then he entered the room.
2. He raised the window, but he thought someone might have heard him, but
then he entered the room.
3. Why did you quit your job, and when will you find a new one?
4. Why did you leave the door open, and close it.
5. He can sing well, and she can too.
6. He can, and she can sing well too.
7. He can sing well, or she can too.
8. I read this book and that book.
9. I read a book and the book.
10. I heard and saw you enter.
11. I heard or saw you enter.
12. I heard but saw you enter.
13. I didn’t know your name, and there’s a fly on my nose.
14. He turned in the report, and he turned in his tracks.
15. She is tall but graceful.
chapter eleven
RELATIVE CONSTRUCTIONS
The following sentences cannot be accounted for by the rules we have given
so far:
c. The man whom you met yesterday has painted the garage.
These sentences seem to contain NPs that consist of more elements than Det,
N, and PI; they are not compounds like Jane and Mary. First of all, we should
make certain that the italicized elements really are NPs. Here are three
kinds of evidence we can use:
c. The man whom you met yesterday has painted the garage.
He has painted the garage.
2. When they occur in subject position, tense and Aux1 move before them
to produce questions:
b. Has the man whom you met yesterday painted the garage?
91
92 chapter eleven
c. The garage has been painted by the man whom you met yesterday.
We say that these sentences have been embedded into the noun phrases.
The italicized NPs in the deep structure have been moved to the
beginning of the embedded sentence by the relative transformation:
form for it. Notice how the following structures are transformed by T-rel
and T-pro:
We call who, which, and that relative pronouns and the clauses they
introduce relative clauses.
To account for relative clauses, we must expand our rewrite rule for
the NP:
(Det) N (PI)
NP NP + S
NPn
In the preceding chapters we have seen many NPs generated by the choices
of (Det) N (PI) and of NPn; here is a diagram illustrating the other choice:
The embedded sentence you saw the
S
man will become the relative clause
whom you saw, and the entire sen¬
tence will be The man whom you
saw waved. One constraint placed
on this structure is that the em¬
bedded sentence must contain an
NP identical to the one preceding the man you saw the man waved
the sentence, such as the man in
this case. The deep structure The man (you saw the duck) waved cannot
be transformed into a grammatical surface structure becuase of this con¬
straint.
If the NP has the feature [ -f- human], either who or that may be
selected:
» %
\
Since these sentences mean the same thing, they must share a common deep
structure: The man you saw the man looks like Jim. By T-rel this becomes
The man the man you saw looks like Jim. If we apply T-pro, we get The
man whom you saw looks like Jim. In Chapter Ten we saw that there are
two possibilities for avoiding repetition: replacement by a Pro form and
deletion. Instead of applying T-pro, we may apply T-del and get The man
you saw looks like Jim. The difference in the two surface structures results
from a different selection of transformations. Here are some more pos¬
sibilities :
As you can see from the last two sentences, if the NP derives from a subject
in its deep structure, it may not be deleted; the same restriction applies to
an object of a preposition if the preposition is shifted with the NP (sentences
5 and 6). In all other cases the NP is freely deletable. Even with deletion,
these are still called relative clauses.
Any time that we have two surface structures with shared vocabulary
and the same meaning, we expect them to have the same deep structure.
96 chapter eleven
As with other deletions, the rule allows us to recover the deleted material for
each sentence. Transformations do not affect meaning, but they do alter
the form of the sentence. Without deletion each of the above sentences
contains a relative clause. If deletion occurs, the relative clause in sentence
1 becomes lying on the floor, a present participial phrase. Each of the
reduced structures is named by its first word: dragged through the streets
is a past participial phrase; behind the desk is a prepositional phrase;
downstairs is an uninflected word used as an adverbial of place; my brother
is a noun phrase used as an appositive; sound asleep is an adjective phrase;
to answer the question is an infinitive phrase. We speak of all these
structures collectively as adjectiuals, since they all modify nouns.
Now look at the following deep structure: Susan bought a car a car
was red. By the relative and Pro transformations this becomes Susan
bought a car which was red. We may stop at this point, since any further
transformations are optional. However, since the relative pronoun is followed
by be, let us make the optional relative deletion transformation: *Susan
bought a car red. Unlike the sentences in the earlier paragraphs, this one is
ungrammatical. Another transformation, however, will move the adjective
relative constructions 97
red in front of car and give Susan bought a red car, which is grammatical
and means the same thing as Susan bought a car which was red. This
transformation, which we call the noun-modifier transformation (NM),
moves an inflected single-word modifier to the position immediately in front
of the noun:
X + N + NM + Y => X + NM + N + Y
As you can see from this example, rule T-NM is optional for most participles,
although it is obligatory for adjectives. Many uninflected words do not
undergo the noun-modifier transformation:
determiner an. Also, a few noun phrases that have been translated or
borrowed from French do not permit this transformation: the devil
incarnate, court martial, etc. For these cases the entire phrase will be
entered in the lexicon as one unit.
Since a sentence may contain more than one NP, it may contain more
than one relative clause or structure derived from a relative clause:
The pretty girl told a story that was amusing to the children who were
listening attentively.
In this sentence three noun phrases have relative clauses embedded in them.
It is also possible to embed a relative clause inside another relative
clause, as this tree shows:
Transformed this will yield the man who met the woman who owned the
cat that had kittens.
It would be theoretically possible for S to recur an infinite number of
times. Our rules have made S a recursive element, like the rules that
rewrite S and NP as Sn and NPn. A recursive element allows infinite re¬
production of itself. Let us look at a sentence that has only limited
repetition of S:
I met a man who had a son whose wife sold cookies that she had
baked in her kitchen that was fully equipped with electrical appliances
that were new.
As you can see from this sentence with only five relative clauses, a sentence
that is extremely long is not pleasing from a stylistic point of view, and the
reader or listener loses track of the meaning. But if we exclude such matters
of performance as style and memory limitation and consider only the system,
a sentence may be indefinitely long.
relative constructions 99
Now consider this sentence: The little girl in the yard who steals
peaches is a brat. Our rule handles the NP easily:
Nuc
Nuc
NP
NP^
I past build
zz
the boat the boat is in the yard
Deep structure: The speech you gave the speech was good
T-rel: The speech the speech you gave was good
T-pro: The speech that you gave was good
exercises
B. In this chapter as in the rest of the book, we have made much use of your knowledge
of what is grammatical in leading you into generalizations about the language.
Would this approach be effective if you were studying English as a foreign
language? Explain.
C. Most single-word modifiers in English precede the noun, whereas phrases and
clauses follow it. Is this true because of logic or convention ?
D. Through the use of recursion, we can make a sentence infinitely long. Explain
what limitations performance plays in sentence length. Do we have the same
performance limitations in writing as in speech ?
chapter twelve
SENTENCES
AS NOUN PHRASES
In the last two chapters we have seen two different ways in which simple
sentences may be expanded to make larger, more complex sentences:
compounding and embedding. In compounding we add two or more Ss or
NPs together, but they are distinct from each other; that is, in the deep
structure we can always show on a tree where one S or NP ends and the
other begins. Embedding, on the other hand, makes an S a part of another
structure, such as an NP. In the deep structure underlying a relative
clause, the S is one of the constituents of an NP. Through the use of em¬
bedding and compounding we can make sentences of any length or complexity
that we choose.
Now examine the following sentences:
In these sentences who made the announcement and what he said must be
NPs, for we can substitute pronouns for them:
102
sentences as noun phrases 103
Since our past rewrite rule for the NP will not permit these structures, let
us revise it:
f (Det) N (PI)
NP + S
Nuc
Nuc
tense V NP
NP
The surface structure has two words added: for and to. Instead of arrived
(past + arrive), it has arrive; hence, tense has been deleted. We call this
transformation the infinitive transformation and for him to arrive so early
an infinitive phrase.
There is another structure that is similar to that he arrived so early and
for him to arrive so early: his arriving so early, as in the sentence His
arriving so early was surprising. We call this structure a gerund phrase.
Let us follow the same process as we did with the infinitive phrase to see how
it is formed:
We say that his is a case of the pronoun he plus the possessive morpheme;
similarly, John’s is John -f poss, their is they -f poss, etc. As in the infinitive
transformation, tense has been deleted and something has been added; this
time it is poss and ing.
We have seen three possible transformations for he arrived so early
and other sentences embedded as NPs:
Other structures such as His early arrival was surprising could no doubt be
derived by similar processes, but we will limit ourselves to these three.
In the sentence The idea that he would leave soon disturbed Sarah,
that has obviously been added by the that-insertion transformation. Since
that he would leave soon is not a relative clause, it cannot be derived from the
S in the rule NP —> NP + S. A final revision of the NP rule is required:
Th e idea that he would leave soon is derived from NP —> (Det) N (PI) (S)
as follows:
Compare this with the relative clause in The idea that he mentioned
disturbed Sarah:
Since these two sentences mean the same thing as their counterparts above
and since they contain the same lexical items, they must have common deep
structures. We say that sentences lb and 2b have undergone an additional
transformation, the extraposition transformation. This transformation
moves an embedded sentence such as that I would be on time to the end of
the sentence. We may illustrate extraposition by means of a tree. After
that insertion we have the following intermediate structure:
Nuc
Nuc
These sentences seem to share the same relationships as those in the preceding
paragraph did. Sentences 3a and 3b share the same deep structure; the
extraposition transformation has been applied to 3b, but not to 3a. The
same relationship is true for 4a and 4b.
108 chapter twelve
Nuc
Nuc
Nuc
To trust everyone and to stop the car must be derived from Fred trusts
everyone and he stops the car by the infinitive and deletion transformations,
but they cannot be NPs or the sentences could undergo the passive trans¬
formation. Fred tends to trust everyone must come from a deep structure
no chapter twelve
like this:
Nuc
NP VP
N Aux MV
tense
Fred present te
S is not classified as an NP. The rewrite rule for the MV must be expanded
for this type of structure:
MV
be (NP 1
AP
{ place J
V (NP) (S)
Nuc
NP VP
This origin of to open the package correctly shows that it is not part of the
NP containing John. Hence, the passive transformation moves only John
to the beginning of the sentence: John was asked by us to open the package.
If to open the package were part of the NP that contains John, the passive
transformation would move the entire NP: *John to open the package was
asked by us. This kind of embedding is directly linked to verb features,
since only certain verbs permit it: ask, persuade, caution, etc.
Now examine the following structure:
✓
_ Nuc_
NP
tense V NP 'S
Since We consider her to be lucky and We consider her lucky mean the
same thing, this transformation seems to be correct.
The same procedures will produce such structures as She seems to be
happy and She seems happy.
1. Compounding: S —> Sn
NP -> NPn
NP -> NP + S
Lexical items from the dictionary are attached to the deep structure, and
the semantic component assigns a meaning to it. This deep structure next
undergoes one or more transformations, which perform any of four processes:
addition, deletion, substitution, or rearrangement. The result is a surface
structure. All that is needed now is a section of the grammar that tells us
how to pronounce the surface structure. This is the phonological component,
which will be the subject of Part Four of this book.
exercises
A. Give the deep structure from which each of the following sentences was derived
and show which transformations have been applied:
1. We didn’t understand why you disagreed with us.
2. We admired his telling the truth.
3. Bill found a rare coin and sold it.
4. The suggestion that you made was interesting, but the proposal that we
should leave wasn’t.
5. It is good that you memorized their address.
6. Ann wanted to drive the car.
7. It is hard for me to remember names.
8. We persuaded Frank to answer the letter.
9. They considered your report to be very original.
10. Sue appears uneasy.
sentences as noun phrases 113
C. As a review of syntax, trace the'steps by which the following sentence was derived:
Why didn’t you tell those boys to be quiet? Draw a tree to show the deep
structure, show how lexical items are added, and perform the relevant trans¬
formations. How did you know which transformations to perform ?
*
'
*
part four
PHONOLOGY
chapter thirteen
TRANSCRIPTION *
in the pronunciation of these words. Even when words with relatively little
variation in pronunciation are used, it is vexatious to have to say something
like “the vowel heard in bit” if many sounds are to be described. A much
simpler system has been devised: a new alphabet. In this alphabet there is
a unique symbol for each of the 35 sounds heard in English. Conventional
spelling is ignored. The symbol /k/, for example, is used for the initial
consonant heard in both cat and keep, as well as the same sound heard in
account, back, chiropractor, acquaint, sacque, biscuit, and liquor (spelled
cc, ck, ch, cq, cque, cu, and qu respectively). Furthermore, anyone trained
in the use of this alphabet understands immediately the meaning of each
symbol, whether he speaks the variety of English common in Boston,
Houston, Kansas City, San Francisco, Melbourne, or London. We say
that there is a perfect “fit” between this alphabet and the sounds it rep¬
resents: each symbol invariably represents only one sound, and each sound
has only one symbol that represents it. The alphabet used in this book is
similar to the various American modifications that have been made of the
International Phonetic Alphabet. We avoid using the pronunciation
systems used by most dictionaries, since these systems vary from one dictionary
to another. The account of phonology given in this chapter is overly
simplified and in many ways outdated; however, the background provided
is useful for an understanding of the transformational account that begins
with Chapter Fourteen.
In this alphabet, which we call the phonemic alphabet, symbols
for individual phonemes are placed between slanted lines, as /p/, to distin¬
guish them from letters of the conventional alphabet, which are itali¬
cized or written in sans serif type. The symbol /p/ is used to indicate the
consonant sound heard in pea and pay. Similarly, each of the following
symbols is used to represent the first consonant heard in the words
following it:
Notice that the sound heard at the beginning of gem and general although
spelled with a g has a different sound from the first of got or give; the sound
heard in gem and general will, therefore, not be represented by /g/, but by
another symbol that will be introduced later.
The symbols for the vowel sounds may present a slight problem, since
transcription I 19
exercises
A. With these symbols for six consonants and two vowels, you are now able to
transcribe the following words into phonemic notation:
1. pit 12. keep 23. bead 34. peep
2. Pete 13. kit 24. big 35. pip
3. pick 14. keyed 25. dip 36 it
4. peak 15. kid 26. deep 37. eat
5. peek 16. bip 27. Dick 38. eke
6. pig 17. beep 28. dig 39. pea
7. tip 18. bit 29. gig 40. tea
8. tick 19. beet 30. did 41. tee
9. teak 20. beat 31. deed 42. key
10. Teague 21. beak 32. bib 43. be
11. Kip 22. bid 33. kick 44. bee
Most of the consonant symbols are easy to learn, since there is little
120 chapter thirteen
Only the last symbol will be new. A few seconds of experimentation should
convince you that this is indeed one sound, although we normally spell it
with two letters: sh. Notice the position of your tongue when you pronounce
/s/ as in sip and then /§/ as in ship. Then try pronouncing /s/ and immediately
after it /h/, the sound heard at the beginning of how. The tongue position
for fsf is different from that for /s/ or /h/.
We are now ready to present three new vowel sounds with key words
to show how they are pronounced:
exercises
The next group of new phonemic symbols is similar to the last group
in that only one unusual consonant symbol is introduced:
The sound /p/, although frequently spelled with the two letters ng, is in
reality only one sound, not a combination of /n/ and /g/. Try pronouncing
run and then rung and notice the tongue position at the end of each of these
words. After you have established this difference, pronounce run and add
a /g/ after the /n/. Now notice the pronunciation of finger and singer.
122 chapter thirteen
Finger has two consonant sounds in the middle: /gg/; singer has only one:
/g/. Try pronouncing finger with only the /g/ and singer with /g/ after the /g/.
Another potential source of difficulty is found in such words as sink
and pink. Pronounce each of these words slowly and notice the movements
of the tongue. As you pronounce sin and then sing, you will notice /n/ at
the end of sin and /g/ at the end of sing. For some speakers the vowel heard
in sing is that of seen, not sin. Now try adding the sound /k/ at the end of
sin and sing. The sound /k/ added to sin gives /sink/, which is not a recogniz¬
able English word; but if this sound is added to the end of sing, the result is
sink, which we write phonemically /sigk/. A comparison of pin /pin/,
ping /pig/, and pink /pigk/ reveals the same sound contrasts.
Below are three new vowel sounds with key words to show how they
are pronounced:
In mother there are two vowels. Although they sound alike to you, for
reasons that will be made clear in a later chapter, we will transcribe this
sound /a/ when it is in a stressed syllable and /o/ when it is unstressed:
/ mAiSur/.
exercises
B. When a word contains more than one syllable, one of the syllables is pronounced
louder and more forcefully than the others. We call this phenomenon stress (some
books use the term accent). Although there are various ways of marking stress,
in this book we shall use an acute mark over the vowel of the syllable containing
transcription 123
the strongest stress: /kaebin/. Transcribe the following words into phonemic
symbols and mark the syllable with the strongest stress; remember to distinguish
between stressed /a/ and unstressed /o/:
1. above 7. (to) permit 13. canoe 19. stinger
2. capital 8. (a) permit 14. pressure 20. malinger
3. capitol 9. (to) survey 15. padding 21. anger
4. singing 10. pruning 16. pudding 22. tinkle
5. (to) suspect 11. easily 17. precious 23. tingle
6. (a) suspect 12. shouldn’t 18. finger 24. parliament
C. Which vowel is found more often than any other in unstressed position ? Which
of the following consonant sounds is never found at the beginning of a word in
English: /m n p r 1/? Do all of them occur at the end?
The initial sound heard in yet, you, and young is represented as /y/.
Notice this sound at the beginning of you, and then pronounce the verb use
carefully. The only difference in pronunciation of these two words is that
use has a \z\ at the end of it. We write you as /yu/ and use as /yuz/. Do
not let spelling confuse you; notice that there is no difference in pronunciation
of use and the plural of you that is sometimes heard in the northeastern
part of the United States: youse. We also call the letter of the alphabet u
/yu/, not just /u/. The pronunciation /uz/ gives the word ooze. The three
sounds /y, w, h/ are called glides. Transcribe the following words, giving
your normal pronunciation:
2. beauty 5. moo 8. do
If you pronounce /t/ and /s/ together rapidly, you will have the initial
sound in child and chew. For English this combination functions as one
phoneme, which we write /c/. Chew is written /cu/ and chum /cAm/. In a
word like clutch be careful not to record a separate /t/, since this sound is
included in the /c/. This word is written /Mac/. A similar combination is
that of /d/ and Jz/, the sound heard both at the beginning and at the end of
judge, which we write j]j. Judge, then, is written /jaj/. Be careful not to
write /d/ after the vowel, since this sound is included in the /j/. The two
sounds /c/ and /j/ are called affricates. Transcribe the following words:
The next two consonants are both spelled th. That they are distinct
sounds can be clearly seen by comparing thy and thigh, either and ether,
mouth (V) and mouth (N). The sound heard in thy, either, and mouth (V)
is represented /3/; the sound heard in thigh, ether, and mouth (N) is
represented /0/. When you pronounce /S/, listen for the “buzzing” sound
and hold your fingers on your throat to feel the vibration. This sound and
vibration are absent in /0/. Transcribe the following words:
The remaining vowel sounds can be easily handled in a list that includes
key words:
Some people pronounce ought, caught, and fought with the sound /a/ and have
/o/ in only a few words if they have it at all. One test to tell whether you use
/o/ is to see whether caught and cot, taught and tot sound alike or not. If
they are different, then you have this sound; if they are alike, then you
probably do not have it.
Finally, there are three diphthongs:
exercises
Write the names for the letters of the alphabet in phonemics: /e/, /bi/, /si/,
Up to this point we have been concerned solely with learning a new alphabet
for the transcription of sounds. For the rules which we will be making in the
following chapters, we need more exact descriptions of the sounds. For our
purposes the most effective descriptions are those of the functioning of
various parts of the body in making sounds.
In English all speech sounds are made by modifying the flow of air as
it is exhaled from the lungs. Although we make certain gasps and clicking
sounds with air being inhaled, these are not part of our phonemic system.
There are languages that do have phonemes formed by modifying air that
is inhaled, but English does not. The first point at which we can modify the
outflowing stream of air is in the larynx, which is popularly called the Adam’s
apple. In the larynx are two muscular bands which are wide apart during
normal breathing. These bands, which we call the vocal cords, can be
brought together to block the flow of air completely. We often do this when
we are straining for some purpose, such as lifting a heavy load. Or we can
bring them close together so that a vibration is set up when the air flows
through them. This is done when we produce many of our speech sounds.
These sounds are said to be voiced. If the vocal cords are wide enough
apart so that no vibration occurs when air passes through them, the sound
is voiceless. There are two different tests you can make to determine
whether a sound is voiced or voiceless. You can hold your hand over your
throat and pronounce a prolonged /z/. This should then be contrasted with
a prolonged /s/. The other test is to pronounce each of these sounds while
holding your hands lightly over your ears. Either test should reveal a
definite vibration for /z/, but none for /s/; we, therefore, say that \z\ is voiced
and /s/ voiceless. We described nouns and verbs by saying that they had or
lacked certain features. We use a similar system with sounds; hence, \z\
has the feature [ + voice ] and /s/ has [ — voice ].
f This chapter is based on ideas found in Chapter Seven of The Sound Pattern of English by
Noam Chomsky and Morris Halle (Harper & Row, Publishers, Incorporated, 1968).
127
128 chapter fourteen
Before going further, use either of the tests we have given to determine
which of the following sounds have the feature [ + voice ] and which ones
have [ — voice ]:
You should have found that the odd-numbered sounds are voiced and the
even-numbered ones voiceless. Now try pronouncing each of these sounds
again, but this time do not use your hand on your throat or over your ears.
Listen for the difference in sound and see if you can feel the slight tension
formed in the larynx for the voiced sounds.
The following sounds will be slightly harder, since they cannot be
pronounced in isolation but always have a vowel (which is voiced) accom¬
panying them. We normally call the letter of the alphabet p by the name
/pi/. Since vowels are always voiced, you will hear the vibration when you
say /pi/. If you notice carefully, however, you will find that voicing does not
begin on the consonant /p/, but rather starts only with the vowel /if. Contrast
this word with /hi/; here voicing begins on the fhf. Classify the following
sounds as [ T voice ] or [ — voice ]:
All even-numbered sounds in this exercise have the feature [ -f- voice ], all
odd-numbered ones [ — voice ].
For most sounds in English, the flow of air comes from the lungs and
is released through the mouth after being altered by variations in the shape
and positioning of the parts of the mouth. In the production of these
sounds, the velum (the soft palate) is raised so that air will not go into the
nasal passage, as it does in normal breathing. You can easily see the action
of the velum if you look in a mirror as you breathe with your mouth open
and then contrast this position with the one for the production of /a/. It is
also possible to lower the velum and at the same time block the oral cavity
with the lips or tongue, thereby forcing the air through the nasal passage.
This is the way /m, n, g/ are produced. You can tell that /m/ is a nasal
consonant by pronouncing it protractedly and using your fingers to pinch
the nose closed. As soon as you block the nose, the sound stops. Now try
pronouncing /a/ or /s/ and pinch your nostrils together. The sound continues.
For the production of /m/ the lips close the oral cavity; for /n/ the tip of the
tongue blocks it by touching the gum ridge behind the upper teeth; for /g/
the body of the tongue touches the velum. These three sounds have the
phonological features I 129
feature [ + nasal]; all other sounds in English are [ — nasal ]. All nasal
sounds in English also have the feature [ + voice ].
For all non-nasal sounds the flow of air passes through the mouth and
is modified by the narrowing of two opposite parts (upper and lower lips,
lower lip and upper teeth, tongue and velum, etc.). The degree of narrowing
may be slight (cf. /e/ and /a/) or more extreme, sometimes to the point of
complete closure. When you pronounce a consonant sound, you make an
obstruction in the mouth. This obstruction may be complete closure, as in
the production of /b, p, d, t, g, k/. We call these sounds stops., since the flow
of air coming from the lungs is stopped at some point in the mouth and then
released: between the two lips for jbj and /p/, between the tongue tip and
gum ridge for /d/ and /t/, between the body of the tongue and velum for /g/
and /k/. If there is a complete closure of the oral cavity, as in the production
of the stops and the nasals, the sound is said to have the feature [ — contin¬
uant ]. Since /c/ and /j/ are composed in part by /t/ and /d/, they also have
this feature. All other sounds of English have the feature [ + continuant ],
since the flow of air is not completely cut off in the oral cavity, but rather
continues through it.
When you were in the first grade, you probably learned that the vowels
are “a, e, i, o, and u and sometimes w and y.” All other letters are consonants.
This is a listing of letters, not sounds. English obviously has many more
vowel sounds than this. Since this listing is rarely used for anything more
than a memorization exercise that is an end in itself, it has normally not
been challenged, even the use of w as a vowel. In the chapters that follow,
we will need to make a more precise distinction between vowels and
consonants, and we will concentrate on sounds rather than letters. We
define a consonant sound as one with a radical obstruction in the oral
cavity. The sounds we listed in the preceding paragraph as being [ — con¬
tinuant ] all meet this condition. But this radical obstruction does not have
to be so extreme as complete closure. The condition may also include a very
narrow opening, such as that used in the production of /f, v, 9, S, s, z, s, z/.
In the production of /r/, the tongue comes close enough to the palate to
meet this condition. In the production of /1 /, there is a radical obstruction
with the tip of the tongue against the gum ridge, although the flow of air is
not stopped as in the case of the noncontinuants but passes out over the sides
of the tongue. All sounds with a radical obstruction have the feature
+ consonantal], usually abbreviated [ + cons]. All others are
[ — cons ]. Notice that the glides /y, w, h/ do not have an obstruction in
their production and are, therefore, [ — cons].
According to our system, a sound that is [ — cons ] is not necessarily
a vowel. If you pronounce the following vowels in order, you will notice that
your mouth is open relatively wide for /ae/ and that it becomes gradually
narrower as you progress toward /i/: /ae, e, e, i, i/. You can see a similar
130 chapter fourteen
The sounds /r/ and /1 / are obviously [ -f- cons ] because of the obstruction
in the oral cavity. They are also classified as [ -f- voc ] because of certain
operations of the vocal cords that are too technical for the scope of this book.
Sometimes we add another feature, [ + sonorant] , which includes
all sounds that are [ + voc ] as well as the glides /y, w, h/ and the nasals
/m, n, r)/. All other sounds are [ — sonorant ]. Another name for [ — sono¬
rant ] is obstruent.
We have said that a sound has the feature [ -f- cons ] if there is an
obstruction in the oral cavity. If this obstruction is at the gum ridge or
farther forward, the sound has the feature [ + anterior ]. The following
[ + cons ] sounds have this feature: /p, b, t, d, s, z, f, v, 0, 5, m, n, 1/.
These are [ — anterior ]: /k, g, rj, s, z, c, j, r/. Since there is no obstruction
in the production of the vowels and glides, they are [ — anterior ].
Another feature of consonants is determined by the position of the
tongue. The part of the tongue that in a relaxed position lies opposite the
alveolum (the gum ridge) is called the blade; the blade includes the tip of
the tongue. If the blade of the tongue is raised above this relaxed position
on the floor of the mouth, the sound has the feature [ T coronal ]. The
sounds /t/ and /d/ are [ -j- coronal ], since the blade of the tongue touches
the alveolum; /p/ and /b/, however, are [ — coronal], since it is the lips
that form the closure and the blade of the tongue is not affected. The velar
sounds /k/ and /g/ are [ — coronal ], since it is the body of the tongue rather
than the blade that is raised. Vowels are, of course, [ — coronal ], since
their production does not involve the blade of the tongue.
phonological features I 131
1. A sound produced with the body of the tongue raised above the position
for /e/ is [ — high ] ; all others are [ — high ]. If you notice the position
of the body of your tongue as you pronounce the following sounds, you
will see that they are [ + high ]: /i, i, u, u, Y, w, k, g, rj, s, z, c, j/. All
other sounds in English are [ — high ].
2. A sound produced with the body of the tongue lower than the position
for /e/ is [ — low ] : /as, a, o, h/. All others are [ — low ] in English.
3. A sound produced with the body of the tongue farther back than the
position of /e/ is [+ back] : /u, u, o, o, a, a, w, k, g, r)/. All others are
— back ].
All vowels have the features [ — cons ] and [ + voc ]; these features
set them off from all other sounds. The three features high, low, and back
help us to distinguish them from one another:
i i e e ae o a u u O A
high + + - - - - —
+ + — —
low - - - - + + + — — — —
These features differentiate some of the vowels, but not all. Notice the
following groups:
Some vowels are produced with more tension and effort than others.
The following are said to be [ + tense ]: /i, e, u, o, o/. The others are
[ — tense], or lax. Some dialects have a lax /o/, and others have tense
variants of /ae/ and /a/. The glides /y/ and /w/ are [ — tense]. The tense
vs. lax distinction is normally not extended to other sounds in English.
exercises
As you saw in the last chapter, the production of speech involves the inter¬
action of many parts of the vocal apparatus, the most prominent being the
vocal cords, the velum, and the tongue. The features give an account of
these actions. You are now able to understand that symbols such as /p, g, a/
are not indivisible units but rather abbreviations for feature complexes.
Instead of writing [ + cons, — voc, — continuant, -j- anterior, — coronal,
etc. ], we can write /p/ and let this symbol stand for this complex of features.
In the last chapter we discussed the thirteen features that are most
relevant for a study of English. These features are part of a listing of thirty
or forty that underlie all human languages. To give you some idea of the
other features, we will use two examples that can be readily observed.
When you pronounce /u, o, w/, you round your lips. Contrast these sounds
with /i, e, y/, for which there is no lip rounding. We could have given a
feature [ 4 round ], but we did not because in English all sounds that are
-
-f round ] are also [ + back ]. The feature would not have been of any
real value in showing differences or similarities among sounds. But for some
languages, such as French, German, and Swedish, there are vowels that are
[ — back ] and [ -f- round ]; for these languages rounding is a significant
feature. As a second example, hold your hand in front of your mouth as you
pronounce /paen/, /taen/, and /kaen/. You should feel a puff of air, which we
call aspiration, accompanying /p, t, k/ in these words. This puff of air is
missing if /s/ precedes the consonant: /spaen/, /staen/, and /skaen/. Since
aspiration is predictable at the beginning of a word after /p, t, k/ if /s/ does
not precede, the feature [ + aspirated ] is not significant for English. For
some other languages, such as Hindi, aspiration is significant, since it alone
can distinguish one sound from another.
The feature system can be applied to all languages. When we are
speaking of universal phonology as opposed to the phonological system of a
particular language, it is not adequate to list features merely plus or minus;
instead, they are given numbers on a scale: 1, 2, 3, etc. For example, we
133
134 chapter fifteen
will want to show that when aspiration is present, /p/ is more strongly
aspirated than /k/ or that a sound that is [ —j— back ] may be farther back than
another [ T back ] sound. In working with universal phonology, then, we
will use all thirty or forty features and use numbers on a scale rather than
plus or minus. In working with the phonology of a specific language,
however, we will limit ourselves to the features that are significant for that
language and use only plus and minus values.
Here are the features for the vowels of English as we presented them
in the last chapter:
1 i e 8 ae u u o A a 0
cons
voc + + + + + + + + + + +
sonorant + + + + + + + + + + +
continuant + + + + + + + + + + +
nasal
anterior
coronal
high + + — — —
+ + — — — —
low — — — —
T — — — —
+ +
back — — — — —
+ + + + + +
tense + —
+ — —
+ —
T~ — —
+
voice + + + + + + + + + + +
strident — —
+ voc
— cons
+ sonorant
-j- continuant
-f- voc
— nasal
— cons
— anterior
— coronal
-f- voice
— strident
This is the form that redundancy rules are stated in. The rule says that
we rewrite all vowels with the features [ -f sonorant, -f- continuant, etc. ].
phonological features II 135
The rule allows us to add these features to any vowel when we wish to
include a full phonetic representation, including features redundant for
English. Some of these features, such as [ + continuant, — anterior,
— coronal, — strident], are universal; others, such as [ — nasal], apply
only to English. Universal and language-specific rules should be kept
distinct and in separate grammars. Because of space limitations, we have
combined them.
Even with these redundancies removed, our matrix will still contain
redundant information. All segments that are [ + high ] are necessarily
[ — low ] because of the shape of the human tongue, and those that are
[ -f- low ] are [ — high]. Two rules will permit us to make further
simplifications:
+ high
[ + high ]
— low
+ low
[ -f low ]
— high
1 i e 8 ae u u o A a 0
cons
voc + + + + + + + + + "T +
high + + — —
+ + — —
low — —
+ — —
+ +
back — — — — —
+ + + + + +
tense + —
+ — —
+ —
T — —
+
+ animate
T human ] T concrete
T human
£ 1 1 + 1 1 + 1 1 +
^ 1 1 + I 1 + 1 i + 1 +
JG | 1 + 111 + i 1 1 +
- + +1 4-1 ++ 1 1 i + 1 +
+ +
^ + + + +
* + + +
g + + +
>N
+
>C/3 _|_
+ +
N +
+
W + + +
*0 -f +
o + +
> + + +
^ + + + +
>U ~f +
bo + + ++
^ + +
T3 + +
- +
n +
+
£
3 Jh ti c
.2 <3 C c3
• rH S-H c <u (U 5-h
C/3
o C
4-> o3 V o r4
u
CJ ^3 O
o o o
C/3 5h
o bO £
a
• i-H
•£ C
o > O
o3
a o
O -M O
£ 4 ° 43 > -m in
phonological features II 137
The redundancies here are less" obvious than those for the vocalic
segments. Closer inspection will nevertheless reveal them. First of all, we
gave rules stating that segments that are [ + high ] are automatically
[ — low ] and those that are [ + low ] are [ — high ]. Now look at the
segments that are [ + nasal ]. All of these segments are also [ — continuant,
— low, + voice, — strident, -f sonorant, + cons, — voc ] in English. A
rule will permit us to omit this information:
-j- cons ✓
— voc
+ nasal
+ nasal ] — continuant
— low
T voice
— strident
+sonorant
Notice that this is a rule specifically for English, not a rule for all languages
as is the one that states that [ -j- high ] is also [ — low ]. Next, notice that
/r/ and /l/ are distinctively identified by the combination [ + cons ] and
+ voc ]; all that is needed for them is one further feature to distinguish
them from each other: [ -fi anterior ] or [ — anterior ]. Similarly, segments
that are [ — cons ] and [ — voc ] are [ — nasal, — anterior, — coronal,
— strident, + sonorant]. For English all segments that are [ + cons,
— voc, — nasal ] are [ — low ] and [ — sonorant ]. These restrictions and
several others will be stated in rules like the ones we have given. Omitting
redundancies, we have the following matrix:
V V
P b t d k g c J f v e 5 s z s z
continuant + + + 4-
nasal — — — — — —
anterior + + + + — — — .—
+ + + + + + — —
coronal I -f-
—
- + + — —
+ + — — + + + +
voice —
+ - + —
+ —
+ —
+ —
+ —
4- —
+
strident + + + + — —
+ + 4- +
rn n 0 r 1 y w h
cons + + — — —
voc + + — — —
nasal + + +
anterior + + — — +
coronal — +
high + + —
back —
+
Features that are not redundant are called distinctive. The distinctive
features of a sound are those needed to identify it unambiguously from other
138 chapter fifteen
sounds. Two sounds are different if they differ by at least one feature. For
example, /p/ and /b/ share all except one feature: /p/ is [ — voice ] and /b/
is [ -f- voice ]; hence, only voice is distinctive in separating these sounds.
Similarly, /t/ and /p/ differ only in that /t/ is [ -f- coronal ] and /p/ is
— coronal ]. Voicing is distinctive for all nonnasal consonants in English;
for nasals it is not.
The feature system reveals similarities among sounds more interesting
than their differences. Features can be used to''group sounds into classes.
For example, only /r/ and /l/ have both [ + cons] and [ -f- voc]. These
two features set them off from all other sounds in what we call a natural class
of sounds. We need fewer features to specify a natural class than we do to
specify any member of the class. To specify either /r/ or /l/ by itself, we need
three features: [ -j- cons, -f- voc, — anterior ] and [ -f- cons, + voc,
+ anterior], respectively.
Contrast this natural class with another pair of sounds: /d/ and /v/.
These sounds have much in common: [ -f- cons, — voc, — nasal, + anterior,
— high, -j- voice ]. But this is not sufficient to set them off from /b/, /6/,
and /z/, which share the same features. The only way we can talk about
/d/ and /v/ together is to list all of the features for each; they are not a natural
class. Notice that a mere listing of the symbols does not show the difference
between the pairs /d, v/ and /r, 1/; the feature system reveals the major
differences.
We find motivation for natural classes outside of a discussion of features.
As we will see in Chapter Eighteen, nouns ending in a sound with the features
[ + strident, + coronal ] (e.g., church, dish, judge, etc.) take the plural
/iz/. Verbs with the features [ — continuant, — nasal, -f- anterior,
-f- coronal ] in their last segment take the past tense /id/. There is also
historical motivation for natural classes. During the fifteenth century,
English segments with the features [ V voc, — cons, -f- tense ] underwent
a major change in tongue height. Natural classes defined by distinctive
features provide meaningful, linguistically significant generalizations about
the sound system.
Phonological entries in a lexicon should be given as nonredundant
matrices rather than as alphabetic abbreviations. Instead of listing mail as
/mel/, we would list the following:
With nonredundant matrices we are not losing the other features: /l/
is still [ — nasal], /m/ is still [ -j-voice], etc. The matrix found in the
phonological features II 139
lexicon will look like 1 below; redundancy rules will convert it into a fully
specified form like 2 before any natural classes can be defined or any
phonological rules, such as plural formation, can be applied:
1 2
cons +
voc —
continuant —
nasal ' + +
anterior + +
coronal — —
high —■
low —
back —
voice +
strident —
sonorant +
+ cons
T anterior + cons
-f- cons /~v -v-v n
# [ + cons ] _
-j- coronal — voc
V Ub
— voice — continuant
-T strident
In the position for /s/, all features except [ + cons ] have become neutral¬
ized; that is, they are not needed to distinguish /s/ from other sounds.
Another rule in English says that of the nasals, only /m/ and /n/ may occur
at the beginning of a word; this nasal must be followed by a vowel:
+ nasal + voc
# [ + nasal ] [ ] #
T anterior — cons
There are many constraints on the sequences of sounds that are permitted
in English. A complete lexicon would contain a full listing of redundancy
rules, both those that are context free and those that are contextually
140 chapter fifteen
determined. The lexical entries would be free of all redundancies and would
contain only the minimum number of features needed to identify morphemes
unambiguously. The few words which do not observe these constraints,
such as sphere, svelte, and tsetse, would be treated as exceptions; they
would have a comment that certain redundancy rules are not to be applied.
Rules will block all impossible words; they will not block any that are
possible, even though they may not exist at present. Hence, rules will block
/fnaet/ but not /spaed/, although neither is currently an English word.
A complete set of redundancy rules for English will do more than
conserve space in the lexicon. It will state all the significant generalizations
about the phonological patterns in the language and will define all possible
morphemes, including potential ones that have not yet been formed.
We have observed that some phonological constraints are universal
and others are peculiar to English. The study of universals in phonology
has led some linguists to a different treatment of features. Some feature
combinations, such as [ T high, -j- low ], and some sequences of segments,
such as /wgb/, are inherently impossible to pronounce; others are impossible
to perceive. Also, there are other feature combinations and segment
sequences that are possible but very difficult to make or perceive. Some
feature combinations and sequences are inherently more “natural” than
others. All this can be embodied in universal rules applying to all languages.
If any lexical item in a language obeys these rules, it is unmarked; if it disobeys
these universal constraints, it is marked (i.e., it will take on the opposite
specification from what the universal rule would predict). Since most
feature specifications in most segments in most lexical items are predictable
by general, universal rules, most feature specifications will be unmarked.
This procedure will distinguish language-specific elements from universal
elements in a particular language. Research on which feature combinations
are natural and which unnatural is just in its beginning stages, but the
future holds much promise.
exercises
If the sounds grouped together constitute a natural class, give the features that
distinguish them; if they do not constitute a natural class, do nothing with them:
1. /m, n, T)l 9. /k,g, c,j, s, z,r)/
2. Ip, b, m, f, v/ 10. /r, 1, h, y, w/
3. /s, z, s, z, f, v, c, j / 11. /i, i, u, u/
4. /y, w, h/ 12. /u, u, o, a, a, o/
5. /p, b, t, d, r, s/ 13. /i, e, u, o/
6- /k, g, r), w/ 14. /i, e, u, o, o/
7. /©, s, c, y/ 15. /i, i, e, e, ae/
8. 11, d, c, j, 0, 8/
chapter sixteen
SYNTAX AND STRESSt
1 2
surrender relate
hinder cajole
polish repeat
whistle escape
astonish maintain
relish survive
Each of the verbs in the first column has a lax vowel in the ultimate (i.e.,
last) syllable; stress occurs not on this syllable, but on the penultimate
f This chapter is based on ideas found in Chapter Three of The Sound Pattern of English by
Noam Chomsky and Morris Halle (Harper & Row, Publishers, Incorporated, 1968).
141
142 chapter sixteen
(next to last) syllable. The words in the second column all end in a syllable
containing a tense vowel or diphthong; this tense vowel receives primary
stress.
Now look at the adjectives in the two columns below:
1 2
fragile sublime \
regal secure
rigid polite
explicit severe
purple serene
Adjectives obviously are governed by the same rules as verbs are: primary
stress is placed on an ultimate tense vowel or diphthong; otherwise it goes
on the penultimate syllable.
We can begin formulating a rule for placing stress in a word. In
doing this we adopt certain notational conventions. A capital C will be our
abbreviation for consonant or [ + cons, — voc ]; Vw will abbreviate
vowel, [ — cons, + voc ] (we cannot use just V since that is our abbreviation
for verb). The symbol C2 will mean a cluster of at least two but not more
than five consonants. The lower number means the minimum, the upper the
maximum. If we do not want to state a maximum, we do not give an upper
number; hence, C2 means two or more consonants, no upper limit given.
If we do not want to set a minimum, we use the notation C0; this means no
consonant, one consonant, or any number. Similarly, means no consonant,
one consonant, or two consonants; C* means exactly one consonant,
two consonants, etc. Instead of the last two symbols for an exact number of
consonants, we normally omit the number and list C the number of times
it is used: C (exactly one consonant), GG (two consonants), CCC (three
consonants), etc. This convention saves a great deal of space. The symbol
VwCq is an abbreviation for the following:
Vw
VwG
VwCC
VwCCC
We can now state our rule for stress placement in verbs and adjectives as
follows:
Vw —> [ 1 stress ] /
+ tense
syntax and stress 143
This says to add primary stress on a vowel when it has the feature [ -f tense ]
and is followed by zero or more consonants and is at the end of a segment
that is a verb or an adjective. For ultimate syllables containing lax vowels,
we need the following rule:
+ voc
Vw —> [ 1 stress ] /_C0 — cons
— tense
s
We will later need to add to these rules, but you should study how they
operate now. The underline indicates the position in which the vowel with
primary stress is found.
Before going further, apply these rules to the words listed below and
check the results with your knowledge of English pronunciation:
defend complex
remark rotund
resolve abrupt
regard correct
subtract robust
According to our rules, all of these words should be stressed on the penulti¬
mate syllable, since they all have lax vowels in the ultimate syllables. If you
look carefully at these words, however, you will notice that all end in two
consonants. The adjective complex, which ends in /ks/, has primary stress
on the penultimate syllable for some speakers; for others it is regular. None
of the words we listed earlier ended in more than one consonant. We need
to revise our rule:
2. Vw —> [ 1 stress ] /
tense
C0] VAdj
3. Vw —> [ 1 stress ] / C2 ] yjA.dj
If the conditions of rule 1 are present, stress goes on the penultimate syllable;
in all other cases it goes on the ultimate syllable.
144 chapter sixteen
we select a if it meets our requirements and pass over b and c. If a does not
meet our requirements, we select b and omit a and c. If neither a nor b fits,
we select c. Our convention says that we must proceed from the top down¬
ward until we find a situation that applies; we then disregard other parts
of the rule even though other parts lower down may also apply. With this con¬
vention, we can compress our three rules listed above into two: (a) rule 1
and (b) all other cases:
+ voc
(C0 — cons CJ)
Vw —> [ 1 stress ] / __I _ - tense J ] VAdj
l G0
Study the notation carefully. If a verb or an adjective ending in not more
than one consonant has a lax vowel in the final syllable, primary stress is
placed on the penultimate syllable. If this condition is met, we are not
allowed to apply the second part of the rule. But if it is not met, primary
stress is placed on the final syllable. Notice that verbs and adjectives of one
syllable (run, eat, blue, sad, etc.) will never meet the conditions of the first
rule, since they do not have penultimate syllables. The second rule will
y y y
apply, then, assigning primary stress to their only syllables: run, eat, blue,
sad.
We have used no words with derivational suffixes, such as management
or realize; they will be treated later. Since most adverbs are formed by
derivation, we will not discuss them here. Now let us look at some nouns:
12 3
syllable amoeba surrender
elephant moment complexion
metropolis halitosis lantern
If we omit the final syllable, these words follow the same pattern as do
verbs and adjectives. In column 1, if we drop the final syllable of metropolis,
we have metropol- with a lax vowel in the last syllable. Rule 1, therefore,
syntax and stress 145
+ voc
| C0 — cons i
Ml : Vw —> [ 1 stress ] / — tense
l C0 ii
{ + voc \
— cons C0 ]n a
/ — tense
V J b
a i If the final syllable of a noun contains a lax vowel, this syllable is not
used in determining stress placement. If the remainder of the word
meets condition i, primary stress is placed on the penultimate syllable
of the remainder (the antepenultimate syllable of the entire word):
metropol(is).
a ii If the final syllable of a noun contains a lax vowel, this syllable is not
used in determining stress placement. If the remainder of the word ends
in a syllable with a tense vowel or two or more consonants at the end,
then stress is placed on the ultimate syllable of this remainder (the
penultimate syllable of the entire word): amoe(ba).
b i If the word is not a noun ending in a syllable with a lax vowel, the final
syllable must be considered. If the final syllable contains a lax vowel
and ends in no more than one consonant, stress is placed on the
penultimate syllable: explicit.
b ii If none of the above conditions is met, stress is placed on the final
syllable: defend, sublime.
These rules apply in order; we must use the first one that is applicable and
are not allowed to use any other.
Notice that a noun ending in a tense vowel does not meet condition a i
/ / /
or a ii; condition b ii is met for these words: balloon, marine, brocade, etc.
Words of three or more syllables are often subject to another rule that
adds a new stress. Anecdote receives primary stress on the last syllable since
it contains a tense vowel: anecdote (b ii). A new rule adds primary stress
146 chapter sixteen
+ VOC
+ voc
M2: Vw —► [ 1 stress ] / C, Ci — cons C0 JxVAdj
— cons »
1 stress
Let us follow this rule through with meditate. By Ml, primary stress is
placed on the final tense syllable: meditate (b ii). By M2, primary stress is
added two syllables back, and the already existing stress is reduced by one:
meditate. Notice how these rules apply to the following words:
So far we have seen only how stress is added within words; let us now
see what happens when words are combined into larger structures. The
transformational rules can leave us with a surface structure like the following:
NP
Det Adj N
a pretty valentine
This labeled bracketing, like the tree, says that pretty is an adjective,
valentine is a noun, and a pretty valentine is a noun phrase. We will
establish a convention that determiners, auxiliaries, and prepositions are left
unbracketed, since they are not stressed except for emphasis.
syntax and stress 147
In its underlying form, the final vowel of pretty is lax. Rules Ml and
M2 apply as follows:
After we have applied all the rules in the cycle, we erase innermost brackets
and start over: '
This rule tells us that within a bracketed phrase to add primary stress to the
last vowel that already has primary stress; this rule has no noticeable effect
on the vowel with primary stress, but it reduces all other stresses by one.
By M3, a pretty valentine will become a pretty valentme. Unstressed
vowels are not marked. We now have three degrees of stress, listed in
decreasing order of strength:
1. primary:
2. secondary: a
3. tertiary: ^
You probably do not hear the difference between secondary and tertiary
stress in a pretty valentine, although you should have no difficulty in
recognizing primary and weak (i.e., unstressed). Eventually, with enough
practice, you will hear all of these differences. Until then you can rely on
the rules for marking stress.
Notice that rule M3 applies to any bracketed group, not just the noun
phrase. It does not apply to lexical categories, such as N, V, etc. The VP
bought a pencil will receive stress as follows:
Rule M2 does not apply since its conditions are not met, and M3 applies
only to structures larger than the word. We now erase the innermost
brackets and start the cycle of rules over again:
Notice that we are following a process similar to that which we used with
transformations in embedded structures. Elements within innermost
brackets are parallel to the most deeply embedded S. We now go through
our cycle of transformations again. Again Ml applies, but it does not alter
the stress pattern, since there is only one stressed vowel in each bracketed
structure. Since M2 and M3 do not apply, we again erase brackets and
start over on our cycle:
Ml and M2 are inapplicable now, but M3 assigns primary stress to the first
syllable of pencil and reduces all other stresses by one:
Since tense is not subject to stress, we erase the MV brackets and do not
apply the cycle further:
After converting past buy to bought and erasing the final brackets, we
have Janice bought a pencil. Notice that rule M3 applies to any bracketed
group larger than a lexical category: AP, VP, NP, S, etc.
If a word is pronounced in isolation, it functions as a sentence:
exercises ✓
A. Use rules Ml and M2 to determine the stress placement for the following words:
B. Apply the cycle of transformations Ml, M2, and M3 as many times as needed to
give the stress placement on the following sentences:
1. Terry stayed sound asleep.
2. The cook baked a cake.
3. Gwendolyn has frightened Frankenstein.
4. An ugly woman drank the lethal gasoline.
5. Elizabeth spoke in a monotone.
chapter seventeen
STRESS AND PITCH
1 2
act act
actor -er
govern govern
governor play
play write
player
write
writer
This limited listing should be enough to suggest the tremendous saving that
will be achieved by not listing derived forms that are predictable by rule,
especially when we consider the thousands of verbs in the language to which
this suffix may be added. More important than the saving of space are the
150
stress and pitch 151
generalizations that rules such as one for adding agentive suffixes will
provide. A native speaker of English who learns a new verb, such as the
possible flate, will understand the noun flator the first time he encounters it,
or he might introduce it himself without realizing that he is creating anything
new. The procedure of listing derivatives as separate entries does not show
how this process is possible; the rule we are suggesting does. Since an adequate
grammar should approach as closely as possible the native speaker’s
knowledge of his language, this is an important generalization. Our process
✓
shows the relationship between actor and other words with agentive suffixes;
these relationships are unquestionably accounted for by the individual’s
internalized grammar.
The procedure we are suggesting will be used with all derivational
suffixes, as well as with derivational prefixes (enjoy, devalue, unreasonable,
etc.). Prefixes and suffixes together are known as affixes. The lexical entry
for each affix will include full information on which words it may be added
to. This information whenever possible will be given in terms of features.
Because languages are systematic, we frequently see repetition of
patterns, such as the WH rule for questions, relative clauses, and noun
clauses. Whenever a generalization in one part of the grammar leads to
simplifications of other parts, we know that we have formulated a significant
generalization. In the last chapter we saw that our treatment of syntax
enables us to give a correct placement of stress patterns on words and
sentences. Such classifications as N, V, Adj, NP, VP, etc., enable us to give
stress placement by rule rather than by individual markings on each word
in the lexicon. This process is parallel to the individual’s knowledge of how
to place stresses on a sentence he is creating for the first time and his knowl¬
edge of how most new words he reads should be pronounced. The concept
of ordered transformational rules that operate in a cycle from the most deeply
embedded element upward is found again in the rules for stress.
This cyclic principle applies to derived words as well as to noun
phrases and sentences. Personal will be given on a tree diagram as
We begin with the word within the innermost brackets, the noun person,
and use all applicable rules:
Ml [N person ]N
Since this is a noun, the final syllable with a lax vowel is passed over for
stress placement purposes; since there is only one other syllable, the stress
must fall on it. This word is too short for M2 to apply, so we erase the
innermost brackets and begin the cycle again for the adjective personal.
An addition to rule Ml would direct us to treat derivational adjectival
affixes with lax vowels the same as we do final syllables in nouns: disregard
them for stress purposes.
After marking off the derivational affix, we have a lax vowel followed by
only one consonant in the last syllable of the remainder of the word:
person(al); hence, stress goes on the first syllable.
Look now at personality:
Ml person (noun)
Ml personal (adjective)
Now we erase the next set of brackets and have the noun personality. The
last syllable is dropped from consideration : the penultimate contains a lax
vowel followed by a single consonant. The stress falls, then, on the ante¬
penultimate syllable, and the previously existing stress is weakened by one:
Ml personality
You will notice that most determiners, auxiliaries, prepositions, and pro¬
nouns are not stressed.
For most words such as telegraph and telescope, if we remove the
prefix, we are left with an element that does not fit easily into any of our
lexical categories (N, V, Adj). Although we do have the words graph and
scope as nouns in English, these do not seem to be the stem to which tele-
has been added, although they are etymologically related. We will refer to
graph and scope in telegraph and telescope as stems. Stress is placed on
telescope as follows:
For normal speech that does not give special emphasis to any word or show
contrast, you begin each of these sentences at the level that is normal for you.
You continue with this pitch level until you reach the word with primary
154 chapter seventeen
stress; then you rise to the third level and immediately afterward drop below
your normal level to level 1 and fade out. Pitch numbers are placed before
the syllables to which they apply:
In sentence 1 since fishing contains two syllables and is stressed on the first,
the change from the third to the first pitch level occurs between syllables and
causes no distortion of the word. In sentence 2, however, this change occurs
on the monosyllabic word town, producing a “drawling” effect. Contrast
this pronunciation of town with that in Fran rode to town yesterday.
Sentences 3 and 4 illustrate the combination of primary stress and third
level pitch on the last syllable of the sentence.
The yes/no question has a different pitch pattern from the affirmative
sentence:
As with the affirmative sentence, you start off on the normal second pitch
level and rise to level 3 on the syllable with primary stress. Instead of
falling to level 1 and fading off, you fade off from level 3.
Notice that WH questions do not have the same pitch pattern as
yes/no questions:
Deviations from the normal stress or pitch pattern came a change in the
meaning of the sentence:
The first three sentences have primary stress on words that would normally
not receive it, thereby giving special emphasis to certain words and additional
implied meaning. Sentences 4 and 5 are paraphrases of Did John say not
to go? and Did you ask where I am going? Sentence 6 is a typical kind of
sarcastic question. Since these deviations from normal stress and pitch
patterns cause changes in meaning, they must be indicated in the deep
structure with morphemes similar to C) so that the semantic component can
give the sentences their correct meaning.
The sentences we have illustrated so far have been short ones that are
normally uttered fairly rapidly with no pauses for breath. Examine a
longer sentence:
near rules for stress. All of the transformational rules must have been applied
and the pattern of the surface structure been defined before any of the
phonological rules can operate. Future research will probably tell us
something about junctures, or pauses. Current beliefs about junctures have
been severely challenged, but there has been nothing yet to replace them.
* *
V
exercises
A. Use rules Ml and M2 to mark the stress patterns in the following words:
Use rules Ml, M2, and M3 to place stress on the following phrases and sentenc
1. an insipid circumstance
2. an academic teacher
3. a superb holiday
4. The chicken crossed the road.
5. The operator separated the customers.
E. Give several reasons for making the division indicated by I rather than 2:
1. All the people in the audience / heard what he said.
2. All the people in the audience heard / what he said.
chapter eighteen
PHONOLOGICAL RULES
In the last chapter we saw that for most words in English, stress is predictable
by rules. Since the lexicon lists only idiosyncratic features, stress will be
given only for those lexical entries that are exceptions. The stress-placement
rules permit us to see a system in our language that would be totally obscured
if we merely specified the stress for each word in the lexicon.
Another regular phonological process is the formation of plurals for
most English nouns. Since the same rules apply for both noun plurals and
for third-person singular present-tense verbs, we group the rules together:
-f- anterior
M4: present T V —> V T T coronal
+ strident
Rule M4 rewrites present plus a verb as that verb plus a segment that is
+ anterior, -f coronal, + strident]. You will notice that this describes
the natural class which includes /s/ and jzj. Another name for a class such
as this is archisegment. The lexical entries for have, be, do, and say, as
well as those for the modals, will block the application of this rule for them.
We next consider the morpheme we have indicated merely as PI:
-f- anterior
M5: PI -f- coronal
+ strident
Up to this point the grammar has kept the verb singular ending s (eats, sits,
etc.) separate from the plural ending because they are different morphemes
with different meanings. Now they can both be stated as the same archi¬
segment.
-T voc
-f- anterior
+ high T strident
M6:
— back // -f- coronal
T coronal
-f- strident
— tense
157
158 chapter eighteen
Rule M6 adds /i/ if the archisegment follows a segment that is [ —{— strident ]
and [ -f coronal ].
We now need a rule that will convert the archisegment specifically into
/s/ or /z/:
-j- anterior
M7: -j- coronal a voice ] / [ a voice ]
+ strident
Another pair of regular formations are past tense and past participle
in words such as drop, dropped, dropped. All other formations will be
listed as exceptions in the lexicon and will block the application of the
following rules:
— continuant
[ past ) — nasal
M8: + V +
[ en J -j- anterior
T coronal
phonological rules 159
Rule M8 replaces past and en with an archisegment that includes /t/ and
/d/ and moves it after the verb.
— continuant
— nasal
M10 [ a voice ] / [ a voice ]
+ anterior
— coronal
Rule M10 makes the archisegment agree in voice with the segment that
precedes it.
The next rule can be simplified by the use of alphabetic abbreviations
for the complexes of features:
This, of course, is the rule that gives the present participial symbol ing a
phonological form and attaches it after the verb. This rule is very simple
since there is no variation in its application.
We need a rule for vowels that have not received stress by the stress
rules Ml through M3:
+ VOC
— cons
Ml 2 9
— stress
— tense
Any vowel that has not received stress by our rules has the feature [ — stress ].
All unstressed lax vowels reduce to /a/, the sound of the vowel in the last
syllable of batter, Cuba, pleasure, etc. This is a generalized form of all
vowels that are lax and unstressed and was, therefore, not listed in our
inventory of vowels in earlier chapters. There is much dialectal variation
in the actual performance of this vowel, since it also may occur as a higher
160 chapter eighteen
vowel similar to /i/. More sophisticated rules would, of course, take care of
these variations.
So far we have said little about the way morphemes will be entered in
the lexicon except that they will be stated in features with all redundancies
omitted. We also said that derived forms such as actor and personality will
not be included, since they can be predicted by rules and the entries for
derivational affixes. We run into a problem on citation forms, since many
words vary in pronunciation according to the environment. For example,
we could enter photograph as /fotagraef/ and encounter no difficulties with
the word in such combinations as photograph equipment or in the derivative
photographic. When we try to derive photographer, however, we have a
problem:
derivation: fotagrafor
exercises
162
bibliography 163
Gleason, H. A., Jr., Linguistics and English Grammar. New York: Holt,
Rinehart and Winston, 1965.
Halle, Morris, “On the Bases of Phonology,” II Nuovo Cimento, XIII, Series X
(supplement) (1958), 494-517. Repr. in The Structure of Language, ed.
Jerry A. Fodor and Jerrold J. Katz. Englewood Cliffs, N.J.: Prentice-
Hall, Inc., 1964.
Halle, Morris, “Phonology in Generative Grammar,” Word, XVIII (1962),
54-72. Repr. in The Structure' of Language, ed. Jerry A. Fodor and Jerrold
J. Katz. Englewood Cliffs, N. J.: Prentice-Hall, Inc., 1964.
Harms, Robert T., Introduction to Phonological Theory. Englewood Cliffs, N.J.:
Prentice-Hall, Inc., 1968.
Jacobs, Roderick A., and Peter S. Rosenbaum, English Transformational
Grammar. Waltham, Mass.: Blaisdell Publishing Company, 1968.
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Descriptions. Cambridge, Mass.: MIT Press, 1964.
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Jerry A. Fodor and Jerrold J. Katz. Englewood Cliffs, N. J.: Prentice-
Hall, Inc., 1964.
Langacker, Ronald W., Language and Its Structure. New York: Harcourt,
Brace, and World, Inc., 1968.
Langendoen, D. Terence, The Study of Syntax. New York: Holt, Rinehart
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Lees, Robert B., The Grammar of English Nominalizations. Research Center in
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Indiana: Indiana University Press, 1960.
—*-, “Grammatical Analysis of the English Comparative Construction,”
Word, XVII (1961), 171-85.
Lees, Robert B., and Edward S. Klima, “Rules for English Pronominaliza-
tion,” Language, XXXIX (1963), 17-28.
Postal, Paul M., Aspects of Phonological Theory. New York: Harper and Row,
1968.
Reibel, David A., and Sanford A. Schane, Modern Studies in English. Engle¬
wood Cliffs, N.J.: Prentice-Hall, Inc., 1969.
Smith, Carlota S., “A Class of Complex Modifiers in English,” Language,
XXXVII (1961), 342-365.
-, “Determiners and Relative Clauses in a Generative Grammar of
English,” Language, XL (1964), 37-52.
164 bibliography
165
166 index
During the past ten years the rapid progress of research in all phases
of linguistics has produced extensive developments and growth. This new
book concentrates on the discoveries in transformational syntax and
phonology. It introduces the reader to the many recent theories and
provides an intensive study of specific sentences.
The syntax covered goes beyond the study of simple sentences to include
compounding, relative constructions, and other embedded sentences.
Lexical features of nouns and verbs are treated in detail.
13-502286-X