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Jazz Sheet Music: Night Eyes

The document is a series of symbols and characters with no spaces or punctuation. It appears to tell a story through these symbols across multiple lines. The story involves characters swinging, walking, and interacting in some way over the course of the text. Night and eyes are referenced in the title but it is difficult to discern more specific details about characters or plot from the document alone due to the unconventional formatting.

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96 views3 pages

Jazz Sheet Music: Night Eyes

The document is a series of symbols and characters with no spaces or punctuation. It appears to tell a story through these symbols across multiple lines. The story involves characters swinging, walking, and interacting in some way over the course of the text. Night and eyes are referenced in the title but it is difficult to discern more specific details about characters or plot from the document alone due to the unconventional formatting.

Uploaded by

incog
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Night

Has a Thousand Eyes


Dick Oatts

 :57      


               
 = 250

        
Swing

                
        

8

                               
      
12

                   
    
   
16


                                      
  
22

   


  
3

 
                    
  
26

  
                           
  
  
30

             
  3           
 
   
35

                            
        
  
39

                    
       
43
                      
    
2

          
46



                      
3

    
        
50

 
                             

54

                        
       
 
58

 

                       
           
     
62

   
                  
   
67

                        
             
73 3

 
                    
    
3


77


                             
   
80

             
               

84
     
              
3

             
88

                      
      
92

           
                     
   
97

 
                 
  
 
101

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