The Routledge Handbook of Latin

American Literary Translation

The Routledge Handbook of Latin American Literary Translation offers an understanding of trans-
lation in Latin America both at a regional and transnational scale. Broad in scope, it is devoted
primarily to thinking comprehensively and systematically about the intersection of literary
translation and Latin American literature, with a curated selection of original essays that
critically engage with translation theories and practices outside of hegemonic Anglo centers.
In this introductory volume, through survey and case-study chapters, contributing au-
thors cover literary and cultural translation in the region historically, geographically, and
linguistically. From the nineteenth to the twenty-first centuries, the chapters focus on issues
ranging from the role of translation in the construction of national identities to the challenges
of translation in the current digital age. Areas of interest expand from the United States to the
Southern Cone, including the Caribbean and Brazil, as well as the impact of Latin American
literature internationally, and paying attention to translation from and to indigenous lan-
guages; Portuguese, English, French, German, Chinese, Spanglish, and more.
The first of its kind in English, this Handbook will shed light on different translation
approaches and invite a rethinking of intercultural and interlingual exchanges from Latin
American viewpoints. This is key reading for all scholars, researchers, and students of literary
translation studies, Latin American literature, and comparative literature.

Delfina Cabrera is a Postdoctoral Researcher at the Portugiesisch-Brasilianische Institut of

the Universität zu Köln. She is an active literary translator and the author of Las lenguas vivas:
Zonas de exilio y traducción en Manuel Puig.

Denise Kripper is an Associate Professor of Spanish at Lake Forest College (USA) and the
Translation Editor at Latin American Literature Today. She is an active literary translator and the
author of Narratives of Mistranslation: Fictional Translators in Latin American Literature.
Routledge Handbooks in Translation and Interpreting
Studies

Routledge Handbooks in Translation and Interpreting Studies provide comprehensive over-

views of the key topics in translation and interpreting studies. All entries for the handbooks
are specially commissioned and written by leading scholars in the field. Clear, accessible, and
carefully edited, Routledge Handbooks in Translation and Interpreting Studies are the ideal
resource for both advanced undergraduates and postgraduate students.

The Routledge Handbook of Translation and Media

Edited by Esperança Bielsa

The Routledge Handbook of Conference Interpreting

Edited by Michaela Albl-Mikasa and Elisabet Tiselius

The Routledge Handbook of Translation and Methodology

Edited by Federico Zanettin and Christopher Rundle

The Routledge Handbook of Audio Description

Edited by Christopher Taylor and Elisa Perego

The Routledge Handbook of Translation and Memory

Edited by Sharon Deane-Cox and Anneleen Spiessens

The Routledge Handbook of Sign Language Translation and Interpreting

Edited by Christopher Stone, Robert Adam, Ronice Quadros de Müller,
and Christian Rathmann

The Routledge Handbook of Translation and Religion

Edited by Hephzibah Israel

The Routledge Handbook of Translation, Interpreting, and Bilingualism

Edited by Aline Ferreira and John W. Schwieter

The Routledge Handbook of Latin American Literary Translation

Edited by Delfina Cabrera and Denise Kripper

For a full list of titles in this series, please visit https://www.routledge.com/Routledge-

Handbooks-in-Translation-and-Interpreting-Studies/book-series/RHTI.
The Routledge Handbook
of Latin American
Literary Translation

Edited by
Delfina Cabrera and Denise Kripper
Designed cover image: © Getty Images | dimapf
First published 2023
by Routledge
4 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
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© 2023 selection and editorial matter, Delfina Cabrera and Denise Kripper;
individual chapters, the contributors
The right of Delfina Cabrera and Denise Kripper to be identified as the
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British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
Names: Cabrera, Delfina, 1984–editor. | Kripper, Denise, editor.
Title: The Routledge handbook of Latin American literary translation /
edited by Delfina Cabrera, Denise Kripper.
Description: Abingdon, Oxon; New York, NY: Routledge, 2023. |
Series: Routledge handbooks in translation and interpreting studies |
Includes bibliographical references and index.
Identifiers: LCCN 2022040257 | ISBN 9780367689247 (hardback) |
ISBN 9780367689254 (paperback) | ISBN 9781003139645 (ebook)
Subjects: LCSH: Translating and interpreting—Latin America. | LCGFT: Essays.
Classification: LCC PN241.5.L29 R68 2023 |
DDC 418/.02098—dc23/eng/20221019
LC record available at https://lccn.loc.gov/2022040257

ISBN: 978-0-367-68924-7 (hbk)

ISBN: 978-0-367-68925-4 (pbk)
ISBN: 978-1-003-13964-5 (ebk)

DOI: 10.4324/9781003139645
Typeset in Bembo
by codeMantra
 Contents

Acknowledgments xiii
Contributors xiv

Delineating a Latin American ­Approach to Literary Translation 1

Delfina Cabrera and Denise Kripper
Introduction 1
Content Overview 4
Pedagogical Applications 9
Further Reflections 9
Works Cited 10

PART I
In Translation: Linguistic & Cultural Diversity Within the Continent 11

1 Philology and Translation on the Way to a New World: Andrés Bello,

Translator 13
Juan Antonio Ennis
Introduction 13
Philological Foundations for a New Order: Transcription and Translatio 16
Translating for the New World: The London Reviews 19
Conclusion 25
Works Cited 26
Further Readings 28

2 From Romanticism to Modernism: Translating Heine in Spanish America 30

Andrea Pagni
Introduction: First Translations of Heine in Buenos Aires and
Montevideo (1836–1838) 30
Heine’s Lyrical Self Travels to Spanish America 32
Translating Heine in the Contact Zone: Spanish American
Exile in New York 34

v
Contents

Ways of Translating Heine 37

Conclusion: Heine and His Spanish American Translators at the
Outset of Modernization 42
Works Cited 44
Further Readings 47

3 Translation and Transculturation: José Martí, Helen Hunt Jackson,

César Vallejo 48
Esther Allen
Introduction 48
A Tentative Genealogy 49
Jackson, Martí, Vallejo 53
Macrotexts 56
Conclusion: Transculturation 61
Works Cited 63
Further Readings 64

4 José María Arguedas: Decolonizing Translation 65

Fanny Arango-Keeth
Introduction 65
Methodological Approach 71
Corpus 72
Conclusion 80
Works Cited 82
Further Readings 83

5 The Woven Threads of L­ iterary Translation in the Greater Caribbean 84

Mónica María del Valle Idárraga
Introduction: A Colonial Legacy Embodied by Language 84
Beyond Colonial Monolingualism, a Literature Born in Translation 86
Beyond National Language 88
The Voices of Creole and Vernacular Languages Are Heard 89
The Publishing Market and the Search for Circum-Caribbean Connections 95
Conclusion 99
Works Cited 99
Further Readings 101

6 Translation and A
­ nthropophagy from the Library
of H
­ aroldo de Campos 102
Max Hidalgo Nácher
Introduction: The Library of Haroldo de Campos as a Space for
Criticism and Creation 102

vi
 Contents

The Translation Space and the Worlds of the Library 103

Networks, Voyages, Textual Galaxies 106
Toward a Poetics of Translation 109
Transcreation and Transculturation: Uses of the Library 112
Translation as a Parodic Space 114
Conclusion 115
Works Cited 115
Further Readings 116

7 Resisting Translation: Spanglish and Multilingual

Writing in the Americas 118
Sarah Booker
Introduction 118
Spanglish and Hybrid Languages 120
Hybridity in Action 124
The (Un)translatability of Spanglish 131
Conclusion 135
Works Cited 136
Further Readings 137

8 Approaching Literary Self-­Translation in the United States and Latin

America 138
Marlene Hansen Esplin
Introduction 138
Self-Writing 142
Intralingual Translation 145
Interlingual Translation 147
Conclusion 150
Works Cited 152
Further Readings 153

PART II
In & Out of Latin America: Reception of Translated
Literature 155

9 José Salas Subirat and the First Ulysses in Spanish 157

Lucas Petersen
Introduction 157
A Young Man from the Outskirts 158
The Path to Ulysses 159
An Adventurous Publisher 162
The (Hypothetical) Story of a Translation 165

vii
Contents

Critics and Interrupted Revisions 168

The “Problem of Language” 170
Conclusion: Crossed Tensions 174
Works Cited 175
Further Readings 176

10 Jorge Luis Borges’s Theory and Practice of Translation 177

Efraín Kristal
Introduction 177
Translation as a Creative Art 178
Borges the Translator 179
A Case Study: Max Beerbohm’s “Enoch Soames” 183
Commonalities and Differences 185
From Parody to Fantastic Literature 188
Conclusion: “August 25, 1983” 190
Works Cited 191
Further Readings 192

11 The Boom of the Latin American Novel in French Translation 193

Gersende Camenen
Introduction 193
Before the Boom 195
The 1960s: A New World and New Actors in Publishing 197
The Boom in the Cadre vert Collection of Le Seuil 198
Two Translators of the Boom: Albert Bensoussan and
Laure Bataillon 200
The Boom in the French Press 205
Conclusion 207
Works Cited 208
Further Readings 210

12 Chinese Translation of Latin American Literature (1950–1999) 211

Teng Wei
Introduction 211
Beginnings: A Literature of Resistance 212
Highly Politicized Translation (1950–1970) 213
Depoliticized Translation (1980s) 215
Translation Entering the Global Market (1990s) 218
Conclusion 219
Works Cited 220
Further Readings 221

viii
 Contents

13 Octavio Paz, Thinker of Translation: Versioning Matsuo Bashō and

Fernando Pessoa 222
Christian Elguera and Daisy Saravia
Introduction 222
Sendas de Oku Translated by Paz: Diffusing the Haiku in
Latin America 224
Octavio Paz in a Labyrinth of Ideologies and Norms: Modernizing
Alberto Caeiro’s Poetry 230
Conclusion 238
Works Cited 238
Further Readings 240

14 “Tequio literario”: Translating Indigenous Literature as

Communal Labor 241
Paul M. Worley and Ellen Jones
Introduction 241
From Individual Craft to “Tequio Literario” 242
Self-Translation and Translingualism in Indigenous Texts 244
The Politics of Translating into English 249
Literary Translation as “Tequio Literario” 251
By the Community, For the Community 251
Respect for Oral Versions of the Text 253
Translating Translingually 254
Publication in Multiple Complementary Versions 255
Reciprocal Labor 256
Conclusion 256
Works Cited 257
Further Readings 259

15 Killing Bill: Shakespeare in Latin America 260

Heather Cleary
Introduction 260
The Art of Transfiguration 265
Lear, Ready for Her Close-Up 268
Into the Woods 270
Conclusion 274
Works Cited 275
Further Readings 276

ix
Contents

16 “New Female Gothic”: Latin American Fiction in the Anglophone

Markets Through Translation 277
Ilse Logie
Introduction: Premises and Objectives 277
“New Female Boom” 281
The Importation of the Southern Cone Gothic 284
The Making of the “Andean Gothic” 290
Tropical Ghostliness 295
Against the “Female Gothic” 298
Conclusion 301
Works Cited 304
Further Readings 306

PART III
In Circulation: Publishing & Networks of Translation 309

17 Translation and Print Culture in Latin America 311

María Constanza Guzmán
Introduction 311
Print Culture and Translation 311
Translation and Print Culture in Latin America 312
The Twentieth Century: A Turning Point 314
The 1960s and 1970s: Politics and Culture 316
A Look at Publishing Houses: Translation in Fondo
de Cultura Económica 317
A Look at Cultural Magazines: Translation in
Revista Casa de las Américas 320
Latin American Print Culture from the Twentieth to
the Twenty-First Century 325
Conclusion 326
Works Cited 327
Further Readings 329

18 Exile Networks in Spanish-­A merican Publishing Houses: Translation

and Adaptations of Translations 330
Alejandrina Falcón
Introduction 330
First Scene: Spaniards in Paris and Translations for the Americas 330
Second Scene: Challenging the French Hegemony with
Hispanic-Argentine Translations 332
Third Scene: The Republican Spaniards Exiled in Argentina and the
Exportation of Translations in Latin America 335

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 Contents

Fourth Scene: Latin American Translators and Translations in Spain

during the Second Cold War 337
Conclusion 340
Works Cited 341
Further Readings 343

19 Manipulation in Translation: The Case of the Modern Woman and

the Flirt in Early Twentieth-Century Latin American Magazines 344
Martín Gaspar
Introduction 344
Flirting in Early Twentieth-Century Latin American Magazines: Local
Texts and Tips 345
Flirting in Early Twentieth-Century Latin American
Magazines: Translations 348
Manipulating Provins: From the Parisian Belle Époque to Buenos Aires
in the 1920s 349
Manipulating Matilde Serao: Marriage, Passione, and Flirt 352
Conclusion 357
Works Cited 359
Further Readings 361

20 A Laboratory of Texts: The Multilingual Translation Legacies of

Haroldo de Campos 362
Isabel C. Gómez
Introduction 362
Political Poetry in Translation: pura or para? 364
Cartonera as Planetary Literature and the Uncountable Languages of
Latin America 367
Transcreating Haroldo’s gostoso portunhol 370
Landless Landlocked Labor Movements 374
Translating a Transcreation: Mayakovsky and Haroldo’s Laboratory of Texts 377
Conclusion 380
Works Cited 381
Further Readings 382

21 The Deep-Sea Diver and the Sculptor: The Translations of José

Bento Monteiro Lobato, Brazilian Publisher, Translator, and
Children’s Author 383
John Milton and Taís Diniz Martins
Introduction 383
Lobato on Translation 385
Translations for Children 386

xi
Contents

Lobato’s Adaptations for Children 388

Peter Pan (1930) 388
Prison and Peter Pan Burned and Banned 389
Translations in Partnership 390
Conclusion: The Golden Age of Translations in Brazil 391
Works Cited 393
Further Readings 394

22 Author, Reader, Editor, and Translator in the Digital Age: Changing

Norms of Production and Reception 395
Elizabeth Lowe
Introduction 395
Questions for the Future of Translation 395
The New Publishing Environment 397
COVID-19 and its Impact on Contemporary Brazilian Literature 399
Three Contemporary Brazilian Writers of the Digital Age 399
J.P. Cuenca 400
Noemi Jaffe 404
Paulo Dutra 406
Conclusion 409
Works Cited 409
Further Readings 410

Index 411

xii
 Acknowledgments

As the editors of The Routledge Handbook of Latin American Literary Translation, we are grateful
for a network of colleagues and students who helped throughout the process of putting this
book together. A special thank you goes to our assistant editors Fiona Maloney-McCrystle
and Michelle Mirabella, who were instrumental in this project. Thank you as well to Juan
Décima, Christopher Lord, Fiona Maloney-McCrystle, Michelle Mirabella, Will Morning-
star, and Eric Winter, who have translated chapters for this volume. We also wish to thank
the Routledge team, especially Louisa Semlyen, Eleni Steck, and Talitha Duncan-Todd,
for their trust in our vision, our peer reviewers for their invaluable insight, and Lake Forest
College and Patrick Hersant’s research team “Multilinguisme, traduction, création” at the
Institut des Textes et Manuscrits Modernes (ITEM) for their support. Thank you to our
contributors for being a part of this handbook.

xiii
 Contributors

Esther Allen received the 2017 National Translation Award for her translation of A ­ ntonio
Di Benedetto’s 1956 novel Zama. Her translation of the two subsequent works in Di
­Benedetto’s Trilogy of Expectation was supported by a 2018 Guggenheim Fellowship; the sec-
ond work in the trilogy, The Silentiary, came out in 2022. Co-founder of the PEN World
Voices Festival in New York City, she is a professor at City University of New York. In 2006,
the French government named her a Chevalier of the Order of Arts and Letters. Her essays,
reviews, and translations have appeared in the New York Review of Books, the Paris Review,
Words Without Borders, the Los Angeles Review of Books, Granta, and other publications. She is
currently writing a biography of José Martí.

Fanny Arango-Keeth  is a full professor of Spanish, Spanish Translation, and Latin

­A merican Studies at Mansfield University of Pennsylvania. Her areas of academic interest
that lie within the field of translation include corpora-based translation instruction, literary
translation, postcolonial translation studies, translation assessment, and translation and inter-
cultural literacy.

Sarah Booker  received her PhD in Hispanic Literature from UNC Chapel Hill and is
currently an instructor of Spanish at the North Carolina School of Science and Math in
Morganton, NC. She is also a literary translator and has worked with Cristina Rivera Garza
and Mónica Ojeda, among others.

Delfina Cabrera is a Postdoctoral Researcher at the Portugiesisch-Brasilianische Institut of

the Universität zu Köln. She is an active literary translator and the author of Las lenguas vivas.
Zonas de exilio y traducción en Manuel Puig.

Gersende Camenen  is an Assistant Professor at the Université Gustave-Eiffel. She has

published Roberto Arlt, écrire au temps de l’image (PUR, 2012) and coedited Scènes de la traduction
France-Argentine (Editions rue d’Ulm, 2020) with Roland Béhar and La literatura latinoamer-
icana en versión francesa (De Gruyter, 2021) with Gustavo Guerrero. She is also a translator.

Heather Cleary’s  monograph, The Translator’s Visibility: Scenes from Contemporary Latin
American Fiction (Bloomsbury 2021), explores the potential of translation narratives to chal-
lenge held notions of originality and intellectual property. Her translations of prose and
poetry have been supported or recognized by the National Book Foundation, PEN America,
and the Best Translated Book Award, among others; she is a founding member of the transla-
tion collective Cedilla & Co. and was a founding editor of the digital, bilingual Buenos Aires

xiv
 Contributors

Review. She holds a PhD in Latin American and Iberian Cultures from Columbia University
and teaches at Sarah Lawrence College.

Juan Décima (translator) is a freelance bilingual translator based in Buenos Aires, Argen-
tina. His translations in the fields of Sociology, Architecture, Literary Studies, and Science
have been published by universities and publishing houses in the United States and ­A rgentina,
such as Harvard University, The Monacelli Press, Current Opinion in Ophthalmology, Ed-
itores Siglo XXI Argentina, Ediciones Infinito, Revista PLOT, and Revista Summa+. For this
volume, he translated Alejandrina Falcón’s chapter “Exile Networks in Spanish-­A merican
Publishing Houses: Translation and Adaptations of Translations.”

Mónica María del Valle Idárraga is a translator, founder of the publishing project La-
sirén, and tenured professor in the Department of Education Sciences at the Universidad de
La Salle in Bogotá. A former Fulbright scholar, her recent translations include the novel Loas
(The Loneliness of Angels by Myriam J.A. Chancy), in collaboration with María Luisa Valencia
Duarte (Lasirén, 2020).

Christian Elguera  is a Visiting Assistant Professor at St. Mary’s University of San An-
tonio. He has a PhD in Iberian and Latin American Languages and Literatures from The
University of Texas at Austin (2020). At this institution, he also completed a Graduate
Portfolio in Native American and Indigenous Studies. As part of his research on colonialism
in Latin America, he edited a volume of three novels by Julián M. del Portillo (Ediciones
MYL, 2021), a nineteenth-century Peruvian writer who supported the racial whitening and
Europeanization of Lima. Currently, Dr. Elguera is Indigenous Literature Correspondent
for the journal Latin American Literature Today. In 2020, his tale “El extraño caso del Señor
Panizza” received an honorable mention for the XXI Short Story Biennial Copé Award.
Furthermore, his poem “Biografía mercurial de Alberto Caeiro” was a finalist in the “Juana
Goergen” Poetry Award (2022), organized by DePaul University and the literary magazine
Contratiempo. He also teaches classes in the Graduate Program of Literature at Universidad
Nacional Mayor de San Marcos (Lima, Peru). The University of South Florida awarded him
with the Latin American Science Fiction Research Travel Grant to start his translation of
the novel O Presidente Negro ou O Choque das Raças in fall 2022. Written by the Brazilian
author José Monteiro Lobato in 1926, this text has not been translated from Portuguese to
English until now.

Juan Antonio Ennis is a Professor of Spanish Philology and Linguistics at the Universidad
Nacional de La Plata and a member of Argentina’s Research Council (CONICET). He was
a Visiting Professor at the Universities of Freiburg and Halle-Wittenberg, an External Senior
Fellow at the Freiburg Institute for Advanced Studies, and a Georg-Forster Fellow of the
Alexander von Humboldt Foundation. His main research interests are language ideologies,
glotopolitics, and the history of language sciences.

Marlene Hansen Esplin is an Associate Professor of Humanities at Brigham Young Uni-

versity. Her main research interests are self-translation and problems of translation or re-
writing between US and Latin American literatures. Recent projects include an article that
discusses intersections between translation and ethnography in English translations of Cabeza
de Vaca’s Relación and a review essay on recent trends in translation studies for the I­ CLA’s
Literary Research. Future projects include a monograph on self-translation in the United States

xv
Contributors

and Latin America and a coedited book, Translating Home in the Global South: Migration, Be-
longing, and Language Justice.

Alejandrina Falcón has a PhD in Literature from the Universidad de Buenos Aires and is a
Researcher at the Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET),
located at the Instituto de Historia Argentina y Americana “Dr. Emilio Ravignani” (CON-
ICET/UBA). Along with Patricia Willson, she is the director of the Specialization Degree in
Literary Translation (CETRALIT) in the Facultad de Filosofía y Letras (UBA). She teaches
a history seminar on translation within the Argentine publishing industry in CETRALIT;
she has also offered seminars on Translation Studies in several master’s programs, as well as
in undergraduate courses for Literature students within the Philosophy and Literature De-
partment (UBA).

Martín Gaspar  is an Associate Professor at Bryn Mawr College. His research engages
Latin American intellectual history since the nineteenth century, modern Latin American
fiction and contemporary film, translation studies, visibility in literature and the media, and
narrative theory. He is the author of La condición traductora. Sobre los nuevos protagonistas de la
ficción latinoamericana (Viterbo, 2014, second edition 2020). His articles on film, literature, and
translation studies have appeared in journals such as Variaciones Borges, Journal of Latin Amer-
ican Cultural Studies, Journal of Lusophone Studies, and Latin American Literary Review, among
others.

Isabel C. Gómez is an Associate Professor in Latin American & Iberian Studies at the Uni-
versity of Massachusetts Boston. Her articles on Latin American translation studies can be
found in the Journal of World Literature, Hispanic Review, the Los Angeles Review of Books, Trans-
fer, Mutatis mutandis, and Translation Review. Recipient of a 2019 ACLS Fellowship and the
2022 Helen Tartar First Book Subvention Prize from the ACLA, her book Cannibal Transla-
tion is forthcoming in Spring 2023 with the FlashPoints Series at Northwestern University
Press. As president of the ICLA Translation Committee, she is leading an ongoing research
project on “Translating Home.”

María Constanza Guzmán is an Associate Professor in the Department of Hispanic Stud-

ies at York University in Toronto, Canada, where she teaches in the graduate programs in
Translation Studies and Humanities. She holds a PhD in Comparative Literature from the
State University of New York, an MA in Translation from Kent State University, and a BA
in Languages from Universidad Nacional de Colombia. Her publications include transla-
tions, articles, and books. She translated (with J. Price) the novel Heidegger’s Shadow, coedited
volumes such as Negotiating Linguistic Plurality: Translation and Multilingualism in Canada and
Beyond (with S. Tahir G., McGill-Queens UP, 2022), and guest-edited issues such as Transla-
tion and/in Periodical Publications for TIS ( John Benjamins, 2019). She is the author of Gregory
Rabassa’s Latin American Literature (Bucknell UP, 2011) and Mapping Spaces of Translation in
Twentieth-Century Latin American Print Culture (Routledge, 2020).

Ellen Jones has a PhD from Queen Mary University of London. Her monograph Literature
in Motion: Translating Multilingualism Across the Americas is published by Columbia University
Press (2022). Her literary translations from Spanish include Iván de la Nuez’s Cubanthropy
(2023), Ave Barrera’s The Forgery (2022, co-translated with Robin Myers), Bruno Lloret’s
Nancy (2020), and Rodrigo Fuentes’s Trout, Belly Up (2019).

xvi
 Contributors

Denise Kripper is an Associate Professor of Spanish at Lake Forest College (USA) and the
Translation Editor at Latin American Literature Today. She is an active literary translator and the
author of Narratives of Mistranslation: Fictional Translators in Latin American Literature.

Efraín Kristal is a Distinguished Professor of Comparative Literature at UCLA where he

teaches Latin American literature in comparative contexts and translation studies. Kristal is
editor of The Cambridge Companion to the Latin American Novel (2005). His most recent books
are Tentación de la palabra. Arte literario y convicción política en las novelas de Mario Vargas Llosa
(2018) and Querencias. Guerra, traducción y filosofía en Jorge Luis Borges (2022), both published
by the Mexican publishing house Fondo de Cultura Económica.

Ilse Logie is a Professor of Latin American Studies at Ghent University. Her research deals
with the representation of different types of violence within contemporary Latin American
fiction (especially in Argentina and Chile) and with translation issues.

Christopher Lord (translator) has lived in ten countries so far and so far speaks seven
languages. A writer of philosophical, dramatic, musical, and other works, he is grateful to
have found the compromise with capitalism of translating for a living, although like many
other people he finds that his means of support is menaced by the encroachments of artificial
intelligence, so much better suited to the needs of large corporations than the flimsy human
alternative. For this volume, he translated Gersende Camenen’s chapter “French translations
in Latin American boom novels.”

Elizabeth Lowe is a faculty member in the M.S. in Translation and Interpreting program
at New York University. She is the author of The City in Brazilian Literature (1982) and Trans-
lation and the Rise of Inter-American Literature, with co-author Earl E. Fitz (2007). She curated
Review 102, “Digital Brazil: Voices of Resistance.” Lowe translates fiction from Luso-­A fro-­
Brazilian Portuguese and Spanish. She received a 2021 NEA Literary Translation Fellowship,
and served as Endowed Chair of Portuguese Studies at UMass Dartmouth in Spring 2022.

Fiona Maloney-McCrystle (translator) is a translator, interpreter, writer, and educator.

She holds an MA in Translation and Interpretation (Spanish <>English) from the Middle-
bury Institute of International Studies at Monterey and a BA in history from Middlebury
College in Vermont. She is also an alum of Middlebury’s Betty Ashbury Jones MA ’86 School
of French. Fiona has translated book reviews for Latin American Literature Today, co-translated
Chapter 4 of Routledge’s Languages in the Crossfire in collaboration with her MIIS classmates,
Professor George Henson, and Holly Mikkelson, and translated in community settings, in-
cluding for nonprofit program evaluations. Her interpreting work is largely focused on the
areas of education, entrepreneurship, nonprofits, and environmental justice. Fiona’s train-
ing in history, translation, and interpretation collectively motivates her desire to give voice
to overlooked narratives and perspectives. For this volume, she translated Mónica María
del Valle Idárraga’s chapter “The Woven Threads of Literary Translation in the Greater
Caribbean.”

Taís Diniz Martins is an independent researcher on the work of Monteiro Lobato, with
a special interest in his translations and adaptations. She graduated with a degree in Letters
Portuguese/English from FURG – University of Rio Grande Foundation. She is a member
of the REGIONEM Research Group (Unipinhal) and the Adaptation and Translation Study

xvii
Contributors

Group/CNPq/USP. She has published in anthologies of short stories and poetry and has a
chapter in the book To Understand Monteiro Lobato – II Jornada Monteiro Lobato, organized by
John Milton, Vanete Santana-Dezmann, and Silvio Tamaso D’Onofrio, published in 2021 by
Editora Oxalá, and a chapter in the book Monteiro Lobato: New Studies – III Jornada Monteiro
Lobato, organized by John Milton, Vanete Santana-Dezmann, and Silvio Tamaso D’Onofrio,
published in 2022 by Editora Oxalá.

John Milton is a Titular Professor at the Universidade de São Paulo in Translation Studies.
He helped establish the Postgraduate Program in Translation Studies and was the Program
Coordinator from 2012 to 2016. His publications include Agents of Translation, John Ben-
jamins, 2009, ed. with Paul Bandia; and Tradition, Tension and Translation in Turkey (with
Şehnaz Tahir Gürçağlar and Saliha Paker) (2015). He has also published articles in academic
journals in Brazil and in Target and The Translator, and translated poetry from Portuguese to
English.

Michelle Mirabella (translator) is a Spanish to English translator whose work appears

in The Arkansas International, World Literature Today, Latin American Literature Today, Firma-
ment, and elsewhere. A finalist in Columbia Journal’s 2022 Spring Contest in the transla-
tion category, Michelle has also published her original writing in Hopscotch Translation and
co-translated Chapter 4 of Routledge’s Languages in the Crossfire in collaboration with her
Middlebury Institute classmates, Professor George Henson, and Holly Mikkelson. She holds
an MA in Translation and Interpretation from the Middlebury Institute of International
Studies at Monterey, an MA from NYU, and a BA from Carnegie Mellon University. A
2022 American Literary Translators Association Travel Fellow, she is an alumna of the Banff
International Literary Translation Centre and the Bread Loaf Translators’ Conference. For
this volume, he translated Max Hidalgo Nácher’s chapter “Transcreación y plagiotropía en
Haroldo de Campos.”

Will Morningstar (translator) is a freelance translator and editor from Boston. His trans-
lation work is published in ANMLY, Two Lines, Latin American Literature Today, Strange Hori-
zons, and The Massachusetts Review. He has a master’s degree in religion and anthropology
from Harvard Divinity School. For this volume, he translated Lucas Petersen’s chapter “José
Salas Subirat and the First Ulysses in Spanish.”

Max Hidalgo Nácher is a Professor of Literary Theory and Comparative Literature at the
Universitat de Barcelona. His principal areas of research revolve around the poetics of mo-
dernity, the writings from the Republican exile of the 1939 Spanish Civil War, and the cir-
culation of literary theory and its uses since the second half of the twentieth century, which is
why he has studied Haroldo de Campos’s work. He has published articles on Roland Barthes,
Jorge Luis Borges, Oscar Masotta, Nicolás Rosa, and José Bergamín, among others. He has
conducted research while at the Universidad Nacional de Rosario (2013), the Universidade
de São Paulo (2015 and 2017), Harvard University (2016), Fundação Haroldo de Campos
(2018), École Normale Supérieure de París (2021), and Yale University (2022). He has also
co-directed the magazine Puentes de crítica literaria y cultural alongside Fernando Larraz and
Paula Simón. His essay Teoría en tránsito. Arqueología de la crítica y de la teoría literaria españolas
de 1966 a la posdictadura (2022) was published by the Universidad Nacional del Litoral press,
the first research volume in Los estudios literarios en Argentina y en España: institucionalización e
internacionalización coordinated with Analía Gerbaudo.

xviii
 Contributors

Andrea Pagni is Professor Emerita of Latin American Literature and Culture at University
Erlangen-Nuremberg, Germany. She edited América Latina, espacio de traducciones (1994/5)
and coedited Traductores y traducciones en la historia cultural de América Latina (2011) and Refrac-
ciones/Réfractions: Traducción y género en las literaturas románicas (2017). Escritura y traducción en
América Latina. Diálogos críticos con Andrea Pagni was released in 2021.

Lucas Petersen is a journalist, writer, and professor at the Universidad Nacional de las Ar-
tes (Argentina). He has published El traductor del Ulises: Salas Subirat (2016) and Santiago Rueda:
Edición, vanguardia e intuición (2019). His forthcoming book—titled Malogrados—focuses on
five biographical narratives of Argentine writers who died young and is currently in press.

Daisy Saravia earned her master’s degree in Peruvian and Latin American Literature from
the Universidad Nacional Mayor de San Marcos. She teaches a course on Modern Japanese
Literature at the Centro de Estudios Orientales at Pontificia Universidad Católica del Perú
(PUCP), and the course on Research at Universidad Tecnológica del Perú (UTP). She also
collaborates with the association Tusanaje (秘从中来) and is a researcher at Red Latino (e
Hispano) Americanista of Sinology Studies in Costa Rica. She has published the book Mi-
gración china y orientalismo modernista (2020). Her areas of research are Chinese immigration
and Asian culture and literature.

Teng Wei, PhD, is a graduate of Peking University, Prof. at South China Normal Uni-
versity, Director of the Center for Contemporary Cultural Studies at South China Normal
University, and Harvard-Yenching Institute Visiting Scholar (2013–2014). Her research fields
include Translation Studies, Cultural Studies, and Hispanic Literature.

Eric Winter (translator)  is an American translator, lexicographer, and interpreter. He

holds a Bachelor of Music degree from the University of Maine at Augusta, where he com-
pleted his studies with a focus on the performance of jazz and Afro-Latin music. He currently
resides in New York City and works for SpanishDict.com and as a freelance translator. For
this volume, he translated Andrea Pagni’s chapter “Translating Heine in Latin America.”

Paul M. Worley is a Professor of Spanish and Chair of the Department of Languages, Liter-
atures, and Cultures at Appalachian State University. Co-written with Rita M. Palacios, his
most recent book, Unwriting Maya Literature: Ts’íib as Recorded Knowledge (2019), was given an
honorable mention for Best Book in the Humanities by LASA’s Mexico Section.

xix
 Delineating a Latin American
­Approach to Literary Translation
Delfina Cabrera and Denise Kripper

Introduction
The turn of the millennium has witnessed a growing interest in translation on a global scale.
The notion—which in the past was limited to the passage of a text from one language to
another—has now expanded to a model of cultural exchanges and the constitution of alteri-
ties. The rapid proliferation of scholarly events devoted to the subject of translation has been
paralleled by an increasing number of publications and academic courses that illustrate the
prominence given to both its practice and theorizing. At a time in which hegemonic West-
ern ideals have been consistently challenged by postcolonial critique as well as by gender,
racial, and environmental lenses, among others, the issues surrounding translation become
crucial for recognizing and envisaging alternative communal forms in accordance with the
complexity of contemporary cultural configurations. Primarily about difference, translation
is inseparable from reflections on how this difference is articulated. Literature, as the art of
language, is a prolific space for studying the singularities of the diverse contexts of textual
production as well as the power-inflected relationships between peoples, languages, and ter-
ritories. It is not by chance, then, that questions concerning the development of cultural
identities lie at the heart of the debates on translation, which this book addresses from a
specific locus of enunciation: Latin America.
In the history of Latin America’s literary tradition, as the chapters of this handbook show,
translation has been fundamental and foundational; part and parcel of the creative writing
processes of key intellectual figures who put forth their own critical engagements and con-
ceptualizations of the translator’s task. Nevertheless, Latin America, as a disputed territory
and a problematized identity, still holds a peripheral place in Translation Studies, a field
predominantly anchored in Anglophone literatures and theories. This can be rapidly ver-
ified by observing that, among the vast number of Translation Studies publications since
the creation of the discipline in its own right in the late 1970s, to date there are a few that
reflect from a viewpoint of Latin America’s historical complexities and traditions, making
comprehensive and systematic engagement with this type of transregional translation still
elusive. This volume aims to show the ways in which translation both shaped and questioned
a Latin American literary imaginary in dialogue with its colonial and postcolonial histories,

DOI: 10.4324/9781003139645-1 1
Delfina Cabrera and Denise Kripper

its identity formation, and its circulation across borders, offering a significant contribution to
the diversifying of the Translation Studies field at large.
As academics devoted to exploring the questions raised by translation in our times, and
also as former colleagues who studied and trained professionally as literary translators in
Buenos Aires in the early 2000s, our commitment to editing this handbook stems from our
belief that Latin American literary translation deserves recognition as a distinctive, produc-
tive, and exciting object of study. During our formative years as translators and translation
scholars, it became evident to us that there was a need to encourage engagement with mul-
tiple, diverse reflections and viewpoints that, due to their own situated geopolitical heritage,
have not received the attention they deserve in other latitudes. For anyone interested in Latin
America as a major cultural space of inquiry, it is clear that its ethos cannot be decoupled from
the experience of translation, and hence we are dedicated to the teaching, production, and
dissemination of studies that link it to the literatures of the continent.
Since translation began to interest researchers and theorists of culture and literature some
decades ago, a set of theoretical frameworks and methodologies have been developed and
systematized, turning Translation Studies into an established and productive field. However,
there is still much to be done in this discipline regarding the articulation of different contexts
of knowledge production and alternative epistemologies. To begin accounting for its diverse
potential as a field of study, the subsequent chapters that make up this volume were written
by renowned and emerging scholars based both in Latin America and elsewhere around the
globe, all experts in the field of Translation Studies and specialized in Latin American litera-
ture. For some of these scholars, this marks the first time that their work has appeared in En-
glish, after having published mostly in other languages, such as Spanish, Portuguese, French,
German, and Chinese, and it is our hope that their contributions will expand the interna-
tional research network on literary translation by opening up new exchanges with the canon
of Anglophone Translation Studies. Additionally, we intend to increase the visibility of col-
leagues whose works, due to the enduring asymmetry of translation to and from English,
have not yet received due recognition. Accordingly, and given the ubiquity of translation in
the history of Latin American literature, it becomes paramount for translation scholars to
engage critically with its situated specificities. This need becomes even more pressing when
faced with the extensive bibliography that remains largely inaccessible for English-speaking
readers. Nearly all the contributions in this handbook provide examples and close readings
of primary and secondary sources in languages other than English. In these cases, quotes and
references appear in their original language followed by a bracketed translation into English
by the author of the chapter when an official translation has not yet been published. The
inclusion of these bracketed intromissions is meant to both make visible the need for further
translations of literary and critical texts and to inscribe the process of translation on the page.
At the intersections of translation and Latin American literature, it is noticeable that the
role of translation in the emergence of national literatures and cultures is transversal to most
studies on the subject. As Patricia Willson points out in her pioneering work, La Constelación
del Sur. Traductores y traducciones en la literatura argentina del siglo XX (2004), translation contrib-
uted to the development of national writing models through the incorporation and revision
of foreign modes of representation and narrative materials. In this regard, while Willson’s
book focuses on Argentine literature, its solid theoretical and methodological approach laid a
novel foundation for framing the understanding of literary translation in other Latin Ameri-
can national contexts. In each historical period, local debates about what and how to translate
gradually gave shape to literatures in tension with the canon and the languages of the for-
mer imperial centers. Hence, the role translation played in the creation of a Latin American

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identity discourse is consistent with the region’s colonization, one of the main effects of
which was the imposition of monolingualism along with the drastic reduction of the conti-
nent’s linguistic diversity. This is why, far from promoting an uncritical or complacent read-
ing of the idea of Latin America derived from colonialism and neocolonialism, this volume
addresses, through the multifocal perspective offered by translation, the cultural and political
conundrum that “Latin America” has raised and continues to raise today.
The study of translation within identity formation processes is thoroughly examined by
Edwin Gentzler in Translation and Identity in the Americas (2008), which not only considers
Hispanic America, but also Brazil, the Caribbean, Canada, and the United States. Gabriela
Adamo also adopts this transnational perspective in the edited volume La traducción literaria en
América Latina (2012), as does Nayelli Castro Ramírez in Traducción, identidad y nacionalismo
en Latinoamérica (2013), which bring together a series of heterogeneous contributions on the
state of the practice of translation in several Latin American countries. Driven by a similar
encompassing and panoramic impulse, Francisco Lafarga and Luis Pegenaute compiled the
two volumes Aspectos de la traducción en Hispanoamérica: autores, traducciones y traductores and
Lengua, cultura y política en la historia de la traducción en Hispanoamérica, both published in 2012.
Additionally, La mediación lingüístico-cultural en tiempos de guerra: cruce de miradas desde España y
América (2012), edited by Gertrudis Payàs and José Manuel Zavala, is concerned with trans-
lation as a linguistic-cultural mediation in contexts of conflict, including consideration of
Indigenous languages in the colonial period. Along these historical lines, El tabaco que fumaba
Plinio. Escenas de la traducción en España y América: relatos, leyes y reflexiones sobre los otros (1998),
the outstanding volume edited by Nora Catelli and Marietta Gargatagli, collects and com-
ments on overlooked historical and literary primary sources that deal with translation. Striv-
ing to show the implicit political and ideological aspects of translation practices that reveal
a culture’s approach to otherness, their book presents a selection of heterogeneous materials
that range from historical texts, poems, essays, translator’s notes, memoirs, dictionaries, and
grammars to manifestos, laws, and Inquisition verdicts.
Alongside the aforementioned works that attempt to render a continental panorama of
Latin American translation, other studies have concentrated on translators and their transla-
tions as cultural agents within specific historical, geopolitical, and interlinguistic contexts.
Some examples of this approach are Traducción como cultura (1997), edited by Lisa Bradford,
which features articles that explore the intricate relationships between cultural systems; Tra-
ductores y traducciones en la historia cultural de América Latina (2011), edited by Andrea Pagni,
Gertrudis Payàs, and Patricia Willson, which gives an overview of the cultural functions of
translations in a Latin American setting; De oficio, traductor. Panorama de la traducción literaria en
México (2010), by Marianela Santoveña, Lucrecia Orensanz, Miguel Ángel Leal Nodal, and
Juan Carlos Gordillo, focused on the experience of Mexican literary translators; and Traducir
el Brasil. Una antropología de la circulación internacional de las ideas (2003), in which Gustavo Sorá
researches the translations of Brazilian writers into Spanish carried out in Argentina, concen-
trating on the different institutional, market, and political mediations that influence transla-
tion processes and how this network collaborates in the development of binational cultural
relations. Much has also been written about the figures of prominent Latin American writer-
translators of the twentieth century, resulting in a rich bibliography that includes works
such as the aforementioned book by Patricia Willson, La Constelación del Sur, devoted to the
analysis of literary translations by Victoria Ocampo, Jorge Luis Borges, and José Bianco; Los
puentes de la traducción. Octavio Paz y la poesía francesa (2004) by Fabienne Bradu; and Borges y
la traducción (2005) by Sergio Waisman; along with works by some of our contributors such as
Invisible Work: Borges and Translation (2002) by Efraín Kristal, Las lenguas vivas. Zonas de exilio

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Delfina Cabrera and Denise Kripper

y traducción en Manuel Puig (2016) by Delfina Cabrera, and El traductor del Ulises (2016), Lucas
Petersen’s biography of José Salas Subirat, the eccentric first translator of Joyce’s Ulysses into
Spanish. In recent years, Brazilian scholar Else Ribeiro Pires Vieira spearheaded a new line
of research concerning the representation of translators and the act of translation in literature,
which proved very fruitful for the study of contemporary Latin American narrative. Antonio
Lavieri and Rosemary Arrojo both include Latin American case studies in their respective
monographs Translatio in fabula. La letteratura come pratica teorica del tradurre (2007) and Fictional
Translators: Rethinking Translation Through Literature (2017). This “fictional turn” of Transla-
tion Studies has been considerably expanded with books by contributors in this volume, as
in the case of Martín Gaspar’s La condición traductora (2014), Heather Cleary’s The Translator’s
Visibility: Scenes from Contemporary Latin American Fiction (2021), and Denise Kripper’s Narra-
tives of Mistranslation: Fictional Translators in Latin American Literature (2023), all focused on the
figure of fictional translators.
Other works have addressed the translation of Latin American literature into other lan-
guages, mainly English and French, whose publishing markets helped shape the Latin Amer-
ican boom of the mid-twentieth century. Jeremy Munday’s Style and Ideology in Translation:
Latin American Writing in English (2008) and Scènes de la traduction France-Argentine, edited by
Roland Béhar and Gersende Camenen (2020), are two fine examples of this area of research.
In turn, María Constanza Guzmán’s monograph Gregory Rabassa’s Latin American Literature: A
Translator’s Visible Legacy (2011) focuses on a single translator and is part of a corpus that high-
lights translators’ specific contributions. For example, the books The Subversive Scribe (1991)
and If This Be Treason: Translation and Its Dyscontents (2005) by influential translators Suzanne
Jill Levine and Gregory Rabassa, respectively, have become essential first-person accounts of
their experiences translating Latin American texts. Voice-Overs: Translation and Latin American
Literature (2002), edited by Marcy E. Schwartz and Daniel Balderston, presents a compilation
of essays by Latin American translators and writers offering valuable personal insights into
the world of literary translation, and the more recent translation memoir essays Música prosaica
(2014) by Marcelo Cohen and Se vive y se traduce (2022) by Laura Wittner continue expanding
translators’ voices, visibilizing their task from a Latin American perspective.
In addition to the books listed in this brief and by no means exhaustive survey, there is also
a wealth of scholars working at the intersection of translation and Latin American literature
whose notable research is spread throughout journal articles, essays, and individual contribu-
tions in edited volumes and readers. The authors of the chapters collected in this handbook
have shaped—and continue to shape—the understanding of translation in Latin America,
drawing from and dialoguing with these and other texts.

Content Overview
Through a framework that links translation to the cultural, political, economic, and social
contexts in the area and beyond, the Routledge Handbook of Latin American Literary Translation
is divided into three sections: In Translation: Linguistic & Cultural Diversity Within the
Continent; In & Out of Latin America: Reception of Translated Literature; and In Circu-
lation: Publishing & Networks of Translation. These groupings respond to a necessary or-
ganizational principle to guide a reading of the handbook and were conceived around three
elementary aspects of translation—its production, reception, and circulation—that also allow
for a much deeper engagement with the topic at large (and its subsequent diverse thematic,
historical, theoretical, and pedagogical approaches) woven through the connections and di-
alogues established by the chapters across sections.

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Following a loose chronological order, the first section—In Translation: Linguistic &
Cultural Diversity Within the Continent—aims to illustrate the role of translation in the
shaping of a Latin American ethos from the nineteenth-century independence movements,
when translation became fundamental for the development of a national identity, to the pres-
ent day, when translation serves to navigate and negotiate the diverse linguistic communities
and cultural makings of the continent. Translation thus becomes the privileged standpoint
from which to critically address Latin America’s transnational character and lay bare the
long-lasting impact of its translational foundations. Juan Antonio Ennis and Andrea Pagni
open the volume with chapters that explore the emergence of new states, a moment with lit-
tle precedent in history, and the role translation played in their emancipation from European
colonial powers and standards. In “Philology and Translation on the Way to a New World:
Andrés Bello, Translator,” Ennis focuses on a key historical protagonist in the independence
and national organization movements for Venezuela, Chile, and Latin America at large. By
addressing Bello’s intellectual and philological undertakings in London’s British Library,
Ennis uncovers how his praxis of translation gave way to his influential political career. Pagni
provides productive strategies for assessing translations in “From Romanticism to Modern-
ism: Translating Heine in Spanish America,” focusing on the transforming aesthetics and
cultural potentialities of translation for the enrichment of the Spanish language and literature
in the Americas. Taking up the case study of Heinrich Heine, Pagni demonstrates how Mod-
ernist translators appropriated German Romantic poetry by finding historical analogies rel-
evant to their respective local contexts at the turn of the century. Next, Esther Allen brings
the figure of José Martí into the conversation in “Translation & Transculturation: José Martí,
Helen Hunt Jackson, César Vallejo.” Tracing a network of creative adaptations, reappropri-
ations, and other effects of transculturation, Allen weaves the Cuban revolutionary activist’s
translational writing with the works of American poet Helen Hunt Jackson and Peruvian
poet César Vallejo around issues of indigeneity germane to the continent’s self-definition.
Through these macrotextual connections, Allen homes in on the meaning of literary trans-
lation by questioning the stability of originals and proposes new readings of Martí’s poetry in
translation through the lens of global indigeneity. Continuing with translation as a political
act of representation, Fanny Arango-Keeth takes up a Peruvian writer’s translation activism
in her chapter “José María Arguedas: Decolonizing Translation.” Focusing on the need to
defy a homogeneous cultural and linguistic identity rooted in Spanish as the dominant form
of linguistic expression, Arango-Keeth shows how Arguedas challenged the Peruvian he-
gemonic cultural and literary paradigm of the early twentieth century as he recognized the
significant contribution of ancestral languages in the country, particularly those of Quechua,
through a translation praxis that resisted the acculturation of native texts. Bringing this cul-
tural and linguistic diversity to the fore, Mónica María del Valle Idárraga’s contribution to
this volume centers on the Greater Caribbean. In “The Woven Threads of Literary Transla-
tion in the Greater Caribbean,” del Valle Idárraga studies the conglomeration of translational
processes—including the presence of a range of creole and Amerindian languages—that
characterizes the area beyond a geographical designation that runs the risk of homogenizing
it behind the hegemonic languages of Spanish, English, French, or Dutch. While overall a
celebratory and longitudinal piece highlighting the Greater Caribbean’s dense and complex
makeup, the chapter also uncovers the need for more research contributions that engage with
it in depth. Continuing to weave the threads of diversity into the conversation not only in
the cultural production of the continent but also in the formation of its cultural agents, Max
Hidalgo Nácher turns to Brazilian author and translator Haroldo de Campos’s consump-
tion of foreign literature in “Translation and Anthropophagy from the Library of Haroldo

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Delfina Cabrera and Denise Kripper

de Campos.” Analyzing the multilingual networks of influence enabled by the space of de

Campos’s library and personal correspondence, Hidalgo Nácher offers novel insights into
the cultural specificity of Brazil and, by extension, Latin America, through de Campos’s
anthropophagic appropriation of difference in translation. Lastly, to end this first section,
and leading into the next, Sarah Booker’s and Marlene Hansen Esplin’s respective texts ad-
dress adjacent contemporary phenomena that push the boundaries of what is considered
“Latin American” writing: multilingualism and self-translation. In “Resisting Translation:
Spanglish and Multilingual Writing in the Americas,” Booker continues destabilizing the
dominance of the Spanish language by paying particular attention to the use of Spanglish
and the prevalence of other languages in contemporary novels focused on questions of gender
and sexual identity negotiated in translation. Code-switching, self-translation, bilingual and
multilingual writing, and cultural translation also play a key role in Esplin’s contribution,
“Approaching Literary Self-Translation in the United States and Latin America.” Focusing
on the case studies of Latin American and US Latino writers and self-translators, Esplin chal-
lenges notions of authorship, originality, and linguistic purity and expands this analysis to
expose the material dimensions of the global literary marketplace, calling for new terms and
categories for these texts that defy literary conventions and create new ones. The chapters in
this first section set the translation scene theoretically, geographically, and historically. En-
gaging with questions of identity and alterity, they challenge the notion of Latin America as a
monolithic entity, foregrounding instead the particularities of the diverse countries, regions,
and communities that make up this vast and expansive continent.
The national Latin American identities founded throughout the nineteenth century, when
translation was considered a mechanism for importing cultural goods, were consolidated via
a Latin American literary identity formed in the mid-to-late twentieth century when authors
achieved international status in translation during what came to be known as the “boom” of
Latin American literature. The second section—In & Out of Latin America: Reception of
Translated Literature—therefore focuses on the interplay between the reception of translated
literature in Latin America (continuing a topic already tackled by many chapters in the previ-
ous section) and the reception of Latin American translated literature abroad, opening up an
expanded zone of linguistic, cultural, and political encounters. The chapters in this section
allow for situated readings of particular texts that speak to both the historical and cultural
contexts of their translation production and reception. Lucas Petersen opens this section by
focusing on an unexpected translator figure in “José Salas Subirat and the First Ulysses in
Spanish.” An insurance salesman with a rudimentary knowledge of English, Salas Subirat
translated Joyce’s masterwork and made a significant contribution through which to read
the center–periphery relationship within a linguistic space. Reconstructing Salas Subirat’s
unique story and analyzing his translation approach along with the mixed reception of his
work from a historical perspective, Petersen evaluates the impact of the first Spanish Ulysses
within the framework of linguistic and literary debates that were taking place in Argentina
and, more broadly, in Latin America and Spain. Next, Efraín Kristal takes up Argentine
writer Jorge Luis Borges’s well-known ideas on translation as recreation and explores them
in his translation of Max Beerbohm’s “Enoch Soames,” which he turned into a work of fan-
tastic literature. In “Jorge Luis Borges’s Theory and Practice of Translation,” Kristal maps
out the collaborative publishing efforts of Borges, Silvina Ocampo, and Adolfo Bioy Casares,
alongside the short story’s reception, through Roberto Bolaño’s reading and analysis, show-
casing a network of reading in translation in Latin America. Turning to French and Chinese
translations of Latin American novels, respectively, Gersende Camenen and Teng Wei shed
light on translation as a cultural, political, and ideological process. Assessing new collections

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of foreign literature that emerged around the late 1960s and the early 1970s, in “The Boom of
the Latin American Novel in French Translation,” Camenen puts forth an aesthetic reading
of Latin American literature that signified a renewal for French critics and readers and that
showcased the creative collaborations that emerged between authors and translators at the
time. Moreover, in “Chinese Translation of Latin American Literature (1950–1999),” Teng
provides a historical overview of some of the major Latin American publications in transla-
tion in China during the second-half of the twentieth century and their impact in Chinese
social and political spheres. Next, Christian Elguera and Daisy Saravia focus on the influence
of Japanese and Portuguese literature in the writing of one of Mexico’s foremost intellectuals
in “Octavio Paz, Thinker of Translation: Versioning Matsuo Bashō and Fernando Pessoa.”
They propose that, in translating these writers (one an author of haikus and the other an
unfamiliar poet for Hispanic readers at the time), Paz advocated for circulating “other” or
“exotic” systems of knowledge in Latin America’s literary fields. Next, Paul Worley and Ellen
Jones challenge literary studies often centered on national literatures (that are assumed to be
monolingual, monoscriptural, and reflective of a national culture) by turning their attention
to the English literary translation of Indigenous texts from Mexico and Central America in
“‘Tequio Literario’: Translating Indigenous Literature as Communal Labor.” Worley and
Jones draw on original interviews with contemporary literary translators to argue for the
communal nature of (re-)writing as a response to the ethical and political complexities of
translating from an oppressed language into a colonial lingua franca. Tying into the next
section, Heather Cleary’s and Ilse Logie’s chapters address the importation of William Shake-
speare to Latin America and the exportation of twenty-first century Spanish-language Latin
American fiction to Anglophone global markets, respectively. In “Killing Bill: Shakespeare
in Latin America,” Cleary delves into various translational cultural projects that imbued
the British dramaturg’s plays with regional sensibilities, upending conservative notions of
fidelity, exploring the limits of linguistic exchange, and also challenging notions of textual
proprietorship and authoritative interpretations. Meanwhile, Logie addresses the material
conditions of literary circulation and its respective publishing and translation networks in the
proposal of a new hybrid literary configuration in “‘New Female Gothic’: Latin American
Fiction in the Anglophone Markets Through Translation.” Presenting translators as influen-
tial cultural brokers, Logie also acknowledges the fundamental shifts that have taken place
in the international book industry and the literary practice of translation (its production, cir-
culation, and reception) that inform and often govern the marketplace. The chapters in this
second section ultimately show that the issues that surround translation are no longer limited
to exchanges between two national cultures but respond to multifaceted global networks.
The migration movements that accompanied the circulation of books in translation both
locally and globally facilitated a rethinking of national identities as well as a renewal of lit-
erary traditions that gave way to the rise and development of various editorial endeavors on
both sides of the Atlantic. The third and final section—In Circulation: Publishing & Net-
works of Translation—considers the context of presses, literary magazines and periodicals,
library collections, and other publishing projects that made possible the circulation of transla-
tion and its extended cultural impact. Essential for this section is María Constanza Guzmán’s
opening contribution that maps out the concept of “print culture,” linked to the materiality
of texts, the modes of circulation of translated narratives, and the forms of sociability of
translation praxis. In “Translation and Print Culture in Latin America,” Guzmán spotlights
twentieth-century Latin America’s growing publishing industry by focusing on books and
cultural magazines that were a key part of the intellectual development and strategic dialogue
of authors within and beyond national borders, such as Mexico’s publishing house Fondo de

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Delfina Cabrera and Denise Kripper

Cultura Económica and Cuban cultural magazine Revista Casa de las Américas. Next, Alejan-
drina Falcón homes in on the case of Argentina in “Exile Networks in Spanish-American
Publishing Houses: Translation and Adaptations of Translations.” Exploring four translation
scenes within the Argentine publishing industry of the twentieth century, Falcón takes up
issues of migration and publishing practices (such as transference of copyrights, plagiarism,
and joint editions) in the circulation of translations between Spain and Latin America. Turn-
ing to popular magazines in Argentina, Chile, and Brazil, Martín Gaspar then engages with
translators’ decision-making. In “Manipulation in Translation: The Case of the Modern
Woman and the Flirt in Early Twentieth Century Latin American Magazines,” Gaspar shows
how texts for a mainstream female audience likely circulated in translation at odds with their
original intended purpose, manipulating readers through certain conservative values. With
a focus on intra-Latin American translation and collective publishing, Isabel C. Gómez ex-
plores a cartonera volume in “A Laboratory of Texts: The Multilingual Translation Legacies of
Haroldo de Campos.” Proposing a cannibalistic approach to translation, and dialoguing with
issues of multilingualism and displacement previously addressed by other chapters, Gómez
explores the performance of de Campos’s politically engaged poetry in Spanish translation,
making use of the author’s translation theories such as “transcreation” within a culturally and
linguistically diverse sphere of writing and circulation in Latin America. Continuing on with
Brazilian case studies, the last two chapters in this section, by John Milton and Taís Diniz,
and Elizabeth Lowe, respectively, exemplify in different ways the many as-of-yet unexplored
research avenues at the intersection of Latin American literature and Translation Studies. In
“The Deep-Sea Diver and the Sculptor: The Translations of José Bento Monteiro Lobato,
Brazilian Publisher, Translator, and Children’s Author,” Milton and Diniz revisit the figure
of a major Brazilian publisher surprisingly not well known outside Brazil today. In this chap-
ter, the authors offer an overview of Monteiro Lobato’s sphere of influence in the Golden
Age of Translation in Brazil and emphasize the importance of collections (of translations
and adaptations of children’s books especially, in Monteiro Lobato’s case) from publishing
houses. Lastly, Lowe takes us into the twentieth-first century in “Author, Reader, Editor,
and Translator in the Digital Age: Changing Norms of Production and Reception.” Circu-
lation via new media and online platforms has inevitably changed the rules of the publishing
game—and of translation strategies—and will continue to do so. Zooming in on the case
of three Brazilian authors, Lowe analyzes both the opportunities and challenges for literary
translators bringing their authors’ works into English in the digital space.
Readers will be quick to notice overlapping themes and approaches emerging from the
various contributions and dialogues that comprise this book and which ultimately reflect
the fundamental role of translation for and in Latin American literature as a whole. Still,
through the diverse representations of translation included here, one of the primary goals of
this book is precisely to challenge and expand the meaning of “Latin American.” Beyond
this volume’s table of contents, readers can set aside the proposed chapter order in favor of
following their specific research needs, intellectual inquiries, or pedagogical questions. In-
terdisciplinary themes and theoretical trends can emerge, varying geographical regions of
interest be delineated, historical surveys be traced, translation strategies and approaches be
assessed, and various cultural and linguistic as well as political and cultural impacts be fore-
grounded, among other readings invited by the different paths to be taken while navigating
the handbook. Latin American Literary Translation Studies focuses on the ways in which
translation has collaborated in shaping not only the Latin American literary field but also a
singular literary aesthetic founded on the complex relationship with its colonial and postco-
lonial histories. This volume strives to elevate the polyvocal nature of the Latin American

8
 Delineating a Latin American A
­ pproach to Literary Translation

sphere and to highlight the collective efforts of the task of translating, questioning conven-
tional norms of fidelity and servility that have been defied in the practice of translation in the
region, and ultimately challenging a single defining identity in favor of multiple, connected,
and entangled viewpoints.

Pedagogical Applications
Because of its broader impact on contemporary debates on culture, language, and the rela-
tionships between the global and the local, and due to its scope and purpose, this volume
lends itself well to being used in educational settings. To facilitate classroom application
and research inquiries, chapters include a list of suggested further readings. Established
translation bachelor’s, master’s, and doctoral degree programs around the world will find
this handbook relevant and useful, providing both students and instructors with conceptual
frameworks to comprehend the relevance of translation in the study of literature and vice
versa. Moreover, the global acknowledgment and rise of multilingual populations and the
subsequent emergence of translation programs and growing offerings of translation courses
make for an especially productive context. By the same token, it has become common prac-
tice among language departments to include translation literacy materials in their programs
and to regularly offer elective classes in and on translation. Course instructors and univer-
sity libraries will find this handbook to be a critical text well-suited to syllabi for Spanish,
Portuguese, and translation courses, and an important contribution to their contemporary
Latin American and Translation Studies collections, of interest for practitioners, researchers,
undergraduates, and graduate students alike. Benefiting from a long tradition of transla-
tion scholarship, instruction, and professionalization in Latin America, the contents of this
book will have an impact on translation pedagogy, providing new tools for the training of
future translators and scholars of translation. In addition, beyond Translation Studies, we
expect this book to also contribute to the reshaping of the field of Latin American liter-
atures and cultures, broadening its scope to include an understanding of translation both
domestically and within intercultural contexts. It is our hope that the Routledge Handbook
of Latin American Literary Translation will function as a reference book in the field of Latin
American Translation Studies by providing established and new insights into this subject
area, therefore making an impact on the development of the practice and theorization of
translation itself.

Further Reflections
One of the main goals of the handbook is to diversify and complexify Translation Studies
by highlighting the overlooked contributions of Latin American literature and scholarship
in ongoing discussions in the field. Chapters seek to broaden the geopolitical, sociocultural,
and historical scope of the field by including different perspectives so that it becomes more
transdisciplinary and transnational. By presenting original critical contributions, we seek
to reconfigure the peripheral theoretical place that Latin America has been granted and
largely occupied in the discipline of Translation Studies. As such, this book aims to be an
introductory volume. It does not pretend to—and cannot—be exhaustive. Many import-
ant, pressing topics were left out for a variety of reasons and still need to be addressed. It
is our hope that the growing interest in translation and engagement with Latin American
literature continues to find outlets and platforms for the ongoing dialogue between these
disciplines.

9
Delfina Cabrera and Denise Kripper

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From Romanticism to Modernism

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Translation and Transculturation

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José María Arguedas

Anderson, Benedict . Imagined Communities. London-New York: Verso, 2006.
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1979.

The Woven Threads of Literary Translation in the Greater Caribbean

Aguilar Gil , Yásnaya Elena . Ää: manifiestos sobre la diversidad lingüística. Mexico City: Almadía ediciones,
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Jorge Luis Borges's Theory and Practice of Translation

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The Boom of the Latin American Novel in French Translation

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Octavio Paz, Thinker of Translation

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Manipulation in Translation
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A Laboratory of Texts
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De Campos, Haroldo . el ángel izquierdo de la poesía: poética y política. Antología. Edited by G. Aguilar and
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Campos e a educação dos sentidos. Berlin: Peter Lang, 2022.

The Deep-Sea Diver and the Sculptor

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