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LARGO from the NEW WORLD SYMPHONY.
The symphony from which this part is taken created an unusual stir throughout
the musical world at the time of its first production. lis writer, Antonin Dvorak,
was engaged as head of the staff of teachers of The National American Conserva-
tory of Music, New York, in 1892-5 ostensibly to teach composition at the conserva-
tory, but in reality to found an American school of music. Dvorak became interested
in the peculiar rhythms and the quaint cadences: of the songs of the black man at his
work on the plantation. Here was something that struck his (European) ear as novel
and the symphony “From the New World” (or American Symphony) had its inception.
The Zargo, as presented in this band arrangement, is the second movement of
this symphony. It startswith a few mysterious chords in the brass choir after which
a lovely melody, sung by the English horn, is introduced.
One writer has aptly called this movement a “Moonlight Night on the Prairie?
for it is a tone-picture of varied tints. Another avers that Dr. Dvorak was inspired by
the reading of Longfellow’ poem “Hiawatha” to write this movement. Beside this
theme there is another of peculiar Janguor and toward the end of the movement, a
striking episode ensues which is strangely in contrast with the serenity of the rest,
Here three themes are intoned at once and one is involuntarily reminded of the
awakening of animal life on the prairie.
The “New World Sympliony” is Dvorak’s fifth work of' that kind (Op.95) and was
first produced on Dec. 15,1893, by the New York Philharmonic Society under
direction of Anton Seid!.
SLAVONIC DANCES.
These spirited compositions are brimful of that remarkable individuality which
has secured for Dvorak a prominent place amongst the greatest of modern compos-
ers. They represent idealized national melodies and abound in a warmth of color
that make them a desirable part of any program whether of serious or popular de -
sign.
Antonin Dvorak was born in Mulhausen, Bohemia (4841), educated in Prague
and became Professor of composition in the well-known conservatory of that city,
and subsequently, as already mentioned, held a similiar position in the National Am-
erican Conservatory of Music in New York City. He was one of the most gifted of
modern composers and his works, numbering about 100, include operas, symphonies,
chamber music,etc., of an exceptionally high value, all strongly marked with the na-
tional Bohemian character.
He died suddenly, May 1, 1904.
In the present band arrangement of these two compositions, all necessary parts
are so cued that these two numbers may be played by a comparatively small band,
but it is not desirable to permit the playing of small notes such as are found in
the horn and baritone parts unless the clarinets are not properly represented.
15740Largo
from Antonin Dvorak’s 5th Symphony.
Conductor. “from the New World”
arn. by V. F Safranek.
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from Antonin Dvotak’s 5th Symphony.
“From the New World”
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arr. by V.F.Safranek,
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(Piano Edition, 2nd Set No 6.)
2nd Oboe.
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from Antonin: Dvorak’s 5th Symphony.
1st Bassoon. “from the New World”
sueone| eens er arr. by V. F Safranek,
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(Piano Edition, 244 Set N26.) ‘Ant. DvoFak.
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18740-126Largo
from Antonin Dvorak’s 5th Symphony,
“From the New World”
E) Clarinet
arr by V.F.Safranek.
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Piano Edition, 224 Set N96. Ant, DvoFik.
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45740-4126Largo
from Antonin Dvorak’s 5th Symphony.
“From the New World”
Solo and 18t Bb Clarinets
arr. by V.F.Safranex.
Largo.
4A
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DoiLargo
from Antonin Dvordk’s 5th Symphony.
“from the New World”
2nd Bh Clarinets
arr.by V.F.Safranek.
Largo.
4
3346
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45740-426Slavonic Dance NO III.
. (Piano Edition, 214 Set Ne 6.)
2nd Bb Clarinets : Ant, DvoFék,
Poco Allegro. arn by HBSafranek.
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15740-126Largo
from Antonin Dvo¥ak’s 5th Symphony.
“From the New World”
3rd and 4th Bb Clarinets
arr. by V.F.Safranek.
Largo.
4
3346
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(Piano Edition 2%4 set No6)
3rd and 4th Bb Clarinets Ant. Dvo¥ék.
Poco Allegro. arn by VB Safranek,
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45740-1268 Garl Fischer New York3rd and 4th Bb Clarinets *
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from Antonin Dvorak’s 5th Symphony.
“From the New World”
E) Alto Clarinets
arr by V. F.Safranek.
Largo.
4
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ABTAO-126 K Cart Fischer, New York,E> Alto Clarinets
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18740-1264
Slavonic Dance N2 I.
(Piano Edition, 224 Set Ne 6.)
Eb Alto Clarinets Ant. DvoFak,
by FE afranek
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15740-1268 Cart Fischer.New YorkE) Alto Clarinets
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from Antonin Dvotak’s 5th Symphony,
Bb Bass Clarinet “From the New World”
Loge arr. by V. F.Safranek.
4
3346
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asm0-428 °K Tard Flacher, Now YorkSlavonic Dance NO III.
(Piano Edition, 274 Set Ne 6)
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arr. by F. P.Safranek,
Poco Allegro.
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in tempo
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6740-426 Cart Fischer, New YorkBb Bass Clarinet
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from Antonin Dvorak’s 5th Symphony.
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Soprano Saxophone. ‘From the New World’
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Jonductor. in te
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(Piano Edition, 24 Sot N@6.)
Ant. Dvorak.
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4740-125Largo i
s a aoe from Antonin Dvorak’s 5th Symphony.
axopiones, “Brom the New World” am. by V. F Safranek.
Gitmore Band Library.
Largo. Pog tors.
Library N
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Piano Hdition, 224 set No6.
Alto Saxophones. ‘Ant. Dvo¥ar.
arr. by VB Safranek,
Poco Allegro.
——
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in tempo
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5740-254
Largo i
Tenor from Antonin Dvofak’s 5th Symphony.
Saxophones. “From the New World”
Gilmore Band Library. arr.by V. BSatranek.
Largo.
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45740-125 art Fischer, New York.Slavonic Dance NO II.
(Piano Edition, 214 set N°6,)
Tenor Saxophones. Ant. Dvofdi,
arr. by VF Safranek.
Poco Allegro,
P
in tempo
—
motor SP
Pitt mosso,
15740-1985Tenor Saxophones. 8
Pit mosso.
2
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in tempo
a if
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45740-4125Largo
from Antonin Dvo¥ak’s 5th Symphony.
Baritone Saxophone. “From the New World”
Gilmore Band Library. arr. by V. F Safranek,
Largo.
Library N
37.
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Se
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w
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15740-428 Cart Fischer, New York.Slavonic Dance NOTI.
(Piano Edition, 214 get N¢ 6.)
Baritone Saxophone. “Ant, Dyokék.
arn.by HE Safranck.
Poco Allegro.
B
in tempo
?
molto
Pit mosso.
we
wi if
ntard. Tempo I.
—_=Tz Fs a2
=f > PF Fp =
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pp if St
15740-128Baritone Saxophone.
AA AA
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7 SS OSS
4
Pitt mosso.
fore Lt P
Pitt animato.
P et —
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Lf -,o——_== sr
16740-4285