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Guitar Chord Mastery Guide

The document provides chord shapes for various 7th chords including major 7th, dominant 7th, minor 7th, minor 7th flat 5, major 6th, minor 6th, and diminished 7th chords. It shows two versions of each chord shape with the root on different frets for playability in different areas of the neck. It then discusses dominant 7th chords with alterations and guide tone chords before moving to exercises applying these chords over different bass notes and scales.

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Eze Caballero
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0% found this document useful (0 votes)
209 views24 pages

Guitar Chord Mastery Guide

The document provides chord shapes for various 7th chords including major 7th, dominant 7th, minor 7th, minor 7th flat 5, major 6th, minor 6th, and diminished 7th chords. It shows two versions of each chord shape with the root on different frets for playability in different areas of the neck. It then discusses dominant 7th chords with alterations and guide tone chords before moving to exercises applying these chords over different bass notes and scales.

Uploaded by

Eze Caballero
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 24

edited by

jonathan feist
Contents
Introduction iv
Part I. Chords Parte I. Acordes
1. Moveable 7th Chord Shapes Acordes de 7ma trasportables 2
cada uno en (each on 5 4 3 2 4 3 2 1 6 4 3 2 5 3 2 1 )
Major 7 Maj7 2
Dominant 7 7ma Dominante (7) 3
Minor 7 m7 3
Minor 7%5 Semidisminuídos (m7b5) 4
Major 6 (6) 5
Minor 6 m6 5
Diminished 7 dim7 6
Dominant 9 7/9 7
Minor 9 m9 7
Minor 11 m11 8
Dominant 13 7/13 8
2. Dominant 7th Chords with Alterations: Acordes dominantes con alteraciones 9
two versions each, with roots on 6 and 5 dos versiones de cada uno, con
Dominant 7%5 tónica en (6) y (5) 9
Dominant 7(#11) 9
Dominant 7(9, #9) 10
Dominant 7#5 10
Dominant 7(%9, %13) 11
Dominant 7(altered): 7%5(%9), 7%5(#9), 7#5(%9), 7#5(#9) 11
3. Guide Tone Chords Acordes con notas guía 13
(1-3-7) Root 3 7 (Major 7, Dominant 7, Minor 7, Minor 7%5, Major 6, 13
Minor 6, Diminished 7)
(1-7-3) Root 7 3 (Major 7, Dominant 7, Minor 7, Minor 7%5, Major 6, 14
Minor 6, Diminished 7)
4. Triads over Bass-Note Voicings with Roots on 6 5 4 Acordes de triadas 16
V/I sobre bajos con tónicas en (6) (5) (4) 16
%VII/I 16
Other Common Voicings: (III/I, II/I, #IV/I, VI/I, VII/I) Otros acordes comunes 17
5. Inversions (each on 5 4 3 2 4 3 2 1 6 4 3 2 5 3 2 1 ) 19
Major 7 Inversiones, cada una sobre 19
Dominant 7 20
Minor 7 21
Minor 7%5 23
Major 6 24
Minor 6 25
Part II. Exercises Parte II. Ejercicios
6. Quartal Voicings Exercises Ejercicios con acordes por cuartas. 28
C Dorian Voicings Acordes sobre Do Dórico 28
7. Diatonic Exercises Ejercicios diatónicos 30
B% Major on 5 4 3 2 30
E% Major on 4 3 2 1 31
F Major on 6 4 3 2 32
B% Major on 5 3 2 1 33
F Harmonic Minor on 6 4 3 2 34
F Melodic Minor on 6 4 3 2 35
G Major 6 Bebop Scale on 6 4 3 2 36
G Minor 6 Bebop Scale on 6 4 3 2 37
About the Author Sobre el autor 38
Chapter 1.
Moveable 7th Chord Shapes
Acordes de 7ma transportables

Major 7

CMaj7 CMaj7
3fr 10fr

1324 1333

 
   
12
5 12
4 12
5 10
 3 

CMaj7 CMaj7
8fr 3fr

1 342 1 342
 
   
 
3
8 5
9 4
9
  3
8

2
Minor 7

Dominant 7
C7 C7
3fr 10fr

1314 1324
 

   

12
5 11
3 12
5 10
 3 

C7 C7
8fr 3fr

1 243 1 243
 
 
  

 
3
8 5
9 3
8
  3
8

Minor 7
C–7 C–7
3fr 10fr

1312 1423
 


    

11
4 11
3 12
5 10
 3 

3
MOVEABLE 7th CHORD SHAPES

C–7 C–7
8fr 3fr

2 333 1 243

 
     
3
8 4
8 3
8
  3
8

Minor 7%5

C–7b5 C–7b5
3fr 10fr

1324 1222

   
     

11
4 11
3 11
4 10
 3 

C–7b5 C–7b5
7fr 2fr

2 341 2 341

   
   
2
7 4
8 3
8
  3
8

4
Minor 6

Major 6
CMaj6 CMaj6
2fr 10fr

2314 1314

 
  
12
5 10
2 12
5 10
 3 
CMaj6 CMaj6
7fr 2fr

2 143 2 143
 
   
 
3
8 5
9 2
7
  3
8

Minor 6
C–6 C–6
2fr 10fr

2413 1312
 
 
   

11
4 10
2 12
5 10
 3 

5
MOVEABLE 7th CHORD SHAPES

C–6 C–6
7fr 2fr

2 134 2 143

 
 
 
3
8 4
8 2
7
  3
8

Diminished 7
Cº7 Cº7
2fr 10fr

2314 1324

 
    

11
4 10
2 11
4 10
 3 
Cº7 Cº7
7fr 2fr

2 131 2 141

 
   
2
7 4
8 2
7
  3
8

6
Minor 9

Dominant 9

C9 C9
 2fr 9fr

2133 2143
 

   

10
3 11
3 9
2 10
 3 
C9 C9
5fr

3 421 2 34

 
   
0
5 3
7 3
8
  3
8

Minor 9
C–9 C–9
8fr

2134 2143
 
 
  

10
3 11
3 8
1 10
 3 
7
MOVEABLE 7th CHORD SHAPES

Minor 11
C–11 C–11
6fr

2 341 2 341

 
   
 
1
6 4
8 3
8
  3
8

Dominant 13

C13 C13
 2fr 8fr

21334 1 234
 
   
 
5
3 10
3 9
2 8
 3  8

C13
3fr

1 244

 

5
5
3

 3

8
Chapter 2.
Dominant 7th Chords
with Alterations
Acordes dominantes con alteraciones

Dominant 7 %5

C7b5 C7b5
7fr 2fr

2 341 2 341
 
 
  

2
7 5
9 3
8
  3
8

Dominant 7( #11)

C7(#11) C7(#11)
7fr 2fr

2 341 2 341

 
     
2
7 5
9 3
8
  3
8

9
DOMINANT 7 th CHORDS

Dominant 7(9), Dominant 7#9


Dominante 7(9), Dominante 7(#9)
C9 C7(#9)
 2fr 2fr

2133 2134
§9 #9
   
 
3 4
3 3
2 2
 3  3

C7(#9)
8fr

1214
 #9

 

11
8
9
8

Dominant 7 #5

C7#5 C7#5
8fr 3fr

1 234 1 243
 #5  #5

     
4
9 5
9 3
8
  3
8

10
Dominant 7 (altered)

Dominant 7 ( %9, %13)


C7(b9,b13) C7(b9,b13)
8fr 2fr

1 2333 21314

    
    
9 4
9 2
9 3
8 2
  3
8

Dominant 7(altered)
7%5(%9)
C7b5(b9) C7b5(b9)
7fr 2fr

T 2314 21311

   
   
 
9 2
7 2
9 3
8 2
  3
8

7%5(#9)
implied root C7 5( 9)
C7 5( 9)
2fr
7fr

213 41
2314

    
   

11 2
7 4
9 3
8 2
  3

11
DOMINANT 7 th CHORDS

7#5(%9)

implied root (fundamental implícita) C7 5( 9)


C7 5( 9)
2fr
8fr

213 14
1222

    
    

9 4
9 2
9 3
8 2
  3

7#5(#9)
implied root (fundamental implícita)
C7 5( 9)
C7 5( 9)
2fr
8fr

213 44
1224

  
   
11 4
9 4
9 3
8 2
  3

12
Chapter 3.
Guide Tone Chords
Acordes con notas guía
Root 3 7 (1-3-7)
CMaj7 C7
2fr 2fr

213 213

   
 
4 3
2 2
 3  3

C–7 C–7b5 (incomplete)


(incompleto)

213 213

   

3 3
1 1
 3  3

13
GUIDE TONE CHORDS

CMaj6 (1-3-6) C–6


2fr

312 312

   

2 2
2 1
 3  3

Cº7

312

 

2
1
 3

Root 7 3 (1-7-3)
CMaj7 C7
8fr 8fr

1 23 1 23

 
 
 
9 9
9 8
 8
 8

14
Root 7 3

C–7 C–7b5 (incomplete)


8fr 8fr

2 34 2 34

 
     

8 8
8 8
 8
 8

CMaj6 C–6
7fr 7fr

2 13 2 13

 
   
 
9 8
7 7
 8
 8

Cº7
7fr

2 13


 

8
7
 8

15
Chapter 5.
Inversions
Inversiones
Major 7

CMaj7 CMaj7/E CMaj7/G CMaj7/B


3fr 5fr 9fr 12fr

1324 2413 2314 3412


  
 
       

5 8 12 13
4 5 9 12
5 9 10 14
 3  7  10  14

5 4 3 2

CMaj7 CMaj7/E CMaj7 CMaj7/B CMaj7/G


8fr 10fr 8fr 5fr

1 342 2 134 1 342 3 111 3 241


   
         
   
8 12 8 5 1
9 12 9 5 4
9 10 9 5 2
 8
 12
 8
 7
 3
6 4 3 2

19
INVERSIONS

CMaj7 CMaj7/E CMaj9/E CMaj7/G CMaj7/B


3fr 5fr 7fr 8fr 12fr

1 324 2 143 1 243 3 241 3 121


   
  
         
3 7 7 8 12
5 8 8 12 13
4 5 7 9 12

 3  7  7  10  14

5 3 2 1

CMaj7 CMaj7/B CMaj7/G CMaj7/E


10fr 8fr 5fr

1333 2311 1113 2413


  
   
    
 
12 8 7 3
12 8 5 1
12 9 5 4
10 9 5 2
   
4 3 2 1

Dominant 7
C7 C7/Bb C7/G C7/E
10fr 8fr 5fr

1324 1211 1112 2314


    
 
       
 
12 8 6 3
11 8 5 1
12 9 5 3
10 8 5 2
   
4 3 2 1

20
Minor 7

C7 C7/E C7 C7/Bb C7/G


8fr 10fr 8fr 17fr

1 243 3 142 1 243 2 111 3 241

    
         
   
8 11 8 5 1
9 12 9 5 3
8 10 8 5 2
 8
 12
 8
 6
 3
6 4 3 2

C7 C7/E C7/G C7/Bb


3fr 5fr 8fr 12fr

1 243 3 142 3 241 2 131


    
  
 
      

3 6 8 12
5 8 11 13
3 5 9 12

 3  7  10  13

5 3 2 1

Minor 7
C–7 C–7/Eb C–7/G C–7/Bb
3fr 5fr 8fr 12fr

1312 2314 2314 2314

  
    
   
     

4 8 11 13
3 5 8 12
5 8 10 13
 3  6  10  13

5 4 3 2

21
INVERSIONS

C–7 C–7/Bb
C–7/G C–7/Eb same as
10fr 8fr EbMaj6
4fr

1423 1111
2314 1314
  
   
      
11 8 6 3
11 8 4 1
12 8 5 3
10 8 5 1
   
4 3 2 1

same as
C–7 C–7/Eb EbMaj6
C–7 C–7/Bb C–7/G
8fr 10fr 8fr 4fr

2 333 2 143 2 333 4 231 3 141

    
         
   
8 11 8 4 1
8 12 8 5 3
8 10 8 5 1
 8
 11
 8
 6
 3

6 4 3 2

same as
C–7 C–7/Eb EbMaj6
C–7/G C–7/Bb
3fr 5fr 8fr 11fr

1 243 2 143 3 141 3 241

    
 

       

3 6 8 11
4 8 11 13
3 5 8 12

 3  6  10  13

5 3 2 1

22
Minor 7%5

Minor 7%5
same as
C–7b5 C–7b5/Eb Eb–6
C–7b5/Gb C–7b5/Bb
3fr 5fr 8fr 11fr

1324 2413 2314 2314

  
     
     
    
4 7 11 13
3 5 8 11
4 8 10 13
 3  6  9  13

5 4 3 2

C–7b5 C–7b5/Bb C–7b5/Gb C–7b5/Eb same as


Eb–6
10fr 7fr 4fr

1222 2314 1213 1312

    
       
     

11 8 6 2
11 7 4 1
11 8 5 3
10 8 4 1
   
4 3 2 1

C–7b5 C–7b5/Eb same as C–7b5 C–7b5/Bb C–7b5/Gb


Eb–6
7fr 10fr 7fr 4fr

2 341 2 134 2 341 3 121 2 131

       


           
 
7 11 7 4 1
8 11 8 5 3
8 10 8 4 1
 8
 11
 8
 6
 2
6 4 3 2

23
INVERSIONS

C–7b5 C–7b5/Eb same as C–7b5/Gb C–7b5/Bb


Eb–6
2fr 5fr 8fr 11fr

2 341 2 143 2 141 2 141

  
       
       
2 6 8 11
4 7 11 13
3 5 8 11

 3  6  9  13

5 3 2 1

Major 6
CMaj6 CMaj6/E CMaj6/G CMaj6/A same as
A–7
2fr 5fr 9fr 12fr

2314 2314 2314 1312


  
 
       
5 8 10 13
2 5 9 12
5 7 10 14
 3  7  10  12

5 4 3 2

CMaj6 CMaj6/A same as CMaj6/G CMaj6/E


A–7
10fr 7fr 5fr

1314 1423 1111 2314


 
   
      
12 8 5 3
10 8 5 1
12 9 5 2
10 7 5 2
   
4 3 2 1

24
Minor 6

CMaj6 CMaj6/E CMaj6/G CMaj6/A same as


A–7
2fr 5fr 8fr 12fr

2 143 3 141 3 241 1 243


 
   
       
3 5 8 12
5 8 10 13
2 5 9 12

 3  7  10  12

5 3 2 1

CMaj6 CMaj6/E CMaj6 CMaj6/A same as CMaj6/G


A–7
7fr 10fr 7fr 5fr

2 143 3 141 2 143 2 333 4 231


   
         
 
8 10 8 5 1
9 12 9 5 2
7 10 7 5 2
 8
 12
 8
 5
 3
6 4 3 2

Minor 6
same as
C–6 C–6/Eb C–6/G C–6/A A–7b5
2fr 5fr 8fr 12fr

2413 2314 2314 1324



    
       

4 8 10 13
2 5 8 12
5 7 10 13
 3  6  10  12

5 4 3 2

25
INVERSIONS

same as
C–6 C–6/A A–7b5 C–6/G C–6/Eb
10fr 7fr 4fr

13 1 2 
1222 2314 1214

    
       
11 8 5 3
10 8 4 1
12 8 5 2
10 7 5 1
   
4 3 2 1

same as
C–6 C–6/Eb C–6 C–6/A A–7b5
C–6/G
7fr 10fr 7fr 4fr

2 134 2 131 2 134 2 341 3 121

     
          
 
8 10 8 4 1
8 12 8 5 2
7 10 7 5 1
 8
 11
 8
 5
 3
6 4 3 2

same as
C–6 C–6/Eb C–6/G C–6/A A–7b5
2fr 5fr 8fr 11fr

2 143 2 141 3 141 2 341

  
   
       
3 5 8 11
4 8 10 13
2 5 8 12

 3  6  10  12

5 3 2 1

26

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