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EDUCATION
• OCT 14, 2022
Imagery Literary Device: Definition, Types, and
Examples
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by Imed Bouchrika, Phd
Chief Data Scientist & Head of Content
J.R.R. Tolkien, Neil Gaiman, Virginia Woolf. These bestselling authors have one thing in
common: they use imagery as a literary device. They use figurative language to create
vivid descriptions of actions and objects. They do the same when representing ideas.
All to grab the readers’ attention and keep them engrossed in the story.
But weaving imagery masterfully is not an easy task. It takes a lot of practice–and
persistence–to master. Still, you cannot practice what you do not know. So, the first
step to learning the ropes is to gain a complete understanding of imagery literary
devices or techniques. Imagery is the use of literal and figurative language to create an
impression and activate the imagination (Tompkins, Campbell, Green, & Smith, 2014).
This will also help you figure out how to include it in your own type of writing.
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To help you learn more about successful literary devices, this post will dissect imagery
to reveal what it is and the different types that exist. It will also discuss the reasons why
you should use imagery and provide helpful tips on how to add imagery to literature.
Imagery Literary Device Table of Contents
• What is Imagery?
• Types of Imagery
• Why Use Imagery?
• Tips on Writing Imagery
What is Imagery?
As human beings, we are hardwired to intrinsically understand the world through the
senses—what we hear, smell, see, touch, or taste. To evoke this instinctive nature and
help readers better understand literary work, novelists, poets, and storytellers use
descriptive language that nudges the five human senses. This language is called
imagery.
Imagery, in any sort of writing, encompasses the use of literal or figurative language to
add symbolism and enable the reader to imagine the world of the piece of literature. In
other words, it engages the senses to deepen the reader’s comprehension of what is
happening and how to feel about it.
Here is an example of imagery in fiction:
He watched her accept Jake’s proposal. Regret gnawed at him like a hungry tiger, and he
stormed off, slamming three dozen red roses into the trash. Why hadn’t he made his move
yesterday? (Kole, 2017).
The above melodramatic description serves to awaken specific emotions playing out
inside the character. Here, the author leverages different types of imagery evocatively,
to help the reader visualize the scene and paint a mental picture of the emotional
moment.
Imagery and Figurative Language
Imagery often benefits a lot from the use of figurative language, and because of this,
many people confuse the relationship between the two. Actually, it is not uncommon
to find people (and websites) describing imagery as a type of figurative language. The
confusion is further compounded by some articles that describe imagery as the use of
figurative language to write descriptions that engage the human senses.
To set the record straight, imagery is not a type of figurative language. Besides, even
though it largely entails the use of figurative language, imagery can also be totally non-
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figurative (literal). So that brings up the question of what is the difference between
literal and figurative imagery.
Literal Imagery vs Figurative Imagery
Literal language is the use of words solely by their primary or defined meanings. Put
simply, a literal phrase means exactly what it says. For example, imagine for a second
you are fishing and a friend of yours says “The fish is off the hook.” The phrase “off the
hook” literally means that the fish is detached from the hook.
Figurative language, on the other hand, uses similes, hyperbole, metaphor, symbolism,
and personification to describe something often by comparing it to something else. For
example, when a suspect is cleared of all charges, they can exclaim “Thank God, I’m off
the hook!”. Here, the phrase “off the hook” is used figuratively to mean that the person
is released from a difficult situation.
Comparing the two closely, literal imagery can be something like “The red bulb was
glowing.” In figurative form, this can be written as “The soft glow came from the tiny
setting sun, firmly fixated on the wall.”
Types of Imagery
Whenever you read a piece of content, the clarity and attractiveness of the story boil
down to the types of imagery used, and how well they are leveraged. What is more, this
is applied not only to content that is read. When a friend is sharing a story, the
vividness of the meaning is also heavily reliant on the use of imagery.
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There are seven types of imagery used in writing and everyday speech. Many of these
types deal with the five basic human senses, namely touch, taste, sight, smell, and
hearing. Authors use the following imagery to entwine these senses and help readers
create mental images of the story they are reading:
1. Visual Imagery
Visual imagery is the experience of mentally visualizing the appearance of something,
usually without it being present (Albutt, Ling, Rowley, & Shafiullah, 2011). It is the most
common and paramount imagery as it helps authors construct striking images of the
scenery and characters in a story.
Visual imagery appeals to the sense of sight and it includes:
• Color
• Size
• Shape
• Pattern
For example, when an author writes something like “together, they sat at the expansive
shoreline. The shimmering sun was sinking into the sea and, as it disappeared, he went
down on one knee and popped out the red ring case.” The statement helps the reader
conjure up an inner image of the romantic scenery, the characters, and the emotions
overriding the event.
2. Auditory Imagery
Auditory imagery appeals to the sense of hearing. It describes what we hear from
noise, music, and even pure silence. In the auditory modality, it is indicated that
auditory imagery represents perceptual attributes of sounds such as pitch and
loudness (Wu, Yu, Mai, Wei, & Luo, 2010).
Auditory imagery encompasses the following:
• Enjoyable sounds (Music)
• Noise
• Silence or lack of noise
For example, “the trees rustled in rhythm as the wind whistled gently through the
leaves.” The words “rustle” and “whistled” evoke the sense of hearing, and transports
you to a scene in the middle of a forest.
3. Olfactory Imagery
Olfactory imagery is described as the ability to experience the sensation of a smell
when the appropriate stimulus is absent (Lin, Cross, Laczniak, & Childers, 2017). When
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a smell is described so clearly, it rings the bells, thus awakening a sensory cue that
triggers vivid memories and emotions.
Olfactory imagery includes:
• Fragrances
• Scent
• Odors
For example, “The aroma of brewed coffee whiffed through the room, causing Virgil to
stop what he was doing and sniff the air.” The reader can smell the scent of coffee
coming off the pages. It follows, then, that memories and emotions that are associated
with this smell are stirred almost instantly.
4. Gustatory Imagery
Gustatory imagery draws the attention of the sense of taste. Basically, it deals with the
use of specific words that trigger the taste buds, sending the reader down a sensory
highway associated with food craving. Actually, beyond visual and olfactory imageries,
gustatory imagery is also introduced as a key component of food cravings (Shahriari,
Torres, Zuniga, & Alfayez, 2018).
Gustatory imagery includes:
• Spiciness
• Sweetness
• Sourness
• Savoriness
• Saltiness
For example, “the familiar tang of his grandmother’s cranberry sauce reminded him of
his youth.” The word “tang” awakens the taste buds, and the reader can already
imagine the strong flavors of the cranberry sauce stuffed right into the mouth.
5. Tactile Imagery
Tactile imagery is used to describe something by focusing on aspects that can be felt or
touched. As such, it appeals to the sense of touch, and like other imagery devices, it is
hugely significant in descriptive writing.
Tactile imagery includes:
• Feelings of touch
• Temperatures
• Feeling of movement
• Texture
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For example, “while resting in the hammock strapped between two trees, John was
enjoying the warmth of the soft, fuzzy blanket on a cold night….” Here, the mention of
“cold night” most probably triggers goosebumps on the reader’s skin, but then, the
“soft, fuzzy blanket” brings a mental simulation of the warmth enjoyed by the
character.
The types of imagery mentioned above deal with the five senses. Beyond that, there
are two forms of imagery that are not related to human senses but are also used in
descriptive writing.
6. Kinesthetic Imagery
Kinesthetic is derived from the word kinetic, which means movement or motion.
Kinesthetic imagery, therefore, is a type of imagery that describes the actions and
movements of people or objects.
Kinesthetic imagery includes:
• Actions that lead to touch (e.g., running fingers on soft, silk fabric)
• Physical movement (e.g., fiddling with his car keys)
• Temperature (e.g., the warm sunlight kissed her face)
For example, “She rummaged through the trash, tossing pieces of garbage out of the
bin until she finally found the letter that her father accidentally threw away.” The
phrases “rummaged through the trash” and “tossing pieces of garbage” are kinesthetic
imageries used to describe the act of physical movement. It is used as a graphic
technique to help the reader create an accurate visual image of the scene.
7. Organic Imagery
Finally, organic imagery is arguably the most difficult and complex form of imagery.
This is primarily because it is subjective and it deals with directly creating specific
emotions or feelings within the reader. In other words, organic imagery entails the use
of words and phrases that make the reader feel elated, nostalgic, fearful, sad, hungry,
tired, thirsty, and more.
Organic imagery includes:
• Personal experiences of a character’s body
• Internal sensations and emotions
The poignant moment below, in Robert Frost’s 1916 poem called Birches, shows how
organic imagery can be used:
So was I once myself a swinger of birches.
And so I dream of going back to be.
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It’s when I’m weary of considerations,
And life is too much like a pathless wood
Why Use Imagery?
Any sort of writing—fiction or non-fiction, requires multiple ingredients to be coherent
and deep yet lucid. One of the critical ingredients is imagery in the description. Even in
a career in journalism, which usually deals with hard facts, it can help. Surprisingly, it
can help those taking business management careers or pursuing computer science
career paths.
The imagery brings better dialogues, plot, and right placing to your story. It allows you
to furnish the reader with a photograph (about the story) in words to dispel insipidity.
And without it, a work of fiction would be difficult to imagine, harder to put on paper,
and almost impossible to connect with the readers. This partly explains the reasons
why novelists, storytellers, and poets use imagery in literary works.
The sections below explore in great depth some of the pertinent reasons why people
use imagery:
To Bring the Reader Into Your Story
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Stephen King—a distinguished American author—once wrote, “imagery does not
occur on the writer’s page; it occurs in the reader’s mind” (King, n.d). King’s statement
encapsulates the first essence of using imagery, which is to create images in the
reader’s mind.
Authors use imagery to transport the reader to a perceptual location where the story is
taking place and becomes part of it. But, how is this achieved?
The human senses are the most basic gateway to perception—everything people
perceive is entirely tied to one or more senses. This humanistic nature gives
storytellers an opportunity to bring the reader to their stories through imagery—one of
the strongest senses triggers.
Authors that have perfected the use of imagery, exceptionally strike the right chords
using words and phrases. They know when and how to use an imagery literary device
to engage the reader physically, mentally, and emotionally. In doing so, they capture
the readers’ attention and keep them buckled up to the end of the story.
To Provide a More Vivid Description to Your Readers
Every literary work thrives on two elements: the scenery and the characters. Without
proper descriptive words and phrases, the two are bland and the stories built around
them are insipid. But with imagery, authors can carve the perfect picture of the
characters, settings, and situations.
Most importantly, imagery helps present this image so vividly that it triggers their
imagination and enhances their reading skills. Primarily, authors can use literal and
figurative imagery to offer intrinsic details such as texture, color, background,
positioning, expression of the character, and weather. With the details, it becomes easy
for the reader to understand who the characters are, visualize what they are doing,
where they are, and even foreshadow the direction that the story might take.
Besides adding clarity to the fictive world, imagery sets the mode and tone of every
scene. Literary devices such as simile, metaphor, onomatopoeia, and personification
help beautify a piece of literature. With imagery, you can make a story tense,
suspenseful, thrilling, and more. This way, the reader will have the tools to fully
immerse into the story and experience it in a unique way.
Tips on Writing Imagery
As mentioned earlier, imagery helps you paint a clear picture in the reader’s mind. But,
for this to happen, you must first learn when and how to use the imagery in writing.
Whether you are a first-time writer or a seasoned novelist, the following tips will help
you use more vivid imagery in your manuscript.
Leverage sensory details
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First and most importantly, learn how to leverage sensory details. Imagery is fantastic
when used in literary work, there is no doubt about this, but if it does not nudge the
reader’s senses, it is as good as lethargic. To bring the story to life and help the readers
imagine your writing better, you should endeavor to tickle their senses.
Take for example this statement, “The girl rode her bike down the road.” Does this
paint a clear picture in your mind? What about “The pony-tailed toddler rode her blue,
plastic tricycle down the murram road.” The second statement paints a better picture
of the character and the scene for the reader.
Further, instead of seeking to pique the reader’s senses, help the reader ride on the
character’s senses. Using the character’s senses is an amazing concept that can add
taste to the story. So, where possible, always try to hear through the character’s ears or
see through his/her eyes.
Incorporate action-bearing words into your description
To make the story more interesting, you should spice it up with words that show the
action by their true nature. Precisely, action-bearing verbs such as absorbed,
cushioned, pointed, leaped, grasped, whispered, stabbed, slapped, cursed, and more,
help convey the action better. In addition, one may also consider using action-bearing
non-verbs (nouns or adjectives) as these can help infiltrate the readers’ minds and
create images that hold them prisoners of your story.
Paint large pictures detail by detail
Another trick that works wonders is painting large pictures in small, crisp details. In
other words, to help the reader’s brain process information faster and more precisely,
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paint verbal pictures in nibbles. The rule of thumb is to use no more than two
sentences when describing your scenes. Most importantly, resist, by all means
possible, writing long descriptions that draw the reader’s attention away from the main
story.
Describe ordinary things through a different lens
Moreover, if you want to be a great novelist or storyteller, you should be ready to
invest in fresh viewpoints. Ordinary things described casually or using cliches make a
story sound dull and flat. To create vivid imagery and capture the reader’s attention
better, use descriptors that are totally unexpected.
For example, comparing a toothache with a fireworks display or perhaps describing the
tastes of different food as if they were places you can visit. Alternatively, you can use
words to describe something to probe senses that are not usually associated with it.
For example, describing a lady’s hair as “mellow” or a baby as “brawny.”
Moreover, you can use exaggerations and overstatements that are not meant to be
taken literally. Phrases such as “he is older than the hills” or “she was as skinny as a
toothpick” help the reader understand how strongly you feel about something.
Specify descriptions to immerse your reader
The whole essence of using imagery in literary work is to help the reader paint a clear
picture of events and characters in the story. To boost clarity, you must specify every
description and take note of the finest details in the settings. Describe everything as is,
leaving nothing to chance. Make the reader take note of the tiny indentation at the
bottom of a wine glass, the scratches on a smartphone screen, or the small nubs on
the treads of a new car tire.
Learn to Use Imagery to Show Your Story
William Shakespeare is inarguably the bestselling author of all time. It is estimated
that 4 billion copies of his work are in circulation (Brown, 2020). Famous for his plays
and sonnets, Shakespeare mastered imagery and applied it in books such as Macbeth
and Merchant of Venice.
There is no doubt, the legendary bard of Avon is a familiar figure many authors look up
to and want to emulate. To tread his way, you need to reach the dizzy heights of
discipline, attention to detail, clarity, strong vocabulary, and creativity. For your stories
to be clear and concise, however, you should learn how to use imagery.
Fortunately, by now, you already know the basics, imagery definition, types of imagery,
and why authors use imagery. This information gives you a sterling headstart, which
you can use to carve a name for yourself in writing. You do not have to be the best, but
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with practice, everything will finally fall into place and the use of imagery will become
second nature.
Imagery may be the gateway to stunning and epic work of literature. It will beautify
your work, and add particularity to every setting and character. This way, it will help
you connect with the readers better and engross them in the story with ease. You can
enhance your writing, too, by taking a communications degree or the humanities
career path, as this can open you up to more of the world.
References:
• Albutt, J., Ling, J., Rowley, M., & Shafiullah, M. (2011). The vividness of visual imagery
and social desirable responding: correlations of the vividness of visual imagery
questionnaire with the balanced inventory of desirable responding and the
Marlowe–Crowne scale. Behavior Research Methods, 43,
791. https://doi.org/10.3758/s13428-011-0086-8
• Brown, J. R. (2020). William Shakespeare: English author. Britannica.
• King, S. (n.d). Imagery and the third eye. WordPlayer.com.
• Kole, M. (2017, May 2019). Imagery in writing to attract readers and deepen emotion.
Kidlit.com.
• Lin, M., Cross, S. N., Laczniak, r. N., & Childers, T. L. (2017). The sniffing effect:
olfactory sensitivity and olfactory imagery in advertising. Journal of Advertising, 47 (2),
97-111. https://doi.org/10.1080/00913367.2017.1410739
• Tompkins, G., Campbell, R., Green, D., & Smith, C. (2014). Literacy for the 21st Century
(pp.430). Melbourne, Victoria: Pearson Australia. Google Books.
• Shahriari, E., Torres, I. M., Zuniga, M. A., & Alfayez, N. (2018). Picture this: the role of
mental imagery in induction of food craving – a theoretical framework based on the
elaborated intrusion theory. Journal of Consumer Marketing, 37 (1), 31-42.
https://doi.org/10.1108/JCM-02-2018-2553
• Wu, J., Yu, Z., Mai, X., Wei, J., & Luo, Y. (2010). Pitch and loudness information encode
in auditory imagery as revealed by event-related potentials. Psychophysiology, 48 (30),
415-419. https://doi.org/10.1111/j.1469-8986.2010.01070.x
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