2022-09-12 The New Yorker
2022-09-12 The New Yorker
12, 20 22
Delivering for Innovators
DRAWINGS Amy Hwang, Akeem Roberts, Edward Steed, Bruce Eric Kaplan,
P. C. Vey, Frank Cotham, Drew Dernavich, E. S. Glenn and Colin Nissan, Ellis Rosen, Paul Noth,
Liana Finck, David Sipress, Mads Horwath SPOTS Rose Wong
CONTRIBUTORS
Rachel Aviv (“Impaired Judgment,” Jonathan Blitzer (“Strongman of the Peo-
p. 34), a staff writer, will publish “Strang- ple,” p. 44) became a staff writer in 2017.
ers to Ourselves: Unsettled Minds and He is at work on a book about the U.S.
the Stories That Make Us” this month. and Central America.
D. T. Max (“Fish Kebabs,” p. 28) has Jennifer Homans (“The Return,” p. 20)
been a staff writer since 2010. His new is the magazine’s dance critic. Her book
book, “Finale: Late Conversations with “Mr. B: George Balanchine’s 20th Cen-
Stephen Sondheim,” will be out in tury” is forthcoming in November.
November.
Joan Silber (Fiction, p. 56) has published
Andrea Cohen (Poem, p. 52) is the au- ten books, including the novels “Secrets
thor of seven poetry collections, in- of Happiness” and “Improvement.”
cluding “Everything” and “Nightshade.”
Roz Chast (Sketchbook, p. 39), a long-
John Cuneo (Cover) has contributed to time New Yorker cartoonist, is the au-
the magazine since 1994. An exhibition thor, with Patricia Marx, of “You Can
of his drawings, “Paperwork,” will be on Only Yell at Me for One Thing at a
display at Manjari & Partners, in Paris, Time.”
starting September 14th.
Harkaitz Cano (Poem, p. 61) is a Basque
Leanne Shapton (Sketchpad, p. 17) is an writer of poetry, fiction, and nonfiction.
artist and a publisher. Her “Swimming His latest book of poems, “Good Wolf,
Studies” won the 2012 National Book Bad Wolf,” was translated into English
Critics’ Circle Award for autobiography. by Kristin Addis.
Adam Gopnik (A Critic at Large, p. 64), Helen Shaw (The Theatre, p. 74) became
a staff writer, is the author, most re- a theatre critic for the magazine in
cently, of “A Thousand Small Sanities.” August.
Download the New Yorker app for the latest news, commentary, criticism,
and humor, plus this week’s magazine and all issues back to 2008.
THE MAIL
SEEKING JUSTICE IN UKRAINE dovan Karadžić, and their military leader,
Ratko Mladić. The I.C.T.R., in turn, in-
Masha Gessen’s grim account of Rus- dicted ninety-three people and sentenced
sia’s war crimes in Ukraine makes plain sixty-two, including a former Prime Min-
the invaders’ brutal tactics (“The Law of ister of Rwanda, Jean Kambanda. The
War,” August 8th). More than two de- tribunal also secured the first-ever con-
cades ago, I co-wrote a human-rights re- victions for genocidal rape, as well as con-
port on Russia’s atrocities in Chechnya— victions for inciting the genocide through
an early indication of Putin’s way of war. radio broadcasts.
Gessen rightly asks whether punishments While these successes are worth ac-
for such acts can ever fit the crimes, knowledging, it is undeniably a shortcom-
whether prosecutions can deter further ing that we fail to hold to account the
atrocities, and whether victims can ever largest and most powerful countries—
gain closure or adequate compensation. such as China, Russia, and the United
The piece suggests that quick prosecu- States. As Gessen indicates, bringing
tions might bring about a more just end Russians to justice for their crimes in
to the war in Ukraine. Yet there is an- Ukraine represents a crucial test for the
other, equally profound, reason to pur- human-rights movement.
sue justice: doing so formally expresses Aryeh Neier
to the world that such horrors cannot be Co-founder
1
inflicted with impunity. Human Rights Watch
Leonard Rubenstein New York City
Professor of the Practice
Bloomberg School of Public Health SOUNDS OF SILENCE
Johns Hopkins University
Alexandria, Va. I read with great interest John Seabrook’s
article about making sounds for electric
I admire Gessen’s reporting, and I gen- vehicles, or E.V.s (“On Alert,” Au-
erally share their skepticism about the gust 8th). Although I learned much about
likelihood of bringing to justice the Rus- how these soundscapes are made, I was
sians responsible for the war crimes and disappointed that Seabrook did not men-
crimes against humanity being commit- tion the deaf and hard-of-hearing com-
ted in Ukraine. As someone who has munities. The million deaf people in the
been deeply involved for four decades in U.S. typically cannot hear internal-
the global struggle to hold perpetrators combustion-engine vehicles, or even
of such deeds accountable, I am disap- their horns—yet we manage to survive!
pointed in what we have achieved. Even Silent E.V.s put the public in the same
so, I feel that Gessen slights the accom- precarious situation that deaf people
plishments of two of the instruments that have been in since the automobile was
were intended to serve this purpose: the invented. Perhaps our perspectives, and
International Criminal Tribunal for the the skills we’ve developed to protect our
former Yugoslavia (I.C.T.Y.) and the In- lives, could usefully inform the work of
ternational Criminal Tribunal for Rwanda those thinking about the future of
(I.C.T.R.). Gessen writes that some of E.V.s—as well as heighten the aware-
the major war-crimes trials of the twen- ness of anyone encountering these cars.
tieth century “yielded only a few verdicts.” Madan Vasishta
Yet the I.C.T.Y. was relatively successful: Ellicott City, Md. Survivors:
it indicted a hundred and sixty-one in-
dividuals. Some were acquitted, some • Faces of Life
were referred elsewhere, and some—such Letters should be sent with the writer’s name, After the Holocaust
as the former Serbian leader Slobodan address, and daytime phone number via e-mail to
Milošević—died in custody. Ninety were [email protected]. Letters may be edited
for length and clarity, and may be published in
sentenced. They include the wartime ci- any medium. We regret that owing to the volume
vilian leader of the Bosnian Serbs, Ra- of correspondence we cannot reply to every letter.
SEPTEMBER 7 – 13, 2022
New York’s roller discos may have dwindled since the Koch era, but this summer a sparkly throwback
called the DiscOasis has materialized at Central Park’s Wollman Rink, complete with mirror balls and
Donna Summer anthems. Lorded over by the disco-funk veteran Nile Rodgers, who curated the music,
the roller rink welcomes both tentative date-nighters and seasoned skaters (such as Harry Gaskin, above),
with interspersed dance routines by a cast of thirteen, through Oct. 2. Neon-bright attire encouraged.
rock, jazz, R. & B., and Afrobeats. This year’s summit at Commodore
Kaitlyn Aurelia Smith: Barry Park, Sept. 10-11, marks Afropunk’s first home-town installment
“Let’s Turn It Into Sound” since 2019. The Nigerian pop singer Burna Boy and the hip-hop darlings
EXPERIMENTAL The Washington composer and the Roots, whose performance promises to encompass its storied career,
producer Kaitlyn Aurelia Smith studied sound headline. The festival offers a wellness initiative and a bevy of merchants,
engineering and composition at Berklee Col- as well as sets from the prismatic rappers Earl Sweatshirt and Pink Siifu,
lege of Music in Boston, but she didn’t discover
her love of micro-tuned electronic music until the hip-hop miniaturist Tierra Whack, the indie-rock fusionist Bartees
a neighbor back home introduced her to the Strange, and the ferocious Tennessee rapper BbyMutha.—Jenn Pelly
THE NEW YORKER, SEPTEMBER 12, 2022 5
11
DANCE THE THEATRE
peating folktales; in the forties, three “comfort
women” (Teresa Avia Lim, Sasha Diamond,
and Jillian Sun) reënact a story to distract
themselves from their sexual enslavement. In
Miguel Gutierrez Into the Woods the fifties, a little girl (Sonnie Brown) hides
The works of this beloved choreographer and Lear deBessonet directs this delectable revival from the Korean War as her imaginary friends
performance-art charmer have always been of Stephen Sondheim and James Lapine’s mu- Tiger and Bear occupy her with a myth about
strong on song. “Sueño” started as a music proj- sical from 1987, which braids several classic grief and rescue; she grows up and does the
ect, with dreamy songs in English and Spanish, fairy tales into a two-act piece that begins as same for a Korean American child (Sun, again)
high on harmony, melancholy, and longing. For farce and then takes a turn toward the tragic. whom she cannot fully understand. Stories
this free performance, Gutierrez adds dance Everyone starts out wishing for something: do not console, exactly, in Ralph B. Peña’s
inspired by early modern and expressionist Cinderella (Phillipa Soo) to go to a festival exquisitely judged production, for Ma-Yi
(and sometimes campy) choreographers such at the palace; the overgrown boy Jack (Cole Theatre Company, but their structures do
as Ted Shawn and Harald Kreutzberg.—Brian Thompson) to coax his beloved cow, Milky- serve as bridges, carrying a person from one
Seibert (The High Line; Sept. 12-14.) White (skillfully manipulated by the actor unthinkable moment to the next. The play
Kennedy Kanagawa), to produce some milk works the same way, moving us swiftly across
for his family; Little Red Riding Hood (Julia images that catch at us, and lodge, and recur,
John Jasperse Projects Lester) to buy a loaf of bread to take to her even after the play is over.—Helen Shaw (La
The dances of John Jasperse, always intelligent granny; the Baker (Brian d’Arcy James), who Mama’s Ellen Stewart Theatre; through Sept. 18.)
and formally intriguing, are often allusive sells her the loaf, to have a child. Too bad—he
and eccentric. In his new work “Visitation,” and his wife (Sara Bareilles) are barren, thanks
he trains his eye on séances, mesmerism, and to a curse placed on them by the Witch (the Two Jews, Talking
the occult, swinging between inward reflec- ravishing Patina Miller). In Act II come the An old Jew of Moses’ tribe shuffles onto a
tion and outward explosion. The score, by consequences of so much wish fulfillment, set that evokes “Godot”—some boulders and
Jasperse’s longtime collaborator Hahn Rowe, and Sondheim’s personal favorite theme, the a scraggly tree—soon followed by a fellow-
is infused with doses of Wagner, summoning journey from innocence to knowledge. Lester’s wanderer. Lou (Hal Linden), a cynic, and
the unsettling, multivalent associations of maximally sassified Little Red is a highlight; Bud (Bernie Kopell), patient, hopeful, and
his music.—B.S. (N.Y.U. Skirball; Sept. 9-10.) the duo of vain princes, played by Gavin Creel faithful, have been thirty years in the desert
and Joshua Henry, pull off “Agony” to preen- together. Bud trusts in Moses and believes in
ing perfection. Even when the giant starts the promised land. Lou thinks Moses doesn’t
Bijayini Satpathy / “Dohā” stomping around and the cast goes boom- have a clue, has been taking them in circles,
In Hindustani poetry, a dohā is a couplet, a squish, you still find reasons to laugh. It’s a and is, in fact, lost, “l-o-s-t in the desert,” as
single thought laid out in two lines of rhyming tonic.—Alexandra Schwartz (Reviewed in our he likes to say. So begins a joke-filled debate
verse. The renowned Odissi dancer Bijayini issue of 8/8/22.) (St. James; through Oct. 16.) on subjects theological and mundane, rang-
Satpathy has taken this form—two lines by the ing from the Ten Commandments to dietary
Urdu poet Mir Taqi Mir—and spun it into an laws and beyond. After a pause, the rocks are
evening of dance whose underlying theme is the Once Upon a (korean) Time replaced by a park bench, and the players
balance between prayer and play. The solo was An excellent cast and a video-rich design an- return as Marty and Phil, strangers but ba-
developed in the course of Satpathy’s artistic imate the playwright Daniel K. Isaac’s sensi- sically the same guys, a few thousand years
residency at the Metropolitan Museum during tively structured epic, which traces the way later. The talk turns to health, Heaven, family,
the past year; in a way, the museum’s spaces have that grief moves through a bloodline, and and, again, faith. The writer, Ed. Weinberger,
been her muse. The forty-five-minute solo is set how storytelling (the most abused term in who’s been concocting quality comedy since
to recorded music by the young Indian com- art) actually functions. In 1930, two Korean the sixties, has modelled the script with a
poser Bindhumalini Narayanaswamy.—Marina soldiers (David Lee Huynh and Jon Norman comfortable Borscht Belt rhythm. He and
Harss (Metropolitan Museum of Art; Sept. 13.) Schneider) escape the horrors of war by re- the director, Dan Wackerman, give deadpan
Kopell (“Get Smart,” “The Love Boat”) some
of the biggest laugh lines, but it’s Linden—
PODCAST DEPT. whose theatre bona fides stretch back to 1957,
on Broadway opposite Judy Holliday in “Bells
Are Ringing”—who kills. Comic timing like
1
The Icelandic musician Björk makes al- you wouldn’t believe. The b-e-s-t.—Ken Marks
(Theatre at St. Clements; through Oct. 23.)
bums that are difficult to classify. Are they
rock? Folk? Experimental pop? A dreamy
mishmash of performance, visual, and
ART
outsider art? On the new podcast “Björk:
Sonic Symbolism,” from Talkhouse and
Nina Beier
Mailchimp Presents, the woodland-fairy-
Tucked into the High Line’s summer prai-
voiced singer works through these ques- rie garden near the elevated park’s entrance
tions. Each episode explores the creation at Little West Twelfth Street is an unusual
of one album—beginning with her first, fountain—at once a slapstick comedy and a
horror show—by this Danish artist. Titled
fittingly titled “Debut”—with Björk, in “Women & Children,” it’s an ensemble of sal-
conversation with her friends the writer vaged bronze statues transformed into weeping
Oddný Eir and the musicologist Ásmun- nudes, thanks to water streaming from holes
bored into their pupils. The mix of patinas
ILLUSTRATION BY DANIEL LIÉVANO
dur Jónsson, serving as a whimsical guide and styles, ranging from the classical to the
through her musical mind. This is a rare contemporary, makes the dozen or so figures
chance to listen in as one of the most a ragtag bunch. But, despite their apparent
displacement and unlikely recombination (not
mysterious and mystical artists work- to mention their tears), the over-all mood isn’t
ing today explains herself—but never one of distress. Instead, the statues’ relaxed
so clearly as to totally unravel her own poses call to mind a group of benignly ghoulish
bathers, a witty counterpoint to the title’s allu-
mythology. Björk keeps it weird; would sion to a helpless crowd waiting to be rescued.
you have it any other way?—Rachel Syme In Beier’s wryly transhistorical vision, the act
1
white—mainstream media, immured in its glass towers, whose reporters the ecstatic horror of life on the edge.—R.B.
and editors are anything but street-smart. It takes one of the few Black (Streaming on the Criterion Channel.)
journalists on the scene (Donna Bailey) to call Jonathan out; Freeman,
EVERETT
investing the Machiavellian schemer with high-wire control and pent-up For more reviews, visit
fury, hints at worlds that Hollywood could hardly fathom.—Richard Brody newyorker.com/goings-on-about-town
1
dance floor. erous gristle on a bone followed by a
When I consulted a server on what to spoonful of marrow-thickened soup,
try the other night, he didn’t pause before bobbing with cubes of cleansing daikon.
TABLES FOR TWO referring me to the skewers, the most If the best things on the menu are
memorable of which were porcine. It is organic celebrations of mostly Filipino
Gugu Room customary to give short shrift to offal, but inspiration, the less successful dishes
143 Orchard St. forsake the tenga, or pig ears, at your own taste like concessions to the fusion nar-
risk. At Gugu, slices are marinated in rative. The chicken inasal, marinated
The Filipino-Japanese izakaya Gugu banana ketchup and grilled on binchotan and grilled, is pallid and without con-
Room, on the Lower East Side, has a charcoal, lending their gelatinous exterior viction, and the agedashi tofu, with its
few origin stories. The most romantic a crispiness that matches the wink of tired, gummy exterior, tasted like an
has to do with José Rizal, a national hero cartilage crunch on the inside. On the afterthought.
of the Philippines, who had a brief love other end of the texture spectrum is the There are no sweets on the Gugu
PHOTOGRAPH BY KENYON ANDERSON FOR THE NEW YORKER; ILLUSTRATION BY JOOST SWARTE
affair with a Japanese samurai’s daughter, isaw, or intestines: wrinkly whorls that menu, but there is an impressive and
in 1888, during a six-week pit stop in give off a wild musk inextricable from the varied cocktail list that seems designed
Japan on his way to the U.S. (No one organ’s primal umami. I could have eaten to prepare you for the after-hours dance
knows if the two lovebirds discussed half a dozen skewers if I hadn’t wanted floor. On a recent evening, while sipping
fusing their cultural cuisines, though.) to leave room for the longanisa, a descen- a Wasabi Mar-Gari-Ta (tequila, cala-
The most glamorous involves the actor dant of Spanish chorizo; the fragrance mansi honey, lime, wasabi), I watched
Adrien Brody, a friend of one of the and the flavor of the meat—smoky and a group of twentysomethings haltingly
restaurant’s owners, who, I’m told, pro- sweet, with notes of smoked paprika and find their groove (presumably after
posed the Japanese-Filipino mashup garlic—were broadened by the heat of drinking a respectable number of wasabi
at a Manny Pacquiao boxing match, as an open flame. margaritas themselves) under the disco
a way to make Filipino food more ac- The most persuasive dishes unapol- ball while I justified an order of fried
cessible to a New York audience. My ogetically layer richness upon richness. intestines as a savory dessert. Around
favorite story, though, is the plainest: Lengua gyutan, or beef tongue, soaked the room, skewers of meat were being
“We wanted to bring Filipino night life in a creamy mushroom gravy, seemed delivered at a fast pace, some rapturously
to the Lower East Side,” the restaurant’s destined to cloy but turned out to be waved into the frames of gleeful selfies.
twenty-nine-year-old Manila-born chef, smooth, balanced, and savory. Similarly, The music was revving up, and the place
Mark Manaloto, told me. “Good dinner the short-rib udon with bone mar- was slowly if indubitably thrumming
and party afterward.” row, which inspired an anticipation of to life. It was close to 11 p.m. when I
This helps explain the chaotic, merry heartburn, delighted from the first sip; left—the end of my isaw spelling the
décor—a silvery disco ball and a bust of punctuated by peppercorn, fish sauce, end of my night—but the party had only
José Rizal inside, a frenzy of red lanterns and white shoyu, the bulalo-style broth just begun. (Dishes $6-$25.)
and cherry-blossom-adorned cabins out- (traditionally, a heavy Filipino stew of —Jiayang Fan
THE NEW YORKER, SEPTEMBER 12, 2022 11
VILLASEÑOR
MELISSA
NOV 10
HUGH
JESSICA
OCT 2
KRUGMAN
PAUL
JACKMAN
OCT 23 VOSK
NOV 5–7
TYLER
DEGRASSE
PERRY
DEC 13
SCHIFF
STACY
SEP 21
TYSON
OCT 19
NEIL
KEN BURNS
SEP 14
JANN WENNER
& BRUCE
SPRINGSTEEN
SEP 13
ANGELA
HEWITT
NOV 17
JOSHUA
BELL &
LARISA
MARTINEZ
OCT 20
OCT 27
CELEBRATION
YURIKO:
BRANFORD
MARSALIS
JAN 26
SEP 19
RUBENSTEIN
DAVID
FIENNES
RALPH
DEC 5
TOM
STOPPARD
SEP 18
WENDELL
PUEBLO
PIERCE
YUNG
OCT 3
OCT 7
1
project called “YavashYavash,” which is hosseini: “ ,” he said. “ .” what the fuck this is, but I like it!’” De-
Persian for “Slowly Slowly.” —Adam Iscoe galle said.
“The deeper meaning is ‘Be respect- When Beck was six or seven, he said,
ful. Think before you do something,’” JAZZ DEPT. he “mostly listened to rock and R. &
he said. “To be enemies is the wrong DISPUTABLE B., but then the YouTube algorithm
way to do something.” would start pushing me down a jazz
He had arrived at J.F.K. after three rabbit hole, or some random video-game
hundred and fifty-three days of wheel- theme or J Dilla beat, and I just learned
pushing through Europe: “I f ly with to play all of it. If I have one big influ-
American Airlines!” He spent a few days ence on my playing, it would have to
trekking across Queens and Brooklyn, be the YouTube algorithm.”
and through midtown. “Now that I’m
here, the most important part is the re- J azzdebates
fans are notorious for navel-gazey
about what constitutes “real
Degalle moved to the U.S. to attend
the Berklee College of Music (inter-
action of the people,” he said. “The re- jazz.” DOMi & JD BECK, indisputably mittently—her senior recital was called
action of the normal people is so fantastic.” the buzziest new duo playing disputable “DOMi Finally Graduates”). “In school,
After resting in Harlem, he set off jazz, preëmpt the debates by being both they love to analyze: ‘This sounds good
for the Guggenheim, before heading more and less real than the competition. because it has this structure or that
south to Washington. “When I’m roll- They use their real first names, abbrevi- tempo,’” she said. “Me and JD, we don’t
ing, you’ll see that it looks very stupid. ations and caps-lock glitches aside. fucking think about any of that. We just
There definitely exists a more easier way Domitille Degalle, twenty-two, is from sit around and play and play, and we
to travel,” Sadatolhosseini said. “Get France; JD Beck, nineteen, is from Dal- end up with, like, a verse in 7/4, a hook
ready for a rumble!” las. In an age of studio ghostwriters and with a bunch of vocal harmonies, and
Rocinante tumbled down the side- digital sleight of hand, they are a true a drum-and-bass outro.”
walk, and a few neighbors watched from duo, and a virtuosic one: she plays keys, “Shit either works or it doesn’t,” Beck
their stoops. Women in a passing car he plays drums, and their four hands and said.
hollered, “Can we try it?” Then a deliv- four feet cover a lot of ground. The bios Recently, they booked two nights at
eryman on an electric bicycle pulled over on their Web site are a jumble of bold the Blue Note, on West Third Street.
to gab. “I’m from Zagreb, Croatia! I trav- truths (“domi is a . . . prodigy from On the second night, they were still
elled from Croatia on a bicycle,” the guy France”) and blatant lies (“jd beck is a 6 worried that their shit wouldn’t work.
said. “I was on a trash boat. You know “That one was really hard,” Beck said,
trash boat? It’s very cheap.” after finishing a blazingly fast tune in
Down the block, a middle-aged man a variety of inaccessible time signatures.
in a wheelchair shouted, “Watch out for “And this next one is way harder.”
monkeypox! It’s in the Bible, man. These Degalle said, “It’s called ‘Pussy with
are probably the final days.” Sadatolhos- Balls.’”
seini smiled politely, and rolled Roci- “That’s not what it’s called,” Beck said.
nante onward. It was actually called “NOT
Later, two violinists, Aniela and Re- TiGHT”—the title track from their
becca, stopped to chat about violins and album, which came out in July. “We had
small German towns. a version three years ago that was sort
“Give me your left hand,” Sadatol- of done, and we almost put it out,” Beck
hosseini said to Aniela, and proffered a said. Their mentor and label head, the
bracelet he’d made. musician Anderson .Paak, dissuaded
“Amazing! Wow, I love it,” she said. them with a Solomon-like stunt. “He
“Yavash, yavash!” A crowd had gathered. JD Beck and Domitille Degalle invited us to his family’s Easter party,
THE NEW YORKER, SEPTEMBER 12, 2022 15
and started playing a track from the a fedora. Hopkins wore textured black Now, in the world of N.F.T.s, I never
album,” Degalle said. When they balked, loafers and had a fuzz of white hair. have to blame my parents for throwing
.Paak said, “If you’re embarrassed to play “Now, monster!” Romany called. Hop- my shit out. If you own an N.F.T. of An-
it in public, you’re not ready to release kins made his eyes wide. “Now, strength thony Hopkins, he’s immortalized on
it.” They kept working, often out of and happiness!” Hopkins flexed his bi- the blockchain. It’s not going anywhere.”
.Paak’s home studio in Los Angeles. “I’d ceps. “Now, savior!” Hopkins extended “It’s almost like ‘Westworld,’ isn’t it?”
get back, late night, with my guests, and an arm and unfurled his fingers, the big Hopkins chimed in, settling into an
they’d be, like, the after-hours enter- bad wolf in Bottega Veneta. Aeron chair across from Broome. He
tainment,” .Paak said recently. “I had “Oh, my God, that is so scary,” Stella held a mug of hot water.
Puff in there rocking with them,” he Arroyave, Hopkins’s wife, said. She wore “Tape disappears,” Broome said. “It
later added. That would be Puff Daddy, brown clogs and had her hair in a pony- gets digitized, but it does go away. This
a.k.a. P. Diddy, a.k.a. Love. “Janelle tail. “Evil, evil savior!” Nearby, crew mem- is a very unique way of taking a legend
Monáe rocked with them. Bruno would bers mingled between a squat black couch and bringing him to life.”
sit in and make ’em do Michael Jack- and a table of picked-over taco salads. A lifelong doodler, Hopkins made a
son covers.” That’s Bruno Mars, .Paak’s Hopkins had agreed to star in a series more concerted investment in produc-
bandmate in the pop-R. & B. super- of N.F.T.s, or digital art works, “built on ing art twenty years ago. “Over the years
group Silk Sonic. “Bruno and I did have Jungian archetypes,” according to one of of doing films, I had scripts, and I used
conversations with them, like, ‘Can’t you his recent tweets, but also derived from to do drawings on the blank pages op-
guys just write a straight-ahead joint?’ his best-known Hollywood characters. posite the text,” he said. “Stella found
But eventually I realized, you wouldn’t “You obviously know the iconic Han- them before we got married. She said,
go to Basquiat and be, like, ‘This is cool, nibal Lecter,” said Dante Ferrarini, a co- ‘You’re an artist. I want you to do some
but can you just make a straight-ahead founder of Orange Comet, the com- paintings for our wedding.’” Hopkins
portrait of my friend?’” pany producing the N.F.T.s. “But we’re churned out seventy-five, including ren-
In the Blue Note’s greenroom after not going to be able to use that exact derings of the Welsh countryside in which
the set, Degalle and Beck were visited mask.” (Copyrights and intellectual he grew up. “Then she said, ‘Now you’re
by the pianist Robert Glasper, along property being among the least fungi- going to start painting.’” Hopkins pro-
with his young son. “Y’all were smash- ble things there are.) Instead, Ferrarini tested: “ ‘I’m not an artist.’ She said, ‘Of
ing,” Glasper said. He complimented and Hopkins came up with archetypes course you are.’” Now his canvasses sell
their rendition of “My Favorite Things,” associated with Hollywood movies— for as much as eighty thousand dollars.
which led to a discussion about how to the Jester, the Narcissist—that Hopkins A bit later, Hopkins found himself
play standards—when to trade fours, would embody with facial expressions in a house formerly occupied by another
when to comp, when to lay out. “This and physical movement. hobbyist painter who didn’t quit his day
may be the nerdiest conversation I’ve “Now, do a three-hundred-and-sixty- job, Henry Miller. (The house is now a
ever been a part of,” Beck said. degree turn,” Romany commanded, while library that Hopkins called “a small Cal-
Sitting nearby was Cameron Cele- Hopkins finger-wagged to “Staying ifornia treasure.”) “Miller said, ‘Paint
buski, a college student who had taken Alive.” The footage will be combined and die happy.’ I took it as a principle:
the train from Berwyn, Pennsylvania. with renderings of paintings by Hop- the more we think about it, the less likely
Degalle and Beck are gamers, and they kins—a triangular self-portrait; a mo- we are to accomplish it,” Hopkins said.
have a Discord server with nearly fif- rose visage—as well as digital art works “The point is to leave the critic behind
teen thousand members; Celebuski is by others. and just paint. I’m a prolific painter be-
a moderator. How had he discovered “We’re bringing the darkness of hu- cause I don’t know what the hell I’m
their music? “Oh, the YouTube algo- man nature, the— What are we even doing. I have no training, and that’s the
rithm,” he said. “They’re the only thing calling the collection?” Dave Broome, best freedom I have.”
1
I’ve found that literally never gets old.” Orange Comet’s other co-founder, called He went on, “It’s what I say to young
—Andrew Marantz out to the crew. He had close-cropped actors. You know, ‘We’re all gonna die
black hair and wore a black-diamond- and it’s not important.’”
L.A. POSTCARD studded dog tag. Hopkins said he didn’t own any N.F.T.s.
FUNGIBLE “Anthony Hopkins, the Eternal Col- (He has subsequently bought a few.) “It’s
lection,” Ferrarini said. all completely new to me. It’s all Aaron
A thousand units of the Eternal will Tucker,” he said, referring to the C.E.O.
be made available to online buyers in of Margam Fine Art, the Los Angeles
October. Starting price: about a thou- gallery that represents him. “They started
sand dollars. “I was a baseball-card col- this project and they got it together. I just
lector as a kid,” Broome, whose credits came in as a, you know, ‘Move here.’” He
he other day, Anthony Hopkins include producing “The Biggest Loser,” wiggled his fingers, as if to indicate an
T stood before a green screen in a Cul-
ver City film studio, contorting his face
said. He put his cards in a shoebox. He
went to college. The shoebox went to
actor for hire. “I mean, I don’t quite get
the whole gist of it,” he added, with a
and arranging his limbs according to the the garage. “Eventually, it went to the shrug. “It’s an extraordinary age we’re in.”
demands of Ramy Romany, a director in garbage can,” he said. “Gone forever. —Sheila Yasmin Marikar
16 THE NEW YORKER, SEPTEMBER 12, 2022
SKETCHPAD BY LEANNE SHAPTON
THE SWIMMING SCENE: SUNSET PARK POOL
11:00 A.M. “We’re waiting for the cops,” 12:45 P.M. Sixty-one swimmers, three 1:00 P.M. A woman with a tattoo of
a woman standing in line says. in bikinis and four in burkinis. A sign a fox on her thigh spreads a towel and
“They’re usually late.” A man, armpit- states what is allowed: Towels. Books / opens a book. Another woman does
deep in the water, is vacuuming the magazines. Not allowed: Street clothes. laps, stands, and adjusts her bikini
pool. A squirrel sniffs the edge and runs Flotation devices. Newspapers. Food. cups. A man in a prayer cap splashes
away. Two cops arrive; pool’s open. Electronics. Glass. a child in a Speedo and a head scarf.
2:00 P.M. For anyone under eighteen, 2:45 P.M. The lifeguards blow their 4:05 P.M. Twenty people in the pool.
free lunches are offered. Choices: chips whistles to clear the pool for an hour. Then forty. More families, more small
and hummus, a chicken or peanut-but- A breaststroker wearing prescription children in swim diapers. With no
ter wrap. Each bag has a bean salad, glasses gets out. The two cops sit diving board, the most popular move
yogurt, a fat-free chocolate milk, pre- in the shade and chat from behind is running hard to the edge and
sliced apples, a cookie, and baby carrots. their aviators. jumping. Splashing like cymbals.
5:00 P.M. Clouds roll in and the 6:11 P.M. Forty-nine swimmers. 6:45 P.M. Four people are reading
sky is dark mauve behind the treetops. The air is filled with one alto voice paperback books. The lifeguards begin
Eighty-nine people in the pool. shouting “Marco!” and eight bassos collapsing umbrellas and whistle
A teen-ager does a handstand. shouting “Polo!” Loungers to clear the pool. Shadows are long.
Two friends link elbows and fall sit askew, draped in towels from A child sleeping beneath a pink
backward into the water. Portugal, Puerto Rico, Malibu. towel wakes up.
THE NEW YORKER, SEPTEMBER 12, 2022 17
awaited him, with klieg lights, flashing
LIFE AND LETTERS cameras, Soviet officials, American dip-
lomats, and a press corps eager to re-
THE RETURN
cord his return. The sparring began im-
mediately: “Welcome to Russia, home
of classical ballet,” one of his hosts
Touring the Soviet Union, George Balanchine confronted his homeland’s fate. began, and Balanchine proudly re-
sponded, “No, Russia is home of Ro-
BY JENNIFER HOMANS mantic ballet, America is the home of
classical ballet,” by which he meant his
modern ballet.
It was Cold War code: culturally, the
war was being fought in part on the
battlefield of abstraction, and Balanchine
was taking a defining role. Stalin’s doc-
trine of socialist realism had long de-
fined art in the U.S.S.R., and in dance
this meant lavish narrative “drambalets,”
often with socialist themes. Balanchine
had pushed classical technique and the
human body to new physical extremes,
especially in his recent plotless dances,
“Agon” (1957) and “Episodes” (1959),
performed in simple practice clothes
on an empty stage. In the U.S.S.R., such
abstraction was still deemed a political
threat, a slippery artistic form danger-
ously free of any fixed meaning that
could be approved or censored. (Who
could say exactly what “Agon” was
about?) Balanchine flashed his Amer-
ican passport in case anyone didn’t get
the message. But his attention was not
fully there. He had seen his brother An-
drei, who was standing patiently to one
side, waiting.
“Andruska! It’s you,” he said, as they
Balanchine in Tbilisi. The more he was applauded, the more depressed he became. embraced, and his expression softened
with emotion. They had not seen each
n October 6, 1962, the members brought to light one of the great themes other for some forty years, since the
O
HARVARD THEATER COLLECTION / HOUGHTON LIBRARY / HARVARD UNIVERSITY /
of New York City Ballet boarded of his life: he had set his own path Revolution had torn their family apart.
a plane in Vienna, bound for Moscow, away from the Marxist materialism He was surprised that Andrei was so
the first stop on an eight-week tour of the Bolshevik Revolution, and qui- short, and it was true that Balanchine,
that had been arranged by the State etly built, in N.Y.C.B., a village of an- who thought of himself as small, seemed
Department. The party numbered gels and a music-filled monument to to tower over him. At fifty-seven, An-
around ninety, including the dancers, faith and unreason, to body and beauty drei was already gray, and next to his
BARBARA HORGAN AND THE GEORGE BALANCHINE TRUST
the conductor Robert Irving, two moth- and spirit. It was his own counter- dapper sibling he appeared aged and
ers (escorting underage dancers), sev- revolutionary place, an alternative vi- shy, in a rumpled suit with drooping,
eral translators, the company doctor, sion of the twentieth century. oversized pockets (stuffed with tobacco,
and the company’s co-founder and ar- The dancers had stocked up on pea- cigarette papers, and homemade filters
tistic director, George Balanchine. Bal- nut butter, candy, tuna, Spam, toilet composed of cotton and sugar). Al-
anchine had not wanted to go. Born paper, and other necessities. Balanchine though he was younger than George,
in St. Petersburg in 1904, during the had also asked that they please dress he looked like an old man.
reign of the last tsar, he had experi- well, since he wanted his company to Andrei, who lived in Tbilisi, had fol-
enced cold and starvation in revolu- present an elegant image. When they lowed the path of their father, Meliton
tionary Russia, before fleeing the coun- landed at Sheremetyevo, Balanchine Balanchivadze, a Georgian composer
try, in 1924, going first to Europe and emerged from the Jetway in a suit and who had spent his career collecting tra-
then, in 1933, to America. The U.S.S.R. bow tie, a trenchcoat draped casually ditional Georgian music and forging a
filled him with dread, and his return over his arm. A full-court reception style influenced by it. By now, Andrei
20 THE NEW YORKER, SEPTEMBER 12, 2022
was a well-known composer in Geor- the bugging apparatus for the whole audience solemnly stood for the Rus-
gia, but his life had nonetheless been building, and on each floor a uniformed sian national anthem, followed by “The
constrained by the harsh realities of So- matron sat at all times (with a cot for Star-Spangled Banner,” with Robert
viet existence—and by his brother’s sleeping), controlling keys and entry. Irving at the podium conducting an
American success. In the eyes of the Once a guest passed muster, the walk orchestra of Soviet musicians. Bal-
state, Balanchine was a traitor, and a cur- to a room could seem miles long, down anchine had chosen a program of four
tain of fear had fallen between him and dreary carpeted corridors, and the rooms ballets, all plotless: “Serenade,” “Inter-
his family. Fear, in his mind, of recrim- themselves were decorated in a worn play” (by Jerome Robbins), “Agon,” and
ination; in theirs, of association and dis- Biedermeier style with Oriental throws. “Western Symphony.” For this momen-
appearing into a Soviet night. Since leav- Everyone had been told that the ceil- tous opening night, he wore his Sun-
ing, Balanchine had received only one ings were lined with bugging devices, day best: a Mississippi riverboat gam-
letter from his brother, and it had been and the dancers made a sport of dis- bler’s pegged pants with a rodeo rider’s
delivered to him by a man he suspected covering them. silver-embroidered shirt and string tie.
of being an agent of the secret police. In They ate at the restaurant in the The response to the performance,
it, Andrei had implored George to re- lobby: pirozhki, dark bread, cucumbers, by this audience of officials, was polite
turn to the U.S.S.R., but George sensed, pickles, borscht, chicken Kiev (“gray but restrained, and Balanchine found
correctly, that his brother had written leather,” one of the dancers said), bot- himself devastated, confused, and angry
the letter under duress and ignored it. tled sweet sodas, Russian ice cream. that he was angry or that he cared at
Andrei had also sent a terse cable noti- Balanchine asked for Borjomi, a sulfu- all. Once the official contingent finally
fying him of their mother’s death. That rous mineral water he remembered from cleared out, however, a group of stu-
had been the extent of their communi- childhood; to the dancers, it reeked of dents from the upper balconies rushed
cation. It was a peculiar fact of exile and rotten eggs, but he guzzled it down. A enthusiastically to the front and ap-
the Cold War that, in order to care for pall of surveillance hung over every- plauded the dancers. A fancy reception
each other, they couldn’t know each other. thing. Their movements outside the followed, hosted by the American Am-
The only protection they had was si- hotel were tightly controlled, and buses bassador, Foy D. Kohler, at his elegant
lence—its own kind of family tie. carried them to rehearsals every morn- residence, Spaso House, formerly a mer-
The brothers went to dinner together ing, as well-wishers shouted, “No pol- chant’s palace. The gracious, imperial-
at a nearby restaurant that served Geor- itic, no politic!” A few of the dancers style rooms were crowded with danc-
gian food. Balanchine eagerly selected ignored the restrictions and walked ers and the Soviet artistic and political
favorite dishes from the menu, only to through the wide streets and crowded élite—including, it was noted, Khru-
be told each time that the item was not markets anyway. The requisite “inter- shchev’s son-in-law, whom Balanchine
available, so they finally settled on co- preters” (undercover secret police) were studiously avoided in order to mini-
riander chicken—all that was on offer their constant companions and occa- mize any political complications.
that evening. The Hotel Ukraina, where sional adversaries in chess matches, The next day, the production moved
Balanchine was staying with the com- played with ice hockey blaring on TV to the gigantic, six-thousand-seat Pal-
pany, had a similar empty grandeur. It in the background. Contact with fam- ace of Congresses, which had been sold
was monumental, a fortresslike com- ily back home was difficult. Mail ar- out for days. It was an impressive, if
plex in yellow stone with eight turrets rived erratically via diplomatic pouch, cold, new theatre, a huge stone-and-
and a central tower with a high spire usually already opened, and making an glass structure originally built to host
topped by a Soviet star. One of the international phone call could take the Twenty-second Congress of the
“Seven Sisters” commissioned by Sta- hours. If the caller was lucky enough Communist Party, in 1961. The dancers
lin to compete with American skyscrap- to get a connection, it was often only were amazed to find air-conditioning,
ers (and modelled in part on the Man- one-way—the person in Moscow could a fully stocked restaurant, and marble
hattan Municipal Building), the Hotel hear but not be heard, as operators bathrooms with plenty of toilet paper.
Ukraina was devoid of human scale, seemed to be controlling the flow of Seeing the cavernous stage, Bal-
built in a style that Lincoln Kirstein, information leaving the U.S.S.R. anchine immediately pulled the planned
the company’s co-founder, called “Stali- dancers for “Serenade,” who could barely
noid Gothic.” Completed in 1957, it al- n October 9th, after three days of be seen in the vast auditorium, and re-
ready felt old and run-down.
The enormous gray marble lobby
O rehearsals, N.Y.C.B. opened at the
Bolshoi Theatre—elegant, Old World,
placed them with taller ones. This time,
and for most of the rest of the run, the
resembled a train station, with a large plush red and gold, with crystal chan- Soviet people stood and cheered for the
restaurant emitting a pervasive Soviet deliers—to a house packed with So- company, urging on their favorite art-
smell of onions and cabbage. The thirty- viet brass, including Yekaterina Fur- ists by chanting their names (“Meetch-
seven floors and more than a thousand tseva, the Minister of Culture, a tough ell! Meetch-ell!” for Arthur Mitchell)
rooms were served by only a few very and cultivated woman neatly dressed à and, at the end, calling for Balanchine
slow elevators, manned by stolid ladies la Ninotchka, whom Balanchine grew to take a bow—“Ba-lan-chine! Ba-lan-
in suits, and the wait could be more to like. Nikita Khrushchev, the U.S.S.R.’s chine! Spa-si-bo! Spa-si-bo!”—until he
than half an hour to travel a few floors. leader, was notably missing from his appeared from the wings and bowed
The thirteenth floor was said to house private box. As the evening began, the modestly. As the Russian crew began
THE NEW YORKER, SEPTEMBER 12, 2022 21
to extinguish the lights, he gently im- night and that the radio would sud- American cities. He coolly announced
plored the audience to go home; the denly turn on. He was haunted by night- a strict quarantine of the island and the
dancers needed to rest. mares about losing his passport or being readiness of the United States to retal-
He had to admit his immense sat- thrown into prison or suffocating. “A iate on Soviet soil in the event of a nu-
isfaction that audiences especially loved little green devil is following me,” he clear strike. When the news of this ter-
“Episodes” and “Agon,” his new ab- said, and he was not joking. He was rifying standoff reached the Embassy
stract dances to largely atonal Webern losing weight fast and looked notice- in Moscow, Kirstein, Balanchine, and
and Stravinsky scores. The dancer Al- ably gaunt, and bursitis was making his a couple of others were informed of
legra Kent was even dubbed “the Amer- shoulder inflamed and painful. the situation. Kirstein and Betty Cage,
ican Ulanova,” a reference to the be- His temper flared. One night, after who helped run the company, quickly
loved Soviet dancer Galina Ulanova. a bravura technical performance by Ed- came up with a disaster strategy. Plan
Critics were more ideologically con- ward Villella in “Donizetti Variations,” A was to charter a plane; if the word
strained and complained that these the cheering audience called Villella came from the Embassy, the dancers
dances were cold and lacked the warmth back for bow after bow, until he finally could board waiting buses to the air-
of theatrical dress and a human story. performed an impromptu encore. Bal- port and take off immediately. If they
Balanchine patiently endured interview anchine was beside himself with rage couldn’t get to the airport, they’d resort
after interview, tirelessly explaining his and stood in the wings fuming. Such to Plan B: get everyone inside the Em-
approach to beauty and the human fig- a deviation from the score was every- bassy. Plan C was to then arrange a
ure. His un-Sovietized Russian flowed, thing he had fought against, and he “prisoner swap” with the Bolshoi danc-
and, at times, even the facial tic that was as angry as the company had ever ers, who were on a cultural-exchange
had been with him since childhood—a seen him. As he later put it, “This is tour in New York. When Kirstein shared
kind of nervous sniff ing and nose not circus.” The dancers were on edge, these wildly unrealistic scenarios with
twitching—melted away as he metic- too: one got so drunk at a reception the Ambassador’s staff, the response
ulously answered in his native tongue that he started smashing glasses and was swift: “The first thing we will know
those who called his work mechanical, bad-mouthing “America of purple at the Embassy is that the phone will
grotesque, or “repulsive.” But when a mountains majesties,” until he was es- be cut off.”
prominent critic told him that his bal- corted out and put on a plane back to For the moment, he was told, there
lets had no soul he sharply retorted that the United States. Allegra Kent recalled were no plans for evacuation, and the
since Soviets didn’t believe in God they “horsing around in crazy ways,” and Ambassador would attend rehearsals
couldn’t know about the soul. And, other dancers remembered her per- to allay any panic. As a comfort, the
when a delegation from the Ministry forming an “improvised beatnik twist” Embassy kitchen was made available
of Culture asked him, please, to cancel for a gathering crowd of astonished to the dancers, who occupied them-
“Episodes” because “the people” couldn’t Russians. There were whispers of danc- selves eating hamburgers and steaks,
understand it, he responded, in a rare ers having affairs with their K.G.B. and in a touching sign of solidarity the
show of temper, with a Russian equiv- handlers and falling in love with So- staff at the Ukraina placed vats of flow-
alent of “Fuck you” and walked out. viet musicians. The dancer Shaun ers on the tables for the company. While
It all wore on him—the daily petty O’Brien was arrested for taking pic- N.Y.C.B. continued to perform at the
humiliation of waiting in the freezing Palace of Congresses, Khrushchev and
cold while some guard, who by then other officials went to see an Ameri-
knew exactly who Balanchine was, dou- can singer at the Bolshoi Theatre—a
ble- and triple-checked his papers be- way of signalling calm while still snub-
fore allowing him into the Kremlin or bing Balanchine. (Kirstein nervously
the theatre. One day, he forgot his of- scuttled back and forth.)
ficial pass, and the guard turned him On October 27th, “Black Saturday,”
away, leaving a gaggle of frustrated an American U-2 reconnaissance air-
journalists shouting from the other side craft was shot down over Cuba and the
of the barrier, a scene that delighted pilot killed. Information was not widely
him by exposing the comedy of Soviet tures of pigeon tracks in the snow and available, and secret negotiations were
officialdom. Everything seemed grim held in custody for hours, where he was under way, but the surprise downing of
and gray, he said—the food, the dress, questioned at length about Little Rock, the plane (by a local commander) fur-
the way people warily checked their Marilyn Monroe—and Cuba. ther frayed nerves in Washington, Mos-
every movement, even while walking cow, and Havana. By then, the United
down the street. His stomach clenched uba. On October 22nd, in the mid- States was already at DEFCON 2, one
when an old friend invited him to his
home, two cramped and dingy rooms,
C dle of the company’s Moscow run,
President Kennedy went on national
level below war; U.S. long-range mis-
siles and bombers were on alert; and
and proudly showed him that he had TV to inform the American people planes carrying atomic bombs were tak-
his own bathroom. Balanchine com- that the U.S.S.R. had installed offen- ing off around the clock, prepared to
plained that the phone in his hotel room sive nuclear missiles in Fidel Castro’s move on targets in the U.S.S.R. In Cuba,
rang mysteriously in the middle of the Cuba that were capable of reaching surface-to-surface missiles and nuclear
22 THE NEW YORKER, SEPTEMBER 12, 2022
warheads were ready in the event of
war, accidental or otherwise.
In Moscow that afternoon, in a sep-
arate incident, Soviet troops moved into
place around the American Embassy
to protect protesters who were throw-
ing ink and eggs in a large demonstra-
tion against the imperial capitalist
United States. (The protest was staged,
it later transpired, by Soviet authori-
ties, who bused in confused students
and workers for the event and supplied
them with posters and things to throw.)
The American Embassy told the danc-
ers to stay away and informed Kirstein
that, if war broke out, it would be pow-
erless to help them, and they would all
have to use their wits to survive. Offi-
cials warned that the audience that night
might rush the stage and advised the “I can’t believe I’d been carrying them in my mouth.”
company to be prepared to immedi-
ately bring down the heavy safety cur-
tain in the event of a riot.
• •
That evening, the dancers, aware
of some vague but imminent danger, and spoke quietly into the hushed au- his heart sank when he saw that the
nervously gathered at the theatre. Bal- ditorium. He thanked them all and once beautiful house of worship across
anchine was strangely calm and com- then asked them to please go home; the street was now a factory. Worse, the
mented dryly that he hadn’t yet seen the dancers were tired and would be mighty Kazan Cathedral, which they
Siberia. He never believed there would back tomorrow. had passed on the way, had been con-
be a war, he later explained, because nei- When tomorrow came, Armaged- verted into an anti-God museum. Still,
ther Khrushchev nor Kennedy wanted don had been averted. Kennedy and he raced to the Imperial Theatre School,
one, but there was more to his detach- Khrushchev had reached an agreement, on Rossi Street—but to his companions’
ment than that. Russia had held a gun and late that afternoon the news was surprise he stopped short at the entrance.
to his head once before, with the Rev- broadcast in Russia and around the His mind locked, and he couldn’t go in-
olution, and this time he had been train- world. As it happened, that night was side. How would he manage the mem-
ing himself for years to expect death N.Y.C.B.’s last performance in Mos- ories that were so tightly packed inside
and to live only in the present moment. cow, and after the cheering and chant- this old building? He found a small
That “now” for him was one of the ing at the end of the show Balanchine church that was still open and lit a can-
greatest skills in ballet. (He liked to say took the stage again. This time, he gra- dle there instead.
to his dancers, “What are you saving it ciously invited the audience to follow The people he had known were still
for? You might be dead tomorrow!”) the company to its next destination, alive; he just didn’t recognize them—
As the curtain rose on Bizet’s “Sym- which would be Petrograd, he said, deli- didn’t want to recognize them, perhaps.
phony in C,” the dancers stood for a berately using a name for St. Peters- His once beautiful young teacher Eli-
moment in disciplined anticipation, burg that predated the Revolution. De- zaveta Gerdt, for example, was now
staring into the blackened house of the spising Lenin, Balanchine refused to an old woman, he sadly noted. He had
theatre. Irving was poised at the po- use the name Leningrad for his beloved wanted to see the choreographer Kasyan
dium, baton raised for the downbeat, native city. Goleizovsky, an idol of his youth, but
and at that moment the audience sud- when he saw Goleizovsky’s “Scriabin-
denly grew larger than itself and rose he moment they arrived and iana” performed by the Bolshoi he was
in spontaneous applause. With the first
note, an adrenaline rush brought on by
T checked into the Hotel Astoria,
Balanchine grabbed a couple of com-
so embarrassed that he cancelled the
visit. He didn’t want to meet a feeble
pent-up fear and relief flowed through pany friends, saying, “Let’s go to my old and wrinkled old man and preferred his
the dancers’ bodies, and they danced house”—by which he meant his aunt’s memories of this crucial iconoclast. In
with the energy of life-giving release. old rooms on Bolshaya Moskovskaya, Leningrad, he met a few members of
At the end of the piece, Bizet and Bal- across from the old Vladimir Cathedral, his first dance company, Young Ballet,
anchine’s exuberant and decisive close which he had often visited while a stu- but now they just seemed to him “old
elicited rhythmic chanting from the dent at the Imperial Theatre School. and brown and bent like mushrooms.
audience, until finally Balanchine, look- The apartment building was still there, How can you feel affectionate and sen-
ing small and thin, stood center stage and he could see his aunt’s window, but timental about a mushroom?” He did
THE NEW YORKER, SEPTEMBER 12, 2022 23
want to see Fyodor Lopukhov, whose scene in Sergei Eisenstein’s “Ivan the and drank noisily during the perfor-
“Dance Symphony” had been such a Terrible.” “Do you remember that mance and didn’t care a whit for what
formative influence, but the old chore- scene?” he said to a journalist. “Ivan is they were seeing—something that was
ographer declined a visit. Balanchine’s on his throne. The nobles bow down manifestly untrue. One night, he stood
obsession with aging was irrational, of before him; they heap gold upon him. immobilized in the wings as the crowds
course, and he was older, too, but he And he sits there, implacable—he is chanted, and when one of the dancers
couldn’t stand that his colleagues, who absolutely implacable.” urged him to go onstage he refused to
had been so lovely and vibrant, had Balanchine was also tense, moody, move, saying, “What if I were dead?”
grown old and “dumpy,” as if the ruin competitive, and despondent. When he Betty Cage thought that Balanchine
of their bodies was part of the ruin of taught class at the theatre, he seemed was on the verge of collapse and had
Russia itself. distracted, and the dancers watched qui- already arranged for him to skip Kyiv,
The more he was fêted, applauded, etly as he peered out the window in a the company’s next stop, and return to
and celebrated, the more depressed, daze, vacantly recalling how he had New York for a week before rejoining
self-controlled, and in charge he be- watched the tsar’s uniformed parades the company for its final performances,
came. When he learned that students out of these very windows as a child. in Tbilisi and Baku. He needed a break.
and artists couldn’t get tickets for the Ironically, the company happened to be For him, Kirstein said, being in Russia
company’s performances, he arranged there for the anniversary of the Bolshe- was “a kind of crucifixion.”
a free performance of his most radical vik Revolution, which brought out the
works at the Palace of Culture: “Apollo,” Soviet fleet, flags, tanks, banners, huge alanchine flew to Helsinki on No-
“Agon,” and “Episodes.” He met with
Soviet choreographers to discuss the
photographs of Lenin, parades, loud
slogans, and carousing crowds. What
B vember 8th, spent the night, and
left the next morning for New York.
principles of his art, and when the Balanchine remembered of the Revo- Eugenie Ouroussow, a White Russian
youngest among them asked for more lution were piles of bodies in the street, princess who ran Balanchine’s school,
he met them again informally at the and people eating dead horses and rats. met him at Idlewild, and reported in
theatre. When Konstantin Sergeyev, At the theatre, the celebrations were a letter to her son the two “main points”
the artistic director of the Kirov Bal- marked by the cancellation of “Epi- he had made on the car ride home: that
let (and an apparatchik), obsequiously sodes” because the musicians were too the company had produced an artistic
presented him with a silver samovar drunk. It was hard for Balanchine not revolution in Russia, and that Russia
and flowers onstage, noting that Len- to see everything through the lens of had “crushed” Balanchine. That week,
ingrad was Balanchine’s home town, 1917, or else through the rose-tinted glass he and his wife, Tanaquil Le Clercq,
Balanchine pointedly accepted on be- of the tsar’s empire, and he angrily com- entertained guests constantly, as if
half of New York and America. It all plained that the theatre was full of cooking and hospitality could repair
reminded Kirstein of the coronation dowdy working-class people who ate his battered mind. Barely a week later,
he departed again for the U.S.S.R.,
bags stuffed with extra pointe shoes
for the dancers.
He rejoined the company in Kyiv
just in time to board the plane for Tbilisi,
where, again, Andrei was waiting, this
time with family in tow. It was a look-
ing-glass moment, the life he might
have had. Suddenly, he was little Georgi,
and he met the relatives he did not know:
Andrei’s glamorous wife, their darkly
handsome sons (one named after Bal-
anchine), and their daughter, a dancer.
There was also Apollon Balanchivadze,
George’s half-brother from his father’s
first marriage, whom he had known
briefly as a child. Talking freely was dif-
ficult. They were shadowed, and at
Andrei’s apartment George nervously
pointed to the ceiling, indicating that
everything was bugged and they couldn’t
speak. Still, in snatches and pieces, he
learned the story of his family’s sad fate.
Worst of all: his sister, Tamara. His
voice later turned ashen when he spoke
“I would kiss you, but there can only be one hot person in a relationship.” of her, in the only recording we have of
his account of her tragic end. George Tbilisi. Meliton was away much of the at 7 A.M., and Molostwoff later recalled
had last seen her as a child, and, in the time, and she ended up living modestly that their car was full of “wild Geor-
years after he left Russia, Tamara had on a small street in an old church con- gians,” who flocked around Balanchine,
grown tall and angular, with intense, verted by the Bolsheviks into apart- taking pictures, talking, touching, cele-
skeptical eyes and none of her mother’s ments. The frescoes were still on the brating their lucky encounter with this
fragile beauty. She had become a set de- walls, and some of the nuns who had famous artist. When they finally arrived
signer and, after marrying a German once made fresh Communion bread in in Kutaisi, exhausted, Balanchine in-
who deserted her to return to Germany, the front rooms resided there, too. Often sisted that he and his brothers go alone
ended up working in theatre in Mos- alone, she wore a brooch with pictures to Meliton’s grave, at the Green Flower
cow and Leningrad. The last the fam- of Tamara, George, and Andrei, and Monastery (Mtsvane Kvavila). Their
ily heard from her was in 1941, just days would sit anxiously by the radio listen- escorts waited at the tall iron gates to
before the German siege of Leningrad ing for word of her Georgi—would they the cemetery.
began. She may have been killed during ever let him come home? She watched The story of Meliton’s death, it turned
the siege, or she may have died of ill- the mail closely and couldn’t understand out, was not simple. Andrei told George
ness or starvation or perhaps on a train why he wrote to say how much he hoped that Meliton had died, in November,
in the war zone trying to get back to to receive letters from her but didn’t 1937, of a gangrenous leg he’d refused to
Georgia. No one quite knows. She sim- send a return address. In a letter to An- have amputated, and recalled finding
ply disappeared. drei, she worried that they had lost the their father lying in bed at home say-
Andrei was a survivor. Like his “thread of connection to Georgi. Where ing that death was a beautiful girl who
father, Meliton, he was outgoing and is he?!” She faded away as quietly as she was coming to take him in her arms,
prone to excessive toasts and speeches, had lived, and Andrei arranged a small and that he was looking forward to it.
and he had a wonderful singing voice. plot in a large and prestigious cemetery But it was later whispered among grave
He won Soviet medals and honors for in Tbilisi, as befitting his stature as a keepers that Meliton had been taken
his Georgian-style music, and occasion- famous Georgian composer. away in the night and shot before being
ally enjoyed arraying them on his jacket ceremoniously buried—not here, but in
like a general’s insignia. At the right alanchine wanted to visit his fa- the “Pantheon” of famous Georgians
moment, he would strip them off, grin-
ning, make some loud anti-Soviet dec-
B ther’s grave. Not his mother’s—she
had always been a kind of spirit figure
under a large pine tree at the foot of
the Bagrati Cathedral, a magnificent
laration, and then restore them all again. in his mind, and he didn’t need her bones. church turned into a museum by the
He played at the margins, calculating He had her snowy ethereality instead. Bolsheviks. It wasn’t true that he was
in part that the cost to the authorities It was his father whose photo had sat shot: Meliton most likely died of gan-
of arresting the brother of the famous propped on his bedside table for years, grene, as Andrei had said, but the ru-
George Balanchine would be too high. and yet Meliton had often been absent mors were a sign of the violence engulf-
But in fact he also did everything he as a father, and he had doted not on ing Georgian life at the time, and they
was supposed to do: led the composers’ George but on Andrei, as his musical cast an additional pall over Meliton’s
union, taught at the academy in Tbilisi, son and successor. The image of his fa- passing. It was the height of the Great
composed music in the correct style, ther, next to his icons, perhaps wasn’t Terror, led in Georgia by Lavrentiy Beria,
and won the requisite awards. So they really there for comfort; rather, it was one of Stalin’s cruellest henchmen and,
let him play the jester—within limits. there so that George could show him. like Stalin, a Georgian. In the year be-
His career was celebrated, but he was See me. Watch me. I am a musician, fore Meliton’s death, Beria had begun
rarely permitted to travel to the West. too. And now George wanted to see his purging the local Party and intelligent-
He must not defect, and he never tried. father’s grave. Not because he loved sia, a process which accelerated in the
Apollon was older and less fortu- him—seeing is not the same as lov- next two years. Thousands were killed
nate. Arrested and indicted in 1924 for ing—but because his father was music, or sent to the Gulag, including family
fighting in a special gendarmes unit of which was what he had become, whereas and friends of Meliton and Andrei. In
the White Army, he had spent years in his mother was the soft inner sanctum 1936, at a dinner before a performance
prison, in isolation, and although he that was destroyed, or left behind, that of Andrei’s ballet “Heart of the Moun-
was eventually released, he was arrested he could get to only through women tains,” Beria allegedly poisoned the Party
again in 1942 and this time sent for ten and dance. Besides, his father was his stalwart Nestor Lakoba (who had fallen
years of hard labor in Kazakhstan. Upon roots, his soil, and he wanted to see and from Stalin’s favor) and then escorted
his release, he became a quietly prac- smell the Georgian heritage he had him to the elegant Moorish-style opera
ticing priest, and kindly organized a claimed for so long as his own. Meli- house, where the Tbilisi élite witnessed
vespers service at a local church spe- ton was buried in Kutaisi, near the Bal- the spectacle of his agonized convul-
cially for George. anchivadze family enclave of Banoja, sions as the ballet continued; he died
George knew that his mother, Maria, some few hours west of Tbilisi, and the following morning.
had died three years earlier, but he knew George went there with Andrei, Apol- Friends of Meliton whom Georgi
little of her sad life. He had last seen lon, and his colleague Natasha Mo- and Andrei had met in their home as
her when he was eighteen, in 1922, when lostwoff, accompanied by the inevita- children had been victims, too. Mamia
she left Petrograd to join Meliton in ble K.G.B. posse. They departed by train Orakhelashvili, who had become highly
THE NEW YORKER, SEPTEMBER 12, 2022 25
placed in the Party, was arrested on las, and the astonishing Church of the figure—or movie star. The police had
June 26, 1937, and tortured and shot in Nativity of the Virgin. This was what been summoned, in anticipation of a
front of his wife, Maria. By one account, Balanchine came from and believed crush of people pushing their way in,
she was forced to watch as her hus- in—these were his saints—and although but the crowds were orderly and civil as,
band’s eyes were gouged out and his formal worship was not permitted and night after night, they pressed into the
eardrums perforated before his execu- the monks had long since dispersed, he packed house. On the last night, after
tion. She and her daughter were then and his entourage were allowed inside the final curtain fell, Balanchine stepped
arrested and sent to the Gulag, and her the Church of the Nativity. There they onto the apron of the stage to thank
daughter’s husband, the famous con- found themselves under a massive arch them all. Before the dancers boarded the
ductor Evgeni Mikeladze, was blind- that seemed to reach as high as Heaven, train to Baku, they piled their extra tights,
folded, tortured, and eventually exe- with light flooding in through the small leotards, leg warmers, and pointe shoes
cuted. There were show trials broadcast windows onto the faded but still color- into a bin and left them for the local
by radio, and Beria’s agents had quotas ful ancient frescoes. An intricate mo- dancers, who had none.
and routinely slaughtered hundreds of saic of the Virgin and Child with the “Baku or bust”: for the company,
“enemies” in a single night. No one was archangels Michael and Gabriel ap- Baku was a countdown. They marched
safe. Closer to home, Meliton’s nephew peared high in the apse, and a photo through four days of performances, and
Irakli Balanchivadze was arrested later shows George in his trenchcoat stand- on the final night a group of them stayed
that year for “Trotskyism” and shot. ing stoically before them. up until dawn dancing and playing strip
But not Meliton, who was probably By the time they left Kutaisi, on poker with no heat and the hot-water
too old and too studiously apolitical to the night train back to Tbilisi, it was faucets running full blast until the walls
matter. Official reports did not men- pouring rain, but Balanchine had seen sweated. On December 2nd, the com-
tion his gangrene and merely noted that what he had come for: his father’s Geor- pany packed into buses to the airport,
his dead body lay in state in the main gia was now his own. It felt to him pri- then departed on a rickety plane for
hall of the music school he had founded mal, a Biblical land, and he even en- Moscow. It was snowing hard as they
in Kutaisi, and that a small service was thused to some of the dancers that after changed for a flight to Copenhagen,
performed by a local folk choir before Noah’s flood there had been a flight destination New York, and by this time
he was interred under the pine tree at to the Caucasus. Ancient Greece, he the dancers were all chanting in uni-
Bagrati. Then, in 1957, in a macabre fi- said, was settled by Georgian tribes, son: “Go, go, go, go!” As the jet lifted
nale, Meliton’s bones were dug up and and these were his tribes, his people. off the icy tarmac at Sheremetyevo, the
reinterred in a new, official Pantheon at Being Georgian was another way, too, exhausted company broke into cheers,
the Green Flower Monastery, where he of setting himself against Russia. No relieved to, as one of the dancers later
now lay near a small church used by the wonder some of the dancers were sure put it, “get the hell out of the U.S.S.R.”
Bolsheviks, it was said, to store cement. that he had been born there. He had No one was more relieved than the gaunt
His grave, unlike the others around it, told them so. At moments, he may even Balanchine. “That’s not Russia,” he said.
was left unmarked except for a large have believed it. “That’s a completely different country,
rock and a miniature carving of piano None of this seemed to deepen his which happens to speak Russian.”
keys. The K.G.B. didn’t give George or relations with Andrei, who enthusias- Soon after landing at Idlewild, Bal-
Andrei much time with their father, but tically proposed that they make a bal- anchine made a trip to Washington,
before they left the brothers poured let together, as they had put on shows D.C., for a debriefing at the State De-
some wine and spilled the first glass as children. After dinner one evening partment. By all accounts, the tour had
over the grave in the Georgian way. at his home, Andrei hopefully played been a personal and political victory,
recordings of his music for George and but Balanchine was unmoved. To him,
hey also visited the medieval Ge- even sat at the piano and regaled his the company’s success meant nothing.
T lati Monastery, high on a moun-
tain above Kutaisi. Founded in 1106, it
brother with his prize-winning com-
positions. Balanchine sat bent, with his
Instead, this was the moment when a
mirror broke in his mind. He could no
had been closed by the Communists in head buried in his hands, and said noth- longer hold a nostalgic ref lection of
1923 but preserved as a historical mon- ing. Finally, in frustration and despair, himself and an imagined tsarist past.
ument, because kings were buried there. Andrei stopped and waited in painful That image, which had sustained him
Among them was the king who ordered silence, before awkwardly changing the even as he also stood against it, no lon-
the monastery’s construction, David IV, subject. Natasha Molostwoff, who was ger existed, and for all his proclama-
revered by Georgians as “the builder,” there, was appalled: couldn’t Balanchine tions of Americanness he was left feel-
the architect of their country’s medie- just say something nice, anything at all? ing even more homeless and unmoored
val Golden Age. David envisioned Ge- He couldn’t. than he had felt before he set out. Rus-
lati as a “second Jerusalem,” and it be- The N.Y.C.B. performances were sia really had disappeared. There was
came a center of Christian culture and sold out, and on opening night the streets no more place to be exiled from. Exile
especially of Neoplatonism. Its misty around the opera house were thick with was no longer a state of being; it was a
grounds, practically in the clouds on a crowds. A sea of people parted for Bal- flight—a flight into the pure glass-and-
wooded hillside, include the Church of anchine as he made his way into the mirrored realm of the imagination, its
St. George, the Church of St. Nicho- theatre, as if he were some kind of Christ own kind of home.
26 THE NEW YORKER, SEPTEMBER 12, 2022
No. 6: Albert Einstein hair. Like,
SHOUTS & MURMURS exactly.
No. 5: Here’s what happened: I en-
tered the testing area looking pretty
bad—coughing, not breathing well,
weak. I said, “Look, I’m pretty sure I
have Covid.” (Full disclosure: I have
not been vaccinated, because I believe
every single reason that one should not
get vaccinated. You may ask, “Why
would someone who doesn’t believe in
vaccination get tested so much?” And,
well, hey, I’m bored and it’s a lonely
life.) Where was I? I said, “I’m pretty
sure I have Covid,” and then added,
advantage because I’ve never been to Be- And not just protective goggles! Glasses ered in calcite crystals.”
lize, nor had I ever thought about going underneath the goggles. I never thought “Yeah, I know all that,” I said.
to Belize, so I couldn’t add anything ex- I’d see the day. No. 1: Some woman who also watches
cept to ask whether they have any good No. 7: British accent. “Better Call Saul.”
THE NEW YORKER, SEPTEMBER 12, 2022 27
ern Atlantic—and this is bad news: they
ANNALS OF NATURE are destructive to native species, devour-
ing other sea creatures and upending
FISH KEBABS
the equilibrium of reef life. Although
there is an obvious conservation bene-
fit to eliminating lionfish, Bowman does
Is massacring an invasive species a virtuous sport? not think of herself primarily as an en-
vironmentalist. She sees her targets as
BY D. T. MAX invaders, and considers it her job to repel
them. “What you’re hunting isn’t prey—
it’s the enemy,” she told me, adding, “Isn’t
it nice to be on the side of the good
guys?” She also appreciates the fact that
there are no regulations about lionfish
killing. “No bag limits, sex limits, sea-
sons, boat limits, gear limits,” she said.
“Lionfish is the only species that is one-
hundred-per-cent wide open.” Hunt-
ing them is a throwback to an era when
you could go into the water and come
out of it with whatever you wanted—
to an era, paradoxically, before conser-
vation measures were needed.
Lionfish divers are a close-knit com-
munity, staying in one another’s houses,
trading diving stories, and amiably com-
peting for who can kill the most fish.
Their goal is a balanced, usable ecosys-
tem: killing a lionfish saves a yellowtail
snapper that, in turn, can be caught for
dinner. Hunting lionfish is satisfying
but labor-intensive. They won’t chase a
hook, and a dragnet is impractical, be-
cause it would snag on the reefs where
they live. Lionfish must be killed one
by one, with a pole spear: a metal rod,
with jagged prongs at the end, that you
launch through the water by deploying
a rubber sling. There are many varia-
“What you’re hunting isn’t prey,” a lionfish diver told me. “It’s the enemy.” tions on these poles—three-foot, seven-
foot, three-pronged, five-pronged—and
achel Bowman is a diver who spe- terns on their fins and faces. They look they have such names as the Lionfish
R cializes in the hunting, catching, and
killing of lionfish, a species native to Indo-
at once sleek and tacky. Bowman, who is
forty-three, recalls that, in 2012, “when
Buster and the Lionator.
In the past two decades, many divers
Pacific waters. Off the coast of Indone- I first saw one, I thought it was a fish have made hunting lionfish their obses-
sia or Australia, an adult typically grows dressed up for Mardi Gras.” She wasn’t sion, but nobody appears to have done
to about twelve inches; groupers, eels, and staring through aquarium glass, though, it with the intensity of Bowman. In the
sharks are its natural predators, and in or diving off Japan. She was in the wa- ten years that she has been diving, she
many countries divers cannot spear one ters of the Florida Keys, a few miles from has gone out roughly three times a week.
without a permit. Lionfish have also long where she lives. An image of a lionfish spear is tattooed
been popular in aquariums. Tens of thou- At some point in the past half cen- on her arm. On the Internet, there is a
sands of American homes have them in tury, somewhere in the warmer latitudes photograph of Bowman holding a pole
saltwater tanks. Lionfish spend their days of the Western Hemisphere, lionfish spear studded with more than a dozen
hovering in the water, which makes them jumped from aquariums to natural salt freshly killed lionfish—a gaudy fish kebab.
particularly well suited to the job of being water. The first recorded sighting was Lionfish can be dangerous: their spines
looked at. They are also striking, with in 1985, off Dania Beach, just north of contain one of the most powerful neu-
shimmery white bodies overlaid with Miami. Lionfish have succeeded might- rotoxins in the aquatic world; their Mo-
bold red or orange stripes, a Mohawk of ily in their new environment—there are hawk is venomous, as are the two spikes
spikes on their backs, and clashing pat- now many millions of them in the West- on their pelvic fins and the three by their
28 THE NEW YORKER, SEPTEMBER 12, 2022 ILLUSTRATION BY JOHNNY DOMBROWSKI
anal glands. Like most lionfish hunters, FishTank site warns about “the ten- It took quite a while for Americans
Bowman has been stung repeatedly—at dency of the lionfish to eat any fish to realize that the arrival of lionfish wasn’t
least thirty times, she told me. She wears small enough to fit in its mouth.” The just a colorful accident but a serious prob-
gloves when she dives, but that makes upshot of this behavioral trait was ex- lem. At first, concern centered on their
little difference. “You can tell me you pulsion from aquariums—and freedom. venomous spines. In 2002, the Charlotte
have a puncture-proof glove, blah blah Steve Gittings, the science coördinator Observer described the lionfish as “a beau-
blah,” she said. “But I’m gonna laugh at for the marine-sanctuaries program of tiful but dangerous new addition” to local
you.” In rare cases, the venom can cause the National Oceanic and Atmospheric waters, warning, “The fish are slow, but
paralysis in humans. Being stung, Bow- Administration, who leads the agency’s they are also capable of rapidly lurching
man said, “feels like your bones and joints efforts to control lionfish, told me, “I’ve forward a few inches, making them dan-
are pushing out—it’s a fucking misery.” got to believe that people saw them eat- gerous to swimmers who move too close.”
She keeps four Vicodin in her dive bag. ing all their other fish and just threw Only in the late two-thousands did div-
Frequent diving strains the sinuses, them in a canal.” ers begin noticing that, when they saw
and Bowman spends so much time un- After the initial sighting off Dania a lot of lionfish, they sometimes didn’t
derwater that she uses industrial quan- Beach, there was a gap of some years see other fish that they expected to see.
tities of Sudafed and bromelain, an en- before the presence of lionfish became Had the lionfish chased them away?
zyme derived from pineapples, to keep palpable. They reached Bermuda by Taken their habitat? Eaten them? Lion-
her air passages open; she often gets fa- 2004, Cuba by 2007, and the Yucatán fish appeared no more aggressive in nat-
cial massages. She recently sent me an Peninsula by 2009. Their spread was ural water than in aquariums, yet the
image of herself on a dive boat during helped by the fact that their eggs, en- same eerie complaint kept being made
last year’s Emerald Coast Open Lion- cased in oily sacs, remain on the surface whenever divers compared notes: where
fish Tournament—a gruelling two-day of water, allowing them to drift on ocean once there was abundant and diverse
competition off Destin, in the Florida currents. Lionfish have been seen as far life—the arrow blenny, the purple chro-
Panhandle, that is the largest such event north as Rhode Island, though they do mis—now there was a disturbing pre-
in the world. In the photograph, her not last the winter there, and they re- dominance of lionfish.
lower face is streaked by a bright-red cently made it to the Brazilian coast. Around 2007, researchers started to
smear of blood, the result of ruptured Since lionfish tend to congregate take stock of the scale of the damage,
nasal capillaries. Nevertheless, she won around any sunken object, it’s reason- and data about the negative effects of
the Open—her third victory. able to guess that there are millions of lionfish populations began pouring forth
At this year’s event, there was even them near submerged structures that from academia. Holden Harris, a marine
more money at stake: almost a hundred no humans have ever visited. In 2014, ecologist at the University of Florida
thousand dollars in total. The team that Alex Fogg, the organizer of the Destin who was on Bowman’s team in this year’s
caught the most lionfish was to receive tournament, was a master’s student Emerald Coast Open, told me, “Lion-
a cash award of ten thousand dollars. A in biology at the University of South- fish are probably the most studied ma-
five-thousand-dollar prize would be given ern Mississippi, studying lionfish. In a rine invasive species ever.” Scientists’ find-
to whoever caught the largest lionfish. GoPro video taken that year, Fogg, who ings have been alarming. A female
Lionfish are edible and marketable, so is now the coastal-resource manager for lionfish lays an average of twenty-seven
the winners would also make thousands Destin-Fort Walton Beach, is diving thousand eggs every two and a half days.
of dollars selling their catch. More than for lionfish southwest of Destin. He de- In Asian waters, the lionfish’s diet is lim-
a hundred and forty-five people had reg- scends about a hundred feet to a small ited to a narrow range of smaller reef
istered and were getting ready to dive as military aircraft that he has just discov- fish, but in the Atlantic and the Gulf it
often as ten times a day, sometimes to ered on the bottom of the Gulf of Mex- will eat Nassau grouper, parrot fish, yel-
depths of two hundred feet. Bowman ico. The area around the wings and the lowtail snapper, banded coral shrimp, ju-
and her team of three, competing under fuselage is carpeted by lionfish—they venile spiny lobster, octopus, slippery
the name of Lionfish University—a non- look as thick and sluggish as sea ur- dick, and sandfish, among a hundred and
profit that was sponsoring them—were chins. Fogg spears two hundred crea- seventy or so species. They corral their
up against squads they’d competed with tures, in two trips, before returning to prey into a corner, using their ornate pec-
previously, sporting such names as the his boat. They make no effort to elude toral fins, then swallow them whole. They
DeepWater Mafia and Alabama Jam- him. Though the name lionfish sug- can blow water at their prey to make the
min’. During the tournament, the con- gests a fearsome quality, killing one is victims turn and face their hungry, dis-
testants were expected to kill more than not reminiscent of Papa Hemingway in tended mouths.
ten thousand lionfish. As Bowman put Africa. Lionfish go quietly. They do not A 2008 study in the Bahamas calcu-
it to me, “This is the biggie.” scatter when their neighbors disappear. lated that lionfish arriving at a new reef
The best comparison might be stink- can eliminate more than eighty per cent
he most likely reason for the suc- bugs on a wall, another invasive species of other species within five weeks. The
T cess that lionfish have had cross-
ing over into Atlantic waters is precisely
that doesn’t know enough to flee. (Fogg
has posted his video on YouTube, and
researchers were amazed to see one lion-
fish eat twenty wrasses in half an hour.
what makes them so harmful today: it has been watched more than a mil- Other studies have revealed additional
their insatiable appetite. The RateMy- lion times.) remarkable qualities. A lionfish can
THE NEW YORKER, SEPTEMBER 12, 2022 29
During the past decade, as the inva-
sion grew worse, a new consensus
emerged: humans had created the lion-
fish problem, and humans would have
to clean up their own mess. Some pro-
posed solutions were ingenious. In 2016,
iRobot, the company famous for the
Roomba autonomous vacuum, designed
an unmanned submersible robot that,
it said, could kill lionfish by zapping
them with an electric pulse. The exec-
utive director of the project told the
Web site LiveScience, “They won’t see
us coming.” But they did. As Alex Fogg,
of the Destin tournament, put it to me,
the robot was too “clunky”: “When lion-
fish see this large thing coming at them
with a lot of lights and jets, they’re going
• • to move.”
The general idea carried the day,
though. “Be the predator”—a phrase
expand its mouth to accommodate prey though lionfish want to eat everything, coined by the Florida Fish and Wild-
more than half its own body size, and nothing in American waters seems to life Conservation Commission in 2015—
its stomach can expand up to thirty want to eat lionfish, at least not in quan- became the rallying cry, even among
times its normal size, allowing it to gorge tity—either because the native fish do ecology-minded groups that usually
at length. But a lionfish can also exist not recognize the foreign species as food confine themselves to education and
on nothing for three months, by put- or because they are deterred by the ven- beach cleanups. Probably the foremost
ting itself into a kind of hibernation. omous spines. environmental organization to endorse
When lionfish occupy a reef, they vac- To environmentalists, the moral was lionfish hunting is Reef Conservation
uum up not just fish but also larvae, di- clear: pet owners, by thoughtlessly re- International, a U.S. nonprofit that op-
minishing the variety of future gener- leasing lionfish into Atlantic waters, erates in Belize. For the past fifteen
ations. One of the lionfish’s favorite had upset the order of nature—just as years, on a private island there, the group
meals is young parrot fish; the species other pet owners had when they let has taught a course in lionfish popula-
plays a key role in cleaning a reef of loose the pythons now destroying Flor- tion control. Volunteers, many of them
algae, and its absence can lead to reef ida’s Everglades. The best path forward, young people from Europe and Amer-
damage or death. many conservationists argued, was to ica, train by using their spears on co-
Americanized lionfish, researchers redouble our commitment to leaving conuts, then go after lionfish on local
have learned, sometimes behave differ- nature in peace. “Kill, kill, kill . . . is not reefs. (My son recently went on one
ently from their Indo-Pacific forebears. the solution,” Sylvia Earle declared. such trip and killed eighteen.) The pro-
Most notably, lionfish in American wa- “Lionfish have replaced a void created gram’s director, Anthony Saner, esti-
ters are not afraid of other fish or of by the loss of apex predators. The best mates that his volunteers have killed
divers. They hang motionless when ap- way to protect the ocean reefs is to cre- more than six hundred thousand lion-
proached—just as they do in an aquar- ate more Marine Protected Areas . . . to fish—and possibly many times that.
ium. They also grow larger in Ameri- bring back healthy numbers of preda- “We can definitely see, with the areas
can waters than in the Indo-Pacific, tors that will, in turn, bring balance back that we patrol, a rebound in native fish
sometimes up to nineteen inches. Many to the reef.” population—there is a serious increase
American reefs are artificial and have At first, it seemed that a more hands- in native coral reefs,” Saner told me.
more nooks than natural ones, allow- off approach would work. Conserva- “Their numbers are controlled.” I asked
ing lionfish to pack themselves as much tionists tried to gently goose nature. him if other environmental organiza-
as a hundred times more densely. West- They experimented with teaching grou- tions objected to his approach. He said
ern Atlantic lionfish can live for fifteen per to eat lionfish. But the practice didn’t no, adding that taking direct action
years, and can descend a thousand feet appear to catch on. In a similar vein, amid so many overwhelming environ-
or more. (Sylvia Earle, the noted ocean- teams in Cuba, Honduras, St. Kitts, and mental crises appealed to nearly every-
ographer, told me that once, when she the Bahamas attempted to encourage one. “It’s real,” he said. “It’s tangible.
was exploring the Bahamas in her sub- sharks to develop a taste for the invader And I’m not going to deny it’s fun.”
mersible, she passed a lionfish at twelve by having divers offer them skewers with To some hard-core wildlife-resource
hundred feet.) One study found that speared lionfish on them. This didn’t managers, all these approaches remained
lionfish can even survive in estuaries, really work, either, and the sharks grew insufficient. I asked Fogg what the ideal
where the water is barely salty. And, al- distressingly interested in the divers. solution would be. He mentioned a trap
30 THE NEW YORKER, SEPTEMBER 12, 2022
that Steve Gittings, the marine-sanc- from authorized providers. (That way, boat together.” (She contrasted the fel-
tuaries coördinator, had been working if there is an illness, the source can be lowship she felt among lionfish hunt-
on for the past six years. It would rest traced.) She recalled, “The wonderful ers with the behavior of other conser-
open on the ocean bottom and close people at F.W.C.”—the Florida Fish vationist types: “Turtle people treat each
slowly enough for other fish to escape and Wildlife Conservation Commis- other like shit and backstab each other.”)
while clueless lionfish remained inside; sion—“reached out and said, ‘Hey, what Bowman became an exceptional lion-
an attached rope would allow people to you’re doing is awesome. It’s also ille- fish diver—fast and focussed. Another
haul the catch onto a boat. The device gal.’” Instead of fining her, though, they diver told me, “Rachel is sitting on the
could be deployed in deep water where encouraged her to sell her fish through gunwales, ready to go, as soon as the
spearing is not a realistic option. Git- proper channels, and with supporting captain says we’re on the spot.” Many
tings’s team had brought a sample of paperwork. lionfish divers have a methodical grace
the trap to the Emerald Coast Open. In May, 2016, Bowman became the to their movements: after closing in on
Fogg told me that he had published first person to sell lionfish to Whole a fish, they release their spear from the
more than two dozen research papers Foods. For a while, her photograph ac- sling, carefully unthreading each victim
on lionfish, enough to know that do- companied a display of lionfish dump- and placing the body in a container be-
gooder environmentalists and weekend lings at the supermarket chain. Bow- fore resuming the hunt. Bowman and
lionfish warriors were not going to solve man’s father died before this happened, I recently watched a 2021 video of her
this problem alone. “You’ve got to get but she thinks he would have been thrilled diving, and in the clip she looks fre-
commercial fishermen to slaughter the to find that she had also ended up a com- netic, almost angry. Sometimes she skips
hell out of them,” he said. mercial fishing captain. “That would have the sling and dispatches her prey with
been the moment I finally made up for a quick jab of the prongs. She said of
owman, the daughter of a commer- not being a boy,” she told me. The Whole the process, “It’s like picking up gar-
B cial shrimp-boat captain, grew up
in Wrightsville Beach, North Carolina.
Foods purchase became an important
crossover moment for eating lionfish. Al
bage along the side of the road.” In the
video, her arms and legs are often at
In her early twenties, she wanted to be Massa, who is the chef at Brotula’s, a sea- odd angles, and her container seems
a music journalist, but after 9/11 she fled food restaurant in Destin, told me, “A about to float away. “I used to think I
conventional life and its goals. She lionfish’s sweet, flaky light-white meat was this elegant mermaid,” she told me.
moved to the Florida Keys and enjoyed can take a wide variety of sauces, from “But I look like a turd trying to float
the raffish vibe there, tending bar at a classic beurre blanc to a roasted-red- the wrong way down the river.”
joint called Barracuda Grill. A few pepper broth or a yellow-tomato gazpa- In 2017, she went to Destin to par-
months after she arrived in the islands, cho.” (In 2017, Gordon Ramsay filmed ticipate in the event now known as the
Adolphus Busch IV, one of the scions himself incorporating lionfish into a Ca- Emerald Coast Open. She and the two
of the Budweiser brewing family, had a ribbean seafood curry.) other women on her team speared a
drink at her restaurant and asked her Thanks to lionfishing, Bowman thousand fish in two days, winning the
to run his boat. In 1998, Busch, who had started making real money. She bought tournament. Bowman was thrilled, but
a house in the area, had paid to sink a a boat of her own, a twenty-five-foot it bothered her that “a huge big deal
two-hundred-and-ten-foot cargo ship vessel that she named the Britney Spears. was made not because we won it but
near Looe Key, thus creating an artifi- And she soon found a community. Her because it was three girls.” (One online
cial reef. Bowman would watch Busch headline: “cuties confront lion-
dive to the wreck and emerge with lion- fish menace.”)
fish on his spear. “I saw him getting out During these years, Bowman was so
of the water with these bizarre-looking competitive that she took risks she now
fish,” Bowman remembers. “I thought, sees as foolish—she’d dive for too long,
Maybe there’s something down there or she’d go too deep for someone with
for me, too.” She received her diving her level of experience. Another diver
certification in 2011. By this time, lion- remembers her using shoddy equipment.
fish had been in the Keys in quantity She grew out of many of these habits,
for a decade. but on a dive two years ago disaster still
Bowman found that local restaurants catches became an important source of struck. She was diving with a friend who
were happy to accept a lionfish catch. harvest data and fish samples. She was came up too quickly. “He had what we
“They’re low in mercury and have some thanked in peer-reviewed publications. call a ‘hit,’” she told me. He couldn’t feel
of the highest omega-acid content of “Rachel is absolutely magical,” Gittings his fingers when he got on the boat, and
any fish,” she told me. It was not par- told me. Other Gulf divers sometimes couldn’t remember Bowman’s name. To
ticularly important to her that her ac- found Bowman too intense, but she fit treat decompression sickness, you are
tivity could be described as environ- in with the lionfish researchers—and supposed to administer oxygen from extra
mental activism. “I’m just a bartender even got to play the cutup. The lionfish tanks kept on the deck—but Bowman
who goes diving,” she said. Nor did she community is “really collaborative,” she had forgotten to bring any. The friend
know that she was breaking the law— told me. “You become friends—you’re was medevacked to a hospital in Miami,
restaurants can serve only fish acquired dive buddies shitting off the back of the but he suffered lasting nerve damage to
THE NEW YORKER, SEPTEMBER 12, 2022 31
his spine. Bowman vowed to be more finder—he has thousands of reef sites Festival, and in my hotel lobby at night
careful. She told me, “How can it not logged—and motored west for another T-shirts bearing the slogan “LIONFISH
change you—how I dive, how I look at half a mile. The team dived again. PATROL” clashed with tricornes.
my divers?” They repeated this all morning, with- Fogg, who is thirty-four, wants peo-
out much success. Conditions improved ple to have fun at the Open—he likes
n the first day of the Emerald Coast in the afternoon: each team member was the fact that lionfishing has become a
O Open, I went to a pier in a resi-
dential part of Destin to see off Bow-
regularly getting about thirty lionfish
per dive. Around 5 p.m., when Wall was
sport, but a casual one. At the same time,
he is also trying to educate the public.
man and her teammates: Holden Har- on her ninth dive of the day, she saw This year, he gave top Destin restau-
ris, the University of Florida researcher; something huge pass overhead. An ex- rants free lionfish, in return for their
a biologist named Kara Wall; and a young perienced diver, she thought it was a training servers to explain to customers
diver, Casey Brann, whose day job was great white shark. (Later, she demoted why the species is an invasive pest (and
at Amazon. It was five in the morning. it to a fourteen-foot dusky.) They called how tasty one can be). Fogg had also
Harris, his girlfriend, and Bowman had off the last dive and headed home as it set up an information booth on the wa-
stayed at Alex Fogg’s house the previ- started to rain and lightning lit up the terfront. A veteran sea captain explained
ous night; I had stopped by, and rum- sky. They had speared five hundred and the lionfish problem to passersby on
pled beds, air mattresses, and a barking forty-two lionfish, which rested on ice their way to dolphin tours or funnel
puppy gave it the feel of off-campus in coolers belowdecks. On the way in, cakes. It had taken a while for local of-
housing. At the house, Bowman had Bowman asked Howard to call around ficials to realize that ecology could be a
prepped some spaghetti and meatballs and see how they were doing against the tourism draw, Fogg said, but they were
for the first evening of the tournament. competition. “Everyone’s cagey,” Bow- beginning to understand the potential.
Harris’s girlfriend, an astrophysicist who man explained to me later. “You sniff The water off Destin was the most
doesn’t dive, would heat it up before the around a little, but nobody’s giving out vivid shade of emerald I’d ever seen. The
team got home, late that night. numbers.” She went on, “We felt like we beaches looked like snow. It took us about
The team members felt that they were had done good. But you don’t get too half an hour to reach our intended spot
in a strong position to win. Their boat’s hyped up one way or another.” in the Gulf. Coral cannot survive at such
captain, Kyle Howard, was in control of northern latitudes—the majority of dives
what everyone saw as the most valuable wo days before the competition off Northwest Florida are to wrecks or
item on board—a G.P.S.-equipped “fish-
finder,” which uses sonar technology to
T started, I went out on a dive boat
with Alex Fogg, the event’s organizer,
to artificial constructions. Out of sight
below us were chicken coops that had
identify objects deep beneath the waves. to try my luck as a lionfish hunter. I had been sunk more than a decade ago. Fogg
The key to winning the Open, Bowman expected to dive to the bottom of the put on a camo-patterned wetsuit and
told me, was not the diving. It wasn’t Gulf, but, as an uncertified diver, I would dived in while I put on fins and a snor-
about who was the fastest diver or the be limited to a depth of fifty to sixty kel. A few minutes later, he came up
best diver: “It’s about who has the spots— feet, and in Florida lionfish tend to be with a few small lionfish and a floun-
who has those G.P.S. numbers.” How- found in deeper waters. So we agreed der. “Someone must have hit that reef,”
ard was both a local and a beneficiary of that we would go about six miles off- he said, meaning that there had been
Fogg’s unparalleled knowledge. As How- shore, where the depth was around spearing there shortly before. It takes
ard backed out of the boat-launch pier, eighty feet, and if Fogg dived and found several months for a lionfish population
Bowman was putting on her wetsuit. She any lionfish he’d deposit them at the at a given structure to recover.
sniffed her booties. “They smell like fish,” surface. I would be snorkeling, armed Figuring out how to use the pole
she said. “That’s a good sign.” The sun and ready to deliver the coup de grâce. spear took some work. It was shock-
began to peek above the horizon. We set off from the harbor and ingly fast once you released it, and by
More than an hour away was the headed for a bridge that marked the accident I shot one over the stern. When
first stop: an artificial reef of prefabri- entrance to the Gulf. There were doz- I asked for a longer pole, I was told it
cated modules, almost a hundred and ens of boats in the bay, all of them would cost me four hundred dollars if
fifty feet below the surface. On the way, devoted to fishing, to drinking, or to it followed the other, so I settled for a
Howard opened a beer to celebrate. He fishing and drinking. There were day two-foot sticking pole. With some prac-
put Cheez Doodles in his nose to keep cruisers, cabin cruisers, skiffs, banana tice, I was able to control its release. It
the mood light. About twenty-five miles boats, Jet Skis, octagonal tiki barges that had three nasty prongs on the end—far
out, he idled the boat, and Bowman and floated along under thatched roofs, and scarier than a lionfish.
Wall went into the water. When they yachts—with water slides and without. My prey was floating by the stern of
came up, Howard moved the boat a Tourism has become one of the re- the boat, stunned by the sudden change
quarter mile or so; then Harris and gion’s largest businesses: the Destin area in water pressure. But the chop was
Brann went in. The sky was clear and has more than fourteen thousand rooms strong, and I kept losing sight of the
the water visibility was excellent—you for rent, the biggest charter-fishing fleet fish once I was in the water. I tried to
could see the bottom from eighty feet in the country, and a terrible traffic prob- kill it several times with my spear but
above. But each diver surfaced with only lem. The week of the tournament over- kept missing. In the wavy sea, it was
six fish. Howard consulted his fish- lapped with the Billy Bowlegs Pirate hard to align the shot, easy as it looked.
32 THE NEW YORKER, SEPTEMBER 12, 2022
Finally, I got close and released the spear. some,” Bowman told me. “We are com- to me, “A lot of people would call us fool-
The lionfish twitched briefly and died. petitive, but we will drop our shit and ish for diving that much in a day. We
I brought it up on the end of my stick take care of another team in a heartbeat.” were pushing the limits.” Shivers told me
like a discarded party favor. For Bowman’s boat, the second day that his team had made a profit of eigh-
You could say that I’d just helped was more productive than the day be- teen thousand dollars, after accounting
protect an ecosystem, but I didn’t ex- fore. On one dive, Harris nabbed six- for the price of two hundred and fifty
actly feel heroic. The artificiality of my ty-two lionfish. His teammates cheered. gallons of fuel. The environmental cost
spearing experience only underscored Bowman topped out at thirty-one. The of the gas did not matter to him. “I’m not
the artificiality of the entire reef eco- final dive of the day was her worst; she a tree hugger,” he said, though he added
system. The Destin reefs had been cre- came up with only two fish. “In the end, that he cared about marine conservation.
ated by humans—and, if you got rid of it’s the luck of the draw,” she said. “We In the end, the participants all agreed,
them, you’d get rid of most of the lion- are relying on pinpoints on a map.” In the DeepWater Maf ia had simply
fish. But, at another point in the day, as total, Bowman’s team caught nearly thir- wanted the win more. Most of the sites
I stared down toward the submerged teen hundred fish in two they dived at were publicly
modules of a different fake reef, I could days—just under the win- known; it’s just that they
see all sorts of native life swirling around: ning total from 2021. When went to a higher number
grouper and snapper, tomtate and an- the tournament was over, of them. “They did the
gelfish. If you wanted to keep all this the group headed in sing- work and earned it,” Liv-
around, maybe you had to treat the Flor- ing along to a rap track by ingston said.
ida coast like an aquarium. At least Fogg Lil Jon, jumping up and Later, I reached Bow-
was making the cleanup fun. He knew down in their wetsuits. man at her home, in Mar-
his audience. He told me, “We added a They stopped to give a athon Key. She surprised
beer festival this year—to lure people.” stranded boat a tow, and me by saying that the de-
didn’t arrive at the pier until feat had felt good. “I was
he second day of the Emerald Open nine-thirty. They still had on a team that is not über-
T dawned with even better weather
than the first. Bowman’s team put its
to get their boat out of the water and
carry out the tanks and the coolers of
competitive, and they made this week-
end fun for me,” she said. She now re-
boat in the water just before sunrise and fish. By then, the high had evaporated. gretted how wound up she had been
was soon out at the reefs.This time, How- Bowman was groaning, trying to stretch in previous tournaments. She’d twisted
ard took the group about twenty miles her back by folding herself across the herself in knots for the wrong reasons.
to the west of where they had started the pier. “The level of exhaustion, frustra- “I don’t have a first-place trophy this
day before. The tanks that Bowman had tion, and fear you feel!” she said. “Did time,” she said. “But I had so much
dived with on the first day had been too we do enough? Should we have done fucking fun. My face hurts from laugh-
bulky for her—she is only five feet tall— more? It’s now out of our hands.” ing.” As ever, it was the social aspect
and she had pulled her back out. On the The next day, Fogg and his staff that she loved. One year, she mentioned
way in that night, as soon as they were counted the fish. DeepWater Mafia, to me, Steve Gittings had come down
in cell-phone range of the shore, she which had taken sixth place the previ- to the Keys to do research. “Why is
had called a diver named Josh Living- ous year, won by nearly three hundred the chief science off icer from the
ston, perhaps the most storied lionfish and fifty fish—a significant victory. It N.O.A.A. staying in my spare bed-
hunter in the world. Livingston, who is turned out that Bowman had been room?” she marvelled.
thirty-seven, has killed more than a hun- wrong: the fish-finder wasn’t what mat- Bowman had already planned her
dred thousand lionfish—“To be honest, tered most.This wasn’t the fishing equiv- next expedition, to the Flower Garden
it’s a hundred per cent commercial for alent of Moneyball. “There’s only so Banks National Marine Sanctuary, off
me,” he told me, adding that he’d made much G.P.S. can do for you,” Josh Liv- Galveston, Texas, in June. She makes
a quarter of a million dollars from their ingston explained to me after the tally the trip every year to cull lionfish for
sale—but he was sitting out the Open was finalized. He had advised the Deep- scientific study. (The fish are dissected
this year. It was physically too draining. Water Mafia to prioritize how many on the boat and then sent to a lab in
Informally, though, he was advising the dives it got in. You had to be out at the Galveston.) The goal, in part, is to de-
chief competition to Bowman’s team: reefs early, Livingston said, and get in termine the impact of lionfish on other
the DeepWater Mafia. That team con- and out of the water faster. The Deep- species at a remote reef. On this trip,
sisted of four divers from Mississippi: Water Mafia ended up going out in two the group—about two dozen divers—
a plumber, a used-car wholesaler, and boats; as a result, each diver was able to speared only two hundred and twenty-
two contractors. average eighteen dives a day, compared eight lionfish. But, as she wrote to me
Nevertheless, when Bowman ex- with ten for Bowman’s team. afterward, Fogg “landed the new Texas-
plained to him her problem with the Diving that many times in a single lionfish size record,” with a seventeen-
heavy tanks, he got up from his dinner day can be dangerous—you’re more likely and-a-half-inch catch. And, for three
and went to fill some smaller tanks for to get an overload of nitrogen in your days, everyone was hanging out together
her, then left them at Howard’s garage. blood. Tim Shivers, who headed the on the water. “It was really cool,” she
“That’s what makes this community awe- DeepWater Mafia team, acknowledged said. “Like camp.”
THE NEW YORKER, SEPTEMBER 12, 2022 33
A REPORTER AT LARGE
IMPAIRED JUDGMENT
Arica Waters believed she had been taken advantage of sexually. Why was she on trial?
BY RACHEL AVIV
ut-in-Bay, a village on an island got the perfect disposition.” (The mayor “Do he need an assistant?? lol,” her
STRONGMAN OF
THE PEOPLE
How President Nayib Bukele rode an
authoritarian crackdown to become Latin
America’s most popular leader.
BY JONATHAN BLITZER
Outside El Penalito, the little jail. El Salvador has long been ravaged by gang violence. In recent months, Bukele’s government
44 THE NEW YORKER, SEPTEMBER 12, 2022
l Penalito, the little jail, is a squat
pickup truck that was driving past a father of three in his mid-forties who arrived in Distrito Italia, a community
store called Tulita’s Classic Sweets. A runs a small business in the capital. of ten thousand people about an hour
man was lying in the bed of the truck, The last time I’d seen him—about six north of San Salvador, on a Monday
but all that was visible was his arm, years earlier, at the start of Bukele’s evening, to f ind a cordon of some
chained to a rack attached to the cab. mayoral term—he made trips down- twenty soldiers in combat fatigues and
One of the strangest aspects of the town only during daylight hours, be- armed with semi-automatic rifles. They
state of exception was how infrequent cause it was too dangerous after dark. had set up a checkpoint for anyone en-
sightings like this were, unless you went He was encouraged by the President’s tering or leaving the residential area.
looking for them. The government was actions during the state of exception, Soldiers searched bags and checked
broadcasting its harshest acts, and on as is more than ninety per cent of the I.D. cards, and as people returned from
Twitter there was a flood of photographs, population, according to recent polls. work the line grew long. The com-
videos, and menacing announcements. “Nayib is fighting,” he said. “Of course manding officer sought me out as soon
But on the main streets of the country’s he has his critics. He’s doing new things, as I arrived. “If you haven’t done any-
biggest cities nothing seemed out of the radical things. It’s all on the up and up. thing wrong, you’ll be fine,” he said.
ordinary. “The state of exception is di- People are always trying to be so down “People outside El Salvador probably
rected at the poor, marginalized areas,” on El Salvador. But I don’t hear Sal- don’t understand.”
Rina Montti, the director of investiga- vadorans talking about leaving, like be- A few minutes later, I noticed a
tions at Cristosal, a human-rights group, fore.” At the pool hall, it was Eighties woman in a green striped shirt, with
told me. “These are stigmatized com- Night, and a d.j. played the Sugar Hill dark, frizzy hair, standing at a slight re-
munities with people who are seen as Gang and Run-DMC while people move from the crowd. Her two sons—
having dudosa confiabilidad”—“question- danced and ate tapas. We left after mid- ages eighteen and twenty-one—were
able trustworthiness.” She continued, night. As we strolled through the illu- returning from work, and she was wait-
“You hear people say, ‘Surely they must minated downtown plazas, he snapped ing to meet them, so that they could all
have done something if they’re being photos of the Art Nouveau National walk home together. Mostly, she felt
taken away.’” Theatre. alivio—“relief ”—she said: “There are
On a Saturday night, an old Sal- In the zonas marginalizadas, where soldiers inside patrolling.” When I asked
vadoran friend of mine proposed that the gangs had been in control, how- her whether she worried that her sons
we shoot pool at a billiard hall in San ever, residents were effectively trapped might get arrested, she shrugged. “Until
Salvador’s historic downtown. He is a between them and the government. I it happens to you, it doesn’t matter what
THE NEW YORKER, SEPTEMBER 12, 2022 49
the homicide rate dropped for almost
eighteen months, but revelations of the
talks incited public outrage. The next
President, who also came from the
F.M.L.N., renounced the deal, and the
government negotiators were eventu-
ally prosecuted for their involvement.
In 2020, Munguía Payés was arrested
for “unlawful association.” Other mem-
bers of the F.M.L.N. and ARENA have
faced jail time for making ad-hoc deals
with the gangs, either to enforce higher
turnout at election time or to period-
ically blunt the death count.
As the mayor of San Salvador, Bukele
made an agreement with members of
Barrio 18, who controlled the area around
the Mercado Cuscatlán, according to
El Faro. The government gave them
space among the venders’ stalls, and, in
return, the gang allowed the market to
operate. Bukele has denied this, and as
“Can you roll it back for nine more minutes?” President he adopted visible measures
to combat the gangs. He called his pol-
• • icy the Territorial Control Plan; it in-
creased the police presence in some
municipalities and declared a state of
happens to someone else,” Verónica Cliques from Southern California emergency inside the national prisons,
Reyna, a security expert who works at arrived in El Salvador, bringing their ri- which had the immediate effect of mix-
a nonprofit called Servicio Social Pa- valries and their turf wars with them. ing rival populations that had long been
sionista, told me. “It’s a survival instinct. “They consumed everything in their kept apart. At the start of the pandemic,
The more violence people live with, the path,” the anthropologist Juan José the authorities arranged hundreds of
less they can care about other people. Martínez d’Aubuisson has written. bare-chested prisoners in their under-
Getting involved in other people’s lives “Piecemeal neighborhood gangs saw no wear, pressed tightly together in rows,
is deadly.” choice but to join one of the two for for a photo opportunity. One of the
Gangs have dominated life in El their own survival. The alternative was President’s advisers told me, “Look how
Salvador since the late nineties, but complete annihilation.” By 2015, there he’s treating the gangs. How could he
they didn’t originate there. MS-13 and were some sixty thousand gang mem- be talking to them?”
Barrio 18 both began in Los Angeles, bers in El Salvador, and seventy per cent But Bukele started negotiating with
at least a decade earlier, as hundreds of of the country’s businesses were being MS-13 as soon as he became President,
thousands of Salvadorans fled the civil extorted, leading to annual losses of four according to another story in El Faro.
war. Many of the teen-agers, adrift billion dollars, according to estimates During his first year in office, he didn’t
when they arrived, turned to crime in by the Salvadoran Central Reserve Bank. have a majority in the Assembly, and
the inner city, where Mexican and Black The homicide rate was higher than it for his fledgling party to win seats he
gangs enforced a brutal racial hierar- had been during much of the civil war. needed the homicide rate to fall. “The
chy. After thousands of Salvadoran A series of Salvadoran administra- big drops in homicides were never just
youths were arrested, the Clinton Ad- tions launched dramatic crackdowns the work of the government,” Verónica
ministration saw an opportunity to that played well with the public but Reyna told me. “Bukele learned the les-
demonstrate its toughness both on im- failed to curb the violence. In 2012, son from what happened before. He
migration and on crime. It deported David Munguía Payés, who had served closed ranks. No one had access to the
violent offenders without telling the as a general during the war and was prisons for a year and a half.”
Salvadoran government who they were. now the Minister of Security in an The El Faro story relied on hundreds
“The United States lets these danger- F.M.L.N. government, decided that of pages of prison documents, in addi-
ous types out and tells them, ‘Go back the gangs, like the guerrillas, couldn’t tion to logbooks from facilities where
to where you came from,’” the Presi- be beaten with force alone. He brought secret meetings were held between gang
dent of El Salvador said in 1997. “But in a former guerrilla, a Catholic bishop, leadership and government representa-
we have no way to try them or jail and a representative from the Organi- tives. In an intercepted message, one
them . . . and so we must not only let zation of American States to negoti- leader of MS-13 told another, “Things
them in but let them go free.” ate with them. A deal was reached, and are going step by step.” The govern-
50 THE NEW YORKER, SEPTEMBER 12, 2022
ment, he said, was increasing enforce- thirty-five journalists and human-rights more suspected gang members, which
ment to keep up appearances, so that advocates to discover that their cell he was calling the Terrorism Confine-
the negotiations could continue. “These phones had been infected with the sur- ment Center.
measures are just a coverup,” he went veillance software Pegasus.
on. “They’re looking out for the well- The government could deny press t’s taken as an article of faith that the
being of us homies.”
Less than a week after the story was
reports, but certain facts remained. Last
year, Bukele refused a U.S. request to
I public cares about such abstract prin-
ciples as the rule of law and the health
published, Bukele announced that the extradite fourteen top-ranking mem- of public institutions. But voters also
government would investigate El Faro bers of MS-13. The Salvadoran gov- want to see their man win, because it
for money laundering. Since then, he ernment secretly released some of the means that they’re winning. Often, au-
has attacked the newspaper relentlessly, men from prison, and they are now at thoritarian tactics play better than high-
sometimes calling out journalists by large. According to a joint investiga- minded poise does. On February 9, 2020,
name. A few of them have been forced tion by La Prensa Gráfica and InSight eight months into Bukele’s term, a crowd
into exile; many others have adopted Crime, one of the gangsters, whose of a few thousand demonstrators gath-
the practice of leaving the country after nom de guerre is Crook of Hollywood, ered outside the National Assembly,
publishing a story and waiting to re- walked out of the country’s most se- which was not in session. They’d ar-
turn until the threats have died down. cure prison during a crime wave last rived in government vehicles and in
The newspaper has a large interna- November. The following month, ho- buses driven by soldiers, and were there
tional following, but inside El Salva- micides decreased. to protest the refusal by members of the
dor Bukele’s campaign against it has Recently, the journalist Carlos Mar- Assembly to fund a key plank of Bukele’s
succeeded. Many people have come to tínez published a story in El Faro based security budget. Shortly after 4 p.m., a
see El Faro as partisan and unreliable. on seven audio recordings of conversa- caravan of S.U.V.s pulled up, and Bukele
The night before I arrived in El Sal- tions between members of MS-13 and a emerged. Surrounded by bodyguards,
vador, the National Assembly passed government negotiator close to Bukele. he strode to a stage set up at the end of
a sweeping law to block news outlets The code name they use for the Presi- an alley leading to the chamber, and the
from reporting on the gang situation. dent is Batman. There are explicit refer- crowd roared. “Wait here,” he told them,
Journalists could now face up to ten ences to two years of secret talks, and the then headed inside. Armed soldiers in
years in prison if they “reproduced” or official takes pains to describe everything combat fatigues followed him.
“transmitted” information that might he’s done for the gang to prove his “loy- While the troops fanned out across
have come from gang sources or could alty and trustworthiness.” What caused the gallery, Bukele called a symbolic ses-
otherwise “panic” the public. The law the killing spree in March, according to sion to order. “I think it’s clear who’s in
was ambiguous by design, César Fago- three gang members cited in the story, control of the situation,” he said into a
aga, then the president of the Associ- was the arrest of a group of gangsters microphone. He put it down and bowed
ation of Journalists of El Salvador, told who were travelling in a government ve- his head in prayer. After a few seconds,
me. “This isn’t a legal problem—it’s a hicle. They felt betrayed because they’d he rose and returned to the crowd out-
political problem,” he said. “They want been promised “safe passage.” side. This time, when he approached
to control the only thing they don’t Uncharacteristically, the government the stage, half a dozen soldiers stood
have—journalism.” Claudia Ortiz, a did not attack the article when it came beside him, their rifles drawn.
first-term congresswoman from a fledg- “I asked God, and he told me, ‘Pa-
ling party called Vamos, told me, “The tience,’” Bukele said. He’s never made
real opposition right now that’s doing clear which religion he practices, yet
substantive things is outside the As- he frequently invokes God, projecting
sembly. It’s investigative journalism, the a firm but flexible piety. (“It’s one of
universities, social organizations expos- his key characteristics,” Marroquín, of
ing real problems.” the Central American University, told
In the nine days that I spent in El me. “He can seem Catholic or Prot-
Salvador in April, three more journal- estant, Christian, or even Muslim.”)
ists had to leave the country after being Bukele’s religious rhetoric generally
falsely accused by the President and out. In June, 2022, Patrick Ventrell, the sways the public, but this crowd was ex-
members of his party of conspiring with American Chargé d’Affaires, gave a pecting something more dramatic. Peo-
the gangs. One of them—a reporter press conference in San Salvador at ple started to groan. “Patience, patience,”
named Bryan Avelar, who works with which he said, “The best way for the he repeated. “These sinvergüenzas,” he
the New York Times—was the target of government of El Salvador to show continued, gesturing behind him in ref-
a viral campaign that claimed his brother that it is serious” about fighting the erence to the obstructionist congress-
was a prominent gangster. (He doesn’t gangs “is to extradite the most danger- men. “We’ll get rid of them democrat-
have any brothers.) “They know that ous leaders.” Later in the summer, ically. . . . In several months, we’re going
they can have us arrested if they feel like Bukele extradited two of them with to have the Assembly.”
it,” Julia Gavarrete, a reporter with El little fanfare. This news was eclipsed In Central America, the symbolism
Faro, told me. Last year, she was one of by the construction of a prison to hold was lost on nobody: a head of state had
THE NEW YORKER, SEPTEMBER 12, 2022 51
just breached another branch of the gov-
ernment with troops. “The whole thing
got out of hand,” a former government ROOSEVELT DARGON
official told me. But those people who
thought Bukele would suffer conse- Roosevelt Dargon, how often I have thought of you
quences were mistaken. “The most sig- and your leg. We were driving that last stretch
nificant thing wasn’t what happened but of slow road home, in snow and ice, in the blue
what didn’t,” Johnny Wright, a congress- Vista Cruiser—what was I, five?—when your big
man with the party Nuestro Tiempo, rig crashed. We didn’t see it happen, but got there
told me. “That was the moment when right after, before the ambulance and cops, before
he knew, he tested that he would not the snarl of cars that would have kept us from
have resistance.” reaching you. I say us, but what I mean is my father,
Hours after the incursion, Bukele re- who told my brothers and me, Stay here, while my mother
ceived a text message from his former toggled between static and Tommy Dorsey and he ran
attorney Bertha Deleón. “You’ve gone to the jackknifed cab and found you pinned in there,
too far,” she wrote. When he didn’t reply, left leg mostly severed but tethered enough under
she decided to tweet. His response was the crushed front dash to keep several bigger men
swift. “Delete this,” he told her. “You’re from pulling you out. There was a lot of blood you
attacking us.” Deleón refused, and the were losing, and the tumbled lumber and concrete
government launched a smear campaign blocks from the load you’d been hauling, and the smashed
against her. She was a trending topic glass of cling peaches in syrup from the truck you’d
on Twitter for days, accused of protect- swerved into, and all around you fuel was pooling,
ing the gangs and of abetting criminals. collecting, threatening to catch fire, and I have to imagine
People shouted at her on the street. “I what you would have heard: my father’s voice, calm
worked for the prosecutor’s office for and measured, saying, I’m a doctor. He might not have
years on organized crime,” she said. said a psychiatrist. What he showed you was
“Old colleagues came up to me saying, his Swiss Army knife, what he did was ask
‘Now we’re supposed to be investigat-
ing you. Fix this, or leave.’” Months later,
with multiple corruption charges lodged which officials claimed to have been travention of the judges’ orders. “The
against her and an Interpol warrant out reviewing before Bukele pushed for the inflection point was the pandemic,” the
for her arrest, she told me the story from change in status.) former government official told me.
Mexico, where she had recently been A few weeks after Bukele’s stunt at “That’s when Bukele really started tak-
granted asylum. the National Assembly, the first case ing advantage.”
of Covid-19 was detected in El Salva- The public was too overwhelmed with
ukele’s most conspicuous enabler dor. On March 21st, Bukele declared a its own survival to worry about the finer
B during this period was the Trump
Administration. The American Am-
state of exception, issuing strict guide-
lines for a national quarantine. Those
points of governance, and El Salvador’s
infection rate stayed low compared with
bassador to El Salvador was a former people who violated its terms were ar- those of neighboring countries. In June,
mid-level C.I.A. staffer named Ronald rested and sent to “containment cen- a gleaming new hospital for Covid pa-
Johnson, whose relationship with Bukele ters.” In theory, the centers were re- tients went up, billed as the biggest such
was characterized by friendly informal- served for Salvadorans who’d been facility in Latin America. (It remains un-
ity. All Trump cared about, a former travelling abroad and needed to be finished.) The military distributed food
Administration official told me, was tested. But they soon became de-facto to poor areas, and Bukele gave three hun-
immigration, and Bukele acted accord- jails, where returning travellers and dred dollars in cash relief to more than
ingly. In 2019, he was so eager to com- anyone accused of ignoring the rules a third of the country. “The people are
ply with a deal on asylum processing were held indefinitely, in many cases seeing that he is working hard and doing
that his advisers e-mailed a signed copy for longer than a month. Ten thousand things for the public,” a thirty-three-
of the agreement straight to the De- people were detained in the early year-old named Gisele de Hernández,
partment of Homeland Security. U.S. months of the pandemic. who worked in a tortilla shop, told the
officials had to call them back to ex- The Supreme Court twice declared Spanish newspaper El País. Another per-
plain that the protocol was more in- Bukele’s measures unconstitutional, but son said, “Bukele isn’t dividing El Sal-
volved. In return, Bukele “really wanted he ignored the rulings and accused the vador. The country is already divided.”
the State Department to lower the judges of threatening public health. “If The following February, when El
threat level for travel to El Salvador,” I really were a dictator, I would shoot Salvador held legislative elections, Nue-
the former Administration official told all of them,” Bukele said. “You save thou- vas Ideas won fifty-six of the eighty-
me. “That was a really big thing to him. sands of lives in exchange for five.” He four seats—a super-majority. The new
He was promoting Surf City.” (Even- publicly commanded the police and the members of the Assembly were a mix-
tually, the U.S. reduced the threat level, military to make more arrests, in con- ture of true believers and opportunists,
52 THE NEW YORKER, SEPTEMBER 12, 2022
named Mike Peterson launched an ex-
perimental charity. Its financing came
permission to finish what the accident had started— from an anonymous philanthropist who
to cut the tendon, cleanly, to free you. I guess imposed a single condition: the money
we never know which part of ourselves we’ll had to be distributed entirely in bit-
have to sacrifice, or when we might need to say coin. Soon, mom-and-pop businesses,
to a stranger with a pocketknife, I’d be obliged. markets, and food stalls in the area were
And that was that. They pulled you out. Someone accepting the currency. El Zonte came
may have grabbed the mangled leg as an after- to be known as Bitcoin Beach.
thought, but this was 1966, before the age In the spring of 2021, Bitcoin Beach
of reattachments. My father knelt in the snow drew a minor crypto celebrity—Jack
and wiped his knife blade clean. This was before Mallers, a twenty-seven-year-old tech
there would be people on the road we could entrepreneur who was building an app
not help, before the next Christmas, and the ones called Strike. The service allows users
after that, when a crate of oranges would come to make money transfers, with no fees,
from Baltimore, with a card that said Best on Lightning, a high-speed network
wishes from the leg and me, never specifying that is linked to the technology behind
which leg you meant—the one you kept Bitcoin. El Salvador fascinated Mal-
or the one you let go. What the mind lers for reasons that went beyond Bit-
keeps, it keeps. I still have my mother coin Beach. Twenty per cent of the
humming “I Thought About You,” still country’s gross domestic product comes
have my brothers punching each other from remittances sent by Salvadorans
in the wayback, still have my father, living abroad, mostly in the U.S. But
still running with his Swiss when immigrants use Western Union
Army, as if he could, in some to transfer money they typically pay a
coming blizzard, save us all. hefty fee. “Lightning solves that,” Mal-
—Andrea Cohen lers has said. “It costs nothing to send
one dollar or one thousand.” After liv-
ing in Bitcoin Beach for a month, he
but all were united in their loyalty to changed. “When we tried to normalize started spending time in San Salvador.
the person who had brought them to the relationship, he felt like we were pull- He was having a sushi dinner with
power. “Bukele is the Party,” a senior ing the rug out from under him,” the friends one night when he noticed a
U.S. official told me. senior U.S. official told me. “We didn’t direct message on Twitter. “Hi, Jack,
The new legislators went after their have the red carpets out, so he thought this is a message on behalf of Presi-
first target on the day of their swearing it was a deliberate attempt to embarrass dent Bukele,” it began. A few days later,
in. They arrived at nine in the morning, him.” The Biden Administration began Karim Bukele, wearing a hoodie,
and the session ran past midnight. “We drawing up a list of sanctions against greeted Mallers and introduced him to
entered without knowing anything,” members of Bukele’s administration, for his brother.
Claudia Ortiz, of Vamos, told me. The actions including corruption and con- At the Bitcoin Conference in Miami
Supreme Court magistrates who had spiracy with the gangs. Bukele contin- that summer, Mallers presented Bukele,
opposed Bukele’s pandemic measures ued to meet Johnson, the previous Am- who addressed attendees by video, in
were summarily fired, for acting against bassador, in Miami, and he retained fluent English. He announced that El
the best interests of the public. The another American adviser, who shared Salvador would begin accepting bit-
Nuevas Ideas bloc also fired the Attor- the view that the Democrats wouldn’t coin, and presented a heady case for
ney General, whose term was up at the control the White House for long. When how Bitcoin could solve some of El
end of the year. The President’s personal Bukele decided to give a big interview Salvador’s problems. Seventy per cent
lawyer told an opposition lawmaker in in the winter of 2021, it wasn’t to the Sal- of Salvadorans don’t have bank ac-
private, “We have to be disruptive. Peo- vadoran news media or to CNN but to counts, but more than half of them use
ple voted for us for a reason.They wanted Tucker Carlson. “He’s trying to ride the cell phones. “El Salvador has not been
us to change things radically. We’re going culture war,” the senior U.S. official told the country that’s recognized to be the
to change this place for good.” Four days me. “But El Salvador does not have the first in innovation,” Bukele later told
later, the Assembly approved a law block- luxury of deciding that one party is going the podcaster Peter McCormack. “But
ing all investigations into the govern- to protect its interests forevermore.” why not this time?” Championing the
ment’s pandemic spending and shield- currency has turned him into a global
ing officials from corruption charges. or the past three years, crypto evan- cult hero, a crusader against U.S. he-
Bukele had assumed office saying that
his relationship with the U.S. was “the
F gelists from all over the world have
made a pilgrimage to a rustic beach in
gemony. “This is just exercising our
sovereign right to adopt legal tenders,
No. 1 priority for us.” But the U.S. had El Salvador called El Zonte, where a like we adopted the U.S. dollar in the
a new President, and both countries had middle-aged surfer from California year 2001,” he continued. “In 2001, it
THE NEW YORKER, SEPTEMBER 12, 2022 53
was probably done for the benefits of There were some red flags. Bitcoin the words “El Presidente.” The aes-
the banks, and this decision is done for users need both a public key and a pri- thetic was somewhere between a Kiss
the benefits of the people.” vate one to access their money, and many concert and an I.P.O. “When Alexan-
Salvadorans found out about the people rely on a “digital wallet” to store der the Great was conquering the world,
Bitcoin policy from news reports after these keys. The government created its he established ‘Alexandrias,’ ” Bukele
the Miami announcement. The fol- own—the Chivo Wallet app—but shared said. “These Alexandrias would be like
lowing September, the Bukele admin- virtually no information about who was beacons of hope for the rest of the
istration presented its Bitcoin Law, designing it or how it would work. world. We should build the first Alex-
which Mallers helped shape, and the One afternoon, I was walking through andria here, in El Salvador. So we were
National Assembly passed it without the main plaza in Usulután, a small city thinking of building”—a pause for ef-
debate or modification. in the country’s southeast, when I saw fect—“Bitcoin City.”
Bitcoiners are skeptical of govern- two soldiers standing guard outside a Bitcoin City would be an actual mu-
ments and central banks, but their goal gleaming blue Chivo A.T.M. The un- nicipality, powered by the geothermal
is the universal adoption of the cur- used machine looked like a monument, energy of a nearby volcano and funded
rency, and they need more countries to or a shrine. The businesses that accept by a new financial instrument called
follow El Salvador’s lead. Even so, some bitcoin tend to be large international Bitcoin Bonds, or Volcano Bonds,
of them were troubled by its example. corporations (Pizza Hut, McDonald’s, which will pay yields tied to the sale
The rush to create the Bitcoin Law re- Starbucks); a recent survey by the Cham- of bitcoin. The issuance of these bonds,
sulted in confusing provisions: one ar- ber of Commerce found that eighty-six according to Bukele, would raise a bil-
ticle mandates that all merchants ac- per cent of the country’s commercial lion dollars. The rush of investment
cept bitcoin, but another seems to hedge businesses have never conducted a bit- would help fund schools, hospitals, and
on that requirement. “The government coin transaction. public works—in theory, at least. The
operated on a startup’s timeline—move Last November, during Bitcoin question was who would invest in the
fast and break things,” Jill Gunter, the Week in El Salvador, Bukele made an- bonds, given that, by most accounts,
chief strategy officer at Espresso Sys- other announcement, this one from a their returns were no better than those
tems, a blockchain company, told me. beachfront stage rigged with strobe of the alternatives. Matt Levine, a col-
“But you’re talking about an actual sov- lights and jets of smoke. The sky lit up umnist at Bloomberg, wrote, “People
ereign nation, with the well-being of with fireworks, and on a giant screen who like crypto will buy them and trade
millions of people at stake.” behind him, in neon-blue letters, were them with each other and feel a sense
of kinship and community and fun.
They are HODLers and whales, they
get to hang out with the president of
a country on a Saturday night.”
In attendance at the announcement
was an American investor and early
Bitcoin adopter named Max Keiser,
who runs a fund called El Zonte Cap-
ital. He’s part of a group of interna-
tional financiers who are selling the
image of a dynamic new El Salvador.
When we spoke, Keiser had just dined
with Bukele at the Presidential Palace.
He had flown in with his wife for the
occasion, on a plane belonging to “Uncle
Ricky,” the Mexican businessman and
TV magnate Ricardo Salinas Pliego,
who is a passionate Bitcoiner and a
pro-Bukele partisan. Keiser tends to
see conspiracies in high places. He sug-
gested to me that the U.S. State De-
partment had been involved in the gang
killings in March, but he praised
Bukele’s state of exception as “phe-
nomenal.” “Some suggest human rights
have been violated. I would say that the
human rights of seven million Salva-
dorans are what matters,” he said.
“Imagine J.F.K. if he had Bitcoin to do
“Man needlessly dressed in professional cycling outfit on your right.” battle with the C.I.A. and central
banks—and what you get is President among the clouds. Ulloa, a short man ing to local reporters to publicize the
Bukele today. El Salvador is the new with long hair and a copper-colored case, but nothing changed. When she
Camelot.” beard, is a constitutional scholar with first told me the story, we were hunched
Since El Salvador adopted bitcoin, degrees from universities in three coun- over a small table in the food court of
the currency’s value has fluctuated wildly. tries. He is thirty years older than the a mall, her face teary.
But Bukele continued to buy more of President he serves, and a veteran of We stayed in touch as the state of
it with state funds, including a hundred left-wing causes. exception kept getting extended. It
coins last November and five hundred “I have been a social warrior all my is still in effect, even though daily ho-
more in early May, after the price life, and I fought not just with words— micides have dropped. Each month,
dropped. “El Salvador just bought the we took up arms,” he told when the Assembly has to
dip!” he wrote on Twitter. The country me. This was a reference renew it, the Speaker con-
now holds some twenty-four hundred to the war years, when he venes the body with an an-
bitcoins, worth approximately forty- was a student radical. “We nouncement on Twitter.
eight million dollars, or roughly half fought against a dictator- Nuevas Ideas members
what Bukele paid for them. ship. . . . Those who say this reply enthusiastically, with
Short-term losses are hardly the big- is a dictatorship don’t know emojis and updated profile
gest danger to the Salvadoran economy. what a dictatorship is.” He pictures. Most of them
The International Monetary Fund, from continued, “We spent the retweet Bukele, who rou-
which El Salvador sought a $1.3-billion two years of the pandemic tinely announces days with
loan, considers bitcoin a threat both to clashing with Congress.” It zero homicides. “Seguimos,”
the global financial system and to the was “an assembly domi- he says, at the end of each
country’s immediate solvency. In Janu- nated by the two parties which blocked one—“Onward.” Fifty thousand peo-
ary, 2023, El Salvador will need to make everything the President proposed.” ple have now been detained.
one eight-hundred-million-dollar bond We spoke for an hour, during which “There’s no official policy beyond
payment, followed by another, in 2025. he delivered a litany of economic- giving people blanket sentences and
“The financial markets now see El Sal- growth figures, improved homicide sta- keeping them detained,” Rina Montti,
vador as much riskier than before,” the tistics, and news of prominent foreign of Cristosal, told me. “We’ve been to
economist Ricardo Castaneda told me. investors who had visited the country. hearings where there are between three
“The reasons are failures of democratic Tourism was up, and preparations were hundred and five hundred people being
institutions, the adoption of bitcoin, and under way for an international surfing tried en masse. But there’s no actual
the lack of certainty about plans for pay- competition. But all topics led back to criminal investigation.” Cristosal has
ing off the country’s debt.” The former a fact that no one could refute: the Pres- been documenting detention condi-
government official told me, “Bitcoin ident and his party had won their elec- tions based on individual complaints
investment is a cloud that doesn’t exist. tions and continued to enjoy over- brought by family members of detain-
The state reserves are the last resource whelming public support. Until Bukele ees. At least seventy people have died
for the government to pay for basic lost a vote or rigged an election, the while in custody.
needs. Maybe it can get them to the rest was academic. At the end of the Karen has two small children, and she
2024 elections.” month, the state of exception was due was now caring for them while working
to expire. Would the Assembly extend two jobs—her own and her husband’s.
uevas Ideas shows no signs of it? I asked. “During the war, we lived In the first weeks after his arrest, she
N losing its super-majority in Con-
gress, yet its members live in fear of
six years with a state of exception,” he
replied. There was “nothing strange”
found time every morning to visit Izal-
co, the prison where he was being held.
misspeaking. Late last year, two of the about doing it again. It was a two-hour trip, and she made it
Party’s congressmen were recorded On a recent night, I was speaking to prove her vigilance, since the prison
sharing concerns over the phone about with a woman named Karen, whose didn’t allow visitors. The crowds of
losing their travel visas as a result of husband had been arrested during a women who’d once gathered outside small
U.S. sanctions. Both have been forced work break at a taxi stand in a town police precincts were now reassembling
from their jobs and are currently under near San Salvador. He and his employee each day in front of Izalco and Mariona,
investigation. were eating pupusas on the street, and, the two prisons, both overcrowded, where
The only member of the Bukele gov- when a cook from the food stall walked nearly everyone had been sent.
ernment willing to speak with me was over to collect their money, a group of The last time Karen and I spoke,
the Vice-President, Félix Ulloa, Jr. He officers converged on the three of them. she told me that she could no longer
received me one morning at his official The charge was “illegal gathering.” A make the trips to see her husband. “Too
residence, in an upscale neighborhood jealous neighbor may have called in a much work,” she said. Her voice was
of San Salvador. He sat in a high-backed tip—Karen’s husband had never been dry, almost raspy with exhaustion. “Ev-
wood chair with blue velvet trim. On arrested, and he was a fixture at their eryone is getting six months” in prison,
the wall was a surrealist painting of local church. He had also enthusiasti- she added. He was now more than half-
Lady Justice, blindfolded, with her body cally voted for Bukele in 2019. Baffled, way through, though his crime remained
floating in three unconnected pieces Karen tried everything, including speak- a mystery.
THE NEW YORKER, SEPTEMBER 12, 2022 55
FICTION
A CRITIC AT LARGE
SYSTEM UPGRADE
Can we find a better model of government than liberal democracy?
BY ADAM GOPNIK
emocracy is the worst form of the greatest of lines on the social per- fortunate line about betraying one’s
“D of government,” Churchill
is said to have said, “except
ils of privilege: “Take physic, pomp,/Ex-
pose thyself to feel what wretches feel.”
country before betraying one’s friends,
a kind of motto on the shield of the
all those other forms that have been Dr. Johnson thought that democracy Cambridge spies for Stalin—he has a
tried.” Actually, what he excepted was was obviously silly, and Dr. Johnson, let nearly religious faith in the power of
“all those other forms that have been us remember, was a prescient, 1619 kind voting. Although his allusive manner
tried from time to time,” with that last of guy, seeing the impending Ameri- makes it hard at times to distinguish
phrase implying that democracy is the can Revolution as a slaveholders’-pro- the background of the argument from
root form, and the others mere occa- tection enterprise. (“How is it that we the point of the argument, what he has
sional experiments. It was an odd no- hear the loudest yelps for liberty among in mind would be distant from the lib-
tion, but was perhaps called for by the the drivers of negroes?”) It is not only eral democracy we know.
times in which he was speaking, the possible to be an anti-liberal and not At first, Purdy’s account seems a
mid-nineteen-forties, when a war was be reactionary but easily done. fluently erudite version of a familiar
won for democracy at a nearly unbear- These days, liberal, representative leftist critique of “procedural” liberal-
able cost. The art historian Kenneth democracy—moribund in Russia, fail- ism. Liberals underestimate (or are fa-
Clark recalled appearing in those years ing in Eastern Europe, sickened in tally disingenuous about) the real role
on a popular BBC radio quiz program, Western Europe, and having come one of money in bourgeois representative
“The Brains Trust,” and fumbling a marginally resolute Indiana politician politics; politics in America, in par-
question on the best form of govern- away from failing here—seems in the ticular, has been wholly “colonized”
ment. The “right” answer, given by all gravest danger. Previously fringe views by capital. Our legislative assemblies
the other panelists, was “democracy,” certainly find new forums, with mon- are filled with rich people who mainly
but this seemed to Clark “incredibly archists speaking loudly, if a touch the- talk to other rich people. Reagan and
unhistorical”; he had, after all, studied atrically, but that is mostly strut and Thatcher, or their financiers, brought
the rise of Botticellian beauty in the noise. What would a plausible alterna- about an era of plutocratic planetary
Medici-mafia state of Florence, and of tive actually look like? “We’d all love to rule, which hasn’t been reformed since.
Watteau and rococo under the brute see the plan,” John Lennon sang sen- Blair and Clinton were mere handmaid-
dynastic rule of France, and generally sibly about revolution. ens of the market, neoliberals making
valued those despotic regimes where And so, in search of a better blue- their peace with globalization and its
more great art and music got made than print for governance, we race back to inequality. Purdy treats the Occupy Wall
has ever been created under a bourgeois Athens, the birthplace of the demos, to Street movement with admiration, as a
democracy. Wrong answer, nonetheless. figure out what went wrong and how torch that burned too briefly. Obama
He was never again trusted to be a Brain. it might be set right. It’s a model that was a failure who raised hopes and then
One doesn’t have to look far, even “Two Cheers for Politics” (Basic Books), defaulted on them; the first Sanders
within the received canon of English by the political essayist and law profes- campaign was an authentic but also
literature, to find impatient dissent from sor Jedediah Purdy, keeps in sight, if somehow dashed hope. Trump, signifi-
the idea of the natural superiority of in varying focus. Purdy sets out a pro- cantly, is downgraded to a mere epi-
democratic government. Shakespeare gram for fundamental change rooted phenomenon, a symptom rather than
ABOVE: LALALIMOLA
found nothing good to be said for de- in the virtues often thought to repose a cause—a predictably decadent exten-
mocracy or egalitarian impulses, trust- in the Athens of the fifth century B.C.E. sion of neoliberal nihilism.
ing entirely to order and compassion to Borrowing his title from E. M. Forster’s Yet Purdy does think that Trump’s
lubricate the joints of the state, even famous collection “Two Cheers for campaign, like those of Obama and San-
though he is the author, in “King Lear,” Democracy”—which included the un- ders, signalled an appetite for democratic
64 THE NEW YORKER, SEPTEMBER 12, 2022
Democracy was always the wrong ideal, Kōjin Karatani argues; far superior was the isonomia of the ancient Ionians.
ILLUSTRATION BY BERKE YAZICIOGLU THE NEW YORKER, SEPTEMBER 12, 2022 65
the people and their decisions; if you
wanted to convict Socrates of impiety—
or finance the Parthenon with tribute
from the Ionians—you cast your vote
and the democratic deed was done. Purdy
recognizes that the Athenian system was
far from perfectly democratic; the vot-
ing population couldn’t all fit into the
spaces for public assembly, and the pol-
ity did not include women or slaves. But,
for the Athenians, it was effectively dem-
ocratic: it functioned as a “synecdoche,”
not as a metaphor, in a striking formu-
lation of Josiah Ober’s. A small part of
the citizenry stood for the whole.
The villain of the story, then, is not
just the interposition of a “representa-
tive” class but the idea of representa-
tion itself, with its guaranteed declen-
sion into bureaucracy and élite rule. Nor
is this an abstract or merely historical
• • issue. Any New Yorker who has walked
into his voting station to vote, only to
confront a choice of unknown names
renewal, and a revival of “political ener- the complaint, presumably having ar- listed for dimly understood offices—
gies that had receded far from the cen- rived at a way of separating bold free- the deliverance of an inscrutable Dem-
ter of public life”: thinkers deserving of their place from ocratic Party machine—can share the
those dastardly meritocrats.) emotion that precedes the argument.
In each case, some core of listeners felt
“Yes! This is real. This is what it’s actually
Books of this kind, as all who write If Purdy does not have a very detailed
about.” The campaigns grew through the dis- them know, invariably call up remote plan, he has at least a plan for a plan.
covery that the listener was not alone: the po- philosophical figures and have them hover He wants to transform American life
litical epiphany was shared. People felt freer about the text like f loats at a Macy’s through mass participation in engaged
to say things that they had kept to themselves Thanksgiving Day parade, to be shown and shared decision-making, of the sort
or not quite known they believed and to take
stances they had shied away from, assuming
off or else deflated with a peashooter. So presaged by Zuccotti Park. To get where
no one would join them. we get the usual run of Hobbes said this we need to go, he argues forcefully for
and then Locke said this and then Rous- a reformed Supreme Court and a new
The dead wasteland of a procedural seau said the opposite and now here we Constitutional Convention every three
liberalism managed by an élite, Purdy are with Donald Trump having been decades, to rewrite the whole damn thing.
believes, has produced a crisis that only elected President. A sensitive and sub-
true politics—a popular belief in the tle account of Adam Smith is followed he familiar parts of Purdy’s polemic
possibilities of common purpose—can
solve. For the worst form of capitalist
by a less subtle, and less sympathetic, ac-
count of Friedrich Hayek, two centuries
T have familiar rejoinders. Occupy
Wall Street was a marginal, not a mass,
depredation is exacted in the realm of later. Walter Lippmann comes on, and movement, never gaining popular sup-
the political imagination: “It has to do Tocqueville, of course, is everywhere. port, and Sanders ran twice and lost
with whether we believe that we can Yet a more radical thesis at last twice. Purdy blames “market coloniza-
decide the shape of our shared world.” emerges, and with it the originality of tion” for the Supreme Court’s reaction-
He is angry at the élites who supervise Purdy’s position: he is not merely in ary decision-making, but the Court’s
the bureaucratic capitalist state on be- favor of a renewed egalitarianism but most reactionary decisions have little to
half of their overlords while keeping up disgusted with “representative” democ- do with the desires of capitalism or, any-
an elaborate masquerade of equality of racy in all its forms. way, of capitalists: the Goldman Sachs
opportunity. Harvard gets hit particu- Rejecting the Founders’ faith in con- crowd is fine with women’s autonomy,
larly hard here: slots at Harvard Col- stitutional self-governance, he believes being significantly composed of liberal
lege, he tells us, are bought and sold, that a form of direct democracy must women, and would prefer fewer gun
while its Crimson meritocrats go on to replace it—a “rough-hewn” kind, tradi- massacres. And though the struggle to
staff “Democratic administrations,” the tionally associated with what the ancient maintain democratic institutions within
Times, and, well, The New Yorker. (Purdy Athenians enjoyed, when any citizen a capitalist society has been intense, the
was a chaired professor at Columbia might be called on to take immediate struggle to maintain democratic insti-
Law School when he wrote the book, part in the decisions of the whole. There tutions in anti-capitalist countries has
and, curiously, Columbia is left out of seemed then to be little space between been catastrophic. We do poorly, but
66 THE NEW YORKER, SEPTEMBER 12, 2022
the Chinese Communist Party does in- and coaxing Manchin (whose replace- positions, but to deny that they were
finitely worse, even when it tilts toward ment would be incomparably farther to popular is to pretend that a two-decade
some version of capitalism. the right) to make a green deal so long Tory reign, in many ways not yet com-
For that matter, would our demo- as it was no longer colored green. The pleted, and a forty-nine-state sweep in
cratic life really be improved by a new difficulty with the Athenian synecdo- 1984 were mass delusions. Although pro-
Constitutional Convention—to which che is that getting the part to act as the witch Munchkins may be called collab-
Alex Jones’s followers, demanding to whole presupposes an agreement among orators after their liberation, they persist
know where the U.F.O.s are being kept, the whole. There is no such agreement. in their ways, and resent their liberators
are as likely to show up as Elizabeth Trumpism and Obamaism are not two quite as much as they ever feared the
Warren’s followers, demanding that cor- expressions of one will for collective ac- witch. “Of course, I never liked all those
porations be made to pay their fair share tion; they are radically incommensura- scary messages she wrote in the sky with
of taxes? The U.S. Constitution, un- ble views about what’s needed. her broom,” they whisper among them-
democratic though it is, is surely an ad- Purdy’s faith in “collective rational- selves. “But at least she got things done.
ditive to the problem, not the problem ity” as the spur to common action—his Look at this place now. The bricks are
itself. Parliamentary systems, like Can- less mystical version of Rousseau’s gen- all turning yellow.”
ada’s, have also been buffeted by pop- eral will—leaves him not entirely im-
ulist and illiberal politics, while Brexit, mune to what could be called the urdy’s vision of democracy would, of
a bit of rough-hewn majoritarian pol-
itics in a country without a written con-
Munchkinland theory of politics. This
is the belief that although the majority
P course, omit the bugs in the Athe-
nian model: the misogyny, the slavery,
stitution, shows the dangers of relying population of any place might be in- the silver mines. But what if the origi-
on a one-night plebiscite. timidated and silenced by an oppres- nal sin of the democratic vision lies right
Purdy’s basic political position seems sive force—capitalism or special inter- there—what if, by the time we got to
to be that politics would be better if ev- ests or the Church—they would, given Athens, democratic practice was already
eryone shared his. Those of us who share the chance, sing ding-dong in unison fallen and hopelessly corrupted, with
his politics might agree, but perhaps and celebrate their liberation. They just the slaves and the silver mines and the
with the proviso that the kind of shar- need a house dropped on their witch. imperialism inherent to the Athenian
ing he is cheering for has more to do The perennial temptation of leftist model? This is the hair-raising thesis ad-
with the poetics of protest than with politics is to suppose that opposition to vanced by the illustrious Japanese phi-
politics as generally understood. Politics, its policies among the rank and file must losopher Kōjin Karatani. In his book
as he conceives it, is a way of getting all be rooted in plutocratic manipulation, “Isonomia and the Origins of Philoso-
the people who agree with you to act in and therefore curable by the reassertion phy,” Athenian democracy is exposed as
unison. This is a big part of democratic of the popular will. The evidence sug- a false idol. He does not see this from
societies. Forming coalitions, assembling gests, alas, that very often what looks like some Straussian point of view, in which
multitudes, encouraging action on ur- plutocratic manipulation really is the Plato’s secret compact of liars is a better
gent issues: these are all essential to a popular will. Many Munchkins like the form of government than the rabble
healthy country, even more than the witch, or at least work for the witch out throwing stones at Socrates. On the con-
business of filling in the circle next to a of dislike for some other ascendant group trary, he is a staunch egalitarian, who be-
name you have just encountered for an lieves that democracy actually exempli-
office you know nothing about. fies the basic oppressive rhythm of “ruler
But the greatest service of politics and ruled.” His ideal is, instead, “isono-
isn’t to enable the mobilization of peo- mia,” the condition of a society in which
ple who have the same views; it’s to en- equal speaks to equal as equal, with none
able people to live together when their ruled or ruling, and he believes that such
views differ. Politics is a way of getting an order existed around the Ionian Is-
our ideas to brawl in place of our per- lands of the seventh and sixth centuries
sons. Though democracy is practiced B.C.E., before the rise of Athens.
when people march on Washington and If Purdy is susceptible to the Munch-
assemble in parks—when they feel that of Munchkins. (Readers of the later kinland theory of social change, Karatani
they have found a common voice—pol- L. Frank Baum books will recall that is tempted by what might be called the
itics is practiced when the shouting turns Munchkin Country is full of diverse and Atlantis theory of political history. Once
to swapping. Politics was Disraeli get- sometimes discordant groupings.) The upon a time, there was a great, good
ting one over on the nineteenth-cen- awkward truth is that Thatcher and Rea- place where life was beautiful, thought
tury Liberal Party by leaping to elec- gan were free to give the plutocrats what was free, and everyone was treated fairly.
toral reform for the working classes, they wanted because they were giving This good place was destroyed by some
thereby trying to gain their confidence; the people what they wanted: in one case, kind of earthquake—perhaps visited
politics was Mandela making a deal with release from what had come to seem a from outside, perhaps produced by an
de Klerk to respect the white minority stifling, union-heavy statist system; in internal shaking of its own plates—and
in exchange for a peaceful transition to the other, a spirit of national, call it tribal, vanished into the sea, though memories
majority rule. Politics is Biden courting self-affirmation. One can deplore these of it remain. The Atlantis in question
THE NEW YORKER, SEPTEMBER 12, 2022 67
may be Plato’s original idealized island, is that Ionian trade wasn’t captured by everything was made of water, was mak-
or it may be the pre-patriarchal society a state monopoly but conducted through ing an essentially empirical attempt to
of Europe, or the annual meeting of Vi- networks of makers and traders. The understand the world without recourse
king peasants in nightless Iceland. In earnings of trade, under those condi- to fate or divine supervision. (So, for
every case, there was once a better place tions, were more evenly distributed, Karatani, was Heraclitus, a century
than this one, and our path to renewal and the freedom of movement put a later, who thought everything was made
lies in renewing its tenets. limit on abusive political arrangements. of fire.) Karatani insists that the pre-
Karatani’s Atlantean view is plausibly “The reason class divisions multiplied Socratic physics is inseparable from an
detailed. The settlement around the Io- under the money economy in Athens Ionian political ideology. Ionian phys-
nian Islands in the centuries after Homer was that from the outset political power ics posited an equilibrium of forces,
(but before the imperial ascent of Ath- was held by a land-owning nobility,” not a hierarchy of them with a mysti-
ens) was marked by an escape from clan he writes. “That kind of inequality, and cal overseer. Anaximander, Thales’
society; the islands welcomed immi- ruler-ruled relation, did not arise in protégé, “introduced the principle of
grants of all kinds. Free of caste con- Ionia. That is to say, isonomia obtained. justice (or dikē) as the law governing
nections and tribal ties, the Ionians were If in a given polis such inequality and the natural world.” The play of forces
able to engineer a new kind of equal- ruler-ruled relation did arise, people in the physical world, fluid and forever
ity.They didn’t become hunter-gatherers, could simply move to another place.” in exchange, mimicked and governed
but they “recuperated nomadism by the For Karatani, working in a Marx- the forces in the social world. Isono-
practice of foreign trade and manufac- ian tradition, ideas tend to mirror the mia was at the root of it all.
turing.” Like fourteenth-century Ven- economic exigencies of their contexts, Isonomia in Ionia—it has the rhythm
ice or seventeenth-century Amsterdam, and he thinks that in Ionia they did. of a song lyric. One feels again the
Ionia was a place where there wasn’t The line of philosophers who came of shape of a familiar and accurate his-
much land to till, let alone a landed ar- age around the islands, usually called torical meme: trading and manufac-
istocracy to own and exploit the terrain the pre-Socratics, were notably uncon- turing centers tend to be markedly more
and its tillers, and so people had to earn cerned with hierarchy or with religious egalitarian than landholding ones.
a living making and trading things. As mysticism. They imagined the universe Democratic practices of one kind or
a result, they were open in ways that as governed by material, transactional another—though limited and oligar-
mainland Greece was not. exchanges. Thales, who lived in the Io- chic in Venice, bloodied by sporadic
A key point, in Karatani’s account, nian city of Miletus and thought that religious warfare in Holland—usually
take root in such places, only to be
trampled as power consolidates and an
élite takes hold.
OBJECT LESSONS
ing instants. Her work traffics in mo-
ments and lifetimes, but rarely in the
in-between units (days, weeks, years)
Kathryn Scanlan’s violent compression. that compose most narratives.
Scanlan’s books are hard to slot into
BY LESLIE JAMISON traditional genre categories. Her début,
“Aug 9-Fog,” which appeared in 2019,
consists of fragments whittled from a
diary that Scanlan found at an estate
sale. It recounts a year in the life of an
eighty-six-year-old woman in rural Il-
linois, seasons spent tending a home
and nursing a dying husband: “He
called. Not so good. Bleeding again.
Trying to knit pincushion.” The next
year, Scanlan published a collection,
“The Dominant Animal,” that shrank
the short story to its barest bones: forty
stories in just a hundred and forty pages.
These narrative shards lay bare the
menace and desperation lurking inside
mundane moments: a boy sticking his
hand between his cousin’s legs; a con-
stipated boyfriend trying to eat enough
salami to “force it out”; a daughter
bending to pick up her mother’s stray
white hairs after the overdue installa-
tion of an air-conditioner. (“It couldn’t
help her because she was dead.”) An-
imals are everywhere—as mysteries,
nuisances, accomplices—but the human
characters, as the book’s title suggests,
are the most animal of all. The stories
are wry, startling, and feral, full of mal-
ice and hunger, where “Aug 9-Fog” is
full of pragmatism, curiosity, and quiet
engines of domestic wonder.
hen I was a child, my grand- “two of the same animal, large and Scanlan’s new book, “Kick the Latch”
W mother and I played a game that
involved walking around her neighbor-
small, grown and juvenile,” or an ordi-
nary tart as a wild creature at rest: “The
(New Directions), interlaces the dark
threads of violence that run through
hood pretending to be aliens, from a thing I’ve made is resting. It has a pow- “The Dominant Animal” with the un-
planet called Algernon, trying to dis- der I don’t like to disturb, but I cut it sentimental rituals of caregiving that
cern the nature of every object we saw. apart and set it between us.” The “thing” anchor “Aug 9-Fog.” “Kick the Latch”
That garden hose? It was a snake that and its eerie pronouns, the casual vio- is perched ambiguously between novel
spewed poisonous tears from its rusty lence of its dissection, the lurking beast- and oral history. In an author’s note,
mouth. Those tree roots? They were baby of a playhouse—all these turns of Scanlan calls it a “work of fiction” based
the knobby fingers of a giant sleeping phrase are saturated by the quiet men- on interviews that she conducted with
under the sidewalk. ace that Scanlan brings to her estrang- an Iowa-born horse trainer named
Nothing has brought back the thrill ing evocations of daily life. Scanlan Sonia. The book narrates Sonia’s life in
of these walks—the pleasures of exca- makes art about ordinary living—or- a series of vignettes that play out across
vating strangeness from banality—as dinary people, ordinary days, ordinary the gritty, intoxicating fever dream of
sharply as reading the prose of Kath- events—by distorting it: she distorts the horse-racing world, as Sonia trav-
ryn Scanlan, who describes a suburban narrative arcs by alighting on jagged els from race to race, living in trailers
home and its back-yard playhouse as arrangements of anecdotes, distorts her and motels. It’s a landscape full of ex-
hausting labor and habitual violence,
Scanlan’s evocation of a horse trainer’s life sits between fiction and oral history. but also ecstatic devotion and joy. Sonia
70 THE NEW YORKER, SEPTEMBER 12, 2022 ILLUSTRATION BY CAMILO HUINCA
trains a one-eyed horse named Dark itself as some object sitting on a shelf,” she graduates from high school, travel-
Side to victory; a racetrack band called she has said. Her prose has a cool ef- ling the circuit with her “racetrack
the Bug Boys (jockey singer, trainer ficiency, the kind of spare disclosure family”—a greenhorn amid seasoned
drummer) plays at local bars; priests that makes you feel ashamed to want “grooms, jockeys, trainers, racing secre-
come to bless the legs of the horses. more, as if you were asking for a third taries, stewards, pony people, hot walk-
Fleeting characters are sketched with serving of dessert. Her minimalist style ers, everybody,” all of them hitting
unsparing but often fond attention: accomplishes a sleight of hand. At first the same grocery stores, laundromats,
“Thorby was gentle but when he got glance, her compression seems to elide and bars at every stop, for every race.
drunk he’d pick a fight with a cigarette the evidence of its making—reticent Sonia’s life is bound by the constant,
machine or a jukebox.” in its concision, rather than broadcast- gruelling rhythm of her work: “Four
The idea that ordinary life can be ing its artifice. Yet this radical brevity o’clock feed, seven days a week.” The
the subject of great art has long been ultimately demands that we see it as a jockeys are experts at starving them-
accepted when it comes to poetry and crafted thing. The efficiency is both selves for minimum weight and max-
literary fiction—in these genres, its sta- graceful and aloof. The crude repeti- imum velocity, a process that feels not
tus as a worthy subject feels self-evi- tions of need and desire become ele- entirely dissimilar to Scanlan’s craft:
dent—but it can still raise hackles in gant asides; the mess of years becomes “The jockeys flip their food or they
creative nonfiction. An invented life a single sentence. don’t eat at all. They get so good at
can be ordinary, but an actual life had puking they brag about it—I can flip
better be seasoned by either extraor- canlan, who is forty-two, lives in the rice but leave the beans! ” This is
dinary suffering or particular achieve-
ment. Scanlan, however, is almost in-
S Los Angeles but grew up in Iowa.
Her mother came from a family of
Scanlan’s particular skill: flipping the
rice but not the beans. Getting rid of
sistently drawn to ordinariness. The farmers, her father from a family all the language that isn’t absolutely
shortest vignette in “Kick the Latch” of racehorse trainers—the itinerant necessary but keeping the essential
is titled “Racetrackers,” and it’s just a world of races, jockeys, and groomers details that fuel the text, and give it
single sentence: “You’re around some that Scanlan takes up in “Kick the life. The visceral specificity of her writ-
really prominent people and some are Latch.” Her writing sits at the conflu- ing, by refusing to sanitize our phys-
just as common as old shoes.” Sonia’s ence of two artistic lineages: the art of ical presence in the world, makes the
own allegiance is clear—to the old the ordinary and the art of distillation. ordinary strange. It’s like saying a fa-
shoes, the jukebox fighters, and the One is a tradition of form, the other miliar word so many times that it
Bug Boys. of content. She is an inheritor of the starts to sound as if it were from a
In all her books, Scanlan writes poignant terseness of Lydia Davis and foreign language.
about ordinary life in extraordinary Diane Williams (she has been pub- Sonia emerges as a compelling char-
ways by compacting it radically, like lished many times in Williams’s liter- acter: kind beneath her gruff exterior,
pressurizing carbon into diamonds. ary journal, NOON ) but also of the charmed by surprising things (a
When Sonia describes the force ab- documentar y poetr y of Charles Thanksgiving turkey roasted in a motel
sorbed by a single hoof in every stride Reznikoff and Muriel Rukeyser, the bathroom, for example), dry as a bone
of a horse’s gallop—“a thousand pounds rural dramatic monologues in Edgar and cool as a cucumber, consistently
of pressure held up by that one thin Lee Masters’s “Spoon River Anthol- understated about her own pain. De-
leg”—she could also be describing ogy,” and the grotesque character scribing a riding accident that puts her
Scanlan’s syntax: compact phrases hold- sketches of Sherwood Anderson’s in a coma, she says simply, “I was at
ing so much pressure. The work is “Winesburg, Ohio.” Scanlan has cited the bottom of the pile.” When Sonia
structured by recurring themes: the vi- Walker Evans’s declaration that his eventually leaves the racetrack life, she
olence and pleasures of intimacy, the “photography was not ‘documentary’ moves back home to take care of her
balm and exhaustion of hard work, our but ‘documentary style,’” and her de- ailing parents and ends up working as
bonds with animals and with our own scription of this aesthetic could also a corrections officer at a maximum-se-
animal natures—those surges of de- describe her own: it gives off “the raw, curity prison. “I tried to be a normal
sire and aggression that unseat and re- immediate feel of the unedited every- person,” she explains. Yet the racetrack
arrange us. day,” but “you quickly realize how still occupies what W. B. Yeats might
But the effect of Scanlan’s work rises shaped it is.” call her deep heart’s core. “People say
as much from its form as from its con- In “Kick the Latch,” Scanlan’s you never get racing out of your blood,”
tent. As with a sculpture, you’d be as anecdotes (with titles such as “Pick- she remarks. “I still dream about it
likely to describe it in terms of its shape led Boiled Eggs,” “Call Your Owners, most nights.”
as its materials. Reading Scanlan often Call Home,” and “Gallon of Blood”) Whenever Sonia is talking about
feels like encountering something akin do not unfold quite like a traditional horses, tenderness cuts through her
to Wallace Stevens’s jar on a hill (“it plot, with deepening relationships stoicism like vinegar through oil.
did not give of bird or bush”): forceful and a narrative arc. They are more like She describes birthday celebrations
in its presence but hard to penetrate, rosary beads, each a tiny, contained for her horse Rowdy (“frosting on his
self-contained and opaque. “I try to unit. Born in 1962, Sonia starts work- muzzle”) and nursing a “skin and
write a sentence as unbudging and fully ing full time at a horse farm just after bones” mustang named Chico, rescued
THE NEW YORKER, SEPTEMBER 12, 2022 71
from a rodeo sale: “I got some weight “little yipping chihuahuas”; Sonia re- who made jam anyway—and took
on him, some calm.” She has a soft members “sixty, seventy chihuahuas care of those chihuahuas, who some-
spot for underdogs who have been without stretching it a bit.” The ex- how survived the winter.
cast aside, mistreated, reviled, or deemed tended memory of Bicycle Jenny not
unworthy of care, from horses like only allows us to register Sonia’s tough- n a vignette called “I Seen Him Every
Rowdy and Chico and Dark Side to
the incarcerated men at the prison
minded empathy (“How’d they not
freeze in the winter? I didn’t think
I Day,” Sonia describes a man break-
ing into her trailer in the middle of the
where she works. Or like the drunk nothing of it when I was a kid but I’m night when she was a teen-ager: “He
grandpa who lived on her block when thinking of it now—how’d the dogs was taking pills. He was a jockey trying
she was young; she let him stay in survive?”) but also illuminates how to cut weight. He told me he’d just shot
her room when his daughter kicked our lives are often shaped by seem- a dog.” He puts a gun to her head. She
him out. ingly unimportant figures, the kinds says, “I got raped,” and not much more
The longest vignette in the book of relationships and moments that are than that—to anyone in her commu-
describes Bicycle Jenny, a figure from frequently overlooked. Bicycle Jenny nity, or to the reader. In closing, she says
Sonia’s childhood, a woman whose takes up more textual room than any only, “The guy sobered up, I knew him,
house burned down: of Sonia’s romantic partners or fam- I seen him every day, I knew exactly who
What was left of her house was a scorched ily members, more room even than it was—it was bad, but anyway, I sur-
concrete hole in the ground. That’s where she the racetrack accident that leaves her vived. I cut my hair real short after that.”
lived. . . . She had clothes-pins and wire hang- in a coma. This is trauma stripped to its essen-
ing from trees. Down in her hole in the ground When life becomes art, it can tials: the silence, the daily exposure, the
was an old-fashioned bathtub and a little cast- honor the disproportionate impact of curt “it was bad,” the shorn hair as a
iron camp stove. She had test tubes with rub-
ber stoppers, little blue bottles, jars of jellies those peripheral moments and fig- wordless articulation of damage. The
she made from her raspberry bushes. . . . Her ures which end up composing us— title “I Seen Him Every Day” reveals
voice was high, cracked, eerie like a witch’s. She even if we have no ready-made lan- the handprint of an author who is ex-
had her big men’s work gloves, her hat and her guage for their inf luence. Bicycle plicitly absent from these pages but is
other hat, and she’d usually have some chihua- Jenny mattered because she survived always choosing what to include and
huas stuffed in her coat.
and bore her hardship without a fuss, what to leave unsaid, what to juxta-
In her burned-out home, Bicycle because she was a woman with noth- pose, where to end. The title forces us
Jenny keeps an incredible number of ing but a charred hole in the ground to spend a moment longer in that di-
mension of Sonia’s trauma—to ac-
knowledge it. No introspection or ca-
tharsis, only the hair cut “real short,”
and the white space afterward—so that
everything unsaid can fill the silence.
Sonia’s penchant for understatement
and Scanlan’s stylistic compression go
hand in hand, tonal collaborators, to
the point where it becomes hard to tell
if Sonia’s consciousness—the under-
statement that seems so crucial to her
character—is a function of her own
sensibility or of Scanlan’s. But does it
matter? In these pages, Sonia is a char-
acter, not a faithful representation of a
person in the world beyond.
Wherever it comes from, this com-
pression amplifies the effect of violence
rather than diluting it—the way a blade
gets sharper the more precisely it’s
ground. No extra words offer solace, dis-
traction, or epiphanic recuperation. This
violence is often gendered: a horse owner
forces a new girl to jerk off his stallion
while bystanders gawk; Sonia’s ex-lover
Mister Baker tries to strangle her, stalks
her, and then kills her cat. Gendered vi-
olence also courses through “The Dom-
“It may be easier to brew it here, but I say we go inant Animal,” from the casual degra-
to that expensive coffee shop over yonder.” dation of an offhand phrase (“I bet you
like to fuck”) to the malicious amuse-
ment that a girl observes in a group of
boys as they hold her underwater (“I un- BRIEFLY NOTED
derstood this as their birthright”). Over
and over again, characters turn back to Elizabeth Finch, by Julian Barnes (Knopf ). The title charac-
the very things that harm them, refus- ter of this cerebral novel is an enigmatic professor whose
ing plotlines of resolution or catharsis. personal papers are inherited, after her death, by the narra-
These stories are about living alongside tor, Neil, her former student. The book begins with a finely
darkness. When a woman calls her doc- drawn character study of Finch, a freethinker idolized by
tor after expelling the “clotted, rotted her students. Neil, overwhelmed by adoration, failed to turn
wad of gauze” that he used to stop her in his final essay, a task to which he now applies himself.
bleeding after giving birth, she tells him, That essay, on Rome’s last pagan emperor, Julian, makes up
“I think you forgot something.” He re- a full third of the book. What would the world be like, it
plies, “You survived, didn’t you?” asks, if Julian had succeeded in halting the rise of Christi-
Sonia, too, has survived. In her short anity? Barnes boldly resists providing answers, inviting the
sentences, we can hear both the im- reader to ponder the ways in which history shapes our lives.
perative to simply endure all this vio-
lence (“I seen him every day”) and the Autoportrait, by Jesse Ball (Catapult). A novella-length un-
rage of enduring it. The day after Mis- broken paragraph of observations and recollections, this lat-
ter Baker attacks Sonia—leaving her est work from a gleeful absurdist toggles between matters
gurgling blood, with bruises around philosophical (“I don’t believe books are about anything. A
her neck—the police release him from frog is also not about anything”) and mundane (“I like to see
jail, informing her, “This is just to let people boiling pasta. I find it exciting”). The most telling
you know that Mr. Baker—Mister moments come when seemingly inconsequential thoughts
Baker—has been released.” The italics bump up against weightier ones: “Once, some years ago I
belong to Sonia, and the title “Mister was mean to my mother and she cried. I never wear watches.
Baker” belongs to Scanlan: both female I believe I stopped about twenty years ago.” The cumulative
narrators are calling him to task, ex- impression is of a scaldingly droll, unredacted personal in-
posing his violence, and insisting on ventory of likes, dislikes, body parts injured, pets formerly
the dignity of saying exactly as much owned, and loved ones lost.
as they’d like about him, nothing more.
The relationship between Sonia and The Newlyweds, by Mansi Choksi (Atria). This examination
Scanlan, subject and writer, becomes of love in India follows three couples whose relationships con-
briefly explicit near the end of the book, travene societal norms concerning religion, caste, and sexual-
when Sonia, for the first time, addresses ity. In India, where marriage is seen more as an act of duty than
a “you”: “This week I’ve been busy, but as one of passion, the families of people who buck expectations
I’ve got to get those pictures of Rowdy can suffer harassment and violence. Choksi’s couples run away
in the mail for you.” In this turn toward to be together but must then reckon with the costs of their ac-
the “you”—an address that could easily tions. A woman who marries into a less prosperous family no-
have been excluded from the text but tices her mother-in-law’s “empty-stomach stench”; another
was instead preserved—we are reminded woman’s frustration at people’s refusal to recognize her same-
of the interview process that Scanlan sex partner morphs into dangerous cruelty; a couple leaves their
has told us about. The “you” of Scanlan village only to return later. Choksi writes that each of her sub-
has been shaping the story all along, of jects “is tormented by one central question: Was it worth it?”
course, choosing, arranging, and perhaps
even transforming everything we see. Shadowlands, by Matthew Green (Norton). The author of
In the closing lines of the book, Sonia this “itinerary of destruction” visits eight ruined British settle-
observes that “a racetracker doesn’t say ments, including Wharram Percy, “Europe’s best-known de-
We won a race. A racetracker says We serted medieval village,” which barely survived the Black Death
win. It’s not proper English. . . . The and was then obliterated by greedy landlords who took its
race is over, it’s already won, but we say fields for sheep pastures; Norfolk villages cleared in 1942 to
We win, we win, we win.” Every world serve as an ersatz German town used for military training; and
develops its own ways of speaking. Hirta, a remote Scottish island, whose inhabitants, seen as
Every experience demands its own ways noble savages by Enlightenment thinkers, had to be evacuated
of being spoken. This text, in its final in 1930, when life there became untenable. For Green, such
breath, invokes the literary present lost places are not mere historical curios, filled “with emotional
tense—like a spell, or an incantation. preoccupations and present-day concerns”—they provide cau-
Once a life becomes text, it no longer tionary tales about sustainability and remind us that “many of
has a body. But it can live forever. our communities . . . are ghost-towns-in-waiting.”
THE NEW YORKER, SEPTEMBER 12, 2022 73
The lines characters say are razored-
THE THEATRE down, heavily edited Shakespeare, but
some context and the musical numbers
by the way the program fosters long- of old age (“Sans teeth, sans eyes, sans
term engagement: some of the current taste, sans everything”), is turned into a
ensemble members go back to the early heartfelt curtain-raiser: WHAT’S THE
days. The 2020 documentary “Under
the Greenwood Tree” makes clear the All the world’s a stage BIG IDEA?
and every day, we play our part Small space has big rewards.
pain of losing this production—first acting out our heart
performed in 2017 and originally slated year by year, we grow
for a longer 2020 revival—to the COVID learning as we go
TO FIND OUT MORE, CONTACT
shutdown. It also suggests that Public
Works doesn’t really need a big show. Taub, dressed in patchwork overalls, JILLIAN GENET
305.520.5159
“We have community,” Christine Yvette sings while younger versions of Or- [email protected]
Lewis, a longtime Public Works partic- lando and Rosalind parade past. It’s a
ipant, says. “How could that be broken?” celebration instead of a nihilistic view
Public Works has a signature aes- of life’s grim predictability. Even the
thetic—the stage design is colorful, the couple’s senior selves, revealed in the
storytelling straightforward, the mood “All the World’s a Stage” reprise, look
buoyant and breezy and meant for a like #retiredcouplegoals. What could
summer night. For those of us in the they possibly be without? Maybe they’re
audience, this can be broken, or at least sans stress?
fractured. In the sometimes awkward The lines from Shakespeare that re-
case of “As You Like It,” a viewer has main, though, keep fighting against the
to ignore a certain amount of the text ice-cream sweetness of the production.
to embrace the Public Works spirit. The In her wild truth-telling mood, Rosa-
play is an end-of-the-Elizabethan-age lind still says terrible things about
work, full of wry contempt for its own women, and mismatched couples still
pastoral form and rueful melancholy wind up blithely marrying in the com-
for a golden age already in sunset. Be- edy’s four-way-wedding finale. Happy,
neath its effortful bumptiousness (the happy, happy goes Woolery’s show, which
British director Peter Brook once called crescendos into a thrilling crowd dance
it “a sort of advertisement for beer”) lie choreographed by Sonya Tayeh. But
bleak thoughts: Eden isn’t an escape; Taub and the juggernaut Jones have done
poetry is “feigning”; lovers lie. too good a job of portraying Rosalind’s
There’s a struggle between the source ambivalence for us to believe lyrics like
material’s cynicism and the produc- “love makes magic real.” Taub is on
tion’s determination to be nice. Taub firmer ground with, well, the ground it-
and Woolery’s ninety-five-minute ad- self. Her eyes light up when she sings
aptation is brisk, tuneful, and inclusive. about the Forest of Arden, particularly
As a lyricist, Taub, who also wrote the its theatre-like state as a place both un-
recent voting-rights musical “Suffs,” real and real. Like Public Works—whose
defaults to earnestness; her infectious deeper project of community building
melodies, which draw from hoedowns, is unconcerned with passing criticism—
Levantine wedding songs, and vintage Arden is best suited to recovery and uto-
cabaret, tend to rollick and repeat. Many pian thinking. It also looks, unsurpris-
of the lovers now are in same-sex cou- ingly, a lot like Central Park.
THE NEW YORKER, SEPTEMBER 12, 2022 75
that communicate the depth of loss and
ON TELEVISION dislocation. When we first meet him, he
is primping a living room: attending to
LOST YOUTH
a throw blanket, organizing photos. Near
the film’s end, the camera zooms out to
reveal that the living room is a set, one
Two new documentaries on HBO Max and Netflix. that the crew comes to disassemble.
Although the mayor of New Orleans
BY DOREEN ST. FÉLIX issued a mandatory evacuation order
shortly before the hurricane, thousands
of residents stayed, lacking the resources
to leave. The Buckles family left town at
the last minute, at the sudden urging of
Buckles’s mother, whose son claims she
has a knack for prophetic visions. Would
Buckles have stayed, had he been an adult
with the ability to make his own choices?
He recalls being told by an elder, while
watching footage of the storm in horror,
that everyone he knew back home must
be dead. He maintains a survivor’s guilt,
even though the storm made him a ref-
ugee, in Lafayette. Obliquely, “Katrina
Babies” is a study of the autonomy of the
Black child, and of how the government
abuses its youngest citizens.
One survivor, who stayed in New Or-
leans with her family during the storm,
remembers hearing a loud sound, fol-
lowed by eerie silence. The levees had
broken. When she awoke the next morn-
ing, the street was flooded. Non-New
Orleanians think this is a story they can
understand, rooted in the universality of
a merciless natural event. But “Katrina
Babies” refuses to feed the notion that we
all felt Katrina equally. Buckles stays close
to the ground, letting the first-person tes-
timonies accrete. Survivors recall spend-
ing days in their attic waiting to be res-
hat makes a generation a gener- observation that becomes something of cued. Others describe the chaos at the
W ation? Collective identity is often
forged through catastrophe. In the
a refrain: “Nobody ever asked the chil-
dren how they were doing.”
Superdome, the football stadium that was
turned into a public shelter. One high
United States, we bicker over cohort- In the late summer of 2005, Buckles point is Buckles’s interview with twenty-
establishing events: an endless war, eco- was thirteen years old. The director’s wist- six-year-old Arianna Evans. The docu-
nomic collapse, the onslaught of illness. ful narration captures the back-to-school mentary includes footage of Evans, at age
“Katrina Babies,” a documentary by Ed- excitement in the neighborhood. He goes nine, delivering an impassioned speech
ward Buckles, Jr., released on HBO Max to a relative’s house for games and rice to a reporter about the conditions at the
before the seventeenth anniversary of and gravy; it would be the last family Superdome: “We just need some help out
Hurricane Katrina, argues for the ordi- gathering at the house, which was soon here.” (At the time, Evans’s grandmother
nation of the storm as a defining Amer- destroyed. Much of “Katrina Babies” con- was running out of insulin.) In the pres-
ican tragedy. Buckles’s memory piece sists of archival disaster footage inter- ent day, Evans’s reserve is striking. She is
springs from a well of frustration. The woven with modern interviews; Buckles no longer the prophet child.
director, a Katrina baby himself, and his shot the film over a period of seven years, “Katrina Babies” is deeply conver-
subjects, other Black survivors of both beginning in 2015, as the oldest of his sant with “The Shock Doctrine,” Naomi
the storm and the government’s oppor- peers were entering their late twenties. Klein’s exploration of how governments,
tunistic response to the storm, make an He frames his film with correlative scenes in the wake of disaster, take advantage
of a stunned populace to fulfill a polit-
“Katrina Babies” is a study of how the government abuses its youngest citizens. ical agenda. Buckles argues that P.T.S.D.
76 THE NEW YORKER, SEPTEMBER 12, 2022 ILLUSTRATION BY LEONARDO SANTAMARIA
from Katrina was not inevitable; the ex- his grandmother and of his girlfriend, The documentary has a mandate,
perience of young people in New Or- which had occurred on the same day. which is to eliminate all suspicion that
leans was essentially engineered by an Months later, after it was revealed that Te’o was involved in the “hoax.” We need
inhumane government. “Katrina Ba- his late girlfriend, Lennay Kekua, was to believe his naïveté, in order to under-
bies” also thoroughly indicts Bush-era a fake Internet persona created by Naya stand why he would maintain a relation-
media for its criminalization of Black Tuiasosopo, Te’o became a pariah. Di- ship with Lennay, who dodged requests
New Orleanians. Survivors of the hur- rected by Tony Vainuku and Ryan Duffy, to meet him in person, and why he fell
ricane were shuttled to trailers contam- this latest iteration of the explainer se- for an elaborate scenario involving a car
inated with formaldehyde. They were ries “Untold” is a tenacious, sometimes crash, a cancer diagnosis, death, and res-
forced to relocate to nearby cities that lyrical dissection of sports media. But urrection. We need to link that naïveté
were not equipped to take them in. And, as a portrait of forbidden love? It halts. to football fanaticism. And we must be-
when they tried to return to New Or- Te’o did not just agree to speak for come repelled by the institutions—from
leans, they discovered that their city had the documentary; he offered up his big, Notre Dame to the N.F.L. to sports media
been taken from them by gentrification beautiful body to the production. In vi- like ESPN and Deadspin, which broke
prospectors and post-disaster tourists. sual interludes that stud the conven- the story—that chewed up and spat out
Buckles is now thirty. He is support- tional sequences of archival footage and a vulnerable boy. Afterward, Te’o, the pre-
ing the generation behind him—those talking-head interviews, he is made to sumed first-round draft pick, fell to the
who have no active memory of the storm genuflect on a church bench and float second round. His image as a leader was
but have had to reckon with its after- in the sea. He is elevated to a sacrificial utterly shot. It’s a tragedy, with no death.
effects all the same. When he filmed the figure. Te’o, his parents, and his friends “The most fucked up thing for me
documentary, he was a high-school teacher provide his biography. As a child, Te’o was what was the point in all of this?”
in New Orleans, trying to get his pupils was a disciplinarian’s wet dream. When Te’o’s childhood friend laments. He can’t
into filmmaking. The kids are exuberant, his father asked him what he wanted to fathom the possibility that Tuiasosopo
when we meet them, but it takes only a be when he grew up, Te’o replied, “The may not have had a clear endgame in
few minutes of interviewing for their anx- best.” A gifted high-school athlete, he mind. He certainly can’t imagine that
ieties to surface. How many generations was heavily recruited by colleges, and she was just as love-drunk and irratio-
of Katrina babies might there be? went to Notre Dame, where he became nal as Te’o was. “The Girlfriend Who
a star. He navigated an intense triangu- Didn’t Exist” has gone viral, echoing the
he football player Manti Te’o is lation—the expectations of Polynesian, original hysteria; this time, however, in-
T now a saint. He was canonized by
LeBron James. A week after the release
Mormon, and football cultures—with
grace. Tuiasosopo, born into a similar
stead of being pilloried, Te’o has been
exalted. It’s a different moment, one that
of “Untold: The Girlfriend Who Didn’t matrix, struggled by comparison. “I truly Te’o, an emotionally intelligent and gen-
Exist,” a two-part Netflix documentary believed in my heart, being a natural- erous man, is fit to represent. In his will-
about Te’o, a wunderkind linebacker born male, I could never be who I ingness to forgive Tuiasosopo, he is the
whose life was torn asunder by a cat- wanted,” she says, recalling her alien- ideal hetero victim. Tuiasosopo, too,
fishing scandal, James tweeted, “Manti ation from “faith, family, and football.” seems to have forgiven herself her tres-
Te’o you good brother!!,” with a raised- Smartly, the documentary presses lightly passes—an act that carceral minds can’t
fist emoji. “Good” as in exonerated, on its main “twist,” which is that Tui- abide. And so she has emerged as the
granted entrance again to a fraternity asosopo, who was exposed as Te’o’s male trans villain. No wonder, as the film side-
that had ejected him from its halls. In catfisher in 2013, has since transitioned. steps the fragile truths of this tale, which
2012, Te’o, a native son of Hawaii, was The light touch is out of respect, but are that all love is maintained on distor-
a public hero for his resolve: he played also out of provocation: it suggests Tu- tions, and that Lennay was real to the
a game while mourning the deaths of iasosopo and Te’o as mirror images. only two people who mattered.
THE NEW YORKER IS A REGISTERED TRADEMARK OF ADVANCE MAGAZINE PUBLISHERS INC. COPYRIGHT ©2022 CONDÉ NAST. ALL RIGHTS RESERVED. PRINTED IN THE U.S.A.
VOLUME XCVIII, NO. 28, September 12, 2022. THE NEW YORKER (ISSN 0028792X) is published weekly (except for four planned combined issues, as indicated on the issue’s cover, and other
combined or extra issues) by Condé Nast, a division of Advance Magazine Publishers Inc. PRINCIPAL OFFICE: Condé Nast, 1 World Trade Center, New York, NY 10007. Eric Gillin, chief business
officer; Lauren Kamen Macri, vice-president of sales; Rob Novick, vice-president of finance; Fabio B. Bertoni, general counsel. Condé Nast Global: Roger Lynch, chief executive officer;
Pamela Drucker Mann, global chief revenue officer and president, U.S. revenue; Anna Wintour, chief content officer; Jackie Marks, chief financial officer; Elizabeth Minshaw, chief of staff;
Sanjay Bhakta, chief product and technology officer. Periodicals postage paid at New York, NY, and at additional mailing offices. Canadian Goods and Services Tax Registration No. 123242885-RT0001.
POSTMASTER: SEND ADDRESS CHANGES TO THE NEW YORKER, P.O. Box 37617, Boone, IA 50037. FOR SUBSCRIPTIONS, ADDRESS CHANGES, ADJUSTMENTS, OR BACK ISSUE
INQUIRIES: Write to The New Yorker, P.O. Box 37617, Boone, IA 50037, call (800) 825-2510, or e-mail [email protected]. Give both new and old addresses as printed on most recent
label. Subscribers: If the Post Office alerts us that your magazine is undeliverable, we have no further obligation unless we receive a corrected address within one year. If during your
subscription term or up to one year after the magazine becomes undeliverable you are dissatisfied with your subscription, you may receive a full refund on all unmailed issues. First copy
of new subscription will be mailed within four weeks after receipt of order. Address all editorial, business, and production correspondence to The New Yorker, 1 World Trade Center, New
York, NY 10007. For advertising inquiries, e-mail [email protected]. For submission guidelines, visit www.newyorker.com. For cover reprints, call (800) 897-8666, or e-mail
[email protected]. For permissions and reprint requests, call (212) 630-5656, or e-mail [email protected]. No part of this periodical may be reproduced without
the consent of The New Yorker. The New Yorker’s name and logo, and the various titles and headings herein, are trademarks of Advance Magazine Publishers Inc. To subscribe to other
Condé Nast magazines, visit www.condenast.com. Occasionally, we make our subscriber list available to carefully screened companies that offer products and services that we believe would
interest our readers. If you do not want to receive these offers and/or information, advise us at P.O. Box 37617, Boone, IA 50037, or call (800) 825-2510.
THE NEW YORKER IS NOT RESPONSIBLE FOR THE RETURN OR LOSS OF, OR FOR DAMAGE OR ANY OTHER INJURY TO, UNSOLICITED MANUSCRIPTS,
UNSOLICITED ART WORK (INCLUDING, BUT NOT LIMITED TO, DRAWINGS, PHOTOGRAPHS, AND TRANSPARENCIES), OR ANY OTHER UNSOLICITED
MATERIALS. THOSE SUBMITTING MANUSCRIPTS, ART WORK, OR OTHER MATERIALS FOR CONSIDERATION SHOULD NOT SEND ORIGINALS, UNLESS
SPECIFICALLY REQUESTED TO DO SO BY THE NEW YORKER IN WRITING.
Each week, we provide a cartoon in need of a caption. You, the reader, submit a caption, we choose three
finalists, and you vote for your favorite. Caption submissions for this week’s cartoon, by Liza Donnelly,
must be received by Sunday, September 11th. The finalists in the August 29th contest appear below. We will
announce the winner, and the finalists in this week’s contest, in the September 26th issue. Anyone age
thirteen or older can enter or vote. To do so, and to read the complete rules, visit contest.newyorker.com.
“ ”
..........................................................................................................................
“I almost didn’t recognize you without the graffiti.” “I haven’t heard from you since we were kids!”
Mark Strout, Norwell, Mass. Edgar Grove, Bristol, Conn.
THE 17 18 19
CROSSWORD 20 21
22 23 24
A beginner-friendly puzzle.
25 26 27 28
BY ROBYN WEINTRAUB
29 30 31 32 33 34
35 36 37
ACROSS
1 “Your Majesty”
38 39 40
5 Funny-bone location
10 Emulates a lumberjack 41 42
14 Tech site that says it reports on “what’s
new and why it matters” 43 44 45 46
15 Way to go
16 Landed, as a bird on a branch 47 48 49 50 51
17 X-ray units
18 Something that helps everyone, in a 52 53
nautical metaphor
20 Off-roader’s ride, for short 54 55 56
beam B U R R O A R M A D I L L O
19 Wineglass fit for a queen
O C E A N M A G N O L I A S
47 Growing at an exponential rate 21 “Look at Me, I’m Sandra ___” (“Grease”
M I N S T R E L D E L A Y S
51 “I ___ Man of Constant Sorrow” (song song)
B E E G A S P O S E
in “O Brother, Where Art Thou?”) 23 Soar
A B O U T D A M N T I M E
52 Goes away with a new spouse 26 “Pull over!” sound
O R D E A L O R S O S I X
53 Bit of foreshadowing 27 Tale on a grand scale M I L A N A N T T R U C E
54 Amber or pale quaffs 28 Many I C E Y O L O S C O P E S
55 Impressionist known for his paintings of 30 Yorke of Radiohead T H R O W F O R A L O O P
water lilies and haystacks 31 Indian prince W H A T G U M O D E
56 Unload one’s grievances 32 Really big cat person? W H A L E S C O M P O S E D
57 Planet with the moons Phobos and 33 Type of park that’s not especially H O V E R O V E R U P E N D
Athleisure bottoms T E N S T E E S E N O S
58 “La Bohème” or “La Traviata” 34
59 Newspaper section with theatre and film 36 Bandmate of Stills, Nash, and Young Find more puzzles and this week’s solution at
reviews 39 Skill newyorker.com/crossword