CONTENTS Part 00 CHAPTER OT omermnnnenss is 1 (CHAPTERO2 Coding of Lit and Cotor a INTRO cuapter os rasesmescignataie . CHAPTER 04 What kind of color should l use? 4 Part 01 CHAPTEROT Light i What is color? UNIT 03. untiotspecevedas ecxer ; CHAPTER O2 (Color) a UNIT OL weve a NT 7 Tete earner ee opis a CHAPTER 03 Fonts to rote wten cto in igtapaning a Part 02 CHAPTER OT sserecreonsnane cnr UNIT 01 Effect of ight on color ttght cs UNIT 02. Decicopstnaierserncoertio 2 Undertending he XTRA color whee [WUT 03 ams Changin he col ofan ejay ant % Chapter 02 thuminance = UNIT 02 tft tininacs on ser 8 {NIT 03 uminaros oF Liste and Shadows UNT 04) =seerencie a Unit 05 White Balance a CHRPERES sem oh on he dha 4“ UNIT 01 indice igh? 4“ Using closed shadows in EXTRA shadow expressions ‘ EXTRA Acdoatjcts to photca 5 XTRA Ligh hat chic tol secre EXTRA Ssh Camoarson fight acolo EXHA location 6 Part 03 CHAPTER OI Lighting n light UNIT 02 Whatis n Sarto Unto Ligh and ShaePort 04 texture Part 05 Part 06 Port 07 coloring Part 08 tutorial CHAPTER 01 Materia UNIT 01 Texture UNIT 02 se UNIT 03 Layered material CHAPTER 01 Elects&Phenomena UNIT 01 Radiance UNIT rainbow and raintow 02 UNIT 03 Fresnel Effect UNIT 04 Sub Surface Scattering (SSS, Sub Surface Scattering) CHAPTER OI 4X(Colox) UNIT OI 2 Mx UNIT 02 soit ssnccton CHAPTER 01 Coloring UNIT C1 Representative painting techrique UNIT 02 Atypical digital painting method race of EXTRA Cel Cana Meo EXTRA practice blending EXTRA commana sneer rh EXTRA volume est EXTRA value priority EXTRA Bescon CHAPTER O01 s:secrenct canny (CHAPTER O2 Character Coloring: Light and. tex CHAPTER 03 Coloring lustrations 138What elore gal? in other lighting? How the materiaO_O. Crear Recles hey can ert io) oes frou are half right. WV ipeint it F 4B a Unie form, seuctre, end shape, colors subjctve sensation fel by the obese 80K often cteates opel sion For example, the infermation that an apple isredis very subjective and ever n practice, ales rarely have a pe re cla ard he recor fepeles is ely used and of sya infermaton [ose colo! You eed tokroW the ght~ Bs12d light and coor 3 An artist who studied light and color Trensantnenu ond / Ss Ingres Monet Neoclassical Impressionism Twpifespies ncwaysinwnehpanas de wth cobra change and versed ver ey nti Neceaticl peters wie to exqren the Enightenment thought of the ume pico, an they portrayed he expesionof ray andreas ma trent wa. On the oer hin Ingest pitersoxorsted tha tutheimeretson whch bere the acted at hough etn If thatthe toa terngtobe ately Hear my message! ver March The Sck Gil, 166, ositing \wansre saver ctcotenperaty at these ct expessnhesbecomeinore das snc clang es the puposeatentepetatan tena ne pt. Thouah Bors whletrs to eos excrarentnth nine cor and separ wthalemy cles the ste of ‘clr wasturtererpnaszed We recomend tou thnk ght andere erematerai clog arathnkabou what anghow to ae It’s not all about coloring well! &en (Aaa Rme et RAE Le rie mater vtualy united, | how should i paint Compared to painting the dgal coloring method Red is red..." Lt as light, Oris it blue...” color 98 coker. QD er ok % )_ DVO? ry ‘0 inthis book, we ill lok at various concepts necessary for colon,im PART 01 _ What are light and color? 2 Smettiie | ‘Among the many energies that exist nthe word, the eneray that lliminates the wert! weve nis called light Objects with strong en s, emit light (visible light ‘and other electromagnetic cnonged by an Inphysies, the ability to do work is called energy, and lecremagnetic waves ate egy radiated by eeewomagneic processes Jength of wavelength le “oe 4 “K le light 4) Generally this area is called debt, Scttomegnetc waves ar classed based on ther 12345,Fs light a panicle or a wave? Since there is no medium in the The photoclectri effect double | vere, energy canna: be wansites through waves you look att “doute st sit exparont lad to debates abr theatre of ight The dualty of int was demonstrated by Einstein Light has both particle and wave Properties. Painters who deal with color have no problem in coloring objects even if they understand light as particles. ‘Why does red look red? When coloring a share 7s enous! In frendly coloring, ees Mowe incrdero understand en expess a he varus cles of rate, @2 verge any clase We are irreplaceable! ] =e “The the independent cobs of preg (rc fen an ve) ae eal ne ne paar colors of ht U(Ghallve make» pink (M) debt.) qT! g By property adjusting these three colors of light, we can create any calor of ight we can see hot hat Cameos (Hore, the green ight j | ‘As thetght of ait Is aed, he irtensty ofthe ah that ent beater Thera eal dive nng bung 227; wichmsans toad ‘Since ght is energy, adtive mixing takes lace, and Fhe moxepigmets such as peints are mixed, the darkerit gets Be careful! S (ay) in general, @particuar colorof ght actully hao several wavelengths. Vu a = t i L —— iaser pointer reba laser pol4. Until light is perceived as a color Dfentcolas oat islet take on ferent cr eed onthe th ofthe pup (ean) | ;lris (door) Rods (about 150 million) hn Ine ences eu 906 travelthcugh he pupltotheeptinene, {Upon reaching the retina it excita rads ene cones ods detect light intensity (contrast) wer GD Each cones activate bythe wavelength ofthe Fght Be aware! 1) The rods must be sufficiently active for he cones fo discriminate colors well ‘Therefore itiedffoulto dating Trebranpatchasthe tay aradintomaten20 Kind light and eater ES 1. Whats cae? how color appears Visible tight ve? ss Light source the NEVI Ds color unique element of an object? ‘The apple itself is colorless, and how light reflects off the surface determines the color of the it to he blue. and there are times ‘ccna appeat neni Color is a synthetic sense that the yes and bes fee such seats or emel. nd ie eubjective ting that can vary from ease cate vo‘2 Thettve nay colors andthe tne ropertie We are irreplaceable! SA. au “ 2D) S a a “fl i two} pew ave ve pute cor ha are depen och other. These NP conte SY ‘You soul watch is een extractive moc! All'hues' can be created by combining the three primary colors of colors, but not all colors can be ested with color alone Each color has three properties: Hue Seturation, and Brghtness, Value. Theo to ces a desited ‘color, you need to know the hue, saturation, and lightness of that cotor. Saturation 'Brightness Hue, oS CI22 Kin ight end color 2-1. Hue call it the color wheel" You an ee the eso “) 2-2. Saturation Thave more red (Hue) filled (Saturated)!!" loathe einai es fameemons) = Dont wo, a at wor, to us! Tere isa Le: a opaque menue a colors, ne less satuctd is and meer tthe lack ra a hin where neler apes at lla (we call it achromatic ¥ a \ ie (] 2-3. Brightness, Value SBrightness Heth igh he loser thecal o ate ance Barker, the closer itis to black Lp ste eneray that ravers an obec 202-4. Value \When we talk abour brightness in calor. we sometimes relerto the catinet concent of vale. _ Te iherte stan, = ifthe fina colors brightness i ferent, If you consider the valuewhen using even if vyrsanon uaa ainReam Cent uneol nen nel eT! ig atl, we elke abou ig nc col and sts oso and subtraction mang Let look at an exams ot how these colers ae med | ‘AS more ight added, he saturation gradual decreases bt. S \ s when coloring the expression of colorby Fgh tis Aas subvactve mi) J rot Add 1 sro =Q8 Jor nr ex) What if you add biue light? of digital punting” The brushis set I Daten color (Watrolr 2 penne 2% Linear Dodge ash is WwAQP Word ant ite hare sel tet cial raat ere ar Maio, Wisner lly eknginh enlra eich rps re a tine terotrematecan iting colersmre date thanncralperple However wh thees=ption of ‘some species of prmatee most mammals do ct ciirqush wel berwoan cand geen. Howere, some animals ote tran mammals havemore than four coir vision seca can see utravolet ight and snakes can ene infrared ight indkecty. The cei i famous forbeg aceestire with 16 angles of color visio. cent you ee ne Work. He concludes that Homer and the ancient Greeks were all color blind ee ys ite Rotwnie singing Mie Infact, the word blue ed not exs in anelent Greece, Inanelent documents, the colors black, White, red, and green and yellow wera the only names forthe color blue, Bie was indistinguishabl’ Infact, the Himba of Africa have ater names forylow gen, ane blue so hey can easly estngush colors mat we cannetcsingulsn, and are rot very Good a aiingushing colore tat can he divided into our households 1 (ively ama, a Sy BeIn vrerld wrthout light, the eyes cannot perceive the color or even the shape of an object. Now that you know about light and color, ets look at how light affects color£22 Kind light and colo 2 The cor change fan abet het he cla of it Fist, the easy white abject Le Let's find out... Ah!)Fed number s——> The, observe tne coor ange of ‘An achromatic ) (‘Red objects are still red!) colores oes ee sl y poem) 7 sin) ai red fy White light94 Kind ight and clot Understanding the color wheel color whee! showing the eyele of hua. [Can you tell ne diteerce betwen |color and hue?) color of abject ES°ART 02. Light| 35 ls tattoo much?3. Example- Color change of an object by light Se) ery eer ceed 1 : Lets make sure wo understandeee Es Ne eee ™ Gieatwleaitcut) | FP econ) —— Se aoe so i at oe ott arith wane ct sec tray a sa fence fat eal edr cn baer (04. vhena ye nse ona Vintciretaer = OGD >i nthe folowing blanks, O20 i object receives the ight rom the bat source \Oe oO (was higher. choose a white objet rom the following im 4900 09, Shining red light on a cyan abjest does not change its “re N oe Alright!" [answer at) Wavelength 2) Absorption reflection @3} Brghiness 04) Brightness, saturation QS)AQ6)8 | Q7)0.98)% Q1)8)Light) 39 2. Effect of illuminance on Color Since light ie eneray it was fourd that brighinees and saturation increase when light hits an object. If se, what ll happen hen the luminance changes? Foran clos the Nahr the lmiranesadsona nna. the Nghe the orcas ns areal itl be ighter p—o B+—» 6——t10 SS we haphot te chromic colors if ed abi tof Soe eurintasedon ns al, Ris important to know that saturations a property of color Saturation refers tohow vivid ¢ color appearsin acolo. yes, 0th colors donot appear cll Alo ifthe {the Wurinaes ito ana ight not rected urinates sto hihthe ebect doesnot ase al the wavelerg tabsrbs, bates some long with he ober cae. I can't reflect it... S—p— s—e no B—Alo 7[Lexar that ess) ‘rahe wt opera Spvaes ins a a — ‘berween the list and the shadow gin brder apo corpo inptoeay, coast coca yes Closed shadow scorer rise Its the part that doesrit get any Thecolor appears dak because nao light is shining on it light, $0 always eppears back Types of shadows Te arsauhere the ght coos not each frm th it source a apes rps Itisa shadow castby the three-dimensional shap light reaching only part of 1. arenes because the Ht does 1 Occlusion Shadow Indirect iting brightens the overall shadow of an object, but there are places where even indie ighing cannot. The ight es nt reach tot the main ght sutceand the inde lh such a8 a tangent or hol, hich isnot 8 0h, t's too dark.PART 02 Light|47 Using closed shadows in shadow expression 140 (ater chain) ape wed when rain lon ateuston du ot hina Drone et ‘sing AC Map. youcan exprese a natural and realistic feeling by making the shadows cast between objects and in comers darker. Lets paint the closed shadow that pests on the face wth dark tack) Tact pin satan ite sometimes. B nostri, asromaieatecte ene “Closed shadows look much aretha ther stabs,(RD) wry is the sky blue? ‘2a day. ney KEN DUEHEN. Why es Whe are: pt, MLE HreN haEL them IgMsowce WARE? Moder Yo undetan nya ky Inthe vacuum of pace, [Short wavelneth eneray is igh and scattered frst Just go<~ ber hth om the san rene the He shart wave of Selig ate scat by paras thea Thar when panes tute tayo ameptre ene neneagh am tal este nde oy beome nye log weesengina el lh these suneechingtheeyntake on apie Oree NSS Le seq2 | Add objects to phatosIwill be difficult to pamttnecorect cor 7) rare 8light that shines differently over time ane sig Seager mt ons cman dg ce hat ae andrei te ar o sancgt ‘Shadows appear drier thon the ambient ‘Shape shadows and shadas do rt ovelap light source (the 54).PART 02, Light $5 all in the shadows ‘A blue amoten ght ennes on tA56 Kind ght and coo Sunset, Sunrise jXN581 Kind ight and coker twilight (twilight) welcome ame yee edo to help a alle Bay =, > 2 Wisueedtrctrficaton Atypical aviary lighting such an example lesen a) Wiesel 3, | 1 — To Thence i ar a soar hte S: d—€) | —'c «whiteout03 Lighting Highlight The part that and ie dey te ‘on the mater781 Kind gh ane calor 2. Lights and Shadows Torre ws can Some frecbseneloneasene ) ‘two-dimensional screen | rane i twee ait changes gradvaly. [pase on tha core, qthe'borderoflight rate ead lighting have emocth 1 cenvast boundary.ee ee ee ree ee Se es eee ere Cee ee eeetexture2% I there sa fnecurve on the suece where the i occu, the ot icant and becomes br abject color (basecoion) | OA EA seabe teflesicn) Specular light Thelight reflected from he ight source the ah ofthe appropriate luminance i evenly of bythe abject,PART 04, Material 9 Ia retvelyeney and accurate to know cue) Why stones darken when wet one: oupikunapeblin hear andlook yo nes rca namie: ee fibaeen esa orice, peta Ht msec ey ei fe cectnsanrternlyphaufac. te ctr ene pcan oy ape tte st th ao = hen te eurlace'e completly i tie eect us ‘smooth, the nom eflective regres of etpeatiot areas appear 1 dark42 Kd ight and elor eo ipiiataaiond ee saree flection occurs In the human skin as well de tominute curves, but algo hasa different texture due tothe fine vats of the epidermis a and moisture, The smoother the texture, the cleererthe contrast between the hightghts(spectler) and the shadows. In general this appearance is more commen inhard objects than in soft textures.(biurthe specular we Watuses ed tower Itbatrinmess sy elena yer enna) To show me ight aston vPES. Color the base color of the diffusely reflective object bright, andfor he secular reflection such asleather, color the base coor alitie darker, The more vivid the specular the 6, the mo by the light source in coloring98 kind ht and color [TP Create a surface texture beush Df thesurace When cooing thesetextues iis ffectiveta ces tham oo thatthe textures texture brush by apliegatetare in the rush) Prepare an achromatic texture image. Desaturate it with CGH Edit-Save the image 2s. pattern using pattem definition. Saverthe curent ‘he umber pate an save image in pattem format. a In the brush settings, go to the texture item. ary i> We wullook at other tems of brush settings in 1472,PART 04, Matetia 95 Load the saved texture patter, adjust the value, and s .Adjust the size ratio ofthe pattem. iAdust he ghinose ofthe pattem. sacjust the contrat of bares Try other Select matipieatonfsubtecto, items Import the required pattern ™ a} ‘and epply ito te brush ee check the preview eal 4 ‘Specular digpereed2. Materia metallic Why the hell is this dference appeering? deinen te calor ofthis cbjee?!S |Add yellow) seuss low ight commen metal specular{athe abject eolor appear” Ifthe distance between molecules forming a substance is tight, light absorption or reflection F appears on the object. | see it, Some substances do not react with the wavelength of Visible light, in which case light (visible light) passes through the object and appears transparent. vient sTransparent color Only the rd ight [feet ike it~) o_o) NoScattering 3. Layered material ee iets feartig ih miata reece Many objects in the world have these materials. Typically, human skin is also a complex layered material. ~. Human skinis typical. itis transmissive, so its ‘rewpaeratarohhd yy te PART OS phenomenon aa a 3Mion ren) Ae mr * . = = i “AN: y C ai’1, Radiance ‘To emphasize hele of rights or make white objects brighter.22 iridescence You dont’ / a) Are blue animals rare in nature?4. Sub Surface Scattering (SSS) ‘understané that when ight shines Pr 41. subsurface scattering inthe shade Xx "inside an object. Peddie ight (it \ {eos kets shining!) Shadows canals only reflec the surface, But. Subsurface scattering objects ct as indirect light to iluminate| Syrthesisof subsurace aeatering wth ayer mixing anew layerMmargecndtion®aey | Seleced ay << a a layerundernesth 9 5 | Press andhotdthe [at key to release the slider! Besides subsurface Tattoo, eivioran Op Subsurtae scattering canbe expressed by composting layer as screens or ves ve td color without being too excessive ‘ajust the leyer opacity 1 exptla Vt rrrryy yia) ‘You can see whet we ae in a graph! “ wu Ah... this is yellow!! ari Fhe physical value ofthe it (ery) emitted by the object Puctaty ecient bots is Jovan int e00F ence te enareratucten tarps ars sng a Tone colored business cord ee Cello... 1am a dull red, A qualty that dsunguisnes one color trom another ‘Most commoniy is «concept used in meny ways.1, BAM(Color Mixing) Geter tte tom hg) jke the light [should handle 2) (rst, makea)) coor ts eam owt) sill t Coloring apleture to express me aposarance ofan objects called coloring, and creating sich a colris calle toning. Toning Involves cambining poments to rete» cased clo: Une ight and mite, subtativeiing occu oving. Les ‘2ehow the colar properties change when eubtactinemng is used inthe tering process. isconpeni eset acre een \ nyo canbecrste by rexngth re nay soe 1) aveporetml ein angles The Ui lied og erent Median a : covet eduatta ighncs ttle ateubtonguet Litmether darkens nor brightens! —— & (Stil, is easter than traditional coloring.” VY118 itd ight and coer 2. The 3 properties and Lets etm how to use te properties of ala oHue_ We defintely .“ Dortbe tether X Cold, Passive hot oggressive, Petree, Quit, Sad, Relaxed Calm “Joy, anger, energy) tate cxomelnafserathat ape tel psyehloges nes rn nc the red worderat esi stand ut, hing ores nayetow cab, anohe sy ee sau row gel coll. Purl and gre ear cr ent pending cntSaturation opt te ctor stow by it.I irk sow (Imihe best here!22 [Kind ight and color Anighsattaien Seer ea] eee STI \4124 nd ght and color 1 Brightness Thebrttnest th cola ru thatighoey thot ated bichiness ut ecareatt aby, saunen andre should be noted that bgttness nd vei are lem concent Let's see how brightness is used in coloring. ————— Se ee (ne areata hes 008) lor _azieneis) a | nee —— Gradient taste ration appear compart he or ssunton. 7 CaTone Used far list or specular light e%) oo nan rotbad apne tin en pig stare BLow key, High key ' To ceate the mood ofthe picture ascend he Mintel objective Ss srhines of ear edtermine tyne luminance of height, ut the rghmness of the ovr clo is tetonlly adjusted to erate haves gary andes trosphes andHanta/psbtngshaveabrhsandigh atmosphere [what is the vai is the value?! 13: It wasn't there!! [The most important concept in coloris valve, eben debating on the vitor snes] is relatively 2aby to understand.Check the value Create anew layer. 1 Paint white and combine with color. ati z joie ctr Nv) | f Fill (Alttdelete) 1 Layer Composite (color)*ART 06, Color 12: [ Hue and Value it's called purecolor! Im. the same...) "-) welcome.)PART 08. 129 A Brightness and Velue Now the values are prety imi (enero ereae) the veluca ope Dre Enchcolr hap ctrentvei sn rt to unty he vies ctl poste values you est aunt he or seen ort toute eli hanson th sheers te acesay tower thebintras t thaclresneight hava oth solr brat. covers ches» cara soyavrendtoncensettetighines Ihepirebieckr sent ts mira soe desta " Wheracoor is meted 2 Checking the value 3. Adjust the color properties 4. Paint subjective colors! properties ote cola to weebcvecoorby adn evalu, [alte is not a property of color, so [edo nen it t's too ifieut.. Jwnleandpracice coring ma tbecte col 198 ee it 9 Per of colar weting| Ps180) kind light and color value Applied cotrng- Unie values sppesr foreach cola ad oles wth completely fern repre spor ih the sane value Lat Fulthe carvas with arandom color and crate @new layer to check the value Ignoring the value check layer {tis not known exactly what color it pee eet Ws J ‘Choose your own color o1 ane eS propertesto colaizePART 06. Color|131 Use the brush freely. Itis more intuitive to practice) color mining rather than moxng color. * Increase the pruch opacity! a yout off he iy of yey cn se aiovscolore wit « constant ae liRemove layer visibilityvy Tum off he vsbity of the vale check ayer ane check whether the values of varous colors form anatra ration > ‘Although I cant check the value a134 Ikindligh ane estar— re ee =" PART 07 a = = = coloring a oe | —— nalGQearemetwaar) (Howto color.) ee %, » &) . (((2u can coorin diferent ways!) ) The coloring methods of modern digital painting, which do not have restrictions on the colors that can be mixed, are generally divided into several types depending on the coloring method. Decide slowly what to draw and how to color it.vy 1. nereenatecoorg tetiau ofpating Blendable but not intuitive ‘opaque ars; pang (pasty ‘Opaque colorings tachnicue for colar sing amet coined with clr chemical, and can apply eke mens thn watrolers. A Wick fo pigment designed for ue in opaque colorngmethods ‘opaque coloring Is possible with a waterclrtihebrushetroke vey siilarto the function ofa bruch in gta paitng nike watercolor attractive ming does no ppoe [similarto digital painting)4 cobr 2. Representative clering method of digital painting sing spare ner the shape ‘Not of my workigon ne art jah an tansparen xen, madatonthespodyy PART 07, Coloring 1141 Loatn about oye blending options ures hat np wt cor This isthe default setting to color over the layer’ opacity. oma ~ Multiply by 2 CT) Composite dark. tis ten used when paining shadows 3 Linear Bum ‘brastne mi, Snce is ncantiraly car erally ust one 4 Screen Composite bighly, Ris mainly use fortis 5 Color / Linear Dodge Additive mis tie mainly weod for specular. Overlay / Soft Light UstSpecuiar Ute, the screen (color flight source) Its used very often the overall color. for efficient work in, 2Use of overlays [ome eeteg neds 0 peat know te bases14 kind igntandeclor [bialisiosadeteenceintots you cravings ony sve a sete, is quite diticut to “Te process of mixing colote ie ealled blending ghar adds epee sR cande vss) Yo rehaucent coins ehnques suchesaouEcte ANU ehenaW RNG of cation ae mecha rect panthpwthcolr ts tease of datalpantna beaut of eget tamil dente, ie ncn ashe at Seat Let's just do lo tnaseton inecessor yu ean colar esi the varous cmpaatng frctions of he dita roxeam, Filing is the >) esses way toed.) s Multiply or Overlay.‘Setting the brush Using tush 100! In Photoshop, etc. You can Color in various ways lets see howto set up and use the bru 1 Brush Presets cad the brush with saved settings Right-click on the canvas in brush mode to open it. Shape dynamic: —— Adustsize . ‘with pen —-- (reer) | a a i features, The default shorteut is148 Kind tight and cole practice blending sorembl, kom hetores of shadowstogrodpien of esr an extuation outline \ light-dark bordor Bain the shadow sen wth an opaque bush fo stow the Kant teton When organizing the sketch iis convenient to sketch he contrast ne slong with the outine. Inbrush (8) mode Fold ‘pte oberse hs anrarebt r se sieaminyacadrgtote pect open ‘color with the eyedtopper Ire ior cestadatte imeiedawe aga clog aimpe gin of «steps appearsPART 07, Colonng 1149 Pees a, The grade sete gt ionisrich and sof, ‘iia & ‘These are my personal tips. sete bushes inthe ore of Inge an sot ones ~stal hear ‘onee.aThe finger te is opirized fer Hencing Prec the Atay treats than youthink Teoanietocoutrats. (BAY Decrease the cpacy ofthe bush the size of the brush ‘Yen the rush is eq small the ovtne en ao be blended For efficient coloring) Find your own blending tips!1544 nd ight ane color Colorbighness ts ety affected by ght ifs irate vail ake Acaadhi cetera gadauon ct ales atta And color it! cae ii : lginexwihewten Blending! enc ome ander bhi othe collate) = e yao toeicoveon wa Teva Kia eas — ~ Whaveto paint the shedew \withareat ue “ Ta outline and1 PART.07. Coloring 155 Volume first ‘Actively use pee ‘gray object + overlay aver composting Value first colors appear Colinas dificult slazing technique in oll painting if dothis wel,186 1kind ght and eotor Common sequence of glazing coloring metned ns sie 1, Sketch outs, shadows and cotrst ine tenet s thes than ating contrast a on ava aterthan a You can sketch hatching. 2.tnotderto ‘Since the area of he shadow is pated ove ne Thecol spp 5 — meansow ina lena cs] ‘regiadtin ewer airoea ini xo i iled with area ae eae oO -—Continue to fill the area with mediumlight shadows, Depleting the smal bens nid he chaos, Dhvidethe sontastPART 07. Coloring | 158 Blond the colors with priorty 09 sreblended. fine hair, Sag the dein by cling detailed suucture Uptothepant thebase drawing mero the steam teases ag ob yp - Alittle bit of thickness,volume first Ove cer wten compositing. It \e sytheszed at ject an aes by cle range and pass Cue Adjust Hue/Saturation sate You can add of subtract a etonangeS> avalue first You can't paint intuitively 3.Ciipoino mask the new layer Adjust only the Hue and Saturation. Deserve while adding coer What color (Hus) , Decide how much to fill (Saturation), aremived, Brightness is ‘xed et 100% "T164 Kn lat a coor, Render We design ss Ihave to adjust each ight and color accurately! ght and shadow a8 went. 7 ; @) Nie z 4 It got rather awkward!Basic preparation for rendering in rendesing, Sihouette Mask Since th Any layers added after that will pear beyond this silhouette.The thin skin is red oman lich “Yeu wlfind it often,layer doesnt brighten.170} Kind ight art cote nolightcan shine. & ine drawingPhotoshop ' Program optimized for composting, bt with good layer conto realistic rendering fs possible. Ceatry Fertheorderof the layers fr there Hore are some tips for realistic rendering. : @ Boel = mens)" Ce } ee C_) ~ Multiple auxiliary lights ean be added, “The color af the abject can ba changed on this yer. venient use alayer mask, ff weremmuaminney tea oni one @ Coverings so eas You =§ (CH+V-D-1)” then refine the mask. y / “(Za \ (Cel : PART 08 = Se a _PART 08, TUTORIAL |175o * S 7 a_iSALPART 08, TUTORIAL | 179 ‘Specular nna Sestece5 3 A 8 A §PART 08. TUTORIAL | 181 cf neshadow aera tothe shape. shacow:Drawsa chow ecard ta th recto ofthe light The ound stare border areal sinply 20 n the pcoeseof panting the shape the shadow is chay to paint with any coerPART 08. TUTORIAL | 183 to blendthe ght and dark [acter scaingenadows to Refine your description with small sharp bh nd ad ett Blending ~ Cetal Detesbein the same way as thebssi character claring ode ‘iha smal, sharp brush cael color deta, closed shadons, and outinesFinally, the brightest. = ————- specular color appears on the material (ETI) cet8 use brush moves ‘When drawing a highly reflective material suchas metal or complex ahting nou blnaing colors situation you cancolor by adding laf ty changing he bush mods t Linear Noe PART 08. TUTORIAie PART 08 TUTORIAL | 189 By creating a new layer, |Add detais from the mest visible parts,3_illustration coloringTIP etaenmevaren esrnton ort close to far big + small Simple Hing ompliceted er wai a) a aNow 3910 stortpaetingry own wy Light ane color are often compared to music and cooking. Justa vatnus roses cee eget ous ‘regi ncetryeutay mprtinced you ay ‘Atter studying for enough time | Feats ta tincand point feu wrecking! PART 08. TUTORIAL | 203