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Beatfoot With CD-J June 2022 - Tech Rider

This document outlines the technical rider requirements for BęÃtfóØt's live performance. It includes details on the PA system, mixing console, monitor requirements, backline equipment, stage plot, input and output lists, and contact information. The key aspects are a 3/4 stereo PA system with sufficient subs, a professional digital mixing console like Yamaha CL or Digico, 3 mixes and 5 wedges for monitors, wireless microphones and IEM systems, various music production equipment and cables, and electrical sockets for each musician. A soundcheck of 2 hours is also requested.

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Zeljko Josic
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56 views4 pages

Beatfoot With CD-J June 2022 - Tech Rider

This document outlines the technical rider requirements for BęÃtfóØt's live performance. It includes details on the PA system, mixing console, monitor requirements, backline equipment, stage plot, input and output lists, and contact information. The key aspects are a 3/4 stereo PA system with sufficient subs, a professional digital mixing console like Yamaha CL or Digico, 3 mixes and 5 wedges for monitors, wireless microphones and IEM systems, various music production equipment and cables, and electrical sockets for each musician. A soundcheck of 2 hours is also requested.

Uploaded by

Zeljko Josic
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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BĘÃTFÓØT

TECH & BACKLINE RIDER

BASICS
A Top Quality 3/4 way stereo system (Line Array/High Pack + Subs) flown or stacked
(according to all safety factors) with all the Amps Processing & Cabling According to the
manufacturer instruction.
A Front Fill, Outers, Center, Balcony or any other type of cover needed should also be flown
or stacked (According to all safety factors) with all the Amps Processing & Cabling
According to the manufacturer Instruction.
Subs should be sufficient to the venue & audience needs.
Please take the time to align all delays and gain prior to the technical crew arriving at the
venue.

P.A. SYSTEM
L-acoustics KARA/KUDO/K1/ EAW/ Meyer-Sound / D&B Q/J
Power amplifiers: Crown / Crest / Lab
System processor: XTA / LAKE

CONSOLE
The mixing console should be placed at a reasonable location – normally at the center of the
hall or space where the PA system will be heard properly. Acceptable consoles must be of
professional grade such as
YAMAHA CL 3/5 ,DIGICO SD 9/10/12/ Quantum
Must have an Ipad wireless control.
Please provide a router set-up with an Ipad, ready for the soundcheck.
A Sound engineer – well familiar with the Mixing desk must be assisting the entire
soundcheck and performance.

MONITOR REQUIREMENTS
Wedges: We will be using 3 mixes and 5 wedges, one 1/3 Octave EQ Inserted per mix
IEM: 3 stereo mixes For all 3 musicians. Please use Sennheiser G4 / Shure PSM1000 IEM
systems

SOUNDCHECK
The PA and various fills, all lines, mics, di’s, In-Ears and monitor wedges should be checked
prior to sound check starting time.
Sound check length: 2 hours
BACKLINE

* PLEASE NOTE THAT THE AMOUNT IS MENTIONED IN BRACKETS.


(1) Drum cymbal boom stand
(2) Keyboard Stand
(2) Keyboard Stand Table Topper (60cm x 60cm, a flight case box top/cover could be used)
(3) Vocal Microphones Wireless Shure 58 beta Shure Axient/ULX D
(3) Sennheiser G4 / Shure PSM1000 In Ear Monitor system
(4) Microphone stands
(12) 5 METER ¼ inch instrument cable
(1) Guitar Stand
(1) PIONEER CDJ2000nxs2 or PIONEER CDJ3000
(1) PIONEER DJM-900NXS2

ELECTRICITY

(3) 4 or 6 ELECTRIC SOCKETS FOR EACH MUSICIAN ON STAGE

STAGE PLOT
DIRECT BOXES AND ELECTRICAL SOCKETS POSITIONS

DI BOXES POSITIONED AS DESCRIBED IN THE PLOT:


UDI - DIs for channels 1 to 7 : Mid-front, left side
SYNTHS - DIs for channels 8 to 11: Rear center-right
GUITAR - DI for channel 12: Front right
INPUT LIST

Description DI/Mic Position

1 Mpc L DI UDI
2 Mpc R DI UDI
3 SP-404 L DI UDI
4 SP 404 R DI UDI
5 SPD DI UDI
6 Mpx Adi DI SYNTHS
7 Casio Adi DI SYNTHS
8 Yamaha keys DI SYNTHS
9 Roland 1m DI SYNTHS
10 Guitar DI NIMSHI
11 Voc Nimshi Shure Axient/ULX D 58 beta NIMSHI
12 Voc Udi Shure Axient/ULX D 58 beta UDI
13 Voc Adi Shure Axient/ULX D 58 beta ADI
14 Distortion Adi Our own dist box FOH console
15 Delay Adi Our own Delay box FOH console
*Please note that we will use a mono distortion and a mono delay pedals
at the FOH console as send/return FX.

OUTPUT LIST

Name/Position Wedges Stereo InEar

1 UDI 1 -
2 ADI 2 -
3 NIMSHI 1 -
4+5 IEM UDI - Yes
6+7 IEM ADI - Yes
8+9 IEM NIMSHI - Yes

CONTACT
Management: Memartists, Dan Basman, email: [email protected], phone: +972528334315
Sound Engineer: Yaron Sarel, email: [email protected], phone: +972544331705

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