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199 views73 pages

Dokumen - Tips How To Draw Anime and Game Characterspdf Compressed Compressed Compressed (2) Compressed

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BIOMIO ANA
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‘HOW TD DEO ANIME % GABE CHARACTERS Veit acs for Beginners ane Bod by Tadashi Oo Copyright © 1999 Tadashi Czawa Capyright © 1000 Grapisic-shar Publaing Oi Lai ‘Pret prdblisned i 1999 by Graphic sha Publishing Co. Lid ‘The Engoh son wa publisted in 2000 by (Gag: sha Pubahing Co Lis, 12 Kuctan-tla, Chipoda fas, Thy 102-0072: Jape rigial desig: Motel Zip ‘Enger ection layout Sic ebeoka Engst bansiabon: Lingua trirca, 1, (any-torurthasabs-tet or it _Japanote edition editor. Sancho Hyakuuthe 2Graptec sta Putsisting Co. Utd.) FForwign language edition projet coordinator Kimiko Sakamota (Graphsc-sha Pubihing (2. Lid) ‘A nights reserved, No part ofthis pubticstion may be reeroduced, ‘sored in a feria esti. rani An ay or OF by ary maT. stectrotic, mechanical, hotecopying, Tecan, cr ofnerwise, without the prior wren permission of the pusher Dest Cucrton Excheivety | bean 1S BT. non mecca by 11-63 Crome, igabash CUGITAL MANGA. (XS TRIBLTION, (Criyoda daa, Tokyo 1173 Deminguee St, Unde "K* 102-0072, Japan, Corse, CA BOTS, USA, Tel, ot qa-azae- ce Takeo) 04-9701 Fae Bt sa. C988 Fae ery 1a Ema gstnepar-s.cojp Ema amoxRemGiomargs com URL http 2ivrmew emanga contained! Fit viting: agin 2000 ‘Second oneing: March 2001 ‘Thied printing: May 2001 fourm pining: Agu 2004 ISO 47H T1T2O-6 Printed and bound in China by Everbest Printing Co. Ltd. Introduction “I want to have @ go at drawing anime and game characters." "I want to draw manga." Or, "| want-a job tn Graphic Design.* It you bought this book, you are probably thinking along these lines. "But { can't draw as weil as so-and-so fram my Art club, and am no match tor that guy who researches manga and has started his own eotene magazine.” There are a lot of ppople out there ‘who would like to give it & try but don’t because they think looks too difficult and dan’? know how to go about improving their drawing. J wrote this book to halp these kind of people. Those ‘around you whe are good at drawing were nol bom that way. You.loo could draw if you Gould just change your way Al looking al things Slightly, It is surprising how many people actually draw trom memory (off the top of their head). instead of conceritating on the difficulties involved in.drawing tha human body, starl by taking a long look at how the professionals approach tt Bishoujo Young, pretty girl Bishounen: Young, altarctive boy cG Computer Graphi Gakuen Genre School Lite Genre OVA: Original Video Anime RPG: Role-playing Game SD: Simple Deformed (Exaggerated) Shouic Young girl Shoujo me Girl's comics Takarazuka: Anvall-women theatrical company in Japan 34 The Direction of the Sey 344 A Girl's Body 3-5 A Boy's Body* 3-6 Characters’ Expressions by Type/ Body Exaggerated Type A/Girl Exaggerated Type A/Bay ~~ Exaggerated Type B/Gir! Exaggerated Type Bray Exaggerated Type C/Girl Exaggerated Type C/Boy Simple Type A/Girl-~ Simple Type A/ Boy Simpie Type ByGitl Simple Type BiBoy Real Type: Manga Genre/Gi Real Type’ Mange Genre/Boy Real Type: Game GenreiGitt--+ Real Type: Game Genre/Boy Real Type: Game Genre/Anti-heroine Advice from a Young Creator Chapter 4 Drawing Detail 4-1 Drawing Supporting Characters 4-2 The Design of the Supporting Ses Looking at Height - 4-9 Hairstyle-a la Carte 4-4 Practice Drawing Eyes. 4-9 Practice Drawing Feat 4-6 Practice Drawing Hands. 4-7 Character Arrangement and the Scene 4.8 Go for the 380" Challenge! ChapterS Now, It's Time tor the Real Test 5-1 ACriique: Exampie 1-- 5-2 A Critque: Example 2:- 5.9 A Critique: Example 3- 54 A Critique: Example 4- 5-5 A Critique: Example $ 5-6 A Critique Example 6-="~ 5-7) A Critique: Example 7 8. A Critique: Example & 5-0 Finding the Best Pose 138 140 yao 4 M16 18 123 126 29 TES 134 138 144 146 148 150 CONTENTS Intraduction no Chapter 1 Let's get down to the basics! 1-1 Where are you going wrong? Hs 2 : rie 1-2 The points to start with : 10 1-3 Wnere.am | going wrong? zi 12 1-4 What makes a “good picture?! =~ 16 1-5 WW you can hold a pen and draw atraigh li lines np you will be able to draw 18 1-8 Start drawing for reall But betore that 20 1-7 New Hash out the outline! a2 1-8 It is time to think about body proportion now.» 24 Chapter 2 Different Ways to Draw Characters’ Expratslone 2-1 Think polygons “28 2-2 Drawing For Real! Parts of the Face and Position: OD) 2.4 Croas-Lines For Differamt Characters’ roreheads'-- 33 2-4 Draw Faces trom Severat Directions. : : 34 2-5 Introduction to Different Types of Characters Teena See 2-6 Characters’ Expressions by Type! Head Exaggerated Type A/Girl 33 Exaggerated Type A/Boy “ os Shed Exaggerated Type B/Ginl- i pT Exaggerated Type B/Boy Cee 44 Exaggerated Type C/Girtesismsiinsicns : nee Exaggerated Type C/Boy 43 Simpie Type A/Girl so 50 Simple Type Ay MT * 52 Simple Type B/Girl-~ A Simple Type B/Bay- * “56 Real Type: Shoujo Marga Gavesit she 58 Real Type: Shoujo Manga Genre/Boy seen BO Real Type: Game Gerre/Girl nine mene 62 Real Type: Game Gonra/Boy if mea oa Real Type: Game Ganre/Ant-heroine. 66. Advice from a Young Creator 68 Chapter 3 Drawing Bodies 3-1 The Body = : i RO) 3-2 Using Cytinders tor the ‘Body Parts 72 33 Draw Cylinders from Any Angie. 4 s - 7 Chapter 1 Let's get down to the basics! Let's get down to tho basics! DRO ane Ams Hand the curved ling A-* C —* 87 At the pancit? Or at points C (What are you looking at when you draw the straight ora? oo ——————— 36; (When you are drawing a plcuen, you must visualie the diction pi te Te au mie Graig, facing nl fl atte the eric tpn at the tree poles A. Beard C. People cannot draw shapes properly Wl they are jist ooking al the pencil point ‘Nox, look af the 7 random points below. What ean you-see? dust a cluster 08 points? Or Gar you fatally discern a shape You haven't got it yet. have you? Lets number the pens af random, You sill heaven’ gut i yet have you? Lots reourber tha points to ive them meaning. You see, your eps axsaticily follow Bie pris in ordar, Thase-who can ma ou the skp fiom lnchieg at oink i thes way are able is daw shapes Fly thie poet ae Joie up. Ricci Tn Join Yo love a shape: Test manta eng can pecihve hidden fines within 3 pictur and trade them smoothhy Your ability to draw shapes depends on whether ar ‘ot yOu Can -vicualiae te pointy in the Cortect order. ut el MU Have you heard of the pivase motion captare frat fs commca in the world of computer cites ace Commupter ‘Graphice(OCG}? itis & usetul system wheraby the compar reads a perton's movements using tastes placed al ‘certain pauls of ther Mumnan body, ‘Acaly this sarne buvclin isvalgo evideri in people wh ca Craw wll, Thiek ack Mp re eiethod OF Graweng lines AB. ‘explained on the previous page. An entize body of face-ks mapped oxtarsing poicits stuated at the corners of the eyes, the bridge of the nose, arm jaints ric’ This erabies 4 gruporlamal pichure to be graven. Pul anottes way, Vou eonczntrate and lock hardy toa an detect where such points. are:on the face and Tits, 1 Siac a roxy dae of ihe entre plete jou want ooaw 22 Dra te pins fot the: pasion a the eye, erpabeows dnd shoulders taking card that they are ssymmeb cat 3. Draw it pute by Joining up the pits 4, Serease mae neta of pains 4p decide the ayes, rose. bea 5. You tava dona Peery First, where you are going wrong? Let's comoare an amateut dkawifig with fe work of a peolesexanal: Mes i just a frie of this picture is good and this one is bad A protesssonal's work Garant inacy Wings: Seti ko rit data Inoaiedkn of fhe subject enatar, the ably to concentrate, and smoath line:strooes: Compare yout druwtngs wrth te Nolipwing pencil drawings and Line how long you take Absolute Beginner Beginner: You've gat the perspective right but... evermore emooetant to te (oes ght than Sea mac sand al tie What hippesed tote snort -{ Tu mocks oar back fenign? he = tes ie The hers are tor ‘ tena aed too a bas ce eon | pa poe Hat ‘salts ot wind, : pose o Wee eating ee a aed done re (te 60 0m ma dew th feet at the Bem of The professional's work Let's make some changes because é os J ‘What you need ls concentration, perseverance and a Qond design. Yoou canngt do a goud drawing without an ina ir rrr! (the design) of haw yo are gaitny ta draw the character. f you daw badly, you will lose your ability ta concentrate and your patience. You wilt find yourself stuck fi a vichous cirete becauss: uw good design will not coma to you # you pave lost your cancemtration. So, the devign lst ~~ enamea ) ‘1 ste bea 2 ey << property ea] Many the hicks the feet Bo, omer" jum dewrunnat ‘The accessory design i The protessional's work Pe eR UEC Marl ae ‘What makes a good picture? The shelch? Careful deta? The clesige? The theme? The composition? All ol these components we Important, Bul t you wat to have your work seen by others. you rics create en impenssine anid ‘ceenmunicate your foal, in other words you ned to be ablc to communicate in a sutra way wih hase who sa your work, Start by drawing a square box. 1. The frontal view 2. The diagonal view Inns. 4-6, rw infarmnatinn Is died Yo the boxk Snar to th revisad drewitigs featured on 8. One two, hox becomes: insreed betwen nos. 1 and B er (he pense who Se Ihe task ot drawing the owes) would be expecting only to see whal was adined lot 0 Biexeeed these axpectations. You canncl ay thi! os. 608 ara mistakes. In ual showrs ielivich ual he: indanporetat a) ‘0 give the drawing am etemont at surprise and ince Os cours of tha, you stata obcee ‘bed to be abies SEP cher in ros. 9 and 10 i one ae The sar, you car sex how ty tier nl only sigh but | Its a subcanseious prerequisite in the reader's mind ioc main anim and mange ve tis what is expected: By adding depth to thei aftactveness, we can surprise the teader by surpassing their expectations. ({ marks Ibe firs Step when someone says yout draweng ts “good,” but a teal beginning when Wiey sy 8 ‘You can site draw in accordance with reader's expectations ‘ive in the noterie magarines the pews pa: aoug th ax Car a ov Be = 5 ey cere POOR MC CCU LCBO cL Praction drawing tie homes (cubes) on th ret page freehand, ‘These dunes ave drawn Ireehand without thinking about perspective svt Ma vanishing point. Lp clase, mey nay took a lie strange: Flat (ty (285 for thvee-dimensiona! shapes, Fh picture sone is siriply an arrangement of parallel lines: idrawn without wing a rater, It Jaks fine to you. doesnt it? ‘Tha same method can be used for orawing a character's face ‘As Jong 3s if you visualize the Image in straight lines, your lies il ot be out First of all, draw the square boxes. How ti Graw With accurate perspective ‘explained in specialist books bot you ‘don't Naw 89 be ale to draw welt Drocision tke an architect. Once you get uSed [0 A, YOU WONT Need bo use a null ‘oF think about the vanishing point, To deaw straight fines treetand Draw ing 00 a blank sheet at paper trom ‘ome point to Aner, krxgening the aiid result in your mind anc remnainiog, srvare of the ngncil point, You do the i aa va yen anes just ona ‘A wiew from ground tevel A view trom above bipet scale Coen SO RM CCRC LS W's OX Saying you'll stat drawing, bel a (Bo you get hold of te ec lyn? sn character? A chacecter in a fight? Or. are yo Expressions? H «doesn't matter ‘character, De soztie and the p a ye Jou going lo-draw a RPG (Roly Praying Gamo) Characior” A mange ing bo. dea ioe oe anoster? Charts of characters’ Basie Dole Only, make sure you have & concrete image vt fhe cesign Airc mis bd ui cca! image You don’t have to worry about drawing the hands over and over again or it there is onough roam for teat an the page A yood picture has a Sobid cutlets, This is Phe first stay ina skellel as (oe Sirvera! poses atm shown below, Pay particular aftention to the bending of the baekhowa, The hyman body pu and the bachbord is curred even ina standing Acharacter's individuality (5 evident even witout such details.as hairstyle. ayes and emeases in clothes. Your jan & hot simply to decide the pose. i also to ditect and thareby incorporate more inlatmation about the character inlo the crewing. This §s subliminal information, For those of you with doxibts-am your ability o Crave, Fak & loa thw sketches below: Ween R-comes to. using oy fines andlciei, iis fa ally a svar of making judkperwents about ski levels, But these shekehwes she -Aclsity Geside aboul 40% of whal makes a good drawing. ES = a = ef ra = E As long as you can boxes, you will be characters. Which of the sbelypes shown befow apes Jo you the ces? The (OVA (Original Video Anime) 7 Manga? Ilustratiet? You atest ow anima, but it jest doeser? took the samme ut Kee manga ‘So tr. i chafacters you Nave Zaatchad litt ln body prapartions and Geskyn to the character you hk ‘We ion’ fave to analyen tn body proportion of tharactas We qvmat eta All sk is tat yeas art awa you Want io draw, 1. Comical Animation Character 2. 80 Character 3, Bishoujo (Young, pretty girl) Large head, hands and feet. Nat ‘asenatl toy with & A thin waist and slight muuch definition of joints ancl lange head. Hot tetinition af body caitoars muscles. Limbs look sitll particusarly comics oF Joints and muscles are defined. compared with the head om Se : 4 i 5 I : E [4. shoolo Manga iGatx |_| 8, Comicat $0 Character 6, Real Type | Comics) character Untike the SO Chasactet on the ‘The tengih af the bady torso | Overall very tive wth long privious page. this type looks and jogs are roughly the-same. lugs, For gir's; body contours: Hung with thin armes batt ty Girls de not have exaggerated ‘are detined but the head 1s | hands, lags and foot | arrow vanists. mail, Boys are drawn alenost (he same but with broader | nhoulders ee UR a er Ciharacier drawiny fers with the sobjec. 3 not senply about body proportion. Depending on whether 4 nb maaga or an Ulustrathon, tor example the same character will have very different features. Compare the ditlerent drawings of the: Sate character below, especially. oolcing all the witys the eyes and hands have bean daw. Qo you notice how sorte featuces hare been drawn in detail whale Others fave been omitted Chapter 2 Different Ways to Draw Characters' Expressions ‘We're nearly ready fer the real thing! Have you ever laoked at a drawing you've dove Youtaneas i sdilnions isa ve shin polyoons. {he to bet able to aie it. Wt Ths 6 the trst stage Take care The leted ing: whee drawieg the rout, The lips Miss oe 8 jut out but are not cursed. So It professional's work (oni a they are just stuck on. ‘You €a0' put your finger on i but SOM IS wrong wath this, srawing. Aw thi. ple palyron Facts Whe wrong at Ihe inital stage: ook atte ayes. First. ook a te sizeof them. Theft and righ eyes Ther, jook al where they are The position of the eyes is of anc this isthe most common light of the mryes < uneatura’ because they are not aligned paraliet with thie vehi Grawing belcre The ayas-are rch the game height, The crass-lies on the ace are al completely aitereat angle: The lies tor the height of the aes shoal be paral. The cranes on the face should c#08s the midline at right angles, tis basically the sam for exaggerated Arvime charactnrs 2s well, When you can dranw tacks as cubes inithiout having ta think about i, you Botowe ‘hal you have improved a great eat PT ee ad Mn ae LL fh frst one you teaw and decide pesition and direction. Drawing the atures: Bw ayers and the hairstve may be rho fun but itis tho-cross-tines that decide the chigracter design. So, pack up a pencil are! hove & go wt drawing te real thing 2 ‘AS eplaind on the pudaious page, wher drawing the tive, the most important line tat you draw is thie cog-tlew. I Real Type Character 4. Firs of all, the horizontal 2. Next, the midtine is drawn 3. Then, the horizontal lbnes thal decide cross -fine decides the Height of vertically on the full face. Thes ‘the posibans ot the mouth and the eyes. Jipa marks the beidge of the eyebrows are drawn The distance: nase between thene two lines decides the size ‘ol tha eyes. The knack when deaming the character below ls to draw these tives. Exaggerated Type Character ‘wide apart so that the ayes. are big =] 4. Tht position for the noctris, ‘ts mashed om the ling for the ‘bridipe of the'nase. The ayes are draw on this tine and Meir size foughly estimated, The general ‘tule is that the lower the jpositin of the eyes. the mare ehiidish the tace {Ste the ‘drawing below) ee a 5. Above the line that decides: the height al the eyes draw ravother fine to decite the sie of the ears. The height of the ears te about where the frome of a pair of glasses Weld sit Normaily the position tor the ‘comer ot the ayes is about whera the root of the ear in. But the more you get used to it, the: miofe you tan play around with the posiboning to make mnoce emiggefaled characters 16. The outline bebvrbon the eyabtow ling and the eye line hollows out This makes the depressions tos the eyes. Mistakes are often made at ‘his pent Even those people who are tainty good-at drawing end up ‘drawing the base of the nose tram the eye line. Have'a ook at the ‘bridge of your nase in the mireor, ‘See bit if starts betvnten tho leyobrows, depresses in between thie ‘eytes, are thier stick ut, ‘ire gt gh 7.The width of tha bps & marked on the tarigental lie Hor the mouth, Take extra ‘are with the eyebrows bucauge il is easy to draw them unevers, The same wit tho lips. Itthey wore unever, ever:a smile would look contorted. The chin is. tapered ‘The Real Type Character has a broad chin and the Exaggerated Tyne, a chin Finished! ‘concentrated it the cantor ofthe face, Ba oiware of the japrane inthe Rae Type (Character: Ghee you get the hang of f. you can-start the drawing from he fhOSé OF The MULE But make eure d doen't end ip ike This ana on the let: What és wrong vat #9 ML Jooks: distorted because-the head is toc smal ene DU RRR oe nance La {nea real Story, you have toe ale to dram fol just aces ii praia eI tsa a nsltions Such as Inching up and down. The-faliowing views are drawn wih the croas-Lna ‘Bolow wit have the hase sat of head positions tor the characters. teahared in this book Once you can daw theege, you fan (peoketly create year own work Basic 1 (Frontal): Level of difficulty 1 Basic 2 (Profite): Level of difficulty 1 ‘ASyramety Is A084 obvious m this position. The back is to distance the: base of the nase and ‘The width 16 the feft and right of the vertical eyeballs further apart than you would First think) Fane midline must be the Santa nto consideration the ineight of the-pose between the eyes. The bottom ip peotrices loss: thae the top. o ‘Oblique from behind: Level of difficulty 3 Oblique left: Level of difficulty 2 Don't forget the thickness of the ears, Mak Even though thes is one that people can cia, ts Sure tha horizontal eyé-Hine remains level ‘iso easy 10 pet the perspective ou. Pay attention, 4 the size of the ayes. ‘From below: Level of difficulty 5 From above: Level of difficulty 5 Pay attention to the fine from the tip of the chin ‘The positions far the top of the nase and the to the eyes: The posit of the nostris is highor mouth are almost exactly the same. The angle ot ‘than you would first thing. ‘the eyebvows changes tha downlooking Dosition of the head. Refer to ts postion fr ‘each character in the pages 20 follow, Oblique left and right + From slightly above: Level of difficulty 3 ‘Take Care with the size of the bead. People tnd 10 cae. the ‘eats and she nose too close together. The drawing will be unbalanced if the head iat thick anoagh. Oblique left + From below: Level of difficulty 5 ‘Once you can draw this: you can lngrove the variation in your ‘Grawsriga dramatically. This angle must be practiced because it is commonly used Make the curves of the 2yes and the head parallel 40 that the eyes don't droop. Taki care wera you draw the hairline because differs depending on the character ‘Oblique right: Level of difficulty 4 This angle often appears in interview tests at animation: studio companies. How tha parts on the other side of the nase-ine (the cheeks. eyes, eyelids and eyolsrows) ara drawn is very important. 11 is.a.goud indication of your drawing ability. Pay attention bo the distance between the yes and ears Oblique right + From slightly below: Level of difficulty 4 The inclination Of the eyes bs dificult to get ‘right, Make the chin and forehead paraiie!. Oo the samme with the eyebrows and eyes. From slightly above: Level of difficulty 2 ‘This. fs at an angle so it's not exactly a tull view froen above. Nevertheless the nose and mouth are drawn ‘lose Wo each ther. Right-handers genoraly tend Yo have difficulty in drawing this position properly, Da eer ma ML) Sea ae) Tis characteris a mix between Takarazuka (an all-women theatrical company in Japan) and Gakuen {Schoo! Life) genres Hor Waits av ihe exaggerated hairstyle and ayes Dice you have mastered Ines two Charactoristics, you should have-no problem craving this type of character, Take care sith her glassy ha, hightighted lis and hui eyes 2 [A dete sepression a 4 tp of the head fa 22 Te ete vise raking nee took unsapissrated ‘More tan halt ofthe eye is cate at oe ae. The stance betwen the eyes and eyebiows widens Ox “The eyes. ar bg, paraly nig byte wpm air * | pai. Dont enw the mide of aye. Mien teen ‘dighy denny, The Bebo halves ot ee eyes are Bey eight to give hr und es The botlom Up bens aoomards sights The [ Tre ehin mes saint | fee 26 eu ners ieee es PMS SS a au | eT CM RUN Hits personality differs. epending on the story. He is Hashy and tries-to-be coo! hut moos! of [he firme hee bes a comic sole, His droopy eyes are evidence ofthis. He is alter up to something devious bul his plans usually backire. He's ‘Character that you cannot help hut like though. He aiways faies tor the Wearing heroine _ ‘he aie gained in te propor 7° The line foc ep and yl arate apa There are dete | audio wyetids. The hows tot the artinds aed eywb’ows meet af the terw, [ieee Saaeeaie ‘vou 1/3 othe pups re | ‘Concealing roach af te lower art mae Pe i [ming Much highighting ec faatige of tenes with ic ene aks the nos promnet Tae a el tan ae -fingaaeeston} ‘Atrougth the charactor is:a bi, he has wat ‘eoecstioned bobbed’ hair. Thre are Dighligtats i | Reena rte ot wet ower Techn is sigaiy stack (commnmnerioe) ‘ooge the earing ‘She bs naburally ‘riendly ard io mast scenes-she e-smiting Draw her with droopy yes to express het cheettul, gentie personality, Her haesstyie os exapgeratog hecaueg she cs a Fantasy Gance Character Gon waste time trying to figure Out Why she has thes halesyle. Just acim fl as.on of har eat tho banister biggest tit Stam ~* [of hair cueve back cope be ead ante Ta Cae ated cam dheseg te Nate som oea ina, The ca gee and Ape are ey lene Jogethar Thee nostri ara draw wien aster ee. The sis Simp and eighty upturned A ] thea ped wa ee, | Someta for empha —————— ‘The ayes are droopy and posiboned ie an her face: +] Te eses ae vey me par aig ba fh Sh 7 | acc Tan ae soaring ghgm ine ns _-~{ Cur eptmes ee acon on Pathe eed angmecig tes me croars othe ees somes } -[4oe ese ro ea? tay etc J Don't Yorgel theese fe=aeneseneeenreeneneen sivas fbb. They ci | inant Different Ways to Draw Characters’ Expressions Characters’ Expressions by Type/ Head Exaggerated Type B/Boy flounty fringe and glossy’ hair. Like the gi, be has a symbol decorating his toeahead. With hes eves posilioned Km. Fe fas.the Jook of a young hoy abet him, But he fs maturer (ram his appearance sugpests a A.coal Bishounen {Vioung. altractive bow). Ha has hidden subtlety and coldness. Express tis andhogynous beaity with Tle nightie Parca Ta Th fs en ‘sched down, The hor continars own te the nace of as ~" | ech Th character wsauily has dt blond ai - n= | His hairine nt draw a one foe ane the is (His toro a the nai aug gi France airman eymns. Thve lire tox te vetyten of Iie (Pret vineteh as wide 93 Dosauble Hos CYRUS _so--[ tat woes su ey ve sv it The fringe tats [A pete chin (gory to ane str = Be amare tthe jedi Gis. bat moe ara mack. Oe eee eer’ Ese BT Pe ome Altvely. snerpotie ha ofer plinys The role of childhood playmate to the hace. Shwe 6s courageous and ewer grees LB: ‘This characlar has exagperated eyes. Take cane to gg the sige apd feght! cf eyes right especially bod ee Fut bees So the evar: ana eyelets ave parle (aera) (amnion Toa eyes ane daw vey large and ae ey takes ap aon a wes" garter ofthe Tce, Ne cooner of te eye point omar aad ook The ies. ate endl highlighted “""] mes ar dra iy acoustic — ‘The sos ane shaded l “fo {Peewee am i] ‘Gul of all the boys fenteifed In this book, this chatactar hes the rourides (ace Libs he girl, he is lively anid cheartal, His ‘energy Is éxpressed In his targe upturned mouth and spariny eyes: He is quite mischiewoss { The eyanecie stet wit seveat vertical hoes. They ten [seats stale cranes tom tht eyes won oem. | The double eye lng jane the yetenw aoe me inside comer of te eve vee a te top ofthe eres ture downers. A =") foto me wines ltr ireses ne ible, Make eae to craw Hot tale wy +] The wiangula anager at the bea of tne cn ae der for einiphaest, ‘Th crete ai Wt a detste curved tne | The triage atc up tm = i (Cee a tang trioga. The ‘empl bunchang hair ‘comman in Anime characters, The chin ecbssesa. sghty area Lies ane dan singe Pai ‘Scie dows he back [ Prebones re early rar. u CR ee sii 3’ Expressions by Type/ Head Simple Type A/ ‘Andrews, bnylah ant enevgetic: A eipioenatically cheert group lei. Dri’ het wah nicely vated cleat lines. Sha ‘alles: wears simple accessories that zu corinected lo the sory some waly rather than a decoration, The Hines tor he uppet eyuiids. eyebrows. and chin are drawn in thick strong curves to express fe liveliness. Hor gielesh harrininity eiptessed int rstural way in the thinness of her chin and nek, fw abseece of the jawbohe ard the lines Brawn beta the ayes.

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