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Galliard Emanuel Adriaenssen 1550-1604

The document is a musical score for a galliard composed by Piere Phalese Jr. in 1584. It contains musical notation for a piece played on guitar, including staffs with notes and rhythmic values. The piece was later revised and edited by Abel Nagytothy-Toth and Emmanuel Adriaenssen.

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Xavi Garci
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0% found this document useful (0 votes)
44 views2 pages

Galliard Emanuel Adriaenssen 1550-1604

The document is a musical score for a galliard composed by Piere Phalese Jr. in 1584. It contains musical notation for a piece played on guitar, including staffs with notes and rhythmic values. The piece was later revised and edited by Abel Nagytothy-Toth and Emmanuel Adriaenssen.

Uploaded by

Xavi Garci
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Galliard

from "Pratum musicum longe amoenissimum" (Antwerp; 1584)


by Piere Phalese Jr.
revised & edited by Abel Nagytothy-Toth Emmanuel Adriaenssen

 
  
fingered by Andrey Bondarev (1550-1604)

  2     1   
-2   3   1
1/2 II

  1       1
 3 
 1  2  
1
1  
4 3
2 2 0 4
Guitar -2
1 1
0

 2  0  12   
0    2
  
-2    
1  1  1 
1/2 II

    0   
5

1
 3 1
 
2 -2 2 3
2 0 2
3 0
1
1 0

     1 0 1 2   1 2  2 3  2  4  
      
3


2  
 1
9

0 1  
4

3
2
0 0
0
1

   1      0 2   1  0  
  2 0 21    3 1  1 2
1/2 II

0 3 
 0
13

1
 3  0 
0 -2 -2
-2
1 2 0 1 1
1

  4   03   1  0  3  2    1
  321      1
II

 2
II

  1
0 0 3
17

  1
2  1
0 0
0 4 -3
0 4 4
0

 
  231 3
 4  
  4  2  -2     24 0      
 0    
IV pos.


21

0
  3  
2
2

0  
0 3
0 1 1 4 0 2 1
0 3 4 1
0 0 3 3
1 4
0 1 1
   4  1
  0  3  4  032   3  0  4  2  0 
2

     132      4 1


2

II

 
V pos.

 
25

0   1
0 4
0 3
3 0 2 2 0
1 3
4 0
0

 2 4 
0  4  2  -2 
  31   0   4 1   24 0     
II

3  
IV pos.


29

0 1
 3  
2
2

0 
3 3
1 1 0 2 1
0 0 4 1
0 0 3 3
4
1 1

 
  4    3 -3  2 1
0     43 
      4  0 0 0
-4 
3
II

  3 1 1  -1 -1     2 
33

1
2 3

 
-4
1
1
1
1 1

  1  4    23 2
0    
    40 2 0
0
1    
II pos.

  01 1 0     
37

3  1

3
2 2 2 1 2
0 1 1
3 1 3
4
1

 
     3 1
   3  1
 4 0    43 -4  -4 
      1
1 0  12 3
I II

  3 1
  2 
41

 1
2
3

1
2

  
4 1
1 0
1
1 1

    41  4       4    1  0   
 
 0   01       3 1 
45

3 3

3

  
2 4 4 1 2
2 1 1 1 0
0 1 0
1

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