7 f Ce oS Oe — OY ata CN The Catholic Male Chorus is wan ss a LJ rv la ad ~ 7 PEN A COLLECTION TIO IOI ; Containing } q EN A MASS, OFFERTORIES, Ped LD a MOTETS, uk 4 x HYMNS for BENEDICTION, Etc. .G } zr BY VARIOUS AUTHORS q SS i i eke =v | 4 F V 1, » f x _ ¥OL ST... | val pt > No. 1074 Vol. 1. - - - $1.00 "4 — No. 1899 Vol. IL + 1.25 ea ¢ 4 . » <7 J. FISCHER & BRO., NEW YORK 119 WEST FORTIETH STREET XN 4 2 a KD ) Se SO” k DiMnaexrAnre prs A Re aa i aNo. Price 2073 $1.00 1074 1.00 1899 1,25 60 18784 .60 1514.60 2408.80 1526.60 2124.80 225.80 2BI7 1.25 2602 1.50 2748 1.00 2889.80 28892 40 2ag9p .40 4629.60 4630.80 4717.80 4922.80 5360.80 LYRA SACRA, Motets, Offertories, Hymns for Benediction... S.A. THE CAYHOLIC MALE CHORUS. Volume I...... tye 1.7. BB. THE CATHOLIC MALE CHORUS. Volume I......... TTBB. CARMINA SACRA. Motets, Hymns for Benediction, ete. S.AT.B. THE PAROCHIAL CHOIR BOOK. J.Gubing....Unison,Two or Three-part CANTEMUS. Twenty Motets, Offertories,ete, B. Hamma... SA CANTEMUS. ..... 2 z Arranged for S.A.7.B. GHANYS AND MOTETS FOR HOLY WEEK, J.B. Hoffmann TWENTY MOTEYS in hon. of the Bl. Sacrament and to the BL. Virgin Mary...........L.Battmann, S.A TWENTY MOTETS and Offertories for the different feasts of the ¥ 4.1. Battmann S.A. CANTICA SION, Motets, Offertories, English Hymns S.A. THE PRINCIPAL OFFERTORIES OF THE ECCL,YRAR. J. Gubing. S.A.T.B. TWENTY OFFERTORINS from the Commune Sanctorum, T.Gruber — T..B.B. CANTIONES SELECYAX:. Offertories, Motets, Antiphones ete. S.A.ur TB. The Same Vooal part for TB. The Same Vouat part for S.A. CANTICA SACRA in hon. SS. cramenti ae B.M.Y. E. Bottiglier9... LYRA ANGELIOA, IV, Motets in honor of the Bl. Sacra- ment and to the BVM. PJ, Jos. Vranken,,...... 8.8, A. TWENTY-FIVE OF FERTORIBS for the Principal Feasts. P.y.Jos.Vranken Unison GLORIA ET HONOR, Hymns, Motets, ete. E.Marzo.... Unison or S.A. HOSANNA FILIO DAVID. Motets for Holy Week aud Lent, 1.1.B.B. TB. Except Canada and Foreign J. FISCHER & BRO. 119 west gors streer, NEW YORK 3, NEW STREET, BIRMINGHAM, ENGLAND PRINTED IN THRU.Mass in C for 4 Male Voices. Kyrie. Comp. by J. EY! S. Arr. by B. HAMA. le i-son, & SS pee : le dickens joe? deal pour = ——=== a SSS =e = Es = es Ky- rice e- Ie. i-son,e - le- i-son, J.P. @ B. 1803-18 mr Bapeigh, B00 by F Fischer Bro.‘ => p =r a a7 = ete o - = : = le - i-son,e- le- i-son, Ky - -ri- e e-le- i-son, Ky - vi- ener Ky son, Ky - ri - — i 2e- Soe | e e-le-i - son, Saas =f | i. SSeS = a a ‘hri-ste e — le-i-son, i Se 9 Chri-ste e ~ le-i-son, Christe, exe SSS tae ee a = Chri-ste e - Christe, by SS = et ee wie —— [a P" Chri-ste e - le-i-son. fe a le- son, e - = = ee ¥ i$ le - i-son, e - son, e-le - i- = SS es fale — 1 son, JR & B 1803-13Gloria. Allegro maestoso, bey —— a Et in ter—ra pax, See Et in ter- ra pax, Allegro maestoso. a G f Ley 4 c= Ped —_ iS = ; We eye ho - mi- ni-bus -nae yo- lun - pax ho - mi-ni-bus — bo- nae Pp. Lau -da-mus,te. Be-ne - di- ci-mus Ta-nius te. te. Re-ne ~ di- er-mus_ te. Ado - raamus te. Glo- A—do - ramus te. te. A-do- ramus te. Glo- ri- fi- ca-mus A-do- ramus te = = -ri- fi-caams te Gra - ti. as i Se eee dy J.Ride BAR. 18pro-pter ma-gnam = glo-ri-am tu - ma-gnam glo. ri- am Tutti Pa -ter om- “© Do. mi-ne us, Rex coe ~ le-stis, De — us uti Tutti Pa-ter om- Rex coe ~ le-stis, Do - mi-ne Do- mi - ne Do-mi-ne = Fi - = po-tens. Do-mi-ne Fi - lide-su_ Chri - —————— = EE Do-mi-ne De u-ni-ge-ni - te, Je-sw Jo-mi-ne Fi- li-us Fi- li us TRA BASOLSole _—— —= = es tol-lis pee tris, mi-se -Allegro moderato. | pg fl ate Quo-ni-am tu so-lus - tis-si-mus, Je~ su 2 ESS = nus. Tu so-lu Al- tis = Do-mi-nus. Tu a a. & B.1803—18= f Ste. Cum san-cto ES = fee ee zlo-fi-a De ES glo. ri-a De passeCredo. Moderato. —= — r —+ Pa-trem 0-mni-po — SS gE Pa- trem 0-mui-po - ten-tem, fa - cto-rem coe-li, et ter - Tae, a. Few Be 1808-18,a3 a == Do-mi-mm | z pea eo peep ¥ Et in u-num Do- minum 3 ee a td a NY a = j—— ee ge - ni-tum. Et ex Patre na-tum an-te o-mni-a sae-cnla, Deum de = Se ni-tum. Et ex Pa-tre na-tum an-te o-mni-a = sae-cu-la. De-um de= = lumen de lu - mi-ne, De-um Ye-ramde De - 0 lumen de lu - mi-ne, ve - rum de stan-fi-h—lem —Pa-tri FS petoeet oR Qui propter nos ho — mi- Got proper, Qui peopten qui propternos ho" mi -nes, J. K&B. 180318,et proper nostram sa — pro- pter, by Prodlerel propler noctrom sa = ty de de ~ scen-dit de coe-lis, de - c0e=tis, de =Andante. Salo, = ‘ t Et —_f, a4 PE nd tibitum lato passus, et dF &B. 1803-10,Allegro moderato. ot gre Et resur-rex-it ter-ti-a di-e, se— Tutti. terti-a die, se— tf: Allegro moderato. © ctn-dum Seri- pluras, Se - cun-dum Seri -ptu-ras. Eta - scen-dit in coelum; yo = cun-dum Seri- pturas, se- cun-dum Seri-pta-—ras. Eta - scen-dit in coolum; sedet ad dexteram, P : seclet ad dexteramad dex-te-ram Pa-tris, i - terum ven- P i= terum ven - tu - rus, ven—SSS are ns tu- rus est cum glo-ri-a, > te ee fe = == “tu rus est cum mor fit ao moretu ‘mort eRe BSB 1349 qui éx Pa-tre Fi-li-o-que pro- ce qui ex Pa-tre Fi -Ji-o0-que pro-ce it. Qui cum Pa-tre, et 5 ‘ SSS a eS ¥ ai cum Pa-tre, et F-i-o bi-mul a-do- ra-tur, et conglo- ri-fi- ye Solo qui lo- cu-tus est per Pro-phe-tas. Et u-nam sanctam Ca- ca-tury qui lo - cu-tuCon fi ~ te or Tutti te ALR. & B.A803 13at Tempo T. vit. o- nem = mgr-tu- _o- rom, Ei -tam ven- tu — ri ete —————— = = it———.. =< nem mor-tu - 0 sae - er vi-tam ven— 1 — ri i vi-tamven-tu- ti sae- on - li, et vitamyen-tu- ri2% Sanctus. San-ctus, sani-gfvts, san etus Do-mi-ns Sa~ ba-oth, P =—— Sanctus, sanctus, san - ctus Do-mi.nus Su - ba-oth, Pz, = Poco adagio. Pit mosso, us Sa-baoth, Ple . nisuntcoe - li et ter - Sa-hba-oth. Ple ~ nisunt coe - li Pil mosso.glo-ri-a = tu~ a, ae glo-ti-a tua Ho-san-na, ho- san-na__ in ex- cel-sis, in ex- t- Ho-san - na, ho - san-na in ex- cel-sis, ae glo-ri-a f-a. fo-san - ma, lo - san-na in ex- cel-sis,in ex —ea Benedictus. Andante, Tenor Sale. ea, Be- ne- di-etus, be - ne- Man. di-ctus, qui ve- nil, qui. ve- nit in no-mi- me —Do- mi-ni, Be - ne - be - ve-nit di- clus, di-etus, qui ve- nit, qui = ba Be — ne - di-ctus, qui ve-mit,qui we-nit Be-ne — di-etus Be-ne - di-ctus, qui ve-nit, qui no-mi-ue {o~mi-ni. he ae pone aa RAS 18Tutti P. = no - - -mi-ne Be.~ tt ni. Be - ne." di- ctus, , ge Tutti a Ab eS ——=— — [ae ae a == —- in no-mi- ne —— qui ve-nit_ in no-mi-ne ——— = —J26 Agnus Dei. —== Moderato. Tenor Sato pga ~~~ gag Pe. qui tol-lis pec-ea- ta, pec-ea - ta. mun-di, mi- se- PP. 1.Bass Solo ———— p83 8 re-re, mi-86- Te-re, mi-se- re-re no - dis. A- - gmus — ; rR af Py. qui tol-lis pec-ra-ta, pec- ca - ta mun-di, mi-se - re- re, mi-se- re- re, mi-se-re-re no - t JP & B. 1803-18crese. ahi tol-lis péc-ca - ta, pec-ca - ta mun-di, crese, qui tollis pecea-ta, pécca-tamun-di, cree qui tolls pecca-ta, pecea-ta mundi, cresc. e Poco pit mosso. —<—~ ~ L “do-na no-bis pa - cem, do-na no-Dbis. pa do-na no~ bis = do-na no-bis pa - com, do-na-no-bis pa - com, do-na no-bis = fe Poco piit mosso. pp pore rit. cen, do-na no-bis pa - com, do-na no-bis pa - cem. co rit. P BP poco rit. com, do-na nobis do-na no-bis pa - —— P 160 rit.as Libera me for Unison Chorus and Quartet for Male Voices. B. ZELNINGER, Op. 16. Larghetto un poea eon moto. In di-e_ a - la tre = men-dw quen-do— Copyright, 1102, hy J. Fischer Bro. LF & Baoan 8(eycensene ps as faTENOR 1. _pitn Re-qui- em ae -~ ter - nam do- na e - is BASS il. eas SS do - mi oe is f 4 __ af, Do-mi-ne et pay Sas et lux per - pe-tu-a nf —= aS SS i | In-ce-at @ = et lux per- pe-tu-a es ee = == : lux per~pe-tu-a Iu ee-at @ 2g J-P.& B aoas-2DG. dal Sexno at Fine.a Benedictus. Arranged by (Psalm) VICTOR HAMMEREL. Chorus for 4 male voices. Tenor I. E. SPOTH, 6 =e ‘ 1. Be-ne-dietus Dominus . 3 ¢ Si-eut : Ioeatas est, ¢ 7. Ut sime timore de mama inimicorum nostrorum 9. Et tu, puer propheta Altissi - 3 W.Per vi-seera ‘misericordiae. . = 1. Be. -ne-dietus — Dominus mut locuts est per me a Es SL Ad fa-ciendam misericordiam eum 1 tet — = = timore de manw inieeicurum nostrorum —li- be ~ r-ti, tu, puer propheta Altissi =~ - vo-cabe-ris, ert nisericordiae « i tri, == 1. quia visitavit, et fecit redoupti = - o-nem ple- bis, osu - B.qui a saceulo sunt, +. pro-phe-ta- rum oe = = just 5. et memorari twsta - : 2 omen-ti su- i sam chi. Zs ~ sope im - = + W-e-ms = he QO pruwivus enim ante fueiem Domini pa-ra- re vias e = = jus Tin quibus visitavit nos. lo-ti-es a aba = t Ee 1. quia visitavit, et fecit redempti - - o- nem ples “his B.qui a sueculo sunt, 2 pros phe 28 tum S.et memorari testa = - - - en- ti sn- i , = FETE Q.pracibus enim ante faviem Domini pa - ra- re vi - as— Tin quibus visitavit wos. Do -Ti- ens a Copyright, 1902, by I. Bischer Bro. J.B 6B 200021a SSS] 2.et__erexit. cornu salu - = = = = = tis no bis 4.Sa - lutem etinimi - = = ~ = = eis nos - tris 6. Jus - jurandum, quod juravit ad Abraham pa + = trem — nos - trum, 8, In__ sanctitate et justitia co - = = - = ram ip = 50 10.ad__ dandam scientiam salutis ple - - = - bi © ~ jus V2.1 - luminare his, qui in tenebris et in umbra mor - — - tis se - dent: can —————4 ae a_s = a |= =| =e S= Ick Se See zi i 2.in domo David. 2 6 ? 2 pees of sue. i 4.et de manu omnium, — qui o - de ~ runt nos. dk raed 18 y “ < - fu-rum se ono - bis 8. omnibus di ~ - - - - ¢ = bus ns - tris. 10\in-temiasioném jeour — = c 2 tOshim e282 rum, T2.ad dirigendos pedes nostros in . vi - am pf } ofl. i aoe 4sa Miserere. For four Male Voices. VY. HAMMEREL. a a a Tenor t- Tenor {1Mi-se-re-re De-us, Secun-dum magnam, mi-se-ri-cor-di-amtu a A a aN a Bass 1jbMi-se-re-re-me- i —— 2. Rt secundum multitudinem =e miserati- osmin - arums der inigui — tasted am. 4. Quoniam iniquitatem meam e. go cog ~ nosco:et peceatum meum contrame ¢si.vem — per. G, Ecce enim in iniquitati’ - bus con - ceptussumet in peveatis concepitre mater ake - a. B.Adsperges me hyssopo et mum ~- dahor: lavabisawe etsupernivemde al ba - bor, 10. Averte faciem tuam a pecea-tis me-is; et omnes iniquitates. . meas de - le. 12. Ne projicias me a. cie tua: et spiritum sanetum tuum. .ne auferas a me, 14.Docebo iniquos. . vi-as —tu-as: ct impif ad te. scon-ver-ten . tur, 16.Domine, labia, . . me-a a. peries: etos meumannuntiabjtlau-dem tu - am. 18. Sacrificium Deo spi - ritus contribu — Ja-tus: corcontritum et humi- liatum Deus, non de-spi-ei - es. 20. Tuno acceptabis sacrifi- cium justitine, oblati-ones etholocausta: tune imponent superal. faretu-um vitu - los. ee Ba 2 SSS ~~ * This accompaniment can be used for Verses 4, 5,7, 9 ete. Copyright, 902, by J. Bischer & Bro. J.B, & B. 2048.235 Tenor 1.& tl. =: ea see 8. Ampli-ws ta - wastiey ah tni-qui Bass Lait. ‘ 5. Ti-bi so- li pec-ca vi et ma-lnm co-ram'ta fe- ci, ut ju-sti- fi-ce sa-pi-en - Ui -ae tu - ae masni- fe- sta . sti mi- . bi. et ex- sul - fa - bunt os - hu = mie Wi - a - - ta. ptt __ JPG B-2048_2J ah 29 owe ete G | 2 U.cor mun-dum cre - 2, in me De. us, Bt spi ri-tum rectum 13.Red - demi hi lav. ti - ti- am, sa-du - ta ris m _ i, | i = tu prin - con. fir + 15. Li - be-fasjme de san- gui ni-bus De - us, De-us sa iu- tis me — ae. | a ee ja) ot 3: f Et ex-sul-ta - bit lin-gua me-a ju-sti- ti-am ty - - am. pi shod ad egy a Oe ee i37 n 4 fa 1 = 9p Hg oO _ | —— + =F i f f 17.Quo -ni-am si yo-lu-is — ses sa-cri_ fi ci-um de-dis ~ sem ES I | 2S w= tis que — ho-lo~ cau —stis non de- le- eta = beeris u a = SS SS eS EE] 19. Be- ni - gne fas, Do - mi-ne, in Seti vo-lun-ta . te tua Si - on. oS eee SI = ae- di- fi. ven - tur Glo-ri-a Pa-tri = e i ia f et nune,et semper, et in sae-cula sae-culo-rum.A —m | \ | 645 8 BREF eo apg ten a ee y Ly I ey Sh te ee ee eae t *t % Requiem setermam dora eis Do mine, et luxperpe-tua 1 paste eh ob el al Lite pa? LA. See a= i e f T I i Bh I? 1 u-ceat e - is,a Edited by Sanctus and Benedictus. E.J. BIEDERMANN. bar ee Soprano.*) (or Tenor Il.) =o le etus, § Tenor. a=; (D ctus, a Bass. = Organ ad tid P_ the mf Faced. = SSS re Fe ple -ni sunt coe-Hi et ter - if Siteee peo fats fe -ni sunteoe. li, ple- ni sunt eoe-li et ter - ra glo-ria of Saccel. = =a = sana in ex-cel-sis, Ho- a Allegretto. SS f mrrEy When simg by male voices only the BA Tenor sings the cotes in upper staff, the £84 Tea the mid dle AB. & B.A526 128 267639 _ 4 == ———— san-na in ex - cel-sis, Ho - san- na in ex - cel-sis, Ho - san-na Ho- Sah~ fe in ex - san-na in—— ex - cel ~ sis, Ho- san-na in—— ex - cel poe io ctus, be-ne- di. clus qui ve.nit in no- mine mpg ; pe otus, be-ne - ai. -ctus qui ve-ait in no- mine 289840 Allegretto. = + ae no - mine Do- mi; ni. Ho-san-na in ex- 1 Do - mi - ni. Allegretto, Ssh = cel-sis, Ho- san-na in ex-celsis, Ho- = aa = = 3 celsis, Ho- san-na in ex- cel-sis, Ho-san-na, Ho- Ee: =| & tv = ( = sis, Ho-san - na in ex-cel ss os sis, Ho - san in ex - eelu O Domine Deus. for 4 male voices. Arrasigtd VICTOR HASMEREL. P. ANSELM SCHUBIGER. Adagio. , z a = Tenor 1. (9 tte S| por Tenor 11. |) SS Bass I. = SSS po Bass Il. Organ. | Do - mi- ne De- us! spe - ra - vi = Copyright, 1908, by J. Fischer ié Bro, J.F& B. 2042-1"FRLB oseuw Jesu Dulcis Memoria. f ics. ie ‘or 4 male voices VICTOR HAMMEREL, Moderato. P ‘Tenor I, = SSH Je - su dul- cis. me - P. ANSELM SCHUBIGER. mo - ri-ay dans ye - ra cor-dis gau-di-a; sed su-per mel et —— = a SS Sane mo - ri- a, dans ve -‘ra cor- dis errr ~~ Copyright, 1908, by A Fisener & Bro, J.B &B. 2087.1SSE om - ni- a e-jus dul-eis pr fe tS ju - cun-di~ us, nil36 Ecce Panis. for 4 male voices. Organ accompaniment added by VICTOR HAMMERED. TH. DUBOIS. Andante, P Tenor 1. Tenor II. Bass 1. Bass I. Andante. ob eae Organ. pd L, = vi - a - to - mm —— see SS 42 SS = vi - a - fo - rem SS 4 \ eect et pope; SS f f Terr Copyright, 1902, by J. Fischer wt Bro. J-F.& B. 2039_ 1" Printed inUS.A.oS eS pa-nis fi~li - 0 - rum Non mit-ten-dus p= ca ni - bus, ss An - ge- lo- rum es JEG B. 2099-1%aS bdo i t P = Sf mit - ten - dus ——— == =e 3. SS SS pp Ss i-bus. Ke-ce pa-nis Ang e- lo - = + ni-bus. Ee-ee $s SS = iatw Shue cae Adoro te. B. J. Biedermann, Chorus for four male voices. Tn poeo adussio, ——————_ SS Tenor I, ‘A. do-ro te, a- do.ro te de ~ Tenor II.| Bass I. ph -do-r0 te, do - 20 te de Bass II. A-do-ro te, Tn poco adagio.(d= 5s) do-ro te de Organ, nea op legate dole! tas: Quae sub his fi ovesc. sub his— fi cress, Sub his ‘fi Sub fis, sub his fi JLR,SB. 1903.2 Copyright, 190%, by J. Fischer & Bra.tas, Ti-bi se cor me-um to - - tum tas, Ti- bis Pp ee tas. Ti-bi se cor me - tn to - tum tus. Ti-bi se cor me - am to - tum J-F.&B, 1908.2—— de - fi- cit, dolce de- fi - cit, qui-a J. R&B. 1903 si = Ss Qui-a te con - tem - plans_ Qui - a te. te __¢on — tem - plans_ te con = fem - plans > tem - plans fo - tum, to - fim, = —=—— fo- tum, to - tum to - tum, fo - tum to - tum, to - tum fo ~ tim, fo - tum to = tum P, to -tum, to - tum to - tum, to - tum— con - tem - plans, ton - tem — plans, =—— ‘con - fem ~ plans, con - ten plans, qui-a te eres, » qui- « te erese. qui -SS tem_- plans, > ‘tum, a pe = tem plans, to tum, —— ; ans, fo ~ tum P 7 tim = = plins, ko 1 tum, to = tom fare 7 de- fi - cit, to.tum jum de- fi — ¢it, x ty - fum de-fi - cit, to-fum de - cit, to-tum de - morendo fi morendo PP to - tum morendo5a Ave Verum. for 4 male voices. Edited by VICTOR HAMMERED. W. A. MOZART. Adagio. Tenor 1. [ee SEE ve - rum Tenor 1. he S 4 ye = ae Bass 1. |= Bass 11. [255 = =e == = = = Adagio, — m = . [eS Fae oH Fl =HRS ae oe oy Pre (SPR eye eae ae ———= == ———— — =} a eeeass — fp ee df ee —————— cor pus. na - tum de Ma-ri- a vir - gi ~ ne = = = — core SS SS SSS mo - la- tum in [R&B 20uth Copyright, 102, by b Fischer & Bro.JF & Be 204s55 Seat gu- sta tum in Sa gu- sta-tum in mor ~56 AVE VERUM. For 4 Male Voices. Andante. PB, IGNATIUS WILKENS, 0.F.M, By ae —fa- Tenor I. ‘A + ve, a-ve ve-rumeor-pus fatumexMaeri.e Vir-gi- Tenor I. =z P, a 2 meee Bass I. A. ve, a-ve ve-rumeor-pus natumexMa-tia Vir gi- Bass O. Andante. Accomp. im- mo - pas-sum, passum im - mo - la~tem in era - ce pro mere See Ex ae} = St fluxit a: que et =| I 718. TPs B. 4048 4 Coppright, 1899,by J. Fischer & Bro. Price 10cts.37 —= —————_cvese. => v B-sto no-bis prar - fan — gui-ne, Pe ese, pp cle - mengo mengo Totti, PP Te-su, Fi-li Ma-ri mise -re-re HMA Tutti. mise —re Jesu, Fi-li Ma-ri - minst- re-ress Rdited by Ave Verum. E. J. Biedermann. Chorus for four male voices. Andantino. Kare mesza BuCe AD, de DOSS. S.J. Tenor I. A - ve, : ae Tenor II. = mezea" voce Bass I. == A - ve, Bass I. pas = sum, J.B. &B. 1904 = thy Copyright, sot, by J. Fischer a Bro.cru - ce, = ft—~ mezza voce ve = Te, ve- = pas - sum, P mesze voce mi-ie,ve - re pas ~~ stm, im - m, im pas.sum, im -mo - P poco animato tum; E-sto no-bisprae-gu - statum Mor - tis, S - p teen animate tum;E - sto tum; poco “enimato P J. B&B, 1904 = 141goo tis__ in_ ex - i 6 J. F.&B. 1904 thy6 Ave Verum Raited by Chorus for 3 male voices, BE. J. Biederma: iedermann J. M. D'ARCHAMBEAU. Andantino religioso. Organ SS A- ve, ve-rum cor pu: »— = A- ve, ve-rum — cor- pus,— P— — A- = sve, ve-rnm cor- - T.R&B. 1902-2 Copyright, iunby J. Fischer te Bro.P, pas- sum, i In cru - pas - sum, pas - sum, f ¥ ho- = -mi- ne, Cu-jus la- - tus per-fo- v ho- -mi- ne. Cu-jus la - ‘ P Cu-jus la - per-fo- ra - tum per - fo- ra per-fo- ra - per-fo- ra - per-fo- ta - J-R& B,1902_2a ——_——_ ve~ 10 san- gui - ne, ve~ 10 ve- 10 ro flu-xit san- gui - flu-xit_san-gui - ne. flu-xit san-gui - ne. — flu-xit san-gui - ne. a F = SS Mor - tis, prae- pus - ta-tum prae - gus - Ler ta- tum mor - ti —— ame Mor - tis, = Mor - tis,64 = = ex - a- mi - - su, p= as Qdul-cis Jes su, O dul- cis pi- et Je~ 80, dim. Fi- i Fi- li dim. Fi- lias Ave Maria. Budit by. Chorus for four male voices. K. J. Biedermann, Andante non troppo. AD. de DO ) p dolce — — Tenor I. = Ma - ri gra. tia Tenor I. gra. tia ple - — Bass I. = gra -ti-a ple - Bass Il. 5 A-ve Ma gra-ti-a ple - na, Andante non troppo.( = 60) sot Organ, fi ad lib. pile =— mi-nus te - cum, eta tu, =— tu, be-ne- di . i Spaninese Copyright, 1904, by J. Fischer & Bro.66 di - eta Poo it — Ve-ne- di - ctus fru-ctus ven-tris be-ne - di- ctus PR rit. be-ne - di - etus be-ne - di - ctus dim. colla voce a tempo jan-eta Ma - ri - ___ > San-cta Ma a temy J. FAB. 19052ra, o - ra pro no - bi 05 va pro a fo- ti - bs) yp no-bis pee = ca = * SSE SS ae ma-fer——— De - == i= no__=_his, — =f f—— f= no - bi — no bis, — =F 4 ~—e J. FB. 1905 2os P. no - strae, +t in ho-ra —— strae.A = men, zs pH era J. FB, 1905-269 O Salutaris. Chorus for 4 male voices. Edited by E. J- BIEDERMANN. C.RINCK. 1, Adagio. Tenor I., SS Tenor I. Organ obligato, TP. & R190 Copyright, 1901, by I, Fischer @ Bro.=—— ——— Zz SSS = sa. lu-ta-ris ho-sti . a, Quae coe. li pan-dis, SSS = ———— | pe a: 7 tr =I i ete fe ;t = == | SSS sa- M-tacris, sa-tu-ta-ris —ho-sti - a, Quae coe - li pan-dis, = =e = = Se St Se Ht Ti pan-dis, os-ti uns ti- li = a, bel - la pre-munt hos - oe ee =an bur, === Doro - bur, Da ro - bur, Pp == CG : Pages um, da ro - bur, fer qu-axi- li - um, = sp + Se = —— =: == ~— pS ——— =| um, da ro. bur, fer an - xi -li um, be SR Besgoneum, fer_ SS bur, Soe aes da ro-bur, f 4.8.68. 1901.‘Arr, for Male Chorus by B.HAMMA. Andante. 8 Awake, my soul. (O Salutaris Hostia.) J. WIEGAND. (eee 0 A-wake, my soul, to E} sas fu- ta = i ae = =e is ho= sti-a, — Quaecoe-li pan-dis 0 ~ sti-um. ) jy Jab tas, — Aud sing thygereud Re ~ de 0 Anzeuke, my soul, W fost efick,. -Quneeabilt pencils. OBS, >» Joy = fad lays, — And sing thy great Re~ deem ~ ers praise; ist-ly claims a ho - tina song from thee; == 5 Sf 0 salut - ris He just-ly aims a ho = sti- Quar e song — from the His 99h = # = pandis o~ sti- um, ig hinlness, Olt ho JB& B.ATR-3 Copyright, 1900, by J. Fischer & Bra.1 poco rit, ——$—<$== Tt aps @uae coedi pan-dis song from thee, His faving kind -ne reamed ae poco rit. = = = ho - sti- a Quar coe. song from thees His tuving Rind = = eae ‘poco rit, —— me ae [=e —— fei peta oort——=| =p Da ore. bur fer. aw-xi- [f= um, Thouzhearth and ell — ny oppose, Se Bel - la premunt_ho- sti - Though numerous host..of might -= : r + Se —— = = z ho ~ sti ~ da ro-bur fer’ fu- xi - li- um. along, His tov~ ing kindness, O how strong! SS = s SSS Bel- Ia prennw = - da sro He safer t leads my Soul a-Tong,— His tov- ing hind-ness, 0 how strong! o-bur fer” du- xi- li- um. + pores a i : Sa R. eee ae = =] Bel - ln pre-mut ho - sti - lina, de When frow - ble tke a — gloom - y loud, Has li- um, gath ~ evil thick, — and then ~ derit loud, ° = =< ++ da ro - bur fer,— da He near my = suul__ has f? #2, au xi- li = um — ness, O how good! ao rt =i = Ty eno op if = =F eS J.B B47: —