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I - Love - A - Piano - Musescore

I_Love_a_Piano - musescore

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Carlos Blauth
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0% found this document useful (0 votes)
108 views8 pages

I - Love - A - Piano - Musescore

I_Love_a_Piano - musescore

Uploaded by

Carlos Blauth
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 8

I

Love A Piano



by IRVING BERLIN

                
    



  
Allegro moderato

     

                

  

         
 

         
              

        
5


As a child, I went wild, when a band played; How I


When a green Te tra zine starts to war ble, I grow

                              
               
Till ready

                      

    

     

                  
           
9

     


ran to the man, when his hand swayed. Clar i nets were my pets, and a slide trom bone I
cold as an old piece of mar ble; I al lude to the crude lit tle par ty sing er,

                  
              
 


          
          

      

          
                       
13


thought was sim ply di vine. But to day, when they play, I could hiss them; Ev 'ry


who don't know when to pause. At her best I de test the so pran o, But I

                             
         

  
          

 
  


    
          
2

                           
17

  


bar is a jar to my sys tem; But there's one mu si cal in stru ment, that I call mine.

 
run to the one at the pain o, I al ways love the ac comp ni ment and that's be cause:

                                             
                        
   
                         
    
           

                      

                        
CHORUS 23

  


       
I love a pian o, I love a pian o, I love to hear some bod y play up on a

                       
     
            
                   
  
-

           

      
                            
27

     


     
pian o, A grand pi an o, It simp ly car ries me a way. I know a

                        
   


    
     


   
                 
       
             
  

       
               
32

 


   
       
  
fine way to treat a Stein way, I love to run my fin gers o'er the keys, the

                  


        
 

             
  
         
              
  
               
3


                            
38


 
      
i vor ies, And with the ped al I love to med dle. When Pa da rew ski comes this

                        
         
                  
        
     

      
                            
42

        


 
way, I'm so de light ed, If I'm in vi ted To hear that long haired gen ius

                              
                    
          
           
      
 

                               
  
46

          


              
play. So you can keep your fid dle and your bow, Give me a P I A N O, oh, oh, I love to

                              
              
 
                  
 
     
               

   
                      
1. 2.

    


51 D.S.

   

         
stop right be side an Up right, Or a high toned Ba by Grand. I love a Grand.

    
 
   
                           
 

                      
        
  
    
Voice I Love A Piano


by IRVING BERLIN

     
     
Allegro moderato

         

     

      
As a child, I went wild, when a

                  
8
When a green Te tra zine starts to

 

   
band played; How I ran to the man, when his hand swayed. Clar i

                
11
war ble, I grow cold as an old piece of mar ble; I al

   

        
nets were my pets, and a slide trom bone I thought was sim ply di

        
lude to the crude lit tle par ty sing er, who don't know when to

         
14

    
vine. But to day, when they play, I could hiss them; Ev 'ry

     
     
pause. At her best I de test the so pran o, But I

  
17

bar is a jar to my sys tem; But there's one

            
run to the one at the pain o, I al ways

         
     
20 CHORUS

  

            
mu si cal in stru ment, that I call mine. I love a

 
           
love the ac comp ni ment and that's be cause:

        
23

             
                 
pian o, I love a pian o, I love to hear some bod y

      
26

        
             
    
play up on a pian o, A grand pi an o, It simp ly car ries me a
30

          
     
way. I know a fine way to treat a Stein way, I love to

        
36

 
run my fin gers o'er the keys, the i vor ies, And with the
           
2

                     
39

ped al I love to med dle. When Pa da rew ski comes this

     
                       
42

        
way, I'm so de light ed, If I'm in vi ted To hear that

          
    
45

   
long haired gen ius play. So you can keep your fid dle

        
                
48

 
and your bow, Give me a P I A N O, oh, oh, I love to


   
           
             
51


1.

 
stop right be side an Up right, Or a high toned Ba by Grand. I love a

  
2.


55 D.S.

Grand.
Piano I Love A Piano



by IRVING BERLIN

                   


           
Allegro moderato

      

                      

 

          


 
                  
   
    
           
5

    
Till ready

                    
 
 
 
 


                   
                   
9

    
          
       
          
       



                                        
14

      
                    
              


    CHORUS
                              
          
19

                  
   

                     
 
          
   

   
2

                          
   
  
23

          
                   
-

          
 


   
                        
 
        
27


                
          
       
 


          
         
     
 
    
31

    
                          
              
  


       
             
             
37

   
           


  
  

       


         
            
 
              
40

    
  
             
  
         
 


                  
   
                
      
44

          
     
     
     
      


                 
3

                
                      
48

     
             
                


      
1. 2.

       
                       
52
D.S.


                 
       
    

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