Magic Enthusiasts' Bulletin
Magic Enthusiasts' Bulletin
ALICE’S ADVENTURES
DINNER DATE l PRESTON PERFORMANCE
SHEFFIELD SHOW
www.britishring.org.uk
KEYRINGNOVEMBER21 001559 A.qxp_Layout 1 11/10/2021 16:39 Page 2
NOVEMBER 2021
RiNG officers
KEY
25
RiNG contents
KEY
25 November 2021
The Official Magazine of The British Ring No. 25 of
The International Brotherhood of Magicians For Private Circulation
Features
5 Preston Live: Brian Sefton reports post COVID show
PAGE 5 6 Collaborative Conjuring: elementary my dear Watson
8 Nonvention 2021: a virtual variety
13 Steve Faulkner: magic with a pint and a pie
14 Rick’s Magic Musings: clever cups
16 Brian’s Bulletin: Brian in Wonderland
18 AGM Report: a short report
20 Carol’s Convention Carousel: memories of Eastbourne
22 A Bit Moore Magic: Derby debut
PAGE 8
23 Three Book Challenge: Dr Keith Souter a man of secrets
26 Ideas time: Bells, balls and a bottle
28 Broken Wand: Brian Knowles
29 More Miller Memories: friends remember Brian
Tricks
24 Kids’ Corner: Christmas already
Regulars
PAGE 13 2 The Editor’s View
3 President’s View
4 From the Executive Secretary
THE EDITOR and council accept no responsibility for the opinions expressed in articles appearing in the KEY RING. Its contents are copyright and
must not be reproduced in part or whole without permission of the author/contributor and editor.
KEY RING REVIEWS POLICY: As the KEY RING is a members only magazine, and space is limited, only items that have been advertised in KEY RING
(excluding Smalls) or the current convention brochure will be reviewed. Reviews must be submitted from a satisfied customer, or send the item to the editor
with a stamped SAE for its return.
KEY RING CONTRIBUTIONS POLICY: When sending to the editor enquiries or items for publication on flashdrives etc. and/or props that you wish
to be returned please enclose a stamped SAE. Also, please try to email the editor your effect, article etc. for publication. This should not prevent
members without computers from getting involved, but do enclose a stamped SAE for the return of ANYTHING that you would like back.
IBM FACEBOOK PAGE: https://www.facebook.com/IBM.BritishRing25 BRITISH RING TWITTER PAGE: http://twitter.com/IBMBRITISHRING
KEYRINGNOVEMBER21 001559 A.qxp_Layout 1 11/10/2021 16:39 Page 4
AT LAST! TH
PRESIDENT’SE
DINNER
The British Ring
Dinner & Cabare President’s
Saturday 19 Mart
Cambridge Bar ch 2022
Cambridge CB23Hill Hotel,
Tickets – £38 8EU
Contact Alan Mas
kell
PRESIDENT’S VIEW
N ovember, the leaves are off the
trees, and the nights have drawn in,
but we have the first face-to-face
Shorter days mean staying in and
reading! Ian Keable’s book on
eighteenth century hoaxes has been a
British Ring meeting since the lockdown great read and I’m currently reading the
to look forward to! I hope to see some memoirs of Adelaide Herrmann.
of you at our get-together in Hinckley The Magic Circle has finally caught
on Saturday 6 for what should be an us up and elected a female President,
excellent day and the first step on our although we are still ahead having had
return to physical meetings. If you are two: Cynthia Neptune and Shirley Ray!
going don’t forget to book your place Congratulations to Megan Swann
and don’t forget you can bring along a non- MIMC, who is also
member for just £10 and that can be deducted the youngest TMC
from their subscription if they join on the day! President. You may
A sandwich lunch can also be booked, if required, remember Megan
for £5, payable on the day. won both The
The next step will be my Presidential Dinner British Ring Shield
and Cabaret on 19 March next year at the Bar Hill and the Originality
Hotel, Cambridge. Details and tickets from me! It Trophy in the
is good to be able to finally get this event competition at
organised and being able to fulfil the Southport 2018.
requirements of the President’s role. On that I’ve known her from
point, we have been asking the Officers and The Young
Council members to assist in putting together Magicians’ Club Adelaide Herrmann
their individual job descriptions to both clarify when she was friends with my daughter and they
their roles and have a template both took part in ‘Tricky TV.’ alongside
ready for future post holders and a Michael Jordan, Troy and others.
guide for those who may be Congratulations too to Aidan
interested in standing for election in Heritage, who won the September
the future. Challenge with his poem of 150 words,
Although we are getting back to a or so, on what was missed from our live
semblance of normality, I still plan to conventions. The November Challenge
organise occasional Zoom meetings is to write a short piece, say 200
for members to join in on. It has words, on your favourite trick,
been apparent that these meetings what it means to you, or an
have, not only been well attended, Megan Swann example of it performed, or the
but also a good link for members around the background to it.
countries and those who may not yet be ready or Keep safe,
able to travel. If you have any ideas or content for Alan
any of these please let me know. Which leads me
to thank all those who contacted Moira and
myself by email, telephone, and even post, to Alan MASKELL
congratulate the team on a great Nonvention. 40 Lanton Drive, Glagow G52 2EW
Thank you too for being involved in watching T. 07999 537686
and enjoying it! E. [email protected]
Tthroughout
he festival ran from the 21 to 30
June, this year, at various venues
the city.
“Smash and Stab” although I
suspect that Mark’s method did
much to avoid the inherent
Even though I live in Preston, I dangers in the effect.
wouldn’t have known anything about Edward Hilsum did a patter act,
it but for Duncan Trillo’s Magic Week in the first half which included
which included a plug for the final “The Miser’s Dream” in the style
event “Hey Presto–N”, a magic show of Jeff McBride and performed his
taking place at the Charter Theatre. Dove Act later in the programme.
The theatre, within the Guild Hall Jamie Raven, probably best
by Brian Sefton
complex has been closed known to the public from his
(regrettably) for quite some time appearances on Britain’s Got
(long before Covid) and had re-opened just for the Talent, performed mainly standard effects in both his
festival. spots, with charm and style that registered well with
Although booking via the seating plan gave the the predominantly lay audience.
impression that the event was pretty much a sell- The opening and closing act of the show was Alex
out (allowing for social distancing), there were, in Jesson’s Matricks Illusion, a six handed team who
fact, only about 80 in the audience. (No other performed many well- known illusions some with
magicians that I recognised, but I did run in to Russ offbeat twists. I am sometimes unsure whether to
Stevens, in the foyer.) applaud the performers, or the clever boxes, but this
The show consisted of four acts which performed team were fast, colourful and energetic making for a
in each half to provide over two hours of magic, very entertaining presentation.
excluding interval. The small audience was extremely enthusiastic
Mark Shortland was a boisterous host and throughout the evening and this did much to create
compère with tricks between acts and his own spot a wonderful atmosphere both for the performers and
in both halves of the show. He included Andy themselves.
Gladwin’s magic square and a most effective It was a great night’s entertainment.
JAMES: This month’s title is a play the spectator to the top of the
on The Casebook of Sherlock deck. This is used to throw them
Holmes, and, not surprisingly, is all off the scent. They believe their
EFFECT
piles, still face down, until the Diamonds, the Two of Spades and
spectator calls ‘Stop’. Either pile is the Nine of Hearts. Taking
The performer displays a large indicated and the spectator advantage of this, the top 18
envelope, which contains a gift for chooses one card from this pile.
the spectator as a thank you for The deck has been cut, two
helping with an experiment. A piles dealt, one pile chosen, and
deck of cards is shown, each one one card taken. A random and fair
bearing a different image related selection. The card is turned over
to the stories and characters from to reveal it bears an image of the
the world of Sherlock Holmes. The story, The Hound of the
cards are casually spread to show Baskervilles.
some of the different images, then The spectator now opens the
squared up and turned face down. envelope and removes their gift. It
A spectator is asked to cut off is a copy of the story; The Hound
about a third to a half of the deck, of the Baskervilles!
WORKING
turn it face up and place it back
on top of the deck. They are then
asked to take an even bigger cut, Having read through the effect, we
half to three-quarters of the deck, are sure you will have spotted the
pick it up and turn it over, placing use of Ed Balducci’s Turn Over and
it back onto the remainder of the Cut Deeper Force, which returns
SATURDAY 4 SEPTEMBER with the Mystic Craig Dealers’ attractive concept, beautifully
Brian Lead reports – Looking as Trophy at our last Eastbourne executed.
immaculate as ever, British Ring convention. Paul Daniels appeared in our
President Alan Maskell declared This exercise in nostalgia was gala show in 1986, at the peak of
the proceedings open, welcoming followed by a clip of Harry Corbett, his fame, and in the absence of
all members and dedicating along with Sooty, being historical footage Aidan took the
Nonvention 21 to the memory of interviewed on Calendar People by opportunity to re-run the iconic
the late Brian Miller, who had Richard Whiteley. Harry recalled chop-cup sequence from his
contributed so much to Ring 25 in buying Sooty (without the black television show, which was
so many ways. ears which gave him his name) on broadcast around the same time.
Alan was joined online from the Blackpool’s North Pier in 1948 We are all now so familiar with
USA by I.B.M. International and, guided by George Blake, first this version that we
President Ken Scott, who presenting him on television in can repeat the
performed a quick sight-gag trick 1952. We heard the delightful patter word for
before sending greetings from the story of taking Sooty on holiday word and
parent body and reminding us of with the family (because, after all, anticipate all of the
next year’s centenary, the he had paid for it!) and learned moves (including
Brotherhood having been founded that he has no mouth, and so can the slow-motion
in 1922. register a range of emotions just segment which
For the first event, Aidan by head movements and body seems obligatory
Heritage had raided the archives language. Inevitably, Sweep for all who continue Paul Daniels
for photographs of dealers from turned up before the end and to copy it), but Paul’s uniqueness
the past, which he had blended squirted everyone with water. shone through.
into a fascinating time capsule. It Next up was the ever-popular Aidan had provided a heart-
was wonderful to see again Terry Seabrooke with his warming trip down memory lane
friends who once provided our trademark double-handed as the prelude to an exceptional
props but who are no longer with guillotine, still drawing laughs with weekend of magical events.
Jon Marshall
NOVEMBER 2021 KEYRING 9
KEYRINGNOVEMBER21 001559 A.qxp_Layout 1 11/10/2021 16:40 Page 12
personas, styles and approaches multiplying cigarette packs and the Covid-19 pandemic. Danny
to close-up magic. In order of matchboxes. spent a while talking to us about
appearance, with their winning Thank you to all the performers different books that he
year in brackets, we saw great for giving their permission for the recommended to enhance our
performances from:- videos to be used in an excellent magic knowledge and he
Rob James (2015), whose laptop close-up show. explained that you can get more
SUNDAY 5 SEPTEMBER
visually kept a running tally of his out of a book than you can from
‘bad’ jokes and provided the buying a trick. He encouraged us
kicker prediction ending to the Sunday started with the video to follow our dreams and that he
first card effect. tribute to departed members, had made his career through
Steve Bedwell (1992), whose once again well put together by encouragement by people he had
Walkman appeared and re- Bob and Sue Hamilton and a idolised and was very grateful for
appeared under his baseball cap special event for our junior all the support he was given.
MAGIC WORLD OF
strong cassette tape magic routine.
MATCHLESS MATCHAM
Richard Pinner (2003), who Alice Heritage reports –
literally rocked the house with his I attended the junior members’
very funny ‘laser sighted banana talk delivered by Danny Hunt. He
gun’ and exploding pack of cards spoke to us for around an hour
routine. about all things magic. He detailed
Alastair Cook (1994), whose how he grew up entranced by
faultless coins and cards were the magic, found his way in the
prelude to a miniature hat routine industry, who he has met and
with impossible ending and a looked up to along the way and
signed treasury note to lime held how his career in magic has had
by an audience member. to change more recently, to adapt
Nikola Arkane (2019), whose to the ever-changing climate of
artistry and characterisations are
only matched by her stagecraft
and evocative routines. Peter Rann
Steve Dela (2009), who started Seen by Alan Maskell – At the
with contact juggling and a drink last Eastbourne Convention, the
production and finished with a ‘Atkins Corner’ was filled to
well-choreographed and highly capacity for Peter Rann’s talk on
visual cups and balls routine to the history of Frank Matcham and
music. the theatres he designed. This
Jon Allen (1998), whose visual recording gave those who had
and verbal comedy and innovative missed it a chance to see this
magic was unstoppable, finishing fascinating presentation and I’m
with a borrowed ring re-appearing sure that many were delighted for
in a party-popper. the opportunity to watch it again.
Matthew Wright (2011), who Although Matcham was not a
demonstrated originality of style magician, this was a different sort
and magic, starting with a visible, of magic, and many of the
levitating coin across, leading into theatres he built and transformed
a matrix routine, a card routine set had links to famous magicians.
s
to music and finished with Danny and Steph Peter spoke about these and the
innovations Matcham had brought included what one might consider some top tips, including:-
to theatre design, along with some to be more ‘adult’ magic items, Giving out your business card
glimpses into the social history of such as the head chopper, Penta as a souvenir, great publicity.
the time, illustrating his talk with Block head penetration (described Use of the small red carpet for
appropriate pictures and as brain surgery!), T&R newspaper the child to stand on. They get the
photographs. Magicians will be (with a clever recycling theme) ‘red carpet treatment’ and will
familiar with the Buxton Opera and a water vanish using a cup stay in the same spot, where you
House, Blackpool Grand and the and barbeque skewers, but all want them.
London Palladium, just three of given the ‘Magic Philip’ treatment. A wonderful warm up game
the 150 theatres with which This just goes to show that, in the using words to create the sound
Matcham was involved and just right hands, any effect can be of a steam train.
part of his legacy to theatre. made suitable and Philip worked Lots of tips on pricing and how
Hopefully we’ll be able to get back hard to reassure the audience that you sell yourself.
into and appreciate these, and all would be well, whilst each Clever routining ideas with a
other, theatres soon. effect was introduced. Verbal dog puppet.
AND LECTURE
bookings by putting the child’s
name in letters on your magic
Review by Chris Wardle – Philip table.
Partridge generously shared a Use of a Spiderflex frame
recording of one of his school Using Vistaprint to produce
stage shows and following lecture publicity material cheaply
with us as part of our Use of ‘Google My Business’ (free)
‘Nonvention’. This was expertly linked to Google Maps to help you
filmed by Bob Hamilton, but as the to come up quickly in local
focus was, quite rightly, on Philip, searches.
it was harder to judge the Keeping an awareness of your
engagement of the audience, as mental health, especially if you
they could not be seen. It is only are self-employed, as you can be
through the gasps, smiles and Philip Partridge ‘working on your own’.
surprised looks that tell you if gags, mostly suited to the adults Use of a sound system and play
something is really working, in the audience, flew thick and on and play off music.
although I am sure it was. It was fast and Philip’s highly engaging Redressing the ‘magic washing’
also quite a sad contrast to see mix of visual comedy and effect with different themes
Philip so engaged and ‘up close’ pantomime jollity kept the whole There was much to be learnt
to his child helpers, with full-on thing moving. (Personally, and this from this informative lecture and
participation, which, at the time of could just be the teacher in me Philip clearly knows his audience,
writing, has had to be replaced talking, I wasn’t too keen on the his magic and his marketing
with much more virtual, socially bottom gags and references to extremely well. If you are a
distanced and non-participation constipation and kissing or the children’s entertainer, his lecture
shows for us all. A sad reminder of moment when a child, sitting on a notes are absolutely required
what we have currently lost. chair, had a cloth thrown over reading. Thank you, Philip, for
Philip romped through a range them and then Philip sat on top of sharing so much with us. (Contact
of standard effects, including them. However, it clearly works Philip via his website for lecture
using comedy wands, a tear-apart well for him and his exuberant notes details: magicphilip.co.uk)
change bag and colourful silks style.)
(‘Fishy Business’) and, unusually In his lecture, Philip gave out Reports continue next month Ed
STEVE FAULKNER
MAGIC SHOW THE GREYSTONES, SHEFFIELD
2 SEPTEMBER 2021
S
Robert Moss Reviewing Magic
teve is a Sheffield magician predictions and magically solving lows of only managing one show
with a large local following. He Rubik’s cubes. Steve had invested on the cruise before being asked
regularly arranges a magic show a lot in this new show, clearly to take it with him and leave. Then
in the Backroom Theatre at the spending lockdown writing his there was him appearing as
Greystones in Sheffield bringing own show and investing in a quick-change Michael Jackson
the best working magicians to this whole new repertoire. He moonwalking, which he didn’t
intimate venue, but this was unashamedly admitted many want to show us, settling for
Steve’s show. His first live stage items were just in the show to showing us a clip of the more
show in two years, and the justify a stated tax position. rewarding reaction of his
audience clearly missed him. Pumping out vocal rap on his new daughter.
Steve’s background is as a Beatbox and juggling with The finale of the show
street performer, learning his illuminated juggling clubs isn’t consisted of two predictions on a
trade with the magician’s staple what you would expect a smartphone, a Wikitest, and then
toolbox of Cups and Balls, Miser’s Magician/Mentalist to be doing, or phoning a random number and
Dream and Straitjacket Escape on for it to work, but it did. Steve is asking the person who answered
the streets of Covent Garden. This loved by his audiences, and this to name the word the spectator
show was different this was an night he couldn’t seem to do had been thinking of, which of
all-new Steve Faulkner. He has wrong, and he tried, really hard, to course they did after much
always been an admirer of prove life doesn’t always work out convincing this wasn’t a hoax.
Mentalism, and this was Steve the the way you wanted it to. Steve had us all up on our feet
Mentalist, well the Beatbox Interspaced with stories of rapping, playing us out with his
Juggling Mentalist. It was a very colourful characters and their new Beatbox to conclude a very
personal show, an introspective of influence on his journey enjoyable and entertaining
his life’s journey with stories of his accompanied audio visual clips of evening. I hope Steve does more
life, what made him happy, what his family and those truly with this first outing of his new
made him sad, filling in the gaps important moments in life. Highs show and brings it to the wider
between Dice Reading, Billet of winning a Cruise contract to the audiences.
C ompleting the
account of my
self-imposed
and move them
around but allow the
performer to know
the volunteer can swap any pair of
cups as many times as they want
but must tell the performer which
challenge during the which cup it is under. two are being swapped on each
first full lockdown to I developed the occasion, referring to the playing
find magical uses for version described cards as position markers.
a set of six stacking here from the effect Remembering the starting
stainless-steel shot ‘Find the ball’ position of the key card, the
cups purchased at a described in The performer mentally tracks its
craft and collectors’ Complete Magician by potential movements. Using the
fayre leading to three Marvin Kaye and position of the key cup relative to
simple ideas that can Edited by John where it should be, and multiple
used alone or in combination. Salisse. I am sure my method will outs, the cup hiding the ball is
A different version:
of the coloured cups to be used as
a key cup. With the performer’s
back turned, the spectator hides You still need a key cup. You can
an object under one cup and then mark one cup if you wish but I
swaps the position of the other usually use the natural
two. Then appearance of the stainless-steel
shot cups. They are all shiny but
each one has a distinctive
appearance due to wear and
tarnishing. Also, I found that the
shot cups I had purchased were a
mixed set. Three had flat bottoms
and three a bottom rim. So, if I
allowed the spectator to choose
three cups, usually there was two
of one sort and one of the other.
The photograph demonstrates that
they are very similar even viewed
close up.
Place the key cup face down in that more cups have been moved. cannot just spot the cup that has
the middle with the object to be Then, say that it is best to make been lifted to hide the object.
hidden close by, and in your mind sure that the cup hiding the object You can then turn around and
number their positions 1, 2 and 3 is definitely moved and ask them instantly indicate which cup the
left to right as you look at them: to move the cup hiding the object spectator should lift to reveal the
The performer’s attitude should by swapping it with the cup on its hidden object:
be relaxed and as if you are left if you are both in front of the The key cup is in one of three
making up the instructions as you cups. (This equates to position 1 locations, each indicating the cup
go along, but you are not! so, if you are sitting across from hiding the object:
Ask your volunteer to hide the the spectator ask them to swap Key cup in position 1: Key cup
object under any cup and then do the cup hiding the object with the hides the object
as you ask, giving no verbal clues, cup to their right.) Key cup in position 2: Cup
whilst your back is turned. Say that if the cup hiding the hiding the object is in position 3
You are going to instruct the object is at the end of the line with Key cup in position 3: Cup
spectator to swap certain cups, so no other cup to swap with then hiding the object is in position 2
it is important to have a they should swap it with the cup You have now established your
motivation for moving them not at the other end again so that you complete rapport with the three
linked to ‘mixing up’ the cups. don’t get any sound clues that no cups.
Suggest that it might not be cups have been swapped. Have fun! Now I just need to
possible to reposition the cup they Recap for the audience. The find a lockdown use for the other
lifted exactly, giving the game spectator had a free choice of three cups and the shot funnel.
away immediately. Instruct the cups to hide the object under and Cheers!
volunteer to swap the end cups so has moved some cups so that you
conjuror since the days of the “Now I’m opening out like the favour in the present cultural
Egyptian sorcerer Dedi) and a largest telescope that ever was. climate, but the influence of the
living pack of cards, members of Good-bye feet.” When she looked Victorian seaside puppet show
which hold court and indulge in down at her feet they seemed to ‘professors’ is much in evidence.
gardening activities. be almost out of sight, they were The central magical feature
In one passage several magic getting so far off.’ of the Wonderland episodes
routines appear to be going on In one chapter a baby turns into must be the appearance and
simultaneously. Initially, Alice finds disappearance of the Cheshire
herself caught in a hail-storm of Cat. The effect is described in
pebbles, which then transform these words:
themselves in a most miraculous “I wish you wouldn’t keep
fashion: appearing and vanishing so
‘Alice noticed with some suddenly,” said Alice. “You
surprise that the pebbles were all make one quite giddy.” “All
right,” said the Cat; and this
a pig following a slapstick time it vanished quite slowly,
sequence reminiscent of a Punch beginning with the end of the
and Judy show: tail and ending with the grin,
‘The baby grunted, and Alice which remained some time
looked very anxiously into its face after the rest of it had gone.
to see what was the matter with “Well, I’ve often seen a cat
it. There could be no doubt that it without a grin,” thought Alice,
had a very turn-up nose, much “but a grin without a cat! It’s
more like a snout than a real
nose; also its eyes were getting
turning into little cakes as they lay extremely small for a baby. Alice
on the floor, and a bright idea did not like the look of the thing at
came into her head. “If I eat one of all. She was just beginning to
these cakes,” she thought, “it’s think to herself “Now, what am I
sure to make some change in my to do with this creature when I get
size; and as it can’t possibly make it home?” when it grunted again,
me larger, it must make me so violently that she looked down
smaller.” So she swallowed one of into its face in some alarm. This
the cakes, and was delighted to time there could be no mistake
find that she began shrinking about it; it was neither more nor
directly.’ less than a pig.’
In fact, our heroine goes in for The preceding sequence, when the most curious thing I ever
quite a bit of expanding and the child is thrown around from saw in all my life!”
shrinking during the course of the person to person and has items ‘A lovely description of the
tale, initiated by drinking from a hurled at it (‘the baby was howling ghost effect!’ was the comment
strange bottle of liquid or eating so much already that it was quite of Eddie Dawes in his study of
party cakes, echoes, perhaps, of impossible to say whether the The Great Illusionists.
the popular ‘stretcher’ illusion? . . . blows hurt or not’) would not find
MAGIC AT EASTBOURNE
years a full time Pro’ was packed
by David Adams
British Ring Shield Competition with wonderful stories and good
with a faultless act featuring advice.
Finn Jon, ‘The superb dove productions, many The Gala Show arranged by
Unusual Norwegian done at incredible speed. A truly Jeffery Atkins included The
Magician’, was worthy winner who as we all Great Fiasco [Carol: Can you
particularly busy at know, has since gone from name this well-known British Ring
the 1992 strength to strength! personality?], Norm Nielsen and
convention, giving a As usual, His Worship the Mayor Franklin, the Grand Prix magician.
Star Lecture and of Eastbourne presided over the Tricky Business won the Shield
appearing in the Official Opening of our 1994 Competition and Tom Owen was
International Close convention, opened by Les Nottle, installed as the President.
Up Show as well as the Gala our President. The opening show,
Show. Other Star Lectures were ‘Magicians
given by Mike Shelley, Fantasio,
Marvyn Roy, Howard
Peters, David
Hemingway, Henk
Dreissen and Bob
Wooding. Mr Electric &
Carol. Fantasio also
appeared in the Gala
Show. An immaculately
attired Philippe (aka
Philip Hitchcock) won The
Tselection
his month’s contributor is Dr
Keith Souter who starts his
with a statement that
sleights rather than without skill.
I studied it acidulously and built
up a small repertoire of card tricks
My third favourite book is
‘Classic Secrets of Magic’ by
Bruce Elliott published in 1953.
many others can relate to: that I could perform with my This is one of several I have by
To pick one’s three favourite ubiquitous pack of cards for this prolific magic and thriller
magic books is not an easy task, school chums, prefects, and the writer. He goes through all the
because choosing those you love odd teacher. A stab in classics of magic, from the cups
best is like slighting (or should the dark was my and balls, the egg bag, the
that be sleighting) the others. Yet blindfold trick that I paddle trick, the rice
I’ll have a stab at it. performed bowls, the multiplying
A stab in the dark, that was the with a gradually billiard balls, the Miser’s
name of a trick in ‘Card Tricks diminishing deck, Dream, and Houdini’s
Without Skill’ by Paul Clive, first since I sacrificed needle trick that evolved
published in 1946. It still had its a card with my into the Threaded Razor
second-hand price of 10/- written ever-ready Blades. I had a go at them
in pencil inside the cover. That is penknife every all, including the needle
the equivalent of 50p, but it time I performed it. trick and again spent my
seemed a lot of money before My second paper round earnings on
decimalisation. A ten-bob note favourite magic ping pong balls as billiard
was how much I earned as a book ‘101 Magic ball substitutes, weekly packs of
paperboy in the sixties, and Secrets’ by Will Dexter, published cards, innumerable bags of rice,
I remember the day that I bought in 1957 was actually the first safety pins and boxes of matches.
the book and handed one of those magic book I ever read. I was Those three books were the
lovely rust-coloured notes over the seven years old, and I saved up start of my magic library, and
counter of Davenports Magic Shop pocket money for weeks to buy it. although they may not be
when it was on Great Russell In his introduction Will Dexter considered real
Street, opposite the British quoted the old Chinese proverb classics, yet they
Museum. The book title is a bit of ‘One picture is worth a thousand fired my
a misnomer, because ‘without words,’ which was the basis for enthusiasm and
skill’ simply means without this pictorial book of magic tricks provided a
lavishly illustrated by artist Stan rudimentary
Lane. There was every type of magical
trick in it, some of which involved education for
chemicals and were labelled with the wonderful
skull and crossbones. I have to lifelong hobby
admit that Will’s stunt Who Put of conjuring
That Stamp on the Ceiling used that I have
to be my calling card wherever enjoyed ever
I found a ceiling that was since.
impossibly high!
EFFECT:
In fact the performer keeps one amongst the other 2” sponge
making mistakes and inserting balls.
Resting on the magician’s table further different coloured sponge You require a duplicate red 2”
is a cut-out display made in balls into the hole; green, orange, sponge ball which is carefully
plywood, featuring an image of purple, brown etc. cut in half.
Rudolph the red nosed reindeer. In despair, he covers the cut- Santa’s Hat is really a Flat
The upright cut-out displays out display (showing an empty Change bag with the usual
Rudolph without his usual red hole at this stage) with a cloth and partition. It should be tapered, red
nose only a circular hole. asks the children “Well, what in colour with white nylon fur
The children’s entertainer colour should Rudolph’s nose be?” around its top area, and, if wished,
explains that Rudolph is getting The children will obviously shout a white fluffy pom-pom on top.
REQUIREMENTS:
reindeer.” Again the children during performance, make a ‘strip
respond, and much laughter stand’ consisting of a strip of
comes when they see Rudolph The special cut-out display unit wood which has a central cut-out
with the wrong coloured nose. (which I shall explain later). groove into which the base of the
Noticing the laughter, the A plastic basket (opaque) high unit fits.
DAIR
Front Height
SET-UP:
of top of
Rudolph’s
antlers
The cut-out display should be
resting on your table, showing
Height
of top of Rudolph without a nose. Cover
Rudolph’s this with the cloth.
head Have the basket of sponge balls
nearby, together with Santa’s hat.
Hinged flap with
WORKING (refer to ‘Effect’ for the
Hole for nose
½ a 2” diameter
presentation.)
sponge ball
affixed
Uncover the cut-out display
showing Rudolph without a nose.
Remove the first sponge ball
from the basket (blue in our
example) and fit it into the hole.
Section view
Remove this ball and repeat the
same procedure with all the other
balls until you finally come to the
Rear red one.
With the hole showing at this
point, cover the complete cut-out
display with the cloth.
Vanish the red ball within
Santa’s bag, using the ‘Flat
Changing Bag’ method.
Left hand goes behind the cut-
out and pivots up the flap which in
Hole cut out in turn brings the half-red sponge
reindeer ball into place, through the hole.
The right whips off the cloth
moments later.
Rudolph has finally got his red
nose!
Slotted stand (As has become the practice,
this item has been published a
month early in order for you to
have time to make it up Ed.)
Prop sits in slotted stand
E PRESTON PRESTIDIGITATOR
BROKEN WAND
Brian KNOWLES 26 August 1931-3 September 2021
MORE MILLER
MEMORIES
From Brian O’Leary: attended by members of his old
I first met Brian all the way back club. Brian and Audrey would
in 2016. I was a relatively new attend our annual dinner and
member of The Ilford Magical award ceremony every year. He
Society (and relatively new to was charming and gregarious,
magic) and taking part in my first mixing with members old and
close-up competition at the club. new. He will be sadly missed by
The rules stated that the us all.
competition would need to be
judged by a magician who was a From Brian Lead:
non-member. A man named Brian
From Clive Moore and turned up (which I took to be
Jean Ellison: auspicious) and judged me by the
I first met Brian Miller back in narrowest of margins to be the
the 70s and I remember his act winner. Perhaps then I’m biased,
well, polished and colourful. It but I always liked him.
was a real audience pleaser, so As it transpired, Brian was not
much so that we invited Brian just an outside magician who
and Audrey to perform at our turned up on the night. Brian was
Derby Magic Circle Dinner, a former president of our club (from Sharing the same forename,
again wowing the audience. 1973 to 1981) but his history with Brian bemoaned the fact that
I remember chatting to him the club goes way back. Brian these days it is frequently
most of the evening and it was joined the society at the age of 12 misspelt as Brain, a possible
obvious he was passionate under the guidance of Len Foxwell. downside to predictive text. He
about the art. It was through the club that he was always an amusing
Brian was very saw a member win the stage observer of life’s absurdities.
knowledgeable about things competition with a dove act and Although I didn’t know Brian
magical, a very kind, caring figured he would give that a try intimately, he was invariably
person. himself. From little acorns, that act supportive and encouraging.
Winding the clock on a few grew and was eventually performed Always willing to take a risk
years when I became President in front of eighteen million people and try something new, he invited
Elect to The British Ring, he on Opportunity Knocks. me to create the Northern
was so supportive and Brian Miller has always been at Magic Circle all-winners show
encouraging, offering a wealth the heart of the Ilford Magical at the last Buxton convention,
of advice on the role. He was a Society. For many years, he ran and proposed me for the British
tireless worker for The British the Magic ‘n’ Fun shop on Ilford Ring Presidency, so I have
Ring and very conscientious High Road. His Magic and many things to thank him for.
about the organisation. Mischief nights raised thousands He and Audrey were among the
Jean and I once spent a for charity and were always well first to book for the Presidential
weekend with him at John dinner, and together must have
Palfreyman’s and covered many travelled thousands of miles to
subjects from carpentry to Las attend magic-related functions,
Vegas. both happy and sad.
He will be sadly missed by Brian always seemed to be
all who knew him a charming there when needed, and while
kind man. his physical presence will be
Rest in peace. missed, his influence will endure.
In The Century of Deception, magician and historian Ian Keable tells the engrossing
stories of these eighteenth-century hoaxes and those who were duped by them. The
English public were hoodwinked time and time again, swallowing whole tales of rapping
ghosts, a woman who gave birth to rabbits, a levitating Frenchman in a Chinese Temple
and outrageous astrological predictions. Not only were the hoaxes widely influential,
drawing in celebrities such as Samuel Johnson, Benjamin Franklin and Jonathan Swift,
they also inflamed concerns about English credulity’.
‘Fake news’, going viral’ and social media’ may be modern terms, but as this
entertaining, eye-opening book shows, these concepts have been with us for
centuries.
Ian Keable obtained a first-class degree from the University of Oxford in Philosophy,
Politics and Economics, qualified as a chartered accountant and then became a professional
magician. A member of The Magic Circle with gold star, he has won several awards for his
unique brand of comedy magic. Keable has also performed on television and has written and
presented programmes for BBC Radio. An accredited lecturer for The Arts Society, he gives
talks on magic history, cartoons and eighteenth-century hoaxes. Keable’s other publications
include Stand-Up: A Professional Guide to Comedy Magic and Charles Dickens Magician:
Conjuring in Life, Letters and Literature. He lives in London.
The Century of Deception: The Birth of the Hoax in Eighteenth Century England by Ian Keable is now widely
available. Check out www.centuryofdeception.com for details of where to buy it. If you would like an inscribed
copy, get in touch directly with Ian Keable ([email protected]).