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Gaúcho Corta Jaca

The document contains musical notation for a song arranged for various instruments including flute, alto saxophone, piano, double bass, and drums. The notation shows the melody, harmony, and rhythm parts for each instrument across multiple verses of the song. The arrangement is credited to Byra do Sax.
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0% found this document useful (0 votes)
29 views5 pages

Gaúcho Corta Jaca

The document contains musical notation for a song arranged for various instruments including flute, alto saxophone, piano, double bass, and drums. The notation shows the melody, harmony, and rhythm parts for each instrument across multiple verses of the song. The arrangement is credited to Byra do Sax.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Gaúcho

Corta Jaca
Chiquinha Gonzaga
Arr: Byra do Sax

    
  
 = 85
Flauta Transversal

          


Saxofone Alto
           

                               
            


       
Bateria

             


       
        
Piano

         
Contrabaixo       
    

5 
Fl.          
  
      
A. Sax
 
                               
           


       
Bat.

            


            
     
           
 
Pno

   
  
Contb.               
9    
2

Fl. 
          
          
A. Sax

                             
             


       
Bat.

     

      
        
Pno

         
Contb.        

13
                          
Fl.
 
     

A. Sax
 
                               
                


       
Bat.

             


            
          
       
Pno


     
      

 

 

Contb.
17
         
3

 
Fl.               
       
   
A. Sax
 
        
                     
       


       
Bat.

        


          

       
         
Pno


       
Contb.    
      

      
 
To Coda
21


Fl.

           
      
   

A. Sax

                    
              
 


       
Bat.


                            
 
 
       

  



Pno


            
Contb.        


25 
  
4

          
 
Fl.

     
A. Sax

                                       
      


         
Bat.

                          

              
      
Pno

 
              
Contb.
        

30
                 
Fl.
  
     
A. Sax

                                       
      


         
Bat.

           


                
 
   
                
Pno

   
Contb.                 
35     
     
5

      

1.
Fl.

      


A. Sax

                                   
              


         
Bat.

    
                   
 
      
        
          

       
        
          
Pno

            
Contb.
        

40 2.     
  
 


D.C. al Coda

Fl.

     
  
 
 
A. Sax

                         
    
               


       
Bat.

      
   
                
 
   
 
   

 

          
Pno

    
         
      



Contb.

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