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Plot

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Cast

Production

Music

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Box office
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Qayamat Se Qayamat Tak

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From Wikipedia, the free encyclopedia

For other films named "Qayamat", see Qayamat (disambiguation).
Qayamat Se Qayamat Tak
Movie poster
Directed by Mansoor Khan
Written by Nasir Hussain
Aamir Khan
Produced by Nasir Hussain
Starring

Aamir Khan
Juhi Chawla

Cinematography Kiran Deohans

Edited by Zafar Sultan
Music by Anand–Milind
Production
company

Nasir Hussain Films

Release date

29 April 1988[1]

Running time
163 mins
Country India
Language Hindi
Box office ₹50 million (net)[2]

Qayamat Se Qayamat Tak (transl. From doomsday till doomsday),[a] also known by the
initialism QSQT, is a 1988 Indian Hindi-language romantic musical film, directed by
Mansoor Khan, written and produced by Nasir Hussain, and starring Aamir Khan (in
his leading film debut) along with Juhi Chawla in lead roles. The film was released
on 29 April 1988 to widespread critical acclaim, and was a major commercial success
at the box office, turning Aamir Khan and Juhi Chawla into superstars.[4]

The plot of the film was a modern-day take on classic tragic romance stories such
as Layla and Majnun, Heer Ranjha,[5] and Romeo and Juliet.[6] QSQT, which
"reinvented the romantic musical genre" in Bollywood,[7] was a milestone in the
history of Hindi cinema, setting the template for Bollywood musical romance films
that defined Hindi cinema in the 1990s.[8][9] The soundtrack of the film, composed
by Anand–Milind, with lyrics written by Majrooh Sultanpuri, was equally successful,
becoming one of the best-selling Bollywood soundtrack albums of the 1980s with more
than 8 million soundtrack albums sold, and with "Papa Kehte Hain" (sung by Udit
Narayan and picturized on Aamir Khan) being the most popular hit song from the
album. The soundtrack was a breakthrough for the careers of Anand–Milind,[10] as
well as T-Series, one of India's leading record labels.[11]

At the 36th National Film Awards, Qayamat Se Qayamat Tak won the National Film
Award for Best Popular Film Providing Wholesome Entertainment. At the 34th Filmfare
Awards, the film received eleven nominations, and won a leading eight awards,
including Best Film, Best Director (Mansoor), Best Male Debut (Aamir), and Best
Female Debut (Chawla). Indiatimes Movies ranks the film amongst the "Top 25 Must
See Bollywood Films".[12]
Plot

Dhanakpur village farmers Thakur Jaswant and Dhanraj Singh are brothers. Their
younger sister Madhumati aka Madhu was dumped and impregnated by Ratan, the younger
son of Thakur Raghuvir Singh (Arun Mathur) from a rich Rajput family. The family
refuses Madhu's marriage to Ratan, who's engaged to another girl, after he denies
the allegations made by Jaswant. But his mother later tells Raghuvir she secretly
heard Madhu tell Ratan the allegations some time earlier outside their house and
begs him to marry them. He immediately refuses telling her an unmarried pregnant
girl can't ruin their family's honour by becoming their daughter-in-law. Jaswant
leaves the village to sell their farm and see if they can move to Delhi where their
other sister Parvati lives with her husband Bhagwandas and son Shyam, when he
realizes the huge humiliation and shame their family will get there because Madhu's
lover will marry someone else especially after he impregnated her. Saddened by
losing her lover and the dishonour he will cause her family, Madhu commits suicide.
Frustrated, Dhanraj brings her body at Ratan's wedding and kills him. He is jailed.
The two families are now enemies. Jaswant moves to Delhi with Dhanraj's wife Saroj
and son, Raj at Parvati's house, runs a clothing business with Bhagwandas and
reaches good; he also raises Raj.
14 years later
Bailed, Dhanraj receives a letter from his son Raj, an ardent music lover who
completes his education in Rajput College. He sneaks into Raj's college farewell
party and is glad to see him fulfill his dreams. After the party Raj and his cousin
Shyam who also completed his education there, emotionally reunite with him and
bring him home where he also emotionally reunites with the rest of the family. Raj,
Shyam and Dhanraj now join Bhagwandas and Jaswant's business furthering their
success. In a twist of fate, Raj goes to Dhanakpur with Shyam to file a business
case against Raghuvir's elder son Thakur Randhir Singh. While returning home, he is
attracted to Randhir's beautiful daughter Rashmi. He sneaks with a reluctant Shyam
into her birthday party that night to see her. He poses as Roop Singh, Randhir's
friend Thakur Pratap Singh's son whom he wants her to marry. Raj reluctantly meets
with Randhir after he becomes happy to "see" him after long. When the real Roop
Singh arrives, Randhir refuses to believe it and that's when Raj and Shyam flee
much to Randhir's anger. He then finds out from his manager, he was Dhanraj's son
who came to file a business case against him and tells his mother and Rashmi which
shocks them. Raj and Rashmi meet again at a holiday spot and fall in love. Raj
learns about her family but is unable to tell her the truth. But after she eats
with him, Shyam, Dhanraj and Saroj, she tells Dhanraj she's Thakur Randhir's
Singh's daughter and is from Dhanakpur. Frustrated, he tells her he is the one who
killed her uncle Ratan. Saddened, she and Raj exchange an emotional goodbye after
he also tells her he tried to forget her after learning her identity a long time
ago but couldn't because he was madly in love with her which shocks her. Back in
Delhi, they still secretly meet even after he reluctantly promises his family he'll
forget her when they confront him for loving an enemy. Randhir finds out about them
after seeing them together at her college after he overhears their phone call at
their house one day, and fixes her wedding to Roop Singh. He warns Jaswant, Saroj
and Parvati at their house that he'll kill Raj if he tries to meet her again.
Jaswant then confronts Raj about it and agrees to not tell Dhanraj anything after
Raj lies he met her only to end their love. After Randhir beats him up and throws
him out of their house when he warns him, he and his father can't separate them no
matter what, at her engagement, she gets engaged to Roop Singh. Raj becomes very
heartbroken about her engagement and cries in his father's arms out of shame for
loving their enemy. However, later on with the help of her friend Kavita, she
elopes from home and with Shyam's help Raj gets ready to elope too.

Raj and Rashmi take on their families and elope, dreaming of an idyllic life
together. They stay in a deserted fort, happy in their own paradise. Furious,
Randhir posts Raj's picture in the newspapers offering a huge reward if he is found
but doesn't share Rashmi's name thinking of the bad name their family will get.
Dhanraj warns him that he'll reluctantly be the killer Dhanraj he was before if he
harms Raj after seeing his picture. When Randhir learns their whereabouts, he, his
brother-in-law and his nephew Balwant hire killers to kill Raj. Overhearing this,
his mother then goes to Raj's house and begs his family to save them. Raj leaves to
bring firewood for their house. Randhir arrives with his brother-in-law, Balwant
and the killers. They send them to kill Raj. While Raj is away, Randhir meets
Rashmi, assuring her he has "accepted their love" and came to take them home.

Rashmi is overjoyed at Randhir's words, unaware of the truth. Raj is chased by the
henchmen. Dhanraj reaches the fort with Jaswant, Shyam and Randhir's mother and
asks about Raj's whereabouts. Rashmi leaves to make sure Raj is okay. He is about
to be shot but the henchman shoots Rashmi twice instead. She dies in Raj's arms,
making him devastated and grief-stricken.

Raj commits suicide by stabbing himself, and dies beside Rashmi. The final scene is
both families running toward them; the lovers are together, never to be separated,
as the sun sets behind them.
Cast
 Aamir Khan as Rajveer "Raj" Singh
Imran Khan as young Raj
Juhi Chawla as Rashmi Singh
Goga Kapoor as Randhir Singh: Rashmi's father
Dalip Tahil as Dhanraj Singh: Raj's father
Ravindra Kapoor as Dharampal Singh
Asha Sharma as Saraswati Singh
Alok Nath as Jaswant Singh: Raj's paternal uncle
Rajendranath Zutshi as Shyam Prakash
Shehnaz Kudia as Kavita Bhalotiya
Charushila as Parvati Sharma
Beena Banerjee as Saroj Kunder
Reema Lagoo as Kamla Singh: Rashmi's mother
Nandita Thakur as Indumati Devi
Ahmed Khan as Bhagwandas Kumar
Arjun as Ratan Singh: Madhumati's ex-lover
Ajit Vachani as Vakil Biharilal
Yunus Parvez as Truck Driver
Viju Khote as Maan Singh
Arun Mathur as Raghuvir Singh: Ratan's father
Shehzad Khan as Shahid Khan
Makrand Deshpande as Baba
Yatin Karyekar as Baba's friend
Faisal Khan as Baba's friend
Shiva Rindani as Balwant Singh
Reena Dutta in a special appearance in the song "Papa Kehte Hain"

Production

The film marked the directorial debut of Mansoor Khan, son of Nasir Hussain as well
as the acting debut of Mansoor's cousin Aamir Khan. The film was a tale of
unrequited love and parental opposition, with Khan portraying Raj, a "clean-cut,
wholesome boy-next-door".[6] The plot was a modern-day take on classic tragic
romance stories such as Layla-Majnun, Heer-Ranjha,[5] and Romeo-Juliet.[6]

Mansoor recalled that his father Nasir wanted to launch Aamir as a leading actor
and got convinced that Mansoor would direct the film after watching his telefilm.
[13][14] The film was initially titled Nafrat Ke Waaris before returning to
original title.[15]

Nasir initially wanted to cast Shammi Kapoor and Sanjeev Kumar as the family
patriarchs, but Mansoor refused to work with them as they were 'too senior.'[16]

For the film's marketing, Aamir was involved in promoting the film. He set up an
outdoor ad campaign, which was a faceless poster that said, "Who is Aamir Khan? Ask
the girl next door!" With the help of his brother-in-law Raj Zutshi, Khan also went
around putting up posters on auto-rickshaws across Mumbai.[17]
Music
Qayamat Se Qayamat Tak
Studio album by Anand–Milind and Majrooh Sultanpuri
Released 1988
Genre Feature film soundtrack
Language Hindi
Label T-Series
Producer Anand–Milind
Anand–Milind chronology
Shiv Shakti
(1988) Qayamat Se Qayamat Tak
(1988) Woh Phir Aayegi
(1988)
Majrooh Sultanpuri chronology
Zamane Ko Dikhana Hai
(1981) Qayamat Se Qayamat Tak
(1988) Jo Jeeta Wohi Sikandar
(1992)
Professional ratingsReview scores
Source Rating
Planet Bollywood [18]
"Papa Kehte Hain"
0:31
"Papa Kehte Hain", written by Majrooh Sultanpuri, sung by Udit Narayan, and
picturised on Aamir Khan.
Problems playing this file? See media help.

The soundtrack contains five songs composed by duo Anand–Milind, and songs written
by veteran Majrooh Sultanpuri. All the tracks were sung by Udit Narayan, who sang
for Aamir Khan and Alka Yagnik, who sang for Juhi Chawla.

Pancham (R. D. Burman) was to compose the soundtrack, but director Mansoor Khan
wanted a young music director. That's how Anand–Milind, who had worked with him
earlier on this tele-film, secured this project.[13] Mansoor selected Narayan to
sing all songs because he felt that his voice would suit Aamir.[13]

The biggest hit song from the album was "Papa Kehte Hain".[19] Majroosh saab (as he
is fondly known) wrote the song at the age of 70. Sung by Narayan and picturised on
Aamir Khan, the full title of the song is "Papa Kehte Hain Bada Naam Karega",[20]
which translates to "My dad says that I'll make him proud!".[21]

Qayamat Se Qayamat Tak was the best-selling Bollywood music soundtrack album of
1988, outselling Tezaab, the second best-seller,[22] which itself had sold over 8
million units.[23] Qayamat Se Qayamat Tak became one of the best-selling Indian
soundtrack albums of the 1980s.[22] It was the first major hit album released by
the record label T-Series.[11] Prior to release, Nasir Hussain reportedly sold the
film's music rights to T-Series founder Gulshan Kumar for only ₹400,000[24]
($30,000).[25]

At the 34th Filmfare Awards, Anand–Milind won the Filmfare Award for Best Music
Director, Majrooh Sultanpuri was nominated for Best Lyricist for "Papa Kehte Hain",
and Udit Narayan won Best Male Playback Singer for "Papa Kehte Hain".

All lyrics are written by Majrooh Sultanpuri; all music is composed by Anand–Milind
No. Title Singer(s) Length
1. "Papa Kehte Hain" Udit Narayan 05:55
2. "Ae Mere Humsafar" Udit Narayan and Alka Yagnik 05:53
3. "Akele Hain To Kya Gum Hai" Udit Narayan and Alka Yagnik 05:59
4. "Ghazab Ka Hai Din" Udit Narayan and Alka Yagnik 04:26
5. "Kahe Sataye" Alka Yagnik 02:19
6. "Papa Kehte Hain (Sad)" Udit Narayan 04:01
Popular culture

The song "Papa Kehte Hain":

was used in Hum Saath Saath Hain (1999) in a parody. It was rendered by the
original singer Udit Narayan and re-written by Ravinder Rawal.
was used in Dil (also starring Aamir Khan) (1990) during a college party scene.
was used in Andaz Apna Apna (also starring Aamir Khan) (1994) in a comedy
sequence.
was recreated by Vishal–Shekhar as a short song for the 2012 film Student of
the Year, which was Varun Dhawan's debut, in which he sings while performing at a
concert.
was used in the Ajay Devgn-starrer, De De Pyaar De (2019) everytime Bhavin
Bhanushali's character, Ishaan talks lovingly about Ayesha (played by Rakul Preet
Singh), without knowing that she is his father's girlfriend (played by Devgn).

The song was also a success in the Binaca Geetmala.[26]

The song "Aye Mere Humsafar" was recreated by Mithoon and sung by Mithoon and Tulsi
Kumar for the 2015 film All Is Well. Amitabh Verma wrote additional lyrics for this
version.[27]

The song "Ghazab Ka Hai Din" was used in 2015 film Masaan.

The song "Ghazab Ka Hai Din" was also recreated by Tanishk Bagchi and sung by Jubin
Nautiyal & Prakriti Kakar for the 2018 film Dil Juunglee. Tanishk Bagchi wrote
additional lyrics for this version.
Box office

Qayamat Se Qayamat Tak became a golden jubilee hit after running for 50 weeks.[28]
It earned a domestic net collection of ₹50 million[2] ($4 million),[25] and was
declared a blockbuster, becoming the third highest-grossing film of 1988, behind
Tezaab and Shahenshah.[29] Adjusted for inflation, the domestic net collection of
Qayamat Se Qayamat Tak is equivalent to more than ₹1.4 billion (US$21.5 million) in
2017.[b]

The film was also released in China, in 1990.[31] It was Aamir Khan's first film
released in China, two decades before he became a household name there in the 2010s
after 3 Idiots (2009).[32]
Accolades
Award Date of ceremony Category Recipient(s) and nominee(s) Result
Ref(s)
Filmfare Awards 34th Filmfare Awards Best Film Qayamat Se Qayamat Tak Won
[33]
Best Director Mansoor Khan Won
Best Actor Aamir Khan Nominated
Best Male Debut Won
Best Actress Juhi Chawla Nominated
Best Female Debut Won
Best Music Director Anand–Milind Won
Best Lyricist Majrooh Sultanpuri for "Papa Kehte Hain" Nominated
Best Male Playback Singer Udit Narayan for "Papa Kehte Hain" Won
Best Screenplay Nasir Hussain Won
Best Cinematography Kiran Deohans Won
National Film Awards 36th National Film Awards Best Popular Film Providing
Wholesome Entertainment Qayamat Se Qayamat Tak Won [34]
Special Mention Aamir Khan (also for Raakh) Won
Remakes

The film was remade in Telugu as Akkada Ammayi Ikkada Abbayi, which marked the
debut for Pawan Kalyan. It was also remade in Bangladesh as Keyamat Theke Keyamat
in 1993, marked as the debut of renowned Bangladeshi duo Salman Shah and Moushumi.
It was also remade in Sinhala as Dalu lana gini starring Damith Fonseka and Dilhani
Ekanayake. It was also remade in Nepali as Yug dekhi yug samma, which marked the
debut of Nepalese actor Rajesh Hamal.
Legacy

Qayamat Se Qayamat Tak proved to be a major commercial success, catapulting both

Khan and Chawla to superstardom.[35] It received 8 Filmfare Awards including a Best
Male Debut for Khan and Best Female Debut award for Chawla. [36] The film has since
attained cult status.[37] Bollywood Hungama credits it as a "path-breaking and
trend-setting film" for Indian cinema.[38]

Gautam Chintamani's book Qayamat Se Qayamat Tak: The Film That Revived Hindi Cinema
(2016) credits the film with revitalizing Hindi cinema.[9] In the late 1980s, Hindi
cinema was experiencing a decline in box office turnout, due to increasing
violence, decline in musical melodic quality, and rise in video piracy, leading to
middle-class family audiences abandoning theaters. Qayamat Se Qayamat Tak's blend
of youthfulness, wholesome entertainment, emotional quotients and strong melodies
is credited with luring family audiences back to the big screen.[38][9] The film is
credited with having "reinvented the romantic musical genre" in Bollywood.[7]
Chintamani credits it as one of the most important films of the last three decades.
It was a milestone in the history of Hindi cinema, setting the template for
Bollywood musical romance films that defined Hindi cinema in the 1990s.[8] In a
2000 survey by Indolink.com, Qayamat Se Qayamat Tak was ranked the best film of the
80's.[39]
Notes

Qayamat is the term for the Islamic concept of Day of Resurrection[3]

1993 inflation rate was 18 times: Darr's domestic nett of ₹107.3 million in
1993 is equivalent to ₹1,914.4 million in 2017.[30]

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Studios. Oxford University Press. p. 80. ISBN 978-0-19-971665-4.
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www.thehindu.com.
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wasn't even married: 'I was 31'". 20 June 2022. Archived from the original on 13
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Khan". YouTube. T-Series. 26 May 2012. Archived from the original on 14 March 2019.
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Archived from the original on 2 July 2023. Retrieved 10 December 2018. "Husain's
Qayamat Se Qayamat Tak was a runaway success though he sold the film's music to
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External links

Qayamat Se Qayamat Tak at IMDb

vte

National Film Award for Best Popular Film Providing Wholesome Entertainment

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Filmfare Award for Best Film

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T-Series

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Romeo and Juliet film adaptations

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