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Cello Suite No.1 in G Major BWV 1007 Johann Sebastian Bach - Accordion Solo

This document is a musical score for J.S. Bach's Cello Suite No. 1 arranged for accordion. It contains standard musical notation including staff, clefs, notes, dynamics, and other markings across 35 lines of musical score. The score arranges the classical cello suite for performance on the accordion by Finn.

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482 views4 pages

Cello Suite No.1 in G Major BWV 1007 Johann Sebastian Bach - Accordion Solo

This document is a musical score for J.S. Bach's Cello Suite No. 1 arranged for accordion. It contains standard musical notation including staff, clefs, notes, dynamics, and other markings across 35 lines of musical score. The score arranges the classical cello suite for performance on the accordion by Finn.

Uploaded by

ROBIN
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Cello Suite No.


Arranged by: For Accordion Composed by:


Finn's musicality J. S. Bach

    
    
           

   



G G G G

    


3


   



G G G G

                 
5

   
 



G C# C#

        
E

           
7

     
  
   


      
F# F# E E

               
9

   
   



G

                               
E F# D


11

    
   
H C C
G#


2

     
                         
13


    
   



D# G D# G

                    
15

     
    
   


F# F# G G

    
        
17

    
   


G G G G

      
        
19

 
 
     


 
G C#


F# E D C#

   
         
21

     
    



C C C

                             
23

  
   
   
A A

E♭ C


3

            
    
25

   
 
   


D H D C#


               
      
27

   
    
    



A A A

     
D E

           
    
29

    


 
D D C H


  
31


                 
                           


A A A A

 
   
33

                 
                           


A A A A

   
    
35

                 
                           
A A A A

 
     
4

         
                    
37


 
 
 
 
 
 
 
 
 
 
 
 
 
 

             
D


            
              
 
39

   


    
   
(g) (g) (am) (am)
G A A


   
         
    
   
41


       
       
  (opt. switch to

a lower
(d7) (d7) bass register) (g)
D D G

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