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~ ~ 'llfih"''C<t> ~ ~ iR~ ~'>! 'l'Ci1C~ I i$n ~~ "Matisse, Henry (1869-.

1 954) was the principal artist of the FAUVE group"~)

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~ \!1<1'1. ~~foil:~, "Surrelism which was born of a union between the collage and

constructivist aspects of Cubism and the nihilism of DADA, claims a long artistic ancestry in
the art of Bosch, Arcimboldi, Fuseli, Goya, Redon and any other artist who has expressed
the weird and fantastic. After the demise of Dada in 1922, Andre Breton gathered up the
remnants of the group, took over the word Surrealiste from Apollinaire (who had used it in
1917) .and defined it as 'Pure. psychic AUTQi\11)\TISM', by which it is intended to express
verbally, in writing or in any other way, the true process of thought. It is the dictation of

thought, free from the exercise of reason, and every a·3sthetic on moral preoccupation."~
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iSR fm:m '{) G!Jii:!i\il>i~, iSJilliHi'l ~ ~. C4"1f%lmcll'!l Clfi1 ~~ \!1<1~ ~l!i\Mil ~'{) m-
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ffit \!!~ ll"'<\IC'iil ~ <t>C'!l~C"l~, f<N3 C"f<< ~ ~ 1!1<1~ l!JMrl '{) f1rcm ",£i1fiilliMJ0C'1i1 c~

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<I'C'!lC!l('l 1 mfi'ril'Persistance of memory' "J:ilfii\liMiSJC:ili'l 1!1<!$ ~ ~"! 1

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An Outline History ofThe World, Oxford University Press, 1969, p-15

'Ill 'fl3'1M 'i1'!, ~. '18 :).17"-:).l'>

81 .l!, '18 :).a
<t I .l!, '18 'IJO
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9 I C.J.H. Hayes, Modern Europe, Third Indian reprint, Surjeet Publication 1982, p. 109

1r I Anthony Blunt, Artistic Theory in Italy 1450-1600, Oxford, 1940, p. 34

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~9 1 Herbert Read, Art and Artists, Thames & Hudson, 1985, p. 170-171

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'!>~ 1 Peter & Linda Murray, A Dictionary of Art and Artists, Penguin Books, 3rd ed., 1972, p. 271

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'!>'\ 1 Herbert Read, ibid, p. 315

'!>lr I ibid, p. 315

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(Dr. Daisetz Suzuki) ~ 'Zen and Japanese Culture' <!! <!!~ ~ q<(li<IJf& ~ ~'1l1'i ll'l
'1E\>j;l'i1 ~ ~- " ... 'according to Dr. Daisetz Suzuki, the noted Japanese scholar to

whom must go the largest share of credit for bringing Zen to the attention of the west. In his
book, Zen and Japanese Culture, he has pointed out that since Zen's teaching is
concentrated on an 'intuitive experience' a Zenist may be ostensibly a 'Taoist', a Confucian,
even a 'Shintoist'_ which is the original 'nature religion' of the Japanese people."~

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01-.J, ~ ~ 1' (Look within, th.ou art the Buddha) 1

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with formal script as western abstract painters were later to play with objects.,))

~~ GIIC'ilb'im ~$bEl f6ill'li'ili!l!lm '8 ~~~ ~ llit1it em <i'it1 ~I

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9ffti>m'f Wnor, C'l 'Pm'f "'~ C<!fi'ICZJ~ G!IC'ilb"'l ~ ~ G!IC'ilb"'l 'fJl ~ G!l<t>lfW"' <m I
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mm 1 ~ mcm ~-~ ~-'Slt'ltli.i WI"~~ 10f"l~'</J ~IS 'll>J: fi'tjt ~~'II 'l<mi
~ G!~iStlli.i fiWrn fb®i!."i1'1t'i~ "f>fl~ili'C~~ IS"81 M~ ~"!tti.i \OIClf;j fiiiliM'I~C<l' ~~

G!Ti!IS G'1fiil ~WI- <!I~~ G!"lift~"' 'ffi I

~ f.M'fli"'l g

~ 1 Jack Finegan, The Archaelogy of World Religions, The background of Buddhism,

Confucianism, Taoism; Princetor University Press, Hl65, P. 383
~ 1 Nancy Wilson Ross, Hinduism, Buddhism, Zen, Faber & Faber, London, 1973, p. 142
.0 I ibid, p. 140
8 I "l'l;jjtjijl<>j ~. 6iil<i>fill;~ '11?-'f, ~ .!11!1'111, ~~-~<>~'\, "j: <>-~ -

ct I 101"!'0 'JP/19ft'l111l, f6clwf.l, "''J.'lliSfi "liS C'Oi~ ~J.fof. ~. ~<>~8 ~. <>j: ~~<>
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'\I Nancy Willson Ross, ~re; (~ ~ ~) "j• ~'los

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