THE LIGHTING SERIES
Collection n.1
2 LIGHTS
HIGH KEY SILHOUETTE
White seamless backdrop f 8 1/200 ISO 100
Two lights diffused with two
40x180cm strip boxes
Keep the power of the lights high,
both at the same power
Be mindful of the distance
between the model and the light
source + the backdrop. If she is
getting too much light spills on her
body or face, ask her to take a
step towards you
Don't turn the softboxes too much
towards the backdrop, otherwise
you will get a light grey center and
white edges which is the opposite
of what we want to achieve. You
want the area around the subject
to be pure white already in camera
2 LIGHTS
HIGH KEY SILHOUETTE
BONUS! BACKSTAGE
In the picture: two strip boxes 40x180cm, white seamless paper
Fabric used is white chiffon
ONE LIGHT
HIGH KEY SILHOUETTE
f 9 1/200 ISO 100
One light: 5' octa
Subjects are
positioned right
in front of the
softbox
ONE LIGHT
HIGH KEY SILHOUETTE
BONUS! BACKSTAGE
2 LIGHTS + BLACK V-FLAT
f 5.6 1/200 ISO 100
White seamless
backdrop
Main light: octa 5"
camera right
Background light:
Positioned right behind
the subjects, pointed at
backdrop. Modifier
used: reflector
Black v-flat to add
more contrast
1 LIGHT
LOW KEY SILHOUETTE
f 9 1/200 ISO 100
Seamless backdrop. Since
we're using a grid on our
light source you can use
either a white, grey or black
backdrop. It'll turn out dark
One light diffused with a
40x180cm stripbox (or
an octabox depending on
what you have available, it'll
work as well) + GRID
Light is positioned behind
the subject, choose the
subject's best side/profile
1 LIGHT
LOW KEY SILHOUETTE
BONUS! BACKSTAGE
Shot during a 1:1 mentoring of mine at my student's studio
using a 4' octa with grid
2 LIGHTS LOW KEY SILHOUETTE
f 9 1/200 ISO 100
Rim lights: Two lights placed
behind the model, one on
each side, diffused with
40x180cm stripboxes + grids.
Almost facing each other
Seamless backdrop. Could be
white, grey or black. It'll turn
out dark because we're using
the grids and we're
directioning the lights
towards the subject only, so
that there's no light spill on
the backdrop
BUTTERFLY
f 5,6 1/200 ISO 100
Dark grey or black
seamless backdrop
Main light: positioned right
in front of the subject,
diffused with a 3' octa
Check the catch light: it
should be at 12 'o clock.
I recommend to use a boom
(arm, as shown in the
lighting diagram) so there's
no light stand in the way
ONE LIGHT FEATHERED
f 5,6 1/200 ISO 100
Hand painted backdrop
Main light: one flash
diffused with 5" octa,
camera left and feathered.
The subject is only getting
the light coming from the
edge of the softbox and not
the hard light coming from
the center of the softbox
(called hotspot). This way
you get a nice and soft
transition between
highlights, mid tones and
shadows
ONE LIGHT FEATHERED
BONUS! BACKSTAGE
Baby and Kid Argentina, live shooting on stage. October, 2019
ONE LIGHT
f 8 1/200 ISO 100
Canvas backdrop
Main light: 5' octa,
camera right, pointed at
the subject
ONE LIGHT
f 8 1/200 ISO 100
White seamless backdrop
Main light: 5' octa pointed at
the backdrop and only very
slightly at the subject
White v-flat or polystyrene
board in front of the subject
to bring some detail out of
the face
2 LIGHTS (SOFT LIGHT)
f 7,1 1/200 ISO 100
White seamless
backdrop
Main light: 5' octa,
camera left, feathered
Fill light: Deep XL
Umbrella with diffusion
2 LIGHTS (SOFT LIGHT)
BONUS! BACKSTAGE
2 LIGHTS
f 8 1/200 ISO 100
Dark grey seamless
backdrop
Main light: 3' octa +,
centered in front of the
subject (butterfly)
Background light: bare
strobe, positioned behind
the subject and pointed ad
the backdrop
3 LIGHTS + CTO GELS
f 10 1/200 ISO 100
Dark green canvas
backdrop
Main light: 5' octa
positioned in front of the
subject (butterfly)
Rim lights: two bare
strobes with full CTO gels
*CTO = Color Temperature
Orange
3 LIGHTS + CTO GELS
BONUS! BACKSTAGE
Live shooting on stage at Baby and Kid Italy, February 2020
3 LIGHTS + WHITE V-FLAT
f 6,3 1/200 ISO 100
White seamless
backdrop
Background lights: two
bare lights
Main light: Deep XL
umbrella + diffusion
centered, towards the
subject
Fill light: white v-flat
Bonus: fabric used is
chiffon
3 LIGHTS + WHITE V-FLAT
BONUS! BACKSTAGE
STUDIO LIGHT + NATURAL LIGHT
f 5 1/125 ISO 250
Main light: 5' octa,
camera right
Fill light: natural light
coming from the windows
Raise your ISO to use
natural light as a fill light
3 canvases used as
backdrops + 1 canvas used
as floor
Flowers in a pot in the front
2 LIGHTS
f 4 1/125 ISO 100
Canvas backdrop
Main light: Deep XL
umbrella + diffusion,
centered in front of the
subject (butterfly)
Background light:
pointed at backdrop,
with reflector.
Tip: Using a light pointed
at canvas backdrops
brings out the texture
2 LIGHTS
BONUS! BACKSTAGE
GEAR & EQUIPMENT
LIGHTS
Profoto D2 500W
Profoto B1 500W
MODIFIERS
Profoto 5' octa
Profoto 3' octa
Profoto Deep XL Umbrella + Diffusion
Profoto Zoom Reflector
Jinbei Strip box 140x80cm
V- FLATS
Foldable v-flats
Polystyrene board (one side painted white, one side painted black)
COLORED GELS
Profoto OCF colored gels kit
CANVAS BACKDROPS
Artery Backdrops
Milano Backdrops
CAMERAS
Fujifilm GFX50S
Nikon D750
LENSES
Fujifilm 63mm
Nikon 24-70 f2.8
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