TREASURES FROM FILM AND TELEVISION

9 TH – 11 TH NOVEMBER 2021 | LONDON

ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N

Entertainment Memorabilia Live Auction

9th – 11th November, 3:00 PM (GMT) Bidding is available online and via telephone only at this time. In person bidding is not currently available due to
COVID-19. Please see the bidding registration document at the back of the catalogue for additional information.
Hosted Live From Prop Store's London Facility
Great House Farm, Chenies,
Hertfordshire, WD3 6EP
England
+44 (0) 1494 766485 PropStore.com/LiveAuction

Online Auction Catalogue & Additional Lot Information Previewing Auction Lots

The online catalogue for this auction contains multiple high-resolution photographs for While there is no public pre-auction viewing session, Lots can be previewed by special
all lots offered. Reviewing the online catalogue prior to bidding is highly recommended. appointment at Prop Store's London facility. These special appointment previews can
Absentee bids can also be placed in the online catalogue. be facilitated between 12th October and 11th November Lots can also be previewed via
electronic video calls. Contact us for additional information.
Video footage is available for select lots, and condition reports are available upon request.
Additional video coverage is available on Prop Store's YouTube channel, and multiple
live video streams showcasing auction Lots will run on Prop Store's social media in the
weeks before the auction.

How To Bid

Telephone Payment Plans

Complete the bidder registration form on page 523 to bid via telephone. One of Prop Payment plans may be available in increments of up to three (3) months for purchases
Store's telephone bidding specialists will call you at your specified number and allow where total Hammer Price and Buyer's Premium are greater than £1,000. Buyers
you to bid on your lot in real time. wishing to utilise the payment plan service, if approved by Prop Store, buyers shall
be required to pay a deposit of twenty percent (20%) of the Purchase Price (the
Online "Deposit"), within seven (7) business days of being invoiced. The balance of the
Bid live from anywhere in the world via Prop Store's live online Auction Platform. Register
today at PropStore.com/LiveAuction
Purchase Price shall then be split over up to three (3) months, at the Buyer's option.
DAY 1: LOTS 1 - 409 - 9TH NOVEMBER 2021
Reserves
Bidding on High-Value Lots Certain Lots in this auction may be sold without a Reserve Price; the majority of Lots
New clients who have no prior purchase history with Prop Store may need to meet in this auction are sold with a Reserve Price. The Reserve Price is the minimum price
additional registration requirements in order to bid on lots that have a low estimate of the Seller will accept for a Lot. The Reserve Price will not be more than the lowest
£50,000 and above. Please inquire for details. estimate given by Prop Store. Prop Store may disclose or keep confidential the

* In person bidding is not available at this time due to COVID-19

Reserve Price at its entire discretion. DAY 2: LOTS 410 - 755 - 10TH NOVEMBER 2021

Terms & Info

Buying with Prop Store Bidding Increments DAY 3: LOTS 756 - 1100 - 11TH NOVEMBER 2021
For an overview of how to participate in this auction as a buyer, please refer to the The following are suggested bid increments for the Auction. Please be advised that they
Buyer’s Guide on page 509 of this catalogue. are suggested increments only, are not intended to be and shall not be binding, and the
Auctioneer retains the sole and absolute discretion, at the time of the Auction, to change,
Conditions of Sale modify, or vary the bid increments at any time.
This auction is governed by important stipulated terms, conditions and reserves. All
stipulations can be found at propstore.com/liveauction. Please note, some of the items • £10 - £50 by £10 • £5,000 - £10,000 by £500
in this sale attract VAT (see clause 7.9.) Due to the US Wayfair ruling, US sales tax may • £50 - £300 by £25 • £10,000 - £20,000 by £1,000
apply to US buyers from select US states (see clause 7.23.) • £300 - £500 by £50 • £20,000 - £50,000 by £2,500
• £500 - £1,000 by £100 • £50,000 - £100,000 by £5,000
• £2,000 - £5,000 by £250 • £100,000+ at the Auctioneer’s discretion

Buyer's Premium VAT and Sales Tax BEGINS 3:00 PM (GMT) EACH DAY
A Buyer's Premium of 25% will be added to all winning bids. Depending on your location, you may be subject to VAT. Please see our quick reference
propstore.com/liveauction
guide at the top of page 518. Due to the “Wayfair ruling”, some US states may be subject
to sales tax. This will be calculated on your invoice.

Follow the auction on Prop Store’s social media platforms #PropStoreLiveAuction * Certain films and shows have Lots offered on more than one day of the Auction;
FRONT COVER IMAGE
see Index on page 520 for a complete listing of available Lots by film or show title
Lot 24. Michael J. Fox-autographed Marty McFly Lenticular Mattel Hoverboard
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

About Prop Store The Prop Store Certificate of Authenticity

P
rop Store was founded on the belief that the props and costumes used industry that have provided access to material previously believed to be Authenticity is the defining collectable element for original film and television props and costumes. All of our certificates carry multiple security elements to verify authenticity,
in movies are pieces of art—film art. We see these artifacts not as mere unavailable. We are also in continuous contact with those on the front representing a lifetime guarantee that the item is a genuine piece of cinema history exactly as described. Prop Store's complete Terms of Guarantee can be found on page 513.
byproducts of the production process, but as unique, creative works lines of production. These individuals educate us and assist us in properly
in their own right. The result of the collective effort of designers, fabricators, identifying and authenticating material. In turn, we have educated and
and artisans from every corner of the globe, many of these pieces are simply supported the collecting community by sharing our knowledge through articles,
extraordinary. videos and collecting websites and forums.

Private collectors have played a significant role in preserving these film art pieces We are excited to share this catalogue with collectors around the world. Within
since the earliest days of cinema and television. Throughout the entertainment this sale you will find pieces available at every price point—all of which are
industry’s history, these items were considered as mere production tools and authenticated and certified with our industry-leading certificate of authenticity
were therefore commonly discarded time and time again. Private collectors and its accompanying guarantee. Each of these pieces satisfy our strict internal
have stepped in on many occasions and taken preservation into their own authentication standards.
hands. Some film and television artifact collecting stories are legendary:
A college student walking through a field and stumbling upon the model We strive to present these pieces with the same level of care that went
miniature space station from 2001: A Space Odyssey after the item was into their presentation on screen, as they deserve nothing less. A large
dumped from an unpaid storage locker, for example. Many of cinema’s most portion of the artifact collection will be on public exhibition prior to
memorable treasures are cared for by private collectors, and we believe that the sale, providing a first-hand view of the material. Whether you are
private collectors continue to play a critical role in the overall preservation a veteran collector or just getting started, we hope that you find pieces that
Embossed Seal of
and legacy of film and television history. Collecting is a very personal thing speak to you amongst this truly unique offering. To make this material more One line description Authenticity
as all collectors have different tastes—but collectors are united through a accessible, every item can be purchased on an interest-free payment plan. of product
common passion for the material and its preservation. We can also pack and ship material safely to any destination in the world.

Each of Prop Store’s team members share this belief and are long- Our experience, passion and desire to source the most exciting pieces possible
Authorised
time, passionate collectors themselves. We love this material. We makes us one of the world’s leading vendors of original props, costumes
Prop Store Signature
revere this material. Our enthusiasm is the driving force in our nearly and collectable memorabilia. We look forward to being a part of your own
Tamper-proof
two decade global search to locate these culturally-significant items. collecting journey and to helping you preserve these beloved pieces of film
Hologram
Our journey has enabled us to forge key relationships within the and television history.
Unique product
registration number

CONSIGN
SELL

OR
Achieve world record-breaking
prices for your items
Prop Store is seeking film and television props, costumes, scripts and
artwork for our Los Angeles Entertainment Memorabilia Live Auction

With over 20 years of experience, we reach a global audience of

entertainment collectors and investors and offer cash advances for
high-value content.

Reach out today for a free appraisal and valuation with our specialists.

RAIDERS OF THE LOST ARK (1981)

Indiana Jones’ Signature Fedora
EMAIL [email protected] Estimate: $200,000 - $300,000
(£150,000 - £220,000)
CALL +1 (818) 727-7829
Final Winning Bid: £393,600 ($522,880)

PROPSTORE.COM/SELL
4 5
 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

DAY
01

1. Capt. Wild Bill Kelso’s (John Belushi) Hero Jacket Ω

1941 (1979)

DAY 1: LOTS 1 - 409 - 9 TH

NOVEMBER 2021
Capt. Wild Bill Kelso’s (John Belushi) hero jacket from Steven Spielberg’s World War II artwork including a pin-up style female figure on the back with the text reading ‘Going
comedy 1941. Gruff US Air Force Captain and fighter pilot Kelso wore his flight jacket My Way’ and good luck symbols such as four-leaf clovers on the collar and a pair of dice.
while he attempted to repel invading Japanese forces in 1941 Los Angeles after the On the front left breast is the character’s nickname ‘Wild Bill’ in a stylized rope-like font.
attack on Pearl Harbor. The jacket exhibits minor signs of wear from age and use.

This brown leather zippered jacket features metal snaps on the collar and waist as well as
brown elasticized cotton ribbing on the wrists and waistline. It is decorated with graphic Estimate: £8,000 - 12,000

* Certain films and shows have Lots offered on more than one day of the Auction;
see Index on page 520 for a complete listing of available Lots by film or show title

7
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

2. Diving Backpack Ω

THE ABYSS (1989)

A diving backpack from James Cameron’s sci-fi adventure
The Abyss. When a Navy submarine crashed underwater,
oil drillers led by Virgil Brigman (Ed Harris) teamed with
military personnel led by Lt. Coffey (Michael Biehn) to
rescue survivors.
Designed by Western Space and Marine, these custom
diving backpacks can be refilled while underwater,
allowing the cast to be submerged longer. It features a
yellow metal deep-sea diving shell with a pair of black
tank holders, rubber hoses, electrical metal tubes and
yellow and blue nylon straps. It exhibits signs of wear from
age and use, including paint chipping and some rusting.
Dimensions: 51 cm x 28 cm x 17.25 cm (20” x 22” x 28”)
Contains electronic components; see notice in the Buyer’s Guide.

Estimate: £3,000 - 5,000

3. Submarine Interior Miniatures Ω

THE ABYSS (1989)

Submarine interior miniatures from James Cameron’s
underwater sci-fi adventure The Abyss. When a Navy
submarine crashed in a deep underwater trench, a team
of oil drillers and military personnel led by Lt. Coffey 4. Alexander’s (Colin Farrell) Battle of Hydaspes
(Michael Biehn) teamed up for a rescue mission on the Hero Helmet †Δ 5. Prototype Facehugger Display M
flooded vessel.
This lot is constructed of painted resin and plastic and
consists of eight stand-alone consoles with detailed ALEXANDER (2004) ALIEN (1979)
control panels and an equipment locker. One of the Alexander’s (Colin Farrell) Battle of Hydaspes hero helmet from Oliver Stone’s historical A prototype facehugger from the production of Ridley Scott’s sci-fi horror Alien. After the
control panels features an attached fiber optic lighting epic Alexander. The King of Macedonia wore his helmet during the bloody Battle of mining vessel Nostromo received a distress call, her crew discovered mysterious eggs
cable. The miniatures exhibit signs of wear from age and Hydaspes in India, where an arrow fatally wounded him. in the bowels of a crashed alien vessel. When Kane (John Hurt) moved too close to one
use throughout. Dimensions: 51 cm x 45.75 cm x 30.5 cm of the eggs, a creature burst out of it and attached itself to his face. Captain Dallas (Tom
(20” x 18” x 12”) The ornate helmet is made from silver-coloured metal which has been heavily weathered
Skerritt) and navigator Lambert (Veronica Cartwright) brought him aboard the Nostromo,
for the production. A detailed lion head decorates the front of a ribbed fin, which runs
Contains electronic components; see notice in the Buyer’s Guide
placing the rest of the crew in danger.
vertically along the top and features a red plume, with longer strands of red hair at the
back. The sides of the helmet display movable flaps featuring an emblem of a boar-like The facehugger was originally designed by Swiss surrealist artist H.R. Giger, who was
Estimate: £600 - 800 creature, and several pieces of foam are adhered to the interior for comfort. There are responsible for creating the entire Alien aesthetic. However, Giger’s initial design was
signs of minor paint wear and visible glue remnants on the foam. Dimensions: 37 cm x altered considerably. He first envisioned it as a larger creature that wrapped around the
19 cm x 83 cm (14 ½” x 7 ½” x 32 ¾”) outside of Kane’s helmet. Director Scott redesigned it in collaboration with writer Dan
O’Bannon, special effects artist Roger Dicken, and concept artist Ron Cobb.
Estimate: £4,000 - 6,000 The prototype facehugger features a cast plastic skeleton covered with latex skin. It is
different to the one seen in the film, The skin has dried, cracked and come away in places,
particularly on the body of the facehugger. It is mounted on a custom-made display.

Dimensions (displayed): 92 cm x 35 cm x 16 cm (36 ¼” x 13 ¾” x 6 ¼”)

Special shipping required; see special shipping notice in the Buyer’s Guide.

Estimate: £4,000 - 6,000

8 9
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1.16 m (3.8’)

6. Large Screen-matched MU/TH/UR 6000 Panel Ω

ALIEN (1979)
A large screen-matched MU/TH/UR 6000 panel from Ridley Scott’s sci-fi horror film Alien. The off-white-painted wooden panel features two yellow vacuum-formed components
MU/TH/UR 6000, simply referred to as “Mother”, was the artificial intelligence computer decorated with an embossed square pattern and untested grain-of-wheat lights. The
mainframe aboard the USCSS Nostromo, located in a secure room on the Nostromo’s back is labelled “Computer Room” and “Ceiling” in permanent marker and a piece of
upper deck. This panel matches the one seen to the right of the door, mounted at head hanging wire is affixed at either end to allow the panel to be displayed. The panel shows
height, and is matched via the uniquely cut pattern detailing down the edges. overall paint wear and discolouration from age. Dimensions: 116.5 cm x 43.5 cm x 3 cm
(46” x 17” x 1 ¼”)
Contains electronics; see electronics notice in the Buyer’s Guide.

Estimate: £4,000 - 6,000

7. Xenomorph Egg with Base M 8. USCM Hand Welder M

ALIENS (1986) ALIENS (1986)

A xenomorph egg with a base from James Cameron’s sci-fi action sequel Aliens. Eggs centre of the base, which features a veiny, organic design. The items have some wear A United States Colonial Marine Corps hand welder from James Cameron’s sci-fi sequel and a metal clip on the right side. The welder has wear from production use and age,
were seen in the nest of the Alien Queen when Ripley (Sigourney Weaver) arrived there from production use and age, including some cracking and chips to the tips of the base’s Aliens. Colonial marines used their welders to seal and open doors, as well as open a including scuffing and scratching to the paintwork. It is missing two fixed buttons on the
to rescue Newt (Carrie Henn). tendrils. Dimensions (egg on base): 43 cm x 30 cm x 26 cm (17” x 11 ¾” x 10 ¼”) pipe Bishop (Lance Henriksen) had to crawl through to reach the transmitter. right side. Dimensions: 9.5 cm x 5 cm x 25.5 cm (3 ¾” x 2” x 10”)

This egg would have been used for model miniature sets of the Queen’s nest. Both The hand welder is made primarily of resin, with a metal nozzle, acrylic protective screen
the egg and its base are made of fibreglass and hand-painted. The egg slots onto the Estimate: £4,000 - 6,000 and buttons. There is a hole in the base of the handle, to allow the insertion of a fuel pipe, Estimate: £8,000 - 12,000

10 11
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

9. Private Hudson’s (Bill Paxton) Knife

and Sheath M

ALIENS (1986)
Private Hudson’s (Bill Paxton) knife and sheath from James
Cameron’s sci-fi sequel Aliens. Hudson’s sheath was worn
around his neck throughout the film, and Bishop (Lance
Henriksen) used the knife to perform a knife trick with the
reluctant Hudson.
The knife is an “Explorer MM-IV” with a stainless steel
blade. The blade features a serrated section and a brushed
finish, and the handle is die-cast aluminium, painted black.
The black leather sheath features a woven leather strap
so it can be worn around the neck. The knife has some
wear from use and age, including scuffing and scratches,
and the sheath is missing a metal popper on the reverse.
Dimensions (knife): 30.5 cm x 5 cm x 2.5 cm (12” x 2” x 1”)

Estimate: £4,000 - 6,000

10. Private Hudson’s (Bill Paxton)

USCM Webbing M

ALIENS (1986)
Private Hudson’s (Bill Paxton) United States Colonial Marine
Corps webbing from James Cameron’s sci-fi sequel Aliens.
Hudson wore his webbing while clad in his USCM armour.
The webbing consists of a green canvas belt with two
pouches, one of which is filled with foam sheets; a separate
canvas pouch with a belt loop; and a pair of straps which
clip to the chest piece and loop onto the belt.

The belt has “Hicks” handwritten on it, though the name

is crossed through, with “Hudson Bill Paxton” written
below. The pieces show wear from production use and
age, including scuffing, scratches, minor staining and
discolouration. The belt loop on the separate pouch has
become unstuck.

Estimate: £3,000 - 5,000

11. NO LOT

12 13
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

12. USCM Belt Tool M

ALIENS (1986)
A United States Colonial Marine Corps belt tool from James
Cameron’s sci-fi sequel Aliens. Colonial Marines clipped
tools to the strapping across their armour. This particular
tool is a modified vintage Edison Giocattoli foldable plastic
pellet gun, which is painted green and black, with a red
nozzle. It has some wear from production use and age,
including wear to the paintwork, spots of white paint, and
light scratching. Dimensions: 13.5 cm x 3.5 cm x 7.5 cm (5
¼” x 1 ½” x 3”)

Estimate: £600 - 800

13. USCM Holster M

ALIENS (1986)
A USCM holster from James Cameron’s sci-fi sequel Aliens.
Colonial Marines, including Sergeant Apone (Al Matthews)
and Private Frost (Ricco Ross), wore their holsters while
investigating the seemingly deserted Hadley’s Hope.
The holster is made of black canvas with a Velcro®
fastening and a loop on the back where it can be attached
to a belt. A metal ring is attached to the bottom of the 14. Production Clapperboard M
holster. It has some wear from production use and age,
including plucking and loose threads, and the metal ring
shows some rust. Dimensions: 31 cm x 16 cm x 2 cm (12 ALIENS (1986)
¼” x 6 ¼” x ¾”)
A clapperboard from the production of James Cameron’s sci-fi sequel Aliens. The slate
is made of black wood, with a wooden clapper arm. It features the production title and
Estimate: £400 - 600 the names of Cameron and cinematographer Adrian Biddle. There are sections for the
slate and take numbers, as well as the date. The item has some wear from production
use and age. The back of the slate has tape remnants from production, and Biddle’s
first name is spelled incorrectly. Dimensions: 20.5 cm x 26 cm x 1.5 cm (8” x 10 ¼” x ½”)

Estimate: £8,000 - 12,000

14 15
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

15. Lightweight M-41a Pulse Rifle ΩΔ

ALIENS (1986)
A lightweight M-41A Pulse Rifle from James Cameron’s sci-fi action sequel Aliens. In the II era M1A1 Thompson submachine gun with a SPAS-12 shotgun cage below the barrel
film, Colonial Marines used their M-41A Pulse Rifles throughout the mission to Hadley’s to simulate a grenade launcher. This lightweight version was cast in rigid urethane foam
Hope on Planet LV-426, searching for survivors of what was revealed to be an attack and painted green-brown and black. The pulse rifle exhibits signs of use, age, and wear
by xenomorphs. throughout, including paint chipping. Dimensions: 71.25 cm x 26.75 cm x 7.75 cm (28”
x 10.5” x 3”)
The M-41A Pulse Rifle was designed by director James Cameron and created by Simon
Atherton, the head of movie armourers Bapty and Co. It is designed around a World War Ownership may be restricted in some countries; see replica firearm notice in Buyer’s Guide.

Estimate: £20,000 - 30,000

16 17
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

16. Xenomorph Egg US

1.06 m (42”) ALIENS (1986)

A xenomorph egg from James Cameron’s sci-fi action sequel Aliens. Ripley (Sigourney
Weaver) found herself surrounded by xenomorph eggs in the nest of the Queen while
trying to rescue Newt (Carrie Henn).
This brown, beige, and grey fibreglass and foam rubber egg features an opening at the top
consisting of four separate lip-like flaps. Each flap is affixed with hardened slime accents
which have also been added to the egg’s sides. The top of the interior is lined with foam
rubber which can be accessed from an opening in the bottom. The egg exhibits signs of
wear throughout from use and shipping, including foam residue from packing peanuts
along the surface. Dimensions: 106.75 cm x 61 cm x 84 cm (42” x 24” x 33”)

This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide

Estimate: £5,000 - 7,000

18. 1/4 Scale Xenomorph Rod Puppet Head Ω

ALIEN 3 (1992)
A 1/4 scale xenomorph rod puppet head from David Fincher’s sci-fi horror sequel Alien puppet. It features silver-colour paint on the teeth as well as a notch on the neck for
3. After emerging from a gestation period inside the stomach of a dog, a sleeker, smaller, mounting. It exhibits signs of wear from age and use throughout. Dimensions: 51 cm x
and dipedinal form of xenomorph attacked the inhabitants of a penal colony on the 45.75 cm x 30.5 cm (20” x 18” x 12”)
planet Fiorina 161.
This brown and black resin puppet head was constructed for use in the sequences in Estimate: £3,000 - 5,000
which the xenomprph’s aggressive movements were achieved with the use of a rod

17. Pair of Production-used Scripts

and Bug Stomper Jacket M

19. Daniel Vinyard’s (Edward Furlong)

ALIENS (1986) Signed Essay with Death Scene
A pair of production-used scripts and a Bug Stomper crew Continuity Polaroids Ω
jacket from James Cameron’s sci-fi sequel Aliens.
Bound in blue card covers, the scripts are credited to AMERICAN HISTORY X (1998)
James Cameron and labelled “Final Draft September
1985”. Each document comprises 106 unannotated pages Daniel Vinyard’s (Edward Furlong) essay signed by actor
printed on white US Letter paper. The grey cotton Reebok® Furlong with death scene continuity Polaroids from Tony
jacket is a size Large and features a knitted waistband and Kaye’s drama American History X. Teenage skinhead
cuffs. “Aliens” is printed in blue on the left hip pocket and Vinyard (Furlong) was killed in his high school bathroom
the distinctive Bug Stomper artwork – seen on the nose while carrying an essay he wrote for Dr. Sweeney’s (Avery
of the Colonial Marines’ dropship in the film – adorns the Brooks) American History X class. At least two different
back. The scripts exhibit minor stains and folded corners essay props were created--one seen coming off Vinyard’s
and are slightly curled from storage, while the jacket has printer, and another that was rolled up for the bathroom
loose threads and minor marks. Dimensions (each script): scene. This prop essay is attributed to the bathroom scene.
28.5 cm x 22 cm x 2 cm (11 ¼” x 8 ¾” x ¾”)
The prop consists of a three-page, typewritten hero essay
labeled “Daniel Vinyard - American History X - Dr. Robert
Estimate: £800 - 1,200 Sweeney - 3/3/97” and is signed “Not Enough Blood”
by Furlong on the front, a reference to special effects
artist Tom “Brooklyn” Bellissimo being asked to re-do
the impactful scene with even more blood after the initial
attempt was not shocking enough for the director. Also
included are five graphic continuity Polaroids from the
death scene. The lot exhibits some dirt stains and edge
wear throughout from production and handling. A letter
of authenticity from renowned special effects artist Tom
“Brooklyn” Bellissimo is included.Dimensions: 28 cm x
21.75 cm x 1.5 cm (11” x 8 1/2” x 1/2”)
Sold without copyright; see notice in the Buyer’s Guide

Estimate: £2,000 - 3,000

18 19
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

20. Rick Baker-created Screen-matched Mutant

Nazi Warmonger Mask and Helmet †Δ

AN AMERICAN WEREWOLF IN LONDON (1981)

A mutant Nazi Warmonger mask and helmet from John Landis’ horror comedy An
American Werewolf in London. A group of mutant Nazis appeared in David Kessler’s
(David Naughton) final dream, which he experienced while recovering in hospital. Four
mutant Nazis broke into his family home and slaughtered his father, mother, niece and
nephew, before finally slitting his throat. The paint finish and markings on the right side of
the helmet screen-match to the scene where the dream continued, and David witnessed
the Warmonger Nazi stabbing Nurse Price (Jenny Agutter).
All of the film’s innovative make-up and special effects were created by renowned special
effects artist Rick Baker, who won the first-ever Academy Award® for Best Make-up and
Hairstyling for his work on this production. Baker went on to win the award seven times
throughout his career. Included in the lot is a letter of authenticity from Rick Baker himself.
This slip latex mask has been expertly hand-painted in shades of brown. It features a
pair of menacing yellow eyes and an open mouth, which displays a set of discoloured
teeth. It is accompanied by a fibreglass German helmet, which is intentionally distressed
with holes and scuffs. Originally, all four mutants were going to wear helmets, but the
Warmonger was the only character to wear one on screen.
There is a slit down the back of the mask for easy access, and the lot displays some
minor signs of age, including light paint wear and flaking latex. The lot is presented on a
custom-made display, with the production title decorating the front of the base. Powered
by eight AA batteries, the title illuminates via a switch situated at the back of the base.
Dimensions (displayed): 28 cm x 26 cm x 53 cm (11” x 10 ¼” x 20 ¾”)

Contains electronics; see electronics notice in the Buyer’s Guide. AF archive / Alamy Stock Photo

Estimate: £40,000 - 60,000

20 21
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

21. Chick’s (Will Patton) Light-up Hero Spacesuit Ω

22. Independence Shuttle Small-Scale Model Miniature Ω

ARMAGEDDON (1998)
Chick’s (Will Patton) light-up hero spacesuit from Michael Bay’s sci-fi adventure
Armageddon. Chick wore his spacesuit as he, Harry Stamper (Bruce Willis) and the crew ARMAGEDDON (1998)
of the Freedom planted a nuclear bomb on the surface of an asteroid to prevent it from A small-scale model miniature of the Independence shuttle from Michael Bay’s sci-fi
destroying the Earth. adventure Armageddon. The small-scale model was used for distance shots of the two
Constructed primarily from a heavy-weave, nylon-like material, the costume comprises a shuttles as they carried their crew of miners to destroy the asteroid hurtling towards Earth.
grey fibreglass helmet featuring a wide acrylic visor; a metal-and-resin collar; a front-and- Made of resin, the model is painted grey with black detailing and a yellow lightning flash
back pack; a long-sleeved top and a pair of trousers that connect via a zip around the on the tail fin. Small holes are present on the underside of the model where rods would
waist; a pair of gloves with metal locking rings; a utility belt; and a pair of modified Vans have been mounted during filming. The shuttle comes presented on a custom metal-and-
boots covered in dress-up components (labelled “Chick, Size 10 ½”). wood display stand and shows light wear, missing one fin on the right side. Dimensions:
Most of the pieces have the character name “Chick” handwritten on the interior, and the (shuttle) 12 cm x 7 cm x 4.5 cm (4 ¾” x 2 ¾” x 1 ¾”)
suit features highly detailed metal, plastic and resin adornments. The backpack is marked
“Ballast” and “Harry”, suggesting that it belonged to Willis’ character.
Estimate: £2,000 - 3,000
Powered by an elaborate battery system, electronic components are fitted within the
helmet, chest and backpack,allowing them to illuminate with multiple LEDs. Demisting
fans are housed inside the pack, linking to the helmet to supply the wearer with plenty
of air and ventilation while performing on set. The electronics can be powered by a 12V
power supply, which is not included in the lot. The costume was intentionally distressed
for production, and the gloves remain in a fragile condition.

Contains electronics; see electronics notice in the Buyer’s Guide.

Estimate: £10,000 - 15,000

23. John Steed’s (Patrick Macnee) Series 5 Grey Bowler

Hat M

THE AVENGERS (TV SERIES, 1961-1969)

John Steed’s (Patrick Macnee) grey bowler hat from the British spy-fi television series
The Avengers. The bowler hat was part of Steed’s trademark costume and served as
one of his favourite weapons. He wore different coloured versions throughout the show,
and donned a grey hat during multiple episodes of the fifth series. This hat was originally
gifted by Macnee to his chauffeur.
Created by Herbert Johnson hatters, the bowler hat is made of pale grey felt and features
a black ribbon. The interior displays a silk lining, with a leather sweatband imprinted with
the Herbert Johnson name, and the hat is marked as a size 7 1/8 (size 56 European). The
hat has become discoloured over time and exhibits light wear around the rim and a small
stain on the lining. The lot includes a letter of authenticity from a family member of the
original owner. Dimensions: 30 cm x 21 cm x 14 cm (11 ¾” x 8 ¼” x 5 ½”)

Estimate: £3,000 - 5,000

22 23
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

Allstar Picture Library Ltd. Alamy Stock Photo

24. Michael J. Fox-autographed Marty McFly Lenticular Mattel Hoverboard †

BACK TO THE FUTURE PART II (1989)

A Michael J. Fox-autographed Marty McFly lenticular Mattel hoverboard from Robert production progressed. Wooden hoverboards were also created for more practical uses
Zemeckis’ sci-fi sequel Back to the Future Part II. Marty McFly (Fox) used his hoverboard where the actor was required to stand on it for flying sequences.
throughout the movie, most memorably when Griff (Thomas F. Wilson) and his gang
chased Marty around the town square on their own hoverboards. It also featured The board is complete with its green foot pad and pink foot strap and both silver
prominently in Back to the Future Part III. hoverpads on the underside, these are also lightweight vac-formed versions. The hand-
applied Mattel logo stickers and yellow “Hoverboard” logo stickers remain in good
This board is constructed from lightweight styrofoam, designed to be easily carried by condition. It has been discreetly autographed on the hoverpads by Fox and Wilson, while
Fox during filming. It is the extremely rare lenticular version, which features a holographic Wilson has also inscribed “Biff Tannen! Back to the Future 2 (and) 3.” The board remains in
3D graphic on both sides.The hologram process proved so expensive, given the number very good production-used condition. Dimensions: 8 cm x 73 cm x 20 cm (8” x 28 ½” x 3”)
of boards required for filming, it was replaced by a high-resolution printed version as the
Estimate: £60,000 - 80,000

24 25
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

26 27
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

27. 2015 Hill Valley Car License Plate †

25. Pair of Yellow and White “Save
The Clock Tower” Flyers Ω
BACK TO THE FUTURE PART II (1989)
A 2015 Hill Valley car licence plate from Robert Zemeckis’
BACK TO THE FUTURE (1985) sci-fi sequel Back to the Future Part II. The bright orange
A pair of yellow and white “Save The Clock Tower” flyers plates were attached to the vehicles travelling the streets
from Robert Zemeckis’ time travel adventure Back to of Hill Valley town square in 2015.
the Future. Flyers were handed out by the Hill Valley The licence plate is made from plastic with silver foil
Preservation Society in the town square, where two applied to make the distinct barcode and number along
were given to Marty McFly (Michael J. Fox) and Jennifer with the state of registration, California and the date, 2015.
(Claudia Wells). “Red Pulse” is handwritten on the verso along with the
These two paper flyers, one yellow and one white, feature word “pass”. Dimensions: 30 cm x 15 cm (12” x 6”)
the header “Save the Clock Tower” and a photocopy of a
Hill Valley Telegraph newspaper article headlined “Clock Estimate: £2,000 - 3,000
Tower Struck by Lightning”, written in the wake of the
events McFly witnessed in 1955. Filler text is used for the
body of the articles, and a plea for donations from the
preservation society is at the bottom. The flyers exhibit
minor corner creasing. Dimensions (each): 21.5 cm x 28
cm (8.5” x 11”)

Estimate: £2,000 - 3,000

28. Michael J. Fox, Christopher Lloyd,

and Cast-autographed Poster M

BACK TO THE FUTURE TRILOGY

(1985-1990)
26. DeLorean “OUTATIME” Licence A cast-autographed poster from the promotion of Robert
Plate † Zemeckis’ Back to the Future trilogy. The poster depicts a
rare design showing a collage of the many characters from
the three films. It features 14 autographs, including Michael
BACK TO THE FUTURE - THE RIDE J. Fox, Christopher Lloyd, Lea Thompson, Claudia Wells
A DeLorean “OUTATIME” licence plate from Back To the and James Tolkan. Dimensions: 51 cm x 41 cm (20” x 16”)
Future The Ride. The licence plate features on the time
travelling car throughout the movie series and was also Estimate: £1,500 - 2,500
featured prominently in the Universal Studios theme park
ride. The metal licence plate was attached to the back
of the full sized DeLorean for filming multiple scenes for
the popular attraction which was a first person simulator
experience, the story of which was the pursuit of Biff
Tannen through time. Back to the Future the Ride ran at a
number of global locations from 1991 - 2007. Dimensions:
30 cm x 15 cm (12” x 6”)

Estimate: £3,000 - 5,000

28 29
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

The British Academy of Film and Television Arts (BAFTA) is perhaps best known
for its esteemed Awards ceremonies celebrating our industries’ greatest
achievements. However, at its heart, BAFTA is an arts charity supporting the
growth of creative talent in the UK and internationally.
Every year BAFTA delivers a programme focused on finding and supporting
talent and breaking down the barriers that make it hard to build careers in the
film, games and television industries.

All hammer price proceeds raised on BAFTA’s auction lots will support this work.
Every bid can make a real difference.

30. BAFTA Collection: Lindy

Hemming Hand-painted Costume
Design for Wonder Woman’s (Gal
Gadot) Schloss Party Dress †

WONDER WOMAN (2017)

A hand-painted and drawn costume design for Wonder
Woman’s (Gal Gadot) Schloss party dress from the
production of Patty Jenkins’ superhero film Wonder
Woman. Wonder Woman wore her blue-coloured Grecian-
style dress when she entered the gala, and the dress
eventually fell away to reveal her armour, as she rode
away from the event on a horse.
This design was created by Academy Award®-winning
costume designer Lindy Hemming. It comprises a front
and rear view of the costume, with the latter showing
Wonder Woman’s sword tucked into the back of her dress.
The artwork is rendered in watercolour, coloured pencil
and pencil, and features detailed annotations. Hemming
has signed it on the right side, and the production title
and actress’ name are written along the top. Displaying
minimal wear, the lot is accompanied by a handwritten
letter of authenticity from Hemming. Dimensions: 42 cm
x 30 cm (16 ½” x 11 ¾”)

Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £3,000 - 5,000

29. Marty McFly’s (Michael J. Fox) Western Shirt Ω

BACK TO THE FUTURE PART III (1990)

Marty McFly’s (Michael J. Fox) western shirt from Robert Zemeckis’ sci-fi adventure This salmon-colour button-up collared shirt features leather tassels across the breasts
sequel Back to The Future Part III. McFly wore his colourful Western shirt when he initially and cuffs as well as embroidered atomic symbols on the chest and cuffs. Each sleeve
travelled back in time to 1885 to save his friend Doc Brown (Christopher Lloyd) from being includes six pearl-shaped buttons on the cuff. The shirt exhibits minor signs of wear
murdered by Buford ‘Mad Dog’ Tannen (Thomas F. Wilson). from age and use.

Estimate: £8,000 - 12,000

30 31
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

31. BAFTA Collection: Jim Henson’s

Personal Copy of American 33. Joker’s (Jack Nicholson)
Cinematographer † Neck Tie †Δ

JIM HENSON BATMAN (1989)

Jim Henson’s personal copy of American Cinematographer, Joker’s (Jack Nicholson) neck tie from Tim Burton’s
which he bought and read while making his fantasy superhero film Batman. The Joker first wore his spotted tie
adventure The Dark Crystal between 1980 and 1981. during the Gotham street parade and continued to wear it
until his climactic showdown with Batman (Michael Keaton)
This vintage magazine, bound with metal staples,
and Vicki Vale (Kim Basinger) atop Gotham City Cathedral.
features an interview with Ray Harryhausen talking about
Clash of the Titans (1981). It comes with an order label Created by Academy Award®-nominated costume
showing Henson’s name and a letter from producer designer Bob Ringwood, the Joker’s costumes were
Duncan Kenworthy OBE, confirming the authenticity of designed to express the character’s mindset, and
the magazine. It has only minor wear from use and age. Ringwood used vibrant colours to represent his descent
Dimensions: 28 cm x 21 cm x 0.5 cm (11” x 8 ¼” x ¼”) into madness. The teal-coloured silk-like tie features a
large dotted pattern and is knotted in a loose bow. There
Estimate: £400 - 600 are remnants of stage blood still present from the fight
with the Caped Crusader, and the tie displays light plucks
from production use.

Estimate: £4,000 - 6,000

32. BAFTA Collection: Jonathan

Fraser’s (Hugh Grant) Suit † Warner Bros/​Dc Comics/​Kobal/​Shutterstock

THE UNDOING (TV SERIES, 2020)

Jonathan Fraser’s (Hugh Grant) suit from Susanne Bier’s
crime-drama mini-series The Undoing. Jonathan wore his 34. Joker’s (Jack Nicholson)
suit on the first day of his trial for the murder of Elena Alves Handkerchief †Δ
(Matilda De Angelis).
The lot consists of a navy blue nailhead-patterned Armani
BATMAN (1989)
jacket (size 52R) and matching trousers with plastic buttons
and zip. Displaying minimal signs of production use, the Joker’s (Jack Nicholson) handkerchief from Tim Burton’s
suit is accompanied by a note from Grant detailing its superhero film Batman. The Joker wore a handkerchief
authenticity, a purple costume tag reading “A379”, and tucked into the breast pocket of his jacket during a summit
a pair of tags safety-pinned to the garments reading “2”. with Gotham City’s crime lords, and when he approached
Vicki Vale (Kim Basinger) at the Gotham Museum of Art.
Estimate: £400 - 600 He notably used the handkerchief to wipe his brow after
killing Antoine Rotelli (Edwin Craig), removing make-up to
reveal his white-coloured complexion underneath.
Created by Academy Award®-nominated costume
designer Bob Ringwood, the Joker’s costumes were
designed to express the character’s mindset, and
Ringwood used vibrant colours to represent his descent
into madness. The handkerchief is made from green-
coloured silk and still features remnants of make-up.
It exhibits minimal wear, with some signs of creasing.
Dimensions (unfolded): 42 cm x 40 cm (16 ½” x 15 ¾”)

Estimate: £1,000 - 1,500

32 33
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

35. Jack Napier’s (Jack Nicholson) 37. Alfred’s

Suit and Overcoat M (Michael Gough) Glasses M

BATMAN (1989) BATMAN (1989)

Jack Napier’s (Jack Nicholson) suit and overcoat from Tim Alfred’s (Michael Gough) glasses from Tim Burton’s
Burton’s superhero film Batman. Napier wore his suit at the superhero film Batman. Bruce Wayne’s (Michael Keaton)
apartment of his girlfriend Alicia Hunt (Jerry Hall). He added trusted butler Alfred wore his glasses throughout the movie
a coat to his attire when he bribed corrupt police officer as he assisted Wayne in his mission to stop the Joker (Jack
Lieutenant Max Eckhardt (William Hootkins). Nicholson) from terrorising Gotham.
Designed by Oscar®-nominated costume designer Bob The glasses comprise a plastic tortoiseshell frame with
Ringwood, the three-piece suit comprises a double- round non-prescription lenses. They feature a thick bridge
breasted jacket, waistcoat and trousers, all made of navy across the nose, and each of the glasses’ arms has a small
wool decorated with a faint red-and-white vertical-striped rivet. There are some signs of production use, including
pattern. Located in the jacket’s left interior pocket is a light scratching and marks on the lenses, and the arms
Tommy Nutter label displaying the text “No 2247, Date are slightly warped outwards from being stretched when
5.9.88, J.Nicholson”. worn. Dimensions: 13 cm x 14 cm x 4 cm (5 ¼” x 5 ½” x 1 ½”)

The heavy overcoat is made of dark navy wool featuring

a subtle orange tartan pattern, and a Tommy Nutter brand Estimate: £1,500 - 2,500
label is sewn onto the blue lining. There is a small hole
on the jacket’s right shoulder and some minor stains on
the coat lining.

Estimate: £3,000 - 5,000

38. Tim Burton’s Panavision

Director’s Viewfinder M

VARIOUS PRODUCTIONS
Tim Burton’s Panavision director’s viewfinder from the
productions of several of his movies. Director’s viewfinders
allow the director and cinematographer to frame shots
accordingly without the need for a camera. This lot
originally came from the personal collection of renowned
actress Helena Bonham Carter.
The viewfinder features Burton’s name and a list of 10 of his
productions on which he used the viewfinder - including
Beetlejuice, Batman, Edward Scissorhands, and Batman
Returns - engraved on the side, and has a black woven
cord so it can be worn around the neck. It is accompanied
by a behind-the-scenes still from Burton’s 1984 short film
Frankenweenie, which features the director wearing a
very similar viewfinder around his neck, alongside actors
Shelley Duvall, Daniel Stern and Barret Oliver.
36. Jack Nicholson-autographed Joker Photo and Jack Napier “Wanted” Poster †Δ
Also included in the lot is Tim Burton’s all-access pass
to “Danny Elfman’s Music from the Films of Tim Burton”,
BATMAN (1989) performed at the Royal Albert Hall in 2013. “Tim” is
handwritten in marker pen on the back of the pass.
A photo of the Joker (Jack Nicholson) autographed by Nicholson, and a Jack Napier two black-and-white mugshot photos of Napier with personal information about him
Dimensions (viewfinder): 15 cm x 7 cm x 7 cm (6” x 2 ¾”
wanted poster from Tim Burton’s superhero film Batman. Wanted posters were handed printed below. There are signs of wear on one of the photo’s corners, and the poster
x 2 ¾”)
out by Lieutenant Max Eckhardt (William Hootkins) to police officers before they attempted exhibits tears and notable water damage, likely due to adhesion and removal from set.
to ambush Napier by raiding Axis Chemicals. Dimensions (photo): 25 cm x 19.5 cm (10” x 8”); (poster): 25 cm x 19.5 cm (10” x 8”) Estimate: £4,000 - 6,000
The photograph is a promotional still which shows the maniacal Joker dressed in his
brightly coloured attire, and is autographed by Nicholson in black ink. The poster features Estimate: £800 - 1,200

34 35
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

41. Rocket Penguin †Δ

BATMAN RETURNS (1992)

A rocket penguin from Tim Burton’s superhero sequel
Batman Returns. The Penguin (Danny DeVito) delivered his
inspirational speech to a crowd of rocket-clad penguins,
and models were used to fill out the group of live birds,
many of whom wouldn’t stay still for the duration of the
sequence.

Crafted from rubber with an internal armature, the model

penguin wears a silver-painted helmet and harness. A
red-and-white candy-striped resin rocket is attached to
its back, and three miniature resin rockets are adhered to
each wing. The missiles on the penguin are fragile, and
the model displays glue remnants down the back and
paint wear. It has received minor sympathetic restoration
on its left wing. Dimensions: 14 cm x 17 cm x 32 cm (5 ½”
x 6 ¾” x 12 ½”)

Estimate: £4,000 - 6,000

39. Production-Made Batman (Michael Keaton) Chest Emblem Ω

BATMAN RETURNS (1992)

A production-made Batman (Michael Keaton) chest emblem from Tim Burton’s superhero is unpainted and labeled “B” in marker on a piece of tape. Also included is a Letter of
sequel Batman Returns. Batman’s signature chest insignia was a prominent part of his Authenticity from a licencing liaison between the production and Warner Bros. Consumer
updated costume throughout the film. Products/DC Movies. The emblem exhibits minor scratches and discolouration to the
black urethane. Dimensions: 15.25 cm x 15.25 cm x 5 cm (6” x 6” x 2”)
This black and yellow urethane emblem is an unused extra made by production in
case of damage, as Batman’s chest emblems were known to break on impact. Its back
Estimate: £1,500 - 2,500

40. Oswald Cobblepot’s (Danny

DeVito) Remote Control Device,
Campaign Buttons, Face Appliance,
and Newspaper Ω

BATMAN RETURNS (1992)

Oswald Cobblepot’s (Danny DeVito) remote control
device, campaign buttons, face appliance, and newspaper
from Tim Burton’s superhero sequel Batman Returns.
Misshapen mayoral candidate Cobblepot - also known as
Penguin - and his election team wore campaign buttons.
Later, Cobblepot used a remote device to gain control of
the Batmobile while Batman (Michael Keaton) was driving.
This lot consists of a transparent facial form affixed with
a flesh-colour latex nose and forehead facial appliance;
a red and white spherical resin and metal control device;
a black and white newspaper with a production-made
cover featuring The Penguin; and three plastic and metal
campaign buttons. Items exhibit signs of wear from age
and use including extensive damage to the remote
device, cracking on the facial appliance, and yellowing
of the paper. Dimensions: 35.5 cm x 30.5 cm x 12.75 cm
(14” x 12” x 5”)

Estimate: £3,000 - 5,000

36 37
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

42. Batman’s (Val Kilmer) Sonar Batsuit Display M

BATMAN FOREVER (1995)

Batman’s (Val Kilmer) sonar Batsuit display from Joel Schumacher’s superhero sequel
Batman Forever. Batman wore his newly designed sonar suit when he and Robin (Chris
O’Donnell) faced The Riddler (Jim Carrey) and Two-Face (Tommy Lee Jones) at the
climax of the film.

The Batsuit consists of a cast foam-rubber cowl; a voluminous black latex-coated fabric
cape; moulded foam-rubber armour adhered to a thin neoprene suit; and a pair of
leather boots with rubber detailing. Completing the costume is a pair of gauntlets, each
featuring three resin fins, and a black polyurethane utility belt, which was worn as part
of the “Panther suit”, the movie’s main Batsuit.

The cowl displays various sculpted insets, including diagonal striping beneath the long
ears, and there are three patches of Velcro around its bottom edge. A pair of ridged resin
faux clasps are affixed via Velcro to each shoulder; these are replicas which have been
added to complete the display. As the sonar suit was the first in the series to not feature
the typical ellipse-shaped Batman chest emblem, this costume bears an elongated
version of the iconic logo. The suit also features padded muscular detailing, a moulded
codpiece and a zip fastening which runs down its back.
Presented on a custom-built display, the Batsuit exhibits cracking on the foam rubber,
glue remnants and wear to the latex coating on the cape, and there are signs of repair
present on the cowl’s left side. The lot remains in overall excellent condition considering
its age. Dimensions (display): 40 cm x 65 cm x 198 cm (15 ¾” x 25 ½” x 78”)

Special shipping required; see special shipping notice in the Buyer’s Guide.

Estimate: £40,000 - 60,000

38 39
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

43. Riddler (Jim Carrey) Functioning Bat Bomb †Δ 44. Riddler’s (Jim Carrey) Cane M 45. Robin’s (Chris O’Donnell) Mask Ω

BATMAN FOREVER (1995) BATMAN FOREVER (1995) BATMAN FOREVER (1995)

A Riddler (Jim Carrey) functioning bat bomb from Joel Schumacher’s superhero sequel The Riddler’s (Jim Carrey) cane from Joel Schumacher’s superhero sequel Batman Forever. Robin’s (Chris O’Donnell) mask from Joel Schumacher’s superhero sequel Batman Forever. The black eye mask is made of rubber and features Robin’s “R” insignia at the centre of
Batman Forever. The Riddler used bat bombs to destroy the Bat Cave when he broke The Riddler twirled his iconic question-mark cane throughout the film, from the moment After Two-Face (Tommy Lee Jones) murdered his family, Dick Grayson joined Batman the brow. There is a minor crack present on the right side of the mask and visible glue
into Wayne Manor on Halloween night with Two-Face (Tommy Lee Jones). he teamed up with Two-Face (Tommy Lee Jones) to the sequence where he destroyed (Val Kilmer) as his sidekick Robin, with a mask and suit designed by Alfred Pennyworth remnants on the back, from where it was applied to O’Donnell’s face. Dimensions: 9 cm
the Batcave, using the cane as a remote trigger for his powerful bombs. (Michael Gough). x 16 cm x 7.5 cm (3 ½” x 6 ¼” x 3”)
The green-coloured resin bomb consists of a small head, a larger body decorated with
a black question mark emblem and two wings. Powered by two LR1 batteries, a small Costume designers Bob Ringwood and Ingrid Ferrin drew inspiration from the original
motor within the body causes the wings to flap when the head is twisted into an upright Dick Sprang comic artwork of the character, as well as the attire worn by Frank Gorshin Estimate: £3,000 - 5,000
position. The lot displays minor wear and comes with a custom display. Dimensions as the Riddler in the 1960s Batman TV series. They added the question-mark cane, which
(bomb): 8.5 cm x 19 cm x 6.5 cm (3 ¼” x 7 ½” x 2 ½”); (display): 12 cm x 24.5 cm x 24.5 would become a fixture in comic-book depictions of The Riddler soon after.
cm (4 ¾” x 9 ½” x 9 ½”)
The gold-coloured cane is made of foam rubber with a metal core. It features the Riddler’s
signature question mark symbol as a handle, and a spiral pattern along its shaft. There
Contains electronics and mechanical components; see notice in the Buyer’s Guide.
are signs of wear to the gold finish and cracking, notably on the handle. The lot is
accompanied by a Warner Bros. Pictures certificate of authenticity. Dimensions: 96 cm
Estimate: £4,000 - 6,000 x 19 cm x 5 cm (37 ¾” x 7 ½” x 2”)

Estimate: £3,000 - 5,000

40 41
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

47. Ralph McQuarrie-designed and Signed Prototype “Fix-It” Model Ω

BATTERIES NOT INCLUDED (1987)

A prototype “Fix It” model robot, signed by Ralph McQuarrie, from the production of Matthew Robbins’ sci-fi comedy
*batteries not included. The tenants of a condemned apartment complex were visited by a family of extraterrestrial,
sentient spaceships, who helped save their block from demolition. Veteran concept artist McQuarrie created this model
as part of his extensive design work for the spaceships. It most closely resembles Wheems, one of the three juvenile
robots featured in the movie.

Constructed from biscuit foam with a resin skin, the grey-and-metallic-blue-painted robot features the letters “R.M.Q”
in black paint. This is McQuarrie’s signature, making this piece one of only a very few non-painting McQuarrie artworks
known to exist. A small brass rod slots into the bottom of the model, mounting it on a circular wooden base for display
purposes. It exhibits some small scratches and dents from age. Dimensions: 12 cm x 9 cm x 26 cm (4 ¾” x 3 ½” x 10 ¼”)

Estimate: £5,000 - 7,000

48. Blade’s (Wesley Snipes) SFX Daywalker Sword Ω

46. Wheems “Fix-It” Rod Puppet Ω
BLADE (1998)
BATTERIES NOT INCLUDED (1987)
Blade’s (Wesley Snipes) SFX Daywalker sword from Stephen Norrington’s action horror
A Wheems rod-puppet model from Matthew Robbins’ sci-fi comedy *batteries not A switch on the back and the presence of screws on the underside imply that the eyes Blade. Blade carried his sword in multiple scenes throughout the film and wielded it as
included. Wheems (also known as “Little Guy”) and his family of extraterrestrial, sentient illuminate as seen in the film, although this has not been tested. A puppetry rod is attached he battled Deacon Frost (Stephen Dorff), after Frost became the avatar of the supreme
spaceships arrived on Earth to help the tenants of a destitute apartment complex. This to each leg, around which are coiled lengths of thin wire believed to be electronic wires blood god La Magra. This version was used for scenes where the weapon was required
puppet was created by Industrial Light & Magic (ILM), and several veteran ILM artists, to power the eyes. The robot sits atop a clear acrylic rod inside a cylindrical acrylic display to spark during combat stunt sequences.
including Ralph McQuarrie and Paul Huston, contributed to the design of the robots, case. Dimensions (display): 13.5 cm x 13.5 cm x 26.5 cm (5 ¼” x 5 ¼” x 10 ¼”)
The sword has a thin, polished aluminium blade with fuller detailing running down its
dubbed “Fix-Its” in the movie. Contains electronics; see electronics notice in the Buyer’s Guide. length. Finished in black and faux-silver paint, the grip is rounded on one side and flat
The puppet is constructed from resin, and is hand-painted with Wheems’ signature on the other, and is decorated with ornate vampiric glyphs and ribbed detailing. There
patchwork of metallic gold, blue and copper, as well as stencilled lettering and barcodes. Estimate: £12,000 - 16,000 are signs of corrosion and burn marks on the blade from production use, and the lot is
accompanied by a letter of authenticity from a crew member. Dimensions: 89 cm x 5 cm
x 4.5 cm (35” x 2” x 1 ¾”)

Estimate: £4,000 - 6,000

42 43
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

49. Blade’s (Wesley Snipes) Stunt

Heckler & Koch USP Match Pistols Ω

BLADE II (2002)
Blade’s (Wesley Snipes) stunt Heckler & Koch USP Match
pistols from Guillermo del Toro’s action-horror sequel Blade
II. Blade wielded his pistols throughout the film, notably
holding both of them in the sewers after he detonated the
UV bombs to destroy the swarming Reapers.
Made of dense rubber, both firearms are modified
versions of Heckler & Koch USP Match pistols. Each has
a rail-like attachment near the front, which is finished in
silver-coloured paint to replicate aluminium. The make
and model of each gun is engraved on its textured grip,
and a faux laser pointer and light are fitted below the
barrel on both pistols. The weapons exhibit light wear
from production use, and there is a crack on one of the
triggers. Dimensions (each pistol): 24 cm x 3.5 cm x 13.5
cm (9 ½” x 1 ¼” x 5 ¼”)

Restricted ownership; see replica firearm notice in the Buyer’s Guide.

Estimate: £3,000 - 5,000

50. Blade’s (Wesley Snipes) Hero and

Stunt Glaives M

BLADE II (2002)
A pair of Blade’s (Wesley Snipes) glaives from Guillermo del
Toro’s action-thriller sequel Blade II. The Daywalker Blade
notably used his glaives at the beginning of the film as he
chased a group of vampires in the Czech Republic and
found where Whistler (Kris Kristofferson) was imprisoned.
The lot comprises a hero and stunt version of the weapon.
Each features a central emblem and a pair of curved
blades with partly serrated edges. Made of polished metal,
the hero version contains a locking mechanism that, when
pressed, allows one of the blades to fold inwards. The stunt
glaive is made of dense rubber, finished in silver paint to
replicate the appearance of metal. The lot displays minor
scratching and marks, with paint wear and cracking to the
stunt glaive’s paint finish. Dimensions (both versions): 25
cm x 20 cm x 3 cm (9 ¾” x 7 ¾” x 1 ¼”)
51. Blade’s (Wesley Snipes) Costume Ω 52. Abigail Whistler’s (Jessica Biel) Costume Ω

Estimate: £2,000 - 3,000

BLADE: TRINITY (2004) BLADE: TRINITY (2004)
Blade’s (Wesley Snipes) costume from David S. Goyer’s superhero horror sequel Blade: Abigail Whistler’s (Jessica Biel) costume from David S. Goyer’s superhero horror
Trinity. A vampire born with the ability to walk in the sunlight, Blade wore his costume sequel Blade: Trinity. A member of the vampire-hunting team of humans known as
as he teamed with a group known as the Nightstalkers to battle a resurrected Dracula the Nightstalkers, Whistler wore her costume as she teamed with daylight-adaptable
(Dominic Purcell) and his murderous army of the night. vampire Blade (Wesley Snipes) to battle a resurrected Dracula (Dominic Purcell) and his
murderous army of the night.
This costume consists of a dark red long-sleeved bodysuit; a black zippered leatherette
and nylon vest with padded accents and a pair of metal details; a pair of black suede and This costume consists of a black and red leatherette and nylon zippered vest; a grey long-
neoprene gloves; and a pair of black trousers marked “WES” in the interior. It exhibits sleeved thermal shirt with accents on the sleeves; a pair of black and grey bell-bottom
signs of wear from age and use throughout all items. style trousers; and a pair of black leather and rubber boots. It exhibits minor signs of wear
from age and use throughout.
Estimate: £3,000 - 5,000
Estimate: £3,000 - 5,000

44 45
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

53. Rick Deckard’s (Harrison Ford)

Photo-matched Shirt US

BLADE RUNNER (1982)

Rick Deckard’s (Harrison Ford) photo-matched shirt from
Ridley Scott’s sci-fi classic Blade Runner. Deckard wore
his shirt while tracking, confronting, and “retiring” Zhora
(Joanna Cassidy), changing out of it after Rachael (Sean
Young) saved him from Leon Kowalski (Brion James). The
placement of the patterned fabric, specifically on the collar
and chest of the shirt, matches publicity photos from the
promotion of the film.
The red and green cotton-blend shirt features two front
pockets, shiny red plastic buttons, and strips of patterned
fabric sewn onto the collar, chest, back, shoulders, and
arms. The buttons are original. Also included is a paper tag
reading “Harrison Ford Blade Runner 1981 Michael Kaplan”.
The shirt exhibits some wear from production and age,
including fading, small stains, green paint spatter on the
right sleeve, and missing buttons on the collar and left cuff.

This lot will ship from Prop Store’s Los Angeles facility; see notice in
the Buyer’s Guide

Estimate: £40,000 - 70,000

Moviestore Collection Ltd / Alamy Stock Photo

Moviestore Collection Ltd / Alamy Stock Photo

46 47
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

54. Eli’s (Denzel Washington) Screen-matched Hero Bible

and Autographed Photo M

THE BOOK OF ELI (2010)

Eli’s (Denzel Washington) screen-matched hero Bible and an autographed photo from
The Hughes Brothers’ post-apocalyptic action film The Book of Eli. Eli carried his Bible
throughout the film. The book was coveted by Carnegie (Gary Oldman), who discovered
it was written entirely in braille at the end of the film. The Bible screen-matches the book
in this scene through the way the edges of the pages are curled, creased and damaged.
The leather-bound Bible features a metal lock that no longer functions and its text is
entirely in braille. It has been intentionally distressed to appear old and well-used.
It is accompanied by a printed still from the film, which is autographed by Washington
in black pen and held in a protective sleeve. The Bible has some additional wear from
production use, including dried glue on the inside of the metal clasp. Dimensions (Bible):
24.5 cm x 20 cm x 8.5 cm (9 ¾” x 8” x 3 ¼”); (photo): 29 cm x 36.5 cm (11 ½” x 14 ½”)

Estimate: £5,000 - 7,000

55. 18 Hand-drawn Costume Designs,

Six Security Shield Designs and Three
Printed Costume Designs Ω

BRAZIL (1985)
A collection of costume designs from the production of
Terry Gilliam’s dystopian sci-fi comedy Brazil.
The lot consists of 18 hand-drawn designs created by
Oscar-winning costume designer James Acheson – four
of which are coloured with pencil – eight badge designs
and three printed costume designs. The hand-drawn
designs depict characters such as Harry Tuttle (Robert De
Niro), Ida Lowry (Katherine Helmond), Mrs. Terrain (Barbara
Hicks), the Samurai Warrior (Winston Dennis) and various
police units. Two of the Tuttle designs feature Acheson’s 56. Pair of Hand-drawn Terry Gilliam 57. Walter White’s (Bryan Cranston)
signature and many of the designs feature handwritten Dream Creature Sketches Ω AR Hazmat Costume Ω
notes and titles. They have wear from production use
and age, including smudging, discolouration and staining.
Dimensions (largest artwork): 42 cm x 29.5 (16 ½” x 11 ½”) BRAZIL (1985) BREAKING BAD (TV SERIES, 2008-2013)
Sold without copyright; see copyright notice in the Buyer’s Guide. Two hand-drawn Terry Gilliam sketches of dream creatures from the writer-director’s Walter White’s (Bryan Cranston) hazmat costume from Vince Gilligan’s crime-thriller series
dystopian sci-fi comedy Brazil. These comprise sketches of the baby-masked creatures Breaking Bad. Walter and Jesse Pinkman (Aaron Paul) wore their iconic yellow hazmat
Estimate: £3,000 - 5,000 which Sam Lowry (Jonathan Pryce) sees in his dreams. suits while cooking crystal meth in various episodes throughout Season 4. In 2015, one of
Walter’s hazmat costumes was added to the Smithsonian Institute’s permanent collection.
The sketches are rendered in black ink on white paper, and one of the pages has been
stuck to white card. The lot has some wear from use and age, including creasing and The costume comprises a yellow hooded hazmat suit made from rubber and synthetic
minor staining, and the card backing has pin holes at the top. Dimensions (largest page): fabric; a rubber and glass NIOSH-approved 3M respirator mask; and a pair of blue rubber
30.5 cm x 22 cm (12” x 8 ¾”) gloves. The inside of the suit’s collar is labelled “WW” in black ink. There are signs of
minor wear from production use, including scuffs to the glass and light marks on the
Sold without copyright; see copyright notice in the Buyer’s Guide. gloves. The lot remains in good overall condition and is accompanied by a Sony Pictures
certificate of authenticity.
Estimate: £2,000 - 3,000
Estimate: £4,000 - 6,000

48 49
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

58. Bruce Lee’s Hand-drawn Fighting Warriors Illustration † 59. Bruce Lee’s Autographed and Hand-illustrated Kodokan Institute Judo Book †

BRUCE LEE BRUCE LEE

A hand-drawn illustration of fighting warriors, created by Bruce Lee circa 1971 to 1973. The illustration displays the name “George” referring to George Lee, Bruce Lee’s close Bruce Lee’s autographed and hand-illustrated Kodokan Institute Judo: Basic Principles note and autograph reading “Property of Bruce Lee” with an illustration of a mantis and
Lee regularly drew pictures to motivate and express himself, often jotting down diagrams friend and training partner, and is also signed “Bruce Lee Siu Loong”, meaning “Bruce book, written by Eric Dominy and illustrated by Peter Johnson. Originally published by the words “Mantis” and “Kato” situated below. The mantis was a popular fighting stance
of concepts that inspired him. Lee, The Little Dragon” – a nickname used by his fans in Hong Kong. Lee has also drawn Sterling in 1958, this book was bought by Lee and gifted to his friend and training partner Bruce Lee was known for, and Kato was his character’s name in The Green Hornet. The
a dragon head in the bottom-right corner. The paper has become discoloured over time George Lee. book shows minor wear from age and use. It comes with a letter of authenticity signed
Rendered in black ballpoint pen, the drawing shows two warriors performing defensive and there is a tiny hole above the dragon head. It is accompanied by a letter of authenticity by George Lee’s family. Dimensions (book): 20 cm x 14 cm x 2 cm (8” x 5 ½” x ¾”)
and offensive forms from Northern Shaolin kung fu, respectively; forms Lee planned to signed by George Lee’s family. Dimensions: 28 cm x 21.5 cm (11” x 8 ½”) It features detailed instructions on the basics of Judo, which Bruce Lee studied while
incorporate into a future movie. developing his hybrid martial art style Jeet Kune Do. The inner page features a handwritten
Sold without copyright; see copyright notice in the Buyer’s Guide. Estimate: £5,000 - 7,000

Estimate: £5,000 - 7,000

50 51
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

62. Captain America’s (Reb Brown) Costume Ω

CAPTAIN AMERICA II: DEATH TOO SOON (1979)

Captain America’s (Reb Brown) costume from Ivan Nagy’s superhero TV movie Captain
America II: Death Too Soon. Steve Rogers donned his signature superhero costume
when he finally adopted his father’s “Captain America” moniker, and again when he
hunted eco-terrorist Miguel (Christopher Lee). This costume was on display at the first
installation of the Marvel: Universe of Super Heroes exhibit at MoPop in Seattle in 2018.
It consists of a blue urethane pullover cowl with two elastic straps; a blue hooded zip-
up spandex bodysuit featuring iconic American flag motifs of red and white stripes and
a white star; a pair of matching Spandex-blend blue trousers; a red leather belt with a
bronze-colour buckle which was featured on Brown’s costume in the previous film in
the series, Captain America; a pair of red leather gloves with velcro straps; and a pair
of matching rubber-soled, red cuffed leather boots. It is affixed to a white fibreglass
mannequin for display purposes. This costume exhibits signs of wear from age and use
including some discoloration on the blue sections of the costume. Dimensions: 190.5 cm
x 61 cm x 40.75 cm (75” x 24” x 16”)

Estimate: £6,000 - 8,000

60. Bruce Lee’s Hand-drawn “Walk-On” Head-striking Pad Sketch †

BRUCE LEE
A hand-drawn head-striking pad sketch by Bruce Lee, which he gifted to his friend and Above the sketch is Lee’s most famous and powerful phrase, “Walk On”, which he
training partner George Lee circa 1967-68. originally wrote on a business card and kept in his pocket for motivation. The sketch
exhibits minimal wear, and the lot is accompanied by a letter of authenticity signed by
The sketch, drawn in black and red ink on an off-white slip of paper, features Lee’s design George Lee’s family. Dimensions (sketch): 15.5 cm x 7.5 cm (6” x 3”)
for a bespoke form of padding designed to practice strikes to the head, with specific
measurements and annotations. George eventually created the striking pad for Bruce,
who used it regularly during his training. Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £3,000 - 5,000

61. Bruce Lee’s Hand-drawn “Tao of Jeet Kune” Illustration †

BRUCE LEE
A hand-drawn “Tao of Jeet Kune” illustration, created by Bruce Lee circa 1960. This rare Rendered in red marker and black ballpoint pen, the diagram shows two pairs of figures
drawing is one of the very few of Lee’s to feature the phrase “The Tao of Jeet Kune”, with halos and directional arrows added to illustrate key disciplines, including the direction
which eventually evolved into the revolutionary martial arts style Jeet Kune Do. Lee of energy and placement of certain parts of the body. Displaying only minor creasing,
conceived Jeet Kune Do in 1965, as a hybrid martial art which teaches fighters to respond the drawing is accompanied by a letter of authenticity signed by the family of Lee’s close
instinctively without following a fixed pattern or style. friend and training partner, George Lee. Dimensions: 7.5 cm x 15.5 cm (3” x 6 ¼”)
Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £4,000 - 6,000

52 53
ENT E RTAI N M E N T M E M ORA B ILIA LIVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

63. Chuck Noland’s (Tom Hanks) Hero Screen-matched Wilson Ω

CAST AWAY (2000)

Chuck Noland’s (Tom Hanks) hero screen-matched Wilson from Robert Zemeckis’ drama The off-white leather volleyball is heavily distressed with paint applied to create a worn,
Cast Away. During his four years stranded alone on a desert island following a plane crash, dirtied appearance. There is a dark brown-and-red “face” on the front, representing
Chuck created Wilson, his only companion, out of a volleyball he found in one of the Chuck’s bloody handprint. It features a faded pair of eyes, nose, and mouth. The top is
several FedEx packages that washed ashore. The appearance of both Chuck and Wilson torn open, and an array of tobacco stalks are inserted to replicate the appearance of hair.
became more dishevelled throughout the film as they both adjusted to life on the island. Several stitches are present on the torn edges on the front of the ball around the opening.
Markings on the face and placement of the stitching on the leather screen match to This version of Wilson was placed in water for long periods during filming. Therefore,
later scenes on the raft Chuck created to escape the island, including a close-up of the overall shape of the ball warped slightly, and the facial detailing became somewhat
Wilson bobbing up and down the morning after a brutal storm. This shot is followed by blurred compared to shots earlier in the film. All minor signs of wear present on the lot
the heartbreaking sequence in which Wilson fell off the raft and drifted out to sea, once are from use on production. Dimensions: 18 cm x 18 cm x 33 cm (7” x 7” x 13”)
again leaving Chuck alone. This version of Wilson also matches up to a production prop
continuity Polaroid (not included in lot). Estimate: £40,000 - 60,000

54 55
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

64. Dr. Catherine Deane’s (Jennifer Lopez)

Mind-link Costume M

THE CELL (2000)

Dr. Catherine Deane’s (Jennifer Lopez) mind-link costume from Tarsem Singh’s sci-fi
horror The Cell. Dr. Deane wore her suit in the research facility while being connected
to a virtual reality device that allowed her to enter the mind of comatose serial killer Carl
Stargher (Vincent D’Onofrio).
The full-body suit is made of foam rubber latex finished in red, with sculpted line patterning
applied all over to resemble exposed muscle fibre. The costume consists of a torso
section, a trouser-like section and a pair of matching boots. All of the pieces are adhered
together via strips of Velcro®, creating a seamless finish.
Located on the left sleeve is a resin port-like component, where the suit connected to
the virtual reality device. A red-coloured zip runs down the back of the costume, and the
interior is labelled “A” in black ink. The costume is presented on a display mannequin and
exhibits patches of minor damage to the foam latex. A separate additional port component
and a fabric pair of boots labelled “Catherine” accompany the lot. The boots were to
be worn around the set between shots as the costume’s boots would often be slippery. 66. Christine “Plymouth” Hood Badge M
Dimensions: 23 cm x 50 cm x 151 cm (9” x 19 ¾” x 59 ½”)

Estimate: £8,000 - 12,000 CHRISTINE (1983)

A Christine “Plymouth” hood badge from John Carpenter’s adaptation of Stephen King’s is attached to a custom-made display stand (although it can be removed). The badge
supernatural horror Christine. Christine, a 1958 Plymouth Fury, was purchased by Arnie has some wear from production use, age and weathering. The lot is accompanied by
Cunningham (Keith Gordon) with the desire to fix it up, but Christine had other, darker several photographs of the Fontana scrap heap from where it was acquired. Dimensions
intentions. (displayed): 7 cm x 52.5 cm x 19.5 cm (2 ¾” x 20 ¾” x 7 ¾”)

This badge was rescued from a scrap heap in Fontana, California, after the release of the
film in 1983. The aluminium emblem has “Plymouth” stamped between two wings, and Estimate: £6,000 - 8,000

67. Rudolph Junkins’ (Harry Dean Stanton) Rockbridge

Detective Badge Ω

CHRISTINE (1983)
Rudolph Junkins’ (Harry Dean Stanton) Rockbridge detective badge from John Carpenter’s
horror thriller Christine. Junkins brandished his badge while confronting student Arnie
Cunningham (Keith Gordon) about a series of murders which may have involved
Cunninham’s car, Christine.
This lot consists of a black leather wallet affixed in the interior with a gold-colour aluminum
detective badge with blue accents. Also affixed to the interior is a paper ID featuring a
photo of the character and taped to a piece of plastic. It exhibits signs of wear and age
including some discolouration on the photo ID and some glue remnants on the back of
the wallet. Dimensions: 19 cm x 14 cm x 2.5 cm (7 1/2” x 5 1/2” x 1”)

Estimate: £2,000 - 3,000

65. Augustus Gloop’s (Philip Wiegratz) Partially-eaten Golden Ticket †Δ

CHARLIE AND THE CHOCOLATE FACTORY (2005)

Augustus Gloop’s (Philip Wiegratz) partially-eaten golden ticket from Tim Burton’s fantasy The shiny golden ticket is made of card and features details of the factory tour on both
adventure Charlie and the Chocolate Factory. Golden tickets to Willy Wonka’s (Johnny sides, with Wonka’s logo embossed on the front. It has been intentionally distressed to look
Depp) factory were hidden in Wonka Bars, and Augustus discovered his after accidentally crumpled and bitten, and features a second bite mark not seen in the final cut. The ticket
biting a chunk out of it. has very little wear from production use and age. Dimensions: 8 cm x 18 cm (3 ¼” x 7 ¼”)

Estimate: £1,000 - 1,500

56 57
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

70. Lord Marshal’s (Colm Feore) Costume Ω

THE CHRONICLES OF RIDDICK (2004)

Lord Marshal’s (Colm Feore) costume from David Twohy’s sci-fi action sequel The
Chronicles of Riddick. The leader of the Necromongers wore his armour as he
commanded his army in their crusade against the “breeders”.
The armour consists of an ornate fibreglass helmet featuring a grimacing face on its front
and sides; a hero metal chainmail cowl; rubber torso armour with a rubber scale-patterned
cape fastened at the back and two shoulder pauldrons featuring faces moulded into a
mournful rictus; a black nylon bodysuit with built-in rubber thigh armour plating (labelled
“L.M.”); a pair of rerebraces that connect to a pair of elbow cops (labelled “L” and “R”); a
pair of leather gloves (labelled “Colm Feore”) with metal gauntlets; a belt and codpiece
with plastic clip fastenings; a pair of plastic greaves; and a pair of leather boots (labelled
“Lord M”).
The helmet and chest plate are prototypes finished in paint from the production and differ
to those seen on screen; the back plate, right pauldron, and neckpiece are repainted
unused stunt pieces; the cape is from a Necromonger Captain; and the codpiece is from
a Necromonger Elite Guard.

The armour is painted dark grey with gold-and-silver-coloured accents throughout. The
armour shows paint wear throughout and a minor crack on the back of the helmet rim.

Estimate: £6,000 - 8,000

68. Minotaur Full Creature Costume

and Mask Display †Δ 69. Riddick’s (Vin Diesel) Necromonger Armour Ω

THE CHRONICLES OF NARNIA: PRINCE CASPIAN (2008) THE CHRONICLES OF RIDDICK (2004)
A minotaur full creature costume and mask from Andrew Adamson’s fantasy sequel The Riddick’s (Vin Diesel) Necromonger armour from David Twohy sci-fi action sequel The
Chronicles of Narnia: Prince Caspian. The minotaur, a creature from Greek mythology, was Chronicles of Riddick. Riddick disguised himself in Necromonger armour to sneak aboard
one of numerous fantastical creatures which inhabited the otherworldly land of Narnia. the Necromonger flagship and attempt to kill the Lord Marshal (Colm Feore).
The mask comprises foam-latex skin covered in hand-punched hair, glass eyes, detailed The costume consists of a black vest top; a pair of brown, combat-style trousers (labelled
foam horns, and an open mouth, which allowed the actor to see when worn. “Vin 2”); a belt; torso armour (labelled “L Captain Riddick Ph. 061 “Full Armour””); pauldrons
(each labelled “Riddick 2”); a pair of gloves (the right one labelled “Vin #3”); a pair of
The costume consists of a faux-fur bodysuit fitted over a shaped foam muscle suit that shin guards (labelled “L” and “R”); a left arm guard; a pair of leather boots (US size 10.5);
encompasses the character’s chest, back and arms. No legs were made for this particular
and a helmet (labelled “Vin #3). The armour is predominantly made of hard rubber, and
costume, as they were applied digitally during post-production. A manufacturer label in
the helmet is fibreglass. The armour has been hand-painted to look like metal, and the
the suit reads “Caspian suit 8” and the head is marked “#8”. The tip of the right horn has
costume is intentionally distressed to appear well worn. The costume only has minor wear
broken away and the lot is presented on a custom-made stand preserving the creature’s
from production use and age, including some scuffing to the paintwork.
original height, with a light-up base featuring the title artwork. Dimensions 50 cm x 66
cm x 220 cm (19 ¾” x 26” x 86 ¾”)
Estimate: £4,000 - 6,000
Special shipping required: see special shipping notice in the Buyer’s Guide.
Contains electronics; see electronics notice in the Buyer’s Guide.

Estimate: £3,000 - 5,000

58 59
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

73. Cult of Set Amulet †Δ

CONAN THE BARBARIAN (1982)

A Cult of Set amulet from John Milius’ fantasy film Conan
the Barbarian. Members of the Cult of Set wore their
amulets throughout the movie, as they followed their
ruthless leader Thulsa Doom (James Earl Jones).
The silver-painted metal amulet consists of two snakes
looped around a sinister all-seeing eye with a curved horn
situated at the top, and the emblem hangs on a length of
black cord. It shows some signs of age and use, including
minor tarnishing, paint wear, and fraying on the cord.
Dimensions: 48.5 cm x 9.5 cm x 2 cm (19” x 3 ¾” x ¾”)

Estimate: £3,000 - 5,000

74. Hero Jewelled Horn of Dagoth M

CONAN THE DESTROYER (1984)

A hero Jewelled Horn of Dagoth from Richard Fleischer’s
fantasy-adventure sequel Conan The Destroyer. Conan
(Arnold Schwarzenegger) was tasked with escorting
Queen Taramis’ (Sarah Douglas) niece Princess Jehnna
(Olivia d’Abo) on a quest to retrieve the jewelled horn
of the dreaming god, Dagoth. The horn was placed on
the statue of Dagoth in the Queen’s castle during the
attempted sacrifice of Jehnna.

Made from cast resin, the horn is finished in cream paint

to replicate the appearance of ivory, with gold-painted
detailing. Small red faux-gems, ornate gold-wire floral
emblems and small tooth-shaped pieces decorate
the horn. Its uneven base features a protruding piece
which resembles a broken bone fragment. Some of the
decorative components are missing from the horn and
some of the cream paint has chipped, exposing the resin
underneath. Dimensions: 26 cm x 8 cm x 8 cm (10 ¼” x
3 ¼” x 3 ¼”)

Estimate: £4,000 - 6,000

75. Captain Frank Ramsey’s (Gene

Hackman) Costume Ω

71. Perseus’ (Sam Worthington) SFX Arm and CRIMSON TIDE (1995)
Hero Sword M 72. Perseus’ (Sam Worthington) Hero Soldier Sword M Captain Frank Ramsey’s (Gene Hackman) costume from
Tony Scott’s action thriller Crimson Tide. Ramsey, the
commanding officer of the USS Alabama naval submarine,
CLASH OF THE TITANS (2010) CLASH OF THE TITANS (2010) wore his costume while leading his crew in a conflict with
Russian separatists who had seized control of nuclear
Perseus’ (Sam Worthington) SFX arm and hero sword from Louis Leterrier’s fantasy- Perseus’ (Sam Worthington) hero soldier sword from Louis Leterrier’s fantasy-adventure
weapons.
adventure remake Clash of the Titans. Perseus used his sword in several scenes remake Clash of the Titans. Perseus carried his sword as he accompanied the King’s
throughout the film, and this special effects arm and sword were created for the scene Guard on their quest to defeat the Kraken, and used it when practising with Draco (Mads This costume consists of a black ribbed wool sweater
in which Perseus stabbed a giant Scorpion to death. Mikkelsen). with black and gold-colour epaulettes on the shoulders
and a black leather name tag reading “CAPT FRANK
The lot comprises a realistically detailed silicone arm holding a cast bronze hero sword. The sword is made of solid cast bronze and has been intentionally distressed to look worn.
RAMSEY COMMANDING OFFICER” affixed with velcro;
The sword features a round guard with a three-headed serpent Argos insignia on both
It has additional wear from production use and age, including scuffing, scratches, small a beige polyester short-sleeved shirt with metal pins on
sides, a grip featuring several intricate cutouts, and a fishtail pommel.
spots of verdigris, and a dent on the edge of the blade. Dimensions: 70.5 cm x 6.5 cm the collar and breast; a pair of beige cotton and polyester
A metal rod is inserted through the piece and is attached to the sword’s grip. The silicone x 8.5 cm (27 ¾” x 2 ½” x 3 ¼”) blend trousers; a beige nylon web belt with a gold and
on the arm has become slightly sticky over time and displays dirt remnants. There are silver-colour “USS ALABAMA” buckle; and a pair of black
signs of wear from production use, including paint wear and scratching on the blade, leather and rubber shoes. This costume exhibits signs of
and corrosion on the metal rod. Dimensions: 122 cm x 14 cm x 9 cm (48” x 5 ½” x 3 ½”) Estimate: £4,000 - 6,000 wear from age and use including extensive distressing
and crumbling on the soles of the shoes.
Estimate: £6,000 - 8,000
Estimate: £3,000 - 5,000

60 61
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

76. NO LOT

78. Max Guevera’s (Jessica Alba) Screen-matched Leather

77. Daredevil’s (Ben Affleck) Hero Nunchaku Ω Jacket M 79. The Gunslinger’s (Idris Elba) Hero Pistol and Book with Printed Artwork Ω

DAREDEVIL (2003) DARK ANGEL (TV SERIES, 2000-2002) THE DARK TOWER (2017)
Daredevil’s (Ben Affleck) hero nunchaku from Mark Steven Johnson’s superhero movie Max Guevera’s (Jessica Alba) screen-matched leather jacket from James Cameron’s sci-fi The Gunslinger’s (Idris Elba) hero pistol and book with printed artwork from Nikolaj Arcel’s well as 11 loose monochromatic and colour printed images. The lot exhibits signs of wear
Daredevil. Daredevil carried nunchaku throughout the film. series Dark Angel. Supersoldier Max wore her jacket in the series finale “Freak Nation”. fantasy western The Dark Tower. Troubled boy Jake (Tom Taylor) drew images of a dark from age and use throughout. Dimensions: 99 cm x 71.25 cm x 10.25 cm (39” x 28” x 4”)
It matches the one seen on screen through the wear along its right sleeve. tower from another dimension. Later, the heroic Gunslinger used his pistol while protecting
The prop weapon is made primarily of wooden dowel sections, with aluminium connective
the mysterious tower from the Man in Black (Matthew McConaughey). Ownership may be restricted in some countries; see replica firearm notice in Buyer’s Guide.
segments and tips. The wood is stained a deep brownish red, similar to the colour of The slim-fit, black leather Marcus Alexander jacket features zip fastenings up the front,
Sold without copyright; see notice in the Buyer’s Guide
Daredevil’s costume. One end features metal angel and devil faces, and the two sections flared zip cuffs and suede detailing around the elbows. The jacket is labelled “Max #3” This lot consists of a high-quality, non-functional silver-colour metal revolver with moving
of the nunchaku are connected by an internal metal wire. The two sections can be locked and is accompanied by a certificate of authenticity from 20th Century Fox. It has some trigger, barrell and hammer as well as a brass-colour trigger guard and a wood handle.
together in the middle, creating a baton. The item has some minor wear from production wear from production use and age, including scuffing and scratches to the leather. Also included is a black spiral notebook containing 16 black-and-white printed images as Estimate: £3,000 - 5,000
use and age. Dimensions (as baton): 64 cm x 3.5 cm x 3 cm (25 ¼” x 1 ½” x 1 ¼”)
Estimate: £3,000 - 5,000
Ownership of this martial arts weapon is illegal for residents in some countries. It is solely the buyer’s
responsibility to check, prior to bidding, the legal status of this prop within their own country and its
importation therein.

Estimate: £3,000 - 5,000

62 63
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

80. John Spartan’s (Sylvester Stallone) SAPD Uniform Ω 81. Full-size Santi Figure Ω

DEMOLITION MAN (1993) THE DEVIL’S BACKBONE (2001)

John Spartan’s (Sylvester Stallone) SAPD uniform from Marco Brambilla’s sci-fi action film A full-size figure of Santi from Guillermo del Toro’s gothic horror The Devil’s Backbone.
Demolition Man. Spartan wore his costume for much of the film, while working for the Carlos (Fernando Tielve) encountered the ghostly apparition of Santi (Junio Valverde)
San Angeles Police Department. several times at the orphanage and discovered the tragic events that led to Santi’s
mysterious disappearance.
It consists of a shirt (labelled “SS Feb. 1993 A”); a pair of black trousers; a pair of calf-high
leather boots (one labelled “#1 SS”); two leather belts (one labelled “Sly”); and a cap. This figure was created by DDT, the Spanish studio behind the make-up and special
effects for the film, founded by Academy Award®-winners David Martí and Montse Ribé.
The shirt features the SAPD badge and Spartan’s badge number sewn on the left breast.
This model is a reproduction of the one created at the behest of del Toro for the 2016
The bigger of the two belts goes around the waist, and the smaller one attaches to the
exhibition “Guillermo del Toro: At Home with Monsters” and displayed at the Los Angeles
bigger belt and goes over the right shoulder. The shirt has a small hole on the sleeve
County Museum of Art. Del Toro owns the original model from the exhibition.
near the right cuff, and the boots have scuffing from wear.
The figure is constructed from polyester and polyurethane resins around a metal skeleton,
Estimate: £8,000 - 12,000 with clay pressed pieces from the original production moulds attached. It is finished in
sculpting clay and painted with enamels and acrylics.
Santi’s pale skin is decorated with detailed cracking, notably on the head. Red-coloured
cotton wool-like material - representing the blood always seen floating upwards from
his head wound - is inserted into a slot on the head’s temple. The figure is dressed in
a brown natural hair wig; a diamond-patterned knitted vest; a heavily stained shirt; and
a pair of brown textured shorts. The clothing is intentionally distressed, adding to the
figure’s creepy aesthetic, and the statue exhibits minimal signs of wear. Dimensions: 40
cm x 30 cm x 140 cm (15 ¾” x 11 ¾” x 55 ¼”)

Special shipping required; see special shipping notice in the Buyer’s Guide.

Estimate: £15,000 - 20,000

64 65
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

84. Baby Sinclair Production Maquette M

DINOSAURS (TV SERIES, 1991-1994)

A Baby Sinclair maquette from the production of the prehistoric television sitcom
Dinosaurs. The youngest member of the Sinclair family first hatched in the premiere
episode “The Mighty Megalosaurus” and became the show’s most popular character.
Made of fibreglass, the reference maquette shows the infant dinosaur sitting down holding
a bone in his right hand. The piece is painted in shades of orange and is adhered to a
black-painted wooden base. The maquette displays light paint wear, dirt marks on the
base and glue remnants, notably around the tail. Dimensions: 23 cm x 16 cm x 14 cm
(9” x 6 ¼” x 5 ½”)

Estimate: £400 - 600

82. John McClane (Bruce Willis) Police Badge and Photo ID M

DIE HARD WITH A VENGEANCE (1995)

John McClane’s (Bruce Willis) police badge and photo ID from John McTiernan’s action identification card giving McClane’s name, rank, printed photograph, date of birth and 85. Colin Maitland’s Personal Annotated
sequel Die Hard With a Vengeance. tax number. The badge is finished in faux gold with blue enamelling. The flap holding the Shooting Script M
badge in place is secured with a patch of white Velcro, and the ID card is fixed in place.
Made for the production but ultimately not seen on screen, the police identification is The lot has some wear from production use and age. Dimensions (unfolded): 10 cm x 17
bound in a black leather wallet with brass press studs. The wallet features a metal New cm x 1.5 cm (4” x 6¾” x ½”) THE DIRTY DOZEN (1967)
York Police Department Lieutenant’s badge with a pin back and a laminated NYPD
Colin Maitland’s personal annotated shooting script from Robert Aldrich’s war movie
Estimate: £4,000 - 6,000 The Dirty Dozen. Maitland played convict Seth Sawyer, one of the titular Dozen sent on
a suicide mission into France during World War II.
The script – credited to Nunally Johnson and Lukas Heller – is bound in a red leather
hardback covering, with the film’s title and “Colin Maitland as ‘Sawyer’” debossed in gold
text on the cover. The script is printed on different coloured pages, indicating different
revisions, and many of the pages have been hand-annotated. This script was also used
on-screen in a retrospective feature starring Maitland and his fellow cast, for the 2017
special edition DVD. The script is accompanied by a signed letter of authenticity from
Maitland, and has some wear from production use and age, including creasing, minor
tears and scuffing to the cover. Dimensions: 29 cm x 24 cm x 4 cm (11 ½” x 9 ½” x 1 ½”)

Estimate: £3,000 - 5,000

83. Full-size Baby Sinclair Puppet †

DINOSAURS (TV SERIES, 1991-1994)

A full-size Baby Sinclair puppet from prehistoric sitcom Dinosaurs. The youngest member The seated puppet is made of foam latex painted brown, with dark purple markings
of the Sinclair family first hatched in the premiere episode “The Mighty Megalosaurus” decorating the head and a pair of glass eyes featuring purple irises. A yellow cropped
and became the show’s most popular character. Created by the Jim Henson Creature T-shirt and white nappy have been added to complete the puppet. The lot comes on a
Shop, this particular version of the puppet features a hand-operated mouth, and was custom black display base and shows signs of sympathetic restoration since production.
used for scenes when a tail was not required. The foam latex has hardened over time in places and exhibits cracking, flaking and
minor damage on the feet. Dimensions: 65 cm x 72 cm x 50 cm (25 ½” x 28 ¼” x 19 ¾”)

Estimate: £4,000 - 6,000

66 67
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

86. Alexander Grayson’s (Jonathan Rhys Meyers)

Fight Costume and Stunt Sword M

DRACULA (TV SERIES, 2013-2014)

Alexander Grayson’s (Jonathan Rhys Meyers) fight costume and stunt sword from horror-
drama TV series Dracula. Grayson wore his costume when he fought vampire hunter
Hermann Kruger (Michael Nardone) on the rooftops of London, and wore this style of
suit throughout the first few episodes.
The costume comprises a dark grey overcoat with a faux fur collar (labelled “Hero”);
a grey three-piece suit; a white shirt; a grey patterned tie; a pair of silver-plated “AG”
monogrammed cufflinks; a pair of black leather gloves; and a pair of black leather heeled
boots (both labelled “Double”). There are handwritten labels, each reading “Hero”, sewn
inside the waistcoat and shirt.

Made of dense rubber, the sword features a thin blade and an ornate handle finished to
87. SFX Crysknife Ω
replicate worked ivory, and is sheathed in a black scabbard attached to a leather belt.
Some stitching has come undone on the trousers’ waistband, and there is an intentional
DUNE (1984)
hole on the left shoe’s sole. The lot is accompanied by a still of Meyers wearing the
costume. Dimensions (sword): 73 cm x 8 cm x 7 cm (28 ¾” x 3 ¼” x 2 ¾”); (still): 25.5 cm A special effects crysknife from David Lynch’s sci-fi epic Dune. Crafted from the “teeth
x 20.5 cm (10” x 8”) of dead sandworms”, crysknives were favoured by the Fremen natives of Arrakis, who
wielded them throughout the film. This SFX weapon would have been used in scenes
Estimate: £3,000 - 5,000 where blood effects were required.

Made of off-white resin, the blade is designed to look as if it’s carved from a large tooth.
Its handle features silver-coloured faux plating and several shallow holes painted in
shades of brown. A thin, rubber bloodletting tube is glued to the back with a small slice
cut along the edge where it meets the blade to allow blood to ‘appear’ after wounding
an opponent. There is some discolouration on the glue and tube. Dimensions: 30 cm x
4.5 cm x 4.5 cm (12” x 1¾” x 1¾”)

Estimate: £2,000 - 3,000

88. Sardaukar Guard Helmet Ω

DUNE (1984)
A Sardaukar guard helmet from David Lynch’s sci-fi epic Dune. Sardaukar guards wore
their helmets while traversing the deserts of Arrakis to protect them against the intense
climate.
The helmet is constructed from a welding mask with a green visor and a large black hood.
The hood is made from PVC material with three ventilation holes: one near the mouth
and one at either temple, each of which is covered by a rubber grate. There are minor
scuffs on the exposed plastic visor and signs of repair on the top of the helmet, where
the PVC has previously split. Dimensions: 60 cm x 22 cm x 25 cm (23 ¾” x 8 ¾” x 10”)

Estimate: £2,000 - 3,000

68 69
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1.02 m (40 ¼”) 1.15 m (45 ¼”)

89. Harkonnen Frigate Model Miniature M 90. Light-up Emperor’s Flagship Model Miniature M

DUNE (1984) DUNE (1984)

A Harkonnen frigate model miniature from David Lynch’s sci-fi epic Dune. The Harkonnens The miniature comes with its own custom-built metal-and-wood display stand, and has The Emperor’s Flagship model miniature from David Lynch’s sci-fi epic Dune. Padishah It comes displayed on a custom-made stand and together with a new power cable. The
used their frigates to travel to the planet of Arrakis with the Emperor’s elite force, the wear from production use and age, most notably scratches at the front of the vessel, minor Emperor Shaddam Corrino IV (José Ferrer) used his angular, golden ship to travel to the model has wear from production use and age, including scuffs and scratches to the
Sardaukar. damage to the back, and a detached circular section at the rear. There is also general wear planet Arrakis. It is notably different to the standard Guild Transports used by House paintwork. The back of the model features holes where it was once attached to a rig.
to the paintwork. Dimensions (displayed): 102 cm x 90 cm x 54 cm (40 ¼” x 35 ½” x 21 ¼”) Atreides in its shape and colour. Dimensions: 45 cm x 115 cm x 27 cm (17 ¾” x 45 ¼” x 10 ¾”)
Built by legendary modelmaker Brian Smithies and his team, the miniature is made
predominantly of fibreglass, finished in black and designed to look as if it’s constructed Built by legendary modelmaker Brian Smithies and his team, the resin and fiberglass model
from dozens of panels. There is an access hole cut into the top. Special shipping required; see special shipping notice in the Buyer’s Guide. is painted gold and features internal lights which illuminate when powered (please note Contains electronics; see electronics notice in the Buyer’s Guide.

the original fluorescent tube lighting, which was no longer functional, has been carefully Special shipping required; see special shipping notice in the Buyer’s Guide.
Estimate: £6,000 - 8,000 removed and replaced with low voltage LED lighting to produce the same effect).
Estimate: £8,000 - 12,000

70 71
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

91. Santa Claus’ (Ed Asner)

Screen-matched Hero Naughty
and Nice Book Ω

ELF (2003)
Santa Claus’ (Ed Asner) screen-matched hero naughty
and nice book from Jon Favreau’s Christmas comedy
film Elf. Santa revealed that Buddy’s (Will Ferrell) father
Walter Hobbs (James Caan) was on his naughty list, and
later, Michael Hobbs (Daniel Tay) read people’s Christmas
wishes out of the book in order to get them to believe in
Santa again.
This book features a distressed brown leather cover
inlaid with gold-colour snowflake patterns, marbled
brown endsheets, and a gold-colour ribbon bookmark.
The interior features beige paper pages titled “Nice” and
“Naughty” with lists of names assigned either specific
presents in the “Nice” section or a “Lump of Coal” in the
“Naughty Section.” Also included is a New Line Cinema
Certificate of Authenticity. The cover and pages are
intentionally distressed by production to appear aged
and well-used, with minor stains to the interior pages from
production. Dimensions: 40.75 cm x 35.75 cm x 15.25 cm
(16” x 14” x 6”)

Estimate: £25,000 - 35,000

72 73
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

92. Buddy’s (Will Ferrell) Hero Elf Costume Ω

ELF (2003)
Buddy’s (Will Ferrell) hero elf costume from Jon Favreau’s Christmas movie Elf. Buddy
wore his elf uniform throughout the film, as he connected with his father (James Caan)
and helped save Christmas.

The costume comprises a green Antron® fleece pointed hat featuring a yellow pleated
sash and a red feather; a matching green tunic with a white fur collar and cuffs; a pair
of yellow fleece-like stockings; and a pair of black leather shoes featuring curled toes.

Both sides of the tunic’s opening are decorated with an embroidered, green-and-gold-
coloured flower filigree pattern, and 20 metal hook fastenings run down the front. A large
black leather belt is adhered via several small button snaps around the tunic’s waist. The
belt features a large metal buckle, and a stitched diamond pattern adorns the leather.
Carelli Costume tags reading “Mr. Ferrell” are attached to the inside of the hat, tunic and
stockings. “Hero-1” is written in black ink on two labels, and an additional handwritten
label reading “Buddy Hero-1” is adhered to the inside of the hat. Both shoes are labelled
“02 Buddy”. The costume exhibits light wear, with a mark on the tunic’s right sleeve, tape
remnants on the front of the belt, and unpicked stitching on the stockings’ right foot.

Estimate: £20,000 - 30,000

AF archive / Alamy Stock Photo

74 75
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

93. Papa Elf’s (Bob Newhart) Hero Costume Ω

ELF (2003)
Papa Elf’s (Bob Newhart) costume from Jon Favreau’s Christmas comedy film Elf. Papa
Elf, along with his fellow elves, wore his festive costume while working for Santa Claus
(Ed Asner) and raising his adopted son, Buddy (Will Ferrell).
This costume consists of a green antron fleece hat with a yellow sash; a matching fleece
tunic labeled “Newhart” with a Carelli Costumes tag for “Mr. Newhart” sewn to the interior,
white fur collar and cuffs, a green and gold-colour flower filigree pattern on both sides,
and a metal hook closure; a black diamond-patterned leather belt marked “Mr. Newhart”
with an oversized brass-colour metal buckle and fastening strip loops for attaching to the
tunic; yellow stretch fabric leggings with a Carelli Costumes tag for “Mr. Newhart”; and
a pair of custom black leather shoes with curled elf toes marked “Hero” in marker. The
costume exhibits minor signs of production use, including cracked leather on the belt
and shoes, and minor stains to the leggings.

Estimate: £15,000 - 20,000

94. Santa’s (Ed Asner) Kringle 3000 Sleigh Jet Engine US

ELF (2003)
Santa’s (Ed Asner) Kringle 3000 sleigh jet engine from Jon Favreau’s holiday comedy Elf. various multicoloured plastic wires and a pressure gauge. This engine exhibits signs of
Santa travelled in his sleigh on Christmas Eve with the assistance of a 500 reindeer-power wear and use including production-added scuffing and is affixed with a pair of string
turbine jet engine mounted under his sleigh. Later, when he crashed in Central Park in sections on both sides for carrying. Dimensions: 117 cm x 35.5 cm x 28 cm (46” x 14” x 11”)
New York City, Buddy the Elf (Will Ferrell) found and reattached the damaged engine.

This engine consists of three metal cylindrical sections of varied sizes which have been This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide

affixed together. The largest of the three pieces features a spinner and series of fan
blades as well as a sliding plate section which opens to reveal a control panel containing Estimate: £6,000 - 8,000

95. Young Buddy the Elf’s (Max

Favreau) Shoes Ω

ELF (2003)
Young Buddy the Elf’s (Max Favreau) shoes from Jon
Favreau’s holiday comedy Elf. An orphan who was
transported to the North Pole by hiding in Santa Claus’
(Ed Asner) sack, the young Buddy wore his shoes while
he was being raised by Papa Elf (Bob Newhart).
This pair of black leather shoes feature elastic sections by
the feelcaps, diamond-shaped tongue details and curled,
decorative accents on the tops of the toeboxes. These
shoes exhibit signs of wear from age and use, including
some leather cracking throughout. Dimensions: 20.5 cm
x 16 cm x 7.75 cm (8” x 6 1/4” x 3’)

Estimate: £600 - 800

76 77
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

96. Max Da Costa’s (Matt Damon) Black Chemrail Rifle Ω

ELYSIUM (2013)
Max Da Costa’s (Matt Damon) black Chemrail rifle from Neill Blomkamp’s dystopian thriller and painted details including the word “CHEMRAIL”. The weapon is equipped with a grey
Elysium. In the film, De Costa obtained the rifle in an armoury on Elysium and used it in magazine, accessory rail, foregrip, spring-loaded stock, and a non-functioning tracking
battle against Kruger’s (Sharlto Copley) men. scope with orange lenses. The trigger is depressible. The rifle exhibits scuffing in the
paint. Dimensions: 99.25 cm x 33.25 cm x 7.75 cm (39” x 13” x 3”)
Designed and constructed by Weta Workshop, this futuristic firearm is made primarily
Ownership may be restricted in some countries; see replica firearm notice in Buyer’s Guide.
from resin, and features a black body that has been decorated with numerous engravings

Estimate: £3,500 - 5,500

98. Captain Miller’s (Laurence Fishburne) Costume †Δ 99. Ava’s (Alicia Vikander) Humanoid Costume †

EVENT HORIZON (1997) EX MACHINA (2014)

Captain Miller’s (Laurence Fishburne) costume from Paul W. S. Anderson’s sci-fi horror Ava’s (Alicia Vikander) humanoid costume from Alex Garland’s sci-fi thriller Ex Machina.
Event Horizon. Miller wore his jumpsuit while in command of his vessel, the Lewis and Ava was a highly intelligent android created by tech company CEO Nathan (Oscar Isaac)
Clark, on its ill-fated rescue mission. and she appeared throughout the film. Her female humanoid robot appearance was
97. Drake’s (Brandon Auret) Green Chemrail Rifle Ω created using a mesh costume, which had transparent sections that revealed her metal
The costume consists of a green jumpsuit and a brown T-shirt. Although it does not
skeleton using CGI.
show Miller’s name patch, the jumpsuit features his rank and the ship’s insignia. A metal
radiation detector is present in a plastic pouch on the left arm. The jumpsuit and patches The custom-made jumpsuit is made from silver-coloured mesh with a grey Lycra® lining.
ELYSIUM (2013)
are intentionally distressed to look well worn. The T-shirt features Miller’s name and The costume features multiple zips and strips of textured black rubber with metal studs,
Drake’s (Brandon Auret) green Chemrail rifle from Neill Blomkamp’s dystopian thriller engravings and painted details including the word “CHEMRAIL”. The weapon is equipped biometric information printed on the chest, including his blood and DNA type. There is breaking the costume up into sections. The underwire section of a bra is sewn to the
Elysium. Drake brandished his Chemrail rifle as he hunted for Max Da Costa (Matt Damon) with a grey magazine, accessory rail, foregrip, spring-loaded stock, and a non-functioning some wear from production use and age, including some dried paint at the bottom of inside for support, and a piece of cotton tape, with “Alicia #3”’ handwritten in black ink,
with his fellow mercenaries. tracking scope with orange lenses. The trigger is depressible. The rifle exhibits scuffing the legs and some loose threading. is adhered to the lining. The costume shows minor wear from production use, with some
in the paint and a loose pin in the stock. Dimensions: 99.25 cm x 30.5 cm x 7.75 cm (39” loose threads and patches of discolouration.
Designed and constructed by Weta Workshop, this futuristic firearm is made primarily x 12” x 3”)
from resin, and features a green and black body that has been decorated with numerous Estimate: £3,000 - 5,000
Ownership may be restricted in some countries; see replica firearm notice in Buyer’s Guide. Estimate: £6,000 - 8,000

Estimate: £3,000 - 5,000

78 79
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

100. Ava’s (Alicia Vikander) Humanoid

Arm and Leg Components †
102. Moses’ (Christian Bale) Hero
Sword and Scabbard M
EX MACHINA (2014)
Ava’s (Alicia Vikander) humanoid arm and leg components
from Alex Garland’s sci-fi thriller Ex-Machina. Robotic
EXODUS: GODS AND KINGS (2014)
components, including arms and legs, were displayed Moses’ (Christian Bale) hero sword and scabbard from
throughout tech CEO Nathan’s (Oscar Isaac) state-of- Ridley Scott’s Biblical epic Exodus: Gods and Kings. Moses
the-art laboratory, where the highly intelligent android received his sword after he defeated several assassins.
Ava was built. He later put the sword on the table when he reunited with
Nun (Ben Kingsley) and Joshua (Aaron Paul).
Designed to resemble human bones, the moveable life-
size arm and leg components are predominately made of The sword has an aluminium blade and a faux-bone
resin, with metal joint pieces added. All four pieces display handle, which features decorative faux-hair and leather
a silver chrome finish. The arms feature several intertwined tassels. The scabbard is made of leather, with a leather
plastic cables, with white plastic covers attached at the belt and coloured leather tassels attached to one side.
wrists. Signs of production use are present, including minor The items have minor wear from production use and
marks, light scratching and scuffing on the wrist covers and age. Dimensions (unsheathed): 60 cm x 3 cm x 7 cm (23
chrome finish. Dimensions: (one arm): 46 cm x 7.5 cm x 6 ½” x 2 ¾” x 1 ¼”)
cm (18” x 3” x 2 ¼”); (one leg): 83 cm x 6.5 cm x 7 cm (32
¾” x 2 ½” x 2 ¾”)
Estimate: £3,000 - 5,000
Estimate: £1,000 - 1,500

1.37 m (4.5’) 103. Brian O’Conner’s (Paul Walker)

Hero ID and Supra Quarter Panel with
Custom Artwork US

101. Ava’s (Alicia Vikander) Humanoid THE FAST AND THE FURIOUS (2001)
Face and Skull † FAST AND FURIOUS (2009)
Brian O’Conner’s (Paul Walker) hero ID and Supra quarter
panel with custom artwork from Rob Cohen’s crime
EX MACHINA (2014) action drama The Fast and the Furious and Justin Lin’s
Ava’s (Alicia Vikander) humanoid face and skull from Alex sequel Fast and Furious. FBI agent O’Conner wore his
Garland’s sci-fi thriller Ex-Machina. Faces and skulls were badge while he talked to his fellow agents, and drove
among the array of robotic components displayed in tech his customized Toyota Supra while working undercover.
CEO Nathan’s (Oscar Issac) state-of-the-art laboratory, This lot consists of a laminated blue badge featuring
where the highly intelligent android Ava was built. Ava also a small circuit-like chip and Walker’s picture above his
studied a version of her face mounted on a wall before character name, and a blaze orange fibreglass section
sharing a secret conversation with Kyoko (Sonoya Mizuno). of a car’s front quarter panel with racing green and
Closely resembling Vikander, the detailed face is made silver-colour accents. It exhibits signs of wear from age
of silicone and shows Ava with a neutral expression and use including several scuff marks on the front wing.
and closed eyes. The lot has been expertly coloured to Dimensions: 137.25 cm x 66 cm x 23 cm (54” x 26” x 9”)
produce a realistic skin tone, and a clear plastic support Special shipping required; see notice in the Buyer’s Guide.
lining is adhered to the interior. The skull consists of a This lot will ship from Prop Store’s Los Angeles facility; see notice in
plaster core with a resin outer layer, which is vacuum-
the Buyer’s Guide
metalised with a silver chrome finish. There are light signs
of wear and the chrome finish has chipped away in places.
The face is accompanied by an acrylic display stand. Estimate: £3,000 - 5,000
Dimensions (face displayed): 22 cm x 15 cm x 16 cm (8 ½”
x 6” x 6 ¼”); (skull): 19 cm x 12 cm x 15 cm (7 ½” x 4 ¾” x 6”)

Estimate: £2,000 - 3,000

80 81
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

104. Leeloo’s (Milla Jovovich) Costume Display M

THE FIFTH ELEMENT (1997)

Leeloo’s (Milla Jovovich) costume from Luc Besson’s sci-fi adventure The Fifth Element.
Leeloo created her costume when she picked random garments from a selection of
clothes at Father Vito Cornelius’ (Ian Holm) home. She wore her signature costume
throughout the latter half of the film as she and Korben Dallas (Bruce Willis) attempted
to recover the Mondoshawan elemental stones. Established fashion and costume
designer Jean-Paul Gaultier was hired to produce more than 1,000 unique costumes for
the production. Gaultier opted for a bright colour palette and non-traditional materials,
such as rubber and plexiglass, to create fresh and innovative designs.

The custom-made costume comprises a white ribbed stretch knitted crop T-shirt; a pair
of orange silicone braces; and a pair of light gold-coloured leggings featuring lines of
black piping that form grid-like detailing on the front and back. A pair of black leather
platform-heeled boots have been added to complete the display. The attire is presented
on a custom-built display with a base featuring the Fifth Element title artwork in yellow.
There are marks and signs of discolouration present on the top and the under crotch
of the braces has a minor split. Dimensions (displayed): 37 cm x 49 cm x 168 cm (14 ½”
x 19 ¼” x 66 ¼”)

Special shipping required: see special shipping notice in the Buyer’s Guide.

Estimate: £30,000 - 50,000

82 83
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

105. Korben Dallas’ (Bruce Willis) Costume Display M

THE FIFTH ELEMENT (1997)

Korben Dallas’ (Bruce Willis) costume display from Luc Besson’s sci-fi adventure The Fifth
Element. Korben Dallas wore his costume for most of the film, from his encounter with a
mugger (Mathieu Kassovitz) at his apartment to arriving on the Fhloston Paradise cruise
ship with Leeloo (Milla Jovovich).
Established fashion and costume designer Jean-Paul Gaultier was hired to produce
more than 1,000 unique costumes for the production. Gaultier opted for a bright colour
palette and non-traditional materials, such as rubber and plexiglass, to create fresh and
innovative designs.
The costume comprises a bright orange rubber vest with an attached pair of black nylon
shorts; a pair of dark grey nylon trousers with light contrast stitching all over (labelled “1”);
and a pair of chunky, black leather boots. There are three straps with Velcro fastenings
on the back of the top and two hidden zip fastenings on the front of the trousers. Lacing
detail runs down the front crotch, inner leg seams and back seam of the trousers.
Dallas’ attire is presented on a custom-built display, with a base featuring the Fifth
Element title artwork. Completing the costume is Dallas’ stunt pistol, held in the display’s
right hand. The heavily modified solid rubber Vektor CP1 pistol is finished in black and
silver-coloured paint, with green-coloured non-functioning acrylic bulbs located on both
sides of the futuristic-looking weapon. There are light signs of production use, including
minor cracking and marks on the rubber top. Dimensions (displayed): 37 cm x 59 cm x
174 cm (14 ½” x 23 ¼” x 68 ½”)

Special shipping required: see special shipping notice in the Buyer’s Guide.
Restricted ownership; see replica firearm notice in the Buyer’s Guide.

Estimate: £20,000 - 30,000

84 85
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

107. Leeloo’s (Milla Jovovich) Orange Suspenders M 108. Element Key †Δ

THE FIFTH ELEMENT (1997) THE FIFTH ELEMENT (1997)

Leeloo’s (Milla Jovovich) orange suspenders from Luc Besson’s sci-fi adventure The Element Key from Luc Besson’s sci-fi adventure The Fifth Element. The Element Key was
Fifth Element. Leeloo wore her suspenders throughout the latter half of the film as part given to humanity by a Mondoshawan in 1914, and passed down through the generations
of her signature outfit, having picked them out from a selection of clothes at Father Vito by a secretive order of priests. When a great evil returned to Earth in 2263, the key was
Cornelius’ (Ian Holm) home. carried by the priest Vito Cornelius (Ian Holm), who used it to allow Korben Dallas (Bruce
Willis) access to a stone chamber, in order to activate the weapon contained within.
Envisioned by celebrated costume and fashion designer Jean-Paul Gaultier, these braces
106. Mangalore Head and Hands M are made of cast orange silicone and feature several circular cutouts. Made specifically This key was made by animatronics designer Terry Jones and served as a back-up on the
for Jovovich in the role of Leeloo, the form-fitting suspenders consist of straps which production. The key comprises three metal blades on the end of a thin metal rod, with a
run from the shoulders, down under the crotch and up the back. There are elastic loops four missing. The blades feature an ornate pattern, and the entire key has a bronzed finish
THE FIFTH ELEMENT (1997) embedded in the silicone on the inside, marking where the chest section is, and the and is mounted on a custom-made stand. There are sections at the base of the blades
A Mangalore head and hands from Luc Besson’s sci-fi adventure The Fifth Element. Hired The one-piece foam-latex gloves feature raised vein-like detailing and four large fingers suspenders exhibit minor wear from production use, including small tears in the silicone. where the soldering is visible, and one of the blades is no longer present. Dimensions:
by Zorg (Gary Oldman), the alien Mangalores pursued Leeloo (Milla Jovovich) and Korben complete with nails. Presented on custom-made displays, the lot shows paint wear and 7 cm x 7 cm x 14.5 cm (2 ¾” x 2 ¾” x 5 ¾”)
Dallas (Bruce Willis) throughout the film, in search of the Mondoshawan elemental stones. cracking, and some minor tears are present on the hands. The bottom edge of the foam Estimate: £3,000 - 5,000
latex has started to peel away from the collar. Dimensions (head displayed): 38 cm x 34 cm Estimate: £3,000 - 5,000
Made of foam latex painted in shades of mottled brown, the detailed mask exhibits
x 55 cm (15” x 13 ¼” x 21 ½”); (hands displayed): 20.5 cm x 36 cm x 25 cm (8” x 14 ¼” x 9 ¾”)
two eye holes and a set of intentionally discoloured teeth. The mask is adhered to a
champagne stretch-fabric collar, with plastic tubing around the bottom to add structure.
Estimate: £6,000 - 8,000

86 87
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

112. Charles Lippincott Collection: Hand-drawn Mentor

Lots in this section of the auction come from the collection of Charles “Charley” Lippincott. Lippincott is considered Huebner “Ming the Merciless” Storyboard Concept
CH AR LE S among the foremost marketing and merchandising experts in the history of science-fiction. After an early start in
traditional Hollywood publicity, his career exploded when college friend George Lucas hired him as Lucasfilm’s VP of
Sketch Ω

L IPPINC OT T
Advertising, Publicity, Promotion & Merchandising, a role he used to create arguably the most successful – and bombastic
– marketing campaign ever for Lucas’ original Star Wars trilogy. Lippincott subsequently masterminded the publicity FLASH GORDON (1980)
strategies for such era-defining properties as Ridley Scott’s Alien and Mike Hodges’ Flash Gordon, both of which are
A hand-drawn Mentor Huebner “Ming the Merciless” storyboard concept sketch from
represented in this auction. The popularity of these projects further propelled him into the top ranks of film executives,

COLLE CTION leading him to produce Danny Cannon’s cult classic Judge Dredd, which is also heavily featured in this catalog. While
Charley Lippincott passed away in 2020, his personal collection reflects a legacy of rare influence and lifelong fandom.
the production of Mike Hodges’ sci-fi adventure Flash Gordon. The emperor of planet
Mongo, Ming (Max von Sydow) battled Earthling Gordon (Sam J. Jones). This storyboard
sketch comes from the collection of the film’s marketing director, Charles Lippincott. It is
rendered in mixed media on illustration paper and depicts a close up of Ming as well as
a scene number and description. It exhibits signs of wear from age and use. Dimensions:
29.25 cm x 21.75 cm (11 1/2” x 8 1/2”)
109. Charles Lippincott Collection: Hand-drawn
Mentor Huebner “Flash in War Rocket Ajax Wreckage” Sold without copyright; see notice in the Buyer’s Guide.
Storyboard Sketch Ω
Estimate: £800 - 1,200
FLASH GORDON (1980)
A hand-drawn Mentor Huebner “Flash in War Rocket Ajax Wreckage” storyboard sketch
from the production of Mike Hodges’ sci-fi adventure Flash Gordon. Gordon (Sam J.
Jones) flew a hijacked warship into the palace of Ming the Merciless (Max von Sydow).
This storyboard sketch comes from the collection of the film’s marketing director, Charles
“Charley” Lippincott. It is rendered in mixed media on illustration paper and depicts a
close up of Gordon as well as a scene number and description. It exhibits signs of wear 113. Charles Lippincott Collection: Pair of Hand-drawn
from age and use. Dimensions: 29.75 cm x 21.75 cm (8 1/2” x 11”)
Chris Foss Space Scooter Concept Sketches Ω
Sold without copyright; see notice in the Buyer’s Guide.

Estimate: £800 - 1,200 FLASH GORDON (1980)

A pair of hand-drawn Chris Foss space scooter concept sketches from the production
of Mike Hodges’ sci-fi adventure Flash Gordon. Gordon (Sam J. Jones) used his space
scooter while battling Ming the Merciless (Max von Sydow) on planet Mongo.
110. Charles Lippincott Collection: Set of Hand-drawn This lot comes from the collection of the film’s marketing director, Charles “Charley”
Mentor Huebner “War Rocket Ajax Crash” Storyboard Lippincott. It consists of two sketches rendered in ink on illustration paper, one a more
Sketches Ω detailed Space Scooter design and the other a loose design. The detailed sketch contains
written text as well as the artist’s signature “F” insignia. The second sketch is also for the
scooter but is looser and lacks the detail of the more complete illustration. They exhibit
FLASH GORDON (1980) signs of wear from age and use. Dimensions (largest): 35.5 cm x 25.5 cm (14” x 10”);
A set of hand-drawn Mentor Huebner “War Rocket Ajax crash” storyboard sketches from (smallest): 30 cm x 23 cm (11 3/4” x 9”)
the production of Mike Hodges’ sci-fi adventure Flash Gordon. Gordon (Sam J. Jones)
flew a hijacked warship into the palace of Ming the Merciless (Max von Sydow). This lot Sold without copyright; see notice in the Buyer’s Guide.
comes from the collection of the film’s marketing director, Charles “Charley” Lippincott.
It consists of three sketches rendered in mixed media on illustration paper. The sketches Estimate: £800 - 1,200
depict the palace before, during and after the crash. Each sketch features scene numbers
as well as descriptions. They exhibit signs of wear from age and use. Dimensions (all):
20.5 cm x 28 cm (8” x 11”)

Sold without copyright; see notice in the Buyer’s Guide.

Estimate: £800 - 1,200

114. Charles Lippincott Collection: Hand-drawn Chris Foss
Space Scooter Concept Sketches Ω

111. Charles Lippincott Collection: Pair of Hand-drawn

FLASH GORDON (1980)
Mentor Huebner “Flash at War Rocket Ajax Controls”
Storyboard Sketches Ω A pair Hand-drawn Chris Foss space scooter and rocket cycle concept sketches from the
production of Mike Hodges’ sci-fi adventure Flash Gordon. Gordon (Sam J. Jones) used
his space scooter while battling Ming the Merciless (Max von Sydow) on planet Mongo.
FLASH GORDON (1980)
This lot comes from the collection of the film’s marketing director, Charles “Charley”
A pair of hand-drawn Mentor Huebner “Flash at War Rocket Ajax controls” storyboard Lippincott. It consists of two sketches rendered in ink on illustration paper, one a more
sketches from the production of Mike Hodges’ sci-fi adventure Flash Gordon. Gordon detailed Space Scooter design and the other a loose design. The detailed sketch contains
(Sam J. Jones) flew a hijacked warship into the palace of Ming the Merciless (Max von written text as well as the artist’s signature “F” insignia. The second sketch is also for the
Sydow). This lot comes from the collection of the film’s marketing director, Charles scooter but is looser and lacks the detail of the more complete illustration. They exhibit
“Charley” Lippincott. It consists of two sketches rendered in mixed media on illustration signs of wear from age and use. Dimensions (largest): 35.5 cm x 25.5 cm (14” x 10”);
paper. The sketches depict both Gordon and the ship’s digital counter and feature scene (smallest): 30 cm x 23 cm (11 3/4” x 9”)
numbers as well as descriptions. They exhibit signs of wear from age and use. Dimensions
Sold without copyright; see notice in the Buyer’s Guide.
(both): 20.5 cm x 29.25 cm (8” x 11 1/2”)

Sold without copyright; see notice in the Buyer’s Guide. Estimate: £800 - 1,200

Estimate: £800 - 1,200

88 89
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

117. Donlon’s (Gary Landon Mills)

Screen-matched Helmet Cover M

FULL METAL JACKET (1987)

Donlon’s (Gary Landon Mills) screen-matched helmet
cover from Stanley Kubrick’s Vietnam War film Full Metal
Jacket. Donlon was one of the Lusthog Squad, joined by
Private Joker (Matthew Modine). The camouflage helmet
cover matches the one seen on screen through its unique
handwritten ink markings and drawings.
The cover is intentionally distressed to look battle-worn
115. Prince Barin’s (Timothy Dalton) Sword M and scarred. It has additional wear from production use
and age, most notably the faded text.

FLASH GORDON (1980)

Estimate: £5,000 - 7,000
Prince Barin’s (Timothy Dalton) sword from Mike Hodges’ sci-fi adventure Flash Gordon. Prince Barin carried his sword
throughout the film, and used it in battle against the forces of Emperor Ming (Max von Sydow).
The sword is made predominantly of fibreglass, with a metal armature along the blade and cast resin around the guard.
It is painted to resemble metal, with an ornate black-and-faux-gold handle. The sword displays wear from production use
and age, including scuffing, scratches and areas where the paint has come away. The faux gold has become slightly
discoloured and there is a large chip on one side of the guard, revealing the resin beneath. Dimensions: 106 cm x 19
cm x 8 cm (41 ¾” x 7 ½” x 3 ¼”)

Estimate: £6,000 - 8,000

116. Charles’ (Hugh Grant)

Wedding Suit M

FOUR WEDDINGS AND A FUNERAL (1994)

Charles’ (Hugh Grant) wedding suit from Mike Newell’s
romantic comedy Four Weddings and a Funeral. This attire
includes garments from different wedding scenes throughout
the film, including the marriage ceremony of Angus (Timothy
Walker) and Laura (Sara Crowe), where Charles first met Carrie
(Andie MacDowell).

The costume comprises a black woollen tailcoat; a light grey

waistcoat front with adhered elastic straps; a cream-coloured
dress shirt; and a pair of grey stripe-patterned trousers. All
four garments have an Angels & Bermans costumier’s label,
with typed text reading “Four Weddings & A Funeral, 1993,
Hugh Grant”. A tie not featured in the film has been added to
complete the costume. The costume displays minimal wear
from production use.

Estimate: £3,000 - 5,000

118. Promotional Mechanical Dragon Eggs M

GAME OF THRONES (TV SERIES, 2011-2019)

A set of mechanical dragon eggs from the promotion of David Benioff and D.B. Weiss’ epic Displaying minor wear, the lot is accompanied by a key-fob remote, which activates the
fantasy series Game of Thrones. Commissioned by HBO’s PR and Event team for use in animatronic features, and a note from the previous seller. Dimensions (chest closed): 30
various promotional events, the lot comprises three cast-resin dragon eggs, painted to cm x 61 cm x 38 cm (11 ¾” x 24” x 15”)
replicate the eggs received by Daenerys Targaryen (Emilia Clarke) during the first season.
Contains electronic and mechanical components; see notice in the Buyer’s Guide.
The eggs are fixed within a purple-velvet-lined wooden chest. Powered by a UK 230V
plug or a rechargeable 12V battery, several motor components contained within the
chest cause the eggs to vibrate, appearing as if they are in the early stages of hatching. Estimate: £3,000 - 5,000

90 91
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

119. Bill “The Butcher” Cutting

(Daniel Day-Lewis) Costume Display †Δ

GANGS OF NEW YORK (2002)

A Bill “The Butcher” Cutting (Daniel Day-Lewis) costume display from Martin Scorsese’s
historical crime drama Gangs of New York. Bill wore his costume while showing
Amsterdam Vallon (Leonardo DiCaprio) around the Five Points, and he wore his hat
during the scene where an assassin almost killed him at the theatre.
Designed by Oscar®-winning costume designer Sandy Powell, the lot consists of a
cotton shirt labelled “D. Day-Lewis ‘Bill the Butcher’ (Hero)”; a waistcoat labelled “Daniel
Day-Lewis ‘Bill the Butcher’ (Hero Sc. 48-50-51-93)”; a woollen coat labelled “Daniel Day-
Lewis ‘Bill the Butcher’ (Hero) Sc. 50-51-93-117-54-128-129-129A-131-134”; a pair of woollen
trousers labelled “Daniel Day-Lewis ‘Bill the Butcher’ Sc. 48-50-51-54 (Hero)”; a pair of
brown leather boots, both faintly labelled “Daniel Day-Lewis 45”; a necktie labelled “D.
Day-Lewis (Bill)”; and a top hat.
The costume is presented on a custom-made display which features the character’s
name and the film’s title on the base. It has minor wear from production use and age,
including loose threading and plucking, and the hat has some staining around the brim.
Dimensions (displayed): 208 cm x 64 cm x 30 cm (82” x 25 ¼” x 11 ¾”)

Special shipping required; see special shipping notice in the Buyer’s Guide.

Estimate: £20,000 - 30,000

Allstar Picture Library Ltd. / Alamy Stock Photo

92 93
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

120. Amsterdam Vallon’s (Leonardo DiCaprio)

Jacket and Warpaint Shirt M 121. Jenny Everdeane’s (Cameron Diaz) Bloodied Dress Ω 122. Major’s (Scarlett Johansson) Honda NM4 Vultus Motorcycle US

GANGS OF NEW YORK (2002) GANGS OF NEW YORK (2002) GHOST IN THE SHELL (2017)
Amsterdam Vallon’s (Leonardo DiCaprio) jacket and warpaint shirt from Martin Scorsese’s Jenny Everdeane’s (Cameron Diaz) bloodied dress from Martin Scorsese’s historical epic Major’s (Scarlett Johansson) Honda NM4 Vultus motorcycle from Rupert Sanders’ sci-fi nonfunctional, and no warranty is made or implied as to its road worthiness. Transportation
historical crime drama Gangs of New York. Amsterdam wore his jacket and shirt when he Gangs of New York. Everdeane wore her dress while participating in the knife throwing thriller Ghost in the Shell. Honda created its manga-influenced NM4 Vultus motorcycle and shipping quotes should be arranged with Prop Store prior to bidding.
reformed his father’s old gang, the Dead Rabbits, and challenged Bill the Butcher’s (Daniel act known as “The Butcher’s Apprentice” with Bill “The Butcher” Cutting (Daniel Day specifically for Major, who drove an updated and customized version throughout the film.
Day-Lewis) gang to a battle. The beige woollen jacket has a tartan lining and features a Lewis) and later when helping to nurse Amsterdam Vallon (Leonardo DiCaprio) back to In addition, this lot is intended as memorabilia for display purposes only and not designed
label for Italian costumier Costumi-Russo, with “Leonardo DiCaprio” handwritten on it in health after he was stabbed by Cutting. After production, this motorcycle was featured by the Petersen Automotive Museum in its for street use. Due to its copyright status, the public display of the motorcycle must be
blue ink. The cotton, long-sleeved shirt features a “Disney Pictures & TV” barcode label Hollywood Dream Machines: Vehicles of Science Fiction and Fantasy exhibit. It consists approved by permission of the copyright holder through direct arrangement with Prop
This Asian-inspired aqua blue dress features a yellow interior lining as well as red accents of a machined aluminum and steel body affixed with an orange acrylic wind shield, matte Store upon purchase. Legal transfer of title will also need to take place before delivery
and “DiCaprio” handwritten on a label inside the collar. Both items have been intentionally
on the collar and turquoise-colour floral patterns on the sleeves. It is marked on the black plastic front and side paneling inset with LED lights, false wiring and conduits molded can be arranged. Dimensions: 244 cm x 91.5 cm x 117 cm (96” x 36” x 46”)
distressed to look old and worn, and both feature red Dead Rabbits warpaint.
interior tag as “CAMERON DIAZ JENNY SC 84”. The dress exhibits signs of wear and on the panels, and Japanese characters engraved on the sides labeled “Connect”. The
age including extensive production-added blood throughout. lot also features VIN RC82-1000277, a metal key, two custom rubber wheels, and a Contains electronics; see electronics notice in the Buyer’s Guide.
Estimate: £4,000 - 6,000 black plastic holster on the left side with rope for securing it tied underneath the body. Contains mechanical components; see notice in the Buyer’s Guide.
Estimate: £1,000 - 1,500 This motorcycle exhibits significant signs of use from production and shipping, including Special shipping required; see notice in the Buyer’s Guide.

discoloured and scuffed paint, rusted metal components throughout, and minor punctures This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide

in the plastic. The lot’s internal wiring was cut after production, rendering it currently
Estimate: £8,000 - 12,000

94 95
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

125. – 138. NO LOTS

123. Production-made Terror Dog Stop-motion Puppet

Casting Ω

GHOSTBUSTERS (1984)
A production-made Terror Dog stop-motion puppet casting from Ivan Reitman’s sci-fi 139. Empress Lucilla’s (Connie Nielsen) Tiara ΩΔ
comedy Ghostbusters. Gozer the Gozerian (Slavitza Jovan) brought two gargoyles to
life as demonic dogs with glowing red eyes. The Terror Dogs were created by Boss Film
Studios using a combination of stop-motion animation and puppetry, helping earn the GLADIATOR (2000)
film an Academy Award® nomination for Visual Effects.
Empress Lucilla’s (Connie Nielsen) tiara from Ridley Scott’s historical Roman epic
This hand-painted, production-made 1/4-scale foam latex puppet was crafted by Gladiator. The sister of Emperor Commodus (Joaquin Phoenix), Lucilla wore her tiara
production from original Dog molds, but ultimately unused onscreen. It is cast around a when she watched former general-turned-gladiator Maximus (Russell Crowe) fight in
wire armature and affixed to a black wood base for stability and display. It exhibits some the Coliseum’s arena.
signs of age, including cracking around the joints and minor discolouration in spots,
This ornate tiara is made from a metal frame and is affixed throughout with decorative,
and there are several chips in the display base. Dimensions: 65 cm x 43.25 cm x 28 cm
multicoloured plastic sections and beading. It has been padded with cloth for the wearer’s
(25 1/2” x 17” x 11”)
comfort, and is tagged “A” on the interior. It exhibits minor signs of wear from age and
production use including some discolouration. Dimensions: 21 cm x 14.75 cm x 9 cm
Estimate: £7,000-9,000 124. Screen-matched Titanic Model Miniature † (8 1/4” x 5 3/4” x 3 1/2”)

Estimate: £4,000 - 6,000

GHOSTBUSTERS 2 (1989)
A screen-matched model miniature of the R.M.S. Titanic from Ivan Reitman’s supernatural
comedy sequel Ghostbusters II. The Titanic and its ghostly passengers appeared at
the New York docks after the evil slime under the streets of the city began to cause
widespread chaos. The model matches the one seen on screen, identified by the holes
and markings toward the front.
Built for the production by the artists at Industrial Light & Magic, the miniature is of the
bow section of the ship and is predominantly resin sheet mounted over a wooden frame,
with carved biscuit foam inside for shape and stability. The ship is intentionally distressed
to look like it has been at the bottom of the Atlantic for decades, with a large gaping
hole on the right side.
There are a couple of small lights and some clear perspex rods on the deck through which 140. SFX Bloodletting Roman Infantry Sword †Δ
light would have emanated, giving a ghostly glow, although these are no longer functional.
The ship has some wear from age and use, and several of the resin panels and railings GLADIATOR (2000)
are no longer present on the sides of the ship. Dimensions: 155 cm x 53 cm x 140 cm
(61” x 20 ¾” x 55”) A SFX bloodletting Roman infantry sword from Ridley Scott’s Oscar®-winning historical
epic Gladiator. Roman legionaries wielded their swords as they fought barbarians in the
Special shipping required; see special shipping notice in the Buyer’s Guide. forests of Germania during the film’s opening battle.
Contains electronics; see electronics notice in the Buyer’s Guide.
The weapon comprises a metal blade, a notched wooden grip, a wooden guard, and a
spherical wooden pommel. This version of the sword features a bloodletting tube fitted
Estimate: £5,000 - 7,000 into the bottom of the pommel, allowing stage blood to be fed through and flow out of a
small slit present on one side of the blade. The sword displays light scuffing, scratching
on the blade and signs of minor corrosion near the slit. Dimensions: 85 cm x 9 cm x
6.5 cm (33 ½” x 3 ½” x 2 ½”)

Estimate: £800 - 1,200

96 97
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

141. Maximus’ (Russell Crowe) Arena

Helmet and Mask M

GLADIATOR (2000)
Maximus’ (Russell Crowe) arena helmet and mask from
Ridley Scott’s Oscar®-winning historical epic Gladiator.
Maximus wore his helmet and mask during the re-
enactment of the famous Battle of Carthage, in which he
rallied the desperate gladiators against the charioteers,
overcoming all odds to achieve a glorious victory.
The helmet is made of fibreglass with embedded metal
powder to present as if constructed of metal, and is lined
with padded black leather. Blunted spikes adorn the
exterior, down the centre of which a pointed fin vertically
runs, and a neck guard is incorporated into the back.
Shades of dark grey and black are applied to produce
a weathered, battle-worn appearance, and there are
intentional dents.
Also exhibiting a weathered finish, the fibreglass front
section mask has large eye holes, a nose guard and
angular detailing. The mask is attached to the helmet via
two intricate cast-metal buttons, each decorated with a
flower emblem.
Parts of this particular helmet, including the tip of the fin,
were sympathetically repaired after being damaged on set.
Presented on a custom-made display, the helmet exhibits
minor wear on the leather edges and repair work on the
front of the fin. Dimensions (displayed): 27 cm x 20 cm x
44 cm (10 ½” x 8” x 17 ¼”)

Estimate: £30,000 - 50,000

AA Film Archive / Alamy Stock Photo

98 99
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

142. Maximus’ (Russell Crowe) Arena Armour M

GLADIATOR (2000)
Maximus’ (Russell Crowe) arena armour from Ridley Scott’s Oscar®-winning historical
epic Gladiator. Maximus wore his armour during the climactic duel against Commodus
(Joaquin Phoenix) in the Colosseum. Maximus was given the armour by Proximo (Oliver
Reed) early in his gladiatorial career, and it was embellished as Maximus’ story progressed,
with a tree, Maximus’ two horses, his wife and son, and finally an angel added to the
chestplate, while full epaulettes were added to the shoulders.
The chest and back plates are made of padded foam, and the epaulettes are fibreglass.
All sections are lined with leather, and the armour features a pair of leather straps on each
side and laces on the shoulders to fasten it in place. The armour has been intentionally
distressed to look well used in battle. It is displayed on a custom-made stand, and has
additional wear from age and use, including scuffing, scratches and some cracking to
the paintwork. Some of the decorations on the chestplate have started to peel away in
places. Dimensions (displayed): 30 cm x 53 cm x 78 cm (11 ¾” x 20 ¾” x 30 ¾)

Estimate: £20,000 - 30,000

100 101
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

144. Maximus’ (Russell Crowe) Arena

Greaves M

GLADIATOR (2000)
Maximus’ (Russell Crowe) arena greaves from Ridley
Scott’s Oscar®-winning historical epic Gladiator. Maximus
wore his greaves as he fought Emperor Commodus
(Joaquin Phoenix) in the climactic duel in the Colosseum.
The greaves are made of fibreglass, painted to look like
metal, with an ornate design on the front. They have
leather-covered foam padding on the inside, and tie
around the back of the leg with leather string. They are
displayed on a custom-made, wood-and-metal stand.
The greaves have some wear from production use and
age, including scuffing and scratches to the paintwork on
the front, and small chips to the edges of the fibreglass.
Dimensions (displayed): 18 cm x 36 cm x 61 cm (7” x
14 ¼” x 24”)

Estimate: £4,000 - 6,000

143. Maximus’ (Russell Crowe) Prototype General Armour M

GLADIATOR (2000)
Maximus’ (Russell Crowe) prototype general armour from Ridley Scott’s Oscar®-winning The armour is displayed on a custom-built stand and has some scuffs and scratches
historical epic Gladiator. Maximus wore his armour while commanding the Roman legions from use and age, most notably on the interior. Dimensions (displayed): 30 cm x 40 cm
against the barbarians in the opening battle. x 74 cm (11 ¾” x 15 ¾” x 29 ¼”)
The armour is a prototype version made of fibreglass painted to appear bronze and
silver. The chestplate and backplate are connected with a pair of leather straps on each Estimate: £3,000 - 5,000
side. The armour has been intentionally distressed, with slashes on the chestplate to
make it appear battle-worn.

102 103
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

145. Zucchabar Arena Gladiator 147. Gremlin Puppet Ω

Helmet and Leg Armour †Δ
GREMLINS 2: THE NEW BATCH (1990)
GLADIATOR (2000)
A gremlin puppet from Joe Dante’s comedy-horror sequel Gremlins 2: The New Batch.
A Zucchabar arena gladiator helmet and set of leg armour After taking over the Clamp Center in New York, a horde of vile gremlins wreaked havoc
from Ridley Scott’s Oscar®-winning historical epic Gladiator. on those still trapped in the high-tech, high-rise building. This full-body puppet was created
Gladiators wore their helmets and armour in the arena at by Academy Award®-winning special makeup effects artist Rick Baker and his team.
Zucchabar during Maximus’ (Russell Crowe) first fight, and
This gremlin’s head is made of foam latex, while its body is made of latex and polyfoam,
this armour was worn by a warrior who fought Maximus’
with a metal skeleton. It is painted predominantly brown and orange, with red resin eyes.
ally Hagen (Ralf Moeller).
Lengths of fishing wire and string protrude from several parts of the body, allowing it to
The lot comprises a helmet with protective cheek and be puppeteered. The gremlin has some wear from production use and age, most notably
nose guards; a pair of knee pads; and a pair of greaves cracking to the fragile latex skin in places, while the tip of its right ear has come away.
featuring adjoined foot guards. All five components are The gremlin is displayed on a custom-made, clear acrylic stand. Dimensions (displayed):
made of fibreglass and are finished in silver paint to 42 cm x 46 cm x 67 cm (16 ½” x 18” x 26 ½”)
resemble metal, with added distressing to replicate a
battle-worn appearance.
Special shipping required; see special shipping notice in the Buyer’s Guide.
The armour features several long brown leather ties,
and pieces of foam padding are adhered to the helmet’s Estimate: £5,000 - 7,000
interior. The set exhibits minor wear and dust remnants
from production use. Dimensions (helmet): 33 cm x 16 cm
x 31 cm (13” x 6 ¼” x 12 ¼”)

Estimate: £4,000 - 6,000

146. Lyra’s (Dakota Blue Richards) 148. Brown Half-Body Gremlin Puppet Ω
Alethiometer Ω
GREMLINS 2: THE NEW BATCH (1990)
THE GOLDEN COMPASS (2007)
A brown half-body gremlin puppet from Joe Dante’s comedy horror sequel Gremlins 2:
Lyra’s (Dakota Blue Richards) alethiometer from Chris The New Batch. Having taken over Clamp Center in New York, a horde of vile gremlins
Weitz’s fantasy adventure The Golden Compass. The wreaked havoc against those still trapped in the building.
alethiometer is the “golden compass” of the film’s title
This latex and polyfoam gremlin puppet with its bottom half open for puppeteering is
and is thus a key prop, which featured heavily throughout
painted brown, orange, and black with veiny resin eyes and black painted pupils. The
the movie. This spiritual device gave a true answer to any
head, which previously broke off the body due to deterioration, has been re-attached
question asked, and was used by Lyra as she travelled
through restoration and stabilization. The puppet remains extremely fragile with cracked
north to rescue her best friend Roger (Ben Walker) and
and flaking latex throughout and a puncture at the bottom chest. Dimensions: 51 cm x
other kidnapped children from the Gobblers.
25.5 cm x 56 cm (20” x 10” x 22”)
This particular closed version of the alethiometer was used
when the practical opening version – which was extremely Estimate: £3,000 - 5,000
complex and expensive to make – was not required.
The prop department created the ornate outer shell of
the device from forged brass, which is decorated with
intricately engraved symbols and numbers. Three faux
winding crowns adorn the outside edge, and the lot
displays some intentional weathering to appear used.
Dimensions: 9.5 cm x 8.5 cm x 3 cm (3 ¾” x 3 ¼” x 1 ¼”)

Estimate: £4,000 - 6,000

104 105
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

149. Ape Mask and Suit M

TARZAN AND THE LOST CITY (1998)

An ape mask and suit from Carl Schenkel’s adventure film Tarzan and the Lost City. Nigel Ravens (Steven Waddington)
instructed his mercenaries to go hunting for the skin of an ape. However, the group were soon attacked and scared
away by a group of apes led by John Clayton/Tarzan (Casper Van Dien). This particular ape design was sculpted by
Miles Teves under the supervision of special effects artist Gary J. Tunnicliffe.
The lot consists of a latex face mask; a full body suit (labelled “Longface, Janine”); a pair of hands; and a pair of feet
containing padded insoles. The mask has two eye holes and a set of discoloured fanged teeth. Dark brown hand-
tied fur covers the suit, which features padded muscle sections on the back and the upper thighs. A foam-latex torso
section adorns the front, and a zip runs down the back. The components exhibit signs of paint wear, and patches of
fur have come away over time.

Estimate: £600 - 800

150. Ape Mask M 151. Laurie Strode’s (Jamie Lee Curtis) Hero Kitchen Knife Ω 152. Michael Myers’ (Tyler Mane) Hero Knife Ω

TARZAN AND THE LOST CITY (1998) HALLOWEEN H2O (1998) HALLOWEEN II (2009)
An ape mask from Carl Schenkel’s adventure film Tarzan and the Lost City. Nigel Ravens Laurie Strode’s (Jamie Lee Curtis) hero kitchen knife from Steve Miner’s slasher sequel Michael Myers’ (Tyler Mane) hero knife from Rob Zombie’s slasher sequel Halloween II.
(Steven Waddington) instructed his mercenaries to go hunting for the skin of an ape. Halloween H20: 20 Years Later. Laurie frantically threw several knives at Michael Myers Myers carried his knife throughout the film as he inflicted terror on the town of Haddonfield
However, the group were soon attacked and scared away by a group of apes led by (Chris Durand) as he stalked her in a kitchen, and this style of knife was seen embedded while searching for his long-lost sister Angel, who turned out to be Laurie Strode (Scout
John Clayton/Tarzan (Casper Van Dien). This particular ape design was sculpted by Gino in the door frame. Taylor-Compton).
Acevedo under the supervision of special effects artist Gary J. Tunnicliffe.
Custom-made for the production, the knife comprises a blunted metal blade with a brown The Bowie knife comprises a large metal blade with a slightly curved tip, a metal cross
The mask consists of a fibreglass under-skull with foam-latex pieces applied to its interior wooden handle that has a studio inventory barcode adhered to one side. The weapon guard and a dark-stained wooden handle. A large amount of dried stage blood is still
and brown-painted latex skin adhered to its exterior. It features brown synthetic hand- exhibits signs of production use, with remnants of stage blood present on the blade. present on both sides of the blade from production use, and the knife exhibits an
punched hair, a pair of eye holes and a set of fanged teeth, and a blue strap is attached Dimensions: 33.5 cm x 4.5 cm x 2 cm (13 ¼” x 1 ¾” x ¾”) intentionally weathered appearance.
to one side at the rear. There are signs of paint wear, with remnants of glue on the strap.
The lot is accompanied by a production tag reading “Halloween, Brad Douriff [sic], 2007”
Dimensions: 30 cm x 22 cm x 24 cm (11 ¾” x 8 ¾” x 9 ½”) Estimate: £3,000 - 5,000 and a signed certificate of authenticity from Tony Swatton, the founder of entertainment-
industry blacksmiths Sword and the Stone. Dimensions: 49.5 cm x 8.5 cm x 3 cm (19 ½”
Estimate: £300 - 500 x 3 ¾” x 1 ¼”)

Estimate: £6,000 - 8,000

106 107
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

2.4 m (7.9’)

154. Life-size Ray Harryhausen Statue M

RAY HARRYHAUSEN
A life-size statue of legendary visual effects artist Ray
Harryhausen. This statue was displayed as part of
the “Myths and Legends” exhibition at the London
153. Michael Myers’ (Brad Loree) Mask Ω Film Museum in 2010, where a special 90th birthday
celebration for Harryhausen was held in conjunction with
its opening. The statue also features in Gilles Penso’s
HALLOWEEN: RESURRECTION (2002) 2011 documentary Ray Harryhausen: Special Effects Titan.

A Michael Myers’ (Brad Loree) mask from Rick Rosenthal’s horror sequel Halloween: Created from an original life scan of Harryhausen, the
Resurrection. The iconic serial killer wore his mask throughout the film as he terrorised a highly detailed fibreglass statue is finished in metallic
group of college students taking part in a reality-show competition to spend the night at bronze-coloured paint and shows him holding a skeleton
Myers’ childhood home. This mask originates from renowned make-up artist and director warrior maquette in his right hand. The living skeleton
Gary Tunnicliffe, who was the special make-up effects creator on the film. warriors are one of Harryhausen’s most famous stop-
motion creature creations and appeared in The Seventh
The rubber mask – based on a William Shatner mask famously used in John Carpenter’s Voyage of Sinbad and Jason and the Argonauts.
1978 original – is predominantly painted off-white, with brown-painted eyebrows and
faux brown hair. There is a split up the back allowing it to be easily worn, and a faded The statue comes presented on a square-shaped stone
note handwritten in pink marker pen inside the neck. The mask has some wear from display base which features wooden detailing around its
production use and age, including wear to the paint, and some discolouration around edge. There are some minor signs of wear to the paint
the neck. Dimensions: 25 cm x 17 cm x 28 cm (9 ¾” x 6 ¾” x 11”) finish, and scuffing is present on the wooden parts of the
base. Dimensions (displayed): 88 cm x 74 cm x 240 cm
(34” x 29 ¼” x 94 ½”)
Estimate: £20,000 - 30,000
Special shipping required; see special shipping notice in the Buyer’s
Guide.

Estimate: £10,000 - 15,000

108 109
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

155. Ray Harryhausen-autographed Life-size Medusa Statue M

CLASH OF THE TITANS (1981)

A life-size statue of Medusa from Desmond Davis’ fantasy-adventure film Clash of and Medusa’s demonic face features a pair of piercing eyes and a set of sharp teeth.
the Titans signed by Ray Harryhausen. Perseus (Harry Hamlin) battled Medusa in her The upper half of her body shows scaly reptilian skin painted in shades of green, and the
Underworld lair, decapitating her so he could use her head to defeat the Kraken. Medusa lower half consists of a coiled rattlesnake tail, painted brown. She has a snake wrapped
was designed and created by legendary visual effects artist Ray Harryhausen, who around her right arm and holds a cream-coloured arrow in her left hand. Medusa also
throughout his seven-decade career used stop-motion animation to bring many beloved wears a brown quiver on her back, containing three removable faux arrows; the quiver
fantastical creatures to life. is signed in gold-coloured ink by Harryhausen.

This statue was produced from a digital scan of the original Medusa puppet created by The statue is presented on a large rectangular wooden base, designed to resemble stone,
Harryhausen for filming. It was displayed as part of the “Myths and Legends” exhibition although it is not attached. There are signs of wear to the statue’s paint finish in places,
at the London Film Museum in 2010, where a special 90th birthday celebration for with marks on the quiver. Some minor sympathetic restoration has been undertaken
Harryhausen was held in conjunction with the exhibition’s opening. The statue also on the right hand, snakes and tail. Dimensions (displayed): 248 cm x 250 cm x 239 cm
appears in Gilles Penso’s 2011 documentary Ray Harryhausen: Special Effects Titan. (97 ½” x 98 ½” x 94”)

The highly detailed statue is made of hard ‘biscuit foam’ with a fiberglass resin skin and Special shipping required; see special shipping notice in the Buyer’s Guide.
a varnished finish. Several snakes are intertwined with its synthetic orange-coloured hair,
Estimate: £20,000 - 30,000

2.48 m (8.2’)

110 111
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

156. Ray Harryhausen Hand-drawn

Concept Artwork of Cerberus and
Jason (Todd Armstrong) †Δ

JASON AND THE ARGONAUTS (1963)

A Ray Harryhausen hand-drawn concept artwork of
Cerberus and Jason (Todd Armstrong) from the production
of Don Chaffey’s mythical adventure film Jason and the
Argonauts. This particular piece depicts a deleted scene
in which Jason fought Cerberus, the canine guardian of
Hades, here portrayed with two heads. The concept was
later used in Desmond Davis’ Clash of the Titans (1981),
in which Perseus (Harry Hamlin) battled Dioskilos, the
two-headed dog.
The artwork is rendered in pencil on tracing paper and
shows the unarmed Jason charging towards the hellish
hound. The piece has tears along the top, a missing
bottom-left corner and light graphite smudging throughout.
Dimensions: 50 cm x 37 cm (19 ¾” x 14 ½”)

Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £2,000 - 3,000

157. Ray Harryhausen Hand-drawn

Temple of the Oracle Concept Art †Δ

THE GOLDEN VOYAGE OF SINBAD (1973)

Concept art of the Temple of the Oracle hand-drawn by
Ray Harryhausen, from the production of Gordon Hessler’s
fantasy adventure The Golden Voyage of Sinbad.
The concept artwork is rendered in pencil on white paper,
and depicts the scene in which Sinbad (John Phillip
Law) and his crew meet the Oracle of All Knowledge
(Robert Shaw). The artwork shows light smudging and
discolouration from age, and the bottom-left corner has
been torn off. Dimensions: 50 cm x 41 cm (20” x 16”) 158. Ray Harryhausen Hand-drawn Concept Art of Sinbad’s (John Phillip Law) Fight with Kali †Δ

Sold without copyright; see copyright notice in the Buyer’s Guide.

THE GOLDEN VOYAGE OF SINBAD (1973)
Estimate: £2,000 - 3,000 Concept art of Sinbad’s (John Phillip Law) fight with Kali hand-drawn by Ray Harryhausen, creasing and slight discolouration along the top edge from age. Dimensions: 52 cm x
from the production of Gordon Hessler’s fantasy adventure The Golden Voyage of Sinbad. 38 cm (20 ½” x 15”)

The artwork is rendered in pencil on tracing paper, and depicts the scene in which Sold without copyright; see copyright notice in the Buyer’s Guide.

Sinbad and his crew battle Kali, the multi-armed, blade-wielding statue. It shows minimal
Estimate: £4,000 - 6,000

112 113
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

160. Harry Potter’s (Daniel Radcliffe) Pyjamas M

HARRY POTTER AND THE PHILOSOPHER’S STONE (2001)

Harry Potter’s (Daniel Radcliffe) pyjamas from Chris Columbus’ fantasy-adventure film
Harry Potter and the Philosopher’s Stone. Harry wore his nightclothes in several scenes,
including the moment he received an invisibility cloak on Christmas morning, and
the scene in the hospital wing, where Dumbledore (Richard Harris) informed him the
Philosopher’s Stone had been destroyed.
Warner Bros. originally donated this lot as part of a Harry Potter prize to the Children with
Leukaemia Charity Ball, held at Grosvenor House Hotel in London in 2010. This pair of
white cotton pyjamas with blue stripes was custom-made for the production by Derek
Rose, but ultimately unused. They comprise a long-sleeved button-up shirt and a pair of
trousers. The lot is accompanied by three printed stills from the film and a photocopy of
the original list of items included in the Charity Ball prize.

Estimate: £3,000 - 5,000

159. Harry Potter (Daniel Radcliffe) Hogwarts Acceptance

Letter M

HARRY POTTER AND THE PHILOSOPHER’S STONE (2001)

A Hogwarts acceptance letter from Chris Columbus’ fantasy-adventure film Harry Potter
and the Philosopher’s Stone. Owl post inundated the Dursley household with letters
informing Harry Potter (Daniel Radcliffe) of his acceptance into Hogwarts, despite his
Uncle Vernon’s (Richard Griffiths) best efforts to hide or destroy them.

The envelope is made from marble-effect paper, with Harry’s address printed in green
on the front and the Hogwarts crest on the reverse. As a hero envelope, it features a
red wax Hogwarts seal, unlike the many entirely printed versions also used in the scene.
The envelope remains sealed with a letter contained within, and is in excellent overall
condition. The wax seal has cracked and a small fragment is missing at the bottom, but the
Hogwarts crest is still clearly identifiable. The envelope is accompanied by a printed letter
of donation from Warner Bros., a copy of the letter contained within, and a photocopied
front cover of a 2001 edition of USA Weekend featuring Radcliffe opening a similar letter.
Dimensions (envelope): 13 cm x 18 cm x 0.5 cm (5 ¼” x 7 ¼” x ¼”)

Estimate: £10,000 - 15,000

114 115
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

George Major Harry Potter Collection

The following five lots were initially gifted directly from the
Harry Potter production to a young boy named George
Major, who was diagnosed with Leukemia at the age of
four and underwent treatment for three and a half years.
During this difficult time, he raised over £50,000 for charity
and received a Pride of Britain award for his achievements.
Towards the end of his successful treatment, George
was granted a wish: to visit the Harry Potter film set at
Leavesden during filming. He experienced a private tour
of the sets and various production departments, and had
the chance to meet Daniel Radcliffe, who was filming some
final green-screen sequences.
A percentage of the proceeds from the sale of George’s collection will
be donated to the Starlight Children’s Foundation.

161. Golden Snitch Executive Crew Gift M

HARRY POTTER AND THE PHILOSOPHER’S STONE (2001)

A golden snitch executive crew gift from the production of Chris Columbus’ fantasy- This snitch is constructed from gold-plated brass, and has intricate silver-coloured wings. It
adventure film Harry Potter and the Philosopher’s Stone. The Golden Snitch was the most is presented in a custom-made wooden box with a black velvet interior and brass clasps.
important ball in the broomstick-based sport known as Quidditch, and replica snitches The lot also includes a Warner Bros. certificate of authenticity, and displays minimal wear
were gifted to Warner Bros. executives and VIPs to commemorate the film’s release. from handling. Dimensions (snitch): 16 cm x 5 cm x 4 cm (6 ¼” x 2” x 1 ½”); (box): 13.5 cm
Only 50 are thought to have been produced. x 22 cm x 11 cm (5 ¼” x 8 ¾” x 4 ¼”)

Estimate: £3,000 - 5,000

162. Dumbledore’s (Michael Gambon)

Office Train Set M

HARRY POTTER AND THE PRISONER OF

AZKABAN (2004)
Dumbledore’s (Michael Gambon) train set from Alfonso
Cuarón’s fantasy sequel Harry Potter and the Prisoner of
Azkaban. A train set circled one of the many orreries seen
within Dumbledore’s converted office when Professor
Lupin (David Thewlis) taught Harry (Daniel Radcliffe) the
Patronus charm.
163. Background Wand M
The item is an original O-gauge Hornby® clockwork train
HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (2011)
set that has been modified by the senior special effects
technician Nigel Brackley to be battery operated. The set A background wand from David Yates’ fantasy adventure Harry Potter and the Deathly
consists of a green locomotive, three brown train cars, 11 Hallows: Part 2. Students carried their wands as they prepared for the Battle of Hogwarts
rails, a clockwork engine mechanism and a large spiral against Voldemort (Ralph Fiennes) and his Death Eaters.
spring. The train is made of diecast metal tin and plastic
and comes in its original storage box. Displaying signs Made of resin, the wand is finished in shades of brown paint to resemble natural wood,
of age and production use, the set comes with a pair of and displays a faux-grain texture. It has eight lizard-like creatures etched along its length.
Warner Bros. rental invoices, a copy of a Hornby Hobbies The wand exhibits some signs of wear at the base, and bubble marks from the casting
article, a printed letter explaining its history and a hand- process. Dimensions: 37 cm x 1 cm x 1 cm (14 ½” x ½” x ½”)
written compliments slip. Dimensions (storage box): 41 cm
x 36 cm x 9 cm (16” x 14” x 3 ½”) A percentage of the proceeds from the sale of this lot will be donated to the Starlight Children’s Foundation.

Estimate: £3,000 - 5,000 Estimate: £6,000 - 8,000

116 117
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

165. Gryffindor House Tie M

HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (2011)

A Gryffindor House tie from David Yates’ fantasy-adventure Harry Potter and the Deathly
Hallows: Part 2. Hogwarts students wore ties as part of their uniform throughout the film,
including the sequence where Severus Snape (Alan Rickman) and Professor McGonagall
(Maggie Smith) duelled in the Great Hall.

The Seppi silk tie is scarlet red and decorated with gold-coloured diagonal stripes – red
and gold being the Gryffindor colours. The tie shows minimal signs of wear, with some
light creasing from storage over time.

A percentage of the proceeds from the sale of this lot will be donated to the Starlight Children’s Foundation.

Estimate: £2,000 - 3,000

166. Gryffindor House Patch and “Monitor” Badge M

HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (2011)

164. Hogwarts Student Gryffindor House Robe M
A Gryffindor House patch and “Monitor” badge from David Yates’ fantasy adventure
Harry Potter and the Deathly Hallows: Part 2. House patches decorated the robes worn
HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (2011) by students attending Hogwarts. They were notably seen in the Great Hall when Severus
A Hogwarts student Gryffindor House robe from David Yates’ fantasy adventure Harry Snape (Alan Rickman) ordered any students who knew the whereabouts of Harry Potter
Potter and the Deathly Hallows: Part 2. Hogwarts students were wearing robes as part (Daniel Radcliffe) to come forward.
of their uniform when Severus Snape (Alan Rickman) called for an assembly in the Great The black embroidered felt patch shows a lion on a red-and-gold-coloured shield, with
Hall, where he ordered anyone who knew the whereabouts of Harry Potter (Daniel “Gryffindor” below the shield in black. The red enamel bar badge features the word
Radcliffe) to come forward. “Monitor” in gold-coloured text. There are minimal signs of wear on both items. Dimensions
The black cotton robe features a large pointed hood and short wide sleeves, with an (patch): 8 cm x 7 cm (3 ¼” x 2 ¾”); (badge): 1 cm x 4.5 cm x 0.5 cm (½” x 1 ¾” x ¼”)
embroidered Gryffindor crest adorning the left breast. It is lined with black synthetic
fabric, with burgundy cotton lining the hood and front facings. Pockets are incorporated A percentage of the proceeds from the sale of this lot will be donated to the Starlight Children’s Foundation.
into the side seams and there is a button fastening on the front. The cloak displays signs
of production use, including minor marks, with small holes at the back of the exterior Estimate: £1,500 - 2,500
neckline and on the lining neckline, which has caused some fraying.

A percentage of the proceeds from the sale of this lot will be donated to the Starlight Children’s Foundation.
Everett Collection Inc / Alamy Stock Photo
Estimate: £10,000 - 15,000

118 119
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

167. Set of Fawkes Feathers M

169. Collection of Crew Clothing M
HARRY POTTER AND THE DEATHLY
HALLOWS: PART 2 (2011) HARRY POTTER SERIES
A set of Fawkes feathers from the production of David A collection of crew clothing from various Harry Potter
Yates’ fantasy adventure Harry Potter and the Deathly productions. The lot consists of a black cotton Chamber
Hallows: Part 2. Fawkes was Albus Dumbledore’s (Michael of Secrets cap (labelled “Size: 57cm”); a grey-and-black
Gambon) beloved pet phoenix, who had left Hogwarts “Creatures & MakeUp FX” fleece-lined waterproof jacket
after the wizard headmaster’s death in Harry Potter (no size marked); a navy blue Chamber of Secrets fleece
and the Half-Blood Prince. Fawkes was created using a gilet (size M); a navy blue Chamber of Secrets T-shirt (size
combination of CGI and an animatronic puppet covered M); a black “HP2 Crew” hoodie (size M); a dark grey “HP
in vibrantly dyed feathers. The puppet was so convincing Crew” woollen jumper (size M); a grey “Quidditch VFX
that actor Richard Harris – who played Dumbledore in the Crew” baseball-style top (size S); a dark green “HP Crew”
first Harry Potter film – initially believed it was a real bird. T-shirt (size S); and a light blue “Hogwarts Quidditch” T-shirt
(no size marked). The set displays light wear from use,
The lot comprises seven feathers dyed in shades of red minor plucks and cracking on some of the printed text.
and orange. They come with a Warner Bros. compliment
slip displaying a handwritten message, and their original
envelope, which features “George” written in black ink.
Estimate: £400 - 600
There are light signs of creasing and minor marks on the
envelope. Dimensions (largest): 12 cm x 6.5 cm (4 ¾” x 2
½”); (slip): 10 cm x 21 cm (4” x 8 ¼”)

A percentage of the proceeds from the sale of this lot will be donated
to the Starlight Children’s Foundation.

Estimate: £800 - 1,200

170. Major Marquis Warren’s (Samuel

L. Jackson) Complete Costume M

THE HATEFUL EIGHT (2015)

Major Marquis Warren’s (Samuel L. Jackson) complete
costume from Quentin Tarantino’s Western The Hateful
Eight. Warren wore his costume throughout the film.
It consists of a white shirt; a floral-patterned waistcoat;
168. Daniel Radcliffe and Main Cast-autographed Replica a black jacket; a navy blue overcoat with yellow lining
Wands and Gryffindor Banner M labelled “Warren 6”; a pair of black trousers; a pair of black
leather boots; a black, wide-brim hat; a black, leather belt
labelled “Maj. Warren ½ ‘Hero’ Double”; black, elasticated
HARRY POTTER AND THE DEATHLY HALLOWS: PART 1 AND PART suspenders; a red tie; a long woollen scarf; and a pair
2 (2010-2011) of leather gloves. The costume has been intentionally
A collection of cast-autographed wands and a banner from the promotion of David Yates’ distressed to appear well worn, especially the gloves
two-part fantasy-adventure sequel Harry Potter and the Deathly Hallows: Part 1 and Part 2. and waistcoat. The belt features loops for several metal,
faux bullets. The costume has some additional wear from
The lot includes replica wands for Harry Potter (Daniel Radcliffe), Voldemort (Ralph production use, including scuffing and scratches to the
Fiennes), Luna Lovegood (Evanna Lynch) and Albus Dumbledore (Michael Gambon), leather pieces.
all except Dumbledore’s are autographed by their corresponding cast member in black
or silver-coloured ink. Each wand is made of plastic and comes in a card box featuring Estimate: £5,000 - 7,000
scenes from the film, and an additional autographed piece of paper.
Completing the set is a red, yellow and blue polyester Gryffindor banner autographed
by Radcliffe, Emma Watson and Rupert Grint in black ink. The boxes exhibit minor wear
from their time in storage. Dimensions (each wand box): 39.5 cm x 7 cm x 3.5 cm (15 ½”
x 2 ¾” x 1 ½”); (banner): 142 cm x 40 cm (56” x 15 ¾”)

Estimate: £1,000 - 1,500

120 121
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

171. Sammael Mechanical Head M

HELLBOY (2004)
A Sammael mechanical head from Guillermo del Toro’s
fantasy horror Hellboy. Mechanical heads were used
for close-up shots of Sammael the hellhound as he
fought Hellboy (Ron Perlman) and the other members of
the BPRD.
Made from fiberglass and resin with metal components,
with soft foam-latex around the snout, the head features
internal mechanisms to manoeuvre Sammael’s three
asymmetrical eyes and jaws. It also features a fitted helmet
towards the back, allowing it to be worn by the performer.
It comes with a hard foam stand, painted to look like a
ceremonial stone, which features the same symbol seen
on the demon’s body. The head shows discolouration and
wear to the foam latex, while the gelatinous substance
used around each eye has worn away entirely exposing
the mechanisms behind, and the right side of the jaw
is missing its connective latex membrane. Dimensions
(head): 57 cm x 40 cm x 28 cm (22 ½” x 16” x 11”); (stand):
47 cm x 27 cm x 14 cm (18 ½” x 10 ½ x 5 ½”)

Contains electronics; see electronics notice in the Buyer’s Guide.

Estimate: £3,000 - 5,000

172. Hellboy (Ron Perlman) Mask M

HELLBOY II: THE GOLDEN ARMY (2008)

A Hellboy (Ron Perlman) mask from Guillermo del
Toro’s supernatural superhero sequel Hellboy II: The
Golden Army.
The mask is made of foam latex and painted Hellboy’s 173. Lament Configuration Puzzle Box M
iconic red colour. An intentional split runs down the back
of the mask to the shoulders, and it has elasticated material
beneath the foam latex and protruding from the bottom,
HELLRAISER (1987)
making it easier to put on and remove. A Lament Configuration puzzle box from Clive Barker’s horror film Hellraiser. Essential to
the film’s plot, the Lament Configuration puzzle box created a gateway to a dimension
The mask is displayed upon a custom-made acrylic
of suffering, and summoned the demonic Cenobites. Frank Cotton (Sean Chapman)
bust, and has some wear from production use and age,
purchased the box at the beginning of the film, and it was eventually taken from him
including cracking to the foam latex – most notably across
by Kirsty (Ashley Laurence), who banished the Cenobites by closing the box. This lot
the bridge of the nose, around the eyes, and at the base
comes from the collection of the production’s credited special makeup effects workshop
of the neck. Dimensions (displayed): 28 cm x 31 cm x
supervisor Geoff Portass.
39 cm (11” x 12 ¼” x 15 ¼”)
One of eight boxes produced for the film, the box is made of solid oak and is decorated
Estimate: £2,000 - 3,000 with ornate brass-etched patterned panels adhered to every side. A layer of varnish is
applied all over to produce a slight shine. There are some signs of light scratching, the
brass etchings have begun to peel in some places, and there is a dent on one corner
where the box was dropped during filming. It is accompanied by a letter of authenticity
from Portass detailing its history. Dimensions: 7.5 cm x 7.5 cm x 7.5 cm (3” x 3” x 3”)

AF archive / Alamy Stock Photo

Estimate: £10,000 - 15,000

122 123
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

174. Geoff Portass’ Personal Filming Script and Behind- 177. Connor MacLeod, The Kurgan and Ramirez Hand-
the-scenes Photos M painted and Hand-drawn Costume Designs Ω

HELLRAISER (1987) HIGHLANDER (1986)

Special make-up effects supervisor Geoff Portass’ personal filming script and behind-the- A set of hand-painted and hand-drawn costume designs from the production of Russell
scenes photos from the production of Clive Barker’s horror film Hellraiser. Mulcahy’s fantasy action-adventure Highlander.

The script, credited to Clive Barker, consists of 97 pages, including the title page, which Created by Academy Award®-winning costume designer James Acheson, the designs
features Geoff Portass’ name handwritten along the top. Tabs marked with various depict Connor MacLeod (Christopher Lambert), The Kurgan (Clancy Brown) and
numbers are stuck to multiple pages. The script is bound in red card with two metal Ramirez (Sean Connery).
butterfly pins, and comes with a letter of authenticity signed by Geoff Portass.
The annotated designs are rendered in pencil, watercolour and ink on paper, and each
Of the 17 photos, six were taken during the production of Hellraiser, while 11 were taken piece is labelled with the character or actor’s name. The Connor MacLeod design features
during the production of Hellbound: Hellraiser II. Each image is numbered on the reverse a list of costume components, and a tartan swatch is stapled to the lower-left corner.
and comes with a comprehensive list detailing each image. Many of the images show Presented in protective plastic sleeves, all four drawings are signed by Acheson and
the crew at work on set or in the studio, but some show lighter moments, such as actor display minimal wear from production use and age. Dimensions (largest design): 42 cm
Doug Bradley in Pinhead make-up wearing a red nose for Comic Relief. Dimensions x 29.5 cm (16 ½” x 11 ½”); (smallest design): 29.5 cm x 23 cm (11 ½” x 9”)
(script): 30 cm x 22 cm x 2 cm (12” x 8½” x ¼”)
Sold without copyright; see copyright notice in the Buyer’s Guide.
Sold without copyright; see copyright notice in the Buyer’s Guide.
Estimate: £3,000 - 5,000
Estimate: £1,000 - 1,500

175. Mechanical Engineer Head M

HELLRAISER (1987)
A mechanical Engineer head from Clive Barker’s horror film
Hellraiser. The demonic Engineer chased Kirsty (Ashley
Laurence) after she inadvertently solved the Lament
Configuration puzzle box, causing a portal to open in the
wall of her hospital room.
The head, made by Bob Keen and his team at Image
Animation, comprises a fibreglass skull featuring a pair
of cat-like eyes; a menacing set of yellowed sharp teeth;
and a moveable lower jaw section. Contained within the
skull are multiple cables and radio-controlled servos, which
once operated the facial movements.
The majority of the head’s foam-latex skin has worn
away over time, but some remains around the cheeks
and chin areas. The head remains in a fragile state and
there are signs of wear, including scuffing and paint wear,
and the lower jaw section has warped slightly over time.
Dimensions: 28 cm x 23 cm x 44 cm (11” x 9” x 17 ¼”)

Contains electronics and mechanical components; see electronics

and mechanical components notice in the Buyer’s Guide.

Estimate: £1,000 - 1,500

176. Chatterer III (Mike J. Regan) Mask and Costume M

HELLRAISER VIII: HELLWORLD (2005)

A Chatterer III (Mike J. Regan) mask and costume from Rick Bota’s horror sequel Hellraiser: Hellworld. Chatterer notably
appeared alongside Pinhead (Doug Bradley) and the Bound Cenobite (Gary J. Tunnicliffe) when the Host (Lance
Henriksen) opened the Lament Configuration in a motel room. The items in this lot were made by special effects 178. Connor MacLeod (Christopher Lambert) and Ramirez (Sean Connery) Hand-drawn Costume Designs Ω
designer Gary J. Tunnicliffe, who later directed Hellraiser: Judgment.
The foam-latex mask features disfigured skin, a stretched open mouth revealing a set of discoloured teeth, and multiple
HIGHLANDER (1986)
incorporated silver-coloured cord pieces replicating metal hooks. There is an opening at the back which is hidden by a
faux-leather strip. The costume comprises a black foam-latex tunic and a pair of intentionally distressed black imitation A set of hand-drawn Connor MacLeod (Christopher Lambert) and Ramirez (Sean samples of gold-coloured trim. Several small rough sketches of belt designs run down
leather trousers (size 32). A zip runs down the back of the tunic and is hidden by a removable leather strip, adhered via Connery) costume designs from the production of Russell Mulcahy’s fantasy action- the left side of the MacLeod drawing. Both designs are signed by Acheson and presented
two long strips of Velcro. The lot displays signs of wear, including cracks and flaking on the foam-latex components, adventure Highlander. in protective plastic sheets. There are small tears along the top of the MacLeod sketch.
and some of the Velcro on the tunic has become unstuck over time. Dimensions (each design): 42 cm x 29.5 cm (16 ½” x 11 ½”)
Created by Academy Award®-winning costume designer James Acheson, the two
detailed, full-length sketches are rendered in pencil, one on drawing paper and the other Sold without copyright; see copyright notice in the Buyer’s Guide.
Estimate: £3,000 - 5,000 on tracing paper. The Ramirez illustration is accompanied by a peacock feather and
Estimate: £2,000 - 3,000

124 125
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

181. Full-size Battle-damaged NS-5

Robot M

I, ROBOT (2004)
A full-size, battle-damaged NS-5 robot from Alex Proyas’
sci-fi action film I, Robot. In 2035, Chicago Detective Del
Spooner (Will Smith) investigated the murder of a scientist
by an NS-5 robot, despite the fact that, according to the
“Three Laws of Robotics”, robots were not capable of
harming humans.

Most of the robots in the film were computer generated,

but life-size practical models were required for certain
scenes, such as one which took place in Dr. Lanning’s
(James Cromwell) laboratory, as well as during the climactic
battle, when Spooner and Dr. Calvin (Bridget Moynahan)
fought off a horde of NS-5s while civilians staged pitched
battles with the robots in the streets.

The robot is constructed from various different materials

– including formed acrylic for the arm and leg plates, and
1.71 m (5.6’) resin for the joints – with a metal armature at its core. Both
the legs and arms move, but are not poseable.
This robot has been intentionally battle damaged. The
head is partially melted and the chest plate is missing,
revealing its interior mechanisms and bundles of exposed
wires. One of the calf plates has also been blackened
and cracked.
The robot comes on a custom-made metal display. Other
than the obvious intentional distress, it has some additional
wear from production use, including cracked paintwork
and chips which reveal the resin beneath. Dimensions
(displayed): 56 cm x 50 cm x 192 cm (22” x 19 ¾” x 75 ½”)

Special shipping required; see special shipping notice in the

Buyer’s Guide.

Estimate: £3,000 - 5,000

179. General Katana’s (Michael Ironside) Sword M 180. Master Of Lake-town’s (Stephen Fry) Portrait †Δ

HIGHLANDER II: THE QUICKENING (1991) THE HOBBIT: THE DESOLATION OF SMAUG (2013)
General Katana’s (Michael Ironside) sword from Russell Mulcahy’s sci-fi sequel Highlander The Master Of Lake-town’s (Stephen Fry) portrait from Peter Jackson’s fantasy adventure
II: The Quickening. Katana wielded his sword throughout the film, while battling fellow prequel The Hobbit: The Desolation of Smaug. A portrait of the Master hung in his
immortal Connor MacLeod (Christopher Lambert). chambers as he and his deputy Alfrid Lickspittle (Ryan Gage) discussed their growing
concerns about civil disorder within the town.
The sword features a solid metal blade, which is fixed and does not extend as per the SFX
version in the film. The base of the blade features resin spikes and detailing, which runs Printed on canvas, with paint applied to some sections, the large portrait shows Lake-
a third of the way up its length. The guard is made of resin and the handle and pommel town’s leader standing proudly, dressed in an elaborate doublet. The piece is presented
are metal. Grey leather strips are wrapped around the grip. The sword has wear from in a dense hardened foam frame, finished to replicate the appearance of ornately carved
production use and age, while the paint has come away in places along the grip, guard wood, and “Stephen Fry” is written on the back in black paint. The frame exhibits signs
and blade. The points at the end of the spikes and guard have chipped away, revealing of production use, including light scuffing, scratching, and glue remnants. The lot is
the metal armature beneath. Dimensions: 130 cm x 33 cm x 7 cm (51 ¼” x 13” x 2 ¾”) accompanied by a handwritten note from Fry detailing the authenticity of the portrait.
Dimensions: 171 cm x 140 cm x 10 cm (67 ¼” x 55” x 4”)

Estimate: £3,000 - 5,000 Special shipping required; see special shipping notice in the Buyer’s Guide.
Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £4,000 - 6,000

126 127
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

182. Lindsay Anderson’s Palme d’Or

Cannes Film Festival Best Film Award
1969 Ω

IF... (1968)
Lindsay Anderson’s Grand Prix du Festival International
du Film, now known as the Palme d’Or - the highest prize
of the Cannes Film Festival - awarded for best movie in
1969 for if..
if… was Lyndsay Anderson’s controversial satire on life in an
English boys boarding school, starring Malcolm McDowell
in the role of Mick Travis. It is still regarded as one of the
best British movies of all time.
The prestigious Cannes award, unheard of in private
ownership, was awarded to a young Irish filmmaker in
London in the 1970’s as a first prize in a competition
for amateur short films. His film, A.R.F.A. (Automated
Robotronic Footballing Assembly), was filmed at a local
football stadium and shot in Super 8. Given the notorious
issues with sound recording on those cameras, a unique
way of syncing sound and pictures was developed.
The sound was recorded separately on reel-to-reel and
added manually to the footage, matching the sound
by slowing the projector spools by hand - quite the
technical achievement.
The Palme d’Or appears to be made from terracotta and is
inscribed “1969 Cannes festival international du film”. The
legendary golden palm itself is made from metal and is
missing a frond. There is a small chip to the top edge and
the thumb, on the open palm, is missing. There is a hole
at the base where the award was previously displayed. It
remains in overall very good condition. Dimensions: 15 x
9.5 x 5 cm (6” x 3 ¾” x 2”)

Estimate: £30,000 - 50,000

The Print Collector / Alamy Stock Photo

128 129
EN T ER TAI N M E N T M E M O RA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

184. George Lucas and Steven Spielberg Autographed

Limited-edition Poster Ω

RAIDERS OF THE LOST ARK (1981)

A George Lucas and Steven Spielberg autographed limited-edition poster from the
promotion of Spielberg’s adventure film Raiders of the Lost Ark.
This poster, distributed by Sales Corporation of America, features the original artwork
by Richard Amsel. Only 221 of these posters were ever printed, this being number 62,
and it is autographed by Lucas and Spielberg along the bottom. The poster has been
rolled and comes with a letter of authenticity verifying its origin. Dimensions: 73 cm x
62 cm (28 ½” x 24 ½”)

Estimate: £3,000 - 5,000

183. Peruvian Temple Dart Wall Piece M

185. Staff of Ra Amulet Metal Production Casting M
RAIDERS OF THE LOST ARK (1981)
A Peruvian temple dart wall piece from Steven Spielberg’s action adventure Raiders and Joe Johnston. There are no intentional holes in this particular wall piece, suggesting
RAIDERS OF THE LOST ARK (1981)
of the Lost Ark. Wall pieces decorated the interior of the Temple of the Chachapoyan that darts were not shot from it. A Staff of Ra amulet casting from the production of Steven Spielberg’s action adventure This highly detailed metal casting was made during pre-production using the original
Warriors in Peru, where Indy (Harrison Ford) retrieved the golden fertility idol during the Raiders of the Lost Ark. Thought to be a simple medallion by Marion Ravenwood (Karen mould. It features an intricate two-sided bird design with a large plastic-jewel eye, while
film’s opening sequence. One of the temple’s various booby traps shot darts out of two Made of fibrous plaster, the wall piece features a “God of Light” face and is hand-painted
Allen), its owner, the amulet became a major plot device when she and Indiana Jones glyphs and fine ridged detail adorn the borders. It has minor wear from use and age,
walls as Indy made his escape with the idol. to resemble grey stone. Faux moss is applied all over to create an ancient and decrepit
(Harrison Ford) attempted to thwart the Nazis’ discovery of the legendary Ark of the including surface scratches and some tarnishing. Dimensions: 8.5 cm x 8.5 cm x 1 cm
look. Intentionally distressed for the production, the wall piece displays areas of light
The set for the temple’s interior was built on Stage 4 at Elstree Studios, and the darts were Covenant. Indy later used it in the Map Room at Tanis to reveal the location of the Well (3 ¼” x 3 ¼” x ½”)
paint wear. Dimensions: 38 cm x 38 cm x 13 cm (15” x 15” x 5 ¼”)
created by mechanical effects supervisor Kit West, who won the Academy Award® for of Souls, the resting place of the Ark.
Best Visual Effects for his work on the film, alongside Richard Edlund, Bruce Nicholson Estimate: £8,000 - 12,000 Estimate: £3,000 - 5,000

130 131
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

188. Indiana Jones’ (Harrison Ford)

186. Thuggee Guard SFX Sword M Citroen Sedan Reference Model
Made by ILM Ω
INDIANA JONES AND THE TEMPLE OF DOOM (1984)
INDIANA JONES AND THE LAST CRUSADE
A Thuggee guard SFX sword from Steven Spielberg’s action-adventure sequel Indiana Jones and the Temple of Doom.
(1989)
This particular sword has a broad blade and was carried by one of the guards encountered by Indiana Jones (Harrison
Ford) before the climactic rope bridge sequence. It was specifically created for the scene where Indy whipped the Indiana Jones’ (Harrison Ford) Citroen Sedan reference
sword from a guard’s hand. model made by ILM from the production of Steven
Spielberg’s adventure sequel Indiana Jones and the Last
The sword comprises a metal blade covered in silver-coloured tape, and a fibreglass hilt finished in brown paint to
Crusade. While being chased by a Nazi fighter, Jones and
resemble wood. A small hole is visible underneath the tape near the grip; this was to secure the whip, allowing the
his father, Henry (Sean Connery), stole a sedan, leading the
sword to be quickly snatched. A loop of rope is tied around the hilt, which meant the sword could be attached to the
fighter into a mountainside tunnel with them.
performer’s wrist. There are notable signs of production use, including paint wear on the handle and scuffing to the
tape, notably exposing the metal on one side of the blade. Dimensions: 85 cm x 9 cm x 4.5 cm (33 ½” x 3 ½” x 1 ¾”) This grey, cream, and silver-colour plastic and wood sedan
was created as a reference for the pyrotechnic effects
Estimate: £2,000 - 3,000 sequence which took place inside the model of the tunnel.
Technicians used the model to assist with the timing of
the sequence’s effects. It includes a rubber figure in the
passenger seat. The model exhibits signs of wear from
age and use throughout. Dimensions: 40.75 cm x 23 cm
x 17.75 cm (16” x 9” x 7”)

Estimate: £1,500 - 2,500

189. Harrison Ford Autographed

Handprint M

VARIOUS PRODUCTIONS
A Harrison Ford autographed handprint obtained from a
promotional signing. The lot consists of a piece of thick
card displaying a black-ink handprint of Ford’s right hand,
which is autographed in black ink. It is accompanied
by two photographs – one large, one small – of Ford
holding up his ink-covered hand up to the camera, and
187. Steven Spielberg Director’s Chair Back M an AutographCOA letter of authentication. The lot is
presented in a grey card folder and exhibits minimal wear.
INDIANA JONES AND THE TEMPLE OF DOOM (1984) Dimensions (handprint card): 29.5 cm x 24 cm x 0.5 cm
(11 ½” x 9 ½” x ¼”)
Steven Spielberg’s director chair back from the production of his action-adventure sequel and displays minor plucked threads and marks from use on production. Dimensions:
Indiana Jones and the Temple of Doom. This style of chair back was used on location, 20 cm x 50 cm x 0.2 cm (7 ¾” x 19 ½” x ¼”) Estimate: £4,000 - 6,000
with this particular one designated for the director
The chair back is made from cream-coloured cotton fabric and displays Spielberg’s name Estimate: £2,000 - 3,000
on one side, printed in black. The lot has become discoloured and creased over time

132 133
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

190. Indiana Jones’ (Sean Patrick

Flanery) Fedora M

THE YOUNG INDIANA JONES CHRONICLES

(TV SERIES, 1992-1993)
Indiana Jones’ (Sean Patrick Flanery) fedora from George
Lucas’ television series The Young Indiana Jones
Chronicles. The fedora became a trademark item for the
character’s signature costume and was worn in multiple
episodes throughout the series. This hat was originally
obtained from a member of the stunt team.
Made from fine fur felt, the fedora features a brown
grosgrain ribbon and a leather sweatband that is imprinted
with the Herbert Johnson Hat Company name. The hat is
marked a size 7 ¼ (size 58 European) and is intentionally
distressed to achieve a worn look. There are some signs
of wear from production use and the lining has begun to
fray slightly in some areas. The fedora comes with a letter
of authenticity from the crew member. Dimensions: 34 cm
x 32 cm x 16 cm (13 ¼” x 12 ½” x 6 ¼”)

Estimate: £6,000 - 8,000

191. Shosanna Dreyfus’ (Mélanie

Laurent) Premiere Dress †

INGLOURIOUS BASTERDS (2009)

Shosanna Dreyfus’ (Mélanie Laurent) premiere dress
from Quentin Tarantino’s war film Inglourious Basterds.
Shosanna wore her dress to the premiere of Nazi
propaganda film Stolz der Nation, where she was shot
to death by Fredrick Zoller (Daniel Brühl), but not before
enacting her plan to take down the Nazi leadership.
The dress is made from a red, crepe-like material, with
zips running up the back and arms, and ruffled detailing
on each side. The dress features three intentional marks
on the chest, where Shosanna was shot. It has no size
labelling, and shows some wear from production use,
including light plucking and loose threads.
193. Iron Man’s (Robert Downey Jr.) Mark V Armoured
Estimate: £4,000 - 6,000 192. Adolf Hitler’s (Martin Wuttke) Costume M Leg Ω

INGLOURIOUS BASTERDS (2009) IRON MAN 3 (2013)

Adolf Hitler’s (Martin Wuttke) costume from Quentin Tarantino’s war film Inglourious Iron Man’s (Robert Downey Jr.) Mark V armoured leg from Shane Black’s superhero
Basterds. The Führer wore his costume while ridiculing two of his military command adventure sequel Iron Man 3. Super villain and terrorist Aldrich Killian (Guy Pearce)
and interviewing Private Butz (Sönke Möhring), the only survivor of a patrol ambushed launched an assault on the Malibu compound of Tony Stark (Downey) destroying
by the Basterds. several of the Iron Man suits in his display cases, including the Mark V, a suit Stark used
prevalently in Iron Man 2.
The costume consists of a cream woollen cape with a red lining (labelled “Adolf Hitler”);
a brown jacket (labelled “Hitler 173-A04-8P”); a pair of matching trousers (labelled “P. This dark red and silver-colour polyfoam right leg armour section features detailed scales
88”); and a brown leather holster. Adorning the back of the cape is a black-and-white throughout the front and sides as well as various gear and cog details. It is affixed to a
military cross emblem featuring a golden eagle clutching a swastika. The jacket’s left piece of unpainted foam core in the interior which is visible at the top. It exhibits signs of
breast pocket displays three German badges, and attached to the left sleeve is a red wear from age and use throughout including some paint chipping. Dimensions: 33 cm
armband bearing a swastika. The costume comes with an additional loose armband. A x 10.25 cm x 86.5 cm (13” x 4” x 34”)
Hero Collection costumier’s label is sewn inside the jacket, trousers and spare armband.
Completing the attire is a dagger comprising a metal blade, a brass-coloured ornate Estimate: £4,000 - 6,000
guard and a glossy brown grip. The weapon is sheathed in a scabbard. There are marks
present on the back of the cape, and one of the badges on the jacket is slightly loose.

Estimate: £6,000 - 8,000

134 135
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

196. James Bond (Sean Connery) Briefcase Throwing

Knife M

JAMES BOND: FROM RUSSIA WITH LOVE (1963)

James Bond’s (Sean Connery) briefcase throwing knife from Terence Young’s Bond
film From Russia With Love. Q (Desmond Llewlyn) gave Bond a special attaché case
comprising multiple gadgets, including a hidden knife, which Bond subsequently used
when he fought Red Grant (Robert Shaw) on the Orient Express. The knife is one of four
hand-made for the production by special effects technician Bert Luxford and all were
slightly different. This knife comes from the personal collection of Luxford.
The knife is made of aluminium, with a black, plastic-covered handle. It has some wear from
production use and age, including scuffs and scratches, and is accompanied by a short
letter of authenticity signed by Luxford. Dimensions: 20 cm x 4 cm x 1 cm (7 ¾” x 1 ½” x ½”)

Estimate: £8,000 - 10,000

194. Le Cercle Casino Plaques †Δ

JAMES BOND: DR. NO (1962)

A set of Le Cercle casino plaques from Terence Young’s Dr. No, the first entry in the The plaques feature a black picture of Les Ambassadeurs Club on the reverse, and
James Bond series. Gaming plaques and chips were used at Le Cercle casino, where are stamped with serial numbers. The pieces show wear from production use and age,
Agent 007 (Sean Connery) memorably introduced himself with the iconic line, “Bond, including light surface scratching and minor discolouration. Dimensions (largest plaque):
James Bond”. The production used original plaques and chips loaned by Le Cercle 7 cm x 10 cm x 0.5 cm (2 ¾” x 4” x ¼”)
casino at Les Ambassadeurs Club. This set features £100, £50, and £10 plaques. All are
made of plastic and feature pearlescent pink, yellow and peach finishes, respectively.
Estimate: £3,000 - 5,000

195. £500 Le Cercle Gaming Plaque †Δ

JAMES BOND: DR. NO (1962)

A £500 Le Cercle gaming plaque from Terence Young’s Dr. No, the first entry in the The reverse shows “£500”, “Les Ambassadeurs Club” and a black picture of the club
James Bond series. Gaming plaques and chips were used at Le Cercle casino, where itself. The plaque has warped slightly with age and some of the colours have run, most
Agent 007 (Sean Connery) memorably introduced himself with the immortal line, “Bond, notably on the unicorns. Dimensions: 7.5 cm x 11 cm x 0.5 cm (3” x 4 ¼” x ¼”)
James Bond.” The production used original plaques loaned by Le Cercle casino at Les
Ambassadeurs Club. The plaque is made of plastic and has a green pearlescent finish.
Estimate: £2,000 - 3,000
One side features “Le Cercle”, “£500” and a unicorn decoration, and is stamped “0056”.

136 137
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

197. Colonel Jacques Bouvar’s (Bob Simmons) Throwing

Knife M

JAMES BOND: THUNDERBALL (1965)

Colonel Jacques Bouvar’s (Bob Simmons) throwing knife from Terence Young’s Bond
movie Thunderball. Colonel Bouvar used his throwing knife to pin James Bond’s (Sean
Connery) sleeve to a wooden cabinet during the pre-credits sequence. The knife comes
from the personal collection of renowned special effects technician Bert Luxford.
The knife is made of steel with a yellow plastic handle. It is accompanied by a still from the
film, signed by Luxford, who also explains its use in the film. The knife has some wear from
production use and age, including scuffing and tarnishing to the blade. Parts of the plastic
handle have come away, and one side features glue residue from where the knife was
previously displayed in a frame. Dimensions: 18.5 cm x 0.5 cm x 3 cm (11 ¼” x ¼” x 1 ¼”)

Estimate: £7,500 - 9,500

198. SPECTRE Ring M

JAMES BOND: THUNDERBALL (1965)

A SPECTRE ring from Terence Young’s Bond movie Thunderball. SPECTRE agents, scuffing and scratches. The metal has become tarnished over time and the gold has
including Emilio Largo (Adolfo Celi), wore their rings throughout the film as the shadowy worn away. Dimensions: 3 cm x 1.5 cm x 2.5 cm (1 ¼” x ½” x 1”)
organisation attempted to steal two atomic bombs. This ring comes from the personal
collection of renowned special effects technician Bert Luxford. Estimate: £10,000 - 15,000
The metal signet ring features the iconic SPECTRE octopus logo stamped onto it, and
was originally golden in colour. It has wear from production use and age, including minor

138 139
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

199. James Bond’s (Sean Connery) Screen-Matched Suit M

JAMES BOND: YOU ONLY LIVE TWICE (1967)

James Bond’s (Sean Connery) screen-matched suit from Lewis Gilbert’s Bond movie
You Only Live Twice. Bond wore his suit in multiple scenes, from his arrival in Tokyo
and his encounter with secret service agent Aki (Akiko Wakabayashi), up until Tiger
Tanaka (Tetsur? Tamba) welcomed him into his home. A distinctive pinch in the
jacket’s left shoulder screen matches it to the moment Bond met sumo wrestler
Sadanoyama Shinmatsu.
It is rare for examples of Sean Connery suits to come up for auction, as many were taken
from the set by the actor after producer Albert “Cubby” Broccoli stated he could keep
any of the costumes he requested. This lot was initially obtained by a crew member, to
whom it was likely offered for sale when production wrapped.
The grey herringbone woollen two-piece suit was custom-made by tailor Anthony
Sinclair, who created clothing for all of Sean Connery’s appearances as 007. The jacket
features two button fastenings and three pockets on the front. An Anthony Sinclair label
with handwritten blue text reading “July. 1966, S. Connery. Esq, 464 – 5468 Repeat” is
located in the jacket’s interior right-breast pocket. An additional label reading “May 1966,
lt., S. Connery Esq, g., F456As5468/bm18h.b.” is sewn into the trousers.
The suit’s white cotton dress shirt and black knit tie are reproductions constructed by
Turnbull & Asser, the same company that originally made the garments for the movie.
Completing the display is a pair of smart black shoes. The suit displays minor signs of
production use and age.

Estimate: £50,000 - 70,000

Masheter Movie Archive / Alamy Stock Photo

140 141
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

200. Colibri-made Wooden Golden Gun Master Model M

JAMES BOND: THE MAN WITH THE GOLDEN GUN (1974)

The Colibri-made wooden master model of Scaramanga’s titular Golden Gun from After the production, it was gifted to the set designer responsible for the creation of
the production of Guy Hamilton’s Bond film The Man with the Golden Gun. Francisco Scaramanga’s kitchen.
Scaramanga (Christopher Lee) used his golden gun – constructed from innocuous,
everyday items – to assassinate his victims. The model is constructed from several wooden pieces, which are shaped like the items
used in the film and glued together. It is accompanied by its original envelope, which has 201. Astronaut Laser Rifle †Δ
This wooden model was made by Colibri, a company which primarily manufactures “Fragile Handle With Care -–007 Golden Gun Mock-Up/Property of ‘Colibri’” handwritten
cigarette lighters and jewellery. Colibri is credited with making the iconic gun seen in in red ink on the front. The gun model has only very minor wear from production use and JAMES BOND: MOONRAKER (1979)
the film. age, but it remains in a fragile condition, while the envelope has creasing, small tears
and staining. Dimensions (gun): 25.5 cm x 13 cm x 1 cm (10” x 5” x ½”) An astronaut laser rifle from Lewis Gilbert’s Bond movie Moonraker. Laser rifles were Presented on a custom-made display stand, the rifle displays signs of age and production
This model was used as Colibri’s master template for the iconic weapon, which also wielded by the US space marines and Drax’s (Michael Lonsdale) space station guards use, including cracking and wear to the paint finish. Some of the decals are peeling in
featured heavily in the promotional campaign for the film and has since become one of during the climactic battle in space. A rifle was also one of the gadgets tested at the places and the two selector switch components above the grip are loose. Dimensions
the most famous and recognizable weapons in cinematic history. Estimate: £4,000 - 6,000
Q-Branch workshop located in a Brazilian monastery. (displayed on stand): 49.5 cm x 13 cm x 33 cm (19 ½” x 5” x 13”)
Based on an IMI Uzi submachine gun, the heavily customised, white-painted rifle is made
predominantly of biscuit foam, with additional plastic and metal components. The weapon Estimate: £8,000 - 12,000
is decorated with silver strips at the front and also features red stripe decals.

142 143
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

204. James Bond’s (Timothy Dalton) Dinner Suit M

202. US Space Marine Model Miniature M
JAMES BOND: THE LIVING DAYLIGHTS (1987)
JAMES BOND: MOONRAKER (1979)
James Bond’s (Timothy Dalton) dinner suit from John Glen’s Bond movie The Living Daylights. Bond wore his suit when
A US space marine model miniature from Lewis Gilbert’s Bond film Moonraker. Miniature he received his mission to aid the defection of General Georgi Koskov (Jeroen Krabbé).
versions of the US marines were used for certain shots during the laser battle in space
This tuxedo was the first prize in a charity event raffle held in Berkshire in 1990. Dalton’s jacket was originally intended
against Drax’s (Michael Lonsdale) space station guards.
for the romantic comedy Brenda Starr – shot in 1986 but not released for three years – but it was ultimately not seen
Created by renowned visual effects supervisor Derek Meddings, the model consists in the film. Dalton then repurposed it for his subsequent production, The Living Daylights.
of an Action Man doll wearing a silver spacesuit decorated with small patches on both
The black suit comprises a jacket with black satin lapels, and a pair of trousers. A Bermans & Nathans label is located in
sleeves, and a vacuum-formed plastic chest pack and backpack featuring small tube-
the right interior jacket pocket, displaying printed text that reads “Timothy Dalton, 4926 cost. 3., Brenda Star [sic]”. The
like components. “22” is written on the inside of the backpack, which has a missing top
suit exhibits light wear with plucks down the trousers’ side seams. The lot comes with a handwritten letter of authenticity
section. The plastic helmet features a transparent visor section which reveals the figure’s
from Dalton confirming its use in The Living Daylights, and assorted paperwork detailing its origin.
face, and the hands are painted silver to create the appearance of gloves.
The model is mounted on a black custom-made display stand. Some components are
missing, including the feet, and the backpack’s top right corner is slightly damaged. Signs Estimate: £3,000 - 5,000
of discolouration are present on parts of the suit, and the model exhibits paint wear.
Dimensions (displayed): 43 cm x 12 cm x 16 cm (17” x 4 ¾” x 6 ¼”)

Estimate: £6,000 - 8,000

203. Model Unit Clapperboard M

JAMES BOND: OCTOPUSSY (1983)

A model unit clapperboard from the production of John Glen’s Bond film Octopussy.
2.57 m (8.4’)
Marked for use by the “SFX Model Unit”, the clapperboard is made from black-painted
wood and features the text “Eon Prods Ltd – Octopussy” painted in white letters along
the top. The names of model effects supervisor Brian Smithies and model photographer
Leslie Dear are situated below the title, while “13-1-83” and “Exterior – Day” run along 205. MiG-29 Fighter Jet Model Miniature †
the bottom. Adhesive canvas tape featuring black handwritten text is applied all over the
clapperboard. In some fields, the tape is layered thickly, indicating that this clapperboard
JAMES BOND: GOLDENEYE (1995)
was reused many times. The lot displays signs of production use, and some of the
tape strips have begun to peel on the back. Dimensions: 35 cm x 38 cm x 1.5 cm A MiG-29 fighter jet model miniature from Martin Campbell’s Bond film GoldenEye. MiGs effects would have made the engines appear functional, although these effects are no
(13 ¾” x 15” x ½”) were scrambled after the attack on the Siberian radar facility, but were brought down by longer present.
a surprise EMP attack from the titular superweapon. Built by Academy Award®-nominee
Derek Meddings and his team, the model miniature is made predominantly of lightweight The model has some wear, most notably flaking paint on the back and a crack along one
Estimate: £4,000 - 6,000 of the missiles. Dimensions: 257 cm x 185 cm x 55 cm (101 ¼” x 72 ¾” x 21 ¾”)
wood covered with a camouflage skin and Russian military decals. It has resin engine
nozzles and additional detailing, as well as a clear acrylic cockpit with a model pilot and
Special shipping required; see special shipping notice in the Buyer’s Guide.
six missiles. The cockpit can be removed, revealing a label identifying the MiG as “Model
No.4”, and two compartments on the back can also be removed, where light and smoke
Estimate: £7,000 - 10,000

144 145
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

20.5 cm (8”)

1.85 m (6’)

206. Xenia Onatopp’s (Famke Janssen) Helicopter 207. Elektra King’s (Sophie Marceau) Cheque, Casino
Costume M Plaques, Chips and Notepad M
Mike Webster/Shutterstock
JAMES BOND: GOLDENEYE (1995) JAMES BOND: THE WORLD IS NOT ENOUGH (1999)
Xenia Onatopp’s (Famke Janssen) costume from Martin Campbell’s Bond movie Elektra King’s (Sophie Marceau) cheque and a set of L’Or Noir Casino chips, plaques,
GoldenEye. Onatopp, the Soviet assassin who worked for renegade 00 agent Alec and notepad from Michael Apted’s Bond movie The World is Not Enough. Elektra King
Trevelyan (Sean Bean), wore her costume during the final scenes of the film as she chased received a cheque after arriving at Valentin Zukovsky’s (Robbie Coltrane) casino, while 208. Fire Damaged Pinewood Studios 007 Soundstage Lettering †Δ
down Bond (Pierce Brosnan) in Cuba. She rappelled from a helicopter and fought Bond, the casino’s glamorous clientele used chips, plaques and notepads.
who managed to reconnect her safety rope and shoot the helicopter down.
Printed on green paper, the cheque is made out to “Miss Elektra King” for the sum of JAMES BOND: PINEWOOD STUDIOS (2006)
The costume consists of a nylon woven top with padded shoulders and chest; a pair of “One Million” dollars, and features Zukovsky’s printed signature and the date “7/12/99”.
nylon trousers with plastic zips down the length of each leg; a black leather belt with a The cheque is accompanied by a set of four plastic chips and three acrylic plaques A set of letters from a sign for the Albert R. Broccoli 007 soundstage at Pinewood Studios. marks, with significant warping to the bottom edge of the “7” and one “0”. Dimensions
metal buckle and ring loops; and a black-and-purple safety harness with plastic clips and decorated with Zukovsky’s face in profile. Completing the lot is a notepad with the L’Or After filming for Casino Royale ended, the sound stage caught fire for the second time in (largest letter): 185 cm x 135 cm x 15 cm (72 ¾” x 53” x 6”); (smallest letter): 20.5 cm x
adjusters. Also included is a black-and-white still showing Onatopp in the film, a printed Noir logo at the top of the first four pages. There are small pieces of tape and glue on its history, on July 30, 2006, while the set for the Venetian piazza was being dismantled. 18.5 cm x 2.5 cm (8” x 7 ¼” x 1”)
costume design and a page of printed storyboards depicting the character’s death. The the backs of each item, from when they were previously displayed. Dimensions (cheque): These letters were taken down during the fire, and were later salvaged from a skip. Special shipping required; see special shipping notice in the Buyer’s Guide.
garments display minor wear from production use and age, and the lot is accompanied 18.5 cm x 11 cm (7 ¼” x 11 ½”); (each plaque): 14 cm x 6.5 cm x 0.3 cm (5 ½” x 2 ½” x ¼”)
Made of polished aluminium, the letters consist of a giant “007” logo, including the gun
by a letter of authenticity from EON.
emblem, with 11 smaller letters from the text which read “Albert R. Broccoli” and “Stage”. Estimate: £4,000 - 6,000
Estimate: £4,000 - 6,000 Signs of fire damage remain, and several letters are missing. The lot exhibits several
Estimate: £8,000 - 12,000

146 147
EN T ER TAI N M E N T M E M O RA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

210. Set of Three High Table Currency Coins M

JOHN WICK: CHAPTER 3 - PARABELLUM (2019)

A set of three High Table currency coins from Chad Stahelski’s action-thriller sequel John
Wick: Chapter 3 - Parabellum. Assassins affiliated with the network of Continental hotels
run by The High Table used gold coins as their currency for any and all services rendered.
The three coins are made of gold-coloured metal alloy, engraved on one side with a sunlit
lion emblem, the Roman numerals MMI, and the Latin text “Ens Causa Sui”, translated
as “Something Generated Within Itself”. They are engraved on the other side with a
haloed figure, a laurel, and the text “Ex Unitae Vires”, or “Out of Unity Comes Strength”.
One coin is lightly stained blue on the lion’s mane from production use, and the set is in
excellent overall condition. Dimensions (each coin): 4 cm x 4 cm x 0.2 cm (1 ½” x 1 ½” x ¼”)

Estimate: £3,000 - 5,000

211. Rico’s (Armand Assante) Costume Ω

JUDGE DREDD (1995)

Rico’s (Armand Assante) costume from Danny Cannon’s sci-fi comic book adaptation Judge Dredd. Disgraced former
street judge Rico wore his costume while meeting in secret with Judge Griffin (Jurgen Prochnow), the council member
who freed him from imprisonment.
This costume consists of a navy polyester blend bodysuit with an M.B.A. Ltd. wardrobe label reading “ARMAND ASSANTE
06014 RICO 1 JUDGE DREDD” ; a navy polyester zip-up jacket with yellow details on the collar and a pair of metal buckles
with an M.B.A. Ltd. wardrobe label reading “ARMAND ASSANTE 06014 RICO 1 JUDGE DREDD” in the interior; a black
rubber and fastening strip belt with a false rubber pouch and a black metal and resin street judge Lawgiver holster;
a gold-colour brass street judge belt buckle; a pair of black foam rubber left stunt knee pads with a pair of clasped
straps and a foam interior; and a pair of black rubber and leather boots with copper-colour details marked “ARMAND
ASSANTE”. It exhibits signs of wear from age and use throughout, including a damaged clasp on one of the knee pads.

Estimate: £5,000 - 7,000

209. Jason Hockey Mask Ω

JASON GOES TO HELL: THE FINAL FRIDAY (1993)

A Jason hockey mask from Adam Marcus’ slasher sequel Jason Goes to Hell: The Final Friday. Jason (Kane Hodder)
wore his hockey mask at the beginning of the film, when he was lured into an ambush and blown into small pieces,
and at the end, when he was resurrected.

The mask was initially made for the production as a prototype and differs in construction and colouring from the hero
version worn by Hodder in the film. It was later repurposed and put on a Jason dummy for the climactic scene in which
Jessica (Kari Keegan) kicks a mystical dagger deep into Jason’s chest. The mask itself is not seen in shot.
The mask is made of resin and hand-painted. It is intentionally distressed to look old and broken. It has some wear
from production use and age, including signs of repair, glue remnants where it was attached to the dummy, cracks, and
dried stage blood. The lot is accompanied by a Friday The 13th Props Museum certificate of authenticity. Dimensions:
22 cm x 18 cm x 7 cm (8 ¾” x 7” x 2 ¾”)

Estimate: £15,000 - 20,000

148 149
EN T ER TAI N M E N T M E M O RA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

2.1 m ( 6.9’)

212. Full-size Screen-matched ABC Warrior Robot with Light-up Animatronic Remote-control Head M

JUDGE DREDD (1995)

A full-size ABC Warrior Robot with an animatronic remote-control head from Danny The full-size ABC Warrior was engineered by a team consisting of Mike Dunleavy, Robert
Cannon’s sci-fi adventure Judge Dredd. Discovered in the possession of the arms dealer Malos, Brian Morrison, Paul Taylor, Robbie Scott, Peter White and Joss Williams. It has a
Geiger (Ian Dury) by the recently escaped Rico (Armand Assante), the ABC Warrior was maneuverable metal internal structure surrounded by cables, rubber and metal tubing.
programmed to follow only Rico’s commands, and was used to devastating effect in his Fibreglass armour plating covers the robot’s frame, creating its menacing appearance.
war against the Judges. The armour, hands, head and feet have been painted with a metallic grey undercoat and
a rust-coloured top coat, allowing the top coat to be scratched away to reveal metallic
The robot features many scuffs and signs of battle damage that screen match it to the
grey beneath, giving the impression of battle damage and age. The robot’s neck, eyes
scene in which Rico used it to threaten Judge Griffin (Jürgen Prochnow), and to the
and jaw are manipulated using a remote control, which features a handwritten label
moment Rico commanded it to wreak havoc on the streets of Mega-City One. It also screen
reading “Dread Neck”, and the eyes light up orange, changing to red when the robot is
matches the moment the droid dismembered Judge Griffin, and the final scenes in which
in “War Mode”. The controller comes with charging cables.
it shot Fergie (Rob Schneider) and grabbed Judge Hershey (Diane Lane) by the throat.
The robot is presented in an imposing stance, secured on a stand. It shows minor wear
The ABC Warriors comic series appeared alongside Judge Dredd in the British sci-fi
from production use and age, displaying signs of slight internal rust, repaired components
anthology comic-book 2000 AD, making its debut in issue 119 in 1979. The leader of the
on the hands and sympathetic restoration over the years since the production. Dimensions:
ABC Warriors, Hammerstein, had been a running character in previous series Ro-Busters,
140 cm x 140 cm x 210 (55” x 55” 82 ½”)
which first appeared in weekly sci-fi comic magazine Starlord (1978) and again in 2000
AD later the same year. In 1995, series creator Pat Mills wrote a story for Judge Dredd Contains electronics; see electronics notice in the Buyer’s Guide.
entitled “Hammerstein”. The introduction of the character to the Dredd universe sparked Special shipping required; see special shipping notice in the Buyer’s Guide.
the idea for the addition of the unnamed ABC Warrior in the movie adaptation, using a
design similar to the Hammerstein character
Estimate: £50,000 - 70,000

150 151
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

213. Alan Parrish’s (Robin Williams) Screen-matched Shawl Ω

JUMANJI (1995)
Alan Parrish’s (Robin Williams) screen-matched shawl from Joe Johnston’s adventure film The shawl consists of coated fabric leaves ranging in design, shape and length, finished
Jumanji. After being imprisoned for 26 years in the supernatural board game Jumanji, in varying shades of green. Strips of flexible boning and wire are adhered to the back of
Parrish returned to his family home dishevelled and dressed in a shawl made of leaves. some leaves to give them shape. Braided twine forms the tie at the front, with sporadic
The paint finish and intentional distressing on certain leaves screen-match to the scene strands of twine wrapped around the tops of the leaves near the neckline. The shawl
where Alan ran outside and encountered police officer Carl Bentley (David Alan Grier). displays minor wear, fading in places, and some of the leaves’ tips have bent over time.

Estimate: £3,000 - 5,000

215. Park Visitor Brochure Ω 216. Dinosaur Egg Ω

JURASSIC PARK (1993) JURASSIC WORLD (2015)

A park visitor brochure from Steven Spielberg’s Academy Award-winning sci-fi action- A dinosaur egg from Colin Trevorrow’s dinosaur adventure sequel Jurassic World. When
214. Alan Parrish’s (Robin Williams) Knife Ω adventure Jurassic Park. The park’s brochures appeared in the film at various locations, dinosaur safari park operations manager Claire Dearing (Bryce Dallas Howard) gave
including the Visitor Centre and within the Ford Explorer tour vehicles. a speech regarding the state of the park, dinosaur eggs were seen incubating in the
lab area.
JUMANJI (1995) This double-sided paper brochure features a printed map of Jurassic Park on one side,
pinpointing different sites on the island including the Visitor Centre, helipad, dinosaur This eggshell-colour oval-shaped resin egg is based on the size and shape of an ostrich
Alan Parrish’s (Robin Williams) knife from Joe Johnston’s adventure film Jumanji. Alan twine are wrapped around the top of the handle. The lot displays signs of production enclosures and electric fences. The reverse shows a printed drawing of the park gates, egg. It features a textured surface as well as a small hole on the bottom. It exhibits signs
wielded his knife when he returned to his family home after 26 years of being trapped use, and the resin layer has been chipped away at the blade’s tip, exposing the metal with general information including a section in Japanese, a camera film advertisement, of wear from age and use throughout. Dimensions: 15.25 cm x 12.75 cm x 10.25 cm
inside the supernatural board game of the title. He waved the blade at the lion that was underneath. Dimensions: 33 cm x 5 cm x 4 cm (13” x 2” x 1 ½”) and a mountain terrain photograph that forms the front cover of the brochure when (6” x 5” x 4”)
released with him, and the weapon ended up embedded in the floor. folded. The brochure exhibits minor signs of wear from age and use. Dimensions:
Estimate: £2,000 - 3,000 21 cm x 9.5 cm x 0.25 cm (8.25” x 3.75” x 0.25”) Estimate: £1,500 - 2,500
The knife comprises a metal blade covered in grey-painted resin, designed to resemble
carved stone, and a resin handle hand-painted to resemble worked ivory. Strands of brown
Estimate: £3,000 - 5,000

152 153
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

217. EXP 04 Crushed Park Tour Ride

Vehicle US

JURASSIC WORLD: FALLEN KINGDOM

(2018)
An EXP 04 Park Staff 1992 Ford Explorer XLT from J.A.
Bayona’s dinosaur adventure sequel Jurassic World: Fallen
Kingdom. Ethologist Owen Grady (Chris Pratt) came across
a long-destroyed version of one of Jurassic Park’s original
tour vehicles when he returned to the island to rescue Blue
the velociraptor. The state and location of the vehicle on
the island suggest that this is intended to be the Explorer
which was destroyed by the Tyrannosaurus Rex in the
series’ first film.
This 1992 Ford Explorer XLT is finished in a green,
red, and yellow custom paint finish in the style of
the original vehicles. It is fitted with a black metal
grating on the front and a vehicle identification number
“1FMDU32XOPUA37016”. The bumpers are affixed with a
pair of yellow, red, and white Jurassic Park licence plates,
one of which is numbered “04” and the beige and black
interior features leather and plastic details. It exhibits
significant signs of age and use, including rusted metal
components throughout, grime, peeling stickers, broken
windows, missing interior panels, warping to the interior
accents, and caving in of the roof.
Legal transfer of title will need to take place before delivery
can be arranged. Additionally, as the vehicle is also located
in the United States, transportation and shipping quotes -
including fluid drainage for international shipping - should
be arranged with Prop Store prior to bidding. Dimensions:
1084.75 cm x 439 cm x 439 cm (427” x 173” x 173”)

Stored off-site; see notice in the Buyer’s Guide.

Contains electronics; see electronics notice in the Buyer’s Guide.
Contains mechanical components; see notice in the Buyer’s Guide.
Special shipping required; see notice in the Buyer’s Guide.
This lot will ship from Prop Store’s Los Angeles facility; see notice in
the Buyer’s Guide

Estimate: £30,000 - 50,000

154 155
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

220. Hit-Girl’s (Chloë Grace Moretz) Mask and Wig M

KICK-ASS 2 (2013)
Hit-Girl’s (Chloë Grace Moretz) mask and wig from Jeff Wadlow’s comic-book-movie
sequel Kick-Ass 2. Hit-Girl wore her mask and wig while fighting crime throughout the film.
The mask is made of black plastic and is lined with felt for comfort, with an elasticated
cord attached to hold it to the head. “Chloe” is handwritten in ink on the inside. The wig
is purple and features a hair net and clips.
Both items are accompanied by a flock head for display and a promotional still of Hit-
Girl in her crime-fighting costume. The mask and wig have some wear from production
use, including light surface scratches on the mask, and part of the elasticated cord has
snapped. Dimensions (displayed): 21 cm x 20 cm x 30 cm (8 ¼” x 8” x 11 ¾”)

Estimate: £4,000 - 6,000

218. Employee Hard Hat Ω

JURASSIC WORLD (2015)

An employee hard hat from Colin Trevorrow’s dinosaur adventure sequel Jurassic World. When brothers Gary (Ty
Simpkins) and Zach (Nick Robinson) came across the park’s abandoned Visitor Centre, several hard hats from previous
employees were visible on a nearby equipment wall.
This plastic blaze orange hard hat features a nylon and leatherette interior with plastic fittings as well as a black, yellow,
and white-colour Jurassic Park symbol affixed to the front of the hat above the brim. It exhibits signs of wear and age
throughout including extensive production-added dirt and aging on the exterior. Dimensions: 28 cm x 20.5 cm x
20.5 cm (11” x 8” x 8”)

Estimate: £3,000 - 5,000

221. Colonel Stars and Stripes’ (Jim Carrey) Stunt Bat †Δ

KICK-ASS 2 (2013)
Colonel Stars and Stripes’ (Jim Carrey) stunt bat from Jeff Wadlow’s action-comedy sequel Kick-Ass 2. Colonel Stars
and Stripes used his bat while dishing out rough justice with his fellow members of vigilante group Justice Forever.
This bat is made of rubber designed to imitate wood, with a metal armature to help give it rigidity. It is decorated to look
like the American flag, with red-and-white stripes made from electrical tape and cloth on the handle, and white stars
on a blue background at the opposite end. “These colors don’t run” and “Hey ho, let’s go” are etched into the middle
of the bat. A colonel rank insignia is embedded at the base of the grip and three stars are embedded at the top of the
bat. The weapon displays minor wear from production use, including some scratching to the paint. Dimensions: 71 cm
x 8 cm x 6 cm (28” x 3” x 2 ¼”)

Estimate: £1,000 - 1,500

219. Benjamin Lockwood’s (James Cromwell) Stunt Cane Ω

JURASSIC WORLD: FALLEN KINGDOM (2018)

Benjamin Lockwood’s (James Cromwell) stunt cane from J.A. Bayona’s sci-fi adventure sequel Jurassic World: Fallen
Kingdom. Lockwood carried his cane when he first met Claire Dearing (Bryce Dallas Howard) at his home.
The shaft of the cane is made of rubber with a metal armature. It is painted to resemble wood, and features an intricately
carved dinosaur design near the top. The cane’s handle is rubber designed to look like amber with an insect trapped
inside. The cane has only minor wear from production use. Dimensions: 90 cm x 5.5 cm x 5 cm (35 ½” x 2 ¼” x 2”)

Estimate: £8,000 - 12,000

156 157
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

224. Goblin Sword Ω

LABYRINTH (1986)
A goblin sword from Jim Henson’s fantasy film Labyrinth.
The Goblin Army wielded an array of swords throughout
multiple scenes in the film, including when they were
ordered by Jareth (David Bowie) to attack Sarah (Jennifer
Connelly), Ludo and Sir Didymus in Goblin City.

The lightweight sword is made of fibreglass and features

a large, curved axe-head-like tip, a cross guard that
resembles a pair of horns, and a spherical pommel
wrapped in brown-painted suede-like fabric. Strands of
string are wrapped around the grip, and there are three
additional protruding curved pieces affixed near the top
of the blade, decorated with faux rivet detailing.
The majority of the weapon is finished in grey and
silver-coloured paint and displays signs of intentional
distressing. There is a crack and minor damage on one
side of the blade. Dimensions: 83 cm x 29 cm x 5 cm (32
¾” x 11 ½” x 2”)

Estimate: £3,000 - 5,000

222. King Baldwin’s (Edward Norton) Face Mask M 223. Jareth’s (David Bowie) Ballroom Dream Gloves M

KINGDOM OF HEAVEN (2005) LABYRINTH (1986)

225. Lara Croft’s (Angelina Jolie) Pair of Gold Pistols M
King Baldwin’s (Edward Norton) face mask from Ridley Scott’s historical epic Kingdom Jareth’s (David Bowie) ballroom dream gloves from Jim Henson’s fantasy film Labyrinth.
of Heaven. The King of Jerusalem wore a silver-coloured mask throughout the film to Goblin King Jareth wore his gloves during the masquerade-ball dream sequence, when
LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE (2003)
hide the facial disfigurement inflicted on him by leprosy. His sister Sibylla (Eva Green) he danced with an entranced Sarah (Jennifer Connelly) and sang “As The World Falls
temporarily removed his mask while saying her goodbyes at his funeral. Down”. The dream took place in one of the Goblin King’s crystal balls and was an attempt Lara Croft’s (Angelina Jolie) H&K USP pistols from Jan de Bont’s action-adventure sequel the ammo clips are glued into the grip, with the H&K logo visible in several places. The
to force Sarah to forget about saving her baby brother Toby (Toby Froud). Lara Croft Tomb Raider: The Cradle of Life. pair come with a padded leather holster, which features loops to attach it to the belt and
The mask is made of fibreglass with open eye holes, a distinctive nose and closed
leg. Both pistols show signs of wear from use in production, including scrapes, chips
lips. It displays a silver chrome finish, with etched line detailing forming eyebrows and The Dent Fownes gloves are made of light-grey-coloured leather, and “8, 8345” is Lara used her H&K USP Match pistols in several scenes, most notably in the Chinese and marks, and the paint has worn away in places, most notably around the grip. One of
goatee-style facial hair. The mask’s interior has four patches of black suede-like fabric stamped in black on the interior of the right glove. There are minor signs of wear, including village, and during the ruin capture and temple shoot-out sequences. the pistols has chips around the bottom of its grip and the end of its barrel. Dimensions
adhered for comfort during wear. Intentional distressing is applied to replicate tarnished light creasing and stains, notably on the underside of the right glove.
Made of black plastic and finished in faux-gold paint, the guns are based on UHC Airsoft (each pistol): 23.5 cm x 15 cm x 4.5 cm (9 ¼” x 6” x 2”)
metal, and there are some visible glue remnants on the inside. Dimensions: 21 cm x 14
cm x 10 cm (8 ¼” x 5 ½” x 4”) pistols, and would have been used as stand-ins when live-fire hero pistols were not
Estimate: £3,000 - 5,000 required. One pistol features a custom extended slide release detail above the trigger for
Restricted ownership; see replica firearm notice in the Buyer’s Guide.

use in Lara’s left hand. Both weapons have a moving trigger, slide and hammer, though
Estimate: £4,000 - 6,000 Estimate: £3,000 - 5,000

158 159
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

226. Lara Croft’s (Angelina Jolie) Wetsuit M

228. Jack Slater’s (Arnold Schwarzenegger) Hero Costume Ω
LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE (2003)
LAST ACTION HERO (1993)
Lara Croft’s (Angelina Jolie) wetsuit from Jan de Bont’s action-adventure sequel Lara
Croft Tomb Raider: The Cradle of Life. Lara Croft (Angelina Jolie) wore her wetsuit while Jack Slater’s (Arnold Schwarzenegger) hero costume from John McTiernan’s action comedy Last Action Hero. Fictional
exploring the recently uncovered Luna Temple, where she was ambushed by Chen Lo’s Los Angeles police officer Slater wore his costume as his biggest fan, Danny (Austin O’Brien), used a magic movie ticket
(Simon Yam) men. to transport himself into the character’s latest film.
Made of silver-coloured foam neoprene, this custom-made wetsuit features a black This costume consists of a brown suede jacket with a rounded collar, a pair of diagonal hip pockets, buttoning wrist
interior, a Velcro® fastening at the top and a black zip that runs halfway up the back. The cinches, and a satin-lined interior; a brick red short-sleeved crewneck T-shirt stamped “LAST ACTION HERO” on the
suit exhibits some wear due to the nature of the neoprene fabric, while there are several neckline interior; a pair of pair denim jeans stamped “LAST ACTION HERO” on the waistline interior; a brown leather belt
marks and the zip fastening is broken. affixed with a brass belt buckle featuring an engraved LAPD Sergeant badge, gun and text reading “MARKSMANSHIP
SLATER”; and a pair of black leather and snakeskin cowboy boots stamped “LAST ACTION HERO” on the interior. The
Estimate: £3,000 - 5,000 costume exhibits signs of wear from age and use including some discoloration on the T-shirt.

Estimate: £7,000 - 9,000

227. Pandora’s Box M

LARA CROFT TOMB RAIDER: THE CRADLE

OF LIFE (2003)
Pandora’s Box from Jan de Bont’s 2003 action-adventure
sequel Lara Croft Tomb Raider: The Cradle of Life. Lara
(Angelina Jolie), Jonathan Reiss (Ciarán Hinds) and Terry
Sheridan (Gerard Butler) fought over the box, which
supposedly held a deadly plague, at the climax of the film.
The box is made of hollow resin and intentionally
distressed and painted to look like chipped stone, with
various shapes and characters carved on the exterior.
In the film the box glows orange and yellow through the
addition of CGI and effects in some shots. It has some wear 229. Nathan Algren’s (Tom Cruise) Cavalry Sword and Scabbard Ω
from production use and age, including minor staining
and signs of repair. Dimensions: 36 cm x 20 cm x 16 cm
(14 ¼” x 7 ¾” x 6 ¼”) THE LAST SAMURAI (2003)
Nathan Algren’s (Tom Cruise) cavalry sword and scabbard from Edward Zwick’s war epic Also included is a curved metal scabbard with two belt rings. The scabbard exhibits
Estimate: £4,000 - 6,000 The Last Samurai. Algren wielded his saber when he led his men into battle against the scuffs and tarnishing, while the sword itself exhibits scratches, tarnishing, loosening
Samurai before Katsumoto (Ken Watanabe) captured him. in the handle components, and wear to the leather. Dimensions: 112 cm x 10.25 cm x
10.25 cm (44” x 4” x 4”)
This lot consists of a custom-made curved aluminum saber with a winding bronze-colour
handguard wrapped with black leather and bronze wire and a bronze-colour pommel.
Estimate: £3,000 - 5,000

160 161
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

230. Tristan Ludlow’s (Brad Pitt) World War I Costume Ω 231. Marcus Luttrell’s (Mark Wahlberg) Hero Costume Ω

LEGENDS OF THE FALL (1994) LONE SURVIVOR (2013) 232. “Rupert” Paradummy M
Tristan Ludlow’s (Brad Pitt) World War I costume from Edward Zwick’s period drama Marcus Luttrell’s (Mark Wahlberg) hero costume from Peter Berg’s war drama Lone
Legends of the Fall. Tristan wore his costume when he joined with the Canadian Survivor. Luttrell wore his costume alongside his fellow Navy Seal team members as they
THE LONGEST DAY (1962)
Expeditionary Force in Germany to fight alongside his brothers Samuel (Henry Thomas) were sent on a mission to capture a Taliban leader in 2005 Afghanistan.
and Alfred (Aidan Quinn). A “Rupert” paradummy from war epic The Longest Day, produced by Darryl F. Zanuck. prevent damage to the form. The majority of the paintwork is original, with some areas
This costume consists of a beige cotton boonie hat; a polycarbonate and styrofoam helmet
Paradummies (nicknamed “Rupert” by British troops) were dropped during the Allied of paint added to match during restoration. The paradummy is accompanied by a cotton
This costume consists of an olive green button-up wool jacket with four pockets on the with a Texas flag design pattern; an olive green nylon tactical vest marked “WAHLBERG
invasion of Normandy to deceive the German defenders into believing a much larger parachute (no longer attached), as well as a reserve parachute and a still of German
chest and a pair of gold-colour metal details on the epaulettes and a matching pair of LUTTRELL STUNT 3” affixed with a series of pouches throughout containing eight rubber
force was landing, and to draw their troops away from the real landing sites. officers inspecting one of the dummies. It has some additional wear from use and age,
button-up trousers. The interior of the jacket is marked as ‘COLLAR 17 BRAD PITT MAY stunt magazines, a black rubber stunt walkie talkie, and two rubber grenades; a green
including discolouration and staining. Dimensions (on base): 108 cm x 56 cm x 20 cm
1993’. The costume exhibits minor signs of wear from age and use throughout including camouflage-patterned long-sleeved cotton shirt; a pair of beige cotton trousers marked The paradummies in the film were actually much more lifelike than those actually dropped (42 ½” x 22” x 7 ¾”)
some damage to one of the metal shoulder details. “LUTTRELL”; a pair of olive green pouches; and a pair of beige leather and rubber boots. during World War II, which were usually made of burlap filled with straw. This dummy
It exhibits signs of wear from age and use throughout all items including several holes is made of rubber, and has been carefully and sympathetically restored, with additional Special shipping required; see special shipping notice in the Buyer’s Guide.
Estimate: £4,000 - 6,000 in the shirt deliberately added by production. supporting metal armatures and a custom-made cushion and base. Several sections of
the dummy had to be reshaped, most notably the legs, but others remain untouched to Estimate: £10,000 - 15,000
Estimate: £3,000 - 5,000

162 163
EN T ER TAI N M E N T M E M O RA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

234. Furiosa (Charlize Theron) and Max’s (Tom Hardy)

Stunt Flare Gun Ω

MAD MAX: FURY ROAD (2015)

Furiosa (Charlize Theron) and Max’s (Tom Hardy) stunt flare gun from George Miller’s
action adventure sequel Mad Max: Fury Road. A former war captain in Immortan Joe’s
(Hugh Keays-Byrne) army, Furiosa used her flare gun as a weapon while driving the War
Rig alongside Max Rockatansky (Tom Hardy), who had previously taken it.
This hard plastic stunt version of a Webley & Scott No. 1 Mk. III signal pistol is brass-colour
with a black handle and grey hammer and locking details. It features a blunderbuss-styled
flared muzzle as well as a contoured grip. The flare gun exhibits minor signs of wear from
age and use. Dimensions: 25.5 cm x 15.25 cm x 5 cm (10” x 6” x 2”)

Restricted ownership; see replica firearm notice in the Buyer’s Guide.

Estimate: £6,000 - 8,000

235. Max’s (Tom Hardy) Stunt Pistol Ω

MAD MAX: FURY ROAD (2015)

233. Witch-king of Angmar’s (Brent McIntyre) Crown †Δ Max’s (Tom Hardy) stunt pistol from George Miller’s action adventure sequel Mad Max:
Fury Road. Max obtained a pistol while in battle with the Bullet Farmer (Richard Carter)
as he pursued Max and the other passengers of the War Rig. Later, he used the pistol to
LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (2001) fire at Slit (Josh Helman) during the film’s final chase sequence.
The Witch-king of Angmar’s (Brent McIntyre) crown from Peter Jackson’s epic adaptation This crown was released to United Cutlery, by production, as a reference piece for This dense rubber stunt version of a Browning Hi-Power pistol is black with a brown-
of J.R.R. Tolkien’s The Lord of the Rings: The Fellowship of the Ring. Frodo (Elijah Wood) creating a replica version. The piece comes with a custom-made display stand, and colour handle accent. It features a moulded trigger as well as a contoured grip. The pistol
witnessed the spectral monarch when he put on the One Ring during the Nazgûl attack shows minor wear due to production use, including light scratching. Dimensions: 30 cm exhibits wear from age and use throughout including some warping at the bottom of the
on Weathertop. x 32 cm x 33 cm (12” x 12 ½” x 13”) grip. Dimensions: 19 cm x 12.75 cm x 2.5 cm (7.5” x 5” x 1”)
Created by Weta Workshop, the crown is cast in resin to resemble iron, with four long
spires emerging from a twisted band. The resin is hand-painted and expertly weathered Estimate: £20,000 - 30,000 Restricted ownership; see replica firearm notice in the Buyer’s Guide.
to reflect the eternal damnation of the Nazgûl.
Estimate: £2,000 - 3,000

164 165
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

236. Immortan Joe’s (Hugh Keays- 238. Stop-Motion Martian Puppet Ω

Byrne) Stunt Revolver Ω
MARS ATTACKS! (1996)
MAD MAX: FURY ROAD (2015) A stop-motion Martian puppet from the production of
Immortan Joe’s (Hugh Keays-Byrne) stunt revolver from Tim Burton’s sci-fi comedy Mars Attacks!. Based on the
George Miller’s action adventure sequel Mad Max: Fury Topps trading card series, the film saw Martian invaders
Road. Wasteland warlord Joe brandished his revolver while terrorising humanity as they sought to conquer Earth.
he tracked down his five “Breeders” who were stolen from This puppet was originally obtained from the collection of a
him by Imperator Furiosa (Charlize Theron). crew member. Burton’s initial idea was to use stop-motion
This dense rubber stunt version of a Colt Anaconda animation for the Martians’ scenes, and several detailed
revolver-style handgun is silver-colour with a black-colour puppets of the aliens were constructed by model makers
handle accent. It features a moulded trigger as well as a Ian Mackinnon and Peter Saunders. However, it quickly
contoured grip. The pistol exhibits wear from age and became apparent that stop-motion was too complex
use throughout. Dimensions: 30.5 cm x 15.25 cm x 4 cm a technique, causing the movie’s budget to escalate.
(12” x 6” x 1.5”) Eventually, Burton was convinced to use CGI animation
created by ILM instead. The puppets were ultimately
scanned and used as primary references for the final
Restricted ownership; see replica firearm notice in the Buyer’s Guide.
computer-generated animation.

Estimate: £1,200 - 1,800 This puppet consists of an internal metal armature

covered in foam latex skin airbrushed in shades of green
and brown. The foam latex has hardened over time,
causing minor cracking in places. The puppet has been
sympathetically restored and comes presented on a
237. Sam Chisolm’s (Denzel Washington) Costume with black-painted wooden display stand. It is accompanied by
Stunt Hat, Stunt Pistol, and Stunt Rig Ω a letter of authenticity from the crew member. Dimensions
(displayed): 17 cm x 24 cm x 40 cm (6 ¾” x 9 ½” x 15 ¾”)

THE MAGNIFICENT SEVEN (2016) Estimate: £8,000 - 12,000

Sam Chisolm’s (Denzel Washington) costume with a stunt hat, a stunt pistol, and a stunt
rig from Antoine Fuqua’s western remake The Magnificent Seven. U.S. Marshal Chisolm
wore his costume when he and six gunslingers kept corrupt businessman Bartholomew
Bogue (Peter Sarsgaard) and his mercenaries from taking over a peaceful town.

This costume consists of a black stunt cowboy hat marked “Chisolm Stunt” and “Chisolm
Stunt Hat #2” on the leather interior; a black cotton button-up shirt; a black button-up
cotton blend waistcoat; a white cotton T-shirt; a black cloth neckerchief; a pair of black
wool-blend pants; a black leather trouser belt with an ornate carved floral design and a
metal buckle; a black leather stunt gun belt with a metal buckle and bullet loops marked
“Clay Chisolm Stunt”; a pair of black leather boots marked “D” in the interior; and a
silver-colour rubber stunt revolver with a black handle. It exhibits signs of use and wear,
including scuffing on the belt.

Restricted ownership; see replica firearm notice in the Buyer’s Guide.

Estimate: £4,000 - 6,000

166 167
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

241. He-Man’s (Dolph Lundgren) Knife Ω

MASTERS OF THE UNIVERSE (1987)

He-Man’s (Dolph Lundgren) knife from Gary Goddard’s fantasy adventure Masters of the The knife exhibits signs of wear throughout from age and use including paint chipping
Universe. Eternian hero He-Man wielded his knife while battling the forces of Skeletor and a missing piece at the tip of the blade. Dimensions: 43.25 cm x 9 cm x 4 cm (17” x
(Frank Langella) as he led his armies to Earth. 3.5” x 1.5”)

This silver-colour rubber knife features a gold-colour guard and pommel with brown leather
and suede bound to the grip. It is inset with a metal inlay in the centre for reinforcement. Estimate: £2,500 - 3,500

242. Agent Smith (Hugo Weaving) VFX Scanning Bust Ω

THE MATRIX REVOLUTIONS (2003)

An Agent Smith (Hugo Weaving) VFX scanning bust from the production of the
Wachowskis’ sci-fi action sequel The Matrix Revolutions. This statue was created using
the 3D renders for the computer-generated “super punch” effect during the climactic
fight between Agent Smith and Neo (Keanu Reeves), and was gifted to a senior member
of the production when filming wrapped.

The bust is made of fibreglass infused with metal powder to create a faux-bronze finish.
Made to 1:1 scale, its cheek is firmly imprinted with the shape of Neo’s fist, with Smith’s
face and jaw distorted from the power of the impact. The name of credited sculptor
Belinda Villani is etched on the back and the bust’s interior is marked “#2” in black
ink. There is minor chipping on the right side of the hair. Dimensions: 23 cm x 35 cm x
40 cm (9” x 13 ¾” x 15 ¾”)

Estimate: £3,000 - 5,000

239. Hand-drawn Tony Walton “Mary Poppins”

Preliminary Concept Sketch Ω 240. Eternian Soldier Costume with Blaster Ω

MARY POPPINS (1964) MASTERS OF THE UNIVERSE (1987)

A preliminary concept sketch of “Mary Poppins” hand-drawn by Tony Walton for the An Eternian soldier costume with blaster from Gary Goddard’s fantasy adventure Masters
production of Robert Stevenson’s family musical Mary Poppins. Magical nanny Poppins of the Universe. Eternian guards were seen in the aftermath of a battle with Skeletor’s
(Julie Andrews) took the children in her care on a series of fantastical adventures, including (Frank Langella) army. Later, several soldiers were seen standing guard at Castle greyskull.
one on a rooftop with a group of chimney sweeps.
This costume consists of a grey plastic helmet with a transparent visor accent; a grey plastic
This drawing was rendered in ink on illustration paper by costume designer Tony Walton chest armour piece with navy padded nylon straps; a grey and navy cotton, suede and
during pre-production. It depicts an iteration of Poppins in her signature hat and long leatherette jacket affixed with a unitard detail at the waist and matching trousers; a pair
flowing skirt with her signature parrot-head umbrella in one hand and carpet bag in the of grey suede gloves with grey and blue plastic accents at the wrists; a grey nylon belt
other. The paper is hand-labeled “CHIMNEY SEQUENCE” and “MARY POPPINS”. The with plastic details; a pair of grey leather and rubber boots; and a black rubber moulded
illustration has been set in a poster board border with a backing. It exhibits signs of wear blaster. It exhibits signs of wear from age and use throughout.
from age and use including some creasing throughout. Dimensions: 56.5 cm x 45 cm
(22 1/4” x 17 3/4”)
Estimate: £1,000 - 1,500
Sold without copyright; see notice in the Buyer’s Guide

Estimate: £3,000 - 5,000

168 169
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

243. Full-Size Alien Hover Bike US

MEN IN BLACK: INTERNATIONAL

A full-size alien hover bike from Sony Pictures’ action
comedy sequel Men In Black: International. Agent H (as
played by Chris Hemsworth) commandeered an alien
hover bike while on an assignment with his partner, Agent
M (as played by Tessa Thompson) in Marrakesh.
The impressive prop features an orange, red and metal-
coloured fibreglass body with a black dense rubber seat;
a pair of contoured foot pedals; a pair of circular stabilizers
on the sides; and a cylindrical rear thruster. The control
panel features a pair of adjustable moss green handles
and a depressible red button in the centre. The main body
has basic LED light panels installed which are currently
non-functional. It exhibits signs of wear from age and use
including some cracks, a detached panel on the right
side. The piece has an integral steel frame that allowed
a performer to sit on it for production. This lot is made
available by Prop Store in association with Sony Pictures
Studios Archives.Dimensions: 236.25 cm x 14.5 cm x
157.5 cm (93” x 45” x 62”)

Contains electronic components; see notice in the Buyer’s Guide.

Special shipping required; see notice in the Buyer’s Guide.
This lot will ship from Prop Store’s Los Angeles facility; see notice in
the Buyer’s Guide

Estimate: £8,000 - 12,000

2.36 m (7.75’)

170 171
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

246. Terry Gilliam Sketch and Seven

244. Light-Up PreCrime Helmet with Hand-drawn Costume Designs Ω
Retractable Visor ΩΔ
MONTY PYTHON’S: THE MEANING OF LIFE
MINORITY REPORT (2002) (1983)
A light-up PreCrime helmet with a motorized retractable A Terry Gilliam sketch and seven hand-drawn costume
from Steven Spielberg’s sci-fi action film Minority Report. designs from Terry Jones’ comedy movie Monty Python’s
Members of the PreCrime Unit were seen wearing The Meaning of Life.
their helmets at various points throughout the film as
they supported, then pursued Chief John Anderton Gilliam’s pencil drawing depicts the Zulu warrior who
(Tom Cruise). appears at the end of the “Tiger” sketch, before unzipping
his skin to reveal an announcer, played by Gilliam. The
The black and navy fibreglass helmet is affixed with a clear seven sketches are rendered in pencil on paper, and are
plastic visor which can raise and lower when a small button signed by Academy Award®-winning costume designer
on one side is pressed. The sides of the helmet interior are James Acheson. One, showing Gilliam as Bo Peep, is also
covered with a layer of black padding, while the exterior coloured in pencil.
includes a circuit design with a clear plastic cover plate at
the top center. A second button illuminates the visor with Each of the costume designs has the film’s title and the
blue light when connected to 9V batteries that are hidden name of the character and actor written in pencil. Some of
in the back of the helmet. It exhibits signs of wear and age the sketches feature additional notes on the materials and
throughout including scuffing as well as separation of the construction of the costumes. Five have a card backing,
foam interior and some minor chipping. Dimensions: 28 and the Gilliam sketch is adhered with tape to one of the
cm x 28 cm x 23 cm (11” x 11” x 9”) other sketches. The designs have minor wear from use
and age, including some smudges and discolouration.
Dimensions (each costume design): 42.5 cm x 30 cm
Contains electronic components; see notice in the Buyer’s Guide
(16 ¾” x 11 ¾”)

Estimate: £3,000 - 5,000 Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £3,000 - 5,000

247. Behind-the-scenes Photo

Archive by David Appleby Ω

MONTY PYTHON’S: THE MEANING OF LIFE

(1983)
245. Ethan Hunt’s (Tom Cruise) Hero A behind-the-scenes photo archive from the production
Vatican Wall Climbing Grapple Gun Ω of Terry Jones’ comedy movie Monty Python’s The
Meaning of Life. This archive features photos taken by
stills photographer David Appleby.
MISSION: IMPOSSIBLE 3 (2006)
The photos are a mixture of black-and-white and colour,
Ethan Hunt’s (Tom Cruise) hero vatican wall climbing and most feature the Monty Python team. There are 87
grapple gun from JJ Abrams’ action adventure sequel stills in total, 48 of which are held in a plastic folder, and
Mission: Impossible 3. Super spy Hunt used his grappling 39 are held together in a plastic sleeve which is slipped
gun to repel up the side of a large wall, allowing him to into the folder.
gain access to Vatican City.
The folder has a handwritten label reading “Stills from
This lot consists of a black and silver-colour plastic replica ‘Monty Python’s Meaning of Life’” and some of the photos
handgun which has been affixed with a cylindrical metal have “Photo: David Appleby” stamped in black on the
piece on the bottom of the barrel featuring a silver-colour back. The photos have some wear from age and use,
rope with an adjustable distancing gauge. A metal-colour and some held in the plastic sleeve have a slightly sticky
plastic hook has been inserted into the barrel and the top black substance on the back. Dimensions (folder): 32 cm
of the gun features a sight-like accent. It exhibits signs of x 24 cm x 3 cm (12 ½” x 9 ½” x 1 ¼”)
wear from age and use throughout including a severed
wire detail. Dimensions: 36.25 cm x 20.5 cm x 12.75 cm
Sold without copyright; see copyright notice in the Buyer’s Guide.
(14 1/4” x 8” x 5”)

Contains mechanical components; see notice in the Buyer’s Guide. Estimate: £3,000 - 5,000
Ownership may be restricted in some countries; see replica firearm
notice in Buyer’s Guide.

Estimate: £4,000 - 6,000

172 173
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

248. Mr Creosote Hand-drawn Costume Design Ω

MONTY PYTHON’S: THE MEANING OF LIFE (1983)

A hand-drawn Mr Creosote costume design from Terry Jones’ comedy movie Monty
Python’s The Meaning of Life. Mr Creosote (Jones) was a hugely obese and rude
restaurant patron who ate so much that he exploded.
The design is drawn and coloured in pencil on grey paper, and is signed by Academy
Award®-winning costume designer James Acheson. At the top it is labelled “The Meaning
of Life” and “Mr Creosote - Terry Jones” in pencil. The design has only minor creasing
from production use and age. Dimensions: 42 cm x 29.5 cm (16 ½” x 11 ½”)

Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £2,000 - 3,000

250. Clint Eastwood-autographed

Earl Stone Ford F250 Custom US

MULE, THE (2018)

A Clint Eastwood-autographed Ford F250 Custom from
Eastwood’s crime thriller The Mule. 90-year-old Stone
(Eastwood) used his truck throughout the film to transport
first gardening supplies and later drugs he trafficked for
the Cartel.

This two-toned brown and cream yellow 1972 Ford F250

Custom pick-up truck comes from actor Ignacio Serrichio,
249. Robot M who played Julio in the film and acquired the truck directly
from production company Kiki Tree Pictures Inc. It is fitted
with a Camper Special package with vehicle identification
MOTHER RILEY MEETS THE VAMPIRE (1952) AND THE AVENGERS number F25YRN43949 and comes with California licence
(1967) plate numbered “74322E2.” The interior dashboard
is signed in black marker by Eastwood, and the back
The robot from John Gilling’s horror comedy Mother Riley Meets the Vampire. Von windshield is affixed with a variety of stickers, including
Housen (Bela Lugosi) created the robot to be part of a 50,000-strong robot army, but it one for Eastwood’s own Escape from Alcatraz (1979).
was accidentally shipped to Old Mother Riley (Arthur Lucan). The robot later appeared in
The Avengers episode “The See-Through Man” in Quilby’s (Roy Kinnear) lab. Following production, this vehicle received an oil change
and windshield wiper fluid was added. It exhibits significant
The robot features a metal head with a glass dome; metal torso, hips, and pincers; arms signs of age and use, including rusted metal components
and legs made predominantly of wood and rubber; and a plastic screen on the torso, throughout, grime, peeling stickers, and some warping to
behind which faux wiring can be seen. Most of the body has been painted silver. The the interior leather. As this is a functioning vehicle, legal
dome is not original to the 1952 production, and was replaced for The Avengers, while the transfer of title will need to take place before delivery can
robot has wear from age, production-use and storage. The paint is scuffed and scratched be arranged. Additionally, as the vehicle is also located in
in places, the rubber on the arms and legs is misshapen , and there is minor corrosion the United States, transportation and shipping quotes -
and rust on parts of the metal. Dimensions: 48 cm x 120 cm x 213 cm (19” x 47 ¼” x 83 ¾”) including fluid drainage for international shipping - should
be arranged with Prop Store prior to bidding. Dimensions:
Special shipping required; see special shipping notice in the Buyer’s Guide. 548.75 cm x 188 cm x 183 cm (216” x 74” x 72”)

Estimate: £5,000 - 7,000 Stored off-site; see notice in the Buyer’s Guide.
Contains electronics; see electronics notice in the Buyer’s Guide.
Contains mechanical components; see notice in the Buyer’s Guide.
Special shipping required; see notice in the Buyer’s Guide.
This lot will ship from Prop Store’s Los Angeles facility; see notice in
the Buyer’s Guide

Estimate: £3,500 - 5,500

174 175
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

251. Ben Gates’ (Nicolas Cage)

Screen-matched Notebook †

NATIONAL TREASURE (2004)

Ben Gates’ (Nicolas Cage) screen-matched notebook from
Jon Turteltaub’s action adventure National Treasure. Gates,
Riley Poole (Justin Bartha), and Ian Howe (Sean Bean) used
the stem of a meerschaum pipe they found in the frozen
wreckage of the ship Charlotte at the beginning of the
film, as well as Gates’ blood, to reveal a message hidden
in his notebook.
The black Moleskin® notebook is blank except for the
hidden message page, which matches exactly what is
seen on screen. The item has some wear from production
use and age. Some of the pages are stuck together,
allowing it to be held open at the correct page. The lot
is accompanied by a certificate of authenticity from Walt
Disney Pictures. Dimensions: 14 cm x 18 cm x 1 cm (5 ½”
x 7 ½” x ½”)

Estimate: £3,000 - 5,000

252. Meerschaum Pipe †

253. Declaration of Independence †
NATIONAL TREASURE (2004)
NATIONAL TREASURE (2004)
A meerschaum pipe from Jon Turteltaub’s action adventure National Treasure. Ben Gates (Nicolas Cage), Riley Poole
(Justin Bartha) and Ian Howe (Sean Bean) discovered the pipe in the frozen wreckage of the ship Charlotte at the The Declaration of Independence from Jon Turteltaub’s action-adventure National can be seen (it reads “Original Declaration of Independence dated 4th July 1776”). The
beginning of the film, and Gates used the stem of the pipe and his own blood to reveal a hidden message. The pipe Treasure. Ben Gates (Nicolas Cage) and his colleagues stole the Declaration of frame has minor wear from use and storage, including some scratches and denting,
was then used as a key to unlock the ship’s treasure room. Independence after discovering that a treasure map was hidden on the back. and the lot is accompanied by a certificate of authenticity from Walt Disney Pictures.
Dimensions: 86 cm x 70 cm x 4 cm (33 ¾” x 27 ½” x 1 ½”)
The pipe is made predominantly of resin and is intentionally distressed to look like aged meerschaum. It has some wear The Declaration is printed on intentionally distressed paper and it very closely resembles
from production use and age, with scuffing, scratches and remnants of stage blood on the stem. The lot is accompanied the original historical document. The document is set under clear acrylic within a wooden,
by a certificate of authenticity from Disney. Dimensions: 27 cm x 4 cm x 7.5 cm (10 ½” x 1 ½” x 3”) gold-coloured frame. The back of the frame is also clear acrylic so details on the reverse Estimate: £8,000 - 12,000

Estimate: £4,000 - 6,000

176 177
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

254. The President’s Book of Secrets † 255. The Diary of John Wilkes Booth †

NATIONAL TREASURE: BOOK OF SECRETS (2007) NATIONAL TREASURE: BOOK OF SECRETS (2007)
The President’s Book of Secrets from Jon Turteltaub’s action-adventure sequel National book has been intentionally distressed to appear old, stained and well-used, and is held The diary of John Wilkes Booth from Jon Turteltaub’s action-adventure sequel National The diary is accompanied by a leaflet for Our American Cousin, the play Lincoln was
Treasure: Book of Secrets. Ben Gates (Nicolas Cage), Abigail Chase (Diane Kruger) and closed with leather string. It is accompanied by a sample page, which was produced Treasure: Book of Secrets. Booth (Christian Camargo) gave his diary to Thomas Gates watching at the time of his assassination; a call sheet for the day of the assassination scene;
Riley Poole (Justin Bartha) found the Book of Secrets in the Library of Congress and used early in the production. The book has only very minor wear from production use and (Joel Grestch), the ancestor of Ben Gates (Nicolas Cage), to work out a cipher at the three reference photos of the original diary; and a printed copy of the FBI report confirming
it to guide them to Mount Rushmore and the hidden city of gold. is accompanied by a letter of authenticity from Ross MacDonald, who researched, beginning of the film. the authenticity of the original diary. The items have only minor wear from production
designed and constructed the book for the film. Dimensions: 27 cm x 16 cm x 6 cm use, and the lot is accompanied by a letter of authenticity from Ross MacDonald, who
The leatherbound book features printed pages full of historical details and conspiracies, The diary is modelled after the genuine one Booth kept as a fugitive after assassinating
(10 ¾” x 6 ¼” x 2 ¼”) researched, designed and constructed the diary for the film. Dimensions (open diary):
including the Kennedy assassination, Area 51 and the Moon landings. It also includes Lincoln, and features a printed facsimile of his handwriting. Numerous pages are missing,
15.5 cm x 29 cm x 3 cm (6” x 11 ½” x 1 ¼”)
maps and photographs, including one of the missing plank from the Resolute Desk. The as with the original, and several are loose. The page with the cipher features different
Estimate: £6,000 - 8,000 numbers to the one seen in close-up in the film.
Estimate: £4,000 - 6,000

178 179
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

258. Hand-painted Final UK Quad

Artwork M AR

NEAR DARK (1987)

A hand-painted final UK quad artwork from the promotion
of Kathryn Bigelow’s horror Western Near Dark. The UK
quad was designed by Marcus Silversides and Mike
Harris, with Harris’ face and hands appearing on the
poster; graphic designers often posed for reference shots
if photographic stills from the movie were low quality, or if
the budget was insufficient.
Rendered in gouache on board with some oil paint
applied to the hands, this artwork shows a pale vampire
surrounded by beams of light, two of which are piercing
his hands, with small silhouettes of a vampire family at the
bottom of the composition. The painting is in good overall
condition, with several marks and tape remnants around
the edges. The bottom right corner of the board is torn.
Dimensions: 51.5 cm x 68 cm x 0.4 cm (20 ¼” x 26 ¾” x ¼”)

Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £3,000 - 5,000

256. Resolute Desk Puzzle Piece Ω

NATIONAL TREASURE: BOOK OF SECRETS (2007)

A puzzle piece from the Resolute desk as seen in Jon Turteltaub’s action-adventure sequel is attached to one corner from being used in the scene when it’s thrown over the bridge,
National Treasure: Book of Secrets. After breaking into Buckingham Palace, Benjamin allowing the production to pull it back to them. Dimensions: 29.5 cm x 12 cm x 2 cm (11
Gates (Nicholas Cage) and Dr. Abigail Chase (Diane Kruger) discovered the puzzle piece ½” x 4 ¾” x ¾”)
in the Resolute desk owned by the Queen.

This piece is made of resin hand-painted to look like wood and intentionally distressed Estimate: £3,000 - 5,000
to appear hundreds of years old. The lot has some wear from production use, with some
scuffing to the paintwork revealing the resin beneath, and a small section of fishing line

257. The Missing Page from the Diary

of John Wilkes Booth †

NATIONAL TREASURE: BOOK OF SECRETS

(2007)
The missing page from the diary of John Wilkes Booth
from Jon Turteltaub’s adventure sequel National Treasure:
Book of Secrets. The missing page was used by Mitch
Wilkinson (Ed Harris) as evidence that Ben Gates’
(Nicolas Cage) ancestor was the mastermind behind the
Lincoln assassination.
The piece of paper features the names of several of the
conspirators involved in the assassination. It has been
intentionally distressed to appear old and burned.
The paper has some minor wear on the reverse and is
accompanied by a certificate of authenticity from Walt
Disney Pictures. Dimensions: 10 cm x 8 cm (4” x 3 ¼”)
259. Geoff Portass’ Personal Filming Script and Behind-the-scenes Photos M
Estimate: £1,500 - 2,500
NIGHTBREED (1990)
Special effects artist Geoff Portass’ personal filming script and behind-the-scenes photos image. Most of the stills show the crew at work, but some show lighter moments, such
from the production of Clive Barker’s fantasy horror Nightbreed. as Bernard Henry in Baphomet make-up wearing a tablecloth over his head. Dimensions
(script): 30 cm x 22 cm x 2 cm (12” x 8½” x ¼”)
The script, credited to Clive Barker, consists of 125 pages including the title page, on
which Geoff Portass’ name is handwritten along the top. It is bound in black card with
two metal butterfly pins, and accompanied by 83 loose amendment pages. The seven Sold without copyright; see copyright notice in the Buyer’s Guide.

photos depict moments both on set and in the special effects workshop. Each image
is numbered on the back, and the set comes with a comprehensive list detailing every Estimate: £800 - 1,200

180 181
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

262. Full-size Disneyland Jack Skellington Promotional

Figure USΔ

THE NIGHTMARE BEFORE CHRISTMAS (1993)

A full-size Jack Skellington figure from the promotion of the Haunted Mansion Holiday
seasonal theme park attraction at Disneyland. During the ride, Jack Skellington - the lead
character from The Nightmare Before Christmas - interacted with patrons and toured
them through the attraction. This figure was designed by Kevin Kidney and Jody Daily
in 2006 to help promote the event.

This eggshell-coloured plastic figure features a metal armature inlay with foam layering
and several points of articulation. It is dressed in a black and white striped cotton bowtie,
jacket, shirt, and trousers with metal inlays. It is affixed on the back with a metal rod which
connects it to a circular display stand. It exhibits minor signs of wear and use throughout
including some discolouration on the clothing elements. Dimensions: 61 cm x 61 cm x
1.2 m (3.9’) 114.5 cm (24” x 24” x 45”)
Special shipping required; see notice in the Buyer’s Guide.
This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide

Estimate: £3,000 - 5,000

1.145 m (3.75’)

260. Full-size Baphomet Statue M 261. Clive Barker Hand-painted Baphomet Concept Art M

NIGHTBREED (1990) NIGHTBREED (1990)

A full-size Baphomet statue from Clive Barker’s fantasy horror Nightbreed. Baphomet Baphomet concept artwork from the production of Clive Barker’s fantasy horror
was the deity of Midian, a city of monsters located beneath a cemetery, discovered by Nightbreed. Baphomet (Bernard Henry) was the demon deity of the monstrous outcasts
Aaron Boone (Craig Sheffer). Baphomet was a creature held together with long, sinewy known as the Nightbreed.
strings of lights.
This piece was created by Barker himself during pre-production in 1989. Barker and
Constructed during production, the statue is hollow and made of fibreglass, spray-painted make-up effects designer Geoffrey Portass had been struggling with the design for a
black. This particular version was not fitted with lighting and SFX rigs, and has some wear while, when one morning Barker ran into the workshop at Pinewood Studios claiming he
from production use and age, including cracks and dents to the fibreglass, most notably on had dreamt Baphomet the night before. He was given several A1 sheets, some acrylic
the head’s protuberances. These also feature intentional holes to attach it to the lighting paints, and a set of large brushes, and came up with this design, with Portass providing
rigs used to light Baphomet. Dimensions: 50 cm x 98 cm x 120 cm (19 ¾” x 38 ½” x 47 ¼”) some finishing touches. The lot is accompanied by a letter of authenticity from Portass.
The artwork has some wear around the edges and minor creasing. Dimensions: 100 cm
Special shipping required; see special shipping notice in the Buyer’s Guide. x 68 cm (39 ¼” x 26 ¾”)

Estimate: £4,000 - 6,000 Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £3,000 - 5,000

182 183
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

263. Freddy Krueger’s (Robert

Englund) Razor Finger Glove Ω

A NIGHTMARE ON ELM STREET 3: DREAM

WARRIORS (1987)
Freddy Krueger’s (Robert Englund) razor finger glove from
Chuck Russell’s fantasy-horror sequel A Nightmare on Elm
Street 3: Dream Warriors.

Freddy wielded his infamous razor glove throughout the

film series as his primary weapon. Each of the films in the
franchise featured an alternate design for Freddy’s glove,
and one went missing from the production of Russell’s film,
only to appear on the wall of the work shed in Sam Raimi’s
Evil Dead II as a form of banter between Raimi and Elm
Street franchise creator Wes Craven.
The glove is made from brown leather, weathered and
stained using polish, and features the four iconic stainless
steel razors, affixed to copper finger plates. The finger
blades, plates and glove back plate are fastened with
copper rivets, securing the deadly blades to the glove.
The piece shows intentional distress throughout to match
the tarnished and villainous look of Freddy Krueger.
Dimensions: 33 cm x 26.5 cm x 4 cm (13” x 10½” x 1½”)

LANDMARK MEDIA / Alamy Stock Photo

Estimate: £20,000 - 30,000

184 185
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

264. Freddy Krueger (Robert Englund) Hat Ω

FREDDY VS. JASON (2003)

A Freddy Krueges (Robert Englund) hat from Ronny Yu’s horror crossover Freddy Vs. ballpoint pen, respectively. The hat features intentional distressing, including a number
Jason. The dream-stalking Freddy wore his signature fedora throughout the film, while of small nicks and cuts, to imply it has been damaged by Krueger’s iconic bladed glove.
battling infamous serial killer Jason Vorhees (Ken Kirzinger). This hat originally came from The hat remains in excellent production-used condition. Dimensions 31.5 cm x 27.5 cm
a New Line Cinema Studio auction. x 14 cm (12 ½” x 10 ¾” x 5 ½”).
Made of brown felt, the fedora (marked as size 6 7/8) is manufactured by Edie’s Hats of
Vancouver. Adhered to its leather sweatband is a strip of masking tape, on which the text Estimate: £15,000 - 20,000
“stmd, sndd, edge scraped” and “cut 7 1/8” are handwritten in black marker and black

186 187
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

266. Jack Harper’s (Tom Cruise) Rifle with Tom Cruise-

autographed Photo M 267. Yellow Miner Spacesuit Display †Δ

OBLIVION (2013) OUTLAND (1981)

Jack Harper’s (Tom Cruise) rifle with a Tom Cruise-autographed photo from Joseph A yellow miner spacesuit display from Peter Hyams’ sci-fi thriller Outland. Spacesuits
Kosinski’s sci-fi action film Oblivion. Drone technician Harper carried his rifle on his were worn by the Con-Am 27 workers in various scenes as they mined for titanium on
back for most of the film as he attempted to extract the last vital resources from a Jupiter’s moon Io.
post-apocalyptic Earth.
Created by Oscar®-winning costume designer John Mollo, the intentionally distressed
The rubber stunt rifle is based on a Bushmaster ACR. It features a futuristic-looking suit is made of yellow cotton and decorated with quilted sections, a “François” name
shell finished in light grey and black paint, decorated with various decals and static patch, a Con-Am 27 patch, and strips of webbing edged with blue piping. Four detailed
control buttons. A faux scope is fitted on its top, and a removable torch is situated resin components with faux-silver dressing adorn the front.
above the muzzle.
Accompanying the suit is a helmet consisting of a vacuum-formed plastic shell with affixed
The weapon is accompanied by a framed autographed photo of Cruise in the role of non-functioning lights and a clear acrylic visor. The interior is lined with cushioned PVC
265. Freddy Krueger’s (Robert Englund) Sweater Ω Harper. Also included in the lot is a board containing several magnets and covered in and labelled “No. 3”. Presented on a custom-made display, the costume has become
grey tape, which is labelled “gun side” and “Tom side” and was worn by Cruise to keep discoloured over time. There is notable paint wear on the helmet and light scratches on
WES CRAVEN’S NEW NIGHTMARE (1994) the rifle secured to his back. It exhibits light wear from production use, and the torch no the visor. Some components are missing from the bottom of the helmet’s front and the
longer functions. Dimensions (rifle): 83 cm x 7 cm x 25 cm (32 ¾” x 2 ¾” x 9 ¾”); (photo): interior lights are no longer present. Dimensions (displayed): 38 cm x 58 cm x 204 cm
Freddy Krueger’s (Robert Englund) sweater from Wes Craven’s horror thriller Wes Craven’s wardrobe. This variation of Krueger’s classic wool sweater features an olive green and 48 cm x 40 cm x 2 cm (19” x 15 ¾” x ¾”) (15” x 22 ¾” x 80 ¼”)
New Nightmare. When a new film in Craven’s “A Nightmare on Elm Street” horror franchise red horizontal striped pattern throughout with accents on the neck and wrists. It exhibits
went into production, the cast and crew were terrorized by a metaphysical manifestation signs of wear throughout from age and use. Contains electronics; see electronics notice in the Buyer’s Guide. Contains electronics; see electronics notice in the Buyer’s Guide.
of the series’ notorious villain, Freddy Krueger, who has made his way into the “real world”.
Restricted ownership; see replica firearm notice in the Buyer’s Guide. Special shipping required; see special shipping notice in the Buyer’s Guide.
In order to recreate the classic movie villain in a way which would make him less comedic Estimate: £8,000 - 12,000
and more distinct and intimidating for this film, Krueger was reimagined with a modified Estimate: £6,000 - 8,000 Estimate: £4,000 - 6,000

188 189
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1.9 m (6.2’)
268. Full-size Pale Man Display
Figure Ω

PAN’S LABYRINTH (2006)

A full-size Pale Man display figure from Guillermo del
Toro’s dark fantasy movie Pan’s Labyrinth. The Pale Man
(Doug Jones) - a grotesque, child-eating monster - chased
Ofelia (Ivana Baquero) through his lair after she disobeyed
the faun’s (also Jones) instruction not to eat the Pale
Man’s food.
This figure was created by DDT, the Spanish studio behind
the make-up and special effects for the film, founded by
Academy Award®-winners David Martí and Montse Ribe.
This model is a reproduction of the one created at the
behest of del Toro for the 2016 exhibition “Guillermo del
Toro: At Home with Monsters” and displayed at the Los
Angeles County Museum of Art. Del Toro owns the original
model from the exhibition.
The figure is constructed from polyester and polyurethane
resins around a metal skeleton, with clay pressed pieces
from the original production moulds attached. It is finished
in sculpting clay and painted with enamels and acrylics.
The model is approximately 20 cm (8”) taller than the
original made with Doug Jones under prosthetics in the
film. Del Toro saw initial photographs of the model in its
bent-legged pose and thought it looked short and less
impressive, so sections of the body were lengthened
specifically for the exhibition. The figure has only very
minor wear. Dimensions: 90 cm x 160 cm x 190 cm
(35 ½” x 63” x 74 ¾”)

Special shipping required; see special shipping notice in the

Buyer’s Guide.

Estimate: £20,000 - 30,000

190 191
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

269. Full-size Faun Display Figure Ω

PAN’S LABYRINTH (2006)

A full-size faun display figure from Guillermo del Toro’s
dark fantasy movie Pan’s Labyrinth. The faun (Doug
Jones) acted as Ofelia’s (Ivana Baquero) guide to the
mysterious labyrinth.
This figure was created by DDT, the Spanish studio behind
the make-up and special effects for the film, founded by
Academy Award®-winners David Martí and Montse Ribe.
This model is a reproduction of the one created at the
behest of del Toro for the 2016 exhibition “Guillermo del
Toro: At Home with Monsters” and displayed at the Los
Angeles County Museum of Art. Del Toro owns the original
model from the exhibition.
The figure is constructed from polyester and polyurethane
resins around a metal skeleton, with clay pressed pieces
from the original production moulds attached. It is finished
in sculpting clay and painted with enamels and acrylics.
It also features moss, wood and other natural pieces
collected from the original shoot in Segovia, Spain.
The figure comes with a bronze-and-zinc plated
polyurethane dagger; a leather pouch; carved, faux-bone
jewellery; and three coloured fairies, who also served as
Ofelia’s guides in the film. The figure has only very minor
wear. Dimensions: 100 cm x 100 cm x 200 cm (39 ¼” x
39 ¼” x 78 ¾”)
Special shipping required; see special shipping notice in the Buyer’s
2 m (6.56’)
Guide.

Estimate: £30,000 - 50,000

192 193
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

194 195
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

270. Inspector Jacques Clouseau’s (Peter Sellers) Suit Ω

THE PINK PANTHER STRIKES AGAIN (1976)

Inspector Jacques Clouseau’s (Peter Sellers) suit from Blake Edwards’ comic sequel The
Pink Panther Strikes Again. Bumbling inspector Clouseau wore his suit while meeting
with Chief Inspector Charles Dreyfus (Herbert Lom) and later while dancing in front of
his neighbor.

This costume consists of a dark navy wool blend suit jacket and a pair matching trousers.
Both items feature golden yellow-colour dotted vertical pinstripes throughout both items.
A patch on the interior of the trousers is marked “SELLERS”. It exhibits signs of wear
from age and use.

Estimate: £3,000 - 5,000

271. Jack Sparrow’s

(Johnny Depp) Stunt Dragon Ring †

PIRATES OF THE CARIBBEAN: DEAD

MAN’S CHEST (2006) Allstar Picture Library Ltd. / Alamy Stock Photo

Jack Sparrow’s (Johnny Depp) stunt dragon ring from

Gore Verbinski’s action-adventure sequel Pirates of the
Caribbean: Dead Man’s Chest. Jack wore his dragon 272. Captain Jack Sparrow’s (Johnny Depp) Floating Pirate Hat Ω
ring on his left hand throughout the film.

This ring is made of rubber for safe use during action PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST (2006)
sequences. It features two ornate dragon designs
situated on either side of a central circular faux-jade Captain Jack Sparrow’s (Johnny Depp) floating pirate hat from Gore Verbinski’s create the floating effect. The black interior features a rectangular patch where a
stone. A third dragon design adorns the stone, and the swashbuckling sequel Pirates of the Caribbean: Dead Man’s Chest. Jack threw tag was removed after production. The hat is extensively distressed by production
majority of the ring is finished in gold-coloured paint. off his signature hat when he learned he was being hunted by the Kraken. The to appear well-worn and stained from years at sea.
The lot is intentionally distressed to look well-used by hat was later found by merchant sailors, and eventually sank into Davy Jones’
Jack on his adventures. Dimensions: 4 cm x 3 cm x (Bill Nighy) locker. Estimate: £7,000 - 10,000
3 cm (1 ½” x 1 ¼” x 1 ¼”)
This tricorn hat is made from brown artificial leather with vinyl details, brown cord
Estimate: £2,000 - 3,000 stitching on the sides to help maintain its shape, and added buoyancy in order to

196 197
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

274. Dastan’s
(Jake Gyllenhaal) Swords Ω

273. Angelica’s (Penélope Cruz) Wig and Bandana † PRINCE OF PERSIA: THE SANDS OF TIME
(2010)

PIRATES OF THE CARIBBEAN: ON STRANGER TIDES (2011) Dastan’s (Jake Gyllenhaal) swords from Mike Newell’s
fantasy adventure Prince of Persia: The Sands of Time.
Angelica’s (Penélope Cruz) wig and bandana from Rob Marshall’s action-adventure Prince Dastan was framed for the murder of his father by
sequel Pirates of the Caribbean: On Stranger Tides. Angelica wore her wig and his uncle Nizam (Ben Kingsley), who possessed a dagger
bandana when she disguised herself as Captain Jack Sparrow to recruit pirates with the ability to reverse time. Dastan wielded twin swords
for an expedition. She was eventually exposed when she came face to face throughout his battle to clear his name and save the world.
with Sparrow.
This pair of resin swords are painted black, silver and gold
The Louis Ferre synthetic wig comprises brown and black dreadlocks of varying with detailed engravings on both sides with black textured
lengths, with incorporated strings of beads and trinkets. These trinkets include handles. Each features a resin hand guard with distinct,
a plastic reindeer shin bone, a piece of eight and a long strand of resin beads animal-inspired designs and red plastic jewel inlays. These
featuring a Kuchi pendant. swords exhibit signs of wear and age including deliberate
distressing. Dimensions: 75 cm x 15.25 cm x 9.5 cm
The red cotton bandana has a blue printed floral design, and features a large braided (29 1/2” x 6” x 3 3/4”)
plait laced with brown cord, which is located at the back and sits atop the bandana.
The wig displays minor signs of production use, including loose threads and stray Estimate: £3,000 - 5,000
hairs from handling, while there is minor fraying on the bandana.

Estimate: £6,000 - 8,000

275. Sumerian Engineer

“Star-Map” Tablet Ω

PROMETHEUS (2012)

A Sumerian Engineer “star-map” tablet from Ridley

Scott’s sci-fi prequel Prometheus. Doctors Elizabeth
Shaw (Noomi Rapace) and Charlie Holloway (Logan
Marshall-Green) introduced their discovery of a “star-
map” by showcasing iconography from several ancient
cultures, including the Sumerians.

This cast resin tablet featuring human figures praying

to an Engineer-like figure is painted rust red to
resemble stone and distressed with grime and dust
to appear ancient. Its sides and corners are chipped
by production with various scratches and scuffs
throughout. Dimensions: 25.5 cm x 26.75 cm x 1.5 cm
(10” x 10 ½” x ½”)

Estimate: £3,000 - 5,000

198 199
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

Album / Alamy Stock Photo Album / Alamy Stock Photo

276. Light-up Prometheus Full Bridge Set US

1
PROMETHEUS (2012)

A light-up starship Prometheus bridge set from Ridley Scott’s sci-fi thriller 2 3
Prometheus. Captain Janek (Idris Elba) and his crew piloted the Prometheus,
a scientific vessel on a mission funded by the Weyland Corporation, from their
bridge consoles. The bridge was inspired by an unused Ron Cobb design from the 8 8
original Alien and was updated with modern consoles and graphics. This impressive
multi-component set includes the key bridge elements made from wood, metal, 7
fibreglass and perspex: a standing Captain’s console; two front pilot Consoles with
chairs; two rear consoles with chairs; one Captain’s navigation double console; four
operator’s screens; three hanging wall console units with additional detail panels; 4 5
and a set of rubber floor panels.
6
Each console features a series of video screens which run custom motion graphics
from a series of DVD players incorporated into the units. The motion graphics are 9 9
the same videos featured in the film. The paneling is heavily detailed with interactive
buttons, switches, and knobs, many of which illuminate. These beautifully-designed
consoles play heavily in the film and are highly impressive when illuminated. The
four chairs, one for each single-width console, are made of fiberglass and wood
with padded seats, headrests, and strap-and-harness systems. This lot is worn
and shows age, including various scrapes and small cracks throughout, damage
to one wall unit, and a number of missing small knob and button details on several
consoles. Larger elements missing include a chair’s single seatbelt strap; an insert
panel on a wall unit; a gaming keypad for one console; and a missing black trackball PROMETHEUS BRIDGE SET
control on another. Multiple DVD players must be started in order to run the screen Top View Guide
graphics; the smallest video screens currently lack video sources though these could
be added. In total, these impressive components are a substantial size—inquire 1 – Captain Janek’s (Idris Elba)
for shipping details. Standing “Lower Bridge” Captain’s Console
2 – Navigator Chance’s (Emun Elliott) Pilot Console
Dimensions (control panel, largest): 203.25 cm x 223.75 cm x 112 cm (80” x 88” x 3 – Pilot Ravel’s (Benedict Wong) Pilot Console
44”); (background panel, largest): 40.75 cm x 188 cm x 106.75 cm (16” x 74” x 42”); 4 – Geologist Fifield’s (Sean Harris) Rear Console
(chairs, each): 139.75 cm x 76.25 cm x 137.25 cm (55” x 30” x 54”) 5 – Biologist Millburn’s (Rafe Spall) Rear Console
6 – Captain Janek’s (Idris Elba) Navigation Double Console
Contains electronic components; see notice in the Buyer’s Guide. 7 – Bridge Chairs with Harnesses – Quantity 4
Special shipping required; see notice in the Buyer’s Guide. 8 – Clear Overhead Screens for Seated Consoles – Quantity 4
This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide. 9 – Hanging Wall Console Units – Quantity 3
10 – Smaller Detail Panels for Wall Consoles (Various Sizes) – Quantity 7 1 – Captain Janek’s (Idris Elba)
Esitmate: £40,000 - 60,000 11 – Set of Rubber Floor Panels Standing “Lower Bridge” Captain’s Console

200 201
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

2 – Navigator Chance’s (Emun Elliott) 3 – Pilot Ravel’s (Benedict Wong)

Pilot Console Pilot Console
7 – Bridge Chair with Harnesses 7 – Bridge Chair with Harnesses

1 – Captain Janek’s (Idris Elba)

Standing “Lower Bridge” Captain’s Console

8 – Clear Overhead Screen 8 – Clear Overhead Screen

for Seated Console for Seated Console
11 – Set of Rubber Floor Panels

5 – Biologist Millburn’s (Rafe Spall) Rear Console

4 – Geologist Fifield’s (Sean Harris) Rear Console 7 – Bridge Chair with Harnesses
7 – Bridge Chair with Harnesses

9 – Hanging Wall Console Unit 6 – Captain Janek’s (Idris Elba) Navigation Double Console 9 – Hanging Wall Console Unit

202 203
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

2-5 – Pilot Console (Various Views)

Console Monitors (Various Original Animated Motion Graphics from the Film) 10 – Smaller Detail Panels for Wall Consoles (Various Sizes)

1.88 m (6.17’)

1.372 m (4.5’)

1.398 m (4.85’)

6 – Captain Janek’s (Idris Elba) Navigation Double 7 – Bridge Chair with Harnesses (Various Views & Detail)
Console (Rear View & Label Details)

2.238 m (7.3’)

202 203
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

277. Vincent Vega’s (John Travolta) Jeans M

PULP FICTION (1994)

Vincent Vega’s (John Travolta) jeans from Quentin Tarantino’s neo-noir movie Pulp
Fiction. Vincent wore black jeans in multiple scenes throughout the film, including the
iconic dance sequence where he and Mia Wallace (Uma Thurman) competed in a twist
contest at Jack Rabbit Slim’s restaurant. This pair of jeans was originally obtained by a
production crew member.

Labelled as a size 38, the Calvin Klein® jeans are washed black cotton denim and
feature a metal button and zip fly. They exhibit signs of production use, including some
loose threads, signs of fraying around the hems and light marks on the back. The lot is
accompanied by a letter of authenticity detailing its history.

Estimate: £1,500 - 2,500

278. Starbug 1 Model Miniature M

RED DWARF (TV SERIES, 1988-PRESENT)

A model miniature of Starbug 1 from the sci-fi comedy television show Red Dwarf.
The notoriously unreliable Starbug shuttles first appeared in Series III and were
the crew’s primary mode of transportation to different planets, although they were
often crashed by the crew.

The miniature model is made of resin and has a hand-painted green finish, with
additional detailing and intentional distress applied to make the craft look well used.

The craft resembles an insect, with three bulbous sections, four landing legs, and
rocket thrusters on the rear. Decals reading “Starbug 1” are applied to the front and
rear sections on each side of the ship, and “1” transfers are applied to the top of
the ship’s central compartment and on its fins. A clear canopy covers the cockpit,
and the rear of the body has a square hole where a rod was placed to support
the model during filming.The model has very minor wear from production use and
age, including scuffing, scratches and a couple of small areas of paint wear, most
notably on the rear. Dimensions: 40 cm x 40 cm x 26 cm (15 ¾” x 15 ¾” x 10 ¼”)

Estimate: £4,000 - 6,000 280. Full-size EM-208 Police Drone

279. Ivan Danko’s (Arnold Schwarzenegger) Suit Ω with Light-up OmniCorp Refrigeration Unit Ω

RED HEAT (1988) ROBOCOP (2014)

Ivan Danko’s (Arnold Schwarzenegger) suit from Walter Hill’s action adventure Red Heat. A full-size EM-208 police drone with a light-up OmniCorp refrigeration unit from
Moscow Militia Captain Danko wore his suit when he traveled to Chicago and teamed José Padilha’s sci-fi action remake RoboCop. Refrigeration units containing the
with American detective Art Ridzik (James Belushi) to stop a drug kingpin. drones were seen when RoboCop (Joel Kinnaman) tried to escape the OmniCorp
facility after first being awoken.
This costume consists of a turquoise-colour polyester and wool blend suit jacket with
a grey satin interior; a pair of matching turquoise-colour trousers; and a cream-colour The unit features a full-size police drone made predominantly of resin painted to
button-up cotton dress shirt. It exhibits signs of wear from age and use throughout all items. look like metal, surrounded by grey foam. The head is 3D-printed and detachable
from the torso, along with the legs. The refrigeration unit itself is predominantly
Estimate: £3,000 - 5,000 made of wood, with resin detailing and a clear acrylic screen. The unit is decorated
with OmniCorp decals and “Danger” stickers. LED strip lights are taped under the
lid, illuminating the drone when powered. The drone and unit have some wear
from production use and age, including scuffs and scratches, most notably on the
underside of the unit’s lid. Dimensions: 79 cm x 91 cm x 204 cm (31” x 35 ¾” x 80 ¼”)

Contains electronics; see electronics notice in the Buyer’s Guide.

Special shipping required; see special shipping notice in the Buyer’s Guide.

Estimate: £4,000 - 6,000

204 205
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

282. Buzzsaw’s (Gus Rethwisch) Costume M

THE RUNNING MAN (1987)

Buzzsaw’s (Gus Rethwisch) costume from Paul Michael Glaser’s dystopian action film The Running Man. Buzzsaw wore
his costume as he hunted Ben Richards (Arnold Schwarzenegger), before Richards bisected him with his own chainsaw.

The costume consists of a helmet; a black vest; a black string top; a pair of black trousers labelled “Running Man Gus
Rethwisch Buzzsaw”; a wide, silver-painted belt which reads “Buzzsaw” in large letters; a pair of leather boots; a pair of
gloves; a pair of leather armguards; and a set of bolas. The gloves are not original and have been added to complete
the costume.

The “Buzzsaw” belt has two leather and metal attachments, one down each side, where he holstered his chainsaws.
The bolas comprise of rope attached to a baseball and a softball, all of which are painted silver. The costume has some
wear from production use and age, including scuffing and scratches on the belt, boots and bolas.

Estimate: £4,000 - 6,000

281. The Rocketeer’s (Bill Campbell) Stunt Helmet M

283. German Sniper (Leo Stransky) Hero Sniper Rifle and Additional Exploded Sight M
THE ROCKETEER (1991)

The Rocketeer’s (Bill Campbell) stunt helmet from Joe Johnston’s action-adventure film The Rocketeer. This SAVING PRIVATE RYAN (1998)
helmet was attached to a stunt dummy used for shots showing the flying hero bouncing across a pond, before
eventually crashing into a bank after saving someone’s life at Bigelow’s Air Circus. The German Sniper’s (Leo Stransky) hero sniper rifle and an additional exploded The rifle has been sympathetically deactivated, and comes with a certificate of
sight from Steven Spielberg’s World War II drama Saving Private Ryan. The sniper deactivation, as well as its original plastic armoury tag. The weapon has wear from
The resin helmet is finished in gold paint. It features a long fin adhered to the top, a pair of tinted acrylic eye killed PFC Caparzo (Vin Diesel) in the town of Neuville and was subsequently production use and age, and is stored in a padded carrying case. Dimensions:
lenses, and a grill located at the mouth. Faux metal nuts are dotted around the lenses, and the helmet’s interior taken out by Private Jackson (Barry Pepper) with a shot straight down his scope. 111 cm x 9 cm x 25 cm (43 ¾” x 3 ½” x 9 ¾”)
is painted black, which has chipped away in some places. There are signs of production use still present on the
helmet, including scuffing to the paint finish, glue remnants on the lenses, and a screw hole on the back from The sniper rifle is a bolt-action Karabiner 98k fitted with a Zeiss ZF42 scope and Firearm deactivated; see firearm deactivation notice in the Buyer’s Guide.
when it was mounted to the dummy. The impact of the dummy hitting the bank during filming caused notable a five-round clip capacity. The body of the weapon is made of wood, with a metal Special shipping required; see special shipping notice in the Buyer’s Guide.
damage to the rear of the helmet, and there is a crack near the mouth’s right side. Dimensions: 47 cm x 23 cm barrel, scope and buttstock. The trigger and bolt-action both still move. Also
x 28 cm (18 ½” x 9” x 11”) Entertainment Pictures / Alamy Stock Photo included in the lot is an additional sight, created for the effect of the bullet passing Estimate: £2,000 - 3,000
through it. There is an exploded hole in the side of the sight and no glass present.
Estimate: £6,000 - 8,000

206 207
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

284. Private James Ryan’s

(Matt Damon) Helmet Ω

SAVING PRIVATE RYAN (1998)

The NSPCC is the UK’s leading children’s charity fighting to end child abuse and
Private James Ryan’s (Matt Damon) helmet from Steven keep children safe. It protects children at risk, helps children who’ve been abused
Spielberg’s war drama Saving Private Ryan. Ryan wore to rebuild their lives, and works to find the best ways of preventing child abuse from
his helmet while an Army ranger team led by Captain ever happening. So, whether a child needs a helping hand, a parent is finding it
Miller (Tom Hanks) tracked him down to inform him tough, a law needs to change, or the government needs to do more, the NSPCC will
that all three of his brothers had been killed in battle. be there – fighting for every childhood. We can all play a part in keeping children
safe. Abuse changes childhood. But so can we. To find out more, visit nspcc.org.uk
This olive green helmet features a fibreglass exterior
and separate liner with a leatherette and brass
chinstrap. Grey spades, emblems of the 101st Airborne
division, are painted on the sides, and the helmet is 286. “Shield” Sculpture † AR
covered in a moss green scrim net with tears on the
top and side. “PVT RYAN” is handwritten on a white
tape label affixed to the interior. The helmet exhibits SCHOONY
signs of wear from age and use. Dimensions: 28 cm x
23 cm x 30.5 cm (11” x 9” x 8”) A “Shield” sculpture by the artist Schoony. This statue was donated by Schoony to
the UK children’s charity NSPCC, and is one of eight he produced for his sculpture
Estimate: £6,000 - 8,000 “Shield”. Schoony’s background is in film special effects and prosthetics, but since
2008 he has become known as a pioneering sculptor and street artist.

The sculpture depicts a barefoot young girl – modelled after the artist’s daughter
– carrying a broken, circular Captain America style shield, which is blank in some
other iterations of the statue. According to the artist, the shield is “protecting her
from the world”. The sculpture is made of fibreglass covered in shimmering black
prismatic paint and stands on a small wooden base. It has very little wear, and is
accompanied with a certificate of authenticity handwritten, signed and dated by
Schoony. The lot is being sold with no reserve. Dimensions: 50 cm x 40 cm x 112
cm (19 ¾” x 15 ¾” x 44”)

All hammer-price proceeds from this item are being donated to the NSPCC.

Estimate: £5,000 - 7,000

285. Captain Miller’s (Tom Hanks) Hero Thompson Sub-machine Gun M

SAVING PRIVATE RYAN (1998)

Captain Miller’s (Tom Hanks) hero Thompson sub-machine gun from Steven Spielberg’s The action is made of steel, while the stock, pistol grip and front grip are made of walnut
World War II drama Saving Private Ryan. Captain Miller used his weapon throughout the wood. The gun features a brown canvas shoulder strap. It is likely that the current
film, from the D-Day landing on Omaha Beach, to the final, climactic battle in the streets magazine is not the same as the one used during production. The Thompson comes
of Ramelle, in which Miller and his platoon defended the bridge from the advancing directly from the production armourer who handled it on set, and includes a letter from the
German army. armourer detailing its history, as well as a deactivation certificate and the original plastic
armoury tag. The piece has some wear from extensive production use and age, as well
The firearm is a Thompson M1 sub-machine gun (also known as a “Tommy Gun”), as intentional distress applied to make it look well-used and worn. There is scratching
chambered in .45 ACP, with a magazine capacity of 30 rounds. It has been sympathetically and scuffing all over the weapon, most noticeably on the wooden sections. Dimensions:
deactivated. Actor Tom Hanks personally picked the gun at the start of production, 86 cm x 5.5 cm x 26.5 cm (34” x 2 ¼” x 10”)
intentionally choosing the 13th gun along the rack – “A13”, its amoury code, is handwritten
in black marker pen on the wooden grip underneath the barrel, just next to the front sling Firearm deactivated; see firearm deactivation notice in the Buyer’s Guide.
swivel. When work began on Hanks and Spielberg’s TV series Band of Brothers, Colin Special shipping required; see special shipping notice in the Buyer’s Guide.
Hanks chose the exact same weapon as his father, for his role as Lieutenant Henry Jones.
Estimate: £6,000 - 8,000

208 209
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

288. Production-made
287. Viola de Lesseps’ (Gwyneth Paltrow) Juliet Costume †Δ Final Scene Photo M

SHAKESPEARE IN LOVE (1998) THE SHINING (1980)

Viola de Lesseps’ (Gwyneth Paltrow) Juliet costume from John Madden’s period A production-made final scene photograph from Stanley
comedy-drama Shakespeare in Love. Viola wore her costume towards the film’s end, Kubrick’s horror film The Shining. The concluding moments
playing Juliet opposite William Shakespeare (Joseph Fiennes) as Romeo. Paltrow of the movie showed a wall of old photographs, with one,
also wore the outfit in publicity photos to promote the movie. taken in 1921, revealing a young Jack Torrance (Jack
Nicholson) at a party in the ballroom.
The costume’s centrepiece is a beige velvet overgown with a gold-coloured
swirling heart-like pattern. The bodice section features sewn-in boning and is laced Multiple variations of the photograph were created for
at the front and back. Additional matching cape-like pieces are attached to both the production for Kubrick to review. The differences
shoulders, and there is a gold-trimmed train at the rear of the skirt, onto which a between the images included the size, framing, margins
wrist loop is adhered. and even some of the people photographed. This example
is one of the alternative versions which did not appear
The costume also comprises separate two-part sleeves, which are tied together via in the final cut, and is testament to Kubrick’s attention to
gold cord; a crinkled chiffon-like undershirt featuring decorative pearls; an ornate detail. The black-and-photograph shows Nicholson’s face
metal belt decorated with faux precious stones; a heavily embroidered underskirt; superimposed onto a figure at the front. The lot exhibits
a pair of woollen stockings; and a pair of patterned brocade heeled shoes. minor damage in the bottom left corner, a small tear
along the top edge and minor foxing in the top left corner.
There are minor signs of wear, including fraying, loose threads and some cracking Dimensions: 24 cm x 30.5 cm (9 ½’’ x 12’’)
on the gold pattern. A small hole is present on one stocking, and the gold trim on
the skirt train has come loose in places. The costume is presented on a custom- Estimate: £4,000 - 6,000
made display. Dimensions (displayed): 75 cm x 50 cm x 165 cm (29 ½” x 19 ¾” x 65”)

Special shipping required; see special shipping notice in the Buyer’s Guide.

Estimate: £10,000 - 15,000

289. Headless Horseman’s (Ray Park) Tunic M

SLEEPY HOLLOW (1999)

The Headless Horseman’s (Ray Park) tunic from Tim Burton’s fantasy horror Sleepy
Hollow. The Headless Horseman wore his tunic throughout the film as he haunted
the town of Sleepy Hollow, with his costume decaying as the film progressed.

Created by renowned costume designer Colleen Atwood, the sleeveless tunic is

made from a combination of distressed faux leather and black velour. The front
displays a silver-coloured double-headed dragon emblem, with a wax layer that
produces a realistic decomposition effect. Two small poppers and two hook-and-
eye fastenings are located around the neckline, and lacing runs down the back. An
MBA Ltd. London label reading “Ray Parks 13351, Headless Horseman Fight Dbl,
Sleepy Hollow” is sewn to the lining, and the text “Par.” is written near the label.
The tunic is intentionally distressed and displays light signs of fraying.

Estimate: £5,000 - 7,000

AF archive / Alamy Stock Photo

210 211
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

290. Original Screen-matched Large-scale Eagle Transporter Filming Miniature M

SPACE: 1999 (T.V. SERIES, 1975-1977)

The original, screen-matched, large-scale Eagle Transporter model miniature from the sci-fi television series Space: 1999. In the year 1999, nuclear waste stored on
the Moon exploded, propelling it into deep space and stranding the 311 inhabitants of Moonbase Alpha. Eagles were the primary spacecraft on Moonbase Alpha, used
for exploration, transportation and combat. This transporter appeared in 45 of Space: 1999’s 48 episodes, making it the most screen-used model of the series, and it
screen-matches the Eagle seen in series finale “The Dorcons”, through its markings and details on the bottom of the footpads. It was also used in nine of the 11 crash-
landing sequences, meaning it had to be repeatedly rebuilt and repaired. In recent years it has been lovingly and carefully restored by master model maker David Sisson.

Husband-and-wife team Gerry and Sylvia Anderson created the live-action show Space: 1999, having previously collaborated on their “Supermarionation” puppet-based
shows, including Thunderbirds, Captain Scarlet and the Mysterons and Joe 90. For Space: 1999, they drew visual inspiration from Stanley Kubrick’s 2001: A Space
Odyssey. Special effects designer and Academy Award®-winner Brian Johnson, who had worked on 2001, designed the Eagle Transporters. They were built in four
sizes: 44”, 22”, 11” and 5” in length. Although two other 44” models were eventually built, this is the original 44”
model used primarily for medium and close-up photography – such as take-off, landing and crashing shots –
and appeared prominently in the show’s opening credits.

The model is made largely of resin and wood, with a brass frame, moveable metal feet and propulsion engines
on its underside. The passenger pod is hand-painted in varying shades of grey, giving the impression of different

panels. It has four doors, one on each side, which do not open. Small transfers, featuring serial numbers and the
Moonbase Alpha insignia, give added detail and realism. The model’s various sections are detachable, including
the feet, main frame, pod, and cockpit, which reveals two model pilots when removed. Sisson repaired the
brass frame holding the Eagle together, stripping it down and resoldering it. He also stripped down paintwork
which had been applied subsequent to production, revealing original detailing, before carefully applying new
paintwork in some areas.
1.15 m (3’9.25”)
The model is accompanied by a storage crate and a letter of authenticity from Sisson, explaining the model’s
remarkable history and extensive use on the production. Dimensions: 112 cm x 45 cm x 20 cm (44” x 17 ¾” x 7 ¾”)

Special shipping required; see special shipping notice in the Buyer’s Guide.

Estimate: £80,000 - 120,000

212 213
 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

214 215
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

291. Maya’s (Catherine Schell) 292. Mark Clyne’s (James Badge Dale)
Transformation Creature Costume M Light-up Hyperspectral Camera US

SPACE: 1999 (T.V. SERIES, 1975-1977) SPECTRAL (2016)

Maya’s (Catherine Schell) transformation creature costume Mark Clyne’s (James Badge Dale) light-up
from the sci-fi television series Space: 1999. Maya was a hyperspectral camera from Nic Mathieu’s supernatural
shape-shifting Psychon alien who transformed into various sci-fi thriller Spectral. DARPA scientist Clyne modified
creatures during the second season. This costume was his hyperspectral camera to project a beam of light that
reused in many episodes, with parts of it being repainted, would reveal the hyperspectral anomalies.
and different latex appliances added to the head to
achieve the multiple characters. This costume was then Custom-built by effects house Weta Workshop, this
displayed in Blackpool in a Space City exhibition once black, grey, and olive-colour camera is constructed
filming had completed. of dense urethane with metal and resin detailing. It
features a pair of black grips and eyepieces on the
Made of foam and rubber, the creature costume is painted back and detailing at the end of the barrel, including
mainly green and consists of a head featuring eye holes; a circular lens attachment, a flip-up display with static
a separate torso piece with affixed arms; a long tail; knobs, buttons, a blank acrylic monitor, and cables
and a pair of legs with webbed feet. The back features throughout with resin plugs attached to either side. It
an exposed zip and is decorated with various fins and comes mounted to a black metal turret. This camera
strands of black faux hair, while Velcro® strips are present exhibits signs of wear from production, including paint
around the neck. chipping and scraping as well as some damage to
the circuitry. Dimensions: 94 cm x 40.75 cm x 23 cm
The costume comes mounted on the exhibition’s original (37” x 16” x 9”)
wooden stand and shows signs of flaking and cracking to
the paint finish. There is a split present on the inside of one Contains electronic components; see notice in the Buyer’s Guide
hand and also on the back of the right foot. Dimensions: This lot will ship from Prop Store’s Los Angeles facility; see notice in
55 cm x 74 cm x 166 cm (21 ½” x 29 ¼” x 65 ¼”) the Buyer’s Guide

Special shipping required; see special shipping notice in the Buyer’s Guide.

Estimate: £5,000 - 7,000 Estimate: £5,000 - 7,000

293. Stunt DARPA Armour and Rifle Ω

SPECTRAL (2016)

Stunt DARPA Armour and rifle from Nic Mathieu’s paranormal action film Spectral. DARPA (Defense Advanced
Research Projects Agency) soldiers wore their armour and used their rifles to fight the hyperspectral anomalies
at the film’s climax.

The costume consists of a thick top with faux leather detailing and a pair of combat trousers (both labelled “H1
Ivan Orsanyi”); a helmet (labelled “H1 Orsanyi Ivan”); a balaclava; a mask (“Orsanyi Ivan”); torso armour (“Ivan
Orsanyi H1”); a pair of gloves (“Ivan Orsanyi H1 Stunt”); a pair of shin guards (“Ivan H1); a pair of boots (“Ivan”);
and a stunt rifle. Orsányi was a stunt performer on the production.

The armour sections are made of rubber and fibreglass, and the helmet and facemask are hardened rubber.
The rifle is rubber with a metal armature, and has a shoulder strap.

The costume has been intentionally distressed to appear well worn and battle-scarred. It also has some wear
from use and age. The faux leather on the costume top is scratched, and the rubber around the neck of the
balaclava has dried and is brittle.

Ownership may be restricted in some countries: see replica firearm notice in Buyer’s Guide

Estimate: £6,000 - 8,000

216 217
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

295. Production-made Green Goblin (Willem Dafoe)

Test Helmet Ω

SPIDER-MAN (2002)

A production-made Green Goblin (Willem Dafoe) helmet from Sam Raimi’s superhero
adventure Spider-Man. Deranged industrialist Norman Osborne wore his signature
helmet while battling his arch nemesis, Spider-Man (Tobey Maguire), as the armoured
villain Green Goblin.

Constructed of fibreglass with a metal-colour chrome-like finish, this helmet was created
by the Academy Award-winning special effects group Amalgamated Dynamics, Inc.
(ADI) while testing various finishes. It features detailed facial features as well as a pair
of mounting clips on the sides of the interior. The helmet exhibits signs of wear and age
and use including some paint chipping on the interior. Dimensions: 51 cm x 21.75 cm x
16.5 cm (20” x 8 1/2” x 6 1/2”)

Estimate: £3,000 - 5,000

296. Spider-Man (Tobey Maguire) Spare Suit Components Ω

SPIDER-MAN (2002)

Spider-Man’s (Tobey Maguire) spare suit components from Sam Raimi’s superhero
movie Spider-Man.

This lot comprises 12 pieces of elasticated fabric in varying sizes, onto which
sections of Spider-Man’s costume are printed. The fabric pieces are safety-pinned
together in two sets, and some feature handwritten notes. One set also features
294. Battle-damaged Spider-Man (Tobey Maguire) Costume Piece Ω a handwritten production label with notes and dates. The collection has some
wear from production use and age. Some of the ink has bled on some of the
components, and some of the fabric has minor staining. Dimensions (largest):
SPIDER-MAN (2002) 180 cm x 140 cm (71” x 55”)

A battle-damaged Spider-Man (Tobey Maguire) costume piece from Sam Raimi’s of protective paper over the top. “For Jim” is written on the back of the card, a Estimate: £800 - 1,200
superhero film Spider-Man. This chest section of Spider-Man’s costume has been reference to three-time Academy Award®-winner James Acheson, who designed
intentionally distressed and battle-damaged, with tears and staining, as a result of the costumes for the film. The card and costume piece only have minor additional
Spider-Man’s battles with the Green Goblin (Willem Dafoe). wear from production use. Dimensions (card backing): 51 cm x 38 cm (20” x 15”)

The piece is made from elasticated fabric, with rubber web detailing and a Estimate: £4,000 - 6,000
foam-rubber spider emblem. It is pinned to a piece of thick card and has a piece

218 219
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

299. Doc Ock’s (Alfred Molina) Stunt Tentacle with Claw US

SPIDER-MAN 2 (2004)

Doc Ock’s (Alfred Molina) stunt tentacle with claw from Sam Raimi’s superhero sequel attachment in a closed position. It exhibits signs of wear from age and use throughout
Spider-Man 2. During a scientific demonstration gone awry, brilliant scientist Otto including some paint chipping and extra pieces of cable. Dimensions: 76.25 cm x
Octavious had his mechanical arm devices permanently fused to his spine, turning him 76.25 cm x 17.75 cm (30” x 30” x 7”)
into the supervillain Doctor Octopus.
This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide
This stunt tentacle consists of a length of grey foam rubber which is affixed with three
metal-colour nylon cables that have been secured with a series of rubber and plastic Estimate: £5,000 - 7,000
supports. At the end of the tentacle is a metal-colour rubber six-sided triangular claw

300. Jim Acheson’s Doctor Octopus Tentacle

Presentation Piece, Tentacle Segments, and
Alfred Molina-autographed Photo Ω

SPIDER-MAN 2 (2004)

297. Collection of Daily Bugle Newspapers Ω 298. Doc Ock’s (Alfred Molina) Neckpiece Ω A Doctor Octopus tentacle presentation piece, tentacle segments, and an Alfred
Molina autographed photograph from the production of Sam Raimi’s superhero
sequel Spider-Man 2.
SPIDER-MAN (2002)/ SPIDER-MAN 2 (2004) SPIDER-MAN 2 (2004)
Created by the Edge FX team, the Tentacle piece was presented to Oscar-winning
A collection of Daily Bugle newspapers from Sam Raimi’s superhero adventures Doc Ock’s (Alfred Molina) neckpiece from Sam Raimi’s superhero sequel Spider- costume designer Jim Acheson for his work on the production.
Spider-Man and Spider-Man 2. Daily Bugle publisher J. Jonah Jameson (J.K. Simmons) Man 2. During a demonstration gone awry, brilliant scientist Otto Octavious had
published a variety of newspapers featuring negatively-framed stories about Spider-Man his mechanical arm device permanently fused to his spine, turning him into the It consists of a metal-and-fibreglass closed tentacle claw mounted to a black-
(Tobey Maguire). supervillain Doctor Octopus. coloured base, which features five comic-book-style text box decals. The award
comes in a wooden box labelled “Property of Acheson” in black stencilled letters,
This set consists of five “Daily Bugle” newspapers. Four feature covers with headlines This dark grey foam rubber section of the device’s top section features multiple and has a red velour lining. The four tentacle segments are all made of resin and
about Spider-Man and interior pages about the murders of the Oscorp board of directors, spinal cord-like sections which decrease in size as they near the top. It is affixed biscuit foam, while the promotional photograph of Doctor Octopus is autographed
while one features a cover headlined “Statue of Liberty Harbors Drugs” and additional with metal details on several of the piece’s top columns. The neckpiece comes by Molina in silver-coloured marker, with a message dedicated “to Jim”. There
related stories on the interior pages. The set exhibits signs of wear from age and use complete with a custom-made black and transparent display stand with a plastic are signs of intentional distressing to the paint finish of the award and tentacle
throughout, including some creasing and yellowing to the newsprint. Dimensions (each): base. It exhibits signs of wear from age and use throughout. Dimensions: 31.75 cm segments. Dimensions (award): 39 cm x 15 cm x 15 cm (15 ½” x 6” x 6”); (box): 21
38 cm x 29.25 cm (15” x 11 1/2”) x 28 cm x 17.75 cm (12.5” x 11” x 7”) cm x 50 cm x 22 cm (8 ¼” x 19 ¾” x 8 ¾”); (each segment): 12 cm x 10.5 cm x 3 cm
(4 ¾” x 4 ¼” x 1 ¼”)
Estimate: £1,000 - 1,500 Estimate: £3,000 - 5,000
Estimate: £2,000 - 3,000

220 221
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

301. Spider-man
(Tobey Maguire) Production-made Costume Ω

SPIDER-MAN 3 (2007)

A production-made Spider-Man (Tobey Maguire) costume from Sam Raimi’s

superhero sequel Spider-Man 3. Spider-Man wore his iconic red-and-blue costume
for the first and third acts of the film as he fought against Venom (Topher Grace)
and Sandman (Thomas Haden Church).

Designed by three-time Academy Award®-winner James Acheson, this skin-tight

spandex bodysuit was made for the production but ultimately unused. It is presented
on a custom-built mannequin display, over the top of a production-used-and-worn
muscle suit (labelled “Tobey #1” inside) to provide definition. It features the black
rubber spider emblem in the middle of the chest and a silver rubber web pattern
across the torso and boots. Zips run across the width of the back and up the sides
of the torso, providing access to the suit. On set, the plastic eyes were mounted
magnetically to the underskull as this allowed easy removal, however please note
the lenses and underskull in this lot are replicas added to complete the aesthetic
of the display. A handwritten label inside the crotch area reads “3 FF”.

The suit has some wear from age and use, most notably some cracks to the
webbing pattern, and there is some minor repair work to the right ankle. Dimensions
(displayed): 38 cm x 56 cm x 180 cm (15” x 22” x 70 ¾”)

Special shipping required; see special shipping notice in the Buyer’s Guide.

Estimate: £30,000 - 50,000

AA Film Archive / Alamy Stock Photo

222
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

302. The Spirit’s (Gabriel Macht)

Hero Costume with Lifecast US

THE SPIRIT (2008)

The Spirit’s (Gabriel Macht) hero costume with lifecast 304. Data’s (Brent Spiner) Hand and Sleeve M
from Frank Miller’s neo-noir superhero adventure The
Spirit. After policeman Denny Colt was murdered, he
was resurrected as the mysterious crimefighter called STAR TREK: THE NEXT GENERATION (TV SERIES, 1987-1994)
The Spirit.
Data’s (Brent Spiner) hand and sleeve from sci-fi TV series Star Trek: The Next Generation.
This lot consists of a black overcoat with a nylon strap on The piece was used in the Season 7 episode “Phantasms”, for a nightmare sequence in
the interior; a black button-up shirt; a pair of black trousers which Data was attacked and dismantled by workmen.
marked “GM” on the interior; a pair of black cotton and
rubber shoes; and a custom-made cream-colour fibreglass The hand is cast in latex and painted faux gold to match Data’s skin tone. It is attached to
lifecast of the character’s head and shoulders set on a a forearm, also made of latex. This is covered by a length of Data’s uniform sleeve, which
base featuring the film’s title. This lifecast is affixed with a has a brown satin lining. A thin metal rod is located within the forearm, which was held
production-used black wide-brimmed hat, a black rubber by the actor during filming. There are slight chips and marks to the paint on the hand
mask; a section of black replica overcoat, a section of from production use and age. Dimensions: 53.5 cm x 17 cm x 7 cm (21” x 6 3/4” x 2 3/4”)
black replica shirt, and a red replica tie with a metal inlay.
It exhibits signs of wear from age and use. Dimensions: Estimate: £3,000 - 5,000
40.75 cm x 40.75 cm x 76.25 cm (16” x 16” x 30”)

This lot will ship from Prop Store’s Los Angeles facility; see notice in
the Buyer’s Guide

Estimate: £3,000 - 5,000 305. Lt. Uhura’s (Nichelle Nichols)

Starfleet Uniform Costume Ω

STAR TREK: THE MOTION PICTURE (1979)

Lt. Uhura’s (Nichelle Nichols) Starfleet uniform costume

from Robert Wise’s sci-fi adventure Star Trek: The
Motion Picture. Uhura wore her uniform while she
served as a communications officer aboard the USS
303. SFX Breathing Tribble Ω Enterprise as it intercepted V’ger, a sentient being in
the form of a massive ship.

STAR TREK: THE ORIGINAL SERIES (TV This beige polyester blend Class B Starfleet uniform
SERIES, 1966-1969) consists of a short-sleeved tunic with a Western
Costume Co. label marked “Nichelle” and “N # 2”
An SFX breathing Tribble from Gene Roddenberry’s handwritten inside the collar, a Starfleet insignia
sci-fi television series Star Trek: The Original Series. patch on the chest and a pair of division shoulder
In the Season 2 episode ‘The Trouble with Tribbles’, decorations; and a pair of trousers marked “10” on the
the starship Enterprise visited Deep Space Station K-7, interior. Also included is a vacuformed plastic black and
both of which were soon overrun with the small rapidly- silver coloured bio monitor belt buckle.
multiplying creatures known as Tribbles.
The costume exhibits signs of wear from age and use
This Tribble features red and white synthetic fur around throughout including some fraying on the waistline
an internal air bladder connected to a length of rubber of the trousers.
hose. Air would be pumped in and out of the hose,
causing the creature’s body to rise and fall simulating Estimate: £15,000 - 25,000
breathing. It exhibits signs of age, including thinning
to the fur, residue in the fur, yellowing to the hose, and
the stiffening of the internal air bladder. Dimensions:
33.25 cm x 28 cm x 11.5 cm (13” x 11” x 4.5”)

Estimate: £4,000 - 6,000

224 225
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

307. Montgomery Scott’s (James Doohan)

306. Spock’s (Leonard Nimoy) Sick Bay Costume Ω Starfleet Uniform Costume Ω

STAR TREK: THE MOTION PICTURE (1979) STAR TREK: THE MOTION PICTURE (1979)

Spock’s (Leonard Nimoy) sick bay costume from Robert Wise’s sci-fi adventure Star Montgomery Scott’s (James Doohan) Starfleet uniform costume from Robert Wise’s sci-fi
Trek: The Motion Picture. The science officer of the USS Enterprise, Spock wore his adventure Star Trek: The Motion Picture. The chief engineer of the USS Enterprise, Scott
sick bay costume while recovering from a mind meld with V’ger, a sentient being wore his uniform while serving aboard the vessel as it intercepted V’ger, a sentient being
in the form of a massive ship. in the form of a massive ship.

This costume consists of a cream-colour hooded sleeveless shirt with an orange This grey polyester blend Starfleet Class D uniform consists of a full-length grey jumpsuit
interior and pair of matching trousers. Both items feature transparent plastic piping with a functioning pocket and a Starfleet insignia patch on the chest. It features a fastening
affixed throughout with Velcro and Western Costume Co. labels marked “LEONARD strip and clasp size adjustment on the ankle cuff, and a sewn in Western Costume Co.
NIMOY” and “LENARD NIMOY” [sic]. The costume exhibits signs of wear from age label marked “JAMES DOOHEN” [sic] on the interior. Also included is a black, brown, and
and use throughout including a hole on top of the trousers’ inseam. silver wooden replica bio monitor, two replica rank braids on the shoulders, and a pair of
replica grey shoes added to complete the costume. The costume exhibits minor signs
Estimate: £15,000 - 25,000 of wear from age and use throughout.

Estimate: £15,000 - 25,000

226 227
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

308. Spock (Leonard Nimoy)

Prosthetic Vulcan Ear Tips M

STAR TREK III: THE SEARCH FOR SPOCK

(1984)

A pair of Spock (Leonard Nimoy) prosthetic Vulcan ear

tips from Nimoy’s sci-fi sequel Star Trek III: The Search for
Spock. Spock was resurrected by the Genesis Device,
having perished in the previous movie.

The prosthetic pointed ear tips are made of foam and

painted to match Spock’s skin colour. Numbers are
handwritten inside each ear tip, though they have faded
with age.

The ear tips are accompanied by a copy of a letter of

authenticity signed by Star Trek creator Gene Roddenberry.
Written on Paramount Pictures headed paper, the letter is
dated “March 16, 1986”, which refers to three pairs of tips.
The tips have wear from production use and age, including
some glue remnants. Dimensions (each tip): 7 cm x 4 cm
x 1.5 cm (2 ¾” x 1 ½” x ½”)

Estimate: £3,000 - 5,000

310. Lieutenant Uhura’s (Zoe Saldana) USS Enterprise 311. Lt. Commander Montgomery Scott’s (Simon Pegg)
Operations Uniform Display †Δ Starfleet Uniform Display †Δ

STAR TREK INTO DARKNESS (2013) STAR TREK INTO DARKNESS (2013)

Lieutenant Uhura’s (Zoe Saldana) USS Enterprise uniform display from J.J. Abrams’ Lt. Commander Montgomery Scott’s (Simon Pegg) Starfleet uniform display from
309. Hero Light-up Starfleet Type-3 Phaser Rifle M sci-fi sequel Star Trek Into Darkness. Uhura wore her uniform while on-board J.J. Abrams’ sci-fi sequel Star Trek Into Darkness. “Scotty” wore his uniform while
the USS Enterprise. on-board the USS Enterprise.

STAR TREK: NEMESIS (2002) The costume consists of a red polyester-and-spandex dress, a black cotton undershirt, The costume consists of a red polyester-and-spandex tunic; a black cotton
and a pair of black leather boots. The dress features a label which reads “Costume Design undershirt; a pair of black polyester-and-spandex trousers; and a pair of black
A hero light-up Starfleet type-3 phaser rifle from Stuart Baird’s sci-fi adventure glows red when a switch on its underside is flipped; green lights illuminate on the by Michael Kaplan Uhura” and is size 0. The boots are the hero-style boots worn by the leather boots (US size 8.5). The tunic features a label which reads “Costume Design
sequel Star Trek: Nemesis. Members of the USS Enterprise’s security team, including top when a button next to them is pushed; and a panel on the top can slide back, principal actors, although not necessarily attributed to Uhura, and the production-made by Michael Kaplan Scotty 1-24 4”. The trousers and boots are from the production,
Commander Riker (Jonathan Frakes) and Lieutenant Commander Worf (Michael activating red lights beneath. The rifle has some wear from production use and undershirt has been added to complete the uniform, along with a replica Starfleet badge. but are not specifically Scotty’s, and a replica Starfleet badge has been added to
Dorn), used type-3 phaser rifles to repel the Reman boarding party. age, including scuffing, scratches and wear to the paintwork. There is a small crack The costume is mounted on a custom-made display featuring the film’s title and the complete the uniform. The costume has been mounted on a custom-made display
on the top of the sight. Dimensions: 83 cm x 6 cm x 25 cm (32 ¾” x 2 ¼” x 9 ¾”) character’s name. Dimensions (displayed): 37 cm x 45 cm x 162 cm (14 ½” x 17 ¾” x 63 ¾”) featuring the film’s title and the character’s name. Dimensions (displayed): 39 cm x
The rifle is predominantly made of resin, with a metal trigger and metal panelling 58 cm x 174 cm (15 ¼” x 22 ¾” x 68 ½”)
on each side. It is painted to look like metal, and has a retractable black strap. Contains electronics; see electronics notice in the Buyer’s Guide. Special shipping required; see special shipping notice in the Buyer’s Guide.
Special shipping required; see special shipping notice in the Buyer’s Guide.
The rifle has five separate light-up mechanisms: the muzzle illuminates when the Estimate: £3,000 - 5,000 Estimate: £6,000 - 8,000
trigger is pulled; the torch is activated with a button under the barrel; the sight Estimate: £6,000 - 8,000

228 229
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

312. Captain Kirk’s (Chris Pine)

Black Shirt Harness Costume Ω

STAR TREK INTO DARKNESS (2013)

Captain Kirk’s (Chris Pine) black shirt harness costume from J. J. Abrams’ sci-fi sequel
Star Trek Into Darkness. In the film, Kirk wore his black shirt costume to infiltrate the
starship Vengeance.

The costume consists of a black cotton-blend shirt with a printed black Starfleet delta on
the chest, a sewn-in “Costume Design by Michael Kaplan” tag reading “Kirk - Harness”,
and a sewn-shut hole in the back for rigging a harness; a pair of grey cotton-blend pants
with elastic stirrups, and a pair of black suede zip-up boots with fastening strips and
brass-colour buckles. The shirt exhibits some pilling.

Estimate: £3,000 - 5,000

313. Hero Light-Up SFX Phaser Ω

STAR TREK INTO DARKNESS (2013)

A hero light-up SFX phaser from J. J. Abrams’ sci-fi

sequel Star Trek Into Darkness. In the film, Starfleet
personnel used their phasers to defend themselves
from enemies, including Khan Noonien Singh
(Benedict Cumberbatch).

The silver-colour resin phaser features a rotating

emitter at the front of the device, which is controlled
by a button on the grip, alternating between the red
“kill” barrel and silver “stun” barrel. The prop also
features an LED light panel on the top of the body
that can be set to illuminate green, orange, or red with
the adjacent scroll wheel. The battery compartment
is designed to hold a small rechargeable battery and
the battery cover attaches with magnets. The phaser
exhibits some scuffing. Dimensions: 28 cm x 19 cm x
4 cm (11” x 7.5” x 1.5”)

Contains electronic components; see notice in the Buyer’s Guide.

Estimate: £8,000 - 12,000

230 231
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

314. Hero Magnetized

Light-up Multi-component Phaser Ω 316. Kenny Baker Estate Collection:
R2-D2 (Kenny Baker) Dome M
STAR TREK INTO DARKNESS (2013)
STAR WARS: EP I - THE PHANTOM MENACE
A hero, magnetized, light-up multi-component phaser from
(1999)
J. J. Abrams’ sci-fi sequel Star Trek Into Darkness. Captain
Kirk (Chris Pine) assembled phasers for his companions An R2-D2 (Kenny Baker) dome from the production of
when they infiltrated the starship Vengeance. George Lucas’ Star Wars: The Phantom Menace. This
lot comes from the estate of renowned actor Baker, to
This black and silver-colour resin phaser features an whom it was gifted after the production.
emitter which can be rotated by hand between the red
“kill” barrel and silver “stun” barrel. The LED light panel The fibreglass dome is unfinished and painted in a
on top can be set to illuminate green, orange, or red with white base layer, with six holes where the astromech
the adjacent scroll wheel. The battery compartment is droid’s eyes and lenses would have been fitted when
designed to hold a small rechargeable battery and the completed. The dome has wear from age and storage,
battery cover attaches with magnets. The grip section is including scuffing and scratches, some cracks to
also attached by magnets and can be removed, exposing the paintwork and fibreglass, and staining in places.
sculpted tech elements inside. The phaser exhibits scuffs Dimensions: 46 cm x 46 cm x 30 cm (18” x 18” x 11 ¾”)
and chips in the resin. Dimensions: 28 cm x 19 cm x 4 cm
(11” x 7 1/2” x 1 1/2”) Estimate: £6,000 - 8,000

Contains electronic components; see notice in the Buyer’s Guide.

Estimate: £7,000 - 10,000

315. Klingon Guard Costume Display †Δ

STAR TREK INTO DARKNESS (2013)

Allstar Picture Library Ltd. / Alamy Stock Photo
A Klingon guard costume display from J.J. Abrams’ sci-fi sequel Star Trek Into
Darkness. Klingons wore their uniform when they encountered the crew of the
USS Enterprise, who had landed on the planet Kronos in search of John Harrison
(Benedict Cumberbatch).

The costume consists of a breastplate; a pair of shoulder guards with an elastic

harness; a scarf; a long-sleeved shirt (size XL); an undershirt (size XL); a pair of
gloves; a pair of arm bracers; a codpiece; a pair of trousers (approximate waist
size 28); a pair of thigh guards; a pair of knee pads; a helmet; a Klingon disruptor;
and a pair of boots (US size 15).

The breastplate, shoulder guards, thigh guards, knee pads, arm bracers and
codpiece are all made of foam rubber and mimic elephant hide by incorporating
faux leather created from China silk and terry cloth.

The scarf is made of a synthetic material and is lined with spandex. The long-
sleeved shirt is a black spandex sports shirt with glossy, textured sleeves made
of faux leather, while the undershirt is also a black Spandex sports shirt, and the 317. Background Jedi Lightsaber M
gloves are made of black leather and suede. The trousers are the same textured
synthetic materia as the sleeves and include black nylon suspenders. The helmet
is made of dense urethane and is finished in metallic silver and grey. The boots are STAR WARS: EP I - THE PHANTOM MENACE (1999)
made of black neoprene and rubber, and are distressed with dirt. The disruptor is
painted in metallic shades of silver and is made of foam urethane. A background Jedi lightsaber from George Lucas’ Star Wars: The Phantom Menace. The lightsaber comes with two copies of a signed letter from a model maker who
Although ultimately cut from the film, this lightsaber was built for scenes in which worked on the film at Leavesden Studios, making background/stunt weapons for
The costume has been mounted on a custom-made display featuring the film’s title, multiple Jedi wielded their lightsabers. the actors and their stunt doubles. Also included is a copy of a signed letter from
and features handwritten wardrobe labels, with many of the pieces marked with the producer Rick McCallum, as well as a photo of the crew, several actors in costume
actor’s name. Also included are wardrobe tags with handwritten notes about the The lightsaber features a resin hilt with a threaded metal rod protruding from the and R2-D2. Dimensions: 42 cm x 5.5 cm x 5.5 cm (16 ½” x 2 ¼” x 2 ¼”)
costumes. Dimensions (displayed): 40 cm x 64 cm x 204 cm (15 ¾” x 25 ¼” x 80 ¼”) top. It is painted to resemble metal and features two static black buttons and two
static knobs. The lightsaber has been intentionally distressed to appear well used. It Estimate: £5,000 - 7,000
Special shipping required; see special shipping notice in the Buyer’s Guide. has some wear from production use and age, including light scuffing and scratches.
It is accompanied by a custom-made acrylic display and plaque.
Estimate: £6,000 - 8,000

232 233
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

318. Darth Maul’s (Ray Park) Hero Lightsaber †Δ

STAR WARS: EP I - THE PHANTOM MENACE (1999)

Darth Maul’s (Ray Park) hero lightsaber from George Lucas’ Star Wars: The Phantom Menace. Darth Maul
masterfully wielded his lightsaber during the final battle sequence in Theed Palace, where the Sith apprentice
fought Qui-Gon Jinn (Liam Neeson) and Obi-Wan Kenobi (Ewan McGregor).

Darth Maul was skilled in the ways of the dark side, creating the saberstaff as his signature weapon. Although
the double-bladed lightsaber was first seen on screen in The Phantom Menace, it originated in the comic-book
series Star Wars: Tales of the Jedi.

The double-ended hilt is cast in resin, with machined-metal end caps and an internal steel core running through
the weapon’s body to add weight and strength. It is finished in silver paint, with shades of dark grey applied to
give additional depth to the detailing throughout, including the two ribbed hand grips and parts of the blade-
emitter plate. Four metallic red activator buttons and four silver control lock buttons run down the hilt’s length,
and there are three incorporated black rubber O-rings. The lot displays paint wear – which has exposed the
resin in places – and cracking on the rubber. Dimensions: 53.5 cm x 5 cm x 5 cm (21” x 2” x 2”)

Estimate: £40,000 - 60,000

53.5 cm (21”)

United Archives GmbH / Alamy Stock Photo

234 235
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

319. Anakin Skywalker’s (Hayden Christensen) Hero Lightweight Belt Lightsaber Ω

STAR WARS: EP III - REVENGE OF THE SITH (2005)

Anakin Skywalker’s (Hayden Christensen) hero lightweight belt lightsaber from Ren (Adam Driver) battled Rey for it in Grand Leader Snoke’s (Andy Serkis) throne
George Lucas’ Star Wars: Revenge of the Sith. Anakin used and wore his lightsaber room in The Last Jedi, resulting in its final destruction.
throughout the saga, it being his weapon of choice in countless duels and battles.
Following his dramatic turn to the dark side of the Force and the purging of the This lightweight version of the iconic weapon was constructed to be worn on
Jedi Temple on Coruscant, Anakin – now Darth Vader – lost possession of his Anakin Skywalker’s belt. It is crafted in resin and vacuum-metalised with a mirror-
lightsaber during his fateful duel with Obi-Wan Kenobi (Ewan McGregor) on the chrome finish. Several detailed components decorate the hilt, including a static
fiery planet of Mustafar. bronze-coloured button, a gold-coloured strip decorated with a black geometric
design, a protruding activator switch, and six black rubber strips, which form the
Anakin’s lightsaber is a significant prop in the Star Wars narrative. It is the same handgrip. The weapon displays signs of production use, and bubbling from the
weapon that an ageing Obi-Wan Kenobi (Alec Guinness) handed to Luke Skywalker casting process is present on the rubber strips. Dimensions: 28.5 cm x 6 cm x
(Mark Hamill) in Star Wars: A New Hope. It was lost, along with Luke’s hand, at the 6 cm (11 ¼” x 2 ½” x 2 ½”)
climax of The Empire Strikes Back, only to be miraculously passed on to Rey (Daisy
Ridley) in The Force Awakens. Driven by desire for his grandfather’s lightsaber, Kylo Estimate: £40,000 - 60,000

236 237
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

320. George Lucas and Cast Autographed Poster M

STAR WARS: EP III - REVENGE OF THE SITH (2005)

A George Lucas and cast autographed poster from the promotion of Lucas’ Star
Wars: Revenge of the Sith.

The poster features the iconic artwork of Drew Struzan, with six signatures at the
bottom. At the centre is director George Lucas’ in silver ink; to the right is Hayden
Christensen and Ian McDiarmid’s in silver ink, with ILM visual effects supervisor
John Knoll’s in gold ink; and to the left is producer Rick McCallum’s in silver ink,
with ILM animation director Rob Coleman’s in gold ink. The poster only has very
minor edge wear. Dimensions: 101.5 cm x 69 cm (40” x 27”)

Estimate: £600 - 800

321. Senator Bail Organa’s (Jimmy Smits) Hero Blaster Ω

STAR WARS: EP III - REVENGE OF THE SITH (2005)

Senator Bail Organa’s (Jimmy Smits) hero blaster from George Lucas’ Star Wars:
Revenge of the Sith. Organa carried his blaster in his holster when Order 66 was
given, and the clone troopers turned against the Jedi. It also appears on page
186 of “Star Wars: The Complete Visual Dictionary”, which indicates that Organa’s
weapon fired only incapacitating bolts, rather than lethal ones.

The blaster has a resin handle, a chrome-plated barrel and a metal, spring-loaded
trigger. It comes in a black, foam-padded carrying case with a shiny silver sticker on
the lid bearing the film’s title. It is also accompanied by several behind-the-scenes
photos of its construction and a promotional still of Organa holding it. The blaster
has some wear from production use and age, including scuffing to the resin grip,
tarnishing to the trigger mechanism, and a small crack on the barrel’s underside.
Dimensions: 27 cm x 4.5 cm x 18 cm (10 ½” x 1 ¾” x 7”)

Estimate: £20,000 - 30,000

238 239
 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

CONSIGN
JASON GOES TO HELL: THE FINAL FRIDAY (1993)
Screen-matched Jason Voorhees Hockey Mask

SELL
Estimate: $20,000 - $30,000
(£15,000 - £22,000)
OR
322. Stuart Freeborn Collection:
Production C-3PO Face Casting M
ACHIEVE WORLD RECORD-BREAKING
STAR WARS: ORIGINAL TRILOGY (1977-83)
PRICES WITH PROP STORE
A C-3PO face casting from the original Star Wars trilogy. This lot was originally obtained
from the collection of legendary make-up artist Stuart Freeborn, who created several
creatures in the Star Wars saga.

The casting is made of fibreglass and is painted in C-3PO’s distinctive gold. It features
two empty eye sockets and a small mouth slit, and remnants of foam are present on the
lower half of the interior. The face remains in a fragile state and shows wear and age.
There is minor paint wear, light scuffing and damage to the left eye hole, while the outer
edge of the casting is delicate. Dimensions: 28 cm x 15 cm x 11 cm (11” x 5 ¾” x 4 ¼”)

Estimate: £2,000 - 3,000

323. C-3PO (Anthony Daniels) Foot Cover M

STAR WARS: EP IV - A NEW HOPE (1977)

A C-3PO (Anthony Daniels) foot cover from George Lucas’ Star Wars: A New Hope.
Daniels wore foot covers as part of C-3PO’s distinctive costume throughout the
film. Vacuum-formed shoe covers were used exclusively for the first movie – the
sequels employed cast rubber boots.

Made from vacuum-formed plastic, the foot features various rigid detailing and
remnants of a gold-plated finish. There is an opening present at the back and the
sole is missing, which was the case with C-3PO’s costume during the production
of A New Hope; Daniels wore a canvas undershoe and the cover was attached
over the top. A set of feet with soles were not created until the famous footprint
Final Winning Bid: $225,000 (£163,000) ceremony at Mann’s Chinese theatre on 5 August 1997, when the character was
immortalised in cement alongside Darth Vader and R2-D2. A majority of the plated
finish has worn away over time and the shape is slightly distorted from previous
storage. The lot exhibits scuffing, dirt remnants on the interior, and minor cracks
along the bottom edge. Dimensions: 30 cm x 13 cm x 11 cm (11 ¾” x 5 ¼” x 4 ¼”)
WITH OVER 20 YEARS OF EXPERIENCE, WE REACH A GLOBAL AUDIENCE OF ENTERTAINMENT
COLLECTORS AND INVESTORS AND OFFER CASH ADVANCES FOR HIGH-VALUE CONTENT Estimate: £4,000 - 6,000

PLEASE CONTACT THE PROP STORE TEAM AND CONSIGN OR SELL TO US NOW
ART ANDREWS | [email protected] | +1 818 727 7829

PROPSTORE.COM/SELLORCONSIGN
241
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

324. Hand-Drawn Early Ralph McQuarrie Han Solo and Chewbacca Concept Sketches Ω 325. Hand-painted Ralph McQuarrie “Tatooine in Shadow” Matte Painting Concept Illustration Ω

STAR WARS: EP IV - A NEW HOPE (1977) STAR WARS: EP IV - A NEW HOPE (1977)
Hand-drawn early Han Solo and Chewbacca concept sketches by Ralph McQuarrie holstered blasters on thick pocketed belts. The sketches are some of the earliest
from the production of George Lucas’ Star Wars: A New Hope. McQuarrie was one designs done for the film, and the page is signed “R. McQ.” by the artist. This sketch A hand-painted “Tatooine in Shadow” matte painting concept illustration by Ralph This study painting is also featured on page 142 of the Abrams publication Star
of the first artists to begin working on the film and his designs became some of the is featured on page 86 of the Abrams publication Star Wars Art: Ralph McQuarrie. McQuarrie from the production of George Lucas’ Star Wars: A New Hope. McQuarrie Wars Art: Ralph McQuarrie. It is rendered in mixed media on illustration board with
franchise’s most iconic characters. The paper exhibits light staining, a crease in the centre, and uneven tears along worked on the original Star Wars film in several capacities, including handling matte additional unfinished planet sketches on the margins. It exhibits yellowed tape
the edges. Dimensions: 66.25 cm x 51 cm (26” x 20”) paintings during pre-production. This illustration was done circa early 1976 as a study residue stains and minor edge wear throughout. Dimensions: 51 cm x 39.5 cm
Rendered in pencil on a single sheet of large-size illustration paper, the sketches for a matte painting of the desert planet Tatooine. The aesthetic of the painted planet (20” x 15 ½”)
depict very early versions of a more primate-like Chewbacca with dual-bandoliers Sold without copyright; see notice in the Buyer’s Guide. matches very closely to the final Tatooine matte paintings that appear in the film.
and Han Solo in a Flash Gordon-style outfit, as well as two additional sketches of Sold without copyright; see notice in the Buyer’s Guide.
this lemur-like Chewbacca. Both Chewbacca and Solo are armed with multiple Estimate: £15,000 - 25,000 McQuarrie created a final full-size matte painting on glass that was similar to this
study illustration, with the planet largely in shadow. That painting was used in the Estimate: £12,000 - 15,000
film not as Tatooine, but as Yavin, with a red filter applied.

242 243
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

328. Studio Copy Screenplay Ω

STAR WARS: EP IV - A NEW HOPE (1977)

A studio copy screenplay from the production of George Lucas’ Star Wars: A New Hope. This screenplay is noted as
the revised fourth draft and dated March 15th, 1976. It is credited on the title page as written by Lucas. Bound in a red
cover with a black 20th Century Fox logo and secured with a pair of brass brads, this screenplay features 156 pages of
printed text on white paper. Also included are pages in the front featuring the film’s credited cast and crew and a page
in the back depicting Han Solo’s confrontation with Greedo. It exhibits signs of wear from age and use. Dimensions:
21.75 cm x 28 cm x 2.5 cm (8 1/2” x 11” x 1”)

Estimate: £1,500 - 2,500

329. Stuart Freeborn Collection: Production-made

Cantina Fly-creature Head and Three Eye Moulds M

326. Hand-drawn Ralph McQuarrie “Battle for Death Star” Drawing for Production Illustration Ω
STAR WARS: EP IV - A NEW HOPE (1977)

STAR WARS: EP IV - A NEW HOPE (1977) A production-made cantina fly-creature head and a set of three eye moulds from the
production of George Lucas’ Star Wars: A New Hope. The fly-like creature known as
A hand-drawn pencil drawing for the “Battle for Death Star” production illustration by Ralph cannon opening. Both this preliminary sketch and the finished “Battle for Death Star” Tzizvvt was one of the many aliens produced for the iconic Mos Eisley Cantina sequence.
McQuarrie from the production of George Lucas’ Star Wars: A New Hope. McQuarrie production illustration are featured on page 45 of the Abrams publication Star Wars Art:
drew this sketch during pre-production in early 1975 as part of his process for creating the Ralph McQuarrie. This sketch exhibits creasing and light smudging throughout, and both This lot was originally obtained from the collection of legendary make-up artist Stuart
famous “Battle for Death Star” production illustration, featuring a Y-wing fighter diving on of its upper corners are torn. Dimensions: 30.5 cm x 48.5 cm (12” x 19”) Freeborn. It consists of an unfinished fibreglass production head with an opening on
an early iteration of the Death Star’s signature dome. The sketch is rendered in graphite the underside and three vacuum-formed plastic eye moulds. One eye is labelled “A”
and outlined in coloured pencil on vellum. McQuarrie did line drawings on vellum and Sold without copyright; see notice in the Buyer’s Guide. and the other two are marked “B”. There are signs of age and production use, including
then traced over them to transfer outlines to illustration board when creating his paintings. light scratching, marks and dirt remnants on the head’s interior, and there are several
It shows an early concept of the Death Star with a heavily-detailed surface and a large Estimate: £8,000 - 10,000 cracks on the eye moulds. Dimensions (head): 29 cm x 40 cm x 28 cm (11 ½” x 15 ¾” x
11”); (moulds, each): 31 cm x 26 cm x 15 cm (12 ¼” x 10 ¼” x 6”)

327. Harry Lange Hand-drawn Estimate: £3,000 - 5,000

Concept for Millennium Falcon
Laser Cannon M

STAR WARS: EP IV - A NEW HOPE (1977)

A Harry Lange hand-drawn concept piece from the

production of George Lucas’ Star Wars: A New Hope.
The artwork shows an early concept design for a 330. Howard Kazanjian Collection: Style “E” “Happy Birthday” One-Sheet Ω
Millennium Falcon laser cannon, which Luke Skywalker
(Mark Hamill) and Han Solo (Harrison Ford) used to
battle Imperial fighters. Production designer and art STAR WARS: EP IV - A NEW HOPE (1977)
director Harry Lange was a pioneer in his field, whose
designs helped shape the modern sci-fi landscape A “Happy Birthday” one-sheet made for the promotion of George Lucas’ Star Wars: A New Hope. The “Happy
through such movies as 2001: A Space Odyssey, Star Birthday” one-sheet, unofficially known as the “Style “E”” variant, was designed by Tony Seininger with
Wars and The Dark Crystal. photography by Weldon Anderson of a cake made by Cake and Art of West Hollywood to cross-promote the
film’s one-year release anniversary and Kenner’s 3 3/4” Star Wars action figure line. Less than 300 original
The artwork is rendered in pencil on tracing paper and posters in this style are known to have been produced by 20th Century Fox.
has been displayed in a custom-made frame. It has
minor wear to the edges, discolouration and smudge This rare, rolled one-sheet comes from the collection of Return of the Jedi producer Howard Kazanjian. In
marks. Dimensions (display): 60 cm x 60 cm x 5 cm addition to the normal “One year old today.” tagline, it is also labeled “Star Wars Happy Birthday One Sheet” at
(23 ½” x 23 ½” x 2”) bottom. The poster exhibits some residue from efforts made to remove small green liquid stains Dimensions:
68.75 cm x 104.25 cm (27” x 41”)
Sold without copyright; see copyright notice in the Buyer’s Guide.
Estimate: £2,000 - 3,000
Estimate: £6,000 - 8,000

244 245
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

332. Hoth Rebel Trooper Pistol ΩΔ

331. Untrimmed UK “Gone with the Wind” Style A Quad †Δ STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)

A Hoth Rebel trooper pistol from Irvin Kershner’s Star Wars: The Empire Strikes
STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980) Back. Soldiers fighting for the Rebel Alliance used their blaster pistols to defend
themselves from the Empire’s assault on the Rebel base on the planet Hoth.
An untrimmed UK “Gone with the Wind” Style A quad from the promotion of Irvin be the ‘Holy Grail’ of Star Wars posters by collectors, with a 10/10 rarity rating from
Kershner’s Star Wars: The Empire Strikes Back. Considered to be one of the rarest writer Stephen Sansweet in his Star Wars Poster Book. The blaster pistol is made of primarily fibreglass, based on the combined body of an
and most beautiful of all the Star Wars saga posters, this British UK quad for the AR-7 with the grip of a Sterling L2A3, painted black, with a nonfunctional fibreglass
release of the film in 1980 features artwork by Roger Kastel. It is often affectionately The poster is conservation-linen-backed and is presented in a metal frame, with scope attached to the top and a flared grey metal muzzle piece based on the finned
referred to as the “Gone with the Wind” style, due to its similarities to the classic minimal touch ups to the central and right-hand fold lines. The colours are bright and rear of a mortar shell. The back of the scope shows evidence of a production repair,
1939 movie poster. vibrant, particularly the silver title lettering, and it has very little wear considering its with a washer being installed to give it shape. The front of the scope features a small
age. Dimensions (framed): 77.5 cm x 102 cm x 2.5 cm (30 ½” x 40 ¼” x 1”) reflective lens. It also exhibits scuffs in the black paint and a puncture through one
After a very limited initial release, many of these posters were trimmed for usage side of the gun. Dimensions: 38 cm x 18 cm x 5.25 cm (15” x 7” x 2”)
on the London Underground. However, this is an untrimmed poster, considered to Estimate: £10,000 - 15,000
Ownership may be restricted in some countries; see replica firearm notice in Buyer’s Guide.

Estimate: £15,000 - 20,000

246 247
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

334. Production-used Screenplay Ω 335. Handwritten George Lucas Scene Outline Ω

333. C-3PO’s (Anthony Daniels) Hand M STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980) STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)

A production-used screenplay from the production of Irvin Kershner’s Star Wars: The A scene outline handwritten by George Lucas from the production of Irvin Kershner’s
STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980) Empire Strikes Back. This screenplay is noted as the fifth draft and dated February 20th, Star Wars: The Empire Strikes Back. Lucas created an outline listing various scenes from
1979. It is credited on the title page to Leigh Brackett and Larry Kasdan from the novel the film with the names of the characters most prominent in them.
C-3PO’s (Anthony Daniels) hand from Irvin Kershner’s Star Wars: The Empire snaps affixed, which allowed Daniels to put the hand on comfortably. The glove by George Lucas. Bound in a purple cover with a pair of metal brads, this screenplay
Strikes Back. As the loquacious protocol droid, Daniels wore mechanical-looking shows some signs of wear and production use, but remains in good condition features 157 yellow, pink and white pages which signify various draft revisions. Each Handwritten in pencil on a sheet of yellow notepad paper, the outline lists ten scenes with
gloves throughout the film. The C-3PO costume was heavily revised following the considering its age. It exhibits marks, cracking and flaking to the reflective paint page has been individually stamped with red ink for security purposes. It exhibits signs character names including “Luke”, “Han”, “Leia”, and “Vader”; notes on what happens
production of Star Wars: A New Hope, with the hands changing from their original finish, and the colour has worn away in places, notably around the knuckles, of wear from age and production use including some minor tears on the borders of the in the scenes; crossed-out numbers; and small annotations. The paper exhibits minimal
vacuum-formed plastic construction to simpler one-piece gloves in cast urethane. revealing the urethane beneath. Light corrosion is present on the metal studs, cover. Dimensions: 21.75 cm x 28 cm x 2.5 cm (8 1/2” x 11” x 1”) wear from age. Dimensions: 35.75 cm x 21.75 (14” x 8.5”)
but the urethane remains malleable. Dimensions: 24 cm x 14.5 cm x 7 cm (9 ½” x
This moulded urethane glove is plated in C-3PO’s distinctive silver and bronze 5 ¾” x 2 ¾”) Estimate: £3,000 - 5,000 Estimate: £2,500 - 3,500
colouring. Mechanical ridged detailing adorns the knuckles, joints and back of the
hand, and yellow, red and white-painted cables run down the fingers towards the Estimate: £15,000 - 20,000
black-painted palm. There is an intentional split on the wrist, with a pair of metal

248 249
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

338. Death Star Gun Tower

Model Miniature M

STAR WARS: EP VI - RETURN OF THE JEDI

(1983)

A Death Star Gun Tower model miniature from Richard

Marquand’s Star Wars: Return of the Jedi. Gun towers
covered the Death Star’s surface and constantly fired
at the attacking Rebel pilots during the film’s climax.

Constructed by Industrial Light and Magic from biscuit

foam and resin, the grey painted gun tower features a
futuristic industrial design with grid lines carved into
the sides to simulate a panelled construction. While
static, the top portion of the gun tower is shaped
to resemble a rotating gun turret and has two laser
cannons mounted at the top. Below the turret, the body
of the gun tower stretches to a wider base for stability.
The model remains in good overall condition, with light
wear and damage to the gun tips. Dimensions: 7 cm x
6 cm x 19 cm (2 ¾” x 2 ¼” x 7 ½”)

Estimate: £10,000 - 15,000

336. Handwritten George Lucas 337. Handwritten George Lucas

Story Notes on The Force Ω Character and Planet Name Ideas Ω

STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980) STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)

Story notes on the Force handwritten by George Lucas from the production of Irvin Character and planet name ideas handwritten by George Lucas from the production of
Kershner’s Star Wars: The Empire Strikes Back. Expanding upon the mysterious power Irvin Kershner’s Star Wars: The Empire Strikes Back. Lucas wrote down many potential
introduced in the first film, Lucas wrote down many ideas for both Force-based abilities names while brainstorming new characters and planets for his ever-expanding Star
and bits of wisdom regarding the Force. Wars universe.

Handwritten in pencil on a sheet of yellow notepad paper, the notes list powers such as Handwritten in pencil and pen on a sheet of yellow notepad paper, the page is titled “SW
“life things - move objects” and “know things through feelings”, as well as short phrases Names” and includes the planet names “Ice Planet - Hoth” and “Bog Planet - Dagobah”
like “reality is what you believe” and “believing without believing”. The paper exhibits and character names such as “Malla” and “Tobuck”. A Wookie named Malla was
minimal wear from age. Dimensions: 35.75 cm x 21.75 (14” x 8.5”) introduced as Chewbacca’s wife in the Star Wars Holiday Special and was also referred
to as Mallatobuck in Star Wars novels and comics. The paper exhibits minimal wear from
Estimate: £800 - 1,200 age. Dimensions: 28 cm x 21.75 cm (11” x 8.5”)

Estimate: £800 - 1,200

250 251
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

339. Light-up ILM X-wing Filming Miniature M

STAR WARS: EP VI - RETURN OF THE JEDI (1983)

A light-up Industrial Light and Magic X-wing filming miniature from the production come to market and are therefore very rare. This model was acquired from an
of Richard Marquand’s Star Wars: Return of the Jedi. Rebel fighters flew X-wings – ILM model maker who worked on both The Empire Strikes Back and Return of the
among the most iconic spacecraft in sci-fi cinema – during the climactic destruction Jedi, as well as all three original Indiana Jones films, E.T. the Extra-Terrestrial and
of the new Death Star. a number of the Star Trek movies.

To save money and time during the productions of The Empire Strikes Back and This miniature was specifically used in Return of the Jedi, as all X-wings in A New
Return of the Jedi, ILM bought in a handful of off-the-shelf model kits, which were Hope were scratch built, rather than built with kits. There were very few X-wings
heavily adapted and modified for filming. This miniature has been extensively in The Empire Strikes Back, and those which were used had a slightly different
modified to include: a weighted body; a full internal steel motion-control armature, paintwork and finish. In addition, the style, tones and colours of the paintwork
with a motion-control mounting point running though the body; a rear main engine and construction of this X-wing match other Return of the Jedi versions in the
plate (concealing a removable plug); and light-up thrusters. It is finished with Lucasfilm Archive.
beautiful ILM paintwork and intentional distressing.
The miniature is mounted on a custom-built, mirrored base and presents in excellent
The light-up engine thrusters are built with an aluminium shroud housing each light, condition having undergone some minor sympathetic restoration. Dimensions
and are illuminated by connecting the power leads in the nose of the miniature to (displayed): 31 cm x 27 cm x 23 cm (12 ¼” x 10 ¾” x 9”)
a power supply. Interestingly, the top of the wings are designated “Red 4”, while
the lower wings are designated “Red 5”, indicating this could have originally been Contains electronics; see electronics notice in the Buyer’s Guide.
designed for long shots of Luke’s (Mark Hamill) X-wing.
Estimate: £200,000 - 300,000
This miniature is believed to be the only model miniature X-wing with light-up LANDMARK MEDIA / Alamy Stock Photo
engines ever to come to auction. Very few miniatures from the Star Wars series

252 253
31 cm (12.25”)
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

AF archive / Alamy Stock Photo

254 255
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

340. Stormtrooper Helmet †Δ

STAR WARS: EP VI - RETURN OF THE JEDI (1983)

A stormtrooper helmet from Richard Marquand’s Star Wars: Return of the Jedi.
Imperial stormtroopers wore their standard-issue helmets throughout the film
as they served the Galactic Empire, notably during the climactic Battle of Endor.
Stormtroopers now rank among the most recognisable movie characters of all time.

It is estimated that only around 50 helmets were produced for Return of the Jedi,
with slight modifications and a somewhat more flattened appearance than the
designs seen in the previous two films.

The main body of the helmet is constructed from vacuum-formed ABS plastic.
Several striped decals are applied to the helmet’s cheeks and temple. The chin
and mouth vent are finished in black paint, and a black rubber trim runs along the
brow and around the neck opening. Two wooden mics, which display remnants
of their original black paint finish, are fitted either side of the chin, but are missing
their metallic tips.

The helmet’s interior features an elastic chinstrap and a plastic headband with foam
applied for comfort. A pair of replica green-coloured acrylic eye lenses have been
fitted for display purposes, and the helmet comes with a custom-made stand. One
side of the helmet varies slightly in color to the other, due to a period of exposure
to sunlight when on display to promote the film, a corner of one decal on the left
cheek has begun to peel, and the chin strap has begun to fray. Dimensions (helmet):
30 cm x 28 cm x 28 cm (11 ¾” x 11” x 11”)

Estimate: £100,000 - 150,000

256 257
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

341. Production-made A-wing Pilot Helmet Ω

STAR WARS: EP VI - RETURN OF THE JEDI (1983)

A production-made A-wing pilot helmet from Richard Marquand’s Star Wars: Return of the “greeblie” components, and wiring intended to connect to a microphone. One side of the
Jedi. The Rebel Alliance’s A-wing fighter pilots wore their helmets, newly designed for this helmet has a visor mount installed, though the visor is not present. The helmet exhibits
film, when they attempted to destroy the second Death Star during the Battle of Endor. signs of age and wear, including some paint scuffing and marks throughout. Dimensions:
27.25 cm x 27.25 cm x 18.5 cm (10 3/4” x 10 3/4” x 7 1/4”)
This production-made helmet is constructed of vacuformed plastic painted brown and
white with a light brown leatherette trim, metal embellishments including electronic Estimate: £8,000 - 12,000

342. Production-made
B-wing Pilot Helmet Ω

STAR WARS: EP VI - RETURN OF THE JEDI

(1983)

A production-made B-wing pilot helmet from Richard

Marquand’s Star Wars: Return of the Jedi. The Rebel
Alliance’s B-Wing fighter pilots wore their helmets
while trying to take down Death Star II during the
Battle of Endor.

This production-made helmet is constructed of 343. Prototype Lando Calrissian (Billy Dee Williams) Skiff Guard Helmet Ω
vacuform plastic applied with a primarily white, blue,
and red paint finish. It features beige leatherette trim,
loose wiring on the helmet intended to connect to STAR WARS: EP VI - RETURN OF THE JEDI (1983)
a microphone, and finishing details, such as false
electronic “greeblie” components attached throughout. A prototype Lando Calrissian (Billy Dee Williams) skiff guard helmet from the resin face mask featuring pointed teeth. This version differs to the final helmet
It exhibits signs of wear and use, including some production of Richard Marquand’s Star Wars: Return of the Jedi. Calrissian disguised used on screen, especially in the color, which is more maroon on this prototype
scuffing, paint chipping, and adhesive residue on the himself as one of Jabba the Hutt’s guards to help rescue Han Solo (Harrison Ford). than the final helmet. It exhibits signs of wear and age including some staining on
interior. Dimensions: 27.25 cm x 27.25 cm x 18.5 cm the interior and chipping on the back and left side. Dimensions: 38 cm x 38 cm x
(10 3/4” x 10 3/4” x 7 1/4”) Lando’s disguise helmet was designed by Nilo Rodis-Jamero, who came up with 48.25 cm (15” x 15” x 19”)
the idea for a helmet with strips of leather covers when he saw a softball glove
Estimate: £8,000 - 12,000 sitting on top of a co-workers head. The helmet is made of vacuum-formed plastic Estimate: £10,000 - 15,000
with maroon leather coverings, brass-colour metal studs, and a yellow and white

258 259
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

344. X-wing
Blocking Shot Model Miniature M

STAR WARS: EP VI - RETURN OF THE JEDI

(1983)

A blocking shot miniature X-wing used during the

production of Richard Marquand’s Star Wars: Return of
the Jedi. The technicians at Industrial Light and Magic
used this detailed model to help plan the film’s intricate
special effects sequences. Early on in the production
process, simple models like this were used to block
out shots and produce “videomatics” – an early form
of pre-visualisation.

The model is constructed from a commercially

available plastic kit and is detailed as Red Five, the
fighter piloted by Luke Skywalker (Mark Hamill).
It is presented on a display stand simulating the
X-wing in flight. Acquired from the collection of visual 23 cm (9”)
effects artist Richard Edlund, it has been intentionally
distressed to appear battle-scarred, and the display
base has some minor chips to the corners. Dimensions
(displayed): 19 cm x 23 cm x 19 cm (7½” x 9” x 7½”)

Estimate: £15,000 - 20,000

345. Creature Art and Models Bible Ω

STAR WARS: EP VI - RETURN OF THE JEDI (1983)

A creature art and models bible from the production of Richard Marquand’s Star Wars: Rancor, Nien Nunb, the A-wing fighter and the TIE Interceptor. It exhibits signs of wear
Return of the Jedi. This black plastic three-ring binder contains printed design concepts from age and use including some sticking together of some of the sketch photocopies.
for Jabba’s palace and barge on Tatooine as well as several printed and photocopied Dimensions: 29.25 cm x 29.25 cm x 7.75 cm (11 1/2” x 11 1/2” x 3”)
costume design sketches, more than 150 character and vehicle model color photographs
and eleven color prints of various production paintings. The represented aliens and Estimate: £4,000 - 6,000
vehicles include many signature creations, including Jabba the Hutt, Admiral Ackbar, the

260 261
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

348. Promotional DNA Productions

Darth Vader Tour Costume M

346. Death Star Piece M

STAR WARS: ORIGINAL TRILOGY VHS RELEASE (1995)
STAR WARS: EP VI - RETURN OF THE JEDI
(1983) A Darth Vader touring costume used to promote the release of George Lucas’
Star Wars Trilogy on videotape. The promotional costume was crafted by former
A framed piece of the Death Star from Richard Marquand’s LucasFilm archivist Don Bies and his wife Anna of DNA Productions in 1995 for
Star Wars: Return of the Jedi. This display features a distributor Fox Studios.
grey, semi-circular piece of the Death Star, mounted
above a plaque which reads “1983 Star Wars / Creativity The costume comprises a vacuum-formed plastic helmet and fibreglass mask; a
Contest / Death Star Model Piece”. The display is set stretch fabric collar; a full-length cape and under-robe; vacuum-formed plastic chest
under glass within the original wooden frame. It comes armour with attached pauldrons; a fibreglass chest control box; a tunic featuring
with a letter of authenticity from the original winner of faux leather sleeves; a pair of gloves; a leather belt featuring three control boxes;
the piece, explaining how they won it in a Star Wars Fan a padded leather codpiece; a pair of faux leather trousers; and a pair of leather
Club competition. The piece itself has minor wear from boots with attached plastic shin guards.
production use and the display has some light surface
scratches. Dimensions (Death Star piece): 7.5 cm x 14.5 Each glove has a DNA Productions label sewn to its interior with “#7” handwritten
cm x 1 cm (3” x 5 ¾” x ¼”); (display): 28.5 cm x 34.5 cm x in blue ink. Clipped onto the belt’s left side is a cast resin lightsaber, based on a
4 cm (11 ¼” x 13 ½” x 1 ½”) casting of the “Energizer Bunny” lightsaber used in the infamous 1994 Energizer
commercial. The chest and belt boxes contain internal electronics that illuminate
Estimate: £3,000 - 5,000 various buttons, including three red lights on the chest, which light up in sequence.
One belt box contains a circuit board that once projected the Sith Lord’s breath
sounds. The electronics were designed and built by former ILM model maker and
Mythbuster Grant Imahara.

There are signs of wear and age, with some minor damage present on the mask.
The costume comes presented on a custom-made mannequin and is supplied with
an external 12V power supply. This is believed to be the first example of this style
of touring costume to come to auction. Dimensions (displayed): 37 cm x 69 cm x
209 cm (14 ½” x 27 ¼” x 82 ¼”)

Special shipping required; see special shipping notice in the Buyer’s Guide.
Contains electronics; see electronics notice in the Buyer’s Guide.

Estimate: £10,000 - 15,000

347. Promotional Stormtrooper Blaster M

STAR WARS: A NEW HOPE SPECIAL EDITION (1997)

A stormtrooper blaster from the promotion of George Lucas’ Star Wars: A New Hope scratches and chips, and signs of repair at the base of the buttstock. Dimensions:
Special Edition. The special editions of the original trilogy were released in early 46.5 cm x 11.5 cm x 19 cm (18 ¼” x 4 ½” x 7 ½”)
1997, with updated visual effects, additional shots and altered scenes.
Restricted ownership; see replica firearm notice in the Buyer’s Guide.
This resin blaster was made for a promotional tour to celebrate the release of the
films. It has some wear from use and age, most notably along the barrel, where Estimate: £2,000 - 3,000
several sections are either broken or missing. There are also general scuffs,

262 263
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

349. Light-up R2-M80/KR2-M80/R2-F1P

Remote Control Droid M

STAR WARS: ROGUE ONE: A STAR WARS STORY (2016)

AND SOLO: A STAR WARS STORY (2018)

A light-up R2-M80/KR2-M80/R2-F1P remote control droid from Gareth Edwards’

Rogue One: A Star Wars Story and Ron Howard’s Solo: A Star Wars Story.

This astromech droid appeared as three different droids across the two films. R2-
M80 can be seen in the Alliance base hanger in the Great Temple on Yavin 4 as
the pilots run to their ships in Rogue One; KR2-M80 and R2-F1P were both in Solo,
in the control room on Kessel and later outside as the slave revolt progressed, and @RealRonHoward
at Coronet spaceport on Corellia, respectively. When seen as R2-F1P the droid was
re-skinned in orange, as opposed to its current yellow. Hand-built by Mike Filippidis,
a founding member of the UK R2 Builders Club, the droid is made predominantly
from aluminium, including an all-aluminium external shell. It is intentionally distressed
to look well used and it has not been cleaned since its use on the Kessel set. The
name of R2-F1P is based on Filippidis’ nickname “Flip”. R2-M80 is never officially
used as a designation, and the droid was named “Matey” by Filippidis himself.

It is driven with a Spektrum DX6i remote control and features a rotating dome and
light effects, powered by a rechargeable battery. A compartment at the back slides
out, revealing the battery, power switches and internal workings. Inside there are
several stickers, including one detailing the scenes, dates, locations and sets the
droid was used across the two films, and which droid it was for those specific scenes.

The droid can be seen on page 27 of “Rogue One: A Star Wars Story - The Official
Mission Debrief”, and Solo director Ron Howard tweeted out a selfie with KR2-M80
on Aug 2, 2017 with the description “These droids can be so damn intractable.
But we’ll go until we get it right! #UntitledHanSoloMovie”. It also appeared in a
photograph with Star Wars producer Kathleen Kennedy at Star Wars Celebration,
with Kennedy resting her hand on the dome.

Also included in the lot are two call sheets from Solo, dated “Thursday 23rd
February 2017” and “Friday 14th July 2017”, displaying the film’s working title of
“Red Cup”; two fan club-made trading cards, featuring R2-F1P and R2-M80 in the
style of classic Star Wars trading cards with feature photos and information about
the droids; and a set “Droid Factory” toy droids, which includes R2-F1P. Dimensions:
66 cm x 70 cm x 106 cm

Contains electronics; see electronics notice in the Buyer’s Guide.

Special shipping required; see special shipping notice in the Buyer’s Guide.

Estimate: £100,000 - 150,000

264 265
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

350. Set of R2-F1P Droid Decals M

STAR WARS: SOLO: A STAR WARS STORY (2018)

A set of R2-F1P droid decals from the production of Ron Howard’s Solo: A Star Wars Story.
This droid was first seen with yellow-coloured decals as R2-M80 in Rogue One: A Star
Wars Story. It was then re-skinned in orange to become R2-F1P in Solo: A Star Wars Story
and then converted back to yellow to create the KR2-M80 droid seen in later scenes.

The lot includes 53 orange-coloured self adhesive vinyl decals which have been carefully
applied to three white foam display boards after filming. Two boards also feature a small
image of the R2-F1P droid, clearly showing the decals affixed to its body. The decals show
minor creasing and wear from removal and production use. Dimensions (each board):
60 cm x 42 cm x 0.5 cm (23 ¾” x 16 ½” x ¼”)

Estimate: £1,500 - 2,500

352. C-3PO (Removable Limbs) Palitoy “5,000,000th” Action Figure M

351. 12” Chewbacca Flat Box AFA 50 VG †
STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)
STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)
A C-3PO “5,000,000th” action figure from the promotion of Irvin Kershner’s Star figure with this sticker being seen and offered at auction. There are signs of light
A rare 12” Chewbacca figure flat box from the promotion of Irvin Kershner’s Star The flattened cardboard box comes in a plastic protective casing, with an Action Wars: The Empire Strikes Back. This figure comes from the estate of a journalist who edge wear and creasing to the card back, and the bubble has lifted slightly in the
Wars: The Empire Strikes Back. In 1980, Kenner planned to continue its large-size, Figure Authority (AFA) sticker featuring the toy’s grading (50 VG) adhered to the attended various film-related and merchandising junkets, events and premieres. In bottom right corner. Dimensions: 23 cm x 15 cm x 3 cm (9” x 6” x 1 ¼”)
12-inch action figure range, and one of the characters proposed was Chewbacca. casing’s right side. The lot is accompanied by a Collectible Investment Brokerage 1982, a celebration Palitoy photoshoot took place at Heathrow Airport, where an
However, the figure was never produced, and the only characters released in certificate of authenticity. Dimensions: 65.5 cm x 44 cm x 3.5 cm (25 ¾” x 17 ¼” actor dressed as Darth Vader received the shipment containing this figure. Literature
packaging bearing the Empire Strikes Back title artwork were IG-88 and Boba Fett, x 1 ¼”) Details about the Palitoy celebration photoshoot can be found within The
both of which were released in limited quantities. Housed in its original packaging, the Palitoy figure includes a black backpack, while Star Wars Phenomenon in Britain: The Blockbuster Impact and the Galaxy of
Estimate: £3,000 - 5,000 the droid has removable arms and legs. The toy is sealed in its original bubble on Merchandise, 1977-1983, published by McFarland & Co Inc
an unpunched card back displaying a rare gold-coloured sticker identifying it as
the “5,000,000th Star Wars Figure in Britain”. This is the first ever example of this Estimate: £2,000 - 3,000

266 267
EN T ER TAI N M E N T M E M O RA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

355. Sideshow Collectibles

Life-size Light-up Boba Fett Figure †Δ

STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)

A life-size light-up figure of Boba Fett from Irvin Kershner’s Star Wars: The Empire
Strikes Back. This highly realistic statue was created by Sideshow Collectibles, who
collaborated with specialists at Tom Spina Designs.
353. Three-pack Droid Action-figure Set AFA 75 EX+/NM †
Standing at six-and-a-half feet tall, the figure showcases an elaborate costume
that includes an articulated helmet with adjustable rangefinder; green-coloured
STAR WARS: EP IV - A NEW HOPE (1977) Mandalorian armour pieces; synthetic Wookie-scalp braids tied around the right
shoulder; a fabric cape attached to the left shoulder; a grey flight suit; a utility belt;
A three-pack droid action-figure set from the promotion of George Lucas’ Star and a pair of spiked boots. The components are made of a combination of resin,
Wars: A New Hope. Created as part of a limited department-store promotion, this fibreglass and metal, with internal metal poles for assembly.
set was manufactured by Kenner as part of Series 2, and features R5-D4, Death
Star Droid and Power Droid. The figure also includes a jetpack, a stunt EE-3 blaster rifle and a stunt Sacros K-11
blaster pistol inserted into a holster on the right hip. One side of the chest armour
The set is sealed in its original bubble on an unpunched card back, with a yellow has a built-in counter that lights up red, powered by a built-in battery pack. The
“Special Offer” sticker on the top-right corner. Adhered to the right side of its plastic display base also lights up via a button situated at the back, and the lot comes with
protective casing is an Action Figure Authority (AFA) sticker with the toy’s grading an external power supply. The armour pieces have been intentionally distressed
(75 EX+/NM). Dimensions: 30 cm x 22 cm x 4.5 cm (11 ¾” x 8 ½” x 1 ¾”) to produce a weathered appearance, and the flight suit exhibits purposeful marks.
Dimensions (display): 63 cm x 85 cm x 200 cm (24 ¾” x 33 ½” x 78 ¾”)
Estimate: £2,000 - 3,000
Contains electronics; see electronics notice in the Buyer’s Guide.
Special shipping required; see special shipping notice in the Buyer’s Guide.

Estimate: £8,000 - 12,000

354. Three-pack Bespin Action-figure Set AFA 75 EX+/NM †

STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)

A three-pack Bespin action-figure set from the promotion of Irvin Kershner’s Star
Wars: The Empire Strikes Back. Created for a limited department-store promotion,
this set was manufactured by Kenner as part of its Series 2, and features Han Solo
(Bespin Outfit), Ugnaught and Lobot.

The set is sealed in its original bubble on a punched card back. Adhered to the right
side of its plastic protective casing is an Action Figure Authority (AFA) sticker with the
toy’s grading (75 EX+/NM).Dimensions: 30 cm x 22 cm x 4.5 cm (11 ¾” x 8 ½” x 1 ¾”)

Estimate: £2,000 - 3,000

268 269
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

358. Apophis’ (Peter Williams)

Mechanical Headdress Ω

STARGATE SG-1 (T.V. SERIES, 1997-2007)

Apophis’ (Peter Williams) mechanical headdress from

the sci-fi television show Stargate SG-1. Apophis was a
System Lord of the Goa’uld and the ultimate nemesis of
Stargate Command. He wore his armoured headdress,
designed by Christina McQuarrie, in the pilot episode,
in which he and his Jaffa Serpent Guards infiltrated the
Embarkation room of Stargate Command. He lowered
his mechanical headdress and commanded his Jaffas
to kill the stationed guards, before abducting Senior
Airman Carol Weterings (Rachel Hayward).

The headdress is made up of several components. The

cobra head is made of fibreglass painted gold, and
features red resin crystals for eyes, the Apophis symbol
on its forehead and an engraved pattern throughout.
The face and back of the headdress are segmented so
they can open and close, a function that is controlled
by a pressure valve and electrical system concealed
at the back. The neck-and-shoulder guard is made of
foam and rubber painted faux gold, with plastic buckles
and straps to hold the headdress onto the wearer.

The headdress is displayed on a custom-made stand.

It shows some signs of wear from production use,
including paint wear throughout, and the top sections
of the headdress have come apart. Dimensions: 70 cm
x 64 cm x 60 cm (27 1/2” x 25” x 23 2/3”)

Contains electronics; see electronics notice in the Buyer’s Guide.

Special shipping required; see special shipping notice in the Buyer’s Guide.

Estimate: £8,000 - 12,000

356. Life-size Rubie’s Darth Vader Replica Statue USΔ 357. Light-Up Goa’uld Naquadah Bomb M

STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980) STARGATE: CONTINUUM (2008)

A life-size Rubie’s Darth Vader replica statue from the promotion of Irvin Kershner’s Star A Goa’uld Naquadah bomb from Martin Wood’s sci-fi sequel Stargate: Continuum.
Wars: The Empire Strikes Back. Released in 1996 by Rubie’s Costume Company as part Ba’al (Cliff Simon) planted a spherical Naquadah bomb as he attempted to destroy
of a limited edition run of licenced, life-size figures, this statue is numbered 407 of 500. the Achilles freighter ship. However, Mitchell (Ben Browder) was able to drop the
Each statue was hand-crafted by Michael Burnett Studios based on reference from explosive into the ocean before it detonated. Various forms of Goa’uld Naquadah
an original costume. This statue features a gloss black fibreglass helmet and armour bombs were also used in multiple episodes of TV series Stargate SG-1.
components; a resin chest box with internal electronics and red, blue, and silver-colour
display components; a belt with a minimally-detailed lightsaber hilt and two plastic boxes Cast in resin, the large spherical bomb is finished in a dark grey paint and is
inset with green and silver-colour buttons. The other costume elements are made of decorated with sporadic gold-coloured line detailing, with a green keypad adorning
synthetic fabrics, leather, and foam. This statue comes displayed on a grey wooden the top. Red and orange LED lights feature all over the device and flash when the
base featuring a plaque engraved with the Empire Strikes Back logo. It exhibits scuffing, top-right square of the keypad is pressed. The LEDs are powered by eight AA
cracking, and chips in the base from handling, and its electronic functionality remains batteries which can be inserted into the base. The lot displays minor paint wear
untested. Dimensions: 49 cm x 99 cm x 213 cm (19.5 x 39” x 84”) and light scuffing from production use. Dimensions: 36 cm x 36 cm x 36 cm (14
¼” x 14 ¼” x 14 ¼”)
Contains electronic components; see notice in the Buyer’s Guide.
Special shipping required; see notice in the Buyer’s Guide. Contains electronics; see electronics notice in the Buyer’s Guide
This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide
Estimate: £3,000 - 5,000
Estimate: £4,000 - 6,000

270 271
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

361. Rodger Young

Model Miniature Spaceship Ω

STARSHIP TROOPERS (1997)

A Rodger Young model miniature from Paul Verhoeven’s

sci-fi action movie Starship Troopers. The Rodger Young
was the transport ship piloted by Carmen Ibanez (Denise
Richards), on which the Roughnecks – Johnny Rico’s
(Casper Van Dien) unit – were stationed. The model was
originally built for the production as a maquette, to visualise
the final look of the film’s spacecraft. It was then used as
a miniature for several sequences, including those set in
the orbit of the planet Klendathu.

It is made of resin, hand-painted to look like metal and

intentionally distressed to appear well travelled. The
model is accompanied by a letter of authenticity from
Donald MacBain, who was the production supervisor
for the models and miniatures unit on the film. The letter
explains the history of the item, and also includes copies
of the screening and work reports, which detail how and
when the model was used. The model is displayed on
a custom-made wooden stand. It has minor wear from
production use, including some signs of repair, and the
display stand has some scuffing. Dimensions (displayed):
48.5 cm x 12.5 cm x 18 cm (19” x 5” x 7”)

Estimate: £5,000 - 7,000

362. Icarus II Filming Miniature †Δ

359. Mobile Infantry Costume with Stunt Morita Rifle M 360. Phil Tippett Hopper Bug Maquette Ω
SUNSHINE (2007)

STARSHIP TROOPERS (1997) STARSHIP TROOPERS (1997) A production-made filming miniature of the Icarus II
from Danny Boyle’s sci-fi thriller Sunshine. Capa (Cillian
A Mobile Infantry uniform and stunt Morita rifle from Paul Verhoeven’s sci-fi action film A Hopper Bug maquette from the production of Paul Verhoeven’s sci-fi action film Murphy) and his fellow astronauts travelled aboard
Starship Troopers. Mobile Infantry troopers wore their combat uniforms and armour Starship Troopers. Tippett Studio created maquettes of the film’s various Bugs as the Icarus II on a dangerous mission to revive the
throughout their training and their planet-hopping campaign against the alien Arachnids. three-dimensional representations of the creatures that would be largely digitally dying sun. The design of the ship was conceived by
animated on screen. They were tools for shot planning, lighting reference, and production designer Mark Tildesley and this version
The costume comprises a dark grey fibreglass B-grade helmet; a set of A-grade foam- other purposes. Tippett Studio founder Phil Tippett is credited as creature visual was created for use on film, but ultimately the Icarus II
rubber armour (labelled “163”); a grey polyester zip-up jacket (labelled size “46 to 48 effects supervisor and co-producer on the film, and received a Best Visual Effects seen on screen is an entirely digital creation.
X-Large, 125 M”); a black T-shirt (labelled “Johnny”); various pouches; a pair of grey nomination for his work on the film at the 70th Academy Awards®.
padded trousers (labelled “R Net Cor., M-L 34”); a leg holster featuring a metal throwing Constructed around a metal armature, the ship’s
knife and a glow stick; a pair of Adidas® boots, UK size 12.5 (right boot labelled “13” and This Hopper Bug maquette was sculpted by Peter Konig and is cast in resin. It is elaborate shield – which is one mile in diameter in
left boot labelled “146”); and a stunt Morita assault rifle. painted metallic green with red details, and has articulating joints. Each wing is the film to protect the Icarus II from the extreme heat
constructed from translucent vacuum-formed plastic and is painted with black-and- and radiation of the sun – is covered in rings of brass
The pouches contain four foam grenades, two foam magazines, an empty water bottle green detail. The maquette’s legs and wings can be detached, making it easier metal and hasan etched centre plate. The main spine
and a sealed lemon-cake ration. Completing the lot is a separate black nylon flight suit. to pack for transport. of the ship comprises very delicate plastic and resin
There are signs of minor wear on multiple components, a clip is missing from the back components, which form the ship’s living quarters,
of the armour, and the helmet has a small crack and scuffing to the paint finish.The rifle Presented on a custom metal-and-wooden base, the maquette is stored in a custom and its bulky payload sits immediately behind the
is missing its muzzle tip and the cocking handle on its right side. Dimensions (rifle): 96 Tippett Studio wooden crate and is accompanied by a certificate of authenticity shield. Supported on a production-built stand, when
cm x 6.5 cm x 26 cm (37 ¾” x 2 ½” x 10 ¼”) signed by Tippett. The maquette shows some wear from use, such as scratches to powered up the spine rotates slowly as it does in the
the paint and repairs to some of the legs with glue. Dimensions (maquette): 68.5 finished film. Dimensions: 81 cm x 92 cm x 92 cm (32”
Ownership may be restricted in some countries: see replica firearm notice in Buyer’s Guide cm x 53.5 cm x 59.5 cm (27” x 21” x 23 ½”); dimensions (crate): 76 cm x 40.5 cm x x 36” x 36”).
45.5 cm (30” x 16” x 18”)
Estimate: £4,000 - 6,000 Contains electronics; see electronics notice in the Buyer’s Guide.
Special shipping required; see special shipping notice in the Buyer’s Guide. Special shipping required; see special shipping notice in the Buyer’s Guide.

Estimate: £6,000 - 8,000 Estimate: £6,000 - 8,000

272 273
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

365. Superman’s (Christopher Reeve) Wig M

SUPERMAN (1978)

Superman’s (Christopher Reeve) wig from Richard Donner’s superhero film Superman.
Wigs were used throughout the film, as newspaper reporter Clark Kent secretly
transformed into Superman, changing his hairstyle and donning his iconic blue, red and
yellow suit.

The wig consists of slicked-back dark brown synthetic hair punched onto a light
champagne-coloured mesh cap. It features Superman’s signature kiss-curl at the front
and his parting on the left side – the opposite side to his parting while in the guise of
Clark Kent. A label on the inside of the wig reads “Chris Reeves [sic], Superman No. 3”
in black ink, and there is an additional “Wig Specialities” label on the wig’s interior. The
lot comes on a custom-made display and exhibits minimal wear from production use.
363. Clark Kent (Christopher Reeve) Stand-in Glasses †Δ Dimensions (displayed): 18 cm x 18 cm x 30 cm (7” x 7” x 11 ¾”)

Estimate: £3,000 - 5,000

SUPERMAN (1978)

Clark Kent (Christopher Reeve) stand-in glasses from the production of Richard Donner’s for lighting and stand- in use. The glasses come with a protective leather case, and show
superhero film Superman. minor wear from production use and age, including scuffing. Dimensions (open): 13.5 cm
x 14 cm x 5 cm (5 ¼” x 5 ½” x 2 ½”)
This pair of Anne Klein® glasses differ slightly from the hero pair seen in the film, most
notably in the thickness of the arms at the temples, and would have been used on set Estimate: £1,000 - 1,500

364. Stuart Freeborn Collection:

Superman (Christopher Reeve) Stunt Dummy Head M

SUPERMAN (1978)
366. Clark Kent’s (Christopher Reeve) Wig M
A Superman (Christopher Reeve) stunt dummy head from the production of Richard
Donner’s superhero film Superman. A Reeve-resembling dummy was created for
flying sequences which were too dangerous or impractical for the actor himself to SUPERMAN (1978)
perform. This lot was originally obtained from the collection of legendary make-up
artist Stuart Freeborn. Clark Kent’s (Christopher Reeve) wig from Richard Donner’s superhero film
Superman. Wigs were used throughout the film, as Superman took the guise of
Made of fibreglass, the head is a painted lifecast of Reeve’s own, with eye holes mild-mannered newspaper reporter Clark Kent, so he could blend in with the
and foam-latex ears. Its crown is unpainted and secured via three small screws, citizens of Metropolis.
with Velcro® strips adhered along the hairline, allowing the application of a wig.
The head displays cracking, light paint wear and glue residue, and there is minor The wig consists of dark brown synthetic hair punched onto a light champagne-
damage to its bottom edge. There are still remnants of hair from the wig on the coloured mesh cap with a parting on the right side (Reeve wore a wig with a left-
Velcro®, and the foam-latex ears have begun to degrade over time. Dimensions: side parting when he transformed into Superman). A label on the inside of the wig
27 cm x 18 cm x 24 cm (10 ½” x 7” x 9 ½”) reads “Chris Reeves [sic], Clark Kent No. 1” in black ink, and there is an additional
“Wig Specialities” label on the interior. The lot comes on a custom-made display
Estimate: £3,000 - 5,000 and exhibits minimal wear from production use. Dimensions (displayed): 20 cm x
20 cm x 28 cm (8” x 8” x 11”)

Estimate: £2,000 - 3,000

274 275
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

367. Fortress of Solitude Crystal †Δ

SUPERMAN (1978)

A Fortress of Solitude crystal from Richard Donner’s superhero film Superman. Crystals minor signs of wear from production use, including light surface scratches and scuff
were seen in Superman’s (Christopher Reeve) otherworldly Arctic retreat when he marks. Dimensions: 29.5 cm x 3.5 cm x 2 cm (11 ½” x 1 ½” x ¾”)
summoned the consciousness of his father Jor-El (Marlon Brando).
Estimate: £3,000 - 5,000
The crystal shard is made of clear resin and features a multi faceted finish. There are

369. General Zod (Terence Stamp) SFX Flying Miniature Model M 370. Non (Jack O’Halloran) SFX Flying Miniature Model M

SUPERMAN II (1980) SUPERMAN II (1980)

A General Zod (Terrence Stamp) SFX flying miniature model from Richard Lester’s A Non (Jack O’Halloran) SFX flying miniature model from Richard Lester’s superhero
superhero sequel Superman II. Miniatures were used for some shots of Zod, Ursa (Sarah sequel Superman II. Miniatures were used during the film for some shots of General
Douglas) and Non (Jack O’Halloran) flying through the sky, notably when Zod flew towards Zod (Terence Stamp), Ursa (Sarah Douglas) and Non whilst flying.
the construction site in Metropolis.
Created by renowned visual effects supervisor Derek Meddings, the miniature is a
Created by renowned visual effects supervisor Derek Meddings, the miniature is a cast cast resin model of Non with his arms stretched out in front of him, and it features
resin model of Zod in his V-necked black costume, with his arms stretched out in front a highly detailed painted face. There are small holes in the head and crotch,
of him. The model’s head features a highly detailed painted face, complete with slicked- through which a filament was passed, and a larger hole is present in the back of
back dark hair. The model comes on a custom-built stand, which gives the illusion of the torso where the model was affixed to a rig. Presented on a custom-built stand
flight. There are some minor signs of paint wear and scuffing, and a small chip is present which gives the illusion of flight, the model displays minor paint wear, scuffing and
on the left arm. Dimensions (displayed): 32 cm x 10 cm x 34.5 cm (12 ½” x 4” x 13 ½”) several cracks. There are signs of sympathetic restoration around the neck and
right hand, and its left hand is missing. Dimensions (displayed): 32 cm x 9 cm x 37
Estimate: £4,000 - 6,000 cm (12 ½” x 3 ¼” x 14 ½”)

Estimate: £4,000 - 6,000

368. Model Unit Clapperboard M

SUPERMAN (1978)

A model unit clapperboard from the production of Richard Donner’s superhero notes such as “Dir. Brian Smithies”, “Cam. Paul Wilson” and “23 June ‘78”. On the
movie Superman. back are several numbered pieces of tape, likely used to denote the scene and
take numbers. Dimensions: 46 cm x 23 cm x 1 cm (18” x 9” x ¼”)
The clapperboard is made of black-painted wood. It features the film’s title and
unit title painted in white, with several pieces of tape applied bearing handwritten Estimate: £4,000 - 6,000

276 277
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

371. Superman’s (Christopher Reeve)

Photo Booth Strips with Opening
Credit Sequence Storyboard File †Δ

SUPERMAN III (1984)

Superman’s (Christopher Reeve) photo booth strips with

an opening credit sequence storyboard file from Richard
Lester’s superhero sequel Superman III. During the film’s
opening credits, Clark Kent ran into a photo booth, which
captured his transformation into Superman. He tore off the
bottom photo and handed the image to a child, retaining
the rest to protect his secret identity.

Each strip consists of four black-and-white photos, and the

bottom of one photo strip is intentionally torn, while the
other remains intact. The blue card file contains 95 printed
storyboards depicting the opening credits, and each page
is dated “20 Jul 1982”. Pages “49” to “57” show the photo-
booth sequence. The strips display minimal wear, and the
folder exhibits minor tearing, marks and discolouration
on the cover. Dimensions (intact photos): 20 cm x 4.5 cm
(8” x 1 ¾”); (file): 23 cm x 37.5 cm x 2 cm (9” x 14 ¾” x ¾”)

Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £3,000 - 5,000

372. Hand-drawn Opening Sequence

Storyboard Binder Ω

SUPERMAN III (1984)

A hand-drawn opening sequence storyboard binder

from Richard Lester’s superhero sequel Superman 374. Supergirl (Helen Slater) SFX Flying Miniature Model M
III. Residents of Metropolis experienced a series of
unfortunate mistakes and accidents, culminating with
a man drowning in his car who Superman (Christopher SUPERGIRL (1984)
Reeve) rescued. This set of 12 storyboards was part of
the film’s pre-production process. A Supergirl (Helen Slater) SFX flying miniature model from Jeannot Szwarc’s
superhero film Supergirl. Miniatures were used for some shots of Supergirl flying
This navy plastic binder features plastic sleeves 373. Prototype Kryptonian Energy Crystal M through the sky.
containing twelve sheets of paper, each with a hand-
drawn storyboard illustration rendered in graphite. The Created by renowned visual effects supervisor Derek Meddings, this miniature is
papers also feature descriptions and scene numbers as SUPERMAN IV: THE QUEST FOR PEACE (1987) a resin model of Supergirl dressed in her signature blue, red and yellow costume,
well as date stamps and “PRODUCTION: SUPERMAN with her arms outstretched. The head features blonde hair and a highly detailed
III” on the top left corner. They exhibit signs of wear A prototype Kryptonian energy crystal from Sidney J. Furie’s superhero sequel painted face. There is an intentional hole in the underside waist area, where the
from age and use. Dimensions: 31.25 cm x 23 cm x Superman IV: The Quest for Peace. Clark Kent (Christopher Reeve) visited his model was affixed to a rig.
1.25 cm (12.25” x 9” x 0.5”) family’s farm and recovered a green crystal from the wreckage of the capsule
that brought him to Earth. Notably longer than the one seen in the film, the crystal The model comes with a custom-built stand, which gives the illusion of flight. Derek
Sold without copyright; see copyright notice in the Buyer’s Guide is made of resin, with uneven pointed tips that are green at one end and clear Meddings’ original wooden display stand is included, showing the text “Supergirl
at the other. The green tip has faded with age. Dimensions: 46 cm x 4.5 cm x 1 SF/X”. There are minor signs of paint wear, marks on the cape and glue residue
Estimate: £3,000 - 5,000 cm (18” x 1 ¾” x ½”) near the hole. Dimensions (displayed): 32 cm x 9 cm x 32.5 cm (12 ½” x 3 ½” x 12
¾”); (wooden stand): 22 cm x 8 cm x 16 cm (8 ¾” x 3 ¼” x 6 ¼”)
Estimate: £2,000-3,000
Estimate: £4,000 - 6,000

278 279
EN T ER TAI N M E N T M E M O RA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

375. Sweeney Todd’s (Johnny Depp)

SFX Spring-loaded Opening Razor M

SWEENEY TODD: THE DEMON BARBER OF

FLEET STREET (2007) Lifestyle pictures / Alamy Stock Photo

Sweeney Todd’s (Johnny Depp) SFX spring-loaded

opening razor from Tim Burton’s 2007 musical 376. The Terminator’s (Arnold Schwarzenegger) Sunglasses M
Sweeney Todd: The Demon Barber of Fleet Street.
Sweeney Todd used razors to cut the throats of his
victims throughout the film. Depp found real razors TERMINATOR 2: JUDGMENT DAY (1991)
difficult to handle, and requested mechanical ones for
the scenes in which he had to quickly open the blade. The Terminator’s (Arnold Schwarzenegger) sunglasses from James Cameron’s sci-fi action Originally obtained from stuntman Larry Johnson, the sunglasses feature a black plastic
sequel Terminator 2: Judgment Day. The Terminator stole a pair of sunglasses from the frame with tinted lenses, and each arm is decorated with two silver coloured lines. The
The razor’s blade is made of steel and its handle is owner of a biker bar, and wore them in several scenes. They were ultimately destroyed glasses exhibit signs of wear from production use, including minor scratching on the
made of aluminium and brass. A brass button on the while The Terminator and John Connor (Edward Furlong) were freeing John’s mother lenses and scuffing on the frame. Dimensions: 14 cm x 15 cm x 4.5 cm (5 ½” x 5 ¾” x 1 ¾”)
side releases the spring-loaded blade. The item has Sarah (Linda Hamilton) from the Pescadero State Hospital.
some wear from production use and age. Dimensions Estimate: £3,000 - 5,000
(open): 27 cm x 2.5 cm x 12 cm (10 ¾” x 1” x 4 ¾”)

Estimate: £8,000 - 12,000

377. T-1000’s (Robert Patrick) SFX Bullet-hit Police Shirt M

TERMINATOR 2: JUDGMENT DAY (1991)

A T-1000 (Robert Patrick) special effects bullet-hit police shirt from James Cameron’s
sci-fi action sequel Terminator 2: Judgment Day. The T-1000 wore its shirt during
the asylum sequence as it pursued The Terminator (Arnold Schwarzenegger), Sarah
Connor (Linda Hamilton) and her son John (Edward Furlong). The Terminator and
Sarah both shot it with their shotgun and pistol respectively, punching holes in the
T-1000’s liquid-metal body.

The navy polyester-blend shirt is based on a police uniform and features 12 silver-
coloured foam-latex bullet holes affixed to a fibreglass chest piece, which is hidden
under the shirt’s front. These pieces are rigged with cables and servos that trigger
them to appear quickly, representing gunshot impacts. In addition, a zip runs down
the back of the shirt. There is paint wear, signs of deterioration on the foam latex,
and one of the larger holes has become distorted over time.

Contains electronic and mechanical components; see electronic and mechanical components notice in the Buyer’s Guide.

Estimate: £6,000 - 8,000

280 281
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

378. Full-size T-800 Endoskeleton Ω

TERMINATOR 2: JUDGMENT DAY (1991)

A T-800 Terminator Endoskeleton from James Cameron’s sci-fi action sequel

Terminator 2: Judgment Day. Renowned for its groundbreaking visual effects,
Terminator 2 combined both practical and newly pioneered digital effects to set
the new standard for action blockbusters, garnering numerous Academy Awards®
for its technical achievements.

The genocidal machines were created by Cameron’s long-time collaborator, Stan

Winston, who originally helped bring them to life in The Terminator. Stan Winston
Studio was tasked with creating numerous Endoskeletons for the sequel’s “Future
War” opening sequence, including both cable-controlled puppets and static
Endoskeletons. The T-800 Terminator Endoskeleton is the signature piece from
one of the most beloved science fiction franchises in cinema.

The Terminator 2 Endoskeletons were actively rebuilt during and after production of
the film; some pieces were harvested for use in the Universal theme park attraction
T2-3D: Battle Across Time and other related needs. This particular Endoskeleton
was modified to be used in the planned Las Vegas show for magician Criss Angel,
a project that Stan Winston Studios collaborated on.

The Endoskeleton is primarily made of chrome-plated resin, with steel and

aluminium components. An internal support armature is located in the torso and
engineered into some of the limbs, such as the lower legs. This model comprises
a combination of original production components, complemented by reproduction
parts created from original moulds including the lower left arm, parts of the right
arm, and both feet.

The head is a reproduction created by Stan Winston Studios, complete with red-
coloured illuminating eyes powered by an included 210/240V power supply. There
are cable loops present on both shoulders. The lot has been intentionally distressed
all over, creating a battle-damaged appearance, and the right foot is missing a toe.
The Endoskeleton comes mounted on a metal display base, and care must be
taken during handling. Dimensions: 33 cm x 60 cm x 182 cm (13” x 23 ¾” x 71 ¾”)

Contains electronics; see electronics notice in the Buyer’s Guide.

Special shipping required; see special shipping notice in the Buyer’s Guide.
Estimate: £60,000 - 80,000

Everett Collection Inc / Alamy Stock Photo

282 283
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

379. Light-up T-800 Endoskeleton Head M 381. Terminator’s (Arnold Schwarzenegger)

Costume Display with Silicone Head Replica US
TERMINATOR 4: SALVATION (2009)
TERMINATOR GENISYS (2015)
A light-up T-800 endoskeleton head from McG’s sci-fi sequel Terminator Salvation. This
head was created specifically for the Endoskeleton assembly line sequence near the The Terminator’s (Arnold Schwarzenegger) costume display with a silicone head
conclusion of the film. on display mannequin from Alan Taylor’s sci-fi action adventure sequel Terminator
Genisys. The T-800 “Guardian” Terminator wore his costume while he teamed
The head is made of heavy polyurethane foam and is finished with a textured dull-chrome with Sarah Connor (Emilia Clarke) to prevent Skynet from becoming sentient in a
effect. The teeth are finished in an off-white varnish. The eyes remain functional, glowing fractured timeline. This Terminator costume consists of a charcoal-colour zip-up
red when a button is pressed at the base of the skull. The head has some wear from jacket; a grey cotton T-shirt; a pair of grey cargo trousers marked “GUARDIAN 2”;
production use and age, including scuffing and scratches, and is displayed on a custom- and a pair of black rubber and leather lace-up boots. The costume is presented on
made display stand featuring the film’s title, which illuminates via a button at the back of a custom display with a replica Terminator head made from silicone with a realistic
the base. Dimensions (displayed): 20 cm x 19 cm x 37 cm (8” x 7 ½” x 14 ½”) paint finish and hand-punched hair. It is displayed on a custom base with a layer of
grating on the top. The costume shows wear from age and use throughout including
Contains electronics; see electronics notice in the Buyer’s Guide. deliberate weathering on several of the clothing items added by production.
Dimensions: 71.25 cm x 56 cm x 198.35 cm (28” x 22” x 78”)
Estimate: £5,000 - 7,000
Special shipping required; see notice in the Buyer’s Guide.
This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide

Estimate: £8,000 - 12,000

380. John Connor’s (Christian Bale) Battle Costume Ω

TERMINATOR 4: SALVATION (2009)

John Connor’s (Christian Bale) battle costume from McG’s sci-fi action film Terminator
Salvation. Connor wore his costume during the final battle at the Skynet facility
where he faced off against a T-800 terminator (Arnold Schwarzenegger).

This costume consists of one nylon, rubber, plastic, and metal black tactical vest
with a buckled front; one dark green cotton-blend jacket with a red arm band; one
olive green cotton undershirt; a pair of black leather fingerless gloves; a navy cotton
strap with fastening strip details; a black nylon wrist strap featuring three plastic
grenades; a pair of grey cotton-blend cargo trousers with brown rubber knee pads;
a green padded nylon strap affixed with a black plastic gun holster; and a pair of
black cotton and rubber boots with brown laces. The costume has been intentionally
weathered by the production with frayed edges, torn holes, and stains throughout.

Estimate: £4,000 - 6,000

284 285
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

383. Cade Yeager’s (Mark Wahlberg) Sword Rifle Ω

TRANSFORMERS: AGE OF EXTINCTION (2014)

Cade Yeager’s (Mark Wahlberg) sword rifle from Michael Bay’s action adventure sequel pearlescent black ridged hilt with a large, crescent-shaped pommel. Also included are
Transformers: Age of Extinction. Yeager used his modified bladed rifle in a fight with ten spare bladed parts, a black rope sling, and a baggie of production repair tools labeled
Deceptacon forces. “Gun Tools.” The lot exhibits minor signs of wear from production throughout, including
scuffed paint on the blades and minor chips to the hilt and pommel. Dimensions: 122.75
This lot consists of a silver-coloured resin and dense rubber rifle with a pair of large pincer- cm x 35.75 cm x 9.5 cm (48 1/4” x 14” x 3 3/4”)
like blades engraved with alien runes and a gun barrel at the centre. It is attached to a
Estimate: £4,000 - 6,000

384. Hero Light-Up Animatronic Seed Ω

TRANSFORMERS: AGE OF EXTINCTION (2014)

A hero light-up animatronic seed from Michael Bay’s sci-fi action sequel
Transformers: Age of Extinction. An alien race known as “Creators” used seeds
on Earth in prehistoric times to kill off all organic life. Later, Decepticon attempted
to use another seed to destroy humanity.

This black and silver-colour metal and urethane device features a series of blue
lights on the interior. It connects via a cable to a plug-in control box which, when
activated, can illuminate the lights as well as cause the seed to open, causing it’s
four extending details to move into an expanded position. It exhibits signs of wear
from age and use. Dimensions: 111.75 cm x 30.5 cm x 47.25 cm (44” x 12” x 12”)

Contains electronic components; see notice in the Buyer’s Guide

Estimate: £4,000 - 6,000

382. Six Hand-painted Costume Designs and Sketch Ω

TIME BANDITS (1981)

A set of hand-painted costume designs from the production of Terry Gilliam’s fantasy Bandits, including Og (Mike Edmonds). The designs feature handwritten notes, and
adventure comedy Time Bandits. both the Robin Hood artwork and Bandits sketch bear the signature of three-time
Academy Award®-winning costume designer James Acheson. Dimensions (largest
The lot consists of six hand-painted artworks and one hand-drawn sketch. The artwork): 42 cm x 31 cm (16 ½” x 12”)
artworks are rendered on brown paper using a mix of oil pastels, gouache paint and
pencil. They feature designs for Robin Hood (John Cleese) and the Time Bandits Sold without copyright; see copyright notice in the Buyer’s Guide.
Wally (Jack Purvis), Vermin (Tiny Ross), Strutter (Malcom Dixon), Fidget (Kenny Baker)
and Randall (David Rappaport). The sketch comprises designs for each of the Time Estimate: £4,000 - 6,000

286 287
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

385. Tron’s (Bruce Boxleitner) Helmet M

TRON (1982)

Tron’s (Bruce Boxleitner) helmet from Steven Lisberger’s sci-fi adventure Tron. The lot comprises a custom-made helmet, modelled after a hockey helmet,
Alan Bradley’s security program, known as Tron, wore his helmet throughout the made of white-coloured vacuum-formed plastic, to which a white-painted foam
film, in the neon-tinged digital world of the ENCOM mainframe. He teamed up with liner is attached via four metal screws. It is covered in black tape, which forms
software engineer Kevin Flynn (Jeff Bridges) and the program Yori (Cindy Morgan) intricate circuit-board decals. Incorporated into the circuitry designs are sections
to stop ENCOM’s Master Control Program. of transparent tape featuring black dots, which glow when the helmet is placed
under UV light.
Tron is a truly groundbreaking movie, being one of the first productions to feature
entirely computer-animated sequences. However, most of its iconic visual effects The helmet’s interior is labelled “Tron”, while “Bruce #2” is written in black ink on the
were created using matte-photography techniques and backlit animation. The front of the foam liner. Some decals have begun to peel or are missing, and cracking
actors were shot in black-and-white on a black background, then printed on large, is present on the foam. This lot should be handled with care, as the back of the
high-contrast film and hand-coloured using rotoscoping. This process proved to be helmet is fragile. Dimensions (displayed): 23 cm x 21 cm x 34 cm (9” x 8 ¼” x 13 ½”) Photo 12 / Alamy Stock Photo
so complicated and costly it was never again used for a feature film.
Estimate: £30,000 - 50,000

288 289
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

387. Black Guard Costume Display

Assembled From Production-Made Components US

TRON LEGACY (2010)

A Black Guard costume display assembled from production-made components

from Joseph Kosinski’s sci-fi action adventure Tron Legacy. The personal guards
of artificial intelligence program and grid overlord Clu (Jeff Bridges), Black Guard
soldiers were skilled in a variety of weaponry including identity discs and batons.

This display consists of a series of black dense foam rubber cast armour pieces
that were made during production but not finished or used for filming. These pieces
include a decorative chest and back section with a moulded identity disc port,
shoulder and arm pieces complete with a pair of replica gloves, a plastic baton
and a plastic identity disc, hip and thigh sections as well as a pair of boots. The
costume elements were pieced together and assembled as a collector’s display
after filming, and detailed with reflective tape similar to the EL strip material used
on the original light-up suits from the film. A replica fibreglass helmet that was
not production-made is also included to complete the costume. The armour and
helmet has been set on a black compression suit-clad mannequin with a custom
base for display featuring orange details. It exhibits signs of wear from age and use
throughout. Dimensions: 61 cm x 61 cm x 193 cm (24” x 24” x 76”)

Special shipping required; see notice in the Buyer’s Guide.

This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide

Estimate: £10,000 - 15,000

386. Identity Disc Ω

TRON (1982)

An identity disc from Steven Lisberger’s sci-fi adventure Tron. Computer programmer strips for attaching to the back of the performer’s costume. The disc exhibits
Kevin Flynn (Jeff Bridges) was transported by the Master Control Program into a significant signs of production use and age, including visibly cracked rubber, paint
digital “Game Grid,” where he and his fellow programs were issued discs which and glue residue on the reverse, and torn fastening strips. Dimensions: 21.75 cm x
could be used for identification and combat. 21.75 cm x 1.5 cm (8 1/2” x 8 1/2” x 1/2”)

This hand-painted, cream-colour foam rubber disc with textured ridges is painted Estimate: £10,000 - 15,000
off-white and affixed with black tape detailing. The unpainted back has fastening

290 291
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

388. Jarvis’ (James Frain) Chest Armour Bust

Assembled From Production-Made Components US 390. Achilles’ (Brad Pitt) Hero Sword M

TRON LEGACY (2010) TROY (2004)

Jarvis’ (James Frain) chest armour bust from Joseph Kosinski’s sci-fi sequel Tron Legacy. Achilles’ (Brad Pitt) hero sword from Wolfgang Petersen’s mythical epic Troy. Achilles
A subservient administrative program, Jarvis wore his armour while in the direct service wielded his sword throughout the film, using it to brutal effect during his efficient
of artificial intelligence program and grid overlord Clu (Jeff Bridges). dispatching of Boagrius (Nathan Jones) in the opening scene, in his battles against
the Trojan Apollonians, and in his vicious duel with Hector (Eric Bana).
This bust consists of black dense foam rubber armour pieces that were made during
production but not finished or used for filming. These pieces include a decorative front This is the hero version of this spectacular weapon, created for close-up shots
section as well as a back section with a moulded identity disc port. The costume elements and made from heavyweight materials to the highest standards. The blade forms
were pieced together and assembled as a collector’s display after filming, and detailed a delicate curved-leaf shape. It is made of solid bronze and decorated with curved
with reflective tape similar to the EL strip material used on the original light-up suits from inlays coming down from its black, solid-cast resin handle. There are holes at each
the film. Also included is a production tag used to identify the pieces when they were corner of the grip, giving the illusion of rivets, and a ridge runs down the centre of
first cast, stating “JARVIS TORSO” and “HERO”. It exhibits signs of wear from age and the blade to just below the tip.
use throughout. Dimensions: 28 cm x 53.5 cm x 63.5 cm (11” x 21” x 25”)
The weapon comes with a bespoke display stand, made in the production’s
This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide workshop, which features a marble-like stone base, with the film-title artwork
painted in gold. Green paint has been skillfully applied to the handle and bottom
Estimate: £4,000 - 6,000 of the blade to create the appearance of a verdigris patina, and the weapon has
been intentionally distressed to look battle-worn. Dimensions (displayed): 21 cm x
13 cm x 76 cm (8 ¼” x 5 ¼” x 30”)

Estimate: £8,000 - 12,000

389. Agamemnon’s (Brian Cox) Hero Sword and Scabbard M

TROY (2004)

Agamemnon’s (Brian Cox) hero sword and scabbard from Wolfgang Petersen’s
mythical epic Troy. The King of Mycenae wielded his sword throughout the film,
most notably when he led the attack on the city of Troy.

The sword has a brass blade with intricate swirling patterns running along its
length, a curved, red-painted guard, a cross-patterned hilt and a circular pommel.
It comes with its scabbard, which is made of reddish-brown leather. This features
a square spiral pattern, brass adornments at its top and a thin leather strap with an
attached buckle. The lot shows signs of production use, including light paint wear,
some scuffing on the leather and intentional tarnishing on the metal. Dimensions:
68 cm x 9 cm x 6 cm (26 ¾” x 3 ½” x 2 ¼”)

Estimate: £3,000 - 5,000

292 293
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

393. Lycan Head M

UNDERWORLD: EVOLUTION (2006)

A Lycan head from Len Wiseman’s fantasy-horror sequel Underworld: Evolution. The
Lycans were a rebellious legion of werewolves, seen battling the vampire army during
the bloody opening sequence.

Built over a padded helmet, the head comprises a foam-latex face featuring pointed ears,
a pair of black glass eyes and a set of sharp, rubber teeth. Strands of grey synthetic hair
are applied over the majority of the mask. There is a Velcro strap at the back of the helmet
with the name “Kurt” written in silver-coloured marker, referring to Kurt Carley, who played
Hero Black Wolf #1. A hair-covered nylon neckpiece has been added to the head since
production, for display purposes. The head exhibits minor wear, and is presented on a
custom display base with a button at the rear, which once caused the front title artwork
to illuminate. Dimensions (displayed): 55 cm x 36 cm x 62 cm (21 ½” x 14 ¼” x 24 ½”)

391. Menelaus’ (Brendan Gleeson) Hero Sword M Contains electronic components; see electronic components notice in the Buyer’s Guide.

Estimate: £4,000 - 6,000

TROY (2004)

Menelaus’ (Brendan Gleeson) hero sword from Wolfgang Petersen’s mythical epic Troy. and a fishtail-style pommel. Raised rivet-like detailing adorns both the top of the handle
Menelaus notably used his sword while fighting Paris (Orlando Bloom), the lover of his and the underside of the pommel. The sword exhibits light paint wear, scuffing and
wife Helen (Diane Kruger), outside the walls of Troy. stage blood remnants on one side of the blade, and a rivet is missing from the pommel.
Dimensions: 72.5 cm x 8 cm x 4 cm (28 ½” x 3 ¼” x 1 ½”)
The weapon comprises a solid bronze blade with an intentionally weathered appearance,
a solid, cast-rubber grip designed to replicate the appearance of black-painted wood, Estimate: £3,000 - 5,000

392. Paris’ (Orlando Bloom) Shield M 394. Ivar the Boneless’ (Alex Hogh Andersen) Costume Ω

TROY (2004) VIKINGS (T.V. SERIES, 2013-2020)

Paris’ (Orlando Bloom) shield from Wolfgang Petersen’s Ivar the Boneless’ (Alex Hogh Andersen) costume from Michael Hirst’s historical-drama TV show Vikings. Ivar
mythical epic Troy. Paris used his shield while fighting wore his costume throughout Season 4 Part 2 and Season 5, as he declared himself the new king of Kattegat,
for Helen’s (Diane Kruger) hand against her husband seeking revenge after the death of his parents Ragnar (Travis Fimmel) and Aslaug (Alyssa Sutherland).
Menelaus (Brendan Gleeson) outside the walls of Troy,
and while cowering behind his brother Hector (Eric The costume consists of a brown leather spangenhelm-style helmet (labelled “JSB 448”); a black leather tunic
Bana) after being overpowered. with a woven grid pattern and one short chainmail sleeve (labelled “Ivar”); a dark grey cotton tunic; an undershirt
with a cream-coloured collar; a pair of dark grey suede trousers; a black leather belt; and a pair of brown leather
Made of resin and fibreglass, the front of the shield is gauntlets (left one labelled “Ivar Hero”). There are signs of intentional weathering and the costume exhibits
decorated with three pairs of raised horse emblems, minor wear from production use.
and has a vinyl-like fabric with fret cut patterns around
its outside edge. The back of the shield is padded, Estimate: £3,000 - 5,000
to provide comfort for the actor, and features a
wooden handle, alongside four faux-gold metal rings.
Intentionally distressed to look battle-worn, the lot
exhibits minor wear around the edges, light scuffs at
its centre and marks on the back. Dimensions: 90 cm
x 90 cm x 11 cm (35 ½” x 35 ½” x 4 ¼”)

Estimate: £2,000 - 3,000

294 295
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

395. Alliance Foot Soldier Armour

with Sword, Hand Cannon and Shield Ω

WARCRAFT (2016)

A complete set of Alliance foot soldier armour with a sword, hand cannon and shield
from Duncan Jones’ fantasy epic Warcraft. Foot soldiers of the Alliance wore their armour
throughout the film, notably when they followed King Llane Wrynn (Dominic Cooper) into
the final battle against the Orc Horde.

The costume consists of a dense rubber helmet with long strands of synthetic blue hair
adhered to the back; a resin chest plate with attached layered pauldrons (labelled “23, 16”);
a long zip-up tunic made from blue suede-like fabric and chain mail, with brown leather
cuffs (labelled “42”, “835, 813”); a long-sleeved blue cotton undershirt; a pair of padded
resin vambraces (labelled “Left” and “R”); a pair of brown leather gloves with adhered
resin plating detailing; a brown leather belt decorated with a silver-coloured Stormwind
lion emblem and attached resin faulds; a pair of blue breeches with elasticated braces
and stirrups (labelled “32”); a pair of resin greaves; and a pair of resin-plated rubber boots
(EU size 46, labelled “12 L”).

Completing the lot is a rubber sword with an internal metal armature and a blue urethane
faux gem inset in the hilt; a foam-rubber hand cannon finished to replicate wood, with
an attached brown leather strap; and a blue dense-rubber shield with a silver-coloured
lion emblem engraved on the front, and two leather handles. The tip of the sword blade
is missing and there is a notable crack at the pommel. Dimensions (sword): 103 cm x 24
cm x 5 cm (40 ½” x 9 ½” x 2”); (hand cannon): 72 cm x 8.5 cm x 20 cm (28 ½” x 3 ¼” x
8”); (shield): 85 cm x 63.5 cm x 10 cm (33 ½” x 25” x 4”)

Special shipping required; see notice in the Buyer’s Guide

Estimate: £8,000 - 12,000

397. Anduin Lothar’s (Travis Fimmel) 398. Richard Williams Hand-drawn Artwork of Roger
Autographed Stunt Sword M Rabbit, Jessica Rabbit and Baby Herman M

WARCRAFT (2016) WHO FRAMED ROGER RABBIT (1988)

Anduin Lothar’s (Travis Fimmel) autographed stunt sword from Duncan Jones’ fantasy A Richard Williams hand-drawn sketch of Roger Rabbit, Jessica Rabbit and Baby
epic Warcraft. As the supreme commander of Stormwind’s military forces, Lothar wielded Herman from the production of Robert Zemeckis’ Oscar®-winning detective comedy
his sword throughout the film, while battling the Orc Horde. Who Framed Roger Rabbit. Animation director Williams won two Academy-Awards®
for his work on the movie, including a Special Achievement Award. Williams originally
This intricately decorated sword features a silver-painted bamboo blade with etched donated this lot to the “Lots of Ink” charity auction organised by the Animation Art
details and a blue-painted section, and a copper-coloured, ridged urethane grip. It also Gallery in 2001.
features a black dragon-shaped hilt affixed with a series of blue urethane gemstones
and gold-painted detailing. One side of the blade is autographed by Fimmel in black Rendered in pencil and coloured crayon, the sketch is signed by Williams and
ink, and there are signs of intentional distressing on the sword, giving it a battle-worn presented in a brown wooden frame with string on the reverse for wall mounting.
396. King Llane’s (Dominic Cooper) Stunt Sword M appearance. Dimensions: 117 cm x 24 cm x 10 cm (46” x 9 ½” x 4”) It exhibits minimal wear, and the lot is accompanied by a handwritten letter of
authenticity from Williams stating that this is “the last drawing I ever do of Roger/
Estimate: £4,000 - 6,000 Jessica Rabbit”. Dimensions: 67.5 cm x 58.5 cm x 2.5 cm (26 ½” x 23” x 1”)
WARCRAFT (2016)
Sold without copyright; see copyright notice in the Buyer’s Guide.
King Llane’s (Dominic Cooper) stunt sword from Duncan Jones’ fantasy epic Warcraft. incorporated Stormwind lion emblem with a blue faux gemstone inserted below,
The King of Stormwind wielded his signature sword during the final battle between and the grip is painted blue with silver-coloured woven detailing. There are signs Estimate: £5,000 - 7,000
the humans and the orcs. of intentional weathering to the paint finish, replicating a battle-worn appearance.
Dimensions: 123 cm x 22 cm x 9 cm (48 ½” x 8 ¾” x 3 ½”)
The sword features a broad, silver-coloured bamboo blade with gold-painted swirly
patterns and engraved runes. Its ornate gold-coloured urethane hilt includes an Estimate: £6,000 - 8,000

296 297
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

399. Sorsha’s (Joanne Whalley) Helmet M

WILLOW (1988)

Sorsha’s (Joanne Whalley) helmet from Ron Howard’s fantasy adventure Willow. Sorsha
wore her helmet in multiple scenes, during her search for baby princess Elora Danan,
and throughout the Battle of Nockmaar.

The vacuum-formed plastic helmet is finished in dark grey paint and features a teardrop-
shaped peak at the top, three gold-painted decorative fins and a brown leather chinstrap.
Attached to the bottom of the helmet via several strips of white Velcro® is a suede-like
fabric neck guard, decorated with layered plastic pieces designed to resemble metal
armour. The helmet exhibits signs of production use, including minor scuffing and flaking
on the gold paint, and there is a minor crack present at the back. Dimensions: 28 cm x
26 cm x 37 cm (11” x 10 ¼” x 14 ½”)

Estimate: £3,000 - 5,000

401. Wonka Bar M

WILLY WONKA AND

THE CHOCOLATE FACTORY (1971)
A Wonka bar from Mel Stuart’s fantasy musical Willy
Wonka and the Chocolate Factory. Wonka bars
400. Full-size Death Dog Puppet Head †Δ featured throughout this adaptation of Roald Dahl’s
classic children’s story, after Willy Wonka (Gene
Wilder) randomly hid five golden tickets to a tour of
WILLOW (1988) his mysterious factory in the wrappers of his chocolate
bars. One of these was found by Charlie Bucket (Peter
A full-size Death Dog puppet head from Ron Howard’s Ostrum), beginning his adventure.
fantasy adventure Willow. Death Dogs, loyal beasts of
the evil Queen Bavmorda (Jean Marsh), were shaggy Props from this beloved film are extremely hard to find,
and fanged creatures that hunted down the peculiar as most were destroyed at its Bavarian film studio to
baby Elora Danan, and raided Nelwyn village searching quickly make way for the immediate filming of Cabaret.
for her.
Made from compressed card, the bar displays the
The Death Dogs were performed for the most part famous Wonka logo, which features the factory owner’s
by highly trained Rottweilers wearing fur costumes top hat in yellow. Its outer edge is brightly decorated
and masks. This head has a moveable jaw and loose in orange, with the rest of the confectionary coloured
tongue to be controlled by a puppeteer for close-up a rich chocolate brown. The top and bottom edges
shots. The lot comprises painted brown foam latex skin are hand-painted pink and “From David Saxon” is
and soft foam layered over a resin skull. Thick dark written on the back in yellow pencil, referring to the
brown faux fur with sections of incorporated woven production’s credited film editor. The bar shows some
straw covers the back of the head. It features pointed signs of age and use, with minor paint wear, scuffing
ears, a pair of glass eyes, a set of yellowed resin teeth and light crease lines at the two bottom corners.
displaying a glossy varnish finish, and a red foam Dimensions: 9 cm x 16 cm x 0.5 cm (3 ½” x 6 ¼” x ¼”)
latex tongue. There is some minor wear to the foam
latex, and some hair strands are loose throughout. Estimate: £8,000 - 12,000
Dimensions: 48 cm x 32 cm x 28 cm (19” x 12 ½” x 11”)

Estimate: £2,000 - 3,000

298 299
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

404. Dana Scully (Gillian Anderson)

and Fox Mulder’s (David Duchovny)
FBI ID Badges Ω

THE X-FILES (1993)

Dana Scully (Gillian Anderson) and Fox Mulder’s (David

Duchovny) FBI ID Badges from Chris Carter’s sci-fi drama
The X-Files. Agents Scully and Mulder brandished their
badges while they researched potentially paranormal
cases for the FBI.
402. Scrumdidilyumptious Wrapper M
This lot consists of a pair of custom-made cardstock
badges featuring the FBI graphic and affixed matte
WILLY WONKA AND THE CHOCOLATE FACTORY (1971) photographs of the characters as well as their signatures
in the space above. Both are inset in a pair of transparent
A Scrumdidilyumptious bar wrapper from Mel Stuart’s fantasy musical Willy Wonka and the The paper wrapper features the iconic Wonka logo, with the chocolatier’s famous top hat plastic sleeves with plastic and metal clips on the top
Chocolate Factory. Various Wonka bars featured throughout this adaptation of Roald Dahl’s in yellow to the left. Also in yellow is the bar’s name, “Scrumdidilyumptious”, with bright which allow them to be affixed to a costume. The mulder
classic children’s story. A shopkeeper showed the Scrumdidilyumptious bar, “Wonka’s orange and pink stripes along the lower edge. The remainder of the wrapper is finished ID is also laminated in plastic. These badges exhibit signs
newest creation,” to a group of children early in the film. Soon after, Charlie Bucket (Peter in a chocolate brown colour. The reverse shows the ingredients, packing information of use and wear including some minor staining and slight
Ostrum) chose one before selecting a Wonka Bar that contained his golden ticket. and weight. Most of the original white inner wrapper for the chocolate remains, but is in creasing. Dimensions: 12.25 cm x 8.25 cm x 2.5 cm (4
poor condition. The wrapper itself shows signs of age and use, with creases along the 3/4” x 3 1/4” x 1”)
This wrapper originally came from the personal collection of Peter Ostrum. Props from edges and small holes at the inner wrapper’s exposed ends. Dimensions: 28 cm x 4.5
this beloved film are extremely hard to find, as most were destroyed at its Bavarian film cm x 1.5 cm (11” x 1 ¾” x ½”) Estimate: £3,000 - 5,000
studio to quickly make way for the immediate filming of Cabaret.
Estimate: £6,000 - 8,000

403. Lawrence Talbot’s (Benicio del Toro) Cane M

405. Logan’s (Hugh Jackman) Screen-Matched Dog Tag Ω

THE WOLFMAN (2010)

Lawrence Talbot’s (Benicio del Toro) cane from Joe Johnston’s horror drama The X-MEN ORIGINS: WOLVERINE (2009)
Wolfman. Talbot carried his cane, which held a hidden blade, throughout the film.
It was used by both Lawrence and his father, Sir John Talbot (Anthony Hopkins), Logan’s (Hugh Jackman) screen-matched dog tag from Gavin Hood’s sci-fi prequel
during their final confrontation in Talbot Hall. X-Men Origins: Wolverine. The tag screen-matches to the scene where Canadian
soldier and mutant Logan received new dog tags featuring the codename
The cane is made of wood with a dark-brown-painted finish, and features a resin “Wolverine” before his skeleton and claws were bonded with unbreakable metal
wolf’s-head handle and a resin tip, which have been plated to look like metal. This Adamantium.
iteration of the prop does not contain a hidden blade. The cane displays light signs
of wear, including paint chips on the tip and scuffs along the shaft. Dimensions: 100 This metal dog tag fastened to a ball chain necklace is engraved “LOGAN” with
cm x 15 cm x 4 cm (39 ½” x 6” x 1 ½”) serial number “45825243-T78-A” on one side and “WOLVERINE” with a matching
serial number. The dog tag shows minimal signs of wear and remains in excellent
Estimate: £4,000 - 6,000 overall condition. Dimensions: 5 cm x 4 cm x 0.75 cm (2” x 1 1/2” x 1/4”)

Estimate: £6,000 - 8,000

300 301
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 1 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

406. Beast’s (Nicholas Hoult) 408. Magneto’s (Michael Fassbender) Kill Coins †Δ
Master Reference Cowl with Wig US
X-MEN: FIRST CLASS (2011)
X-MEN: FIRST CLASS (2011)
Magneto’s (Michael Fassbender) standard and oversize “kill coins” from Matthew Vaughn’s X-Men prequel First Class.
Beast’s (Nicholas Hoult) master reference cowl with wig from Matthew Vaughn’s superhero A young Magneto is given a coin by Sebastian Shaw (Kevin Bacon) and later pushes it slowly through Shaw’s head,
adventure sequel X-Men: First Class. Scientist Henry “Hank” McCoy became a furry blue killing him.
mutant known as Beast after testing an experimental serum on himself.
The pair of metal coins are reproduced five-Reichsmark “von Hindenburg” coins, one of which is oversized for use in
This lot consists of a blue foam latex cowl with a wig attachment and hand-punched close-ups. The pair have some wear from production use and age, including some light surface scratches, and there
dyed blue fox fur designed as a master template for Beast’s face by Academy Award®- is denting around the edges of the smaller coin. Dimensions (large coin): 5.5 cm x 5.5 cm x 0.5 cm (2 ¼” x 2 ¼” x ¼”);
winning special effects group Amalgamated Dynamics, Inc. (ADI). Also included is a blue (small coin): 2.5 cm x 2.5 cm (1” x 1”)
plastic mask in the likeness of the cowl with custom-designed holes to direct the facial
hair patterns. The cowl is set on a foam rubber bust and labeled on the reverse “Wig Estimate: £1,500 - 2,500
Line Pattern.” It exhibits signs of wear and age including minor cracks and staining, as
well as a tear in the lip section. Dimensions: 51 cm x 48.25 cm x 12.75 cm (20” x 19” x 5”)

This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide

Estimate: £3,500 - 5,500

407. Beast’s (Nicholas Hoult) Costume Components US

X-MEN: FIRST CLASS (2011)

Beast’s (Nicholas Hoult) costume components from Matthew Vaughn’s superhero adventure sequel X-Men: First
Class. Scientist Henry “Hank” McCoy became a furry blue mutant known as Beast after testing an experimental
serum on himself. 409. Wolverine’s (Hugh Jackman) Stunt Adamantium Claws Ω

This set, designed by Academy Award®-winning special effects group Amalgamated Dynamics, Inc. (ADI),
consists of a blue foam latex cowl; a foam-padded blue Spandex zip-up bodysuit marked “#4 STUNT”; a pair of X2 (2003)
matching blue arm-length left gloves; matching suspender trousers; and matching blue leather zip-up boots.
The pants, boots, gloves, and cowl are hand-punched with dyed blue fox fur, while foam claws are affixed to the Wolverine’s (Hugh Jackman) stunt adamantium claws from Bryan Singer’s superhero Wolverine’s skin. The claws are painted a silver colour and cast with grooves on
boots and plastic claws are affixed to the gloves. This costume exhibits signs of wear and use including some sequel X2. the sides to simulate sharpened blades.
staining, cracked paint, and minor missing pieces throughout as well as a missing section on the back of the cowl.
The claws are made of urethane and mounted on machined metal grips, which Accompanying the lot is a letter of authenticity from stunt coordinator Gary Jensen.
This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide are marked “L2” and “R2” to indicate the correct hand. The top edges of the claws The claws show minor wear due to production use, and some bubbling from the
fit between the knuckles, giving the illusion that the blades protrude through casting process. Dimensions (each): 27 cm x 10 cm x 4 cm (10 ½” x 3 ¾” x 1 ½”)
Estimate: £3,500 - 5,500
Estimate: £6,000 - 8,000

302 303
 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

410. Cruella de Vil’s (Glenn Close) Car Hood

Ornament and Script †Δ

101 DALMATIANS (1996)

Cruella de Vil’s (Glenn Close) car hood ornament and a script from Stephen
Herek’s comedy adventure 101 Dalmatians. Cruella drove her distinctive
car with a bird ornament while pursuing the dalmatians. The painted,
chrometone resin, bird of prey-shaped ornament sits on a circular base
with a metal screw. The unannotated, 155-page script, dated “October
18, 1995” and “24-Oct-95”, is bound between blue card covers by two
metal fasteners. A name in the top right corner of the title page is covered
with correction fluid. Both items show production wear. The paint on the
ornament is worn in places, and the beak shows damage. Dimensions
(ornament): 16.5 cm x 11 cm x 14 cm (6 ½” x 4 ¼” x 5 ½); (script): 28.5 cm x
22 cm x 1.5 cm (11 ¼” x 8 ¾” x ½”)

Estimate: £400 - 600

411. Animatronic Raccoon Head M

101 DALMATIANS (1996)

An animatronic raccoon head from the production of Stephen Herek’s
comedy adventure 101 Dalmatians. A family of raccoons caused chaos
for Cruella de Vil (Glenn Close) and her goons as the Dalmatian puppies
escaped. The head comprises an acrylic skull around a metal frame, and
is uncovered, revealing the inner workings and electronics. A trail of wires
protrude from the back of the skull, leading to two little motors which
once controlled the head’s moving parts. The head has some wear from
production use and age, including scuffing and scratches. Dimensions
(head): 14 cm x 7.5 cm x 7 cm (5 ½” x 3” x 2 ¾”) Contains electronics; see
electronics notice in the Buyer’s Guide.

Estimate: £300 - 500

412. Cruella de Vil’s (Glenn Close) Printed Coat

Design and Red Feather with Clapperboard M

102 DALMATIANS (2000)

Cruella de Vil’s (Glenn Close) printed coat design and red feather with a
clapperboard from Kevin Lima’s comedy-adventure sequel 102 Dalmatians.
Wardrobe designs were seen throughout the film. The design shows
a model wearing a full-length coat and a feathered, veiled hat that has
been scribbled out and changed to a hood. The acrylic clapperboard
features the production title, “09-01-00”, director Kevin Lima and Director

DAY 2: LOTS 410 - 755 - 10TH NOVEMBER 2021 of Photography Roger Pratt all engraved in black. The lot shows production
use, including scuff marks on the clapper arm, scratches on the slate, and
fold lines and minor water damage on the design. Dimensions (design):
63.5 cm x 45 cm (25” x 17 ¾”); (feather): 35.5 cm x 28 cm x 2 cm (14” x 11”
x ¾”); (clapperboard): 4 cm x 28 cm x 23.5 cm (1 ½” x 11” x 9 ¼”)

Estimate: £400 - 600

* Certain films and shows have Lots offered on more than one day of the Auction;
see Index on page 520 for a complete listing of available Lots by film or show title

305
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

413. Stuart Freeborn Collection: Dawn of Man

Prototype Mask and Mould M

2001: A SPACE ODYSSEY (1968)

A prototype mask and mould from Stanley Kubrick’s sci-fi epic 2001: A Space
Odyssey. Apes surrounded the Monolith during the opening “Dawn of Man”
sequence. This lot was originally obtained from the collection of legendary
make-up artist Stuart Freeborn. The foam-latex mask is hand-punched
with faux hair and is a test for a “man-ape” character concept Freeborn
created. Kubrick felt it would prove problematic due to censorship issues,
later opting for a more fur-covered “ape-man” character. The lot includes a
plaster mould. The mask is stiff and brittle with light cracking. Dimensions
(mask): 18 cm x 16 cm x 10 cm (7 ¼” x 6 ¼” x 4”); (mould): 26 cm x 28 cm x
21 cm (10 ¼” x 11” x 8 ¼”)

Estimate: £2,000 - 3,000

416. Shogun Tsunayoshi’s (Cary-Hiroyuki Tagawa) Seal of

Office and Two Kabuki Masks M 417. Combined Continuity Script M

47 RONIN (2013) A CHRISTMAS STORY (1983)

Shogun Tsunayoshi’s (Cary-Hiroyuki Tagawa) seal of office and two hand-painted kabuki A combined continuity script from the production of Bob Clark’s festive comedy A Christmas
masks from Carl Rinsch’s fantasy action film 47 Ronin. Tsunayoshi carried his seal of office, Story. Bound by two metal pins at the top, the script’s off-white card cover features a
and kabuki performers wore masks while dancing for the shogun and Lord Kira (Tadanobu restriction notice and various technical details, and is dated “January 6, 1984”. The script
Asano). The fan-shaped, wood seal is painted black and features stickers of the shogun’s comprises 243 pages printed single-sided on white US Letter paper. Each page features
golden emblem on each side. The full fibreglass kabuki face mask was worn by the Troupe scene numbers, feet and frames, and dialogue. “Christmas Story” is written in black marker
Leader (Gedde Watanabe). The half-face mask is made of resin, and the full face mask along the spine and the word “File” has been written in blue ink on the front. The card
features three holes for attachment with cords. All show minor wear from production use. cover is loose due to small tears near both clips, and the script displays light edge wear
414. Discovery Model Miniature Engine Panel ΩΔ Dimensions (seal): 34.5 cm x 9.5 cm x 2 cm (13 ½” x 3 ¾” x ¾”); (full mask): 13 cm x 15 cm and creasing, and has become discoloured over time. Dimensions: 28 cm x 22 cm x 3 cm
x 21 cm (5” x 6” x 8 ¼”) (11” x 8 ¾” x 1 ¼”)
2010: THE YEAR WE MAKE CONTACT (1984) Estimate: £500 - 700 Estimate: £300 - 500
A Discovery model miniature engine panel from Peter Hyams’ sci-fi sequel
2010: The Year We Make Contact. After its mission failed in 2001: A Space
Odyssey, Dr. Heywood Floyd (Roy Scheider) was sent to investigate the
spacecraft Discovery One. The model miniature component is constructed
of foam-filled resin, painted grey, with intricately detailed surfaces. It exhibits
scuffing and chipping. Dimensions: 6.5 cm x 7.75 cm x 19.25 cm (2.5” x
3.0” x 7.5”)

Estimate: £800 - 1,200

415. Mika’s (Ko Shibasaki) Carved Bird, Hiroyuki

Sanada’s Chair Back, a Script and a Storyboard
File M

47 RONIN (2013)
Mika’s (Ko Shibasaki) carved bird, Hiroyuki Sanada’s chair back, a script
and a storyboard file from Carl Rinsch’s fantasy action film 47 Ronin. Mika 418. Allan Cameron’s Pinocchio Crew Gift Statue M 419. Ali G’s (Sacha Baron Cohen) Shell Suit Costume M
gave the bird to Kai (Keanu Reeves) when they were teenagers. The bird
is hand-carved, goldtone-painted wood. The chair back features Sanada’s
ADVENTURES OF PINOCCHIO (1996) ALI G INDAHOUSE (2002)
character “Oishi” printed on one side and Lord Asano’s (Min Tanaka) seal on
the other. The script is credited to Chris Morgan and is printed on different A statue of Pinocchio which was gifted to production designer Allan Cameron for his Ali G’s (Sacha Baron Cohen) shell suit costume from Mark Mylod’s political comedy Ali G
coloured pages. A crew member’s name is watermarked throughout. The work on The Adventures of Pinocchio. Ten years prior to the film’s release, Jim Henson Indahouse. Ali wore his shell suit attire in the Prime Minister’s (Michael Gambon) car and
storyboards are in a blue ring binder. Most pages feature four illustrations, and director Steve Barron approached Walt Disney about collaborating on a live-action during a press conference outside Downing Street, which resulted in the unlikely MP having
with text describing the scene, camera angles, and character movements. version of the classic tale. This led to Jim Henson’s Creature Shop providing the creature to leave Parliament. The costume comprises a FUBU orange polyester shell suit, a yellow
Dimensions (bird): 3.5 cm x 3 cm x 3 cm (1 ½” x 1 ¼” x 1 ¼”); (chair back): effects for the film. Constructed from resin painted to look like wood, the statue shows Zen sports jersey (size XXL) and an orange elasticated hat. Black banding decorated with
6 cm x 54.5 cm (6 ¼” x 21 ¾”) the puppet holding a ball while standing upright on a round, wooden-stump base. A metal red FUBU logos runs down the jacket sleeves and the trouser side seams. A large “P”
plaque with the text “Allan Cameron, Jim Henson’s Creature Shop” adorns the front of and the word “players” adorns the jersey front, and “Players 01” features on the back. The
Estimate: £800 - 1,200 the base. There are remnants of dust present on the statue, minor marks on the plaque costume displays minimal wear, with light marks and plucked threads.
and signs of light wear on the base. Dimensions:13 cm x 13 cm x 36 cm (5 ¼” x 5 ¼” x 14”)
Estimate: £600 - 800
Estimate: £400 - 600

306 307
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

420. Hand-painted Leather 421. “In Space No One Can

Crew Bag and Letter Holder M Hear You Scream” T-shirt Ω

ALICE IN WONDERLAND (2010) ALIEN (1979)

A crew bag and letter holder from Tim Burton’s An “In Space No One Can Hear You
fantasy adventure Alice in Wonderland. This Scream” T-shirt from the promotion of Ridley
lot originally came from the personal collection Scott’s sci-fi horror film Alien. The shirt was
of renowned actress Helena Bonham Carter. created to help promote the film during its
The brown leather bag features a hand- original release.
painted portrait of the Mad Hatter (Johnny
Depp) on the front, with the film-title artwork The green cotton T-shirt features white
painted on back. The fragile, vintage, hand- lettering including the film’s title “Alien”, the
painted wooden letter holder depicts the letter “X”, and the film’s iconic tagline “In
White Rabbit standing amidst a clump of grass. Space No One Can Hear You Scream”. Its
“Painted in the studio of John Butler” is written size is marked as “L”. The shirt exhibits minimal 424. Model Miniature Drop Ship Missiles †Δ 425. Cpl. Dietrich’s (Cynthia Dale Scott) Name Patch M
in white on the rear. Light scuffing appears on wear from age.
the leather, with paint wear and minor cracks ALIENS (1986) ALIENS (1986)
on the wood of the letter holder. Dimensions Estimate: £100 - 150
(bag): 25 cm x 38 cm x 33 cm (9 ¾” x 15” x A set of model miniature drop ship missiles from James Cameron’s sci-fi sequel Aliens. Corporal Dietrich’s (Cynthia Dale Scott) name patch from James Cameron’s sci-fi action
13”); (letter holder): 25 cm x 32.5 cm x 12 cm The drop ship used by Ripley (Sigourney Weaver) and the Colonial Marines to land on the sequel Aliens. Although the patch was not clearly seen on screen, Dietrich would have
(9 ¾” x 12 ¾” x 4 ¾”) planet LV-426 was armed with dozens of missiles. This lot originates from the collection of worn it underneath her Colonial Marine armour as she accompanied the rest of the squad
visual effects artist Robert Skotak and includes one complete missile and several in various on their mission. The green canvas patch has “Dietrich” handwritten on it in faded black
Estimate: £400 - 600 states of distress. The missiles are made of resin and painted predominantly white, with pen. The reverse features the sticky tape which adhered it to her uniform. The patch has
red transfers around one end. Two of the missiles are glued together. The lot also includes minor wear from production use and age, including some loose threads, and the tape is
an unfinished resin nose cone from a different missile. They all show wear from production no longer sticky. Dimensions: 2.5 cm x 14 cm (1” x 5 ½”)
use, age and storage. Dimensions (longest missile): 23.5 cm x 1 cm x 2 cm (9 ¼” x ¼” x ¾”)
Estimate: £400 - 600
Estimate: £600 - 800

423. Model Miniature Sulaco Panels and Hangar “Danger” 427. Limited Edition Replica Ripley (Sigourney Weaver)
422. Nostromo Battery Pack †Δ Sign †Δ 426. Hadley’s Hope Desk Lamp M Reebok® High-top Stompers M

ALIEN (1979) ALIENS (1986) ALIENS (1986) ALIENS (1986)

A Nostromo battery pack from Ridley Scott’s sci-fi horror film Alien. A battery pack was seen A pair of model miniature Sulaco panels and a hangar “Danger” sign from James Cameron’s A Hadley’s Hope desk lamp from James Cameron’s sci-fi sequel Aliens. Desk lamps were A pair of limited edition replica Ripley (Sigourney Weaver) Reebok® high-top Stompers from
on a shelf in the starfreighter Nostromo as chief engineer Parker (Yaphet Kotto) retrieved sci-fi action sequel Aliens. Panels were seen inside the Sulaco hangar bay at the beginning used around the terraforming colony of Hadley’s Hope, most obviously in the Med Lab the 30th anniversary of James Cameron’s sci-fi sequel Aliens. Reebok created the original
flamethrower fuel. The pack is made of metal and painted green, with a Weyland-Yutani of the film and featured signs warning of “High Voltage”. The panels are made of acrylic with as Ripley (Sigourney Weaver) put Newt (Carrie Henn) to bed. The lamp features a bulb shoes worn by Ripley in the film, and in 2016 released a limited run of 426 replica pairs, in
decal on one side. Other stickers suggest it belonged to the Ministry of Defence prior to vacuum-formed pieces attached. They are painted to look like metal and feature additional at the end of a long, metal arm, which can be adjusted and moved on a pivot above the reference to LV-426, the moon where the xenomorphs were first discovered by the crew
production. It features a handle and four rubber feet at one end. The side can be opened to detailing. The sign is made of MDF, with the yellow, black and red design adhered to the base. The light illuminates when powered with the standard UK wall plug attached. The of the Nostromo in Alien, and later where the colony of Hadley’s Hope was situated. The
reveal various knobs and dials and a piece of gridded paper with a hand-drawn graph. The front. The panels show some wear from age and production use, including some chipped lamp has some wear from production use and age, including scuffing and scratches to calf-high Stompers are white, red and grey, and feature three Velcro straps and a bright
pack features scuffing and scratches from production use, as well as age and production use. paintwork and glue residue on the back. Dimensions (each panel): 32 cm x 21 cm x 3 cm the paintwork, and some rust to a few of the metal sections. Dimensions (fully extended): red tongue. The boots are a unisex US 10/UK 9/EUR 43. They are in unworn condition with
Dimensions: 28 cm x 34 cm x 15 cm (11” x 13 ½” x 6”) Contains electronics; see electronics (12 ½” x 8 ¼” x 1 ¼”); (sign): 18 cm x 11.5 cm x 0.5 cm (7” x 4 ½” x ¼”) 25 cm x 25 cm x 92 cm (9 ¾” x 9 ¾” x 36 ¼”) Contains electronics; see electronics notice all original tags, and come in a shiny “Weyland-Yutani Corp” shoebox.
notice in the Buyer’s Guide. in the Buyer’s Guide.
Estimate: £400 - 600 Estimate: £1,000 - 1,500
Estimate: £400 - 600 Estimate: £400 - 600

308 309
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

428. Call’s (Winona Ryder) Stunt Zip

Gun M

ALIEN RESURRECTION (1997)

Call’s (Winona Ryder) stunt zip gun from Jean-Pierre
Jeunet’s sci-fi sequel Alien: Resurrection. Call carried her
gun for much of the film and had it turned against her by
the villainous Dr Wren (J.E. Freeman). The weapon is made
of resin and painted a metallic dark blue. It has some wear
from production use and age, including chips to the barrel
and the safety catch, and some glue residue is present on
the right side. There are also imperfections from the casting
process. Dimensions: 26.5 cm x 16 cm x 3 cm (10 ½” x 6 ¼”
x 1 ¼”) Restricted ownership; see replica firearm notice in
the Buyer’s Guide.

Estimate: £2,000 - 3,000

429. United Systems Military Sidearm M

ALIEN RESURRECTION (1997)

A United Systems Military sidearm from Jean-Pierre Jeunet’s
sci-fi sequel Alien Resurrection. This was the standard
sidearm for USM soldiers, also used by the mercenary
Johner (Ron Perlman) as he attempted to rescue his
comrades Christie (Gary Dourdan) and Vriess (Dominique
Pinon). The weapon is made predominantly of resin with
a metal barrel and has no moving parts. It has been hand-
painted blue, silver and black and has been intentionally
distressed with silver paint to appear scratched. The
blaster shows some wear from production use and age,
including scuffing, and the sight has broken off above the
barrel. Dimensions: 25 cm x 16 cm x 4 cm (9 ¾” x 6 ¼” x 1
½”) Restricted ownership; see replica firearm notice in the
Buyer’s Guide.

Estimate: £1,000 - 1,500

431. Maxwell Stafford’s (Colin Salmon)

Hero Weyland Corp Jacket and 432. Mechanical Facehugger, T-shirt,
Sweater Ω Wall Plaque and Programme M 433. Colonial Marine Armour M
430. Christie’s (Gary Dourdan) Vest
and Sweater, Vriess’ (Dominique
Pinon) Sweater, and Auriga Soldier AVP: ALIEN VS. PREDATOR (2004) ALIEN WAR - LONDON (1993-1996) ALIEN WAR - LONDON (1993-1996)
Hat and Vest Ω Maxwell Stafford’s (Colin Salmon) hero Weyland Corp A mechanical facehugger, T-shirt, wall plaque and Colonial Marine armour from Alien War, a “total reality”
jacket from Paul W.S. Anderson’s sci-fi adventure AvP: programme from Alien War, a “total reality” experience experience attraction based on the Alien movie franchise.
Alien Vs. Predator. The commander of a mercenary team attraction, based on the Alien movie franchise.The This lot consists of a helmet; torso, knee and shin armour;
ALIEN RESURRECTION (1997)
hired by billionaire Charles Weyland (Lance Henriksen), facehugger - originally a Halcyon kit, painted and refitted an “I Survived!” T-shirt (size XL); and an event programme.
Christie’s (Gary Dourdan) vest and sweater, Vriess’ Stafford wore his jacket as he travelled to Antarctica to for the attraction - features vinyl skin over a metal skeleton, The armour and helmet are based on Terry English’s
(Dominique Pinon) sweater, and Auriga soldier hat and investigate an alien structure. This costume consists of a and has been mechanised to jump at customers. The original designs for the movie Aliens. They are made of
vest from Jean-Pierre Jeunet’s sci-fi horror sequel Alien grey reflective padded zip-up windbreaker jacket marked plaque features a resin design of a xenomorph beneath fibreglass, hand-painted with a green camouflage design,
Resurrection. Mercenaries Christie and Vreiss wore their “MAX” on the interior with a yellow Weyland “W” patch the words “Alien War” on a wooden backing. The black and feature foam padding for comfort. A torch is attached
sweaters as they boarded the USM Auriga, a research on one shoulder; and a crimson long-sleeved cotton cotton “I Survived” T-shirt has the event logo printed on its to the chest. The black cotton T-shirt has the Alien War logo
vessel protected by many armed soldiers. This lot consists turtleneck sweater. It exhibits signs of wear from age and front, and the programme contains event information and printed on the front, and the programme contains event
of a brown wool long-sleeved sweater with red stripes; use throughout including some cracked plastic on the ID photographs. The facehugger shows wear from use and information and photographs. The armour has some wear
an aqua blue nylon zip-up vest with burgundy accents; a pocket on one sleeve. age, including scuffing and cracking to the vinyl, while the from use and age, including scuffing and scratches to the
black cotton baseball cap with a yellow patch on the front; a plaque has some small chips. Dimensions (facehugger): paintwork. Contains electronics; see electronics notice in
brown and burgundy sleeveless sweater; and a sleeveless Estimate: £800 - 1,200 40 cm x 40 cm x 135 cm (15 ¾” x 15 ¾” x 53 ¼”) Contains the Buyer’s Guide.
burgundy vest. It exhibits signs of wear from age and use electronics and mechanical components; see notices in
on all items including some fraying on the burgundy vest. the Buyer’s Guide. Estimate: £2,000 - 3,000

Estimate: £1,000 - 1,500 Estimate: £2,000 - 3,000

310 311
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

434. Ron Burgundy’s 435. Helmet Designs and

Green Plaid Costume ΩΔ Production Paperwork M

ANCHORMAN 2: THE APOCALYPSE NOW (1979)

LEGEND CONTINUES (2013)
A folder containing helmet designs
Ron Burgundy’s green plaid costume and production paperwork from the
from Paramount Pictures’ comedy production of Francis Ford Coppola’s
sequel Anchorman 2: The Legend war epic Apocalypse Now. The folder,
439. Sheila’s (Embeth Davidtz)
Continues. In a deleted scene, labelled “Pots – Wardrobe”, comprises
438. Bound Script ΩΔ Pink Dress Costume Ω
Burgundy wore his suit when he faced 26 pages of printed US Army helmet
Veronica Corningstone in court for designs, several of which feature APOCALYPSE NOW (1979) ARMY OF DARKNESS (1992)
custody of their son. This costume handwritten notes in red marker pen.
consists of a light green and grey The production paperwork includes A bound script from the production of Francis Sheila’s (Embeth Davidtz) pink dress costume
plaid wool blend jacket marked “RB”; six pages of photographic research Ford Coppola’s war drama Apocalypse Now. from Sam Raimi’s horror comedy sequel Army
matching trousers; a matching vest with of real USO shows; a production John Milius wrote the original screenplay of Darkness. Noblewoman Sheila wore her
a green belted back; a cream-colour memo outlining a sequence change; based on Joseph Conrad’s classic novel costume when Ash Williams (Bruce Campbell)
cotton shirt with diamond patterns; a shooting schedule and shooting Heart of Darkness. This 153-page, Coppola- attempted to stop a winged deadite from
and a brown and gold paisley tie. outline, dated “July 11, 1977” and “29 written draft based on Milius’ script is abducting her. This costume consists of a
The costume exhibits minor signs of June 77” respectively; a page of crudely bound with textured red paper and dated light pink cotton blend, ankle-length dress
wear throughout, including creasing to hand-drawn sketches showing different “December 3, 1975” with the address for with a lace-up back and sleeves, as well as
the jacket. torture methods; and a page with Coppola Cinema Seven, the production a sewn-in cream-colour cinching waist belt.
handwritten notes on several scenes, company created specifically for Apocalypse Also included are two brown leatherette
Estimate: £600 - 800 including two character deaths. The Now, listed on page 1. The script exhibits shoes with black rubber soles. The costume
pages have some wear from production significant wear to the binding and some exhibits significant fraying and small tears
use and age, including minor tearing, staining from handling. Dimensions: 21.75 cm on the dress’s hem, as well as some scuffed
staining and creases. The production x 28 cm x 2.5 cm (8 1/2” x 11” x 1”) leatherette, from production use.
memo is held in a protective plastic
sheet. Dimensions (folder): 29 cm x
Estimate: £1,000 - 1,500 Estimate: £2,000 - 3,000
23 cm (11 ½” x 9 ½”)
Estimate: £600 - 800

436. Marlon Brando and Robert Duvall Wardrobe Sheets 437. Wardrobe Notes and Designs for the Montagnard
and Production Paperwork M Natives with Promotional Stills M 440. Apple of Eden Core M 441. Apple of Eden M

APOCALYPSE NOW (1979) APOCALYPSE NOW (1979) ASSASSIN’S CREED (2016) ASSASSIN’S CREED (2016)
Marlon Brando and Robert Duvall wardrobe sheets and production paperwork from Francis Wardrobe notes, designs, and promotional stills from Francis Ford Coppola’s war drama An Apple of Eden core from Justin Kurzel’s video game adaptation Assassin’s Creed. An Apple of Eden from Justin Kurzel’s video game adaptation Assassin’s Creed. Sultan
Ford Coppola’s Vietnam War drama Apocalypse Now. The lot includes costume sheets for Apocalypse Now. The Montagnards are the indiginous people of Vietnam’s Central Retrieved from the tomb of Christopher Columbus, the shell of the Apple of Eden was Muhammad XII (Khalid Abdalla) was forced to hand over the ancient relic to Torquemada
Marlon Brando and Robert Duvall, which are labelled “The Missouri Breaks” and “Godfather Highlands. This lot consists of two folders: one labelled “Montagnard Notes – Wardrobe removed to reveal the ancient artefact’s metallic core, and it was presented to the Council (Javier Gutiérrez) in order to save his kidnapped son. The Apple was soon recaptured by
II” respectively, but were reused for Apocalypse Now. It also includes a 74-page breakdown, – George Little”, with research notes on the Vietnamese from an army pamphlet, and of Elders by Rikkin (Jeremy Irons) in the Grand Templar Hall. The ceremony was interrupted Aguilar (Michael Fassbender), before he handed it to Italian explorer Christopher Columbus
dated “February 26, 1976”, which details the order of shooting and which characters, props another labelled “Native Montagnard Wardrobe”, including a memo requesting costumes by Callum (Michael Fassbender), who assassinated Rikkin and reclaimed the Apple. Cast (Gabriel Andreu), who carried the artefact to his grave. The spherical artefact is made of
and effects were to be used during those scenes, as well as featuring some handwritten to be made, printed costume designs, and a small fabric swatch. The folders come with from metal, the sphere displays a faux-silver finish and is covered with engravings. The lot semi-transparent orange resin resembling amber, covered with detailed engravings. Visible
annotations. The paperwork is contained in a folder labelled “Wardrobe”. The pieces have six promotional stills, featuring Col. Kurtz (Marlon Brando), Lt. Col. Kilgore (Robert Duvall), exhibits signs of wear from production use, including light scuffs, scratches, minor wear reflective materials on its core produce a mysterious interior glow. The Apple displays
some wear from age and production use, including tearing, creases and staining. Dimensions and Capt. Willard (Martin Sheen), among others. They show wear from age and production to the paint finish and remnants of hardened glue on one side. Dimensions: 7 cm x 7 cm signs of minor wear, and dirt is intentionally applied to the exterior to produce an aged
(folder): 30 cm x 24 cm x 1 cm (11 ¾” x 9 ½” x ¼”) use, including tearing, creases, and staining. Dimensions (folders): 30 cm x 24 cm x 1 cm x 7 cm (2 ¾” x 2 ¾” x 2 ¾”) appearance. Dimensions: 9 cm x 9 cm x 9 cm (3 ½” x 3 ½” x 3 ½”)
(11 ¾” x 9 ½” x ¼”); (largest still): 28 cm x 35.5 cm (11” x 14”)
Estimate: £600 - 800 Estimate: £1,000 - 1,500 Estimate: £1,000 - 1,500
Estimate: £400 - 600

312 313
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

442. Aguilar Head of Department Crew-gift

Statue †Δ

ASSASSIN’S CREED (2016)

An Aguilar (Michael Fassbender) crew-gift statue from the production
of Justin Kurzel’s video-game adaptation Assassin’s Creed. Heads of
departments received statues in gratitude for their work on the film.
61 cm (24”) The highly detailed large 3D-printed resin figure shows Aguilar (Michael
Fassbender) armed with various weapons, including his signature
wristblades. It displays a tarnished, bronze-coloured finish, with patches of
green paint applied to produce a verdigris effect. The statue is mounted on
a black rectangular Plexiglas base and exhibits minor wear. There is minor
damage on the back, where a corner of Aguilar’s costume has broken away.
Dimensions: 21 cm x 46.5 cm x 61 cm (8 ¼” x 18 ¼” x 24”)

Estimate: £1,000 - 1,500

445. Torn Phone-book Page M 446. BiffCo Enterprises Napkin M

BACK TO THE FUTURE (1985) BACK TO THE FUTURE PART II (1989)

A torn phone-book page from Robert Zemeckis’ sci-fi comedy adventure Back to the A BiffCo Enterprises napkin from Robert Zemeckis’ sci-fi sequel Back to the Future Part II.
Future. Marty McFly (Michael J. Fox) ripped a page from a telephone book in Lou’s Cafe Lorraine Baines-McFly (Lea Thompson) used a napkin to mop her son Marty’s (Michael J.
while trying to track down scientist Dr. Emmett Brown (Christopher Lloyd) in 1955. The Fox) brow after he discovered Biff had changed the timeline to become a corrupt billionaire
443. Limited-Edition Crew Statues with double-sided page is numbered 33 to 34, with an intentional tear running down one side. in 1985. The napkin is white paper with a printed picture of a cigar-chomping Biff and
Sigourney Weaver-autographed Art Book †Δ The page features contact information for Brown, which reads “Brown Emmet L scientist the wording ‘BiffCo Enterprises’. It has been folded into quarters and has no visible wear.
– 1640 Riverside dr.” The page remains in an unfolded state, has become discoloured Dimensions: 15 cm x 15 cm (6” x 6”)
over time and displays minor wear, including a small rip on the top edge. Dimensions: 28
AVATAR (2009) Estimate: £400 - 600
cm x 21.5 cm (11” x 8 ½”)
Limited-edition crew statues with an art book autographed by Sigourney
Weaver from James Cameron’s sci-fi epic Avatar. The statues are identical to Estimate: £1,500 - 2,500
those produced for the art department during the creation of the characters.
It is believed that fewer than 100 statues were produced as gifts for VIPs,
cast, and crew. These resin and metal metallic-grey painted statues of
Jake Sully (Sam Worthington) and Neytiri (Zoe Saldana) have removable
weapons and stand on round wooden bases. Also included is The Art of
Avatar by Lisa Fitzpatrick, autographed by Sigourney Weaver in black ink.
The statues show minor damage, and there is light wear on the book’s dust
jacket. Dimensions (largest statue): 43 cm x 21 cm x 48.5 cm (17” x 8 ¼” x 19”)

Estimate: £1,000 - 1,500

444. Earth Alliance PPG Mk. I Pistol, Computer

Pad, and Cast-autographed Photo M

BABYLON 5 (TV SERIES, 1994-1998)

An Auricon PPG Mk. I pistol, a computer pad, and a cast-autographed photo
from the sci-fi television show Babylon 5. PPGs (Phased Plasma Guns)
were standard sidearms of Earthforce personnel, and pads used aboard 448. Michael White Hand-drawn Pencil Concept Art of
the station. The silvertone and goldtone resin pistol has a black grip. The 447. McFly Family Dehydrated Pizza Hut Wrapper M Batman Surrounded By Bats M
pad features an acrylic display and resin frame with illuminating lights. The
photograph is autographed in gold pen by 13 principal cast members. All BACK TO THE FUTURE PART II (1989) BATMAN (1989)
show wear from production use and age, including scuffing, scratches
and minor creasing to the photograph. Dimensions (pistol): 15 cm x 3 cm A dehydrated Pizza Hut wrapper from Robert Zemeckis’ sci-fi adventure sequel Back to Hand-drawn concept art by Michael White from the production of Tim Burton’s superhero
x 11.5 cm (6” x 1 ¼” x 4 ½”); (pad): 21.5 cm x 13.5 cm x 3 cm (8 ½” x 5 ¼” x 1 the Future Part II. Lorraine McFly (Lea Thompson) brought a bag of rehydratable pizzas film Batman. This concept drawing was gifted to a crew member by credited production
¼”); (photograph): 50.5 cm x 40.5 cm (16” x 20”) Contains electronics; see to a family dinner at her son Marty’s (Michael J. Fox) house. This opened silver, red and illustrator Michael White. Rendered in pencil on illustration paper, the drawing depicts a
electronics notice in the Buyer’s Guide. black foil wrapper features a printed Pizza Hut logo and instructions for how to prepare the rear view of the standing Caped Crusader, with several bats flying around him. It is labelled
meal. The wrapper displays light creasing from production use and some glue remnants “30A” in the top right corner, and is signed “To Helen & Claire - Michael White ‘88” down
Estimate: £1,000 - 1,500 on the front, while the red has faded over time. Dimensions: 14 cm x 13.5 cm (5 ½” x 5 ¼”) the right side. The drawing is adhered to a speckled, dark grey card mount and displays
minor signs of production use, including light creasing, smudging, several pinholes and
Estimate: £600 - 800 faint blue pencil marks. Dimensions: 38 cm x 52 cm (15” x 20 ½”) Sold without copyright;
see copyright notice in the Buyer’s Guide.

Estimate: £1,000 - 1,500

314 315
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

43 cm (16.9”)

449. Cathedral Bell Tower Gargoyle and Jack Napier (Jack 453. The Penguin’s (Danny DeVito) Prosthetic Hand 454. Oswald Cobblepot (Danny DeVito) Campaign Poster
Nicholson) “Wanted” Poster M 450. Hand-drawn Pencil Storyboard of the Batmobile †Δ Appliances M and Button Ω

BATMAN (1989) BATMAN (1989) BATMAN RETURNS (1992) BATMAN RETURNS (1992)
A cathedral bell tower gargoyle and a Jack Napier (Jack Nicholson) “Wanted” poster from A hand-drawn storyboard from the production of Tim Burton’s superhero film Batman. The The Penguin’s (Danny DeVito) prosthetic hand appliances from Tim Burton’s superhero An Oswald Cobblepot (Danny DeVito) campaign poster and button from Tim Burton’s
Tim Burton’s superhero film Batman. Gargoyles adorned the cathedral’s bell tower, seen page depicts two images of the Batmobile racing down the streets of Gotham. Rendered sequel Batman Returns. Oswald Cobblepot was nicknamed The Penguin owing to his superhero sequel Batman Returns. Max Shreck (Christopher Walken) made posters and
in the climactic showdown between Napier/The Joker, Batman (Michael Keaton), and Vicki in pencil, the two images have been cut out and adhered to the page, which is labelled flipper-like hands and beaked nose. To create the flipper-style hands, make-up supervisor buttons to campaign for Cobblepot as Mayor of Gotham City. This lot consists of a colour
Vale (Kim Basinger). Lieutenant Max Eckhardt (William Hootkins) handed “Wanted” posters “100” and displays brief notes describing the scene. The text “Batman, Pinewood, 78/mw” Ve Neill fitted prosthetics over three of Devito’s fingers, leaving his index finger and Cobblepot campaign poster headlined “Oswald Cobblepot for Mayor” and a red, white,
to police officers before the Axis Chemicals raid. The menacing gargoyle is made of grey- is located down the right side. There are signs of wear from production use, including thumb remaining. The foam-latex hands are painted in pale skin-like tones and show two and a blue plastic and metal campaign button reading “Oswald Means Order.” The poster
painted cast concrete. The poster is printed in black-and-white and includes two mugshot creasing, minor marks and tape remnants. Dimensions: 29.5 cm x 21 cm (11 ½” x 8 ¼”) Sold slightly curved, fused fingers, creating a pointed appearance, with indentations present exhibits visible scratches around the corners and bending from being rolled. Dimensions
photos of Napier along with personal information. The gargoyle displays minor cracks and without copyright; see copyright notice in the Buyer’s Guide. for the fingernails. Both hands contain foam inserts to help maintain their shape. The lot (poster): 160 cm x 101.75 cm (63” x 40”); (button): 15.25 cm x 15.25 cm x 2.5 cm (6” x 6” x 1”)
damage to one ear, while the poster has light edge wear. Dimensions (gargoyle): 43 cm x displays signs of paint wear, and the foam latex has cracked and become fragile in places.
22 cm x 18 cm (17” x 8 ¾” x 7”); (poster): 30 cm x 21 cm (11 ¾” x 8 ¼”) Estimate: £600 - 800 Dimensions (each): 13 cm x 6 cm x 4 cm (5 ¼” x 2 ¼” x 1 ½”) Estimate: £800 - 1,200

Estimate: £600 - 800 Estimate: £1,500 - 2,500

452. Framed Hand-

451. Hand-drawn drawn Storyboard of
Storyboard: Batman Batman and The Bat-
Activates Belt †Δ Signal †Δ

BATMAN (1989) BATMAN (1989)

A hand-drawn storyboard from the A framed hand-drawn storyboard
production of Tim Burton’s superhero from the production of Tim Burton’s
film Batman. The page depicts two superhero film Batman. The page
images of Batman (Michael Keaton) depicts an image of Batman (Michael
lying down and activating the sonar Keaton) standing on a rooftop and
device on his utility belt. Labelled “57”, staring up at the Bat-Signal, with
both images have been rendered an unfinished sketch beneath the
in a combination of pencil and black image. Both drawings are rendered
pen. Both storyboards have been cut primarily in pencil, with the top Bat-
out and adhered to the page, and Signal artwork featuring a partly
a brief description of the scene is printed section adhered to it. The page
present under each drawing. The text features the text “Scene, BD#” in black
“Batman, Pinewood, 78/mw” is located on its right side, and it is mounted in 456. Pair of Hand-illustrated Batmobile in Missile Mode
down the right side. The storyboard a black-painted wooden frame. There 455. Thin Clown’s (Doug Jones) Headlamp ΩΔ Storyboards Ω
exhibits minor signs of production are signs of light wear and pencil
use, including creasing and light edge smudging at the top of the page, and BATMAN RETURNS (1992)
BATMAN RETURNS (1992)
wear, and the top left corner is folded. the printed section has begun to peel
Dimensions: 29.5 cm x 21 cm (11 ½” away. The frame has only very minor Thin Clown’s (Doug Jones) headlamp from Tim Burton’s superhero sequel Batman Returns. A pair of hand-illustrated storyboards of the Batmobile in missile mode from the production
x 8 ¼”) Sold without copyright; see wear. Dimensions: 43 cm x 35 cm x The Thin Clown, a member of the Red Triangle Gang, wore his head lamp when he planted of Tim Burton’s superhero sequel Batman Returns. Batman (Michael Keaton) jettisoned
copyright notice in the Buyer’s Guide. 1.5 cm (17” x 13 ¾” x ½”) Sold without a remote control device in the Batmobile for Penguin (Danny DeVito). This headlamp sections of the Batmobile, allowing it to fit through a small opening while trapping the
copyright; see copyright notice in the features a studded metal headband with a padded interior and fastening strips on the police who were chasing him. This lot consists of a pair of illustration paper sheets, each
Estimate: £600 - 800 Buyer’s Guide. ends for adjustment. The front features a curved metal pole with a clasp attachment on containing a single colour storyboard image rendered in mixed media. Each paper features
the end, and a small light powered by a battery-operated switch on the reverse. It exhibits hand-written scene and shot descriptions. They exhibit signs of use and wear including
Estimate: £800 - 1,200 some signs of wear from production, including scuffs to the headband and a loose lamp some creasing. Dimensions: 28 cm x 35.5 cm (11” x 14”) Sold without copyright; see notice
piece. Dimensions: 61 cm x 27.25 cm x 10.25 cm (24” x 10 3/4” x 8”) Contains electronic in the Buyer’s Guide.
and mechanical components; see notice in the Buyer’s Guide.
Estimate: £800 - 1,200
Estimate: £800 - 1,200

316 317
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

458. Set of 13 Hand-

457. Set of Five Hand- illustrated and Hand-
illustrated “Penguin” and annotated Batman Versus
“Batmobile” Storyboards Ω Penguin Storyboards Ω

BATMAN RETURNS (1992) BATMAN RETURNS (1992)

A set of five hand-illustrated “Penguin” and A set of 13 hand-illustrated and hand-
“Batmobile” storyboards from the production annotated Batman versus Penguin
of Tim Burton’s superhero sequel Batman storyboards from the production of Tim
Returns. The Batmobile was taken over Burton’s superhero sequel Batman Returns.
and controlled remotely by Penguin (Danny Batman (Michael Keaton) jettisoned sections
DeVito) while Batman (Michael Keaton) was of the Batmobile, and later, in an unfilmed 462. Mr. Freeze’s (Arnold Schwarzenegger) Large
inside. This lot consists of five pieces of sequence, teamed up with “The Kid” against 461. Uma Thurman’s Poison Ivy Chair Back M Diamond M
three hole-punched illustration paper, each Penguin (Danny DeVito). This lot consists
containing a variety of colour storyboards of thirteen sheets of illustration paper, each BATMAN & ROBIN (1997) BATMAN & ROBIN (1997)
rendered in mixed media and affixed via clear of which features a number of hand-drawn
tape. Two of the papers contain two images, illustrations rendered in graphite or mixed Uma Thurman’s ‘Poison Ivy’ chair back from the production of Joel Schumacher’s superhero Mr. Freeze’s (Arnold Schwarzenegger) diamond from Joel Schumacher’s superhero sequel
and two of the papers contain three images. media and affixed with a clear tape border. sequel Batman & Robin. Cast and crew use distinctive ‘director’s chairs’ on set when resting Batman & Robin. Diamonds were used by Mr. Freeze to power his sub-zero suit and were
Each paper features hand-written scene Each paper features hand-written scene between takes. Made from thick black canvas fabric, the chair back displays a printed green seen throughout the film. This diamond was used in the hockey scene in the Natural History
descriptions. They exhibit signs of use and and shot descriptions. They exhibit signs poison ivy leaf emblem on one side. The lot displays minor signs of wear from production Museum at the beginning of the movie, and when Batman (George Clooney) knocked
wear including some creasing and a removed of use and wear including some creasing use, including light marks, plucks on the lines of stitching, and creasing, notably on the Freeze off the Gotham Observatory’s telescope, causing his giant freeze gun to explode.
image on one of the papers. Dimensions: 28 and a removed image on one of the papers. leaf. Dimensions: 54.5 cm x 18 cm x 0.5 cm (21 ½” x 7” x ¼”) The faux precious gem is made of clear resin and cast in a typical diamond shape. There
cm x 35.5 cm (11” x 14”) Sold without copyright; Dimensions: 28 cm x 35.5 cm x 2.5 cm (11” x are signs of production use, including scuff and scratch marks from the hockey sequence,
see notice in the Buyer’s Guide. 14” x 1’) Sold without copyright; see notice in Estimate: £300 - 500 and a small section of the diamond has melted, which was likely caused by pyrotechnics.
the Buyer’s Guide. Dimensions:16 cm x 16 cm x 11 cm (6 ¼” x 6 ¼” x 4 ¼”)
Estimate: £800 - 1,200
Estimate: £800 - 1,200 Estimate: £600 - 800

464. Wayne Enterprises Applied Sciences Division Batsuit,

459. Bruce Wayne’s (Val Kilmer) Personal Licence Plate M 460. Riddler’s (Jim Carrey) Question Mark Pin †Δ 463. Ra’s Al Ghul’s (Ken Watanabe) Stunt Sword †Δ Grapple Gun and Harness Designs †Δ

BATMAN FOREVER (1995) BATMAN FOREVER (1995) BATMAN BEGINS (2005) BATMAN BEGINS (2005)
Bruce Wayne’s (Val Kilmer) personal licence plate from Joel Schumacher’s superhero sequel The Riddler’s (Jim Carrey) question mark pin from Joel Schumacher’s superhero sequel Ra’s Al Ghul’s (Ken Watanabe) stunt sword from Christopher Nolan’s superhero film Batman A collection of Wayne Enterprises printed designs from Christopher Nolan’s superhero
Batman Forever. Personalised licence plates adorned the collection of vehicles owned by Batman Forever. The Riddler wore a glittery question mark pinned to the scarf that was part Begins. Ra’s wielded his sword when he duelled Bruce Wayne (Christian Bale) as the League film Batman Begins. Various designs for high-tech items were seen on the desk of Lucius
wealthy socialite Wayne, and one was notably seen on the car outside the NygmaTech of his light-up jacket costume, which he showed off to Dr. Chase Meridian (Nicole Kidman) of Shadows’ mountain headquarters collapsed around them. The sword is made of rubber Fox (Morgan Freeman), the head of the Applied Sciences division. This set consists of
business party at the Gotham Ritz, when Dick Grayson (Chris O’Donnell) ran outside to in his lair. The question-mark-shaped metal pin features a sparkly green outline and tiny with a metal armature, with two notches on one side of the grip and an oval guard. It is five A4 sheets with designs and information about the Nomex survival suit – which Bruce
Alfred (Michael Gough) and collected his circus outfit from the boot. Constructed from pink faux gems along the top edge, with pink-coloured glitter covering the design. There finished in black for the grip and guard, with faux gold and silver paint used for the blade. Wayne (Christian Bale) adapted into the Batsuit – and three A5-sized sheets with designs
vacuum-formed plastic, the black plate features raised blue-painted lettering reading “BW” is minor wear to the green glitter, and the two prongs on the reverse are slightly warped. The sword displays some minor wear from production use and age, including scuffing and information about a grapple gun and grapple harness. Printed on white paper and
and “Gotham”, with four intentional screw holes surrounding the text. The plate exhibits Dimensions: 3 cm x 3.5 cm x 1.5 cm (1 ¼” x 1 ½” x ½”) and scratches to the paintwork. Dimensions: 95 cm x 7 cm x 4 cm (37 ½” x 2 ¾” x 1 ½”) laminated, the pages have some wear from production use and age, including minor
light paint wear, marks, and light scratching from production use. Dimensions: 15.5 cm x creasing. Dimensions (larger designs): 30 cm x 21 cm (11 ¾” x 8 ¼”); (smaller designs):
30.5 cm (6 ¼” x 12”) Estimate: £600 - 800 Estimate: £1,500 - 2,500 21.5 cm x 16 cm (8 ½” x 6 ¼)

Estimate: £800 - 1,200 Estimate: £800 - 1,200

318 319
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

465. Katie Holmes’ Personal Table Read Script †Δ 466. Michael Caine’s Personal Table Read Script †Δ

BATMAN BEGINS (2005) BATMAN BEGINS (2005)

Katie Holmes’ table read script from the production of Christopher Nolan’s superhero Michael Caine’s table read script from the production of Christopher Nolan’s superhero
film Batman Begins. The first draft script is bound by a metal clip and is credited to David film Batman Begins. The first draft script is bound by a metal clip and is credited to David
Goyer. It comprises 149 pages printed on white A4 paper, with a “K. Holmes – Dawes 004” Goyer. It comprises 149 pages printed on white A4 paper, with “M. Caine – Alfred 002”
watermark on every page. Orange paper tabs have been added to indicate which pages watermarked on every page. Green paper tabs have been added to indicate which pages
feature Holmes’ lines, and those lines have been highlighted in orange throughout. The feature Caine’s lines, and those lines have been highlighted in orange throughout. The
document exhibits signs of production use, including minor creasing, folded corners and script displays signs of production use, including minor staining and a small rip on the
marks on the back page, while the paper tabs are curled from storage. Dimensions: 30 cm cover page, while the paper tabs are curled from storage. Dimensions: 30 cm x 21.5 cm
x 21.5 cm x 1.5 cm (11 ¾” x 8 ½” x ½”) x 1.5 cm (11 ¾” x 8 ½” x ½”)

Estimate: £1,000 - 1,500 Estimate: £1,500 - 2,500

469. Joker Photo Signed by Heath 470. Bruce Wayne’s (Ben Affleck) 471. Cpl. Kevin Harris’ (Ne-Yo)
Ledger M Gucci® Overcoat †Δ Costume and Rifle Ω

THE DARK KNIGHT (2008) BATMAN V SUPERMAN: DAWN OF JUSTICE BATTLE: LOS ANGELES (2011)
(2016)
A photo autographed by Heath Ledger from the promotion Cpl. Kevin Harris’ (Ne-Yo) costume and rifle from Johnathan
of Christopher Nolan’s action-thriller sequel The Dark Bruce Wayne’s (Ben Affleck) Gucci® overcoat from Zack Liebesman’s sci-fi action adventure Battle: Los Angeles.
Knight. The colour promotional still shows Ledger as the Snyder’s superhero film Batman v Superman: Dawn of Harris wore his costume and brandished his rifle as he
467. Christian Bale’s Personal Table Read Script †Δ 468. Joker Photo Autographed by Heath Ledger M psychotic Joker, sitting in the Gotham PD interrogation Justice. Wayne wore his coat during a dream sequence, in and his platoon of Marines battled against an alien invasion
room where Batman (Christian Bale) attempted to gain which he visited his parent’s mausoleum. It is a long, grey, on the streets of Los Angeles. This lot consists of an olive
BATMAN BEGINS (2005) THE DARK KNIGHT (2008) information on Harvey Dent (Aaron Eckhart) and Rachel’s woollen, double-breasted overcoat. There is a label on the green nylon and cotton tactical vest affixed with several
(Maggie Gyllenhaal) whereabouts. Ledger has signed the inside right pocket which reads ‘Gucci Made to Measure pouches and a hydro pack on the back; a grey and brown
Christian Bale’s table read script from the production of Christopher Nolan’s superhero A photo signed by Heath Ledger from the promotion of Christopher Nolan’s action-thriller photo in black marker and written a message reading, “Big Bruce Wayne’, and it features a woollen belt around the camouflage patterned jacket and matching trousers; a
film Batman Begins. This first draft script is credited to David Goyer and is 148 pages long, sequel The Dark Knight. The colour promotional still shows an eerie close-up shot of the Smile!”. Coming from the personal collection of Ledger’s waist and a gold-coloured lining. The overcoat has only green cotton T-shirt; and a black rubber stunt assault
including the title page. It is held together with a metal fastener, and “C. Bale – Batman Joker’s face, with his distinctive clown make-up, and the image has been autographed by personal assistant, the photograph displays light wear, with minor wear from production use, and is missing a button rifle. The costume has been intentionally weathered by
001” is watermarked throughout. Bale’s lines are highlighted in orange and paper tabs are Ledger in silver-coloured marker. This extremely rare photo originates from the personal very small marks on the white border. Dimensions: 20 cm on the left sleeve. the production with burn-like blackening, torn holes, and
added to indicate the pages with Bale’s lines. The script has some wear from production collection of Ledger’s personal assistant. The image exhibits very minor wear, with some x 25.5 cm (8” x 10”) stains throughout all clothing items. Ownership may be
use and age, including creasing, curled corners and minor staining. Dimensions: 30 cm x light surface scratches and creasing present along the top edge. Dimensions: 21 cm x Estimate: £2,000 - 3,000 restricted in some countries: see replica firearm notice in
21.5 cm x 1.5 cm (11 ¾” x 8 ½” x ½”) 30.5 cm (8 ¼” x 12”) Estimate: £2,000 - 3,000 Buyer’s Guide

Estimate: £2,000 - 3,000 Estimate: £2,000 - 3,000 Estimate: £800 - 1,000

320 321
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

475. Hand-painted Miniature Pyramid Red

Horizon Glow US
472. Beetlejuice (Michael Keaton) Model Miniature Ω
BLADE RUNNER (1982)
A hand-painted miniature pyramid red horizon glow from the production
BEETLEJUICE (1988)
of Ridley Scott’s sci-fi neo-noir Blade Runner. Matte artists created this
A Beetlejuice (Michael Keaton) model miniature from Tim Burton’s supernatural comedy painting of the skyline of 2019 Los Angeles from the film’s opening when
Beetlejuice. Model miniatures of the demonic Beetlejuice appeared throughout the film, Eldon Tyrell’s (Joe Turkel) buildings are first visible in the distance. This
including when Barbara Maitland (Geena Davis) picked him out of Adam’s (Alec Baldwin) matte painting is rendered in mixed media on a large Masonite board.
model town, only to be stabbed with Beetlejuice’s spiky tendrils. This hand-painted foam The limited colour palette employed here is due to the high-contrast film
miniature features yellow hair, black-rimmed eyes, a green trench coat with matching pants, stock that was used to shoot matte paintings, which enhanced the colour
a red undershirt, black shoes, and white skin. Its other details are minimal as the miniature latitude of the image. The matte painting exhibits signs of wear and aging.
was only intended to be seen from the back and its paint is flaking throughout. Dimensions: Dimensions: 203.25 cm x 96.5 cm x 1.25 cm (80” x 38” x 1/2”) Sold without
6.5 cm x 6.5 cm x 1.5 cm (2 1/2” x 2 1/2” x 1/2”) copyright; see notice in the Buyer’s Guide. Special shipping required; see
notice in the Buyer’s Guide. This lot will ship from Prop Store’s Los Angeles
Estimate: £1,000 - 1,500 facility; see notice in the Buyer’s Guide.

Estimate: £800 - 1,200

2.03 m (6.66’)

473. Light-Up Oversized UV Bomb †Δ

476. Limited-edition Replica Deckard Blaster
BLADE II (2002) Autographed by Harrison Ford M
A light-up, oversized UV bomb from Guillermo del Toro’s action-thriller sequel Blade II. UV
bombs were invented by Blade’s (Wesley Snipes) weaponsmith Scud (Norman Reedus) BLADE RUNNER 2049 (2017)
16.5 cm (6.5”) to destroy the swarming Reapers. This oversized version was created for close-up shots.
The metal and resin bomb displays a metallic finish. It features five blue acrylic circles and An autographed, limited-edition replica of Rick Deckard’s (Harrison Ford)
coil-like detailing in coppertone paint. A small black button on the lower coil activates LED blaster from Denis Villeneuve’s sci-fi sequel Blade Runner 2049. Japanese
lights under the circular components, causing them to flash, with the segments on the toy company Tomenosuke manufactured a limited run of 100 metal blasters
bottom section lighting up one by one in a countdown sequence. The bomb shows minor with plastic grips and fully operational firing mechanisms. The sought-after
paint wear and scratches from production use, and one segment does not illuminate. replica blaster comes in a commemorative wooden case with five imitation
Dimensions: 15.5 cm x 15.5 cm x 16.5 cm (6 ¼” x 6 ¼” x 6 ½”) Contains electronics; see bullets. The lid has a brass plaque autographed by Harrison Ford and
electronics notice in the Buyer’’s Guide. labelled “Signature Edition: 018/100”. The lot includes a wooden display
stand; a photograph of Ford signing a plaque; a photo scrapbook; a
Estimate: £1,500 - 2,500 printed manual in Japanese and English; two pairs of promotional images
of Deckard; and a set of Allen keys. The blaster displays minimal wear.
Dimensions (blaster): 24 cm x 5 cm x 15 cm (9 ½” x 2” x 6”); (box): 25.5
cm x 34 cm x 12.5 cm (10” x 13 ½” x 5”) Restricted ownership; see replica
firearm notice in the Buyer’s Guide.

Estimate: £2,500 - 3,500

474. Drake’s (Dominic Purcell) Costume M

BLADE: TRINITY (2004)

Drake’s (Dominic Purcell) costume from David S. Goyer’s action-horror sequel Blade: Trinity.
The vampire patriarch wore his costume before transforming into a demonic creature to 477. Gold Dracula Coin Ω
battle Blade (Wesley Snipes). The costume comprises a sleeveless top constructed from
various leather panels and decorated with woven red cord; a layered metal armour sleeve BRAM STOKER’S DRACULA (1992)
with an under layer of dark red chain mail; and a pair of dark brown leather trousers labelled
“Hero.1”. Inscribed ancient vampiric hieroglyphs adorn the top of the metal armour arm piece. A gold Dracula coin from Francis Ford Coppola’s Gothic horror adaptation
Accompanying the costume is a pair of red wrist guards featuring adhered chain mail, and a of Bram Stoker’s Dracula. In deleted scenes, Jonathan Harker (Keanu
spiked metal arm guard (labelled “Steve”). Minor scuffing and scratches are present on the Reeves) stole gold coins during his escape from Dracula’s (Gary Oldman)
armour. The costume comes displayed on a custom-made mannequin display. Dimensions castle, and offered them to nuns in a nearby cathedral. The gold-colour
(displayed): 43 cm x 57 cm x 169 cm (17” x 22 ½” x 66 ½”) metal coin features Vlad III/Dracula’s face and ancient text on one side,
and the Dracula family’s dragon crest on the other side. The coin exhibits
Estimate: £600 - 800 scuffing in the finish and wear from handling. Dimensions: 2.5 cm x
2.5 cm x 0.75 cm (1” x 1” x 0.25”)

Estimate: £1,500 - 2,500

322 323
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

481. Walter White’s (Bryan Cranston) Season 1

478. English Lord’s Helmet Ω Gas Mask Ω

BRAVEHEART (1995) BREAKING BAD (TV SERIES, 2008-2013)

An English lord’s helmet from Mel Gibson’s historical action epic Braveheart. Walter White’s (Bryan Cranston) Season 1 gas mask from Vince Gilligan’s
English lords led by King Edward I (Patrick McGoohan) wore armoured crime-thriller series Breaking Bad. White wore his gas mask throughout the
helmets throughout the film while battling Scottish freedom fighters led season, including while cooking crystal meth and while erratically driving
by William Wallace (Gibson). This foam-padded, dome-shaped black his RV in the pilot episode. Walter’s discarded mask was also discovered
metal helmet features a decorative gold-coloured stripe along the ridge, in the desert by a young girl in the episode “Cat’s in the Bag” and given
raised studs throughout, ear holes on either side, and a yellow sticker on to White’s brother-in-law Hank Schrader (Dean Norris). This rubber MSA
the interior marked “1”. An additional red sticker reads “Property of Clan Advantage 1000 respirator mask (marked size Large) features a transparent
Wallace Highlander Images” with serial number “041 429 6968/6915” and plastic face shield, two black filters, and several adjustable elasticated
item number “D12.” The helmet exhibits signs of wear from age and use, cinching straps on the back. It is hand-marked “WW” as well as “HS” on the
including marks and scuffing throughout as well as a few missing studs. interior. Also included is a Sony Pictures Television COA. The mask displays
Dimensions: 58.5 cm x 53.5 cm x 58.5 cm (23” x 21” x 21”) minor marks, dust remnants from production use, and the “WW” is faded.
Dimensions: 23 cm x 19 cm x 29 cm (9” x 7 ½” x 11 ¼”)
Estimate: £600 - 800
Estimate: £2,500 - 3,500

482. Jesse Pinkman’s (Aaron Paul) Seasons 3

and 4 3M Gas Mask Ω
479. Malcolm Wallace’s (Sean Lawlor) Sword M
BREAKING BAD (TV SERIES, 2008-2013)
BRAVEHEART (1995)
Jesse Pinkman’s (Aaron Paul) Seasons 3 and 4 3M gas mask from Vince
Malcolm Wallace’s (Sean Lawlor) sword from Mel Gibson’s historical epic Gilligan’s crime-thriller series Breaking Bad. Jesse and Walter White (Bryan
Braveheart. William Wallace’s (Mel Gibson) father Malcolm held his sword Cranston) wore gas masks while they cooked meth throughout the series,
at the beginning of the film, and it was subsequently passed onto William switching to this iconic style in Seasons 3 and 4. The NIOSH-approved
by his uncle Argyle (Brian Cox) after his father’s death. The sword is made 3M respirator mask features a grey-and-transparent plastic face shield,
of steel, with brown leather wrapped around the grip. It is accompanied pink filters, and adjustable rubber cinch straps on the back. The mask
by a Polaroid of the weapon from the production, with the handwritten exhibits minor signs of production wear, and the lot is accompanied by
label “Wallace Fathers Sword”. The sword has some wear from production a Sony Pictures certificate of authenticity. Dimensions: 23 cm x 13 cm x
use, most notably to the leather grip. Dimensions: 100 cm x 20 cm x 3 cm 25.5 cm (9” x 5 ¼” x 10”)
(39 ½” x 8” x 1 ¼”)
Estimate: £3,000 - 5,000
Estimate: £2,000 - 3,000

483. Walter White (Bryan Cranston)/Jesse

Pinkman’s (Aaron Paul) Season 2 Green Hazmat
480. Walter White’s (Bryan Cranston) Train Suit Ω
Robbery Gloves M
BREAKING BAD (TV SERIES, 2008-2013)
BREAKING BAD (TV SERIES, 2008-2013)
Walter White (Bryan Cranston)/Jesse Pinkman’s (Aaron Paul) green hazmat
Walter White’s (Bryan Cranston) train robbery gloves from Vince Gilligan’s suit from Vince Gilligan’s crime-thriller series Breaking Bad. Both White and
crime-thriller series Breaking Bad. Walter wore his gloves in the Season Pinkman wore green hazmat suits during a montage of the duo cooking 42
5 episode “Dead Freight” when he, Jesse (Aaron Paul) and Todd (Jesse pounds of crystal meth in the Season 2 episode “4 Days Out”. This suit was
Plemons) prepared for the train heist. He also wore them when the trio also worn by one of the two main stars of the show during a promotional
drained the methylamine from the train into a buried 1,000-gallon tank. The photoshoot used on posters and the DVD cover for the second season.
gloves are made from light grey suede with orange cotton sections, and The light green suit is made from synthetic material and features a hood,
marked as size Large. They display dirt marks, loose threads and scuffing a zip fastening down the front, and elasticated wrist and ankle cuffs. It
from production use. The lot is accompanied by a Sony Pictures certificate displays signs of minor wear, with sticky residue from a removed sticker
of authenticity. on the interior.

Estimate: £500 - 700 Estimate: £2,000 - 3,000

324 325
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

484. Annie Walker’s (Kristen Wiig) Wallet ΩΔ 485. Set of Earth Defense Directorate Patches Ω 488. Robert Downey, Jr.-autographed Crew Gift Keychain Ω 489. Three Heath Ledger Autographed Stills M

BRIDESMAIDS (2011) BUCK ROGERS IN THE 25TH CENTURY (1979) CAPTAIN AMERICA: CIVIL WAR (2016) CASANOVA (2005)
Annie Walker’s (Kristen Wiig) wallet from Paul Feig’s comedy film Bridesmaids. Annie took A set of Earth Defense Directorate patches from the sci-fi television series Buck Rogers in A Robert Downey, Jr.-autographed crew gift keychain from the production of Anthony A set of three stills autographed by Heath Ledger from the promotion of Lasse Hallström’s
her ID out of her wallet when Officer Rhodes (Chris O’Dowd) pulled her over. This black the 25th Century. Buck Rogers (Gil Gerard) and members of The Earth Defense Directorate, and Joe Russo’s superhero sequel Captain America: Civil War. Laws involving superhero romantic adventure Casanova. This set originates from the collection of Ledger’s personal
cotton and polyester wallet with a floral stitch design and a false metallic closure was the planet’s military force, wore patches on their uniforms throughout the series. Two of registration caused a rift between teammates Captain America (Chris Evans) and Iron assistant. The colour promotional photographs show Ledger as celebrated lothario Giacomo
made for Annie’s reckless driving scenes, but ultimately unseen in the final cut. It contains the four white and blue iron-on patches feature a globe set within a shield and encircled Man (Robert Downey, Jr.). This lot consists of a grey rectangular cardboard box signed by Casanova dressed in a green period costume, looking concerned while stood at an opened
Annie’s driver’s licence and business cards for her bakery, Cake Baby, along with various by laurel leaves anchored by a black halo; one features only the globe and shield; and a Downey. Contained in the box is a blue and gold-coloured metal keychain featuring the window. Ledger has autographed all three photos in black marker. The stills exhibit light
production-made credit cards, social security card, and faux money. The lot is distressed fourth reads “Per Ardua Ad Astra,” the organization’s Latin motto. All appear never to have likeness of Captain America and Iron Man. It exhibits signs of wear including some scraping surface scratches, and there are some signs of minor wear present in the top right corner
by production to appear visibly used. Dimensions: 17 cm x 10 cm x 3 cm (7” x 4” x 1”) been ironed and exhibit only minimal signs of age and use. Dimensions (largest): 9 cm x on the top and bottom of the box and markings on the keychain interior. Dimensions: of one image. Dimensions (each still): 20 cm x 25.5 cm (8” x 10”)
10.25 cm x 1.5 cm (3 1/2” x 4” x 1/2”); (smallest): 6.5 cm x 6.5 cm x 1.5 cm (2 1/2” x 2 1/2” x 1/2”) 15.25 cm x 5.75 cm x 5.75 cm (6” x 2 1/4” x 2 1/4”)
Estimate: £800 - 1,200 Estimate: £300 - 500
Estimate: £300 - 500 Estimate: £800 - 1,200

486. “A” Camera 487. The Cape’s (David

Clapperboard M Lyons) Costume M

BURKE & HARE (2010) THE CAPE (T.V. SERIES, 2011)

A production-used clapperboard from John The Cape’s (David Lyons) costume from
Landis’ black comedy Burke & Hare. Used the superhero television series The Cape.
by the ‘A’ camera unit during filming, the Detective Vince Faraday became a cape-
clapperboard consists of an acrylic slate wearing, crime-fighting vigilante. The costume
with a wooden clapper fixed to the top. The includes a brown leather mask labelled “Hero
production title “Burke & Hare” is printed in 11/11”; a metallic-black hooded cape labelled
red and the names of director John Landis “1.11”; a two-piece foam chest plate and leather
and director of photography John Mathieson belt labelled “#4”; a grey turtleneck; leather
are printed in black. Outlined boxes divide gloves (the right labelled “Hero,” and the left
the slate into fields for scene, slate and take, “Stunt”); green trousers; a black utility belt
two of which still feature written details. The and a leg strap; and a pair of brown boots.
last date it was used is marked as “19th March Presented on a custom-made display with 490. Ringo Starr and Barbara Bach Dinosaur and
2010” and “A192” is written as the roll number. internal lighting and title artwork, the costume Bone-pendant Crew Gift, 10 On-set Photographs and
The clapper shows minor wear, including scuff exhibits minor wear from production use. Autographed Note M 491. Golden Torture Device M
marks to the paint on the clapper arm and light Dimensions (displayed): 45 cm x 69 cm
scratches to the acrylic. Dimensions: 3.5 cm x x 206 cm (17 ¾” x 27 ¼” x 81”) Contains CAVEMAN (1981) THE CELL (2000)
19 cm x 17.5 cm (1 ¼” x 7 ½” x 7”) electronics; see electronics notice in the
Buyer’s Guide. Special shipping required: see Two crew gifts, set photographs, and autographed note from Carl Gottlieb’s comedy A golden torture device from Tarsem Singh’s sci-fi horror The Cell. A small, golden axe-like
Estimate: £300 - 500 special shipping notice in the Buyer’s Guide. Caveman. Gifted to crew members by Ringo Starr and Barbara Bach, the metal dinosaur instrument was placed alongside several other devices on a tray, seen in a torture chamber
rests on a wooden base featuring a plaque reading “Love R. & B, 1980 A.D., Caveman.” conjured by serial killer’s Carl Stargher (Vincent D’Onofrio) unconscious mind. Agent Peter
Estimate: £1,000 - 1,500 The sterling silver bone pendant is engraved with “Caveman 80.” The photographs depict Novak (Vince Vaughn) managed to snap Dr. Catherine Deane (Jennifer Lopez) out of a
various crew and key cast members on set, including Starr, Bach, and John Matuszak. trance caused by Stargher while having his intestines removed in the chamber. Made of
Written in blue ink, the note is signed by Starr and Bach. The dinosaur lacks a jeweled eye, metal displaying a gold-plated finish, the weapon consists of a curved axe-like blade and
and one claw is damaged. Some photographs display marks and the note is discoloured. an intricate handle which forms the body of a seahorse. Intentional distressing is applied
Dimensions (dinosaur crew gift): 14.5 cm x 14.5 cm x 8 cm (5 ¾” x 5 ¾” x 3 ¼”); (bone- all over, replicating a worn appearance. There are signs of minor tarnishing present on the
pendant crew gift): 6 cm x 1.5 cm x 1.5 cm (2 ¼” x ½” x ½”) Sold without copyright; see blade. Dimensions: 21.5 cm x 12 cm x 2.5 cm (8 ½” x 4 ¾” x 1”)
copyright notice in the Buyer’s Guide.
Estimate: £1,000 - 1,500
Estimate: £400 - 600

326 327
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

496. Charlie Bucket’s (Freddie Highmore)

492. General Virilus’ 493. General Tesio’s (Tom Birthday Present Chocolate Bar †Δ
(Dominic West) Costume Ω Mannion) Costume Ω
CHARLIE AND THE CHOCOLATE FACTORY (2005)
CENTURION (2010) CENTURION (2010)
Charlie Bucket’s (Freddie Highmore) birthday present chocolate bar from
General Virilus’ (Dominic West) costume General Tesio’s (Tom Mannion) costume Tim Burton’s musical-fantasy Charlie and the Chocolate Factory. Mr. Bucket
from Neil Marshall’s historical action thriller from Neil Marshall’s historical action thriller (Noah Taylor) and Mrs. Bucket (Helena Bonham Carter) gave Charlie a
Centurion. Virilus wore his armoured costume Centurion. Tesio wore his armour when he Wonka bar for his birthday. Having discovered that the bar did not contain
as he commanded the ninth legion north and Gnaeus Julius Agricola (Paul Freeman) a golden ticket, Charlie kindly shared his present with his parents and four
into Caledonia to stop an uprising of Celtic decided how to explain the loss of the ninth bedridden grandparents. The bar is covered in unopened wrapping paper
warriors known as Picts. This costume Roman Legion in Caledonia. This costume featuring a vintage comic-strip design, secured by three strips of brown
consists of a bronze-colour urethane galea- consists of a silver-colour urethane galea- tape. Contained within is a real chocolate bar. The lot displays minor wear
style helmet with leather straps and a brown style helmet with leather straps and a black and crease lines from production use. Dimensions: 19.5 cm x 9.5 cm x
and grey plume of synthetic hair which has and grey plume of synthetic hair; silver- 1.5 cm (7 ¾” x 3 ¾” x ½”) Please note that this lot is sold as a prop, and is
been added to complete costume; a silver- colour urethane torso armour with a brown not deemed fit for consumption.
colour urethane piece of torso armour; pair cape attachment; a brown fabric shirt; a
of bronze-colour bracers with leather details; pair of beige trousers; a pair of silver-colour
Estimate: £1,500 - 2,500
a crimson cape with brown urethane accents urethane greaves; and a pair of brown leather
which has been added to complete costume; sandals. It exhibits signs of wear and age
a beige shirt and pair of beige trousers from production.
from production which have been added to
complete costume; a pair of bronze-colour
Estimate: £800 - 1,200
urethane greaves; and a pair of brown leather
sandals form production which have been
added to complete costume. It exhibits signs
of wear and age from production.
497. Set of Four Wonka Bars M
Estimate: £1,200 - 1,800
CHARLIE AND THE CHOCOLATE FACTORY (2005)
A set of four Wonka bars from Tim Burton’s fantasy adventure Charlie
and the Chocolate Factory. Stacks of Wonka bars appeared in various
locations around the globe as the world hunted for five elusive Golden
Tickets. The bars are made of injection moulded brown plastic and feature
a “Wonka” logo imprinted on each segment. Each bar is covered in silver
foil and a colourful wrapper, indicating its flavour. The front of each bar
features a printed seal reading, “Win a trip to Wonka’s Chocolate Factory”,
494. Pair of Sir and nutritional information is presented on the back. There are signs of
Christopher Lee’s creasing and minor marks on the foil, and the wrappers display light wear
Personal Scripts and 495. Two Newspapers from production use. Dimensions (each bar): 9.5 cm x 18.5 cm x 1 cm
Compliment Slip From Featuring the Quest for (3 ¾” x 7 ¼” x ¼”)
Tim Burton M the Golden Tickets †Δ
Estimate: £800 - 1,200
CHARLIE AND THE CHARLIE AND THE
CHOCOLATE FACTORY CHOCOLATE FACTORY
(2005) (2005)
Two revised scripts belonging to Sir A pair of newspapers from Tim
Christopher Lee and a compliment Burton’s fantasy adventure Charlie
slip from Tim Burton’s comedy Charlie and the Chocolate Factory. The
and The Chocolate Factory. This lot newspapers feature headlines and
comes from the personal collection of photos regarding the discovery of
498. Hero Wonka Bars M
legendary actor Christopher Lee. One the first and third golden tickets, by
script, with 129 pages, is watermarked Augustus Gloop (Philip Wiegratz) and CHARLIE AND THE CHOCOLATE FACTORY (2005)
“482” throughout. The cover page is Violet Beauregarde (AnnaSophia
autographed with messages to Lee by Robb) respectively. The cover page Three hero Wonka bars from Tim Burton’s fantasy adventure Charlie and
Johnny Depp, Burton and producer of each paper is wrapped around a the Chocolate Factory. Wonka bars appeared in various locations as people
Richard D. Zanuck. The second page copy of The New York Times and they worldwide hunted for five elusive Golden Tickets. Each bar is made of real
is signed by Lee. The lines for Lee’s have been folded in half for storage. chocolate, covered in silver foil and a colourful wrapper, which indicates
role of Dr. Wonka are highlighted They have some additional wear from its flavour along with nutritional information. One bar has an orange hero
in yellow. Dated “03-15-2004”, the production use and age, including wrapper featuring a gold foil seal reading “Win a trip to Wonka’s Chocolate
unannotated white script contains 117 mild discolouration. Dimensions (each, Factory”. The seals on the red and brown wrappers are printed. The red
pages. They come with a compliment folded): 30 cm x 35 cm (11 ¾” x 13 ¾”) wrapper displays visible glue remnants on the back, and some corners
slip featuring a handwritten inscription exhibit small tears in the foil, exposing the chocolate. Dimensions (each):
from Burton. The lot exhibits minor
Estimate: £600 - 800 9.5 cm x 19 cm x 1.5 cm (3 ¾” x 7 ½” x ½”) Please note that this lot is sold
staining. Dimensions (each script): 30 as a prop, and is not deemed fit for consumption.
cm x 21 cm x 1.5 cm (11 ¾” x 8 ¼” x ½”);
(slip): 21 cm x 10 cm (8 ¼” x 4”)
Estimate: £1,000 - 1,500

Estimate: £2,000 - 3,000

328 329
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

502. Light-up Hero Necromonger Rifle †Δ 503. Hero Necromonger Pistol †Δ

THE CHRONICLES OF RIDDICK (2004) THE CHRONICLES OF RIDDICK (2004)

A light-up hero Necromonger rifle from David Twohy’s sci-fi sequel The Chronicles of A hero Necromonger pistol from David Twohy’s sci-fi sequel The Chronicles of Riddick.
Riddick. Throughout the film, Necromongers used their rifles as they battled Riddick (Vin The Necromongers carried their pistols throughout the film as they battled Riddick (Vin
Diesel) and his “breeder” allies. The futuristic-looking resin weapon has a tarnished steel Diesel) and his “breeder” allies. Made of resin, the futuristic weapon features highly ornate
and bronze-coloured finish with a side grip and ornate designs on both sides. Pressing detailing and a tarnished steel and bronze-coloured metal plated finish, in keeping with
the functional trigger causes a set of quick-firing strobe LEDs—which are housed in the the design of Necromonger arms and armour. A small button located on the right side of
central chamber and powered by two 9-volt batteries—to illuminate. The electronics are the gun once powered the set of quick-firing strobe LEDs housed in the central chamber,
activated by a small button on the right side of the pistol. The lot displays minor paint wear, which were activated by pulling back the trigger. The electronics are untested and currently
and there is some damage to components near the underside of the side grip. Dimensions: non functional. It exhibits minor paint wear and scuffing from production use. Dimensions:
49 cm x 18 cm x 17 cm (19 ¼” x 7 ¼” x 6 ¾”) Contains electronics; see electronics notice 28 cm x 18 cm x 6.5 cm (11” x 7” x 2 ½”) Contains electronics; see electronics notice in
in the Buyer’s Guide. the Buyer’s Guide.

Estimate: £2,000 - 3,000 Estimate: £1,500 - 2,500

499. Life-Size Oompa Loompa 500. Automated Breakfast Machine 501. Baron Bomburst’s (Gert Frobe)
Lighting Stand-In †Δ Plates M Tailcoat M

CHARLIE AND THE CHOCOLATE FACTORY CHITTY CHITTY BANG BANG (1968) CHITTY CHITTY BANG BANG (1968)
(2005)
Two plates from Ken Hughes’ musical adventure Chitty Baron Bomburst’s (Gert Frobe) tailcoat from Ken Hughes’
A life-size Oompa Loompa lighting stand-in from Tim Chitty Bang Bang. Inventor Caractacus Potts (Dick Van Dyke) musical adventure Chitty Chitty Bang Bang. Bomburst
Burton’s fantasy adventure Charlie and the Chocolate served a cooked breakfast on plates to Jeremy (Adrian Hall), wore his tailcoat when he captured Grandpa Bungie Potts 504. Joppa Guardsman Helmet † 505. Argos City Honour Guard Shield †Δ
Factory. Oompa Loompas, all portrayed by Deep Roy, Jemima (Heather Ripley) and Grandpa Potts (Lionel Jeffries), (Lionel Jeffries), after mistaking him for his son Caractacus
feature throughout the movie, working for Willy Wonka with the aid of one of his contraptions, the automated (Dick Van Dyke), and ordered him to create another flying CLASH OF THE TITANS (1981) CLASH OF THE TITANS (1981)
(Johnny Depp) in his famed chocolate factory. The “Breakfast Machine”. These plates were originally obtained car. The dark red velvet tailcoat is decorated with a gold
production used this figure as a lighting stand-in, and after filming was completed by a fireman who worked at fabric trim around the edges, pockets and cuffs. The coat A Joppa guardsman helmet from Desmond Davis’ fantasy epic Clash of the Titans. The An Argos honour guard shield from Desmond Davis’ fantasy epic Clash of the Titans (1981).
for framing purposes while filming. Made of fibreglass, Pinewood Studios. Both plates are made of white china with displays an embroidered flower and leaf design throughout, city guards wore their helmets while patrolling Joppa, home of Queen Cassiopeia (Siân Shields were carried by members of King Acrisius’ (Donald Houston) honour guard during
the stand-in figure features a highly detailed face that is blue floral motifs, and feature a Royal Worcester stamp on featuring gold thread detailing and tiny iridescent sequins. It Phillips) and Princess Andromeda (Judi Bowker). Constructed from fibreglass and finished the film’s opening, as the baby Perseus was cast into the sea. The shield is fabricated from
hand-painted to match Deep Roy’s skin tone. It wears a their rear. The set displays signs of production use, including is lined with padded cream satin, with hook-and-eye clasps in black paint, the helmet features geometric face detailing with a nose, raised eyebrows, wood finished in blue paint, and features a bird motif made of pinned metal. Two leather
red-painted jumpsuit with a white neckband and knee minor scratching, glue remnants and marks on the rear of to fasten the coat at the front. An Angels the Costumiers and floral designs above the ears. A wide crest is located at the top and there are small handles adorn the back and the metal has been intentionally finished to produce a worn
patches, and a pair of white gloves. The lot exhibits signs one plate. The lot comes with a letter of authenticity detailing label is located in the collar, with an M. Berman Ltd. label holes present above the ears where leather straps would have been attached. The interior iron appearance. The lot displays minor paint wear and scratches to the wood and metal,
of paint wear, scuffing and minor chipping from production its history. Dimensions (each plate): 27 cm x 27 cm x 3 cm in the interior pocket, reading “Gert Froebe”. The tailcoat is lined with foam for the wearer’s comfort. Signs of production use are evident, including and two rivets are missing from the shield’s centre. Dimensions: 11 cm x 66 cm x 66 cm
use. Dimensions: 20 cm x 26 cm x 77 cm (8” x 10 ¼” x 30 ¼”) (10 ½” x 10 ½” x 1 ¼”) displays signs of wear, including marks, discoluration around minor chips, cracks and remnants of bronze-coloured metallic paint. Dimensions: 35 cm (4 ¼” x 26” x 26”)
the collar, light plucks and fraying on the lining. x 21 cm x 32 cm (13 ¾” x 8 ¼” x 12 ½”)
Estimate: £2,000 - 3,000 Estimate: £600 - 800 Estimate: £800 - 1,200
Estimate: £2,000 - 3,000 Estimate: £600 - 800

330 331
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

506. Tarnished Medusa Coin †Δ

CLASH OF THE TITANS (2010)

A tarnished Medusa coin from Louis Leterrier’s fantasy-adventure remake Clash of the Titans.
Sheikh Suleiman (Ian Whyte) threw a tarnished version of the coin into the River Styx. The
currency served as a fare for Charon, ferryman to the Underworld, where Medusa’s lair was
located. The cast-metal, gold-coloured coin features an embossed image of Medusa’s head
surrounded by sharp lines forming a sunburst pattern. It has been intentionally distressed
to produce a tarnished appearance, and the back of the coin is blank. The coin exhibits
minor marks and light scratching on the reverse. Dimensions: 4.5 cm x 4.5 cm x 0.7 cm
(1 ¾” x 1 ¾” x ¼”)

Estimate: £1,000 - 1,500

2.03 m (6.66’) 2.03 m (6.66’)

509. Hand-painted Matthew Yuricich Guiler Backyard

Horizon Glow Matte Painting US 510. Hand-painted Mothership Landing Matte Painting US

CLOSE ENCOUNTERS OF THE THIRD KIND (1977) CLOSE ENCOUNTERS OF THE THIRD KIND (1977)
A hand-painted Matthew Yuricich matte painting of the horizon glow behind the Guiler A hand-painted mothership landing matte painting from the production of Steven Spielberg’s
backyard from the production of Steven Spielberg’s sci-fi drama Close Encounters of the sci-fi drama Close Encounters of the Third Kind. Matte artists created this painting of the
Third Kind. Yuricich created this painting of the skyline after unseen alien forces observed skyline as the alien mothership first approached Earth. This matte painting is rendered in
Barry and his frightened mother, Jillian (Melinda Dillon). This matte painting is rendered in mixed media on a large Masonite board. The limited colour palette employed here is due
507. Medusa Coin †Δ mixed media on a large Masonite board. The limited colour palette employed here is due to the high-contrast film stock that was used to shoot matte paintings, which enhanced
to the high-contrast film stock that was used to shoot matte paintings, which enhanced the colour latitude of the image. The matte painting exhibits signs of wear and aging.
the colour latitude of the image. The matte painting exhibits signs of wear and aging. Dimensions: 203.25 cm x 96.5 cm x 1.25 cm (80” x 38” x 1/2”) Sold without copyright; see
CLASH OF THE TITANS (2010)
Dimensions: 203.25 cm x 96.5 cm x 1.25 cm (80” x 38” x 1/2”) Sold without copyright; see notice in the Buyer’s Guide. Special shipping required; see notice in the Buyer’s Guide.
A Medusa coin from Louis Leterrier’s fantasy-adventure remake Clash of the Titans. Zeus notice in the Buyer’s Guide. Special shipping required; see notice in the Buyer’s Guide. This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide.
(Liam Neeson) handed a highly polished golden drachma coin to his son Perseus (Sam This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide.
Worthington), after Perseus refused his offer to make him a god. The cast-metal coin features Estimate: £600 - 800
an embossed image of Medusa’s head surrounded by sharp lines forming a sunburst Estimate: £600 - 800
pattern. This version of the coin has a shiny gold-coloured finish, and the back of the coin
is blank. There are light signs of wear and scratches on the blank side from production use.
Dimensions: 4.5 cm x 4.5 cm x 0.4 cm (1 ¾” x 1 ¾” x ¼”)

Estimate: £1,000 - 1,500

2.03 m (6.66’)
511. Hand-painted Black and White Crescendo Summit 512. John Bloomfield’s Personal On-set Costume
508. Acrisius’ (Jason Flemyng) Stunt Cursed Sword M Matte Board US Reference Photographs †Δ

CLASH OF THE TITANS (2010) CLOSE ENCOUNTERS OF THE THIRD KIND (1977) CONAN THE BARBARIAN (1982)
Acrisius’ (Jason Flemyng) stunt cursed sword from Louis Leterrier’s fantasy-adventure A hand-painted black and white crescendo summit matte board from the production of A set of nine on-set costume reference photos from the production of John Milius’ fantasy
remake Clash of the Titans. Acrisius was struck by a bolt of Zeus’ (Liam Neeson) lightning, Steven Spielberg’s sci-fi drama Close Encounters of the Third Kind. Matte artists created adventure Conan the Barbarian. Originally from the collection of costume designer John
leaving both him and his weapon deformed. The sword is made of rubber with a metal this painting of the skyline while Roy Neary (Richard Dreyfuss) and several other people Bloomfield, these colour images feature several key characters, including Conan (Arnold
armature, and has been painted to look like bronze. It is intentionally distressed and is split witnessed a group of smaller extraterrestrial craft. This matte board is rendered in mixed Schwarzenegger) dressed in a Set follower’s white gown and hood; Valeria (Sandahl
down the middle from the lightning strike. The sword has some wear from production use media on a large Masonite board. The limited colour palette employed here is due to Bergman, appearing alongside Bloomfield himself in one larger photograph); Thulsa Doom
and age, including scuffing and scratches. The tip of the blade has come away, revealing the high-contrast film stock that was used to shoot matte paintings, which enhanced the (James Earl Jones); Subotai (Gerry Lopez); the Wizard (Mako) and The Princess (Valérie
the armature beneath. Dimensions: 81.5 cm x 3.5 cm x 8.5 cm (32” x 1 ½” x 3 ¼”) colour latitude of the image. The reverse side features a black and white image of a forest Quennessen). An additional photograph shows Conan attached to the Tree of Woe, and
road setting. The matte painting exhibits signs of wear and aging. Dimensions: 203.25 the back of the larger photograph is labelled “John with Princess Valeria in Disco Suit, Spain
Estimate: £2,000 - 3,000 cm x 96.5 cm x 1.25 cm (80” x 38” x 1/2”) Sold without copyright; see notice in the Buyer’s 1981”. The lot exhibits minor marks and light scratches from production use. Dimensions
Guide. Special shipping required; see notice in the Buyer’s Guide. This lot will ship from (each Polaroid): 10.5 cm x 10 cm (4 ¼” x 4”); (larger photograph): 12.5 cm x 9 cm (5” x 3 ½”)
Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide. Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £500 - 700 Estimate: £800 - 1,200

332 333
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

513. John Bloomfield’s Personal Behind-the-

scenes Scrapbook and Photographs †Δ

CONAN THE BARBARIAN (1982)

A behind-the-scenes scrapbook and photographs from John Milius’
fantasy adventure Conan the Barbarian. Originally from the collection of
costume designer John Bloomfield, the scrapbook features 21 images of
cast members during costume fittings, including Arnold Schwarzenegger,
Sandahl Bergman, and Gerry Lopez. It also contains photographs of
Bloomfield on trips in New York and Los Angeles. Each page is contained
within a plastic sheet and the book is held together with a small chain.
Completing the lot are nine loose photographs of cast and crew members
in costume fittings and on set. One scrapbook page is loose and the lot
displays signs of creasing, light scratching, and marks from production
use. Dimensions (scrapbook): 14 cm x 26.5 cm x 1.5 cm (5 ½” x 10 ½” x ½”);
(larger photographs): 12.5 cm x 9 cm (5” x 3 ½”) Sold without copyright; see
copyright notice in the Buyer’s Guide.
516. Solemn Village Boy Puppet head, Set Dressing Items
Estimate: £600 - 800 and Crew Items M 517. Collection of Production Puppet Photos M

CORPSE BRIDE (2005) CORPSE BRIDE (2005) AND FRANKENWEENIE (2012)

A Solemn Village Boy puppet head, set dressing items, and crew items from Tim Burton’s A collection of production puppet photographs from Tim Burton’s stop-motion animated
stop-motion film Corpse Bride. The Solemn Village Boy first appeared during the opening films Corpse Bride and Frankenweenie. This lot originally came from the personal collection
sequence. Mounted on a metal rod, the grey-coloured silicone head features slicked-back, of renowned actress Helena Bonham Carter. The collection comprises 85 colour stills of
514. Hand-Illustrated Ron Cobb Sword and dark grey hair and white, pupil-free eyes. The resin set dressing items are two cups and the characters from Corpse Bride, some of which have been labelled in black ink, and 22
Shield Concept Artwork Ω two floral-patterned plates. The crew items include a black “The Ball & Socket” hoodie (size larger black-and-white photographs of the characters from Frankenweenie. Also included
M); a metal belt buckle; a behind-the-scenes scrapbook; a VIP screening ticket; a flipbook; in the lot are two behind-the-scenes stills from Tim Burton’s Dark Shadows. The lot shows
CONAN THE BARBARIAN (1982) a wrap party invitation; and a Christmas party invitation. One plate has been intentionally signs of production use, including light scratching and pinholes, and the ink has smudged
distressed to appear dirty. Dimensions (head): 7 cm x 7 cm x 14 cm (2 ¾” x 2 ¾” x 5 ½”); on some of the stills. Dimensions (largest photo): 30 cm x 21 cm (11 ¾” x 8 ¼”); (smallest
A hand-illustrated Ron Cobb sword and shield concept artwork from John (largest plate): 11 cm x 11 cm x 1 cm (4 ¼” x 4 ¼” x ½”) photo): 15 cm x 10 cm (6” x 4”)
Milius’ fantasy adventure Conan the Barbarian. Thulsa Doom (James Earl
Jones) wielded dual swords against Conan (Arnold Schwarzenegger). Estimate: £1,500 - 2,500 Estimate: £300 - 500
This illustration is rendered in mixed media on board marked “20” in red
ink by the film’s production designer, Ron Cobb, and stamped with a 1980
Dino De Laurentiis Corporation copyright stamp. It exhibits some stains on
the reverse, tape residue, and bending from use. Dimensions: 38.25 cm x
51 cm (15” x 20”) Sold without copyright; see notice in Buyer’s Guide.

Estimate: £600 - 800

515. Holy Water Hand Grenade M

CONSTANTINE (2005)
A holy water hand grenade from Francis Lawrence’s supernatural comic-
book adaptation Constantine. John Constantine (Keanu Reeves) crushed
a holy water hand grenade against his heart when he briefly transported
himself to Hell and watched Isabelle (Rachel Weisz) relive her suicide. The 518. Countess Elisabeth’s (Ingrid Pitt) Golden Dagger M 519. Police Car Model Miniature Ω
grenade consists of a hollow transparent sphere with a black ridged screw
cap secured to the top. A white-painted cross adorns each side and the
COUNTESS DRACULA (1971) THE CROW (1994)
sphere displays a pearlescent finish. Signs of wear from production use are
present on the grenade, including light scratches, minor paint wear on the Countess Elisabeth’s (Ingrid Pitt) golden dagger from Peter Sasdy’s Hammer horror film A police car model miniature from Alex Proyas’ action fantasy The Crow. Inner City Police
crosses and glue remnants along the bottom of the screw cap. Dimensions: Countess Dracula. Elisabeth tried to murder her daughter Ilona (Lesley-Anne Down) using caused several wrecks chasing Skank (Angel David) through Detroit. The sequence was
5 cm x 5 cm x 6.5 cm (2” x 2” x 2 ½”) Captain Dobi’s (Nigel Green) dagger, but accidentally killed her own fiancé, Lieutenant. Imre created using stunt work and models made by effects company Dream Quest Images
Toth (Sandor Elès). This dagger came from the personal collection of renowned special (DQI). This hand-painted, grey resin model labeled “Inner City Police” features a red plastic
Estimate: £400 - 600 effects technician Bert Luxford. The dagger and scabbard are made predominantly of siren and a battery-powered electronics kit designed to illuminate lights concealed in the
fibreglass and resin, and the dagger has a steel blade. Both pieces are painted gold, and trunk. Also included are two additional unpainted doors. It has been extensively weathered
the scabbard features a leather string to attach it to a belt. The dagger has wear from age by production to appear wrecked, and the front and underside are separate from the
and use, including paint wear and chipping at the end of the pommel. The blade features main body of the vehicle. Dimensions (largest): 51 cm x 18 cm x 15.25 cm (20” x 7” x 6”);
rust and tarnishing. Dimensions (dagger sheathed): 36 cm x 8 cm x 4 cm (14 ¼” x 3 ¼” x 1 ½”) (smallest): 9 cm x 6.5 cm x 1.5 cm (3.5” x 2.5” x 0.5”) Contains electronic components; see
notice in the Buyer’s Guide.
Estimate: £1,000 - 1,500
Estimate: £500 - 700

334 335
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

524. Dalek Rel Counter †Δ 525. Daredevil’s Stunt Billy Club Ω

520. Gil Grissom’s (William Petersen) “Golf Man” Head Ω 521. Police Items and Set Dressing Ω
DALEKS’ INVASION OF EARTH 2150 A.D. (1966) MARVEL’S DAREDEVIL (T.V. SERIES, 2015 - 2018)
CSI: CRIME SCENE INVESTIGATION (T.V. SERIES, 2000-2015) CSI: CRIME SCENE INVESTIGATION (T.V. SERIES, 2000-2015)
A Dalek rel counter from Gordon Flemyng’s sci-fi film Daleks’ Invasion Earth 2150 A.D. Daredevil’s stunt billy club from the superhero adventure series Marvel’s Daredevil.
Gil Grissom’s (William Petersen) “Golf Man” head from the procedural crime drama CSI: Police items and set dressing from the procedural crime drama CSI: Crime Scene The Daleks used rel counters in their facilities during their invasion of Earth, which was Specially made for him by Melvin Potter in Season 1, blind lawyer Matt Murdock wields
Crime Scene Investigation. In the episode “Pilot” (101), CSI Supervisor Grissom used a golf Investigation. A crime scene investigation unit used a variety of IDs and ephemera while averted by the intervention of The Doctor (Peter Cushing) and his companions. The rel his signature billy club as he patrols Hell’s Kitchen as the masked vigilante, Daredevil. This
club on a dummy to help speculate about a murder case. This sequence would later be attempting to solve crimes. In the episode “Strip Strangler” (123), supervisor Gil Grissom counter consists of a ring of 50 individually numbered lights, a second engraved ring of lot consists of a crimson and gunmetal grey cylindrical foam rubber billy club with ridged
featured as part of the show’s opening credit montage. This flesh-coloured foam rubber (William Petersen) examined a collection of slides. Later, in the episode Viva Las Vegas numbers showing 60 seconds, and four lights in a row that signify a minute each when sides for gripping. It is affixed in the interior with a weighted inset. This billy club exhibits
bust features a fully articulated head and shoulders. It exhibits signs of wear from age and (501), a stack of bloodied mail was addressed to victim Ken Willard. This lot consists of lit. The counter has a series of wires on the back, a loose power cable, and a hole in each signs of wear from age and use. Dimensions: 64.75 cm x 2.5 cm x 2.5 cm (25.5” x 1” x 1”)
use including significant blood stains and a large hole in the top of the head added by a metal and wood desk plaque; a black ceramic mug; a black cotton baseball hat with a corner for affixing to the set. The counter shows significant wear and scratches to the front,
production. Dimensions: 48.25 cm x 40.75 cm x 35.5 cm (19” x 16” x 14”) white, gold and green graphic; three plastic ID badges; one paper search warrant; four chipping on the edges, and missing components throughout. Dimensions: 46 cm x 46 cm Estimate: £2,000 - 3,000
pieces of mail; one sticker badge and one black and white decal. It exhibits signs of wear x 15 cm (18” x 18” x 6”) Contains electronics; see electronics notice in the Buyer’s Guide.
Estimate: £1,500 - 2,500 from age and use including blood staining on the pieces of mail. Dimensions: 25.5 cm x
25.5 cm x 25.5 cm (10” x 10” x 10”) Estimate: £600 - 800

Estimate: £800 - 1,200

522. Gil Grissom’s (William Petersen) Forensics Case and 527. Philip Kohler Collection: Script, Blueprints and
Equipment M 523. Benjamin Button’s (Brad Pitt) Sweater Ω 526. Set of Production Photography Slides and Prints Ω Production Paperwork M

CSI: CRIME SCENE INVESTIGATION (T.V. SERIES, 2000-2015) THE CURIOUS CASE OF BENJAMIN BUTTON (2008) THE DARK CRYSTAL (1982) THE DARK CRYSTAL (1982)
Gil Grissom’s (William Petersen) forensics case and equipment from the crime drama series Benjamin Button’s (Brad Pitt) sweater from David Fincher’s fantasy drama The Curious Case A set of production photography slides and prints from Jim Henson’s and Frank Oz’s fantasy A script, paperwork, and blueprints from Jim Henson and Frank Oz’s fantasy adventure
CSI: Crime Scene Investigation. Grissom used forensics equipment throughout the first of Benjamin Button. Born an elderly man and aging in reverse, Button wore his sweater adventure The Dark Crystal. A Gelfling called Jen ventured on a quest for a mysterious The Dark Crystal. This lot comes from the personal collection of renowned production
nine seasons. Presented within a metal Rimowa briefcase, the kit contains a pair of rubber while starting up a relationship with Elizabeth Abbot (Tilda Swinton), the wife of a British crystal that possessed magical powers. This lot consists of 204 colour and black-and-white manager Philip Kohler. The set consists of a call sheet; production notes; a press-release
gloves; six paper evidence bags; a magnifying glass; tweezers; two pairs of scissors; five trade minister. This charcoal grey-colour button-up wool sweater features a cardigan style film slides housed in a series of plastic slipcovers; eight black-and-white promotional photo booklet; two press-release synopsis booklets; a title sticker; two envelopes containing film
blank evidence tags; a scanning electron microscope kit; a light-up magnifying glass; a cut and a pair of side pockets. It exhibits minimal signs of wear from age and use. prints; and eight colour promotional photo prints. The lot exhibits signs of wear throughout depicting the Skeksis banquet scene; a scan of film depicting behind-the-scenes shots; a
small magnifying lens; cotton swabs; fingerprint-lifting tape; a latent print powder pot; and from age and use. Dimensions: 30.5 cm x 20.5 cm x 5 cm (12” x 8” x 2”) production screenplay written by Jim Henson and Davis Odell, marked “Third Draft” and
a fingerprint brush. The case features a three-digit combination lock and a square latch
Estimate: £800 - 1,200 dated “August 15th 1980”; a production chart; and 10 blueprints depicting scenes and sets
release. Multiple items within the kit remain in sealed packaging, and the case exhibits
Estimate: £600 - 800 throughout the film. The collection shows minimal wear throughout, with tears on the edges
scratching and scuff marks from production use. Dimensions (case): 46 cm x 37 cm x 20 of most blueprints and paperwork. Dimensions (largest blueprint): 42 cm x 101 cm (16 ½” x
cm (18” x 14 ½” x 8”) Contains electronics; see electronics notice in the Buyer’’s Guide. 39 ¾”) Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £2,000 - 3,000 Estimate: £800 - 1,200

336 337
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

528. Two Crew Gift Aughra Mugs and Brian Froud Concept
Art Print M 529. Green Background Zombie Mask Ω
532. Screen-matched “Cult of the Outer Ones” Book M 533. Hero Light-up Bureau Rifle and Pistol US
THE DARK CRYSTAL (1982) DAY OF THE DEAD (1985)
Two Aughra crew gift mugs and a concept art print from the production of Jim Henson A green background zombie mask from George A. Romero’s social commentary zombie
DIE, MONSTER, DIE! AKA MONSTER OF TERROR (1965) THE DIVERGENT SERIES: ALLEGIANT (2016)
and Frank Oz’s fantasy film The Dark Crystal. Made from clay, these brown-painted mugs horror film Day of the Dead. Endless hordes of zombies roamed the Earth, searching for
were sculpted by credited creature design and fabrication supervisor Lyle Conway. The remaining humans to consume. This latex mask is moulded to resemble a gaunt face A screen-matched “Cult of the Outer Ones” book from Daniel Haller’s horror movie Die, A hero light-up Bureau rifle and pistol from Robert Schwentke’s sci-fi adventure sequel The
detailed gifts feature the witch Aughra’s face covered in ornate fungus-like detailing, with with wrinkled skin painted green and brown to simulate decomposition, yellowed teeth Monster, Die! Stephen (Nick Adams) leafed through the hardback book while exploring Divergent Series: Allegiant. Rifles and pistols from the secretive organization were featured
horn handles and the film’s title artwork in relief on the rear. The printed colour concept (sculpted into the latex), and hand-punched spots of hair on the skull. The mask rests on a Nahum Witley’s (Boris Karloff) manor house, and it is a reference to the original H.P. when Tris (Shailene Woodley) discovered their headquarters in Chicago’s O’Hare Airport.
artwork is designed by creature designer Brian Froud and featured on the cover of The white styrofoam display head. It exhibits signs of wear and age throughout including some Lovecraft short story The Colour Out of Space, on which the film is loosely based. The This lot consists of a resin rifle and pistol, both of which are painted with grey camouflage.
Dark Crystal novel, by A.C.H. Smith. There is minor paint wear on the mugs, and marks and cracking above the upper lip as well as on the neckline and one ear. Dimensions: 25 cm book, which contains mostly Latin text, matches the one seen on screen through the A switch at the bottom of the rifle and pistol activate the lights, illuminating the sides and top
light scratching on the artwork. Two strips of tape remnants are present on the back of the x 25 cm x 35 cm (10” x 10” x 14”) intentional marks and stains on the cover and first few pages. It has wear from production of the weapons. When the triggers are pulled, the weapons make a noise and the barrel
print. Dimensions (each mug): 14 cm x 21 cm x 13.5 cm (5 ½” x 8 ¼” x 5 ¼”); (artwork): 40.5 use and age, most notably deterioration of the spine, leaving the front cover and first and side panels flash. It exhibits signs of wear from age and use throughout. Dimensions:
cm x 50.5 cm (16” x 19 ¾”) Sold without copyright; see copyright notice in the Buyer’s Guide. Estimate: £1,500 - 2,500 section of pages loose. Dimensions: 38 cm x 26 cm x 6 cm (15” x 10 ¼” x 2 ¼”) 175.25 cm x 58.5 cm x 40.75 cm (69” x 23” x 16”) Contains electronic components; see
notice in the Buyer’s Guide. Ownership may be restricted in some countries; see replica
Estimate: £400 - 600 Estimate: £600 - 800 firearm notice in Buyer’s Guide. This lot will ship from Prop Store’s Los Angeles facility;
see notice in the Buyer’s Guide

Estimate: £2,000 - 3,000

530. Aladeen’s White Naval

Costume ΩΔ 531. Bearer Bond Ω

THE DICTATOR (2012) DIE HARD (1988)

Aladeen’s white naval costume from A bearer bond from John McTiernan’s action
Paramount Pictures’ political farce The thriller Die Hard. A team of professional
Dictator. General Aladeen wore his naval thieves led by Hans Gruber (Alan Rickman)
costume throughout the film, including during posed as terrorists to steal millions of dollars
a meeting with his top nuclear scientists. This in bearer bonds from the vault in the Nakatomi
costume includes a white Leonard Logsdail building. This light green 100,000-dollar
button-up shirt with faux gold buttons and bearer bond features mint green details
two naval patches affixed to Velcro strips on as well as text and a red watermark stamp.
the shoulders, matching trousers, a silk ascot It exhibits minor signs of wear from age
with gold and black details, a black lizard and production use including some small
Quadra belt, a black Aladeen silhouette pin, markings throughout. Dimensions: 38 cm x
white Emporio Armani Swimwear bathing 24.25 cm (15” x 9 1/2”)
shorts, and a pair of cream-colour leather 535. Sylvester McCoy-signed “Remembrance of the
Da’Vinci loafers. The costume is intentionally Estimate: £800 - 1,200 Daleks” and Peter Murphy Grumbar’s Personal “Death of
distressed by production with dirt and sweat 534. Cast Autographed Poster M the Daleks” Scripts Ω
stains applied throughout.

Estimate: £1,000 - 1,500 DOCTOR SLEEP (2019) DOCTOR WHO: DEATH TO THE DALEKS (T.V. MOVIE, 1974)/DOCTOR
WHO: REMEMBRANCE OF THE DALEKS (T.V. MOVIE, 1988)
A cast-autographed poster from the promotion of Mike Flanagan’s supernatural horror
Doctor Sleep. Printed on glossy paper, this one-sheet poster shows Dan Torrance (Ewan A Sylvester McCoy-signed script from Doctor Who: Remembrance of the Daleks and Peter
McGregor) walking down a hotel corridor towards the young Danny Torrance – from Murphy Grumbar’s personal “Death of the Daleks” script from Doctor Who: Death to the
Stanley Kubrick’s The Shining – riding on his tricycle. It is autographed in black ink by Daleks. Dated April 1988, the first script is a camera script signed in marker on the cover
McGregor, Rebecca Ferguson (Rose the Hat), Cliff Curtis (Billy Freeman), Jacob Tremblay by McCoy, as well as Terry Malloy (“Davros”) and Hugh Spight (“Black Dalek”). Dated 1974
(Bradley Trevor), Violet McGraw (Violet), James Flanagan (Diesel Doug), and director Mike and marked “P.M.G.” for series star Peter Murphy Grumbar, the second script is a rehearsal
Flanagan. The lot displays minimal wear, with minor smudging to Ferguson’s autograph. script for the serial then titled “Death of the Daleks” and later retitled Death to the Daleks.
Dimensions: 101.5 cm x 68.5 cm (40” x 27”) Both exhibit rusting around their metal brad bindings, tears to the cover, and edge wear
throughout from age and handling. Dimensions (each): 30 cm x 23 cm x 1.5 cm (11 3/4” x 9”)
Estimate: £400 - 600
Estimate: £800 - 1,200

338 339
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

541. Set of Hand-drawn Omega the Great Intergalactic

536. Cyberman Helmet M 537. Four Background Market Creature Heads †Δ 540. Set of Hand-drawn Mutant Costume Designs Ω Engineer Costume Designs Ω

DOCTOR WHO: “EARTHSHOCK” (TV SERIES, 1982) DOCTOR WHO: “THE RINGS OF AKHATEN” (TV SERIES, 2013) DOCTOR WHO: “THE MUTANTS” (TV SERIES, 1972) DOCTOR WHO: “THE THREE DOCTORS” (TV SERIES, 1973)
An unfinished Cyberman helmet from the production of the Doctor Who serial “Earthshock”. Four background market creature heads from “The Rings of Akhaten”, an episode from A set of costume design artworks from the production of Christopher Barry’s Doctor Who A set of costume designs of Omega the Great Intergalactic Engineer, from the production
The Cybermen were given an updated design for this serial, which marked their first Season 7 of the revived BBC sci-fi series Doctor Who. The Doctor (Matt Smith) and Clara serial The Mutants. The set comprises multiple sketches on a single sheet of white paper, of Lennie Mayne’s Doctor Who serial The Three Doctors. The set consists of three pieces
appearance on television for seven years. The helmet is made of fibreglass, painted black, (Jenna Coleman) visited a teeming alien market on the asteroid known as Tiaanamat. The and a pair of hand-drawn artworks on either side of a piece of brown paper. The sketches of artwork: two loose pages featuring pencil-and-charcoal sketches of Omega’s helmet at
and is missing several features commonly seen on Cybermen, including a mouth, pipes on lot consists of a green latex alien head; a wrinkled, brown-patterned foam-latex mask; a are drawn in pencil, and the artworks are rendered in a mixture of charcoal pencil, colouring various angles, and an additional full-length illustration of Omega’s robes rendered in pencil,
the cheeks, and the framework around the top of the head. The helmet has wear from use, grey-painted fibreglass head featuring a detailed face mask; and a silver-coloured dense pencil and oil pastel. Each piece features annotations and is signed by Academy Award®- gouache paint and coloured pencil. The latter is labelled “Doctor Who, Omega” in black
storage and age, including scratches, cracked paint, and chipped fibreglass, most notably rubber helmet with an orange-tinted visor. Powered by three AA batteries, a set of fairy winning costume designer James Acheson. The artworks show minimal wear, with slight ink and signed by Academy Award®-winning costume designer James Acheson. Each of
at the base of the helmet’s rear. Dimensions: 27 cm x 35 cm x 42 cm (10 ¾” x 13 ¾” x 16 ½”) lights within the visor illuminate via a switch on a battery pack located in the helmet. The smudging from time spent in storage. Dimensions (each): 40 cm x 30 cm (16” x 12”) Sold the three designs display very little wear from production use. Dimensions (largest design):
lot displays signs of minor wear, cracking and scuffing to the paint finish, and the cover for without copyright; see copyright notice in the Buyer’s Guide. 50 cm x 30 cm (20” x 12”) Sold without copyright; see copyright notice in the Buyer’s Guide.
Estimate: £600 - 800 the battery pack is missing. Dimensions (largest head): 50 cm x 25 cm x 38.5 cm (19 ¾” x
9 ¾” x 15 ¼”) Contains electronics; see electronics notice in the Buyer’s Guide. Estimate: £1,000 - 1,500 Estimate: £1,000 - 1,500

Estimate: £800 - 1,200

2.16 m (7.1’)

542. Irongron (David Daker) and Bloodaxe (John J. Carney)

538. Two Creature Heads †Δ 539. Coal Hill School Coat of Arms M Hand-drawn Costume Designs Ω 543. Hand-painted Sontaran Costume Design Ω

DOCTOR WHO: “THE MAGICIAN’S APPRENTICE” (TV SERIES, 2015) DOCTOR WHO: CLASS (TV SERIES, 2016) DOCTOR WHO: “THE TIME WARRIOR” (TV SERIES, 1973) DOCTOR WHO: “THE TIME WARRIOR” (TV SERIES, 1973)
A set of two creature heads from the ninth season episode “The Magician’s Apprentice” The Coal Hill School coat of arms from the Doctor Who spin-off series, Class. This coat of A pair of Irongron (David Daker) and Bloodaxe (John J. Carney) costume designs from the A hand-painted Sontaran costume design from the production of Alan Bromly’s Doctor
of the revived BBC sci-fi series Doctor Who. Dalek agent Colony Sarff (Jami Reid-Quarrell) arms appeared throughout the show, and also appeared in promotional photos. Designed production of Alan Bromly’s Doctor Who serial The Time Warrior. The lot consists of two Who serial The Time Warrior. The design is rendered in a mixture of pencil, charcoal pencil,
questioned various alien creatures in the Maldovarium bar as they searched for The by concept artist Matt Sanders, the coat of arms is made of biscuit foam, painted and highly detailed, full-length designs rendered in a combination of graphite pencil, coloured coloured pencil and oil pastel on thick brown paper. There is also a rough sketch of the
Doctor (Peter Capaldi). One of the heads is made of a foam-latex face displaying primate- textured to look like aged stone. It comes with a custom-made, wooden display stand and pencil, charcoal and oil pastels on brown paper. Each sketch is labelled with the episode Sontaran’s helmet, and a box in the top-left corner featuring the episode title and names
like features and a pair of adhered ear defender-like components connected via a plastic a framed sheet of information about the item. The legs of the stand feature motifs from title, character name and actor name,, and is signed by Academy Award®-winning costume of director Bromly, producer Barry Letts and actor Kevin Lindsay. The design is signed by
tube. The second creature head is made of silicone and features three faces incorporated classic Doctor Who, including previous Doctors, Cybermen and the TARDIS. The coat of designer James Acheson. There are small tears along the top edges of the paper from Academy Award®-winning costume designer James Acheson and exhibits small pinholes
into one, and comes with a wide-brimmed plastic hat. The lot displays minor paint wear, arms has some wear from production use and storage, including scratches on the reverse. staples or pin. Dimensions (each design): 40 cm x 30 cm (16” x 12”) Sold without copyright; along the top. Dimensions: 40 cm x 30 cm (16” x 12”) Sold without copyright; see copyright
the silicone is slightly sticky and shows dirt remnants, and there is minor wear and some Dimensions: 44 cm x 216 cm x 192 cm (17 ¼” x 85” x 75 ½”) Special shipping required; see see copyright notice in the Buyer’s Guide. notice in the Buyer’s Guide.
scratches on the hat. Dimensions (largest head): 51 cm x 51 cm x 40 cm (20” x 20” x 15 ¾”) special shipping notice in the Buyer’s Guide.
Estimate: £800 - 1,200 Estimate: £1,500 - 2,500
Estimate: £600 - 800 Estimate: £400 - 600

340 341
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

544. Two Hand-drawn Robot Designs Ω

DOCTOR WHO: “ROBOT” (TV SERIES, 1975)

A pair of costume designs from the production of
Christopher Barry’s four-part Doctor Who serial Robot. The
lot comprises a design featuring front-view and side-view
pencil sketches of the titular robot on tracing paper, and
a hand-coloured illustration rendered in a combination of
graphite pencil, charcoal pencil and oil pastels on a sheet
of thick grey paper. Stapled to a piece of grey paper, the
pencil sketches are dated “2/10/74”, with the director’s
name handwritten at the top. The coloured illustration
features Academy Award®-winning costume designer
James Acheson’s signature and several notes in the top-left
corner. The lot exhibits minimal wear from production use.
Dimensions (each): 40 cm x 30 cm (16” x 12”) Sold without
copyright; see copyright notice in the Buyer’s Guide.

Estimate: £1,500 - 2,500 547. Thing 1’s (Danielle C. Ryan) Costume †Δ 548. Sardaukar General Stunt Knife M

DR. SEUSS THE CAT IN THE HAT (2003) DUNE (1984)

Thing 1’s (Danielle C. Ryan) costume from Bo Welch’s fantasy comedy The Cat in the Hat. A Sardaukar General stunt knife from David Lynch’s sci-fi epic Dune. Knives were worn at
Thing 1 and Thing 2 (Brittany Oaks) wore their costumes as they wrecked the Waldens’ the hip by the Sardaukar Generals who protected the Emperor. The stunt knife is made
house after the Cat (Mike Myers) released them from a crate. Made from red stretch fleece- of resin, and features a reverse-curved blade finished in grey and metallic-blue paint. A
545. Hand-drawn Zygon Costume like fabric, the custom-made jumpsuit features a padded collar and is decorated with two finger loop and a handguard are situated just above the textured handle, which is painted
Design Ω round “Thing 1” emblems. The back emblem can be partially removed via several popper a darker metallic grey. Accompanying the weapon is a brown leather sheath with metal-
fastenings, so the rear zip can be fully unzipped. Two intentional holes are located at the stud detailing and a belt loop at the top. The lot exhibits paint wear down the blade and
hips to allow the use of a harness. Handwritten text reading “Danielle Harness” is located a small tear near the sheath’s right metal stud. Dimensions (knife): 35.5 cm x 10 cm x
DOCTOR WHO: “TERROR OF THE ZYGONS”
on the inside of the zip, along with a red “Rita Ryack, C.D.G” costume tag. The costume 3.5 cm (14” x 4” x 1 ¾”); (sheath): 37 cm x 10 cm x 2.5 cm (14 ½” x 4” x 1”)
(TV SERIES, 1975)
displays minor wear, and a small hole is present at the top of the zip.
A hand-drawn costume design for Broton, a Zygon Estimate: £1,000 - 1,500
commander, from the production of Douglas Camfield’s Estimate: £400 - 600
Doctor Who serial Terror of the Zygons. The design is
rendered on brown paper in pencil, coloured pencil and
oil pastel. It features Academy Award®-winning costume
designer James Acheson’s signature, with the production
title, director’s name, character name and actor’s name
handwritten in the top-left corner. The design shows
minimal wear, with a small crease in the bottom-right
corner. Dimensions: 40 cm x 30 cm (16” x 12”) Sold without
copyright; see copyright notice in the Buyer’s Guide.

Estimate: £1,500 - 2,500

546. Pair of Hand-painted Time Lord

Costume Designs Ω

DOCTOR WHO: “THE DEADLY ASSASSIN”

(TV SERIES, 1976)
A pair of hand-painted Time Lord costume designs from
the production of David Maloney’s Doctor Who serial The 549. Pair of Hand-Drawn Ron Cobb Ornithopter Concept
Deadly Assassin. One of the detailed artworks depicts a Sketches Ω 550. Orc Mask M
set of red-and-orange Time Lord robes on brown paper;
the other depicts a set of white Time Lord robes on grey DUNE (UNPRODUCED) DUNGEONS & DRAGONS (2000)
paper. Both are coloured using gouache paint, with shading
and outlining in pencil. A small, rough side-profile pencil A pair of hand-drawn Ron Cobb ornithopter concept sketches from Alejandro Jodorowsky’s An orc mask from Courtney Solomon’s action fantasy film Dungeons & Dragons. Orcs
sketch is also present on the grey sheet. Both designs unproduced adaptation of Dune. In the Frank Herbert novels, ornithopters transported appeared in the tavern where heroic thief Ridley (Justin Whalin) magically transported
feature Academy Award®-winning costume designer James people across the deserts of Arrakis. These concept sketches of the ornithopter were himself into the map to the Rod of Savrille. The head has an internal fibreglass shell, green
Acheson’s signature, with the episode title and character created during development on Jodorowsky’s unproduced adaptation by conceptual foam-latex skin, and a spiked fibreglass helmet. The face features a leather eye patch, one
name handwritten near the top. The white-coloured design artist Ron Cobb. One features several illustrations of ornithopter machinery rendered red eye, pointed ears with hoop earrings, and discoloured teeth with faux saliva around
displays minor marks from production use. Dimensions in pencil and watercolour on graph paper, while the second features a detailed scale the mouth. Intentional holes on the neck enable visibility for the actor. A hidden zip runs
(each design): 40 cm x 30 cm (16” x 12”) Sold without illustration of the vehicle and a pilot rendered in pencil on illustration paper. Both sketches down the back of the neck and seven plastic buckles are attached around its bottom
copyright; see copyright notice in the Buyer’s Guide. exhibit minor wear along their edges and various stains to the paper. Dimensions (largest): edge. The skin displays signs of paint wear, and minor damage is present on parts of the
49 cm x 34.25 cm (19 1/4” x 13 1/2”); (smallest): 42 cm x 30 cm (16 1/2” x 11 3/4”) Sold without helmet. Dimensions: 49 cm x 32 cm x 44 cm (19 ¼” x 12 ½” x 17 ¼”)
Estimate: £1,000 - 1,500 copyright; see notice in the Buyer’s Guide.
Estimate: £800 - 1,200
Estimate: £800 - 1,200

342 343
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

551. Lisa Tomczeszyn Costume Design

Artwork for Elektra (Jennifer Garner) †Δ 554. Elf Shoes Ω

ELEKTRA (2005) ELF (2003)

A set of costume design artworks for Elektra (Jennifer Elf shoes from Jon Favreau’s holiday comedy Elf. Several sets of shoes
Garner) from the production of Rob Bowman’s superhero were visible behind an elf cobbler as he tried to fit a pair of overly small
film Elektra. The lot consists of 17 designs for the heroic shoes onto Buddy (Will Ferrell), a human who was being raised in the
assassin, primarily variations of her red-coloured outfits. North Pole. This pair of black rubber shoes feature textured sections by the
The majority of the artwork was hand drawn by costume feelcaps, diamond-shaped tongue details and curled, decorative accents
designer Lisa Tomczeszyn in pencil, with colour applied on the tops of the toeboxes. These shoes exhibit signs of wear from age
using a combination of watercolour and ink. Tomczeszyn’s and use, including some cracking on the heels. Dimensions: 30.5 cm x
signature is present on each of the sketches. The set is 19 cm x 7.75 cm (12” x 7 1/2” x 3’)
accompanied by a production-used photocopy of the final
costume design seen in the film. The artwork displays signs Estimate: £600 - 800
of production use, including light edge wear, minor marks
and pinholes. Dimensions (largest design): 33.5 cm x 22 cm
(13 ¼” x 8 ¾”) Sold without copyright; see copyright notice
in the Buyer’s Guide.

Estimate: £400 - 600

552. Script, Production Paperwork

and Crew Sweatshirt M

THE ELEPHANT MAN (1980)

A script, paperwork, and crew sweatshirt from David Lynch’s 555. Jim Graham’s (Christian Bale) Golf Shoes M
historical biopic The Elephant Man. The heavily annotated,
136-page script – credited to Christopher De Vore, Eric EMPIRE OF THE SUN (1987)
Bergren and David Lynch – is dated “August 1st, 1979”.
The paperwork includes various ephemera, including call Jim Graham’s (Christian Bale) golf shoes from Steven Spielberg’s war drama
sheets; a budget breakdown; a blueprint; a crowd and small Empire of the Sun. Jim wore his shoes after being given them by Dr Rawlins
parts list; a set list; shooting schedules; a synopsis; and a (Nigel Havers) at the internment camp, having coveted them since another
schedule index in a black folder with two pressed leaves. prisoner brought them to the camp. The shoes black-and-white leather
The folder features a “The Star Wars” sticker, indicating it golf shoes, intentionally distressed to appear well worn and dirtied. They
previously held paperwork on a Star Wars production. The no longer have their kilties, or the spikes on their soles. No size is labelled.
grey sweatshirt - labelled “large” - features the film’s title with
a looping row of elephants around its middle. It has shrunk Estimate: £800 - 1,200
over time. The script and folder display staining, creasing
and discolouration. Dimensions (script): 31 cm x 22 cm x 2
cm (12 ¼” x 8 ¾” x ¾”); (paperwork folder): 31.5 cm x 23.5
cm x 2.5 cm (12 ½” x 9” x 1”)

Estimate: £500 - 700

556. Ajihad’s (Djimon Hounsou) Hero Shield M

553. Elf Twin’s (Patrick Hulne) Jacket Ω
ERAGON (2006)
Ajihad’s (Djimon Hounsou) hero shield from Stefen Fangmeier’s fantasy
ELF (2003)
adaptation Eragon. Ajihad used his shield during the climactic battle against
An elf twin’s (Patrick Hulne) jacket from Jon Favreau’s the army lead by Durza (Robert Carlyle). The shield is made of steel, with
holiday comedy Elf. Diminutive elves wore their holiday- aluminium spikes around half of its edge and aluminium rivets holding the
themed uniforms throughout the film as they made toys in spikes in place. The shield is decorated with an ornate pattern and partially
Santa Claus’ (Ed Asner) workshop. This blue antron fleece painted an amber colour. Its back is foam padded, with two leather straps
jacket features a white fur collar and cuffs, white and light attached. A handwritten label from the production reads “Ajihad’s Shield”. It
blue flower filigree patterns stitched along the centre, a has some wear from production use and age, including scuffing, scratches
metal hook closure, and small fastening strips along the and small patches of rust and wear to the paintwork. Dimensions: 35 cm
waist for securing a belt. A Carelli Costumes label marked x 51 cm x 6 cm (13 ¼” x 20” x 2 ¼”)
for “MR. PATRICK HULNE” is sewn to the interior along
with a tag marked “PA. Hulne.” The jacket exhibits visible Estimate: £1,000 - 1,500
signs of production use, including a large puncture at the
centre back.

Estimate: £1,000 - 1,500

344 345
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

557. Durza’s (Robert

Carlyle) Hand-and-a- 558. Eragon’s (Ed
half Hero Sword and Speleers) Stunt Zar’roc
Scabbard M Sword M

ERAGON (2006) ERAGON (2006)

Durza’s (Robert Carlyle) hand-and- Eragon’s (Ed Speleers) stunt Zar’roc
a-half hero sword and scabbard sword from Stefen Fangmeier’s fantasy
from Stefen Fangmeier’s fantasy adaptation Eragon. On his deathbed,
adaptation Eragon. Durza carried Former Dragon Rider Brom (Jeremy
his sword throughout the film, while Irons) bequeathed Zar’roc to Eragon,
doing Galbatorix’s (John Malkovich) who later used it to defeat Durza
evil bidding. The sword features a high (Robert Carlyle). This rubber sword
polished aluminium blade and a resin features a red-painted blade; a faux-
writhen handle, which is coloured to silver two-headed dragon guard; a
resemble bone and decorated like dark purple grip; and an unfinished
a bird, with a talon-shaped pommel. oval pommel which does not resemble
The scabbard is made of wood with the jewelled pommel seen in the
a black leather covering. The sword film due to it being a stunt version.
has some wear from production The sword exhibits some scuffing,
use and age, including scuffing and scratches, and paint transfer on the
scratches, with spots of verdigris blade from production use and age.
on the crossguard, pommel and Dimensions: 119 cm x 20 cm x 3 cm
scabbard. Dimensions: 78 cm x 23 cm (46 ¾” x 7 ¾” x 1 ¼”)
x 3.5 cm (30 ¾” x 9” x 1 ½”)
Estimate: £1,000 - 1,500
Estimate: £2,000 - 3,000

560. CO2 Air Filter,

559. Crew Jacket and Explosive Device, and
Cap †Δ Detonator †Δ

ETERNALS (2021) EVENT HORIZON (1997)

A crew jacket and cap from the A CO2 air filter, explosive device,
production of Chloé Zhao’s superhero and an SFX detonator from Paul
film Eternals. The black polyester W. S. Anderson’s sci-fi horror Event
Stormtech puffer jacket (labelled Horizon. Filters cleaned the ship’s air, 563. Nathan’s (Oscar Isaac) Gym
size L) features a zip fastening down and explosive devices were situated Costume, Caleb’s (Domhnall Gleeson)
the front, and its left breast displays throughout the Event Horizon where 561. Daphne Castle’s (Maggie Smith) 562. Ava’s (Alicia Vikander) “Session Shirt and Kyoko’s (Sonoya Mizuno)
a clock-like emblem bearing glyph one was used by a possessed Dr. Weir Cocktail Hour Dress M 6” Dress † Dress †
characters, the production title, the (Sam Neill). The two-part metal and
Marvel Studios logo and the text plastic filter features applied graphics. EVIL UNDER THE SUN (1982) EX MACHINA (2014) EX MACHINA (2014)
“Cast & Crew 2019”, embroidered The wood and resin explosive device
in faux-gold and white. The New and detonator, painted to look like Daphne Castle’s (Maggie Smith) cocktail hour dress from Ava’s (Alicia Vikander) “Session 6” dress from Alex Garland’s Nathan’s (Oscar Isaac) gym costume, Caleb’s (Domhnall
Era® polyester cap (marked as a metal, come with a battery pack, Guy Hamilton’s Agatha Christie adaptation Evil Under the sci-fi thriller Ex Machina. Ava wore the dress when Caleb Gleeson) shirt and Kyoko’s (Sonoya Mizuno) dress from
size M/L) bears the production title though functionality remains untested. Sun. Daphne wore her dress during a brief scene where (Domhnall Gleeson) explained that he had a plan for the Alex Garland’s sci-fi thriller Ex Machina. Nathan wore his
embroidered in gradated metallic The items show production minor she is seen sitting on a sofa during cocktail hour. The floor- two of them to escape Nathan’s (Oscar Isaac) home and workout costume in multiple scenes; Caleb wore his shirt
gold-and-bronze coloured thread. A wear. Dimensions (filter): 100 cm x 10 length gown is made from a silver chain-mail-like fabric. It that Nathan intended to perform an upgrade on Ava which when he first arrived at Nathan’s house and met Ava (Alicia
line of embroidered symbols adorn cm x 10 cm (39 ½” x 4” x 4”); (explosive features an ornate high neckband, black chiffon sleeves would ultimately “kill” her current personality. The light pink Vikander); and Kyoko wore her dress when she stabbed
the back of both garments. The device): 32 cm x 39 cm x 12 cm (12 ½” x decorated with a silver-striped pattern, and champagne Monsoon sleeveless dress is made from polyester chiffon Nathan in the back. Nathan’s costume consists of a marl
jacket’s original tags are attached to 15 ½” x 4 ¾”) Contains electronics; see coloured mesh sections emulating cut-outs down the and is decorated with a multi-coloured dotted pattern. A grey cotton-blend vest, a pair of black Nike “Dri-Fit” shorts
the zip. The lot displays minimal wear, electronics notice in the Buyer’s Guide. arms. There are two zips down the back, and a supportive concealed zip runs down the back and the garment is (size Large) and a pair of non-prescription Specsavers
and the jacket effuses a cigarette- bodysuit is sewn within the garment. The weighty dress is labelled as a UK size 8. The dress displays light wear from glasses housed inside a grey case marked “Stunt”. Caleb’s
smoke odour. Estimate: £1,000 - 1,500 fragile and displays signs of wear and age, including holes production use, including a mark on the lining and minor white striped shirt is marked as a size Small; and Kyoko’s
on the mesh fabric and plucked threads on the sleeves. plucked threads on the front. white cotton Osman body-con dress features a black stripe
Estimate: £200 - 300 running down the front and is marked as a size UK 8. The
Estimate: £600 - 800 Estimate: £2,000 - 3,000 costumes display minor wear, plucked threads and marks
from production use.

Estimate: £800 - 1,200

346 347
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

564. Guenevere’s (Cherie Lunghi) 565. Two Crew Gift Swords in Display 566. Moses’ (Christian Bale) Stunt 567. Moses’ (Christian Bale) Stunt 568. Prototype and Finished Trash
Dress M Boxes †Δ Sword M Dress Sword M Can Model Miniatures Ω 569. Wand and Wand Box Crew Gift M

EXCALIBUR (1981) EXODUS: GODS AND KINGS (2014) EXODUS: GODS AND KINGS (2014) EXODUS: GODS AND KINGS (2014) EXPLORERS (1985) FANTASTIC BEASTS: THE CRIMES OF
GRINDELWALD (2018)
Guenevere’s (Cherie Lunghi) dress from John Boorman’s A pair of crew gift swords from the production of Ridley Moses’ (Christian Bale) stunt sword from Ridley Scott’s Moses’ (Christian Bale) stunt dress sword from Ridley Scott’s Prototype and finished trash can model miniatures from Joe
Arthurian epic Excalibur. Guenevere wore her dress at the Scott’s Biblical epic Exodus: Gods and Kings. The two Biblical epic Exodus: Gods and Kings. Moses received his Biblical epic Exodus: Gods and Kings. Moses carried his Dante’s sci-fi film Explorers. Ben Crandall (Ethan Hawke) and A wand and wand box crew gift from the production of
Round Table when Sir Gawain (Liam Neeson) questioned swords are, respectively, a to-scale and miniature version of sword after he defeated several assassins. The sword is ceremonial dress sword at the beginning of the film, while his friends built a spaceship out of a trash can and other David Yates’ fantasy adventure prequel Fantastic Beasts:
her fidelity to King Arthur (Nigel Terry). The floor-length dress Ramses’ (Joel Edgerton) sword from the film. Both are made made of rubber, painted to look like metal with a faux ivory speaking to Ramses (Joel Edgerton). The sword is made assorted junk. This lot of model miniatures made during The Crimes of Grindelwald. The wand has a grey-painted
is made from cream cotton that displays an array of faux- of resin and hand-painted, and are displayed in wooden handle. It has some wear to the paint from production use, of rubber with a metal armature and is painted to look like pre-production consists of a hand-painted silver-colour resin resin handle that features a statuesque, winged female
gold floral embroidery, with decorative diamond patterning boxes beneath acrylic lids. The gifts have some wear from most notably on the handle. Dimensions: 60 cm x 3 cm x metal. It has a large handle, which is ornately decorated trash can with a removable top intentionally distressed by angel, with green applied to replicate verdigris. The wand
around the neckline. A long, orange, heavily embellished use and age, including some scuffing and scratches to the 7 cm (23 ½” x 2 ¾” x 1 ¼”) with golden animals and flowers. The sword has some production to appear rusty and aged; a brown resin trash comes in a green, triangular prism box, which features a
sleeveless trail accompanies the dress, with two circular display boxes, while the underside of each box features wear from production use and age, including some wear can; and two unpainted off-white resin trash can pieces with black label on the side, with gold-coloured text reading
beads attached to the front. Bonn & Mackenzie labels with staining and adhesive remnants. Dimensions (large box): Estimate: £800 - 1,200 to the paint, most notably on the handle. Dimensions: untrimmed moulding flash. The miniatures exhibit stains “Thank You For All Your Brilliant Work, David, David &
the handwritten text “Cheri Lunghi – Guinivere [sic]” are 85 cm x 16 cm x 6.5 cm (33 ½” x 6 ¼” x 2 ½”); (small box): 66 cm x 8 cm x 6 cm (26” x 3 ¼” x 2 ¼”) and some denting to their sides. Dimensions (each): 5 cm Tim Voltaire 2017”. There is an additional label on the lid,
adhered to the inside necklines of both garments. The dress 42.5 cm x 8 cm x 3.5 cm (16 ¾” x 3 ¼” x 1 ½”) x 5 cm x 7.75 cm (2” x 2” x 3”) reading “Hiram Bleetman’’, and a label on the opposite
displays light plucks, wear to the stitching and a stain on the Estimate: £2,000 - 3,000 end, reading “FB II”. The labels show minor damage and
back of the trail from production use. Estimate: £800 - 1,200 Estimate: £400 - 600 are peeling away slightly. Dimensions (box): 37 cm x 6 cm
x 5.5 cm (14 ½” x 2 ¼” x 2”)
Estimate: £1,000 - 1,500
Estimate: £400 - 600

348 349
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

574. Luke Hobbs’ (Dwayne Johnson) Stunt Chiappa Rhino

570. Wand and Wand Box Crew Gift Ω 571. The Thing’s (Michael Chiklis) Head Appliance M 60DS †Δ 575. Deckard Shaw’s (Jason Statham) Stunt Shotgun †Δ

FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD (2018) FANTASTIC FOUR (2005) FAST & FURIOUS PRESENTS: HOBBS AND SHAW (2019) FAST & FURIOUS PRESENTS: HOBBS AND SHAW (2019)
A wand and wand box crew gift from the production of David Yates’ fantasy adventure The Thing’s (Michael Chiklis) head appliance from Tim Story’s superhero film Fantastic Four. Luke Hobbs’ (Dwayne Johnson) stunt Chiappa Rhino 60DS from David Leitch’s action Deckard Shaw’s (Jason Statham) stunt shotgun from David Leitch’s action spin-off Fast &
prequel Fantastic Beasts: The Crimes of Grindelwald. The wooden wand has a grey painted Ben Grimm (Chiklis) transformed into the Thing after he was exposed to a wave of radiation spin-off Fast & Furious Presents: Hobbs and Shaw. Hobbs wielded his revolver as he tried Furious Presents: Hobbs and Shaw. Shaw found the shotgun at his sister Hattie’s (Vanessa
resin handle that features a statuesque female winged angel, with green applied to replicate in space. Made of foam latex, the head appliance features ridged, rock-like patterns with to prevent Brixton Lore (Idris Elba) from kidnapping Hattie Shaw (Vanessa Kirby). The stunt Kirby) apartment and used it to fight off several intruders. This rubber, double-barrelled
verdigris. The wand comes in a green, triangular prism box featuring a black label on the an orange paint finish that has a wash applied to darken the recesses. The head has holes revolver is made of hardened rubber painted to look nickel-plated, and has a wooden shotgun is hand-painted to resemble metal and wood. It has a hinge in the middle, allowing
side, with gold-coloured text reading “Thank You For All Your Brilliant Work, David, David for the eyes and nostrils, and is presented on a lightweight display bust. The eyes of the handle. It shows minor wear from production use, including scuffing and scratches to the it to be cocked open. It features an extended stock with a curved, custom-shaped butt. The
& Tim Voltaire 2017”. There is also an additional label on the lid reading “David Gilhooly”, bust are painted dark grey. Signs of production use are evident, including light paint wear, paintwork. Dimensions: 28 cm x 4 cm x 17.5 cm (11” x 1 ½” x 7”) Restricted ownership; see shotgun shows some wear from production use and age, including scuffing, scratches, and
and a label on the opposite end reading “FB II”. The set has very minor wear from use. and the head remains slightly sticky to the touch in places. Dimensions (on bust): 23 cm x replica firearm notice in the Buyer’s Guide. paint wear. There is a small split in the rubber on the underside of the weapon. Dimensions:
Dimensions (box): 37 cm x 6 cm x 5.5 cm (14 ½” x 2 ¼” x 2”) 27 cm x 34 cm (9” x 10 ½” x 13 ¼”) 63 cm x 5.5 cm x 13.5 cm (24 ¾” x 2 ¼” x 5 ¼”) Restricted ownership; see replica firearm
Estimate: £800 - 1,200 notice in the Buyer’s Guide.
Estimate: £600 - 800 Estimate: £2,000 - 3,000
Estimate: £600 - 800

572. The Thing’s (Michael Chiklis) Boots, Von Doom

Industries Plaque, and Set of Newspaper Covers Ω 573. Clapperboard M 576. Futuristic Mobile Phone †Δ 577. Aspect Ratio Frame Set-up Reference Photographs †Δ

FANTASTIC FOUR (2005) FAST & FURIOUS (2009) THE FIFTH ELEMENT (1997) THE FIFTH ELEMENT (1997)
The Thing’s (Michael Chiklis) boots, Von Doom Industries plaque, and set of newspaper A clapperboard from the production of Justin Lin’s action sequel Fast & Furious. The acrylic A futuristic mobile phone from Luc Besson’s sci-fi adventure The Fifth Element. Mobile A collection of frame set-up reference Polaroids from the production of Luc Besson’s sci-fi
covers from Tim Story’s superhero adventure Fantastic Four. Astronaut Ben Grimm was slate has a wooden clapper arm and features the production title “The Fast and the Furious devices were used in multiple scenes, most notably by President Lindberg (Tommy ‘Tiny’ adventure The Fifth Element. These images were taken by Director of Photography Thierry
transformed into a large rock-like creature when exposed to gamma radiation while on 4” printed in red, with the names of Lin and cinematographer Amir Mokri printed in black. Lister Jr.) during the final sequence, when he spoke to Korben Dallas’ (Bruce Willis) mother. Arbogast to test the aspect-ratio framing. The lot consists of 12 behind-the-scenes Polaroids.
board a spacecraft funded by Von Doom industries. This lot consists of a pair of oversize The scene number, take number, and date were written in black marker pen but have been Made of resin finished in black paint, the non-functional communications device features These include two images depicting the side and back view of a large-sized model of
black rubber and leather stunt boots with foam rubber linings on the interiors, a metal Von smudged or worn away. The clapperboard has some wear from production use and age, various sculpted grips, buttons and switches. The handset is decorated with small white Korben Dallas’ (Bruce Willis) taxi covered in bullet holes, and six showing a similar-sized
Doom Industries triangular plaque, and a set of five color newsprint newspaper covers including light surface scratches, and there are three holes in the back of the clapper where decals, and a red acrylic aerial protrudes out of the top. There are minor signs of production model of a New York police car from various angles. There are signs of discolouration,
with various headlines. It exhibits signs of wear from age and use. Dimensions: 111.75 cm x it was previously mounted on a display. Dimensions: 24 cm x 28 cm x 2 cm (9 ½” x 11” x ¾”) use, including multiple chips and scuffing to the paint finish. Dimensions: 4.5 cm x 4 cm noticeable crease lines on four images, and one Polaroid has a minor tear. Dimensions
142.25 cm x 51 cm (44” x 56” x 20”) x 19 cm (1 ¾” x 1 ½” x 7 ½”) (each Polaroid): 8.5 cm x 11 cm (3 ¼” x 4 ¼”)
Estimate: £800 - 1,200
Estimate: £1,500 - 2,500 Estimate: £800 - 1,200 Estimate: £300 - 500

350 351
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

582. Director Gerard McMurray’s Early Draft

Script and Hand-Drawn Storyboards Ω

THE FIRST PURGE (2018)

Director Gerard McMurray’s early draft script and hand-drawn storyboards
from McMurray’s horror thriller prequel The First Purge. The New Founding
Fathers political party offered money to anyone willing to stay on Staten
Island during a period of twelve hours, during which laws no longer applied.
This 105 page screenplay is credited to James DeMonaco. It is dated “Aug
15, 2017” with the original title “THE PURGE: AMERICAN EXPERIMENT”.
Each page features McMurray’s name printed across it. Also included
are twelve sheets of illustration paper featuring hand-drawn storyboards
rendered in graphite depicting a pair of scenes from the film. It exhibits
minor signs of age and use throughout. Dimensions: 31.25 cm x 23 cm x 4
cm (12 1/4” x 9” x 1.5) Sold without copyright; see notice in the Buyer’s Guide.

Estimate: £1,000 - 1,500

578. Zorg’s (Gary Oldman) Weapons Data Rolodex Cards †Δ 579. Set of Three Paper Street Soap Company Wrappers Ω

THE FIFTH ELEMENT (1997) FIGHT CLUB (1999)

A set of Zorg’s (Gary Oldman) weapons data Rolodex cards from Luc Besson’s sci-fi Three Paper Street Soap Company wrappers from David Fincher’s drama Fight Club.
adventure The Fifth Element. A Rolodex was one of the many items which popped out of Project Mayhem leader Tyler Durden (Brad Pitt) made and sold soap in the kitchen of his
Zorg’s office desk when he frantically pressed buttons while choking on a cherry in front dilapidated house on Paper Street using fat stolen from liposuction clinics. This set consists
of Father Vito Cornelius (Ian Holm). The lot consists of 11 coloured, laminated cards, each of three different double-sided Paper Street Soap Co. wrappers for the “Oatmeal with Milk
featuring printed images of sci-fi weapons, vehicles and random filler text. All the cards and Honey,” “Oatmeal and Vanilla Bean,” and “Mixed Herb and Tea Tree Oil” flavors printed
have been hole-punched at the top edge. The cards display very minor edge wear and in black on grey, tan, and brown textured cardstock. They are unfolded and exhibit minor
scratching from production use. Dimensions (each card): 15.5 cm x 21.5 cm (6 ¼” x 8 ½”) signs of production use, including bending and edge wear. Dimensions (each): 19 cm x 583. Psammead Shell M
6.5 cm (7 1/2” x 2 1/2”)
Estimate: £300 - 500
Estimate: £400 - 600 FIVE CHILDREN AND IT (2004)
A psammead shell from John Stephenson’s family fantasy-adventure film
Five Children and It. The psammead, aka “It”, was a sand fairy discovered
on a beach by a family of children. The shell has a resin skin, which is
hand-painted to look organic and covers a biscuit foam structure around
a metal armature. A section at the middle of the shell can be removed. The
shell has some wear from production use and age, including scuffing and
scratches to the paintwork, and there are chips in some places which reveal
the biscuit foam beneath. There are also remnants of sand. Dimensions:
68 cm x 47 cm x 28 cm (26 ¾” x 18 ½” x 11”)

Estimate: £1,000 - 1,500

584. Ming Royal Guard SFX Rifle M

FLASH GORDON (1980)

A Ming royal guard SFX rifle from Mike Hodges’ sci-fi adventure Flash
Gordon. Emperor Ming’s (Max von Sydow) royal guards carried rifles when
Flash Gordon (Sam J. Jones) and his companions first entered Ming’s
580. Bar of Soap M 581. Hand-drawn Storyboard Sequence and Call Sheets †Δ palace, and later during Ming and Dale’s (Melody Anderson) wedding. The
fibreglass weapon is painted goldtone with black detailing. Metallic red vinyl
decals and black stripes adorn the piece. The functioning trigger would
FIGHT CLUB (1999) FIRST MEN IN THE MOON (1964)
have illuminated the end of the barrel via an electrical fitting to mimic laser
A bar of soap from David Fincher’s comedy thriller Fight Club. Soap salesman Tyler Durden A hand-drawn storyboard sequence and three call sheets from Nathan A. Juran’s sci-fi fire. The rifle displays paint wear, the red decals show signs of peeling, and
(Brad Pitt) showed a briefcase full of soap bars to the Narrator (Edward Norton) when they adventure First Men in the Moon. The hand-drawn storyboard sequence, a single sheet of there is a crack along the top of the barrel. Dimensions: 68 cm x 7 cm x
met on a flight, and the duo later stole human fat from dumpsters at a liposuction clinic in artwork rendered in black ink, shows Arnold Bedford (Edward Judd) and Professor Joseph 24 cm (26 ¾” x 2 ¾” x 9 ½”) Contains electronics; see electronics notice
order to make more soap, which was eventually sold to cosmetic store departments. The Cavor (Lionel Jeffries) discovering evidence of the moon’s inhabitants, the Selenites. The call in the Buyer’s Guide.
semi-transparent bar of soap is a pinkish-orange colour and the top textured side displays sheets are from three shooting days: Monday 21 October, Friday 25 October and Monday 2
a white marbled effect. There is minor wear present on the soap and the back displays December 1963. The three principal cast members – Jeffries, Judd and Martha Hyer – are Estimate: £2,000 - 3,000
two holes from when the bar was previously displayed. The lot is accompanied by a 20th all featured. The call sheets display signs of storage, including creases, and the storyboard
Century Fox certificate of authenticity. Dimensions: 9 cm x 5.5 cm x 2.5 cm (3 ½” x 2 ¼” x 1”) has discolouration and damage on one edge, with white tape added as reinforcement.
Dimensions (storyboard): 38 cm x 56 cm (15” x 22”); (each call sheet): 29 cm x 20 cm (11 ½”
Estimate: £600 - 800 x 8”) Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £600 - 800

352 353
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

585. Ming Guard’s Cannon Blaster M

FLASH GORDON (1980)

A Ming Guard’s cannon blaster from Mike Hodges’ sci-fi adventure Flash
Gordon. Large cannon blasters formed part of the armoury aboard the War
Rocket Ajax. Prince Barin (Timothy Dalton) notably wielded a cannon blaster
when he deactivated the lightning field in Sector Alpha 9, allowing Flash
(Sam J. Jones) to crash the Ajax ship into the throne room. The weapon
is made of fibreglass and is painted black with gold foil detailing, with
two red decals adhered along the top edge. It features a long barrel, two
protruding side grips, a static trigger and a curved stock. The cannon blaster
exhibits signs of wear to the gold foil and paint finish from production use.
Dimensions: 108 cm x 20 cm x 27 cm (42 ½” x 7 ¾” x 10 ½”)

Estimate: £2,000 - 3,000

588. Palace Guard Helmet †Δ 589. “1 YAHOO” Licence Plate M

FLASH GORDON CONQUERS THE UNIVERSE (1940) FREQUENCY (2000)

A palace guard’s helmet from Ford Beebe and Ray Taylor’s 1940 sci-fi movie serial Flash A “1 YAHOO” licence plate from Gregory Hoblit’s supernatural drama Frequency. The
Gordon Conquers the Universe. Guards wore their helmets in the sixth chapter, “Flaming licence plate adorned the front of Gordo Hersch’s (Noah Emmerich) Mercedes-Benz, and
Death,” while on board Prince Barin’s (Roland Drew) fleet ship, which mistakenly shot and was seen at the end of the film when a baseball smashed one of the car’s headlights.
pursued Flash’s (Buster Crabbe) stolen craft, believing it belonged to Emperor Ming’s Earlier in the film, a grown-up John Sullivan (Jim Caviezel) spoke to eight-year-old Gordo
586. Large-scale Hawkman Miniature M (Charles B. Middleton) army. The gold-coloured painted metal helmet features a thin (Stephen Joffe) via a time-spanning radio link and told him to remember the word “Yahoo,”
leather chinstrap. A tall, oyster-like crest adorns the top and the helmet is decorated with enabling the adult Gordo to make his fortune. The white metal New York licence plate
rivets. A band of padded felt lines the inside and is labelled “#7.” The paint has chipped features the text “1 YAHOO” picked out in blue paint, a red Statue of Liberty emblem on
FLASH GORDON (1980)
away exposing the metal underneath, particularly on the back of the crest. Minor scuffs the left side, and four intentional screw holes. The plate exhibits minor marks and signs
A large-scale Hawkman miniature from Mike Hodges’ sci-fi adventure and loose paint are present. The lot should be handled with care. Dimensions: 20 cm x of cracking to the white finish. Dimensions: 15.5 cm x 30.5 cm x 0.1 cm (6 ¼” x 12” x ¼”)
Flash Gordon. Led by Prince Vultan (Brian Blessed), the Hawkmen featured 23 cm x 40 cm (8” x 9” x 15 ¾”)
throughout the film, and models were used alongside actors for scenes Estimate: £800 - 1,200
where the winged warriors took flight and for long shots. The model is Estimate: £300 - 500
made of dense rubber with a rubber-like skin. It features black synthetic
hair adhered to the head, a detailed painted face, a complete faux-leather
costume, and sandals on its feet. There is a metal armature for stability, and
though this model is missing its wings, the fixing points are still present on
its back. There are signs of cracking and damage to the shoulders, arms
and feet. Dimensions: 90 cm x 30 cm x 15 cm (35 ½” x 11 ¾” x 6”)

Estimate: £800 - 1,200

587. Ming Guard’s Rifle and Sword M

FLASH GORDON (1980)

A Ming guard’s rifle and sword from Mike Hodges’ sci-fi adventure Flash
Gordon. The guards of Ming the Merciless (Max von Sydow) were armed
with swords to protect their emperor. Flash Gordon (Sam J. Jones) wielded a 590. Screen-matched Portrait of Jerry Dandridge’s (Chris 591. Philip Kohler Collection: Collection of Photos,
sword after disrupting Ming and Dale Arden’s (Melody Anderson) wedding. Sarandon) Lost Love US Production Paperwork and Office Stamp M
Both weapons are fibreglass and resin, finished in goldtone and red. The
rifle barrel is hollow and it features a solid static trigger. The sword consists
FRIGHT NIGHT (1985) FULL METAL JACKET (1987)
of a guard, a red grip and a curved blade, which is missing a decorative
star-shaped sigil. Both show signs of production use, and the gold finish A screen-matched portrait of Jerry Dandridge’s (Chris Sarandon) lost love from Tom A collection of ephemera and a production office stamp from Stanley Kubrick’s Vietnam
has worn away over time. Dimensions (rifle): 68 cm x 7 cm x 24 cm (26 ¾” Holland’s horror thriller Fright Night. Vampire Dandridge kept a portrait of a young woman war film Full Metal Jacket. This lot comes from the personal collection of renowned
x 2 ¾” x 9 ½”); (sword): 117 cm x 17 cm x 6 cm (46” x 6 ¾” x 2 ¼”) in his house who bore a striking resemblance to Amy Peterson (Amanda Bearse), the production manager Philip Kohler. The collection includes 95 behind-the-scenes photos,
girlfriend of his neighbor, Charlie Brewster (William Ragsdale). This colour painting in the mostly featuring Bassingbourn Barracks and Beckton Gas Works, which doubled as the
Estimate: £1,000 - 1,500 likeness of Bearse is rendered on canvas and affixed with tape to the back of a detailed Parris Island Marine boot camp and Hue, respectively. The paperwork includes call sheets,
wooden frame featuring production-made blood stains. The weathering on the portrait’s equipment lists, memos, an export licence application, location surveys, and shooting
face and a mark on the right of the frame both match the film. This painting exhibits some schedules. The hand stamp reads “Full Metal Jacket”. The collection shows wear from
signs of wear and age including a section at the bottom of the frame which has been production use and age, including creasing and fold lines. The biggest photos and the
detached and reaffixed. Dimensions: 115.75 cm x 87.75 cm x 6.5 cm (45 1/2” x 34 1/2” x shooting schedule have been rolled for storage. Dimensions (largest photo): 30.5 cm x
2.5’) Sold without copyright; see notice in the Buyer’s Guide. This lot will ship from Prop 40.5 cm (12” x 16”); (call sheets): 29.5 cm x 21 cm (11 ½” x 8 ¼”)
Store’s Los Angeles facility; see notice in the Buyer’s Guide
Estimate: £800 - 1,200
Estimate: £1,500 - 2,500
354 355
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

592. Silver Cast-and-crew Gift Dragon-and-

direwolf Ring †Δ

GAME OF THRONES (TV SERIES, 2011-2019)

A dragon-and-direwolf ring gifted to cast and crew members during the
production of David Benioff and D. B. Weiss’ fantasy series Game of Thrones.
The sterling silver ring features a dragon head and a direwolf head, the
symbols of houses Targaryen and Stark, respectively. It is inserted into a
mirrored glass panel displaying the words “GOT Cast and Crew 2018” and
placed within a black The Fiendish Ego cardboard box. Also included in the
lot is a black The Fiendish Ego gift bag. Tarnishing is present on the band
of the ring, and the bag displays creasing from previous use. Dimensions
(box): 5 cm x 5 cm x 3.5 cm (2” x 2” x 1 ½”); (gift bag, folded): 14.5 cm x
11.5 cm x 2 cm (5 ¾” x 4 ½” x ¾”)

Estimate: £400 - 600

593. Rosalind’s (Michelle Dockery) Stunt

Derringer Pistol †Δ

THE GENTLEMEN (2019)

Rosalind’s (Michelle Dockery) stunt derringer pistol from Guy Ritchie’s
crime comedy The Gentlemen. Rosalind’s husband Michael (Matthew
McConaughey) received a Cobra standard derringer as a gift from billionaire
Matthew Berger (Jeremy Strong). She later used the pistol to shoot two of
Dry Eye’s (Henry Golding) henchmen. Made of rubber, the small pistol is
painted gold and features a decorative pearlescent finished grip, and the
text “Hands Across The Sea” is etched along the barrel. There are minor
signs of paint wear and scratching from production use. Dimensions:
10.5 cm x 2.5 cm x 7 cm (4 ¼” x 1” x 2 ¾”) Restricted ownership; see replica
firearm notice in the Buyer’s Guide.

Estimate: £600 - 800

596. Michael’s (Matthew 597. Michael’s (Matthew

594. Coach’s (Colin Farrell) Screen-matched 595. Rosalind’s (Michelle Dockery) McConaughey) Cannabis Lab McConaughey) “Alpha Dance”
Tracksuit Costume †Δ Knitted Minidress †Δ Costume †Δ Tuxedo †Δ

THE GENTLEMEN (2019) THE GENTLEMEN (2019) THE GENTLEMEN (2019) THE GENTLEMEN (2019)
Coach’s (Colin Farrell) screen-matched tracksuit costume from Guy Ritchie’s Rosalind’s (Michelle Dockery) knitted minidress from Guy Michael’s (Matthew McConaughey) cannabis lab costume Michael’s (Matthew McConaughey) “Alpha Dance” tuxedo
crime comedy The Gentlemen. Coach wore his brown, purple and yellow Ritchie’s crime comedy The Gentlemen. Rosalind wore from Guy Ritchie’s crime comedy The Gentlemen. Michael from Guy Ritchie’s crime comedy The Gentlemen. Michael
tracksuit when a gang in a chip shop confronted him, and when he ordered her dress when she and Michael (Matthew McConaughey) wore this attire when he showed American billionaire wore his velvet tuxedo while he exchanged words with
“The Toddlers” to take down their YouTube video showing a raid on one of examined the gold Cobra Standard Derringer he’d been Matthew Berger (Jeremy Strong) one of his many cannabis American billionaire Matthew Berger (Jeremy Strong) at a
Mickey Pearson’s (Matthew McConaughey) cannabis labs. The placement of gifted by billionaire Matthew Berger (Jeremy Strong) and labs, all of which were hidden beneath the estates of gala dinner. Reporter Fletcher (Hugh Grant) described the
the tartan pattern near the jacket’s shoulder seams screen-matches to both his wife Jackie (Lyne Renée). Made from a combination aristocratic landlords. The costume comprises a three-piece conversation as “the alpha dance” when relaying the story
scenes. Costume designer Michael Wilkinson created custom patterns and of polyester and viscose, this Balmain white-and-black dark-green-and-red plaid cashmere suit; a burgundy knitted to Raymond (Charlie Hunnam). The costume consists of a
printed these designs on quilted technical fabric for all of Coach’s tracksuits. body-con minidress features a low V-neckline and sewn- Cordings waistcoat; a blue-and-white striped Thomas black velvet Ralph Lauren tuxedo jacket featuring purple
The costume comprises a tartan patterned zip-up jacket featuring a brown in shoulder pads. Five ornate silver-coloured buttons are Mason shirt; a green knitted-silk New & Lingwood tie; and lapels and cuffs; a pair of smart black trousers; a black silk
Lonsdale logo; a pair of matching trousers; a cream knitted Hammond & Co. adhered down the front and a zip fastening runs down the a patterned red pocket square. The costume exhibits minor Pronto Uomo bow tie; a pair of cufflinks; and eight assorted
polo shirt (size Medium); and a pair of white socks. The costume shows light back. Pearlescent thread is incorporated into the white wear, including light plucking on the tie and some signs of shirt studs. The cufflinks and studs are presented in a small
wear and minor marks, and the Lonsdale emblem has begun to peel away. knitted sections and the dress is labelled as a European bobbling on the knitted waistcoat. box labelled “Michael” on the underside. Completing the
size 36. The dress exhibits light wear from production use. lot is a white Emporio Armani shirt (collar size 16) which was
Estimate: £2,000 - 3,000 Estimate: £2,000 - 3,000 not seen in the film’s final cut. The costume displays light
Estimate: £800 - 1,200 wear from production use and comes with a production
wardrobe tag.

Estimate: £1,000 - 1,500

356 357
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

598. Cathy Costello Puppet M

82.5 cm (32.5”)

GERRY ANDERSON’S SPACE POLICE (1986)

A Cathy Costello puppet from Gerry Anderson’s sci-fi television pilot Space Police. Cathy
Costello, portrayed in human form by Catherine Chevalier, was the shape-shifting robot
side-kick to Lieutenant Brogan (Shane Rimmer). The pilot episode for Space Police never
aired, and the idea eventually evolved into Space Precinct. The puppet is made from wood
and metal with foam padding, with a fibreglass and resin head. It is dressed in a vac-formed
plastic helmet, a blue cotton shirt featuring a plastic star badge and Space Police patches,
a pair of navy trousers, a black belt featuring a pouch and pistol holster, and a pair of black
faux-leather boots. Displaying minor signs of wear, the lot comes presented on a custom
wooden stand. Dimensions: (displayed) 82.5 cm x 32 cm x 24 cm (32 ½” x 12 ½” x 9 ½”) 612. Praetorian Guard Sword And Scabbard M 613. Praetorian Cavalry Shield †Δ
Estimate: £1,000 - 1,500
GLADIATOR (2000) GLADIATOR (2000)
A Praetorian guard sword and scabbard from Ridley Scott’s Oscar®-winning historical epic A Praetorian Cavalry shield from Ridley Scott’s Oscar®-winning historical epic Gladiator.
Gladiator. After Commodus (Joaquin Phoenix) became Emperor, he gained the Praetorian Emperor Commodus’ (Joaquin Phoenix) Praetorian Cavalry carried shields while patrolling
Guard, an elite unit of the Imperial Roman Army, as his personal bodyguards. The sword the streets of Rome and, notably, when they were sent to Maximus’ (Russell Crowe) home
comprises a metal blade; a black-painted wooden hilt decorated with a brass coloured to murder his wife (Giannina Facio) and son (Giorgio Cantarini). Made of wood covered in
band around the guard which is decorated with the engraved letters “SPQR” (“Senatus black-painted canvas, the shield is decorated with gold-painted laurel and arrow motifs, a
Populusque Romanus”, or “The Roman Senate and People”); and a rounded pommel. plastic boss, and rivets around the outside edge. A leather and metal handle are affixed to
Finished in black paint, scabbard is made of wood wrapped in canvas, with metal hardware the back, which are painted red. The shield displays signs of production use, including paint
and a brown leather strap. The lot displays signs of wear, including scratches and small wear, dust remnants and scuffing, while two rivets are missing on the front. Dimensions:
dents in the blade, and scuffing and paint wear on the scabbard’s canvas. Dimensions (in 74 cm x 74 cm x 13 cm (29 ¼” x 29 ¼” x 5 ¼”)
scabbard): 82 cm x 11 cm x 6 cm (32 ¼” x 4 ¼” x 2 ¼”)
599. MegaByte Stop-Motion Puppet M Estimate: £600 - 800
Estimate: £800 - 1,200
GERRY ANDERSON’S SPACE POLICE (1986)
A MegaByte stop-motion puppet from Gerry Anderson’s sci-fi television pilot Space Police.
MegaByte, the robot dog, appeared as a stop-motion figure and was a canine side-kick to
the main cast. The puppet is constructed from resin with a metal armature support and is
finished in grey paint. It features mechanical detailing throughout, such as exposed wires
on the waist and greebles on the legs. It has been fixed onto a wooden display base for
preservation purposes, and some components are missing. However, it remains in good
condition considering its age. Dimensions (displayed): 33 cm x 15 cm x 12 cm (13” x 6” x 4 ¾”)
Estimate: £400 - 600

600. Slimer’s Jaw Ω

GHOSTBUSTERS (1984)
Slimer’s jaw from Ivan Reitman’s sci-fi comedy Ghostbusters. Slimer, a glutinous green ghost
haunting the Sedgewick Hotel was the first ghost that the Ghostbusters ever caught, and 614. Oliver Reed On-set Photographs, Cloak Pin Costume 615. Maximus’ (Russell Crowe) Tigris of Gaul Battle
quickly became a fan-favourite in the franchise. This heavily detailed mould of Slimer’s Components, Screening Tickets and Production Ephemera M Epaulette M
jaw, likely built for one of the film’s practical maquettes, features pink rubber gums inset
with 13 jagged resin teeth painted white. One of the front teeth is broken, and it exhibits GLADIATOR (2000) GLADIATOR (2000)
various scuffs to the paint from production use. Dimensions: 26.75 cm x 21 cm x 11 cm (10
1/2” x 8 1/4” x 4 1/4”) A collection of items from the production of Ridley Scott’s historical epic Gladiator. From Maximus’ (Russell Crowe) Tigris of Gaul Battle epaulette from Ridley Scott’s Oscar®-
the collection of focus puller Simon Hume, this lot contains four behind-the-scenes winning historical epic Gladiator. Maximus wore an epaulette on his right shoulder during
Estimate: £600 - 800 photographs of actor Oliver Reed; a Praetorian guard cloak pin; a Roman General cloak his Colosseum fight against the undefeated gladiator Tigris of Gaul (Sven-Ole Thorsen).
pin; a metal arrowhead; five VIP screening tickets; and assorted production ephemera. The epaulette is made of intentionally weathered leather, with curved ends and a raised
The ephemera includes a second-rewrite script; revised script pages; gladiator costume silver-painted edging. A metal loop fastening is attached to the lining at both ends, and
designs; and storyboards. All show signs of production use, with script page tears, and the lot comes presented on a custom-made display. There are signs of production use
finish wear on the cloak pins. Dimensions (photos): 15 cm x 10 cm (6” x 4”); (largest cloak and remnants of sand from filming. Dimensions (displayed): 26 cm x 18 cm x 34 cm
pin): 8 cm x 8 cm x 2 cm (3 ¼” x 3 ¼” x ¾”); (script): 30 cm x 21 cm x 1.5 cm (11 ¾” x 8 ¼” x (10 ¼” x 7” x 13 ½”)
601. – 611. NO LOTS ½”) Sold without copyright; see copyright notice in the Buyer’s Guide.
Estimate: £1,000 - 1,500
Estimate: £500 - 700

358 359
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

621. Sky Masterson’s (Marlon Brando) Photo-matched

616. One-Eyed Willie Treasure Coin Ω 617. Hand-drawn “George” and “Lenny” Colour Tests ΩΔ 620. Blockhead G Clay Puppet ΩΔ Neck Tie MΔ

THE GOONIES (1985) GREMLINS 2: THE NEW BATCH (1990) GUMBY ADVENTURES (TV SERIES, 1988-2002) GUYS AND DOLLS (1955)
A pirate treasure coin from Richard Donner’s adventure film The Goonies. Assorted coins Hand-drawn “George” and “Lenny” colour tests from Joe Dante’s monster comedy Gremlins A Blockhead G clay puppet from Art Clokey’s clay animation television series Gumby Sky Masterson’s (Marlon Brando) photo-matched necktie from Joseph L. Mankiewicz’s
formed the vast treasure hoard found aboard the hidden ship the Inferno, the last resting 2: The New Batch. After being transformed from mogwai, George, Lenny and their fellow Adventures. Gumby’s nemeses, Blockheads G and J, wreaked havoc on their clay world 1955 musical Guys and Dolls. Gambler Sky wore his tie in several scenes, including when
place of pirate captain One-Eyed Willy. Custom-made for the production, the goldtone gremlins terrorized the inhabitants of a New York skyscraper owned by Daniel Clamp (John throughout the series. Multiple puppets were constructed for each character over the he asked Sergeant Sarah Brown (Jean Simmons) on a date. This tie was originally the
metal coin displays intentionally uneven edges and is decorated with a cast-in lattice and Glover). This lot consists of 15 sheets of illustration and tracing paper, each featuring images series’ run. This hand-crafted, articulating humanoid red clay puppet features a yellow “G” prize in a Picture Show magazine competition and matches the one seen in the article’s
Spanish crest detailing. The coin remains in good condition, with some minor wear to the from several angles of George and Lenny rendered in a variety of mixed media including affixed on each side; white resin eyes with black irises; a yellow clay nose and mouth; and photo, a cutout of which is included in the lot. The grey silk tie features a label that reads
paint finish. Dimensions: 3.5 cm x 3.5 cm x 0.3 cm (1 ½” x 1 ½” x ¼”) ink and coloured pencil. These papers exhibit signs of wear from age and use throughout a metal wire armature. The puppet exhibits some stiffening and cracking, and the iris of the “Made Expressly For Geller’s Hollywood”. It comes with its original shipping packaging
including some creasing and staining. Dimensions: 43.25 cm x 28 cm x 0.75 cm (17” x 11” left eye has come loose from age. Dimensions: 14 cm x 7.75 cm x 7.75 cm (5 1/2” x 3” x 3” ) addressed to the winner and is dated “4 Feb 57”. There are signs of discolouration on
Estimate: £1,000 - 1,500 x 0.25) Sold without copyright; see notice in the Buyer’s Guide the tie, and the lot is accompanied by a letter from the editor of Picture Show magazine.
Estimate: £1,500 - 2,500 Dimensions (packaging): 36 cm x 12.5 cm x 1.5 cm (14 ¼” x 5” x ½”)
Estimate: £1,000 - 1,500
Estimate: £1,000 - 1,500

622. Cast-and-director Autographed Script †Δ 623. Ollivanders Wand Boxes M

618. Brain Gremlin’s Bandstand Tuxedo ΩΔ 619. Walt Disney Autographed Photo M HALLOWEEN: RESURRECTION (2002) HARRY POTTER AND THE PHILOSOPHER’S STONE (2001)
A cast-and-director autographed script from Rick Rosenthal’s horror sequel Halloween: Two Ollivanders wand boxes from the promotion of Chris Columbus’ fantasy adventure
GREYFRIARS BOBBY (1961) Resurrection. The script – credited to Larry Brand and Sean Hood – is a copy of the original film Harry Potter and the Philosopher’s Stone. Ollivanders was the shop Harry (Daniel
GREMLINS 2: THE NEW BATCH (1990)
script and is autographed in ink by the director Rosenthal and eight cast members, including Radcliffe) visited in Diagon Alley to purchase a wand. These cardboard boxes were gifts
Brain Gremlin’s bandstand tuxedo from Joe Dante’s comedy-horror sequel Gremlins 2: A behind-the-scenes photograph, autographed by the legendary Walt Disney, from the Jamie Lee Curtis, Busta Rhymes, Sean Patrick Thomas and Katee Sackhoff. The script is at the film’s world premiere at London’s Leicester Square in 2001. One is red with a faux-
The New Batch. Brain Gremlin, the gremlin who gained super intelligence from drinking production of Don Chaffey’s Disney film Greyfriars Bobby. The black-and-white still shows bound with two metal pins and shows wear from storage, including some creasing and crocodile skin effect, the other navy and textured. The lids are decorated with goldtone
the experimental potion in Doctor Catheter’s (Christopher Lee) lab, wore his tuxedo in a Walt Disney reviewing footage on a camera with director of photography Paul Beeson, who is curled corners. Dimensions: 28 cm x 22 cm x 1 cm (11” x 8 ¾” x ½”) Ollivanders-branded labels, and the navy box displays a sticker on the left end featuring
deleted scene where he sang an off-key rendition of “New York, New York”. This black holding the Skye Terrier dog which starred as the titular character. The photograph is signed a wand-maker measurement. Both show minor scuffs and the measurement sticker is
polyester tuxedo jacket has silk lapels, a metal fastener button, and a label on the collar in black ink by Disney, with a message addressed “To Paul”. A note stating the production Estimate: £600 - 800 peeling slightly at the edges. Dimensions (navy box): 36 cm x 8 cm x 3 cm (14 ¼” x 3 ¼” x
hand-marked “Brain B”; an attached, white sleeveless tuxedo shirt stitched to the jacket title, year and who is in the photo is handwritten on the reverse in black biro pen. The black 1 ¼”); (red box): 37 cm x 6 cm x 3 cm (14 ½” x 2 ½” x 1 ¼”)
at the collar with false black buttons on the front and Velcro fasteners on the back; and ink has faded slightly over time and there is a minor crease line in the bottom right corner.
a black bowtie with an elastic strap and metal adjusters. The jacket has Velcro along its Estimate: £600 - 800
sleeves and sides to allow for dressing ease. The costume shows minimal wear from age, Estimate: £2,000 - 3,000
and comes with a Warner Bros. certificate of authenticity.

Estimate: £1,500 - 2,500

360 361
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

624. Cast Autographed Ollivanders

Wand Box M

HARRY POTTER AND THE PHILOSOPHER’S

STONE (2001)
A cast-autographed wand box from Chris Columbus’ fantasy-
adventure film Harry Potter and the Philosopher’s Stone.
Ollivanders was the shop Harry (Daniel Radcliffe) visited in
Diagon Alley to purchase a wand. This box was gifted at the
film’s world premiere at London’s Leicester Square in 2001.
The cardboard box’s lid features a brown textured effect
and a goldtone Ollivanders-branded label. The underside
has been autographed in black marker by Warwick Davis,
James and Oliver Phelps, Tom Felton, Matthew Lewis,
Verne Troyer, Devon Murray, Jamie Waylett (signed twice),
Peter Burroughs, and Christian Coulson (who played Tom
Riddle in Harry Potter and the Chamber of Secrets). The
box lid is loose, and the lot displays scuffing and wear to
the textured finish. Dimensions: 36 cm x 8.5 cm x 3 cm 627. Daniel Radcliffe and Key Cast-autographed Hardback
(14 ¼” x 3 ¼” x 1 ¼”) Book M 628. Cast-autographed Hogwarts Acceptance Envelope M
Estimate: £800 - 1,200
HARRY POTTER AND THE PHILOSOPHER’S STONE (2001) HARRY POTTER AND THE PHILOSOPHER’S STONE (2001)
A hardback copy of J.K. Rowling’s novel Harry Potter and the Philosopher’s Stone A cast-autographed Hogwarts acceptance envelope from Chris Columbus’ fantasy
autographed by Daniel Radcliffe and other key cast members of the film adaptation. adventure Harry Potter and the Philosopher’s Stone. The envelope was created for the
Published by Bloomsbury, the 24th print-run hardback book features cover artwork of scene in which hundreds of acceptance letters flew down the Dursleys’ chimney. It has
Harry in front of the Hogwarts Express at King’s Cross Station, with an image of Professor Harry Potter’s (Daniel Radcliffe) address printed on the front, with a faux wax seal and the
Dumbledore on the reverse. The title page is autographed in black and gold ink by four Hogwarts crest on the back. It is autographed in pen by Radcliffe and actors Rupert Grint
625. Richard Harris Autographed Still M cast members of the film adaptation, namely Daniel Radcliffe, Emma Watson, Rupert Grint and Tom Felton. The envelope has only very minor wear from use and storage. Dimensions:
and Ian Hart. The book exhibits slight discolouration on the pages and minimal wear to the 13.5 cm x 18.5 cm (5 ¼” x 7 ¼”)
HARRY POTTER AND THE PHILOSOPHER’S edges of the dust jacket. Dimensions: 2 cm x 14 cm x 20.5 cm (¾” x 5 ½” x 8”)
Estimate: £800 - 1,200
STONE (2001) Estimate: £800 - 1,200
An autographed still from the promotion of Chris Columbus’
fantasy adventure film Harry Potter and the Philosopher’s
Stone. This colour promotional still shows Richard Harris
as Professor Dumbledore, the headmaster of Hogwarts
School of Witchcraft and Wizardry. Harris has autographed
the photograph in blue ink near the bottom edge and has
also written the name of the recipient. There is evidence
of faded black ink near the recipient’s name, and the ink
has smudged slightly in some places. The photo displays
minor wear and very light surface scratches. Dimensions:
25.5 cm x 20.5 cm (10” x 8”)

Estimate: £200 - 300

626. Set of Hogwarts House Crests

Head of Department Crew Gift †Δ

HARRY POTTER AND THE PHILOSOPHER’S

STONE (2001)
A set of Hogwarts House crests gifted to a head-of-
department from the production of Chris Columbus’ fantasy 630. Daniel Radcliffe and Cast-Autographed Paperback
adventure film Harry Potter and the Philosopher’s Stone. 629. Gringotts Coin and Pocket Watch Crew Gift M Book †Δ
These crests represent the four houses at Hogwarts School
of Witchcraft and Wizardry and each features its house’s HARRY POTTER AND THE CHAMBER OF SECRETS (2002)
HARRY POTTER AND THE PHILOSOPHER’S STONE (2001)
emblematic animal: a lion for Gryffindor, a badger for
Hufflepuff, a raven for Ravenclaw, and a snake for Slytherin. A Gringotts coin and pocket watch crew gift from Chris Columbus’ fantasy-adventure film A paperback copy of J.K. Rowling’s novel Harry Potter and the Chamber of Secrets
All four detailed, shield-shaped crests are made from cast Harry Potter and the Philosopher’s Stone. Harry Potter (Daniel Radcliffe) discovered a vault autographed by four actors from the film adaptation. Published by Bloomsbury, the 32nd
resin with a metallic brass powder finish applied. The lot full of coins left for him by his parents at the Gringotts Wizarding Bank. The gold-plated print run book features cover artwork of Harry, Ron and Harry’s owl Hedwig in the flying
exhibits minor wear to the finish, and slight bubbling from metal coin features a wizard’s head and “Gringotts Bank” on one side, and a dragon with car, with an image of Hogwarts School of Witchcraft and Wizardry on the back cover. The
the casting process is present on the back of the shields. “Unum Galleon” and “1” on the reverse. The pocket watch has a white face, black roman title page is autographed in black and blue pen by Daniel Radcliffe, Rupert Grint, Matthew
Dimensions (each crest): 10 cm x 7 cm x 2 cm (4” x 2 ¾” x ¾”) numerals, a lightning bolt, and several stars, and comes in a black presentation box. Both Lewis and Alfred Enoch. The lot exhibits signs of light wear, including minor crease lines
exhibit signs of light wear. Dimensions (coin): 4 cm x 4 cm x 0.3 cm (1 ½” x 1 ½” x ¼”); (watch on the cover, discolouration around the edges of some pages, and a small yellow stain on
Estimate: £1,000 - 1,500 box): 10.5 cm x 10.5 cm x 3 cm (4 ¼” x 4 ¼” x 1 ¼”) Contains mechanical components; see the autographed page. Dimensions: 2 cm x 13 cm x 20 cm (¾” x 5 ¼” x 8”)
mechanical components notice in the Buyer’s Guide.
Estimate: £800 - 1,200
Estimate: £800 - 1,200

362 363
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

634. J.K. Rowling-autographed First-

edition Hardback Book †Δ

HARRY POTTER AND THE GOBLET OF FIRE

(2005)
A J. K. Rowling-autographed copy of Harry Potter and The
Goblet of Fire, the fourth book in her seven-part Harry
Potter series. Published by Bloomsbury, this UK first-edition
hardback features cover artwork of Harry on his broomstick
tackling a dragon, with an image of Hogwarts School on
the back cover. The second page is signed by Rowling in
black ink. Minor tears are present along the top of the dust
jacket, the book pages display signs of discolouration, and
the first few pages are slightly loose at the spine and should
be opened with care. Dimensions: 20.5 cm x 14 cm x 6 cm
(8” x 5 ½” x 2 ½”)

Estimate: £800 - 1,200

1.12 m (3.67’)

635. Hawk’s (John Terry) Hero

Mindsword M

HAWK THE SLAYER (1980)

Hawk’s (John Terry) hero mindsword from Terry Marcel’s
fantasy adventure Hawk the Slayer. Hawk inherited his
sword from his dying father, and carried it throughout the
film. It held a mind stone in the pommel which allowed the
sword to react to Hawk’s mental commands. The sword is
made of aluminium with a gold-coloured hilt and a reflective
“stone” within the hand-shaped pommel. It has wear from
production use and age, including scuffing and scratches,
small dents along the edge of the blade, and discoloration
across the hilt and stone. The stone’s reflective surface
has peeled away in places. Dimensions: 127 cm x 14 cm x
9.5 cm (50” x 5 ½” x 3 ¾”)

Estimate: £2,000 - 3,000

631. Robbie Coltrane’s Autographed 632. School Wall Plaque HOD Crew
Director’s Chair M Gift M 633. VFX Crew Parka Jacket M
636. Bob Dylan Autographed Still,
Four Cast Autographed Stills, Three
HARRY POTTER AND THE CHAMBER OF HARRY POTTER AND THE CHAMBER OF HARRY POTTER AND THE PRISONER OF Behind-the-scenes Photographs and
SECRETS (2002) SECRETS (2002) AZKABAN (2004) Chelsea Pottery Plate Crew Gift M
Robbie Coltrane’s autographed director’s chair from Chris A school wall plaque Head of department crew gift from the A VFX crew parka jacket from the production of Alfonso
Columbus’ fantasy-adventure sequel Harry Potter and the production of Chris Columbus’ fantasy sequel Harry Potter Cuarón’s fantasy sequel Harry Potter and the Prisoner of HEARTS OF FIRE (1987)
Chamber of Secrets. This chair was designated for Robbie and the Chamber of Secrets. The fibreglass plaque with Azkaban. The parka jacket is made of green polyester,
Coltrane as Rubeus Hagrid, Hogwarts’ friendly gamekeeper. metal rod supports features a shield crest depicting Aragog with a zip fastening down the front and a faux-fur trim on Autographed stills, behind-the-scenes photographs, and
The foldable wooden chair has a black canvas seat and the spider, Griphook the goblin, a mandrake, and tangling the hood. “VFX Crew” is embroidered in white on the left a plate crew gift from Richard Marquand’s musical drama
backrest. The removable canvas chair back reads “Harry branches of the Whomping Willow. Surrounding the shield breast and the back features an embroidered rectangular Hearts of Fire. The photographs include cast and crew stills
Potter Chamber of Secrets” on one side and “Robbie are a unicorn, Fawkes the phoenix, and the basilisk with the emblem in the style of a prisoner ID badge, which reads autographed by Bob Dylan, Fiona, and Rupert Everett; two
Coltrane Hagrid The Giant” on the other in embroidered Gryffindor sword stabbed through its head. At the centre “Azkaban Prison, VFX 03, Prison Warders Association’’. The images of crew members on set; and a candid photo of
gold text. Coltrane autographed the chair back in gold- of the shield are the initials “HP” and the Roman numerals majority of the text on the internal label has faded, but the Dylan. Gifted to crew members by Marquand, the glazed
coloured ink. Signs of production use include minor plucks “MMII”, the film’s release year. Metal eyelets are affixed to size “X Large” is still readable. There are minor marks, and hand-made Chelsea Pottery plate bears the film’s title, the
on the backrest, and slight discolouration on the seat. The the back for hanging and the plaque has a rusted finish with light signs of wear present on the jacket, notably on the words “Thank You” and “1986.” The plate retains the original
chair is accompanied by a letter of authenticity detailing faux moss scattered across the front. It shows minimal paint button loops attached to the front. Chelsea Pottery sticker on the back, and two holes for
that it was originally gifted to its previous owner by Coltrane wear and some damage to the edges. Dimensions: 112 cm display racking. There are minor signs of wear, and some
and autographed in person. Dimensions (unfolded): 61 cm x x 68 cm x 13 cm (44” x 26 ¾” x 5”) Estimate: £200 - 300 of the photographs display glue remnants on their reverse.
51 cm x 116 cm (24” x 20” x 45 ¾”) Dimensions (largest photograph): 20.5 cm x 20.5 cm (8” x
Estimate: £2,000 - 3,000 10”); (crew gift): 17 cm x 17 cm x 3 cm (6 ¾” x 6 ¾” x 1 ¼”)
Estimate: £2,000 - 3,000
Estimate: £600 - 800

364 365
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

641. Set of Allan Cameron Watercolour Village

Concepts and Location Photographs M

HIGHLANDER (1986)
Concept artwork and location photographs from Russell Mulcahy’s fantasy
action-adventure Highlander. The four watercolour-and-ink artworks by
production designer Allan Cameron depict the village where Ramirez
(Sean Conner) urged Connor MacLeod (Christopher Lambert) to leave his
wife Heather (Beatie Edney). The four photographs show the village set in
Glen Nevis, Scotland. The photographs and one drawing are adhered to
black paper. Also included is a black-and-white copy of concept artwork
of The Kurgan (Clancy Brown) experiencing the Quickening. There are
small tears on the black paper, while some of the adhered items have
begun to peel. Dimensions (largest sheet): 77 cm x 47 cm (30 ¼” x 18 ½”);
(smallest artwork): 24 cm x 34.5 cm (9 ½” x 13 ½”) Sold without copyright;
see copyright notice in the Buyer’s Guide.

637. Hellboy (Ron Perlman) Face, Teeth and Arms M 638. Narcisse Paint-test Bust M Estimate: £150 - 250

HELLBOY II: THE GOLDEN ARMY (2008) NIGHTBREED (1990)

A Hellboy (Ron Perlman) face, teeth, and pair of arms from Guillermo del Toro’s supernatural A Narcisse (Hugh Ross) paint-test bust from the production of Clive Barker’s fantasy horror
superhero sequel Hellboy II: The Golden Army. The red foam-latex face is displayed on Nightbreed. Narcisse disfigured himself by removing his hair and skin from his skull and
a production-made plastic cast. Its bottom lip is a separate piece of foam latex, while the was soon welcomed into the tribe of creatures living in the abandoned cemetery known as
teeth come in a red tub with “Ron Perlman Hellboy II” handwritten in marker pen on the Midian. Made from plaster by Bob Keen and his Image Animation team, the Cenobite bust
lid. The veiny, foam-latex arms are displayed on custom-made wooden stands. All show features sections of exposed tendons painted red, a patch of pink-painted skin over the 642. David James Limited-edition Photo Print
wear from production use and age, including grime on the teeth, paint spatter on the plastic face and a pair of unfinished shoulders. There is paint wear, most notably on the nose, and a Set M
cast, and one arm displaying fold lines and creasing near the bottom. Dimensions (face): minor crack down the back of the head. Dimensions: 10 cm x 23 cm x 19 cm (4” x 9” x 7 ½”)
20 cm x 15 cm x 14 cm (8” x 6” x 5 ½”); (teeth): 4.5 cm x 7 cm x 4.5 cm (1 ¾” x 2 ¾” x 1 ¾”);
Estimate: £400 - 600 HIGHLANDER (1986)
(each arm, displayed): 16 cm x 16 cm x 42 cm (6 ¼” x 6 ¼” x 16 ½”)
A set of 15 limited-edition photo prints from the production of Russell
Estimate: £1,500 - 2,500 Mulcahy’s 1986 fantasy adventure Highlander. These photos were taken
by David James during filming, and the set is hand-numbered 67 of 500.
The black-and-white portraits and action scenes feature Connor MacLeod
(Christopher Lambert), the Kurgan (Clancy Brown), Ramirez (Sean Connery)
and Heather (Beatie Edney). Each photograph is adhered to a textured
A3 sheet of card. The set is presented in its original black card box, which
features the text “Highlander – There can be only one” in gold foil. The
set displays light creasing and marks, and there is scuffing to the box. It is
accompanied by an official certificate signed by David James, dated “Oct
1985”. Dimensions (in box): 41.5 cm x 31.5 cm x 2 cm (16 ¼” x 12 ½” x ¾”)
Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £400 - 600

643. Production-used Script and Unit List †Δ

HIGHLANDER (1986)
A script and unit list from Russell Mulcahy’s action-adventure fantasy
Highlander. Bound in a black card cover, the 119-page script is dated
639. Pair of Pillar of Souls Maquettes M 640. Hercules’ (Dwayne Johnson) Club †Δ “February 6, 1985” and is credited to Gregory Widen, Peter Bellwood,
and Larry Ferguson. It has several pencil annotations on the title page,
where the issue number “62” is written in black ink. The unit list is dated
HELLRAISER III: HELL ON EARTH (1992) HERCULES (2014)
“24th April 1985” and consists of 18 pages listing contact information for
A pair of Pillar of Souls maquettes from the production of Anthony Hickox’s horror sequel Hercules’ (Dwayne Johnson) club from Brett Ratner’s mythological action film Hercules. The the production’s various crew members. Also included in the lot is a script
Hellraiser III: Hell on Earth. The Cenobite Pinhead (Doug Bradley) was imprisoned within son of Zeus wielded his club throughout the film as he and his comrades battled for the amendments sheet. The set exhibits minor discolouration, several marks,
the Pillar of Souls, before being freed from the artefact with the help of club owner J.P. freedom of Thrace. Made of moulded biscuit foam, the weapon is finished in brown paint creasing, small tears, and corrosion on the script’s metal pins. Dimensions
Monroe (Kevin Bernhardt), who offered victims to the demon. Both maquettes are made with an all-over woodgrain texture. The head of the club features four protruding ivory- (script): 28 cm x 22 cm x 1.5 cm (11” x 8 ½” x ½”); (unit list): 30 cm x 21 cm x
from unfinished cast resin filled with plaster. The models feature Pinhead and the various coloured teeth, with strands of rope wrapped around each tooth. A lion’s head emblem is 0.3 cm (11 ¾” x 8 ¼” x ¼”)
anguished figures and faces of his victims. The mould lines are still visible down one side situated above the handle and the bottom of the leather cord-wrapped grip is ornamented
and both maquettes display signs of minor wear, marks and scuffing. Dimensions (each with a faux-silver cast insignia. Intentionally distressed, the club displays minor paint wear Estimate: £400 - 600
maquette): 16 cm x 15 cm x 42 cm (6 ¼” x 6” x 16 ½”) and a chip on the handle. Dimensions: 107 cm x 30 cm x 14 cm (42 ¼” x 11 ¾” x 5 ½”)

Estimate: £400 - 600 Estimate: £800 - 1,200

366 367
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

644. Sara Melas’ (Eva Mendes) Blouse Ω

647. Reproduction Peter Banning (Robin
Williams) Pan Sword Ω
HITCH (2005)
Sara Melas’ (Eva Mendes) blouse from Andy Tennant’s romantic comedy
HOOK (1991)
Hitch. New York City gossip columnist Melas wore her blouse while having
a conversation about relationships with her friend, Kate (Rain Phoenix). This A reproduction of Peter Banning’s (Robin Williams) Pan sword from Steven
button-up black and white long-sleeved blouse features an oversized paisley Spielberg’s fantasy adventure film Hook. When Banning proved to the
pattern throughout with branch-like accents on the collar, shoulders, and Lost Boys that he truly was Peter Pan in his childhood, Rufio (Dante Basco)
upper chest. Also included is a glossy colour photograph of Melas wearing relinquished the gold Pan sword to Peter. This sword was likely made by the
her shirt. It exhibits signs of wear throughout from age and use. artists responsible for the film-used originals shortly after the film’s release.
It features a gold-colour metal blade, a wooden guard with adhered bark
Estimate: £300 - 500 to give it a coconut-like appearance, and a brown leather-wrapped handle.
The sword exhibits scuffing to the blade, bark flaking, and the leather lifting
slightly from where it was glued. Dimensions: 71.25 cm x 12.75 cm x 12.75
cm (28” x 5” x 5”)

Estimate: £500 - 700

645. Set of Six Printed John Bell Costume

Concept Illustrations Ω

HOOK (1991)
A set of six printed John Bell costume concept designs from Steven
Spielberg’s family adventure Hook. In the film, middle-aged Peter Pan (Robin
Williams) returned to Neverland after his children were abducted by Captain
Hook (Dustin Hoffman). This lot consists of six production-made copies of
full-body costume concept illustrations originally rendered by illustrator John
Bell. Included are designs for Peter Pan, Captain Hook, Tinker Bell (Julia
Roberts), a mermaid, and two of the Lost Boys. The set exhibits signs of
age and use, including some creasing on some of the pages. Dimensions:
28 cm x 35.5 cm x 2.5 cm (11” x 14” x 1”)

Estimate: £700 - 900

646. Smee’s (Bob Hoskins) Belt Hook, Skeleton 648. Captain Hook’s (Dustin Hoffman)
Keys, and Lock Ω Reproduction Hook and Cuff Ω

HOOK (1991) HOOK (1991)

Smee’s (Bob Hoskins) belt hook, skeleton keys, and lock from Steven Reproductions of Captain Hook’s (Dustin Hoffman) hook
Spielberg’s fantasy adventure film Hook. In the film, Smee wore his keys on and cuff from Steven Spielberg’s fantasy adventure film
his belt during Peter Pan (Robin Williams) and the Lost Boys’ final battle with Hook. In the film, the infamous pirate captain had a large
the pirates. The lot consists of a brass-colour belt hook with a lion’s head, hook attached to his left arm, taking the place of the hand
one long brass-colour skeleton key and one short silver-colour skeleton he lost long ago. The lot consists of a silver-colour metal
key on a brass-colour metal key ring, and a black metal lock. The longer hook attached to a matching metal hand-cover with a
skeleton key opens the lock. The lock and hook exhibit some chipping in handle inside and decorative patterns engraved throughout
the finish while the key ring is a bit bent. Dimensions (largest): 18 cm x 7.75 the exterior, and a black leather lace-up cuff with matching
cm x 1.5 cm (7” x 3” x 0.5”); (smallest): 7.75 cm x 2.75 cm x 2.75 cm (3” x 1” x 1”) leather laces featuring metal aglets. The metal exhibits
discolouration and the leather exhibits some scuffing.
Estimate: £800 - 1,000 Dimensions (hook): 12.75 cm x 12.75 cm x 38.25 cm (5” x
5” x 15”); (cuff): 11.5 cm x 11.5 cm x 18 cm (4.5” x 4.5” x 7”)

Estimate: £500 - 700

368 369
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

649. Stuart Freeborn Collection: Philip Grayson’s (Peter

Cushing) Severed Head M

THE HOUSE THAT DRIPPED BLOOD (1971)

Philip Grayson’s (Peter Cushing) severed head from Peter Duffell’s British horror anthology
The House That Dripped Blood. Philip’s head became part of the wax museum’s Salome
exhibition after he was murdered by the proprietor (Wolfe Morris). This head was a
production backup, and was originally obtained from the collection of legendary make-up
artist Stuart Freeborn. The fragile foam latex head is hand-painted and has faux hair and
eyebrows. Freeborn added the red paint and gore to the underside of the neck during
post-production for a Halloween event. There are signs of wear from production use and
age, including cracking, paint wear, and skin discolouration. The majority of the eyebrows
are no longer present. Dimensions: 26 cm x 16 cm x 21 cm (10 ¼” x 6 ¼” x 8 ¼”)

Estimate: £600 - 800

650. Quasimodo Statue †Δ

652. Norman Reynolds Raven Bar Interior Pencil Concept Sketch †Δ
THE HUNCHBACK OF NOTRE DAME (1923)
RAIDERS OF THE LOST ARK (1981)
A statue from the production of Wallace Worsley’s silent drama The Hunchback of Notre
Dame. It is believed these statues were either gifted to crew members or created to A hand-drawn concept sketch of the interior of the Raven bar from the production of Steven with local patrons, and displays signs of wear, including minor patches of discolouration,
promote the film’s release. Made of lightweight plaster, the statue shows Lon Chaney as Spielberg’s action adventure Raiders of the Lost Ark. The Raven was the Nepalese bar in creasing and some small tears around the edges. Dimensions: 59 cm x 42 cm (23 ¼” x 16
the hunchback bell-ringer Quasimodo, standing on a rectangular base. Wax is applied to which Indiana Jones (Harrison Ford) reunited with his old flame Marion Ravenwood (Karen ½”) Sold without copyright; see copyright notice in the Buyer’s Guide.
the figure to produce a smooth exterior, and there are remnants of black paint. The statue Allen). Created by production designer Norman Reynolds, the artwork is rendered in pencil
displays signs of age and some minor chipped sections. Dimensions: 9.5 cm x 11 cm x and ink on tracing paper, and is dated “Jan 80”. It depicts a detailed view of the bar filled Estimate: £1,000 - 1,500
25 cm (3 ¾” x 4 ¼” x 9 ¾”)

Estimate: £500 - 700

653. US Style “A” One-Sheet Ω

INDIANA JONES AND THE TEMPLE OF DOOM (1984)

A US style “A” one-sheet from the promotion of Steven Spielberg’s adventure sequel
Indiana Jones and the Temple of Doom. This poster comes from the personal collection of
651. Del Spooner’s (Will Smith) Ankle Pistol M film producer Howard Kazanjian. It features the iconic artwork by Bruce Wolfe showing the
titular archaeologist hero in a beam of light surrounded by darkness, in the top left corner
is the tagline “If adventure has a name… it must be Indiana Jones” and along the bottom
I, ROBOT (2004)
is the film’s title in the typical font. The poster has been rolled for storage and shows minor
Del Spooner’s (Will Smith) ankle pistol from Alex Proyas’ sci-fi action thriller I, Robot. wear along its edges. Dimensions: 68.75 cm x 104.25 cm (27” x 41”)
Detective Spooner pulled a pistol from his ankle holster when he first encountered NS-5
robot Sonny (Alan Tudyk) in Dr. Lanning’s (James Cromwell) laboratory. Made of 3D printed Estimate: £100 - 150
polyurethane, the weapon is based on a Walther PPK, but has been modified to create a
custom black-coloured pistol. It features a static trigger and textured grip. There are some
signs of production use, including paint wear and cracking, and minor damage is present
on the underside of the barrel, near its end. Dimensions: 15.5 cm x 3 cm x 11 cm (6 ¼” x 1
¼” x 4 ¼”) Restricted ownership; see replica firearm notice in the Buyer’s Guide.

Estimate: £1,000 - 1,500

370 371
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

657. Early Draft 658. US Advance One-

Production Script M Sheet Ω

INDIANA JONES AND THE INDIANA JONES AND THE

TEMPLE OF DOOM (1984) TEMPLE OF DOOM (1984)
An early draft production script from A US advance one-sheet for Steven
Steven Spielberg’s action-adventure Spielberg’s action adventure sequel
sequel Indiana Jones and the Temple Indiana Jones and the Temple of
of Doom. The script, credited to Doom. Paramount distributed one-
Willard Huyck and Gloria Katz, sheet posters with the tagline “If
comprises 119 pages including the adventure has a name, it must be
cover, and is printed on white paper Indiana Jones” and the date “May
fastened with two butterfly pins along 23rd, 1984” to promote the release of
the left side. “Indy Two, Nov 28, 23+” is the teaser. This rare, original advance
stamped on every page in red ink and one-sheet featuring Indy (Harrison
many references to props in the text Ford) bare-chested with a glinting
have been underlined. The lot shows sword and black textured borders
minimal discolouration from age, but comes from the collection of Raiders
remains in an otherwise excellent of the Lost Ark producer Howard
condition. Dimensions: 28.5 cm x 22 Kazanjian. It exhibits minimal signs
cm x 1.5 cm (11¼” x 8¾” x ½”) of handling. Dimensions: 68.75 cm x
104.25 cm (27” x 41”)
Estimate: £1,000 - 1,500
Estimate: £100 - 150

654. Set of Three Production-used 656. Harrison Ford-autographed

Small-size Storyboard Packets Ω 655. Banquet Beetle †Δ Vintage Photo M

INDIANA JONES AND THE TEMPLE OF INDIANA JONES AND THE TEMPLE OF INDIANA JONES AND THE TEMPLE OF
DOOM (1984) DOOM (1984) DOOM (1984) 659. Biplane Sequence Mini Storyboard Binder †Δ 660. Revised Production-used Script M
A Pankot Palace banquet beetle from Steven Spielberg’s A vintage photo from the promotion of Steven Spielberg’s
A set of three production-used small-size storyboard action-adventure sequel Indiana Jones and the Temple of adventure sequel Indiana Jones and the Temple of Doom
packets from the production of Steven Spielberg’s action- INDIANA JONES AND THE LAST CRUSADE (1989) INDIANA JONES AND THE LAST CRUSADE (1989)
Doom. Willie Scott (Kate Capshaw) and her fellow dinner autographed by Harrison Ford. Printed on matte photo
adventure sequel Indiana Jones and the Temple of Doom. guests were served bugs during a banquet at Pankot paper, the black-and-white photograph features an iconic A set of mini storyboards from Steven Spielberg’s action-adventure sequel Indiana A revised production-used script for Steven Spielberg’s action-adventure sequel Indiana
This lot consists of three packets with pink paper covers, Palace, while Indiana Jones (Harrison Ford) attempted to image of Ford in the role of Indiana Jones gazing past the Jones and the Last Crusade. Such storyboards were created for senior crew members Jones and the Last Crusade. The front cover credits the script to George Lucas, Jeffrey
two of which are bound with metal brads and one of which solve a mystery surrounding the missing village children. camera. In the bottom right corner is Ford’s autograph for reference purposes. The lot of 169 printed storyboards depict the biplane sequence Boam and Barry Watson (a pen name for playwright Tom Stoppard) with a list of revisions
is held together with metal rings. Inside each of the packets This latex stag beetle is predominantly painted with a glossy in dark blue ink with an inscription reading “Asterig - after Indy (Harrison Ford) and his father Henry (Sean Connery) escaped the Zeppelin. dated “Feb. 23, 1988” to “May 8, 1988.” Bound by a metal clip, the 147 unannotated pages
are 100+ printed images from the film’s Shanghai Nightclub, black finish and features a detailed shell, six spindly plastic Best wishes”. The photo shows minimal wear with light The majority of the storyboards are printed on white paper, dated “2/9/88”, and feature are printed on white paper, with every page stamped “IJ-4-081” in red. The top left corner
Airplane Escape and Mine Cart Chase sequences. The legs and a pair of pincers. The brown-coloured underside discolouration on the corners and edges from age. short descriptions of the scenes. Some pages are printed on pink paper labelled “Revised of the cover page is missing, and there is a large rip at the bottom of the metal clip. The
storyboards feature shot descriptions underneath the of the insect is removable and is secured to the main body Dimensions: 25.5 cm x 20 cm (10” x 8”) 3/14/88”. All come in a black binder labelled “Indy III, Plane Sequence, Carlos Gil, 2nd script shows signs of wear and age, including several marks on the cover and some of
images. They exhibit signs of wear from age and use via two strips of Velcro. The lot is fragile due to its age and Unit”, referencing an assistant director for the shoot in Spain. Some pages exhibit minor the pages have folded corners. Dimensions: 28 cm x 22 cm x 1.5 cm (11” x 8 ¾” x ½”)
including some minor tearing on the covers. Dimensions: should be handled with care. Dimensions: 15 cm x 11 cm x Estimate: £600 - 800 edge wear, and scratches are present on the binder. Dimensions: 11.5 cm x 18 cm x 3 cm
21.75 cm x 33 cm (8 1/2” x 13” ) 3 cm (5 ¾” x 4 ½” x 1 ¼”) (4 ½” x 7” x 1 ¼”) Estimate: £600 - 800

Estimate: £1,500 - 2,500 Estimate: £1,000 - 1,500 Estimate: £800 - 1,200

372 373
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

665. Sam’s (Jessica Alba) Hero Costume and Back-up 666. Tony Stark’s (Robert Downey Jr.) Hero Ransom Hood
661. Hand-drawn Storyboards Ω 662. Harrison Ford-autographed Biography M Bikini with Clapperboard Ω Ω

INDIANA JONES AND THE LAST CRUSADE (1989) VARIOUS PRODUCTIONS INTO THE BLUE (2005) IRON MAN (2008)
Hand-drawn storyboards from the production of Steven Spielberg’s adventure sequel A hardcover copy of Paul Honeyford’s Harrison Ford: A Biography, published by Sidgwick & Sam’s (Jessica Alba) hero costume and back-up bikini with clapperboard from John Tony Stark’s (Robert Downey Jr.) hero ransom hood from Jon Favreau’s superhero film Iron
Indiana Jones and the Last Crusade. When Jones (Harrison Ford) and his father, Henry Jackson in 1986 and autographed by Ford. The front cover features a colour still of Indiana Stockwell’s action drama Into the Blue. Sam wore her costume while she discussed a plan Man. Weapons manufacturer and industrialist Stark was captured by members of the Ten
(Sean Connery) led a Nazi fighter into a mountainside tunnel with them, they were passed Jones and the back shows a black-and-white still of Rick Deckard from Blade Runner – two to retrieve sunken treasure in the Bahamas with her boyfriend, Jared (Paul Walker). This lot Rings terrorist organization, who removed a hood they had placed on him while recording
by the now flaming and wingless plane. This lot consists of two pieces of illustration paper, of Ford’s most famous roles. This copy has been autographed by Ford in blue ink on the consists of a canary yellow shirt marked “SAM - JESSICA” on the interior; a goldenrod tank a video which proved he was their prisoner. The hood is made of weathered beige burlap
each containing a hand-drawn storyboard rendered in ink. One image features the car first page. The dust jacket displays minor edge wear and light creasing on the spine, and top; a pair of beige corduroy shorts; a backup blue and white nautical-themed string bikini with two green stripes, a soft polyester lining in the interior to protect the performer’s face,
travelling through the tunnel while the other features the plane travelling through the tunnel. a mark is present on the back cover. Dimensions: 24 cm x 16 cm x 2.5 cm (9 ½” x 6 ¼” x 1”) unseen in the final cut of the film; a pair of grey and green flip flops; and a black and white and an open stitching style which allows the wearer to breathe more easily. The hood
It exhibits minor signs of wear throughout from age and use. Dimensions: 20.5 cm x 24.25 plastic and metal camera slate featuring the film’s title in blue. The lot exhibits signs of wear exhibits wear from use and age, including pulled fibres and staining. Dimensions: 58 cm
cm x 0.25 cm (8 1/2” x 9 1/2” x 1/4”) Sold without copyright; see notice in the Buyer’s Guide Estimate: £300 - 500 from age and use on all items. Dimensions: 71.25 cm x 63.5 cm x 21.5 cm (28” x 25” x 8”) x 40.5 cm x 2.5 cm (23” x 16” x 1”)

Estimate: £1,000 - 1,500 Estimate: £2,000 - 3,000 Estimate: £1,500 - 2,500

667. Male Agnate Fiber 668. Female Agnate

Optic Costume ΩΔ Costume Ω

THE ISLAND (2005) THE ISLAND (2005)

A male agnate fiber optic costume A female agnate costume from
from Michael Bay’s sci-fi action Michael Bay’s sci-fi action adventure
adventure The Island. Dr. Bernard The Island. Dr. Bernard Merrick created
Merrick created sterile human clones human clones known as agnates, who
known as agnates, who wore identical wore their identical suits and were
suits. This costume consists of a used in case of a medical emergency
white polyester blend mesh hooded to a person who commissioned a
shirt with rubber and metal tubes duplicate of themselves. This costume
woven throughout the mesh and consists of a white mesh cream and
a clear fibre tail wrapped in white indigo Spandex and mesh zip-up shirt
Spandex; a matching pair of trousers with “Z9E” emblazoned on the right
663. Red Apple Cigarette Pack †Δ 664. “A” Camera Clapperboard Slate M with an elastic waistband; and a sleeve and a barcode on the back;
cream striped polyester strap, which a pair of matching cream trousers
in the film secured the agnate to with “Z8E” on the right leg, and pair
INGLOURIOUS BASTERDS (2009) INKHEART (2008)
his suspension chamber. Reflective of black, white, and indigo cotton
A Red Apple cigarette pack from Quentin Tarantino’s war film Inglourious Basterds. A pack A clapperboard slate from the production of Iain Softley’s fantasy adventure film Inkheart. square sequins are affixed to the and rubber trainers. All items are
of Red Apple cigarettes were tucked into Pfc. Hirschberg’s (Samm Levine) jacket pocket Used by the “A” camera unit during filming, the acrylic slate features the production title shirt and pants. The costume exhibits marked “257” on the interior and
while he and the Basterds looked on as Lt. Aldo Raine (Brad Pitt) questioned Sgt. Werner “Inkheart” and the names of director Iain Softley and director of photography Roger Pratt, minor signs of wear and age including exhibit minimal signs of wear and age
Rachtman (Richard Sammel). The fictional brand has appeared in several Tarantino movies, all engraved in black. Outlined boxes divide the piece into fields titled slate and take, both some staining on the strap. Contains throughout.
including Pulp Fiction, Kill Bill Vol. 1, The Hateful Eight, and Once Upon A Time In Hollywood. of which contain handwritten details in faded black marker pen. The slate is dated “22nd electronic components; see notice in
The brown paper pack features the “Red Apple” text and green maggot smoking logo, December 2006” and a Christmas tree emblem has been drawn on the bottom right corner. the Buyer’s Guide Estimate: £1,000 - 1,500
and various product details. A “U.S Armed Forces Overseas” tab on the top remains intact The clapper stick is missing from the top, and the slate displays minor wear and scratching
and the silver foil remains closed. The lot displays minor wear, with several marks on the from production use. Dimensions: 0.3 cm x 28 cm x 19 cm (¼” x 11” x 7 ½”) Sold without Estimate: £1,000 - 1,500
foil from production distressing. Dimensions: 7 cm x 5.5 cm x 2 cm (2 ¾” x 2 ¼” x ¾”) copyright; see copyright notice in the Buyer’s Guide.

Estimate: £400 - 600 Estimate: £300 - 500

374 375
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

672. Norman Wanstall Dubbing Casino Chips M

669. Hero Viktor Cherevin (Kenneth Branagh)
Key Card and Activator †Δ JAMES BOND: DR. NO (1962)
Two dubbing casino chips from Terence Young’s Bond movie Dr. No.
JACK RYAN: SHADOW RECRUIT (2014) Originally acquired from credited dubbing editor Norman Wanstall, these
chips were used during post-production to create enhanced sounds, such
Viktor Cherevin’s (Kenneth Branagh) hero key card and activator from as when they were placed into stacks and used on the table during play.
Branagh’s spy thriller Jack Ryan: Shadow Recruit. Cherevin used his key Wanstall mixed these sound clips into the Le Cercle casino sequence final
card to access his secure office, before Jack Ryan (Chris Pine) obtained soundtrack. The larger, green-coloured chip is made of glossy plastic and
it to steal information. The card is made of acrylic with a metal casing, features gold-coloured denominations reading “10,000” and “£25” on the
and features Cherevin’s name and ID number. A light inside the card was reverse. The smaller, light blue chip has a gold-coloured “5,000” on one
activated by a magnet and illuminated when in contact, however the battery side and “£10” on the other. The gold values have worn away in places.
no longer functions. The activator is made of two pieces of clear acrylic Dimensions (larger chip): 7.5 cm x 10 cm x 0.2 cm (3” x 4” x ¼”); (small chip):
screwed together. Both items have some wear from production use and 5 cm x 7.5 cm x 0.2 cm (2” x 3” x ¼”)
age, including scuffing and scratches. Dimensions (card): 8.5 cm x 5.5 cm (3
¼” x 2 ¼”) Contains electronics; see electronics notice in the Buyer’s Guide. Estimate: £800 - 1,200

Estimate: £600 - 800

673. Two Contact Sheets Featuring Sean

Connery and Ursula Andress †Δ

JAMES BOND: DR. NO (1962)

A pair of contact sheets from the production of Terence Young’s Bond
670. Set of Seven Hand-Drawn Concept movie Dr. No. Printed on photographic paper, one sheet features 12
Illustrations Ω black-and-white images of Sean Connery and Ursula Andress becoming
intimate on a boat; the other features eight images of Andress posing for
JAMES AND THE GIANT PEACH (1996) promotional pictures with a toy bunny. The promotional shots have “A” and
“E” handwritten in gold-coloured pen on the front, and “2” handwritten in
Seven hand-drawn concept illustrations from the production of Henry pencil on the reverse. The boat shots have “3” handwritten in pencil on the
Selick’s stop-motion musical James and the Giant Peach. Made during back. Both sheets have minor creasing and wear to the edges. Dimensions
pre-production, the set is thought to be the work of long-time Selick (each sheet): 25.5 cm x 20.5 cm (10” x 8”)
collaborator Deane Taylor with illustrations consistent with Taylor’s style,
though the illustrator remains unconfirmed. The illustrations are rendered Estimate: £600 - 800
in mixed media, two on illustration board and five on illustration paper,
with two illustrations labeled “Early concept James and the Giant Peach
Deane” and dated “’91.” The set exhibits some markings, pinholes, and
smudges throughout. Dimensions (largest): 49.5 cm x 38.75 cm (19 1/2” x
15 1/4”); (smallest): 30 cm x 21 cm (11 3/4” x 8 1/4”) Sold without copyright;
see notice in the Buyer’s Guide.

Estimate: £500 - 700

674. “No, Mr. Bond, I expect you to die!” Call

Sheet and Dope Sheet M

JAMES BOND: GOLDFINGER (1964)

A call sheet and dope sheet from the production of Guy Hamilton’s Bond
movie Goldfinger. Originally obtained from the collection of sound mixer
671. Three Contact Sheets Featuring Ursula Danny Daniel, both sheets were used for the filming of scenes inside
Andress †Δ Goldfinger’s (Gert Fröbe) laser laboratory, where he uttered the famous
line “No, Mr. Bond, I expect you to die!” Marked as “No.5”, the call sheet
JAMES BOND: DR. NO (1962) features call times for main cast, stand-ins and background extras, as well as
notes regarding shooting requirements for several departments. The dope
A set of three contact sheets from the production of Terence Young’s sheet displays a detailed breakdown of the special requirements needed
Bond movie Dr. No. Printed on photographic paper, each sheet features for that particular scene. There are signs of wear, including fold lines, marks,
12 black-and-white images. One sheet features Ursula Andress posing for small holes and rips. Dimensions (each sheet): 33 cm x 20.5 cm (13” x 8”)
promotional pictures, and the other two feature a mixture of promotional
and behind-the-scenes photos. Four of the promotional shots on the first Estimate: £800 - 1,200
sheet have been labelled either “A” or “E” in gold-coloured pen. The back
of the sheets have been labelled “3”, “8” and “9” in pencil, respectively. All
three sheets have minor creasing and wear to the edges and one sheet
is missing the bottom left corner. Dimensions (each sheet): 25.5 cm x 20.5
cm (10” x 8”)

Estimate: £600 - 800

376 377
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

675. Japanese Ninja Gyrojet Rifle M 678. Toxin Vial Section †Δ

JAMES BOND: YOU ONLY LIVE TWICE (1967) JAMES BOND: MOONRAKER (1979)
A Japanese ninja Gyrojet rifle from Lewis Gilbert’s Bond A toxin vial section from Lewis Gilbert’s Bond movie Moonraker. Toxin vials
movie You Only Live Twice. Rifles were part of the weaponry were made by scientists in Venice for Hugo Drax (Michael Lonsdale), as
at Tiger Tanaka’s (Tetsurô Tanba) ninja camp and were part of his master plan to kill all life on Earth. James Bond (Roger Moore)
carried by the ninjas as they helped Bond (Sean Connery) witnessed the effects of the toxin as it choked two scientists to death. The
infiltrate Blofeld’s (Donald Pleasence) volcanic lair. The black-painted wooden vial section features a silver foil strip adhered near
custom-made rifle is based on an MBA Gyrojet and is the top, with red and cream striped decals beneath. Three protruding
constructed from fibreglass. The majority of the weapon metal cone-like devices are attached to the bottom. The foil has bubbled
is finished in brown paint to replicate the appearance of up in some areas and the lot displays scratching and minor paint wear.
wood, and the trigger and barrel are finished in black to Dimensions: 6.5 cm x 5 cm x 4.5 cm (2 ½” x 2” x 1 ¾”)
resemble metal. There are signs of production use present
on the rifle, including minor wear, light scuffing and flaking Estimate: £600 - 800
to the paint finish. Dimensions: 84 cm x 5 cm x 16 cm (33” x
2” x 6 ¼”) Restricted ownership; see replica firearm notice
in the Buyer’s Guide.

Estimate: £2,000 - 3,000

679. Maurice Binder Archive: Collection of

35mm Opening Titles, Tests, Trailers, and
Outtakes Footage M
676. Henchman Hook Weapon M
JAMES BOND: MOONRAKER (1979)
A unique collection of 35mm footage from the production and promotion of
JAMES BOND: YOU ONLY LIVE TWICE (1967)
Lewis Gilbert’s Bond movie Moonraker. These film rolls and trims were used
A henchman hook weapon from Lewis Gilbert’s Bond movie by Maurice Binder to create the trailer, teaser trailer and most memorably,
You Only Live Twice. While investigating the Kobe docks, the opening title sequence. Binder designed the famous opening titles of
Bond (Sean Connery) and Aki (Akiki Wakabayashi) were 14 James Bond movies, beginning with Dr. No. He was also responsible
chased by henchmen, several of whom were armed with for producing the iconic gun barrel sequence that has opened most of
these weapons. The weapon features a shaped wooden the James Bond films to date. The collection comprises 20 metal film
handle and a pointed iron hook. Japanese characters are cans with labels, reference tape strips and some note pages. There are
stamped in ink on the base of the handle, most likely a brand approximately 120 rolls – some on spools, some loose trims. Including
name. The hook has some rust from age. Dimensions: 42 magnetic soundtrack and black and white footage of scenes featuring
cm x 4 cm x 9 cm (16 ½” x 1 ½” x 3 ½”) Roger Moore, the space shuttle, skydiving, Venice, fighting and opening
title graphics.The collection was acquired on closure of the storage facility
Estimate: £600 - 800 for a UK distribution centre in 1998. Most of the celluloid remains in good
condition, with a few rolls showing signs of age. Dimensions (largest can):
30 cm x 38 cm x 5 cm (15” x 15” x 2”)

Estimate: £2,000 - 3,000

677. Reference Katana M

680. Philip Kohler Collection: Script,
JAMES BOND: YOU ONLY LIVE TWICE Storyboards, Production Paperwork, and Crew
(1967)/HIGHLANDER (1986) T-Shirt M
A katana from Lewis Gilbert’s Bond film You Only Live Twice
and Russell Mulcahy’s fantasy action movie Highlander. JAMES BOND: FOR YOUR EYES ONLY (1981)
It came from the personal collection of renowned SFX
technician Bert Luxford, who purchased it for use on You A script, storyboards, paperwork, and crew T-shirt from John Glen’s Bond
Only Live Twice. It was ultimately unseen in the film, but film For Your Eyes Only. This lot comes from the personal collection of
later “reunited” with the Bond star on Highlander as his renowned production manager Philip Kohler. The script – credited to
weapon for the film. Ultimately, it was used as a reference Richard Maibaum and Michael G. Wilson, dated “12 August 1980” – comes
for Juan Sánchez-Villalobos Ramírez’s (Sean Connery) main in a file with 28 pages of storyboards with handwritten annotations. There
weapon as it was decided his sword and costume needed are three additional sets of storyboards, two of which are held between
to be more flamboyant. The steel sword features an ornate blue card covers. Paperwork includes costings and headed production
faux-ivory grip, and comes with a leather wrapped wooden paper. The crew T-shirt is light blue, size “small” and features the film’s
scabbard. It has some wear from age and use, most notably title, with “Underwater Film Unit – Nassau, Bahamas” on the front and an
areas of scuffing on the scabbard, and is accompanied underwater scene on the back. The collection has wear from production
by three pages of hotel tags from the Japanese shoot. use and age, including creasing and discolouration. Dimensions (folder):
Dimensions (sheathed): 104 cm x 8.5 cm x 8 cm (41” x 3 29 cm x 26 cm x 3.5 cm (11 ½” x 10 ¼” x 1 ½”)
¼” x 3 ¼”)
Estimate: £600 - 800
Estimate: £300 - 500

378 379
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

681. SFX Military Truck Model Miniature M

684. Octopussy Girl’s
(Carolyn Seaward) 685. Octopussy’s Circus
JAMES BOND: OCTOPUSSY (1983) Arabian Costume M Jacket and Sweatshirt M
An SFX military truck model miniature from John Glen’s Bond film Octopussy.
A miniature model set was constructed for the aircraft hangar explosion
JAMES BOND: OCTOPUSSY JAMES BOND: OCTOPUSSY
sequence. This truck was made by SFX legend Derek Meddings and his
team. and while it doesn’t appear in the final cut, it can be seen in behind- (1983) (1983)
the-scenes stills, driving down the runway to the right of the hangar. The An Octopussy girl’s (Carolyn Seaward) An Octopussy’s Circus jacket and
metal, plastic, wood, and fibreglass vehicle features six miniature Goodyear- Arabian costume from John Glen’s sweatshirt from John Glen’s Bond
branded tyres, and an open trailer is attached to the back. The truck shows Bond movie Octopussy. Members movie Octopussy. Members of
“M724512” stencilled in black letters and three round decals featuring red of the Octopus Cult wore arabian Octopussy’s (Maud Adams) Circus
star emblems. Seated in the truck’s cabin are two foam-latex soldier figures. costumes when Octopussy (Maud wore their branded jackets and
Take care when handling the lot. The foam-latex has disintegrated in places, Adams) exited her swimming pool sweatshirts when disembarking from
with one figure missing the lower half of its right arm. Dimensions: 57 cm after going skinny dipping. This the train before their show. James
x 23 cm x 25.5 cm (22 ½” x 9” x 10”) Contains electronics; see electronics costume can be seen in a promotional Bond (Roger Moore) wore a branded
notice in the Buyer’s Guide. photo featuring Seaward and four jacket when he posed as a circus crew
other women surrounding Roger member when everyone boarded the
Estimate: £1,000 - 1,500 Moore. The dress is made of train in East Germany. The beige poly-
purple organza with a pink taffeta cotton Dickies® jacket is marked size
underlayer and cotton lining on the 42R, features the circus’ logo printed
bust and sleeves. Ornate faux-gold on the back and has a red faux-fur
embroidered patterns decorate the lining. The white women’s sweatshirt
garment and three hook-and-eye also has the circus logo printed on
fastenings are attached at the bust. A the front and no labelled size. There
Bermans & Nathans costumier’s label are slight signs of fading to the logos
is located inside and reads “Caroline and minor staining on the sweatshirt.
682. Hand-drawn Pencil Storyboards of the Seaward, 19058, Octopussy”. The
Circus Train Sequence M costume shows signs of age and wear,
Estimate: £800 - 1,200
including loose threads, several holes
JAMES BOND: OCTOPUSSY (1983) in the organza, and notable wear
under the right sleeve.
A set of hand-drawn storyboards from the production of John Glen’s Bond
film Octopussy. These storyboards depict the moment that Gobinda (Kabir Estimate: £400 - 600
Bedi) pursued James Bond (Roger Moore) on the circus train and informed
his boss Kamal Khan (Louis Jourdan) of an intruder. The lot comprises eight
individual pencil-rendered storyboards with separately printed descriptions,
all of which are mounted on thick pieces of card. Each storyboard is
numbered, as are the corresponding descriptions. The storyboards are
labelled “413” to “421”, but the image marked “415” is missing from the
set. They display minor marks, discolouration and crease lines, and some
sketches have begun to peel off the card in places. Dimensions (each
storyboard): 10 cm x 23 cm x 0.2 cm (4” x 9” x ¼”) Sold without copyright;
see copyright notice in the Buyer’s Guide.

Estimate: £400 - 600

683. Script, Storyboards, Production Paperwork,

and Collection of Crew Clothing M

JAMES BOND: OCTOPUSSY (1983)

A script, storyboards, production paperwork, and a collection of crew 686. Philip Kohler Collection: Fourth-draft Script, Behind- 687. Necklace Crew Gift and Seven Behind-the-scenes
clothing from John Glen’s Bond film Octopussy. The set includes a script the-scenes Photographs and Production Paperwork M Photos M
dated “10th June 1982;” 107 sheets of printed storyboards; 105 call sheets;
five movement orders; two shooting schedules; an accommodation list; a JAMES BOND: A VIEW TO A KILL (1985)
JAMES BOND: OCTOPUSSY (1983)
Royal World Charity premiere brochure; and a printed blueprint of the Bede
jet seen in the opening sequence. Also included in the lot are three white A script, a set of behind-the-scenes photographs, and paperwork from John Glen’s Bond A necklace crew gift and behind-the-scenes photographs from John Glen’s Bond movie
waterproof crew jackets and a dark red tracksuit (Size S), which features the film Octopussy. This lot comes from the personal collection of renowned production A View to a Kill. Made by legendary Western artist Al Shelton, this cast bronze necklace
“Octopussy Circus” logo sewn upside down on the back. The set exhibits manager Philip Kohler. It consists of a 138-page fourth-draft script dated “15.4.82”; five was gifted to crew members by Tanya Roberts. The front features the production title
signs of production use, including several marks and water damage on the black-and-white photographs of the circus train (one showing Roger Moore with actresses and inscribed on the back are “Love, Tanya Roberts, 1984” and a stamp from Al Shelton’s
script cover. Dimensions (script): 28 cm x 22 cm x 2 cm (11” x 8 ½” x ¾”); Maud Adams and Kristina Wayborn); a blue binder containing a shooting schedule; 134 call Studio. Also included are photos depicting crew and cast members on set. Two of the
(largest storyboard sheets): 30 cm x 42 cm (11 ¾” x 16 ½”) sheets; a Royal World Charity Premiere ticket application form; a premiere programme; photographs feature Roger Moore, and the Polaroids all display witty handwritten captions.
a crew screening ticket; two crew passes; and assorted paperwork. There are signs of The necklace exhibits light scratching, and there is minor edge wear and marks on the
Estimate: £600 - 800 production use and age, including creasing, folded corners, small tears, discolouration and photos. Dimensions (necklace): 25.5 cm x 4 cm x 0.5 cm (10” x 1 ½” x ¼”); (largest photo): 17.5
smudging. Dimensions (script): 30 cm x 21 cm x 1.5 cm (11 ¾” x 8 ¼” x ½”); (binder): 31.5 cm cm x 25.5 cm (7” x 10”) Sold without copyright; see copyright notice in the Buyer’s Guide.
x 25 cm x 4 cm (12 ½” x 9 ¾” x 1 ½”)
Estimate: £200 - 300
Estimate: £600 - 800

380 381
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

692. Philip Kohler Collection: Production

Revised Script, Call Sheets and Storyboards M

JAMES BOND: LICENCE TO KILL (1989)

A script, call sheets and storyboards from the production of John Glen’s
Bond movie Licence to Kill. This lot comes from the personal collection of
renowned production manager Philip Kohler. The set consists of a black
binder containing a revised script, dated “5 May, 1988”, and several script
breakdown sheets; 113 1st and 2nd unit call sheets; two sets of printed
storyboards bound in yellow card covers; and assorted loose paperwork.
All of the paperwork features the initial production title “Licence Revoked”,
which changed during post-production as US test screening audiences
believed the title referred to driving licences. There are signs of production
use, including creasing, small tears, minor marks and signs of discolouration.
Dimensions (binder): 29.5 cm x 29.5 cm x 7.5 cm (11 ½” x 11 ½” x 3”)

Estimate: £600 - 800

688. Philip Kohler Collection: Storyboards, Call Sheets, and
Production Ephemera M 689. Brad Whitaker’s (Joe Don Baker) Jacket M

JAMES BOND: A VIEW TO A KILL (1985) JAMES BOND: THE LIVING DAYLIGHTS (1987)
A collection of storyboards, call sheets, and assorted production ephemera from John Brad Whitaker’s (Joe Don Baker) jacket from John Glen’s Bond film The Living Daylights.
Glen’s Bond movie A View to a Kill. This lot comes from the personal collection of renowned Arms dealer Whitaker wore his jacket throughout the film. The woollen jacket is beige with
production manager Philip Kohler. The lot comprises 92 sheets of printed storyboards; four buttons running up the front. It features a Bermans & Nathans label which reads “John
33 call sheets; seven movement orders; two shooting schedules; a document titled “final Don Baker 5188 Whittaker Living Daylights”. It has no size labelling. The jacket shows some 693. Philip Kohler Collection: Collection of
treatment”; some loose script pages; 24 behind-the-scenes photographs, some of which are wear from production use and age, including small holes and marks where patches and Hand-drawn Storyboards M
taped together; eight envelopes; various stickers; and assorted paperwork. The storyboards pins were previously placed, as well as additional plucking.
depict several scenes, including the pre-credits sequence where James Bond (Roger JAMES BOND: LICENCE TO KILL (1989)
Moore) braved the tundra of Siberia in search of a Soviet microchip. The lot exhibits signs Estimate: £800 - 1,200
of production use, including marks, creasing, edge wear and folded corners. Dimensions A collection of hand-drawn storyboards from the production of John Glen’s
(each storyboard sheet): 30 cm x 42 cm (11 ¾” x 16 ½”) Bond movie Licence to Kill. This lot comes from the personal collection
of renowned production manager Philip Kohler. The set includes 14
Estimate: £400 - 600 hand-drawn pencil storyboards and one printed storyboard, all depicting
various scenes from the film. Each page features a brief description and is
numbered in the bottom-right corner. Also included are 46 annotated pages
of smaller, roughly sketched pencil-and-black-ink storyboards, which depict
various scenes, including the climactic tanker chase sequence. The sheets
exhibit minor signs of wear and pinholes, and strips of tape are present
on one page. Dimensions (largest sheet): 35.5 cm x 21.5 cm (14” x 8 ½”);
(smallest sheet): 28 cm x 21.5 cm (11” x 8 ½”) Sold without copyright; see
copyright notice in the Buyer’s Guide. Sold without copyright; see copyright
notice in the Buyer’s Guide.

Estimate: £600 - 800

694. Philip Kohler Collection: Scripts,

Storyboards, Production Paperwork and Crew
Jacket M

JAMES BOND: GOLDENEYE (1995)

A collection of scripts, storyboards, production paperwork and a crew jacket
from the production of Martin Campbell’s Bond movie GoldenEye. This lot
690. Philip Kohler Collection: Archive of Production comes from the personal collection of renowned production manager Philip
Paperwork M 691. Dario’s (Benicio del Toro) Jacket M Kohler. The set comprises a script dated “6 July, 1994”; a revised script dated
“12 September 1994”; a green binder containing printed storyboards; a
black binder containing mixed paperwork; several additional sets of printed
JAMES BOND: THE LIVING DAYLIGHTS (1987) JAMES BOND: LICENCE TO KILL (1989)
storyboards; 17 call sheets; nine “Season’s Greetings” cards; assorted
An archive of production paperwork from John Glen’s Bond movie The Living Daylights. Dario’s (Benicio del Toro) jacket from John Glen’s Bond film Licence to Kill. Dario wore his paperwork; and a black crew jacket (size XL). The jacket features a faux fur
This lot comes from the personal collection of renowned production manager Philip Kohler. jacket throughout the film, while working as a henchman to the villainous Franz Sanchez collar, and “Goldeneye, Phil Kohler, 007” is embroidered in gold-coloured
The lot consists of a script (dated “22nd May 1986”); four sets of storyboards – two stapled (Robert Davi). The jacket is made of black wool and features circular metal vents down the thread on the right breast. There are minor signs of wear from production
together, one in a plastic file and one in a paper file (dated “July 86 – January 87”); 128 call back and back of the arms. It has no size labelled, and shows some wear from production use, including creasing, corrosion marks and loose threads. Dimensions
sheets for different filming units; a shooting schedule; a breakdown file; movement orders; use and age, including some holes on the front left arm and back right arm, as well as some (largest binder): 34.5 cm x 28 cm x 7 cm (13 ½” x 11” x 2 ¾”)
assorted memos and production letters; unit lists; 17 behind-the-scenes photos; 17 headed verdigris on some of the metal vents.
production envelopes; five headed note pages; and one large set-design blueprint. The Estimate: £800 - 1,200
collection has wear from production use and age, including creasing and minor staining, Estimate: £600 - 800
and the blueprint has been haphazardly folded for storage. Dimensions (large storyboard
file): 30 cm x 42 cm x 1.5 cm (11 ¾” x 16 ½” x ¾”)

Estimate: £600 - 800

382 383
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

695. James Bond’s Model Miniature

Cessna 172P Skyhawk Plane, Revised
Script and Storyboards M 698. Deck of “One&Only” Playing
Cards †Δ
JAMES BOND: GOLDENEYE (1995)
JAMES BOND: CASINO ROYALE (2006)
A model miniature Cessna 172P Skyhawk plane, script, and
storyboards from Martin Campbell’s Bond movie GoldenEye. A deck of “One&Only” playing cards from Martin Campbell’s
James Bond (Pierce Brosnan) flew this aircraft with Natalya Bond movie Casino Royale. Packs of playing cards were
(Izabella Scorupco) as they searched for the Janus satellite used in the Bahamas’ “One&Only” Ocean Club, where
dish. Constructed by miniature effects supervisor Derek Bond (Daniel Craig) met Alex Dimitrios (Simon Abkarian)
Meddings and his team, by modifying an off-the-shelf toy, during a poker game. Custom-made for the production
the detailed plastic plane has “N96816” on both sides of by playing card manufacturer Cartamundi, the cards and
the fuselage. A revised script dated “28 November 1994” packaging are made of high quality stock and are each
in a red folder, and two folders containing 264 storyboards branded “OO”, with red-patterned backing. The ace of
are included. The plane comes in a custom-made display spades card features “One&Only” printed at the centre of
and exhibits glue remnants where weights were fixed to the spade. The pack contains a complete set of playing
stabilise it, and there is staining on the pages in one of the cards and displays minimal wear. Dimensions: 9.5 cm x
storyboard folders. Dimensions (plane): 11 cm x 15 cm x 19 6.5 cm x 2 cm (3 ¾” x 2 ¾” x ¾”)
cm (4 ¼” x 6” x 7 ½”); (each folder): 31.5 cm x 25.5 cm x 4
cm (12 ½” x 10” x 1 ½”) Estimate: £200 - 300

Estimate: £1,500 - 2,500

696. James Bond Stunt Double

Leather Jacket and Crew Items M 699. Casino Royale $1,000,000 Poker
Chip †Δ
JAMES BOND: TOMORROW NEVER DIES
(1997) JAMES BOND: CASINO ROYALE (2006)
A James Bond stunt double leather jacket and crew items A $1,000,000 poker chip from Martin Campbell’s Bond
from Roger Spottiswoode’s Bond movie Tomorrow Never movie Casino Royale. James Bond (Daniel Craig), Le
Dies. Bond wore his leather jacket during the opening Chiffre (Mads Mikkelsen) and their fellow poker players
sequence, as he took down a terrorist arms bazaar. This used betting chips during the high-stakes game at the
brown leather jacket is slightly different to the one worn Casino Royale in Montenegro. The plaque is made of
by Brosnan during close-up scenes, with different buttons blue pearlescent plastic and has a translucent red-and-
and stitching. Inside is an Angels and Bermans label, which yellow centre. “Casino Royale $1,000,000 Montenegro”
reads “Bond 3 Stunt Man”. The crew items are a navy blue is printed on both sides in a gold-and-black font. The chip
“James Bond 007 Golf Society” blazer (marked size 12) displays light scratches. Dimensions: 11.5 cm x 8 cm x 0.5
and an unworn navy blue, rugby-style top (size M) from the cm (4 ½” x 3 ¼” x ¼”)
production of Tomorrow Never Dies. The stunt jacket has
been intentionally distressed to appear well worn, and has Estimate: £2,000 - 3,000
additional scuffs and scratches from production use. The
crew items remain in an unworn condition.

Estimate: £800 - 1,200

697. Colonel Tan-Sun Moon’s (Will Yun 700. Casino Royale $500,000 Poker
Lee) Leather Coat M Chip †Δ

JAMES BOND: DIE ANOTHER DAY (2002) JAMES BOND: CASINO ROYALE (2006)
Colonel Tan-Sun Moon’s (Will Yun Lee) leather coat from A $500,000 poker chip from Martin Campbell’s Bond
Lee Tamahori’s Bond movie Die Another Day. Colonel movie Casino Royale. James Bond (Daniel Craig), Le
Moon wore his jacket during the film’s opening sequence, Chiffre (Mads Mikkelsen) and their fellow poker players
when he met an undercover Bond (Pierce Brosnan) to trade used betting chips during the high-stakes game at the
diamonds for weapons. The double-breasted Burberry Casino Royale in Montenegro. The chip is made of red
coat is made from dark green leather, with red-and-gold pearlescent plastic and has a translucent green centre.
lapels and metal buttons down the front. It is labelled size “Casino Royale $500,000 Montenegro” is printed on
“48” and has been intentionally distressed to appear well both sides in a gold-and-black font. The chip exhibits light
worn. The coat is accompanied by two belts: one leather scratches from production use. Dimensions: 10.5 cm x 7.5
and one canvas. Both feature metal buckles, and the leather cm x 0.5 cm (4 ¼” x 3” x ¼”)
belt has “38” and other illegible characters handwritten in
marker pen on its inner side. All the items have wear from Estimate: £2,000 - 3,000
production use and age, including scuffing and scratches
Sold without copyright; see copyright notice in the Buyer’s
Guide..

Estimate: £800 - 1,200

384 385
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

705. Jack Colton’s (Michael Douglas)

Hero Coat Ω

THE JEWEL OF THE NILE (1985)

Jack Colton’s (Michael Douglas) hero coat from Lewis
Teague’s romantic adventure sequel The Jewel of the Nile.
Rugged adventurer Colten wore his jacket while hunting
alongside Joan Wilder (Kathleen Turner) for a fabled
jewel along the Nile River. This lightweight cream-colour
button-up cotton-blend jacket features a satin lining. The
interior breast pocket is affixed with a pair of wardrobe tags
marked “MICHAEL DOUGLAS”. It exhibits signs of wear
from age and use throughout including deliberately-added
distressing and staining from production.

Estimate: £1,000 - 1,500

701. Vesper Lynd’s (Eva Green) International Liaison Officer 702. Sam Mendes-autographed Day of The Dead Crew
HM Treasury Business Cards †Δ Poster †Δ

JAMES BOND: CASINO ROYALE (2006) JAMES BOND: SPECTRE (2015)

Vesper Lynd’s (Eva Green) business cards from Martin Campbell’s Bond movie Casino A Sam Mendes-autographed Day of The Dead crew poster from the production of Mendes’
Royale. Treasury agent Vesper Lynd handed her business card to Bond (Daniel Craig) during Bond film Spectre. A limited edition poster was commissioned by Mendes to be given to
their initial meeting on the train to Montenegro. Custom-printed for the production, the two the cast and crew as a personal thank you for their work on the production. This poster
identical business cards display several details printed in grey, including Lynd’s name, her was issued in two series: one of 1,000 posters (for crew and production staff) and a run of 706. Turbo Man Comic Book, Cereal
position as a HM Treasury International Liaison Officer, and faux telephone numbers and 100 (for main cast). Each poster was hand-numbered and signed “Love Sam” by Mendes. Box and Gift Certificate M
email addresses. Embossed metallic red lettering and a royal coat of arms feature at the On the reverse is a “SPECTRE - 007” label with the filming locations listed: Mexico, London,
top of both cards, which display very minor edge wear from production use. Dimensions Rome, Austria, Morocco. The poster is numbered #0043/1000, comes in its original rolled JINGLE ALL THE WAY (1996)
(each card): 5.5 cm x 8.5 cm (2 ¼” x 3 ¼”) condition, and in its original tube from the production. Dimensions: 56 x 42 cm (22” x 16.5”)
A Turbo Man comic book, a cereal box and a gift certificate
Estimate: £200 - 300 Estimate: £600 - 800 from Brian Levant’s Christmas comedy Jingle All The
Way. Jamie (Jake Lloyd) read a comic in his bedroom,
and a cereal box stood on the Langstons’ kitchen table.
A gift certificate was the prize in a radio competition. The
custom-made comic book has gold-foil detailing and
contains filler pages. The “Turbo Man Cereal” box shows
the superhero eating cereal, and the certificate displays
text which indicates the voucher can be swapped for an
action figure. The lot shows minor wear and creasing.
Dimensions (comic): 26.5 cm x 17.5 cm x 0.2 cm (10 ½” x 7”
x ¼”); (cereal box): 29.5 cm x 19.5 cm x 7 cm (11 ½” x 7 ¾” x
2 ¾”); (certificate): 13 cm x 25.5 cm (5 ¼” x 10”)

Estimate: £400 - 600

707. Howard Langston’s (Arnold

Schwarzenegger) Boomerang M

JINGLE ALL THE WAY (1996)

Howard Langston’s (Arnold Schwarzenegger) boomerang
from Brian Levant’s Christmas comedy Jingle All The Way.
Dressed as Turbo Man, Howard threw a “Turbo-rang” while
703. The Creeper’s (Jonathan Breck) Throwing Head Ω 704. The Creeper’s (Jonathan Breck) Javelin-pierced Head Ω attempting to save his son Jamie (Jake Lloyd) from Myron
(Sinbad) during the Holiday Wintertainment Parade. A
boomerang was also used by Turbo Man (Daniel Riordan)
JEEPERS CREEPERS 2 (2003) JEEPERS CREEPERS 2 (2003)
during an episode of the superhero’s TV show seen at the
The Creeper’s (Jonathan Breck) throwing head from Victor Salva’s horror movie Jeepers The Creeper’s (Jonathan Breck) javelin-pierced head from Victor Salva’s horror sequel opening of the film. The resin boomerang consists of a
Creepers 2. The Creeper tormented a school bus full of students throughout the film and Jeepers Creepers 2. While the Creeper tormented a school bus full of students, one pierced circular centre with two foldable arms. The majority of the
one student jabbed a javelin through his skull. After the students damaged the Creeper’s a javelin through his skull. The Creeper then pulled the javelin out, taking a chunk of his weapon displays a polished gold finish with incorporated
skull, he pulled his head off and threw it at one of them. This head is made primarily of skull with it. The foam-latex head features textured skin and strands of gore protruding sections of red, matching Turbo Man’s colour scheme. The
biscuit foam with latex skin and a resin eye. It has been intentionally distressed, with skin from an open wound. The head is hand-painted, with strands of faux hair on the chin and lot displays scuff marks, scratching, wear to the polished
peeling off. The skull has wear from age and use, most notably the latex skin has dried and the back of the head. It is autographed on the chest in marker pen by Breck. It has some finish and glue remnants from repair work carried out.
cracked in places, and some if the biscuit foam is visible beneath the paint. It comes on a wear from production use and age, most notably the drying and cracking of the latex skin. Dimensions (unfolded): 45.5 cm x 21 cm x 3 cm (18” x 8
custom-made wooden stand autographed in silver pen by Breck and is accompanied by a It sits on a custom-made acrylic stand and is accompanied by a COA from makeup effects ¼” x 1 ¼”)
COA from makeup effects artist Brian Penikas. The stand also has some dents and scuffs. artist Brian Penikas. Dimensions (displayed): 26 cm x 41 cm x 46 cm (10 ¼” x 16 ¼” x 18”)
Dimensions (displayed): 28 cm x 22 cm x 26 cm (11” x 8 ¾” x 10 ¼”)
Estimate: £2,000 - 3,000
Estimate: £2,000 - 3,000
Estimate: £2,000 - 3,000

386 387
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

708. Howard Langston’s (Arnold

Schwarzenegger) SFX Turbo Man
CHA RL E S
Lots in this section of the auction come from the collection of Charles “Charley” Lippincott. Lippincott is considered
Jetpack Ω among the foremost marketing and merchandising experts in the history of science-fiction. After an early start in
traditional Hollywood publicity, his career exploded when college friend George Lucas hired him as Lucasfilm’s VP of

L I P P I N COTT
Advertising, Publicity, Promotion & Merchandising, a role he used to create arguably the most successful – and bombastic
JINGLE ALL THE WAY (1996) – marketing campaign ever for Lucas’ original Star Wars trilogy. Lippincott subsequently masterminded the publicity
Howard Langston’s (Arnold Schwarzenegger) SFX Turbo strategies for such era-defining properties as Ridley Scott’s Alien and Mike Hodges’ Flash Gordon, both of which are
represented in this auction. The popularity of these projects further propelled him into the top ranks of film executives,

C OL L EC TION
Man jetpack from Brian Levant’s holiday family comedy
Jingle All the Way. Langston donned the signature costume leading him to produce Danny Cannon’s cult classic Judge Dredd, which is also heavily featured in this catalog. While
of popular superhero Turbo Man while attending a Christmas Charley Lippincott passed away in 2020, his personal collection reflects a legacy of rare influence and lifelong fandom.
parade after being mistaken for the actor who was
supposed to play the character. This golden yellow jetpack
features a hard fibreglass shell with decorative fan and fin
details as well as four thruster accents. The interior contains
a series of hydraulic wires and cables as well as metal
canisters. The interior mechanics allowed the jetpack’s two 711. Charles Lippincott Collection:
top thrusters to deploy into an extended position. It exhibits Aspen Shuttle Sign Ω
signs of wear from age and use including some scraping
and paint chipping on the outer shell. Dimensions: 86.5 JUDGE DREDD (1995)
cm x 17.75 cm x 56 cm (34” x 7” x 22”) Contains electronic
components; see notice in the Buyer’s Guide An Aspen shuttle sign from Danny Cannon’s sci-fi adventure
Judge Dredd. Signs noting the A23 Shuttle’s emergency
Estimate: £2,000 - 3,000 exits hung inside the shuttle during the attempted transfer
of Judge Dredd (Sylvester Stallone) and other prisoners to
the Aspen penal colony. This lot comes from the collection
of the film’s producer, Charles “Charley” Lippincott. The
laminated paper sign is printed in colour and features a
diagram of the shuttle, labeled “A23 Shuttle”, with four green
709. Temple Statues †Δ arrows marked “Rescue” pointing toward the exits, two red
arrows showing evacuation routes, a Mega City Justice
Department insignia in the corner, the words “Emergency
JOHN CARTER (2012)
Evac.” in large font on the bottom, and a red and yellow
A pair of statues from Andrew Stanton’s sci-fi adventure striped border around the outside. It exhibits minimal wear
John Carter. Statues were seen during John’s (Taylor from age. Dimensions: 21.75 cm x 30.5 cm (8 ½” x 12”)
Kitsch) escape from Sab Than (Dominic West). The statues
are made of fibreglass and biscuit foam, painted to look Estimate: £400 - 600
like sculpted rock. They are hollow, and each depicts an
eight-legged, lion-like creature. Some of the creatures’ feet
have holes where they were fixed with screws to the set.
The statues have wear from production use and storage,
including scuffing, scratches and minor grime build-up in
the crevices. Dimensions (each statue): 84 cm x 35 cm x
35 cm (33” x 13 ¾” x 13 ¾”)

Estimate: £800 - 1,200

712. Charles Lippincott Collection:

Hand-painted Dermot Power “Fargo”
710. Johnny English’s (Rowan Illustration with Contact Sheets Ω
Atkinson) Screen-matched Distressed
Tuxedo Costume †Δ
JUDGE DREDD (1995)
A “Fargo” illustration hand-painted by Dermot Power with
JOHNNY ENGLISH (2003)
contact sheets from the production of Danny Cannon’s
Johnny English’s (Rowan Atkinson) screen-matched sci-fi adventure Judge Dredd. Chief Judge Eustace Fargo
distressed tuxedo costume from Peter Howitt’s spy comedy (Max von Sydow) sentenced Judge Dredd (Sylvester
Johnny English. The accident-prone spy wore his tuxedo as Stallone) to life imprisonment for murder. This lot comes
he and INTERPOL agent Lorna Campbell (Natalie Imbruglia) from the collection of the film’s producer, Charles “Charley”
infiltrated Pascal Sauvage’s (John Malkovich) château, with Lippincott. It consists of a concept painting of Fargo hand-
the outfit becoming stained after Johnny climbed through painted and annotated in mixed media on heavyweight
the building’s sewer pipes. The stains on the front of the illustration paper by conceptual illustrator Dermot Power, as
jacket screen-match to the scene in which Johnny, Lorna well as two black-and-white contact sheets featuring Fargo.
and Bough (Ben Miller) raced to London to stop Sauvage’s The illustration appears on page 103 of the Art of Judge
coronation. The costume comprises a off-white dinner Dredd book. The painting exhibits tape residue on the
jacket; a white cotton Gieves & Hawkes dress shirt (size top and bottom with small tears to the edges. Dimensions
15 ½), with a textured collar and front panel; a pair of smart (painting): 43.25 cm x 30.5 cm (17” x 12”); (sheets): 34.5 cm
black trousers; and a pair of black Loake™ brogues (both x 6.5 cm (13 ½” x 2 ½”) Sold without copyright; see notice
labelled “1”). The jacket has been intentionally distressed in the Buyer’s Guide.
with brown stains and marks, and the costume exhibits
minor wear from production use. Estimate: £500 - 700

Estimate: £800 - 1,200

388 389
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

713. Charles Lippincott Collection:

Pair of Hand-illustrated Simon Murton 715. Charles Lippincott Collection: Hand-
Judge Dredd Helmet Designs with illustrated ABC Warrior Robot Illustration with
Production Photos Ω Contact Sheets Ω

JUDGE DREDD (1995) JUDGE DREDD (1995)

A pair of Judge Dredd (Sylvester Stallone) helmet designs A hand-illustrated ABC Warrior robot illustration with contact sheets from the
hand-illustrated by Simon Murton with production production of Danny Cannon’s sci-fi adventure Judge Dredd. This lot comes
photographs from Danny Cannon’s sci-fi adventure Judge from the collection of the film’s producer, Charles “Charley” Lippincott. The
Dredd. Dredd wore his signature helmet throughout the illustration is rendered with both printed and hand-illustrated elements
film as he patrolled Mega-City One. This lot comes from on paper adhered to black construction paper. The five black-and-white
the collection of the film’s producer, Charles “Charley” glossy contact sheets feature “Judge Dredd” and “Photography Richard
Lippincott. It consists of two designs for Dredd’s helmet Blanshard” at the top and depict the ABC Warrior, Rico (Armand Assante),
with both printed and hand-illustrated elements rendered Geiger (Ian Dury), cinematographer Adrian Biddle, and others. Also included
in mixed media on oversize paper signed by conceptual is a black-and-white contact strip with three images of the ABC Warrior.
illustrator Murton and stamped “Cinergi Productions”. Also The contact sheets are hole-punched, one is missing a corner image, and
included are two color production photographs and two the illustration’s backing has pinholes and small tears. Dimensions (largest):
black-and-white contact sheets of the Street Judge helmet. 40.75 cm x 30.5 cm (16” x 12”); (smallest): 30.5 cm x 11.5 (12” x 4 ½”) Sold
One drawing is stained brown in the margins, and both without copyright; see notice in the Buyer’s Guide.
exhibit some creasing. Dimensions (drawings): 43.25 cm x
28 cm (17” x 11”); (smallest photo): 6.5 cm x 6.5 cm (2 ½” x 2 Estimate: £300 - 500
½”) Sold without copyright; see notice in the Buyer’s Guide.

Estimate: £500 - 700

716. Charles Lippincott Collection: Printed and
Hand-illustrated Chris Halls Mean Machine
Illustrations with Contact Sheets Ω

JUDGE DREDD (1995)

Printed and hand-illustrated Mean Machine illustrations by Chris Halls with
contact sheets from the production of Danny Cannon’s sci-fi adventure
Judge Dredd. After being captured by Pa Angel (Scott Wilson), Judge
Dredd (Sylvester Stallone) fought Mean Machine (Christopher Adamson).
This lot comes from the collection of the film’s producer, Charles “Charley”
Lippincott. Two illustrations are rendered with printed and hand-illustrated
714. Charles Lippincott Collection: elements on white and black paper, the third is a colour-printed copy. The
Hand-illustrated Julian Caldow two hole-punched black-and-white contact sheets read “Judge Dredd’’
Lawgiver Design Illustration with and “Photography Richard Blanshard’’ and depict Mean Machine, Dredd,
Printed Copy and Production and Pa Angel. The contact strip features Adamson. The illustrations appear
Photographs Ω on pages 99 and 100 of the Art of Judge Dredd book. The white paper
illustration has light staining. Dimensions (largest): 42.75 cm x 30.5 cm (16
¾” x 12”); (smallest): 32.5 cm x 6.5 cm (12 ¾” x 2 ½”) Sold without copyright;
JUDGE DREDD (1995)
see notice in the Buyer’s Guide.
A Lawgiver design artwork hand-illustrated by Julian Caldow
with a printed copy of a separate illustration and production Estimate: £300 - 500
photographs from Danny Cannon’s sci-fi adventure Judge
Dredd. The Lawgiver was the signature weapon of the
Street Judges who patrolled Mega-City One. This lot
comes from the collection of the film’s producer, Charles 717. Charles Lippincott Collection: Hand-drawn
“Charley” Lippincott. It consists of a design illustration Julian Caldow Janus Lab Sketch, Printed
labeled “Lawgiver (Revision)” and rendered in mixed media Drawing, and Photographs Ω
on drawing paper by conceptual illustrator Julian Caldow.
Also included are a printed copy of another Lawgiver JUDGE DREDD (1995)
illustration stamped “Cinergi Productions” and labeled
“Final Law Giver” on the reverse, as well as three production A Janus Lab sketch hand-drawn by Julian Caldow, a printed drawing, and
photographs, a strip of contact sheets, and a printed logo. photographs from the production of Danny Cannon’s sci-fi adventure Judge
The drawing exhibits visible creasing. Dimensions (drawing): Dredd. Janus Laboratories created clones for The Council of Judges. This
30 cm x 42 cm (11 ¾” x 16 ½”); (smallest photo): 6.5 cm x lot comes from the collection of the film’s producer, Charles “Charley”
6.5 cm (2 ½” x 2 ½”) Sold without copyright; see notice in Lippincott. It consists of one folded marker sketch by Caldow labeled for
the Buyer’s Guide. modelmaker Jim Machin, one folder labeled “Caldow Janus Orig” with the
note “Andy wanted enormous Janus Lab with [illegible] Julian Caldow”,
Estimate: £500 - 700 one printed drawing depicting clone caskets, and six photographs of the
lab model, clone, and Joan Chen. The lab and casket drawings appear
on pages 144 and 151 of the Art of Judge Dredd book. The print exhibits
corner stains. Dimensions (largest): 59.75 cm x 42 cm (23 ½” x 16 ½”);
(smallest): 6.5 cm x 6.5 cm (2 ½” x 2 ½”) Sold without copyright; see notice
in the Buyer’s Guide.

Estimate: £200 - 300

390 391
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

718. Charles Lippincott Collection: Set of Five

Hand-illustrated Julian Caldow Mega-City One
Vehicle Concept Designs Ω 721. Light-up Judge Hunter Rifle US

JUDGE DREDD (1995) JUDGE DREDD (1995)

A set of five Mega-City One vehicle concept designs hand-illustrated A light-up Judge Hunter rifle from Danny Cannon’s comic
by Julian Caldow for the production of Danny Cannon’s sci-fi adventure book adventure Judge Dredd. When Judge Dredd
Judge Dredd. Futuristic vehicles contributed to overcrowding and urban (Sylvester Stallone) was framed for murder, Judge Hunters
sprawl in Mega-City One, which Judge Joseph Dredd (Sylvester Stallone) wielded their futuristic standard-issue rifles and were sent
patrolled. This set comes from the collection of the film’s producer, Charles to bring him to justice. This rifle consists of a fibreglass
“Charley” Lippincott. It consists of five hand-illustrated concept designs, body painted black with red plastic slits, a urethane sight,
each rendered in watercolours, marker, and graphite with printed elements painted wood and particle board details, and tooled metal
on drawing paper by conceptual illustrator Julian Caldow. Each illustration attachments along the barrel and near the trigger. An
comes affixed to white backing paper numbered “1” through “5”. Additional electronic battery pack controlling the lights embedded
vehicle designs appear on page 122 of the Art of Judge Dredd book. The in the gun’s viewfinder, body, and barrel is hidden under a
set exhibits some minor creasing and edge wear throughout from handling. metal panel on the left side. This rifle exhibits various signs
Dimensions (each): 30 cm x 42 cm (11 ¾” x 16 ½”) Sold without copyright; of use, including small cracks to the body and scuffed paint
see notice in the Buyer’s Guide. throughout. Dimensions: 115.5 cm x 40.75 cm x 17.75 cm (45”
x 16” x 7”) Contains electronics; see electronics notice in
Estimate: £400 - 600 the Buyer’s Guide. This lot will ship from Prop Store’s Los
Angeles facility; see notice in the Buyer’s Guide

Estimate: £2,000 - 3,000

719. Charles Lippincott Collection: Hand-
illustrated “Hershey” Concept Artwork with
Printed Judge Design and Contact Sheets Ω
722. Velociraptor Front Claw M
JUDGE DREDD (1995)
A hand-illustrated “Hershey” concept artwork with a printed Judge design JURASSIC PARK (1993)
and contact sheets from Danny Cannon’s sci-fi adventure Judge Dredd.
Judge Hershey (Diane Lane) patrolled the crime-riddled streets of Mega- A velociraptor front claw from Steven Spielberg’s Academy
City One. This lot comes from the collection of the film’s producer, Charles Award®-winning sci-fi adventure Jurassic Park. Velociraptors
“Charley” Lippincott. The Hershey artwork features both printed and used their claws to hunt the main characters after escaping
hand-illustrated elements rendered on drawing paper affixed to backing their fortified pen and to eviscerate prey. This is one of the
board labeled “Judge Hershey Concept”. Also included is a printed copy predators’ front claws, used to great effect when opening
of an additional Judge concept; five black-and-white character contact doors during the climax of the film. This resin claw is affixed
sheets; and a production photograph of a Judge costume. The “Hershey” to a section of foam latex forepaw, all hand-painted to look
artwork appears on page 54 of the Art of Judge Dredd book, while the as realistic as possible. This claw would have been attached
Judge concept variant appears on page 42. Both designs exhibit minor to the full forepaw of the animatronic velociraptor with a
stains from use. Dimensions (largest): 39.5 cm x 31.25 cm (15 ½” x 12 ¼”); small intentional hole located within the exposed foam-latex
(smallest): 15.25 cm x 10.25 cm (6” x 4”) Sold without copyright; see notice edge for attaching a cable. There are signs of minor wear
in the Buyer’s Guide. from production use, including small tears and flaking to
the foam latex, notably on the underside. Dimensions: 15
Estimate: £300 - 500 cm x 3.5 cm x 4.5 cm (6” x 1 ¼” x 1 ¾”)

Estimate: £2,000 - 3,000

720. Charles Lippincott Collection: Hand-drawn

Nigel Phelps Loading Dock Sketch with Three
Illustration Copies Ω
723. Park Employee Polo Shirt †Δ
JUDGE DREDD (1995)
A loading dock sketch hand-drawn by Nigel Phelps with three illustration JURASSIC PARK (1993)
copies from the production of Danny Cannon’s sci-fi adventure Judge Dredd.
In the opening of the film, a transport ship carrying Herman Ferguson (Rob A park employee polo shirt from Steven Spielberg’s sci-fi
Schneider) and other passengers enters a loading dock in Mega-City One. adventure Jurassic Park. Pink Jurassic Park-branded polo
This lot comes from the collection of the film’s producer, Charles “Charley” shirts were worn by park employees, most notably the
Lippincott. It consists of one graphite sketch on vellum, and three printed drivers of the Jeeps that transported Alan Grant (Sam
illustration copies, one of which has the name “Kev. Walker” in the corner. Neill), Ellie Sattler (Laura Dern), Ian Malcolm (Jeff Goldblum)
The sketch appears on page 11 of the Art of Judge Dredd book. The sketch and John Hammond (Richard Attenborough) after they
exhibits smudging and a crease, the prints exhibit ink sticking, and both first arrived on Isla Nublar, and took them to observe the
exhibit pin holes. Dimension (largest): 42 cm x 29.25 cm (16 ½” x 11 ½”); brachiosaurus. This cotton shirt features the iconic Jurassic
(smallest): 38.25 cm x 21.75 cm (15” x 8 ½”) Sold without copyright; see Park logo stitched onto the left breast. Made by Thornton
notice in the Buyer’s Guide. Bay Clothing Co., it is marked size XL. It also features a
barcoded Universal Studios inventory label. The polo shirt
Estimate: £200 - 300 has some wear from production use and age, including
minor staining on the front and very minor plucking on
some of the stitching.

Estimate: £1,000 - 1,500

392 393
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

724. Framed Hand-drawn Mark

“Crash” McCreery Raptor Attack
Artwork M

JURASSIC PARK (1993)

A framed hand-drawn Mark “Crash” McCreery artwork
from the production of Steven Spielberg’s action adventure
Jurassic Park. Special effects artists at Stan Winston Studios
worked first on paper, illustrating dinosaur concepts before
building the advanced animatronics used in the film.
Labelled “Raptor Attack”, the detailed piece depicts three
velociraptors behind a fence and is rendered in pencil on
illustration paper. “Stan Winston Inc.” is handwritten at the
top, and the drawing is signed “Crash” by concept artist
McCreery. The drawing is housed in a black plastic frame
and remains in excellent overall condition, with minor marks
and smudging, and light scuffing on the frame. Dimensions:
54 cm x 72.5 cm x 3 cm (21 ¼” x 28 ½” x 1 ¼”) Sold without
copyright; see copyright notice in the Buyer’s Guide.

Estimate: £1,000 - 1,500 727. Two Crew Jackets M 728. Early Grayce’s (Brad Pitt) Costume M

JUSTICE LEAGUE (2017) AND WONDER WOMAN 1984 (2020) KALIFORNIA (1993)
A set of two crew jackets from the productions of Zack Snyder’s superhero film Justice Early Grayce’s (Brad Pitt) costume from Dominic Sena’s thriller Kalifornia. Early wore this
League and Patty Jenkins’ superhero sequel Wonder Woman 1984, respectively. The attire during the film’s opening scenes, when he stood on a bridge in the pouring rain after
black-and-yellow Justice League varsity jacket features “7” and “Film Crew’’ embroidered dropping a large rock onto an oncoming car, and when he went to the diner where his
725. Velociraptor Claw M on the right breast, and a large circular “Gotham City University” emblem adorns the back. girlfriend Adele (Juliette Lewis) worked. The costume comprises a dark green zip-up utility
A label stitched to the lining reads “759 of 984”. Made from black cotton and polyester, jacket (size 44); a grey short-sleeved shirt (labelled “Rain Double”); a pair of dark green
THE LOST WORLD: JURASSIC PARK (1997) the Wonder Woman 1984 Members Only jacket features an embroidered, multi-coloured Dickies® trousers (size 34 and labelled “Rain”); and a brown leather belt. Also included in
“WW84” patch on its left sleeve, and its original tags are still attached inside. Both garments the lot are two black-and-white stills from the movie and an autographed headshot of Pitt.
A velociraptor claw from Steven Spielberg’s Academy are marked as size M and they display light signs of wear, while there is minor plucking The lot displays signs of production use, including fraying, loose threads and several marks,
Award®-winning sci-fi sequel The Lost World: Jurassic to the “WW84” patch. notably down the back of the trousers. Dimensions (largest still): 28 cm x 21.5 cm (11” x 8 ½”)
Park. Velociraptors hunted the survivors on Isla Sorna as
they neared the dangerous centre of the island. The claw Estimate: £400 - 600 Estimate: £800 - 1,200
is made of resin and is hand-painted in shades of brown to
look as realistic as possible. A metal rod protrudes from the
rear for mounting to the velociraptor’s special-effects arm
rigs, with “R3” etched into the rod’s underside. The claw
shows signs of production use, including light scuffing and
paint wear, and there are some remnants of glue on one
side. Dimensions: 11 cm x 2 cm x 5.5 cm (4 ¼” x ¾” x 2 ¼”)

Estimate: £1,500 - 2,500

726. Hand-coloured John Bell Park

Sign Concept Designs †Δ

JURASSIC PARK (1993)

A collection of six John Bell concept designs from the
production of Steven Spielberg’s sci-fi adventure Jurassic 729. Two Shooting Scripts, Set of Storyboards and Signed 730. Hit-Girl’s (Chloe Grace Moretz) SFX Kitchen Knife and
Park. These concepts are for the signage seen around Compliment Slip From Matthew Vaughn M Stunt Butterfly Knife †Δ
Jurassic Park. The designs are printed, but have been
hand-coloured and traced over in places with pen. Art
KICK-ASS (2010) KICK-ASS (2010)
director Bell has signed and dated each page “5.92”, and
five pages are hole-punched. The designs show a little Scripts, storyboards, and a signed compliment slip from Matthew Vaughn’s superhero Hit-Girl’s (Chloe Grace Moretz) SFX kitchen knife and stunt butterfly knife from Matthew
wear from production use, including pin holes at the top. film Kick-Ass. Obtained from the collection of focus puller Simon Hume, the scripts are Vaughn’s comic-book film Kick-Ass. Hit-Girl used knives throughout the film, and used
Dimensions (each page): 28 cm x 22 cm (11” x 8 ¾”) Sold credited to Jane Goldman and Matthew Vaughn. The first script is 109 pages, dated “28th kitchen knives to dispatch one of Frank D’Amico’s (Mark Strong) henchmen. The rubber
without copyright; see copyright notice in the Buyer’s Guide. August 2008,” and labelled “59.” The second script is 114 pages, dated “12th September stunt butterfly knife is painted silver. The SFX kitchen knife has a two-part metal blade; its
2008,” and labelled “154 Simon.” The 13 pages of storyboards depict Dave Lizewski (Aaron tip slots into the blade’s main body. Both sections have small holes that allow the “thrown”
Estimate: £600 - 800 Taylor-Johnson) in training, and the compliment slip features a handwritten “thank you” knife to run on wires to its target. Both show wear from production use and age. The
from Vaughn to Hume. The lot displays signs of production use, and the back page of one butterfly knife has scuffing and scratches, and the kitchen knife has a rusted blade and a
script is torn around the metal clip. Dimensions (scripts): 30 cm x 21 cm x 1.5 cm (11 ¾” x chip on the metal tip. The loose handle is held on with one screw. Dimensions (butterfly
8 ¼” x ½”); (storyboards): 29.5 cm x 21 cm (11 ½” x 8 ¼”); (card): 10 cm x 16 cm (4” x 6 ¼”) knife): 23.5 cm x 1 cm x 3 cm (9 ¼” x ½” x 1 ¼”); (kitchen knife): 34 cm x 2.5 cm x 4.5 cm
(13 ½” x 1” x 1 ¾”)
Estimate: £400 - 600
Estimate: £800 - 1,200

394 395
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

735. Whiskey’s (Pedro Pascal) Stunt Ruger

Revolvers and Holster, Tequila’s (Channing
Tatum) Stunt Rifle, and Stunt Kingsman Pistol †Δ

KINGSMAN: THE GOLDEN CIRCLE (2017)

Whiskey’s (Pedro Pascal) stunt Ruger revolvers, Tequila’s (Channing Tatum)
stunt rifle, and a stunt Kingsman pistol from Matthew Vaughn’s action-
comedy sequel Kingsman: The Golden Circle. Whiskey carried his revolvers
for much of the film, and Tequila used his weapon when he intercepted
Merlin (Mark Strong) and Eggsy (Taron Egerton) as they infiltrated Statesman
HQ. The hand-painted revolvers come with leather holsters. The stunt
rifle is hand-painted stainless steel, with a wood stock. The hand-painted
black pistol has a silver ejection port. The revolver’s rubber has cracked,
the finish is worn, and part of the rifle hammer has broken off. Dimensions
731. Nicolas Cage Gallery Head Cast and Big Daddy’s (each revolver): 25.5 cm x 4.5 cm x 14.5 cm (10” x 1 ¾” x 5 ¾”); (rifle): 92.5
(Nicholas Cage) SFX Bloodletting Survival Knife and cm x 4 cm x 14 cm (36 ½” x 1 ½” x 5 ½”); (pistol): 19.5 cm x 3 cm x 12 cm (7
Sheath †Δ 732. Kick-Ass’ (Aaron Taylor-Johnson) SFX Taser Kit †Δ ¾” x 1 ¼” x 4 ¾”) Restricted ownership; see replica firearm notice in the
Buyer’s Guide.
KICK-ASS (2010) KICK-ASS (2010) Estimate: £1,500 - 2,500
A Nicholas Cage gallery head cast and Big Daddy’s (Nicholas Cage) SFX knife from Matthew Kick-Ass’ (Aaron Taylor-Johnson) SFX taser kit from Matthew Vaughn’s comic-book film
Vaughn’s comic-book film Kick-Ass. A head cast was displayed in Frank D’Amico’s (Mark Kick-Ass. Rookie vigilante Dave Lizewski tased drug-dealer Rasul (Kofi Natei) before being
Strong) apartment, and Big Daddy fought D’Amico’s goons with his knife. The blood red saved by Hit-Girl (Chloë Grace Moretz), who disparaged his “gay taser”. The kit consists
fibreglass head cast shows production use and age, including light surface scratches and of a camouflaged SFX taser attached to a clear rubber tube, through which compressed
a hole behind the right ear. The metal knife’s hollow handle housed stage blood that could air was pumped to launch its electrodes. The side compartment detaches, revealing the
flow through a slit down one edge. The end of the handle has a compass, and the leather pipes inside. The kit comes with a spare electrode cartridge, five cartridge caps and a
sheath has two attachment loops. It shows wear from production use and age, including spare pair of electrodes, whose wires are wrapped around a wooden stick. “Regular” and
scuffing, scratches and blade tarnishing. Dimensions (head): 22 cm x 17 cm x 27 cm (8 ¾” “Headshot” are written in ink on the stick. The kit has some wear from production use, 736. Stunt Kingsman Pistol with Silencer †Δ
x 6 ¾” x 10 ¾”); (knife): 41 cm x 9.5 cm x 4.5 cm (16 ¼” x 3 ¾” x 1 ¾”) including scuffing and scratches to the taser paintwork. Dimensions (taser and tube): 125
cm x 3 cm x 5.5 cm (49 ¼” x 1 ¼” x 2 ¼”) KINGSMAN: THE SECRET SERVICE (2014)
Estimate: £400 - 600
Estimate: £800 - 1,200 A stunt Kingsman pistol with silencer from Matthew Vaughn’s action
film Kingsman: The Secret Service. The Kingsman agents’ pistols were
specifically designed for the production, and Lancelot (Jack Davenport)
used one with a silencer during the film’s opening scene. The pistol and
silencer are both made of foam rubber and hand-painted black, with the
pistol featuring a brown, textured grip and a silver ejection port. It has
some wear from production use, including light scratches, as well as some
733. Hit-Girl’s (Chloe imperfections from the casting process. Dimensions: 34 cm x 3 cm x 12
Grace Moretz) SFX cm (13 ½” x 1 ¼” x 4 ¾”) Restricted ownership; see replica firearm notice
Bloodletting Fighting 734. Saladin’s (Ghassan in the Buyer’s Guide.
Staff †Δ Massoud) Sword †Δ
Estimate: £800 - 1,200
KICK-ASS (2010) KINGDOM OF HEAVEN
(2005)
Hit-Girl’s (Chloe Grace Moretz)
SFX bloodletting fighting staff from Saladin’s (Ghassan Massoud) sword
Matthew Vaughn’s comic-book film from Ridley Scott’s historical epic
Kick-Ass. Hit-Girl used her staff as one Kingdom of Heaven. The legendary
of her primary weapons throughout sultan and general carried his
the film. The metal staff has aluminium sword as he led his armies in battle, 737. Gary “Eggsy” Unwin’s (Taron Egerton) and
blades at each end, and features a and notably wielded the weapon Merlin’s (Mark Strong) Faux Bremont Watches †Δ
cord-and-rubber grip midway along when he decapitated Reynald de
its length, as well as a hollow section Chatillon (Brendan Gleeson). The KINGSMAN: THE SECRET SERVICE (2014)
where a blood bag would have sat. sword comprises an aluminium
Each blade has a slit down one edge, blade featuring a forked end, a metal Gary “Eggsy” Unwin (Taron Egerton) and Merlin’s (Mark Strong) watches
near the tip, through which the stage cross guard displaying serpent-head from Matthew Vaughn’s action film Kingsman: The Secret Service. Eggsy
blood flowed. The staff has some wear designs, and a resin grip intended to and Merlin wore their watches throughout the film. Luxury brand Bremont
from production use and age, most replicate the appearance of worked designed special-edition watches for the film, and these versions are non-
notably on the grip’s rubber, which ivory. Grooves and lion devices are functioning. Eggsy’s has a white paper dial in a steel case with a gold finish
has come away in places, revealing engraved into the blade, and the grip and a tan faux crocodile strap. Merlin’s has a white dial in a steel case with a
the fabric and metal beneath. There is decorated with floral detailing. The brown leather strap. Both dials feature Bremont’s logo, three chronograph
is also scratching and scuffing to the sword blade displays scuff marks and subdials, and “Kingsman’’ printed on the top subdial. Each comes on a
blades. Dimensions: 147 cm x 4.5 cm scratches, and there is some minor custom-made display, with the film title in white on the base. There is light
x 3 cm (58” x 1 ¾” x 1 ¼”) paint wear on the grip. Dimensions: wear to the paper dial, and gold finish on Eggsy’s watch. Dimensions
105 cm x 16 cm x 3.5 cm (41 ¼” x 6 (each): 19 cm x 8 cm x 11 cm (7 ½” x 3 ¼” x 4 ¼”) Contains electronics; see
Estimate: £1,000 - 1,500 ¼” x 1 ½ “) electronics notice in the Buyer’s Guide.

Estimate: £800 - 1,200 Estimate: £2,000 - 3,000

396 397
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

738. Liu Jian’s (Jet Li) Acupuncture 741. Owl Title Sequence Digital
Wristlet and Watch Ω Mapping Paintings M

KISS OF THE DRAGON (2001) LABYRINTH (1986)

Liu Jian’s (Jet Li) acupuncture wristlet and watch from Chris Digital mapping paintings from Jim Henson’s fantasy film
Nahon’s martial-arts action movie Kiss of the Dragon. Liu Labyrinth. The film’s opening titles show a computer-
wore both throughout the film, and used an acupuncture animated barn owl flying through a mystical maze and
needle from the wristlet to kill corrupt police detective around the names of cast and crew. This sequence was
Jean-Pierre Richard (Tchéky Karyo). The leather wristlet has created by Digital Productions, best known for its work on
metal tubes attached with wire. The needles within are not The Last Starfighter. The owl has more than 250 moving
removable. The watch is a facsimile Swatch® with a leather parts, each individually mapped out so the body would look
strap. The lot also includes a framed page of hand-drawn, realistic when digitally animated. The head was digitally
coloured sketches of the wristlet; a mini-clapperboard crew encoded from a clay sculpture. Rendered in acrylic paint
gift bearing the film’s title, director, and cinematographer’s and pencil on black art boards, the 14 paintings show body
names; and a making-of book written in French. All show sections and individual feathers. Each piece features a
minor wear from age and use. Dimensions (wristlet): 17 cm handwritten description in blue pencil. The set displays
x 6 cm x 0.5 cm (6 ¾” x 2 ¼” x ¼”); (watch): 23 cm x 4 cm x minor marks and edge wear. Dimensions (each): 56 cm x
1 cm (9” x 1 ½” x ½”) 36 cm x 0.1 cm (22” x 14 ¼” x ¼”) Sold without copyright;
see copyright notice in the Buyer’s Guide.
Estimate: £2,000 - 3,000
Estimate: £1,000 - 1,500

739. Laika Stop-Motion Puppet Faces

Crew Gift Ω 742. Lifecasts of David Bowie, Sean
Connery, Christopher Lambert, John
Hurt and Daryl Hannah M
KUBO AND THE TWO STRINGS (2016)
A Laika stop-motion puppet faces crew gift from Travis VARIOUS PRODUCTIONS
Knight’s fantasy-adventure film Kubo and the Two Strings.
Stop-motion animation studio Laika created these 3D-printed Lifecasts of renowned singer and actor David Bowie, and
resin Kubo (Art Parkinson), Monkey (Charlize Theron), and actors Sean Connery, Christopher Lambert, John Hurt and
Beetle (Matthew McConaughey) puppet faces as gifts for Daryl Hannah. Lifecasts are often created on productions
crew members and press. For puppeteers’ ease of use, they to test special effects prosthetics and make-up without the
come attached via magnets in a wooden box featuring the performer needing to be present. The lifecasts are made
film’s title and logos for Laika and distributor Focus Features. from white plaster, and each piece features an embedded
Also included is a Laika Certificate of Authenticity. The lot metal bar on its back. There are signs of marks, light
remains in excellent overall condition with minimal wear. scuffing, and minor damage to the neck section of the
Dimensions: 30.5 cm x 11 cm x 13.5 cm (12” x 4 1/4” x 5 1/4”) Sean Connery cast. Dimensions (largest): 30 cm x 15 cm x
13 cm (11 ¾” x 6” x 5 ¼”)
Estimate: £2,500 - 3,500
Estimate: £800 - 1,200

743. Sleestak Mask †Δ

740. Ed Exley’s (Guy Pearce) Jacket Ω
LAND OF THE LOST (2009)
A Sleestak mask from Brad Silberling’s sci-fi comedy
L.A. CONFIDENTIAL (1997)
adventure Land of the Lost. The Sleestak were a race of
Ed Exley’s (Guy Pearce) jacket from Curtis Hanson’s period humanoid lizard creatures encountered by Rick Marshall
crime drama L.A. Confidential. LAPD Sergeant Exley wore (Will Ferrell), Holly Cantrell (Anna Friel) and Will Stanton
his plain clothes jacket while investigating a series of (Danny McBride) after they travelled through a space-time
murders in 1953. This grey speckle-patterned button-up vortex. The mask is made primarily of foam latex, with dark
wool jacket features two side pockets as well as an exterior plastic eyes. It features a slit down the back which fastens
breast pocket and a grey satin-blend lining on the interior. with Velcro and sits upon a custom-made stand featuring
The interior breast pocket includes a Western Costume the film’s title, which illuminates when activated. The mask
tag marked for “GUY PEARCE”. It exhibits signs of wear has some wear from production use and age, including the
throughout from age and use. foam latex cracking and flaking away in places, while the
right eye has a small crack and has slightly popped out of
Estimate: £800 - 1,200 its socket. Dimensions (displayed): 31 cm x 41 cm x 70 cm
(12 ¼” x 16 ¼” x 27 ½”)

Estimate: £1,500 - 2,500

398 399
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1.83 m (4.25’)
745. Lara Croft’s (Angelina Jolie)
744. Lara Croft’s (Angelina Jolie) Stunt Backpack with Prototype and Limited 747. Raiden’s (Clive Owen) Costume 749. The Fantom’s (Richard Roxburgh)
H&K USP Pistols M Edition Backpacks M 746. Full-size Temple Gargoyle M and Sword Ω 748. Production-Used Script †Δ Skull Cane M

LARA CROFT TOMB RAIDER: THE CRADLE LARA CROFT: TOMB RAIDER (2001) LARA CROFT: TOMB RAIDER (2001) LAST KNIGHTS (2015) LAWRENCE OF ARABIA (1962) THE LEAGUE OF EXTRAORDINARY
OF LIFE (2003) GENTLEMEN (2003)
Lara Croft’s (Angelina Jolie) backpack with a prototype A temple gargoyle from Simon West’s action-adventure Raiden’s (Clive Owen) costume from Kazuaki Kiriya’s A production-used script from David Lean’s historical drama
Lara Croft’s (Angelina Jolie) stunt H&K USP pistols from Jan and a limited edition backpack from Simon West’s action movie Lara Croft: Tomb Raider. Gargoyles decorated the medieval action-drama Last Knights. Raiden wore his Lawrence of Arabia. This script was originally issued to an The Fantom’s (Richard Roxburgh) skull cane from Stephen
de Bont’s action-adventure sequel Lara Croft Tomb Raider: adventure Lara Croft: Tomb Raider. Lara wore her backpack hidden temple in Cambodia where Lara Croft (Angelina costume for much of the film as he commanded the forces uncredited jockey known as “Mr Podger”, hired to train cast Norrington’s comic-book adaptation The League of
The Cradle of Life. Croft used pistols in several scenes, most when she ventured into the hidden temple in Cambodia and Jolie) escaped with one half of the Triangle of Light. The of the nobleman Bartok (Morgan Freeman). The all-black members to ride camels. The script comprises 273 white Extraordinary Gentlemen. The terrorist leader – revealed
notably in the Chinese village and during the ruin-capture escaped with one half of the Triangle of Light. The matt black large four-legged gargoyle creature is constructed from costume includes an undershirt; an overshirt; trousers A4 pages and is bound within a red card cover with metal to be League founder M – carried his signature cane while
and temple shoot-out sequences. These rubber pistols backpack features a hard ABS plastic exterior attached to fibreglass and features a pair of wings decorated with (each labelled “Raiden”); a coat; padded rubber-and-leather split pins. A cut-out on the front cover showcases the title adopting his villainous persona as he attempted to start a
were created for scenes where hero versions were not a thermoformed shell, with synthetic fabric lining, two zip ornate swirling patterns. It is finished in stone-like grey paint, torso armour; a robe; leather boots (“Raiden 1”); a scarf; “Lawrence of Arabia”, coloured in yellow, red, blue and world war. The cane is made of wood with a black painted
required. The pair includes a standard USP Match pistol fastenings around the outside and a detachable PU-coated with intentional distressing applied to produce an aged gloves; and leather bracers. Completing the costume is a green pencil. Lettered dividers protrude from the document finish, and has a metal headpiece and tip, both finished in
and a customised left-handed pistol featuring a custom harness. Also included in the lot is a limited-edition silver- appearance. The grey paint has worn away in some areas thin metal sword with a black faux crocodile leather grip and its text has been underlined in pen in several places. faux-silver paint. Intricately detailed, the heavy headpiece
extended slide release switch detail above the trigger. Both coloured backpack created for a VIP promotional launch and sympathetic restoration was undertaken on the front and an ornate silver-painted pommel. The weapon comes The script displays minor wear from use and age, there are resembles a human skull. The cane shows evidence of use
are finished in gold-coloured paint, and the H&K logo is (only 20 of these were manufactured) and a red, bespoke right foot. Dimensions: 133 cm x 92 cm x 183 cm (52 ¼” x with a black leather scabbard. The costume has been signs of corrosion on the metal pins, and a mark is present on production, including paint wear on the skull, and chips
visible in several places. They exhibit cracking to the paint prototype version of the rucksack. There are light signs of 36 ¼” x 72”) Special shipping required; see special shipping intentionally distressed to look well-worn and has minor on the back cover. Dimensions: 28.5 cm x 21.5 cm x 3.5 cm and minor scratches to the body and tip. Dimensions: 109
finish, and minor damage to the right pistol’s rear sight. production use, including light scuffing and scratching, and notice in the Buyer’s Guide. additional wear from production use, most notably along (11 ¼” x 8 ½” x 1 ½”) cm x 6 cm x 4.5 cm (43 x 2 ½” x 1 ¾”)
Dimensions (each pistol): 25 cm x 15 cm x 4.5 cm (10” x 6” the black colour has faded in places. Dimensions (each the scabbard. Dimensions (sword): 100.5 cm x 4 cm x 3 cm
x 1 ¾”) Restricted ownership; see replica firearm notice in backpack): 35 cm x 26 cm x 19 cm (13 ¾” x 10 ¼” x 7 ½”) Estimate: £1,500 - 2,500 (39 ½” x 1 ½” x 1 ¼”) Estimate: £400 - 600 Estimate: £400 - 600
the Buyer’s Guide.
Estimate: £1,000 - 1,500 Estimate: £600 - 800
Estimate: £1,500 - 2,500

400 401
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 2 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

750. Captain Nemo’s (Naseeruddin Shah) Sword M

THE LEAGUE OF EXTRAORDINARY GENTLEMEN (2003)

Captain Nemo’s (Naseeruddin Shah) sword from Stephen Norrington’s comic-book Nemo’s baldric. Signs of production use are visible, including corrosion on the cross guard.
adaptation The League of Extraordinary Gentlemen. Nemo used his sword during the final The scabbard displays production wear, with creases along its length and bending to the
battle sequences as the League invaded M’s (Richard Roxburgh) weapons factory. The sword tip. Dimensions: 90 cm x 14.5 cm x 3 cm (35 ½” x 5 ¾” x 1 ¼”)
features a curved aluminium blade with cast-in filigree, a metal cross guard and curved
wooden handle. It is housed in a dark red leather scabbard with an ornate faux-silver metal Estimate: £1,500 - 2,500
band at the top. Two metal rings are attached to one side of the scabbard to connect to

754. Abraham Lincoln’s (Daniel Day-

Lewis) Pocket Knife Display with 755. John McClane’s (Bruce Willis)
753. Skeleton †Δ Autographed Note M Bloodied Vest Ω

LEGEND (1985) LINCOLN (2012) LIVE FREE OR DIE HARD (2007)

A skeleton from Ridley Scott’s fantasy film Legend. Abraham Lincoln’s (Daniel Day-Lewis) pocket knife display John McClane’s (Bruce Willis) bloodied vest from Len
Skeletons were seen strewn around the grounds of from Steven Spielberg’s historical drama Lincoln. Although Wiseman’s action sequel Live Free or Die Hard. McClane
Darkness’ (Tim Curry) castle throughout the film, as he not seen in the film, this item is an exact replica of the wore his vest as part of his signature costume throughout
751. Hand-drawn Jack Johnson Darkness Concept Sketch with Additional Sketch Copies Ω plotted to kill the last of the unicorns. The detailed skeleton actual six-bladed knife which Lincoln always carried with the film as he and computer hacker Matt Farrell (Justin
is made of resin, which is finished in shades of yellow and him, and which he had in his possession the night he was Long) pursued cyberterrorist Thomas Gabriel (Timothy
brown to produce a bone-like appearance. Layers of resin, assassinated. The knife is displayed in a black wooden Olyphant). McClane’s vest became increasingly bloodied
LEGEND (1985)
brown tissue paper and shredded rope fibres have been frame, beneath a handwritten note from Day-Lewis, which after he flung himself out of a police car, which launched
A Darkness concept sketch hand-drawn by illustrator Jack Johnson with two additional by Johnson, as well as two printed copies of additional Darkness design sketches. The applied to replicate dry, decaying flesh. A grey coloured reads “Handmade replica of Abraham Lincoln’s knife from a toll barrier and destroyed a pursuing helicopter.
sketch copies from the production of Ridley Scott’s fantasy adventure Legend. In the film, the set exhibits visible creases and vertical fold lines, as well as minor edge wear. Dimensions wig is attached to the skull and a rope is noosed around used in the movie Lincoln”. The note has been signed This garment was originally obtained from the collection of
Lord of Darkness (Tim Curry) attempted to bring about the apocalypse, but was ultimately (each): 43.25 cm x 56 cm (17” x 22”) Sold without copyright; see notice in the Buyer’s Guide. its neck. Exhibiting an intentionally distressed appearance, by Day-Lewis and Steven Spielberg. The knife has been Bruce Willis. Marked as a size medium, the ribbed off-white
defeated by Jack (Tom Cruise). This lot consists of a design sketch for Darkness’ satanic the skeleton displays light paint wear, and the tip of an intentionally distressed to appear old and well-used, and John Ashford vest displays intentional distressing to reflect
head hand-rendered in graphite, coloured pencil, and other mixed media on drawing paper internal metal rod has become exposed at the pelvis. the frame has some wear along the edges. Dimensions the wear and tear inflicted during McClane’s adventure,
Dimensions: 157 cm x 40 cm x 22 cm (61 ¾” x 15 ¾” x 8 (display): 41 cm x 25 cm x 3.5 cm (16 ¼” x 9 ¾” x 1 ½”) including dirt and stage blood.
Estimate: £2,000 - 3,000 ½”) Special shipping required; see special shipping notice
in the Buyer’s Guide. Estimate: £800 - 1,200 Estimate: £1,000 - 1,500

752. NO LOT Estimate: £600 - 800

402 403
 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

756. Light-up Jupiter II Extended

Laser Pistol ΩΔ

LOST IN SPACE (1998)

A light-up Jupiter II extended laser pistol from Stephen
Hopkins’ sci-fi adventure Lost in Space. The crew of the
Jupiter II, including Major Don West (Matt LeBlanc) and
John Robinson (William Hurt) wielded futuristic guns while
fighting to survive in space. This machined aluminum
gun features black resin details, an extended barrel fitted
with two glass light bulbs, and red and green plastic light
panels on both sides that illuminate by pushing buttons
above the handgrip. A 9V battery pack concealed inside
the grip powers the lights. The pack is currently exposed
from production use. Dimensions: 35.75 cm x 20.5 cm x
5 cm (14” x 8” x 2”) Contains electronic components; see
notice in the Buyer’s Guide.

Estimate: £700 - 900

757. Major Don West’s (Matt LeBlanc)

Assault Rifle Ω

LOST IN SPACE (1998)

Major Don West’s (Matt LeBlanc) assault rifle from Stephen
Hopkins’ sci-fi adventure Lost in Space. Major West
transformed his plasma pistol into a deadly assault rifle
before engaging with the space spiders. This rifle consists
of a futuristic resin body painted black and silver-colour
with a pistol grip; a double-laser barrel; a non-functioning
solid resin scope, and a stock featuring a metal joint that
has been adhered in place. The rifle exhibits scuffing,
chips in the resin, paint chipping, and adhesive residue
throughout. Dimensions: 60 cm x 7.75 cm x 25.5 cm (24” x
3” x 10”) Ownership may be restricted in some countries;
see replica firearm notice in Buyer’s Guide.

Estimate: £600 - 800

758. Superman (Henry Cavill) Chest

Emblem, Unfinished Belt Buckle, Suit
Fabric Samples and Unpainted Rib
Motifs Ω

MAN OF STEEL (2013)

A Superman (Henry Cavill) chest emblem, an unfinished
belt buckle, two suit fabric samples and some unpainted rib
motifs from Zack Snyder’s superhero movie Man of Steel.
The chest emblem is made of rubber and is painted a shiny
red. The belt buckle is made of unpainted black rubber, and
it has not been trimmed. The two pieces of fabric – one blue

DAY 3: LOTS 756 - 1100 - 11TH NOVEMBER 2021 and elasticated, the other red suede – are from Superman’s
bodysuit and cape respectively. Also included are several
pieces of unfinished rib motifs and pectoral sections made
of rubber. The pieces have wear from use and storage.
Dimensions (emblem): 21 cm x 31.5 cm (8 ¼” x 12 ½”)

Estimate: £2,000 - 3,000

* Certain films and shows have Lots offered on more than one day of the Auction;
see Index on page 520 for a complete listing of available Lots by film or show title

405
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

759. Colour Production Costume Designs Ω

762. Ruby Hale’s (Dove 763. Ruby Hale’s (Dove
MAN OF STEEL (2013) Cameron) Chakram †Δ Cameron) Costume †Δ
A set of printed colour costume designs from Zack Snyder’s superhero
movie Man of Steel. The designs include 43 printed illustrations, including MARVEL’S AGENTS OF S.H.I.E.L.D. MARVEL’S AGENTS OF S.H.I.E.L.D.
costume designs for Superman (Henry Cavill), Jor-El (Russell Crowe) and
(T.V. SERIES, 2013 - 2020) (T.V. SERIES, 2013 - 2020)
Zod (Michael Shannon), as well as for additional background characters.
Most designs are attributed to Keith Christensen, while the Superman Ruby Hale’s (Dove Cameron) chakram Ruby Hale’s (Dove Cameron) costume
designs are attributed to Warren Manser – both are credited as costume from superhero series Marvel’s Agents of from superhero series Marvel’s Agents of
illustrators on the film. The lot also includes two printed photographs of S.H.I.E.L.D. Ruby carried a chakram as her S.H.I.E.L.D. HYDRA operative Ruby wore her
Cavill in an early costume design, which is reminiscent of the lighter, more primary weapon, and used it to cut off Yo-Yo costume whenever she faced off against
colourful design from Superman Returns. The designs are held together Rodriguez’s (Natalia Cordova-Buckley) arms. Agent Coulson (Clark Gregg) and his team.
in plastic sleeves and are in excellent condition. Dimensions (each design): The chakram is made of hardened rubber The costume consists of a black, elasticated,
40 cm x 27 cm (15 ¾” x 10 ¾”) Sold without copyright; see copyright notice painted to look like metal, and features zip-up bodysuit labelled “Ruby 2nd Hero”;
in the Buyer’s Guide. a handle which protrudes into its centre. a black, zip-up corset; a pair of arm-length
It has minor wear from production use, gloves; and a pair of leather boots. A tag for
Estimate: £400 - 600 including scuffing and scratches to some of the gloves reads “Ruby Back up”, and one
the paintwork. Dimensions: 25.5 cm x 25.5 for the boots reads “Hero ‘Ruby’ Flat boots”.
cm x 0.5 cm (10” x 10” x ¼”) The costume has only minor wear from
production use.
Estimate: £600 - 800
Estimate: £600 - 800

760. Promotional Mark Watney (Matt Damon)

Helmet †Δ

THE MARTIAN (2015)

A Mark Watney (Matt Damon) helmet from the promotion of Ridley Scott’s
sci-fi film The Martian. This helmet is modelled after the one worn by Damon
in the movie, playing Watney, an astronaut stranded on Mars. It is made
primarily of resin with a clear acrylic visor. There are two faux cameras,
one on each side of the head, and Watney’s name and the NASA logo
adorn the back. The helmet has been intentionally distressed to look well
used on the Martian surface, and has some additional wear from use and
storage, including scuffs and scratches. Dimensions: 36 cm x 39 cm x 33
cm (14 ¼” x 15 ¼” x 13”)
765. Kilgrave’s Vision Suit
Estimate: £1,000 - 1,500 764. Elektra Natchios’ Stunt and Additional Components
Yakuza Costume Ω Ω

MARVEL’S DAREDEVIL (T.V. MARVEL’S JESSICA JONES (T.V.

SERIES, 2015 - 2018) SERIES, 2015 - 2019)
Elektra Natchios’ stunt Yakuza costume from Kilgrave’s vision suit with additional
the superhero adventure series Marvel’s components from the superhero drama
761. Ruby Hale’s (Dove Cameron) Screen- Daredevil. In the Season 2 episode “Semper series Marvel’s Jessica Jones. In the Season
matched Mask †Δ Fidelis”, assassin Natchios wore her costume 2 episode “AKA Three Lives and Counting”,
when she and Matt Murdock came upon a a long-deceased, typically dapper Kilgrave
MARVEL’S AGENTS OF S.H.I.E.L.D. (T.V. SERIES, 2013 tunnel being dug by the Yakuza. This stunt appeared to Jessica Jones in a haunting
costume consists of a black and red cotton vision, filling her head with doubts. This
- 2020)
and spandex leotard; black pleated jeans; a costume consists of a dark blue plaid suit
Ruby Hale’s (Dove Cameron) screen-matched mask from superhero series black leather and elastic belt; and a pair of jacket with matching trousers tagged
Marvel’s Agents of S.H.I.E.L.D. Hale wore her mask while fighting against black leather trainers with red heels. It exhibits “Kilgrave PD” on the waist interior, a blue
Agent Coulson (Clark Gregg) and his team. This mask screen matches the signs of wear throughout from age and use. and white checkered cotton blend dress shirt,
one worn by Hale in the Season 5 episode “The Honeymoon”. The mask is a purple dotted tie added by production to
made of fibreglass, painted and textured to look like scarred metal. Velcro Estimate: £1,500 - 2,500 complete the costume, and a pair of brown
straps attach the mask to the head, and foam padding lines the interior. The leather loafers. It exhibits minor signs of wear
mask has some wear from production use, including scuffing and scratches. throughout from age and use.
The foam lining has staining from Cameron’s make-up. Dimensions: 26 cm
x 19 cm x 12 cm (10 ¼” x 7 ½” x 4 ¾”) Estimate: £1,500 - 2,500

Estimate: £600 - 800

406 407
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

766. Kilgrave’s Police Station 767. Danny Rand’s Armoured

Costume Ω Car Fight Costume Ω

MARVEL’S JESSICA JONES (T.V. MARVEL’S IRON FIST (T.V. SERIES,

SERIES, 2015 - 2019) 2017 - 2018)
Kilgrave’s police station costume from the Danny Rand’s armoured car fight costume
superhero drama series Marvel’s Jessica from the superhero adventure series Marvel’s
Jones. In the Season 1 episode “AKA Top Iron Fist. In the Season 2 episode “The
Shelf Perverts”, Kilgrave wore his costume Fury of Iron Fist”, martial arts expert and
when he manipulated the police into letting crimefighter Rand wore his costume as he
Jessica Jones walk free. This costume foiled an armoured car robbery using his
consists of a fuschia wool jacket; matching enchanted powers. This costume consists
770. Skeletor Warlord’s (Mike Carlucci) Cape and Helmet Ω 771. Skeletor Soldier’s Rifle Ω
wool and mohair trousers; a blue and black of an elastic-lined yellow cotton blend mask;
wool stunt button-up vest with grey polka a green cotton and polyester blend jacket; a MASTERS OF THE UNIVERSE (1987) MASTERS OF THE UNIVERSE (1987)
dots and a belted back; a floral-patterned green cotton sweatshirt; a grey cotton blend
black, blue, and purple cotton button-up shirt; a pair of green moleskin trousers; and a Skeletor warlord’s (Mike Carlucci) cape and helmet from Gary Goddard’s fantasy adventure A Skeletor soldier’s rifle from Gary Goddard’s fantasy adventure Masters of the Universe.
shirt; a floral-patterned black and purple silk pair of navy and white leather stunt shoes. It Masters of the Universe. Soldiers under the command of Skeletor (Frank Langella) wore Soldiers under the command of Skeletor (Frank Langella) used their rifle blasters to attack
tie; and a pair of brown suede stunt shoes exhibits minor signs of wear from age and use. their costumes as they attacked the people of Eternia, seizing control of Castle Grayskull. the people of Eternia, seizing control of Castle greyskull for their commander. This black and
with magenta laces. It exhibits signs of wear This lot consists of a black wool floor-length cape with a short standing collar, black piping, grey-colour rifle features a decorative stock as well as a contoured hand grip, asymmetrical
throughout from age and use.
Estimate: £1,000 - 1,500 an interior crimson patterned satin lining with a metal clasps at the neckline, and a black sight and textured forestork. It exhibits signs of wear from age and use including some
fibreglass helmet featuring a face-covering visor with an eye slit for vision, interior foam slight bending. Dimensions: 111.75 cm x 28 cm x 7.75 cm (40” x 14” x 5”)
Estimate: £1,500 - 2,500 padding and ribbed tubing details. It exhibits signs of wear from age and use. Dimensions:
51 cm x 51 cm x 51 cm (20” x 20” x 20”) Estimate: £1,000 - 1,500

Estimate: £1,000 - 1,500

773. Keanu Reeves’

Personal Crew Gift Display
772. Sentinel Claw ΩΔ M

THE MATRIX REVOLUTIONS THE MATRIX REVOLUTIONS

(2003) (2003)
A sentinel claw from the Wachowskis’ Keanu Reeves’ personal crew gift display
sci-fi action sequel The Matrix from the production of the Wachowskis’
Revolutions. The infantry in the army sci-fi sequel The Matrix Revolutions.
of the machines, Sentinels used their Reeves received his crew gift from the
fearsome claws to invade Zion, the Wachowskis, editor Zach Staenberg and
last human city. This dark grey rubber producer Joel Silver. The lot comprises
claw features four pointed talons with a framed, autographed call sheet and a
two decorative joints each attached photo of the film-makers. The call sheet
to a main section. It comes mounted features the Matrix sequels’ project
to a metallic display base. The rubber codename “The Burly Man” and covers
768. Skeletor Warlord’s Sword ΩΔ 769. Eternian Soldier Rifle Ω exhibits some black discolouration the scene in which Neo (Reeves) was
and minor flaking from production and absorbed by Agent Smith (Hugo Weaving),
MASTERS OF THE UNIVERSE (1987) age. Dimensions: 27.5 cm x 27.5 cm only for Smith’s eyes to burst with light
MASTERS OF THE UNIVERSE (1987)
x 49.5 cm (10 3/4” x 10 3/4” x 19 1/2”) and his duplicates be destroyed from
A Skeletor warlord’s sword from Gary Goddard’s fantasy adventure Masters of the Universe. An Eternian soldier rifle from Gary Goddard’s fantasy adventure Masters of the Universe. the inside out. It is autographed by The
Skeletor (Frank Langella) had a powerful force of sword-wielding armoured warlords under After He-Man (Dolph Lundgren) and his companions defeated Skeletor (Frank Langella), Estimate: £1,500 - 2,500 Wachowskis, producer Joel Silver and
his command throughout the film as he searched Earth for Eternian warrior He-Man (Dolph soldiers from Eternia brandished their rifles as they guarded Castle greyskull’s throne room. editor Zach Staenberg. There are signs
Lundgren). The sword features a textured silver-coloured metal blade affixed to a moulded This rifle is cast in black resin and features silvertone, red and aqua-colour details throughout. of very minor wear from age and use.
resin hilt. It has been painted grey and decorated with various small etched symbols. It It exhibits signs of wear from age and use including some paint chipping. Dimensions: 101.5 Dimensions (frame): 66 cm x 41 cm x 2.5
exhibits signs of wear and age throughout including minor scuffing and discolouration. cm x 35.5 cm x 17.75 cm (40” x 14” x 5”) cm (26” x 16” x 1”)
Dimensions: 105.5 cm x 25.5 cm x 4 cm (11” x 11” x 9”)
Estimate: £800 - 1,000 Estimate: £2,000 - 3,000
Estimate: £2,000 - 3,000

408 409
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

774. News Vendor’s (Harsh Nayyar)

Costume and Accessories Ω 777. Yellow Ranger
Promotional Costume ΩΔ
MEN IN BLACK (1997)
MIGHTY MORPHIN’ POWER
News Vendor’s (Harsh Nayyar) costume and accessories
RANGERS: THE MOVIE (1995)
from Barry Sonnenfeld’s sci-fi action comedy Men in Black.
In an effort to gain information, Men in Black agents J (Will A Yellow Ranger costume from the
Smith) and K (Tommy Lee Jones) interrogated Frank the Pug promotion of Bryan Spicer’s big-screen
(Tim Blaney) in front of the odd-looking news vendor posing adaptation of the hit children’s television
as his owner. This costume consists of a black zippered series Mighty Morphin Power Rangers: The
shirt with a grey snakeskin pattern on the front and collar, a Movie. This yellow and white costume was
beige snakeskin-patterned button-up vest, four metal rings, specifically made for promotional events
four metal and nylon bracelets, and a brass necklace with a to support the film, and differs from the
decorative eye detail. It exhibits signs of wear throughout film-used costumes. The costume features
from age and use. foam rubber chest, back, shoulder, and thigh
armour; two matching gloves; an elastane
Estimate: £300 - 500 undersuit accented with latex paint; a gold-
colour resin Sabertooth chest emblem; a
pair of matching leather boots; two white 778. Million Pound Banknote M
elastane hoods; and a hand-painted yellow,
red, and silver-colour resin morpher buckle
THE MILLION POUND NOTE (1954)
with a Sabertooth emblem. The armour
exhibits significant deterioration from age A million pound banknote from Ronald Neame’s comedy The Million Pound Note. Wealthy
775. Ranger Blade Blaster Ω and use with some loose glued sections brothers Oliver (Ronald Squire) and Roderick Montpelier (Wilfrid Hyde-White) presented
and flaking throughout. American sailor Henry Adams (Gregory Peck) with a one million pound banknote. As part
MIGHTY MORPHIN POWER RANGERS (T.V. of a wager between the brothers, Henry had to keep hold of the note and avoid spending
SERIES, 1993 - 1996) Estimate: £2,000 - 3,000 it for a month. The fragile paper note displays black printed text reading “I Promise to pay
the Bearer on Demand the sum of One Million Pounds”. Its denomination is in bold, and
A Ranger blade blaster from the children’s superhero series the note is dated “20 June 1903”. There are notable tears, tape remnants from previous
Mighty Morphin Power Rangers. The Power Rangers used restoration and signs of discolouration, but it remains in good condition considering its age.
blade blasters to fight villains throughout the series. This Dimensions: 16.5 cm x 21.5 cm (6 ½” x 8 ½”)
multicoloured plastic, modified dinosaur-themed Bandai toy
weapon is hand-labeled “Zyuranger” and transforms from Estimate: £400 - 600
a blaster into a blade by pulling back the head. A trigger
on the bottom is designed to activate a beeping noise
and blinking red light in the barrel, both powered by a 9V
battery concealed inside the grip. Also included is a white
leather holster with black striping and white tape affixed
by production. The lot exhibits extensive scuffing and
peeling decals from production use and age. Dimensions
(in holster): 36.25 cm x 11.5 cm x 5.75 cm (14 1/4” x 4 1/2” x
2 1/4”) Contains electronic and mechanical components;
see notice in the Buyer’s Guide.

Estimate: £600 - 800

776. Red Ranger Morpher Ω

MIGHTY MORPHIN POWER RANGERS (T.V.

SERIES, 1993 - 1996)
779. PreCrime Headset ΩΔ 780. Light-Up PreCrime Prisoner Halo ΩΔ
A Red Ranger morpher from the children’s superhero series
Mighty Morphin Power Rangers. Jason Lee Scott (Austin St.
John) and later, Rocky DeSantos (Steve Cardenas), used MINORITY REPORT (T.V. SERIES, 2002) MINORITY REPORT (T.V. SERIES, 2002)
power morphers to morph into the Red Ranger throughout
A PreCrime headset from Steven Spielberg’s sci-fi action film Minority Report. Members of A light-up PreCrime prisoner halo from Steven Spielberg’s sci-fi action film Minority Report.
the series. This red, black, and silver-colour resin and plastic
the PreCrime police force wore special headgear while operating their advanced computers In 2054 Washington D.C., those imprisoned for predicted crimes had “halos” placed on their
Bandai Power Rangers morpher is inset with a moulded
with which they predicted murders. This headset consists of a black and silver-colour metal heads that rendered them incapacitated for the terms of their sentences. The white resin
and metallized Tyrannosaurus Power Coin, and affixed with
headphone section with a metal pole attachment which leads to a circular lighting element. halo consists of two light-up rings powered by a battery pack attached via a black plug. It
matching decals reading “Power Rangers.” It exhibits some
The bottom of the headphone attaches to a power cable which can be affixed to a power features an adjustable grey and black back piece with foam lining. It exhibits signs of wear
chips around the coin and peeling decals from production
source. This headsed exhibits signs of wear from age and use including scuffing and glue and age including some scuffing as well as separation of the foam interior. Dimensions:
use and age. Dimensions: 11 cm x 7 cm x 3.25 cm (4 1/4”
remnants. Dimensions: 15.25 cm x 7 cm x 6.5 cm (6” x 2 3/4” x 2 1/2”) Contains electronic 25.5 cm x 17.75 cm x 7.75 cm (10” x 7” x 3”) Contains electronic components; see notice in
x 2 3/4” x 1 1/4”)
components; see notice in the Buyer’s Guide the Buyer’s Guide
Estimate: £1,000 - 1,500 Estimate: £300 - 500 Estimate: £400 - 600

410 411
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

781. Scott’s (Klea Scott) PreCrime Jumpsuit ΩΔ

784. August Walker’s (Henry
MINORITY REPORT (2002) Cavill) Stunt Detonator †Δ
Scott’s (Klea Scott) PreCrime jumpsuit from Steven Spielberg’s sci-fi action thriller Minority
Report. In 2054 Washington D.C., uniformed law enforcement officers apprehended MISSION: IMPOSSIBLE -
criminals before they committed crimes. This costume includes a grey cotton blend zip- FALLOUT (2018)
up jumpsuit with a “SCOTT” name tag on the right breast and a Pre-Crime insignia on the
left shoulder, and a grey rubber light-up wrist bracer with a battery pack and charger. It August Walker’s (Henry Cavill) stunt
exhibits signs of wear and use including some staining on the bracer. Contains electronic detonator from Christopher McQuarrie’s
components; see notice in the Buyer’s Guide action sequel Mission: Impossible – Fallout.
August and Ethan Hunt (Tom Cruise) fought
Estimate: £800 - 1,200 for control of the detonator, which controlled
two nuclear devices, during the climax of the
film. The detonator is made of cast, hard
rubber and features a sticker for the timer
in the display, although this was replaced
digitally in the finished film. It has some wear
from production use, including scuffing and
a couple of cracks in the loops at the top.
Dimensions: 26 cm x 6 cm x 3 cm (10 ¼” x 785. Sam Rockwell Autographed One-sheet Poster †Δ
2 ¼” x 1 ¼”)
MOON (2009)
Estimate: £600 - 800
An autographed poster from the promotion of Duncan Jones’ science-fiction thriller Moon.
The one-sheet poster is printed on glossy paper and features Sam Bell (Sam Rockwell)
dressed in his space suit, surrounded by a circular sound-wave design. It is autographed
in red ink by Rockwell, and the tagline “250,000 Miles From Home, The Hardest Thing To
Face… Is Yourself” is printed above the credits. The poster displays light scratching, and
there are signs of creasing and wear down the right edge. Dimensions: 101.5 cm x 68.5
cm (40” x 27”)

Estimate: £300 - 500

782. Stunt Flute Rifle M

MISSION: IMPOSSIBLE - ROGUE NATION (2015)

A stunt flute rifle from Christopher McQuarrie’s spy sequel Mission: Impossible – Rogue and a metal armature. It features a buttstock, which can be rested on the shoulder. There
Nation. An assassin (Wolfgang Stegemann), intent on killing the Chancellor of Austria (Rupert are chips to the paintwork and some discolouration, as well as a small amount of black
Wickham), sneaked his rifle into the Vienna State Theatre, disguising the weapon as a flute. spotting along the barrel. Dimensions: 112 cm x 4 cm x 16 cm (44” x 1 ½” x 6 ¼”)
Ethan Hunt (Tom Cruise) then used the rifle to injure the Chancellor, allowing him to escape.
The rifle is made predominantly of resin painted and plated silver, with a small foam section Estimate: £1,000 - 1,500

153 cm (601/4”)

786. Large Base Harvester Tracking Sign M 787. Fsociety Mask and Face Mould †Δ

MOON (2009) MR. ROBOT (TV SERIES, 2015-2019)

A harvester tracking sign from Duncan Jones’ sci-fi thriller Moon. This sign was attached to An fsociety face mask and face mould from the thriller television series Mr. Robot. These
783. Ilsa Faust’s (Rebecca Ferguson) Stunt Scaffold Rifle M a wall in the Moon base. Made by the fictional “Lunar Industries Ltd”, it was used to track the masks were associated with a group of hacktivists known as fsociety, led by Mr. Robot
status of four harvester vehicles. Only one sign of this size was made for the production. (Christian Slater). The vacuum-formed plastic mask features prominent black eyebrows
The wood and plastic sign with translucent display sheets states that two of the harvesters and an upturned white moustache. Eye, nose, and mouth openings accompany a strip of
MISSION: IMPOSSIBLE - ROGUE NATION (2015) are offline, while the other two are currently loading. This information is fixed, but during white elastic attached at each side for wearing ease. The mask’s mould consists of a plaster
the film it was changed using digital effects. It shows wear from production use and age, exterior and silicone lining. Both exhibit minor wear from production use, including light
Ilsa Faust’s (Rebecca Ferguson) stunt scaffold rifle from Christopher McQuarrie’s spy sequel move. There is some wear from production use, including scuffs and scratches, and marks
most notably scuffing and scratches across the front and around the edges. Dimensions: scuffing on the mask and marks on the mould. Dimensions (mask): 22 cm x 17 cm x 11 cm
Mission: Impossible – Rogue Nation. Ilsa used her rifle, which was hidden in backstage on the barrel and body where bubble wrap has been used to store the item. Dimensions:
10 cm x 153 cm x 61 cm (4” x 60 ¼” x 24”) Contains electronics; see electronics notice in (8 ½” x 6 ¾” x 4 ¼”); (mould): 27 cm x 21 cm x 12 cm (10 ½” x 8 ¼” x 4 ¾”)
theatre scaffolding, during the assassination attempt on the Austrian Chancellor (Rupert 92 cm x 8.5 cm x 17 cm (36 ¼” x 3 ¼” x 6 ¾”) Restricted ownership; see replica firearm
the Buyer’s Guide.
Wickham). However, she missed her shot when Ethan Hunt (Tom Cruise) intervened. The notice in the Buyer’s Guide.
hardened rubber rifle has a metal armature and is painted silver and black. There is no
Estimate: £600 - 800
Estimate: £2,000 - 3,000
obvious trigger, but a couple of small handles on the right side of the weapon twist and Estimate: £1,000 - 1,500

412 413
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

791. Book of Amun-Ra Page and

788. Wall Plaque Crew Gift M Brendan Fraser Autographed Still †

THE MUMMY (1999) THE MUMMY (1999)

A wall plaque crew gift from the production of Stephen Sommers’ action A page from the Book of Amun-Ra and an autographed still
adventure The Mummy. The oval-shaped decorative plaque is made of from Stephen Sommers’ action adventure The Mummy. The
fibreglass and features 16 decaying mummy faces of varying sizes. It is Book of Amun-Ra, the “Book of the Living,” was one of two
finished in shades of grey, resembling worked stone, with patches of gold- prominent Ancient Egyptian artefacts that appeared in the
coloured paint, and text reading “Death Is Only The Beginning” adorning film. Evelyn Carnahan (Rachel Weisz) read an inscription
the base. “Pollard, 89” is etched above the lowest face, indicating the from the book that caused Imhotep (Arnold Vosloo) to lose
plaque was created by live-action mummy creature designer Gary Pollard. his immortality. Made of resin with a wooden core, the page
Intentionally distressed and expertly painted to produce a weathered is finished in gold leaf and features ornate hieroglyphs on
appearance, the plaque shows signs of light wear, with cracks on the text both sides, including scarab-beetle emblems and serpents
and some damage to its left edge. Dimensions: 91 cm x 23 cm x 7 cm (35 near the spine. The page comes with an autographed still
¾” x 9” x 2 ¾”) of Rick O’Connell (Brendan Fraser). Small patches of the
page’s gold-coloured finish have flaked away over time.
Estimate: £600 - 800 Dimensions (page): 36 cm x 27 cm x 1 cm (14 ¼” x 10 ¾” x
½”); (still): 20.5 cm x 25.5 cm (8” x 10”)

Estimate: £2,000 - 3,000

789. Map of Hamunaptra M 792. Set of Cobra Door Lock Rings M

THE MUMMY (1999) THE MUMMY (1999)

A map of Hamunaptra from Stephen Sommers’ fantasy adventure The A set of cobra door lock rings from Stephen Sommers’ action
Mummy. Evelyn (Rachel Weisz) and Jonathan (John Hannah) found the adventure The Mummy. Ornate rings adorned the door locks
map to Hamunaptra, the lost “City of the Dead”, inside the Book of the seen in the Ancient Egyptian palace as Imhotep (Arnold
Dead key. The map was burned when their river boat was attacked by the Vosloo) and Anck-su-Namun (Patricia Velasquez) murdered
Medjai secret society. The map is printed on thin paper stained to mimic Pharaoh Seti (Aharon Ipalé). Cast from metal, each of three
the look of ancient papyrus. It shows some wear from production use and heavy bronze-coloured door lock rings forms a cobra in a
age, including fading to some parts and minor creasing. Dimensions: 30 rearing position, with its distinctive hood fully open and a
cm x 42 cm (11 ¾” x 16 ½”) set of menacing eyes. Each snake’s body curls around to
form the ring, and four holes are present on each base to
Estimate: £600 - 800 mount it on set. Two of the rings are labelled “5” and “6” in
black marker. Green paint is applied to replicate a verdigris
patina, and the set exhibits minor signs of production use.
Dimensions (each): 13 cm x 10 cm x 18 cm (5 ¼” x 4” x 7 ¼ “)

Estimate: £400 - 600

790. Stephen Forrest-Smith Hand-drawn Pencil 793. Stephen Forrest-Smith Hand-

Storyboards M drawn Pencil-and-ink Storyboards M

THE MUMMY (1999) THE MUMMY RETURNS (2001)

Stephen Forrest-Smith hand-drawn storyboards from Stephen Sommers’ Stephen Forrest-Smith hand-drawn storyboards from
action adventure The Mummy. The 56 storyboards depict various moments Stephen Sommers’ action-adventure sequel The Mummy
throughout the film, including the shoot-out onboard the Sudan riverboat Returns. The 83 storyboards depict various scenes,
and the moment the biplane crashed amidst a sandstorm summoned including the moment Izzy (Shaun Parkes) arrived in his
by Imhotep (Arnold Vosloo). The storyboards are rendered in pencil with balloon to save Rick (Brendan Fraser), Evelyn (Rachel Weisz),
ink frames, and the majority are stuck together with tape to form larger Jonathan (John Hannah) and Alex (Freddie Boath) from the
sheets. Most drawings are labelled with a scene number and feature a brief top of the pyramid temple. Rendered in pencil and ink, each
description. Some also include directional arrows and notes on camera features a scene reference number, brief description, notes
angles. The set exhibits signs of production use and wear, including pencil on camera angles and directional arrows. Some drawings
smudging and marks. Dimensions (largest sheet): 49 cm x 30 cm (19 ¼” x 11 are stuck together with tape to form larger sheets. The lot
¾”); (smallest sheet): 29.5 cm x 21 cm (11 ½” x 8 ¼”) Sold without copyright; exhibits minor smudging, and Tippex is applied to some
see copyright notice in the Buyer’s Guide. images. Dimensions (larger sheets): 42 cm x 30 cm (16 ½”
x 11 ¾”); (smallest sheet): 30 cm x 21 cm (11 ¾” x 8 ¼”) Sold
Estimate: £1,000 - 1,500 without copyright; see copyright notice in the Buyer’s Guide.

Estimate: £800 - 1,200

414 415
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

794. Folder of Hand-painted Production

Storyboards M

THE MUMMY: TOMB OF THE DRAGON EMPEROR (2008)

A folder of hand-painted storyboards from Rob Cohen’s action fantasy The
Mummy: Tomb of the Dragon Emperor. They depict the sequence where
Emperor Han (Jet Li) was revived in his terracotta-statue form and pursued
by Rick (Brendan Fraser), Evelyn (Maria Bello) and Jonathan (John Hannah).
Presented in a red textured folder with a metal ring binder, the 132 pages
of single-sided storyboards are rendered in combinations of pencil, ink, 797. Bob Cratchit and Tiny
gouache, and chalk pastel on tracing paper. Each sheet features handwritten Tim Statue Crew Gift M 798. Tribal Pig Spear M
notes, directional arrows, scene references, and page numbers. Adhered
to the folder’s spine is a white label, on which the production title is written THE MUPPET CHRISTMAS CAROL MUPPET TREASURE ISLAND
in black ink. They display marks and staple holes. Dimensions (folder): 29.5 (1992) (1996)
cm x 26 cm x 4.5 cm (11 ½” x 10” x 2”) Sold without copyright; see copyright
notice in the Buyer’s Guide. A Bob Cratchit and Tiny Tim statue crew gift A tribal pig spear from Brian Henson’s musical
from the production of Brian Henson’s festive comedy Muppet Treasure Island. Spears
Estimate: £1,000 - 1,500 musical comedy The Muppet Christmas Carol. were held by Treasure Island’s native pig
Gifted to cast and crew members by Brian tribe, who captured Kermit and his crew and
Henson, the statue shows Bob (Kermit the brought them before the island’s mysterious
Frog) holding his top hat, with Tiny Tim (Robin queen, revealed to be Miss Piggy. The spear
the Frog) sitting on his shoulder. The small is made from a bamboo pole, with a wooden
figure is made of brass, and the oval-shaped spearhead featuring six jagged, silver-painted
base features engraved text reading “With prongsr. The handle is wrapped in red, white
Thanks, Brian”. It shows dust remnants and and brown plastic cord, and red feathers are
795. Framed Hand-painted Original Pilot Credits minor signs of wear from age. Dimensions: 4 affixed near the spear tip. The item shows
Illustration Ω cm x 9 cm x 11.5 cm (1 ½” x 3 ½ “ x 4 ½”) repairs on the spearhead and has a missing
prong. Dimensions: 150 cm x 13 cm x 4 cm
THE MUNSTERS (T.V. SERIES, 1964 - 1966) Estimate: £400 - 600 (59” x 5” x 1 ½”)

A framed, hand-painted original credits illustration from the classic family Estimate: £600 - 800
sitcom The Munsters. This illustration was created by Pacific Title for the
unaired pilot presentation titled “My Favorite Munster”. Similar illustrations
from the series are rare, as the glass panels used to create the credits
sequence were typically cleaned and reused for different series. This
illustration consists of a glass panel hand-painted “with Joan Marshall as
Phoebe”. The panel is mounted behind glass and in front of a photograph
of the Munsters’ house inside a black wood frame affixed on the back with
a hanging wire. The lot exhibits minor scratches and scuffs to the frame.
Dimensions: 71.25 cm x 56 cm x 7.75 cm (28” x 22” x 3”) Sold without
copyright; see notice in the Buyer’s Guide.

Estimate: £2,500 - 3,500

101.5 cm (40”)

796. Storyboard Booklet ΩΔ

THE MUPPET CHRISTMAS CAROL (1992)

A storyboard booklet from the production of Brian Henson’s musical
holiday film The Muppet Christmas Carol. Storyboards by Dan Sweetman
and Michael Starley were distributed during production to choreograph 799. Pair of The Irish Times Newspapers †Δ 800. “The Muppet Show Grand Tour” Poster †Δ
the film’s period sequences. This booklet contains a comprehensive set of
printed copies of hand-drawn storyboards for the film with corresponding
MUPPETS MOST WANTED (2014) MUPPETS MOST WANTED (2014)
scene numbers and notes in the margins. The copies are bound with two
brass brads and labeled “Muppets Boards” in marker on the spine. The A pair of The Irish Times newspapers from James Bobin’s musical comedy Muppets Most A “The Muppet Show Grand Tour” poster from James Bobin’s musical comedy Muppets
booklet is visibly stained on the front and back with edge wear throughout Wanted. When Fozzie Bear and Walter read the paper on the train in Dublin, they discovered Most Wanted. Tour posters were displayed outside venues in various locations throughout
from production and handling. Dimensions: 28 cm x 21.75 cm x 1.5 cm (11” that Kermit had been replaced by the evil Constantine. Printed on newspaper stock, the the film, and Scooter removed a poster from a wall during the song “Something So Right”.
x 8 1/2” x 1/2”) copies of The Irish Times feature a picture of Constantine and an article on his imprisonment. Titled “The Muppet Show”, this colourful, circus-style poster features a striped background,
One copy is printed in colour and the other is in black-and-white. The back page is a copy a montage of the Muppets, and a list of tour dates with locations and false phone numbers.
Estimate: £400 - 600 of a page from The Irish Times and the inner pages are blank. The newspapers show signs A signature reading “R. Harris”, referring to credited scenic artist Rohan Harris, is printed in
of wear, including creasing, minor tears and horizontal fold lines from storage. Dimensions the bottom right corner. The lot exhibits wear around the edges, light creasing and marks
(each unfolded): 58.5 cm x 39.5 cm x 0.1 cm (23” x 15 ½” x ¼”) on the back. Dimensions (unrolled): 101.5 cm x 73 cm (40” x 28 ¾”)

Estimate: £400 - 600 Estimate: £600 - 800

416 417
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

801. Edward Ratchett’s (Johnny Depp)

Stunt Pistol †Δ

MURDER ON THE ORIENT EXPRESS (2017)

Edward Ratchett’s (Johnny Depp) stunt pistol from Kenneth
Branagh’s crime thriller Murder on the Orient Express.
Ratchett kept his gun under his pillow as he slept. This is
a rubber stunt version of a Colt Model 1903. It has been
painted to look like metal and wood. It has some wear
from production use, including scuffing and scratching,
and a small amount of rubber has come away in a couple
of places. Dimensions: 17.5 cm x 2.5 cm x 11.5 cm (7” x 1” x
4 ½”) Restricted ownership; see replica firearm notice in
the Buyer’s Guide.

Estimate: £400 - 600

804. Hand-Drawn Jack Johnson “After The Explosion”

Concept Sketch Ω 805. Clapperboard M

NATIONAL LAMPOON’S CHRISTMAS VACATION (1989) NATIONAL TREASURE (2004)

An “after the explosion” concept sketch hand-drawn by illustrator Jack Johnson for the A clapperboard from the production of Jon Turteltaub’s action adventure National Treasure.
802. Hercule Poirot’s production of Jeremiah Chechik’s comedy sequel National Lampoon’s Christmas Vacation. The slate is made of acrylic, with a wooden clapper arm. It features the production title and
(Kenneth Branagh) Hero Uncle Lewis (William Hickey) ignited a line of sewage under the Griswolds’ yard, exploding the names of Turtletaub and cinematographer Caleb Deschanel printed in black, and the
Cane †Δ Santa’s sleigh. This design concept sketch featuring the Griswold family home in the fallout date “12th Sept 2004”, written in black marker. The scene number and take number were
from the explosion is rendered in ink and gouache on beige drawing paper. It exhibits also written in black marker pen, but have been smudged or worn away. The clapperboard
MURDER ON THE ORIENT minimal edge wear and tears from handling. Dimensions: 35.75 cm x 43.25 cm (14” x 17”) has some wear from production use and age, including light surface scratches and wear
EXPRESS (2017) Sold without copyright; see notice in Buyer’s Guide. to the clapper arm. Dimensions: 23 cm x 28 cm x 4 cm (9” x 11” x 1 ½”)

Hercule Poirot’s (Kenneth Branagh) hero Estimate: £700 - 900 Estimate: £600 - 800
cane from Kenneth Branagh’s crime thriller
Murder on the Orient Express. Detective
Poirot carried his cane in multiple scenes
throughout the film, including the opening
sequence at the Wailing Wall in Jerusalem.
He notably used it to pry open the door
to Edward Ratchett’s (Johnny Depp)
806. Louis Bloom’s (Jake
compartment when he discovered that
Gyllenhaal) Costume and 807. Ozunu Clan Ninja Hero
the American had been murdered. The
Shoes Ω Katana M
cane is made of wood with a black-painted
finish and features a shiny, silver plated
metal curved handle and tip. It shows signs NIGHTCRAWLER (2014) NINJA ASSASSIN (2009)
of wear from production use, including
Louis Bloom’s (Jake Gyllenhaal) costume A Ozunu Clan ninja hero katana from
scratching, scuffing on the black-paint finish,
and shoes from Dan Gilroy’s dramatic thriller James McTeigue’s martial arts thriller Ninja
and marks on the handle. Dimensions: 92
Nightcrawler. Freelance news cameraman Assassin. Led by Lord Ozunu (Sho Kosugi),
cm x 13 cm x 3 cm (36 ¼” x 5 ¼” x 1 ¼”)
Bloom wore his costume while working with members of the Ozunu Clan trained to be
his new assistant, Rick (Riz Ahmed), as he ultimate ninja warriors and wielded their
Estimate: £2,000 - 3,000
filmed and partially rearranged a car crash katanas throughout the film, including when
for footage to sell to local news director Nina they pursued Raizo (Rain). The sword is
Romina (Rene Russo). This costume consists made from aluminium with a woven cord
of a grey cotton blend zip-up baseball jacket and wood handle. It is designed like a
with cream and beige-coloured stripes, a traditional Japanese katana except with
grey cotton and nylon blend button-up shirt, a straight edge and square guard. Along
a navy wool-blend tie, a pair of charcoal the blade is a groove and pair of symbols
wool trousers, a pair of black cotton socks, on either side near the guard. The blade
a pair of grey and white cotton and leather edge exhibits signs of production use,
trainers, and a black elastic hair tie. It exhibits and the handle shows dirt from use on set.
803. Heart and Chocolate Box Ω
minor signs of wear and use, including some Dimensions: 100 cm x 6.5 cm x 6.5 cm (39
scuffing on the trainers. ½” x 2 ½ x 2 ½”)
MY BLOODY VALENTINE 3D (2009)
Estimate: £1,200 - 1,800 Estimate: £1,000 - 1,500
A heart and chocolate box from Patrick Lussier’s slasher-movie remake My Bloody Valentine 3D. The killer
left his calling card of a victims’ heart in a heart-shaped “Be My Valentine” chocolate box at several crime
scenes. The heart is made of rubber, painted to look like a bloody organ. The chocolate box is made from
card, with a shiny red lid, a red-and-gold bow and “Be My Valentine” debossed in gold on the lid. The
items have some wear from production use and age, most notably creasing and edge wear to the box lid.
Dimensions (heart): 14 cm x 9 cm x 7 cm (5 ½” x 3 ½” x 2 ¾”); (box): 26 cm x 24 cm x 3 cm (10 ¼” x 9 ½” x 1 ¼”)

Estimate: £1,000 - 1,500

418 419
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

811. Uriah Heep’s (Ben Whishaw) Jacket, Mr.

Dick’s (Hugh Laurie) Hat, and Mr. Micawber’s
808. Michael Scott’s (Steve Carell) (Peter Capaldi) Scarf and Screen-matched
Photo ID Badge M Waistcoat †Δ
THE OFFICE (TV SERIES, 2005-2013) THE PERSONAL HISTORY OF DAVID COPPERFIELD
Michael Scott’s (Steve Carell) photo ID badge from comedy (2019)
series The Office. After being appointed Honorary Security
Uriah Heep’s (Ben Whishaw) jacket, Mr. Dick’s (Hugh Laurie) hat, and Mr.
Advisor, Dwight (Rainn Wilson) hired a photographer to
Micawber’s (Peter Capaldi) scarf and screen-matched waistcoat from
take headshots for new security ID badges in the Season
Armando Iannucci’s comedy The Personal History of David Copperfield.
2 episode “Conflict Resolution”. Michael wore his ID badge
Heep wore his jacket to the theatre, Mr. Dick wore his hat in several scenes,
towards the end of the episode, when he asked the
and Mr. Micawber wore his waistcoat and scarf when David Copperfield (Dev
photographer to get a group shot of the staff. The plastic
Patel) discovered him destitute in the street. Micawber’s waistcoat matches
laminated ID features a picture of Carell as Scott, with his
the one in that scene through its intentional distress and markings on the
name, job, location, and signature. The Dunder Mifflin
buttons. The jacket has “Ben Whishaw Uriah Heep 2” handwritten on a label
company logo is situated in the top-left corner. A plastic
on the inside right; the straw hat has “Hugh Laurie” handwritten inside; and
and metal clip is attached to the top, and a blue barcode
the waistcoat has “Peter Capaldi Micawber 2” handwritten on a label in the
is located on the back. The ID exhibits minimal wear from
collar. All three pieces have been intentionally distressed to look well worn.
production use. Dimensions: 9 cm x 9.5 cm x 1.5 cm (3 ½”
x 3 ¾” x ½”)
Estimate: £600 - 800
Estimate: £1,000 - 1,500

809. Hand-Painted Matthew Yuricich

Skyscraper at Night Matte Painting US 812. Large Animatronic Piranha Ω

OPPORTUNITY KNOCKS (1990) PIRANHA 3DD (2012)

A hand-painted Matthew Yuricich matte painting of a A large animatronic piranha from John Gulager’s comedy-horror Piranha
skyscraper at night from Donald Petrie’s romantic comedy 3DD. This style of animatronic piranha was used during the film’s climax in
Opportunity Knocks. Conman Eddie Farrell (Dana Carvey) which the fish are shown flopping outside of the pool after being blown into
and his uncle Max (Milo O’Shea) tricked Sal Nichols (James the air during an explosive sequence. Made from silicone, this item features
Tolkan) into illegally blowing up the local IRS building. This a highly detailed, scale-painted exterior on the top side, with a graduating
matte painting, created for the scene in which Max cajoles blue, green and yellow colour scheme, as well as red accents around the
Nichols into an agreement, is rendered in mixed media on gills and fins. It has a pair of yellow plastic eyes and an open mouth filled
wood-backed canvas by matte artist Matthew Yuricich with with pointed silicone teeth. The underside has an opening where the
the top left and bottom right corners incomplete. It exhibits battery controls are present. This particular fish has a simple on/off switch
minor tearing, most noticeably in the left corner, and scuffs placed near the gills on the underside, on the belly is a padded grey cover
throughout from production and storage. Dimensions: for mechanical components and four dials placed within the padding. The
122 cm x 91.5 cm x 1.5 cm (48” x 36” x 1/2”) Sold without piranha is battery operated and comes with a charger cable. Dimensions:
copyright; see notice in the Buyer’s Guide. This lot will ship 53 cm x 25 cm x 15 cm (21” x 10” x 6”) Contains electronics; see electronics
from Prop Store’s Los Angeles facility; see notice in the notice in the Buyer’s Guide.
Buyer’s Guide
Estimate: £1,500 - 2,500
Estimate: £1,200 - 1,800
122 cm (48”)

813. Beefeater Stop-Motion Puppet and Set

810. Ghost’s (Karl Urban) Hero Sword M Decoration M

PATHFINDER (2007) PIRATES! IN AN ADVENTURE WITH SCIENTISTS! THE,

(2012)
Ghost’s (Karl Urban) hero sword from Marcus Nispel’s historical action film
Pathfinder. Ghost wielded his sword throughout the movie as he attempted A poseable beefeater stop-motion puppet and set decoration from Peter
to defend the Wampanoag tribe from the invading Vikings. The sword Lord and Jeff Newitt’s animated comedy adventure The Pirates! In an
comprises a blunted aluminium blade featuring engraved Nordic runes; a Adventure with Scientists! This beefeater, named Brisket, was seen at the
curved guard with rivet detailing; a brown leather-bound hilt; and a dense Royal Society and later on the QV1, the flagship of Queen Victoria. Built by
rubber silver-painted pommel formed into the shape of a beaked creature. Aardman Studios, the puppet features an elaborate red foam latex uniform
The weapon displays signs of production use, including minor paint wear with silicone stockings and a resin cap. Its skin and hair are silicone with
on the pommel, light wear to the leather, and scratching on the blade. Plasticine applied around the eyes, while the mouth is a resin component
Dimensions: 112 cm x 16.5 cm x 4 cm (44” x 6 ½” x 1 ½”) designed for quick replacement. Included with the puppet is a wood, resin,
and plastic deck skylight and deck decorations from the QV1. The puppet
Estimate: £3,000 - 5,000 comes on a custom-made display base and the items show minor wear
from production use and age. Dimensions (puppet): 15.5 cm x 14.5 cm x 42
cm (6¼” x 6” x 16”)

Estimate: £1,500 - 2,500

420 421
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

814. Mentor Huebner Brownline Production

Artwork Copies Ω 817. DNA Spore Vial †Δ

PLANET OF THE APES (1968) PROMETHEUS (2012)

A set of Mentor Huebner brownline production artwork copies from Franklin A DNA spore vial from Ridley Scott’s sci-fi prequel
J. Schaffner’s sci-fi classic Planet of the Apes. Huebner was a production Prometheus. Spore vials were stored in Engineer ampules
illustrator who helped develop the visuals of the iconic film. The six pieces discovered by the crew of the Prometheus while exploring
of highly detailed artwork are printed in brown on large sheets of paper some cavernous, extra-terrestrial ruins. The android David
which are then adhered (and in some cases, taped in the corners) to labeled (Michael Fassbender) opened one of the ampules on the
illustration boards with brown paper cover-flaps. Each piece comes with a Prometheus, infecting Holloway (Logan Marshall-Green)
Certificate of Authenticity from DJN Studios. They exhibit edge wear and with its contents. The translucent plastic vial is designed to
discolouration to the illustration boards as well as creasing in the brown mimic glass, and is hand-painted to look ancient and alien.
paper flaps. Dimensions (largest): 62.25 cm x 43.25 cm x 1.5 cm (24.5” x 17” The piece shows some wear from production use, including
x 0.5”); (smallest): 51 cm x 38.25 cm x 1.5 cm (20” x 15” x 0.5”) Sold without scuffing and scratching. Dimensions: 20 cm x 6.5 cm x 5
copyright; see notice in the Buyer’s Guide. cm (11 ¾” x 2 ½” x 2”)

Estimate: £800 - 1,200 Estimate: £1,000 - 1,500

818. Prometheus Bridge Control Chair

†Δ
815. Captain Leo Davidson’s (Mark Wahlberg)
Light-up Messenger and Stunt Pistol M PROMETHEUS (2012)
A Prometheus bridge control chair from Ridley Scott’s sci-fi
PLANET OF THE APES (2001)
prequel Prometheus. Captain Janek (Idris Elba), Dr. Elizabeth
Captain Leo Davidson’s (Mark Wahlberg) light-up messenger and stunt pistol Shaw (Noomi Rapace) and others strapped themselves
from Tim Burton’s sci-fi remake Planet of the Apes. These were stored in into their bridge chairs while the scientific ship Prometheus
Leo’s survival pack, which he retrieved from the sunken wreckage of his landed on the moon LV-223. The chair is made of fibreglass
Delta Pod and carried throughout the film. The messenger has a raised around a metal skeleton, and features a green padded seat
circular screen in a metal casing with two dark grey resin sections. Powered and headrest, with a four-point harness which clips across
by cell batteries, the screen illuminates green. The stunt pistol is made of the chest. The chair is intentionally distressed to appear
dense rubber finished in silver and black paint. The front sight is missing on well-used and is decorated with decals and stickers. It has
the pistol, and the messenger electronics are temperamental. Dimensions additional wear from production use and age, including
(scanner closed): 12.5 cm x 7.5 cm x 3 cm (5” x 3” x 1 ¼”); (pistol): 26.5 cm x scuffing, scratches and some paint spotting on the padded
4.5 cm x 16 cm (10 ½” x 1 ¾” x 6 ¼”) Contains electronics; see electronics seat. Dimensions: 75 cm x 64 cm x 135 cm (29 ½” x 25 ¼”
notice in the Buyer’s Guide. x 53 ¼”) Special shipping required; see special shipping
notice in the Buyer’s Guide.
Estimate: £1,000 - 1,500
Estimate: £2,000 - 3,000

819. Light-up Kitchen Double

Dispenser Display Panel M
816. Stunt Clown Doll †Δ
PROMETHEUS (2012)
POLTERGEIST (2015) A light-up kitchen dispenser panel display from Ridley Scott’s
A stunt clown doll from Gil Kenan’s horror remake Poltergeist. Griffin Bowen sci-fi prequel Prometheus. The crew of the Prometheus used
(Kyle Catlett) was terrorised by a clown doll he found in a box, and the doll the dispensers for their first meal after hypersleep. The panel
featured prominently in promotional material for the film. The doll is a stunt is predominantly wood and plastic, and finished in a range
version, used for action sequences. Its body is made of foam, with the head, of whites, greys and bare aluminium. It features assorted
arms and legs all made of hand-painted foam rubber. The doll features a compartments and slots for containers and supplies. Several
multicoloured costume and woollen hair. It has some wear from production small panels feature the Weyland Corp logo. The panel has
use, including scuffing and scratching to the paint. Dimensions: 70 cm x 23 several lights fitted inside which illuminate when powered.
cm x 11 cm (27 ½” x 9” x 4 ¼”) There is also a video display in the centre (untested). The
original displays were connected to DVD players but have
Estimate: £2,000 - 3,000 since been converted to play SD cards. The panel has wear
from being well-used on the production and when it was
removed from the set, most notably some cracks around the
corners and edges. Dimensions: 50 cm x 195 cm x 115 cm (19
¾” x 76 ¾” x 45 ¼”) Contains electronics; see electronics
notice in the Buyer’s Guide. Special shipping required; see
special shipping notice in the Buyer’s Guide.

Estimate: £1,500 - 2,500

422 423
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

821. Dr. Elizabeth Shaw’s (Noomi Rapace) Crucifix Necklace

820. Vickers’ (Charlize Theron) Life Pod Wall Panel M †Δ
824. Security Team Stunt Shotgun M
PROMETHEUS (2012) PROMETHEUS (2012)
PROMETHEUS (2012)
Vickers’ (Charlize Theron) life pod wall panel from Ridley Scott’s sci-fi prequel Prometheus. Dr. Elizabeth Shaw’s (Noomi Rapace) crucifix necklace from Ridley Scott’s sci-fi prequel
Vickers’ life pod was ejected and Dr Elizabeth Shaw (Noomi Rapace) gathered oxygen Prometheus. Dr. Shaw wore her necklace for much of the film, and it was taken from her A security team stunt shotgun from Ridley Scott’s sci-fi prequel Prometheus. Chance version of a Benelli M3T Super 90 with a bright orange-painted stock. There is only minor
canisters from a wall panel. The wood panel is painted white. It features several doors by David (Michael Fassbender) while she laid on a medical table. Her father (Patrick Wilson) (Emun Elliot) used a shotgun to kill the mutated Fifield (Sean Harris) when he attacked the wear from production use. Dimensions: 86 cm x 5 cm x 17 cm (33 ¾” x 2” x 6 ¾”) Restricted
and compartments, the largest of which has an acrylic front and is hydraulically assisted, also wore the necklace in a dream sequence. The necklace is made of metal, with a rough, loading bay, and a security officer used one when the Engineer assaulted David (Michael ownership; see replica firearm notice in the Buyer’s Guide.
while the smallest door is fixed shut. Each shelf and compartment is numbered with grey tarnished finish. It has a thin metal chain which clips at the back. The necklace has some Fassbender) and Weyland (Guy Pearce). The black, hard rubber shotgun is a modified
stickered lettering and the largest compartment is backed with frosted acrylic. The panel wear from production use, including additional scratches and scuffing. Dimensions: 24
shows wear from production use and age, including scuffing and scratches to the paint. cm x 2 cm (9 ½” x ¾”) Estimate: £2,000 - 3,000
There is minor staining and denting from the striking of the set. Dimensions: 20 cm x 103
cm x 87 cm (7 ¾” x 40 ½” x 34 ¼”) Special shipping required; see special shipping notice Estimate: £800 - 1,200
in the Buyer’s Guide.

Estimate: £800 - 1,200

822. Dr. Elizabeth Shaw’s

(Noomi Rapace) Morphine 823. Pair of Engineer
Injector †Δ Ampules †Δ
PROMETHEUS (2012) PROMETHEUS (2012)
Dr. Elizabeth Shaw’s (Noomi Rapace) A pair of Engineer ampules from Ridley
morphine injector from Ridley Scott’s Scott’s sci-fi prequel Prometheus. Engineers
sci-fi prequel Prometheus. Shaw used used ampules to store terraforming
her injector while undergoing a medical biochemicals, which were unstable at
procedure to remove an alien parasite from room temperature. The Prometheus crew
her abdomen. The injector is made of resin found cavernous rooms filled with ampules.
with a metal, spring-loaded needle that Designed by raku pottery specialist Rob
retracts when pushed against skin. Stickers Sollis, this set is made of hard biscuit foam
reading ‘Weyland Corp’ and ‘Morphine’ are with a resin skin. The lot consists of two
present on the front of the injector. It has different sized ampules, each with alien text
some wear from production use, including vertically etched into its curving body and
scuffs and scratches, with some staining and finished with metallic paint. Both ampules
grime build-up, likely from the stage blood are intentionally distressed to reflect their
used on set. Dimensions: 15.5 cm x 3.5 cm ancient heritage. They show signs of wear
x 3 cm (6” x 1 ½” x 1 ¼”) from production use and storage, including
scuffs, scratches and a chip on one side of
Estimate: £800 - 1,200 the larger ampule’s lid section, and there is
something loose within the smaller ampule.
Dimensions (largest ampule): 21 cm x 21 cm
x 55 cm (8 ¼” x 8 ¼” x 21 ½”) 825. Security Team Stunt Pistol M
Estimate: £1,000 - 1,500 PROMETHEUS (2012)
A security team stunt pistol from Ridley Scott’s sci-fi prequel Prometheus. Security team orange. The pistol has some wear from production use and age, and there are some light
members used their pistols to try and kill the mutated Fifield (Sean Harris) when he attacked markings on the rubber from bubble wrap. Dimensions: 31 cm x 5 cm x 13 cm (12 ¼” x 2” x
the loading bay. The pistol is made of hard black rubber and is a modified version of a 5”) Restricted ownership; see replica firearm notice in the Buyer’s Guide.
Walther GSP Expert sports pistol. It has an extended magazine, which is painted bright

Estimate: £1,500 - 2,500

424 425
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

826. Pack of Red 827. Pack of Red Apple

Apple Cigarettes M Cigarettes M

PULP FICTION (1994) PULP FICTION (1994)

A Red Apple cigarette pack from A Red Apple cigarette pack from
Quentin Tarantino’s neo-noir movie Quentin Tarantino’s neo-noir movie
Pulp Fiction. Several characters Pulp Fiction. Several characters
smoked Red Apples throughout smoked Red Apples throughout
the film, including Mia Wallace (Uma the film, including Mia Wallace (Uma
Thurman), Butch (Bruce Willis) and Thurman), Butch (Bruce Willis) and
Pumpkin (Tim Roth). Red Apple is Pumpkin (Tim Roth). Red Apple is
a fictional brand of cigarette that a fictional brand of cigarette that
has featured in several Tarantino has featured in several Tarantino
films, including Kill Bill: Vol. 1, The films, including Kill Bill: Vol. 1, The
Hateful Eight and Once Upon a Hateful Eight and Once Upon a
Time in Hollywood. The unopened Time in Hollywood. The unopened
packet is wrapped in clear plastic packet is wrapped in clear plastic 830. Denton Van Zan’s (Matthew McConaughey) Stunt
and features the graphic of a and features the graphic of a Shotgun †Δ 831. Tik-Tok Crew Gift and Compliment Slip M
smiling green worm protruding smiling green worm protruding
from a red apple and smoking a from a red apple and smoking a
REIGN OF FIRE (2002) RETURN TO OZ (1985)
cigarette. It has only very minor cigarette. It has only very minor
wear from production use and age. wear from production use and age. Denton Van Zan’s (Matthew McConaughey) stunt shotgun from Rob Bowman’s A Tik-Tok crew gift from the production of Walter Murch’s fantasy-adventure sequel Return
Dimensions: 8.5 cm x 5.5 cm x 2 cm Dimensions: 8.5 cm x 5.5 cm x 2 cm post-apocalyptic fantasy movie Reign Of Fire. Van Zan carried his shotgun during his to Oz. The miniature mechanical figure is made of faux-gold-plated metal and features
(3 ¼” x 2 ¼” x ¾”) (3 ¼” x 2 ¼” x ¾”) dragonslaying campaign across the British Isles. Made of fibreglass, the shortened Mossberg intricate detailing, including a moustache, a tin helmet, and rivets around his rotund torso.
500 features a pistol grip and a vertical grip. Well-used on the production, the shotgun Small screws allow the model’s arms to move backwards and forwards. Also included in the
Estimate: £600 - 800 Estimate: £600 - 800 has scuffing and scratches to the black paintwork, and the back of the weapon is slightly lot is an Oz Productions Limited compliment slip. Presented in its original box, the crew gift
cracked, revealing the fibreglass. Dimensions: 57 cm x 5 cm x 17 cm (22 ½” x 2” x 7 ¾”) exhibits light scratching and patches of wear to the gold finish, and the compliment slip has
Restricted ownership; see replica firearm notice in the Buyer’s Guide. become creased over time. Dimensions (crew gift): 4 cm x 5.5 cm x 7 cm (1 ½” x 2 ¼” x 2 ¾”)

Estimate: £1,000 - 1,500 Estimate: £1,000 - 1,500

828. Rambo’s 829. Lister’s (Craig

(Sylvester Stallone) Charles) Series I Guitar
Military Jacket M M

RAMBO III (1988) RED DWARF (TV SERIES,

1988-PRESENT)
Rambo’s (Sylvester Stallone) military
jacket from Peter MacDonald’s Lister’s (Craig Charles) guitar from
action sequel Rambo III. Rambo the sci-fi comedy television show
wore his black jacket when he was Red Dwarf. A guitar was one of
escorted to the Mujahideen camp Lister’s most prized possessions,
in the Afghan desert by weapons which he believed he could play
supplier Mousa (Sasson Gabay), well, although in fact, he was
and when the Mujahideen fighters terrible. Lister played a silver guitar
initially refused to help him free in his sleeping quarters during
Colonel Sam Trautman (Richard multiple episodes of the first series.
Crenna) from the Soviet base. The guitar has a silvertone main
Made from a black cotton polyester body with wooden components,
blend, the Ladiga Sportswear Inc. including the headstock, neck, and 832. Philip Kohler Collection: Scripts, Call Sheets, 833. Comprehensive Set of 600+ Production Photography
combat-style jacket features four bridge. A white leaf-like pattern Storyboards and Production Paperwork M and Artwork Slides Ω
pockets and five buttons running adorns the guitar’s black rosette,
down the front. Marked as size and a red sticker featuring the
word “Clarissa”—referring to the RETURN TO OZ (1985) RETURN TO OZ (1985)
“Large-Regular”, the jacket displays
minor signs of wear from production manufacturer—is adhered within Scripts, call sheets and production paperwork from Walter Murch’s fantasy-adventure sequel A comprehensive set of more than 600 production photography and artwork slides from
use, including fraying around the the sound hole. The instrument is Return to Oz. This lot comes from the personal collection of renowned production manager Walter Murch’s dark fantasy Return to Oz. The set features photographs from the film, as
buttonholes. presented in a black case with a Philip Kohler. The lot contains a sixth-draft script dated “2 December 1983”, featuring a unit well as imagery that inspired the film’s unique design including illustrations from the “Oz”
blue velvet lining. All of the strings list located at the back; a red binder containing a fifth-draft script; 83 call sheets; a shooting books, paintings, and pop-culture photographs. The slides are housed in plastic sleeves and
Estimate: £2,000 - 3,000 remain intact, and the guitar exhibits schedule; six printed storyboard pages; nine movement orders; and a location hotel list. feature various markings such as “OZ Production Limited”, “1983 Walt Disney Productions”,
light scuffing. Dimensions (guitar): Kohler’s name is handwritten on the red card cover of the fifth-draft script and the document “Photo by Barry Peake”, and the names of production designer Norman Reynolds and
103 cm x 40 cm x 9 cm (40 ½” x 15 is dated “August 3, 1983”. All exhibit minor wear, creasing, discolouration, and small tears costume designer Raymond Hughes. Some of the frames and labels on the slides exhibit
¾” x 3 ½”) on the storyboards. Dimensions (script): 30 cm x 21 cm x 2 cm (11 ¾” x 8 ¼” x ¾”); (binder): discolouration. Dimensions (sheet, each): 29.25 cm x 24.25 cm (11 1/2” x 9 1/2”) Sold without
31.5 cm x 25.5 cm x 4 cm (12 ¼” x 10” x 1 ½”) copyright; see notice in the Buyer’s Guide.
Estimate: £2,000 - 3,000
Estimate: £600 - 800 Estimate: £400 - 600

426 427
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

834. Hand-painted “Dorothy and

Nome King” Production Illustration Ω

RETURN TO OZ (1985)
A hand-painted production illustration of Dorothy and
Nome King from Walter Murch’s dark fantasy Return to
Oz. This illustration for Dorothy’s (Fairuza Balk) encounter
with the Nome King (Nicol Williamson) was created in early
pre-production on the film. It is rendered in mixed media,
including paint and pastel, on illustration board. It depicts
a young blond girl in a white and blue dress staring up
into a large stone face illuminated in a yellow glow. The
illustration board exhibits corner denting and staining
around the edges. Dimensions: 37 cm x 61 cm x 0.75 cm
(14.5” x 24” x 0.25”) Sold without copyright; see notice in
the Buyer’s Guide.
837. “A” Camera Clapperboard Slate, Three Scripts, and
Estimate: £500 - 700 Revision Pages M 838. Azeem’s (Morgan Freeman) Studded Gambeson Ω

ROBIN HOOD (2010) ROBIN HOOD PRINCE OF THIEVES (1991)

An “A” Camera clapperboard slate, three scripts, and revision pages from Ridley Scott’s Azeem’s (Morgan Freeman) studded gambeson from Kevin Reynolds’ action adventure film
action-adventure Robin Hood. The acrylic slate features the film’s working title “URHA” Robin Hood: Prince of Thieves. Azeem wore his gambeson during the battle at Nottingham
and Scott’s and director of photography John Mathieson’s names engraved in black. Castle in the film’s finale. The gambeson is made of quilted brown leather with matching
835. Hand-drawn Norman Reynolds Bound with metal fasteners, the scripts display “Untitled Robin Hood Adventure” and are leather laces, light brown suede on the sleeves, a black felt lining, and silver-colour metal
“Dorothy” Concept Sketch Ω credited to Ethan Reiff and Cyrus Voris. The lot includes eight sets of watermarked revisions. studs embedded throughout. The gambeson exhibits some wear from use and age,
There is wear from production use and age, including, creasing, small rips and rust stains. including scuffing, discolouration, and small tears where the back of the studs have ripped
Dimensions (slate): 0.3 cm x 28.5 cm x 19.5 cm (¼” x 11 ¼” x 7 ¾”); (largest script): 30 cm x through the lining and, in some cases, been covered by tape.
RETURN TO OZ (1985) 21.5 cm x 2 cm (11 ¾” x 8 ½” x ¾”); (revisions): 30 cm x 21.5 cm x 0.5 cm (11 ¾” x 8 ½” x ¼”)
Estimate: £1,000 - 1,500
A hand-drawn Norman Reynolds “Dorothy” concept sketch
Estimate: £500 - 700
from the production of Walter Murch’s dark fantasy Return
to Oz. Reynolds was the film’s production designer. This
colour sketch is rendered in pencil and marker on illustration
paper and depicts a young girl with blond hair standing
next to a wooden chair and holding a basket of eggs. It is
hand-labeled “Dorothy” and signed “Reynolds. Jan. 83.”.
It exhibits staining around the edges and pinholes in the
corners. Dimensions: 40.75 cm x 30.5 cm (16” x 12”) Sold
without copyright; see notice in the Buyer’s Guide.

Estimate: £400 - 600

836. Hand-drawn Norman Reynolds

“The Gump” Concept Sketch Ω

RETURN TO OZ (1985)
A hand-drawn Norman Reynolds “The Gump” concept
sketch from the production of Walter Murch’s dark fantasy 839. Bull Dog Cafe Menu, Air Circus Flyer, Ribbons and 840. Picture of Jenny Blake (Jennifer Connolly) and Cliff
Return to Oz. Reynolds was the film’s production designer. Blueprint Ω Secord (Billy Campbell) Ω
This colour sketch is rendered in pencil and marker on
illustration paper and depicts a front view of the mounted
THE ROCKETEER (1991) THE ROCKETEER (1991)
head of a Gump (a moose-like creature native to the Land
of Oz) with its tongue out and a side view of the head bound A Bull Dog Cafe menu, Air Circus flyer, ribbons and blueprint from Joe Johnston’s action A picture of Jenny Blake (Jennifer Connolly) and Cliff Secord (Billy Campbell) from Joe
with rope to a couch. It is hand-labeled “The Gump” and adventure The Rocketeer. Cliff Secord (Billy Campbell) frequently ate at the Bull Dog Cafe Johnston’s action adventure film The Rocketeer. Gangsters holding Blake and Secord
signed “Reynolds. Jan. 83.”. It exhibits staining around the with his fellow pilots. Later, members of the press and the ground crew of Bigelow’s Air hostage confirmed that they had the right hostages when they saw a photo of the pair on
edges and pinholes in the corners. Dimensions: 30.5 cm x Circus wore ribbons while they watched Secord use a rocket pack which was stolen from a diner wall. This black and white portrait of Blake and Secord with a white border is printed
40.75 cm (12” x 16”) Sold without copyright; see notice in the office of Howard Hughes (Terry O’Quinn). This lot consists of a beige double-sided on Kodak photo paper labeled “PP-2-7” in marker on the reverse. It exhibits light creasing
the Buyer’s Guide. paper menu, four multicoloured satin ribbons, a black and white cardstock poster, and a and wear around the corners. Dimensions: 18 cm x 12.75 cm (7” x 5”)
paper blueprint with purple ink. This lot exhibits signs of wear and use including creasing
Estimate: £400 - 600 and tape remnants on the blueprint and some marks on the back of the flyer. Dimensions: Estimate: £600 - 800
81.25 cm x 45.75 cm x 9 cm (32” x 18” x 3 1/2”)

Estimate: £800 - 1,200

428 429
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

845. Hero Confederate Coin and Steve Zahn’s

Director’s Chair Back M

SAHARA (2005)
A hero Confederate coin and Steve Zahn’s director’s chair back from Breck
Eisner’s adventure film Sahara. Dirk Pitt (Matthew McConaughey) obtained a
Confederate coin from Oshodi (Clint Dyer) as a clue to the long-lost ironclad
CSS Texas. The metal, faux $20 gold coin features the Confederate States
of America crest on one side. The reverse features a chain with each state
of the Confederacy. The beige canvas chair back features a blue patch
with “Steve Zahn” (Dirk’s sidekick Al Giordino) embroidered in yellow and
Velcro attachment strips. All show minor wear and marks from production
use, and the chair back canvas is frayed in one corner. Dimensions (coin):
3.5 cm x 3.5 cm x 0.5cm (1 ½” x 1 ½” x ¼”); (chair back): 54 cm x 22 cm x
0.5 cm (21 ¼” x 8 ¾” x ¼”)

Estimate: £600 - 800

841. Bigelow’s Air Circus Programme, Pennant, Canvas 842. Howard Hughes’ (Terry O’Quinn) Rocket Pack
Piece, and Headed Paper M Blueprint and “Man Flies Without Plane!” Newspaper M

THE ROCKETEER (1991) THE ROCKETEER (1991)

A Bigelow’s Air Circus programme, a pennant, a piece of canvas, and a sheet of headed Howard Hughes’ (Terry O’Quinn) rocket pack blueprint and “Man Flies Without Plane!”
paper from Joe Johnston’s action-adventure film The Rocketeer. Crowd members held newspaper from Joe Johnston’s action-adventure film The Rocketeer. A blueprint was part
branded memorabilia at Bigelow’s Air Circus, where stunt pilot Cliff (Bill Campbell) donned of Hughes’ secret file for the X-3 rocket design , and newspapers were distributed after
846. Sapphire’s (Joanna Lumley) Necklace and
his Rocketeer pack. The lot consists of a multicoloured paper Bigelow’s Air Circus souvenir Cliff (Bill Campbell) donned his Rocketeer pack for the first time to save a life at Bigelow’s
Earrings M
programme; a green felt pennant flag with yellow text; a large piece of cream-coloured Air Circus. The blueprint shows a front and side view of the “HHAC ROCKET PACK CC-3”.
canvas featuring a dark green Bigelow’s Air Circus logo; and a sheet of Bigelow’s letterhead Dated “October 15,1983”, the Los Angeles Examiner newspaper features the headline “Man SAPPHIRE & STEEL (TV SERIES, 1979-1982)
paper. There are minor signs of wear, including light creasing on the flag and marks on the Flies Without Plane! Rocketeer Thrills Crowd” and a photo of the Rocketeer flying over a
canvas. Dimensions (programme): 28 cm x 21.5 cm (11” x 8 ½”); (pennant): 29 cm x 65 cm crowd. Both show creasing, edge wear and signs of discolouration due to age. Dimensions Sapphire’s (Joanna Lumley) necklace and earrings from supernatural
(11 ½” x 25 ½”); (canvas): 23.5 cm x 32.5 cm (9 ¼” x 12 ¾”) (blueprint): 28 cm x 36 cm (11” x 14 ¼”); (newspaper): 58.5 cm x 44 cm (23” x 17 ¼”) sci-fi series Sapphire & Steel. The necklace is made from turquoise,
transparent-glass beads, moulded leaves and flowerheads on wire mounts.
Estimate: £400 - 600 Estimate: £400 - 600 The matching earrings are similarly constructed. The set originally came
from the personal wardrobe of Joanna Lumley, and is accompanied by a
handwritten note from Lumley explaining their origin. The note is dated “1998
September” and is displayed in a frame underneath a promotional still of
Lumley and her co-star David McCallum. The items have only minor wear
from production use and age. Dimensions (necklace, open): 38 cm x 5 cm
x 3 cm (15” x 2” x 1 ¼”); (display): 35 cm x 26 cm x 2 cm (13 ¼” x 10 ¼” x ¾”)

Estimate: £400 - 600

847. Captain Miller’s Army Ranger Shirt Ω

SAVING PRIVATE RYAN (1998)

Captain Miller’s Army Ranger Shirt from Paramount Pictures’ historical war
843. Sylvester Stallone, Dolph Lundgren and Carl Weathers drama Saving Private Ryan. Miller wore his standard-issue shirt as he led
Autographed Promotional Trunks M 844. Houston Team Coach Helmet M a group of army rangers through World War 2 France to find and retrieve
a soldier whose brothers had all been killed in action. This green cotton
button-down shirt features brown wooden buttons, a pair of epaulets on the
ROCKY IV (1985) ROLLERBALL (1975)
shoulders, and two small pinholes in the collar where a rank pin would be
A promotional pair of boxing trunks autographed by the stars of Sylvester Stallone’s boxing- A Houston team coach helmet from Norman Jewison’s sci-fi sports film Rollerball. Team affixed. The shirt exhibits signs of wear from age and use, including stains
drama sequel Rocky IV. This pair of stars-and-stripes boxing trunks – a replica of those worn coaches wore their helmets for the eponymous violent future sport. The Spalding baseball- on the collar and sleeves, and some small holes to the fabric.
by Rocky in the film – have been autographed in black ink by Sylvester Stallone (full name), style helmet is made of hard plastic painted white and orange – the colours of the Houston
Dolph Lundgren and Carl Weathers. Lundgren and Weathers have also written “I Must rollerball team. It also features a visor and ear coverings. There are several intentional holes, Estimate: £1,200 - 1,800
Break You” and “Ding Ding” respectively. The trunks are replicas made purely for signing. including a larger hole at the centre of each ear covering, and the back of the helmet is
They feature only very minor wear, and the pen ink has faded and bled in some places. marked size “7 ? - 7 ¼”. Its interior is padded with foam for the purposes of comfort. There
are signs of production use, including marks and scuffing to the paint finish, and some of
Estimate: £1,000 - 1,500 the padding is missing, with some remnants left on the interior. Dimensions: 27 cm x 19 cm
x 23 cm (10 ½” x 7 ½” x 9”)

Estimate: £1,500 - 2,500

430 431
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

848. 1st Revised Draft Script and Two Sets of

Revision Pages †Δ 851. River’s (Summer Glau) Stunt Sword †Δ

SAVING PRIVATE RYAN (1998) SERENITY (2005)

A 1st revised draft script and two sets of revised pages from the production River’s (Summer Glau) stunt sword from Joss Whedon’s sci-fi adventure
of Steven Spielberg’s Academy Award®-winning war drama Saving Private Serenity. River used her sword while fighting the Reavers during the climactic
Ryan. Labelled “08”, the script is credited to Oscar®-nominated writer Robert battle. The sword is made of rubber with a metal armature. It is painted to
Rodat and three-time nominee Frank Darabont, who worked on multiple resemble rusted metal and the handle is wrapped in plastic twine. The item
rewrites but ultimately did not receive screen credit. Dated “May 9th, has been intentionally distressed to appear worn and battered, as it was
1997”, the document comprises 138 pages printed on white A4 paper, and originally a Reaver weapon, for which the Reavers use repurposed metal.
a pink highlighter has been used to mark the mention of various weapons The sword has some additional scuffing and scratches, aside from the
throughout. The script is accompanied by two sets of revision pages, one intentional distress, and the end of the sword is slightly bent. Dimensions:
labelled “Goldenrod Pages 7/25/97” and the other “Buff Pages 7/29/97”. 79.5 cm x 3 cm x 12 cm (31 ¼” x 1 ¼” x 4 ¾”)
The lot shows signs of production use, including dirt marks, folded corners,
creasing, and corrosion marks on the metal clip. Dimensions (script): 30 cm Estimate: £1,500 - 2,500
x 21 cm x 1.5 cm (11 ¾” x 8 ¼” x ½”)

Estimate: £600 - 800

852. Anthony Hopkins-autographed Still, Richard

849. 101st Airborne Helmet, Crew Jacket and Attenborough-autographed Book, Clapperboard
Cap M Slate, Script, and Crew Photo M

SAVING PRIVATE RYAN (1998) SHADOWLANDS (1993)

A 101st Airborne helmet, crew jacket and cap from Steven Spielberg’s A still autographed by Anthony Hopkins, a book autographed by Richard
Academy Award®-winning war drama Saving Private Ryan. Members Attenborough, a clapperboard slate, a script, and a crew photo from
of the 101st Airborne, including Private James Ryan (Matt Damon), wore Attenborough’s biographical drama Shadowlands. The Hopkins still is
their helmets in battles across Normandy. The steel M1 helmet features autographed by the actor in gold-coloured ink. The copy of The Actor’s
a paratrooper liner and a leather chinstrap. It has a white ‘spade’ insignia Director: Richard Attenborough Behind the Camera is by Attenborough
painted on either side, and is covered in a scrim net. Also included in the lot in black ink. The acrylic slate features the production title, Attenborough’s
is a light khaki zip-up jacket whose sleeves are decorated with film-title and name, and director of photography Roger Pratt’s name. Two bottom strips
“Rangers” patches, and a khaki cap which features the film title embroidered read “2.7.93” and “Int-Night”. The unannotated, 117-page script is dated “April
in brown. The lot displays chipping to the helmet’s paint finish. Dimensions 5th 1993”. This lot displays signs of wear and some of the black marker has
(helmet): 29 cm x 23 cm x 20 cm (11 ½” x 9” x 8”) rubbed off on the slate. Dimensions (book): 25.5 cm x 19.5 cm x 2 cm (10”
x 7 ¾” x ¾”); (slate): 0.3 cm x 20 cm x 28 cm (¼” x 8” x 11”)
Estimate: £800 - 1,200
Estimate: £400 - 600

850. Ranger Jacket with Shirt Ω

SAVING PRIVATE RYAN (1998)

853. Sheena’s (Gena Lee Nolin) Daggers,
A ranger jacket with a shirt from Steven Spielberg’s war epic Saving Private Darak’na Claws, Armband, and Crystal Skulls
Ryan. In the film, rangers serving in the United States Army wore their jackets with Production Cast Chairback Ω
and shirts throughout their journey through war-torn Normandy. The green
cotton jacket is marked “Steve Griffin” and features a metal zipper, brown
SHEENA (T.V. SERIES, 2000 - 2002)
buttons, and a blue and gold embroidered patch reading “RANGERS” on
the left sleeve. The matching green cotton T-shirt is marked for the film with Sheena’s (Gena Lee Nolin) daggers, Darak’na claws, armband, and crystal
“Pvt Ryan” handwritten on the inside. The jacket exhibits minor staining and skulls, as well as a production cast chairback, from the action series
the shirt exhibits some loose threads. Sheena. Orphaned in the jungle, Sheena used her knife and Darak’na claws
throughout the series. In the Season 2 episode “The Treasure of Sienna
Estimate: £1,000 - 1,500 Mende”, she used a crystal skull artifact to help discover lost treasure. This
lot consists of a pair of resin, rubber, and nylon claws with fastening strip
straps; a cloth armband with fastening strip straps and plastic accents; a pair
of resin knives; a faux crystal skull; a stunt resin crystal skull; and a green
canvas chairback with yellow text on the front and back. It exhibits signs of
wear from age and use throughout. Dimensions (largest): 53.5 cm x 16.5 cm
x 1.25 (21” x 6.5” x 0.5); (smallest): 7.75 cm x 12.75 cm x 10.25 cm (3” x 5” x 4”)

Estimate: £600 - 800

432 433
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

857. Dr. John Watson’s (Jude Law) Stunt Walking

854. Sacrificial Dagger Display M Cane Display †Δ

SHERLOCK HOLMES (2009) SHERLOCK HOLMES: A GAME OF SHADOWS (2011)

A sacrificial dagger from Guy Ritchie’s mystery thriller Sherlock Holmes. A Dr. John Watson’s (Jude Law) walking cane from Guy Ritchie’s action-mystery
woman under the thrall of Lord Blackwood (Mark Strong) almost killed herself sequel Sherlock Holmes: A Game of Shadows. Watson carried his cane
with the dagger before Holmes (Robert Downey Jr.) and Watson (Jude Law) throughout the film, not only as a walking aid, but also as a weapon, as it
saved her. The dagger has a hard rubber ram’s head grip, and a black resin concealed a blade for combat. This solid stunt version is made of biscuit
blade. The ram’s eyes are faux gems, and the dagger has been intentionally foam surrounding a metal armature. It is hand-painted black, with a brass-
distressed. It comes in a custom-made display featuring a wooden frame coloured lion’s face and added detailing at the top of the grip, and a star
and a printed poster for the film. The frame is hinged, allowing access to halfway down the shaft. The cane comes in a custom-made framed display
the dagger, which has some wear from production use and age, including and shows minor damage, with some cracking to the tip. Dimensions (cane):
scuffing and scratches. Dimensions (dagger): 37.5 cm x 10.5 cm x 5.5 cm 92 cm x 3 cm x 3 cm (36 ¼” x 1 ¼” x 1 ¼”); (display): 105 cm x 77 cm x 8 cm
(14 ¾” x 4” x 2 ¼”); (display): 63 cm x 59 cm x 11 cm (24 ¾” x 23 ¼” x 4 ¼”) (41 ¼” x 30 ¼” x 3 ¼”)

Estimate: £1,000 - 1,500 Estimate: £1,500 - 2,500

858. Sherlock Holmes’ (Robert Downey, Jr.) Hero

855. Irene Adler’s (Rachel McAdams) Revolver †Δ Underwater Breather †Δ

SHERLOCK HOLMES (2009) SHERLOCK HOLMES: A GAME OF SHADOWS (2011)

Irene Adler’s (Rachel McAdams) revolver from Guy Ritchie’s detective Sherlock Holmes’ (Robert Downey, Jr.) hero underwater breather from Guy
film Sherlock Holmes. Adler used her revolver when she, Holmes (Robert Ritchie’s action-mystery sequel Sherlock Holmes: A Game of Shadows.
Downey Jr) and Watson (Jude Law) attempted to defuse Blackwood’s Sherlock used a breather to survive plummeting down a waterfall with
(Mark Strong) poison gas device. The pistol is similar to a Belgian Bulldog Moriarty (Jared Harris) during the film’s climax. The breather is predominantly
Pocket Revolver. It is made of hard rubber painted to look like metal with made of brass, with a red rubber mouthpiece and red leather pump, though
a pearl grip, and features a moulded floral pattern on the faux metal. The the pump is non-practical. The main body of the breather is inscribed with
pistol has some paint wear from production use and age, most notably on “Mycroft Holmes Portable Air” and a set of instructions. The breather has
the barrel and chamber. Dimensions: 11.5 cm x 3 cm x 8 cm (4 ½” x 1 ¼” x 3 some wear from production use and age, including scuffing and scratches.
¼”) Restricted ownership; see replica firearm notice in the Buyer’s Guide. It is missing a half-spherical piece seen in the film. Dimensions: 14.5 cm x
9.5 cm x 7 cm (5 ¾” x 3 ¾” x 2 ¾”)
Estimate: £400 - 600
Estimate: £800 - 1,200

856. Sherlock Holmes’ (Robert Downey Jr.) Stunt

Revolver and Stunt Pepperbox Pistol and Holster
†Δ 859. Stanley Kubrick-autographed Photo M

SHERLOCK HOLMES (2009) AND SHERLOCK HOLMES: A THE SHINING (1980)

GAME OF SHADOWS (2011)
A promotional photograph featuring and signed by Stanley Kubrick from the
Sherlock Holmes’ (Robert Downey Jr.) stunt revolver from Guy Ritchie’s production of his horror film The Shining. The black-and-white photograph
mystery thriller Sherlock Holmes, and stunt pepperbox pistol and holster shows a close-up of Kubrick at work, peering through a camera lens on
from Sherlock Holmes: A Game of Shadows. Sherlock carried his revolver the exterior Overlook Hotel set. Though autographed Kubrick photos are
while trying to thwart Lord Lockwood’s (Mark Strong) evil plan. He used his scarce, it has been signed in black ink by the legendary director on the
multi-barrelled pepperbox pistol on the train, and Dr. John Watson (Jude Law) top right corner. The photo displays light surface scratches and there are
later used it to disable one of Moriarty’s (Jared Harris) machine-gunners. The small signs of minor wear to some of the corners. Dimensions: 25.5 cm x
metal-plated, resin stunt revolver and silver painted, hard rubber pepperbox 20.5 cm (10’’ x 8’’)
pistol with a leather holster show wear from production use and age. The
hammer has broken off the revolver and there is also scuffing and scratches Estimate: £600 - 800
to the paint on both weapons. Dimensions (revolver): 20 cm x 4 cm x 13
cm (8 ¾” x 1 ½” x 5”); (pepperbox): 12 cm x 2.5 cm x 7 cm (4 ¾” x 1” x 2
¾”) Restricted ownership; see replica firearm notice in the Buyer’s Guide.

Estimate: £800 - 1,200

434 435
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

860. Set of Warrior Angel Comic Books Ω

SMALLVILLE (TV SERIES, 2001-2011)

A set of Warrior Angel comic books from Alfred Gough and Miles Millar’s
superhero drama Smallville. Residents of Smallville, Kansas were seen
throughout the series reading comics books featuring Warrior Angel, a
superhero whose origin and actions often paralleled those of Clark Kent
(Tom Welling). This lot consists of five custom-made comic book cover
printings, three of which have been affixed to pre-existing comic books on
the interiors. They exhibit signs of wear and use throughout including some
creasing and minor staining on the covers and a loose back cover page on
one comic book. Dimensions: 28 cm x 18.5 cm x 1.25 cm (11” x 7 1/4” x 1/2”)

Estimate: £600 - 800

863. Jax Teller’s (Charlie Hunnam) “SO” and “NS” Rings Ω 864. Round Grim Reaper Ring Ω

SONS OF ANARCHY (TV SERIES, 2008-2014) SONS OF ANARCHY (TV SERIES, 2008-2014)
Jax Teller’s (Charlie Hunnam) “SO” and “NS” rings from Kurt Sutter’s biker television series A Grim Reaper ring from Kurt Sutter’s biker television series Sons of Anarchy. Rings were
Sons of Anarchy. Jax wore his “SO” and “NS” rings throughout the series and temporarily worn by members of the Sons of Anarchy motorcycle club throughout the series, and many
left them both at his father’s grave during Season 3. Made of metal, both rings feature featured the group’s morbid mascot, the Grim Reaper. The signet-style ring is made of metal
861. Kryptonite Crystal and Holding Device Ω a rectangular black enamel background, with raised “SO” and “NS” lettering on each, and features a black enamel oval bearing a silver grim reaper holding a scythe. The ring’s
respectively. The band and letters display a polished, gold-coloured finish. The rings show band incorporates textured sections, decorated with a skull surrounded by a scythe. The
SMALLVILLE (TV SERIES, 2001-2011) minimal wear, with some light scratching from production use, and the lot comes with an lot displays light scratching from production use and comes with an FX Fearless certificate
FX Fearless certificate of authenticity. Dimensions (each ring): 2.5 cm x 2.5 cm x 2 cm (1” of authenticity. Dimensions: 2.5 cm x 2.5 cm x 2.5 cm (1” x 1” x 1”)
Kryptonite crystal and holding device from Alfred Gough and Miles Millar’s x 1” x ¾”)
superhero drama Smallville. In the episode “Onyx” (417), Lex Luthor (Michael Estimate: £600 - 800
Rosenbaum) superheated a kryptonite crystal as part of a dangerous Estimate: £1,500 - 2,500
experiment which backfired, splitting him into two separate versions of
himself. This translucent green diamond-shaped plastic crystal is set in a
silver-coloured plastic and metal octagonal holding device. The device
features a silver-coloured rope inlay and can be affixed to a metal base
with a “5” on one side. It exhibits signs of wear from age and production.
Dimensions: 20.5 cm x 20.5 cm x 10.25 cm (8” x 8” x 4”)

Estimate: £1,500 - 2,500

862. Two Roberto Benigni Autographed Stills,

Production-used Clapperboard and Script M

SON OF THE PINK PANTHER (1993)

Two Roberto Benigni autographed stills, a clapperboard, and a script from
the production of Blake Edwards’ comedy sequel Son of the Pink Panther.
The two stills show Benigni as Gendarme Jacques Gambrelli and have 865. Jax Teller’s (Charlie Hunnam) Nike Shoes Ω 866. British One-Sheet Poster M
been signed in gold and silver-coloured ink. The black-painted wooden
clapperboard displays the film’s title painted in pink along with the names
SONS OF ANARCHY (TV SERIES, 2008-2014) SPACE 1999: DESTINATION MOONBASE ALPHA (1978)
of director Blake Edwards and director of photography Dick Bush. A strip
of masking tape runs along the bottom, with “28th September ‘92, Day- Jax Teller’s (Charlie Hunnam) Nike shoes from Kurt Sutter’s biker television series Sons of A British one-sheet from the promotion of Tom Clegg’s Space:1999 television series movie
Exterior’’ in black marker. The 134-page script is attributed to focus puller Anarchy. Jax wore his white Nike shoes throughout the series, and he threw them into the spinoff Destination Moonbase Alpha. Designed by Tom Chantrell, known for his work on
Simon Hume, and some pages feature handwritten pencil annotations. The bin in the final episode of Season 7, “Papa’s Goods”, after they were spattered with blood Star Wars and many B-movie posters, features the film’s title in the centre surrounded by
lot displays signs of production use. Dimensions (clapperboard): 2 cm x 26 when he killed his mother Gemma (Katey Sagal). The all-white Air Force 1 trainers are made various scenes and characters that appear in the film. The poster has been rolled for storage
cm x 20.5 cm (¾” x 10 ¼” x 8”); (script): 28 cm x 22 cm x 1.5 cm (11” x 8” x ½”) of leather and the sides feature the Nike tick logo. This pair are marked as a size UK 9 (US and shows minor wear along its edges. Dimensions: 68.75 cm x 104.25 cm (27” x 41”)
10) and “Jax” is written in black marker on the right shoe’s interior label. They exhibit signs
Estimate: £500 - 700 of production use, including scuffing, dirt marks and wear to the lining on the heel of one Estimate: £100 - 150
shoe. The lot comes with an FX Fearless certificate of authenticity.

Estimate: £1,000 - 1,500

436 437
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

867. Screen-matched Moonbase Alpha

Control Panel M

SPACE: 1999 (T.V. SERIES, 1975-1977)

A screen-matched Moonbase Alpha control panel from
the sci-fi television series Space: 1999. Flashing panels
decorated one wall of the command centre throughout
the second series. The configuration of the buttons can
be matched to several episodes and publicity photos,
including one of Commander John Koenig (Martin Landau)
and Mentor (Brian Blessed). Adhered to a wooden base, the
light grey acrylic panel is decorated with several buttons,
white-painted numbers and decals. There are several small,
blue-and-red-coloured textured plastic sections, which once
flashed on and off. The panel’s electronics remain untested.
Three of the buttons along the top edge have been replaced
and adhered with Blu-Tack. Dimensions: 29.5 cm x 59.5
cm x 10 cm (11 ½” x 23 ½” x 4”) Contains electronics; see
electronics notice in the Buyer’s Guide.

Estimate: £600 - 800

1.78 m (5.8’)

868. Lt. Nathan West (Morgan

Weisser) and Kylen Celina (Amanda
Doude) ID Badges and Pendant M

SPACE: ABOVE AND BEYOND

(TV SERIES 1995-1996)
Lt. Nathan West (Morgan Weisser) and Kylen Celina’s
(Amanda Doude) ID badges and a pendant from sci-fi
television series Space: Above and Beyond. Fiancés West
and Celina wore their Tellus Colony programme ID badges
during the pilot episode. Each badge is made of resin and
features a photograph of its respective wearer between
stickers bearing “Aero-Tech” and “Tellus” logos. West also
wore the pendant, which features a photo of the couple,
around his neck on a metal chain. The badges and pendant
have some wear from production use and age, including
scuffing and scratches. Dimensions (each badge): 11.5 cm
x 6 cm x 0.5 cm (4 ½” x 2 ¼” x ¼”); (pendant): 6 cm x 4 cm
x 0.5 cm (2 ¼” x 1 ½” x ¼”)

Estimate: £800 - 1,200

870. Sil (Natasha Henstridge) Alien- 871. Oversize H.R. Giger-autographed

869. Security Helmet, ID and form Maquette Ω Silkscreen Print US 872. Clifford’s (Richard E. Grant) Suit M
Handcuffs M
SPECIES (1995) SPECIES (1995) SPICE WORLD (1997)
SPACE: ABOVE AND BEYOND A Sil (Natasha Henstridge) alien-form maquette from the An oversize H.R. Giger-autographed silkscreen print Clifford’s (Richard E. Grant) suit from Bob Spiers’ musical
(TV SERIES 1995-1996) production of Roger Donaldson’s sci-fi horror Species. from the promotion of Roger Donaldson’s sci-fi horror comedy Spice World. Clifford wore his silver-coloured
Maquettes were made during the production as a reference film Species. In the film, alien-human hybrid Sil (Natasha suit in multiple scenes, notably when he walked out of
A security helmet, ID, and handcuffs from sci-fi television
for costumes and special effects. Sil was the main antagonist Henstridge) escaped from a government facility in search the Top of the Pops studio with the Spice Girls after their
series Space: Above and Beyond. Security personnel
of the film and appeared in her alien form during its climax. of a human mate. This red wood-framed silkscreen artist’s performance of “Too Much”. The William Hunt suit is made
handcuffed Lt. Nathan West (Morgan Weisser) after he
She was designed by renowned Swiss artist H.R. Giger, approval print depicting Sil amongst her victim’s skulls and of dark silver viscose and consists of a jacket (marked Size
stowed away on the Tellus Colony rocket. The black plastic
best known for his work on the Alien series. The maquette “Species” rendered in text designed to look like pink worms “S”); a matching shirt; a long-sleeved shirt; and a pair of
helmet has foam padding and a clear visor. The resin ID
is made from resin and painted dark grey, with light grey was gifted by the film’s Academy Award-winning train trousers. Also included in the lot is a matching viscose tie
has two Velcro patches and features a photograph of the
highlights on the claws and bone-like details. It comes on designer, H.R. Giger, to a crew member on the Discovery and belt, and the jacket’s lining is autographed by Grant in
security officer between stickers marked “Aero-Tech” and
a black wooden base and shows some signs of repair. Channel series Movie Magic in Zurich. The print is inscribed black ink. There are minor marks on the jacket and the lot
“Sec”. The rubber handcuffs have a centre magnetic block
Dimensions: 48 cm x 26 cm x 22 cm (19” x 10” x 8 ½”) “to Movie Magic”, dated “13/6/95”, and signed in silver is accompanied by a handwritten note from Grant detailing
to “lock” them into place. All show wear from production
marker by Giger. The frame exhibits significant wear and its authenticity.
use and age, including scuffing and scratches. Dimensions
Estimate: £1,500 - 2,500 tear from handling, including punctures throughout the
(helmet): 32 cm x 27 cm x 26 cm (12 ½” x 10 ½” x 10
back. Dimensions: 178 cm x 129.75 cm x 4 cm (70” x 51” x 1 Estimate: £500 - 700
¼”); (badge): 11.5 cm x 6 cm x 0.5 cm (4 ½” x 2 ¼” x ¼”);
½”) This lot will ship from Prop Store’s Los Angeles facility;
(handcuffs): 27.5 cm x 6 cm x 6 cm (10 ½” x 2 ¼” x 2 ¼”)
see notice in the Buyer’s Guide
Estimate: £800 - 1,200
Estimate: £500 - 700

438 439
 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

8 th - 9 th DECEMBER 2021 | LONDON

A HUGE 2-DAY EVENT OF OVER 780 LOTS OF INCREDIBLE RARE POSTERS AND
873. Spider-Man Original Pen-and-ink Larry Lieber Comic
ARTWORK FROM OVER 200 FILMS - INCLUDING A MASSIVE COLLECTION OF Strips † 874. Norman Osborn’s (Willem Dafoe) Oscorp ID †Δ
ALTERNATIVE MOVIE POSTERS!
SPIDER-MAN (2002) SPIDER-MAN (2002)
A set of three pen-and-ink Spider-Man comic strips by Larry Lieber, the co-creator of Iron Norman Osborn’s (Willem Dafoe) Oscorp ID from Sam Raimi’s superhero film Spider-Man.
Man, Thor and Ant-Man, and younger brother of Marvel legend Stan Lee. The strips – Osborn wore his ID during a demonstration of Oscorp’s new super-soldier formula for
labelled “Tuesday 9-17-96”, “Monday 11-18-96” and “Wednesday 12-11-96” – feature the General Slocum (Stanley Anderson), who threatened to pull the military funding after hearing
characters of Spider-Man and Prince Namor, The Sub-Mariner. Each strip has three panels that the formula was unstable. The card features a picture of Osborn, a scan of his retina,
and is rendered in ink over pencil on Bristol board. White correcting fluid is present on his name, and a series of numbers. A printed blue “Oscorp” logo runs across the bottom,
some of the text and images. The strips are in protective plastic sheets and have some light and the ID is contained in a black plastic holder with built-in magnets on its back. There is
smudging. Dimensions (each strip): 35.5 cm x 14 cm (14” x 5 ½”) Sold without copyright; light wear along the ID’s top edge, with minor marks and scratches present on the plastic.
see copyright notice in the Buyer’s Guide. Dimensions: 9.5 cm x 7 cm x 1 cm (3 ¾” x 2 ¾” x ½”)

Estimate: £600 - 800 Estimate: £1,500 - 2,500

REACH A GLOBAL AUDIENCE OF COLLECTORS AND INVESTORS BY SELLING IN OUR

NEXT AUCTION. CASH ADVANCES AVAILABLE NOW FOR HIGH-VALUE CONTENT

CONTACT THE PROP STORE TEAM NOW:

875. Daily Bugle Newspaper Cover, Stan Lee Autographed
MARK HOCHMAN | [email protected] | +44 (0)1494 766485 Comic and Nicholas Hammond Autographed Photograph † 876. Collection of On-set Reference Photos Ω

SPIDER-MAN (2002) SPIDER-MAN (2002)

A Daily Bugle newspaper cover from Sam Raimi’s superhero film Spider-Man, a Stan Lee A collection of on-set reference photos from the production of Sam Raimi’s superhero
autographed comic, and a Nicholas Hammond autographed photograph. A close-up film Spider-Man. Photos were taken throughout the production and compiled into a
of this Daily Bugle design was seen in newspaper dispensers in the film, but featured a booklet, used as costume continuity for the film and its sequels. The collection consists
different headline. Printed on newspaper stock, the headline reads “Enough!”, with the sub- of 26 images, all printed on gloss photo paper, featuring Peter Parker/Spider-Man (Tobey
heading “Citizen’s Call for Wall-Crawler’s Arrest” and an image of Spider-Man crawling up a Maguire) and other characters on set wearing various outfits throughout the production.
skyscraper. The German-edition Spider-Man Amazing Fantasy #15 comic is autographed by The pictures are sleeved in plastic within a black binder and have only very minor wear
Lee in black ink. Completing the lot is a photograph of the superhero from the 1970s series from use. Dimensions (each picture): 35.5 cm x 24 cm (14” x 9½”) Sold without copyright;
The Amazing Spider-Man, which is autographed in black ink by Hammond, who played see copyright notice in the Buyer’s Guide.

PROPSTORE.COM/POSTERAUCTION Peter Parker in that TV show. The newspaper exhibits light creasing and minor edge wear.
Dimensions (newspaper): 38 cm x 29 cm (15” x 11 ½”) Estimate: £400 - 600

Estimate: £600 - 800

441
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

877. Doc Ock’s (Alfred Molina) Hero

Claw and Claw Components Ω

SPIDER-MAN 2 (2004)
Doc Ock’s (Alfred Molina) hero claw and claw components
from Sam Raimi’s superhero sequel Spider-Man 2. During
a scientific demonstration gone awry, brilliant scientist Otto
Octavious had his mechanical arm devices permanently
fused to his spine, turning him into the supervillain Doctor
Octopus. This lot consists of a metal-colour triangular resin
claw with metal accents; a grey unpainted triangular resin
claw; and three metal-colour rubber claw sections. They
exhibit signs of wear from age and use throughout including
deliberate weathering added to the hero claw by production.
Dimensions: 33 cm x 20.5 cm x 12.75 cm (13” x 8” x 5”)

Estimate: £3,000 - 5,000

880. Cast-autographed Playbills and Ticket Ω 881. Digital Photo Archive Ω

SPIDER-MAN 2 (2004)/SPIDER-MAN 3 (2007) SPIDER-MAN 2 (2004)/SPIDER-MAN 3 (2007)

Cast-autographed playbills and a ticket from Sam Raimi’s superhero sequels Spider-Man 2 A digital photo archive from Sam Raimi’s superhero sequels Spider-Man 2 and Spider-Man
and Spider-Man 3. Playbill programs were given to audiences at a pair of Broadway plays 3. The archive comprises two folders, one from each film, full of continuity shots of actors
starring actress Mary Jane Watson (Kirsten Dunst), both of which were also attended by – including Alfred Molina, James Franco, Kirsten Dunst and Thomas Haden Church – in
878. Daily Bugle “Spidey And Ock Rob Peter Parker (Tobey Maguire). This lot consists of a paper ticket for “Manhattan Memories,” their costumes. Each folder has a number of CDs containing the images, and one folder
Bank” Newspaper †Δ and a pair of custom-made, glossy colour program covers for “The Importance of Being bears the name of Academy Award®-winning costume designer James Acheson. The
Earnest” and “Manhattan Memories” applied to pre-existing playbill programs. One program folders feature minor wear from age and use. Dimensions (largest folder): 29.5 cm x 32
SPIDER-MAN 2 (2004) is signed by Maguire, Dunst, and Alfred Molina, while the other is signed by Maguire, Dunst, cm x 12 cm (11 ½” x 12 ½” x 4 ¾”)
James Franco, J.K. Simmons, Thomas Hayden Church, and Topher Grace. All exhibit minor
A Daily Bugle “Spidey And Ock Rob Bank” newspaper signs of wear and age including some creasing. Dimensions: 21.75 cm x 14.5 cm x 0.75 cm Estimate: £600 - 800
from Sam Raimi’s superhero sequel Spider-Man 2. Peter (8 1/2” x 5 3/4” x 1/4”)
Parker (Tobey Maguire) threw a Daily Bugle newspaper
away in anger after he began to lose his powers. Printed Estimate: £1,000 - 1,500
on newspaper stock, the Daily Bugle masthead runs across
the top, and the headline reads “Spidey And Ock Rob Bank”,
with an image of Spider-Man above the streets of New York.
The inside contains filler pages featuring unrelated news
content. There are minor signs of creasing and fading in
places, and two pieces of tape are adhered to the back.
Two corners on the front exhibit diagonal fold lines, and
differ in colour. The lot comes with a Columbia Pictures
certificate of authenticity. Dimensions: 38.5 cm x 30 cm x
0.2 cm (15 ¼” x 11 ½ x ¼”)

Estimate: £500 - 700

879. VFX Clapperboard Ω

SPIDER-MAN 2 (2004)
A VFX clapperboard from the production of Sam Raimi’s
883. Sam Raimi-autographed DVD Box and Photo, Tobey
superhero sequel Spider-Man 2. The clapperboard
Maguire-autographed Invitation and Photo, and Crew Gifts
consists of a wooden clapper with an acrylic board, which
882. Venom Costume Designs Ω Ω
is labelled “VFX Unit”. It is decorated with an image of
Spider-Man, and a spiderweb forms the background. The SPIDER-MAN 3 (2007) SPIDER-MAN TRILOGY (2002-2007)
board features the production title printed in red, and four
empty fields titled “Scene”, “Take”, “VFX #”, and “Lens” are A set of Venom costume designs from the production of Sam Raimi’s superhero sequel A Sam Raimi-autographed DVD box set and a collection of crew gifts from Raimi’s superhero
situated at the top. The names of visual effects designer Spider-Man 3. These designs were used to determine the final look of the extra-terrestrial movies Spider-Man and Spider-Man 2. The collection consists of a Sam Raimi-autographed
John Dykstra and miniature unit director of photography symbiote Venom, after it bonded with Eddie Brock (Topher Grace). The set consists of 15 DVD “Collector’s Gift Set” for Spider-Man; an additional unopened Spider-Man “Collector’s
Tim Angulo are printed below the title. There are some prints featuring various poses, angles and close-ups of Venom’s snarling face and upper Gift Set”; and a “Collector’s DVD Gift Set” for Spider-Man 2. The lot additionally includes a
black marker remnants in some of the fields from previous torso. The set shows minor folds on the corners. Dimensions (each): 43 cm x 28 cm (17” x press kit binder; a set of seven premiere tickets and a Tobey Maguire-autographed invitation
use on production, and the clapperboard exhibits minor 11”) Sold without copyright; see copyright notice in the Buyer’s Guide. to the premiere; a business pass and badge used by three-time Academy Award®-winning
signs of wear. Dimensions: 3.5 cm x 28 cm x 24.5 cm (1 costume designer James Acheson on Spider-Man 2; an invitation to the Spider-Man 3
¼” x 11” x 9 ¾”) Estimate: £400 - 600 premiere; an autographed Tobey Maguire photo, a Sam Raimi-autographed photo of
Spider-Man; and a limited edition Spider-Man statuette. Dimensions (DVD box): 28 cm x
Estimate: £1,000 - 1,500 20 cm x 7 cm (11” x 8” x 2 ¾”)

Estimate: £400 - 600

442 443
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

887. Hand-drawn David Negron, Sr.

884. Set of Three James Acheson “Kirk and Spock in Space” Storyboard
Chair Backs Ω Ω

SPIDER-MAN TRILOGY (2002-2007) STAR TREK: THE MOTION PICTURE (1979)

A set of three James Acheson chair backs from Sam Raimi’s A hand-drawn storyboard of Kirk (William Shatner) and
Spider-Man trilogy. The set consists of three black canvas Spock (Leonard Nimoy) in space by David Negron, Sr. from
chair backs, one from each film. Each has Academy Award®- the production of Robert Wise’s sci-fi adventure Star Trek:
winning costume designer James Acheson’s name printed The Motion Picture. Kirk rescued Spock after the science
on one side and a spider motif on the other, with additional officer ventured deeper into the V’ger craft in his space
spiders added for the sequels. The chair backs have minor suit. This original hand-drawn storyboard is rendered in
staining and some wear to the printed motifs. Dimensions coloured pencil on a black artists’ poster board. It features
(largest): 18 cm x 54 cm (7” x 21 ¼”) two images from the film with brief shot descriptions over
each in silver-coloured pencil and is signed “David J.
Estimate: £1,000 - 1,500 Negron” on the bottom corner. It exhibits minor signs of
wear throughout from age and use. Dimensions: 19 cm x
23 cm x 0.75 cm (7 1/2” x 9” x 1/4”) Sold without copyright;
see notice in the Buyer’s Guide

Estimate: £1,200 - 1,800

888. Hand-drawn David Negron, Sr.

885. Tom Holland and Key Cast and “Spock Floating Out of the Enterprise”
Crew Autographed Poster M Storyboard Ω

SPIDER-MAN: FAR FROM HOME (2019) STAR TREK: THE MOTION PICTURE (1979)
A cast and crew autographed poster from the promotion of A hand-drawn storyboard of Spock (Leonard Nimoy) floating
Jon Watts’ superhero sequel Spider-Man: Far From Home. out of the U.S.S. Enterprise by David Negron, Sr. from the
The poster features 14 signatures: Tom Holland, Zendaya, production of Robert Wise’s sci-fi adventure Star Trek: The
Cobie Smulders, Marisa Tomei, Tony Revolori, J.B. Smoove, Motion Picture. Science officer Spock ventured out of the
Michael Giacchino, Numan Acar, Martin Starr, Remy Hii, Enterprise in his space suit in an attempt to “mind meld”
Kevin Feige, Victoria Alonso, Avi Arad and Amy Pascal. The with the V’ger craft. This original hand-drawn storyboard
autographs have been verified by Beckett Authentication is rendered in coloured pencil on a black artists’ poster
Services and the lot comes with a letter of authenticity. board. It features an image from the film with a brief shot
Dimensions: 30.5 cm x 45.5 cm (12” x 18”) description in silver-coloured pencil and is signed “David
J. Negron” on the bottom corner. It exhibits minor signs of
Estimate: £800 - 1,200 wear throughout from age and use. Dimensions: 23 cm x
10.25 cm (9” x 4”) Sold without copyright; see notice in the
Buyer’s Guide

Estimate: £1,200 - 1,800

886. Two Brad Pitt Autographed

Photographs and Production-used 889. Hand-drawn David Negron, Sr.
Clapperboard M “Kirk Floating” Storyboard Ω

SPY GAME (2001) STAR TREK: THE MOTION PICTURE (1979)

Two Brad Pitt autographed photographs and a production- A hand-drawn storyboard of Kirk (William Shatner) floating
used clapperboard from Tony Scott’s action thriller Spy by David Negron, Sr. from the production of Robert Wise’s
Game. Both production stills display messages addressed sci-fi adventure Star Trek: The Motion Picture. Kirk wore his
to “Simon” and have been signed by Pitt in gold-coloured space suit as he ventured out of the U.S.S. Enterprise into
ink. The production title “Spy Game” and the names of sentient ship V’ger. This original hand-drawn storyboard is
director Tony Scott and cinematographer Dan Mindel are rendered in coloured pencil on a black artists’ poster board.
all engraved in black on the clapperboard’s acrylic slate. It features an image from the film and is signed “David J.
Several fields on the piece have been filled in with black ink, Negron” on the bottom corner in silver-coloured pencil. It
including scene “247/A” and take “1.” The date is marked as exhibits minor signs of wear throughout from age and use
“13.1.01”. One photograph border shows discolouration, and with a piece of marked tape affixed to the front. Dimensions:
the clapper displays light wear. Dimensions (each photo): 30.5 cm x 23 cm (12” x 9”) Sold without copyright; see notice
20.5 cm x 25.5 cm (8” x 10”); (clapperboard): 4 cm x 28 cm in the Buyer’s Guide
x 21 cm (1 ½” x 11” x 8 ¼”)
Estimate: £800 - 1,200
Estimate: £600 - 800

444 445
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

894. Hand-Drawn Ralph McQuarrie

Colour Storyboard Art Ω

STAR TREK IV: THE VOYAGE HOME (1986)

Hand-drawn colour storyboard art by Ralph McQuarrie from
the production of Leonard Nimoy’s sci-fi sequel Star Trek
IV: The Voyage Home. During pre-production, McQuarrie
created storyboard art depicting a futuristic vision of San
Francisco, the location of Starfleet Headquarters. This
particular shot was ultimately unrealized in the final film.
The piece is rendered on cream-colour paper using pencil,
black ink, and orange and blue marker. Details printed on
the bottom of the sheet include the Paramount logo, a
Star Trek IV logo with a silhouette of the Enterprise and
the tagline “The Adventure Continues”, the Sheet Number
“8”, and Ralph McQuarrie’s name and address. It exhibits
minimal wear from age and use, including light yellowing
around the edges, creasing, and a few small holes in the
lower-right corner. Dimensions: 21.75 cm x 35.75 cm (8.5” x
890. Hand-Drawn David Negron, Sr. Kirk and Spock 14”) Sold without copyright; see notice in the Buyer’s Guide.
Storyboard Ω 891. Yellow Satin SFX Crew Jacket Ω
Estimate: £1,000 - 1,500
STAR TREK: THE MOTION PICTURE (1979) STAR TREK: THE MOTION PICTURE (1979)
A hand-drawn storyboard of Kirk (William Shatner) and Spock (Leonard Nimoy) by David A yellow satin SFX crew jacket from Robert Wise’s sci-fi film Star Trek: The Motion Picture.
Negron, Sr. for the production of Robert Wise’s sci-fi adventure Star Trek: The Motion Picture. Production gifted satin jackets to special effects artists who worked on the film. This cream
In the film, science officer Spock and Admiral Kirk journeyed together in their space suits yellow zip-up bomber jacket is embroidered “Special Effects Crew” in blue thread on the
through V’ger. This original hand-drawn storyboard is rendered in coloured pencil on a left breast with the film’s title logo and Enterprise symbol embroidered on the reverse in
black artists’ poster board. It features three images from the film with brief shot descriptions navy and white. While satin jackets from this era are frequently heavily faded, this jacket 895. Hand-painted Chris Evans Bird of
in red or white-coloured pencil and is signed “David J. Negron” on the bottom corner. It retains its vibrant yellow colouration with minimal fading from age and wear. However, its Prey Departure Matte Study †Δ
exhibits minor signs of wear throughout from age and use including black tape applied current size is unknown, as its sizing tag has been removed.
between the images. Dimensions: 30.5 cm x 23 cm (12” x 9”) Sold without copyright; see STAR TREK IV: THE VOYAGE HOME (1986)
notice in the Buyer’s Guide Estimate: £400 - 600
A hand-painted concept artwork for Leonard Nimoy’s sci-fi
Estimate: £1,200 - 1,800 sequel Star Trek IV: The Voyage Home. The final version of
this particular shot consisted of miniature sets, live-action
photography and models. Painted as a matte shot study
by Industrial Light & Magic artist Chris Evans, this piece
depicts the Klingon Bird of Prey before it departed from the
planet Vulcan at the beginning of the film. The artwork was
created with acrylic paints on illustration board and shows
some signs of wear and minor discolouration from age.
Dimensions: 45 cm x 21.5 cm (17 ¾” x 8 ½”) Sold without
copyright; see copyright notice in the Buyer’s Guide.

Estimate: £1,000 - 1,500

896. Stunt Starfleet Communicator M

STAR TREK (2009)

892. Limited-edition Commemorative Plate and Morgan
Weistling Original Artwork M 893. Three Construction Crew Gift Plaques Ω A stunt Starfleet communicator from J.J. Abrams’ 2009 sci-fi
film Star Trek. Members of Starfleet carried communicators
on their belts, and Spock (Zachary Quinto) used one while
STAR TREK II: THE WRATH OF KHAN (1982) STAR TREK: ENTERPRISE (T.V. SERIES, 2001 - 2005) attempting to evacuate his parents from the imploding
A limited-edition commemorative plate and original artwork from the promotion of Nicholas Three construction crew gift plaques from the production of the sci-fi television drama Star planet Vulcan. The communicator is made of hardened
Meyer’s sci-fi sequel Star Trek II: The Wrath of Khan. The Hamilton Collection produced Trek: Enterprise. Members of the construction crew were given decorative plaques at the rubber and is partially painted silver to appear metallic
several commemorative Star Trek plates that featured designs by renowned cinematic artist end of each season to commemorate their work. This lot consists of three wooden and and formed in the closed position. It has some wear from
Morgan Weistling. Titled “The Destruction of the Reliant”, this glazed plate is numbered plastic circular and oval-shaped plaques inset with a colour image of the Enterprise and production use and age, including scuffing and scratches.
“0729A” and shows the USS Enterprise and Reliant starships in a star-filled sky. The lot text noting them for seasons one, two, and four of the show. Each plaque features a notch Dimensions: 9 cm x 5 cm x 2 cm (3 ½” x 2” x ¾”)
also includes Weistling’s signed original pencil artwork for the plate. The sketch exhibits a or hook in the back to allow it to be displayed. These plaques exhibit minor wear from age
small tear in one corner and the plate comes in its original packaging, including a Hamilton and use. Dimensions: 33 cm x 23 cm x 7.75 cm (13” x 9” x 3”) Estimate: £1,500 - 2,500
Collection certificate of authenticity. Dimensions (plate): 21 cm x 21 cm x 2 cm (8 ¼” x 8 ¼”
x ¾”); (artwork): 28 cm x 30 cm (11” x 11 ¾”) Sold without copyright; see copyright notice Estimate: £800 - 1,200
in the Buyer’s Guide.

Estimate: £1,000 - 1,500

446 447
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

897. USS Vengeance Phaser with Holster Ω 900. Ferengi Museum Bust M

STAR TREK INTO DARKNESS (2013) STAR TREK: THE NEXT GENERATION (TV SERIES,
1987-1994)
A USS Vengeance phaser with holster from JJ Abrams’ sci-fi action sequel
Star Trek Into Darkness. The crew of the Dreadnought-class USS Vengeance A Ferengi bust modelled on those seen in Gene Roddenberry’s sci-fi
used their advanced phasers when Kirk and Khan beamed aboard their T.V. SERIES Star Trek: The Next Generation. The Ferengi were regular
vessel. This gunmetal-colour dense urethane phaser features metallic antagonists and occasional allies of the Federation. This bust was created
blue accents on both sides as well as a contoured grip and trigger guard. for the exhibition Star Trek: Federation Science, which toured around the
Also included is a dark aqua blue belt with a holster attachment featuring USA and Europe during the 1990s and early 2000s, and was produced
fastening strip details and a black plastic clip. It exhibits signs of wear from from the original production moulds. The foam latex bust is hand-painted,
age and use. Dimensions: 33 cm x 35.5 cm x 7.75 cm (13” x 14” x 3”) with resin eyes and tooth, and features a distinctive Ferengi headdress
around the back of the head. It sits on a black, wooden base, and has some
Estimate: £2,000 - 3,000 wear from use and age, including scuffing, scratches and small cracks in
the latex, most notably along the seams on the shoulders. Dimensions: 25
cm x 48 cm x 48 cm (9 ¾” x 19” x 19”)

Estimate: £1,500 - 2,500

898. Main Cast Autographed One-sheet Poster M 901. Borg Museum Bust M

STAR TREK BEYOND (2016) STAR TREK: THE NEXT GENERATION (TV SERIES,
1987-1994)
An autographed poster from the promotion of Justin Lin’s sci-fi sequel
Star Trek Beyond. Printed on glossy paper, this colourfrul one-sheet A bust modelled on the Borg, from sci-fi television series Star Trek: The
poster features Captain James T. Kirk (Chris Pine), Jaylah (Sofia Boutella), Next Generation. The Borg were recurring antagonists on the show,
Lieutenant Uhura (Zoe Saldana), Commander Spock (Zachary Quinto) and cybernetic organisms linked to a hive mind - “the Collective” - who sought
Montgomery Scott (Simon Pegg). It is autographed in silver-coloured ink to forcibly assimilate other species. This bust was produced from the original
by Pine, Quinto, Saldana, John Cho (Sulu) and director Justin Lin, and in production moulds for the exhibition Star Trek: Federation Science, which
black ink by Karl Urban (Doctor McCoy) and Pegg. There are visible signs toured around the United States and Europe during the 1990s and early
of creasing, wear around the edges, and the ink on Urban’s autograph is 2000s. The hand-painted foam latex bust has a resin eye and eyepiece,
slightly faded. Dimensions: 101.5 cm x 69 cm (40” x 27 ¼”) and plastic tubing around the head. The distinctive Borg headpiece is made
of foam latex, painted to resemble metal. The bust has some wear from
Estimate: £300 - 500 use and age, including scuffing, scratches, and small cracks in the latex,
as well as some discolouration and staining. Dimensions: 26 cm x 44 cm x
38 cm (10 ¼” x 17 ¼” x 15”)

Estimate: £1,500 - 2,500

902. Collection of Original Cast Autographed

899. Gates McFadden’s Scripts and Call Sheets Ω Photos M

STAR TREK: THE NEXT GENERATION (TV SERIES, STAR TREK: THE ORIGINAL SERIES (TV SERIES,
1987-1994) 1966-1969)
Gates McFadden’s scripts and call sheets from Gene Roddenberry’s sci-fi A collection of seven autographed photos of the main cast members from
drama Star Trek: The Next Generation. This lot consists of seven white plastic Gene Roddenberry’s classic sci-fi show Star Trek: The Original Series. The
and metal binders, each featuring a red or yellow cover page including set consists of six autographed promotional 10” x 8” photos – of Leonard
the episode’s title, date, an image of the Enterprise, and McFadden’s Nimoy (Spock), William Shatner (James T. Kirk,), DeForest Kelley (Leonard
signature. Each binder contains the final shooting script for an individual McCoy), Walter Koenig (Pavel Chekov), Nichelle Nichols (Nyota Uhura)
episode in multicoloured paper which represents revised scenes. Three of and George Takei (Hikaru Sulu) – and a smaller candid photograph of an
the binders also contain paper shooting schedules for their episodes, and older James Doohan (Scotty), autographed in silver ink. The photographs
three binders contain cast and crew call sheets. One binder also contains exhibit light surface scratching and fingerprint marks, while part of Kelley’s
the Star Trek official fan club magazine from February and March of 1990 autograph has faded slightly. Dimensions: 25.5 cm x 20.5 cm (10” x 8”)
and an envelope containing several trading cards. These binders exhibit
minor signs of wear from age and use. Dimensions: 30 cm x 26 cm x 16.5 Estimate: £300 - 500
cm (11 3/4” x 10 1/4” x 6 1/2”)

Estimate: £2,500 - 3,500

448 449
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

907. Frank Oz-annotated Script Page M

STAR WARS: EP I - THE PHANTOM MENACE (1999)

A Frank Oz-annotated script page from George Lucas’ Star Wars: The
Phantom Menace. The page is from the scene where Yoda (Oz) told
Obi-Wan Kenobi (Ewan McGregor) that he could train the young Anakin
Skywalker (Jake Lloyd) to be a Jedi. It has been annotated in black ink,
and Yoda’s dialogue is highlighted in green. The page shows some wear
from production use and age, including creasing, a horizontal fold line
across the centre, and small tears around the edges. Dimensions: 29.5 cm
x 21 cm (11 ½” x 8 ¼”)

Estimate: £800 - 1,200

903. Stunt Kazon Disruptor Rifle M 904. Fuel Cell M

STAR TREK: VOYAGER (TV SERIES, 1995-2001) STAR TREK: VOYAGER (TV SERIES, 1995-2001)
A stunt Kazon disruptor rifle from sci-fi television show Star Trek: Voyager. The Kazon were A fuel cell from the sci-fi television show Star Trek: Voyager. Fuel cells were used on the
a warrior species encountered by the crew of the Voyager in the Delta Quadrant during the USS Voyager to power all manner of equipment. The cell is a clear acrylic tube with a
first episode, “Caretaker”. The rifle is made of resin and rubber with a metal armature, and viscous, purple gel inside. Strips of silver foil are stuck around the middle and either end,
908. George Lucas and Main Cast Autographed
has been painted to look like metal. It has been intentionally distressed to look well used, with a red sticker applied, reading “497 RESTRICTED ACCESS (21166)”. The cell has some
Visual Dictionary †Δ
and it has a leather strap. The rifle shows some additional wear from production use and wear from production use and age, including some scratches and scuffs, and the base of
age, including wear to the paintwork. Dimensions: 48 cm x 9 cm x 19 cm (19” x 7 ½” x 3 ½”) the cell is slightly sticky, where some of the gel has leaked out. Dimensions: 8 cm x 8 cm STAR WARS: EP I - THE PHANTOM MENACE (1999)
x 20.5 cm (3 ¼” x 3 ¼” x 8”)
Estimate: £1,500 - 2,500 A copy of Star Wars Episode I: The Visual Dictionary autographed by five
Estimate: £400 - 600 main cast-and-crew members of George Lucas’ Star Wars: The Phantom
Menace. Written by David West Reynolds, the hardcover book contains 64
pages featuring annotated colour images and comprehensive insights into
the characters, weapons and vehicles of The Phantom Menace. The first
two pages are autographed in black ink and marker by Samuel L. Jackson,
Ewan McGregor, Ray Park, director George Lucas and stunt coordinator
Nick Gillard. Three of the autographs have written messages dedicated
to property master Ty Teiger. The dust jacket displays light edge wear and
minor scratching. Dimensions: 31.5 cm x 26.5 cm x 1.5 cm (12 ½” x 10 ½” x ½”)

Estimate: £400 - 600

909. Kenny Baker Estate Collection: Set of

Premiere Screening Tickets and Invitations M

STAR WARS: THE COMPLETE SAGA

Premiere tickets and invitations from the promotion of various Star Wars
905. Queen Amidala’s (Natalie Portman) Prototype movies. This lot comes from the estate of renowned actor Kenny Baker. It
Headdress †Δ 906. Anakin Skywalker’s (Jake Lloyd) Hovel Bedroom Light M consists of a programme, screening ticket, VIP and royal enclosure pass, and
an after-party invitation for the Royal Charity premiere of the special edition
STAR WARS: EP I - THE PHANTOM MENACE (1999) STAR WARS: EP I - THE PHANTOM MENACE (1999) re-release of A New Hope. It includes premiere screening tickets for the
special edition re-release of Return of the Jedi and The Last Jedi premiere;
Queen Amidala’s (Natalie Portman) prototype headdress from the production of George Anakin Skywalker’s (Jake Lloyd) hovel bedroom light from George Lucas’ Star Wars: The screening tickets and after-party invitations for The Force Awakens and The
Lucas’ Star Wars: The Phantom Menace. Amidala wore her headdress when she decided Phantom Menace. A light was seen among the gadgets and machinery strewn about Rise of Skywalker premieres; and a letter detailing the International Charity
to return to her home planet of Naboo to stop the Trade Federation attack. This headdress Anakin’s bedroom, part of the hovel he shared with his mother Shmi (Pernilla August) on Premiere event for Attack of the Clones. The cardboard ticket sleeve for
was a prototype and is slightly different from the one ultimately seen in the film. The curved Slave Quarters Row in Mos Espa, Tatooine. The light comprises a cast metal base and a The Last Jedi is autographed (albeit faintly) by Frank Oz and Oscar Issac. All
headdress is made of thin metal with cast line patterns. A decorative emblem featuring an plastic cylindrical tube section with a metal ring around the top. A piece of tracing paper display minor wear. Dimensions (programme): 29.5 cm x 21 cm (11 ½” x 8 ¼”)
upside-down symbol of the Royal House of Naboo is adhered to the centre. Presented is adhered via tape to the interior of the tube, and a functioning Osram light bulb is fitted
on a black custom display stand, the lot exhibits some tarnishing, small holes and minor inside. The light is powered by a 250V UK plug, which is attached to the base. There are Estimate: £300 - 500
damage to the top of the emblem, and the metal has become exposed in places. Dimensions some minor creases on the paper, marks on the base and light scuffing around the top.
(displayed): 15 cm x 22.5 cm x 26 cm (6” x 8 ¾” x 10 ¼”) Dimensions: 19 cm x 19 cm x 51 cm (7 ½” x 7 ½” x 20”) Contains electronics; see electronics
notice in the Buyer’s Guide.
Estimate: £1,000 - 1,500
Estimate: £600 - 800

450 451
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

910. Kenny Baker Estate Collection: Kenny Baker

Personal Script Pages, Call Sheets and Premiere
Tickets M 913. George Lucas-Signed,
Single-Sided US Version “B”
One-Sheet Ω 914. Lightsaber Blade M
STAR WARS: EP I - THE PHANTOM MENACE (1999)
A collection of script pages, call sheets and premiere tickets from the STAR WARS: EP II - ATTACK OF STAR WARS: EP III - REVENGE
production and promotion of George Lucas’ Star Wars: The Phantom THE CLONES (2002) OF THE SITH (2005)
Menace. This set comes from the estate of renowned actor Kenny Baker.
The lot consists of three script pages which are stapled together; two A George Lucas-signed, single-sided US A lightsaber blade from the production of
call sheets; a ticket for the cast and crew screening; a VIP ticket which is version “B” one-sheet from the promotion George Lucas’ Star Wars: Revenge of the
attributed to “Mr Kenny Baker’s guest”; and a small metal invitation for the of Lucas’ Star Wars: Attack of the Clones. Sith. Blades were made for fight scenes, and
premiere party, which features a laser cut-out image of Darth Maul. Also Released in 2002, the poster features a the VFX team would digitally overlay them
included in this set is a reshoot call sheet and four script pages for Attack character collage by long-time Star Wars with the lightsaber’s iconic glowing effect.
of the Clones. There are some signs of age and wear, including creasing, franchise posterist Drew Struzan. This The blade is made from a rigid carbon-fibre
fold lines and minor marks, and there is scratching on the metal invitation. single-sided one-sheet comes from the tube that is covered with green tape, then
Dimensions (script pages): 30 cm x 21 cm (11 ¾” x 8 ¼”); (larger call sheets): collection of Return of the Jedi producer layered with a clear plastic film. Its sturdy,
30 cm x 21 cm (11 ¾” x 8 ¼”); (largest ticket): 15 cm x 10.5 cm (5 ¾” x 4 ¼”) Howard Kazanjian, for whom Lucas signed lightweight design and shock-absorbing
the poster and inscribed the message “To rubber surface made these blades ideal
Estimate: £300 - 500 Howard” in gold marker. It exhibits minor for stage combat. Examples can be seen
creases and edge wear from storage in the behind-the-scenes featurette “It’s
and handling. Dimensions: 68.75 cm x All For Real” on the Revenge of the Sith
104.25 cm (27” x 41”) DVD. Dimensions: 95 cm x 1 cm x 1 cm
(37 ½” x ½” x ½”)
Estimate: £1,000 - 1,500
Estimate: £1,000 - 1,500
911. Trisha Biggar Collection: Set of Crew
Apparel †

STAR WARS: THE PHANTOM MENACE (1999) AND STAR

WARS: ATTACK OF THE CLONES (2002)
A set of crew apparel from the productions of George Lucas’ Star Wars:
The Phantom Menace and Star Wars: Attack of the Clones. These items
come from the personal collection of costume designer Trisha Biggar. The
set consists of a black “Episode I, 1997” fleece (size Medium); a pair of red
Nylon jackets (size Large) featuring “Pod Racing” patches on the back; a
white cotton T-shirt (size Extra Large) displaying the promotional image
for Star Wars Celebration 1999; a black Nylon Art Department jacket (size
Medium); a black cotton “Episode II” T-shirt (size Large); and a black cotton
T-shirt (size L) with an ILM lightsaber design printed on the front. All the
garments remain in an unworn condition. Proceeds from this lot will be
donated to the Venkatraman Memorial Trust.

Estimate: £400 - 600

912. Trisha Biggar Collection: Natalie Portman

Autographed Champagne Bottle †

STAR WARS: EP II - ATTACK OF THE CLONES (2002)

A bottle of champagne autographed by Natalie Portman from the production
of George Lucas’ Star Wars: Attack of the Clones. This lot comes from 915. ILM Crew Gift Castings of Chewbacca, Three Crew 916. Trisha Biggar Collection: Pair of Crew Jackets and
the personal collection of costume designer Trisha Biggar. The bottle of Hats and Crew Shirt † Chewbacca Bust Crew Gift †
champagne was gifted by Portman to Trisha and features a message written
directly onto the glass bottle in gold pen. It reads: “Dear Trisha, Thanks so
STAR WARS: EP III - REVENGE OF THE SITH (2005) STAR WARS: EP III - REVENGE OF THE SITH (2005)
much for the amazing costumes yet again, and for the fabulous company.
It is always comforting to see you smile at those lengthy fittings. I’m looking ILM crew gift castings of Chewbacca, three crew hats and crew shirt from the production A pair of crew jackets and a Chewbacca bust crew gift from the production of George
forward to the next one! Much love, Natalie (Portman)”. The bottle has some of George Lucas’ sci-fi sequel Star Wars: Revenge of the Sith. Lucas’ Star Wars: Revenge of the Sith. Busts were given to select ILM staff to celebrate
wear to the labels. Dimensions: 8.5 cm x 8.5 cm x 32 cm (3 ¼” x 3 ¼” x 12 the 2005 release of the film. These items come from the personal collection of costume
½”) Proceeds from this lot will be donated to the Venkatraman Memorial This lot consists of a black cotton blend T-shirt with a red graphic on the front; a red baseball designer Trisha Biggar. The two black fleece jackets are marked as size Large and feature
Trust. This lot contains alcohol. Customers outside the UK will require the hat with a silver-coloured graphic; a black baseball hat with a red graphic, a black baseball hat embroidered grey text on the front, which reads “Star Wars Episode III, Costume”. The
item to be carefully drilled and emptied to allow shipment overseas. with a white graphic; a grey and brass coloured resin statue casting, and a brown-coloured Chewbacca bust is made of resin finished in bronze-coloured paint and mounted to a black
resin casting bust. It exhibits signs of wear from age and use throughout. Dimensions: polished stone base engraved with the film’s title. “R.Miller” is carved into its back, referring to
Estimate: £600 - 800 30.5 cm x 30.5 cm x 25.5 cm (12” x 12” x 10”) ILM model maker Richard Miller, and the bust exhibits minor paint wear. Dimensions (bust): 10
cm x 13 cm x 23 cm (4” x 5” x 9”) Proceeds from this lot will be donated to the charity F.A.R.E.
Estimate: £600-800
Estimate: £400 - 600

452 453
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

920. Millennium Falcon Floor/Death

Star Ceiling Set-dressing Panel †Δ

STAR WARS: EP IV - A NEW HOPE (1977)

A Millennium Falcon floor/Death Star ceiling set-dressing
panel from George Lucas’ Star Wars: A New Hope. The
floor of the Millennium Falcon featured grate-like panels
in multiple scenes, such as the one where Luke (Mark
Hamill) trained with Obi-Wan Kenobi (Alec Guinness). These
1.19 m (3.89’) panels also formed the ceiling of the Death Star and were
seen when an IT-O interrogation droid was used by Darth
Vader (David Prowse) on Princess Leia (Carrie Fisher).
The heavy duty plastic panel is painted silver, though the
paint has flaked away over time, exposing orange paint
underneath. The remaining silver paint is peeling in places
and the lot displays marks from age and production use.
Dimensions: 119 cm x 97.5 cm x 14 cm (46 ¾” x 38 ¼” x
5 ½”) Special shipping required; see special shipping notice
in the Buyer’s Guide.

Estimate: £2,000 - 3,000

921. Tantive IV Ship Set Dressing

Panel †Δ

STAR WARS: EP IV - A NEW HOPE (1977)

A Tantive IV Ship panel from George Lucas’ Star Wars: A
New Hope. Panels decorated the interior walls of Princess
Leia’s (Carrie Fisher) Tantive IV corvette starship seen in
the opening sequence of the film. This style of panel also
covered the fusion generator supply tanks located at the
Lars homestead on Tatooine. The vacuum-formed plastic
panel features a circle surrounded by angled indents that
create a camera aperture-like shape with three smaller
circular indents. Exhibiting a worn appearance, the panel has
been finished in shades of silver, dark grey, black, and beige
paint. Glue remnants are present all over the reverse, and
the panel displays minor marks and paint wear. Dimensions:
24 cm x 22 cm x 1 cm (9 ½” x 8 ¾” x ½”)

Estimate: £600 - 800

918. Trisha Biggar Autographed Copy

of Dressing a Galaxy: The Costumes of 919. Trisha Biggar Collection:
917. ILM Chewbacca Figure Crew Gift †Δ Star Wars M Lucasfilm Crew Gifts † 922. Two Circular Tantive IV Ship Set
Dressing Panels †Δ
STAR WARS: EP III - REVENGE OF THE SITH STAR WARS: PREQUEL TRILOGY LUCASFILM
(2005) (1999-2005) STAR WARS: EP IV - A NEW HOPE (1977)
A collection of crew items from Lucasfilm, the production
An ILM Chewbacca figure crew gift from the production An autographed copy of Dressing a Galaxy: The Costumes company behind the Star Wars franchise. These items Two circular Tantive IV Ship set dressing panels from George
of George Lucas’ Star Wars: Revenge of the Sith. Industrial of Star Wars from the promotion of George Lucas’ Star Wars come from the personal collection of costume designer Lucas’ Star Wars: A New Hope. Circular panels decorated
Light and Magic created a limited number of Chewbacca prequel trilogy. Dressing a Galaxy was printed in limited Trisha Biggar. The lot comprises a green-and-brown nylon the interior walls of Princess Leia’s (Carrie Fisher) Tantive
figures as gifts for studio executives who worked on the quantities as a special promotional item, and features picnic bag containing utensils and a blanket; a blue-and- IV corvette starship seen in the opening sequence of the
film. The highly detailed figure is made of resin painted swatches, detailed designs and fascinating insights into black nylon messenger bag; a brown leather duffel bag; a film, and also covered the fusion generator supply tanks
to appear bronze, and shows Chewbacca holding his the films’ costumes. This particular copy belonged to grey-and-black nylon wash bag with a plastic water bottle located at the Lars homestead on Tatooine. Both panels are
signature Wookie bowcaster weapon. It is presented on author and production costume designer Trisha Biggar. and towel; a Skywalker Ranch wooden box; a wooden made from vacuum-formed plastic and feature a protruding
a black pedestal base featuring the film title, with an ILM It is presented in a fabric-lined box, which also contains box containing a calligraphy set; a Stormtrooper Christmas circular design. Exhibiting a worn appearance, the panels
logo sticker adhered to the front and a removable glass a Darth Vader cape-material swatch; a Dressing a Galaxy ornament; and a leather wallet. Each item remains unused, are finished in shades of silver, dark grey, black and beige
dome cover. There are minor paint marks on the base and DVD; a Wookie plaque; a certificate of authenticity; a quality and many come presented in their original gift boxes. paint. Exhibiting irregular cut-out edges, the panels display
light scratching on the glass. Dimensions: 22 cm x 22 cm x control card which displays a print number reading “2775”; Dimensions (picnic bag): 57 cm x 45 cm x 22 cm (22 ½” x scuffing, minor paint wear and glue remnants on the
43 cm (8 ¾” x 8 ¾” x 17”) a folder of swatches; a booklet on the costume designs of 18” x 8 ½”) Proceeds from this lot will be donated to The back. Dimensions (larger panel): 16.5 cm x 16 cm x 5 cm
CGI characters; and an autographed card from Biggar. The Royal Theatrical Fund (6 ½” x 6 ¼” x 2”); (smaller panel): 17 cm x 13.5 cm x 5 cm
Estimate: £1,000 - 1,500 book’s title page is also signed in black ink by Biggar, and (6 ¾” x 5 ¼” x 2”)
the lot displays minimal wear. Dimensions: 43.5 cm x 35 cm Estimate: £800 - 1,200
x 9 cm (17” x 14” x 3 ½”) Estimate: £600 - 800
Estimate: £600 - 800

454 455
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

923. Hand-drawn Colin Cantwell X-Wing Fighter Sketch †Δ 924. Death Star Trench Production Dyeline M 927. Stuart Freeborn Collection: “Pea-pod Alien” Head M 928. Stuart Freeborn’s Contract of Employment †Δ

STAR WARS: EP IV - A NEW HOPE (1977) STAR WARS: EP IV - A NEW HOPE (1977) STAR WARS: EP IV - A NEW HOPE (1977) STAR WARS: EP IV - A NEW HOPE (1977)
A hand-drawn Colin Cantwell X-wing fighter sketch from George Lucas’ Star Wars: A New A Death Star trench dyeline from the production of George Lucas’ Star Wars: A New Hope. A “pea-pod alien” head from the production of George Lucas’ Star Wars: A New Hope. A contract detailing legendary make-up artist Stuart Freeborn’s terms of employment for
Hope. X-wing starfighters, first seen during the climactic Battle of Yavin, were an essential This dyeline is printed on off-white paper and depicts a trench on the surface of the Death This head was originally obtained from the collection of legendary make-up artist Stuart George Lucas’ Star Wars: A New Hope. Lucas hired Freeborn after being impressed with
part of the Rebel Alliance’s fleet due to their mobility and four-pronged laser-cannon system. Star. It features many details, including mounted blasters and air vents, and there is a Freeborn and was an early design concept for the character Greedo. Freeborn created a his work on 2001: A Space Odyssey. Dated “January 12th, 1976,” the two-page document
Early concept artist Cantwell worked directly with George Lucas to create designs and printed note in the bottom right corner reading “Death Star 4”. The dyeline has been rolled “pea-pod alien” character for a Birds Eye Peas advertisement in the United Kingdom and outlines the terms to which Freeborn had to adhere to on accepting the role of make-up
models for the X-wing, and this sketch represented the starship in its earliest form. This and shows minimal signs of wear, with only slight discolouration from aging. Dimensions: recycled elements of the design to create the Rodian bounty hunter. The green-and-brown supervisor, including his weekly pay. The contract is signed in blue ink by production
sketch, hand-drawn and signed in black ink by Cantwell, is rendered in graphite on illustration 39.5 cm x 29.5 cm (15½” x 11½”) Sold without copyright; see copyright notice in the painted foam head is unfinished and features a large opening at the front where the facial manager Bruce Sharman. There are minor signs of wear, including light creasing and fold
paper, and labelled “F41”. It exhibits minor signs of wear, including creases throughout and Buyer’s Guide. features should be. A layer of brown paint and glue is present on the interior. The lot exhibits lines from storage. Dimensions: 29.5 cm x 21 cm (11 ½” x 8 ¼”)
pinholes from hanging. Dimensions: 28 cm x 21.75 cm (11” x 8 ½”) Sold without copyright; light paint wear and flaking on the inside, and it has become slightly distorted over time.
see copyright notice in the Buyer’s Guide. Estimate: £400 - 600 Dimensions: 21 cm x 18 cm x 23 cm (8 ¼” x 7 ¼” x 9”) Estimate: £600 - 800

Estimate: £600 - 800 Estimate: £400 - 600

925. Production Photos of Colin Cantwell’s Prototype Ship 929. Stuart Freeborn Collection: Set of Peter Sellers Face
Models Ω 926. 70mm Continuity Script Ω and Neck Lifecasts M 930. Dick Smith Four-fingered Hand Cast M

STAR WARS: EP IV - A NEW HOPE (1977) STAR WARS: EP IV - A NEW HOPE (1977) VARIOUS PRODUCTIONS VARIOUS PRODUCTIONS
Production photos of Colin Cantwell’s prototype ship models from George Lucas’ Star A 70mm continuity script from the production of George Lucas’ Star Wars: A New Hope. A set of face and neck lifecasts of acclaimed British actor and comedian Peter Sellers. A hand cast of pioneering, Academy Award®-winning make-up effects artist Dick Smith.
Wars: A New Hope. Spacecraft design specialist Cantwell created several model miniatures Continuity scripts were created for the final print of a film to be viewed in text form, giving This lot originally came from the collection of legendary make-up artist Stuart Freeborn, Smith won an Oscar in 1984 for his work on Amadeus, and his other credits include The
for the film’s various space sequences. This lot consists of a plastic binder containing 13 the complete action, scenes, etc., in detail and in the order in which they are shown on the who worked with Sellers on several productions. The set contains a top-half face cast; a Godfather, The Exorcist, Taxi Driver and Death Becomes Her. The cast was made when
glossy colour photos of rebel fighter prototype models created for the film. Eleven of the screen. This lot consists of approximately 250 continuity script paper pages divided into lower-half face cast; and a two-part neck cast which is labelled “Hitler”— referring to one Smith visited the Harry Potter sets and workshops. It is made of black resin and cast from
photos are of X-Wings, while two of the photos are of Y-Wings. This lot exhibits minor signs two sections for the 70mm version of the film. Each page features such text as dialogue, of Sellers’ roles in the 1974 comedy Soft Beds, Hard Battles. All three plaster casts feature Smith’s left hand, which only had four fingers after his ring finger was removed following
of wear and use, including some discolouration on the photo borders. Dimensions: 29.25 scene direction, and sound effects. It exhibits signs of wear from age and use. Dimensions: an embedded metal bar on the back. They display only minor wear, including marks and an injury and infection. The cast has some wear from storage and use, including scuffing,
cm x 24.75 cm x 2.5 cm (11 1/2” x 9 3/4” x 1”) Sold without copyright; see copyright notice 21.75 cm x 28 cm x 6.5 cm (8.5” x 11” x 2.5”) light cracks, while a corner of the neck cast has come away over time. Dimensions (two-part scratches and some discolouration. There is a ridge along the palm and wrist where the
in the Buyer’s Guide. neck cast): 17 cm x 21 cm x 14.5 cm (6 ¾” x 8 ¼” x 5 ¾”) casting was imperfect. Dimensions: 27 cm x 10 cm x 8 cm (10 ¾” x 4” x 3 ¼”)
Estimate: £600 - 800
Estimate: £500 - 700 Estimate: £300 - 500 Estimate: £400 - 600

456 457
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

932. Kenny Baker Estate Collection: Kenny Baker

Handwritten Letter Detailing Personal History of Making 936. Harrison Ford, Mark Hamill, Carrie Fisher and Peter
931. Set of Unit Lists and Production Programmes M Star Wars M 935. Alec Guinness Autographed Photo M Mayhew Autographed Photo M

STAR WARS: ORIGINAL TRILOGY (1977-1983) STAR WARS: ORIGINAL TRILOGY (1977-83) STAR WARS: EP IV - A NEW HOPE (1977) STAR WARS: EP IV - A NEW HOPE (1977)
A set of unit lists and production programmes from the productions of various Star Wars A letter handwritten by renowned actor Kenny Baker detailing his personal experience and An autographed photograph from the promotion of George Lucas’ Star Wars: A New Hope. A photo autographed by Harrison Ford, Mark Hamill, Carrie Fisher and Peter Mayhew from
films. The lot consists of an Empire Strikes Back unit list labelled “No: 1”; a “Revenge of history working on the Star Wars original trilogy. Obtained from his personal collection, Printed on glossy paper, the black-and-white still shows Obi-Wan Kenobi (Alec Guinness) in the promotion of George Lucas’ Star Wars: A New Hope. This photograph shows Luke
the Jedi” unit list labelled “No: 2”; two cast-and-crew credits programmes for The Empire the letter includes Baker’s account of working on the movies as R2-D2, revealing that a lightsaber duel with Darth Vader (David Prowse). The top right corner of the photograph Skywalker and Han Solo aiming their blasters, while a worried-looking Princess Leia holds
Strikes Back; and a cast-and-crew credits programme for Return of the Jedi. Both unit he also played the role of the Ewok Paploo in Return of the Jedi, specifically highlighting is autographed by Guinness in black ink. It displays minimal wear. Dimensions: 20.5 cm x onto Chewbacca. Located in the lower right corner is the logo for the Star Wars Celebration
lists feature issue dates, crew names, and the crew members’ addresses at the time of how uncomfortable his costume was. Dated “30/10/96”, the document is written in blue 25.5 cm (8” x 10”) Europe 2013 event, which took place in Essen, Germany from July 26 to 28, where this
the production. The set shows signs of wear and age, including discolouration, creasing, ink and Baker has inscribed “May the Force be with You” before signing his name at the photograph was obtained. All four cast members have autographed the photograph in
minor marks and a small rip on the top edge of the Revenge of the Jedi unit list. Dimensions bottom. The letter displays light creasing and horizontal fold lines from storage. Dimensions: Estimate: £400 - 600 blue ink. The photograph exhibits minimal wear, with a light crease line present in the top
(each unit list): 30 cm x 21 cm x 0.5 cm (11 ¾” x 8 ¼” x ¼”); (each booklet): 28 cm x 21.5 cm 29.5 cm x 21 cm (11 ½” x 8 ¼”) left corner. Dimensions: 35.5 cm x 28 cm (14” x 11”)
x 0.3 cm (11” x 8 ½ “ x ¼”)
Estimate: £400 - 600 Estimate: £1,500 - 2,500
Estimate: £300 - 500

937. Rare Boxed Campaign 938. US Style “A” One-

Book †Δ Sheet Ω

STAR WARS: EP IV - A NEW STAR WARS: EP IV - A NEW

HOPE (1977) HOPE (1977)
A rare, boxed campaign book from the A US style “A” one-sheet from the promotion
promotion of George Lucas’ Star Wars: A of George Lucas’ sci-fi fantasy film Star Wars:
New Hope. Campaign books were sent A New Hope. This poster comes from the
to cinemas in advance of the film’s release personal collection of film producer Howard
in 1977. This campaign book features Kazanjian. It features the iconic artwork
production and character information, of Tom Jung showing Luke (Mark Hamill)
with large film stills throughout. The title and Leia (Carrie Fisher) standing in front
on the cover features the original pointy of a starry sky with Vader (David Prowse)
“W”, confirming its publication pre-release. lurking ominously. In the top left corner is the
The book comes in its original card box, iconic tagline “A long time ago in a galaxy
which also features the film’s logo in tape far, far away…” and the film’s original title in
933. Brass Paperweight Crew Gift, Lucasfilm Ltd around the outside. The book has very little the bottom right corner. The poster shows
Embroidered Patch and Badges M 934. John Mollo’s Personal Lucite Star Crew Gift Ω wear from use, but the box has tearing and minor edge wear and a small fold on the
discolouration, most notably around the tab top right corner. Dimensions: 68.75 cm x
securing it. Dimensions (boxed): 29 cm x 104.25 cm (27” x 41”)
STAR WARS: ORIGINAL TRILOGY (1977-83) STAR WARS: EP IV - A NEW HOPE (1977)
37 cm x 2 cm (11 ½” x 14 ½” x ¾”)
A brass paperweight crew gift, a Lucasfilm Ltd embroidered patch and two badges from the John Mollo’s personal Lucite star crew gift from the production of George Lucas’ Star Wars: Estimate: £500 - 700
production and promotion of the original Star Wars trilogy. Made of brass, the paperweight A New Hope. Engraved Lucite stars were given to cast and crew in commemoration of Estimate: £200 - 300
crew gift bears the original working title “Revenge of the Jedi” and was distributed during their work on the movie, as well as to select attendees of exclusive screenings. This star
post-production, making it a rare piece of memorabilia. Also included in the lot is a beige originally came from the collection of Oscar®-winning costume designer John Mollo. The
fabric patch featuring “Lucasfilm Ltd” embroidered in cream and burgundy thread, a clear acrylic star, meant originally to be used as a paperweight, features the words “Star
“Revenge of the Jedi” badge, and a larger badge reading “The Star Wars Trilogy, March 28, Wars” engraved on the back. It comes with its original plastic, square-shaped packaging,
1985”. The set exhibits signs of wear, including scuffing, minor marks, light scratching and and the lot exhibits signs of minor wear and scratching. Dimensions: 13 cm x 13 cm x
small plucks on the patch. Dimensions (paperweight): 5.5 cm x 10 cm x 0.3 cm (2” x 4” x ¼”); 2.5 cm (5 ¼” x 5 ¼” x 1”)
(patch): 4.5 cm x 12 cm (1 ¾” x 4 ¾”); (larger badge): 7.5 cm x 7.5 cm x 0.5 cm (3” x 3” x ¼”)
Estimate: £1,000 - 1,500
Estimate: £800 - 1,200

458 459
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

939. UK Triple Bill Quad Ω 940. Italian Due Fogli Poster Ω

STAR WARS: ORIGINAL TRILOGY (1977-83) STAR WARS: EP IV - A NEW HOPE (1977)
A UK triple bill quad from the promotion of George Lucas’ original Star Wars trilogy. 20th An Italian Due Fogli poster from the promotion of George Lucas’ Star Wars: A New Hope.
Century Fox distributed quads highlighting the special “3-in-1 Programme” shown in British The poster features Princess Leia (Carrie Fisher) and Luke Skywalker (Mark Hamill) clad
cinemas in 1983. This rare poster featuring the standalone quad art of posterists Tom Jung, in Roman-style robes and set against a speckled white background in a comic book-style
Tom Chantrell, and Josh Kirby under the tagline “A Once-In-A-Lifetime Spectacular!” comes illustration by Michelangelo Papuzza. This rare Due Fogli comes from the collection of
from the collection of Return of the Jedi producer Howard Kazanjian. The extra white strip Return of the Jedi producer Howard Kazanjian. It exhibits both horizontal and vertical lines
at the top which allows Darth Vader’s helmet to be seen unimpeded confirms this as an from folding, as well as some discolouration from age and bending along the borders.
original poster. It exhibits some creasing and edge wear, including small tears on the bottom Dimensions: 99 cm x 139.75 cm (39” x 55”)
right corner from being rolled for shipping. Dimensions: 76.25 cm x 101.75 cm (30” x 40”)
Estimate: £200 - 300
Estimate: £200 - 300

943. Philip Kohler Collection: Crew-

autographed “Thank You” Cartoon, 944. Norwegian Location Prop 945. Three Rare Production Stills of
Stickers and Coaster M Inventory List †Δ R2-D2 on Dagobah †Δ

STAR WARS: EP V - THE EMPIRE STRIKES STAR WARS: EP V - THE EMPIRE STRIKES STAR WARS: EP V - THE EMPIRE STRIKES
BACK (1980) BACK (1980) BACK (1980)
A “Thank You” cartoon drawing, a set of three stickers and A Norwegian location prop inventory list from the production Three rare production stills of R2-D2 on the set of Irvin
942. Philip Kohler Collection: Location Photographs, Unit a coaster from the production of Irvin Kershner’s Star Wars: of Irvin Kershner’s Star Wars: The Empire Strikes Back. Dated Kershner’s Star Wars: The Empire Strikes Back. These black-
941. Style “A” French Moyenne-Affiche Poster Ω List and Production Paperwork M The Empire Strikes Back. This lot comes from the personal “12th February,1979”, this 12-page document was distributed and-white stills depict the muddy astromech droid outside
collection of renowned production manager Philip Kohler, to several crew members by credited production designer Yoda’s hut, located on the swamp planet of Dagobah. Two
who worked as a location manager on the film. Gifted to Norman Reynolds and details the various props needed of the images show close-ups of R2-D2, and the third shows
STAR WARS: EP IV - A NEW HOPE (1977) STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)
Kohler as a thank you for his work, the cartoon is sketched for filming in Finse, Norway. Ten of the pages feature a full exterior shot of the Jedi Master’s residence. All three
A style “A” French Moyenne-Affiche poster from the promotion of George Lucas’ Star Wars: A set of location photographs, a unit list and production paperwork from Irvin Kershner’s Star in black ink on white card and labelled “Finse 1979.” The printed diagrams, brief descriptions and the quantity of stills feature reference numbers written in pencil on the
A New Hope. 20th Century Fox distributed posters featuring art by Tom Jung, a cream- Wars: The Empire Strikes Back. This lot comes from the personal collection of renowned back is titled “From All The Crew On Star Wars 2” and each prop required. The list displays signs of production reverse. The lot displays minimal wear, with yellow tape
colour border, and the tagline “Que la force soit avec toi” (“May the force be with you”) in production manager Philip Kohler. Printed on 11 sheets of paper, the location photographs autographed by several crew members. One sticker shows use and age, including minor stains, indented marks on remnants and minor marks present on the back of each
white text in French-speaking parts of Canada. This rare, rolled Moyenne-Affiche poster show Finse in Norway, where the Hoth scenes were filmed. The 20-page unit list features Darth Vader’s helmet engulfed in flames, and the coaster the cover page and signs of corrosion around the staples still. Dimensions (each still): 20.5 cm x 25.5 cm (8” x 10”)
comes from the collection of Return of the Jedi producer Howard Kazanjian. The top left crew names and their addresses at the time of production, and “Ron Cook”, the name of features the film’s title artwork. There are minor marks, in the top left corner. Dimensions: 30 cm x 21 cm x 0.2 cm
corner is stained from age and exposure, and a horizontal fold line is visible at the centre. the location accountant, is written on the front page. Also included is a location insurance creasing and discolouration present on the cartoon, with (11 ¾” x 8 ¼” x ¼”) Estimate: £300 - 500
Dimensions: 58.5 cm x 81.5 cm (23” x 32”) form and a letter from credited production assistant Patricia Carr. There are minor signs of notable wear on the Darth Vader sticker. Dimensions
production use, including creasing and folded edges on some photographs. Dimensions (drawing): 21.5 cm x 30.5 cm (8 ½” x 12”); (largest sticker): Estimate: £400 - 600
Estimate: £200 - 300 (largest photograph): 24 cm x 29.5 cm (9 ½” x 11 ½”); (unit list): 30 cm x 21 cm x 0.3 cm 13.5 cm x 8.5 cm (5 ¼” x 3 ¼”); (coaster): 9.5 cm x 9.5 cm x
(11 ¾” x 8 ¼” x ¼”) 0.2 cm (3 ¾” x 3 ¾” x ¼”)

Estimate: £300 - 500 Estimate: £300 - 500

460 461
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

946. “Make-Up”, “No Entry” and Blank Door

Signs M
949. Main Cast and Crew Autographed Album M
STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)
A set of door signs from the production of Irvin Kershner’s Star Wars: The STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)
Empire Strikes Back. Signs adorned the door of each department, and were
An autograph album signed by cast and crew during the production of Irvin
displayed in restricted areas on location at the Finse 1222 hotel in Norway,
Kershner’s Star Wars: The Empire Strikes Back. These autographs were
where the Hoth scenes were filmed. This lot consists of three white card
obtained by a guest of renowned make-up supervisor Stuart Freeborn
signs, all featuring a screen-printed The Empire Strikes Back logo and
during a set visit in 1979. The cover is black with a faux crocodile-skin effect
hand-painted blue titles applied by the film’s lettering artist. The signs are
and features the word “autographs” in gold. It is signed by several cast and
marked “Make-Up”, and “No Entry”, while the third sign remains blank. The
crew members, including Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee
set displays light edge wear, marks from use and discolouration from age.
Williams, David Prowse, Peter Mayhew, Kenneth Colley, Julian Glover, Stuart
Dimensions (each sign): 7.5 cm x 33 cm x 0.2 cm (3” x 13” x ¼”)
Freeborn and Kay Freeborn. Two autographs are on larger sheets of paper
which have been folded up and adhered to pages within the album. There
Estimate: £400 - 600 are signs of wear and age, including discolouration, creasing and minor
marks. Dimensions: 9.5 cm x 12 cm x 1 cm (3 ¾” x 4 ¾” x ½”)

Estimate: £800 - 1,200

947. Kenny Baker Estate Collection: Carrie Fisher

and Mark Hamill Autographed Cast-and-crew
Credits Programme M
950. Kenny Baker Estate Collection: Kenny
STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)
Baker’s Statements of Participation M
An autographed cast-and-crew credits programme from Irvin Kershner’s
STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)
Star Wars: The Empire Strikes Back. This programme comes from the
estate of renowned actor Kenny Baker. Printed on white card, it features a A set of statements of participation for Kenny Baker’s work on Irvin
black-and-silver Empire Strikes Back logo on the front and unfolds to reveal Kershner’s Star Wars: The Empire Strikes Back. This lot comes from the
a list of the production’s cast and crew. The cover has been autographed estate of renowned actor Kenny Baker. It consists of 69 pages of financial
and inscribed in blue ink by Carrie Fisher and Mark Hamill. Some unrelated breakdowns: 64 from the original release in 1980, and five from the special
notes are written on the back page and there are signs of wear, including edition release in 1997. The documents detail the amount of money owed
creasing and minor marks, while some of the ink on Fisher’s message has to Baker from the movie’s gross income and the movie’s performance
faded slightly. Dimensions: 28 cm x 21.5 cm (11” x 8 ½”) each month. Baker has annotated most of the pages with figures, the
dates received and other information. The collection also includes eight
Estimate: £500 - 700 letters pertaining to the statements. Dimensions (each page): 28 cm x
21.5 cm (11” x 8 ½”)

Estimate: £400 - 600

948. “Hairdressing”, “No Entry” and Blank Door

Signs M

STAR WARS: THE EMPIRE STRIKES BACK (1980)

951. Stuart Freeborn Collection: Production-
made Tauntaun Eyes Pull M
A set of door signs from Irvin Kershner’s Star Wars: The Empire Strikes
Back. Signs adorned the door of each department, and were displayed
STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)
in restricted areas on location at the Finse 1222 hotel in Norway, where
the Hoth scenes were filmed. This lot consists of three white card signs, A production-made Tauntaun eyes pull from Irvin Kershner’s Star Wars:
all featuring a screen-printed The Empire Strikes Back logo and hand- The Empire Strikes Back. Tauntauns transported Rebel forces around the
painted blue titles applied by the film’s lettering artist. The signs are marked icy world of Hoth. This lot was originally obtained from the collection of
“Hairdressing” and “No Entry”, while the third sign remains blank. The set legendary make-up artist Stuart Freeborn. The cream-coloured vacuum-
displays light edge wear, marks from use and discolouration. The card formed plastic pull features two hollow, spherical eyes with pronounced
around the “No Entry” lettering has turned pink over time. Dimensions (each pupils, and is unpainted. There are several cracks in the plastic and the lot
sign): 7.5 cm x 33 cm x 0.2 cm (3” x 13” x ¼”) exhibits minor scuffing from production use. Dimensions: 10 cm x 19 cm x
5 cm (4” x 7 ½” x 2”)
Estimate: £400 - 600
Estimate: £400 - 600

462 463
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

955. Handwritten Notes from Internal

952. Stuart Freeborn’s Contract of Employment †Δ Lucasfilm Review Screening on
October 31, 1979 Ω
STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)
STAR WARS: EP V - THE EMPIRE STRIKES
A contract detailing legendary make-up artist Stuart Freeborn’s employment BACK (1980)
terms for the production of Irvin Kershner’s Star Wars: The Empire Strikes
Back. Dated “23rd August, 1978”, the two-page document was created Handwritten notes from an internal Lucasfilm review
by Chapter II Productions Limited and features several typed paragraphs screening on October 31, 1979 from the production of Irvin
outlining the terms of Freeborn’s work on the film, including his weekly pay. Kershner’s Star Wars: The Empire Strikes Back. This lot
The contract is signed in blue ink by production manager Bruce Sharman. consists of five pages of stapled yellow lined paper, each
There are minor signs of wear around the paper edges and light creasing. containing handwritten notes likely taken by one of the
Dimensions: 29 cm x 21 cm (11 ½” x 8 ¼”) film’s editors. These significant notes, which are separated
by the 12 “reels” of film that make up the movie, relate to
Estimate: £600 - 800 changes that needed to be made to the still-developing
film. They feature comments pertaining to editing and visual
effects shots as well as moments featuring such characters
as Han Solo, Darth Vader and Yoda. They represent a very
significant step in the development of the beloved sequel.
Some fascinating lines in the notes include “Remove Vader
line ‘You have less power than you think.’” and “Add pause
of Vader after ‘I am your Father.’” They exhibit signs of wear
throughout from age and use. Dimensions: 21.75 cm x
33 cm (8 1/2” x 13”)

Estimate: £1,500 - 2,500

953. Industrial Light and Magic (ILM) Camera
Reports Ω

STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)

Industrial Light and Magic (ILM) camera reports from the production of Irvin
Kershner’s Star Wars: The Empire Strikes Back. This lot consists of 55 yellow
carbon copy camera reports which date from between September 1979 and
March 1980. They feature such information as the camera crew members,
take numbers, lenses and filters used in the production. They exhibit signs
of wear from age and use including some small tears in a few of the reports.
Dimensions: 15.25 cm x 21.75 cm x 0.75 cm (6” x 8 1/2”)

Estimate: £500 - 700 956. Production Meeting Notes Ω

STAR WARS: EP V - THE EMPIRE STRIKES

BACK (1980)
Star Wars: The Empire Strikes Back. This lot consists
of a manila folder marked on the front as “ILM PROD.
SCHED.” and containing extensive ILM production meeting
notes from the production of the sequel, special effects
breakdowns and a pair of handwritten note pages on
stapled paper. These production documents date between
December 1978 and October 1979. Also included are a small
954. Kenny Baker Estate Collection: European amount of printed copy documents that are modern copies.
Royal Charity Premiere Brochure M The set exhibits signs of wear throughout from age and
use. Dimensions: 23 cm x 30.5 cm x 1.25 cm (9” x 12” x 1/2”)
STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)
Estimate: £800 - 1,200
A European Royal Charity Premiere brochure from the promotion of Irvin
Kershner’s Star Wars: The Empire Strikes Back. Programmes were given
exclusively to guests who attended the event, which took place on 20 May
1980 at the Odeon Leicester Square.

This rare brochure has come from the estate of renowned actor Kenny
Baker. The cover shows Darth Vader (David Prowse) against distant stars,
with a silver foil Empire Strikes Back logo and details of the event printed
in white. The pages within feature several adverts, information about the
charities associated with the event, and a detailed list of cast and crew. The
brochure exhibits light edge wear and scratching on the cover, and a couple
of pages are loose. Dimensions: 30 cm x 21 cm x 0.5 cm (11 ¾” x 8 ¼” x ¼”)

Estimate: £200 - 300

464 465
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

960. Hand-painted Alan Tomkins

957. Harrison Ford-Signed Style “A” Rebel Defence D.F9 Turret Artwork M
“Gone with the Wind” One-Sheet ΩΔ
STAR WARS: EP V - THE EMPIRE STRIKES
STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)
BACK (1980)
A hand-painted artwork of a Rebel defence DF.9 turret,
A Harrison Ford-signed Style “A” “Gone with the Wind” signed by Alan Tomkins, from Irvin Kershner’s Star Wars:
one-sheet from Irvin Kershner’s Star Wars: The Empire The Empire Strikes Back. This watercolour painting was
Strikes Back. An homage to the iconic imagery of the 1967 created after the production of The Empire Strikes Back
re-release poster for Victor Fleming’s 1939 classic Gone with by the film’s art director Tomkins, who worked from the
the Wind, this poster features art by Roger Kastel centered original designs by conceptual designer and illustrator
around Han Solo (Harrison Ford) and Leia Organa (Carrie Ralph McQuarrie. It shows a Rebel Defence DF.9 laser
Fisher). The glossy, rolled one-sheet featuring the header cannon turret on the icy terrain of the planet Hoth. There
“The Star Wars Saga Continues” and Ford’s signature in blue is a printed note accompanying the piece, also signed by
marker also comes with a Beckett Certificate of Authenticity Tomkins, which gives details about the artwork and how he
authenticating the signature. It exhibits some creasing and was part of the crew during shooting in Finse, Norway. The
other wear from rolling and storage. Dimensions: 68.75 cm artwork is mounted within a grey card frame and displays
x 104.25 cm (27” x 41”) a tiny hole near the left edge. Dimensions: 30.5 cm x 40.5
cm (12” x 16”) Sold without copyright; see copyright notice
Estimate: £1,500 - 2,500 in the Buyer’s Guide.

Estimate: £300 - 500

961. Alan Tomkins Hand-painted

Imperial Probe Droid on Hoth M
958. ILM Crew T-Shirts & Apparel Ω
STAR WARS: EP V - THE EMPIRE STRIKES
STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980)
BACK (1980)
A hand-painted artwork of an Imperial Probe Droid, signed
ILM Crew T-Shirts & Apparel from the production of Irvin by Alan Tomkins, from Irvin Kershner’s Star Wars: The Empire
Kershner’s sci-fi sequel Star Wars: The Empire Strikes Back. Strikes Back. This watercolour painting was created after
This lot consists of eight cotton blend shirts in a variety of the production of The Empire Strikes Back by the film’s art
colours, sizes, and styles. They feature several embossed director Tomkins, who worked from the original designs
graphics for both The Empire Strikes Back as well as the by conceptual designer and illustrator Ralph McQuarrie. It
original Star Wars. Also included in this lot is a navy baseball shows an Imperial Probe Droid landing on the icy terrain of
hat with gold-colour lettering and a blue patch with white- the planet Hoth. There is a printed note accompanying the
colour lettering. It exhibits signs of wear from age and use piece, also signed by Tomkins, which gives details about
throughout all items. Dimensions: 38 cm x 30.5 cm x 5 cm the artwork and how he was part of the crew during the
(15” x 12” x 2”) shooting in Finse, Norway. The artwork displays minimal
wear, with some very minor marks near the bottom edge.
Estimate: £600 - 800 Dimensions: 30 cm x 40 cm (11 ¾” x 15 ¾”) Sold without
copyright; see copyright notice in the Buyer’s Guide.

Estimate: £300 - 500

959. Warren Franklin’s Special Effects 962. German Advance Teaser A1

Crew Jacket Ω Poster Ω

ILM (INDUSTRIAL LIGHT AND MAGIC) STAR WARS: EP VI - RETURN OF THE JEDI
(1983)
Warren Franklin’s special effects crew jacket from Industrial
Light & Magic (ILM). This was the first style of crew jacket A German advance teaser A1 poster from the promotion of
gifted to special effects crew members, including ILM visual Richard Marquand’s Star Wars: Return of the Jedi, or “Die
effects artist Warren Franklin, in the early 1980s. This black Ruckkehr der Jedi-Ritter.” 20th Century Fox distributed this
satin Girard & Mandel button-up bomber jacket features style of poster featuring Tim Reamer’s iconic illustration of
red and white stripes with polyester details and “SPECIAL hands holding a blue lightsaber in advance of the film’s
EFFECTS” embroidered on the chest, as the term “visual December 1983 release in Germany. This rare poster comes
effects” was not yet in popular use. Drew Struzan’s classic from the collection of Return of the Jedi producer Howard
ILM magician logo is embroidered on the reverse and “WAR” Kazanjian. It features the announcement “Ab Dezember im
is embroidered on the inside. The jacket exhibits minimal Kino” (or “In Theaters from December,”) as well as the blurb
fading to the satin and minor pilling to the polyester. “Dieser Film bricht vom ersten Tag an alle Besucherrekorde
der Filmgeschichte” (or “From day one, this film breaks all
Estimate: £600 - 800 visitor records in film history”) in white text. It exhibits some
creasing and small tears along the edges from folding.
Dimensions: 58.5 cm x 84 cm (23” x 33”)

Estimate: £200 - 300

466 467
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

963. Tusken Raider Mask Detail 966. Imperial Scout Trooper Prototype
Castings ΩΔ Armour Components ΩΔ

STAR WARS: EP VI - RETURN OF THE JEDI STAR WARS: EP VI - RETURN OF THE JEDI
(1983) (1983)
Tusken Raider mask detail castings from the production of Imperial Scout Trooper prototype armour components
George Lucas’ Star Wars: A New Hope. Tusken Raiders wore from Richard Marquand’s Star Wars: Return of the Jedi.
their detailed masks as they interacted with Luke Skywalker Scout Troopers wore their modified stormtrooper armour
(Mark Hamil) on the desert planet of Tatooine. This lot as they patrolled the forest moon of Endor. This lot consists
consists of a set of nine yellow hardened resin castings. of a pair of white vacuformed plastic details, one of which
One piece is a cast of an eye section, two pieces are casts contains a section of biscuit foam for storage, as well as five
of a mouth section and six pieces are of the forehead wrist guard prototype concepts. Two of the wrist guards
accents. This lot exhibits signs of age and use as well as feature extending clear plastic elements. This lot exhibits
excess accents on several of the bits. Dimensions: 11.25 cm x signs of age and wear including some discolouration and
14 cm x 6.5 cm (4 1/2” x 5 1/2” x 2”) tape remnants on some of the wrist guards. Dimensions:
26.75 cm x 30.5 cm x 10.25 cm (10 1/2” x 12” x 4”)
Estimate: £400 - 600
Estimate: £400 - 600

964. Mon Calamari Backup Helmet 967. Imperial Scout Trooper Backup
Bucks ΩΔ Chest Armour Buck ΩΔ

STAR WARS: EP VI - RETURN OF THE JEDI STAR WARS: EP VI - RETURN OF THE JEDI
(1983) (1983)
Mon Calamari backup helmet bucks from the production An Imperial Scout Trooper backup chest armour buck from
of Richard Marquand’s Star Wars: Return of the Jedi. Mon the production of Richard Marquand’s Star Wars: Return of
Calamarian rebel soldiers wore their helmets while they the Jedi. Scout Troopers wore their modified stormtrooper
helped to lead the assault on the new Death Star. These armour as they patrolled the forest moon of Endor. This
two plaster moulds were created as production “safety” plaster mould was created as a production “safety” mould
moulds for the Mon Calamari helmets. They were created for the Imperial Scout Trooper armour. It was created by
by pouring plaster into vacuum-formed plastic castings pouring plaster into vacuum-formed plastic castings of the
of the helmet moulds, to have an extra set in case they armour mould, to have an extra set in case it was needed
were needed for production. They exhibit signs of use and for production. It exhibits signs of use and wear throughout
wear throughout including some moulding extensions and including some moulding extensions, clay remnants,
chipping on both pieces. Dimensions: 49 cm x 75 cm x and chipping. Dimensions: 30.5 cm x 38 cm x 13.5 cm
14.75 cm (19 1/4” x 29 1/2” x 5 3/4”) (12” x 15” x 5 1/4”)

Estimate: £1,000 - 1,500 Estimate: £600 - 800

965. Endor Rebel Trooper Backup 968. Collection of 62 Behind-the-

Helmet Bucks ΩΔ scenes Photos M

STAR WARS: EP VI - RETURN OF THE JEDI STAR WARS: EP VI - RETURN OF THE JEDI
(1983) (1983)
Endor Rebel Trooper backup helmet bucks from the A collection of rare behind-the-scenes photographs from the
production of Richard Marquand’s Star Wars: Return of production of Richard Marquand’s Star Wars: Return of the
the Jedi. Rebel Troopers wore their modified camouflage Jedi. The lot consists of 62 photographs depicting various
costume as they travelled to the forest moon of Endor. These cast and crew members on set during filming, including
two plaster moulds were created as production “safety” director George Lucas, Mark Hamill as Luke Skywalker, Peter
moulds for the Rebel Trooper helmets. They were created Mayhew as Chewbacca, and a group of actors dressed in
by pouring plaster into vacuum-formed plastic castings of their Ewok costumes. A majority of the photographs feature
the helmet moulds, to have an extra set in case they were Jabba the Hutt’s sail barge the Khetanna, and there are
needed for production. They exhibit signs of use and wear several images showing the set for the Battle of Endor. The
throughout including some moulding extensions, chipping, lot exhibits signs of age and wear, including light creasing,
and a coat of paint on one mould. Dimensions: 26 cm x and the backs of several photographs exhibit discolouration
39.25 cm x 13.5 cm (10 1/4” x 11 1/2” x 5 1/4”) around the edges. Dimensions (largest photo): 20.5 cm x
25.5 cm (8” x 10”) Sold without copyright; see copyright
Estimate: £1,000 - 1,500 notice in the Buyer’s Guide.

Estimate: £500 - 700

468 469
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

973. Harrison Ford, Carrie Fisher, Mark Hamill,

Richard Marquand And Main Cast Autographed
Photograph M
969. Kenny Baker Estate
Collection: Kenny Baker’s 970. Kay Freeborn’s STAR WARS: EP VI - RETURN OF THE JEDI (1983)
Statements of Participation M Contract of Employment †Δ
A photograph autographed by the main cast of Richard Marquand’s Star
Wars: Return of the Jedi. This lot comes from the estate of credited script
STAR WARS: EP VI - RETURN OF STAR WARS: EP VI - RETURN OF supervisor Pamela Mann Francis. The black-and-white still shows Han Solo
THE JEDI (1983) THE JEDI (1983) (Harrison Ford), Princess Leia (Carrie Fisher), Luke Skywalker (Mark Hamill),
Chewbacca (Peter Mayhew), Admiral Ackbar (Tim Rose), Lando Calrissian
A set of statements of participation for A contract detailing make-up artist Kay
(Billy Dee Williams) and C-3PO (Anthony Daniels) in the Rebel briefing room.
Kenny Baker’s work on Richard Marquand’s Freeborn’s employment for the production
It was autographed in different coloured ink during filming by several cast
Star Wars: Return of the Jedi. This collection of Richard Marquand’s Star Wars: Return of
members, including Ford, Fisher, Hamill, Mayhew, Daniels, Rose, Kenny
comes from the estate of renowned actor the Jedi. Freeborn was married to legendary
Baker (R2-D2), and director Richard Marquand. The photograph exhibits
Kenny Baker. The lot features 44 pages of make-up artist Stuart Freeborn and assisted
some signs of wear, including light scratches and patches of discolouration,
financial breakdowns: 39 from the original him on several productions. Created by
and the ink has faded in some places, notably on Mayhew’s autograph.
release in 1983 and five from the special Chapter II Productions Limited, the two-
It is accompanied by a letter of authenticity from Beckett Authentication
edition release in 1997. The documents page document is dated “June 12, 1981”. It
Services. Dimensions: 17 cm x 25.5 cm (6 ¾” x 10”)
detail the amount of money owed to Baker features several typed paragraphs outlining
from the film’s profits. Baker has annotated the terms of Freeborn’s work on the film,
Estimate: £2,500 - 3,500
most of the pages with the dates received including her weekly pay. The contract is
and other information. The collection also signed in black ink by production supervisor
includes three letters pertaining to the Douglas Twiddy. The lot exhibits signs of
statements. The collection has some wear production use, including minor marks, light
from use and storage, including folds and creasing, fold lines from storage, and Tippex
creases. Dimensions (each page): 28 cm x applied to the front page. Dimensions:
21 cm (11” x 8 ½”) 29.5 cm x 21 cm (11 ½” x 8 ¼”) 974. ILM Crew Apparel Set Including Blue
Harvest Hat and T-Shirt Ω
Estimate: £400 - 600 Estimate: £400 - 600
STAR WARS: EP VI - RETURN OF THE JEDI (1983)
An ILM crew apparel set, including a Blue Harvest hat and T-shirt, from the
production of Richard Marquand’s Star Wars: Return of the Jedi. Producer
Howard Kazanjian created the production codename “Blue Harvest” and
pretended to be working on a horror film to preserve secrecy around the
set. This lot consists of a blue cotton T-shirt reading “Blue Harvest: Horror
Beyond Imagination”; a grey cotton hat reading “Blue Harvest” on the front;
a beige T-shirt featuring Ewoks; and a white “Optical Dogs” shirt. It exhibits
signs of wear from age and use including damage to the clasp of the hat’s
strap which prevents it from fastening.

Estimate: £500 - 700

975. Anthony Daniels’ Decorative Plate Crew

Gift M

STAR WARS: EP VI - RETURN OF THE JEDI (1983)

Anthony Daniels’ Chelsea Pottery plate crew gift from Richard Marquand’s
971. Pair of Special Preview Screening Tickets 972. Kenny Baker Estate Collection: Kenny Baker and Star Wars: Return of the Jedi. Director Richard Marquand gifted
Autographed by Carrie Fisher M Howard Kazanjian-signed Chapter III Productions Contract M commemorative plates to heads of departments, and this plate was given
to Anthony Daniels, who played protocol droid C-3PO. Hand-made by
Chelsea Pottery, the plate bears the film’s original title “Revenge of the Jedi”
STAR WARS: EP VI - RETURN OF THE JEDI (1983) STAR WARS: EP VI - RETURN OF THE JEDI (1983)
and “1982”. It is glazed with a light and dark brown finish, and there are two
A pair of screening tickets autographed by Carrie Fisher from the promotion of Richard Kenny Baker’s three-page signed contract from the production of Richard Marquand’s Star holes on the rear for display racking. There are signs of light wear and the
Marquand’s Star Wars: Return of the Jedi. Printed on card, the two tickets are invitations Wars: Return of the Jedi. This lot comes from the estate of renowned actor Kenny Baker. plate still retains the original Chelsea Pottery sticker on the back. It comes
to a special preview screening of the film, which took place at the Odeon in Marble Arch Created by Chapter III Productions Limited, the contract features several typed paragraphs with a handwritten note from Daniels detailing its authenticity. Dimensions:
on Sunday 22 May 1983. The reverse of both tickets has been autographed by Fisher in concerning Baker’s pay and detailing his agreement to reprise the role of R2-D2 and new 18.5 cm x 18.5 cm x 3 cm (7 ¼” x 7 ¼” x 1 ¼”)
black ink, with messages addressed to “Mark” and “Marc” respectively. There are signs character Wicket for Return of the Jedi. Baker was originally meant to play Wicket, but fell
of minor wear, creasing and scratching, and the backs of the tickets have become slightly ill on the first day of shooting, so the role was given to Warwick Davis. Dated “January 1, Estimate: £1,000 - 1,500
discoloured over time. Dimensions (each ticket): 20.5 cm x 12.5 cm (8” x 4 ¾”) 1982”, the contract is signed at the bottom of the third page in black ink by Baker and in
blue ink by producer Howard Kazanjian. The contract displays light creasing, brown marks
Estimate: £200 - 300 and staple holes, and each page has a horizontal fold line from storage. Dimensions:
28 cm x 21.5 cm (11” x 8 ½”)

Estimate: £2,000 - 3,000

470 471
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

980. Set of Industrial Light & Magic (ILM) Crew Shirts,

976. Set of Revenge of the Jedi Crew Apparel Ω 977. Four Crew Shirts and Two Screening Invitations ΩΔ Patches, and Stickers Ω 981. ILM VFX Crew Jacket †Δ

STAR WARS: EP VI - RETURN OF THE JEDI (1983) EWOKS: THE BATTLE FOR ENDOR (1985) ILM (INDUSTRIAL LIGHT AND MAGIC) STAR WARS: EP VII - THE FORCE AWAKENS (2015)
Revenge of the Jedi crew apparel from the production of Richard Marquand’s Star Wars: Four crew shirts and two screening invitations from the production of Jim and Ken Wheat’s A set of Industrial Light & Magic (ILM) crew shirts, patches, and stickers. This lot consists of An ILM VFX crew jacket from the production of J.J. Abrams’ Star Wars: The Force Awakens.
Return of the Jedi. This lot consists of six cotton blend T-shirts and one sweatshirt in a made-for-television movie Ewoks: The Battle for Endor. This lot consists of one black-and- seven cotton blend shirts and one sweater in a variety of colors and styles. They feature The black nylon jacket features a zip fastening, multiple pockets on the front, and a knitted
variety of colours and sizes. All items feature a “REVENGE OF THE JEDI” graphic on the white polyester and cotton “Damn Right We’re Cute!” Stedman baseball T-shirt (size M); a several embossed graphics for divisions of the effects company as well as crew shirts for waistband and cuffs. An embroidered red First Order emblem adorns both shoulders, and
chest, which was the film’s working title. They exhibit minor signs of wear from age and use grey polyester and cotton Screen Stars “Ewoks 2” T-shirt (child’s size 6-8); a blue cotton films in franchises such as Who Framed Roger Rabbit, E.T., and Dragonslayer. Also included the left sleeve displays the text “ILM VFX Crew 2015”. Stitched red “VII” numerals feature
throughout all items. Dimensions: 35.5 cm x 25.5 cm x 2.5 cm (14” x 10” x 1”) Hanes “Ewoks 2” T-shirt (size M); a matching red Hanes T-shirt (size XL); and two matching are thirteen magician stickers in two styles and a pair of magician patches. It exhibits signs on the back, and the garment is marked as a size M. The jacket displays minimal wear.
“Special Advance Screening” invitations printed on cardstock dated November 10, 1984. of wear from age and use throughout all items including some staining. Dimensions: 40.75
Estimate: £600 - 800 Some of the shirts have stains, and the invitations are lightly creased. Dimensions (shirts): cm x 40.75 cm x 20.50 cm (16” x 16” x 8”) Estimate: £200 - 300
67.5 cm x 35.75 cm x 10.25 cm (26 1/2” x 14” x 4”); (invitations): 20.5 cm x 10.25 cm (8” x 4”)
Estimate: £300 - 500
Estimate: £300 - 500

978. Collection of Six Lucasfilm Yearbooks ΩΔ 979. Droid Storage Crate US 982. Hand-drawn Ralph McQuarrie Tatooine Market Sketch Ω 983. Set of Crew Clothing, Gift Bag and Visitor Passes M

LUCASFILM STAR WARS TOUR ATTRACTION - WALT DISNEY WORLD THE ILLUSTRATED STAR WARS UNIVERSE (1995) STAR WARS: ROGUE ONE: A STAR WARS STORY (2016), SOLO:
A STAR WARS STORY (2018) AND STAR WARS: THE RISE OF
A collection of six Lucasfilm yearbooks. Employees of George Lucas’ production company A droid storage crate from Disney’s Star Wars: Star Tours. In the theme park attraction, visitors A hand-drawn Tatooine market sketch by Ralph McQuarrie for Kevin J. Anderson’s book
and facility, Lucasfilm, were given annual yearbooks featuring profiles of the company’s passed crates labeled for various droids on the way to the motion simulator. Custom-made The Illustrated Star Wars Universe. Considered the foremost artist from the Star Wars film
SKYWALKER (2019)
staff as well as photographs and text documenting events and achievements from the for the attraction, this white plastic crate with black metal buckles is affixed with a yellow franchise, McQuarrie also contributed art for the book. This preliminary sketch for an A set of crew clothing, a gift bag and a pair of visitor passes from the productions of the three
previous year. This lot consists of six glossy black and white and colour yearbooks which triangle decal featuring a black R2-style droid silhouette. The plastic is stained with grime illustration of a Jawa junk market on Tatooine is also featured in the 2016 publication Star most recent Star Wars movies. The set comprises a navy “Creature FX Crew, Pinewood
are dated for the years 1982, 1983, 1984, 1986, 1991, and 2004. They exhibit signs of age and scuffed in multiple places from storage and use. Dimensions: 31.75 cm x 31.75 cm x Wars Art: Ralph McQuarrie by Abrams. It is rendered in ink, coloured pencil, and graphite 2017” cap; a “Han Solo: A Star Wars Story” navy hoodie (size XL); a “Han Solo: A Star Wars
and use including creasing on some of the pages. Dimensions: 28.75 cm x 25.5 cm x 40.75 cm (12 1/2” x 12 1/2” x 16”) This lot will ship from Prop Store’s Los Angeles facility; see on drawing paper. The sketch exhibits significant tears on the edges and corners, creasing, Story” navy T-shirt (size XL); a black nylon “Han Solo: A Star Wars Story” bomber jacket
6.5 cm (15” x 9 1/2” x 2 1/2”) notice in the Buyer’s Guide some discolouration, and smudging from handling. Dimensions: 51 cm x 30.5 cm (20” x (size 3XL); a black Rogue One cotton hoodie with an “R2D2 Crew, Pinewood 2015” patch
12”) Sold without copyright; see notice in the Buyer’s Guide. on the right sleeve (size XL); a black Rise of Skywalker crew gift bag featuring a yellow “IX”;
Estimate: £600 - 800 Estimate: £400 - 600 and a pair of laminated Lucasfilm Ltd. visitor passes. All of the clothing remains in excellent
Estimate: £2,000 - 3,000 unworn condition. Dimensions (gift bag, folded): 42 cm x 36 cm x 1 cm (16 ½” x 14 ¼” x ½”)

Estimate: £600 - 800

472 473
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

988. Charles Lippincott Collection: X-wing and

TIE Fighter Ralph McQuarrie Logo Crew T-shirt Ω

STAR WARS: EP IV - A NEW HOPE (1977)

An X-wing and TIE fighter McQuarrie logo crew T-shirt from the
production of George Lucas’ Star Wars: A New Hope. Celebrated
sci-fi concept artist Ralph McQuarrie created the artwork used on the
T-shirts issued to the film’s production staff.

This blue cotton Sportswear T-shirt (size S) with a graphic featuring a

TIE fighter chasing an X-wing in front of a red planet above a blue “Star
Wars” logo comes from the collection of the film’s publicity supervisor
and longtime Lucasfilm publicist, Charles “Charley” Lippincott. It
exhibits visible discolouration from age throughout.

Estimate: £200 - 300

985. Darth Vader Head of Department Crew Gift Statue,
984. Rare Phil Lord and Chris Miller Crew-gift Posters M Costume Department Crew Cap and Gift Bag †Δ

STAR WARS: SOLO: A STAR WARS STORY (2018) STAR WARS: ROGUE ONE (2016)
A pair of rare Phil Lord and Chris Miller crew-gift posters from the production of Ron Howard’s A Darth Vader crew gift statue, costume department crew cap and gift bag from the
Solo: A Star Wars Story. These rare posters were printed as gifts for high-level production production of Gareth Edwards’ Rogue One: A Star Wars Story. Gifted to heads of
personnel when Lord and Miller were directing the film, before they left due to creative departments, the black resin statue shows the iconic Sith Lord standing on a base resembling
differences with Lucasfilm. The posters, designed by the film’s concept artist Matt Allsopp, a mound of volcanic rock. “Hodges 15” is etched on the back of the base, indicating H.O.D.
989. Charles Lippincott Collection: Princess Leia
are printed on thick card and feature the title “The Return of Han Solo” with “A film by Lord sculptor David Hodges created it. The black cotton cap features a patch reading “Los
Organa Large Size Action Figure AFA 80 NM Ω
and Miller” beneath, and “He’s in it for the Money” to the right-hand side. The posters have Alamos” – the production’s code name – and “Costume”, with the Death Star incorporated
previously been rolled and maintain a slight bow. Dimensions (each): 51 cm x 29 cm (20” x into the “O”. An embroidered Imperial rank badge adorns the cap’s right side. The grey STAR WARS: EP IV - A NEW HOPE (1977)
11 ½”) Sold without copyright; see copyright notice in the Buyer’s Guide. gift bag is decorated with a printed Rebel Alliance logo and “Go Rogue” in Aurebesh text
underneath. There are some signs of paint wear on the statue, loose threads on the cap,
A Princess Leia Organa large size action figure released in conjunction
Estimate: £1,000 - 1,500 and creasing on the bag. Dimensions (statue): 14 cm x 17 cm x 46 cm (5 ½” x 6 ¾” x 18”);
with George Lucas’ Star Wars: A New Hope. This lot comes from the
(empty bag): 42 cm x 36 cm x 2 cm (16 ½” x 14 ¼” x ¾”)
collection of the film’s publicity supervisor and longtime Lucasfilm
publicist, Charles “Charley” Lippincott.
Estimate: £1,500 - 2,500
Created by Kenner in 1978, this AFA 80 NM-graded, acrylic-encased
figure comes in its original box with B75, W85, and F85 subgrades.
The acrylic exhibits some wear from handling. Dimensions: 35.75 cm
x 26.75 cm x 7.75 cm (14” x 10 ½” x 3”)

Estimate: £150 - 250

990. Charles Lippincott Collection: Sealed TIE

Fighter Vehicle Ω

STAR WARS: EP IV - A NEW HOPE (1977)

A sealed TIE fighter vehicle released in conjunction with George Lucas’

Star Wars: A New Hope. This lot comes from the collection of the film’s
986. SFX and Stunt Team Crew Hoodies M 987. Data East Pinball Machine † publicity supervisor and longtime Lucasfilm publicist, Charles “Charley”
Lippincott. Created by Kenner in 1977, this TIE fighter comes sealed in
STAR WARS: EP VIII - THE LAST JEDI (2017) STAR WARS: EP IV - A NEW HOPE (1977) its original box with its original tape yellowed and loosening. The box
exhibits visible dents, bends, and scuffing throughout. Dimensions:
Two crew hoodies from the production of Rian Johnson’s Star Wars: The Last Jedi. Gifted to A Star Wars-themed pinball machine, manufactured in 1992 by the Japanese electronics 28 cm x 33.25 cm x 11.5 cm (11” x 13” x 4 ½”). Contains electronic
members of the special effects and stunt teams, both hoodies are made from black cotton engineering company Data East. The machine is made mostly of wood, with adjustable components; see notice in the Buyer’s Guide.
polyester and marked as a size XL. One hoodie features “Star Wars VII, SFX Crew 2014” metal legs, a glass pane over the table, plastic paddle buttons, and a pinball launch lever.
embroidered in grey and yellow on the left breast, with the LucasFilm Ltd. logo on the right There is also an LED screen that plays various messages. The lot is accompanied by two Estimate: £300 - 500
sleeve. The other has “Star Wars” embroidered in yellow on the left breast and “VII” on the instruction manuals, an Allen key, and two ziplock bags containing spare components.
right sleeve. The text “All Stunts Inc” adorns the back, with the image of a stormtrooper Also Included are two keys that open a front panel to access the electronics and an EU
falling over. Minor marks are present on the SFX hoodie. mains plug. It is currently operated using a 2 Euro coin, and a new lock has been fitted.
Dimensions: 143 cm x 70.5 cm x 198 cm (56 ¼” x 27 ¾” x 78 ¼”) Special shipping required;
Estimate: £300 - 500 see notice in the Buyer’s Guide. Contains electronics; see notice in the Buyer’s Guide.

Estimate: £2,000 - 3,000

474 475
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

991. Charles Lippincott Collection: Unused

X-wing Fighter Vehicle Ω 994. TIE Fighter Toy AFA 85 NM+ †

STAR WARS: EP IV - A NEW HOPE (1977) STAR WARS: EP IV - A NEW HOPE (1977)
A TIE Fighter toy from the promotion of George Lucas’ Star Wars: A New
An unused X-wing fighter vehicle released in conjunction with George
Hope. The TIE fighter was one of the first spaceships designed by Kenner
Lucas’ Star Wars: A New Hope. This lot comes from the collection of
to be used in conjunction with its line of action figures. It comes housed
the film’s publicity supervisor and longtime Lucasfilm publicist, Charles
inside its original box, and an Action Figure Authority (AFA) sticker with the
“Charley” Lippincott.
toy’s grading (85 NM+) is adhered to the right side of the plastic protective
casing. Dimensions: 30.5 cm x 36 cm x 12 cm (12” x 14” x 4 ¾”)
Created by Kenner in 1977, this X-wing fighter comes in its original
box, unsealed, with the original now-yellowed tape having lifted from
one of the openings. The contents of the box are original and unused,
Estimate: £1,200 - 1,800
including the vehicle itself still in its cardboard insert, the unopened
small parts bag with yellowed-but-unbroken tape, a yellowed decal
sheet, a yellowed instructional booklet, and a toy catalogue. The box
exhibits scuffing, denting, and small tears. Dimensions: 35.75 cm x
31.75 cm x 11.5 cm (14” x 12 ½” x 4 ½”). Contains electronic components;
see notice in the Buyer’s Guide.

Estimate: £400 - 600

992. Charles Lippincott Collection: Super Sonic 995. Set of Three Boxed California Original
Power Star Wars Van Set Ω Ceramic Tankards †Δ

STAR WARS: EP IV - A NEW HOPE (1977) STAR WARS: EP IV - A NEW HOPE (1977)
A set of three boxed ceramic tankards from the promotion of George Lucas’
A Super Sonic Power Star Wars van set released in conjunction with Star Wars: A New Hope. Designed by sculptor Jim Rumph, these tankards
George Lucas’ Star Wars: A New Hope. This lot comes from the were produced by the ceramic manufacturer California Originals in 1978,
collection of the film’s publicity supervisor and longtime Lucasfilm and soon became very popular. This lot consists of all three tankards from
publicist, Charles “Charley” Lippincott. the line in their original shipping boxes, namely Darth Vader (marked #25),
Ben (Obi-Wan) Kenobi (marked #26) and Chewbacca (marked #27). Two of
Created by Kenner in 1978, the van set comes sealed in its original the mugs still have their original tags attached to their handles. There are
box with its original tape yellowed and loosening. It includes two vans minor signs of wear to the paint finish on the bottom of each tankard, with
(“Darth Vader Vs. Star Wars Heroes”), four pylons, two T-sticks, and 12 creasing and minor tape marks on the boxes. Dimensions (largest tankard):
barrels. The box exhibits scuffing, denting, and staining to the insides 17 cm x 19 cm x 18 cm (6 ¾” x 7 ½” x 7 ¼”); (largest box): 20 cm x 20 cm x
of the bubbles. Dimensions: 43.25 cm x 23 cm x 10.25 cm (17” x 9” x 21.5 cm (8” x 8” x 8 ½”)
4”). Contains mechanical components; see notice in the Buyer’s Guide.
Estimate: £300 - 500
Estimate: £400 - 600

993. Charles Lippincott Collection: Sealed Darth

Vader’s Star Destroyer Action Playset Ω 996. Rare Japanese Fuji Electric R2-D2 Radio †Δ

STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980) STAR WARS: VARIOUS PRODUCTIONS

A sealed Darth Vader’s Star Destroyer Action Playset released in A rare Japanese Fuji Electric R2-D2 radio from the promotion of George
conjunction with Irvin Kershner’s Star Wars: The Empire Strikes Back. Lucas’ Star Wars series. Coca-Cola® produced branded R2-D2 AM radios
This lot comes from the collection of longtime Lucasfilm publicist as competition prizes. They were later sold as highly sought-after items
Charles “Charley” Lippincott. through Coca-Cola® distributors. The radio comes in its original packaging,
along with its instruction manual, insurance certificate, list of addresses for
Created by Kenner in 1980, the playset comes sealed in its original box Fuji Electric service centres, and a small piece of paper with instructions on
with its original tape yellowing with age. While sealed, the contents of how to open the back of the radio. The lot has only minor wear from age.
the box have been exposed due to tape loosening around the corners Dimensions (boxed): 14.5 cm x 20 cm x 24 cm (5 ¾” x 7 ¾” x 9 ½”) Contains
of the box. The box exhibits yellowing, dents, and scuffing throughout. electronics; see electronics notice in the Buyer’s Guide.
Dimensions: 33.25 cm x 54.75 cm x 18 cm (13” x 21 ½” x 7”). Contains
electronic components; see notice in the Buyer’s Guide. Estimate: £600 - 800

Estimate: £400 - 600

476 477
ENT ER TAI N M E N T M E M ORA B IL IA L IVE AUC TIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1001. Set of Three Sealed Kenner Vehicles and Seven 1002. Hand-painted Kenner “First Shot” Prototype Dulok
997. Hoth Han Solo Popy Figure AFA 85 NM+ † 998. C-3PO Popy Figure AFA 80 NM † Action Figures M Scout Ω

STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980) STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980) STAR WARS: DROIDS (T.V. SERIES, 1985-1986) STAR WARS: EWOKS (T.V. SERIES, 1985-1986)
A Hoth Han Solo action figure from the promotion of Irvin Kershner’s Star Wars: The Empire A C-3PO figure from the promotion of Irvin Kershner’s Star Wars: The Empire Strikes Back. A set of three vehicles and seven action figures from the promotion of the Lucasfilm A hand-painted vintage Kenner “first shot” prototype Dulok scout from the promotion of
Strikes Back. This figure was included in a line of 15 toys released by Popy in Japan, and This figure was included in a line of 15 toys released by Popy in Japan, and is sealed in animated television series Star Wars: Droids. The majority of the items in this lot were the animated television series Star Wars: Ewoks. This hand-painted Dulok scout toy was
shows Han Solo in his Hoth outfit. It is sealed in its original box, which is numbered “S 6”. its original box, which is numbered “S 4”. Adhered to the right side of its plastic protective originally obtained from the Lucasfilm charity auction, which took place at the Star Wars made during the preproduction of the original line. It is a “first shot”, meaning it was one
Adhered to the right side of its plastic protective casing is an Action Figure Authority sticker casing is an Action Figure Authority sticker with the toy’s grading (80 NM). Dimensions: Celebration Europe event in 2007. The auction included a selection of surplus vintage toys of the figures made to test the mould that would create the finished toys. The toy is made
with the toy’s grading (85 NM+). Dimensions: 13 cm x 8 cm x 3.5 cm (5” x 3 ¼” x 1 ½”) 13 cm x 8 cm x 3.5 cm (5” x 3 ¼” x 1 ½”) and memorabilia directly from the Lucasfilm Licensing Archives. The vehicles comprise from plastic with moveable arms and legs and a detachable head, tail and club. The Dulok
an ATL Interceptor, a Side Gunner and an A-Wing Fighter. All seven action figures come and club have been hand-painted a non-production colour as part of the prototyping
Estimate: £600 - 800 Estimate: £600 - 800 with a gold-coloured collector’s coin and include Thall Joben, Kez-Iban, Kea Moll (not process. It shows minimal paint wear throughout. Dimensions (assembled): 10 cm x 7 cm
acquired at charity auction), Jord Dusat, Uncle Gundy, Tig Fromm and Jann Tosh. All x 3 cm (4” x 2 ¾” x 1 ¼”)
10 toys are sealed in their original packaging. Also included in the set is a Star Wars
Celebration Europe programme. There are some signs of creasing, and some of the figure’s Estimate: £1,500 - 2,500
bubbles have yellowed over time. Dimensions (largest vehicle): 29 cm x 39 cm x 13.5 cm
(11 ½” x 15 ¼” x 5 ¼”)

Estimate: £2,000 - 3,000

1003. Kenner/Palitoy Dulok Scout Quality Control Signed 1004. Trisha Biggar Collection: Star Wars: Frames Ultimate
999. Death Star Droid Popy Figure AFA 85 NM+ † 1000. “Toy Center” Logo Display † Sample Ω Limited Edition Book Set M

STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980) STAR WARS: EP VI - RETURN OF THE JEDI (1983) STAR WARS: EWOKS (T.V. SERIES, 1985-1986) STAR WARS: THE COMPLETE SAGA
A Death Star Droid action figure from the promotion of Irvin Kershner’s Star Wars: The Empire A “Toy Center” logo display from the promotion of Richard Marquand’s Star Wars: Return A quality control “signed sample” of Kenner’s Dulok scout figure from the Star Wars spin-off A Star Wars: Frames “ultimate limited edition” book set from the promotion of George Lucas’
Strikes Back. This figure was included in a line of 15 toys released by Popy in Japan, and of the Jedi. This display was intended for use in general stores to promote Kenner’s animated TV show Ewoks. This production sample of the Dulok Scout action figure, one Star Wars saga. This particular set belonged to author and production costume designer
is sealed in its original box, which is numbered “S 11”. Adhered to the right side of its plastic Return of the Jedi toy line. Constructed from thick black cardboard, the sign features a of six figures produced at that time, is Mint on Card (MOC). It remains housed in its original Trisha Biggar. Limited to a run of 1,138 (a reference to Lucas’ THX 1138), these incredibly rare
protective casing is an Action Figure Authority (AFA) sticker with the toy’s grading (85 NM+). silver-coloured border made of thin, embossed metal with the Star Wars logo incorporated packaging with an unpunched card back and a collectable coin. Attached to the packaging hardback-book collections were published in 2011 and comprise stills personally picked
There are minor signs of wear around the edges of the box and very light scratching on into the top edge. The Return of the Jedi logo is rendered in large, metallic red lettering is a “signed sample” receipt dated “8/17/85”, with the comment “For Palitoy”, marked by G.M. by George Lucas. They come in a wooden display box featuring two medallions, which
the casing. Dimensions: 13 cm x 8 cm x 3.5 cm (5” x 3 ¼” x 1 ½”) inside the border, and the words “Toy Center”, also made of metal, run along the bottom. (General Mills) Production H.K. (Hong Kong). It was sent to the UK for approval from Palitoy depict Master Yoda and Darth Vader respectively, one adhered on each side. The collection
The display exhibits minor scratching, creasing, and wear around the edges. Dimensions: for distribution. It has some wear from age and the bubble has yellowed. The lot comes in a consists of six volumes covering every installment in the original and prequel trilogies. It is
Estimate: £600 - 800 63 cm x 87.5 cm x 1.5 cm (24 ¾” x 34 ½” x ½”) clear acrylic protective case. Dimensions (in case): 25.5 cm x 18 cm x 4.5 cm (10” x 7” x 1 ¾”) numbered 24 and comes with a card autographed by Lucas that is presented in its own
folder, which slots into the case. Dimensions: 62 cm x 35 cm x 35 (24 ½” x 14” x 14”)
Estimate: £800 - 1,200 Estimate: £1,000 - 1,500
Estimate: £2,000 - 3,000

478 479
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1005. Ralph McQuarrie Collection: Signature 1008. Harrods “Star Wars Gallery” Bloodied FN-
Edition Darth Vader Concept Helmet, 50/250 M 2187 Stormtrooper Helmet Acrylic Screen Print †Δ

STAR WARS: EP IV - A NEW HOPE (1977) STAR WARS: EP VII - THE FORCE AWAKENS (2015)
A Signature Edition Darth Vader concept helmet. This replica is based A large bloodied Stormtrooper helmet screen print from the promotion of J.J.
on an original design by Ralph McQuarrie for the cover of the Star Wars Abrams’ Star Wars: The Force Awakens. This print was created exclusively
novelisation, published by Balleatine/Del Rey in 1976. This highly sought- for the Star Wars Gallery showcased in London department store Harrods in
after helmet is one of a limited run of 250 released in 2010 by EFX Inc. as 2016, and was displayed alongside authentic replica props from The Force
part of the Ralph McQuarrie Collection. It is made of fibreglass with machined Awakens. Each exhibition item was created by Propshop, the company
metal components and exhibits a metallic paint finish, which appears blue responsible for the film’s original props. The weighty white acrylic sheet
in certain lighting. The helmet comes in three separate parts, all of which shows a detailed screen print of the blood-smeared Stormtrooper helmet
attach via magnets. It features smoke-tinted lenses, several integrated straps donned by FN-2187 (John Boyega) at the beginning of the film. There is
and a leather-lined interior. The lot also includes a custom display stand, a a hole in each corner, where the artwork was mounted within the gallery,
numbered plaque, an information booklet and a certificate of authenticity. and signs of light wear around the edges. Dimensions: 114.5 cm x 114.5 cm
Labelled “Serial No 050, Worldwide Edition 250”, the plaque is signed by x 1 cm (45” x 45” x ½”)
McQuarrie in black ink, and the information booklet is signed by actor David
Prowse in silver ink. There is minor scratching to the left eye lens, and the lot Estimate: £2,000 - 3,000
has been carefully stored in its original packaging. Dimensions (assembled
on base): 38.5 cm x 44.5 cm x 42 cm (15 ¼” x 17 ½” x 16 ½”)

Estimate: £3,000 - 5,000

1.15 m (3.75’)

1006. Star Wars Celebration Europe Zip-up 1009. Harrods “Star Wars Gallery” Luke
Jacket M Skywalker Lightsaber Acrylic Screen Print †Δ

STAR WARS: VARIOUS PRODUCTIONS STAR WARS: EP VII - THE FORCE AWAKENS (2015)
A zip-up jacket from the Star Wars Celebration Europe event in 2007. Held A large Luke Skywalker lightsaber screen print from the promotion of J.J.
at the ExCeL Centre in London, from 13 to 15 July, this was the first time the Abrams’ Star Wars: The Force Awakens. This print was created exclusively
event was staged outside the USA. This black cotton jacket features the for the Star Wars Gallery showcased in London department store Harrods in
event logo printed in white on the front right breast and the event’s dates 2016, and was displayed alongside authentic replica props from The Force
and location on the back. It is size XL and has a metal zip up the front, with Awakens. Each exhibition item was created by Propshop, the company
zipped pockets on each side. The jacket has very little wear from age or use. responsible for the film’s original props. The weighty white acrylic sheet
shows a detailed screen print of Luke Skywalker’s (Mark Hamill) lightsaber
Estimate: £800 - 1,200 hilt, which eventually found its way into the hands of Rey (Daisy Ridley).
There is a hole in each corner, where the artwork was mounted, and signs
of light wear around the edges. Dimensions: 114.5 cm x 114.5 cm x 1 cm
(45” x 45” x ½”)

Estimate: £2,000 - 3,000

1.15 m (3.75’)

1007. Harrods “Star Wars Gallery” Kylo Ren

Helmet Acrylic Screen Print †Δ 1010. Cast-autographed Poster †Δ

STAR WARS: EP VII - THE FORCE AWAKENS (2015) STARDUST (2007)

A large Kylo Ren helmet screen print from the promotion of J.J. Abrams’ Star A cast-autographed poster from the promotion of Matthew Vaughn’s fantasy
Wars: The Force Awakens. This print was created exclusively for the Star adventure Stardust. Printed on glossy paper, this one-sheet poster features
Wars Gallery showcased in London department store Harrods in 2016, and Captain Shakespeare (Robert De Niro) and his pirates, with Lamia (Michelle
was displayed alongside authentic replica props from The Force Awakens. Pfeiffer), Septimus (Mark Strong), Yvaine (Claire Danes), Tristan Thorn (Charlie
Each exhibition item was created by Propshop, the company responsible for Cox) and Ferdy the Fence (Ricky Gervais). The poster is autographed in
the film’s original props. The weighty white acrylic sheet shows a detailed silver-coloured ink by Pfeiffer, Cox, Danes and director Matthew Vaughn, and
screen print of Kylo Ren’s (Adam Driver) black helmet, with silver-coloured in black ink by author Neil Gaiman. The poster displays signs of minor wear
detailing around the eyes. There is a hole in each corner, where the artwork and creasing around the edges, notably in the top left corner. Dimensions:
was mounted, and signs of light wear around the edges. Dimensions: 101.5 cm x 68.5 cm (40” x 27”)
114.5 cm x 114.5 cm x 1 cm (45” x 45” x ½”)
Estimate: £600 - 800
Estimate: £2,000 - 3,000

1.15 m (3.75’)

480 481
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1014. Shooting Script With Colour Revisions †Δ 1015. Lamia’s (Michelle Pfeiffer) Witches’ Dagger †Δ

STARDUST (2007) STARDUST (2007)

A shooting script with colour revisions from the production of Matthew Vaughn’s fantasy Lamia’s (Michelle Pfeiffer) witches’ dagger from Matthew Vaughn’s fantasy adventure
adventure Stardust. The front title page credits the document to Jane Goldman and Matthew Stardust. The powerful witch’s sisters presented her with a selection of weapons on a
Vaughn, and it is labelled “Shooting Script, 30-3-06”. The unannotated script comprises pillow, after she consumed the remains of a star’s heart to regain her youth. The dagger
129 loose pages printed single-sided on white A4 paper, with pink, blue, yellow, and green comprises a dark-tinted pointed blade made of acrylic, with strands of black suede-like
revision pages included throughout. Each colour page features the date the revision was fabric wrapped around the end to create a padded handle. The weapon displays some
added at the top of the page, from “18/04/06” to “22/06/06”. The script exhibits light edge light scuffs and scratches on the blade from production use, and there are signs of wear
wear and creasing from production use. Some pages have small holes in the top right on the fabric handle. Dimensions: 45.5 cm x 5 cm x 1.5 cm (18” x 2” x ½”)
corner from being previously stapled, and there is a small rip on the title page. Dimensions:
30 cm x 21.5 cm x 2 cm (11 ¾” x 8 ½” x ¾”) Estimate: £1,000 - 1,500

Estimate: £300 - 500

1016. Lamia’s (Michelle 1017. Ferdy the Fence’s

Pfeiffer) Witches’ Hatchet †Δ (Ricky Gervais) Costume †

STARDUST (2007) STARDUST (2007)

Lamia’s (Michelle Pfeiffer) witches’ hatchet Ferdy the Fence’s (Ricky Gervais) costume
1011. Lamia’s (Michelle Pfeiffer) 1012. Septimus’ (Mark Strong) “Ghost” 1013. Septimus’ (Mark Strong) from Matthew Vaughn’s fantasy adventure from Matthew Vaughn’s fantasy adventure
Innkeeper Costume †Δ Leather Coat †Δ Costume †Δ Stardust. The powerful witch’s sisters Stardust. Market trader Ferdy wore his attire
presented her with a selection of weapons when he negotiated the price of a lightning
on a pillow, after she consumed a star’s bolt with Captain Shakespeare (Robert De
STARDUST (2007) STARDUST (2007) STARDUST (2007) heart to regain her youth. Lamia picked up a Niro) and during his questioning by Lamia
Lamia’s (Michelle Pfeiffer) innkeeper costume from Matthew Septimus’ (Mark Strong) “ghost” leather coat from Matthew Septimus’ (Mark Strong) costume from Matthew Vaughn’s hatchet-like weapon and quickly examined (Michelle Pfeiffer) regarding the whereabouts
Vaughn’s fantasy adventure Stardust. Evil witch Lamia wore Vaughn’s fantasy adventure Stardust. The ruthless Septimus fantasy adventure Stardust. Septimus wore his costume it before placing it back on the pillow. The of Yvaine (Claire Danes). The costume
her costume while posing as an innkeeper’s wife to trick wore a leather coat in multiple scenes, and this version throughout the film as he searched for the fallen star Yvaine weapon comprises a large dark-tinted blade comprises a brown faux-fur hat; a brown coat
Yvaine (Claire Danes) and cut out her heart. The costume was created for the moment he transformed into a ghost (Claire Danes), who possessed the stone he needed to made of acrylic, and a handle wrapped with with a rabbit-fur trim and lining; a distressed
consists of a bodice with maroon textured cotton sleeves; and joined his seven spectral brothers. This custom-made become the new King of Stormhold. The costume consists strands of black suede-like fabric. There are brown leather waistcoat (labelled “A”); a red
a full-length matching maroon skirt featuring a ruffled hem; leather coat was coloured light grey for colour-grading of a long, dark brown coat; a black waistcoat with silver- some light scratches and scuff marks on the waistcoat; a stripe patterned waistcoat; a pink-
and a cream linen apron. Multiple gathered fabric circles purposes, as the ghosts of all eight brothers were seen in coloured embroidered “7” emblems; a black patterned blade, and the fabric on the handle exhibits and-black check-patterned shirt; a reddish-
decorate the bodice and black ribbon lacing runs down the black and white. The garment features a stand-up collar, neckerchief; a black cotton tunic; black leather gloves minor wear. Dimensions: 45.5 cm x 18.5 cm x brown necktie (labelled “B.Thomas, 2-1, 2-2”);
front. Attached within the skirt is a padded bum roll which is embroidered with white and grey swirly patterns, and labelled “MS”; high waisted, felt-like trousers labelled “Mark 1.5 cm (18” x 7 ½” x ½”) a dark green patterned scarf; a pair of green
adds fullness to the back. The costume shows signs of lined with grey taffeta. Three vents adorn the back and a Strong”; leather boots; removable spurs; and an ornate silver corduroy trousers; and a pair of brown leather
production use, including staining on the apron and minor slit is present on both cuffs. The coat exhibits signs of wear, resin belt buckle. Marks are present on some garments Estimate: £1,000 - 1,500 boots. There are minor holes on the necktie,
wear to some of the stitching, while a small section of fraying including minor plucking to the embroidery and fraying on from production use, notably around the coat hem, and the the fur on the coat has shed in places, and
is present on the back neckline of the bodice. the right cuff, and there is a small tear present on both sides boots display dirt remnants. The rubber spur components the coat retains an odour.
of the waist area. exhibit cracking, and there are signs of minor repair work
Estimate: £2,000 - 3,000 present on the buckle. Estimate: £700 - 900
Estimate: £1,000 - 1,500
Estimate: £3,000 - 5,000

482 483
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1019. John Sheppard’s

1018. Wraith Warrior (Joe Flanigan) Battle Dress
Costume M Uniform M

STARGATE: ATLANTIS (T.V. STARGATE: ATLANTIS (T.V.

SERIES, 2004-2009) SERIES, 2004-2009)
A Wraith warrior costume from the sci-fi John Sheppard’s (Joe Flanigan) battle
television show Stargate: Atlantis. Wraiths dress uniform from the sci-fi television
were a race of vampiric telepaths that fed show Stargate: Atlantis. Lieutenant Colonel
on human life-force. The costume consists Sheppard wore his uniform throughout
of a matted grey wig and latex mask; resin Season 5, as he served as a commander
and rubber chest and back plates; a dark of the First Atlantis Reconnaissance Team.
grey faux-leather top; forearm guards; a The costume consists of a black cotton
codpiece; and faux-leather trousers with shirt and a pair of trousers, both made from
an affixed belt, shin guards, and boot cotton ripstop fabric. The shirt features
covers. A translucent layer shrouds the epaulettes, five buttons running down the
armour pieces. The trousers are labelled front, an Atlantis patch on the right sleeve,
“Glenn Ennis”, “Duke S.” and “Gontran”; and an American flag patch on the left 1022. Hand-drawn and Hand-painted Colour Concept
the codpiece “Barry Nerling” and “Mark sleeve. A zip fly fastening is situated on the Artwork M 1023. Full-size Arachnid Warrior Jaw US
Gibbon”; the forearm guards “Ken Zilka”, front of the trousers, and a label reading
“Calvin Sawyer” and “Mike B”; and the belt “Sheppard, May 08, 1 of (4)” is located
STARSHIP TROOPERS (1997) STARSHIP TROOPERS (1997)
“Barry Newling”, suggesting the costume inside the waistband. There are minor
was reused throughout the series. It shows plucks present on the flag patch, and the A collection of six hand-drawn and hand-coloured concept art pieces from the production of A full-size Arachnid Warrior jaw from Paul Verhoeven’s sci-fi satire Starship Troopers. Warrior
signs of wear from production use, including costume exhibits some loose threads and Paul Verhoeven’s sci-fi action film Starship Troopers. Three are hand-drawn and coloured, Bugs used their monstrous dual-pincer jaws to consume Mobile Infantrymen throughout the
distortion and fraying on the fabric, dirt minor wear from use. and three are hand-coloured, printed illustrations, with concept artist John Bell’s name film. This lot comes from the collection of creature visual effects supervisor Phil Tippett, who
marks, and scuffs on the rubber and resin. featuring on three of the artworks. One is rendered on thick black card, and the rest are constructed the full-size versions of the Bugs and ultimately earned an Academy Award®
Estimate: £600 - 800 rendered on white paper. The collection shows some wear from production use and age, nomination for his work. This fibreglass jaw is hand-painted black with red-yellow stripes
Estimate: £800 - 1,200 with minor creasing and staining. Dimensions (largest): 28 cm x 43.5 cm (11” x 17”) Sold and moulded around a steel rod for affixing to the Bug’s body. It exhibits extensive battle-
without copyright; see copyright notice in the Buyer’s Guide. damage, including a broken prong at the back, as well as exposed fibreglass, scuffed paint,
and applied grime throughout from production. Dimensions: 139.75 cm x 71.25 cm x 71.25
Estimate: £400 - 600 cm (55” x 28” x 28”) Special shipping required; see special shipping notice in the Buyer’s
Guide. This lot will ship from Prop Store’s Los Angeles facility; see notice in the Buyer’s Guide

Estimate: £1,500 - 2,500

1024. Danny Boyle 1025. Harvey’s (Troy Garity)

Autographed Quad Poster †Δ Costume, SFX Helmet Visor,
and Torch M
SUNSHINE (2007) SUNSHINE (2007)
An autographed poster from the promotion Harvey’s (Troy Garity) costume, an SFX helmet
of Danny Boyle’s sci-fi thriller Sunshine. The visor, and a torch from Danny Boyle’s sci-fi
quad poster is printed on glossy paper and drama Sunshine. Harvey wore his costume
features the flames of the sun stretching when Capa (Cillian Murphy) and Kaneda
towards Capa (Cillian Murphy) who has (Hiroyuki Sanada) fixed the solar shielding,
ultimately accepted his fate, as seen during while their crew carried torches on bandoliers
the final moments of the film. It is autographed as they explored the deserted Icarus I. This
by director Danny Boyle in gold-coloured ink, lot consists of a long-sleeved navy blue T-shirt
and the tagline “Dark Days Are Coming” is (size L/XL); blue trousers and belt; brown
1020. Light-Up Hero Tollan Health Monitor M 1021. Battle-damaged Wraith Stunner Pistol M printed above the credits. The poster remains trainers (size US 12/UK 11); a wood and resin
in good overall condition, with a small mark SFX helmet visor with a clear acrylic visor
near the autograph, and evidence of wear and and internal circuit boards designed to mount
STARGATE SG-1 (T.V. SERIES, 1997-2007) STARGATE: ATLANTIS (T.V. SERIES, 2004-2009)
creasing along the bottom edge. Dimensions: on a camera for first-person photography;
A light-up hero Tollan health monitor from the sci-fi television series Stargate SG-1. Tollans A battle-damaged Wraith stunner pistol from the sci-fi television show Stargate: Atlantis. 76 cm x 101.5 cm (30” x 40”) and an aluminum torch. It shows wear from
had health monitors attached to their wrists. The item is predominantly resin, painted to Wraiths used their stunners to incapacitate their enemies and capture them alive. The pistol production use and age, with scuffs and
resemble metal. It slides open, revealing an acrylic section with alien symbols. The monitor is made of rubber and is hand-painted with shades of blue and brass to look like metal. Estimate: £200 - 300 scratches on the torch and visor. Dimensions
can be attached via a cable to a power pack (labelled “4x 9 volt”) and has four switches The left side of the barrel is burned and melted to give the appearance of being struck by (visor): 22 cm x 46 cm x 26 cm (8 ¾” x 18” x 10
that control various lighting features. The monitor shows wear from production use and weapons fire. The weapon has some additional wear from production use, including some ¼”); (torch): 4.5 cm x 10 cm x 6 cm (1 ¾” x 4”
age, including scuffing and scratches. The application on the acrylic is peeling at two of scratches and scuffs. Dimensions: 33 cm x 5 cm x 18 cm (13” x 2” x 7”) x 2 ¼”) Contains electronics; see electronics
its corners and the monitor is missing a panel on the bottom, revealing the electronics. notice in the Buyer’s Guide.
Dimensions: 14.5 cm x 8 cm x 4 cm (5 ¾” x 3 ¼” x 1 ½”) Contains electronics; see electronics Estimate: £400 - 600
notice in the Buyer’s Guide. Estimate: £1,000 - 1,500
Estimate: £800 - 1,200

484 485
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1029. Eve Teschmacher’s (Valerie

1026. Argus Cube ΩΔ Perrine) Dress M

SUPER 8 (2011) SUPERMAN (1978)

An Argus cube from J.J. Abrams’ sci-fi thriller Super 8. Argus Eve Teschmacher’s (Valerie Perrine) dress from Richard
cubes, segments of a broken alien spacecraft, scattered in Donner’s superhero film Superman. Miss Teschmacher
the wreckage of a derailed train before a group of kids - and wore her red dress while distracting a team of soldiers
soon after, the military - stumbled upon them. This rare, by pretending to be a car-accident casualty as part of Lex
complete resin cube consists of numerous smaller cubes Luthor’s (Gene Hackman) plan to reprogramme two nuclear
fused together and painted a pearlescent white colour. It missiles. The red halterneck dress features pleating at the
exhibits minor brown and red stains, as well as some paint front, a zip down the left side, and an incorporated boned
scuffs, from production use. Dimensions: 5 cm x 5 cm x 5 underbust corset. A Bermans & Nathans costumier label
cm (2” x 2” x 2”) reading “Valerie Perrine, 12339, Superman” is sewn to the
lining, while the text “3, lying on ground” is written on a tag
Estimate: £400 - 600 in black ink. The dress displays signs of production use,
including minor plucks, fraying and marks on the lining.

Estimate: £2,000 - 3,000

1030. Stuart Freeborn Collection:

1027. Stuart Freeborn Collection: Set Superman (Christopher Reeve) Special
of 104 Call Sheets M Effects Head and Tea Chest M

SUPERMAN (1978) SUPERMAN (1978)

A collection of 104 call sheets from the production of Richard A Superman (Christopher Reeve) SFX head and tea chest
Donner’s superhero film Superman. This set originally came from Richard Donner’s superhero film Superman. This head
from the collection of Stuart Freeborn, the production’s was used on a life-sized model of the Kryptonian hero for
creative supervisor of make-up and special visuals. Printed SFX shots in Superman and Superman II. These items
on assorted colour paper, the call sheets detail the call times originally came from the collection of legendary make-up
for main cast, supporting actors and background extras, artist Stuart Freeborn. The fibreglass-and-foam lifecast head
as well as notes regarding the shooting requirements features remnants of a pink-painted finish, much of which
for several departments. The call sheets are dated from has worn away. The wood and metal tea chest is decorated
April 1977 to July 1978, and some feature handwritten on one side with “Superman” in black stencilled letters. The
annotations. The set has folded corners and light creasing head sustained damage during filming, and the ears are
from production use, and there is minor discolouration missing. There are several cracks and signs of corrosion
around the edges of several sheets. Dimensions (largest call present on the chest. Dimensions (head): 23 cm x 30 cm
sheets): 33 cm x 20.5 cm (13” x 8 ¼”); (smallest call sheets): x 36 cm (9” x 11 ¾” x 14 ¼”); (chest): 51 cm x 41 cm x 60 cm
29.5 cm x 21 cm (11 ½” x 8 ¼”) (20” x 16 ¼” x 23 ½”)

Estimate: £600 - 800 Estimate: £800 - 1,200

1028. Hand-drawn Title Card Concept 1031. Eiffel Tower Sequence

Sketch ΩΔ Storyboard File †Δ

SUPERMAN (1978) SUPERMAN II (1980)

A hand-drawn title card concept sketch from the Superman A storyboard file from Ricard Lester’s superhero sequel
film franchise. Title designer Richard Greenberg and his Superman II. The storyboards detail the Eiffel Tower
company, R/Greenberg Associates, created title cards for sequence at the beginning of the film, in which terrorists took
both the teaser and original opening title sequence for over the Parisian monument and Superman (Christopher
Superman (1978). Title cards based on Greenberg’s work Reeve) saved the trapped Lois Lane (Margot Kidder). The
appeared throughout the franchise. This sketch featuring file contains 47 printed storyboards, dated “9/7/79”, held
both the name “Superman” and the Kryptonian shield together between card covers with a metal fastener. Some
logo is rendered in ink on SAM art board affixed with white of the storyboards have pencil annotations and have been
and beige tape, one piece of which is labeled “Center of sketched on. “Eiffel” and “Superman 2” are handwritten
P - 100%.” The tape is discoloured from age and there are on the cover. The file has some wear from production use
some scratches on the board’s reverse. Dimensions: 28 cm and age, including some creasing and minor staining on
x 38.25 cm (11” x 15”) Sold without copyright; see notice in the cover. Dimensions: 21 cm x 31 cm x 0.75 cm (8 ¼” x
the Buyer’s Guide. 12 ¼” x ¼”)

Estimate: £400 - 600 Estimate: £800 - 1,200

486 487
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1032. Set of Production Stills Ω

SUPERMAN II (1980)
A set of production stills from Richard Lester’s superhero
sequel Superman II. Photographs were distributed by the
production for use in newspapers and other periodicals
during the promotion of the film. The set consists of 43 black
and white photographs printed on glossy paper with the
films title and copyright information in fine print, one colour
print on glossy paper, and one small colour translucent
image. Some of the prints exhibit signs of age, including
minor stains. Dimensions (largest) 25.5 cm x 20.5 cm (10”
x 8”); (smallest): 12.75 cm x 10.25 cm (5” x 4”) Sold without
copyright; see notice in the Buyer’s Guide.

Estimate: £300 - 500

1036. Production Binder Containing Script, Storyboards
1035. Newspaper and Set of Three Licence Plates Ω and Assorted Paperwork M

SUPERMAN FRANCHISE (1978-1987) SUPERMAN IV: THE QUEST FOR PEACE (1987)
1033. Call Sheets, Shooting A newspaper and set of three licence plates from the Superman film series. In the first film, A production binder from Sidney J. Furie’s superhero sequel Superman IV: The Quest for
Schedules, Production Ephemera, Otis (Ned Beatty) handed Lex Luthor (Gene Hackman) a newspaper featuring this headline. Peace. Originally belonging to sound recordist Danny Daniel, the black binder contains:
Promotional Items and Smallville Metropolis licence plates adorned cars throughout the series. The orange and blue metal nine storyboard sheets; 11 pink revised storyboard sheets dated “14th November 1986”;
Police Patch †Δ plates read “Metropolis” with the designations “APS303”, “201-VLS”, and “733-KEW”. The two pink revised storyboard sheets dated “20th November 1986”; a cast list; an equipment
Daily Planet newspaper features the headlines “Twin Nuclear Missiles Test Confirmed” and invoice; two call sheets numbered “53” and “54”; a revised script; and a six-page shooting
SUPERMAN II (1980) AND SUPERMAN III “Live Warheads to be Used”, a black-and-white photograph of a missile, and pages from schedule. A laminated “Superman IV” card featuring Daniel’s name and job title is clipped
(1983) a separate newspaper adhered inside. The newspaper exhibits creasing, edgewear, and to the binder’s front cover. The lot displays signs of production use, including dirt marks on
yellowing. The licence plates exhibit denting and discolouration. Dimensions (newspaper): the binder, folded page edges and marks, and the front two script pages exhibit tears and
Ephemera from the production and promotion of Richard 43.25 cm x 30.5 cm x 1.5 cm (17” x 12” x 0.5”); (licence plates, each): 30.5 cm x 15.25 cm x staining. Dimensions (binder): 36 cm x 25.5 cm x 4 cm (14 ¼” x 10” x 1 ½”)
Lester’s superhero sequel Superman II, and a Smallville 1.5 cm (12” x 6” x 0.5”)
Police patch from Superman III. A Smallville police officer Estimate: £400 - 600
wore badges on both sleeves of his uniform during Ricky’s Estimate: £1,500 - 2,500
(Paul Kaethler) birthday party. The Superman II items
originated from stunt coordinator and performer Paul
Weston. The paperwork includes six sets of call sheets;
a main unit shooting schedule; a special effects shooting
schedule; a Niagara Falls “recce”; two “get well soon” notes
– one from producers Ilya Salkind and Pierre Spengler,
and one from star Susannah York; and a promotional
magazine which unfolds into a poster. The multicoloured,
shield-shaped patch is screen-printed on beige cotton
with an emblem of the Kansas State Capitol building and
“Police, Smallville, Kansas” in yellow. Dimensions (magazine,
unfolded): 84 cm x 59 cm (33” x 23 ¼”); (patch): 12.5 cm x
11.5 cm x 0.2 cm (5” x 4 ½” x ¼”)

Estimate: £500 - 700

1034. Set of 12 Hand-drawn

Storyboards †Δ

SUPERMAN III (1983)

1038. Christopher Reeve and Gene Hackman Autographed
A set of 12 hand-drawn storyboards from Richard Lester’s 1037. Astronaut and Cosmonaut Suits M Post-production Script M
superhero sequel Superman III. The storyboards illustrate
shots from the opening credits sequence, as a series of
events escalated into chaos, causing Superman (Christopher SUPERMAN IV: THE QUEST FOR PEACE (1987) SUPERMAN IV: THE QUEST FOR PEACE (1987)
Reeve) to save the day. Some of the shots were ultimately Astronaut and cosmonaut suits from Sidney J. Furie’s superhero sequel Superman IV: A Christopher Reeve and Gene Hackman autographed post-production script from Sidney J.
revised for the final cut of the film. Each storyboard is The Quest for Peace. Russian cosmonauts wore jumpsuits when they were rescued by Furie’s superhero sequel Superman IV: The Quest for Peace. This “Combined Dialogue and
rendered in pencil, with three drawn on tracing paper and Superman (Christopher Reeve) after their station was knocked out of orbit by debris. The Continuity Post Production Release Script” is dated “14th July 1987” and has been signed
then loosely taped to white A4 paper, and the rest drawn red nylon cosmonaut jumpsuit has plastic zips and features three badges: one that reads in black ink by Reeve, Hackman and Jackie Cooper, who played Daily Planet editor Perry
on paper. The storyboards display signs of wear, including “Soyuz”, referring to the Soviet spacecraft; one of the Soviet flag; and a name badge on the White. The script is bound with two treasury tags between yellow card covers. It has some
discoloured tape on three storyboards and a cup ring-mark left with Cyrillic lettering. The blue polyester astronaut suit has metal zips. It features two wear from age and use, including creasing, staining and discolouration. Dimensions: 30.5
on another. Dimensions (each): 21 cm x 29.5 cm (8 ¼” x American flag badges; a United International Space Station (UISS) badge; a UISS badge cm x 21 cm x 2.5 cm (12” x 8 ¼” x 1”)
11 ½” Sold without copyright; see copyright notice in the with a detailed image of a space station; and a name badge reading “Lieut. A. Ferguson.”
Buyer’s Guide. The astronaut suit was ultimately not seen on screen. Both suits feature costumier labels Estimate: £1,000 - 1,500
and show very minor creasing.
Estimate: £1,000 - 1,500
Estimate: £600 - 800

488 489
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1039. Sweeney Todd’s (Johnny Depp)

Oversized Close-up Razor Blade M 1042. Breakaway Key Ω

SWEENEY TODD: THE DEMON BARBER OF TALES OF THE CRYPT PRESENTS:

FLEET STREET (2007) BORDELLO OF BLOOD (1996)
Sweeney Todd’s (Johnny Depp) oversized close-up razor A breakaway key from Gilbert Adler’s horror comedy Tales
blade from Tim Burton’s 2007 musical Sweeney Todd: The From the Crypt Presents: Bordello of Blood. Treasure
Demon Barber of Fleet Street. Sweeney Todd used his hunter Vincent Prather (Phil Fondacaro) obtained a key
razors throughout the film to cut the throats of his victims, which allowed him to control vampire queen Lilith (Angie
and this oversized blade was used for close-up shots. The Everhart). Later, he smashes the key, granting her freedom.
blade is made from highly polished and very reflective steel. This translucent and gold-colour painted breakaway glass
It has some minor wear from use and age, most notably key device features a circular centre detail affixed with
some tarnishing along the tail. Dimensions: 44 cm x 1 cm x Stars of David impressions around the centre. It exhibits
7 cm (17 ¼” x ¼” x 2 ¾”) some wear from age and production including a broken
cross detail on one side. Dimensions: 20.5 cm x 15.5 cm x
Estimate: £2,000 - 3,000 7.75 cm (8” x 6” x 3”)

Estimate: £1,000 - 1,500

44 cm (17.25”)

1043. Limited-edition Eastman and

1040. Johnny Depp Autographed Laird Autographed Hardcover Comic
Handprint M Book and Crew Jacket M

VARIOUS PRODUCTIONS TEENAGE MUTANT NINJA TURTLES (1990)

A Johnny Depp autographed handprint obtained from a A limited-edition autographed hardcover comic book and
promotional signing. The handprint has been pressed onto a crew jacket from Steve Barron’s action-comedy Teenage
a piece of thick card using black ink and is autographed Mutant Ninja Turtles. Published by Mirage Studios in
by Depp across the palm in purple ink. It is accompanied 1988, the book reprints the first 11 issues and four micro-
by a photograph of Depp holding his ink-covered right series of Teenage Mutant Ninja Turtles. The title page is
hand up to the camera and an AutographCOA letter of autographed by series creators Kevin Eastman and Peter
authentication. The lot is presented in a grey card folder Laird, with sketches of two turtles. The black wool and
and exhibits minimal wear. Dimensions: 29.5 cm x 24 cm x faux leather varsity style jacket is marked size XL. A large
0.5 cm (11 ½” x 9 ½” x ¼”) embroidered image of the four turtles adorns the back,
and the film’s logo features on the left breast. There are
Estimate: £1,000 - 1,500 signs of wear and scratching on the book’s cover, and the
jacket displays some trailing threads and several marks on
one sleeve. Dimensions (book): 25.5 cm x 20.5 cm x 3.5
cm (10” x 8” x 1 ½”)

Estimate: £1,000 - 1,500

1044. Michaelangelo (David Fraser)

1041. Robot Head Ω Head Ω

TALES FROM THE CRYPT (T.V. SERIES, 1989 TEENAGE MUTANT NINJA TURTLES III (1993)
- 1996)
A Michaelangelo (David Fraser) head from Stuart Gillard’s
A robot head from the horror anthology series Tales from action-adventure sequel Teenage Mutant Ninja Turtles III.
the Crypt. While this head is attributed to the series, its In the film, Michaelangelo and his brothers used their ninja
specific use is currently unknown. The head is made of skills to rescue their friend April O’Neil (Paige Turco) from
vacuum-formed plastic that had been painted to resemble the evil Lord Norinaga (Sab Shimono). This lot consists of
weathered marble, with two eye slots (one of which has spotted green foam latex skin, with a zippered back, over
a mesh in place) and a thick brown leather strap with a foam-filled black velveteen head; an orange fabric mask;
brass-colour buckles covering the mouth area. The inside and resin teeth with pink gums on wooden dowels. The
of the head is partially foam-filled, lined with black felt, fragile foam latex exhibits drying, cracking, and tearing; with
and filled with non-functional mechanical and electrical a large tear across the face under the eyes. Dimensions: 56
elements as well as a jointed metal connector piece. It cm x 56 cm x 56 cm (22” x 22” x 22”)
exhibits scuffing, paint chipping, and some of the internal
components (including the metal connector) coming Estimate: £1,000 - 1,500
unglued. Dimensions: 28 cm x 18 cm x 28 cm (11” x 7” x 11”)

Estimate: £800 - 1,000

490 491
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1045. Pair of Hand-drawn Morgan

Weistling Poster Concept Sketches M 1048. Thomas Crew Gift †Δ

TEENAGE MUTANT NINJA TURTLES III (1993) THOMAS THE TANK ENGINE (T.V. SERIES,
1984-PRESENT)
A pair of poster concept sketches hand-drawn by renowned
artist Morgan Weistling from the promotion of Stuart Gillard’s A Thomas crew gift from the production of the long-running
action-adventure sequel Teenage Mutant Ninja Turtles III. children’s television show Thomas the Tank Engine. This
One of the sketches depicts the heroic turtles on horses, in custom-made model was conceived as a gift for a select
a variation of the movie’s final poster design.Each artwork is number of heads of department. It was created during the
rendered in pencil on tracing paper placed on top of a white production using the original Thomas models as reference.
A4 paper sheet, secured with masking tape along the top Made predominantly of resin, the model is hand-painted
edge. The drawings display light signs of wear, and there and screwed to a wooden base. It has some wear from
are minor marks on one sketch. Dimensions (each sheet): age, including scuffing to the paintwork and minor denting.
30 cm x 21 cm (11 ¾” x 8 ¼”) Sold without copyright; see Dimensions: 32.5 cm x 14 cm x 15 cm (12 ¾” x 5 ½” x 6”)
copyright notice in the Buyer’s Guide.
Estimate: £2,000 - 3,000
Estimate: £300 - 500

1046. T-1000 (Robert Patrick) ILM 1049. Crew Gift of Thomas and
Scanning Police Helmet M Friends †Δ

TERMINATOR 2: JUDGMENT DAY (1991) THOMAS THE TANK ENGINE (T.V. SERIES,
1984-PRESENT)
A T-1000 (Robert Patrick) ILM scanning police helmet
from James Cameron’s sci-fi action sequel Terminator A Thomas-and-friends crew gift from the production of
2: Judgment Day. Robert Patrick wore this helmet at the long-running children’s television show Thomas the
Industrial Light & Magic (ILM) for digital laser scanning, Tank Engine. This sculpted crew gift features Thomas,
which contributed to the film’s breakthrough “liquid metal” The Controller and seven of the other main engines. It is
CG effects. It appeared in The Making of Terminator 2: made of resin embedded with bronze powder, and sits
Judgment Day documentary. The fibreglass and resin upon a wooden base. Both the base and the back of the
Bell police motorcycle helmet was modified for the digital sculpture feature a black, felt lining. A sticker on the base
scanning process, with white paint applied over the reads “Thomas The Tank Engine And Friends – Series 9000,
dark areas and several “X” markings in blue marker. It is 2004 - 2005”. The sculpture features some wear from age,
marked “7 3/8, 59” on the interior and lined with padded including scuffing and scratches. Dimensions: 37 cm x 9 cm
foam. It comes with a custom-made display head featuring x 19 cm (14 ½” x 3 ½” x 7 ½”)
Patrick’s likeness, complete with sunglasses. Some foam
has disintegrated over time. Dimensions: 29 cm x 22 cm x Estimate: £800 - 1,200
26 cm (11 ½” x 8 ¾” x 10 ¼”)

Estimate: £1,000 - 1,500

1050. Clapperboard and Presentation

1047. Set of Production Stills Ω Scroll Crew Gift M

THE THING (1982) THOSE MAGNIFICENT MEN IN THEIR FLYING

MACHINES (1965)
A set of production stills from John Carpenter’s sci-fi horror
film The Thing. Photographs were distributed by the A clapperboard and presentation scroll crew gift from Ken
production for use in newspapers and other periodicals Annakin’s action comedy Those Magnificent Men in Their
during the promotion of the film. The set includes 35 black Flying Machines. The wood clapperboard is painted black
and white photographs printed on glossy paper with a with white detailing, and its clapper has been fixed closed
fine-print notice about the use of the images and Universal with metal pins. It features the film title and a section to mark
City Studios, Inc. copyright on the bottom and handwritten the slate and take number. The scroll, a crew gift, is made
numbers on the back. A glossy print of an advertisement from thin card rolled around two pieces of wooden dowel
for The Thing from Another World (1951) and a translucent and fastened at one end with a red ribbon. Its inscription
negative of the same advertisement are also included. Some inducts the applicant to the “International Association
of the prints exhibit staining and one print is stuck to the of Ground Pilots,” and it is signed by Annakin and writer
back of another. Dimensions (each): 25.5 cm x 20.5 cm (10” Jack Davies. Both show minor signs of wear from age.
x 8”) Sold without copyright; see notice in the Buyer’s Guide. Dimensions (clapperboard): 26.5 cm x 18 cm x 3.5 cm
(10½” x 7” x 1½”); (rolled scroll): 30.5 cm x 5.5 cm x 3 cm
Estimate: £300 - 500 (12” x 2¼” x 1¼”)

Estimate: £1,000 - 1,500

492 493
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1051. Replica Studio-scale Thunderbird 1 Model 1054. Japanese and Spanish Galley Proof Copies
and Diorama for “Thunderbirds: The Comic” M of The Art of Tim Burton M

THUNDERBIRDS (TV SERIES, 1964-1966) VARIOUS PRODUCTIONS

A replica, studio-scale Thunderbird 1 model and diorama from Gerry Two galley proof copies of Leah Gallo’s The Art of Tim Burton, published
Anderson’s sci-fi television series Thunderbirds. Thunderbird 1 was piloted by Steeles Publishing in 2009. This lot originally came from the personal
by Scott Tracy throughout the series. The set was created by renowned collection of renowned actress Helena Bonham Carter. One copy consists
model maker Martin Bower, whose credits include Space: 1999 and Alien. of loose pages printed on glossy paper with all text written in Japanese. It
Its miniature base and model replicas are wood and plastic, painted is presented in a mock-up of the black hardcover, featuring a transparent
to resemble the original set and shuttle. It features a plaque reading, cut-out. The second preliminary version features Spanish text and comprises
62 cm (241/2”) “Thunderbird 1 ready for take off – Exact replica of original TV model. This printed photocopies of the interior pages all glued together. Also included
model is used to produce photos for ‘Thunderbirds: The Comic’ as shown”. are two separate sheets displaying a printed design for the hardback
The lot shows signs of wear from age, such as cracks and stains around cover. The set exhibits general page edge wear and some minor marks.
the base, with light damage to small set pieces, and small scratches to Dimensions (Japanese copy): 31 cm x 28.5 cm x 5 cm (12 ¼” x 11 ¼” x 2”);
the paintwork. Dimensions: 48 cm x 62 cm x 95 cm (19” x 24 ½” x 37 ½”) (Spanish copy): 37 cm x 32 cm x 7 cm (14 ½” x 12 ½” x 2 ¾”)

Estimate: £1,000 - 1,500 Estimate: £300 - 500

1055. Kenny Baker Estate Collection: Terry

1052. Rare Tracy Island Shop Window Display M Gilliam-autographed Gift Print M

THUNDERBIRDS (T.V. SERIES, 1964-1966) TIME BANDITS (1981)

A rare Tracy Island shop window display from the promotion of Gerry A print from the production of Terry Gilliam’s fantasy adventure Time Bandits
Anderson’s sci-fi television series Thunderbirds. Created by Elf Toys, Tracy gifted to Kenny Baker and autographed by Gilliam. This lot comes from the
Island sets were issued to toy shops during the late 1960s to display the estate of renowned actor Kenny Baker, who played time-hopping thief Fidgit
JR21 vehicle toy line. The lot consists of a Thunderbird 1 launch retracting in the movie. The print features Gilliam’s artwork, which was prominent on
swimming pool, complete with a rare separate diving board; a Thunderbird posters and other promotional material. It is inscribed “Kenny – Thanks for
2 hangar with moveable palm trees; a Thunderbird 3 apartment launch being so funny on film Fidgit is wonderful – TG”. The print is displayed in a
station; a Tracy Island home adhered to a grey-painted mountainside; and metal frame, and has some wear from age, including minor creasing and
a rectangular plywood base. The majority of the components are made of scratching to the paper. Dimensions: 33 cm x 29 cm x 1.5 cm (13” x 11 ½”
wood and plastic. Also included is a vintage Lady Penelope postcard. The x ½”) Sold without copyright; see copyright notice in the Buyer’s Guide.
set exhibits signs of age and wear to the paint finish. Dimensions (base):
61 cm x 45.5 cm x 0.5 cm (24” x 18” x ¼”) Estimate: £200 - 300

Estimate: £2,000 - 3,000

1053. Limited-edition “Crazy Michael” Toy Gifted

to Tim Burton M 1056. Engineering Officer Jacket †

TIM BURTON TITANIC (1997)

A limited-edition “Crazy Michael” toy designed by Hong Kong artist Michael An Engineering Officer jacket from James Cameron’s Academy Award®-
Lau and gifted to director Tim Burton. This lot originally came from the winning historical romance Titanic. White Star Line officers wore their jackets
personal collection of renowned actress Helena Bonham Carter. Released as they supervised the engine room crew. This navy blue, double-breasted
by Hot Toys Limited on 11 December 2010, the 12-inch action figure shows peacoat has four rows of gold cuff trim and gold-coloured front buttons,
Crazy Michael in his white attire, a straitjacket, and Nike Air Force shoes. each embossed with the White Star logo of a star within a flag. An “Angels”
Also included is a black dog figure in a straitjacket and removable hood. costumier’s label is stitched over an inner pocket, and a handwritten label
Both figures come in their original box, inscribed “Tim Burton” in black ink in the collar indicates the jacket was worn by “Shane McDaid”. McDaid
by Lau. A mark appears on one shoe, and the box exhibits light creasing. was a cast member of the 2013 Titanic musical, indicating that the costume
Dimensions (Crazy Michael): 6 cm x 8.5 cm x 31.5 cm (2 ¼” x 3 ¼” x 12 ¼”); was reused for the stage show. Three poppers are stitched inside under
(box): 34.5 cm x 15.5 cm x 15.5 cm (13 ½” x 6” x 6”) the arms to attach extra costume elements. It shows signs of age on the
cuff trim, the hand-stitched labels, and the sleeve lining, which is also worn
Estimate: £400 - 600 and misshapen.

Estimate: £400 - 600

494 495
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1057. Dinnerware Set ΩΔ

TITANIC (1997)
A dinnerware set from James Cameron’s romantic
disaster film Titanic. First class passengers ate using fancy
dinnerware in the Titanic’s dining room throughout the film.
The cutlery includes three assorted spoons, two assorted
forks, and a knife. Each piece is made of metal alloy
engraved with the White Star Line logo. The three dishes
include soup, starter, and dinner plates. Each dish features
the White Star Line logo in the centre and a painted gold and
teal pattern along the rim. The teacup and saucer feature
the same pattern. The set exhibits minimal signs of wear
from production. Dimensions (largest): 26.25 cm x 26.25
cm x 2.75 cm (10.25” x 10.25” x 1”); (smallest): 14 cm x 3.25
cm x 1.5 cm (5.5” x 1.25” x 0.5”)

Estimate: £2,000 - 3,000

1058. Noxeema Jackson’s (Wesley

Snipes) Costume and Components Ω

TO WONG FOO, THANKS FOR EVERYTHING!

JULIE NEWMAR (1995)
Noxeema Jackson’s (Wesley Snipes) costume and
components from Beeban Kidron’s road comedy To Wong
Foo, Thanks for Everything! Julie Newmar. Drag performer
Jackson wore her costume while performing in the “Miss
Drag Queen of America Pageant” alongside friends Vida
Boheme (Patrick Swayze) and Chi-Chi Rodriguez (John
Leguizamo). This costume consists of a brown and orange
floral-patterned corset inset with decorative sequins,
amber-colour plastic jewels and metal clasps in the back, a
matching brown and beige skirt, a pair of matching brown
and beige elbow-length fingerless gloves affixed with
amber-colour jewel accents, a pair of orange feathers, and
a 14 spare amber-colour jewel accents. It exhibits signs of
wear throughout from age and use.

Estimate: £1,500 - 2,500

1060. Deputy Sheriff Badge Ω 1061. Vivian Wembly’s (Laura Haddock) Hero Staff US

1059. 2nd Unit Clapperboard Ω TOMBSTONE (1993) TRANSFORMERS: THE LAST KNIGHT (2017)
A deputy sheriff badge from George P. Cosmatos’ Western Tombstone. Deputy sheriffs, Vivian Wembly’s (Laura Haddock) hero staff from Michael Bay’s sci-fi adventure sequel
TOMB RAIDER (2018) including Ike Clanton (Stephen Lang), wore their badges after being sworn-in by Sheriff Transformers: The Last Knight. In 484 AD, Merlin (Stanley Tucci) met with a group of
A 2nd unit clapperboard from Roar Uthaug’s action Johnny Behan (Jon Tenney). The circular brass badge has “Deputy Sheriff” and “Cochise Transformers who gave him a staff with the power to absorb Earth’s energy. Later, Professor
adventure film Tomb Raider. The 2nd unit production team Co.” stamped onto it, with a metal pin on the reverse. It has only minor wear from Wembly discovered the staff and was charged with protecting it from Decepticons. This silver-
used their clapperboard for in-camera shot labeling and production use and age. Dimensions: 5.5 cm x 5.5 cm x 1 cm (2 ¼” x 2 ¼” x ½”) colour dense urethane staff features celtic symbols throughout as well as writing in several
sound synchronization. The clapperboard is made of wood languages along the shaft. The top of the staff features a centrepiece with four decorative
Estimate: £800 - 1,200 accents and an interior consisting of several translucent details with a spherical centre. It
and acrylic with a hinged top and a white surface featuring
the film’s title logo; the words “2nd Unit”; the names of the exhibits signs of wear from age and use including some bending on the interior piece of the
2nd unit’s director and director of photography, George staff’s top. Dimensions: 213.5 cm x 15.25 cm x 15.25 cm (84” x 6” x 6”) Contains electronic
Aguilar and Lukasz Jogalla, respectively; as well as spaces components; see notice in the Buyer’s Guide. Special shipping required; see special shipping
for shot and camera information which has been filled in with notice in the Buyer’s Guide. This lot will ship from Prop Store’s Los Angeles facility; see notice
black dry-erase marker. The clapperboard exhibits scuffing in the Buyer’s Guide
to the acrylic and scratches through the marker handwriting. Estimate: £3,000 - 5,000
Dimensions: (19.25 cm x 18 cm x 2.75 cm) 7.5” x 7” x 1”

Estimate: £2,000 - 3,000

1062. NO LOT

496 497
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1063. Kevin Bacon and Michael Gross

Autographed Graboid Tendril M

TREMORS (1990)
A Graboid mouth tendril autographed by Kevin Bacon and Michael Gross,
from the production of Ron Underwood’s horror comedy Tremors. Graboids
used their mouth tendrils to snatch their prey throughout the film. This
Graboid tendril is made from rubber latex, with resin teeth and a felt interior
lining. It is painted brown and features several veins and patterns along
its back. The right side of the tendril is autographed by Kevin Bacon, who
played Valentine McKee, and Michael Gross, who played Burt Gummer.
The tendril shows repairs to the teeth and mandibles, and there are marks
around its rear end, from its removal from the rest of the puppet. Dimensions:
27 cm x 14 cm x 13 cm (10 ½” x 5 ½” x 5”)

Estimate: £2,000 - 3,000

1064. Deleted Scene Kodalith Ω

TRON (1982)
A Kodalith from a deleted scene from the production of Steven Lisberger’s
sci-fi film Tron. Tron was created with a system of animation and photography
conceived of specifically for the film using multiple, layered high-contrast
mattes. The animation cels used in this groundbreaking process are known
as Kodaliths. This single Kodalith cel for a scene ultimately deleted from
the final cut features three Guards, the humanoid security programs who
monitor the Game Grid. It exhibits only minimal bending and scrapes from
production. Dimensions: 32 cm x 51 cm (12 1/2” x 20”)

Estimate: £300 - 500

1065. Philip Kohler Collection: Four Brad

Pitt-autographed Stills, Crew Clothing, and 1066. Boagrius’ (Nathan Jones) Hero 1068. Agamemnon’s (Brian Cox)
Production Paperwork M Sword M 1067. Hero Myrmidon Sword M Helmet M

TROY (2004) TROY (2004) TROY (2004) TROY (2004)

Four stills autographed by Brad Pitt, a selection of crew clothing, and Boagrius’ (Nathan Jones) hero sword from Wolfgang A hero Myrmidon sword from Wolfgang Petersen’s mythical Agamemnon’s (Brian Cox) helmet from Wolfgang Petersen’s
an extensive production paperwork archive from Wolfgang Petersen’s Petersen’s mythical epic Troy. King Triopas’ (Julian Glover) epic Troy. Under the command of Achilles (Brad Pitt), mythical epic Troy. Agamemnon wore his helmet while
mythical epic Troy. This lot comes from the personal collection of renowned champion Boagrius wielded his sword during his one-on- Myrmidon soldiers wielded their swords during the beach battling the Trojan army, and during the destruction of Troy.
production manager Philip Kohler. This large lot comprises four stills of Brad one battle against Achilles (Brad Pitt), who swiftly defeated landing sequence, when they slaughtered the Trojan The helmet is made of leather, with brass sections and
Pitt as Achilles, autographed by the actor in silver-coloured ink; 13 assorted him. The heavyweight sword comprises a solid bronze soldiers to establish the Greek beachhead. The heavyweight detailing. It also features resin and wooden adornments,
crew T-shirts (in sizes L, XL and XXL); a polo shirt (size L); two baseball blade with an intentionally weathered appearance, and weapon comprises a cast-bronze blade and a dense rubber and has been intentionally distressed to look well used.
caps; 250 call sheets; three scripts; a binder of printed storyboards; 51 a black-painted rubber grip decorated with faded, silver- grip, which is painted dark brown to replicate wood. Three A handwritten label inside reads “Agamenmon [sic] #2”.
behind-the-scenes photographs; 23 hand-drawn and printed blueprints; coloured stripes. A flower emblem adorns the underside of small rivets are present on the handle, and two curved metal The helmet has some wear from production use and
12 shooting schedules; and assorted loose paperwork. The set exhibits the sword’s circular pommel. There are signs of light paint pieces form the guard. Green paint is applied at the base age, including scuffing and scratches, and some of the
signs of production use, including creasing, several marks, tears and folded wear on the handle, with scuffing and scratching on the of the blade and on the grip, to replicate a verdigris patina. brass pieces have become tarnished and discoloured.
corners. Dimensions (each still): 20 cm x 25.5 cm (8” x 10”); (largest binder): blade from production use. Dimensions: 81 cm x 7.5 cm x 8 The sword exhibits paint wear, scuffing and intentional Dimensions: 23 cm x 18 cm x 38 cm (9” x 7” x 15”)
32 cm x 29 cm x 5 cm (12 ½” x 11 ½” x 2”) cm (31 ¾” x 3” x 3 ¼”) distressing on the blade, and there is a crack on one side
of the handle. Dimensions: 68.5 cm x 16 cm x 3.5 cm (27” Estimate: £2,000 - 3,000
Estimate: £1,000 - 1,500 Estimate: £2,000 - 3,000 x 6 ¼” x 1 ¼”)

Estimate: £1,500 - 2,500

498 499
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1073. Bella Swan’s Cullen Crest Ring Ω

1069. Paris’ (Orlando 1070. Battle-damaged
Bloom) Armour Tunic M Myrmidon Costume US
THE TWILIGHT SAGA: NEW MOON (2009)

TROY (2004) TROY (2004) Bella Swan’s Cullen crest ring from The Twilight Saga: New
Moon. The Cullen Crest ring was made for use by Bella
Paris’ (Orlando Bloom) armour tunic from A battle-damaged Myrmidon costume from during the vision sequence. The ring is made of metal with
Wolfgang Petersen’s mythical epic Troy. Wolfgang Petersen’s historical action epic an ornamented pattern of filigree around the band and an
Paris wore his tunic under his armour Troy. Elite Myrmidon warriors under the emblazoned image of the Cullen family crest. The crest
throughout the film. The tunic is made command of Achilles (Brad Pitt) stormed is accented with a red painted back and green trefoils
from a navy blue, fleece-like material, with Troy and besieged its residents with deadly along the chevron. The piece exhibits minimal wear from
a golden zig-zag pattern and circular metal swords and daggers. This Myrmidon production. Dimensions: 2.75 cm x 2.75 cm x 2 cm (1” x 1”
studs. The sleeves feature resin adornments costume consists of a dark grey crested x 0.75”)
painted to look like metal, and the sides urethane helmet, as well as black and brown
of the tunic are tied with strips of fabric. leather torso armour with metallic details, Estimate: £2,000 - 3,000
The garment features a handwritten label a lace-up back, and a large production-
reading “Orlando Bloom 4”. The tunic has made puncture wound at centre. Also
some wear from production use and age, included is a black and brown double-
including some rust and tarnishing to the slotted leather sheath containing both a
metal studs. urethane sword and a urethane dagger.
The lot exhibits various signs of wear from
Estimate: £600 - 800 age and production use, including fractures
in the helmet and mildew and rust stains
on the armour. This lot will ship from Prop
Store’s Los Angeles facility; see notice in
the Buyer’s Guide 1074. Rosalie Hale’s Cullen Family
Crest Necklace Ω
Estimate: £2,000 - 3,000
THE TWILIGHT SAGA: BREAKING DAWN
PART 1 (2011)
Rosalie Hale’s Cullen Family crest necklace from Bill
Condon’s supernatural romance sequel The Twilight
Saga: Breaking Dawn Part 1. Hale, a loyal member of the
vampiric Cullen Family, wore her necklace in promotional
photographs and character posters for the film. This brass
necklace with a woven brass chain features an oval pendant
at center embedded with a black and grey rubber Cullen
crest in the shape of an open hand and a lion. It exhibits
signs of wear from age and production, including some
paint chipping on the crest. Dimensions: 25.5 cm x 2.5 cm
x 2.5 cm (10” x 1” x 1”)

Estimate: £1,500 - 2,500

1075. Philip and Renee Dwyer’s Cullen

Wedding Invitation with 12 Wedding
Candles ΩΔ

THE TWILIGHT SAGA: BREAKING DAWN

PART 1 (2011)
Philip and Renee Dwyer’s Cullen wedding invitation with 12
wedding candles from Bill Condon’s supernatural romance
sequel The Twilight Saga: Breaking Dawn Part 1. Bella Swan
invited her mother and stepfather, Renee and Philip, to
her wedding to Edward Cullen, where candles decorated
1071. Bella Swan’s Green Flower Print Shirt Ω 1072. Edward Cullen’s Hooded Vest Ω the tables. This lot consists of a stamped paper envelope
featuring a printed address written on the front and a red
TWILIGHT (2008) TWILIGHT (2008) wax seal on the back. Also included are 12 cream-colour
wax candles set in glass holders. The lot exhibits signs of
Bella Swan’s green flower print shirt from Lionsgate’s blockbuster hit Twilight. High school Edward Cullen’s hooded vest from Lionsgate’s blockbuster hit Twilight. Vampire Cullen wore wear throughout from age and use. Dimensions (candles):
student Swan wore her thermal top when she introduced her new boyfriend, Edward, to his vest when he battled bloodthirsty rival vampire James to save the life of his girlfriend, 21 cm x 14 cm x 23 cm (8 1/4” x 5 1/2” x 9”)
her father, Charlie, for the first time. This sage green hooded thermal sweatshirt features Bella Swan. This charcoal grey zip-up sleeveless vest features a series of zippered and
pine-coloured floral and branch patterns throughout the body and sleeves. It exhibits fastening strip-affixed pouches on the front as well as a connected hood accent. It exhibits Estimate: £500 - 700
minor signs of wear throughout from age and use. Dimensions: 25.5 cm x 17.75 cm x 6.5 minor signs of wear throughout from age and use. Dimensions: 30.5 cm x 30.5 cm x 5 cm
cm (10” x 7” x 2 1/2”) (12” x 12” x 2”)

Estimate: £1,000 - 1,500 Estimate: £1,000 - 1,500

500 501
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1076. Eliot Ness’ (Kevin Costner) Treasury Agent

Shield and Family Photos M

THE UNTOUCHABLES (1987)

Eliot Ness’ (Kevin Costner) treasury agent shield and family photos from
Brian De Palma’s historical crime drama The Untouchables. Ness showed
his badge when identifying himself in the line of duty, and kept his family
photos on his desk, first at home and then his office. The badge is made
of metal and pinned to a brown leather wallet. It reads “Treasury Agent”
around the logo of the treasury department. The family photos are sepia-
toned and feature Ness with his wife (Patricia Clarkson) and daughter (Kaitlin
Montgomery). They are set in a folding photo holder. Both items have wear
from production use, age and storage. They were previously attached to a
display in Planet Hollywood, and there are sticky pads on the back of the
photo holder, while the leather wallet has scratches and small holes where
an adhesive patch was previously attached. Dimensions (shield open): 18.5
cm x 8.5 cm x 1 cm (7 ¼” x 3 ¼” x ½”); (photo holder open): 12.5 cm x 20 1080. “Crusader Cop Busts Out” Newspaper and Umbrella
cm x 1.5 cm (5” x 7 ¾” x ½”) 1079. Four Chicago Herald-Examiner Newspapers M M

Estimate: £1,000 - 1,500 THE UNTOUCHABLES (1987) THE UNTOUCHABLES (1987)

Four Chicago Herald-Examiner newspapers from Brian De Palma’s historical crime drama A newspaper and umbrella from Brian De Palma’s historical crime drama The Untouchables.
The Untouchables. The newspapers’ headlines detail the progression of Eliot Ness’ Eliot Ness’ (Kevin Costner) first attempted liquor raid failed - finding only umbrellas - and his
1077. Eliot Ness (Kevin Costner), Jim Malone (Kevin Costner) legal pursuit of Al Capone (Robert De Niro). Only the headlines and main humiliation made headline news. Ness read the paper when he first met Jim Malone (Sean
(Sean Connery), and Oscar Wallace’s (Charles photographs on each cover relate to the film, with dummy copy on the interior pages. Connery). The green painted wooden umbrella is fixed shut with a blue band circling the rib
Martin Smith) Watches M The newspapers show wear from production use, age and storage. They were previously tips. The newspaper features a photo of Ness holding an umbrella. Both show wear from
mounted into a display case, so there are small holes and some discolouration where they age and use. The umbrella has a slightly sticky sheen and the handle is covered in green
overlapped. There are also small tears, and each newspaper is folded in half. Dimensions foil. The newspaper shows discoloration. Both were held in a display and have remnants
THE UNTOUCHABLES (1987) (each newspaper): 54 cm x 44.5 cm (21 ¼” x 17 ½”) of sticky pads, and the newspaper has holes where it was pinned. Dimensions (umbrella):
58 cm x 5 cm x 5 cm (22 ¾” x 2” x 2”); (newspaper): 28 cm x 44 cm (11” x 17 ¼”)
Eliot Ness (Kevin Costner), Jim Malone (Sean Connery), and Oscar Wallace’s
Estimate: £800 - 1,200
(Charles Martin Smith) watches from Brian De Palma’s historical crime
Estimate: £1,000 - 1,500
drama The Untouchables. Ness and Wallace wore watches throughout
the film, and Malone carried his watch in his cardigan pocket. Ness’ watch
is a facsimile Bulova, Wallace’s a facsimile Tradition, and Malone’s is an
unknown make with a sealed back panel. All show wear from production
use, age and storage. They have adhesive and Velcro remains from display
in Planet Hollywood, and show scuffing, scratches and minor discolouration.
Dimensions (Ness’): 24 cm x 2.5 cm x 1.5 cm (9 ½” x 1” x ½”); (Malone’s): 18.5
cm x 5.5 cm x 2 cm (7 ¼” x 2 ¼” x ¾”); (Wallace’s): 22.5 cm x 3 cm x 1 cm
(9” x 1 ¼” x ½”) Contains mechanical components; see mechanical notice
in the Buyer’s Guide.

Estimate: £2,000 - 3,000

1078. Andrew Scott’s (Dolph Lundgren) “GR-13”

Vest Ω

UNIVERSAL SOLDIER (1992)

Andrew Scott’s (Dolph Lundgren) “GR-13” vest from Roland Emmerich’s 1081. Tool Box, Portable Restroom, Tree, and Wood Bundle 1082. Emily Watson’s Personal Annotated Shooting Script
sci-fi action film Universal Soldier. Reanimated supersoldier Scott, also Model Miniatures Ω and Handwritten Note †Δ
known as UniSol GR13, wore his vest when he and fellow Universal Soldier
Luc Devereaux (Jean-Claude Van Damme) were dispatched to resolve a
hostage crisis at the Hoover Dam. This padded, camouflage-patterned
VOLCANO (1997) WAR HORSE (2011)
green, brown, and tan cotton blend military vest with a lace-up back is Tool box, portable restroom, tree, and wood bundle model miniatures from Mick Jackson’s Emily Watson’s personal annotated shooting script and a handwritten note from Steven
emblazoned “U.S.S.F. 13” and “U.S. Army” with an American flag patch, an disaster adventure Volcano. After a volcanic eruption at the La Brea Tar Pits, Office of Spielberg’s First World War drama War Horse. The 157-page script - given the working title
Army logo patch, and “Dolf” [sic] written on the interior tag. It is mounted Emergency Management director Mike Roark (Tommy Lee Jones) ordered the explosion of “Dartmoor” and credited to Richard Curtis - is dated “7.20.2010”. The pages are printed on
to a torso stand with a square base for display. It exhibits signs of wear and a newly-constructed condominium building in order to divert the flow of lava to the ocean. multicoloured paper, indicating multiple revisions, with Watson’s name watermarked and
age including some fraying on the front. Dimensions: 51 cm x 35.75 cm x This lot consists of four plastic and wood model miniatures from multiple scenes in the highlighted throughout. Watson annotated and autographed the title page. Also included
73.75 cm (11” x 21” x 25”) demolition sequence. They exhibit signs of wear from age and production use including is a handwritten note by Watson on headed paper explaining the secrecy on set, multiple
deliberately-added staining. Dimensions: 25.5 cm x 30.5 cm x 28 cm (10” x 12” x 11”) script revisions, and short, behind-the-scenes stories. The script shows wear from production
Estimate: £2,000 - 3,000 use, including creases and curled corners. Dimensions (script): 30 cm x 21.5 cm x 2 cm (11
Estimate: £800 - 1,200 ¾” x 8 ½” x ¾”); (note): 12.5 cm x 17.5 cm (5” x 7”)

Estimate: £800 - 1,200

502 503
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1087. Yul Brynner Photo Set with Promotional

Pop Gun Ω

WESTWORLD (1973)

A Yul Brynner photo set with a promotional pop gun from the promotion
of Michael Crichton’s sci-fi thriller Westworld. Phil McBroom photographed
Brynner in costume as the Gunslinger, and paper pop guns were used to
promote the film.

The three photo pages each feature eight sequential black-and-white

photographs of Brynner firing a revolver. The cardboard gun features the
black-and-white image of a revolver against an orange background with the
film’s title and intentionally-misspelled tagline “Where Nothing Can Possibly
Go Worng [sic] “ and a piece of paper folded inside the front. It works by
snapping one’s wrist down so the paper pops out. The lot exhibits minimal
wear from age. Dimensions (photo pages, each): 35.75 cm x 28 cm (14” x
11”); (pop gun): 23 cm x 12.75 cm x 0.75 cm (9” x 5” x 0.25”)

1083. Pair of Alliance Foot Soldier Stunt Swords M 1084. Set of Four Orc Papers Ω Estimate: £200 - 300

WARCRAFT (2016) WARCRAFT (2016)

1088. Madison Elizabeth Frank’s
A pair of Alliance foot soldier stunt swords from Duncan Jones’ fantasy epic Warcraft. Foot A set of four Orc papers from Duncan Jones’ video game adventure adaptation Warcraft. (Amber Valletta) Necklace with
soldiers of the Alliance wielded their swords throughout the film, notably when they followed Pages with Orc writing appeared in Khadgar’s (Ben Schnetzer) room while he researched Harrison Ford and Michelle Pfeiffer-
King Llane Wrynn (Dominic Cooper) into the final battle against the Orc Horde. Made of the Fel. These original designs are printed on various-sized parchment paper in brown autographed Ouija Board and Photo Ω
dense urethane, both swords feature a silver-coloured blade decorated with engraved ink to simulate faded lettering. The letter designs are similar to those seen in the World
runes, and an ornate hilt complete with an inset metallic blue urethane gem. Each blade’s of Warcraft online game. The pages exhibit minor signs of wear and use from production.
grip section is ridged and finished in blue paint. The weapons exhibit signs of intentional Dimensions: 31.75 cm x 22.75 cm (12 1/2” x 9”)
WHAT LIES BENEATH (2000)
paint wear, added to produce a battle-worn appearance. Dimensions (each sword): 107 cm Madison Elizabeth Frank’s (Amber Valletta) necklace with a
x 24 cm x 4.5 cm (42 ¼” x 9 ½” x 1 ¾”) Estimate: £500 - 700 ouija board and a photo, both autographed by Harrison Ford
and Michelle Pfeiffer, from Robert Zemeckis’ supernatural
Estimate: £1,500 - 2,500 thriller What Lies Beneath. While her husband, Norman
(Ford), was away, musician Claire (Pfeiffer) used a ouija board
to communicate with the ghost of Frank, whose necklace
she soon discovered. This lot consists of a Ford and Pfeiffer
autographed beige and black cardboard ouija board with a
beige plastic planchette, a Ford and Pfeiffer autographed
glossy colour photo, and a heart-shaped metal necklace
with an affixed chain. It exhibits minor signs of wear from
age and use including some creasing on the photo and
several monofilament strings attached to the necklace. This
lot comes from the collection of renowned special effects
artist Tom “Brooklyn” Bellissimo. A letter of authenticity from
Bellissimo is included. Dimensions: 40.75 cm x 30.25 cm x
5.25 cm (18” x 12” x 2”)

Estimate: £3,000 - 5,000

1089. Andrew Neiman’s (Miles Teller) Bloodied

Suit Costume Ω

WHIPLASH (2014)
Andrew Neiman’s (Miles Teller) bloodied suit costume from Damien
1086. Claire Cleary’s (Rachel McAdams) Unused Lunch Chazelle’s jazz-based drama Whiplash. Neiman’s suit was bloodied when
1085. Alliance Knight’s Aluminum Sword Ω Outfit Costume Ω he got into a car crash on his way to perform in a recital under abusive
teacher Fletcher (J.K. Simmons). This lot consists of a black wool suit jacket
with matching trousers; a white cotton blend button-up dress shirt heavily
WARCRAFT (2016) THE WEDDING CRASHERS (2005)
blood-stained by production; a white cotton undershirt; and a black silk tie.
An Alliance knight’s aluminum sword from Duncan Jones’ video game fantasy adventure Claire Cleary’s (Rachel McAdams) unused lunch outfit costume from David Dobkin’s The dress shirt is distressed by production to appear damaged, while the
Warcraft. Royal Guards and Knights of the Alliance used their swords to defend King Llane romantic comedy Wedding Crashers. This costume was sold in the original studio auction left leg of the trousers is frayed on the side from production wear and age.
(Dominic Cooper) against the invading Horde forces as they invaded Azeroth. This sword and attributed as her Lunch Outfit, though it does not appear in the final film and is believed
consists of a silver-colour aluminum blade with etched details affixed to a dark blue dense to be from a deleted scene. It consists of an orange ribbed cotton blend sweater, a striped Estimate: £400 - 600
foam and urethane grip. It features a highly detailed guard with lion and faux jewel accents orange, blue, and black cotton blend skirt, and a beige canvas handbag with brown leather
and a decorative pommel. This sword exhibits signs of wear from age and use including handles and details. Also included is a New Line Cinema Certificate of Authenticity from a
minor scuffing throughout. Dimensions: 119.5 cm x 25.5 cm x 9 cm (47” x 10” x 3 1/2”) 2006 studio auction. The lot exhibits minor pilling to the sweater and some frayed canvas
from production use.
Estimate: £2,000 - 3,000
Estimate: £300 - 500

504 505
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

1094. Set of Production

Designs and Concept 1095. Cast Autographed
Copies M Poster M

WILLY WONKA AND THE THE WIZARD OF OZ (1939)

CHOCOLATE FACTORY (1971)
A cast-autographed poster from the
Production designs and concept copies promotion of Victor Fleming’s classic
from Mel Stuart’s fantasy musical Willy musical The Wizard of Oz. This limited-
Wonka and the Chocolate Factory. The edition poster was released by Turner
artwork depicts the Chocolate Room, Entertainment Co, in 1994 and shows
the Wonka Mobile, the Television Room, the film’s main characters Dorothy (Judy
and the Wonkavator. Also included is a Garland), Scarecrow (Ray Bolger), The
factory elevation drawing and a storyboard Tin Man (Jack Haley), The Cowardly Lion
sequence for Charlie and Grandpa Joe’s (Bert Lahr) and Toto. It is autographed by
adventure in the Fizzy Lifting Room, which nine cast members: Jerry Maren (Lollipop
differs from the film’s version. These eight Guild Member), Betty Tanner (Munchkin
1090. Philip Kohler Collection: Character-scale Reference designs are printed photostat copies of the Villager), Lewis Croft (Munchkin Soldier),
Charts and Acme Glue and Disappearing Ink Label Design 1091. Philip Kohler Collection: Script, Storyboards and original drawings rendered by art director Karl Slover (Munchkin), Meinhardt Raabe
Prints M Production Paperwork M Harper Goff. Each features Goff’s signature, (Munchkin Coroner), August Clarence
and three designs are presented in black Swenson (Munchkin Soldier), Mickey Carroll
cardboard frames. All display light wear to (Munchkin Fiddler), Margaret Pellegrini
WHO FRAMED ROGER RABBIT (1988) WHO FRAMED ROGER RABBIT (1988)
the frames and a small rip on the Chocolate (Munchkin Villager/Sleepyhead) and Nels
Two character-scale reference charts, and an Acme glue and disappearing ink label design A script, storyboards, and paperwork from Robert Zemeckis’ Oscar®-winning detective Room artwork. Dimensions (larger artwork): Nelson (Munchkin). The poster displays
prints from Robert Zemeckis’ Oscar®-winning detective comedy Who Framed Roger comedy Who Framed Roger Rabbit. This lot comes from the personal collection of renowned 34 cm x 44.5 cm x 0.3 cm (13 ¼” x 17 ½” x minimal wear, with some small tears near
Rabbit. Glue and disappearing ink were part of the vast stock of products seen in the Acme production manager Philip Kohler, who was a location manager on the film. Bound in a plastic ¼”) Sold without copyright; see copyright the bottom-right corner. Dimensions: 87 cm
warehouse. This lot comes from the personal collection of renowned production manager folder, this fourth-draft script dated “October 15, 1986” displays the production’s working title notice in the Buyer’s Guide. x 56 cm (34 ¼” x 22”)
Philip Kohler. Animators used reference charts to scale cartoon characters accurately to the “Who Shot Roger Rabbit?” Every page is stamped “Lapin UK 4 125” in red ink. Also included
actors on film. The two printed scale comparisons include Roger and Jessica Rabbit, Eddie in the lot are 32 printed storyboard pages; a shooting schedule; assorted schedules; 65 Estimate: £1,000 - 1,500 Estimate: £600 - 800
Valiant (Bob Hoskins), and various well-known Disney and Looney Tunes characters. Both call sheets; movement orders; two letters from credited production manager Patricia Carr;
full-colour label designs feature the Acme brand. There are minor signs of production use and a launch party invitation. The set exhibits signs of minor wear and a fold line on the
and several marks on one chart. Dimensions (largest sheet): 59.5 cm x 111 cm (23 ½” x 43 ¾”) invitation. Dimensions (script): 31 cm x 21.5 cm x 2.5 cm (12 ¼” x 8 ½” x 1”)

Estimate: £600 - 800 Estimate: £1,000 - 1,500

1096. Jordan Belfort’s (Leonardo DiCaprio) Lamborghini 1097. Jordan Belfort (Leonardo DiCaprio) and Donnie
1092. Skull and Spiked Shields †Δ 1093. Production Script M Licence Plate †Δ Azoff’s (Jonah Hill) Quaaludes Session Sake Set †Δ

WILLOW (1988) WILLY WONKA AND THE CHOCOLATE FACTORY (1971) THE WOLF OF WALL STREET (2013) THE WOLF OF WALL STREET (2013)
A pair of shields from Ron Howard’s fantasy adventure Willow. Evil Queen Bavmorda’s A script from the production of Mel Stuart’s fantasy musical Willy Wonka and the Chocolate Jordan Belfort’s (Leonardo DiCaprio) Lamborghini licence plate from Martin Scorsese’s Jordan Belfort (Leonardo DiCaprio) and Donnie Azoff’s (Jonah Hill) Quaaludes session sake
(Jean Marsh) warriors carried large, menacing shields throughout the film. The fibreglass Factory. This script was issued to the credited construction manager Hendrik G. Wynands crime comedy The Wolf of Wall Street. Belfort crawled to his Lamborghini, parked outside set from Martin Scorsese’s crime comedy The Wolf of Wall Street. Belfort and Azoff drank
and resin shields are hand-painted to resemble metal and wood. One features a large spike and originally came from his personal collection. The brown card cover features the original his country club, and attempted to drive it home while high on Quaaludes. Constructed sake when they took expired Lemmon-714 Quaaludes. The set was also seen in Belfort’s
and faux fur edges, and the other a faux animal skull. Leather straps are attached to the title “Charlie and the Chocolate Factory,’” and Wynands’ name is handwritten at the top. He from vacuum-formed plastic, the New York licence plate features the number “VKY722”, gym, as the pair worked out. The black glazed ceramic set consists of a tokkuri bottle and
backs, and the fibreglass remains uncovered on the rear of the skull shield. They show wear later inscribed “uncompleted first draft script” on the front, as approximately 40 pages were which is picked out in blue paint. The plate has four intentional screw holes and “Lambo’’ three ochoko cups, all decorated with cream-coloured Japanese symbols. The set comes
from production use and age, including scuffing, scratches and chips. The skull is missing removed during filming. It comprises 66 pages printed single-sided on US Letter paper and is written on the back in black marker. Intentionally distressed to appear used, the plate in a box, and displays some minor scratching and wear from production use. Dimensions
a horn, and one of the smaller spikes has come off. The fabric on the back of the spiked features many scenes that differ from the film’s final cut. The script exhibits discolouration displays light paint wear, marks and minor scuffing. Dimensions: 15.5 cm x 31 cm x 0.5 cm (bottle): 6.5 cm x 6.5 cm x 16 cm (2 ½” x 2 ½” x 6 ¼”); (each cup): 6 cm x 6 cm x 4.5 cm (2
shield has separated in one section, and it retains mud from production use. Dimensions and wear on the cover, while one page is loose and displays tape remnants from previously (6 ¼” x 12 ¼” x ¼”) ¼” x 2 ¼” x 1 ¾”); (box): 19 cm x 14 cm x 7.5 cm (7 ½” x 5 ½” x 3”)
(each): 82 cm x 82 cm x 35 cm (32 ¼” x 32 ¼” x 13 ¾”) being reattached. Dimensions: 28 cm x 21.5 cm x 1 cm (11” x 8 ½” x ½”)
Estimate: £800 - 1,200 Estimate: £800 - 1,200
Estimate: £1,000 - 1,500 Estimate: £400 - 600

506 507
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N - DAY 3 P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

Buyer's Guide
1098. Bottle of Lemmon-714 Quaaludes and
Close-up Prop Pills †Δ
Privacy Policy
THE WOLF OF WALL STREET (2013) By registering for this auction, you consent to us contacting you regarding your bidding activity and about important updates regarding the running of the auction.
A bottle of Lemmon-714 Quaaludes and prop pills from Martin Scorsese’s We will not pass your information on to any third parties. You can view our privacy policy at propstore.com/privacy-policy/
crime comedy The Wolf of Wall Street. Jordan Belfort (Leonardo DiCaprio)
and Donnie Azoff (Jonah Hill) took expired quaaludes while watching Family
Matters. Belfort soon experienced the “delayed fuse” during a call at a Buyer’s Guide
payphone with real-life private investigator Bo Dietl, who played himself.
The lot includes a brown glass bottle labelled “Lemmon-714 (methaqualone)”
and eight separate prop tablets, some made from sugar and others made 1. Introduction
of plastic. “Exp. 01/81” is printed in red on the label and the bottle contains
additional pills. There are minor signs of wear on the pills. Dimensions This Buyers’ Guide contains a brief overview of Prop Store’s auction process and the terms under which Lots are made available for sale at auction. A more detailed
(bottle): 5.5 cm x 5.5 cm x 10 cm (2 ¼” x 2 ¼” x 4”); (each pill): 1.5 cm x 1.5 statement of our Terms and Conditions of Sale follows after this Buyer’s Guide. Please read the Buyer’s Guide and the Terms and Conditions of Sale carefully. By
cm x 0.5 cm (½” x ½” x ¼”) registering to bid and participate in a Prop Store auction, you will be deemed to have agreed to be bound by them.

Estimate: £1,000 - 1,500 2. Definitions

2.1. When the following words are used in this Buyers’ Guide, they mean:

Auction A live sale by auction hosted by Prop Store

1099. Wolverine’s (Hugh Jackman) Prosthetic Any person, properly registered and approved by Prop Store to participate in the Auction who makes or considers making a
Bidder
Chest Appliance †Δ bid to buy a Lot at Auction

THE WOLVERINE (2013) The person or organisation making the highest bid or offer for a Lot accepted by the auctioneer, including a principal bidding
Buyer
as agent
Wolverine’s (Hugh Jackman) prosthetic chest appliance from James
Mangold’s superhero sequel The Wolverine. The appliance was worn by
Hugh Jackman when Wolverine cut open his chest to remove a robotic A commission of 25% (or £30, whichever is higher) plus VAT if applicable) of the Hammer Price for a Lot, payable by the Buyer
Buyer’s Premium
parasite attached to his heart, where it was suppressing his healing ability. to Prop Store
The chest is made of silicone, featuring hand punched hair and partially
healed wounds, including a bullet wound and a cut displaying crude blue Buyer’s Expenses A fee of 5% of the Hammer Price charged to the Buyer for a Lot won on any bidding platform other than propstoreauction.com
stitches. The deep wound from the scene in which the appliance is worn
is present at the centre of the chest and is surrounded by fake blood. The
appliance has been sewn onto a corset allowing it to sit tight on the actor’s Prop Store’s terms and conditions of sale at auction, from time to time as may be amended, a copy of which appears in the
Conditions of Sale
body and is presented on a plastic bust. Dimensions: 82 cm x 61 cm x 26 Buyer’s Guide
cm (32 ¼” x 24” x 10 ¼”)
The virtual or digital currency accepted by Prop Store as payment, using our chosen payment processor. The current list of the
Estimate: £1,000 - 1,500 Cryptocurrency
forms of Cryptocurrency we accept are set out on our website at propstore.com/cryptocurrency

Prop Store’s limited guarantee relating to the provenance of each Lot, given to the extent set out in Condition 10 of the Terms
Guarantee of Attribution
and Conditions of Sale

Hammer Price The highest bid for a Lot accepted by the auctioneer at the Auction or the post-Auction sale price of that Lot

1100. Sabretooth (Liev Schreiber) Hand

Appliances †Δ Lot
Each item or group of items consigned by the Seller to Prop Store to be made available for sale at an Auction, as detailed in
the catalogue
X-MEN ORIGINS: WOLVERINE (2009)
Prop Store Prop Store Limited (company number 08622002) of Great House Farm, Chenies, Rickmansworth, WD3 6EP
Sabretooth (Liev Schreiber) hand appliances from Gavin Hood’s superhero
prequel X-Men Origins: Wolverine. Sabretooth used his clawed hands as his
primary weapons while fighting Wolverine (Hugh Jackman). The appliances Purchase Price The Hammer Price plus Buyer’s Premium (plus VAT if applicable)
are silicone gloves with claw-like silicone fingernails. They have been hand-
painted to look like skin and are detailed with wrinkles and creases. The
appliances have some wear from production use and age, including areas Reserve Price (Where applicable) the minimum price at which the Seller has authorised Prop Store to sell a Lot
where the skin has come away, revealing the silicone beneath. This is most
notable on the fingertips and palms. The silicone has become slightly sticky
and has picked up dust and grime. Dimensions (each hand): 30.5 cm x 14 Seller The person or organisation offering the Lot for sale, including their agents or personal representatives
cm x 0.5 cm (12” x 5 ½” x ¼”)

Estimate: £600 - 800

508 509
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

Buyer's Guide Buyer's Guide

3. Before the Auction 4.3.11. O

 nce it commences, a live auction is by its nature fast-moving and bidding may progress very quickly. The procedure for placing bids during the live
auction is therefore a one-step process; as soon as the “Place Bid” button is clicked, a bid is submitted. By bidding online, you accept and agree that
3.1. Bidder Registration bids submitted in this way are final and that you will not under any circumstances be permitted to amend or retract your bid. If a successful bid is sent to
Prop Store from your computer, electronic or mobile device, you irrevocably agree to pay the full purchase price, including buyer’s premium, overhead
3.1.1. Every person or organisation wishing to make a bid is required to register with Prop Store before participating at an Auction.
premium and any other applicable charges, and applicable taxes.
3.1.2. T
 o register, the registration form (available in this Buyer’s Guide or online at propstore.com) must be completed in full and Prop Store provided with valid
4.3.12. A
 t its discretion, Prop Store reserves the right to apply a bidding cap or suspend bidding privileges to individual bidders at any point during the auction
Visa, MasterCard or American Express credit card details to be held on file; and
period. The cap will be withdrawn once evidence has been submitted to Prop Store’s satisfaction that all bids are genuine, the bidder has the means to
complete the purchase(s) and any other security checks Prop Store may be obliged to carry out have been completed.
3.1.2.1. a
 t least one (1) form of ID is required which must include one (1) government-issued photo identification. If this does not state your current
address, proof of address will also be required.
5. After the Auction
3.1.2.2. a
 n organisation must provide a certified copy or original certificate of incorporation, or, in the case of unregistered entities, other evidence
satisfactory to Prop Store contact Prop Store on +44 (0)1494 766485 for confirmation of what will be acceptable; 5.1. Successful bids
3.1.2.3. a
 person registering as an agent to bid on behalf of a third party must bring the appropriate identification documents as set out above for
5.1.1.  rop Store will notify successful Bidders and send (by email unless requested otherwise) a payment invoice setting out the Purchase Price and itemising
P
themselves and for the third party on whose behalf they are authorised to make a bid and provide to Prop Store a signed authorisation from the
the Hammer Price and Buyer’s Premium, plus any applicable VAT within 7 calendar days of the end of the Auction.
third party confirming their authority to participate at the Auction on that third party’s behalf.
5.2. Payment
3.2. Pre-Auction Viewing
5.2.1. P
 ayment is due within 7 calendar days from receipt of invoice and must be made by the Buyer. Payments from any other source will not be accepted
3.2.1. D
 uring the Pre-Auction Viewing period, as set forth in the Auction catalogue, any Bidder may preview Lots free of charge by appointment with Prop
and shall be returned by Prop Store.
Store.
5.2.2. P
 ayment must be made in Pounds Sterling and may be made by electronic transfer, debit card, credit card (up to a maximum of £25,000) bankers draft
3.3. Delivery Costs or cash (up to a maximum of £5,000). Please quote the Lot number, invoice number and Bidder registration number when making payment to ensure it
can be processed as efficiently as possible.
3.3.1. W
 ithout any liability, Prop Store can provide shipping estimates before the Auction; a Bidder requiring this information should email shipping@propstore.
com including the Lot number and shipping address at least 3 working days before the start of the Auction. 5.2.3. C
 redit card payments are only acceptable on the express understanding that the Lot is not returnable, refundable nor exchangeable and no charge card
credit may be issued in the event of any such return. If payment is made by credit card, Buyer will not undertake any action or effort to stop payment,
3.4. Bidders outside the U.K. seek a refund, or attempt a charge back of such amounts - or any Credit Card Fee assessed thereon - by the issuer of the credit card.

3.4.1. If the Bidder is based outside the United Kingdom, the Bidder should ensure in advance of the Auction that the Lot can be exported from the U.K. and 5.2.4. C
 ryptocurrency payments are accepted via our payment processor (BitPay), as indicated at checkout. You must pay for the entire balance owed
imported into the country of destination. No sale will be cancelled because the Lot may not be imported into the country of destination. including the Purchase Price and any other relevant charges entirely in one form of Cryptocurrency and you should ensure you have a sufficient balance
to pay for all sums owed. We do not accept partial payment by Cryptocurrency and a different form of payment in one transaction. Cryptocurrency
3.4.2. P
 rop Store’s recommended third-party independent freight agent, Precision Cargo, can advise Bidders on relevant export licensing regulations and payment is only acceptable on the express understanding that the Lot is not returnable, refundable nor exchangeable. We also reserve the right to
may submit export licence applications upon request. Neither Prop Store nor its freight agents can guarantee that any licences, permits or consents exclude the use of payment by Cryptocurrency on certain Lots, such exclusion to be noted on the listing.
will be granted.
†
5.2.5. [ ] These lots are sold under standard VAT rules. For buyers within the UK and Northern Ireland, 20% VAT will be due on the hammer price; 20% VAT will
also be due on the Buyer’s premium. When lots are exported outside the UK and Northern Ireland (proof of export required or shipped by Prop Store
4. At the Auction or through Prop Store’s authorised shipper), no VAT will be due on the hammer price; 20% VAT will be due on the Buyer’s premium only ; unless items
are exported to a registered business outside the UK and Northern Ireland, in which case no VAT is due.
4.1. Estimates
[Ω] These lots have been temporarily imported from outside the UK and Northern Ireland for sale at auction in London. For buyers within the UK and
4.1.1.  stimates represent Prop Store’s guide to Bidders and do not give any indication or representation of actual values or likely bids. Estimates do not
E Northern Ireland (private individuals or registered businesses), 5% VAT will be due on the hammer price; 20% VAT will also be due on the Buyer’s
include any Buyer’s Premium or VAT. premium. When lots are exported outside the UK and Northern Ireland (proof of export required or shipped by Prop Store or through Prop Store’s
authorised shipper), no VAT will be due.
4.1.2. Prop Store reserves the right to amend its estimates from time to time
[Ϻ] These lots are sold under the margin scheme. For buyers within the UK (private individuals or registered businesses), no VAT will be due on the
4.2. Reserve Price hammer price; 20% VAT will be due on the Buyer’s premium. When lots are exported outside the UK and Northern Ireland (proof of export required or
shipped by Prop Store or through Prop Store’s authorised shipper), no VAT is due. For Buyers in Northern Ireland, 20% VAT will be due on the Hammer
4.2.1. T
 he Reserve Price is the minimum price the Seller will accept for a Lot. The Reserve Price will not be more than the lowest estimate given by Prop Store. Price.
Prop Store may disclose or keep confidential the Reserve Price at its entire discretion.
[US] These lots are currently located in Prop Store’s Los Angeles facility and will ship directly to the buyer from the Los Angeles facility. For buyers within
4.3. Bidding the UK and Northern Ireland (private individuals or registered businesses), no VAT will be charged by Prop Store on the hammer price; 20% VAT will be
due on the Buyer’s premium. For buyers outside the UK and Northern Ireland, no VAT will be charged by Prop Store.
4.3.1. A
 ll bids are by individual Lot unless the auctioneer states to the contrary during the live Auction. Lots will usually be sold in their numbered sequence,
unless the auctioneer announces otherwise. 5.2.6. [AR] On certain Lots marked “AR” in the catalogue an Additional Premium will be payable by the Buyer for royalties relating to the Artists Resale Right
Regulations 2006. It does not apply on art with a hammer price under €1,000. The current breakdown is as follows:
4.3.2. All bids must be made in English only.
Hammer Price:
4.3.3. T
 he auctioneer may accept bids from Bidders present in the sale room, via telephone, online or written bids delivered to Prop Store before the Auction
commences, either using the form in this Buyer’s Guide or the online form at propstore.com. • From €0 to €50,000 - 4% • From €200,000.01 to €350,000 - 1% • Exceeding €500,000 - 0.25%
4.3.4. T
 elephone Bidders must provide to Prop Store a list of Lots on which they intend to bid at least 24 hours before the start of the Auction. Telephone bids
• From €50,000.01 to €200,000 - 3% • From €350,000.01 to €500,000 - 0.5%
will only be accepted on Lots with low-end estimate of at least £500 and telephone calls may be recorded by or on behalf of Prop Store.

4.3.5. Written bids will be executed at the lowest possible price, taking into account the Reserve Price.
Resale royalties are not subject to VAT. Customers will be charged in GB£, however the € currency conversion rate from date of the sale is used.
4.3.6. Online bids shall be made in accordance with and subject to the terms of the online auction platform access provider.
5.2.7. S
 uccessful bidders whose total invoice is equal to or greater than €10,000 (or the GBP equivalent) shall agree to undergo Enhanced Customer Due
4.3.7. T
 he auctioneer may also execute (non-identified) bids on behalf of the Seller up to the Reserve Price only. No bids may be made by the Seller in excess Diligence (EDD) checks as per the EU Fifth Money Laundering Directive (5MLD). The lots won will not be released until the EDD check has been
of the Reserve Price. completed and passed.

4.3.8. S
 ave as expressly stated in this Buyer’s Guide, Prop Store accepts no liability for errors or omission in respect of bids made online, by telephone or in
writing.

4.3.9. The auctioneer may accept or decline bids at his entire discretion.

4.3.10. Employees of Prop Store may be bidding in any sale, however they will have no advantage over other bidders

510 511
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

Buyer's Guide Terms & Conditions

5.2.8. D
 ue to the impact of the U.S. Wayfair ruling Prop Store is obligated to collect sales tax on orders shipped to a number of States within the U.S., even These Terms and Conditions of Sale (“Conditions”) set out the legal relationship between the Bidder/Buyer and Prop Store and the Seller. By registering to bid and
when auctioning from London. Additional States become sales tax-eligible regularly due to ongoing updates. Please review the online terms for the participate in a Prop Store Auction, you will be deemed to have read and agreed to be bound by these Conditions and the accompanying Buyer’s Guide, as set forth
current list of States Prop Store charges sales tax to; final taxes will be added to your invoice upon checkout. in the catalogue for the Auction and online at propstore.com.

5.3. Export and Import

1. Interpretation
5.3.1. It is the Buyer’s sole responsibility to arrange and obtain all necessary export/import licences, permits and any other necessary consents before the These Conditions shall include the terms set out in the Prop Store Live Auction Buyer’s Guide, a copy of which has been made available to the Bidder. In the event
Lot is shipped. of any conflict between these Conditions and the Buyer’s Guide, these Conditions shall take precedence.
5.3.2. P
 rop Store’s third-party independent recommended freight agent will be able to deal with enquiries from Bidders and Buyers on importing and/or
exporting of Lots. Precision Cargo is Prop Store’s freight agent of choice. 2. Definitions
5.3.3. W
 ith regards to lots exported outside the UK and Northern Ireland, if your Lots are shipped by Prop Store or through Prop Store’s authorised shipper, 2.1. See 2.1 of Buyer’s Guide
you will not be required to pay VAT when settling your invoice. If you are using any other shipper, or hand carrying your Lots outside the UK and
Northern Ireland, then VAT will be due on the invoice, which will be refunded once acceptable proof of export is provided by your shipper of choice.
3. Prop Store as agent
5.3.4. T
 o prove export of your Lots, on Ω Lots, obtain HMRC form C88 through Prop Store’s authorised shipper, which must be stamped by HMRC
upon leaving the U.K.. On † or margin scheme Lots, obtain Notice 4 07 from Prop Store’s authorised shipper, which must be stamped by HMRC 3.1. Unless expressly agreed otherwise, Prop Store acts as agent for the Seller. The contract for the sale of the Lot is made between the Seller and the Buyer.
upon leaving the U.K.. In all cases Lots must be exported within no more than 3 months of the sale date, and proof of export must be reported via the
appropriate form.
4. Catalogue descriptions and condition of Lots
5.4. Shipping and storage
4.1. A
 ll Lots are sold subject to their condition at the date of the Auction. The nature and age of the Lots means they are often unique and are likely to have wear
5.4.1. T
 he Buyer is solely responsible for all shipping and delivery costs. Prop Store recommends Lots are custom-packed and recommends FedEx as its and tear, damage and other imperfections and may have been totally or partially restored or repaired. By making a bid, the Bidder accepts the actual condition
carrier of choice. For oversized Lots, Prop Store recommends Precision Cargo. of the Lot and acknowledges that if a bid is successful, the Buyer will buy the Lot ‘as is’.

5.4.2. In the event of delay in shipping or failure to collect a Lot (for a reason outside Prop Store’s control) within 14 days of the due date for payment of Prop 4.2. P
 rop Store’s staff are not professional restorers so descriptions of Lots, images and statements of condition in Prop Store’s brochure or on its website are for
Store’s invoice (or such other date for shipping or collection agreed by Prop Store a storage fee of 3% of the Hammer Price per month shall be charged illustrative purposes only. Poster lots in the auction may have undergone restoration; Prop Store staff will make reasonable efforts to identify any restoration
to the Buyer. If the Buyer has failed to pay the Purchase Price and the cost of shipping and handling, Prop Store, at its option may cancel the sale. and this will be disclosed within the lot description. Prop Store cannot guarantee that colours are properly shown. Save for Prop Store Terms of Guarantee of
Attribution all Lots are sold ‘as is’. Save for Prop Store Terms of Guarantee of Attribution all Lots are sold ‘as is’. Prop Store cannot and does not warranty any
restoration the longevity of any restoration work carried out at any point in a lot’s lifetime. Bidders are encouraged to inspect Lots and satisfying themselves
as to condition before bidding, taking independent professional advice where required.

4.3. Condition reports are available for each lot upon request

4.4. Film posters in the sale include condition abbreviations: M = mint; EX = excellent; VG = very good; G = good; F = fair
Special Notices
4.5. L
 ots are sold only as collectibles and unless stated expressly to the contrary, Prop Store makes no representation or warranty that any Lot is fit for any other
purpose.

Notice on Firearm Deactivation Notice on Copyright 4.6. M

 annequins, display stands, scale measures and other display equipment are not included with the Lots unless expressly stated in the Lot description in the
catalogue.
Firearms with this disclaimer have been permanently and sympathetically Lots with this disclaimer are sold without copyright, reproduction rights, licencing
deactivated to U.K. legal requirements and no longer retains any functional agreements or any other type of legal release. 4.7. Estimates are simply a guide and should not be relied upon as to advice on value or the ultimate Purchase Price, which could be significantly higher.
capacity to fire; a U.K. proof house certificate of deactivation is included. For
buyers within the U.S., these Lots may still need to transfer through a Federal Notice on Electronics and Mechanics
Firearms Dealer. It is solely the buyer’s responsibility to check, prior to bidding, the 5. Before the Auction
Some lots in the auction contain electronic and/or mechanical components. While
legal status of this weapon within their own country and the importation therein. All 5.1. E
 very Bidder must register with Prop Store (including providing evidence of identity) in accordance with the Buyer’s Guide. Personal information shall be used
every effort is made to describe them accurately, no guarantee or warranty is
costs associated with the transfer will be the buyer’s responsibility. only in accordance with Condition 8 below.
made as to the functionality, lifespan or safety of those components. It is entirely
incumbent on the new owner to satisfy themselves as to their safe use and 5.2. F
 rom time to time, Prop Store may offer a Lot which it owns in whole or in part or in which it has a financial interest and any such Lot will be identified in the
Notice on U.S. Live Firearms catalogue with the symbol [Δ] next to its Lot number.
maintenance.
This item is a firearm stored in the U.S., and while it is sold for collectible 5.3. B
 idders are aware that, due to the one-of-a-kind nature of the materials, Prop Store only guarantees the provenance of Lots to the extent set out in the Terms
purposes only, as it is legally a firearm and capable of firing ammunition it must Notice on Lots Requiring Special Shipping of Guarantee of Attribution, and Prop Store will not accept returns of any material and will not issue refunds, credits or exchanges except as provided for in
be transferred to a U.S. buyer through a Federal Firearms License. You will then the Guarantee of Attribution.
Lots with this disclaimer, due to their size and/or nature will require specialist
have to go through the necessary steps to purchase a firearm, which vary state by
shipping service with additional cost. Bidders are strongly advised to contact Prop 5.4. A
 s a courtesy to Buyers, Prop Store offers interest free payment plans on all auction invoices with a value of more than £1000 (see Condition 7.3 of the
state. Exporting the piece to the U.K. or Europe may be possible if it is deactivated
Store for a shipping quote prior to bidding on these lots. Conditions of Sale).
at additional cost; please inquire for details.

Notice on Replica Firearms and UK Restrictions Prop Store Interest Δ 6. At the Auction
From time to time, Prop Store may offer a Lot which it owns in whole or in part or in 6.1. Prop Store reserves the right to:
Replica firearms Lots will ship with a blaze orange plug affixed to their barrel
which it has a financial interest and any such Lot will be identified in the catalogue
tip (plug is not depicted in catalogue illustrations.) Buyers should be aware that 6.1.1. refuse admission and/or participation at the Auction and to reject any bid. Bids may not be accepted from unregistered bidders and all Bidders must be 18 or over;.
with the symbol Δ next to its Lot number.
ownership of Lots with this disclaimer is restricted for UK residents to registered
6.1.2.  pply a bidding cap or suspend bidding privileges to individual bidders at any point during the auction period. The cap will be withdrawn once evidence has been
a
re-enactors, galleries, or individuals in film, television, or theatre production. Please
submitted to Prop Store’s satisfaction that all bids are genuine, the bidder has the means to complete the purchase(s) and any other security checks Prop Store
inquire for further details. There may be restrictions applicable to Buyers in other may be obliged to carry out have been completed.
countries as well; it is solely the Buyer’s responsibility to check, prior to bidding,
the legal status of this item within their own country and the importation therein. 6.2. A
 ll bids must be made in GBP Sterling. The auctioneer has the right to exercise reasonable discretion in refusing any bid, advancing the bidding in such a
manner as he may decide, withdrawing or dividing any Lot, combining any two or more Lots and, in the case of error or dispute, and whether during or after
the sale, determining the successful Bidder, continuing the bidding, cancelling the sale or reoffering and reselling the Lot in dispute. If any dispute arises after
the sale, then, in the absence of any evidence to the contrary the sale record maintained by the auctioneer will be conclusive.

512 513
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

Terms & Conditions Terms & Conditions

6.3. U
 nless otherwise indicated, all Lots are offered subject to a Reserve Price. The Reserve Price will not exceed the low estimate printed in the catalogue. The
Reserve Price will not be more than the lowest estimate given by Prop Store. Prop Store may disclose or keep confidential the Reserve Price at its entire
discretion.
†
7.9. [ ] These lots are sold under standard VAT rules. For buyers within the UK and Northern Ireland, 20% VAT will be due on the hammer price; 20% VAT will also
be due on the Buyer’s premium. When lots are exported outside the UK and Northern Ireland (proof of export required or shipped by Prop Store or through
Prop Store’s authorised shipper), no VAT will be due on the hammer price; 20% VAT will be due on the Buyer’s premium only; unless items are exported to a
6.4. T
 he auctioneer may open the bidding on any Lot below the Reserve Price by placing a bid on behalf of the Seller. The auctioneer may continue to bid on behalf registered business outside the UK and Northern Ireland, in which case no VAT is due.
of the Seller up to the amount of the Reserve Price, either by placing consecutive bids or by placing bids in response to other Bidders.
[Ω] These lots have been temporarily imported from outside the UK and Northern Ireland for sale at auction in London. For buyers within the UK and Northern
6.5. W
 hen making a bid, every Bidder acknowledges that such bid is a binding offer to buy the Lot at that price (plus the Buyer’s Premium, Buyer’s Expenses (if Ireland (private individuals or registered businesses), 5% VAT will be due on the hammer price; 20% VAT will also be due on the Buyer’s premium. When lots
applicable), all applicable taxes and any and all shipping charges, storage and other costs). A successful Bidder will be deemed to be the Buyer unless it are exported outside the UK and Northern Ireland (proof of export required or shipped by Prop Store or through Prop Store’s authorised shipper), no VAT will
has been explicitly agreed in writing with Prop Store before the start of the Auction that the Bidder is acting as agent on behalf of an identified third party be due.
acceptable to Prop Store (and registered with Prop Store), and only then will Prop Store regard that third party as the Buyer. In such circumstances, the Bidder
acting as agent confirms that he is authorised to bind the third party and that the Buyer has been made aware of and accepts these Conditions. [Ϻ] These lots are sold under the margin scheme. For buyers within the UK (private individuals or registered businesses), no VAT will be due on the hammer
price; 20% VAT will be due on the Buyer’s premium. When lots are exported outside the UK (proof of export required or shipped by Prop Store or through Prop
6.6. P
 rop Store will use reasonable efforts to execute written bids delivered before the Auction for Bidders unable to attend the auction in person, by an agent or Store’s authorised shipper), no VAT is due. For buyers within Northern Ireland, 20% VAT will be due on the Hammer Price.
by telephone or online. All such written bids must be made on Prop Store’s Absentee Bids Form (in the catalogue).

6.7. If Prop Store receives written bids on a particular Lot for identical amounts, and at the auction these are the highest bids on the Lot, it will be sold to the person [US] These lots are currently located in Prop Store’s Los Angeles facility and will ship directly to the buyer from the Los Angeles facility. For buyers within the
whose written bid was received and accepted first. UK and Northern Ireland (private individuals or registered businesses), no VAT will be charged by Prop Store on the hammer price; 20% VAT will be due on the
Buyer’s premium. For buyers outside the UK and Northern Ireland, no VAT will be charged by Prop Store.
6.8. O
 nline bidding at Prop Store Auctions is made available via third party service providers and use of their services and all online bidding is subject to their
respective terms of use. Successful online bids will be subject to payment of Buyer’s Expenses. [AR] Artist’s Resale Right - On certain Lots marked “AR” in the catalogue an Additional Premium will be payable by the Buyer for royalties relating to the Artists
Resale Right Regulations 2006. It does not apply on art with a hammer price under €1,000. The current breakdown is as follows:
6.9. T
 he Auction will be tracked on a video or digital screen, which may display, among other things, a photograph of the Lot offered for sale and the then-current
bid. Bidders understand and agree that errors may occur in its operation and, except as expressly stated in the Buyer’s Guide or these Conditions, Prop Store Hammer Price
shall have no liability arising out of or related to any errors or omission in respect thereto.
• From €0 to €50,000 - 4% • From €200,000.01 to €350,000 - 1% • Exceeding €500,000 - 0.25%
6.10. B
 y participating in and/or attending the Auction and signing the registration form, each person consents to be filmed and/or photographed and agrees and
authorises Prop Store to use and publish such film and/or photographs, name and likeness for use in (1) providing online access to the Auction, (2) recording the • From €50,000.01 to €200,000 - 3% • From €350,000.01 to €500,000 - 0.5%
results of the Auction, (3) print, digital, online and all other media for marketing purposes (including without limitation, on Prop Store’s website, YouTube and other
online platforms) and (4) in any other Prop Store publications of whatever nature. The participant releases Prop Store and holds it harmless from any reasonable
Resale royalties are not subject to VAT. Customers will be charged in GBP £, however the € currency conversion rate from date of the sale is used.
expectation of confidentiality or privacy associated with such images and releases Prop Store and any third parties involved in the making, creation or publication
of the images or any marketing or other materials from all and any liability for claims made in respect of such publication. Publication of the images in whatever
7.10. T
 he Buyer will not acquire title to the Lot until all amounts due to the Seller and Prop Store from the Buyer have been received by Prop Store in cleared funds
format confers no right of ownership on the individual or right to royalties or payment. A designated area will be set aside if you do not wish to be filmed. If you
even in circumstances where Prop Store has released the Lot to the Buyer.
wish to withdraw consent, email [email protected].
7.11. B
 y registering for this auction the Buyer authorises Prop Store to charge the credit card provided at registration for all Lots purchased at the auction, and any
6.11. S
 ubject to the auctioneer’s reasonable discretion, the Bidder placing the highest bid accepted by the auctioneer will be the Buyer and the striking of his
future auction a Bidder may participate in, if not paid in full within 7 calendar days after the auction close.
hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the
Lot (including frames or glass where relevant) passes to the Buyer on the date seven calendar days from the date of the sale or on collection by the Buyer if 7.12. If the Buyer does not make any payment due to Prop Store by the due date for payment, Prop Store may charge interest on the overdue amount at the rate of
earlier and the Buyer should arrange insurance cover for the Lot if required. 5% a year above the base lending rate of LloydsTSB Bank plc from time to time. This interest shall accrue on a daily basis from the due date until the date of
actual payment of the overdue amount, whether before or after judgment. The Buyer must pay Prop Store interest together with any overdue amount.
6.12. T
 he record of sale (Prop Store’s records which relate to the sale) will be taken as absolute and final in all disputes. In the event of a discrepancy between any
online records or messages provided to you and the record of sale, the record of sale will govern. 7.13. In addition to its rights in condition 7.11 and at law, in the event of default by the Buyer, Prop Store may take one or more of the following actions:
6.13. A
 t its discretion, Prop Store may apply a bidding cap to individual bidders at any point during the auction period. The cap will be withdrawn once evidence has 7.13.1. h
 old the Buyer liable for the total amount due and commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent
been submitted to Prop Store’s satisfaction that all bids are genuine, and the bidder has the means to complete the purchase. permitted under applicable law;

7.13.2. cancel the sale;

7. After the Auction
7.13.3. resell the Lot publicly or privately on such terms as Prop Store shall think fit;
7.1.  rop Store will notify successful Bidders and send (by email unless requested otherwise) a payment invoice setting out the Purchase Price and itemising the
P
Hammer Price and Buyer’s Premium plus any applicable VAT within 7 calendar days of the end of the Auction. 7.13.4. pay the Seller an amount up to the net proceeds payable in respect of the Hammer Price;

7.2. U
 nless a payment plan (as set out in condition 7.3 below) has been agreed by Prop Store, payment is due within 7 calendar days from receipt of invoice and 7.13.5. s et off against any amounts which Prop Store may owe to the Buyer in any other transactions, some or all of the outstanding amount remaining unpaid by the
must be made by the Buyer. Payments from any other source will not be accepted and shall be returned by Prop Store. Buyer;

7.3. P
 ayment plans will be available in 1, 2, or 3 month increments on any invoice over £250, unless otherwise specified on the individual lot. Bidders wishing 7.13.6. apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs;
to utilise the payment plan service, if approved by Prop Store, will be responsible for paying a 20% deposit on their Lots within 7 calendar days of receiving 7.13.7. reject at any future auction any bids made by or on behalf of the Buyer or to require a deposit from the Buyer before accepting any further bids;
their invoice. The balance will then be split over 1, 2 or 3 months per the Buyer’s selection. If the 1 month option is selected, the remaining balance on the Lot
will be due 30 days after the deposit date. If the 2 month option is selected, half of the remaining balance will be due 30 days after the deposit date and the 7.13.8. e
 xercise all the rights and remedies of a person holding security over any Lot in Prop Store’s possession owned by the Buyer, whether by way of pledge, security
remaining half 30 days after that, and so on. interest or in any other way, to the fullest extent permitted by the law of the place where such Lot is located. The Buyer will be deemed to have granted such
security to Prop Store and it may retain such Lot as collateral security for such Buyer’s obligations;
7.4. P
 rop Store offers no grace period on payment plan deadlines. If the Buyer does not adhere to payment deadline as agreed under the terms of the payment
plan, the Buyer will have defaulted. In the event of default all funds already paid to Prop Store will be forfeited by the Buyer, and title of the Lot will not transfer 7.13.9. take such other action as Prop Store deems necessary or appropriate. If Prop Store resells the Lot under condition 7.13.3 above, the Buyer shall be liable for
to Buyer. Prop Store and the Seller shall also be entitled to all remedies for non-payment as described below and at law. payment of any deficiency between the total amount originally due to Prop Store and the amount received upon resale as well as all reasonable costs, expenses,
damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If Prop Store pays any
7.5. T
 itle in the Lot will pass to Buyer and the Lot will be made available for collection by the Buyer only when Prop Store is completely satisfied that all monies amount to the Seller under condition 7.13.4 above, the Buyer acknowledges that Prop Store shall have all of the rights of the Seller, however arising, to pursue the
owing have been paid in full. Buyer for such amount.
7.6. P
 ayment must be in Pounds Sterling and may be made by electronic transfer, debit card, credit card (up to a maximum of £25,000) bankers draft or cash (up 7.13.10. release the name and address of the Buyer to the Seller to enable the Seller to commence legal proceedings to recover the amounts due and legal costs. Prop
to a maximum of £5,000). Please quote the Lot number, invoice number and Bidder registration number when making payment to ensure it can be processed Store will take reasonable steps to notify the Buyer prior to releasing such details to the Seller.
as efficiently as possible.
7.14. P
 rop Store shall be entitled to retain Lots sold until all amounts due have been received in full in good cleared funds or until the Buyer has performed any
7.7.  redit card payments are only acceptable on the express understanding that the Lot is not returnable, refundable nor exchangeable and no charge card credit
C
other outstanding obligations as Prop Store shall reasonably require. Subject to this, the Buyer shall collect, or have shipped or collected for shipment,
or refund may be issued in the event of any such return. If payment is made by credit card, Buyer will not undertake any action or effort to stop payment, seek
purchased Lots within 7 calendar days from the date of the sale unless otherwise agreed between Prop Store and the Buyer. Lots can be collected in person
a refund, or attempt a charge back of such amounts - or any Credit Card Fee assessed thereon - by the issuer of the credit card.
by appointment only.
7.8. C
 ryptocurrency payments are accepted via our payment processor (BitPay), as indicated at checkout. You must pay for the entire balance owed including the
Purchase Price and any other relevant charges entirely in one form of Cryptocurrency and you should ensure you have a sufficient balance to pay for all sums
owed. We do not accept partial payment by Cryptocurrency and a different form of payment in one transaction. Cryptocurrency payment is only acceptable
on the express understanding that the Lot is not returnable, refundable nor exchangeable. We also reserve the right to exclude the use of payment by
Cryptocurrency on certain Lots, such exclusion to be noted on the listing.

514 515
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

Terms & Conditions Terms & Conditions

7.15. E
 ach Lot will require a custom packing service and by bidding on a Lot a Bidder agrees to pay all relevant shipping costs. Prop Store’s carrier of choice is 10. Terms of Guarantee of Attribution
FedEx, although some Lots will require special freight service. Potential shipping estimates can be obtained by emailing shipping@ propstore.com detailing
the Lot number of interest and the shipping address prior to the auction. 10.1. P
 rop Store warrants the attribution of each Lot as stated in the title block (film title and item title) of that Lot in the Auction catalogue, subject to any revisions
(which may be given in writing or online before or during the Auction at which the Lot is purchased by the Buyer); this is Prop Store’s Guarantee of Attribution.
7.16. P
 rop Store recommends working with its preferred third-party independent freight agent Precision Cargo on any questions regarding importing and exporting Buyers should be aware that multiple examples of props and costumes are frequently used during production and it is often impossible to determine whether
Lots. a specific piece has been used on-camera. Any specific on-camera usage known to Prop Store will be noted within the description, but no warranties are given
by Prop Store on that description.
7.17. A
 lthough Prop Store shall use reasonable efforts to take care when selecting third parties for these purposes, the Buyer will contract directly with such third
party and Prop Store accepts no liability or responsibility for the acts or omissions of any such third parties. Similarly, where Prop Store suggests other handlers, 10.2. If a Buyer demonstrates, to Prop Store’s reasonable satisfaction, that the Guarantee of Attribution is materially incorrect, the sale will be rescinded if the Lot
packers or carriers, its suggestions are made on the basis of its general experience of such parties in the past and Prop Store is not responsible to any person is returned to Prop Store in the same condition in which it was at the time of sale. In order to satisfy Prop Store that the Guarantee of Attribution is materially
to whom it has made a recommendation for the acts or omissions of the third party concerned. incorrect, Prop Store reserves the right to require the Buyer to obtain, at the Buyer’s expense, the opinion of two experts in the field, mutually acceptable to
Prop Store and the Buyer.
7.18. It is the Buyer’s sole obligation and responsibility to be aware of, to comply with, and to pay for all relevant import duties, taxes, VAT, customs and other fees
charged in the Buyer’s local jurisdiction. Prop Store will ship all packages with the full value of the Lot declared. Buyer understands and agrees that Prop Store 10.3. In the event a sale is rescinded in accordance with condition 10.2, Prop Store shall repay to the Buyer the Purchase Price. Repayment of the Purchase Price
shall have no obligation or responsibility for any import duties, taxes, VAT, customs, shipping or other charges for the Lots shipped. Failure by the Buyer to pay shall be the Buyer’s sole remedy for an incorrect Guarantee of Attribution, to the exclusion of all other remedies to the extent permissible at law. It is specifically
all necessary amounts may result in the relevant authorities returning the Lot to Prop Store and in those circumstances the Buyer will be charged and will pay understood that this will be considered the Buyer’s sole remedy under this clause 10.
storage cost and Prop Store’s additional reasonable costs and expenses.
10.4. T
 he Buyer expressly agrees that Prop Store shall not be liable in whole or in part, for, and the Buyer shall not be entitled to recover, any special, indirect,
7.19. It is the Buyer’s responsibility to ensure that any Lot purchased from Prop Store enters the shipping location lawfully, that all duties and taxes have been paid incidental or consequential damages including loss of profits or value of investment or opportunity cost.
and that all required export procedures, regulations, and laws were properly complied with. Buyer understands and agrees that Prop Store shall have no
obligation or responsibility for complying with any export procedures, regulations, or laws applicable to the Lot. 10.5. Bidders are aware that description revisions may occur on some Lots, and should inquire before the Auction whether any description revisions have occurred
on a given Lot and/or examine a lot before bidding on it. Prop Store will make all reasonable efforts to make description revisions readily available during the
7.20. Unless otherwise agreed by Prop Store in writing, the fact that the Buyer wishes to apply for an export licence does not affect or postpone the Buyer’s Auction.
obligation to make payment in accordance with Prop Store’s payment terms nor Prop Store’s right to charge interest or storage charges on late payment. If the
Buyer requests Prop Store to apply for an export licence on his or her behalf, Prop Store shall be entitled to make a charge and be paid for this service. Prop 10.6. E
 xcept as expressly provided in these Conditions Prop Store shall have no liability to the Buyer in respect of a Lot and all and any implied warranties and
Store shall not be obliged to rescind or cancel a sale nor to refund any monies paid by the Buyer to Prop Store as a result of or related to the Buyer’s failure conditions are excluded to the fullest extent permitted by law.
or inability to obtain an export license.

7.21. W
 here Lots are not collected within 14 calendar days from the due date of payment, whether or not payment has been made, a storage fee of 3% of the 11. Intellectual property rights
Hammer Price per month shall be charged to the Buyer. If the Buyer has failed to pay the Purchase Price and the cost of shipping and handling, Prop Store, at 11.1. T
 he copyright in all images, illustrations and written material produced by or for Prop Store relating to a Lot (including the contents of the Auction catalogue),
its option may cancel the sale. is and shall remain at all times the property of Prop Store and shall not be used by the Buyer, nor by anyone else, without Prop Store’s written consent. Prop
7.22. Successful bidders whose total invoice is equal to or greater than €10,000 (or the GBP equivalent) shall agree to undergo Enhanced Customer Due Diligence Store and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.
(EDD) checks as per the EU Fifth Money Laundering Directive (5MLD). The lots won will not be released until the EDD check has been completed and passed. 11.2. In the catalogue descriptions, Prop Store takes steps to identify and provide provenance for Lots offered at auction. In many cases, the Lots offered were used
7.23. Due to the impact of the U.S. Wayfair ruling Prop Store is obligated to collect sales tax on orders shipped to a number of States within the U.S., even when in or in conjunction with motion pictures or other programmes and information is furnished in order to fully identify and describe the Lot offered at Auction,
auctioning from London. Additional States become sales tax-eligible regularly due to ongoing updates. Please review the online terms for the current list of including photographs and illustrations. Prop Store in no way claims any connection to or relationship with the producers of the motion picture or other
States Prop Store charges sales tax to; final taxes will be added to your invoice upon checkout. programme. In all cases, the use of the titles or other elements of a motion picture or other programme is for informational purposes only.

8. Use of information 12. Events outside our control

8.1. P
 rop Store will hold all personal information provided by the Bidder at registration and the Bidder agrees and consents to such information being used by Prop Store will not be liable or responsible for any failure to perform, or delay in performance of, any of its obligations under these Conditions that is caused by
Prop Store to: an event outside its control, that being any act or event beyond Prop Store’s reasonable control, including without limitation strikes, lock-outs or other industrial
action by third parties, civil commotion, riot, invasion, terrorist attack or threat of terrorist attack, war (whether declared or not) or threat or preparation for war,
8.1.1. make available each Lot for shipping to the Buyer; fire, explosion, storm, flood, earthquake, subsidence, epidemic or other natural disaster, or failure of public or private telecommunications networks. Prop Store’s
obligations shall be suspended and time for performance extended until such time as the event outside it’s control is over, following which a new collection or
8.1.2.  rocess the Buyer’s payment and use the registered email address to update the buyer about their order, including but not limited to sending reminders relating
p
shipping date can be agreed.
to any outstanding payment;

8.1.3. contact credit reference agencies and keep records of any searches carried out on Prop Store’s behalf;
13. Other important terms
8.1.4.  here explicit consent has been given, inform the Bidder about upcoming auctions and news (please contact Prop Store by email at [email protected] or
w
13.1. If any part of these Conditions is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the Conditions shall
by phone +44 (0)1494 766485 if you wish to stop receiving these);
continue to be valid to the fullest extent permitted by law.
8.1.5. inform the Bidder about important auction updates; this personal information including email addresses will be deleted from the auction mailing list once the
13.2. The contract is between the Seller, Buyer and Prop Store and no other person shall have any rights to enforce any of its terms.
auction is complete
13.3. If Prop Store fails to insist on performance of any of a Buyer’s obligations under these Conditions, or if it delays in doing so, that will not mean that Prop Store
8.1.6. in the event of non-payment, we can, at our option, reveal your identity and contact details to the seller
has waived its rights against the Buyer and does not mean the Buyer no longer has to comply with those obligations.

13.4. T
 hese Conditions are governed by English law, without regard to its choice of law provisions. The Parties agree that any dispute or claim (including non-
9. Liability
contractual disputes or claims) arising out of or in connection with this agreement or its subject matter or formation may be brought in any court of competent
9.1. If Prop Store fails to comply with these Conditions it is responsible for loss or damage a Buyer suffers that is a foreseeable result of Prop Store’s breach or its jurisdiction located in England or Wales or, alternatively, in any court of competent jurisdiction where Prop Store or the Bidder/Buyer resides, at the option
negligence. Prop Store is not responsible for any loss or damage that is not foreseeable. Loss or damage is foreseeable if an obvious consequence of Prop of the Party bringing the claim, only. The Parties expressly agree to the jurisdiction of such courts and agree to submit to the jurisdiction of such courts. The
Store’s breach or if contemplated by the Buyer and Prop Store at the time the hammer falls on the Lot at the Auction. prevailing party shall be entitled to an award of all Lawyers’ fees, costs and expenses incurred by it/him/her in connection with the dispute. “Lawyers’ fees and
expenses” includes, without limitation, paralegals’ fees and expenses, solicitor’s fees consultants’ fees and expenses, expert witness’ fees and expenses, and
9.2. S
 ubject to condition 9.3, Prop Store’s liability shall be limited to the amount actually paid for the Lot by the Buyer. Save to the extent required by law, in no event all other expenses incurred by the prevailing party or its attorneys in the course of their representation of the prevailing party in anticipation of and/or during
shall Prop Store be liable for incidental or consequential damages of any kind. the course of the litigation, whether or not otherwise recoverable as “attorneys’ fees” or as “costs” under applicable law; and the same may be sought and
awarded in accordance with applicable procedure as pertaining to an award of contractual Lawyers’ fees.
9.3. Prop Store does not exclude or limit its liability for:
13.5. B
 y registering for this auction, the supplied card will automatically have a sum of £0.01 held and subsequently returned within 30 working days to verify the
9.3.1. death or personal liability caused by its negligence or the negligence of its employees, agents or subcontractors; validity of the card.
9.3.2. fraud or fraudulent misrepresentation; and 13.6. T
 he buyer is solely responsible for ascertaining that each lot sold with copyright is otherwise cleared for publication including but not limited to satisfying
any publicity right that persons appearing in an image may have under any statute or common law. Neither the consignor nor Prop Store Ltd makes any
9.3.3. b
 reach of the terms implied by sections 12, 13, 14 and 15 of the Sale of Goods Act 1979 (title, description, quality and fitness for purpose) save to the fullest extent
representation or warranty as to any matters that need to be cleared prior to publication. No representation or warranty is made regarding copyright outside
permissible at law.
of the United Kingdom. All publication issues should be referred to the buyer’s own professional advisors. All representations or warranties as to copyright or
rights to publish are solely made by the consignor and not Prop Store Ltd; the buyer agrees that Prop Store Ltd. will not be liable to Buyer in any respect for
alleged breach of any such representation or warranty.

516 517
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N

VAT Quick Reference Guide

Buyer Location / VAT on VAT on

VAT Status Business or Individual
VAT on Hammer Price
Buyer's Premium Buyer's Expenses

UK & NI / Individual 20% 20% 20%

UK & NI / Business 20% 20% 20%

Standard
Rules (†) Rest of World / Individual 0% 20% 20%

Rest of World / Business 0% 0% 0%

UK & NI 5% 20% 20%

Temporary
Import (Ω) Rest of World 0% 0% 0%

UK 0% 20% 20%

Margin NI 20% 20% 20%

Scheme (Ϻ)
Rest of World

UK & NI
0%

0%
0%

20%
0%

20%
Showcase and protect your investment
Items in
Los Angeles (US) Rest of World 0% 0% 0%
Customised display cases tailored to meet your specific
requirements and levels of security.

Contact us today for a free, no obligation quotation.

www.aboutpresentation.com - 01425 652373 - [email protected]

With over 30 years auctioneering experience,

we advise our clients with confidence!!
Valuations undertaken for Auctions, Inheritance Tax,
Open Market and Insurance Purposes

Please call us to discuss your collection on 01635 580595 or email us,

[email protected]

Meet your Prop Store Auctioneers, Thomas, Jessica & Neil

ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N P R O P STO R E . C O M | 9 TH - 1 1 TH N OV E M BE R 2 0 2 1

Index Index

LOTS 1 – 409 LOTS 410 – 755 LOTS 756 – 1100 LOTS 1 – 409 LOTS 410 – 755 LOTS 756 – 1100
DAY 01 PG. 7 - 303
9TH NOVEMBER 2021
TUES. 3:00 PM (GMT)
DAY 02 PG. 305 - 405
10TH NOVEMBER 2021
WED. 3:00 PM (GMT)
DAY 03 PG. 405 - 508
11TH NOVEMBER 2021
THURS. 3:00 PM (GMT)
DAY 01 PG. 7 - 303
9TH NOVEMBER 2021
TUES. 3:00 PM (GMT)
DAY 02 PG. 305 - 405
10TH NOVEMBER 2021
WED. 3:00 PM (GMT)
DAY 03 PG. 405 - 508
11TH NOVEMBER 2021
THURS. 3:00 PM (GMT)

Film or Show Page Number(s) Film or Show Page Number(s) Film or Show Page Number(s) Film or Show Page Number(s)

# CROW, THE (1994). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335 GOONIES, THE (1985). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360 K

101 DALMATIANS (1996). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305 CSI: CRIME SCENE INVESTIGATION (TV SERIES, 2000-2015). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336 GREMLINS 2: THE NEW BATCH (1990). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105, 360 KALIFORNIA (1993) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395
102 DALMATIANS (2000). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305 CURIOUS CASE OF BENJAMIN BUTTON, THE (2008). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336 GREYFRIARS BOBBY (1961). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360 KICK-ASS (2010). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395-396
1941 (1979) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (1984). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 KICK-ASS 2 (2013). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
D GUMBY ADVENTURES (T.V. SERIES, 1988 - 2002) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361
2001: A SPACE ODYSSEY (1968). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306 DALEKS' INVASION OF EARTH 2150 A.D. (1966). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337 KINGDOM OF HEAVEN (2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158, 396
2010: THE YEAR WE MAKE CONTACT (1984). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306 GUYS AND DOLLS (1955) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361 KINGSMAN: THE GOLDEN CIRCLE (2017). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397
DAREDEVIL (2003) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
47 RONIN (2013). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306-307 KINGSMAN: THE SECRET SERVICE (2014). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397
DARK ANGEL (TV SERIES, 2000-2002). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 H
DARK CRYSTAL, THE (1982) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337-338 KISS OF THE DRAGON (2001) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398
A HALLOWEEN H2O (1998). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
KUBO AND THE TWO STRINGS (2016) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398
ABYSS, THE (1989). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 DARK KNIGHT, THE (2008). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320-321 HALLOWEEN II (2009) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
ADVENTURES OF PINOCCHIO (1996). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307 DARK TOWER, THE (2017). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 HALLOWEEN: RESURRECTION (2002) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1008, 361 L
ALEXANDER (2004) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 DAY OF THE DEAD (1985). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338 HARRY POTTER AND THE PHILOSOPHER'S STONE (2001) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114 - 116, 361 - 363 L.A. CONFIDENTIAL (1997). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398
ALI G INDAHOUSE (2002). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307 DEMOLITION MAN (1993) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 HARRY POTTER AND THE CHAMBER OF SECRETS (2002). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363 - 364 LABYRINTH (1986). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158-159, 399
ALICE IN WONDERLAND (2010). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308 DEVIL'S BACKBONE, THE (2001). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 HARRY POTTER AND THE PRISONER OF AZKABAN (2004). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116, 364 LAND OF THE LOST (2009) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 399
ALIEN (1979). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308 DICTATOR, THE (2012). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338 HARRY POTTER AND THE GOBLET OF FIRE (2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365 LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE (2003). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159-160, 400
ALIEN 3 (1992). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 DIE HARD (1988). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338 HARRY POTTER AND THE DEATHLY HALLOWS: PART 1 AND PART 2 (2010-2011). . . . . . . . . . . . . . . . . . . . . . . . 120 LARA CROFT: TOMB RAIDER (2001). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400
ALIEN RESURRECTION (1997). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310 DIE HARD WITH A VENGEANCE (1995). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66 HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (2011). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117 - 120 LAST ACTION HERO (1993). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
ALIEN WAR - LONDON (1993-1996). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311 DIE, MONSTER, DIE! AKA MONSTER OF TERROR (1965). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339 HARRY POTTER SERIES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121 LAST KNIGHTS (2015). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401
ALIENS (1986). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308-309 DINOSAURS (TV SERIES, 1991-94). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66-67 HATEFUL EIGHT, THE (2015). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121 LAST SAMURAI, THE (2003). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
AMERICAN HISTORY X (1998) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 DIRTY DOZEN, THE (1967). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 HAWK THE SLAYER (1980). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365 LAWRENCE OF ARABIA (1962). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401
AN AMERICAN WEREWOLF IN LONDON (1981). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 DIVERGENT SERIES: ALLEGIANT, THE (2016). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339 HEARTS OF FIRE (1987). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365 LEAGUE OF EXTRAORDINARY GENTLEMEN, THE (2003). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401-402
ANCHORMAN 2: THE LEGEND CONTINUES (2013). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312-313 DOCTOR SLEEP (2019). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339 HELLBOY (2004) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 LEGEND (1985). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 402-403
APOCALYPSE NOW (1979). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312 DOCTOR WHO: "EARTHSHOCK" (TV SERIES, 1982) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340 HELLBOY II: THE GOLDEN ARMY (2008) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122, 366 LEGENDS OF THE FALL (1994). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
ARMAGEDDON (1998) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22-23 DOCTOR WHO: ‚ÄÚTHE MAGICIAN‚ÄÔS APPRENTICE‚ÄÙ (TV SERIES, 2015). . . . . . . . . . . . . . . . . . . . . . . . . . . . 340 HELLRAISER (1987) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123 - 124 LINCOLN (2012). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403
ARMY OF DARKNESS (1992). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313 DOCTOR WHO: ‚ÄÚTHE RINGS OF AKHATEN‚ÄÙ (TV SERIES, 2013). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340 HELLRAISER III: HELL ON EARTH (1992). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366 LIVE FREE OR DIE HARD (2007) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403
ASSASSIN'S CREED (2016) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313-314 DOCTOR WHO: CLASS (2016). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340 HELLRAISER VIII: HELLWORLD (2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124 LONE SURVIVOR (2013). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
AVATAR (2009). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314 DOCTOR WHO: ROBOT (TV SERIES, 1975). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342 HERCULES (2014). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366 LONGEST DAY, THE (1962) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
AVENGERS, THE (1967). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174 DOCTOR WHO: TERROR OF THE ZYGONS (TV SERIES, 1975). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342 HIGHLANDER (1986). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125, 367, 378 LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (2001). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
AVENGERS, THE (TV SERIES, 1961-69). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 DOCTOR WHO: THE DEADLY ASSASSIN (TV SERIES, 1976). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342 HIGHLANDER II: THE QUICKENING (1991). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126 LOST IN SPACE (1998). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 405
AVP: ALIEN VS. PREDATOR (2004). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311 DOCTOR WHO: THE MUTANTS (TV SERIES, 1972). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341 HITCH (2005) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369 LOST WORLD: JURASSIC PARK, THE (1997). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394
DOCTOR WHO: THE THREE DOCTORS (TV SERIES, 1973) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341 HOBBIT: THE DESOLATION OF SMAUG, THE (2013). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126 LUCASFILM. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 454, 472
B DOCTOR WHO: THE TIME WARRIOR (TV SERIES, 1973). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341 HOOK (1991). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368-369
BABYLON 5 (T.V. SERIES, 1994 - 1998) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314 DR. SEUSS THE CAT IN THE HAT (2003). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343 HOUSE THAT DRIPPED BLOOD, THE (1971). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370 M
BACK TO THE FUTURE - THE RIDE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 DOCTOR WHO: DEATH TO THE DALEKS (1974)/ HUNCHBACK OF NOTRE DAME, THE (1923). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370 MAD MAX: FURY ROAD (2015). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165-166
BACK TO THE FUTURE (1985) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315 DOCTOR WHO: REMEMBRANCE OF THE DALEKS (1988). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339 MAGNIFICENT SEVEN, THE (2016). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
BACK TO THE FUTURE PART II (1989). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315 DRACULA (TV SERIES, 2013-2014) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 I MAN OF STEEL (2013). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 405-406
BACK TO THE FUTURE PART III (1990). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 DUNE (1984). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343 I, ROBOT (2004). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127, 370 MARS ATTACKS! (1996). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
BACK TO THE FUTURE TRILOGY (1985-1990). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 DUNE (UNPRODUCED) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343 IF... (1968). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128 - 129 MARTIAN, THE (2015). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406
BATMAN & ROBIN (1997). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319 DUNGEONS & DRAGONS (2000). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343 ILLUSTRATED STAR WARS UNIVERSE, THE (1995). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 473 MARVEL'S AGENTS OF S.H.I.E.L.D. (TV SERIES, 2013-2020) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406-407
BATMAN (1989). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315-316 ILM (INDUSTRIAL LIGHT AND MAGIC). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 466, 473 MARVEL'S DAREDEVIL (TV SERIES, 2015 - 2018). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327, 407
BATMAN BEGINS (2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319-320 E INDIANA JONES AND THE LAST CRUSADE (1989). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133, 373-374 MARVEL'S IRON FIST (TV SERIES, 2017). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 408
BATMAN FOREVER (1995). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318 ELEKTRA (2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344 INDIANA JONES AND THE TEMPLE OF DOOM (1984). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132, 371-373 MARVEL'S JESSICA JONES (TV SERIES, 2015). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 407-408
BATMAN RETURNS (1992). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317-318 ELEPHANT MAN, THE (1980) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344 INGLOURIOUS BASTERDS (2009) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134 - 135, 374 MARY POPPINS (1964). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
BATMAN V SUPERMAN: DAWN OF JUSTICE (2016) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321 ELF (2003). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344-345 INKHEART (2008). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374 MASTERS OF THE UNIVERSE (1987). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168-169, 408-409
BATTERIES NOT INCLUDED (1987). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42-43 ELYSIUM (2013). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 INTO THE BLUE (2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375 MATRIX REVOLUTIONS, THE (2003). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169, 409
BATTLE: LOS ANGELES (2011). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321 EMPIRE OF THE SUN (1987) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345 IRON MAN (2008) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375 MEN IN BLACK (1997). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 410
BEETLEJUICE (1988). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322 ERAGON (2006). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345-346 IRON MAN 3 (2013). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135 MEN IN BLACK: INTERNATIONAL (2019). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170-171
BLADE (1998). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 ETERNALS (2021). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346 ISLAND, THE (2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375 MIGHTY MORPHIN' POWER RANGERS (1993). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 410
BLADE II (2002) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322 EVENT HORIZON (1997). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346 MIGHTY MORPHIN' POWER RANGERS: THE MOVIE (1995). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411
EVIL UNDER THE SUN (1982). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347 J
BLADE RUNNER (1982). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323 MILLION POUND NOTE, THE (1954). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411
EWOKS: THE BATTLE FOR ENDOR (1985). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 472 JACK RYAN: SHADOW RECRUIT (2014). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376
BLADE RUNNER 2049 (2017). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323 MINORITY REPORT (2002). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172, 411-412
EX MACHINA (2014). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347 JAMES AND THE GIANT PEACH (1996). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376
BLADE: TRINITY (2004) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322 MISSION: IMPOSSIBLE - FALLOUT (2018). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413
EXCALIBUR (1981). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348 JAMES BOND: A VIEW TO A KILL (1985). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 381-382
BOOK OF ELI, THE (2010) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 MISSION: IMPOSSIBLE - ROGUE NATION (2015). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 412
JAMES BOND: CASINO ROYALE (2006). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385-386
BRAM STOKER'S DRACULA (1992). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323 EXODUS: GODS AND KINGS (2014). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348-349 MISSION: IMPOSSIBLE 3 (2006). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
JAMES BOND: DIE ANOTHER DAY (2002). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384
BRAVEHEART (1995). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324 EXPLORERS (1985). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349 MONTY PYTHON'S: THE MEANING OF LIFE (1983). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173-174
JAMES BOND: DR. NO (1962). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136, 376-377
BRAZIL (1985). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48-49 F MOON (2009). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413
JAMES BOND: FOR YOUR EYES ONLY (1981). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379
BREAKING BAD (TV SERIES, 2008-13). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324-325 FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD (2018). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349-350 MOTHER RILEY MEETS THE VAMPIRE (1952) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
JAMES BOND: FROM RUSSIA WITH LOVE (1963). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
BRIDESMAIDS (2011). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326 FANTASTIC FOUR (2005) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350 MR. ROBOT (TV SERIES, 2015-19) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413
JAMES BOND: GOLDENEYE (1995). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145-146, 383-384
BRUCE LEE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50-52 FAST & FURIOUS (2009). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350 MULE, THE (2018). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
JAMES BOND: GOLDFINGER (1964). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377
BUCK ROGERS IN THE 25TH CENTURY (1979). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326 FAST & FURIOUS PRESENTS: HOBBS AND SHAW (2019). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351 MUMMY RETURNS, THE (2001). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 415
JAMES BOND: LICENCE TO KILL (1989). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382-383
BURKE & HARE (2010) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326 FAST AND THE FURIOUS, THE (2001). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 MUMMY, THE (1999). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 414-415
JAMES BOND: MOONRAKER (1979). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143-144, 379
FIFTH ELEMENT, THE (1997). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351-352 MUMMY: TOMB OF THE DRAGON EMPEROR, THE (2008). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 416
C JAMES BOND: OCTOPUSSY (1983) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144, 380-381
MUNSTERS, THE (T.V. SERIES, 1964 - 1966). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 416
CAPE, THE (TV SERIES 2011). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326 FIGHT CLUB (1999). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352 JAMES BOND: PINEWOOD STUDIOS (2006). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
FIRST MEN IN THE MOON (1964). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352 MUPPET CHRISTMAS CAROL, THE (1992). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 416-417
CAPTAIN AMERICA II: DEATH TOO SOON (1979). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53 JAMES BOND: SPECTRE (2015). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386
FIRST PURGE, THE (2018) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353 MUPPET TREASURE ISLAND (1996). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 417
CAPTAIN AMERICA: CIVIL WAR (2016). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327 JAMES BOND: THE LIVING DAYLIGHTS (1987). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145, 382
FIVE CHILDREN AND IT (2004) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353 MUPPETS MOST WANTED (2014). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 417
CASANOVA (2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327 JAMES BOND: THE MAN WITH THE GOLDEN GUN (1974) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
FLASH GORDON (1980). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353-354 MURDER ON THE ORIENT EXPRESS (2017). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 418
CAST AWAY (2000). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 JAMES BOND: THE WORLD IS NOT ENOUGH (1999). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
FLASH GORDON CONQUERS THE UNIVERSE (1940). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355 MY BLOODY VALENTINE 3D (2009). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 418
CAVEMAN (1981). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327 JAMES BOND: THUNDERBALL (1965). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138-139
CELL, THE (2000). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327 FOUR WEDDINGS AND A FUNERAL (1994). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 JAMES BOND: TOMORROW NEVER DIES (1997) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384 N
CENTURION (2010). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328 FRANKENWEENIE (2012). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335 JAMES BOND: YOU ONLY LIVE TWICE (1967). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140-141, 378 NATIONAL LAMPOON'S CHRISTMAS VACATION (1989) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 419
CHARLIE AND THE CHOCOLATE FACTORY (2005) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328-330 FREDDY VS. JASON (2003). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186-187 JASON AND THE ARGONAUTS (1963). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112 NATIONAL TREASURE (2004) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176-177, 419
CHITTY CHITTY BANG BANG (1968). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330 FREQUENCY (2000). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355 JASON GOES TO HELL: THE FINAL FRIDAY (1993). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148 NATIONAL TREASURE: BOOK OF SECRETS (2007). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178-180
CHRISTINE (1983). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 FRIGHT NIGHT (1985). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355 JEEPERS CREEPERS 2 (2003) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386 NEAR DARK (1987). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
CHRISTMAS STORY, A (1983). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307 FULL METAL JACKET (1987) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355 JEWEL OF THE NILE, THE (1985). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387 NIGHTBREED (1990). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181-182, 366
CHRONICLES OF NARNIA: PRINCE CASPIAN, THE (2008). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 JIM HENSON. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 NIGHTCRAWLER (2014). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 419
G JINGLE ALL THE WAY (1996). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387-388
CHRONICLES OF RIDDICK, THE (2004). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331 GAME OF THRONES (TV SERIES, 2011-2019). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356 NIGHTMARE BEFORE CHRISTMAS, THE (1993) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
CLASH OF THE TITANS (1981). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110 - 111, 331 JOHN CARTER (2012). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388 NIGHTMARE ON ELM STREET 3: DREAM WARRIORS, A (1987) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
GANGS OF NEW YORK (2002). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92-94
CLASH OF THE TITANS (2010). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332 JOHN WICK: CHAPTER 3 - PARABELLUM (2019). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149 NINJA ASSASSIN (2009). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 419
GENTLEMEN, THE (2019). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356-357
CLOSE ENCOUNTERS OF THE THIRD KIND (1977). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333 JOHNNY ENGLISH (2003). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388
GERRY ANDERSON'S SPACE POLICE (1986). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358 O
CONAN THE BARBARIAN (1982). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333-334 JUDGE DREDD (1995). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149-151, 389-393
GHOST IN THE SHELL (2017). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 OBLIVION (2013). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
CONAN THE DESTROYER (1984). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61 JUMANJI (1995) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
GHOSTBUSTERS (1984). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96 OFFICE, THE (TV SERIES, 2005-2013). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 420
CONSTANTINE (2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334 JURASSIC PARK (1993). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153, 393-394
GHOSTBUSTERS 2 (1989). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96, 358 OPPORTUNITY KNOCKS (1990). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 420
CORPSE BRIDE (2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335 JURASSIC WORLD (2015) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153, 156
GLADIATOR (2000). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97-104, 359 OUTLAND (1981). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
COUNTESS DRACULA (1971). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335 JURASSIC WORLD: FALLEN KINGDOM (2018). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154-155, 156
GOLDEN COMPASS, THE (2007). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
CRIMSON TIDE (1995). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61 JUSTICE LEAGUE (2017). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395
GOLDEN VOYAGE OF SINBAD, THE (1973). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112 - 113

520 521
ENT E R TA I N M E N T M E M ORA B IL IA L IVE AUCTIO N: LO NDO N

Index
Prop Store Live Auction Bidder Registration Form
LOTS 1 – 409 LOTS 410 – 755 LOTS 756 – 1100
DAY 01 PG. 7 - 303
9TH NOVEMBER 2021
TUES. 3:00 PM (GMT)
DAY 02 PG. 305 - 405
10TH NOVEMBER 2021
WED. 3:00 PM (GMT)
DAY 03 PG. 405 - 508
11TH NOVEMBER 2021
THURS. 3:00 PM (GMT)
Sale Name: Entertainment Memorabilia Live Auction: London Sale Date: 9th – 11th November 2021

Film or Show Page Number(s) Film or Show Page Number(s)

P STAR WARS: ORIGINAL TRILOGY (1977-83) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 458 The following are suggested bid increments for the Auction. Please be advised
STAR WARS: ORIGINAL TRILOGY VHS RELEASE (1995). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263 Bidder Name: ____________________________________________
PAN'S LABYRINTH (2006). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190-195 that they are suggested increments only, are not intended to be and shall not
PATHFINDER (2007). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 420 STAR WARS: PREQUEL TRILOGY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 454
be binding, and the Auctioneer retains the sole and absolute discretion, at the
PERSONAL HISTORY OF DAVID COPPERFIELD, THE (2019). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 421 STAR WARS: ROGUE ONE (2016). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265, 473-474 Bidder Number: ___________________________________________
PINK PANTHER STRIKES AGAIN, THE (1963) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196 STAR WARS: SOLO: A STAR WARS STORY (2018). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265-266, 473-474 time of the Auction, to change, modify, or vary the bid increments at any time.
PIRANHA 3DD (2012) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 421 STAR WARS: THE COMPLETE SAGA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 451, 479
PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST (2006). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196-197 STAR WARS: VARIOUS PRODUCTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 477, 480 Preferred Telephone No: ____________________________________
PIRATES OF THE CARIBBEAN: ON STRANGER TIDES (2011). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198 STARDUST (2007). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 481-483 • £10 - £50 by £10 • £5,000 - £10,000 by £500
PIRATES! IN AN ADVENTURE WITH SCIENTISTS! THE, (2012). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 421 STARGATE ATLANTIS (TV SERIES, 2004-2009) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 484
Secondary Telephone No: ___________________________________ • £50 - £300 by £25 • £10,000 - £20,000 by £1,000
STARGATE SG-1 (TV SERIES, 1997-2007). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271, 484
PLANET OF THE APES (1968). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 422 • £300 - £500 by £50 • £20,000 - £50,000 by £2,500
PLANET OF THE APES (2001). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 422 STARGATE: CONTINUUM (2008). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
• £500 - £1,000 by £100 • £50,000 - £100,000 by £5,000
POLTERGEIST (2015). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 422 STARSHIP TROOPERS (1997). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272-273, 485 Select One: Telephone Bidder Absentee Bidder
PRINCE OF PERSIA: THE SANDS OF TIME (2010). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199 SUNSHINE (2007) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273, 485 • £2,000 - £5,000 by £250 • £100,000+ at the Auctioneer’s discretion
PROMETHEUS (2012). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199-203, 423-425 SUPER 8 (2011) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 486
PULP FICTION (1994). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204, 426 SUPERGIRL (1984). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279
SUPERMAN (1978). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274-276, 486-487
R SUPERMAN II (1980) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277, 487-488
RAIDERS OF THE LOST ARK (1981). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130 - 131, 371 SUPERMAN III (1984). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278, 488
RAMBO III (1988). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426
RAY HARRYHAUSEN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
SUPERMAN IV: THE QUEST FOR PEACE (1987). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .279, 489
SUPERMAN FRANCHISE (1978-1987). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 489
Auction Lot # Description of Lot Bid Excluding Premium
RED DWARF (TV SERIES, 1988-PRESENT). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204, 426 SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (2007). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280, 490 (*Absentee Bidders Only)
RED HEAT (1988) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
REIGN OF FIRE (2002) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 427 T
RETURN TO OZ (1985). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 427-428 TALES FROM THE CRYPT (1989). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 490
ROBIN HOOD (2010). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 429 TALES FROM THE CRYPT: BORDELLO OF BLOOD (1996). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 491
ROBIN HOOD PRINCE OF THIEVES (1991) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 429 TEENAGE MUTANT NINJA TURTLES (1990). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 491
ROBOCOP (2014). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205 TEENAGE MUTANT NINJA TURTLES III (1993). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 492
ROCKETEER, THE (1991). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206, 429-430 TERMINATOR 2: JUDGMENT DAY (1991). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281-283, 492
ROCKY IV (1985). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430 TERMINATOR 4: SALVATION (2009). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284
ROLLERBALL (1975). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430 TERMINATOR GENISYS (2015). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285
RUNNING MAN, THE (1987). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207 THING, THE (1982). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 492
THOMAS THE TANK ENGINE (TV SERIES 1984-PRESENT). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 493
S THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES (1965) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 493
SAHARA (2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 431 THUNDERBIRDS (TV SERIES, 1964-1966) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 494
SAPPHIRE & STEEL (TV SERIES, 1979-1982). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 431 TIM BURTON. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 494
SAVING PRIVATE RYAN (1998). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207-209, 431-432 TIME BANDITS (1981). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286, 495
SCHOONY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209 TITANIC (1997). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 495-496
SERENITY (2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 433 TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (1995). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 496
SHADOWLANDS (1993). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 433 TOMB RAIDER (2018) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 496
SHAKESPEARE IN LOVE (1998) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210 TOMBSTONE (1993). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 497
SHEENA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 433 TRANSFORMERS: AGE OF EXTINCTION (2014) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287
SHERLOCK HOLMES (2009). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 434 TRANSFORMERS: THE LAST KNIGHT (2017). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 497
SHERLOCK HOLMES: A GAME OF SHADOWS (2011) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 434-435 TREMORS (1990) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 498
SHINING, THE (1980). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211, 435 TRON (1982). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289-290, 498
SLEEPY HOLLOW (1999) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211 TRON LEGACY (2010). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291-292
SMALLVILLE (2001) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436 TROY (2004). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292-294, 498-500
SON OF THE PINK PANTHER (1993). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436 TWILIGHT (2008). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 500
SONS OF ANARCHY (TV SERIES, 2008-2014). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 437 TWILIGHT SAGA: BREAKING DAWN PART 1, THE (2011) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 501
SPACE 1999: DESTINATION MOONBASE ALPHA (1978). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 437 TWILIGHT SAGA: NEW MOON, THE (2009). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 501
SPACE: 1999 (TV SERIES, 1975-1977). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212-216, 438
SPACE: ABOVE AND BEYOND (TV SERIES 1995-1996). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 438 U
SPECIES (1995). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 439 UNDERWORLD: EVOLUTION (2006). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295
SPECTRAL (2016). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217 UNDOING, THE (TV SERIES 2020). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
SPICE WORLD (1997). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 439 UNIVERSAL SOLDIER (1992). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 502
SPIDER-MAN (2002). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218-220, 441 UNTOUCHABLES, THE (1987). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 502-503
SPIDER-MAN 2 (2004) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220-221, 442-443
V
SPIDER-MAN 3 (2007). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222-223, 443
VARIOUS PRODUCTIONS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133, 457, 490, 495, 374, 399
SPIDER-MAN TRILOGY (2002-2007) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 443-444
VIKINGS (TV SERIES 2013-2020). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295
SPIDER-MAN: FAR FROM HOME (2019). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444
VOLCANO (1997). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 503
SPIRIT, THE (2008). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224
SPY GAME (2001). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444 W
STAR TREK (2009). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 447 WAR HORSE (2011). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 503
STAR TREK BEYOND (2016) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 448 WARCRAFT (2016). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296-297, 504
STAR TREK II: THE WRATH OF KHAN (1982). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 446 WEDDING CRASHERS, THE (2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 504
STAR TREK III: THE SEARCH FOR SPOCK (1984). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228 WES CRAVEN'S NEW NIGHTMARE (1994). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
STAR TREK INTO DARKNESS (2013). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229-232, 448 WESTWORLD (1973) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 505
STAR TREK IV: THE VOYAGE HOME (1986). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 447 WHAT LIES BENEATH (2000). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 505
STAR TREK: ENTERPRISE (TV SERIES, 2001-2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 446 WHIPLASH (2014). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 505
STAR TREK: NEMESIS (2002). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228 WHO FRAMED ROGER RABBIT (1988). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297, 506
STAR TREK: THE MOTION PICTURE (1979). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225-227, 445-446 WILLOW (1988). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298, 506
STAR TREK: THE NEXT GENERATION (TV SERIES, 1987 - 1994). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225, 448-449 WILLY WONKA AND THE CHOCOLATE FACTORY (1971) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299-300, 506-507
STAR TREK: THE ORIGINAL SERIES (TV SERIES, 1966-1969). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224, 449 WIZARD OF OZ, THE (1939). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 507
STAR TREK: VOYAGER (TV SERIES, 1995-2001). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 450 WOLF OF WALL STREET, THE (2013). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 507-508
STAR WARS TOUR ATTRACTION - WALT DISNEY WORLD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 472 WOLFMAN, THE (2010). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300
STAR WARS: DROIDS (1985). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 479 WOLVERINE, THE (2013). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 508
STAR WARS: EP I - THE PHANTOM MENACE (1999). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233-235, 450-452 WONDER WOMAN (2017) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
STAR WARS: EP II - ATTACK OF THE CLONES (2002). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 452-453 WONDER WOMAN 1984 (2020). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395
STAR WARS: EP III - REVENGE OF THE SITH (2005). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236-239, 453-454
STAR WARS: EP IV - A NEW HOPE (1977). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241-245, 268, 455-460, 474-477, 480
X
X2 (2003). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303
STAR WARS: EP IV - A NEW HOPE SPECIAL EDITION (1997). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262
X-FILES, THE (1993). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301
STAR WARS: EP V - THE EMPIRE STRIKES BACK (1980). . . . . . . 246-250, 266, 267-269, 270, 460-467, 476, 478
X-MEN ORIGINS: WOLVERINE (2009). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301, 508
STAR WARS: EP VI - RETURN OF THE JEDI (1983) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251-262, 467-472, 478
X-MEN: FIRST CLASS (2011). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302-303
STAR WARS: EP VII - THE FORCE AWAKENS (2015). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 473, 480-481
STAR WARS: EP VIII - THE LAST JEDI (2017). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 474 Y
STAR WARS: EP IX - THE RISE OF SKYWALKER (2019) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 473 YOUNG INDIANA JONES CHRONICLES, THE (TV SERIES 1992-1993) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
STAR WARS: EWOKS (T.V. SERIES, 1985-1986). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 479


A Buyer's Premium of 25% will be added to all winning bids.

522
Prop Store Live Auction Bidder Registration Form

Sale Name: Entertainment Memorabilia Live Auction: London Sale Date: 9th – 11th November 2021

Prop Store — London Office Prop Store — Los Angeles Office

BIDDER INFORMATION
(If bidding as agent, complete one form as the third-party bidder and a second form as the agent. Both sets of contact information are required. Stephen Lane, CEO Brandon Alinger, Global COO & President, North America

Lizzie Lane, Director Chuck Costas, VP, Business Development and Operations

Tim Lawes, Head of Client Services Greg Giroux, VP, IT Development

Paddle Number (Prop Store Use Only):__________________________ Cell Phone: ______________________________________________
Siân Taylor, Head of Operations Don Barnett, Director of Operations
Name:__________________________________________________ Business Phone: __________________________________________
Cathy Dawson, Finance Manager Art Andrews, Director of Consignments

Business Name (if applicable): ________________________________ Fax:____________________________________________________ Priya Mudgil, Senior Administrator Maegan Hensley, Director of Asset Management

Sarah Sorkin, Photography Manager Tami Garcia, Finance & Administration Manager
Mailing Address (include country): _____________________________ Email:___________________________________________________
Miranda McCabe, Marketing Manager Dan Hill, Senior Manager, Consignments & Conventions
_______________________________________________________ Credit Card Type (Visa, MC or AmEx):___________________________
Graham Terry, Warehouse Manager Sean Malin, Copywriting Manager
_______________________________________________________ Credit Card Number: _______________________________________ Paul Wallis, Facilities & HR Manager Justin Miller, Photography Manager

Shipping Address (include country):____________________________ Credit Card Expiration Date:__________________________________ Luke Cozens, Shipping Manager Tony Mendoza, Graphics Manager

Viki Merry, Project Lead Dan Gastin, Marketing Manager

_______________________________________________________ Registering as (select one): Private Client Trade Client
Katie Males, Copywriter & Researcher Paul Gonzalez, Shipping Supervisor
Company Registration No. (if applicable): ________________________ Reseller's Permit (if applicable):_______________________________ Chris Aikman, Copywriter & Researcher Natalie Rocha, Buy Now Supervisor

Home Phone: ____________________________________________ _______________________________________________________ George Dupree, Photographer Andréa Desotell, Buy Now Assistant Supervisor

Robert Aikman, Photographer Lori Sandoval, Photography Associate

BIDDER NOTICES - PLEASE READ
Melody Liu, Video & Graphic Designer Tanner Burghardt, Photography Associate
1. If you wish to make a bid at a Prop Store Live Auction, you must pre-register with Prop Store on this form.
Jamie Dalton, Shipping & Export Clerk Devin Lotfi, Photography Associate

2. If registering as an individual, you must provide Prop Store with at least one (1) form of ID which must include one (1) government issued photo Matt Storey, General Assistant Charles Warr, Design Supervisor, Graphics
identification. If this does not state your current address, proof of address will also be required.
Richard Airey, Shipping Operative Kellina James, Assistant Supervisor, Graphics
3. If registering as an organisation, you must provide a certified copy or original certificate of incorporation, or, in the case of unregistered entities, Ethan Teller, Assistant Supervisor, Copy
other evidence satisfactory to Prop Store - contact Prop Store at +44 (0) 1494 766 485 for confirmation or what will be acceptable.
Jaret Sears, Assistant Supervisor, Copy
Telephone — +44 (0) 01494 766485
4. If you are registering as an agent to bid on behalf of another party, you must produce the relevant ID documents at paragraphs 2 and 3 above Email — [email protected] Steven Brown, IT Supervisor
for yourself and the person or organisation on whose behalf you are acting. In addition, you must provide to Prop Store a written and signed
authority from the third party confirming your authority to bid on their behalf. Irwing Gameros, IT Assistant Supervisor

Ciara Davis, Intake Associate

5. B
 Y COMPLETING AND SUBMITTING THIS BIDDER REGISTRATION FORM, YOU ACKNOWLEDGE YOU HAVE READ, UNDERSTAND AND BACK COVER IMAGES
AGREE TO BE BOUND BY PROP STORE'S LIVE AUCTION CONDITIONS OF SALE (COPIES AVAILABLE IN THE AUCTION BUYER'S GUIDE, Adam Woodring, Shipping Associate
ON PROP STORE'S WEBSITE propstore.com OR ON REQUEST FROM PROP STORE) AND PRIVACY POLICY (AVAILABLE ON PROP STORE'S Jordan Penley, Shipping Assistant
WEBSITE propstore.com) Lot 339. Lot 63.
Brennan Mann, Warehouse Associate
Light-up ILM X-wing Filming Miniature Chuck Nolan’s (Tom Hanks)
6. In particular, please make yourself aware of Prop Store's payment terms, with all sums due within 7 working days from receipt of Prop Store's STAR WARS: EP VI - RETURN Hero Screen-Matched Wilson Matthew Todd, Warehouse Associate
invoice. PROP STORE WILL ONLY ACCEPT PAYMENT FROM THE BUYER. OF THE JEDI (1983) CAST AWAY (2000)
Kiley Bishop, Customer Service Assistant Supervisor
7.  idding on High-Value Lots … New clients who have no prior purchase history with Prop Store may need to meet additional registration
B
Lana Wilkinson, Consignments Administrative Assistant
requirements in order to bid on lots that have a low estimate of £50,000 and above. Please inquire for details.
John Cooley, Consignments Administrative Assistant
For full details on how we handle and process your data including identity and payment verification please see our website. By registering for the auction you consent to us using your
personal data for this purpose including verifying the information you provide to us matches with public and other records. Lot 20.
Lot 141.
Rick Baker Mutant Nazi
Maximus’ (Russell Crowe) Arena
Telephone — +1 818-727-7829
Warmonger Mask and Helmet Email — [email protected]
Telephone Bidders: Telephone bidders must commplete this form to provide Absentee Bidders: Written bids will be executed at the lowest possible price, Helmet and Mask
AN AMERICAN WEREWOLF IN
Prop Store a list of Lots on which they intend to bid at least 24 hours before taking into account the Reserve Price. Absentee Bidders must complete this GLADIATOR (2000)
LONDON (1981)
the start of the auction. form to provide Prop Store with written bids at least 24 hours before the start Catalogue Creative Team
of the Auction
Designers:
Tony Mendoza, Charles Warr, Kellina James, Wade Lageose, David Alan

Select One: Telephone Bidder Absentee Bidder Photographers:

Sarah Sorkin, Robert Aikman, George Dupree, Justin Miller, Marcelles Murdock,
Lot 290. Lori Sandoval, Tanner Burghardt, Devin Lotfi
I, the undersigned, have read and agreed to the terms and conditions of the sale, read and understood the privacy policy and am over 18 years of age
Original Screen-matched Large-scale Eagle Transporter Filming Miniature
SPACE: 1999 (TV SERIES, 1975-1977) Copywriters & Editors:
Chris Aikman, Katie Males, Sean Malin, Sam Dietz, Dan Jolin, Peter Cooper,
Ethan Teller, Jaret Sears, Shelley Moench-Kelly
(Signature) (Date)
Printed & bound by Eclipse Print Solutions www.eclipseprintsolutions.com


A Buyer's Premium of 25% will be added to all winning bids.

525