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Mauricio Sotelo
Argo ("Apyoc)
fir Saxophon solo
(1997)
UE 30368
Universal Edition
Isnevnecoe-06089-0 encargo especial del Ministerio de Cultura,
Centro para la Difusion de la Musica Contempordnea
para el festival
VERANO MUSICAL, SEGOVIA 1997
Der Komponist gestattet folgende vier Auffihrungsméglichkeiten:
The composer permits the following four performance possibilities:
‘Argo (I-X) per saxofono alto/tenore durata: ca. 27'
Liebestied | (|, I!, IV) per saxofono alto durata: ca. 8
Liebestied II (VI, IX, X) per saxofono tenore durata: ca. 9"
Cantabile amoroso (IV, VI) per saxofono soprano oppure alto 0 tenore durata: ca. 6
Urauffilnrung / Premiére: 11.07.1997, Segovia, Marcus Weiss
UE 30368 Zeichenerklarungen
Explanation of Symbols
tonloses Gerdusch_
Of 1 ese wihouttne
_ settuscaterTon
tone mixed with noise
@ temalerTon
‘normal tone
.Zittern des Tones/Klanges durch Tiller, Bisbigliando oder
Vibrato
‘tremolo’ of a tone, sound or multiphonic created by tril,
bisbigliando or vibrato
9 Keappenschiag
key slap
kif]
20 coc (sito)
a
leichte Zwerchtellarticulation auf einem Torvkiang
light articulation trom the diaphragm of a tone, sound or
‘muttiphonic
Der tiefste notierte Ton (hier b) ist der ,Basisgriff™. Durch
ffnen der bezeichneten Klappe (-4 = Offnen derf-Klappe)
entsteht bei ,slap"-Artikulation der notierte Klang,
The lowest notated tone (here B-flat isthe basic finger-
ing’ By opening the indicated key (-4 = open the F key),
the notated sounc/muttiphonic is produced when a slap
‘s played.
Durch Spielen der .Basisgritfe" bei Konstant geéttneter
h-Klappe (-1) entstehen bei ,siap"-Artkulation die notier-
ten Klange.
By playing the basic fingerings with the B key held open
(1) and using slap articulation, the notated muttiphonics
are produced when a slap is played.
Durch feine Verénderung des Lippendrucks und leichtes,
ffnen/SchiieBen des Rachenraumes sol ein sehr schnel-
les Hin- und Herkreisen der notierten Oberténe entste-
hen. Diese sehr leise Aktion soll wahrend der angegebe-
‘nen Dauer konstant und magichst oft wiederholt werden,
Through delicate alteration of lip pressure and a slight
‘pening and closing ofthe throat, the notated harmonics
are abiainedin rapid up/down succession. This very quiet
«action should be repeated constantly and as often as
‘Possible for the duration indicated.
ue s0368 Unabhéngiges Spiel der linken ,gegen“ die rechte Hand
The Left Hand“Against’the Right Hand
a =
ies =
PPP ———————— molto = pit
Die kleinen Kreise sind eine Gritinotation und beziehen
sich von oben nach unten zuerst aut die Klappen der
linken Hand (h-, a- und g-Klappe); die unteren drei aut
Jane der rechten Hand (-,¢-und d-Klappe). Notierter.Ton*
entspricht der jeweils geschiossenen Klappe. Die nicht
notierten sind offen oder zu atinen, im regelméiBigen, un-
abhngigen Rhythmus derlinken gegen" de rechle Hand.
The small circles represent a notated fingering, from top
to bottom: the upper three circles represent the keys of
the left hand (B, A and G keys); the lower three represent
the keys of the right hand (FE and D keys). The notated
‘tone'is the corresponding depressed key. Tones that are
‘not notated are ether open tones or to be opened in equ-
lar, independent rhythm of the let hand in contrary mo-
tion tothe right hand.
Inder linken Hand wird die absteigende chromatische
Unie von cis~g gearifen, anschileBend Tiller hci, Geich-
zeitig spielt die rechte Hand zuerst einen Tiller g-fis und
anschlieBend eine Tonfolge mit Hfis—g.
In the left hand, the descending chromatic line from
C-sharp to G is played, then the tril on B-natural/C.
Simultaneously, the right hand plays first a tril on F/F-
‘sharp, then the succession of notes on G/F-sharp/G.
tonloses Spiel mit Tiler h-c (linke Hand) iber einem chro-
‘matischen Lauf (rechte Hand)
‘soundless trill on B-natural/C in the left hand played over
a chromatic scale in the right hand
freie Klappenbewegungen der linken .gegen die rechte
Hand
tree key movement of the left hand ‘against’ the right
hand
freie, schnelle Klappenbewegungen, um Uber dem Grund-
rif ,dis* von hohen auf tiefere Oberténe zu gelangen
fast free key movement used to move from the higher to
the lower harmonics over the basic fingering D-sharp
Marcus Weiss
English transiaton by Joyce Shinian!
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