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Pilgrimage Death tourism Sacralised landscapes of violence Death tourism

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Pilgrimage Death tourism Sacralised landscapes of violence Death tourism

Gorilla and Genocide tourism in Rwanda intertwine pilgrimage, death tourism, and the

exploration of sacralised landscapes of violence. Rwanda is renowned for its mountain gorilla

population, attracting vacationers who are curious about observing those endangered species

in their natural habitat. Even during a devastating humanitarian crisis, gorillas’ tourism

remained a visible factor in Rwandan identity ((Sharpley, p. 293). However, the history of the

1994 genocide additionally draws site visitors to web sites related to demise and tragedy. The

genocide memorials, along with the Kigali Genocide Memorial Centre, function as poignant

reminders of the atrocities committed.

The juxtaposition of gorilla and genocide tourism in Rwanda increases ethical questions

and challenges. Critics argue that the commercialization of gorilla tourism and the capacity

exploitation of genocide web sites for tourism purposes can trivialize the gravity of the

beyond events. Genocide tourism is downplayed in some public contexts and accentuated in

others, demonstrating Rwanda’s ambivalence towards promoting this identity ((Sharpley, p.

303). However, supporters argue that these sorts of tourism can make contributions to

sustainable development, conservation efforts, and the maintenance of memory.

Death tourism in Cambodia combines factors of pilgrimage and explores sacralised

landscapes of violence. These sites function as powerful memorials since silence is a

recurrent reaction to the experience of violence and often associated with repression as well

as conscious attempts at forgetting ((Schramm, p. 11). The country's tragic records, especially

the Khmer Rouge regime from 1975 to 1979, draw visitors looking to apprehend and

commemorate the sufferers. The Tuol Sleng Genocide Museum, formerly Security Prison 21

(S-21), is an outstanding web page in which lots were tortured and killed.
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Death tourism in Cambodia raises moral concerns concerning the respectful

remembrance of the sufferers and the ability for exploitation. Responsible tourism practices,

inclusive of supporting neighbourhood communities and drawing close to those sites with

sensitivity, are crucial. In the landscapes of violence that are under review here, death and

the dead take on a central role ((Schramm, p. 15). By engaging with Cambodia's sacralised

landscapes of violence, site visitors can gain a deeper understanding of the U.S.'s history and

contribute to the recovery and reconciliation process. It is through those experiences that loss-

of-life tourism in Cambodia can foster empathy, training, and a commitment to stopping

future atrocities.

Death tourism in Berlin combines factors of pilgrimage and explores sacralised

landscapes of violence. The town's history, particularly throughout World War II and the

Holocaust, draws traffic in search of ways to apprehend and commemorate the victims. Sites

inclusive of the Memorial to the Murdered Jews of Europe, the Sachsenhausen Concentration

Camp, and the Topography of Terror. The promotion of and attraction to sites of violent

death has been called by various names ((Pratt et al., p. 1). Death tourism in Berlin increases

moral considerations surrounding the sensitive nature of those web sites and the obligations

of visitors.

The exact meaning and role of the Holocaust Memorial are controversial. To many, the

Gray stelae symbolize gravestones for the 6 million Jews that were murdered and buried in

mass graves, or the Gray ash to which they were burned in the death camps ((Pratt et al.)site.

The relationship between violence and memory has been given wide attention in social

science, partly reflecting an ongoing public concern with the disturbing "presence of the past"

and the question of how to properly deal with its commemoration.

References

https://www.facebook.com/howstorybegins. (2019, April 10). Artist Shames Tourists Taking

Inappropriate Selfies At The Holocaust Memorial Site In Berlin (NSFW). Demilked;

Demilked. https://www.demilked.com/holocaust-memorial-selfies-yolocaust-shahak-

shapira/

Owens, M. (2016, November 1). McKinney_Between violence and romance . Doras.dcu.ie.

https://doras.dcu.ie/21365/

Schramm. (2011). Introduction: Landscapes of Violence: Memory and Sacred Space. History

and Memory, 23(1), 5. https://doi.org/10.2979/histmemo.23.1.5

Sharpley, R. (2016). Death tourism: disaster sites as recreational landscapes. Journal of

Policy Research in Tourism, Leisure and Events, 8(3), 342–344.

https://doi.org/10.1080/19407963.2015.1127010