Denotation and Connotation + Imagery
Denotation and Connotation + Imagery
Imagery
I. Denotation and Connotation
Denotation and Connotation
Isolation, the
Isolation and
incomprehensible
meaninglessness within
world, meaninglessness
Related themes: Darkness, loneliness, formlessness,
meaninglessness, death
II. Imagery
Imagery
Human experience comes largely from the five senses.
Poetry uses imagery in order to defamiliarize, add depth, and represent.
Therefore, image here means a “mental picture”.
C. Day Lewis: an image is a picture made out of words. A poem may itself
be an image composed from a multiplicity of images.
Imagery makes poetry concrete, as opposed to abstract.
Visual: the most common
Tactile: An image that represents a touch: hardness, softness, wetness, heat, and
cold
Organic: An image that represents internal sensation: hunger, thirst, fatigue, nausea.
To Autumn
“To Autumn” takes up where the other odes leave off.
Like the others, it shows Keats’s speaker paying homage
to a particular goddess—in this case, the deified season
of Autumn. The selection of this season implicitly takes up
the other odes’ themes of temporality, mortality, and
change: Autumn in Keats’s ode is a time of warmth and
plenty, but it is perched on the brink of winter’s desolation,
as the bees enjoy “later flowers,” the harvest is gathered
from the fields, the lambs of spring are now “full grown,”
and, in the final line of the poem, the swallows gather for
their winter migration. The understated sense of inevitable
loss in that final line makes it one of the most moving
moments in all of poetry; it can be read as a simple,
uncomplaining summation of the entire human condition.
To autumn: a passage towards death
Cycle of life