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Home / Archives / Vol 32 (2020): Fandom and Politics / Theory
Faster, higher, stronger: Sports fan activism and mediatized
political play in the 2016 Rio Olympic Games
Viktor Chagas
Universidade Federal Fluminense
https://orcid.org/0000-0002-1806-6062
Vivian Luiz Fonseca
Universidade do Estado do Rio de Janeiro
DOI: https://doi.org/10.3983/twc.2020.1707
Keywords: Fan activism, Mediatization, Political play, Rio 2016 Olympics Games, Sports fans
Abstract
In an analysis of sports fans activism and theoretical approaches to understand experiences of
mediatized political play, we address groups of activists who protested using fan usual resources
and repertoires. We focus on some episodes of protests performed by casual sports fans against
the then acting Brazilian president, Michel Temer, during the Rio 2016 Olympics. The category of
fan must also be further discussed when applied to sports and political fandoms, considering the
disputes and competition background for which they are not only fans but also rooters.
Author Biographies
Viktor Chagas, Universidade Federal Fluminense
Professor and researcher at Communication Graduate Program at Universidade Federal Fluminense, Brazil.
Associated member of National Institute of Science and Technology on Digital Democracy (INCT.DD). Visiting
Scholar at Universidade Federal da Bahia. PhD in History, Politics, and Cultural Assets (Getulio Vargas
Foundation).
Vivian Luiz Fonseca, Universidade do Estado do Rio de Janeiro
Professor and researcher at Universidade do Estado do Rio de Janeiro (Uerj). PhD in History, Politics, and
Cultural Assets (Getulio Vargas Foundation).
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Published
2020-03-15
Issue
Vol 32 (2020): Fandom and Politics
Section
Theory
Copyright (c) 2020 Viktor Chagas, Vivian Luiz Fonseca
This work is licensed under a Creative Commons Attribution 4.0 International License.
TWC Nos. 25 onward are licensed under a Creative Commons Attribution 4.0 International License. For an explanation of the
journal's reasoning, see the editorial, Copyright and Open Access.
TWC Nos. 1 through 24 are licensed under the Creative Commons Attribution-Noncommercial 3.0 Unported License with
TWC, not the author, retaining copyright. For more information, see the Copyright Section.
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