Afro-Cuban Traditional
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Rhythms for Drumset
By: Vince Cherico
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(PLAYED ON Sl\'IUIB DRUM W/ SN ARKS Ol<"F)
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Cha Cha Cha Pattern
(PLA\ 'ED ON MOUTH OF SMALi. BELL)
+ Cascara Pattern 2-3
(PLAYED ON SIDE OF FLOOR TOM)
1+ Mambo Bell Pattern 2-3
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(PLAYED O~iOPl>F LARGE BELL)
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j + Bongo Bell Pattern 2-3
(PLAYED ON MOUTH &TOP OF LARGE BELL)
+ Cascara, Mambo & Bongo BcU Patt.ems are used in medium to fast tempos in styles such a:-. :
Son , Rumba, Guaracha , Son Montuno , Mambo , Latin Jazz and Salsa .
Danzon Key:
R = Right hand with stick
L == Left hand on snare drum using finger taps
• •
O == Open tone w/ Right hand stick
Copyright 2011 V in(;C Cherico
Developing the Gandinga Groove for Bemsha Swing
• Clave: Rumba 2-3 By: Vince Cherico
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Gandinga bass drum & pulse:
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Gandinga bass drum & clave: ,,;J
Gandinga bass drum & cascara:
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Gandinga ~ drum, clave & cascara:
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Gandinga (Bemsha Swing) bass drum, clave, cascara & pulse:
Gandinga alternating bass drum / snare & bongo bell:
Copyright 2018 Vince Cherico
• Clave 3 - 2
Afro-Cuban Drumming
Cascara Variations Vince Cherico
Cascara & Son Clave
> > > > >
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Cascara & Rumba Clave
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Double Cascara
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Double Cascara Variation # 1
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j n J J
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Double Cascara Variatioo # 2
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J JI K
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Double Cascar! Variation # 3
> > > > > >
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Add Bass Drum and Hi-hat Patterns for each excercise.
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Contemporary Afro Cuban
Songo Hi-Hat and Bass Drum Variations
Vince Cherico
-~~ Basic Songo pattern 5\--',•f t
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~ Songo w/ Hi-hat on 2 & 4
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i> Songo w / Tumbao bass drum pattern
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Songo w/ Guanguanco bass drum pattern
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Q Songo w/ added snare drum notes
Songo w/ Ti.mba bass drum pattern
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Practice the Songo pattern applying accents on each snare note while ghosting the all the other notes.
Orchestrate the snare notes between snare and toms , bells, etc .
Afro-Cuban Drumming
Rhythms for Drumset
. )C-CP B Contemporary Afro Cuban By: Vince Cherico
GUAGTJANCO 3 -2
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CASCARA IS PLAYED ON THE SHELL
OF THE FLOOR TOM. GUAGUANCO
MELODY IS PLAYED ON THE TOMS
AND CLAVE OR PUlSE IS PLAYED
WITH THE LEFT FOOT.
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GUATACA PATTER.i~ IS PLAYED
BEMBE 3 - 2 ON THE COWBELL WITH CROSS
STICK AND TOMS WHILE THE
Ill-HAT PLAYS A TWO FEEL
GUATACAPATTERNISPLAYED
Bembe Funk -1,. _ h , ( ON THE ID-HAT WITH SNARE
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h n BACKBEATWIDLE THE J:Il-HAT
PLAYS A TWO FEEL.
g 'BOMBA - PUERTO RICO Variation with Back Beat ~..........~EDONA
K, HI-HAT,
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X X X
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0 PLENA - PUKRTO RICO
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RIDE IS PLAYED ON COWBELL
OR CYMBAL WITH LEFT HAND
ON SNARE AND TOMS.
Afro-Cuban Traditional
DC-Groove Mechanics Rhythms for Drumset in 3-2 By: Vince Cherico
Page 2
\,: Bolero
JLA>ED ON SJltLL OHi.OOH TOM, RID<OR II.II.'.
Guaguanco 3 -2
(PLAYED ON SHELL OF FLOOR TOM)
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Bembe 3 -2
(PLA ~ DON TOP OF MAMBO BELL)
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Mozambique 3 - 2 p l
(PLAYED ON MOUTH OF CHA-CHA BELL)
Copyright 2011 Vince Cherico