Case Study Rachel Morgan PublishDrive
Case Study Rachel Morgan PublishDrive
PublishDrive also offers a royalty share option that takes 10% of sales, but this is best
for authors selling $1,000 or less in monthly sales. For those selling more than $1,000
monthly, it’s much more beneficial to pay the flat fee of $100, since a 10% cut of their
royalties can be significant.
When this breakthrough pricing option was launched, authors felt it was too good to
be true. To illustrate the benefit of subscription pricing, we created the following case
study based on information and sales data provided by author Rachel Morgan after
she enrolled in PublishDrive’s subscription pricing.
Timeline:
This case study covers a period of two months.
Follow-up case studies will be performed after six months and after one year.
The Goals:
Compare net earnings from royalty share and subscription pricing options.
The Approach:
Interviewed author Rachel Morgan and analyzed the sales data she provided after
enrolling in PublishDrive’s subscription pricing option.
The Results:
Increase of 16.44% in net earnings received from ebook sales.
Q&A with Rachel Morgan
Before enrolling in PublishDrive’s Subscription Pricing,
please tell us…
The length of time it takes for a support person to get back to me is generally between
1 and 3 days on those channels. Amazon often replies within a day or less, but their
understanding of whatever issue I have isn’t always accurate.
The quality of Apple Books’ service is good, but they generally don’t reply quickly.
Kobo has been good with trying to get me merchandising opportunities when
I’ve requested it.
Draft2Digital has been able to resolve some issues for me, whereas with others,
I’ve never heard back from them.
PublishDrive has, in all honesty (and I’m not just saying this because it’s your
questionnaire!) been the channel I’ve had the most positive support experience with.
35 % 45 %
70 % 70 %
60 % 60 %
70 %
0.1 %
Other
Uploading a new book (i.e. ebook file, cover file, and all related metadata)
probably takes at least ten minutes per channel.
I download my bank statement each month and add the data to an ongoing
spreadsheet to keep track of total royalties and royalties per channel.
Yes, each channel has its own graphs that display the sales data for each month.
Amazon has improved theirs, so I’m mostly happy with it, though I’d like it if they
included an estimated total royalty amount for any given period.
Both Apple and PublishDrive graphs have many filtering options, which I appreciate.
So does Kobo, but not quite to the same extent. Draft2Digital definitely has the most
limiting display of data of all the channels I’ve used.
Apple Books offers free merchandising opportunities, both by author request and
by sending out a mass email to the relevant authors when they have a genre-specific
promotion coming up. Kobo offers promotions, some of which are free (if it’s a 40%
off promo, for example, then my royalty is 40% lower than it would otherwise be,
which I consider to be free as I’m not charged any specific fee for it) while other
promotions have a fee – either a set amount, or a percentage of the royalty earned
during the time of the promo.
I have had issues on all the channels, and all of them have been resolved,
with the exception of a recent issue at Draft2Digital. So overall, I’ve had a positive
experience with all these channels.
I was utilizing two distribution platforms – Draft2Digital and PublishDrive – for the
simple reason that I discovered Draft2Digital before I discovered PublishDrive,
and then I began using PublishDrive to get to Google Play. It didn’t make sense
to use both these distributors if I could save both time and royalties by taking all my
Draft2Digital channels and switching them to PublishDrive.
During the two months I tried out the subscription option, I received almost $500
more in royalties than I would have received if I remained on the royalty share option.
So, a saving of nearly $500.
What channels are you distributing
to through PublishDrive?
I haven’t yet used any of PublishDrive’s marketing options, but when I next have a new
release, I’ll definitely submit it to possibly be featured, as well as the social media sharing
option. I see now that I can submit free books for possible feature on some of the
retailers, so I will do that too.
For uploading a brand new ebook, it will save at least ten to fifteen minutes to cut out
one of the platforms I was previously using (Draft2Digital). Every time I need to make an
update to any ebook, I will save a few minutes by having one less channel.
I’m currently using a free trial, but once the free trial expires, I will pay a flat fee of $100
USD per month.
What percentage of your book’s
“cover price” did you earn from your sales
on PublishDrive’s channels?
Up to
70%
I keep track daily by checking the estimated proceeds on the graph in PublishDrive’s
sales dashboard. I do a quick calculation based on the average daily proceeds so far for
that month to see if I can expect to sell over $1000 for the month (which is the level
at which it makes sense to remain on the subscription option).
Yes, I turned on Barnes & Noble, Scribd, 24Symbols, Tolino, and Playster. I turned on
more channels because if I can pay a once-off fee and then keep all royalties, I’d like
to have ALL channels that I can’t directly distribute to going through PublishDrive,
rather than having some of them going through a different distributor. This will result
in me keeping more royalties overall.
It is very straightforward to turn on more channels (stores) in PublishDrive. I appreciate
being able to switch on channels in one place and having it apply to ALL titles, instead
of having to turn on channels individually for every single title. That definitely saves time
compared to my experience with some other distributors.
Yes, my titles kept their existing reviews on Barnes & Noble and (as far as I can tell) on
Scribd and Playster. I haven’t paid close enough attention to the other stores to know
whether I had reviews there or not. The experience was smooth and straightforward
for me, since it was PublishDrive (not me) who liaised with Barnes & Noble to make sure
my books didn’t lose their reviews.
Yes, the PublishDrive platform displays graphs based on unit sales and estimated royal-
ties, as well as a map showing the distribution of sales amongst different countries. There
are numerous filtering options (by store, by country, by series, etc.) allowing me to custom-
ize exactly what data I want to view, which I find very helpful in determining the effective-
ness of ad campaigns and deciding how to adjust these campaigns going forward.
How would you describe the support service
you received from PublishDrive?
I’ve had a very positive experience using the PublishDrive platform, and the addition of
the subscription pricing option has only made this platform more appealing to me. I’m
the type of author who wants to have control and publish directly to stores wherever I can.
However, there will always be many, MANY stores I can’t reach directly. For all those stores,
it makes sense from a royalty-saving perspective to use PublishDrive for distribution.
The reason is simple: Why would I say no to taking home more royalties at the end
of the day?! Couple that with the time-saving aspect (since I can now manage all my
‘non-direct’ stores in one place), and I am very happy to continue using PublishDrive.
Key Takeaways from
this Case Study
◆◆ While royalty share pricing is a suitable option for some authors, at higher earning
levels, the average 10% cut in royalties becomes significant.
About PublishDrive:
PublishDrive is a self-publishing platform that distributes ebooks to over 400
stores worldwide, including Amazon, Google Play Books, Barnes & Noble, and
more. We make it easy to manage global ebook distribution and marketing on
a single platform. Our author-friendly pricing options fit authors at every stage of
their publishing journey. With free ebook conversion, marketing tools, and flexible
pricing options, authors can spend less time worrying and more time writing.