USING CHANNEL A: Channel A is Because the EQ circuitry is passive, the

able to reproduce the later or modern controls are interactive. Therefore, the
Hank tones. Setting up is described in BASS control can effect the MID range
detail in the main manual. For a clean too.
sound, turn the VOLUME to full and set
the DRIVE to approximately the 9 GENERAL: The overall volume of the
o’clock position. This will vary amplifier is controlled by the MASTER
according to the signal strength of your section. To silence the amp for
pickups or their adjustment. Remember recording, insert a jack plug into the left
that there is far more mid range than EXTENSION SPEAKER socket.
normally available on other amps.

HANK - MODERN DISTORTION

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FlexiDrive, Super-T
T, G12T, PAFtone and AceTone are
trade marks of AWARD-S SESSION

UK Made by Radius International Ltd under license from AWARD-SESSION.

If you have need for information regarding this product, please contact:
RADIUS INTERNATIONAL LTD, BOX 3, BASINGSTOKE, RG24 9QA, UK
TEL. 0044 (0)1256 477 222 : FAX. 0044 (0)1256 817 687 The Sessionette:Stockton™ Guitar Amplifier
 SUPPLEMENTARY OPERATING MANUAL FOR THE Here are some example settings, which on The Shad’s and other early
have been devised by Charlie Hall of instrumental sounds.
SESSIONETTE ‘STOCKTON’ AMPLIFIER Echoes From The Past. Charlie
designed and programmed the These apply to Channel B... the main
Quadraverb echoes currently used by channel for early Shadows sounds.
Please use this additional manual in valve amps used by The Shadows and
conjunction with your main manual ‘Getting Beatles etc. Those old amplifiers, which
Hank Marvin and is a leading authority
To Know The Sessionette:75 Guitar gave them their distinctive sounds, are still
Amplifier’. Some of the instructions in the in wide use today, but for most of us, they Turning the BASS control OUT IN
main manual do not apply to the Stockton are too expensive, unreliable and very BASS between the shaded area Pre-Top Boost Tone Top Boost Tone
version. heavy to carry around. The Stockton has controls the MID range. Fully
been designed to give you the sounds you clockwise = LEAST MID BRIGHT BRIGHT
You may like to know that the Stockton’s
tone forming electronics is identical to the hear on record... not merely a copy of those
Session ‘AceTone’ version, which was amps. After all, it’s the records you love!
developed to match the Echoes From The This channel does not produce distortion,
Past programmed Alesis Q2 and Q20 unless you play the amp loudly beyond the
APACHE FBI
effects processor. The Stockton has been rated output power.
TREBLE BASS VOLUME TREBLE BASS VOLUME
designed for players who use other echo Everything else works as described in the
processors such as the ZOOM 508, Age 1 main manual. BRIGHT BRIGHT
or Atlantis. As always, Session amplifiers are fitted with
The differences from the AceTone are: efficient speakers with large magnets, which
1. The Stockton produces 60 watts into it's are able to turn much more of the
amplifier’s power into acoustic sound WONDERFUL LAND FRIGHTENED CITY
internal speaker - 100 watts with extention
16 ohm cabinet. output. TREBLE BASS VOLUME TREBLE BASS VOLUME

2. Standard 0dB (775mV) serial effects OUT PUT POWER: 60 watts into 16 ohms
(internal speaker ) or 100 watts into 8 ohms BRIGHT BRIGHT
loop to match most common effects
processors. (with 16 ohm extension speaker).

3. The "Aux In" is routed via the FX loop, Do not connect extension speaker
reverb, G12T direct recording output and cabinets with a total impedance of SHADOOGIE PEACE PIPE
M/Volume less than 16 ohms, or permanent
TREBLE BASS VOLUME TREBLE BASS VOLUME
damage may occur.
4 Premium Celestion Vintage 30 speaker
fitted. The construction is modular to allow quick BRIGHT BRIGHT
inexpensive servicing in the future and is
CHANNEL A: The Sockton’s Channel A is made with components commonly available
more easily able to be used as an throughout the world.
additional clean channel. It produces a KON-TIKI THEME FOR YOUNG LOVERS
smooth American distortion tonality. The TREBLE BASS VOLUME TREBLE BASS VOLUME
levels of distortion can be rich and deep.
The standard SESSIONETTE has twice the BRIGHT BRIGHT
depth of distortion, therefore, is not able to
be set up as clean for instrumental use. The
Stockton is exceptional at all modern tones
too. SHINDIG MODERN HANK - CLEAN
CHANNEL B: This channel has different TREBLE BASS VOLUME TREBLE BASS VOLUME
EQ circuitry and voicing from the standard
Sessionette. It has been specially designed BRIGHT BRIGHT
to to produce the tones of the early sixties