From Ḥadīṯ to Adab:
The Development of ʿIlm Narratives in Classical Arabic
Literature. A Case Study on the Kitāb al-adab of
Ibn Abī Šayba (d. 235/849) and the Kitāb al-ʿilm
of Ibn Qutayba (d. 276/889)
Estrella Samba Campos
This thesis is submitted in partial fulfilment for the degree of
Doctor of Philosophy (PhD)
at the University of St Andrews
March 2020
Dedicated to my mother, for her ʿilm and her adab,
and to the enduring people of Sierra-Leone,
who nurture and inspire both qualities every day.
i
Abstract
This thesis is a study on ʿilm as a literary phenomenon in the early ʿAbbāsid Arabic works
on ḥadīṯ and adab. It examines the correlation between ʿilm and adab on the basis of
selected foundational and pioneering Arabic primary sources from the
second/eight-third/ninth centuries.
ʿIlm is the term that designates the religious understanding of the Qurʾān and
ḥadīṯ. The research on ḥadīṯ has overshadowed the impact of ʿilm and its literary
manifestations. There has been a significant shortcoming of studies on ʿilm as a sole
concept with no published contributions on the narrative aspects of ʿilm literature to date.
Moreover, there is an established division in the perception of ʿilm and adab, isolating
both these literary phenomena from one another. Their correlation has been largely
overlooked in scholarship.
This study aims at understanding ʿilm beyond ḥadīṯ focusing on a set of thematic
subjects and narrative elements. It explores the interdependence of ʿilm and adab and
suggests a novel perspective to overcome the dichotomy in their definition and
interpretation that has been prevalent in research until now. The interconnection of ʿilm as
expert knowledge and adab as conduct praxis and etiquette triggered religious narratives
and social-cultural constructions of meanings that cross-pollinated one another. This
thesis demonstrates that while ʿilm represented the authoritative notion, adab provided a
broader potential, promoting literary creativity and a new epistemological significance to
ʿilm.
ii
The examination of ʿilm as a literary phenomenon, i.e. as a discourse
characterised by specific narrative, thematic and structural elements, unveils the
intertextual framework spanning from ḥadīṯ to adab, in which both ʿilm and adab were
developed in the premodern Arabic literature and thought.