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Uhaw - Dilaw by Kuya Mo Adie Band-Score - and - Parts - Watermark

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0% found this document useful (0 votes)
432 views45 pages

Uhaw - Dilaw by Kuya Mo Adie Band-Score - and - Parts - Watermark

Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Uhaw - Dilaw Arranged by: Kuya Mo Adie

  
R. Resurreccion Jr.

 = 140 
      
(Tayong Lahat)
    
Flute  

                 
Clarinet in B♭ 1            
                
Clarinet in B♭ 2          

            

Alto Saxophone

          
 

Tenor Saxophone

    
Horn in F 1         
 
   
  
Horn in F 2        
 

Trumpet in B♭ 1 
  
              

 
             
Trumpet in B♭ 2   

        

 
Trombone Solo

     

  

Trombone 1

       
   


Trombone 2

 
         
Euphonium    


  

Tuba                    



                      
               

Drumset

Antipolo Youth Concert Band Inc


2

7                  
           
A

Fl. 

                  
Cl. in B♭ 1             
                  
Cl. in B♭ 2             
     
A. Sax.    

         


T. Sax.


          

Hn. in F 1

          

Hn. in F 2

       
Tpt. in B♭ 1    

      
Tpt. in B♭ 2     

        
Tbn. Solo
            

        


Tbn. 1

         
 

Tbn. 2

         
 

Euph.

      
Tba.
                       

                        
                  

D. Set
               
3

        
13

Fl.

                  
Cl. in B♭ 1             
                
Cl. in B♭ 2         
      
A. Sax.  

         
T. Sax.



Hn. in F 1          

Hn. in F 2          

      
Tpt. in B♭ 1 

      
Tpt. in B♭ 2 
           
Tbn. Solo
            

        
Tbn. 1


  
      
Tbn. 2

  
Euph.
      

 
Tba.                               

                        
                  

D. Set
19              
4

Fl.       

               
Cl. in B♭ 1           

             


Cl. in B♭ 2        

     
A. Sax.  

       
T. Sax.



Hn. in F 1        

Hn. in F 2        

     
Tpt. in B♭ 1 

     
Tpt. in B♭ 2 
            
        
Tbn. Solo

      
Tbn. 1


  
    
Tbn. 2

  
Euph.
    

              
Tba.           
                     
                 
 
D. Set
        
5

     
24         
 B

Fl. 

         


Cl. in B♭ 1    
      
Cl. in B♭ 2       
   
        

A. Sax.

                 
T. Sax.
 

 
         
Hn. in F 1



           
Hn. in F 2


      


Tpt. in B♭ 1

   
   

Tpt. in B♭ 2

            
Tbn. Solo
      

  
Tbn. 1
        

    
       
Tbn. 2

Euph.
    
       

   
              
   
Tba.

                               
   
              

D. Set
 
           
6

  
 
s.
glis
29

Fl.

    


Cl. in B♭ 1 

Cl. in B♭ 2      


 
           

s.
glis
A. Sax.

                
T. Sax.


 
           

s.
glis
Hn. in F 1

  
   

        

s.
glis
Hn. in F 2

       


Tpt. in B♭ 1

        
  

Tpt. in B♭ 2

            
     
Tbn. Solo 

      
Tbn. 1 

      
Tbn. 2
 

Euph.
      

            
     
Tba.

                          
                 
 
D. Set
         
7

34  
     
C


Fl.

                 

Cl. in B♭ 1

                 

Cl. in B♭ 2

           
     

A. Sax.

                   
  
T. Sax.


           
     

Hn. in F 1

       

        

Hn. in F 2

                


Tpt. in B♭ 1

                 

Tpt. in B♭ 2

               
        
 
  
Tbn. Solo

          
Tbn. 1
           

                     
Tbn. 2
    

                         
Euph.
 
    
                   
            
                   
Tba.

                       
                     
  
D. Set
    
40      
8

Fl.      

 
Cl. in B♭ 1                

Cl. in B♭ 2                  

          
A. Sax.     

             
   
T. Sax.


          
Hn. in F 1     

  
          
Hn. in F 2
  
 
Tpt. in B♭ 1                

              
  
                
Tpt. in B♭ 2

           

     
Tbn. Solo

  
    
      
Tbn. 1 

               
Tbn. 2
     

               
Euph.     

 
  
                    
           
Tba.

                       
                      
  
D. Set
        
9

46 
        
To Coda D

Fl.

      
Cl. in B♭ 1         

                
Cl. in B♭ 2
 
         
A. Sax.     

                 


T. Sax.

       
       

Hn. in F 1

            
 

Hn. in F 2

      
Tpt. in B♭ 1        

          
  
Tpt. in B♭ 2 
           
             
Tbn. Solo

         
      
 

Tbn. 1

 
                
    

Tbn. 2

 
                 

Euph.

 
                      
Tba.
         
                       
           
          
  
D. Set
52               
10

Fl.         

                  
Cl. in B♭ 1             
                
Cl. in B♭ 2         
      
A. Sax.  

         
T. Sax.



Hn. in F 1          

Hn. in F 2          

      
Tpt. in B♭ 1 

      
Tpt. in B♭ 2 
             
      
Tbn. Solo

        
Tbn. 1


  
      
Tbn. 2

  
Euph.
      

 
Tba.                                 

                        
                     
   
D. Set
                 
11

          
58

Fl.

                  
Cl. in B♭ 1             

                 
Cl. in B♭ 2           
      
A. Sax.  

         
T. Sax.



Hn. in F 1          

Hn. in F 2          

      
Tpt. in B♭ 1 

      
Tpt. in B♭ 2 
               
             
Tbn. Solo
 
        
Tbn. 1


 
       
Tbn. 2

 
Euph.
       

  
Tba.                                

                        
                     
   
D. Set
   
12

          D.S.
 al Coda
  
  

E

    
64

     
Fl.

     
Cl. in B♭ 1           

              
      
   
Cl. in B♭ 2

   
A. Sax. 
 
  

     
T. Sax.
             

       
Hn. in F 1        

     
Hn. in F 2        
          
Tpt. in B♭ 1   

    
        
Tpt. in B♭ 2


           
Tbn. Solo
 
           
       
Tbn. 1 
              
    
Tbn. 2
  
              
    
Euph. 

            
              
   
Tba.

             
                    
                 

D. Set
                
13

70     
     
F

          
Fl.

             
Cl. in B♭ 1              

          
              
          
Cl. in B♭ 2

       
A. Sax.       

  
  
         

 

         
T. Sax.

              
         
Hn. in F 1
  
                   
     


Hn. in F 2

           
Tpt. in B♭ 1              

  
           
Tpt. in B♭ 2
           
      
         
Tbn. Solo  

                        

 

 
Tbn. 1 

                              
Tbn. 2
 

                             
Euph. 

  
      
 
   
 
       

 

 
        
Tba.

           
                          
D. Set                           
77                       
14

Fl.        

            
Cl. in B♭ 1                 


Cl. in B♭ 2                             

                         
A. Sax.    

   

 

           

 

     
T. Sax.

                         
Hn. in F 1     


      
Hn. in F 2                        

            
Tpt. in B♭ 1                 


Tpt. in B♭ 2                             
                
                 
Tbn. Solo              

                           
Tbn. 1    

                              
Tbn. 2
 

                              
Euph. 

        
         
           
         
Tba.

         
                            
D. Set                            
                    

15


    
84 rit.

Fl.

              
Cl. in B♭ 1          

  
Cl. in B♭ 2                      

                    
A. Sax.    

       

 

            
T. Sax.

           
Hn. in F 1              

    
  
Hn. in F 2                   

              
Tpt. in B♭ 1          

  
Tpt. in B♭ 2        

 
         
                  
       
Tbn. Solo          

                

 

  


Tbn. 1 

                         
Tbn. 2
 

                         
Euph. 

 
    
 
 

 

    
     
       
Tba.

        
                       
D. Set                        
16

        
G


91 Slow....

Fl.

       

Cl. in B♭ 1


      

Cl. in B♭ 2

       
A. Sax. 


      

T. Sax.

       
Hn. in F 1 

Hn. in F 2        

      
Tpt. in B♭ 1 

      
Tpt. in B♭ 2 
                
          
Tbn. Solo  

        


Tbn. 1

      
   

Tbn. 2

      
 

Euph.

  
     

Tba.

           
D. Set              
 
17

98     

H


Fl.

Cl. in B♭ 1       

Cl. in B♭ 2       
      


A. Sax.

T. Sax.
      

      


Hn. in F 1

 
    

Hn. in F 2

     


Tpt. in B♭ 1

 
    

            
Tpt. in B♭ 2

        
      
Tbn. Solo

       
Tbn. 1 

      
Tbn. 2
  

Euph.
       

 
     
Tba.

           
D. Set             
104      
18

Fl. 

Cl. in B♭ 1      

Cl. in B♭ 2      
     
A. Sax. 

T. Sax.
     

  
Hn. in F 1    

Hn. in F 2      

Tpt. in B♭ 1      

Tpt. in B♭ 2      
     
          
Tbn. Solo

      
Tbn. 1

      
Tbn. 2

     
Euph. 

 

    
Tba.

       
D. Set         
Flute Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie

 = 140            
R. Resurreccion Jr.

         
 

              
         
A


6

           


     

11

               
          
16

                        
      
21

                     

25 B

   
      C       
        

31


          
  
       

39

     To
 Coda      
    
   
47
D

           


      
54

Antipolo Youth Concert Band Inc


              
         
2

 
59

        
    

E




 
64 D.S. al Coda

                
          
F

 
70

              
               
 
77

                
         
84

         
 
G H


Slow....
92


Clarinet in B♭ 1 Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie
R. Resurreccion Jr.

            

 = 140
        

               
 
A

        
6

               
            
11

               
          
16

               
        

    
21

    


B


26

             
C


31


  
                      
38

 
               
47 To Coda D

             


        
54

Antipolo Youth Concert Band Inc


               
2

            
59

     
       
E

 
        

   
64 D.S. al Coda

          
               
        
 
F

 
70


                             
77

   
                       
84

   
G

        
92 Slow.... H

     
104
Clarinet in B♭ 2 Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie
R. Resurreccion Jr.

 = 140            
         

               
 
A

        
6

             


        
11

               
          
16

               
        

    
21

     


26

          
C

   
31

                        

38

 
       
 
     
47 To Coda D

             


        
54

Antipolo Youth Concert Band Inc


              
2

          
59

              
    
 E

  
64 D.S. al Coda

           
                  
F


70


                             
78

  
G

                   
85 rit. Slow....


         
94

  

   
106
Alto Saxophone Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie


R. Resurreccion Jr.

    
              
 = 140
 

           
A B



 
10


             
                   
32
C

 
     
         To Coda

            
41

            
   
E

 
D 

50
D.S. al Coda

                   

      
72
F

                
        
79


             
G

   
H


Slow....
87


      

103

Antipolo Youth Concert Band Inc


Tenor Saxophone Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie
R. Resurreccion Jr.

 = 140                 
 

              
A


10


                
B




19

                        

27

              
   
               
C


34

               
                

42 To Coda

             
D


50


             
 


59 D.S. al Coda


                             
67
E


                             
74
F

Antipolo Youth Concert Band Inc



2

                             
81

  
G

            
88 rit. Slow....

 

         
98

 
Horn in F 1 Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie
R. Resurreccion Jr.


        
 
       
 = 140
 

             
9
A


 
               
18

                 gliss. 
26
B

 
             
                 
34
C


         
     To Coda
 
      
43


D

             
51



                
60 D.S. al Coda  E

           
          
F

   
68

                             

76

Antipolo Youth Concert Band Inc


                           
2

 
83 rit.

  
G

 
 
     
91
Slow.... H


Horn in F 2 Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie
R. Resurreccion Jr.


        
 
     
 = 140
   


A

            
9


  
     

       
18

                 gliss. 
26
B

 

         
   
          
  
C

   
34


   
                    
To Coda


43

              
51



       
 E

        
60 D.S. al Coda

       
              
F

   
68



                              
76

Antipolo Youth Concert Band Inc


                         
2

   
83 rit.


G

 
   
H

     
Slow....
91


Trumpet in B♭ 1 Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie
R. Resurreccion Jr.


                      
  
 = 140
  

            

A B


9 

 
        
             
C


33

          
 
           
42 To Coda

          
       
D  E


D.S. al Coda


50

    
    
                

F


72


                             
79


G

    
                
86
Slow.... H

        
101

Antipolo Youth Concert Band Inc


Trumpet in B♭ 2 Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie
R. Resurreccion Jr.

 = 140                         
  

       
 
A B



   
9

 
                     
C


32

                   
      
40


   
  
    
D  E

  
To Coda D.S. al Coda

   
49

   
                    
F

   
71


                             
78


G

    
                  
85 rit. Slow.... H

       
100

 

Antipolo Youth Concert Band Inc
Trombone Solo Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie

 A        
R. Resurreccion Jr.

              
 = 140


           
             
13

             
           
 
19

  B                   
     
25

   
             
       
C

     
32

                     
        
  
38

        
           
      
To Coda


44

              


         
D

 
51

          
                
   
57

   F   
         
E

 
D.S. al Coda 

63

Antipolo Youth Concert Band Inc


                   
 
2

          
76

                  
       
        
81

            
    
        
86

               
        
G

 
Slow....
92

                 
             
H

 
98

        
       
 
104
Trombone 1 Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie

 = 140                 
R. Resurreccion Jr.

  


                  

10
A


             


    
B


19

                 
        
C


34

                
        

41

  Coda               
    
D


49 To


           

D.S. al Coda


58

                

      
E


66

                             
F


74

                             

81

Antipolo Youth Concert Band Inc


2

          Slow....     
G

 
88

            
98
H
Trombone 2 Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie

   
              
R. Resurreccion Jr.

 = 140


   
                
10
A


               

    
 B


19

                     
              
C

  
34

        
                              
41

    
D
              
 
49 To Coda


            

58 D.S. al Coda

                


 E


66

                             
F


74

                             

81

Antipolo Youth Concert Band Inc


2

          
G

      
88 Slow....

          
H

 
98
Euphonium Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie

 = 140    
      
R. Resurreccion Jr.

         

            

9
A


             
  


18


        
                        
B C


26

           
                      

40

               
  
D


48 To Coda


             

56

                     
E

 
65 D.S. al Coda 

                             
F


71

                             

78

Antipolo Youth Concert Band Inc


2

                      
G

  
85 Slow....

          
H

   
94

    

106
Tuba Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie
R. Resurreccion Jr.

                            
 = 140
    

  
                               
7
A

                            
     
13

                        
    
19

              
      
 B

  
24

    
 
         
    
C

          
30

   

            

      
       
  
   
36

 
        
  
 
                         
42

           
 To Coda
               
               
48
D

    

                            
     
54

Antipolo Youth Concert Band Inc


 
2

                           
60

             
 E

        
D.S. al Coda


65

   

  
                            
71
F

  
                            
78

   
G

           
85 rit. Slow....

 

 
94
H

           

 

106

  
Drumset Uhaw - Dilaw
(Tayong Lahat) Arranged by: Kuya Mo Adie
R. Resurreccion Jr.

                     
 = 140

               

                            

A

                    
7


                            
                     
14


                         
                  
21

  
                                   
B

               
26


                      

C

                  
31

 
                       
                     
36

  
                           
                           
42

  
                       
      
To Coda D

                    
49

  
                       
                           
55

   
Antipolo Youth Concert Band Inc
                     
2

                    
         
D.S. al Coda

   
61

   

         
         
                            
E
67

        
           
F

           
                         
    
74

          
          
                                
       
81


           
G

                 
89 rit. Slow....

                
97
H

            
105

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