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Peacemaker March

The document is a musical score for the piece 'Peacemaker March' by Karl L. King. It contains musical notation for multiple instruments arranged in sections. The score provides the music and arrangement for a full band performance of the piece.

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espu bautista
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100% found this document useful (1 vote)
3K views45 pages

Peacemaker March

The document is a musical score for the piece 'Peacemaker March' by Karl L. King. It contains musical notation for multiple instruments arranged in sections. The score provides the music and arrangement for a full band performance of the piece.

Uploaded by

espu bautista
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Peacemaker March Karl L.

King
             
         
 
         
Flute         
  
  
                  
1st Clarinet          
 
             
2nd Clarinet                              
 
               
3rd Clarinet                                
 
    
                
1st Alto Saxophone              
  
  
 
                 
2nd Alto Saxophone             
  
    
 
               
Tenor Saxophone                    
          
 

1st Horn
                                        
   
 

2nd Horn
          
   
 
                           
 
             
1st Trumpet

      

                        
 

      
     
2nd Trumpet              

           

 

     
3rd Trumpet               
 
              

  

                   
                 
1st Trombone    
  
          
  
               

        
2nd Trombone    
  
          

                            
3rd Trombone   
  
    
   
      

                            
Euphonium   
  
 

        
Tuba                 
                
        
  
             
Snare Drum                       

Bass Drum              


                       

Cymbal              
             
 
Thobitz
11  1. 
             
              
Fl.      
 
              
             
1st Cl.      
 
 
2nd Cl.                            

 
 
3rd Cl.                            

 
     
1st A. Sax.                              

 
  
2nd A. Sax.      
 
       
     
             
 
                
T. Sax.              
         

 
       
1st Hn.                                        
 

2nd Hn.
 
           
                         

 
    
1st Tpt.                        
     
 
  
2nd Tpt.                         
      
 
  
3rd Tpt.                           
       
   
                            
1st Tbn.
       
   
  
                    
      
2nd Tbn.
  
           
  

  
                             
3rd Tbn.          
 
                   
Euph.
       
            
 
 

Tba.
             
   

      











      

    


Sn. Dr.                                    

B. Dr.                                   



Cym.                        
 

Thobitz

2
2.     
21                  
    
Fl.          
               
           
1st Cl.        

     
2nd Cl.
                      
 

 
3rd Cl.

                          
    

    
1st A. Sax.                           

  
2nd A. Sax.                              

        
T. Sax.                    
          

1st Hn.                                        


2nd Hn.                                           



                 
1st Tpt.                   

      
2nd Tpt.                      

     
3rd Tpt.               
            
         
              
1st Tbn.
         
 
  
                    
2nd Tbn.
           
 
  
                
3rd Tbn.
               
 
  
 
                               
Euph.                

Tba.
                    
                       

Sn. Dr.                                          

B. Dr.                                       

Cym.                           

Thobitz

3
   1.    2.
32     
         
Fl.          
      
             
1st Cl.          


                         
2nd Cl.  

         
3rd Cl.                     


               
1st A. Sax.       
        


2nd A. Sax.
              
             


      
T. Sax. 
            
                
 
    
1st Hn.                                        

   
2nd Hn.                                         


    
           
          
1st Tpt.     


2nd Tpt. 
          
              

  

  
3rd Tpt.      
                 
    

                  
     
   
      
1st Tbn.       
  
   
                 
2nd Tbn.
                     
   
       
     
                 
3rd Tbn.          
 
 
    

       
         
                   
Euph.   
  

  
Tba.
     
         
                
            
  
    
Sn. Dr.         
                    
            

B. Dr.                                        

Cym.                          


Thobitz

4
43               

Fl.        

                
1st Cl.      

                
2nd Cl.      

                
3rd Cl.      

  
1st A. Sax.                           
 
  
2nd A. Sax.                           


                          
T. Sax.     


1st Hn.                                     

2nd Hn.                                     




        
1st Tpt.               

 
     
2nd Tpt.                 

 
3rd Tpt.                     
  

                       
   
1st Tbn.      

                       
   
2nd Tbn.      

                       
   
3rd Tbn.      

                       
   
Euph.      

Tba.
                   
      











 
Sn. Dr.                                    

B. Dr.                                     

Cym.                    

Thobitz

5
52 55 TRIO 
            
              
Fl.         
   
                       
1st Cl.      


 
                 
2nd Cl.            


 
            
3rd Cl.                   

              
1st A. Sax.                  

    
2nd A. Sax.                              

             
T. Sax. 
                    
     

   
1st Hn.                                                

   
2nd Hn.                                               
 

1st Tpt.
                
  
     
                
2nd Tpt.   
     
      
3rd Tpt.             
     
  
                         
1st Tbn.   
 
  
2nd Tbn.
                    

   

 

3rd Tbn.
                           


                 
                
Euph.      

            
Tba.                                    
      
Sn. Dr.                    

B. Dr.                  

Cym.                 

Thobitz

6
64            
        
    
Fl.    

1st Cl. 
                   

 
2nd Cl.                     

 
3rd Cl.        
         
                   
1st A. Sax.  

2nd A. Sax.                  

                                        
T. Sax.    
 

1st Hn.                                          

2nd Hn.                                       



            
1st Tpt. 
            
2nd Tpt. 
            
3rd Tpt. 
        
1st Tbn.
    
    
     

       
2nd Tbn.
   
           

  
3rd Tbn.
                   

                      
                   
Euph.         
     
           
Tba.                   

Sn. Dr.                               

B. Dr.                            

Cym.             

Thobitz

7
76
        

               
  
Fl.        

          
 
      

          
   
1st Cl.  

2nd Cl.              

            
 

 
3rd Cl.                    
       

                   
1st A. Sax.       

 
2nd A. Sax.                          

       
T. Sax.                 
     

1st Hn.                                            



2nd Hn.                                    


      
 
           
1st Tpt.  


2nd Tpt.              




3rd Tpt.              


 


               
1st Tbn.
        

                
      
2nd Tbn.      

   
3rd Tbn.
                          


      
              

      
Euph.      

Tba.
     
                      










   
 
 
Sn. Dr.                                     

B. Dr.                                   

Cym.               

Thobitz

8
87 87 
                    
Fl.      
                         
   
1st Cl.    

                              
2nd Cl. 

3rd Cl. 

               
     

                      
1st A. Sax.   

2nd A. Sax.                       

             
       
          
T. Sax.  

1st Hn.                                               

2nd Hn.                                            




1st Tpt.

                       
 

2nd Tpt.

              
          

 
3rd Tpt.                       
                       
1st Tbn.
           

                       
2nd Tbn.
           

                       
3rd Tbn.
           

                    
        
Euph.       

     
Tba.                                       

Sn. Dr.                    

B. Dr.                   

Cym.        

Thobitz

9
98                       
Fl.

       
                     
1st Cl.          

   
            
2nd Cl. 
               

3rd Cl.
                     
   
 
          
              
1st A. Sax. 

2nd A. Sax. 
                         

T. Sax.
                                   
  

1st Hn.                                         

2nd Hn.                                   


     

1st Tpt.
                       
   

 
2nd Tpt.                           

 
3rd Tpt.         
                 
      
             
1st Tbn.
            
    
   

                    
2nd Tbn.
                   

                    
3rd Tbn.
                   

                    
Euph.
               
    


Tba.
          
      


                            

Sn. Dr.                      

B. Dr.                          

Cym.             

Thobitz

10
109  

        
           
Fl.        


                     
1st Cl.      

            
      

           
2nd Cl.      

   
      
    
3rd Cl.                  

              
1st A. Sax.
  
     

  
2nd A. Sax.                       

     
T. Sax. 
                
       


1st Hn.                                          


2nd Hn.                                        

      
1st Tpt. 
     
             

  
 


2nd Tpt.
   
      
             

  
3rd Tpt.              
         

                    
1st Tbn.
         


     
              
     
2nd Tbn.     

                  
         
3rd Tbn.   

                   
Euph.
   
            
 

     
Tba.                          
 
 
           
Sn. Dr.                                            

B. Dr.                                     

Cym.                 


Thobitz

11
Flute
Peacemaker March Karl L. King
       
               
        
 
9             

  
      

18
  1.   2.        
          
    
        
     
 
 
        1.    2. 
29 
                    
        

39           

      

47
       
 

        
    

55 TRIO
54
                
   
    

66                
      
   
    87
78                      
   
       

88
                 
        
     
Thobitz
2
Flute 
100         
          
     
   

112     
     
     
   
    


Thobitz
1st Clarinet
Peacemaker March
Karl L. King

        
                      
 
  
 
9
                    
     

        
18   1. 2.      
                         
  
 
 1.
29
                
          2.  
        
  

39 
          
      

47
            

             

54
55 TRIO
                
         

66
         
    
           

87
78
                              
  

Thobitz
2
1st Clarinet
89
                      
    
  


98                 
       
    

108         
                    

   


Thobitz
2nd Clarinet
Peacemaker March
Karl L. King

 
                         
     
 
9

                       



18  1. 2.
                                   
  
 
29 1. 2.
                              
 

41
 
                    

51  55 TRIO
              
            
 
62
        
                     

74
   

                      
  

85 87
                         
       

Thobitz
2
2nd Clarinet
96

                       
    

106
  
                          
 

114
  
         
    


Thobitz
3rd Clarinet Peacemaker March
Karl L. King

 
                         
     
 
9

                       



18 
           1.   2.              
               
 
28
1.    2. 
                  
        

40
  
                   

49
55 TRIO
          
         
   

  
 
60
 
                      
  
72
  
             
         
85 87
         
              
 


Thobitz
2
3rd Clarinet
97
             
           


109
                     
      



Thobitz
1st Alto Saxophone
Peacemaker March Karl L. King

            
    

          
          
 
10
      

                             



19 1. 2.
    
                          
  
 
29 1. 2.
   
                    
 

    
 

41
   
                
            

51 55 TRIO
     
 
                           
 
62
                       
    

74 
                      
 

85 87
                     
 

Thobitz
2
1st Alto Saxophone
96

                      

108 
                  
      
 


Thobitz
2nd Alto
Saxophone Peacemaker March Karl L. King

          
    

             
           
 
10
       
                            


19 1. 2. 
                                  
  
 
29
 1. 2.

                 
    
     
 

41
   
                
            

51
55 TRIO
      

                          
 
63
        
             

75

               

85 87


                        

Thobitz
2
2nd Alto Saxophone
98

   

               

110
 
                      


Thobitz
Tenor
Saxophone Peacemaker March Karl L. King

 
               
    
  
  
          
 
10


                            
       

19
     1.  2.  
         
   
  
              
 
28
       1.    2.
                  
      

39
  

                        
     
49
55 TRIO
             
  
                  
  
59
                  
                     

69
                       

      
  

79
87
                  
        
  

Thobitz
2
Tenor Saxophone
90
         
                            

100

                             
  

110
 
                
     


Thobitz
1st Horn
Peacemaker March Karl L. King

             
                      
    
 
 
10

                           

               

19
  1.   2.     
                 
             
 
28
  
                                      

37
1.     2.
                                 

45

                           

               

54
55 TRIO

                                      

64


                                      

73
     
                             
Thobitz
2
87
1st Horn
82

                     
               

92

                                       

101


                                   

110
   
           
                       


Thobitz
2nd Horn
Peacemaker March
Karl L. King

          
      
     
                     
 
 
10
    
                                   


19
  1.
  2.    
      
         
         
       
 
28
 
                                   

37
1.
    2.
                                


45
      
                                   


54
55 TRIO

                                      


64

                           



73

                                      
Thobitz
2
87
2nd Horn
82

                                    
 
 

92

                                       

101

                            


110

                                      


Thobitz
1st Trumpet
Peacemaker March
Karl L. King

 
                         
     
 
9
           
                
   

19
     1.   2.                     
        
 
30
         1.   2.
       

 
              

40
 
 
                
55 TRIO
49
       
30

      
  
     

85 87
                   
       


97
           
    
           

109
      
   
      
       

Thobitz
2nd Trumpet
Peacemaker March
Karl L. King


                        

    
           
 
 
10
   
                   
      

20
 1.  2.     
 
 
   

                   

 
32
1. 2.
                            
      

42
 
                  

51 55 TRIO 30 87
                          
       

 
91

                               

103


 

                  

113
 
       
       

Thobitz
3rd Trumpet
Peacemaker March Karl L. King


                        
              
   
 
10
     
                  
         

20
 1. 
 
2.   
         
                      
 
 
32
1.    2.

           
    
 
           

43
 
                        

52 55 TRIO 30 87

               
              


92
 
                       
  
104
 

                   
113
  
           
  


Thobitz
1st Trombone
Peacemaker March Karl L. King
 

               
        

       
  
   
 
10     
                         
        

19  1. 2.       
                 
             
   
 
29     1.    2.
            
      
        
  
 

39
 

                     
          
  
55 TRIO
49

                          
      
 
 
61
                  
  
         

72
       
      
 
  
 

84    87
             
        


Thobitz
2
1st Trombone
93                              
              

102          
        
                

112

                 
  



Thobitz
2nd Trombone
Peacemaker March Karl L. King
 
 

                              
    

    
 
10     
                         
        

19 1.
    2.       
   
       

               
    
 
30     1.     2.
              
           
 

39
 

                     
          
  

49
55 TRIO

                           
     
 
 
61
 
          
                 

73

                      

85 87
             
    

    


Thobitz
2
2nd Trombone
93                              
              

102
             
          

109                  
            



Thobitz
3rd Trombone
Peacemaker March Karl L. King
 
 

                               
 

    
 
10     
                         
         

19 1.
   
 2.   
    
  
                    
   
    

 
30  1.   2.
           

            
 

39
 

                     
          
  

49
55 TRIO
                           
   
   
 
61
 
   
                         

73

     
                

85 87
            
           


Thobitz
2
3rd Trombone
93                              
              

102          
        
                

112

                 
  



Thobitz
Euphonium
Peacemaker March
Karl L. King
  
    
 
                               
  

    
 
10     
                        
          

19
1. 2.   

           
                      
 
 
28
               
   
      
   
35      

   1. 2.      
   
                  
  
 
44     
                    

     
55 TRIO
52  
         
                   

62 
                           
           

71         
         
        

Thobitz
2
Euphonium 87
81

      
 
              
   

91         
                
         

100  
                    
          

110 
                    

     
  

Thobitz
Tuba
Peacemaker March
Karl L. King

                    
            
             
 
10

                      
                  
  

19
1. 2.   
        
                          
  
   

28

                 
            
         
37
1.    2.
                      
                
  

46

              
                  
       

54
55 TRIO
   
              
 
62
       
                 
                      

71

                     
                 
Thobitz
2
Tuba 87
80

             
                  
 

89

                            
            

98

                           
             

107

       
                       

114

   
     






      
    

Thobitz
Snare Drum
Peacemaker March
Karl L. King

                                        
 
11 1.
                                        
 
21 2.
                                        

31 1. 2.
                                     

41
                                 
55 TRIO
50
                     
 
63
                                     

74
                              
87
85
                      

97
                             

109
                                           
Thobitz

Bass Drum
Peacemaker March Karl L. King

                                      

 
11 1.
                                    

 
21 2.
                                      


31 1. 2.
                                 


41
                                        
55
TRIO
51
                     
 
64
                               

75
                              

87
85
                

96
                               

108
                                      
Thobitz

Cymbal
Peacemaker March
Karl L. King

                              
 

13
                 1.   2.         
 
  

25 1.
                              

38 2.
                           


55 TRIO 87
51 30
                 
  

93
                 

107
                


Thobitz

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