John P. Diggins - The American Left in The Twentieth Century-Harcourt, Brace, Jovanovich, Inc. (1973)
John P. Diggins - The American Left in The Twentieth Century-Harcourt, Brace, Jovanovich, Inc. (1973)
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The American J
in the Twentieth
Century
John P. Diggins
University of California, Irvine
ISBN: 0-15-502308-X
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The American Left resists precise definition, but there are ways of
approaching a historical understanding of its role in past and present
society. Part One o f The American Left in the Twentieth Century, de-
voted mainly to theoretical and problematic issues, attempts to explain
why simple definitions sacrifice nuance for neatness, why the Left may
be interpreted as an intellectual and cultural phenomenon, and why
the American Left found itself without a real, substantial proletariat.
Part Two deals specifically with the three American Lefts of the twen-
tieth century. Their respective histories hardly represent a success story.
But in America, the land that has denied each Left a second life, we can
learn from failure. Even while the Left draws its "poetry" from the per-
fect future, it cannot ignore the imperfect past. Marx stated the lesson
well in the preface to Capital: "We suffer not only from the living but
from the dead. Le mort saisit Ie Vif!"
l should like to express my appreciation to Anne Rogers and Peter
Clecak for their helpful criticisms of the manuscript; to Indy Aspinwall,
Phil Ressner, and Torn Williamson for their editorial suggestions; to
Susan Haggerty for digging up many priceless illustrations; to Daniel
Aaron for permitting me to examine his collection of unpublished ma-
terials; and to Iohn Morton Blum for his advice and encouragement.
I am also grateful to my "Left" colleagues at the University of California,
Irvine, for listening to a skeptic; and to my wife, Jacy, for listening
to an academic. The book is dedicated to my son and daughter, Sean and
Nicole, in the hope that their generation will prove .the old man wrong.
JOHN p. DIGGINS
vii
For Sean and Nicole
t
\.
Contents
Preface V
Historical Roles 14
The Left as Opposition 15
The Left as Negation 16
The Left as a Generational Experience 17
The Left as an Ally of the Working Class 20
Notes 25
Early Raptures 74
Politics and Art 75
Diversity of Appeal 78
The New Review and The New Masses 79
xii
one
THEO Y
J
J
The Problem
of Definition
preserve it. This formulation does not tell us very much. For what is
at issue is not the demand for change but the motive for change. Indeed,
when viewed in historical perspective, the Left may be seen less as an
agent of change than as a response to it. More often than not the social
and political changes demanded by the Left were primarily reactions
to vast, disruptive economic and technological changes wrought by the
Right. Capitalists on the Right may not have created their own "grave-
diggers" when they produced an industrial working class, as Marx
prophesied, but in drastically transforming the character of modern
society, capitalists did more than anyone else to give birth to the Left.
Nineteenth-century industrialization in particular brought not only
soot and squalor but human atomization, depersonalization, and ex-
ploitation, reducing society to what Emile Durkheim called "a dust of
individuals." In the United States in the late nineteenth century it was
the men of the Left, the utopian and Christian socialists, who protested
the rapid economic changes that were destroying the intimate bonds
of human community. Significantly, one finds in the twentieth-century
American Left a curious ambiguity on the question of change; one is
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Tradition of Dissent
The American Left may lay claim to a long and rich tradition of
radical dissent.5 The challenge of individual conscience against au-
thority and majority rule began with the Puritan antinomians of the
seventeenth century; it was carried forward by the abolitionists of the
nineteenth century; and it found its most recent expression in the
activities of civil-rights workers and draft resisters of the l960's. Yet
dissent itself cannot serve to define the Left in any meaningful sense.
Dissent is not a social philosophy but a tactic, a method of protesting
and communicating to the public in order to bring law more into
congruence with some ideal or higher law. Nor is dissent compatible
with democracy, for dissent involves conflict between autonomous
individual morality and political allegiance. As is liberty, dissent is
basically negative, an assertion of the integrity of the individual's
private conscience against both the coercion of the state and the
"tyranny of the majority." Moreover, the dissent tradition is highly
individualistic, occasionally anarchistic, and at times even spiritual
and mystical, whereas the Left comes alive in collective action and
seeks material solutions to social problems. The Left may hail Thoreau
as the most noble dissenter of all, the heroic "majority of one," who
went to jail rather than support a war and who dropped out of society
rather than conform to it, but the philosopher-poet of Walden Pond
10 deliberately refused to offer any radical program for transforming
5 and 6 Police harass abolitionists in late-nineteenth-century Boston (above) and
civil-rights marchers in Selma, Alabama, in 1965 (below).
an
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7 Henry David Thoreau, nine-
teenth-century dissenter whose
radical ideas would never be
assimilated by the Marxist Left.
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and "feeling" as much as the power of reason. Not until the full impact
of Marxism in the 1930's was there a marked return to the worship of
reason, science, and technological progress. It was this philosophical
legacy of the Old Left, however, that the New Left repudiated, and in
doing so the young radicals of the 1960's displayed a deep uncertainty
about rationalism, even while invoking the political ideals that had
been born in the eighteenth-century Age of Reason. The antagonist
still remained bourgeois society, which had disfigured original human
nature by its demands for social conformity, economic competition, and
sexual repression. Yet, the New Left had few illusions about the liberat-
ing power of the historic Enlightenment. At the turn of the century
American socialists read Julius Weyland's Appeal to Reason; in the
l960's, "reason" was the enemy and the vibrations of "soul" the real
test of truth.
If rationalism does not define the mentality of the Left, neither does
ideology. In America ideology is a bad word. Supposedly it is a European
habit alien to the "pragmatic" wisdom of the American character. This
HISTORICAL ROLES
The characteristics most often used to define the Left-the demand for
change; political ideals like justice, equality, and democracy; anti-
capitalism and the tactic of dissent; the mentalities of rationalism and
ideology-are either so broad as to include many other political ele-
ments or so narrow as to apply to one American Left and not to others.
Nevertheless, there are some ways of thinking about the Left that may
enable us to approach a historical understanding of its function and
14 role in twentieth-century America.
9 American Communist Party members of the 1930's march in a May Day parade, traditional
annual denlonstration of opposition and of solidarity within the Left.
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the threat of fascism, the Spanish Civil War, Stalinism and the Moscow
trials, and the Russo-German nonaggression pact; for the New Left they
were the domestic racial crisis, the wars in Southeast Asia, Cuba, and
China, and the politics of confrontation with the resultant fear of re-
pression. These ordeals left deep and lasting impressions on each gener-
ation of the twentieth-century American Left. And the very uniqueness
of these experiences explains in part why radicals of different genera-
tions saw themselves as dissimilar, why they often refuse to listen to
one another, why they do not deign to learn from one another.
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The right is always the party sector associated with the interests of the
upper or dominant classes, the left with the sector expressive of lower
economic or social classes, and the center that of the middle classes. His-
torically this criterion seems acceptable. The conservative right has de- 21
fended entrenched prerogatives, privileges and powers; the left has attacked
them. The right has been more favorable to the aristocratic position, to the
hierarchy of birth and wealth; the left has fought for the equalization of
advantage or of opportunity, for the claims of the less advantaged. Defense
and attack have met, under democratic conditions, not in the name of
class but in the name of principle; but the opposing principles have
broadly corresponded to the interests of different classes. 10
Notes
1 Sir Isaiah Berlin, Two Concepts of Liberty (Oxford: Clarendon, 1958).
1 Herbert Marcuse, "Repressive Tolerance," in Herbert Marcuse et al., A Critique of
Pure Tolerance (Boston: Beacon, 1965}, pp. 81-117.
3 Randolph Bourne, "This Older Generation," The Atlantic, CXVI (Sept., 1915),
385-91. 25
4 David Cause The Left in Europe Since 1789 (London: Weidenfeld and Nicolson,
1966.
5 Stoughton Lynd, Intellectual Origins of American Radicalisrn ( N e w York: Pan-
theon, 1968).
6 For a critique of Lynd's argument, see Iohn P. Diggins, "Thorea1.1, Marx, and the
'Riddle' of Alienation," Social Research, XXXIX (Winter, 1972), 571-98.
7 Daniel Bell, The End of Ideology: On the Exhaustion of Political Ideas in the Fifties
(New York: The Free Press, 1960); on the conceptual ambiguities surrounding this
issue, see John P. Diggins, "Ideology and Pragmatism: Philosophy or Passion?"
American Political Science Review, LXIV (Sept., 1970), 899-906.
91n his classic work, Ideology and Utopia, Karl Mannheim first pointed out a crucial
epistemological distinction that separates the Right from the Left: the former uses
ideology to defend the existing order as real and valid, and the Left projects utopian
ideas to challenge that order as false and to direct activity toward undermining it.
Since "utopian" is so often used as a term of abuse to deride any new radical idea
as a pipedream, it seems more appropriate to use the term "negation."' Much of my
discussion of this idea is drawn from Leszek Kolakowsld's illuminating essay, "The
Concept of the Left," in Toward a Marxist Humanism: Essays on the Left Today
(New York: Grove Press, 1969), pp. 67-83.
9Kar1 Mannheim, "The Problem of Generations," in Essays on the Sociology of
Knowledge (London: Routledge, 1959) .
10 Robert Maclver, quoted in Seymour Martin Lipset, Political Man: The Social Bases
of Politics (Garden City, N.Y.: Anchor, 1963), p. 232.
11 Christopher Lasch, The New Radicalism in America, 1889-1963: The Intellectual
As a Social Type (New York: Vintage, 1967), pp. ix-xviii.
12]ohn Reed, "Almost Thirty" (unpublished manuscript, Houghton Library, Harvard
University), p. 8.
13l\/lax Eastman, Enjoyment of Living (New York: Harper, 1948), pp. l5-26; see also
Floyd Dell, Homecoming: An Autobiography (New York- Farrar, 1933].
26
The New
Intellectuals
To see the Left as an intellectual class is to accept the Left on its own
terms, for it was with this self-image that several young radical writers
and college graduates first attempted to ally themselves with the social-
ist movement in the United States. The appearance of the first Left of the
twentieth century as an intellectual class raises three important ques-
tions: What exactly was meant by "intellectual"? Why did many social-
ists at first resist the efforts of intellectuals to enter their ranks? Who
were these radical, upper-class intellectuals who were finally hailed as a
vanguard and recognized as the first genuine American Left of the
twentieth century? Z7
THE LEFT INTELLECTUAL
The term "intellectual" first came to be used to describe a group at the
time of the Dreyfus affair (1898-1906), when the radical French intellec-
tual community rose to defend the Republic against the reactionary
anti-Dreyhlsard's. From the beginning, the term conveyed clear politi-
cal implications: ethically it implied that men of ideas should serve as
the authentic conscience of society; socially it described a class of writ-
ers, artists, journalists, and professors who felt themselves separated
from society; ideologically it suggested that those who chose intellectual
life as a vocation should repudiate the interests of their bourgeois class
and remain forever independent of the corrupting power of institutions.
William James, the first American known to use the term, touched upon
some of these implications when he wrote in response to the Dreyfus af-
fair: "We 'intellectuals' in America must all work to keep our precious
birthright of individualism and freedom from these institutions
[church, army, aristocracy, royalty]. Every great institution is perforce a
means of corruption-whatever good it may do. Only in the free person-
al relations is full ideality to be found."1
Con flict with Marxian Socialists
Several radical intellectuals who graduated from college between the
turn of the century and the First World War tried to find their full ideal-
ity in the American socialist movement. They were young writers whose
first commitment was to culture, to those elevating pursuits that deepen
the mind and heighten the imagination. This commitment created a
misalliance, for the Marxist socialists who came to dominate American
radicalism aher the turn of the century possessed no theory of a cultural
class. Indeed, the idea that a revolutionary movement needed an intel-
lectual class appeared almost alien to Marxist theory-or at least to the
American version of Marxism that prevailed in the years preceding the
First World War. American Maridsm was characterized by an optimis-
tic faith in natural science and historical progress. Since history was un-
folding rationally according to predetermined "laws," society could be
studied through the same empirical methods used in natural science.
This deterministic view of history presented an awkward problem for
28 the cultural intellectuals who wanted to become socialists and yet re-
main men of ideas. If socialism would develop automatically from the
natural laws of history, what role could the radical intellectual per-
form? If history is determined by economic changes, what role could
ideas play in the transformation of society? In the struggle to liberate the
working class, Marx saw no crucial function for the moral idealism and
cultural criticism of the intellectual class. It is one of the curious ironies
of history that Karl Marx, the greatest radical mind of the nineteenth
century, developed a theory of history that offered no decisive or central
role for the radical mind of the intellectual.2
Issues similar to these occupied socialist theorists from the turn of the
century to the outbreak of the First World War. In 1900, The Interna-
tional Socialist Review, a scholarly journal edited in Chicago by the his-
torian A. M. Simons, published an essay entitled "Socialism and the
intellectuals," by the French writer Paul Lafargue, son-in-law of Karl
Marx. Simons and Lafargue warned against the "bourgeois intellectual"
who would enter the workers' movement, not as a combatant in the
class struggle, but as a déclasse "aristocrat" and "mandarin/' a "brain
worker" who wanted to open the movement to "all amiable exploiters."
The volatile Daniel DeLeon, the most militant of American Marxists,
took up the attack against the intelligentsia. Stressing the need for work-
ing-class unity, DeLeon lashed out at the "pernicious influence" of the
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intellectual who "is incapable of learning; of seeing that he joins the
Movement, not for the Movement's sake, but for his own." At every crit-
ical moment, complained DeLeon, the intellectual betrays the move-
ment, sacrificing its "interests to his own crossed malevolence." This
curious attack on intellectuals by intellectuals did not go unanswered.
John Spargo, one of the first Americans to write a book on Karl Marx,
described the leaders of the anti-intellectual campaign as "unsuccessful
'intellectuals'-lawyers without clients, authors without publishers,
professors without chairs, ministers without pulpits." But intellectuals
continued to be attacked from both sides of the Left, the radical wing de-
picting them as dispossessed professionals seeking soft positions in the
labor movement, the conservative wing as dangerous adventurers and
extremists who joined the movement to overcome the boredom of bour-
geois existence. And perhaps both sides could agree with a coal miner
who charged that the "radical bourgeois" was more concerned with such
goals as free love than with the "stomach ideals" of the workers. Even
more disturbing, intellectuals potentially had feet of clay: "They can
steal over into the capitalist camp at any time-we can't. They can retire
from the firing line-we can't."3
Above the crossfire of polemics hovered a deeper philosophical debate
-that between materialism and idealism. Many party socialists unsym-
pathetic to intellectuals were steeped in a crude concept of economic
determinism and mechanical materialism, a scientific philosophy of
history that precluded subjective ideas and creative imagination. The
independent radical intellectuals, on the other hand, insisted that their
function was to infuse the movement with idealism and theoretical vi-
sion, thereby making the implicit claim that they possessed a conscious-
ness that transcended the working class. The intellectuals' case gained a
better hearing shortly before the First World War. With the rising pres-
tige of French socialism, which stressed lean Jaures's ethical idealism
and a radical version of Henri Bergson's "élan vital," the role of moral
will and intuition found a place in radical theory. The intellectual
could now be regarded as an active and creative force. And if ethical
consciousness was a determining influence, perhaps revolutions
could originate within the mind, even the mind of the avant-garde
30 intellectual. 4
Yet by no means had the issue been resolved in 1914 when Robert
Rives LaMonte wrote his provocative essay on "The New Intellectuals"
in the New Review, a theoretical journal of American Marxism. The
essay celebrated the appearance of a new radical intelligentsia that
emerged just before the war. These young rebels differed from two dis-
tinct previous radical types: the eager provincial who, LaMonte said,
failed to build a socialist movement because, "sneering" at the doctrine
of "scientific socialism," he "contemptuously" dismissed Marxism; and
the enthusiastic immigrant student from New York's east side, a "one-
book man" who failed because "his intensity of concentration upon
Marx deprived him of that broad general culture without which it is
impossible to use the Marxian viewpoint and method fruitfully." But
the younger radicals, the author pointed out, were free of textual dog-
matism, anxious to absorb Nietzsche along with Marx and thus become
"steeped in the culture of the day and generation." Still, it was doubtful
that the young radicals had successfully resolved the issue of determin-
ism versus freedom and materialism versus idealism. They advocated a
"pragmatic" socialism that was "anthropocentric," that placed the "con-
scious, willing individual" at the center of history. Quoting from a book
by one of the young intellectuals, LaMonte noted that what they meant
by socialism was not the economic system but "the will, the will to
beauty, order, neighborliness, not infrequently a will to health." Nev-
ertheless, what impressed LaMonte was the free-spirited pragmatism of
their "winsome open-rnindedness," their "breadth of vision," and their
"intellectual and moral receptivity." He thus welcomed the new libera-
tors of the mind: "Hail to the New Intellectuals! May they increase and
flourish!"5 And flourish they did.
Walling, Lippmann, and Eastman
LaMonte had singled out William English Walling, Walter Lipp-
mann, and Max Eastman. These "New intellectuals" represented a new
breed of radical: intellectuals of upper-class sensibilities and lower-class
sympathies, original thinkers capable of turning easy answers into
harder questions and stimulating new trains of thought, men of action
as well as ideas. Walling, a founder of the National Association for the
Advancement of Colored People, was one of the few American socialist 31
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17 and 18 William English Walling (left) and Walter Lippmann (right), prominent among
the New Intellectuals.
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22 Pragmatic philosopher Wil-
liam James, whose vision of an "un-
finished" reality was particularly
congenial to the intellectuals of the
Lyrical Left.
Eastman criticized liberals for trying to "mitigate" and "blur" the exis-
tence of class conflict, for idealizing the real instead of realizing the
ideal, for interpreting existing conditions instead of drastically chang- 37
ing those conditions through the will to believe and the will to act.
Putting Marx's notion of "praxis" into verse, Eastman expressed elo-
quently the idea of negation:
echoed Marx's hope of doing away with the "alienated labor" that he
saw as a product of capitalism, although one recent historian has main-
tained that it did.2 Actually populist values sprang from a traditional
Protestant ethic that made hard, honest work the expression of high
moral character. Indeed, the influence of that conservative ethic could
be seen in the fact that farmers frequently attacked socialism as well as
industrial capitalism. Socialism threatened "the love of title deeds to
home [which] is inbred among the people," stated one midwesterner.
Hence socialism "inevitably destroys all independence of individual
action and love of country." Committed to individualism and patriot-
ism, many populists shared the fundamental premises of American capi-
talism: the "sacredness" of property, the value of opportunity, and the vir-
tue of work. "Socialism would only replace one master by another, the
monopolist by the community," declared a journal of the western
populists. "All the systems of anarchy and socialism are based upon a
supposed quality innate in man which history from the earliest mo-
ment of his existence has disproved." Moving from the lessons of his-
tory to the principles of psychology, the journal raised the most trou-
bling question of all: "Without individual competition and rivalry 43
what is there to emulate? The answer must inevitably be nothing."3 1
Young radicals who had read Veblen's sociology of rural life knew
what the populists wanted to "emulate." For populism ultimately be-
trayed a love-hate relationship with capitalism wherein the "interests"
of Wall Street were opposed in order that the "higher interests" of Main
Street might prevail. The acid test was Marxism, and the "inflexible
reluctance" of the Midwest to tolerate "Marxian ideas," stated the Lyri-
cal literary intellectual Randolph Bourne, revealed "its robust resis-
.
tance to . . self knowledge."4 Steeped in Jeffersonian individualism
and Protestant morality, populism could attack capitalism politically
but never transcend it intellectually. Since its leitmotif was restoration
rather than revolution, populism waxed and waned with the rise and
decline of economic grievances.
The Lyrical Left never placed much hope in the farmers, but the fail-
ure of industrial workers to produce a radical proletariat raises a ques-
tion that has troubled radicals and scholars since the turn of the
century: Why is the American worldng class so conservative? If this
question could be answered we might better understand why socialism
failed in the United States and why the life of each Left has been so
feeble and short.
Several answers have been suggested: the existence of the American
frontier, which, while it may not have offered a safety valve to the
propertyless workers in eastern cities, did keep the labor supply limited
(and unemployment low) by slowing the growth of urban populations;
America's advanced economic development and national income,
which, while grossly maldistributed, enabled Americans to enjoy
relative prosperity long before most Europeans; the American labor
force, which, while perhaps materially no better off than German
workers before the First World War, was characterized by the ethnic
heterogeneity of immigrant groups, a factor that hindered development
of class identity and promoted the desire of their descendants to exceed
the status of their parents and prove themselves "respectable" Ameri-
cans; and, finally, the fluid nature of America's social structure, which,
while not offering a universal "rags to riches" ladder to success, may
have offered meaningful low-level mobility. The factor of upward
44 social mobility is crucial, and although the paucity of historical data
makes it hazardous to generalize about working-class attitudes, curios-
ity impels us to speculate. If American workers believed in the cap-
italist ideology of opportunity and mobility, did those who failed to
rise see the cause of their failure as personal inadequacy rather than
social inequity and thereby suffer guilt and self-deprecation? On the
other hand, if workers remained skeptical of the ideology, why did
they fail to develop a radical class consciousness as a means of penetrat-
ing the deception? Or were economic opportunity and occupational
mobility not myth, but in some measure plausible reality? However
these questions will be answered by further research, one fact seems
incontestable' the American working class was far from experiencing
what Marx called the "increasing misery" of the proletariat-and no
one was more aware of this fact than Samuel Gompers.5
As President of the American Federation of Labor, Gompers was the
bane of the Left. Earlier in the nineteenth century the American labor
movement had seemed to offer a radical alternative to the status quo.
The militant Knights of Labor, an idealistic fraternity of toilers orga-
nized after the Civil War, attempted to forge the unity of all who
labored-black and white, women and children, the skilled and un-
.......
skilled. This experiment in working-class solidarity soon petered out,
and by the end of the century the AFL dominated the labor movement in
the United States. Under Gompers' powerful leadership, the AFL con-
centrated on organizing skilled workers, and its membership grew in-
creasingly elitist and exclusive. In contrast to the Knights' comprehen-
sive reform unionism, the AFL's "pure and simple" trade unionism
aimed not so much to liberate man by humanizing the work process,
but to secure greater economic gains from management. To machinists,
shoemakers, typesetters, and hard-working craftsmen living on the edge
of survival, a wage increase was a godsend. But to the left-wing in-
tellectuals, the AFL offered no ideological challenge to capitalism other
than demanding more of its profits so that workers could purchase more
of its products. Gompersism, as George Bernard Shaw said of trade
unionism, was the capitalism of the proletariat.
American socialists attempted to challenge Gompers' leadership. But
a key to the weakness of that challenge may be seen in the famous de-
bate in 1914 between Gompers and Morris Hillquit. A Latvian immi-
grant, Hillquit became one of the chief spokesmen for the philosophy of
socialism in America. A leading popularizer of Marxism, he effectively
answered the attacks by critics who feared collective ownership as a
threat to individual liberty. Yet in his debate with Gompers, Hillquit
was reluctant to define an "end" or "ultimate goal" of socialism other
than to say that socialists' demands went "further" and "higher" than
those of the AFL. The basic difference between socialism and trade
unionism was, Hillquit admitted, "a quantitative one-that the Social-
ist Party wants more than the American Federation of Labor."6 Such a
formulation had serious limitations. Without an enduring ideal toward
which labor must struggle, without a theoretical vision that would
guide everyday decisions, it was difficult for socialists to check practice
against theory and even more difficult for workers to know how to dis-
tinguish the "quantitative" promises of socialism from those of cap-
italism.
Hillquit aside, other socialist intellectuals did hold out for inviolable
ideals regardless of the possibility of their realization. In this respect,
Gompers may have possessed a better "materialist" grasp of historical
46 forces than even sophisticated Marxists like Daniel DeLeon. Shunning
all vague ideals, Gompers believed that "only the concrete and the im-
mediate were material"-higher wages, shorter hours, better working
conditions. As Theodore Draper has shrewdly observed: "Whatever
success Gompers had, and the Socialists did not have, was scarcely a
repudiation of the Marxist emphasis on material interests. It might have
indicated the need for American Marxists to take their materialism a
little more materialistically."7 There lay one predicament confronting
intellectual radicals: to meet the immediate, material needs of the
American working class they ran the risk of settling for less than social-
ism, which is not so much a demand for "more" as a demand for the
humanization of life. Yet the obverse is also true: as long as the socialist~
labor dialogue confined itself to material matters, capitalist values
would prevail. For a subtle change would take place in America that the
Left had not fully anticipated: As Veblen perceived at the time, the
United States would pass from a society of producers to a society of
buyers and spenders in which the impulse toward "conspicuous con-
sumption" could possibly influence even the working class. Unable to
find satisfaction in routine production, the American worker could
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30 and 31 William Dean Howells (left) and Edward Bellamy (right), influential
turn-of-the-century novelists who advocated cooperative community but rejected
"foreign" socialism.
dféé 5?7zlé3»b?}"75léT3"}1
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leap to socialism. Hence the left wing castigated the palliative reforms
sponsored by progressives, claiming that socialism could not be legis-
lated into existence until capitalism was abolished. Similarly, on the
issue of trade unionism, the left wing advocated setting up organiza-
tions to rival established unions, even though the tactic of "dual
unionism" jeopardized efforts at unifying the labor movement, and the
right wing advocated entering established unions and "boring from
within" in order to educate the workers to socialism. The chief theoreti-
cal spokesman for the left wing was Daniel DeLeon, who was dubbed an
"impossibiliste" by his opponents because of his scorn for immediate
programs. The chief practical spokesman for the right wing was Victor
Berger, the first American socialist elected to Congress. Their dis-
agreements represented something of a pale repetition of the intense
dialogue over "orthodoxy" versus "revisionism" that had occupied the
international socialist movement in Europe. DeLeon adhered to the
56 traditional version of class struggle and the triumph of the proletariat,
while Berger tried to adapt Marxist principles to American conditions.
One saw the birth of socialism in the revolutionary power of the
workers, the other in the evolutionary reforms of the government.
Moderates accused DeLeon of indulging in revolutionary fantasy, while
militants accused Berger of subscribing to an evolutionary fallacy.
The third dispute among socialists arose over the use of violence.
Contrary to the myth of peaceful and orderly progress, the United States
had been the scene of one of the most ravaging social struggles in the
western world. Between 1881 and 1906 there occurred some 30,000
strikes and lockouts, affecting almost 200,000 businesses and over 9%
million workers. From the coal mines of Pennsylvania, where Irish
Molly Maguires would methodically murder the management's police
spies, to the mine fields of Colorado, where management hired state
authorities to terrorize and lynch migrant coal workers, class warfare
became a daily reality. After Chicago's famous Haymarket Riot of 1886
socialists disagreed sharply over the tactic of violence. Violence was
associated with the idea of anarchism, a simple and yet complex doc-
trine opposed to all forms of authority and coercion, what Max Nomad
has called an elusive "political daydream" of total statelessness and
35 Eleven men, described in a contemporary news account as "the last of the Molly Ma-
guires," march to their execution at Pottsville, Pennsylvania, in 1877.
classlessness. Psychologically as well as politically, anarch
ist terrorism
reflected the utter hopelessness and desperation of the disinh
erited. By
the time of the First World War six chiefs of state had been
assassinated
in the name of anarchism, including in America, Presid
ent William
McKinley.
There were thousands of anarchists among the Italian-Amer
ican
followers of Enrico Malatesta and the German-American
disciples of
Johann Most. What troubled the American labor movem
ent, however,
was not the sporadic deeds of violence by isolated foreign terroris
ts, but
the sustained doctrine of class warfare of the Industrial Worke
rs of the
World. The IWW sprouted in the western states mainl
y among unor-
ganized, seminomadic lumbering and miners.
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37 A sympathy demon-
stration for Wobbly agi-
tator Carlo Tresca, on
trial at the time (1916) for
syndicalist activity.
41 and 42 (above) A campaign poster for Eugene V. Debs and Ben Hanford, Social-
ist Party candiates for president and vice president, in 1904. (facing page) On the
campaign trail in 1904, Debs addresses a crowd at a railroad siding. During his 1920
campaign (conducted from a jail cell) he won almost a million votes.
of Bryan. He also read Marx while serving a prison term for his activi-
ties in the bloody Pullman strike of 1894. Debs often recalled the gov-
ernment's intervention in that strike as his conversion experience: "At
this juncture there were delivered, from wholly unexpected quarters,
a quick succession of blows that blinded me for an instant and then my
eyes opened-and in the gleam of every bayonet and the flash of every
rifle the class struggle revealed itself." Actually Debs' conversion to
socialism was much less melodramatic, for despite the Pullman experi-
ence he kept faith in democratic reforrnisrn until the populist debacle
of 1896. Thereafter he entered the SP and emerged as its titular head for
almost twenty years. As late as 1920, once again in jail, this time for
alleged antiwar propaganda, he drew nearly one million votes as the
SP's presidential candidate. Debs had the martyr's charisma, but he also
possessed tremendous oratorical power, a "sort of gusty rhetoric," wrote
Dos Passos, that made workers "want the world he wanted, a world
brothers might own where everybody would split even. . ." "His .
tongue," recalled Eastman, "would dwell upon a the or an and with a
kind of earnest affection for the humble that threw the whole rhythm of
his sentence out of conventional mold, and made each one seem a
special creation of the moment." Although Debs tried to remain above
ideological battles, occasionally he criticized the SP's two extreme
wings. Chiding "the spirit of bourgeois reform" on the Right, he insisted
that "voting for socialism is not socialism any more than a menu is a
mealor, opposing the saboteur rhetoric of the syndicalist Left, he main-
I
"Not only is art impossible to such a man," he said, "but life is impos-
sible. He does not live. He just works. He does the work that enables you to
live. He does the work that enables you to enjoy art, and to make it, and to
have a nice meeting like this and talk it over."
Bill used "nice" without irony: he meant it.
"The only problem, then, about proletarian art," he continued, "is how to
make it possible, how to make life possible to the proletariat. In solving that
problem we should be glad of your understanding, but we don't ask your
help. We are going to solve it at your expense. Since you have got life, and
we have got nothing but work, we are going to take our share of life away
from you, and put you to work."
" . . . When we stop fighting each other-for wages of erdstence on one
side, and for unnecessary luxury on the other-then perhaps we shall all
become human beings and surprise ourselves with the beautiful things we
do and make on the earth. Then perhaps there will be civilization and a
civilized art. But there is no use putting up pretense now. The important
thing . . . is that our side, the workers, should fight without mercy and win.
There is no home for humanity anywhere else."21
By and large American socialism was a movement not of, but on be-
68 half of the working class. Although it assumed to speak for the worker
and to articulate his needs, the doctrines and tactics had been developed
by intellectuals and party leaders. The Wobblies, the embodiment of a
working class that spoke for itself and struggled for its own class inter-
ests, gave the Left its opportunity to reconcile the aristocracy of intelli-
gence with the nobility of labor. Whereas the earlier Brook Farm
utopians hoped that the "swart and sweaty" laborers would rise to cul-
ture, the New Intellectuals of 1913 were willing to sit at the feet of
Haywood, the authentic voice of a genuine American proletariat, while
he expounded the creation of a new and superior culture by the working
class. Eastman's image of the Wobbly leader may have been more ro-
mantic than real, and likewise the Left's need to believe in a revolution-
ary proletariat may have been nurtured more by faith than by fact. As
the agency of historical transformation, as the ascending class that en-
ables the radical intellectual to maintain a dynamic contact with the
masses, the idea of the proletariat lives and dies in the mind of the Left.
Notes
Maurice Merleau-Ponty, quoted in Raymond Aron, "The Myth of the Proletariat,"
in The Opium of the Intellectuals (New York: Norton, 1962), pp. 66-93.
2 Norman Pollack, The Populist Response to Industrial America (New York: Norton,
1962), pp. 68-84.
3Jarnes B. Webster, "A I-*Iarmer's Criticism of the Socialist Party," The International
Socialist Review, II (May, 1902), 769-73; Howard H. Quint, The Forging of American
Socialism (Indianapolis: Bobbs-Merrill, 1953), p. 211.
4Thorstein Veblen, "The Independent Farmer," and "The Country Town," in The
Portable Veblen, ed. Max Lerner (New York: Viking, 1948), pp. 395-430; Randolph
Bourne, "A Mirror of the Middle West," in The History of a Literary Radical and
Other Papers (New York- S. A. Russell, 1956), p. 292.
5 George G. S. Murphy and Arnold Zell fer, "Sequential Growth, the Labor-Safety-
Valve Doctrine, and the Development of American Unionism," in Turner and the
Sociology of the Frontier, eds. Richard Hofstadter and Seymour Martin Lipset (New
York: Basic Books, 1968), pp. 201-24; Selig Perlman, A Theory of the Labor Move-
ment (New York: Macmillan, 1949) ; Stephen Thernstrorn, Poverty and Progress:
Social Mobility in a Nineteenth Century City (New York: Atheneum, 1970); for an
example of the diverse conclusions reached by contcrnporary scholars studying the
mobility question, see Stephen Thernstrom and Richard Sennett, eds., Nineteenth-
Century Cities: Essays in the New Urban History (New Haven, Conn.: Yale Univ.
Press, 1969).
6"I-Iillquit versus Gompers," in Socialism in America: From the Shakers to the Third
International: A Documentary History, ed. Albert Fried (Garden City, N.Y.: Double-
day, 1970), pp. 471-95.
7 Theodore Draper, The Roots of American Communism, (New York: Viking, 1963),
p. 29. 69
8 Samuel Gompers, quoted in Daniel Bell, Marxian Socialism in the United States
(Princeton, NJ.: Princeton Univ. Press, 1967), p. 43; V. I. Lenin, What Is to Be Done?
(New York: International Publishers, 1929) .
9 Friedrich Engels, quoted in Lewis S. Feuer, "The Alienated Americans and Their
Influence on Marx and Engels," in Marx and the Intellectuals, p. 171.
ICI Ralph Waldo Emerson, "The American Scholar," in The Portable Emerson, ed.
Mark Van Doren (New York: Viking, 1946), p. 24; Charles Crowe, George Ripley.-
Transcendentalist and Utopian Socialist (Athens: Univ. of Georgia Press, 1967), p.
173.
11 The Harbinger editorial, in Fried, Socialism in America, pp. 161-65; see also John
L. Thomas, "Romantic Reform in America, 1815-1865," American Quarterly,
XVII (Winter, 1965), 656-81.
12Edward Bellamy, quoted in Daniel Aaron, Men of Good Hope (New York: Oxford
Univ. Press, 1951), p. 112; Horace Greeley, "Association Discussed" (1847), in Fried,
pp. 149-60; Max Eastman, "Concerning an Idealism," The Masses, IV (luly, 1913), 1.
Haywood, quoted in Melvyn Dubofsky, We Shall Be All: A History of the
13 B111
Industrial Workers of the World (Chicago: Quadrangle, 1969), p. 161.
14]ames Weinstein, The Decline of Socialism in America 1912-1925 (New York:
Monthly Reviews, 1967); Iohn H. M. Laslett, Labor and the Left: A Stu 3/ of Socialist
and Radical Influences on the American Labor Movement, 1881-1 4 (New York:
Basic Books, 1970).
15 Eugene Debs, "Why I Became a Socialist," in Debs: His Life Writings and Speeches
(Chicago, 1908), p. 82; Iohn Dos Passos, The 42nd Parallel (New York: Random
House, 1937), p. 26; Max Eastman, Love and Revolution: M y Iourney Through an
Epoch (New York: Random House, 1964), p. 114.
16 John Reed, quoted in Charles A. Madison, Critics and Crusaders (New York: Holt,
1947), p. 470.
1 7 M a X Eastman, "The S.L.P.," The Class Struggle, III (Aug, 1919), 304-06; Robert
Miner to Eastman, April 20, 1919, Eastman mss, Lilly Library, Indiana University,
Bloomington, Ind.
18Danie1 DeLeon, quoted in Fried, p. 194; see also Louis Fraina, "Daniel DeLeon,"
New Review, II (July, 1914), 390-99.
19Dos Passos, 42nd Parallel, p. 94; William D. Haywood, "The Fighting IWW,"
The International Socialist Review, XIII (Sept., 1912), 247.
211). Ramsey MacDonald, quoted in Melvyn Dubofsky, "The Radicalism of the Dis-
possessed: William Haywood and the IWW," in Dissent: Explorations in the History
of American Radicalism, ed. Alfred Young (DeKalb: Northern Illinois Univ. Press,
19681, p. 177.
21 B111 Haywood, and references to him, quoted in Daniel Aaron, Writers on the Left:
Episodes in American Literary Communism (New York: Harcourt, 1961), pp. 14,
16-17.
70
part two
HISTORY
The Lyrical Left
Unlike other American Lefts, the first Left of the twentieth century
was born in a mood of unparalleled optimism. "One's first strong im-
pression," recalled Malcolm Cowley, "is one of the bustle and hopeful-
ness that filled the early years from 1911-1916. . . . Everywhere new
institutions were being founded-magazines, clubs, little theatres, art
or free-love or single-tax colonies, experimental schools, picture gal-
leries. Everywhere was a sense of comradeship and immense po-
tentialities for change." The new intellectuals' open-air habitat was 73
43 Marcel Duchalnp's Nude
Descending a Staircase, No. II,
1912, one of the Futurist-Cubist
paintings that created a furor at
the 1913 Armory Show in New
York City. The show introduced
America to radical new ap-
proaches to the visual arts that
reflected a corresponding recog-
nition of change and flux in life
that animated the Lyrical Left.
EARLY RAPTURES
Dell caught the atmosphere of 1912 when, responding to poetess Edna
74 St. Vincent Millay, he labeled it the "Lyric Year." The period seemed an
intellectual Saturnalia in which everything was possible and nothing
prohibited, a joyous springtime in which, Mabel Dodge recalled, "bar-
riers went down and people reached each other who had never been in
touch before." The mood of America's "New Renaissance" was supreme-
ly lyrical, an outpouring of emotions and creative energy that had long
been repressed. Responding to the thrilling labor strikes that spread
from Lawrence, Massachusetts, to Ludlow, Colorado, the literary Left
saw itself as the "music-makers" and "movers and shakers" of a revolu-
tionary culture that aimed to break down the dualism between contem-
plative life and active life. This poetic passion for releasing the emotions
and at the same time unifying thought, feeling, and action gave the first
Left its distinctive lyrical style and tone. "Our eyes trained for every
seeing," wrote Eastman in 1913, "our ears catching the first murmur of a
new experience, we ran after the world in our eagerness, not to learn
about it, but to taste the flavor of its being."2
Politics and Art
The Lyrical radicals went further than any previous generation in
attempting to fuse politics and art. Whereas Emerson and Thoreau
looked upon collective action with disdain, the young intellectuals
44 A Greenwich Village (New York City) gathering place of the early l920's. The inscription
reflects the sense of the "Village" as a center of artistic and political ferment of the time.
111111111111111 lux* .15rss Z! I Q A #K
or 14
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no
embraced it with delight. While the Transcendentalists believed
politics the realm of opinion and poetry the realm of truth, the new
cultural rebellion denied all dichotomies. The Lyrical Left rejected
Yeats' contention that poetry and politics, imagination and truth, pri-
vate vision and public life must inevitably be in eternal opposition.
Rather, the appeal of the prewar Left was its all-encompassing "integra-
tion of conflicting values . . . : politics, poetry, and science; justice,
beauty, and knowledge."3 The lyrical impulse to synthesize influenced
even the sober-minded.Walter Lippmann; in A Preface to Politics (1913),
he sought to humanize government, to elevate it from "routine" pro-
cedures and stale formulas so that "the ideals of human feelings" would
"place politics among the genuine, creative activities of men." Making
man the measure of politics, Lippmann realized, "amounts to saying
that the goal of action is in its final analysis aesthetic and not moral -
a quality of feeling instead of a conformity to rule."4
The young intellectuals cheerfully presided over the death of the
"genteel tradition" as they attacked its Victorian standards, polite
manners and haute-bourgeois tastes, its Puritan heritage and decorous
Brahmin literature, and, above all, its condescending certainty that it
had found ultimate truth and absolute value. Forsaking the traditional
quest for permanent truth and value, the young intellectuals embarked
upon a life that embraced change and flux, a new life that had to be
experienced before it could be analyzed. Their odyssey often brought
them to Bergson, James, Nietzsche, Freud, and D. H. Lawrence, heralds
of the antinationalist power of intuition, desire, will, dream, and
instinct. Proclaiming a new ethic of gaiety and sensuality, the Lyrical
rebels proudly declared themselves to be reckless and irresponsible. "A
feeling of power that translates itself into duty is no fun," advised Mabel
Dodge, who believed that "consciousness is more important than
heroism or than any given ethical or political point of view, and I be-
lieve it more desirable to be ignoble and know it than to be noble and
not know it." The "superb modern healthiness" of Dostoevsky, an-
nounced Randolph Bourne, is his ability to draw no "dividing line
between the normal and the abnormal, or even between the sane and
insane." Despite the cult of irresponsibility, many intellectuals who had 77
been brought up in a religious environment carried with them the heri-
tage against which they rebelled. Their passion for social justice, their
quest for love and friendship, and their thirst for esthetic experience re-
flected the internalized values of their Protestant backgrounds. If they
rejected the capitalist ethos of striving to make good, many retained the
religious ethic of striving to he good. In essence, theirs was a Christian
culture without Christianity. Even so pagan a libertine as Mabel Dodge
could, between taking John Reed as a lover and peyote as an offering,
admit in a moment of doubt: "Finally I believed the lack to be in myself
when I found myself perpetually unassuaged-and, I thought, only
religion will fill me, someday I will find God." But God was dead, and
no one knew this better than the generation of 1913.5
Although a certain sense of orthodox values and a vague spiritual
hunger lingered on, with the collapse of religious beliefs the young
intellectuals tried to find meaning and fulfillment in culture, sex, or
politics-in many cases all three. Some turned to radical politics for a
surrogate religion. For Max Eastman, Marxism would put an end to
spiritual anguish: "I need no longer extinguish my dream with my
knowledge. I need never again cry out: 'I wish I believed in the Son of
God and his second coming.' "6 Until 1917, when the Bolshevik revolu-
tion challenged evolutionary democratic socialism, the Lyrical Left's
radicalism drew upon British Fabian and Guild socialism as well as
Marxism. The Left's socialism was also an outgrowth of a self-conscious
youth culture that, at Harvard and Columbia especially, gave the blasé
high school graduate the option of radical activism or Kulturpessimis-
mus. Students debated socialism in classrooms, fraternities, and at the
meetings of the Intercollegiate Socialist Society, where wealthy young
scions from the Ivy League listened to Jack London, the golden-boy
dropout who was becoming America's first millionaire novelist, lecture
on the beauties of the social revolution.
Diversity of" Appeal
Socialism appealed to intellectuals for various reasons. Eastman
saw socialism both as a science and as an esthetic liberation that would
bring forth a life of creative leisure. The whimsical playboy John Reed
78 hoped that struggling for socialism would overcome the mauvais for
- - " "
Edited by Eastman with the help of Dell and Reed, The Masses fea-
tured young poets and novelists, reputable journalists, and talented
artists and cartoonists who depicted the foibles of the rich and the
frustrations of the poor. The breezy combination of bohemianism and
radicalism was too much for the stolid labor Left and the old-time
socialists like W. J, Ghent, who complained of The Masses: "It is
peculiarly the product of the restless metropolitan coteries who devote
themselves to the cult of Something Else; who are ever seeking the
bubble Novelty even at the door of Bedlam."10 One wit wondered how
The Masses ever expected to reach the masses:
They draw nude women for the Masses
Thick, fat, ungainly lasses-
How does that help the working classes?11
. § .41
X31
49 A female Secret Service operative infiltrates the alleged women's branch of the IWW in a
scene from a propaganda film made in 1918.
nationalized industry. For three years the Left continued to debate the
nature and consequences of the war. By April 1917, when President
Wilson went before Congress to ask for a declaration of war, most lead-
ing socialist writers had already advocated America's intervention.
Despite the defection of intellectual luminaries like Walling, London,
Simons, and Upton Sinclair, the SP convention issued another antiwar
resolution the day after Wilson's address to Congress. The resolution,
approved by three-fourths of the delegates, had the support of political
leaders like Debs, Hillquit, and Berger. The SP's courageous action
proved to be a short-run triumph and a long-run disaster. Shortly after-
wards the SP increased its membership by more than 12,000, and in
various municipal elections in June socialist candidates gained new
support from antiwar voters. But ultimately the SP suffered a psychic
wound as members began to accuse one another of class betrayal or na- 83
tonal treason. The prower socialist Charles E. Russell thought his
former comrades "should be driven out of the country," and the mil-
lionaire socialist J. G. Phelps Stokes suggested they be "shot at once
without an hour's delay."12
Though the government did not go that far, it went far enough. In
June 1917, Congress passed the Espionage Act (supplemented in 1918
by a Sedition Act), that forbade all obstruction of the war effort. lm~
mediately the U.S. Post Office denied mailing privileges to socialist
publications, and while editors tried vainly to fight their case in court,
the government moved against the SP itself. Before the war was over
almost every major SP official had been indicted for antiwar activity.
Enraged mobs had also cracked down on radical dissent everywhere.
Throughout the country IWW headquarters were raided. In Oklahoma,
Wobblies were rounded up and tarred and feathered; in Arizona they
were packed into cattle cars and abandoned in the desert; and in Mon-
tana, Frank Little, a crippled IWW leader, was kidnapped and hanged
from a railway trestle. The repression bore down heavily on antiwar
liberals as well. At Columbia University three professors were fired for
having criticized American intervention, whereupon the eminent his-
torian Charles Beard resigned in protest. Watching this affair, Colum-
bia graduate Randolph Bourne visited one of the dismissed professors,
his friend Harold C. Dana.
"And now that you have been expelled, Harry, will you make the scandal?"
"Certainly not," Dr. Dana said. "I've given my word as a gentleman."
"That's the trouble," Bourne replied with a wide grin. "You look upon all
this as a gentlemen's quarrel. You lack Homeric anger."13
Gentlemen scholars were not the only ones who disappointed the
Lyrical Left. Everywhere the intellectual community seemed to be
capitulating. Isadora Duncan, who once symbolized the liberating joys
of the body, was now performing patriotic dances in the Metropolitan
Opera House. Former Masses contributors had gone to work for the
Cornrnittee on Public Information, Wilson's official propaganda
agency; honored intellectuals like Veblen, Dewey, and the former
socialist Lippmann had also come out strongly in support of America's
entry into the war.
The Lyrical Left, always an uneasy alliance of disparate radicals with
different causes, was now hopelessly divided by the war. Randolph
Bourne leveled the most devastating attack on the prower intellectuals.
Bourne, who had once studied under Dewey, could not accept his argu-
rnent that the conscientious objector should "attach his conscience and
intelligence to forces moving in another direction" in order to assure
that the war be elevated toward democratic ends. "War," Bourne point-
ed out, "determines its own end-victory, and government crushes out
automatically all forces that deflect, or threaten to deflect, energy from
the path of organization to that end." Similarly Eastman could not ac-
cept Walling's argument that intellectuals must "adjust themselves to
events." A war based upon "blind tribal instincts," Eastman pointed
out, rendered events beyond rational control. Like Bourne, Eastman saw
"no connection with its causes or the conscious purposes of those who
fight. . . . It is a war of national invasion and defense -nationalism, the
most banal of stupid idol-worships." John Reed also warned of the
"judicial tyranny, bureaucratic suppression, and industrial barbarism,
IBS33H
which followed inevitably the first careless rapture of militarism."
What remained of the Lyrical Left, then, rejected both the assumption,
held by some socialists, that a war economy offered the possibility of
industrial collectivism and the hope, held by many Liberals, that the
war could bring about worldwide democracy. "For once the babes and
sucklings seem to have been wiser than the children of light," observed
Bourne.14
The behavior of prower writers like Walling and Lippmann also re-
vived the Marxist distrust of a young "intellectual proletariat." The
New Intellectuals that had earlier been hailed as a potential revolution-
ary vanguard now appeared to be "a corrupt and corrupting influence
[whose] petty bourgeois souls scent the flesh pots of Imperialism. . . .
In every imperialistic country it is precisely these 'workers of the brain'
who manufacture and carry into the ranks of the workers the ideology
and the enthusiasm of Imperialisrn."15 Although the Lyrical Left's
idealism was severely damaged by the defection of the intellectuals, the
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52 From left, Crystal Eastman, Art Young, Max Eastman, Morris Hillquit, Merrill Rogers,
In., and Floyd Dell at the time of their indictment under the Sedition Act of 1918 for opposing
America's entry into the First World War.
o
real deathblow came from the response of the masses to the war. The
popular upsurge of nationalism was a source of repression that the Left
had not fully anticipated. Eastman and Bourne pondered the social and
psychological meaning of war and nationalism in two significant
essays: "The Religion of Patriotism," that Eastman wrote in 1916, and
"The State," that Bourne started in 1917 but did not finish before his
untimely death the following year. Both Eastman and Bourne believed
that the war had laid bare the "gregarious instinct" and "herd impulse"
of the human animal, and by transforming man's aggressive drives into
illusions of power and idealism had brought about a nationalistic
solidarity that strangled critical intelligence. "There is nothing more
copiously able to bind into its bosom the multiple threads of human
impulse, and establish that fixed and absolute glorious tyranny among
our purposes, than military patriotism," wrote Eastman. "The nation in 87
war-time," observed Bourne, "attains a uniformity of feeling, a hierar-
chy of values culminating at the undisputed apex of the State ideal. . . .
The individual as a social being in war seems to have achieved almost
his apotheosis." More than culture or class conflict, war was the real
catalyst that moved the masses to idealistic acts of self-sacrifice and de-
lusions of "organic" wholeness. In despair, Bourne penned an epigram
for a whole generation when he shrewdly commented: "War is the
health of the State."16
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53 In a cartoon from
The Masses, one bloated
plutocrat: "But we can't
send 'em all off to the
war to be killed. We've
got to have 'am around
to keep wages down."
And the reply: "M-]I11
and if they stay here
they may join the IWW
and raise hell."
my head to the soles of my feet I am a Bolshevik, and proud of it." Emma
Goldman and Alexander Berk ran immediately sailed off to Russia to
witness what they assumed would be the glorious birth of anarchism,
and Lincoln Steffens returned from Russia to tell Americans, "I have
been over into the future, and it works."17
One cannot overemphasize the utopian, democratic image that sur-
rounded bolshevism in its first months in power. The image of a
"peoples' democracy" and a "commune state" enraptured the entire
spectrum of the American Left: anarchists, syndicalists, revolutionary
socialists, democratic socialists, and even a number of pacifists, social
reformers, and liberal intellectuals. One by one most of these elements
grew disenchanted with bolshevism, and within a few years its remain-
ing American admirers dwindled to a small circle of comrades whose
infatuation with Soviet power bore little resemblance to the original
ideals of the American Left. Two developments account for the change
of attitudes toward Russia: the centralization of the American com-
munist parties, and the Stalinization of international communism.
When the bolshevil<s seized power, American radicals wanted to
prove that they too were revolutionaries and not timid "mensheviks" or
discredited reformers. This impulse led native radicals to look to the
Russian-language Federation in the SP as the organic tie to bolshevism.
The Russian Federation was composed of recent Slavic immigrants who
knew almost nothing about bolshevism, but the Russian-Americans
encouraged the illusion that only they could speak for Lenin and Trot-
sky. The left wing began to champion the Russian Federation, which,
together with the Polish, Hungarian, Ukrainian, Lithuanian, Leftish,
and Dutch federations, comprised a majority in the SP. The spokesman
for the left wing was Louis Fraina. A brilliant young Marxist and one of
the founding fathers of American communism, Fraina had developed
a new theory of "mass action" in Revolutionary Socialism (1918). In
February 1919, militants issued Fraina's "Left-Wing Manifesto," which
condemned the right wing for its tepid "sausage socialism" and, in the
spirit of Russian bolshevism, called upon Americans to organize
workers' councils as a means of taking power and establishing a prole-
tarian dictatorship in the United States. The following month the Third
90 International was born in Moscow. In order to disassociate themselves
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54 In its art as in its poetry, the Lyrical Left was moved to rapture by the example
of Leni.n's achievement.
from the social democrats, the bolsheviks revived Marx's use of the term
"comrnunism." The new Communist International (soon condensed to
"Comintern") ordered every socialist party in the world to split from its
right-wing factions. A fierce struggle now ensued for control of Ameri-
can socialism. A national referendum indicated that the majority of
socialists desired to join the Third International, and another referen-
dum for the election of a new National Executive Committee gave a
decisive majority to the left wing. But the right wing simply dismissed
the vote and began to suspend the seven left-wing, foreign-language 91
federations. Within six months the SP lost two-thirds of its member-
ship, declining from 109,589 to 39,750. Disgusted, left-wing leaders
bolted and formed a separate communist organization, which immedi-
ately broke into two factions, the Communist Party and the Communist
Labor Party. The larger CP was made up of the foreign-language federa-
tions and headed by Fraina and Charles Ruthenberg; the smaller CLP of
native American radicals was led by Reed and Benjamin Gitlow. Al-
though the CP and CLP fought incessantly over organizational ques-
tions and over the "correct" interpretation of Marxis t-Leninism, both
groups espoused the revolutionary imperative of "mass action."18
In the year 1919, which Dos Passos likened to "the springtime of
revolution," things did seem ripe for a radical solution. Labor unrest
had gripped the country as longshoremen, printers, switchmen, tailors,
garment workers, telephone personnel, streetcar conductors, and gar-
bage collectors walked off their jobs. Outside the numerous plants of
United States Steel some 367,000 workers took turns on the picket
line for a period of four months; in Seattle a city-wide strike was called;
and in Boston salary-gouged policemen did not report for work, where-
upon scores of college students, answering Governor Coolidge's call to
God and country, helped maintain law and order. Yet while one of the
greatest strike waves in American history was taking place, commu-
nists remained on the sidelines, scorning the reforms demanded by
workers and condemning trade unionism. The Bolshevik revolution
taught American communists to hold out for nothing less than revolu-
tion. But as they awaited the "inevitable" revolution, the predictable
reaction set in. Wartime espionage and sedition laws were now used
against communists and anarchists as Attorney General Palmer directed
unannounced raids against their homes and headquarters. During the
Red Scare of 1919 and the early 1920's the membership of both com-
munist parties declined from over 60,000 to under 10,000. The remain-
ing dedicated communists decided to go underground. Life in secret cell
meetings increased their revolutionary fervor. Now American com-
munists could regard themselves as real bolsheviks, hounded by the
police just as Lenin and Trotsky had been hounded by the Tsar's
Ochrana. Repression in America, as in Tsarist Russia, was merely fur-
92 ther proof that revolution was just around the corner.
55 Ben Shahs's The Passion of Sacco and Vanzetti commemorates the execu-
tion of the two anarchists accused of murder and robbery. The case was a
cause célébre of what little remained of the prewar Left in the l920's.
A
...
.. ...
56 Leftists being taken into custody during one of the raids directed by United
States Attorney General Palmer in the 1920's.
they had denounced the SP for engaging in since the turn of the century
-political activity and trade unionism. These decisions bewildered
left-wing leaders like Haywood and Fraina, who were to become in-
creasingly disenchanted with the Moscow-dominated CP. But others
stayed in the CP and subordinated themselves to the Comintern.
The remaining history of the CP during the twenties is a grotesque
story of inner-party struggle, ego rivalry, and character assassination.
The Communist, Workers Monthly, and Revolutionary Age occasion-
ally featured high-level theoretical discussions. The controversy over
"American exceptionalism"-can America's historical and economic
development be understood solely in Marxist terms; and, if not, must
America find its own way to the goals of Marx?-laid the groundwork
for a half century of subsequent debate among American radical in-
tellectuals. Yet what is significant about the factional debates of the
l 920's is the manner in which they were resolved. In almost every
instance the disputes were settled, despite the majority will of the
American CF, either by a cablegram from the Comintern or by a trip
to Moscow. This deference made the American CP an instrument that
Joseph Stalin, the new dictator of the Soviet Union, gladly exploited to
further Russia's interests. "Can anyone in his right mind," the Trotsky-
ist Max Scliactman would later lament, "imagine leaders of socialism
.
like Lenin, Trotsky, Plekhanov, . . Debs, DeLeon, Haywood . . . racing
back and forth between their countries and the seat of the Second Inter-
national, appealing to its Executive to make the decision on what policy
their parties should be commanded to adopt?"19 The generation of 1913
could not have imagined such a spectacle. The Stalinization of the
American Left was the end of radical innocence.
During the 1920's communism had few admirers among those who
had been the prewar intellectual rebels. Lenin's State and Revolution
was compatible with the anarcho-syndicalist visions of The Masses
circle; but his "Left-Wing" Communism could hardly inspire those
who once believed that "infantile disorder" was part of revolutionary
adventure. Older socialists like Hillquit and liberals like Steffens con~
tinned to defend the Soviet Union against its conservative critics in
America. But those closer to the spirit of the prewar rebellion found
nothing to defend. Emma Goldman, the anarchist heroine of the Lyr- 95
57 Anarchist and femi-
nist Emma Goldman, one
of the first to admire and
one of the first to be disil-
lusioned by the Soviet
Union.
Eastman
Like Reed, Eastman came from a Protestant, upper-middle-class
background, and he too experienced all the tensions that parental
dependency, sexual awareness, and religious doubt could produce in a
sensitive adolescent. Unlike Reed, with his youthful romantic egotism,
Eastman expressed a combination of paganism and piety. His "heroic"
mother and "sainted" father were both Congregational ministers, and
their "Christian ideal," he later recalled, "demands that life itself, as
we live it, be transcended and superseded and changed. It is a utopian
ideal, and ethically, at least, revolutionary."24 This evangelical en-
vironment was the source of Eastman's social radicalism and also his
59 Big Bill Haywood of the IWW pays his respects at the grave of John Reed in Moscow.
n|-;-.--r-
This man Marx seemed to offer a scheme for attaining the ideal based on
the very facts which make it otherwise unattainable. Instead of trying to
change human nature, I said to myself, he takes human nature as it is,
and with that as a driving force tries to change the conditions that make
it work badly. Far from glorying in a new "conversion," I was loath even
to call my new-found equilibrium socialism. I called it "hard-headed
idealisrn."26
LIBERATOR
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unfolded with Lenin's death in Ianuary 1924. As the party hacks or "ap-
paratchiks " began their move against the anti-Stalin opposition,
Trotsky advised Eastman to leave the country with documents that
would expose Russia's internal struggle for power. Those documents
included a section of Lenin's last "Testament," in which the Premier,
dictating on his deathbed, called for Stalin's removal from the post of
General Secretary. Eastman published them in 1925 in Since Lenin
Died, and he defended Trotsky as a "genius" whose "superior moral
and intellectual revolutionary greatness" made him Lenin's logical
successor. Trotsky's failure to act upon those revelations and the defeat
of the opposition in Russia made the Stalinization of American corn-
munism a certainty.27
Unlike Reed, Eastman had not been troubled by Lenin's shift to the
right on the trade union issue, which could be regarded as evidence
of Lenin's ideological flexibility. Actually it was Trotsky, Eastman's
hero, who turned out to be the hesitating Hamlet, the "unarmed
prophet" who failed to act pragmatically and decisively. But the defeat 103
of the anti-Stalinist opposition was not the only cause of Eastman's
disillusionment. He had always been uneasy because Russian bolshe-
viks relied upon Marxism as a body of "sacred scripture" instead of a
"working hypothesis." He now began to explore the philosophical
foundations of Marxism by studying its most esoteric premise: "dialec-
tical materialism." In Marx and Lenin: The Science of Revolution
(1927), and in several other essays, running debates, and books pub-
lished subsequently, Eastman posed two simple but embarrassing epis-
temological questions: how did Marx come to know what he knew, and
how do we know that it is true?
According to Eastman, Marx did not arrive at his understanding of
the meaning and direction of history from an objective, scientific study
of present and past societies. Instead, Marx's conviction that society
moves, through determined stages, toward an inevitable goal derived
from the philosophy of Hegel. The dialectical philosophy of Hegel
postulated an "inner logic" in history, a universal law of motion that
revolved around the principle of contradiction and reconciliation.
Marx transferred this principle of change through conflict and resolu-
tion from the realm of abstract ideas to the world of concrete social
reality. Thus, he assumed that capitalism harbored the "seeds of its
own destruction," that it produced its own "contradiction" when it
created an industrial proletariat, which in turn would revolt against
capitalism and usher in the final resolution, the "end of pre-history"-
socialism. To Eastman, this system of historical reasoning seemed like
a form of "animistic thinking." lust as primitive man attributed human
values and ideals to trees and other natural objects, Marx attributed
to the natural processes of history the unfolding of human ideals. Marx
accepted Hegel, Eastman argued, in much the same way as nonscientific
man accepts "religion"-as a means of reconciling himself to a universe
in which he feels alienated. Marx believed in the coming of revolution
because his belief enabled him to overcome his estrangement from a
world without justice, meaning, or value- Thus he read into history
his own purposes and desires, telling it, not like it was, but as he wished
it to be. In short, Hegelianism enabled Marx to identify the desirable
with the inevitable-an identification Eastman rejected as a Freudian
104 expression of the "rationalization of wish." The crux of Eastlnan's
critique of dialectical materialism was to show that belief in the in-
evitability of communism was not a scientific proposition. That capital-
ism morally "ought" to collapse was no basis for predicting that it
would."
The original spirits of the first Left of the twentieth century, John
Reed and Max Eastman offered no inspiring legacy to future generations
of the American Left. In the thirties, Reed, the "lost revolutionary,"
would be rediscovered by a younger generation as a symbol of bohemian
radicalism while communists manipulated his legend to suit the party
line. Eastman, a pariah to the communists, would gain the respect of a
few anti-Stalinist Left intellectuals of the late thirties for his support
of Trotsky and his critiques of dialectical philosophy"-and even in
the early phase of the New Left, the Berkeley activist Mario Savio could
say: "A lot of Hegel got mixed in with Marx's notion of history. Max
Eastman pointed this out. The dialectic was a way in which Marx made
the course of history coincide with his own unconscious desires."30
But by and large the Old Left of the 1930's and the New Left of the 1960's
knew little or nothing of the experiences of the founding generation of
the American Left. Much of the Old Left would willingly accept the
Comintern domination that Reed so vigorously resisted, and the New
Left would later, with the help of Herbert Marcuse, celebrate the very
Hegelianism in Marx which Eastman so deftly disclosed. Perhaps each
generation must re-enact the ceremony of innocence; each must repu-
diate the past even while repeating it.
Notes
lMalcolm Cowley, quoted in William E. Leucthenburg, The Perils of Prosperity,
1914-1932 (Chicago: Univ. of Chicago Press, 1958), p. 140; Floyd Dell, Homecoming,
pp. 356-59; Mabel Dodge Luhan, Intimate Memoirs, Vol. III, Movers and Shakers
(New York- Kraus, 1936), pp. 39, 83.
2I\/lax Eastman, Enjoyment of Poetry (New York: Scribner, 1913), pp. 10-11; see also
Van Wyck Brooks, Arnerica's Coming-of-Age (New York: Dutton, 1915).
3)osep]:t Freeman, An American Testament (New York: Farrar, 1936), p. 50.
Walter Lippmann, A Preface to Politics, p. ZOO, passim.
5 Luhan, Movers and Shakers, p. 264; Mabel Dodge to Eastman, May 10, 1938, East-
man Mss; Randolph Bourne, quoted in Henry F. May, The End of American Inno-
cence (New York: Knopf, 1959), p. 244.
6Eastman, Enjoyment of Living, p. 355. 105
7 Reed, "Almost Thirty," pp. 18-19.
*?>Walter Lippmann, "Walling's 'Progressivisrn and After,' " New Review, II (June,
1914), 340-49; id., "The WW-Insurrection or Reaction," New Review, I (Aug.,
1913), 701-06; id., A Preface to Politics, p. 29; Eastman, Love and Revolution, p. 126.
9 De11, p. 251.
10W. I. Ghent, quoted in Fried, Socialism in America, p. 384.
11The "wit," quoted in Alfred Kazin, On Native Grounds: An Interpretation of
Modem American Prose Literature (New York: Harcourt, 1942), p. 169.
12 Charles E. Russell and J. G. Phelps Stokes, quoted in Fried, Socialism in America,
pp. 508-09.
13Randolph Bourne, quoted in Freeman, An American Testament, pp. 105-06.
14 Randolph Bourne, "A War Diary," in War and the Intellectuals: Collected Essays,
1915-1919, ed. Carl Resek (New York: Harper, 1964), pp. 36-47; Eastman, Enjoyment
of Living, pp. 533-34; Iohn Reed, "One Solid Month of Liberty," The Masses, IX
(sept, 1917), 5-6.
Fraina, Revolutionary Socialism: A Study of Socialist Reeonstruction (New
15 Louis
York: The Communist Press, 1918), pp. 62-63.
16l\/lax Eastman, "The Religion of Patriotism," The Masses, IX (July, 1917), 8-12;
Randolph Bourne, "The State," in War and the Intellectuals, pp. 65-104.
17Draper, Roots of American Communism, pp. 109-13.
18"The Communist Labor Party," The Class Struggle (editorial), III (Nov., 1919),
438-43.
l9Max Schactman, "American Communism: A Re-Examination of the American
Past," The New International, XXIII (Fall, 1957), 225.
1'DReed, "Almost Thirty," pp. 8-18; Bertram D. Wolfe, Strange Communists I Have
Known (New York: Bantam, 1967), pp. 11-35.
21 Luhan, p. 189.
22Ric11ard O'Connor and Dale L. Walker, The Lost Revolutionary: A Biography of
Cohn Reed (New York: Harcourt, 1967).
23 Draper, pp. 284-93.
24 Eastman, Enjoyment of Living, pp. xiv-xv, 15-18, 23-26.
25 Freeman, p. 103.
25 Eastman, Love and Revolution, pp. 14-16, 125-32; id., Marx and Lenin: The
Science of Revolution (New York: Albert Boni, 1927).
27 Eastman, Love and Revolution, pp. 350-56; id., Since Lenin Died (New York:
Liveright, 1925) ; id., Leon Trotsky: The Portrait of a Youth (New York: Greenberg,
1925), p. V.
9-8Eastrnan later brought together all his arguments in Marxism is it Science (New
York: Norton, 1940).
29 Eastman helped Trotsky publish his works in the United States and he tried to
help the exile obtain a visa to enter the country. But the two had a falling out over
the issue of dialectical materialism. Eastman to Trotsky, July 9, 192.9, August 14,
1933, Eastman mss; Trotsky to C. V. Calverton, November 4, 1932, Trotsky Archives,
Houghton Library, Harvard University, Cambridge, Mass.
301i/lario Savio, quoted in Lewis S. Feuer, The Conflict of Generations: The Character
106 and Significance of Student Movements (New York: Basic Books, 1969), p. sos.
The Old Left
Every time I've encountered the Depression,
it has been used as a barrier and club. It's
been a counter-communication. Older people
use it to explain to me that I can't understand
anything. I didn't live through the Depres-
sion. They never say to me: We can't under-
stand you because we didn't live through the
leisure society. All attempts at communica-
tion are totally blocked. All of a sudden
there's a generation gap. It's a frightening
thing.
What they're saying is: For twenty years
I've starved and worked hard. You might
fight. It's very Calvinistic. Work, suffer,
have twenty lashes a day, and you can have
a bowl of bean soup.
Diane*
But the spectacle of human suffering did not in itself account for the
widespread radicalization of the American intelligentsia. Injustice
and exploitation had existed long before the Depression. The Depres-
sion made poverty more visible, but it was communism that made it
intolerable.
Central to the appeal of cornrnunisrn was the mighty image of Soviet
Russia. In the two years following the Bolshevik Revolution in 1917,
the New York Times predicted, in ninety-one different editorials, the
collapse or near-collapse of Soviet communism. With the collapse of
western capitalism a decade later, the image of Russia changed dramat-
ically. As President Hoover seemed to lapse into a funk of indecision,
and Stalin celebrated the "success" of his Five-Year Plans, even indus-
112 trialists like Henry Ford and financiers like Thomas Lamont praised
Russia and advocated bestowing America's formal diplomatic recogni-
tion. To Left intellectuals especially, the young Soviet republic appeared
as a model of human brotherhood surrounded by a selfish and aggres-
sive capitalist world. The spectrum of admirers encompassed not only
the small American communist Left but the larger liberal Center as
well- fellow travelers who supported the idea of communism but did
not join the party, and Russian sympathizers who praised Soviet eco-
nomic achievements but rejected communist ideology. Only a few
zealous radicals believed that Soviet communism could be transplanted
to America and the Bolshevik Revolution duplicated. What the non-
communist Left wanted to borrow from Russia was the new and bold
idea of centralized economic planning. In the liberal New Republic
and Nation, and in the journals of the Left, an image emerged of a dy- 113
65 Eternal City, Peter Blume's allegory of fascism. Many saw communism as the only bul-
wark against the depicted threat of fascism.
No, what I think held young people to the Movement was the sense that they
had gained, not merely a "purpose" in life but, far more important, a co-
herent perspective upon everything that was happening to us. And this
perspective was something rather different from, a good deal more prac-
tical and immediate than, Marxist ideology; it meant the capacity for re-
sponding quickly and with a comforting assurance to events. The Move-
ment gave us a language of response and gesture, the security of a set
orientation-perhaps impossible to a political tendency that lacked an
ideology but not quite to be identified with ideology as such. It felt good
"to know." One revelled in the innocence and arrogance of knowledge, for
even in our inexpert hands Marxism could be a powerful analytic tool and
we could nurture the feeling that, whether other people realized it or not,
we enjoyed a privileged relationship to history. . . .
But there is a more fundamental reason for the appeal of the Movement.
Marxism involves a profoundly dramatic view of human experience. With
its stress upon inevitable conflicts, apocalyptic climaxes, ultimate mo-
ments, hours of doom, and shining tomorrows, it appealed deeply to our
imaginations. We felt that we were always on the rim of heroism, that the
mockery we might suffer at the moment would turn to vindication in the
future, that our loyalty tO principle would he rewarded by the grateful
masses of tomorrow. The principle of classic drama, peripeteia or the sud-
den reversal of fortune, we stood upon its head quite as Marx was supposed
to have done to Hegel; and then it became for us a crux of our political sys-
tem. The moment would come, our leaders kept assuring us and no doubt
themselves, if only we did not flinch, if only we were ready to remain a
tiny despised minority, if only we held firm to our sense of destiny. It was
this pattern of drama which made each moment of our participation seem
so rich with historical meaning.8
Scottsboro
Louis Berg
'Fig
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70 A comment on
Southern racial op-
pression in the Daily
Worker of 1927. The
gun-carrying low-class
white says: "You can't
vote, her too ignorant."
-r
"..
..\
intelligentsia who were glad to find work anywhere, even digging
ditches on a government Works Progress Administration project-a
sight that could both delight and sadden hardened laborers. One col-
lege newspaper celebrated its graduating class in an "Ode to Higher
Education":
Some people have the idea that a YCLer is politically minded, that nothing
outside politics means anything. Gosh no. They have a few simple prob-
lems. There is the problem of getting good men on the baseball team, of
dating girls, etc. We go to shows, parties, dances, and all that. In short, the
YCL and its members are no different from other people except that we
believe in dialectical materialism as a solution to all problems.19
The Popular Front had immense appeal to many elements of the
noncommunist Left, especially to liberals who had always urged a com-
mon front against fascism and who found themselves in the mid-thir-
ties without a viable ideology. By blurring the distinction between
Marxism and progressivism and by do-emphasizing revolution, the
Popular Front also gave liberals the impression that they had con-
vinced communists to come to their collective senses. Speaking of CP
members, Upton Sinclair boasted: "I do not mean to be egotistical and
imply that they have taken my advice, but it is a fact that they are now
saying and doing what I urged them for many years to say and do- to
support and cooperate with the democratic peoples."20
Caught up in the spirit of the Popular Front, much of the American
Left accepted the Stalinist interpretation of two momentous events that
began in 1936: the Spanish Civil War and the Moscow Purge trials.
Approximately 3200 Americans joined the Abraham Lincoln Brigade
to fight for the imperiled Spanish republic. The choice of Lincoln's 129
71 Guernica (1937) , Picasso's famous expression of the anguish of his homeland under
name was typical of the Popular Front strategy, for to the Stalinists it
signaled that the duty of American volunteers was to preserve the
republic, not to turn the war into a social revolution. At the same time,
however, the real forces of the Left in Spain were the Trotskyists
(POUM), and especially the anarchists, who were establishing collective
farms and workers' councils in an attempt to transform the civil war
into a genuine revolution. But the Comintern, possibly fearing that a
revolutionary Spain would arouse the wrath of western nations, ordered
Spanish communists to put down a popular uprising in Barcelona and
to liquidate several anarchist leaders. In the United States only a hand-
full of isolated anti-Stalinists publicized the repression. Dos Passos,
130 one of the few literary intellectuals to take a stand, broke with his close
Franco during the Spanish Civil War.
74 and 75 Malcolm Cowley (left) and Granville Hicks (right) two of many Left
intellectuals who repressed their doubts concerning the Soviet Union until late in
the l930's.
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"THE MAROONED MAROON"
a l i i i l l l l l l l l i
of important writers broke with the Popular Front and publicly con-
demned the Soviet government. Anti-Stalinist intellectuals formed the
Committee for Cultural Freedom to protest the suppression of civil
liberty in Russia as well as in Germany. While scholars began to apply
the new term "totalitarian" to Russia along with Germany, Trotskyists
debated whether Stalin's Russia could in any sense be considered a
"workers' state," and, if not, whether they were obligated to defend it
in case of war or adopt a policy of "revolutionary defeatism."9/* Stalin
himself resolved the issue when the Soviet Union, on August 24, 1939,
announced a neutrality and non-aggression pact with Nazi Germany.
To wavering fellow travelers, the pact came as the final blow. Even
communists, who might view the expedient maneuver as Stalin's ans-
wer to the Munich settlement, were shocked when they realized the
Kremlin had given no hint of the negotiations. Thousands of members
now left the CP, shaken by the thought that communism no less than
fascism meant the end of morality in politics. During the height of the
Popular Front, Russia stood for all that was good, rational, and progres-
sive, and Germany for all that was evil, barbaric, and reactionary. The
Nazi-Soviet pact killed the dream and, as W. H. Auden expressed it,
"the clever hopes expired of a low dishonest decade." Granville Hicks, 135
an influential critic and literary editor of the New Masses, received a
letter from a young woman protesting his resignation from the CP
shortly after the pact:
So it all comes to this: that your whole life previous to this time, all you
underwent for the party, all the privations you seem willingly to have suf-
fered when you could have had any post you wanted anywhere ill the coun-
try, all this has gone up in a puff of smoke and lost its meaning. What for?
You might just as well have taken it nice and easy and saved yourself the
trouble. It might just as well never have happened. What a pity, to find
one's life without meaning. What is left for you now?25
78 Street-widening by the WPA during the Depression, one of the agency's many and varied
programs.
pRoGRQ
the old socialist goal of equality could be ignored, since wealth no
longer had to be redistributed but merely expanded. "There are no prob-
lems on the side of depression with which the American economy and
polity cannot, if it must, contend," wrote John Kenneth Galbraith in
1952. "This change in western political life," wrote Lipset in reference
to the "end of ideology," which supposedly accompanied the advent of
abundance, "reflects the fact that the fundamental political problems of
the industrial revolution have been solved." The idea that a progressive
increase in aggregate income would lessen the harsh contrast between
rich and poor is a doctrine as old as Daniel Webster. Postwar intellec-
tuals understood that an obsession with gross national product had con-
servative implications, and many liberal Keynesians called for struc-
tural and social reforms. Yet it was hard to deny that the spectacle of
affluence had replaced the specter of scarcity, making consumption the
new opiate of the people. Werner Sombart's "melancholy" predictions at
the turn of the century, made in his book Why Is There No Socialism
in the United States? seemed to be coming true: "On the reefs of roast
beef and apple pie socialistic utopias of every society are sent to their
d00m."28
\.
"twice born" generation rejected both. Richard Hofstadter poignantly
summed up the pathos of his generation of the thirties: "The war, the
bomb, the death camps wrote finis to an era of human sensibility, and
many writers of the recent past were iminolated in the ashes, caught
up like the people of Pompeii in the midst of life, some of them in curi-
ous postures of unconsummated rebellion."40
Notes
1 Leon Trotsky, The History of the Russian Revolution, Vol. III, The Triumph of
the Soviets, trans. Max Eastman (Ann Arbor: Univ. of Michigan Press, 1967), p. 174.
Caroline Bird's phrase, quoted in Studs Terkel, Hard Times: An Oral History of
the Great Depression (New York: Pantheon, 1970), p. 3.
3 Edmund Wilson, "The Literary Consequences of the Crash," in Shores of Light:
A Literary Chronicle of the Twenties and Thirties (New York: Farrar, 1952),
PP. 498-99.
4F. Scott Fitzgerald, The Crack- Up, ed. Edmund Wilson (New York: New Directions,
19561, PP- 79-84.
5 Lawson to Dos Passos, n.d., Dos Passos mss, Alderman Library, University of
Virginia, Charlottesville, Va.; Granville Hicks, "Communism and the American
Intellectuals," in Whose Revolution? ed. Irving D. Talrnadge (New York: Howell,
Sosldn, 1941), p. 84.
6 Sidney Hook, Toward an Understanding of Karl Marx: A Revolutionary Interpreta-
tion (New York: Iohn Day, 1933); Louis Hacker, "The American Revolution," Marx-
ist Quarterly, I (Jan.-Mar., 1937), 46-67; id., "The American Civil War," Marxist
Quarterly, I (Apr.-June, 1937), 191-213; Lewis Corey, "Veblen and Marxism,"
Marxist Quarterly, I (Jan.-Mar., 1937), 162-68.
Writers . on the Left, p. 158.
7 Aaron,
Howe, "A Memoir of the Thirties," in Steady Work: Essays in the Politics
8 Irving
of Democratic Radicalism, 1953-1966 (New York: Harcourt, 1966), pp. 357-59.
9 Floyd Dell, quoted in Freeman, An American Testament, p. 404; and in Aaron,
pp. 217-18; Gold to Calverton, May 4, 1925, Calverton rnss, New York Public Library.
i0Georg Lukacs, History and Class Consciousness: Studies in Marxist Dialectics,
trans. RodNey Livingstone (Cambridge, Mass.: M.I.T. Press, 1971), pp. 1-2.4; Arthur
Koestler, Arrow in the Blue (New York: Macmillan, 1952), p. 272.
11 Freeman, p. 663.
12Dos Passos's remark is in the important symposium, "Whither the American
Writer," Modern Quarterly, VI (Summer, 1932), 11-12.
13Staughton Lynd, ed., "Personal Histories of the Early CIO," Radical America, V
(May~June, 1971), 49-85; Theodore Draper, "Gastonia Revisited," Social Research,
XXXVIII (Spring, 1971), .3-29; id., "Communists and Miners, 1928-1933/' Dissent,
XIX (Spring, 1972), 371-92; see also John L. Shover, "The Communist Party and the
152 Midwest Farm Crisis of 1933/' Journal of American History, LI (Sept 1964)1 248-66.
14 Dan T. Carter, Scottsboro: A Tragedy of the American South (Baton Rouge: Lou-
isiana State Univ. Press, 1969), pp. 51-103; Iohn P. Diggins, Mussolini and Fascism:
The View from America (Princeton, N.).: Princeton Univ. Press, 1972), pp. 306-12.
15 Quoted in Hal Draper, "The Student Movement of the Thirties," in As We Saw the
Thirties, ed. Rita Simon (Urbana~ Univ. of Illinois Press, 1969), p. 156.
forbid., p. 176.
17 Nathan Glazer, The Social Bases of American Communism (New York: Harcourt,
1961).
18Theodore Draper, "The Ghost of Social Fascism," Commentary, XLVII (Feb.,
1969), 2.9-42; Diggins, Mussolini and Fascism, pp. 2,13-2.0.
19 Quoted in Irving Howe and Lewis Coser, The American Communist Party: A Crit-
ical History (New York: Praeger, 1957), p. 338.
?Upton Sinclair, quoted in Frank A. Warren, Liberals and Communism: The "Red
Decade" Revisited (Bloomington: Indiana Univ. Press, 1966), p. 116.
21 Hemingway to Dos Passos, 1938, Dos Passes rnss.
ZZ Lovestone, "The Moscow Trials in Historical Perspective," Workers Age, VI (Feb.
6, 1937), 2>.
22>Wi1son, "American Critics, Left and Right," in Shores of Light, p. 643; Waldo
Frank, Chart for Rough Water (New York: Doubleday, 1940), p. 43; Malcolm Cowley,
"The Sense of Guilt," The Kenyon Review, CV (Spring, $965), 265.
24Max Schactman, "Is Russia a Workers' State?" The New International, VI (Dec,
1940), 195-205.
?-5W. H. Auden, quoted in George Novack, "Radical Intellectuals in the 1930's,"
International Socialist Review, XXIX (Mar.-Apr., 1968), 33; Hicks, "Communism
and the American Intellectuals," pp. 107-08.
P-6 Karl Marx, Das Kapital, Vol. I (Chieago- Charles Kerr, 1906), p. 837.
27Lewis Corey, The Crisis of the Middle Class (New York' Covici, Friede, 1935) ;
id., "American Class Relations," The Marxist Quarterly, (Apr.-June, 1937), 134-43;
id., "The Middle Class," Antioch Review, V (Spring, 1945), 68-87; Max Lerner,
America as a Civilization (New York: Simon $L Schuster, 1957), pp. 465-540; Sey-
mour Martin Lipset, Political Man, pp. 163.
28Iohn Kenneth Galbraith, American Capitalism: The Concept of Countervailing
Power. (Boston: Houghton Mifflin, 1952), p. 193; Lipset, P.442; Werner Sombart,
quoted in Bell, End of Ideology, pp. 276-77.
7-9James Burnham, The Managerial Revolution (New York: Iohn Day, 1941).
30Lipset, pp. 87-126; Max Weber, quoted in Bell, p. 275.
31 Will Herberg, "From Marxism to Judaism," Commentary, III (Ian., 1947) 25-32;
fd., I'udaiszn and Modern Man (New York: Farrar, 1951), p. 28; Reinhold Niebulir,
The Children of Light and the Children of Darkness (New York: Scribner, 1944),
pp. 86-118.
321-Ierber8, Iudaism and Modern Man, pp. 8-43; Niebuhr, Children of Light, p. xiii;
for the influence of Niebuhr on American liberalism, see the essays by Kenneth
Thompson, Arthur Schlesinger, Jr., and David Williams in Charles W. Kegley and
Robert W. Bretall, Reinhold Niebuhr: His Religious, Social, and Political Thought
(New York: Macmillan, 1956), pp. 126-75, 194-213.
33"The Situation in American Writing: Seven Questions," Partisan Review, VI
(Summer, 1939), 25-51. 153
?»4Louis Kronenberger's remark is from the syrnposiurn "Our Country and Our Cul-
ture," an important intellectual document of the 1950's that ran in three issues
of the Partisan Review, XIX (May-June, July-Aug., Sept.-Oct.), 282-326, 420-50,
562-97, Alfred Kazin, On Native Grounds, p. 485.
35 Richard Hofstadter, The American Political Tradition (New York: Knopf, 1948),
pp_ viii, 16-17, passim.
36Danie1 I. Boorstin, The Genius of American Politics (ChiF:ago- Univ. of Chicago
Press, 1953); Louis Hartz, The Liberal Tradition in America (New York: Harcourt,
1955]; see also Cohn P. Diggins, "Consciousness and Ideology in American History-
The Burden of Daniel J. Boorstin," American Historical Review, LXXVI (Feb., 1971),
99-118.
37 Hartz, Liberal Tradition, pp. 32, 309.
38 Lewis S. Feuer, "From Ideology to Philosophy: Sidney Hook's Writings on Marx-
ism," in Sidney Hook and the Contemporary World: Essays on the Pragmatic Intel-
ligence, ed. Paul Kurtz (New York: John Day, 1968), p. 37.
39 Bell, End of Ideology, p. 300.
40 Richard Hofstadter, The Progressive Historians (New York: Knopf, 1968), p. 357.
154
The New Left
ml y
The radicalism of the l960's was born in deed, not in doctrine. The
action began in the South, America's moral looking-glass and embar-
rassing mirror image. The antisegregation protests soon spread to
northern cities, where young whites and blacks engaged in peaceful
sit-in demonstrations against job discrimination. The 1964 Berkeley
Free Speech movement was a galvanizing experience after which the
college campus would become the scene of bitter confrontations and
escalating radical demands. As the 1960's unfolded, the New Left moved
backwards into the l930's. Starting with nonideological reformist goals,
it would end by issuing heavily doctrinaire ultimatums. The Old Left
began with a whoop of revolution and sank into a whimper of recon-
ciliation-thanks to Russia; the New Left started in a spirit of modera-
tion and ended calling for nothing less than revolution-thanks to
!\nierica.
The New Left was one of the great political surprises of the mid-
twentieth century. It arose suddenly, in the wake of the quiescent con-
formism of the politically silent generation of the fifties. Something
of a historical mutation, its appearance defied the expectations of soci-
156 ologists, who depicted American youths as "other-directed" personal-
ities and the corporation men of the future. It defied opinion surveyors,
who found students conservative and politically apathetic. And it
defied the Old Left, which had declared America the graveyard of radi-
calism. In order to begin to understand the phenomenon of the New
Left, or perhaps not to misunderstand it, it is necessary to discuss
briefly three interrelated developments that provided its historical
setting: the economic context of affluence and guilt, the political con-
text of disillusionment and powerlessness, and the cultural context of
alienation and anxiety.
l-q,
so
the powerlessness of idealism. Hopes for an end of the interminable war
were aroused in the 1968 democratic primaries, when Senators Eugene
McCarthy and Robert Kennedy challenged President Lyndon Johnson's
renomination. But McCarthy's following was confined to young white
liberals; and an assassin's bullet tragically cut short the promising
career of the young Kennedy, the only major candidate who appealed
to the blacks and Chicanos as well as some white radicals-perhaps
the only one who might have been able to put together a "rainbow
coalition." As Kennedy's body lay in state in St. Patrick's Cathedral,
activist Torn Hayden was seen sitting in the rear, crying quietly and
holding in his hand a guerrilla beret given to him by Fidel Castro.
The culture of the young, especially their rock and folk music, re-
flected their growing mood of frustration and powerlessness. Contra-
puntal notes of joy and sadness, love and loneliness, fantasy and dread
reverberated in the lyrics of the Beatles, Jimi Hendrix, the Jefferson
Airplane, and Bob Dylan. The optimistic call for revolt was often ac-
companied by a fatalistic sense of political impotence and an acute
conviction that filial love was a snare and the "American Dream" a
fraud. Hence the Jefferson Airplane:
War's a good business, so give your son . . .
And I'd rather have my country die for me .
Sell your mother for a Hershey bar
Grow up looking like a canJ.A
In spirit, the New Left was originally closer to the 1913 rebels than
to the Marxists of the thirties. For one thing, both generations saw
themselves as self-conscious youth movements. Bourne's description
of youth as the "rich rush and flood of energy" and his attacks on the
"1:nedievalism" of college education had their echo in the New Left's
quest for original innocence and in its attacks on the "multiversity."
Reed's and Dell's reflections on "Life at Thirty" indicated that the New
Left was not the first generation to become obsessed with that age as the
point at which self-trust turns to doubt. And Walter Weyl, in his post-
mortem on the "tired radicals" of the First World War, perceived that
the Left's greatest enemy was age itself, a biological fact that has
haunted both generations: "Adolescence is the true day of revolt, the
day when obscure forces, as mysterious as growth, push us, trembling
out of our narrow lives into the wide throbbing life beyond self."7
In its clan and anarchist bravado the New Left also resembled the
Lyrical rebels. The parallel was particularly apparent with respect to
the yippies, whose calculated strategy of sensation and shock seemed
less designed to take power than to liquidate it by laughter. The impish
antics of Reed and Dell, whose outlandish behavior offended party
socialists, were carried on by Abbie Hoffman and Jerry Rubin, who
believed that "confusion is mightier than the sword," that ideology
was the "brain disease" of the Left, and that a "Be In" was a prelude
to revolution. Women's rights, which was in the forefront of the New
Left, had also been a passionate concern of the Lyrical rebels. Max and
Crystal Eastman cllanlpioned female suffrage and the emancipation of 165
ai.i
W/14f-"e "'~
iv-~ Lse WOULD you WEAR ON Youl22~<* BIRTHDAY!
91 Mao Tse-tung,
Chinese revolutionary
leader and a focus of
adulation by the PLP.
92 Cuba's Fidel Castro, leader of its revolution, esteemed by many of the New Left.
New Left had reverted to the stale clichés of economic Marxism, suc-
cumbed to the curse of sectarianism, and, like the Old Left, found itself
in desperate isolation.
93 The 1963 Civil Rights Demonstration i Washington, D.C. The size was estimated at
over 200,000 people.
war, the welfare state, the military-industrial complex, and the public's
"crust of apathy." In 1963 SDS issued a second manifesto, "America
and the New Era," criticizing the Kennedy administration as a "corpo-
rate liberal" political elite. SDS, it must be noted, also applied the same
criticisms to the undemocratic structure of world communist parties,
and it rejected what C. Wright Mills aptly called the "labor meta-
physic"-the illusion that the working class would fulfill its Marxist-
conferred mission of transforming capitalism into socialism. Instead
of a workers' revolt, SDS called for a "democracy of individual partici-
pation" in which all people would share in the social decisions deter-
mining the quality of their lives. With the ethic of "participation"
elevated to a political mystique, and with a small grant of $5,000 from
the United Auto Workers, SDS set up the Economic Research and Action
Project to organize the ghetto poor and develop neighborhood programs .
Black Militants
Moreover, the growing militancy in the black civil-rights movement
meant the Left could no longer be the exclusive province of middle-
class whites. In 1964 Stokely Carmichael emerged in a fury of eloquent
black rage, determined to liberate his people from internal "colonial-
ism." That summer the Mississippi Freedom Democratic Party chal-
lenged the Democratic convention for representation on the all-white
Mississippi delegation. After long, bitter negotiations, MFDP was
granted two token seats, and militants came away convinced more than
ever that "black power" was more important than civil rights. At first
the black-power movement, possibly emboldened by the riots in Watts
in 1965 and in Newark in 1967, repudiated its white supporters. During
the 1967 Chicago convention of the National Conference for a New
Politics-organized to promote the black leader Dr. Martin Luther
King and the white antiwar spokesman Dr. Benjamin Spock on a pres-
idential ticket-African-robed black radicals dictated inordinate de-
mands on voting rights, seating arrangements, and resolutions, hu-
miliating white participants, who groaned of "flagellating our white
conscience" and of being "castrated." The following year, after the 173
95 Eldridge Cleaver (in short-sleeved dashiki) and Bobby Scale, Black Panther leaders at a
news conference in 1969. Next to Seale is H. Rap Brown, the revolutionary agitator who went
underground after the Newark riots.
The decline of the New Left may be attributed to at least four factors,
two of which, in particular, had been common to the experience of
preceding Lefts in America.
VIE
Repression
Confrontation politics worked well on the campus, where the New
Left could force professors who identified with their antiwar goals
to capitulate to ever-increasing demands and could effectively exploit
the television medium to create the impression that it spoke for the
majority of students. Outside the sanctuary of the campus, however,
confrontation brought a backlash of repression. The nasty awakening
99 A Chicago policeman sprays demonstrators at the 1968 Democratic National Convention
with Mace, a disabling riot-control compound.
100 A demonstrator and a
National Guardsman in a
staring match at the 1968
Chicago demonstration. As
the photograph suggests, the
"gap" was not only between
generations.
came during the Democratic convention of Lune 1968, when the Left
announced its intention to disrupt the proceedings, only to discover
the brute power of Mayor Richard Daley's police force. Every opinion
poll indicated that the substantial majority of the public supported
Daley's inept, merciless treatment of the screaming demonstrators.
Presidential candidate Richard Nixon, playing to the fears of middle
America, made "law and order" the catchword of his campaign. With
the crackdown on campus disorders, the increase in school expulsions,
and the stepped-up war on drugs, the era of tolerance had ended.
No longer could the Left organize demonstrations without fear of
indictment, mount the barricades without fear of the National Guard, 181
101 The National Guard disperses demonstrators with tear gas at the Berkeley, California
"shut-it-down" strike.
abuse the symbols of America without fear of the hard hats. There was
no doubt now that the government would have the full support of the
majority of the citizenry should it resort to even the severest measures
to suppress the Left. Significantly, the Black Panthers, the most ha-
rassed of all radical groups, were among the first to realize that the
game of confrontation politics was over. In May 1970, when a rally was
held in New Haven in support of the imprisoned Bobby Seale, the Pan-
thers tried to tone down the demonstration for fear of government
reprisal. After the Cambodia crisis, American campuses lapsed into a
strange mood of quiet frustration and fatigue-what Yale President
King ran Brewster called an "eerie tranquility."
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the politics of "norlnalcy" in the l920's; and the Old Left was prostrate
in the face of McCarthyism and the cold-war consensus politics of the
l950's. Although the New Left did not stop the war in Vietnam, it did
much to foster sentiment against escalation and to publicize the coin-
plicity of industry and the academic community. Indeed, the publica-
tion of the Pentagon papers vindicated the New Left's skepticism about
the official version of the war. The downfall of Lyndon Johnson, and
President Nixon's pledge to withdraw all American troops from Viet-
nam by the end of 1972, also indicated that the antiwar forces could no
longer be ignored. Even though those forces moved from the streets into
the halls of Congress, it was the New Left that first set them in motion.
There can be no doubt that the New Left, through sustained dissent
and resistance, did much to pressure a government into changing its
course from escalation to withdrawal in the midst of an inconclusive
war. This historically unprecedented achievement was, curiously
enough, in the nature of one of the great hopes of the Lyrical Left.
"Nothing could be more awkward for a 'democratic' President than to be
faced with this cold, startling skepticism of youth, in the prosecution
of his war," wrote Randolph Bourne in 1917. Bourne saw in "the non-
mobilization of the younger intelligentsia" an "idealism" that could
not "be hurt by taunts of cowardice and slacking or kindled by the
slogans of capitalist democracy." In the legacy and the lesson the New
Left bequeathed to America lay the fulfillment of Bourne's prophecy:
If the country submissively pours month after month its wealth of life and
resources into the work of annihilation . . . bitterness will spread out like
a stain over the younger generation. Ii the enterprise goes on endlessly,
the work, so blithely undertaken for the defense of democracy, will have
crushed out the only genuinely precious thing in a nation, the hope and
ardent idealism of its youth.16
The New Left had been no less prescient in anticipating the domestic
crises that would convulse America. Many programs enunciated by SDS
in 1962. were later articulated by congressmen and senators who crit-
icized excessive military budgets and demanded that the government
address itself to social priorities. Thus, by forcing critical issues like
racism and poverty into the center of public debate, the New Left made
those issues politically safe. Moreover, by making America aware that 185
youth was a growing political force to be reckoned with, it was instru-
mental in lowering the voting age to eighteen; and by exposing Amer-
ica's worship of technology, it helped make Americans more aware of
the peril to the environment. Although much of the theoretical criti-
cism of American society had been articulated by liberals like John
Kenneth Galbraith, it was the young radicals who challenged by deeds
the subtle methods of bureaucratic control, the ubiquitous manipula-
tion by advertisement, the deadly chambers of corporate life, and the
winking hypocrisy of conventional sexual morality. The New Left,
together with the hippies and the counter-culture, effectively called
into question the whole quality of American life by invoking a "new
consciousness."
directly and morally. Two other intellectuals also shaped the awaken-
ing radical mind of the sixties. Paul Goodman exposed the idiocy of
urban government and the absurdity of programmed adolescence while
defending his Gestaltist faith in the spontaneous emotions of the young.
Eric Fromm gave a pseudoscientific legitimacy to old-fashioned ideas
like "love" and "goodness" and started students searching for the self
by developing a capacity for "relatedness." European existentialist
also had a liberating role. Having read Sartre, American students
learned that ultimate freedom is the ability to resist, to say "No." Hav-
ing read Camus' The Stranger-assigned reading for many entering
college freshmen-they learned the difference between legal moralism
and personal morality. 187
As more and more students sensed the emptiness of everyday exis-
tence, their search for meaning led to at least three new avenues of
awareness. The tender-minded, having ascended from J. D. Salinger to
the supernatural speculations of Hermann Hesse and the cosmic con-
sciousness of Aldous Huxley, began exploring the deeper recesses of
mind. The jaded, graduating from Mad comics to the entropic world
of Joseph Heller and Ken Kesey, decided that to survive the rational-
ization of an irrational society, one might feign insanity. The radically
oriented, taking Mills' advice, translated personal or philosophical
problems into social causes. The first option led to hippieland: Haight-
Ashbury, Timothy Leary, tripping, and acid; and later, organic foods,
fasting, Lao-tzu, Hare Krishna, and Jesus Freaks. The second led to the
Pop Left: pornopolitics, Lenny Bruce, the Merry Pranksters, the San
Francisco Mime Troupe, yippies, redemptive genitality, and Reichian
orgone. The third led to the New Left: praxis and commitment, conflict
and struggle as the test of manhood and self, radicalization as conver-
sion, and Fanon's "identity won in action." But what the New Left
needed to justify its course of action to all other disaffected youth was
a philosophy that explained the causes of alienation and offered a solu-
tion to it. Herbert Marcuse provided both.
A scholarly philosopher close to seventy years of age, Marcuse looks
like a gentle, deflated Santa Claus and thinks like an angry Prometheus.
His role in contemporary American thought is remarkable, for he suc-
ceeded in revolutionizing what Americans assumed they had safely
domesticated-the ideas of Hegel and Freud. In nineteenth-century
America Hegelianism had become a philosophy of celebration (whit-
man) or a theology of reconciliation (Josiah Royce). And in the twenti-
eth century Freudianism became a progressive psychology of coopera-
tion and adjustment (Harry Stack Sullivan) or a heroic philosophy of
stoicism and tragedy (Phillip Rieff). In addition, both these systems
of thought had been discredited when some Americans erroneously
identified them with fascist absolutism and irrationalism, and Lhe Old
Left, as we saw, had rejected the dialectic as a species of German
mysticism.
In reviving Hegelianism, Marcuse restored the respectability of
188 dialectical reasoning, which illuminates the tension between the "is"
104 "Flower children" of the 1960's, some of those who found the answer to alienation in
mysticism, hallucination, and rapture, tendencies that seemed naively escapist to the New
Left.
and the "ought/' between what is given and what is potential, between
immediate appearance and ultimate reality. Hegel's concept of the
dialectic, Marcuse first pointed out in Reason and Revolution (1940) ,
denies predominance to anything by showing that everything changes.
Marcuse later revised Freud's central dictum that civilization requires
the repression of man's instincts. Basic repression of harmful biological
drives may be necessary for survival, Marcuse said, but "surplus re-
pression" is a contrived social phenomenon based upon capitalist
domination. Thus he drew a distinction between Freud's "pleasure
principle" and the "reality principle." Historically it was necessary
to defer immediate gratification and sublimate drives into productive
work because of the economic reality of scarcity. With the advent of
abundance, however, man's need to repress himself by performing 189
joyless acts of labor is no longer necessary. The contradiction of modern
society is that it perpetuates the traditional "performance" ethos instead
of transforming work into play and redeeming sexual pleasure, and
thereby reunifying man's nature.
The abolition of repression is improbable within the Soviet Union
and impossible within the United States. In America, especially, tech-
nological rationality has created a status quo that "defies all transcend-
ence," wrote Marcuse in One Dimensional Man (1965). Every improve-
ment in the quantity of comfort "militates against qualitative change,"
for the "people recognize themselves in their commodities; they find
their soul in their automobile, hi-fi set, split level home, kitchen
equipment." Even the sexual revolution, Nlarcuse believes, serves only
to "desublimate" repressed tensions, to pacify the potentially discon-
tented; Playboy magazine supports the existing social order by creating
the illusion of fulfillment. American society can absorb all possible
opposition, tolerating moral deviance and political dissent but allow-
ing no real resistance. Unable to think dialectically, Americans have
become "one-dimensional," conditioned to accept the incomplete state
of existence as the highest possible state of being. The "is" has become
the "ought," the actual the possible. The "given" can neither be negated
nor transformed.
What, then, are the prospects for radical change in America? Marcuse
has never been entirely clear on this question. But in An Essay on Lib-
eration (1968) his earlier pessimism gives way to a glimmer of opti-
mism. Now it becomes clear that the Marcusean revolution will begin
esthetically, arising from the beautiful untouchables, the young,
deracinated intelligentsia and dropouts who have cultivated "the sensu-
ousness of long hair, of the body unsoiled by plastic cleanliness." Only
they are blessed with the "new sensibility of praxis," an esthetic vision
that descends from high culture "in desublimated 'lower,' and destruc-
tive forms, where the hatred of the young bursts into laughter and song,
mixing the barricades and the dance floor, love play and heroism. And
the young also attack the esprit de sérieux in the socialist camp: mini-
skirts against the apparatchiks, rock 'n' roll against Soviet Realism."
With this mythopoeic image of revolution, with this invocation of eros,
190 song, dance, play, and the beauty of festive youth, we are back with the
Lyrical Left. Curiously, like the rebels of 1913, Marcuse relies less on
Marxism than on "Aesthetic Form" as the subversive medium of "the
Great Refusal-the protest against that which is." Marcuse speculates,
as did the poets of 1913, that man may be endowed with a capacity to
make "the primary distinction between the beautiful and ugly, good
and bad." With the lyrical radicals he also maintains that the task of
overcoming repression "involves the demonstration of the inner con-
nection between pleasure, sensuousness, beauty, truth, art, and free-
dom," all of which presupposes an "aesthetic ethos" that makes the
"imagination" the liberating faculty of man. The "rebellion of the
young intelligentsia," advises Marcuse, indicates that the "right and the
41
;rrr~
105 Herbert Marcuse, scholar-
".e ly critic of the Protestant ethic
x and celebrant of sensual libera-
tion, is a leading philosopher of
¢-as-r
the New Left.
...
..
. . .. ...
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
106 and 107 Pop art oomnlents° (above) on plastic America-Edward Ruscha's Standard Station,
Amarillo, Texas, 1963-and (facing page) on racist America-Robert Indiana's Alabama 1965.
Notes
black Newfield, A Prophetic Minority (New York: Signet, 1966), p. 43; Tom Hayden,
Rebellion and Repression (New York: World Publishers, 1969) ; the student is quoted
in I. Glenn Gray, "Salvation on the Campus: Why Existentialism Is Capturing the
Students," I-Ia1per's, CCXXV (May, 1965), 57.
2 Dennis Wrong, "The American Left and Cuba," Commentary, XXXIII (Feb, 1962) ,
93-103.
3 Friedrich Nietzsche, The Birth of Tragedy and the Genealogy of Morals (Garden
City, N.Y.: Doubleday, 1956), pp. 42-43.
4 Leslie Fiedler, "The New Mutants," Partisan Review, XXXII (Fall, 1965), 509-25;
Ice Ferrandino, "Rock Culture and the Development of Social Consciousness," Radi-
ca] America, III (Nov., 1969), 23-48.
5"Symposium: Confrontation: The New Left and the Old," (Tom Hayden, Ivanhoe
Donaldson, Dwight Macdonald, and Richard Rovers), American Scholar, XXXVI
( u 8 . i 1967), 567-88.
Glcrcmy Larncr, quoted in "The Young Radicals; A Symposium," Dissent, IX (Spring,
1962), 129-63; Clark Kissinger, quoted in Steven Kelman, "The Feud Among the
Radicals," Harper's, CCXXXII (Lune, 1966), 67-79; Leslie Fiedler, "Reflections on
Writers and Writing in the Thirties," in The Thirties, eds. Morton I. Frisch and
Martin Diamond (De Kalb: Northern Illinois Univ. Press, 1968), pp. 44-67.
7 Randolph Bourne, "Youth" and "Medievalisrn in the Colleges," in The World of
Randolph Bourne, ed. Lillian Schlissel (New York: Dutton, 1965), pp. 3-15, 64-68;
Walter Weyl, Tired Radicals (New York: B. W. Huebsch, 1921).
8Abbie Hoffman, Revolution for the Hel] of It (New York: Simon et Schuster, 1970);
Ierry Rubin, Do It! A Revolutionary Manifesto (New York- Simon 81 Schuster, 1970) ;
Irving Howe, "New Styles of 'Leftism/" Dissent, XII (Spring, 1965), 295-323.
9New£ield, A Prophetic II/Iinority, pp. 48-82. 195
10 Andrew Kopland, "The New Left: Chicago and After," New York Review of Books,
IX (Sept. 28, 1967), 3-5.
11 Bobby Scale, quoted in Theodore Draper, The Rediscovery of Black Nationalism
(New YO1'k: Viking, 1970), p. 108.
12Jean-Francois Revel, Without Marx or Iesus, trans. lack Bernard (New York:
Doubleday, 1971), pp. 225-26.
13Michae1 Ferber and Staughton Lynd, The Resistance (Boston: Beacon Press, 1971);
Ierry Rubin, quoted in Robert Nisbet, "Who Killed the Student Revolution?" En-
counter, XXXIV (Feb., 1970), 10-18; see also James P. O'Brien, "The Development of
the New Left," Annals, American Academy of Political and Social Science, CCCXCV
(May, 1971), 15-25.
14Iack Weinberg and Jack Gerson, The Split in SDS (New York: International
Socialists, 1969), pamphlet; Young Socialist, XII (May, 1969); Spa rtacist, no. 13
(Aug.-Sept., 1969); The Militant, XXIII (luly 4, 1969) .
15 David Horowitz, "Revolutionary Karma vs. Revolutionary Politics," Ramparts,
IX (Ii/lar., 1971), 27-33.
16Bourne, "Below the Battle," in War and the Intellectuals, pp. 15-21.
17 Ralph Waldo Emerson, "Historic Notes of Life and Letters in New England," in
The American Transcendentalists, ed. Perry Miller (New York: Doubleday, 1957),
pp, 5-7.
18 Aron, Opium of the Intellectuals, p. 24.
19 Herbert Marcuse, quoted in Robert W. Marks, The Meaning of Marcuse (New
York: Ballantine, 1970), pp. 92, 97; for Marcuse's influence on the New Left, see
Mitchell Franklin, "The Irony of the Beautiful Soul of Marcuse," Telos, no. 6 (Fall,
1970), 3-35; Paul Piccone and Alex Delfini, "Marcuse's Heideggerian Marxism,"
Telos, no. 6 (Fall, 1970), 36-46; Ronald Aronson, "Dear Herbert," and Paul Breines,
"Notes on Marcuse and the Movement," Radical America, IV (Apr., 1970), 3-18, 2.9-
32; Paul Breines et al., eds., Critical Interruptions: New Left Perspectives on Herbert
Marcuse (New York' Herder & Herder, 1970) .
9J0On the paradoxes in the Left's approach to the problem of alienation, see Iohn P.
Diggins, "Thoreau, Marx, and the 'Riddle' of Alienation."
196
PHOTO CREDITS
PAGE
4 The Bettmann Archive 65 Brown Brothers
5 Dennis Stock/Magnum 74 The Philadelphia Museum of
6 The Ben and Beatrice Goldstein Art: The Louise and Walter
Foundation Arensberg Collection '50-134-59
8 The Granger Collection 75 Museum of the City of New York
11 Top-The Granger Collection. 76 The Royal Museum of Fine Arts,
Bottom-Charles Moore/Black I. Rump Collection, Copenhagen.
Star Permission S.P.A.D.E.M. 1973 by
12 The Granger Collection French Reproduction Rights.
13 The Granger Collection 77 The Bettmann Archive
15 Brown Brothers 81 The Ben and Beatrice Goldstein
16 Ted Cowell/Black Star Foundation
19 The Granger Collection 82 The Granger Collection
20/21 © 1966 Jules Feiffer. Courtesy 83 The National Archives
Publishers-Hall Syndicate 84/85 The National Archives
The Library of Congress
2.2. 86 Museum of the City of New York
24 Top-Culver Pictures. Bottom- 87 The National Archives
The Bettmann Archive 89 The Ben and Beatrice Goldstein
29 The Granger Collection Foundation
32 Top, left-NAACP. Top, right- 91 Cartoon by Hugo Gellert from
Photoworld. Bottom-The Ben New Masses The Ben and
and Beatrice Goldstein Beatrice Goldstein Foundation
Foundation 93 Ben Shahn. The Passion of Sacco
33 Mrs. Max Eastman and Vanzetti. (1931-32). From
34 Photoworld The Sacco-Vanzetti series of 2.3
35 The Granger Collection paintings. Tempera on canvas
40 Sovfoto 84% X 48. Collection Whitney
42 The Library of Congress Museum of American Art. Gift
43 UPI of Edith and Milton Lowenthal
45 Museum of the City of New York in memory of Iuliana Force.
47 The Tamiment Institute 94 UPI
49 The New York Public Library 96 The National Archives
Collection 98 Mrs. Max Eastman
50 The Granger Collection 100 UPI
53 The Granger Collection 103 The Ben and Beatrice Goldstein
55 The Granger Collection Foundation
56 Brown Brothers 109 Top-Dorothea Lange, The
57 The Granger Collection Library of Congress. Bottom-
58 The Granger Collection Russell Lee, The Library of
59 The Library of Congress Congress
62 The Library of Congress 114 The Museum of Modern Art.
64 The Granger Collection firs. Simon Guggenlheinl Fund 197
119 The Ben and Beatrice Goldstein 158 Bill Owens/BBM Associates
Foundation 159 Jeffrey Blankfort/Camera Press,
122 UPI London and Pictorial Parade
124 The National Archives 162 Burk PUzzle/Magnum
125 Wide World 163 Dennis Stock/Magnurn
126 The Ben and Beatrice Goldstein 167 Marc Riboud/Magnum
Foundation 168 Marc Riboud/Magnum
130/131 On extended loan to the 170 Ollie Atkins
Museum of Modern Art 171 Harvey Stein
from the artist 174 Bruno Barbey/Magnum
132 Culver Pictures 175 Susan Sontag and Dugald
133 UPI Sterrner. THE ART OF
134 From a series of caricatures REVOLUTION: CASTRO'S
made at the First American CUBA. 1959-70. © 1971
Writers Conference by William McGraw-Hill Co. By permission.
Gropper, Phil Wolfe and Russell 178 Jeffrey Blankfort/BBM
T. Limbach. NEW MASSES, Associates
May 7, 1933 179 John Filo, The Valley Daily
135 The Washington Post News Tarentum, Pa.
139 The Bettmann Archive 180 Wide World
143 Left-IPA News photo, Editorial 181 Roger Malloch/Magnum
Photocolor Archives. Right- 182 Shames/Black Star
Doubleday st Co. 184 Harvey Stein
146 Left-Photo by Edward Leigh, 187 Pictorial Parade
courtesy Random House. Right - 189 Susan Ylvisaker/Ieroboam
Wide World. Bottom-Photo by 191 AFP from Pictorial Parade
Fabian Bachrach, courtesy Har- 192 Collection Charles Cowles,
court Brace Jovanovich New York
149 Pictorial Parade 193 Collection Walter A. Netsch,
156 UPI Chicago
198
Index
Imperialism and First World War, 82 Labor unions. See American Federation
Industrial Workers of the World of Labor; Industrial Workers of
(IWW), 58-60, 67, 69, 79 the World; Trade unions
and Bolshevik revolution, 89 Lafargue, Paul, 29
and Communist Party, 96 Lamont, Thomas, 112-13
expulsion from Socialist Party, 60 LaMonte, Robert Rives, 31
repression against, 84-85 Lange, Dorothea, 108
Industrialization and birth of Left, Larger Aspects of Socialism, The
4, 23, 25 (Walling), 26
"Instrumentalism," 34 Lasch, Christopher, 23
Intellectual class, 23, 25. See also Laslett, Iohn, 63
Left intellectuals Lassalle, Ferdinand, 55, 66
Intercollegiate Socialist Society, 78 "Law and order," 181
International Socialist Review, The, Lawson, John Howard, 115-16
29 League for Industrial Democracy, 121
Internationalism and Left, 81 League of radons, 128
IWW. See Industrial Workers of the League of Professional Groups, 123
World Left intellectuals
and Big Bill Haywood, 68
James, Henry, 144, 145 and Communist Party, 115-16,
James, William, 17, 35, 36, 77, 116, 123-24
147,150 conflict with Marxian socialists, 28-31
Jaurés, Jean, 30 criticisms of, 29-30
Jefferson, Thomas, 7, 129, 145 and Depression, 110
Jefferson Airplane, 172 deradicalization of, 141
Johnson, Lyndon, 160, 185 and fascism, 141-42
Johnson Administration, 177 and First World War, 84-86
historical consciousness of, 34-38
Kapital, Das (Marx), 101, 136 impact of Stalinism on, 133-34,
Kazin, Alfred, 145 140-42
Kennedy, John F., 158-59 and Marxism, 116-17
Kennedy, Robert, 160 and Moscow trials, 131-35
Kennedy Administration and New of l930's, 110-11
Left, 158-59, 171 origins of term, 2.8
Kesey, Ken, 188 and populists, 41-42
Keynesian economics and Marxism, and "scientific socialists," 37
138, 140 and socialism with culture, 51
Kierkegaard, Sorer, 142 and Trotskyists, 123
King, Martin Luther, 151, 173, 174 and utopian tradition, 49-54
Kissinger, Clark, 164, 165 and workers, 20-23, 25
Knights of Labor, 45, 46 See also Eastman, Max; Lippmann,
Koestler, Arthur, 120 Walter; Lyrical Left; Walling,
Kronenberger, Louis, 144 William English 2.3
A
B 4
c 5
D 6
E 1
F 8
G 9
H 0
I 1
210 J