Richard G. Erskine, Janet Moursund - The Art and Science of Relationship - The Practice of Integrative Psychotherapy-Phoenix Publishing House (2022)
Richard G. Erskine, Janet Moursund - The Art and Science of Relationship - The Practice of Integrative Psychotherapy-Phoenix Publishing House (2022)
Reissued in 2022 by
Phoenix Publishing House Ltd
62 Bucknell Road
Bicester
Oxfordshire OX26 2DS
The right of Richard G. Erskine & Janet P. Moursund to be identified as the authors of this work have been
asserted in accordance with §§ 77 and 78 of the Copyright Design and Patents Act 1988.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in
any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written
permission of the publisher.
ISBN-13: 978-1-80013-137-8
www.firingthemind.com
Without the feedback and encouragement of the members of the Professional Development
Seminar of the Institute for Integrative Psychotherapy, this book would not have been
written. Their collective wisdom has helped to shape our thinking, and their support has
kept us going through the difficult patches. They are our colleagues and our friends,
and we are deeply grateful to them:
Vincent Barone
Fred Clark
Joan D’Amico
Landy Gobes
Burkhard Hofmann
Fred Hufford
Peter Kingan
Joan Lourie
Carol Merle-Fishman
Marye O’Reilly-Knapp
Linda Perrin
Elizabeth Richards
Damon-Arthur Wadsworth
Martha Walrath
Joshua Zavin
Contents
Part I
Theoretical Foundations
Part II
Therapeutic Interventions
Involvement 124
Summary 129
7. Beginning the work 131
First-session tasks 131
Establishing a safe working environment 132
The decision to work together 138
The therapeutic contract 140
Saying good-bye 148
Summary 149
8. Moving in 151
Affect and awareness 152
Fear and anxiety 156
Resistance and repression 157
Accessing 164
Summary 168
9. Therapeutic interventions 169
Intervention guidelines 169
Interpretation 172
Enactment and experiment 176
Regression 179
Behavioral interventions 187
Summary 189
10. A focus on relationship 191
Three relational concerns 192
Transference and countertransference revisited 193
Touch 197
Therapist error 199
x Contents
Part III
The Transcript
Postscript 255
Transcript linkage index 257
References 263
Name index 277
Subject index 281
About the authors
Richard G. Erskine, Ph.D., Training Director at the Institute for Integrative Psychotherapy, is a
clinical psychologist with five decades of experience in the clinical practice and teaching of psycho-
therapy. He has specialized in the treatment of severely disturbed children, run a therapeutic
community in a maximum security prison, and conducted his psychotherapy practice in New York
City specializing in the treatment of obsession, dissociation, narcissism, and schizoid processes.
In 1972, as a Professor at the University of Illinois, Dr. Erskine developed the initial
concepts of a developmentally based, relationally focused integrative psychotherapy. By 1976
he established the Institute for Integrative Psychotherapy in New York City and, along with
members of the Professional Development Seminars, continued the development, research,
and refinement of a relational and integrative psychotherapy. Each year Dr. Erskine teaches
formal courses and experiential workshops on the theory and methods in several countries
around the world. He is a licensed psychoanalyst, certified transactional analyst, interna-
tionally recognized Gestalt therapist, and a certified group psychotherapist. He is the author
of eight books and numerous articles on the practice of psychotherapy. Some of the articles
are available on his website, https://www.integrativetherapy.com.
Janet Moursund, Ph.D., is a retired psychotherapist and Professor of Counseling Psychology.
Originally trained in educational psychology, she brings to the practice of psychotherapy a grounding
in learning theory as well as years of experience as a therapist and a teacher. She is the founder of the
Center for Community Counseling (formerly Aslan House), a no/low-cost counseling center staffed
by professional volunteers from the Eugene, Oregon, counseling community. She is the author or
co-author of eight books, on topics ranging from statistics to personality theory, and before her
retirement practiced as a licensed clinical therapist and served as Departmental Coordinator of the
Counseling Psychology program at the University of Oregon.
xi
Preface
A
book—any new book—is an invitation to a cooperative venture. The book’s author
offers ideas, facts, and conclusions; the reader reaches out to grasp and take in all of
that information. As in all cooperative ventures, it is useful for each participant to
have an idea of what the other is trying to accomplish. In our venture together, we authors
assume that you, the reader, are interested in learning how to be a better counselor or psycho-
therapist, as well as (possibly) doing well in a course that uses this book as a text. To be
successful, you need to know something of what we are trying to do and how we intend to
do it. That is what the first part of this preface is about.
As you will discover, there are many varieties of integrative psychotherapy, and this
book concerns itself with only one of them: relationship-focused integrative psychotherapy.
We decided, though, that The Practice of Relationship-Focused Integrative Psychotherapy would
have been a bit cumbersome and opted for a shorter, if less accurate, subtitle.
The book is divided into three parts: Theoretical Foundations, Therapeutic Interventions,
and The Transcript (a verbatim, annotated transcript of a full therapy session). While it might
be tempting to skip the theoretical section and leap right into the chapters about actual psycho-
therapy, we recommend against it. What we have to say about therapy will be much more
meaningful in the context of a theoretical background—how we believe people function, how
they get that way, and how they can be helped to change. Chapter 1 provides an introduction to
the notion of relationship-focused integrative psychotherapy and its connections to the whole
developing array of psychotherapeutic approaches. Chapter 2 presents a sort of anatomy of
human functioning, discussing the sorts of problems and challenges that people deal with and
often bring to psychotherapy. It is a here-and-now sort of chapter, asserting that all human
xiii
xiv Preface
behavior is grounded in relationships and addressing the ways in which relationships affect
who and how we are as people. In contrast, Chapter 3 concerns itself with human development,
the paths we all follow as we go through our lives. It talks about how things can go right for us,
and how they can go wrong, and how those rights and wrongs can influence our ways of being
in the world months and years later.
In the second major section of the book, we turn to the process of relationship-focused
integrative psychotherapy: given what we believe about how people function and how they get
to be the way they are, what a therapist can do to help them live fuller, happier, more contactful
lives. Do please notice that word “contactful”; the basic premise of our work is that contact, with
self and with others, is what healthy functioning is all about. The work of therapy is designed to
help clients restore full contact with all of the parts of themselves, with the other people in their
lives, and with the world around them. Chapter 4 provides an overview of this approach, along
with some of the other basic assumptions of a relationship-focused psychotherapy.
Chapter 5 and Chapter 6 take us more deeply into the nature of the therapeutic relationship,
the relationship within which the client experiences a new sort of interpersonal contact.
Chapter 5 discusses how to establish and maintain a therapeutic relationship, and Chapter 6
explores the three major facets of such a relationship that we believe to be central to the
healing process: inquiry, attunement, and therapeutic involvement. In Chapter 7, we discuss
some of the issues to be dealt with as therapy begins; Chapter 8 takes us further into the
process of deepening the client’s awareness of and contact with self and others. Chapter 9 is
perhaps the most pragmatic part of the book, as it deals with specific interventions that tend
to further the client’s growth. Chapter 10 brings us back again to the most important “inter-
vention”—the relationship between client and therapist and how that relationship itself can
be used in the therapeutic process. Finally, Chapter 11 discusses the end of therapy and how
it can best be managed so that clients continue to grow and heal even after they terminate
their work with the therapist.
Throughout the book, we have struggled with the issue of clinical examples. Most significant
therapeutic events generally build over a series of transactions and lose much of their meaning-
fulness when plucked, a few sentences at a time, from the therapeutic fabric. How, then, can
we present examples that truly represent the concepts we are trying to describe? How can we
convey the ongoing, evolving quality of a relationship-focused integrative psychotherapy?
Our solution has been to provide the reader not with individual, out-of-context examples
(although a few such examples have been retained) but with a verbatim transcript of an
entire therapy session. The final section of the book—Chapter 12—contains this transcript.
The session was not chosen specifically to illustrate the concepts introduced in the earlier part
of the book, nor were the earlier chapters written to fit the transcript we selected. Rather, the
transcript was chosen almost at random from audio recordings available to us; it has been a
confirmation and a delight to rediscover how closely our actual work fits the theory we have
been developing and professing over the years.
Preface xv
The transcript is annotated with comments about both therapist interventions and client
responses, and the annotations, in turn, are keyed to pages in previous chapters where
relevant theoretical and clinical material is presented in greater detail. We had originally
planned to insert references to the transcript chapter as footnotes throughout the entire
book. The footnotes began to feel intrusive, however, interrupting the flow of the narrative,
and we removed them. The reader who would like to move back and forth, from text to
transcript example, can still do so: the “Transcript Linkage Index” correlates important
concepts, together with the page numbers on which they are discussed, with transcript
segments. Using this linkage index, the reader can find embedded examples of most of the
ideas presented in the first 11 chapters of the book.
In the last several decades, we have all been sensitized to the gender-pronoun issue: the
English language does not have a gender-neutral pronoun, and the use of “he” and “him” to
refer to people in general is no longer acceptable. We have found that using “he or she” and “her
or him” as a solution to this problem is awkward, and have instead chosen to refer consistently
to the therapist as “she” and the client as “he.” This usage not only helps the reader keep track of
who is being referred to, but also tends to counteract the bias that assumes men to have senior
or higher-status positions than women—a bias that still exists, though largely at an unconscious
level, among many people in our culture.
Another linguistic challenge for us was the “counseling” or “psychotherapy” distinction.
This book is intended for both counselors and psychotherapists, as well as for psychiatrists,
clinical social workers, psychiatric nurse practitioners, and pastoral counselors. But, again,
the continual use of “psychotherapy and counseling,” and “counselor or psychotherapist,”
becomes cumbersome and intrusive. We decided to use “psychotherapy” (and, occasionally,
simply “therapy”) as a shorthand way of referring to all counseling and therapeutic activities.
We hope that you, as a part of our cooperative venture, will frequently remind yourself that
this usage is indeed a kind of shorthand and that our ideas are intended to apply to all of
the many varieties and settings of counseling and psychotherapy.
Finally, you may notice that we have not included a chapter on multicultural issues.
There are no guidelines in these pages for working with individuals from various cultural
backgrounds, no generalizations about this group or that. We believe that such generaliza-
tions can be dangerous to therapists, in that they tend to create a sort of false confidence:
a belief that the therapist does know and understand her client without having to fully
explore his world, her response to him, and the in-between that client and therapist create
through their work together. Similarities and differences among individuals are more
profound and significant than similarities and differences between groups—whatever
the basis for the grouping.
As we learn to attune ourselves to the cognitive, affective, behavioral, rhythmic, and devel-
opmental aspects of each client, putting aside our own preconceptions and simply listening to
and resonating with him, issues of race, age, and gender become—not unimportant—but an
xvi Preface
integral part of the unique fabric of the therapeutic relationship. The key word here is unique:
cultural generalizations can too easily slide into cultural stereotypes, stereotypes that undermine
our growing appreciation of each client’s uniqueness. Rather than espouse a politically correct
(and all too often superficial) concern with multiculturalism, we invite the reader to learn from
every client the beliefs and values they have acquired through contact with caregivers and
comrades, through dealing with opportunities and with oppression.
Culture is a two-way street. While it is true that understanding a client’s cultural background
can help us to understand how he deals with his world and the people in it, it is equally true
that we can only truly understand his culture as he experiences it by learning about him: his
needs, wants, fears, and expectations, how he makes and rejects contact, how he relates to self
and others. The most sincere respect for cultural differences emerges from a respect for each
individual and from an honest acknowledgment that we know that individual only insofar as
he chooses to share of himself with us—and that only through the lens of what we ourselves
have been and are now. Rather than trying to learn about any group in the abstract, we believe
therapists are better served by allowing our clients to teach us what we need to know and by
never assuming that we know before we have been taught.
A number of people should be recognized and thanked for their help in making this
book possible. First on the list is Rebecca Trautmann, who has played a major part in
the development of our ideas over the years. Next are the members of the Professional
Development Seminar (Institute for Integrative Psychotherapy, New York, New York, and
Kent, Connecticut), to whom the book is dedicated: their questions, comments, criticisms,
and insights have been invaluable in shaping our thinking, and their love and support have
helped us through many snags and stuck spots. The staff of the Sacred Heart Medical Center
in Eugene, Oregon, have shown extraordinary patience in allowing the use of their facilities
for writing and editing. Our reviewers Chris Faiver, John Carroll University; Susan W. Gray,
Barry University; Cindy Juntunen, University of North Dakota; Ellyn Kaschak, San Jose State
University; Pamela M. Kiser, Elon University; Jennifer Kukis, Lorain County Community
College; Christopher McCarthy, University of Texas at Austin; and H. Edward Stone, Lee
University have been both helpful and encouraging. Finally, we want to express our great
appreciation of Kate Pearce and the staff at Phoenix Publishing House for their encour-
agement and support. To all, a most heartfelt thanks!
Introduction
W
hen I (Richard) was young, I enjoyed repairing old cars. I had always been able
to fix broken light switches or replace plumbing fixtures. Repairing things has
always been an interesting challenge. If something is broken, I may be able to
repair it. But, when it comes to writing a new edition for this book, I am at a loss as to what
needs to be fixed.
This second edition reflects the zeitgeist of contemporary thinking in the fields of psycho-
therapy, counseling, and coaching. Throughout each chapter, we articulate the main premise
of the book: Healing from the emotional and physical effects of cumulative neglect and trauma
requires a contactful therapeutic presence. Therefore, this book describes the various interper-
sonal qualities necessary to establish a healing relationship.
Although some of the author citations reflect older articles and books, these writings are still
relevant today because the art of relationship is not new. Some of the science of relationship may
have evolved with increasing evidence about people’s interdependence, attachment patterns,
child development, neuropsychological processes, and relational needs, but the central concepts
remain the same (Cozolino, 2006; Porges, 2011; Siegel, 2015; Schore, 2009; Toksoy et al., 2020;
Van der Kolk, 2005; Žvelc, Jovanoska, & Žvelc, 2020).
The numerous concepts in this book reflect what I have been teaching in various seminars,
training workshops, and supervision groups but the organization and writing style throughout
this book is that of my co-author Janet Moursund. Janet has a remarkable ability to write
as though she is having a pleasant conversation with an old friend. As you read this book,
I hope you will imagine yourself conversing with the two of us about your therapeutic work.
It is through our mutual dialogue that we all learn.
xvii
xviii Introduction
This book was originally published with the title Integrative Psychotherapy: The Art and
Science of Relationship (Moursund & Erskine, 2004). In organizing this new edition, we have
altered the title slightly to highlight the central theme of the book—The Art and Science of
Relationship. This book focuses on the centrality of a therapeutic relationship while describing
the methods of a developmentally based, relationally focused integrative psychotherapy. It lays
the theoretical foundations for reading two subsequent books, Relational Patterns, Therapeutic
Presence (Erskine, 2015) and A Healing Relationship (Erskine, 2021).
The book begins with the premise that in the practice of a developmentally based,
relationship-focused integrative psychotherapy, there is a fundamental interrelatedness
among all aspects of human functioning: physiology, affect, cognition, and behavior. Just
as relationship shapes the development of all of these aspects, so relationship is the basic
therapeutic mechanism by which they can be changed and healed.
Throughout this book, we present several theoretical concepts and describe actual methods
that facilitate clients’ capacity to change and grow. The ideas presented in each chapter build
on each other; they create the basis for a comprehensive psychotherapy. What follows is a brief
summary of the salient points in the book.
Human development is shaped in the context of child–caregiver relationships. When a
child’s relational needs are not responded to, over and over again, the child’s life script is
shaped by these failures. Scripts protect the individual from perceived harm or danger and
are developed when one’s relationships fail to provide the needed protection. However,
life scripts rigidify and limit one’s ability to respond to the world spontaneously and
creatively. The cost of a life script—and the defenses that maintain it—include internal
conflict, an erosion of self-worth, and a narrowed ability to interact with others. These are
the kinds of symptoms and problems that bring people to psychotherapy and counseling.
Self-reinforcing, they are maintained because they provide predictability, identity,
continuity, and stability.
In this book, we describe the script system, a valuable concept in any psychotherapy and
counseling program. We discuss how to therapeutically address the rigid system of beliefs and
reactions that govern how one will feel and behave. In our therapeutic methods we attend to
the repetitive feelings that echo the pain and loneliness of the original trauma, the resulting
automatic and seldom-questioned behaviors, and the selective perceptions and memories
that reinforce the client’s script beliefs.
Transference and countertransference are an integral aspect of any therapeutic relationship.
Recognizing and using transference and countertransference responses can help both client
and therapist bring the client’s life script patterns to awareness. Bringing hidden patterns out
into the open allows them to be changed: the shift from unaware to aware requires a change
in the overall system, and this change in turn requires that the other, interlocking elements
also change. Such changes can lead to dissolving a life script, reducing relational distress, and
recovering the ability to form and maintain healthy relationships.
Introduction xix
the client with a sense that he is respected and supported by the therapist—a therapist who is a
partner in the therapeutic task.
Throughout this book, we describe a variety of therapeutic interventions; all of them are
designed to enhance the client’s internal and external contact, dissolve their script beliefs, and
support their sense of efficacy and self-worth. Almost all therapeutic engagements involve
experiments and enactments that allow the client a new experience designed to challenge
his script beliefs and enhance his awareness of his internal processes within the safety of a
protective therapeutic relationship.
In response to our contactful interventions and our invitation to experiment with new
behaviors, the client may regress into a pattern of thoughts, feelings, and behaviors common
to an earlier developmental age. Some clients regress only partially or shift in and out of a
regressive experience. With the support of a nurturing and protective therapist, regression can
help a client assess walled-off memories, beliefs, and decisions, revisit old and toxic relation-
ships, and learn how to recognize and express their relational-needs.
We also acknowledge and utilize a variety of behavioral interventions that encourage
changes in behavior that can lead to changes in thought, feelings, and physiological reactions.
The value of behavioral interventions lies in the feedback the client receives, from self
and others, as a result of new ways of interacting and expressing himself. We discuss how
behavioral interventions should be chosen to build on the client’s strengths while challenging
his script patterns.
Although we may focus on behavior change, we also focus on therapeutically supported
age regression, affect expression, and physiological movement, and providing alternatives to
script beliefs. We emphasize how the therapeutic relationship itself is the counselor’s and
psychotherapist’s most powerful intervention. We assert that the contactful and involved
qualities of a healing relationship are maintained through the therapist’s authenticity, therapeutic
intent, and a constant attention to the relational context of all client behaviors.
We end the book with a detailed, word-for-word, transcript of an actual psychotherapy
session that illustrates the wide variety of concepts presented in the book. This detailed therapy
transcript includes annotated footnotes that contain references to the page(s) in previous
chapters where the theory or method used is discussed in detail. These annotations are a
valuable guide to putting theory into practice.
Enjoy your reading !
Richard Erskine,
Vancouver, Canada
www.integrativetherapy.com
Part I
Theoretical Foundations
Ch apt e r 1
A
s a relative beginner in the field of psychotherapy, you are almost surely looking for
some specific, practical guidelines about how to work with your clients. People are
coming to you for help. They are dealing with an often bewildering array of problems,
and you want to be useful. You need to know what to do and when to do it. And you may well
be tired of discussions of theory, of endless talk about how problems arise or about the different
ways that different scholars look at such problems.
While we, the authors, would like to plunge right into a discussion of how to do good
therapy (we, too, are most fascinated by this topic), some other issues need to be dealt with
before we do so. Psychotherapy does not happen in a vacuum. It is practiced in a current
cultural setting, a current view of the nature of therapy, and within the context of other
therapies currently being practiced. Any approach to psychotherapy inevitably overlaps to
some extent with other approaches that are being used and have been used in the past.
This is partly because all therapists are looking at the same kinds of data (confused people,
angry people, people in pain) and drawing their conclusions from those data, and partly
because therapists talk to each other, read about each other’s ideas, and take from those ideas
whatever seems useful to them.
To fully understand a given therapeutic approach, then, it is necessary to understand
where that approach comes from, what ideas it has built upon, and how it is similar to
and different from the approaches suggested by other theories. In this first chapter, we
review the way in which modern psychotherapy has evolved since Sigmund Freud wrote
his landmark The Interpretation of Dreams more than 100 years ago. We look briefly at
some of the major ways in which psychotherapy is practiced now, in the 21st century.
3
4 THE ART AND SCIENCE OF RELATIONSHIP
We discuss the impact of managed care—arguably the most significant external factor in
current psychotherapy practice—on the therapeutic process. With all this as background,
we are then ready to lay out for you our own view of psychotherapy: how it comes to be
needed, how it can be helpful to people, what we actually do with our clients, and how we
decide to do it.
Next steps
Almost as important as Freud’s work were the contributions of his colleagues, the psycho-
analysts and psychotherapists who helped spread the word about this new way of treating
emotional pain. Each of them took Freud’s ideas and shaped them to fit their own views
of the world. Some changed the original ideas very little, passing them on to their own
students much as Freud had originally presented them. Others made very significant
changes, changes that eventually led to their leaving Freud’s original group and going
their own way. Notable among these latter pioneers were Carl Jung, with his ideas about
the collective unconscious, and Alfred Adler, who insisted that people can be understood
better in terms of what they strive toward in the future than in terms of what has happened
to them in the past. But even as these and other dissidents moved away from psycho-
analytic orthodoxy, forming their own schools of therapy and training their own cadres
of students, they were still part of the great overall pattern: the growing acceptance of a
link between one’s emotional state and one’s physical well-being, a connection between
feelings and behavior, and a conviction that emotional health could be restored (or at least
improved) simply by talking with a trained therapist.
Up until around the middle of the 20th century, psychoanalysis in its various forms was
psychotherapy. Virtually nothing else existed. If you wanted help for an emotional problem, you
found yourself an analyst—a Freudian or a Jungian or an Adlerian, perhaps, but nevertheless an
analyst. To be sure, a few others were trying to develop alternative ways of dealing with psychic
pain, but none of them came close to being as influential in the development of psychotherapy
as the psychoanalysts and those who studied with them.
Branching out
The defining event of the mid-1900s was World War II. It interrupted many developing lines
of theory and research by sending the theorists and the researchers off to fight, to flee for their
lives, or to support those who were fighting. The war was a highly effective distractor from
the concerns of psychotherapy in general and of psychoanalysis in particular. When one is
engaged in a struggle to determine the fate of the world, the early memories of a well-to-do
6 THE ART AND SCIENCE OF RELATIONSHIP
client are likely to seem relatively unimportant! But with the end of the war came a resurgence
of interest in psychology and psychotherapy, a resurgence fueled by the thousands of shell-
shocked veterans (who would now be said to have post-traumatic stress syndrome) who needed
psychiatric assistance.
During these psychologically fertile years of the 1940s and 1950s, new schools of thought
were taking hold in the U.S. psychotherapeutic community. Two of these, as radically different
from each other as they were from the ideas of the psychoanalysts, were to leave their own
indelible marks on the psychotherapeutic landscape. Each has become a part of the thinking—
the psychological worldview—of virtually every therapist in practice today. These two schools
of thought were behaviorism and learning theory on the one hand, and the client-centered
therapy of Carl Rogers on the other.
Learning theory, of course, was not exactly new. Psychologists, and philosophers before
them, have always been interested in just how it is that people learn. Behaviorism, though, put
a new twist on the study of learning: instead of probing the phenomenology of the learning
organism, trying to understand the learning process by looking at it from the inside out,
behaviorists chose to look at what that learning organism actually did. By limiting themselves
to observables, to behaviors that could be described and counted and verified by other
observers, they hoped to build a truly scientific body of theory, one based on measurable,
quantifiable events rather than on one’s subjective experience. Once this theory was in place
and it was clearly known what sorts of stimuli led to what sorts of behaviors, it would be a
relatively simple matter to apply these rules to the treatment of behavioral disorders. Notice
the wording here—behavioral disorders. For these theorists, emotional pain was the result—
not the cause—of dysfunctional behavior. Freud and the psychoanalysts tried to improve
behavior by interpreting their patients’ thoughts and feelings. The behaviorists asserted that
thoughts and feelings would be improved by changing one’s behavior. It is hard to imagine two
points of view more fundamentally different than these; yet each has survived (in modified
form), and many if not most therapists today borrow liberally from both.
Then there was Carl Rogers, the young professor at the University of Chicago who wrote
the book with such a strange title: Client-Centered Therapy (1951). Rogers was not interested
in manipulating feelings in order to change behaviors, and he was not interested in manipu-
lating behaviors in order to change feelings. He was not interested in manipulating anything
at all. He believed that people have the capacity and the right to determine for themselves how
they want to grow and change. Given the proper psychological climate, said Rogers, people
discover on their own how to heal their pain and how to become the best they can possibly be.
He asserted that three ingredients make up such a psychological climate: openness and honesty
(he called this congruence), unconditional acceptance, and empathic understanding. When
therapists learn how to provide those, their patients—Rogers called them clients in order to get
away from the doctor-as-authority quality of the medical model—will naturally and instinc-
tively begin to grow and heal.
Development of integrative psychotherapy 7
Modern psychotherapies
The world of psychotherapy as it exists today has grown out of those turbulent times.
Some of the “new” therapies have survived, and some have not. All—the new and the old—
have changed, as research and experience have shed even more light on how people become
disturbed and what sorts of things help them to heal. Even the kinds of disturbances that
bring people to psychotherapy have changed: new times bring new “diseases of choice,” new
culturally supported ways of expressing emotional pain. And the tremendous burgeoning of
drug therapy has meant that many people now treat their depression or anxiety with pills and
that therapists work much more closely with physicians, developing a treatment regimen that
combines psychopharmacology with psychotherapy.
Managed care
A major event in determining the kinds of therapy that are generally available today is the
advent of managed care. Therapists now must fight their way through an alphabet soup of
PPOs, HMOs, and PCPs, and must often obtain permission from insurance providers for every
session they schedule with a client. Not only is the number of sessions regulated, but increas-
ingly even the kind of treatment that must be provided for a given diagnostic category is being
standardized and prescribed for practitioners (Erskine, 1998b). In a discussion of the psycho-
therapeutic implications of managed care, Weiss and Weiss (1998) comment, “The rise of the
managed care approach to controlling health care costs has made it next to impossible to work in
8 THE ART AND SCIENCE OF RELATIONSHIP
any kind of real depth with the majority of people whose insurance will only cover the psycho-
logical equivalent of first aid” (pp. 45–46). Some therapists, concerned over the likelihood of
having to curtail services to people in need of help and also over the ethical implications of
reporting confidential information about their clients to insurance companies, choose not
to deal with the managed care system at all and work only with clients who can afford to pay out
of pocket for their therapy. Others remain within the system, even though this usually means
that their clients will have fewer sessions, spaced farther apart, than either client or therapist
would wish, and that writing reports and filling out forms will require time that could better be
spent in more therapeutic activities.
Managed care is still evolving, and no one can predict what its ultimate effect on the
provision of psychotherapy will be. What is certain, though, is that every therapist, whether
providing short- or long-term care, must develop a way of working with clients that fits the
client’s needs, the therapist’s own personal style, and the demands and limitations of the
client’s financial resources.
Carl Rogers’ client-centered therapy (1951), perhaps bowing to a concern for political
correctness, is now known as person-centered, and it is difficult to find a therapist whose
work has not been shaped by it. Every modern psychotherapy training program expects
its students to master the skills of active listening, and these skills are based largely on
the “accurate empathy” that Rogers and his students believed to be critical to psycho-
therapeutic success. Most therapists use Rogers’ ideas about empathy, congruence, and
positive regard—in essence, ideas about the fundamental importance of the therapeutic
relationship—as a foundation for whatever additional therapeutic ideas and techniques
they may use.
Newer therapies
Perhaps the best known of the next generation of psychotherapy frameworks (putting aside,
for the moment, the various branches of cognitive behaviorism) are the Gestalt therapy of Fritz
and Laura Perls (Perls, Hefferline, & Goodman, 1951) and Eric Berne’s transactional analysis
(1961). Both of these approaches developed theoretical concepts that have migrated into the
general body of psychotherapeutic thought. Berne’s descriptions of ego states, for instance, and
the concepts of strokes and of “life script” have been adopted by many non-TA therapists; the
Perlses’ ideas about contact and the “safe emergency,” and their empty chair techniques are
widely used within a variety of theoretical approaches.
Many other approaches have been developed as well. Bioenergetics links physical and
emotional phenomena and advocates working with the body in order to bring about psycho-
logical change (Lowen, 1976). Primal therapy is best known for its focus on the psychological
effects of the earliest of all human experiences: birth itself (Janov, 1970). In psychodrama, first
developed in a group context, clients act out the roles of important people in their lives and in
the lives of other people in the group (Moreno, 1964). Neuro-linguistic programming (NLP)
is/was an odd conglomerate of techniques (Bandler & Grinder, 1975); it grew and flourished
for a decade or so and then began to wither away. Again and again, approaches to therapy have
sprung up, gained a significant following, and died back a few years later, each leaving its own
contribution to our evolving understanding of psychological change.
Some approaches take their identity not so much from their theoretical base as from the
clients they serve. Couples therapy and family therapy are notable examples here; a whole
body of theory, with associated strategies and interventions, has developed out of therapists’
efforts to help these “conglomerate clients” to deal with both their individual difficulties
and the difficulties involved in their relationships with each other. The National Training
Laboratories developed theory and associated strategies for helping people from the
workplace enhance their personal and occupational effectiveness. And generically labeled
group therapists have concerned themselves (logically enough) with providing therapy to
clients in small group settings.
10 THE ART AND SCIENCE OF RELATIONSHIP
and informs the work at any given moment. Say Norcross and Newman (1992), discussing the
difference between eclecticism and theoretical integration, “Theoretical integration involves
a commitment to a conceptual or theoretical creation beyond a technical blend of methods.
The goal is to create a conceptual framework that synthesizes the best elements of two or more
approaches to therapy. Integration, however, aspires to more than a simple combination; it
seeks an emergent theory that is more than the sum of its parts, and that leads to new directions
for practice and research” (pp. 11–12).
Integrative psychotherapy may well be the wave of the future. Already, professional
journals and professional societies have arisen that are devoted to developing and advancing
integrative theories. Integrative therapists may behave quite differently from each other in
their actual work with clients, but all have in common a commitment to “attend seriously
to what has been observed by proponents of all the major schools and to incorporate those
observations and the methods they have spawned into a framework that is comprehensive,
coherent, and continually evolving” (Wachtel, 1990, p. 235). Integrative psychotherapists
share a belief in the interdependence of theory and practice, a conviction that the best therapy
is supported by theory, and that the best theory leads to effective practice. The intent of this
book is to present such an integrative theory, together with the means of implementing it
in our work with clients. The integrative theory that we have developed has at its center the
therapeutic relationship, and the therapy that emerges uses the therapeutic relationship as
the primary vehicle for change and growth.
climate. For Freud, people were driven by some internal forces, and thwarting those drives
led to anxiety and other uncomfortable internal states. Behavior was caused by drives or by
one’s efforts to resist them. What goes on internally, in other words, was thought to cause what
people do externally.
Behaviorism, in contrast, focuses on external behavior. For the radical behaviorist, no
aspect of a person is relevant unless it can be measured and verified by independent observers.
Reading a book, for instance, or making love or laughing or weeping, can be observed, and
independent observers would most likely agree as to what they are observing. The length of
time an observable behavior persists, how often it occurs in a given time span, and the events
that precede or follow it can be described and measured with relative accuracy. Behaviorists
assert that these externally observable events are the only legitimate targets for scientific
exploration or therapeutic effort. Internal experiences, feelings like anxiety and depression, or
thinking patterns like confusion or obsession, may occur, but they cannot be reliably measured:
perhaps what you experience when you are “anxious” is totally different from someone else’s
experience of “anxiety” and, indeed, is closer to what your neighbor or roommate would call
“confusion.” There is no way for anyone to actually know another person’s internal experience,
because internal experiences are necessarily subjective. Internal events occur, to be sure; but,
because they are internal and not objectively observable, they should not be made the focus
of research or of therapy. Focus your therapy on that which can be seen, say the behaviorists.
Help people change their problematic behaviors; then you and they will both be able to gauge
how well you have succeeded. Moreover, when problematic behaviors are changed, reports of
internal discomfort tend to decrease. Radical behaviorism asserts that internal events do not
cause external behaviors; quite the reverse, external and observable behaviors are the cause of
internal states.
Cognitive behaviorism provides yet another view: feelings do not cause behavior, nor does
behavior cause feelings. Instead, thinking—cognition—lies at the root of both our behaviors
and our emotional experience. Whatever the situation in which we find ourselves, it is our
thoughts about that situation that determine both what we do and how we feel about it.
This being so, it follows that therapy should address itself to cognitive processes. Changing
how a client thinks will change both his behaviors and his emotional experience.
function. Changing how we think about something can certainly change how we feel about
it and what we do about it; but it is equally true that a shift in our emotional response will
lead to different cognitions and behaviors. Our physiology has a profound effect on our
thoughts, our feelings, and our actions; and thoughts and feelings and actions in turn affect
our physiology.
The very language we use to describe ourselves bears witness to this fundamental inter-
dependence. When we look closely at the words for different arenas of human function,
their meanings begin to blur. Take behavior, for instance; ordinarily, and in the preceding
discussion, we take it to mean some kind of action. Likewise, inaction; not doing something
is a behavior, is it not? What about internal behaviors? If behaving is what I do, isn’t worrying
or fantasizing or thinking about a problem a behavior? Behavior is not the only word that
tends to shift and flow when we look closely at it; emotions and feelings are elusive, too. It is
hard to imagine an emotion that does not have a cognitive component. What I feel about
something is determined by the meaning I give it, and meanings are cognitive. Moreover,
what I feel about something (and even the meaning I give it) is also a physiological thing;
feelings are dealt with in specific parts of the brain and are closely linked to chemical events
in the body. Basch (1976), noting this confusion around the nature of feelings, has suggested
that we use the word affect to refer to the simple physiological experience of a particular
chemical configuration and reserve emotion for a cognitively monitored event. Emotion, he
says, involves recollection of past events and of our physiological responses to those events.
It represents the coming together of a here-and-now physiological experience and our associ-
ations to previous similar experiences. Nathanson (1996) summarizes this distinction neatly:
“Affect is biology, while emotion is biography” (p. 13).
Not only is our experience of emotion strongly affected by our cognitions and our
physiology, but also our cognition is influenced by our affective experience. Says Nathanson
(1996), “It is only when affect makes us pay attention to a stimulus that we may be said
to be conscious of it; in the language of affect theory, consciousness itself occurs only
when some mental content has been assembled with an affect to gain access to our highest
cognitive functions” (p. 3). If there is no emotional response, in other words, there is no
consciousness; and without consciousness, there is no cognition.
As is shown in later chapters, one of the happy consequences of this interrelatedness of
all human functioning is that changing one aspect of ourselves generally results in changes
elsewhere. Therapists are not required to work only with behaviors (as the radical behav-
iorists would have them do) or primarily with cognitions (as many cognitive behaviorists
recommend) or to regard emotions as the ultimate battleground of the human condition.
We are free to move in wherever we are invited, to help the client explore the avenues
that are least defended, with the certain knowledge that everything is related to everything
else. However, lest we become too complacent, we must remind ourselves that interrelat-
edness also means that dysfunction and pain in one aspect of human process are likely to
14 THE ART AND SCIENCE OF RELATIONSHIP
spread and affect every other aspect. Therapists need to make sure that, in choosing the
avenue of least resistance to begin the work with a client, they are not overlooking potholes
and broken pavement elsewhere. Eventually, those potholes will need to be repaired;
dealing with other parts of the client’s experience will make the repairing easier but will
not substitute for it.
Relationship
All of the facets of human experience that we have discussed occur in the context of relationship.
To be human is to be in constant relationship with other humans, in actuality or in fantasy.
Relationship-focused integrative psychotherapy asserts that literally no human activity can
be relationship-free. Even the most reclusive hermit is solitary only in contrast to and with
knowlege of relationship: a fish, swimming in water, does not know that it is wet because wetness
has meaning only as it is contrasted with not wet; and just so, no relationship can be meaningful
only when it is contrasted with relationship.
In an even more basic sense, to be a thinking, feeling human being absolutely requires
relationship with others. Without relationship, there can be no cognition. Midgely
(1998) speaks almost poetically of the connection between thinking and relationship:
“Thought involves communication. Cartesian beings, isolated in their separate shells of
alien matter, could never even have discovered each other’s existence. What thinks has to
be the whole person, living in a public world” (p. 164). Similarly, it is impossible to imagine
emotion without relationship, for emotion (in contrast to affect, a private physiological
phenomenon) is itself a form of communication (Erskine & Trautmann, 1997/1996).
Nathanson’s characterization (1996) of emotion as biography certainly implies this, for
biography is in essence a history of relationships. Our relationships, good and bad, long
and short, actual and fantasized, are the single most influential factor in our development
as human creatures.
Considering the pervasiveness of relationships in human experience, one may well wonder
whether developing relationships with others may be, in fact, the fundamental task of each
individual. Perhaps relationship is not just a psychological need but a biological one as well,
as Mitchell (1993) asserts: “Attachment is not … derived from more basic biological needs;
attachment is itself a basic biological need, wired into the species as fundamentally as is
nest-building behavior in a bird” (p. 22). It is no accident that people think, feel, and act in
relationship to others; our relationship hunger has evolved with us down through the eons.
I am not just an I—I am part of many wes, and my I-ness depends upon the quality of each we
in which I participate.
For far too long, psychotherapists have underemphasized or even ignored relationship as
a fundamental aspect of human nature. Psychotherapy has been all too often a celebration of
the I, an oxymoronic search for individual health and growth. The so-called Gestalt Prayer is
Development of integrative psychotherapy 15
A relational psychotherapy
The interrelatedness of all aspects of human functioning, cradled within and depending
upon relationships between individuals: this is the complex and exciting system that a
relationship-focused integrative psychotherapist must enter and within which the seeds of
change are sown. Gold (1996) sums up the common characteristics of integrative psycho-
therapeutic approaches:
To this description, we add a focus on relationships, both as they have brought the client
to his present situation and as a means for bringing about changes in that situation. Such
a focus is increasingly supported by research. In 1999 a special task force of the American
Psychological Association’s Division of Psychotherapy was commissioned to “identify, opera-
tionalize, and disseminate information on empirically supported [therapy] relationships”
(Norcross, 2001, pp. 347–348), and the findings of this task force have been published in a
special edition of Psychotherapy. Briefly, they found that “among those factors most closely
associated with therapist activity … client-therapist relationship factors are most significant
in contributing to positive therapy outcome” (Lambert & Barley, 2001, p. 358). Our primary
challenge as therapists is to create, maintain, and utilize a therapeutic relationship for the
benefit of our clients.
Where do we begin, though, when all causation is multidirectional and there seems to be
no single, clear starting point? How do we use the client’s relationships—with us, and with
others—in the healing process? How do we create a therapeutic environment in which it is safe
16 THE ART AND SCIENCE OF RELATIONSHIP
for our clients to bring past relational patterns and experiences into awareness and to allow that
awareness to change the nature of their interactions with self and others?
The key to all of these concerns is that phrase, “create a therapeutic environment.”
In relationship-focused integrative psychotherapy, the therapist enters consciously and purpose-
fully into relationship with the client and, in so doing, creates a psychological environment in
which the relationship itself supports and encourages change. Relationship-focused integrative
psychotherapists do not sit back, safely uninvolved, interpreting the client’s words and
behaviors or assigning tasks or parceling out rewards for “progress.” Instead, they enter fully
into the therapeutic arena, sharing their own responses and emotions, allowing themselves to
be genuinely affected by what is happening between themselves and this client. In so doing,
they offer the client a new kind of relationship, a relationship that invites awareness and disarms
defensiveness. Not only do they stress “the contribution and mutual interplay of expanded
awareness and the corrective [emotional] experience in and out of therapy, within the setting
of a positively toned, safe, and accepting therapeutic relationship” (Gold, 1996, p. 59), but they
make themselves responsible for the creation, nurturance, and utilization of that relationship
as a healing instrument.
Summary
From a somewhat arbitrary beginning point marked by the work of Sigmund Freud, psycho-
therapy has developed literally hundreds of approaches to the cure of psychological distress.
A number of Freud’s colleagues, notably Alfred Adler and Carl Jung, began the proliferation
process; the behavioral therapies and Carl Rogers’ client-centered therapy also offered new
ways of working with troubled individuals. The demand for psychotherapy continued to
spur new developments after World War II, and the human potential movement of the 1960s
and 1970s brought even more diversity to the field. Today, a major force for change has
been the advent of managed care, with its demand for shorter-term treatment and objective,
verifiable results.
As the number of competing approaches has increased, many therapists have adopted eclectic
styles, borrowing techniques from a variety of psychotherapeutic schools. Others also borrow
18 THE ART AND SCIENCE OF RELATIONSHIP
from more than one source but insist that their importations be held together by a consistent
theoretical base; this is the integrative approach.
Relationship-focused integrative psychotherapy assumes a fundamental interrelatedness
among all aspects of human functioning: cognition, affect, behavior, and physiology. It is
based on a conviction that, just as relationship shapes the development of all of these
aspects, so relationship is the basic therapeutic mechanism by which they can be changed
and healed.
CHAPTER 2
T
o say that relationships are a central factor in promoting change in psychotherapy is
all well and good—but it does not take us very far in terms of understanding what,
specifically, is happening with our clients and what, specifically, we can do about
it. The purpose of this chapter is to bring some sort of order into the complex and ever-
changing system of thoughts, feelings, actions, physiology, and relationship that comprise
human functioning: to provide a framework within which we can begin to understand how
the different facets of self and others are related and how we as therapists can most effectively
intervene in those systems.
In writing the preceding paragraph, we (the authors) were again forced to recognize the
limitations of language in describing the wonderful interrelated complexity of humans in
relationship. Even finding a word to designate what we therapists deal with is so difficult:
human behavior doesn’t do it, because there is much more to being a human than overt behavior.
Human activity has the same problem; some of one’s most significant experiences may come
when one’s body is at rest. Human processes may come closest, though the phrase feels awkward
and has a mechanistic flavor. What we need to look at and talk about is all the things that people
do, internally and externally: things that can be observed by others and things that can only be
reported; things of which one is aware and things of which one is unaware; beliefs and attitudes
and hopes and fears and all the myriad ways in which we make contact and draw back from
contact with ourselves and with others.
This process of being human is a dauntingly complex arena. To begin to understand
what we are dealing with, we need to simplify things, pare away some of the details so that
we can get a sense of the underlying structure. If we are to see the forest, we must ignore
19
20 THE ART AND SCIENCE OF RELATIONSHIP
some of the trees—at least for a while. Every description of how people function is a kind
of schematic, a map that emphasizes some things and ignores others. Even though “the
map is not the territory” (Watzlawick, Weakland, & Fisch, 1974), maps are still useful when
we are trying to find our way through a complicated world. As noted in Chapter 1, some
psychologists have drawn their maps in a way that emphasizes observable behavior as the
most important data of human functioning. Some have been more interested in cognition,
and some have placed emotions in the foreground. Some have been primarily concerned
with the effect of the past on what one is and does in the present, while others look to the
future—to goals and expectations—as the best way to make sense out of what is happening
to a person here and now.
The relationship-focused integrative psychotherapy map has derived primarily from four
theoretical perspectives: transactional analysis, Gestalt therapy, client-centered therapy, and
behaviorism. It also borrows significantly from psychoanalytic self-psychology, from object
relations theory, and from neo-Reichian body therapy. Each of these models, we believe, offers
important insights into human nature: how people come to be the way they are and do the things
they do. We have added to these borrowings our own clinical observations and conclusions.
By now, this synthesis of ideas has become a part of us, of our overall way of looking at people,
and it is quite impossible to say with certainty where each idea came from. We shall do our best
to credit the major sources, and we apologize in advance for the instances in which we may have
so thoroughly incorporated a concept that we no longer can remember its origin.
All of the theories that have shaped our thinking—all of the maps of human functioning—
acknowledge, in one way or another, what relationship-focused integrative psychotherapists
believe to be the central fact and primary influence on each human being: that we are social
creatures who have our being within a sea of relationships. A person comes to be an individual,
uniquely different from every other individual, through his or her relationships with others.
Mitchell (1992) urges us, as therapists, to “get away from a search for presocial or extrasocial
roots of the core or true self and focus on what it means at any particular moment to be experi-
encing and using oneself more or less authentically” (p. 19). As Mitchell asserts, the “true self ”
does not exist in a vacuum; it is formed out of the social relationships in which one participates.
Authenticity is a social phenomenon, rooted in social experience. As we turn our attention to
questions of why someone acts/feels/thinks/senses the way he or she does, and how that person
came to be that way, we must remember that the person we are looking at is, at every moment,
living within a matrix of relationships. Just as the background of a picture gives meaning and
substance to the figure in the foreground, so each individual draws meaning and substance
from the network of relationships within which he or she is grounded.
More often than not, people are unaware of the extent to which they are shaped by their
relationships. They may pay lip service to how much they have learned from a parent or to the
influence of a teacher, a neighbor, or a particular friend. But what they (and we ourselves) know
consciously—and can remember—is just the tip of the iceberg. Perhaps the most important
Script, repression, and contact distortion 21
influences of all, those that give a person his or her fundamental sense of selfhood and
continuity, occur before the acquisition of language. Without words to symbolize the quality
of a learning experience, the nature of that experience is soon lost to conscious awareness. Yet
such out-of-awareness shaping lies at the very heart of our sense of self, of others, and of the
world around us. That sense of self-with-others-in-the-world, in turn, gives meaning to our
ongoing experiencing.
Think for a moment of what it would be like to live in a world in which past social experience
did not shape your understanding of here-and-now occurrences. You wake to an alarm clock.
What is that noise? What does it mean? You hear a voice saying “Come on, it’s time to get
up.” Leaving aside the problem of understanding language—and language-learning is always
a social process—you have no idea who this person is, or what he wants; you do not know if
he’s happy, sad, scared of you, or angry with you, because you have not learned to interpret
nonverbal signals. You do not know what is expected of you, whether your day will be good
or bad (indeed, the notion of a good or bad day or even the abstract idea of the day to come
is foreign to you; all those ideas, along with their affective contexts, are acquired socially), or
where you are, or whether you want to be there.
All of this information, the knowings that we simply take for granted in our everyday lives,
has been acquired over the years of our existence. The great preponderance of it has been
acquired in a social context. Those few things that were not socially learned are colored and
made significant by their social surround. A child who touches a hot stove, for instance, learns
that a red stove burns fingers—and can learn this with nobody else around. But how people
respond to the child’s being burned will shape the child’s emotional response to the experience.
For one child, getting burned fingers is a temporary discomfort to be soothed by a cuddle,
a sympathetic voice, and some cool lotion; for another, it is a matter of personal inadequacy and
shame, acquired through the experience of a sharp scolding and a disapproving frown.
categories that order raw experience into coherent meaning. All knowledge and experience
is packaged in schemas. Schemas are the ghost in the machine, the intelligence that guides
information as it flows through the mind” (Goleman, 1985, p. 75).
Some schemas are relatively simple: how to walk or pick up an object or brush your teeth.
Others are complex blends of definitions and emotions and memories: the idea of father or the
meanings and implications of whispering, for instance. Schemas are the raw ingredients of our
expectations, our dreams, our wishes, our imaginings. They determine our external behavior
(the way to get into Suzie’s house is to take the sidewalk around to the back door, so I go
to the back without even checking to see if the front is open), our perceptions (I don’t even
notice that the front door is slightly ajar), and our thoughts (in my thinking at that moment,
the house has only one door and that door is in the back).
In a very real sense, everything we do in our lives shapes and adds to our collection of
schemas. We are constantly gathering new information and comparing it with previous
experience. Does it fit? Fine; schema confirmed and strengthened. Does it clash? Maybe
I saw/heard/understood wrong, or maybe I’m missing some important piece, or maybe—last
resort!—my schema needs readjusting. Poppell (1988) talks about hypotheses, using this term
essentially as we have used schema: “Every act of cognition, every perception, is the confir-
mation or the refutation of a hypothesis about the world, about the phenomenal appearance
or the behavior of others, or about oneself. The hypothesis is an active production of the
cognitive person, even if—particularly at the moment of cognition—he is himself unconscious
of this” (p. 66). Not only is the person unaware that he has produced a hypothesis, but he is
also unaware that the hypothesis is being tested or that he may over time distort perceptions,
memories, emotional reactions, and even overt behaviors in order to protect himself from
having to revise it. Again, all of this activity takes place within a rich, flowing, ever-present
stream of social relationships.
The phrase hypothesis testing is a bit misleading in that it suggests an activity that is
primarily—if not entirely—cognitive. Schemas have a cognitive component, to be sure,
but they are much more. They include emotions, behaviors, and physiological responses
as well. A schema involves the whole person; it is a seamless blend of all of the aspects of
one’s experience. Schemas emerge from the interaction of one’s internal and external worlds,
and they in turn affect how we think and feel about those internal and external worlds and
what we do with them. Our schemas shape our experiencing, and our experiencing creates
our schemas.
If a schema were an isolated bit of experiencing, a solitary chunk of self in world, it would
be an interesting but not particularly useful psychological concept. What makes schemas
all-important to us as therapists is that they can be strung together into larger patterns or scripts
(Berne, 1972; Perls, 1973). Unlike schemas, which are necessary if we are to function efficiently
in a complex world, scripts tend to limit our ability to adapt to new situations creatively and
constructively. “Scripts,” says Atwood, “are plans that people have about what they are doing
Script, repression, and contact distortion 23
and what they are going to do. [People] justify actions that are in agreement with their scripts
and challenge those that are not. Scripts are the ‘blueprints for behavior’ that specify the whos,
whats, whens, and whys of behavior” (1999, p. 13). Scripts are the old habits, the familiar ways
of relating to people, the unquestioned, knee-jerk reactions that prevent us from growing and
changing and forming new kinds of relationships. They are self-perpetuating: because of our
patterns of thinking, feeling, and reacting in a certain way, we create the very situations that the
script predicts (Erskine & Zalcman, 1997/1979).
More about the development of script is found in Chapter 3; for now, let us concern
ourselves with how script operates in the here and now of a client’s life. First, script is always
out of awareness: script-bound behavior feels like a natural and inevitable response to what
the world gives us. In actuality, though, our script helps to bring about our experiences
and shapes our phenomenological world to fit our expectations. “Scripts,” says Nathanson
(1993), “are sets of rules for the management of scenes that are inevitable or desired or feared
or despised but nonetheless will always assemble in predictable forms.” Those forms are
predictable precisely because of the rules we use to manage them. It is a circular process,
one that interferes with making genuine, spontaneous contact with other people: “managed
scenes” are the antithesis of spontaneity and authenticity. One of the primary tasks of psycho-
therapy is help people to interrupt their old script patterns, the patterns that trap them in
pain-producing and isolating behaviors, and to find new and more satisfying ways of relating
to themselves and to other people.
thoughts and behaviors that go with it—is immediate, automatic, and unquestioned. It is very
difficult to even think about changing something that feels both natural and inevitable, and
that is the quality that we experience in our script behavior.
whirled away, drowning in our own ungovernable process. In popular parlance, this is being
“crazy.” Our script patterns allow us to feel sane and stable, and with that sanity and stability
comes the possibility of maintaining a consistent, predictable identity in a consistent and
predictable world.
People cannot I take care of myself and expect others People don’t extend
be trusted to do the same themselves to help me, even
when I need help
Life is hard I am quick to defend myself People misunderstand me
(whether I need to or not) and get angry with me
Associated affect
Sadness, despair
In previous writings (Erskine & Zalcman, 1997; Erskine & Moursund, 2011) we have used
the notion of a script system to illustrate the self-fulfilling quality of script. Figure 2.1 is an
example of this system. The client in this illustration holds a number of script beliefs, acquired
over years of early neglect and deprivation: that he is unlovable, that people cannot be trusted,
that life is hard. These beliefs are associated with feelings of sadness and despair. When one
of the script beliefs is activated, he experiences the associated feelings; when circumstances
stimulate similar feelings, he is reminded of the script beliefs. The script beliefs and affects,
in turn, lead him to behave in predictable ways; he does not form close relationships, does
not reach out to people, and is suspicious and defensive. In response to these behaviors, the
other people in his life tend to be distant; they don’t enjoy his company, don’t seek him out,
and are easily annoyed and frustrated with him. The client remembers many instances of
these kinds of social responses, and, as shown in the figure, his memories serve to strengthen
his script beliefs.
A circular pattern such as this has no real beginning. Each part is preceded by something
else; each aspect is both a cause and an effect. Behaviors are reinforced by their consequences,
but the consequences are determined by the behaviors. Even when the expected conse-
quences do not occur in reality, they are often fantasized. The client imagines that people
will respond to him in the old, painful ways, ways predicted by script. Over time, even those
Script, repression, and contact distortion 27
fantasies become a part of the system; that is, the memories act as reinforcers too, as if the
fantasy had actually happened. The fantasy, arising out of the other elements of the system,
becomes a cause as well as an effect. To make matters worse, the whole pattern is out of
awareness, unavailable for updating or revision. The client is unaware of his pattern; for
him, this is the world—the only possible world—and his ways of responding to it are the
only possible responses. Says Wachtel (1990), “[U]nconscious processes, so important in
influencing how we construe and experience events and how we behave in response to them,
are in turn understandable as also a response to those same events. Close inspection reveals
that, far from persisting in spite of any input from everyday reality, and far from being simply
unrealistic and infantile, these unconscious processes can be seen as being maintained by the
very circumstances they bring about” (p. 236).
Repression
In 1937, Anna Freud wrote The Ego and the Mechanisms of Defense. In this book, she expanded
on her father’s concept of defense mechanisms as the ways in which people ward off anxiety.
The list of specific defense mechanisms is familiar to students of psychoanalytic thought—
repression, denial, displacement, isolation, rationalization, reaction formation, and undoing
are among the most commonly referred to—and we shall not, in this volume, deal with their
many permutations and combinations. One of them, however, is of particular importance in
understanding how the script system is maintained and how psychotherapists can help clients
overthrow it. This is the process known as repression.
Repression is the most basic of the defense mechanisms; all of the others flow from it and can
be seen as elaborations of it. Repression is a process of active holding back, active not-knowing.
“The essence of repression,” say Stolorow and Atwood (1989), “lies simply in the function of
rejecting and keeping something out of consciousness” (p. 105). Script is, by definition, out of
awareness, and repression is a key to keeping it that way. All of the other defense mechanisms
described by Freud and his followers involve repression, in that all defenses require that we
curtail or distort our awareness of self and/or others.
Repression is different from suppression; it is not merely a matter of turning our attention
away from some thought or behavior, of choosing to do or think about something else.
A scene in Margaret Mitchell’s novel, Gone With The Wind, describes Scarlett, the heroine,
faced with the terrible challenge of surviving in a world turned upside down by civil war; she
uses suppression to deal with her pain and fear. “I’ll think about that tomorrow,” she declares.
Scarlett chooses to not-know, to actively hold something out of awareness. Unlike repression,
however, suppression is a conscious process. Scarlett knows exactly what she is doing when
she decides not to think about her problems. Repression, in contrast, is a holding-back process
that has gone underground. The repressed material is not thought of—and cannot be thought
of. It is no longer available to conscious awareness. It is not simply forgotten, in the way that
28 THE ART AND SCIENCE OF RELATIONSHIP
we forget thousands of unimportant details of our lives—the phone number you looked up
just a few minutes ago, for instance, or the color of the shirt that Robert was wearing in class
last week. We forget unimportant things; we repress important ones. Repression happens for a
reason, and the reason has to do with the significance of that which is repressed. It is “the failure
to recall consciously something that is both significant and for which the inability to recall
is apparently motivated. That motivation may be conscious or unconscious, and it may be
internally or externally driven” (Freyd, 1996, p. 15). But, while the motivation for repression
may be conscious, the repression itself is not; the process, like the repressed material, is
unknown to its author.
Repression may begin as suppression and turn into repression when the habit of suppression
has become so automatic that it is no longer noticed and one no longer has a choice about
whether or not to be aware of the suppressed/repressed material; or it may be a more sudden
acquisition, as when some experience is so unacceptable, so pain-filled, that it must be kept
out of awareness from the outset. In either case, gradual or immediate, it always involves
some sort of tightening up, of holding in that which needs to be expressed externally (Perls,
Hefferline, & Goodman, 1951).
Repression can appear in a number of guises, depending on what sort of thing is being
repressed. Denial is repression of thinking or of one’s ability to think. Choosing, like Scarlett,
not to think about a problem can be the first step in losing the ability to even know that the
problem exists. Disavowal, in contrast, is the repression of emotion or of the ability to feel
emotions. Many people report that they “went numb” in an emotional crisis. Temporary
disavowal of emotion may be an important survival response in a crisis situation in which
one must act quickly and decisively. A parent caring for a critically ill child may have to put
aside his or her own feelings of fear and sadness in order to be there for the child; later, when
the crisis has passed, the emotions may come streaming back. If they do not, the choice of
not feeling has moved underground, out of awareness; it is no longer a temporary coping
mechanism but has become part of the person’s permanent defensive pattern. A third sort of
repression is desensitization, which involves the repression of physical sensation. Those who
have had to diet may have learned to desensitize themselves to sensations of hunger; others
may be desensitized to sexual feelings or to a variety of other body sensations. Desensitization
and disavowal often go hand in hand; people whose scripts demand that they not experience
certain emotions frequently maintain their disavowal by tuning out their bodies entirely.
Such people live “from the neck up”; theirs is an almost exclusively cognitive world in which
relationships tend to be superficial and one-dimensional. Repression is serious business,
because it cripples our ability to use our full selves in interactions with the world around us.
“Whatever we call it,” says Freyd, “—repression, dissociation, psychological defense, denial,
amnesia, unawareness, or betrayal blindness—the failure to know some significant and
negative aspect of reality is an aspect of human experience that remains at once elusive and
of central importance” (1996, p. 16).
Script, repression, and contact distortion 29
aspect of self from being known, but the defense cannot be given up because the person does
not even know it is there. Says Sigmund (1998), “It is the unconscious nature of [the] initial
splitting that results in the dissociative survival adaptation being carried forward in life even
when the initial persecutors are no longer harming the person and he or she is no longer in
the original persecutory environment” (p. 26).
Script patterns and repression go together; each supports the other. The various kinds of
repression protect the script, and the script often dictates the ways in which repression will
be used. It is a cruel paradox that script and repression, originally developed in order to
maintain contact with significant others and to preserve the integrity of the self, eventually
cut us off from both self and others. Nor are these patterns the exclusive province of people
who are “disturbed” or “mentally ill”; all of us, in the process of growing up, developed
solutions that seemed necessary at the time but are no longer useful to us as adults. To the
degree that we have incorporated those old solutions into our being and continue to
follow their patterns without being aware of doing so, we are using repression and are
trapped in script.
All of the contact-disruption processes are important in understanding how people distort
awareness, but introjection is of special interest in a therapeutic approach that focuses on
relationships. Introjection involves an out-of-awareness taking on of the beliefs, feelings,
motivations, behaviors, and defenses of another person. It is an unconscious defensive
identification with another that occurs in the absence of need-fulfilling contact (Erskine,
1994/1997d). Say Stolorow and Atwood (1989), “The essence of introjection … lies in the
substitution of some part of the psychic reality of an invalidating other for the child’s own
experience” (p. 372). The other person’s “psychic reality” is his worldview, including his
perception of the child. The child takes in that other person’s view of him or herself and
others—according to Stolorow and Atwood, a view that is invariably negative and invali-
dating of the child—and adopts it as his or her own.
While relationship-focused integrative psychotherapists agree that the introjected other
is often negative and critical, we define introjection somewhat more broadly: introjection
occurs in the absence of need-fulfilling contact. One takes in some part of someone outside
the self—emotions, attitudes, reactions, prejudices—without integrating that part into the
overall personality, and responds to and with that part as if it were indeed part of oneself.
As children, we may introject our caregivers’ beliefs, values, emotional responses, and physical
habits. Comments like “You laugh just like your mother” or “You’re just as stubborn as your
dad” attest to the frequency with which such introjection occurs. Adults, too, introject: how
many young therapists have introjected the beliefs and values and mannerisms of their
supervisors? How often does one family member pick up the emotional pattern of a parent,
a spouse, or a sibling?
Introjection is much more than simple imitation. As we have noted, it is a form of defense.
It serves to reduce the possibility of conflict between the introjecting individual and the person
upon whom that introjecting individual depends. To avoid conflict with a benevolent other
(upon whom we rely but who cannot always meet our needs perfectly) or with a malevolent other
(with whom conflict is dangerous), we defensively and unconsciously identify with the other,
becoming like the other by taking the other into ourselves. All of this is out of awareness, of
course; consciously, we may absolutely reject the notion that we would want to be at all like that
other person. Introjection is a matter of survival—survival of the self, and survival of the self
in relationship. Taking a part of the other into oneself, making oneself like that other, is a kind
of survival insurance. It internalizes the conflict resulting from the lack of need fulfillment or
the threat of that lack; when the conflict is internalized, it can—seemingly—be managed more
easily or at least with less anxiety and pain (L. Perls, 1978).
The special interest that relationship-focused integrative psychotherapists have in intro-
jection arises because an introject can function as an almost independent part of the personality,
a separate entity with whom quasi-relationships can be formed. It sits within the psyche like
a foreign lump, often impervious to the kinds of learning and growing in which the rest of
the person is engaged. When activated, it responds as that introjected other was perceived to
32 THE ART AND SCIENCE OF RELATIONSHIP
respond years ago. It is a kind of psychic time capsule, rigidly repeating the same old, unchanging
patterns over and over again. When an introject is acquired by a child, it is defined by a child’s
perceptions of the world. It may be acquired at times of high stress, when one is unable to see
the complexities and the depth of the other but, rather, introjects a kind of caricature of that
other’s process. These distorted, caricaturelike aspects of the introjected other operate internally
as one side of an internal dialogue, and externally in transactions with other people. Because the
introject is separate, isolated, it is protected from being affected by later relationships, and it is
relatively impervious to therapeutic interventions that are aimed at other parts of the self.
the original stimulus was critical or abusive and the defense involved introjection of the
criticism and abuse: now there is a part of me that knows how bad another part of me is.
One’s sense of self-worth is eroded by the internal dialogue, by the behaviors that result from
the dialogue, and even by the effort needed to maintain the whole pattern. By far the most
pervasive consequence of script and the defenses that maintain it is loss of contact. Both
basic survival (in a social world) and quality of life depend upon the continual moment-by-
moment interplay between external and internal stimuli and upon the ability to be aware
of and respond to those stimuli. Awareness of and response to internal and external stimuli
means contact—contact with self, in all its aspects, and contact with the world around us and
the people in that world. Script, by limiting contact both internally and externally, interferes
with the quality of life and, in its most toxic forms, with survival itself.
A self divided, its parts not in contact with each other, is inevitably in conflict. With internal
contact, one may have many different wants, needs, dreams, and fears; one sorts these out,
prioritizes them, makes adjustments and compromises. Without such contact, the differing
wants and needs are at war with each other. There is no communication, no working things
out, only a constant tension, a feeling of not trusting oneself, and a growing sense of misery
and hopelessness. That which originally was defended against has become a minor figure in
this drama of despair; the script itself is now the enemy. But, hiding out of awareness, script
and its associated defenses are impervious to change. They continue to operate, spewing
out their poisons, even though their original usefulness has long been overshadowed by the
damage they do.
External contact, too, is crippled by repression, contact disruption, and script. People learn
to not see or not understand the things that might challenge their script beliefs. They remember
events in ways that support those beliefs. Things are overlooked, stumbled over, misplaced;
other people seem to be uncaring, or overprotective, or vicious—whatever the script calls for.
True contact with those other people cannot be made (because the whole self is not available to
make that contact), so there is no way to correct the misperception. Over time, our functioning
shapes our social environment. Script gradually eats away at our relationships until the other
people in our life are no longer interested in being in contact with us.
This widening spiral of script affects every modality of human functioning. It acts upon
our cognitions by distorting the meanings that we assign to the events of our lives (Cervone &
Shoda, 1999). Affect is stimulated by those distorted beliefs, by the painful stories we tell
ourselves about the things we do and don’t do, and by the things others do and the things we
think they did. Beliefs and affect shape behaviors, just as behaviors shape beliefs and affect; and
other people’s responses to our behavior further contribute to the script pattern.
Every diagnostic category in the DSM-5 (the Diagnostic and Statistical Manual of Mental
Disorders, published by the American Psychiatric Association in 2020, which is the standardly
accepted source for psychiatric diagnosis in the United States) has script components. From
the temporary discomfort of the adjustment disorders to the paralyzing patterns of obsessive
compulsive disorders or the labyrinthine logic of the paranoid, script plays its part. This is
not to deny, of course, the biochemical aspects of many psychiatric problems. Chemical
imbalances and central nervous system malfunction are undeniably a part of the clinical
picture for many clients, as are the tensions, stresses, and tragedies of their lives. But it is script
that determines how physiological dysfunctions and external pressures will be experienced
phenomenologically and how they will be reflected in the client’s behaviors. Coyne (1999)
speaks of “cumulative continuity” in his studies of depression. “An individual’s experience
with depression,” he says, “channels him or her into an environment that reinforces the
likelihood of future depression, thereby sustaining risk across the life course though the
progressive accumulation of the consequences of depression” (pp. 376–377). In Coyne’s view,
the disorder itself is folded back into the script out of which the disordered behavior arises.
The depressed individual creates depressing life experiences—either in reality, as a function
of his or her impaired ability to maintain contact, or in fantasy, through his or her ongoing
negative internal dialogue. Each of these events is experienced, understood, embellished, and
remembered in script-consistent ways, and thus further reinforces the pattern. With each
repetition, the scope of the script influence widens and more and more areas of functioning
are affected. We would add to Coyne’s description: non-self-created traumas, too, are folded
back into script. It would be naïve to assume that all saddening (or frightening, or infuriating)
experiences are brought about by script. Accidents can happen, jobs are lost during economic
hard times, and terrorist attacks and worldwide pandemics do kill; but everyone does not
respond to such traumatic events in the same way, or remember them with the same intensity,
or use them in the same way to reinforce old beliefs. It is in our response to and recollection
of life events that script takes over, constricting our ability to recover from or rise above that
which we cannot control.
As one becomes increasingly entangled in script, one’s perspective becomes narrower and
narrower. Life becomes a series of dreaded yet inevitable outcomes, and one tends to focus
on those outcomes: on trying to ward off disaster and watching helplessly as the very effort to
avoid the pain seems to make things worse. No matter how one tries to break out of the pattern,
one repeats it over and over again. Freud (1920/1955) used the term repetition compulsion to
Script, repression, and contact distortion 35
describe the way in which his patients got themselves into the same sorts of painful situations
again and again. To the outside observer, these behaviors do appear to be a kind of compulsive
choosing to repeat a behavior that did not work well in the first place. From the inside, though,
it does not feel like making the same choice over and over but, rather, that there is no choice to
be made. One’s responses and their consequences seem inevitable, unavoidable. Since the script
is out of awareness, one cannot see the pattern or one’s own part in creating it. The more one
tries to understand, the more one searches for explanations and meaning in these experiences
(explanations and meanings that must be consistent with the out-of-awareness script and
must thus deny and distort one’s perception of the actual events), the more one is likely to
focus on an inner dialogue, further closing off contact with the world of people and things
that might challenge the script. “Tragic and poorly articulated [script] narratives decrease the
person’s sensitivity to the interpersonal world by creating preoccupations with inner states and
structures of which the person paradoxically remains unaware” (Gold, 1996, p. 42). It is the
paradox of being focused upon things of which one must remain unaware that gives script its
tenacity and its ability to spread into every aspect and every relationship of one’s life.
This business of repression and contact distortion and script patterns creates a dismal
picture. How ironic, that what begins as a creative means of protecting oneself from harm
turns into something that is in itself harmful and causes damage in ever-increasing ways.
Yet the very nature of script holds the seeds of its dissolution; since script must, by definition,
be unaware, any increase in the client’s awareness is script-destroying. Moreover, patterns of
repression and contact distortion can serve as markers: they tell the therapist that script has
been activated. “Pay attention!” these patterns announce. “Script alert! We just came close to
something important!”
Relationship-focused integrative psychotherapists use the therapeutic relationship as the
primary vehicle by means of which awareness can be enhanced and script dissolved. A broad
range of interventions and techniques can be useful in helping clients to break out of script,
and all are most effective in the context of a contactful relationship between therapist and
client. To understand how they operate, how to choose among them, and why the therapeutic
relationship is so central to their effectiveness, we must turn to a more detailed consideration of
the role of relationship in human development.
Summary
All human learning and development are shaped by relationships. The earliest learnings,
occurring in the context of child–caregiver relationships, result in schemas: ways of under-
standing and categorizing the world that are constantly being tested and updated. Schemas can
be organized into scripts, and these scripts rigidify and limit one’s ability to respond to others
spontaneously and creatively. Scripts protect the individual from perceived harm or danger and
are developed when one’s relationships fail to provide needed support. Scripts are maintained
36 THE ART AND SCIENCE OF RELATIONSHIP
because they provide predictability, identity, continuity, and stability; moreover, an individual’s
script system tends to be self-reinforcing.
Psychological defenses protect and maintain script. The primary defense mechanism
is repression, which can be subdivided into denial (repression of thoughts), disavowal
(repression of affect), and desensitization (repression of physical sensation). All of these
forms of repression require loss of contact with oneself and with others. Introjection,
a form of contact disruption that is of special interest to relationship-focused integrative
psychotherapy, involves taking some aspect of another person into oneself and experi-
encing it as one’s own.
The costs of script and the defenses that maintain it include internal conflict and dialogue;
erosion of self-worth; loss of contact; an ever-narrowing and rigidified ability to interact with
others; and, ultimately, the development of the kinds of symptoms and problems that bring
people to psychotherapy.
CHAPTER 3
T
he person who seeks help through psychotherapy has a history, and that history
contains the seeds of the challenges with which that person now is wrestling.
The problems that bring people to therapy do not usually spring up overnight and
are seldom suddenly thrust upon them by outside circumstances. People live and move
within a stream of time, and their situation at any given moment is a product of who they
have been and what they have learned throughout that stream of time. Therapists can
easily overlook this dimension of their adult clients and treat them as if they were simply
here-and-now beings dealing with here-and-now problems. But here-and-now problems
are rooted in the experiences and learnings of then-and-there; if the problem of here-and-
now is not to simply repeat itself in another way, another painful relationship, another
depressive episode, then therapists and clients must deal with the then-and-there out of
which here-and-now has grown.
The most significant and influential aspects of anyone’s history are the relationships in
which one has participated. From the work of Freud and his colleagues, through the many
shifts and permutations that have shaped our profession, therapists, theorists, teachers,
and researchers have emphasized the importance of relationship—both in the early stages
of life and throughout adulthood—in giving meaning and validation to an individual.
In this chapter, we look at how relationships support and shape our development, how they
contribute to both health and dysfunction. In so doing, we set the scene for discussing how to
use the therapeutic relationship, as well as therapeutic interventions within that relationship,
as a vehicle for change and growth.
37
38 THE ART AND SCIENCE OF RELATIONSHIP
toward the primary caretaker. They recognize the central importance of “the affective exchange
between parent and child and … the simultaneity of connection and separation. Instead of
opposite endpoints of a longitudinal trajectory, connection and separation form a tension,
which requires the equal magnetism of both sides” (Benjamin, 1992, p. 49).
It was once thought that newborn babies experienced the world as a jumbled swirl of
unrelated and disorganized sensations—William James’s “blooming, buzzing confusion”
(1890). Later observers have revised that belief; we now know that babies emerge into the
world equipped with the ability to organize their perceptions. They see shapes, movement,
and figures against background. Much earlier than was previously thought, they also see
other people and distinguish them from mere objects. Whatever else there may be in a
newborn’s environment—the bright light of a hospital delivery room, the colors and textures
of a bedroom, the odors and sounds of a kitchen—there is always at least one other human
being. The presence of another person is the one universal element in the early experience
of all humans, and these others are differentiated from the rest of the world very, very early.
The infant is not alone. Other entities are in the world, entities that are “like me” in some
fundamental way (Meltzoff, Gopnik, & Repacholi, 1999). The infant smile that earlier
generations dismissed as “just a gas pain; the baby hasn’t learned to smile yet” is probably not
just a gas pain after all; while it may not carry the same sorts of meanings as the smile of an
older person, it can nevertheless be a gesture of recognition and of relationship.
This awareness of an other is the basis for the infant’s sense of self. Without an other who
is like me but yet not me, I cannot develop my own selfhood. Others are more than psycho-
logical mirrors who reflect back to infants how they are seen by the people around them.
Others provide the possibility of being; they provide the psychological boundaries with
which infants collide and through which they come to know that they too have boundaries.
“Without the existence of the other to serve as a foil for one’s own reflection,” says Agosta
(1984), “awareness of the self is impossible … not only is the ‘I’ a part of the ‘we,’ but
also … the ‘we’ is a component of the ‘I’ ” (p. 44). And the importance of an other is not just
a phenomenon of infancy; it continues throughout one’s life. The self continues to grow,
change, and be shaped by relationship experiences. Even though it is probably the most
basic, the most fundamental set of schemas in one’s mind (Goleman, 1985), the self is not
static. Every significant person, every important relationship, leaves its imprint upon who
we are and who we will become.
flip side of connection and contact; each requires the other, and, without the other, either would
be meaningless.
Contact and separation, coming together and moving apart, and sensing the presence of
an other who is sometimes close and sometimes distant, influence every aspect of the infant’s
development. Probably the most primitive of those aspects is that of affect. The ebb and
flow of chemicals in the body and the messages that those tides of chemical change send
to the brain are the raw materials of emotion. Affect can be solitary; it begins as a simple
positive or negative valence, an “I like/I don’t like,” and gradually differentiates into classes of
pleasure or pain. For affect to become emotion, however, for pleasure/pain and like/don’t-like
to evolve into joy or fear or anger or sadness, there must be another person to resonate with
one’s own feelings. The emotional core of the self derives from our early experiences with
others, with their reaction to our expressions of affect and with our perceptions of their
emotional response to those expressions (Stolorow, 1992).
The notion that emotions are essentially a social phenomenon, developed out of
relationship, is not difficult to accept. Emotions nearly always arise in the context of some
social relationship, and they are most fully experienced when there is someone to share them
with (or to hide them from). But what about thinking? Is our intellectual life also shaped by
social relationships? The answer to that question is an unqualified “yes”; our very patterns of
thought—our cognitive skills—grow out of our interaction with our environment, and the
most salient elements in that environment are other people. The classes and categories into
which we organize the world are taught to us by others; we know what a “dog” is, or a “house,”
or a “birthday,” because someone taught us to use those terms. Language itself, without which
thinking (as we adults understand and experience it) is not possible, is an inherently social
phenomenon. The language we learn from the people around us determines how we think;
people who speak Finnish or Urdu or Cantonese think differently and experience the world
differently from English-speaking people. Clocksin (1998) asserts that intelligence cannot
be considered apart from one’s engagement with others, one’s membership in a social group.
The bridge between what is presented to us through sensory input and how we represent that
input cognitively is constructed out of social consensus, as transmitted by the people from
whom we learn to communicate. Social relationships lie at the heart of every word we utter
and every thought we think.
To discuss thinking and feeling—cognition and emotion—as if they were two separate
processes is, of course, a distortion of what really happens in human functioning. Our thoughts
are inevitably undergirded and affected by our emotions, and our emotions are channeled
and given meaning by our thoughts. Drawing a distinction between thoughts and feelings is a
cognitive abstraction, itself made possible by linguistic convention. I would not be writing
about cognitions and emotions unless I had learned those concepts from someone. Moreover,
I would probably not have chosen to study them were those learnings not accompanied by some
positive affective response. I have a noticeably different emotional reaction to the concepts of
Relationship and human development 41
phrase “repetition compulsion” captured much of what we would now call a script pattern,
and Alfred Adler wrote similarly about “life style” (Ansbacher & Ansbacher, 1956). Eric
Berne (1961, 1972) is most generally credited with bringing the word script into common
usage; Fritz Perls, innovator of Gestalt therapy, described a self-fulfilling, repetitive pattern
(1944) and later called this pattern a “life script” (Perls & Baumgardner, 1975). Later psycho-
analytic writers have referred to a developmentally preformed pattern as “unconscious
fantasy” (Arlow, 1969b) and “schemata” (Arlow, 1969a; Slap, 1987). In psychoanalytic self-
psychology, the term “self-system” is used to refer to recurring patterns of low self-esteem
and self-defeating interactions (Basch, 1988) that are the result of “unconscious organizing
principles” found in the “prereflexive unconscious” (Stolorow & Atwood, 1989).
Whatever they are called, the scripts we create have largely to do with our experience of
needs and of how they are met. When infants experience a need, they instinctively reach
out to the world around them and to the people in that world to satisfy the need. If they are
hungry, they demand food. If they are lonely or bored, they cry for attention. As a need is
met, it recedes into the background and a different need becomes foreground—and the infant
again makes contact with the outside world in order to satisfy the new needs. This is natural
behavior, an uninterrupted flow of shuttling between internal and external, between need-
experienced and need-met. It is a series of Gestalts: indivisibly whole experiential patterns,
involving cognitions, affect, behaviors, and physiological responses, cycling through time
in an alternation of need and satisfaction that is as smooth and natural as the inhaling and
exhaling of a sleeping baby.
In the course of growing up in a social environment, children soon learn that they
are expected to modify this natural flow of experience. Sometimes when a child cries
for attention, Mother does not come—or comes with a frown and a harsh voice, and the
quality of the attention is not at all what the child wanted. Children are expected to share
their toys with siblings, to empty their bladder only at certain times and in certain places,
and to refrain from plucking bright-colored objects off the grocery shelves. They learn,
through their early relationships, that some of their natural efforts to meet their needs are
not acceptable. But needs and wants cannot simply be ignored: if the experience of need
arousal is not satisfied or closed naturally, it must find an artificial closure that distracts
from the discomfort of the unmet need. Children who learn not to cry for attention may
amuse themselves with their toys or cover their head with a blanket; in time, they may even
persuade themselves that they really want to play with the toys or hide under the blanket.
The original need is driven underground, often in order to maintain relationship with some
significant other person. Because the substitute solution is (at least temporarily) rewarding, it
tends to be repeated; awareness of the original need retreats farther and farther underground.
The artificial closure—the script pattern—begins to feel natural and even inevitable.
Crick and Dodge (quoted in Haines et al., 1999) talk about how a child’s very early script
patterns become elaborated over time. As the child grows and practices each set of responses
Relationship and human development 43
(and remember, most if not all of this “practicing” is out of awareness), the patterns become
both more efficient and more complex; they involve more and more perceptions and internal
reactions, with increasingly subtle influences on other related concepts and relationships.
The patterns also become “more rigid and resistant to change. … [They] begin to take on the
qualities of personality characteristics in that they are stable and predictable across a wide range
of situations” (pp. 72–73).
Script patterns, then, are born out of our life experiences. They become interpersonal
strategies, ways of dealing with people. They are often transmitted from parents to children
in early family interactions, and they affect all the relationships in which we participate
later in life. They “are guided by relatively enduring and complex mental representations …
[and] may be generalized across family, marital, and friendship contexts” (Lyons-Ruth,
1995, p. 435). As shown in Chapter 2, they are supported by beliefs about self, about others,
about the nature and quality of life, and by the affect that surrounds those beliefs and is
experienced when one of the beliefs is activated. The belief-affect combination leads to
behaviors that are set, prescribed, and repetitious (even though they may feel natural and
spontaneous). Those behaviors, in turn, set off predictable responses in others, responses
that tend to perpetuate the behavior, reinforce the original beliefs, and justify the expression
or containment of emotion.
Even when other people do not respond in ways that directly reinforce our script, we tend
to interpret their responses to fit the pattern. Says Warner (1997), “Of course, there is no such
thing as one’s ‘real’ experience, only an actively constructed account of one’s life situation,
grounded within one’s social and cultural milieu” (p. 132). A child, acting out newly forming
responses, organizes the whole world into patterns, or schema; the schema string together
and make sense of otherwise unrelated events. If a new experience cannot be assimilated into
this organization, it is distorted—not unlike Cinderella’s wicked stepsisters cutting off their
toes in order to force their feet into the glass slipper—or ignored altogether (Weinberger &
Weiss, 1997).
Script has its origin in a need not met, and the experience of need-not-met lies at the
core of every script pattern. Script is developed to compensate for and ease the discomfort
of unmet needs. These needs, while not always centered on relationship, always have a
relational component; they are shot through with relational experiences and expectations.
Children’s developing scripts are predictive, for script perpetuates the belief that one’s needs
will not be met, that people will not be there for one and will not (or cannot) give one
what one really wants. Children’s experiences in relationships are then selectively perceived
and selectively remembered to confirm those expectations; and, to protect themselves from
being disappointed again and again, they may begin to close themselves off, making their
contact with others increasingly limited and superficial. Or, they may repeatedly look for
that one perfect relationship that will meet their needs, and meet them perfectly—and be
demanding and critical because each new relationship eventually falls short of what they so
44 THE ART AND SCIENCE OF RELATIONSHIP
desperately want. Each time the script pattern is repeated, it becomes more ingrained and
rigid, and the script-bound person’s relationships become more brittle, more shallow, and
less satisfying to either of the participants. Instead of separation contributing to contact
with others, and contact with others contributing to the processes of individuation and
connection, the pattern has been reversed: separation now reduces the possibility of contact,
and what pseudocontact there is reinforces and perpetuates internal distortions, defen-
siveness, fragmentation, and isolation.
contact, and we believe that they are the essential elements that enhance one’s sense of self-in-
relationship. When these needs are not met, relationships are damaged and one’s overall quality
of life is impaired.
A paradigm shift
Understanding human needs in terms of relationship—as emerging from relationship and
reaching out to relationship—represents a basic shift in the way psychologists conceptualize
human functioning. In the graduate schools of the 1950s and 1960s, students were taught
to analyze the structures and systems that organized each individual. Needs—if they were
conceptualized at all—were thought to be elaborations of basic physiological drives. People
interacted with each other, wittingly or unwittingly reinforcing each other, on the basis of those
drives and the responses that were learned in trying to satisfy them. Human society was seen
as a collection of individuals colliding or cooperating as each attempted to take care of him
or herself. The human mind (again, if it was mentioned at all) was the product of evolving,
innately derived patterns, only secondarily influenced by transactions with others.
By the 1980s, the view of the psychological self had begun to change radically. “Mind has
been redefined from a set of predetermined structures emerging from inside an individual
organism to transactional patterns and internal structures derived from an interactive, inter-
personal field” (Mitchell, 1988, p. 17). Today, while we still recognize that a relationship involves
individuals, we also assert that individuals are formed by their relationships. We need relation-
ships, relationships with specifiable characteristics, to survive.
Freud, working without the benefit of these new understandings of the importance of
human-to-human connection, talked about the libido, the life force, as being basically
pleasure-seeking. He thought that all of our behaviors, internal and external, could be traced
back to a need to experience pleasant sensations and avoid painful ones. Almost a century
later, we are beginning to realize that it is not primarily physical pleasure that people seek,
but relationship. The most satisfying experiences of life are those that involve relationship.
Even painful relationships exert their pull: marriage partners stay together even when they
no longer like each other; children lie to protect their abusive parents. The need for relation-
ships, as well as the needs experienced within those relationships, is a primary motivating
experience in human behavior, in and of itself.
Emotions are squarely at the center of relationship. The sense of being in relationship is a
kind of emotion, a feeling of connectedness and belonging. It may be positively valenced, in
which case we enjoy the company of the other person, look forward to being together, enjoy
pleasing and being pleased by each other, and feel sad or angry or frightened by the prospect
of separation. Or the valence may be negative: we dread seeing the other person, dislike
him, fear what he may do or say in our presence. Of course, most relationships are mixed,
with good moments and bad, pleasure and pain, satisfaction and exasperation. Good or bad,
46 THE ART AND SCIENCE OF RELATIONSHIP
however, there is always emotion in relationship. Here is another of those circular, two-directional
influences: emotion is always present in relationship, and relationship is always present
in emotion. Emotion (in contrast to sheer affect) is relational, transactional in its nature.
My emotion requires a you to respond and resonate to that emotion, so that I, in turn, can
respond to what I experience coming from you. Emotion without that kind of resonance
(and remember that the responding other can exist in fantasy as well as in reality) is stunted
and short-lived, just as relationship without emotion is shallow and transitory.
Not surprisingly, the emotional intensity of a relational need grows as the need remains
unsatisfied. The relational need-not-met is often initially experienced as emptiness, a kind
of nagging loneliness; behaviorally, it may be manifested through intolerance or frustration,
through anger or aggression, or in closing down and withdrawing contact. Over time,
unmet relational needs can result in loss of energy or hope and can show up in script beliefs
such as “Nobody is there for me” or “What’s the use of anything?” Such script beliefs are a
cognitive defense against awareness of the unmet need and the feelings that arise when it is
not responded to.
One further quality of relational needs (and the feelings associated with them) must
be re-emphasized: these needs and feelings do not end with childhood. They are present
throughout the entire life cycle, from early infancy through old age. They are a part of the
background of every human relationship, emerging into awareness as longings or desires
and receding again to background when they have been acknowledged and/or satisfied.
The biological imperative for relationship and the kinds of needs that are manifested within
relationships are as much a part of adulthood as of any other developmental stage. Although
we may learn to disguise relational needs, or to compensate for their not being met, we never
outgrow them. Relational needs are lifelong.
fear of losing the other person’s respect and liking, without ridicule or humiliation. Relational
security requires more than verbal reassurances. It is the visceral experience of having our
vulnerabilities respected and protected, of having our needs and feelings accepted as human and
natural, of knowing that we will not be attacked or humiliated if we make a mistake. It grows
out of repeated experiences of sharing a new aspect of self and discovering that the relationship
has survived, that both of us are still here and still okay.
Second is valuing. The need to be valued, cared about, and thought worthy is an obvious
part of any relationship. Why would people want to be in relationship with someone who did
not value, care about, or respect them? Valuing is a kind of validation: an affirmation that one
is accepted, affirmed, and significant in the relationship; but valuing, as a relational need, goes
even beyond a general sort of caring about. It has to do with the acknowledgment of one’s
psychological process, one’s internal workings. Not just what one does, but why one does it,
is the key to this sort of valuing. When I am valued in a relationship, I know that my partner
expects and believes that whatever I do must have a reason, a reason that makes sense to me.
I know that my partner cares about and trusts me and wants to understand the sense-making
of my behavior, my emotions, my hopes, fears, dreams, and fantasies. My partner accepts my
relational needs as legitimate, experiences my affect as significant and important to him or her,
and knows that whatever I may do or say serves (or is intended to serve) a significant psycho-
logical function.
Acceptance is third on our list of relational needs. It refers to being loved, respected, let in
to the other person’s life—and not just any other person; we’re talking about a reliable, stable,
and protective person, a person from whom one can draw strength, and whom one can let
in and love and respect in return. This kind of acceptance allows one to feel protected and
cared for by someone whose caring and protection are meaningful, reliable, and dependable.
Toddlers who move out to explore their world but must frequently return to make sure that
their caretaker is there, solid and supporting, exemplify the need for this sort of acceptance.
Similarly, an adult client can move into frightening or dangerous internal territory, exploring
thoughts and feelings and memories long buried and closed to awareness, with the support and
acceptance of a dependable therapist.
We asserted earlier that each of the basic relational needs must be dealt with (i.e., acknowl-
edged, if not actually satisfied) in a relationship if it is to be healthy and sustained. The need
for acceptance from a dependable and protective other is perhaps an exception, in that adults
appear to be able to sustain relationships with dependent children—who are neither protective
nor particularly reliable—over long periods of time. Even in the case of a child with devel-
opmental delays, with whom one never achieves the kind of adult–adult relationship that
characterizes most healthy interactions between parents and their grown children, there can
still be close and lasting relationships. Note, however, that persons who sustain this sort of
relationship with a child are perhaps most needful of acceptance from dependable and strong
others elsewhere in their lives.
48 THE ART AND SCIENCE OF RELATIONSHIP
The need for mutuality is the need to be with someone who has walked in one’s shoes,
who understands what one is experiencing because that person has experienced something
similar, in real life or, at least, in imagination. Part of this need arises from the natural desire
to not have to explain everything fully, to be understood without words; part of it has to do
with being able to believe that the other person really does understand and accept and value:
if you’ve been there, too, then of course you know what it’s like for me. Mutuality gives depth
to acceptance and valuing; if you’ve had the same experience, then you really do know how
I’m feeling and your acceptance means you accept who I really am and not just who I pretend
to be. How often we hear someone say, “If you knew what I was really like, you wouldn’t want
to be around me.” Underlying that sort of remark wails a need for mutuality, a desperate
longing for someone who does know, who has been there, and who still wants to maintain
the relationship.
Fifth on our list is the need for self-definition. Self-definition in a relationship involves
experiencing and expressing one’s own uniqueness and having the other person acknowledge
and value that uniqueness. It is the complement of the need for mutuality: the need to be
unique, as contrasted with the need for shared perceptions and experiences. One needs one’s
relationship partners to acknowledge one’s differentness, one’s disagreements, and even one’s
irritation or anger when these emerge as a facet of one’s individuality. When this happens,
each partner can grow and change with full support from the other. It’s that separation-
individuation thing again: by supporting a partner’s unique individuality, one strengthens the
commonality in the relationship as well.
Next is making an impact. An essential part of all meaningful relationships is one’s ability
to have an impact on the other person: to be able to change the other’s thinking, to make the
person act a different way, and/or to create an emotional response in that person—and not
only to cause these effects in the other but to be able to see the effects, to know that something
has happened to the other person in response to one’s input. We can all remember asking a
question or making a comment to someone and getting no response, or sharing some strong
feeling and finding no corresponding feeling in the other person. It is an uncomfortable
experience, and it leaves us wondering if we really have a relationship with that person—or
if we really want to have one.
In any relationship, one needs to have the other initiate some of the time. A relationship in
which the same person must always make the initial approach, always take the first step, will
eventually become dissatisfying if not painful for that person. We need our significant others to
reach out to us in a way that acknowledges and validates our importance to them, that demon-
strates their desire to be involved with us.
Finally, people in a relationship have the need to express caring. In any positive relationship,
the participants experience affection, esteem, and appreciation for each other. In close relation-
ships, the partners experience love and commitment. Expressing these feelings is a relational
need; not doing so requires that one push aside and deny the internal experience—just
Relationship and human development 49
like denying or trying to ignore any other need—and also avoids self-definition within the
relationship. Part of who I am with you is how I feel about you; if I am to be fully contactful,
fully in relationship, I must be able to express those affectionate feelings.
And what about the need to be cared about and loved? One feels loved—is loved—in a
relationship in which all eight of the other needs are met, at least some of the time, and are
acknowledged when they cannot actually be met.
Throughout our lives, we experience the need for relationship and we experience relational
needs within our relationships. To the extent that these needs are met, our relationships are
likely to be healthy and growth-producing. When they are not met, our relationships wither,
and become superficial and even less capable of satisfying our needs. Let us turn now to a
consideration of how, specifically, relationship and relational needs affect development.
directions; cognitions affect both one’s behavior and one’s experience of the internal stimulus.
A warm, contactful relationship with the caregiver allows the child’s cognitive modulation to
enhance and elaborate her phenomenological experience, so that she can sort, categorize, and
label different kinds of experiences and learn new strategies of interaction between internal
and external worlds.
Behavioral competence
The attempts of infants to interact with the world, to reach out for what they need and reject that
which is unwanted, are primitive and unelaborated. One of the major developmental tasks is to
hone those skills, to learn how to navigate both physical and social environments. Individuals
learn to delay gratification, to go around barriers, to do this in order to accomplish that—the
thousands of micro- and macro-skills that allow them to engage the world with competence and
efficiency. These skills are, in large part, acquired through social interaction. Even the notion of
acting “so as to” is a socially acquired concept; intentional behavior requires that one see oneself
as “separate from a mind-independent world upon which one can act” (Olson & Askington,
1999, p. 2), and that sense of individuality and intentionality is gained through interacting with
others and through watching others’ interactions. In a healthy social environment, the child’s
acquisition of new skills is applauded and rewarded. Attempts to meet relational needs are
supported; caregivers resonate to the child’s expressions of relational need with corresponding
affective responses. Infants come equipped with the ability to elicit such responses—babies are
magnets for smiles and strokes; and, in a positive relational system, those innate abilities can
develop into greater and greater sensitivity to both one’s own needs and those of others and into
increasing competence in dealing with those needs.
Personality development
Personality—the outward expression of the unique organization of emotions, beliefs, attitudes,
expectations, attractions, and avoidances that characterizes each of us—emerges out of
relationship. Through feedback from others, one’s personality structure is confirmed and
elaborated (Frank, 1991). If that feedback comes in the context of a loving and contactful
relationship, it will be experienced as supportive (even though the content of the feedback
may be critical) and will contribute to a positive sense of self. Some writers (Mitchell, 1988)
assert that the self is the complex set of interlocking meanings that one creates as one
moves through time, learning from and contributing to relationships. As individuals interact
with their environment, and particularly with their social environment, they construct and
tell themselves stories that connect and make sense of their experiences. These personal
narratives (Clocksin, 1998) are the stuff out of which one’s identity emerges. Relationship
experiences are the building blocks with which people create themselves.
Relationship and human development 51
Eric Berne (1963) used the term strokes to refer to units of contact between individuals.
Strokes can be conditional (“You did a good job putting away your toys”) or uncon-
ditional (“I love you just because you’re you”); they can be positive (“Mmmm, what a
good boy!”) or negative (“It was very naughty of you to bite your sister”). Most of the
psychological meaning of a stroke is carried in its nonverbal component, rather than in
its words (think of all the different ways one could say “What are you doing?” and all the
messages, positive and negative, that could be sent with those words) and it is this psycho-
logical meaning that has the greatest impact upon the child’s developing personality.
And not just the child’s. Individuals respond to strokes at any age, and their presence or
absence, their positive or negative flavor, has an impact on the self-structure of adults as
well as of children. Everyone needs a mix of strokes—positive and negative, conditional
and unconditional—to provide contact and maintain relationships and to give them
feedback about the effects of their behaviors. However, the effect of stroke deprivation
is probably greatest in childhood, before the person has had time to build up a “stroke
reserve” or to learn techniques of self-stroking that can be used as temporary relief when
social strokes are absent. The opposite of stroke deprivation—that is, a social environment
rich in contactful strokes from a variety of sources and carrying a variety of content—
will make a greater contribution to a child’s well-being the earlier it can be established
and maintained.
An essential ingredient for a healthy and spontaneous sense of self is the ability to love, and
this ability obviously grows out of relationships. Being able to love another person requires that
we be separate from that other and that, at the same time, we recognize that other as a person
like ourselves. Loving one’s mother, one’s spouse, or one’s friend is very different from loving
a favorite chair or a hot fudge sundae. Loving some other requires a kind of tension between
moving toward (in order to be close) and moving away (in order to truly know the other as
different from ourselves); it is the separation-connection issue again. Says Benjamin (1992),
“To the extent that mother herself is placed outside [of oneself] she can be loved; separation
is then truly the other side of connection to the other” (p. 53). Separation and connection,
approaching and retreating, me and you—contact and relationship are learned by being in
contact and by making relationship. We learn to love by loving and being loved, and our sense
of self is shaped by that experience.
In sum, who we are to others, as well as who we are to ourselves, grows out of our
relationships. Literally everything we learn in the course of our growing and becoming has
a relational source and/or relational implications. “Even when the activity is solitary and
is not relationally dominated, an empathic resonance with others is a necessary ingredient
and backdrop for a fully vitalized sense of self ” (Fosshage, 1992, p. 31). When our relation-
ships are honest, contactful, and generally supportive, we will learn to value ourselves and
to value others, to interact skillfully, and to pass on our relational skills and values to the
next generation.
52 THE ART AND SCIENCE OF RELATIONSHIP
the breeding ground for dysfunctional adults. Two specific consequences of early relational
deficit are the development of repression and the laying down of a life script.
Repression. In Chapter 2, we discussed how people deal with unwanted thoughts and feelings
by repressing them—pushing them out of awareness—so that they need not be experienced.
The process of repression begins very early in life and is closely tied to one’s relationship
experiences. When an infant’s primitive expression of affect is not met with an attuned
response, a response in which the adult’s own affect resonates to what the child is expressing,
the infant has no way of integrating that affective experience. Because the needed response
from the other is absent or does not fit with what the child is feeling, the child learns that his or
her affect is somehow “wrong,” something he or she should not feel or express. The result is a
lifelong inner conflict, for whenever this particular affect arises as a natural response to some
situation, it feels wrong, “childish,” shameful. The forbidden affective response is experienced
as hurtful to both the child’s own internal sense of self (“something is wrong with me because
I feel this way”) and that child’s relationships with others (“I mustn’t let them know how I feel”).
The inevitable result is repression—a growing habit of emotional disavowal and denial.
Repression and the whole array of defenses built upon it are often used by the child not
only as an out-of-awareness means of protecting him or herself from a “forbidden” affect
but also to protect the child’s caretakers. Because the child’s affective expression is ignored,
mismatched, or actively rejected, the child concludes that his or her emotions are unwelcome
or even dangerous to the caretaker. Rather than risk harming that important other, the child
first suppresses and eventually represses the affective response.
Script beliefs and behaviors. When a child is unsuccessful in attempts to satisfy relational
needs, that is, when those attempts are not responded to by a caring and contactful other,
the child is likely to conclude that the attempt at satisfaction, and even the need itself, are
unacceptable. Not only the child’s feelings but also the child’s needs and the thoughts that
accompany them must be rejected. Again and again, some aspect of internal experiencing
must be split off and isolated, denied access to awareness. At the same time as these patterns
of repression are developing, the child is also stamping in fixed beliefs about self (things like
“my feelings are bad” or “I ask for too much”), about others (“they don’t understand me” or
“they don’t care about me”), and the quality of life (“life is hard” or “things usually turn out
badly”). As shown in Chapter 2, such beliefs are a part of an overall script pattern, justifying
(necessitating) script-bound behaviors, which in turn elicit relational responses that further
reinforce the beliefs (Erskine & Zalcman, 1997/1979; Erskine & Moursund, 2011).
Stolorow (1992) refers to these kinds of fixated script beliefs as “invariant organizing
principles.” Usually acquired in childhood, they are the scaffolding upon which subsequent
beliefs and expectations are erected. They are pervasive, subtly distorting all subsequent
experiences and eroding social contact. In their milder manifestations, they make it difficult
for the child-growing-to-adulthood to form the kinds of relationships that will nurture her and
54 THE ART AND SCIENCE OF RELATIONSHIP
support her growth as an individual. In more serious form, when the early relational deprivation
has been intense and/or persistent, these beliefs can lead to serious psychopathology.
The influence of script does not end with its impact upon the script-bound individual.
It spreads horizontally, tainting relationships and encouraging the development of inter-
locking scripts in the others with whom the script-bound person interacts. It also spreads
vertically from one generation to the next. A script-bound parent is unable to provide a rich
emotionally contactful environment for his or her children.
Acute trauma
An acute trauma is related to a specific event or series of events. Something bad happens;
someone is abused or injured, terrified or humiliated. The experience and the feelings it
engenders are intense and painful. Yet it is not the event itself—the physical abuse, the
automobile accident, the schoolyard taunting—that creates the most lasting damage. More
significant than the trauma itself is the absence of a healing and supportive relationship
following the traumatic experience (Erskine, 1994/1997d). It is this absence that transforms
the experience from a painful, one-time incident to a script-forming trauma.
Several factors contribute to this transformation. One of these has to do with the way in
which memories are created and stored in the brain. The memory of an event is not simply
Relationship and human development 55
a mini-movie that can be replayed on demand. Memory comes in many modalities: verbal,
auditory, visual, emotional, and physiological. Following a traumatic event, one is likely to
be in emotional turmoil, and those intense emotions tend to interfere with the ability to
describe, clearly and logically, what has just happened. If nobody is there for the traumatized
person to talk to, no one who will help that person to think about and verbalize what has
happened, a verbal description will neither be created nor remembered. The memory of the
event will be largely emotional, with only fuzzy or distorted cognitive content. There may be
patches of visual or auditory memory as well—a blurred, angry face; the sound of breaking
glass—but there is likely to be no coherent story that makes sense of the whole thing. Writes
Freyd (1996), “[M]emory for never-discussed events is likely to be qualitatively different
from memory for events that have been discussed. This difference will be greater when the
sensory, continuous memories for the events were not recoded internally in anticipation of
verbal sharing. Thus, if an event is experienced but never recoded into shareable formats,
it is more likely to be stored in codes that are continuous, sensory, and dynamic” (p. 111).
In the absence of a relationship in which the traumatic event can be described, discussed, and
dissected, the memory of that event is likely to involve raw feelings with little or no meaning
attached. When the memory is stimulated, the person will experience the pain or the terror,
often without conscious knowledge of what those emotions are attached to; without such
knowledge, there is no way to understand or cope with one’s distress.
Humans are meaning-seeking creatures; we always want to know why. This is certainly true
of trauma. “Why me?” is one of the most common responses to any sort of human tragedy.
In the absence of an obvious reason (and there is seldom any obvious or logical reason for
trauma), individuals manufacture something to fill in the blank space, to provide a reason for
the unreasonable. The nature of that manufactured reason is strongly affected by the ongoing
relationships that are in place at the time of and following the event. Consider a child who is
in a serious auto accident; the child hears the crash, is hurt, sees blood, and watches as people
rush around and shout at each other. The experience is painful and frightening. But if a parent
is there to hold him, help him to talk about his pain and fear, and assure him that he will be all
right and that it is not his fault, the effects of the experience will be relatively short-lived. If, in
contrast, the parent, too, is injured and unavailable and nobody is there for the child, he will
fill in the gaps in his understanding with meanings constructed from his fantasy: “I caused it
to happen”; “Life is dangerous”; “My parents will die.” These sorts of meanings are too terrible
to be borne, and so the self-protective, repressive, script-forming process begins: If I made it
happen, then that part of me is bad and must be buried away, split off from the rest of my conscious
self. If my fear of losing my parents is so painful, I better not feel the fear at all—bury the feelings
and never let them out. Anything that awful should not be remembered at all—slice off the memory
and store it where it can never be recovered.
Finally—and perhaps most important in the transformation of negative experience into
script—the victim feels a sense of betrayal during and after a traumatic event. The event itself
56 THE ART AND SCIENCE OF RELATIONSHIP
is a kind of betrayal, by a perpetrator of abuse or simply by the world in general; the absence
of a supportive and nurturing relationship is another betrayal, a betrayal by those who were
supposed to be there and provide care and safety. This is especially true in childhood, for
children have not yet fully developed their self-protective skills and need the protection of
caregivers. One’s parents are supposed to keep bad things from happening, or—if they can’t
do that—at least know that something bad did happen and try to make it better. Lister (1981),
describing abused children whose nonabusing parent chose to ignore the ongoing abuse,
reports on “the child’s wish for her parents (or the uninvolved parent) to know, to intuit what
has happened. The parents’ failure to elicit some report of the trauma was perceived as an act of
hostility by both of my patients” (p. 874). Not only was the abuse itself traumatic, but now the
child’s caregiver-protectors have turned on him as well.
Abuse by a parent or by some other trusted caregiver is the worst betrayal of all. Because
the abuser has been trusted, the victim is exquisitely vulnerable. The essence of trust is that
we drop our guard, allow ourselves to be vulnerable to the trusted other. Especially in the case
of a child, the relationship with the abuser (or with someone who colludes with the abuser by
refusing to recognize the abuse) may be necessary to survival: how does a small child survive
without a parent? “When the betrayer is someone on whom we are dependent,” writes Freyd
(1996), “the very mechanisms that normally protect us—a sensitivity to cheating and the pain
that motivates us to change things so that we will no longer be in danger—become a problem.
We must block the awareness of the betrayal, forget it, in order to ensure that we behave in ways
that maintain the relationship on which we are dependent” (p. 74).
Trauma in childhood, unmitigated by a healing relational experience following the trauma,
is psychologically damaging. Repeated trauma, again without a healing relationship, is even
more damaging. The younger the child and the more intense the traumatic experience, the
greater is the need for psychological support and the more serious the emotional consequences
when that support is not available.
Adults, too, can suffer serious consequences when they are relationship-deprived following
trauma. What are those consequences? If a traumatized person cannot access a contactful,
supportive, and reparative relationship, the traumatic experience cannot be assimilated, worked
through and integrated into the person’s emotional and cognitive memory banks. The unmet
need for protection and the longing for empathy and nurturing following the trauma cannot
be acknowledged or validated satisfactorily. The absence of acknowledgment and validation,
in turn, initiates the process of isolating the experience from awareness and, in more extreme
situations, may lead to isolating aspects of self from awareness as well (Erskine, 1994/1997d).
Freyd (1996) writes, “With dissociations between different memory stores for the same
event and the blockage of information about current reality to some processing units, a firm
foundation for assessing reality using all available internal sources of knowledge cannot be
laid. … This lack of integration is likely to produce alterations in consciousness, dissociated
states, and problems such as depersonalization—feeling detached from one’s own body”
Relationship and human development 57
Cumulative trauma
The abrupt and identifiable painful events of one’s life are not the only experiences that can be
traumatic. Even more debilitating, in some ways, are the ordinary, commonplace, over-and-
over-again little discounts and hurts that are not even recognized as traumatic at the time they
occur. Berne (1961) differentiated between traumatic neurosis, caused by a specific trauma on a
specific date, and psychoneurosis, emerging from an ongoing series of traumas occurring from
month to month over a long period of time. Khan (1963), who coined the term cumulative
trauma to describe the effect of repetitive negative events, recognized that here, too, relationship
failure is the primary agent. Speaking of small children, he writes, “Cumulative trauma is the
result of the breaches in the mother’s role as a protective shield over the whole course of the
child’s development, from infancy to adolescence” (p. 290).
Even though it can lead to the same sorts of script patterns that are typical in cases of acute
trauma, cumulative trauma is initially developed in a different way. Rather than protecting
oneself from the pain of a specific incident, the person must deal with a slow but constant
accumulation of tiny, almost insignificant criticisms, neglects, and hurts. Over time, the
person comes to accept this pattern as simply a part of the way his/her/others’/ life has to
be. Like the slow drip of calcium-laden water that builds over the years into a stalactite or
58 THE ART AND SCIENCE OF RELATIONSHIP
stalagmite, the drip of cumulative trauma results in the slow building up of script beliefs in
the cavern of one’s unconscious. There is nothing to point to later in life, no way to say “that
is what happened to me, and this is how I reacted.” The life occurrences are not traumatic—
perhaps not even noticed—at the time or in the context in which they happen; or, if they
are noticed, they are easier to forget or to discount than a single event, since each repetition
provides another opportunity to develop the repression (Terr, 1991). They lead to script-
building consequences only cumulatively and are recognized (if one is able to figure out the
pattern and understand its influence) only in retrospect (Khan, 1963; Lourie, 1996; Erskine,
Moursund, & Trautmann, 1999).
Perhaps the most common source of cumulative trauma is simple neglect. The caregivers
do not abuse or punish; they simply fail to respond. They do not support and resonate with
the child’s expression of affect; they do not acknowledge the child’s relational needs. Lourie
(1996) defines cumulative trauma as “the totality of the psychological failures, or misat-
tunements, that a child endures from infancy through adolescence and beyond” (p. 277).
These failures are not necessarily—or even usually—the result of deliberate and conscious
choices on the part of caretakers. They are more often caused by parental ignorance, fatigue,
or preoccupation with other concerns; or the parents may be tangled in script patterns of their
own that are incompatible with meeting the child’s needs. The child, however, is unlikely to
understand adult preoccupation or fatigue or life script and may well fantasize intentionality
when none is present. “Mom has no time for me; I’m not important enough.” “Dad doesn’t
even look at me; he must be really mad at something I did.” Such fantasies, over time, take
on the characteristics of an actual, historical event and add to the toxicity of the cumulative
trauma pattern.
Weinberger and Weiss (1997) point out that, in some forms of cumulative trauma, the child
may not even be given the opportunity to formulate or express relational needs. “An infant
need not have its affective expression ignored or rejected to be thwarted in its development.
The environment may simply provide no opportunity for such expression. This occurs in
situations of deprivation. The affective expression is not walled off; it simply never gets
articulated in the first place” (p. 36).
Children whose relational needs are not acknowledged and validated have no social mirror
in which to view themselves. Cumulative trauma robs children of the opportunity to discover
and create themselves as unique individuals within a web of social relationships. “A severe
consequence of cumulative trauma,” says Lourie (1996), “is the loss of trust in and knowledge
of self resulting from the vast assortment of parental misattunements … that the child endures”
(p. 277). These children come to believe that, at their core, they are inadequate and unlovable;
they hide this belief from others—and from themselves—and the result is an inability to form
a lasting and satisfying intimate relationship. They may withdraw from the company of others
or may chain themselves on a treadmill of endless and superficial social activities; they may
constantly demand attention and caretaking; or they may make themselves over-responsible
Relationship and human development 59
for the needs of those around them. All of these behaviors serve to distract them from a basic
sense of loneliness and inadequacy. These behaviors do not satisfy relational needs—and, over
the long run, actually prevent truly satisfying those needs—but they quiet the needs for a time,
dulling the pain and giving temporary relief.
Does this sound like a pattern we have talked about before? It is the template upon which
script is constructed: erroneous, pervasive, and self-perpetuating beliefs that inhibit spontaneity
and erode the ability to form and maintain relationships. Moreover, the kinds of script patterns
that grow out of cumulative trauma are often more difficult to deal with therapeutically than
those caused by acute trauma, because their onset is so gradual and their cause so difficult to
pinpoint. “I didn’t have a bad childhood,” says the client. “I had plenty of food, good clothes,
a room of my own. Mom and Dad seldom punished me. Nothing bad ever happened.” With
no describable causal event to help clients make sense of their feelings, recipients of cumulative
trauma are likely to blame themselves for their unhappiness, their sense of emptiness and
depression further bolstering the negative self-image that lies at the heart of their script.
Summary
The earliest learnings of the human infant involve connection and individuation: learning
how to be a unique and separate individual in ongoing relationship with other individuals.
The need for relationship is most obvious in infancy and childhood, but this need continues
throughout life. Healthy and contactful relationships nurture psychological growth, fostering
one’s ability to think, to express feelings, and to experience oneself as a valuable member of
a social group.
All people experience relational needs: the need for particular kinds of behaviors and
responses from the other person with whom they are in relationship. Among the most important
of these relational needs are those for security, for valuing, for acceptance, for mutuality, for
self-definition, to make an impact, for the other to initiate, and to express love.
In the absence of relationships in which relational needs are acknowledged, self-protective
script patterns are developed. This is particularly evident when there is trauma. Whether
the unmet relational needs are experienced following an acute trauma, or whether the
unmet needs themselves create a cumulative trauma, the result is an emptiness that the child
fills in with memories of previous experiences or with self-generated fantasy. This is done
cognitively, with beliefs that tie together and make sense of the experience, and emotionally,
by splitting off and burying out of awareness the source and nature of the pain and/or by intro-
jecting the person(s) who is (are) the source of the pain. The result is a life script: a system
of rigid beliefs that predict how one’s life will be and prescribe the behaviors needed to cope
with that life, of repetitive feelings that echo the pain and loneliness of the original trauma,
of automatic and seldom-questioned behaviors growing out of the beliefs and feelings, and of
selective perceptions and memories that reinforce the other components.
Part II
Therapeutic Interventions
Ch apt e r 4
W
e have spent some time discussing the ways in which humans grow and develop
and how relationship failures can interfere with that growth and development.
Now, we turn to the ways in which psychotherapy can deal with the problems that
occur when development has been diverted from its optimal course.
63
64 THE ART AND SCIENCE OF RELATIONSHIP
activities; the lack of adequate sleep and nourishment and his social isolation contribute
to his feelings of sadness and hopelessness and to his thinking that something is wrong
with him. Change could begin anywhere: with his self-critical thoughts, with his feelings
of sadness and anxiety, with his self-defeating behaviors, or with his patterns of eating and
sleeping. Change in any of these areas would invite change in all the others; and failure
to change any one of them would ultimately undermine changes already accomplished in
the others. We can focus on thoughts, feelings, behavior, or physiology at the beginning
of treatment, and the choice of a focus is usually determined by our assessment of where
the client is most open to contact. Later on, we will help him to work with those facets that
he has closed down, where he does not make contact; at first, though, we will invite him
to start where he is most comfortable. But, whatever the starting point, all of the other
facets must eventually be addressed. Not to do so leaves the system lopsided, precludes
full contact and awareness in all dimensions, and risks allowing the cycle of change to be
reversed again, with the system reverting back to its earlier dysfunction.
I’m actually crazy. Maybe I expect too much. I’m probably just plain dumb even to imagine
that anything can help. …” The litany goes on and on, as the client adds to his distress by
blaming himself for being distressed in the first place. This sense of shame and self-blame is
one of the things that interferes with his ability to think clearly and problem solve effectively:
it is a good example of how emotions and cognitions interlock. “I can’t figure this out”
(cognition) leads to feelings of anxiety or despair; the negative emotion, in turn, further
degrades his cognitive capabilities.
Shame and self-blame are not, of course, the only sort of negative thoughts and feelings
that clients bring to the therapy process. Indeed, it is usually some other, highly painful
emotional experience that finally persuades most clients to seek help. They may be depressed,
constantly anxious, unreasonably angry, or a host of combinations and variations of these
sorts of feelings. Their feelings, they report, are interfering with their ability to maintain
relationships, to work, to play, to enjoy themselves. They want the therapist to make those
feelings go away so that they can get on with their lives.
While we generally begin with the psychological function within which the client works
most easily, we do not stay there. A useful rule of thumb for therapists is that clients are likely
to need to focus, fairly soon in the course of treatment, on the aspect of their experience
that they talk least about. Clients who present with problems involving affect—who look
emotionally upset and report that their primary problem has to do with feelings—are likely
not to be thinking clearly about their situation and probably need help learning to do so.
Conversely, clients who begin their work in “thinking mode,” talking about causes, effects,
contributing factors, and the like (not necessarily, of course, in those terms) are apt to be out
of touch with their feelings and unaware of how those feelings affect their problem-solving,
their creativity, and their relationships. These clients need help to recognize their own
(and others’) emotional responses, to reclaim the feeling part of themselves and integrate it
into their overall functioning.
Henry A., a computer systems programmer, was a competent, professionally successful
man. He had two children, a fine job and a silver BMW, and played squash at the local gym
every Tuesday night. He also had just been left by his wife, who said he was “a robot” and that
unless he changed she would divorce him. He didn’t want to lose her and came to therapy to
figure out how to make the changes she was demanding. That figure out part is significant:
figuring out is what Henry was good at, and it was what was driving his wife wild. She wanted
him to stop analyzing and thinking things through, and just let go and “be himself.” But Henry
did not know how to “be himself,” because he did not know who “himself ” was. Quite early
in life, he had decided that, in his family, showing your feelings got you ignored, or teased, or
worse. In that family, the best thing to be was big and tough; next best was quiet and smart.
Henry did not have the physical equipment to be big and tough, so he opted for quiet and
smart. He learned to ignore his feelings and to hide them when they could not be ignored.
He learned to be a problem-solver, and he learned how to use his wits to get what he wanted.
66 THE ART AND SCIENCE OF RELATIONSHIP
What’s more, he understood all this—he just didn’t know what to do about it. Therapy that
continued to help him use his well-developed cognitive skills might provide him with further
insights about how his problems had developed but would not be likely to yield the kind of
change that Henry was looking for. Rather, his therapist needed to help him rediscover his
long-repressed affective responses, to learn to recognize his feelings, and to allow others to
see and respond to them.
Loretta B., in contrast, had no trouble feeling her feelings or sharing them with others.
Her life was one long soap opera of emotional crises. In therapy sessions, she cried and
screamed and pounded her chair as she talked about what she would like to do to her unfaithful
boyfriend. She, too, wanted to make changes that would result in more satisfying connections
with others—she had been in one abusive relationship after another—but, unlike Henry, she
had no idea how she had contributed to her romantic disasters. After the first stormy session,
Loretta’s therapist realized that encouraging Loretta to express her feelings would not be
useful at this point. Loretta needed, instead, to set her emotions aside for the moment and
think about her behaviors and their consequences, about her wants and needs and what she
did to try to meet them, and why it wasn’t working.
Henry, the thinker, needed to learn how to integrate his feelings with his thinking.
He needed to “lose his mind and come to his senses,” as Perls (1969a) put it. Loretta, the
emotional, needed to learn to think and, particularly, to think about the function of her
emotions. She needed to curb the superficial tempest of affect in order to develop her ability
to problem-solve and plan ahead, to anticipate how others would respond to her, and,
ultimately, to reclaim the authentic feelings now hidden beneath her histrionic display. Henry
and Loretta are each at an extreme of the thinking/feeling dichotomy—few clients display
so one-sided a set of learned behaviors as they did—but the principle holds for those nearer
the middle of the continuum as well. While respecting a client’s choice of a starting point,
the point at which he is most open to contact, the therapist must bear in mind that he will
probably need more help with the facet he is not using than with what he chooses to use.
Before the end of treatment, he will almost certainly need to circle back to where he started
and deal with his preferred style as well. But that is for later, when much of the repressed
material has emerged and more of the whole self is available. By then, the quality of the affect,
the cognition, or the physical responses that he began with will have changed as a result of
work in other modalities, and all will be more easily integrated into a full and authentic
blending of affect, cognition, behavior, and physiology.
Affect and cognition interact not only in the here and now of daily activity but in memory as
well. Accurate memories are a blend of thoughts, feelings, and physical reactions. All of these
may not have been put into words, but they were present at the time the memory was laid down
and now form the foundation on which that memory rests. The cognitive aspects of a memory
are often the most easy to bring into awareness, since talking about a memory—translating it
into language—requires cognitive activity. The associated emotions may be harder to recall,
Healing the hurts 67
but they are always there: had there been no emotions involved, the incident would probably
not have been stored in memory at all. Affective intensity is, in fact, one of the major factors
in the choice of which experiences will be remembered. You can easily test that assertion for
yourself by thinking of two or three things that you remember from childhood. Chances are
very good that each of those things was associated with some strong emotion, either pleasant
or unpleasant.
Even though emotion is an integral element in every remembered experience, a client
may not consciously recall those emotions when discussing the memory. He may not have
recognized and consciously encoded his feelings at the time, or he may have made an
out-of-awareness decision to forget (repress) them because they seemed unpleasant or
dangerous. With the loss of emotional significance, he is likely to lose cognitive awareness
of the memory as well; the whole experience fades into unawareness. Such cognitive loss
of memories often holds the key to understanding script decisions, and retrieving those
decisions and replacing them with ones that work better can be important tasks of therapy.
The more a client is able to recognize his emotions in the here and now, the better will be
his access to his feelings in the past; reclaiming those feelings helps him, in turn, to think
about his experiences and thus reconstruct the whole incident. “Affect,” says Stone (1996),
“provides us with a golden thread to trace the labyrinths of memory” (p. 31). Helping a
“thinking” client to learn how to feel can be as important as helping emotionally labile
clients to learn how to stop and think.
internal experiencing; and those changes, in turn, make it possible to solidify and improve
upon the behavioral changes. Other people’s responses to the new behaviors often challenge
script beliefs; the whole script system can begin to shift. Long-buried memories creep into
awareness; long-forbidden feelings begin to emerge; contact with others increases as contact
with self is enhanced. What began as an artificial “just try it out and see what happens” can
become a natural part of clients’ everyday behavioral repertoire. Their blind adherence to
familiar life script patterns is disrupted, and their old defenses are not as effective as they
used to be.
Physiological changes, too, are a part of the overall pattern of healing. Just as many
physical ailments are caused—or at least exacerbated—by psychological dysfunction, so
those physical ailments are eased when the psychological problem is dealt with. Our bodies
are the battleground for conflicts among thoughts, feelings, and behaviors; those conflicts
are reflected in all sorts of physical distress, from headaches to backaches and from asthma
to ulcers. And the reverse? It should come as no surprise that changes in physiology can
also lead to changes in other facets of human functioning. Perls, Hefferline, and Goodman
(1951) assert that repression—keeping thoughts and feelings out of awareness—is always
accompanied by some sort of muscular holding in, and it is this holding in that is translated
into physical symptoms. Relaxing the tension invites the repressed material back into
awareness and opens the door to script change. Massage therapists tell us that their clients
often report a surge of emotion as tight muscles loosen and relax: the feelings, and often
memories as well, move into awareness as the body lets go. Physical change can pave the
way for psychological change, and vice versa.
All of this brings us back to our earlier assertion: all of the facets of human functioning
must be taken into account in the healing process. We are likely to begin our work in the
modality in which the client is most open to contact; and work in that area is likely to
affect all the others. But we must make sure that each system is attended to, that contact is
achieved within and among all the facets of the client’s being, if integration is to be accom-
plished and healing is to last. Otherwise, we risk simply replacing one overused and rigid
pattern with another. “The goal of all forms of psychotherapy,” says Rossi (1990), is “facili-
tating the many pathways of mind-body information flow” (p. 357). When all the pathways
are working, cognitions, affect, behavior, and physiology each inform and support all the
others, and each is available for contact with the external world. Contact, internal and
external, is both the goal of therapy and the means of achieving that goal; it leads to
integration of the personality and decommissioning of the script system. The therapeutic
relationship, managed well, enhances clients’ ability to initiate and sustain contact with
self, with the therapist, and with the other significant people in their lives. We shall return,
later in this chapter, to the notion of developing contact in each of the major facets of
functioning; first, though, let us look more generally at the connection between relationship
and healing.
Healing the hurts 69
crosses his legs, shifts uncomfortably in his chair. He looks at me through eyes that are just
beginning to moisten, and his lip trembles slightly as he says “I don’t know what to do.”
I allow my body to feel that shifting discomfort and my eyes to moisten in response to that
discomfort. I imagine the sensation of a trembling lip, and I think about what it would be
like—and has been like—to truly not know what to do. I find in myself those ways of experi-
encing that are similar to what I see in him, and I explore that part of myself; the questions
I ask him and the observations I make are formed out of my self-exploration. I learn to know
my client through knowing the part of myself that is similar to him.
Knowing and understanding one’s client are important. They pave the way for healing.
The therapist’s understanding, in itself, though, is not what builds the healing relationship.
A technician can understand; given the explosive growth of cybernetics, the day may soon
come when even a machine can understand. But a machine, or a technician, is not a therapist:
it does not enter into a living relationship with its client. “Understanding that heals requires a
mutually experienced emotional connection between patient and analyst” (Orange, 1995, p. 4;
italics ours). To create a healing relationship and move from technician to therapist, we must be
“able and willing to enter the patient’s suffering and share the painful history, able and willing
to ‘undergo the situation’ with the other” (Orange, 1995, p. 5).
relationship; she shuttles readily between her internal experience of self, and her awareness
of what the client is doing and saying. “As I listen to what you are telling me, I’m beginning
to get angry too,” she might say. “In fact, I’m surprised at how angry I feel!” Or, “Even when
you haven’t done anything wrong, or would not have been able to change the situation your
son was in, you still feel guilty. And the more you talk about that sense of guilt, the more
distance I sense between us. It’s like you sink into yourself, and I can’t reach out and find
you. Do you feel that distance, too?” By her own example, the therapist invites the client
into a new sort of internal/external awareness, into examining both his phenomenological
experience (including emotions, memories, fantasies, needs, hopes, and fears) and the way
this experience is shaping the ongoing relationship. The therapist is able, says Snyder (1994),
“to model and facilitate the capacity … to enter one’s own life world and to do this … on
a level that includes keen attention to our embodied emotions, the continual formation of
meanings, and the capacity to constitute and interpret experience in a way different than we
habitually or reflexively do” (p. 90).
In Chapter 3, we talked a great deal about individuation and connection, and how children
develop a sense of self out of their relationships with their caretakers. This sort of self-
knowing is also facilitated by a therapeutic relationship. Intimacy in relationship requires
and fosters self awareness. As the client is gently invited into closer and closer psychological
contact with the therapist, so he is also invited into deeper and broader contact with himself.
Self-awareness leads to more full relational contact, and the relational contact in turn supports
the next step in self-exploration.
There is yet another aspect of the therapeutic relationship, one that is difficult to put into
words because it is so deeply visceral that it goes beyond language. Relationship creates an
in-between, a space that is neither client nor therapist but partakes of them both. Bromberg
(1998) calls it “a twilight space in which the impossible becomes possible; a space [where]
each one awakens to its own ‘truth’ ” (p. 16). It is a numinous ground within which we can
experience moments of transcending self, of an almost mystical sort of being-with—what
Maslow (1987) referred to as a “peak experience.” The client exposes his vulnerabilities
to another person, a stable and trustworthy person, in a psychologically out-of-time-and-
dimension interaction, and discovers that the world does not end. He is not scolded, ridiculed,
or punished; the therapist does not recoil; the relationship is still there. Such an amazing
experience allows him to go beyond, for a few moments, the limitations of his life script, to
borrow from the therapist the courage and protection needed to explore the unexplorable and
to face the terror of his darkest side. With the therapist’s support, the client can re-examine his
ways of being with and thinking about others and about himself. With the therapist’s genuine
respect and caring, he can begin to change some of those ways of being with and thinking
about. The therapeutic process, as Mitchell (1992) puts it, is “a struggle to find and be oneself
in the process of atonement and reconciliation in relation to others, both actual others and
others as internal presences” (p. 15). The potency of the therapeutic relationship—as well
72 THE ART AND SCIENCE OF RELATIONSHIP
transference and countertransference. Transference on the part of the client may indeed
signal old relationship baggage that he could well do without; but it also is the fuel that allows
him to sort through and evaluate that old baggage. And countertransference, far from being
antithetical to good therapy, is the very stuff that makes good therapy possible.
Elaine D., a client with whom I (J. M.) worked for many months, was a rumpled-looking
young woman who seemed to attract trouble like a magnet. Things never seemed to turn out
well for her; whatever she did ended up badly—through no apparent fault of her own. As she
described her disappointments, week after week, I began to feel myself growing irritated with
her. I didn’t understand my annoyance and tried to mask it (from her and from myself) by
being sympathetic and supportive. Not surprisingly, this strategy failed; my irritability grew
rather than lessened, and her tales of woe grew correspondingly more lengthy and detailed.
Finally, with supervision, I realized that a good share of my irritation had to do with Elaine’s
resemblance to my daughter, who as a teenager had expected me to rescue her from a series
of self-created disasters; I was continually torn between exasperation and guilt as I tried to be
a “good mother” through those years. Once I realized the connection, I could look at both the
similarities and the differences between Elaine and my daughter and could also see how my
own over-responsibility was the source of my uncomfortable feelings. Bringing all of this to
awareness and allowing myself to feel it all during the sessions with Elaine provided me with
a much richer base from which to interact with her—I could share both my frustration and
my genuine affection for her in a way that was authentic and trustworthy. In response, Elaine
became more willing to talk about her resentment toward me (I was, to nobody’s surprise,
somewhat like her own mother) and, eventually, to break through the pattern of self-sabotage
that was her script-evolved way of expressing that resentment.
Historically, transference and countertransference have played quite different roles in
psychotherapy. Transference—the client’s feelings toward the therapist—has been used as an
avenue into issues and expectations of which the client is unaware. In fact, the “analysis of
the transference,” as Freud described it (1912/1958a, 1915/1958b), was originally thought to be
the primary task of therapy. Freud talked about analyzing and working through transference
issues; in relationship-focused integrative psychotherapy, we talk about breaking through script
patterns and replacing old script beliefs, feelings, and behaviors with full internal and external
contact. Most of the psychoanalytically oriented psychotherapies have similar goals, though
their terminology is different. And most now recognize that here-and-now responses to the
therapist blend with then-and-there relationship patterns and that not everything the client
feels toward the therapist must be transferential, in Freud’s sense of the word (Greenson, 1967).
Nevertheless, those feelings are still regarded as important signals about old relationships and
the unresolved issues stemming from them.
More current views of countertransference, though, are radically different from those of
the early analysts. Using countertransference therapeutically, instead of trying to stamp it
out, represents a major shift in our understanding of the process of psychotherapy and of the
74 THE ART AND SCIENCE OF RELATIONSHIP
A two-edged sword
As with any other powerful force, the therapeutic relationship can be misused. Too great an
involvement on the part of the therapist, or an involvement that primarily seeks to benefit herself
rather than the client, is not in the client’s best interest (Modell, 1991). If the therapist is too
intensely involved in her relationship with her client, she may lose her ability to stand back and
look at the larger picture of what is going on in that client’s life. She may begin, unconsciously,
to encourage the client to become dependent or to do things to please her or stay in relationship
with her, rather than to facilitate his growth. Nor is a therapist–client relationship likely to be
helpful if the therapist’s feelings and hypotheses about the client are muddied by unresolved
relational issues from the past. Those sorts of responses are more likely to interrupt and distort
contact than to enhance it. In other words, both over-involvement and out-of-awareness
Healing the hurts 75
countertransference (these two usually overlap) are likely to make the therapist more invested
in her own feelings and needs than in those of the client.
“There is no question, in my mind,” says Bacal (1997), “that the analyst’s subjectivity may
constitute both the greatest obstacle to understanding the patient and the most useful device for
doing so, and that it is essential that we are always aware which of the two is predominating”
(p. 673). Participation in postgraduate training, ongoing supervision, case discussion groups,
and individual peer consultation are helpful in monitoring the quality and intensity of our
involvement with clients. It is always possible, though, to mislead a colleague or a consultant
by telling only part of the story, withholding whatever might be embarassing or make us look
bad. There is no substitute, in the long run, for a regular review of all of our cases (it is amazing
how easy it can be to “forget” to review the very case that is most problematical in terms of our
personal involvement) and a rigorous self-examination of our feelings, beliefs, wants, and needs
with regard to each of our clients.
experiences of this new relationship to what they have learned in older ones. Andrews (1991)
talks about how all thought processes need to bring together the old and the new: “Optimal
change occurs when new thinking incorporates the most valuable principles from earlier
conceptualizations, redefining them so that they become ingredients in a more inclusive
paradigm” (p. 232). This is what cognitive integration is all about: keeping the concepts,
procedures, and hypotheses that still make sense and expanding and updating them by
adding in new learnings. Thesis, antithesis, synthesis—Hegel (1812–1816/1976) probably did
not realize it, but he developed a concise and accurate model of the way in which cognitive
growth occurs in relationship-focused psychotherapy.
Each memory became simply another historical event that no longer had the power to recreate
the fear, pain, or humiliation that was experienced at the time the memory was laid down.
The emotional connection created within a supportive therapeutic relationship invites and
encourages the client to explore painful memories and the feelings that attach to them. In so
doing, the client moves toward what Stolorow (1992) describes as the fundamental goal of
psychotherapy: “the unfolding, illumination, and transformation of the patient’s subjective
world” (p. 159). For many clients, that subjective world is a dark maze of must-not-think-
abouts that can only be negotiated with care and dread. The therapist offers to help the client
explore the maze, offers to accompany him—may even bring a lantern!—so that together they
can venture into the shadows, connect the long-blocked pathways, and open the dungeon to
light and air and freedom.
Accessibility
Students of learning have recognized for years that there are many different kinds of “knowing.”
Chamberlain (1990) distinguishes declarative knowledge (knowing that something happened)
from procedural knowledge (knowing how to do something). Stein and Young (1997) point
78 THE ART AND SCIENCE OF RELATIONSHIP
out the distinction between explicit learning (the things we know and remember when we
learned them) and implicit learning (the things we know but do not know where or when
they were acquired); these are also known as semantic versus episodic memories. You may
remember learning to read or being helped to balance on that new two-wheel bike; that
is an explicit or episodic memory. Explicit memories can be affective (that time in school
when you were so proud because the teacher put your drawing up on the bulletin board) or
cognitive (you know how to access the Internet, and you remember figuring it out). Pleasant
or unpleasant, they are there, they happened, and you know about it. Implicit knowledge,
in contrast, seems to have no origin. Even though you know you must have learned it
sometime—and may even be able to remember times before you learned it—you still feel
somehow as if the learning has always been there. Learning to walk and learning to talk are
easy examples that most of us share.
Out-of-awareness patterns, knowings, and memories form yet another category: different
from things we know but cannot remember acquiring, these are the things we know but do
not know that we know. Only in retrospect can we say “Oh, I knew that all along; I just didn’t
think of it before.” Included here are the things we have learned to do, to think, and to feel
without realizing that we are doing, thinking, or feeling them. Mary, for example, learned
to take care of other people as a way of making up for not getting taken care of herself, but
if you ask her about it, she will probably not even understand what you are talking about.
She will say that she does not do that; she gets pleasure out of helping others; she gets plenty
of attention for herself. Or Bob, who changes the subject adroitly whenever the current topic
of conversation becomes uncomfortable—Bob acknowledges that he does it, sort of, but does
not recognize how often it happens or where he learned to do it.
Knowing but not knowing that we know; feeling but not knowing that we feel; behaving
but not recognizing that we behave—it is a strange, almost Twilight Zone area of human
functioning. Adaptive forgetting, says Freyd (1996), is a matter of inhibiting information
rather than discarding it entirely. We may not know that we know, but the knowledge can be
retrieved; it is not completely lost. The package has not been thrown away but is stored off
in a closet, and we have forgotten where it is—or even that we ever had it. Such closets are
areas with which psychotherapists are very familiar, for they are where life script patterns
are found. Many of these script patterns were acquired very early in life and may have been
laid down at a different rate of speed or through a different sort of process than the things
of which we are now consciously aware. Weaker stimuli may have been processed implicitly,
and stronger ones explicitly (Stein & Young, 1997). Things that we experienced in one state
of consciousness may not be available to awareness when we are in a different state (Terr,
1994). And, of course, there is always repression—purposeful (though not conscious) forcing
some memory or knowlege out of explicit awareness in order to avoid psychological distress.
Nathanson (1996) believes that distress, itself, can relegate some learnings to the limbo of
known-but-not-known: “[J]ust as one affect may bring something into consciousness, another
Healing the hurts 79
may push the triggering event and its accompanying affect into a special compartment that
makes it difficult to access or retrieve” (p. 3).
The concept of ego states provides another way of understanding this curious split
between what we know that we know and what we know without knowing. Berne (1961)
described three basic states of the ego: the archaeopsyche, which consists of all of the
patterns of thinking, feeling, and relating to the world that we have used in previous devel-
opmental stages; the exteropsyche, composed of the thought/feeling/relating patterns we
have introjected from others; and the neopsyche, the patterns that we consciously create
and use in our here-and-now lives. There are subdivisions within these main ego states, of
course: we have introjected different patterns from different people; and we certainly have
behaved, thought, and felt differently at different times in our lives. But the general contours
are there—the old, archaeopsychic ways of being, usually tracing back to childhood (thus,
the familiar designation of these patterns as “Child” ego states); the introjected-from-
others patterns (and the others have most often been parents or other early caregivers, so
these ego states are known colloquially as “Parent” ego states); and the age-appropriate,
present-time-focused patterns of feeling, problem-solving, and relating to people, known
as the “Adult” ego state.
The boundaries between the different ego states may be more or less permeable; rigid
and impermeable boundaries keep one ego state from awareness of the others, so that
knowledge, expectations, or emotional responses held in one may be implicit—or totally out
of awareness—to another. Although psychologically healthy individuals will spend most or
all of their time operating out of an Adult ego (using Berne’s terminology), these individuals
may draw upon the experiences, the beliefs, and the affective expression of other ego states.
Conversely, to the degree that people are trapped in a given state of the ego (usually parent or
child), unable to shift into other states or to access information from those other states, their
awareness of and contact with self and with the world around them will be constricted and
their ability to function in the world severely limited.
Watkins and Watkins (1990) do not suggest the tripartite division (into parent, child, and
adult) that Berne has outlined but do describe a similar sort of function: “We conceptualize
personality structure as being a multiplicity organized into various patterns of ego states,
and we define an ego state as a body of behaviors and experiences bound together by some
common principle and separated from other such entities by boundaries that are more or less
permeable” (p. 404).
Script-bound people live their lives on the basis of rules, expectations, and emotional
responses that have their roots in ego states (or substates) that are not accessible to conscious
awareness. Such individuals are often unaware of these rules, expectations, and responses,
much less of their origins; they use them but do not know that they do so. The experience of
the original decision, of forming the original expectation, of developing the original belief, has
been hidden away, outgrown or overshadowed or actively repressed by their current psychic
80 THE ART AND SCIENCE OF RELATIONSHIP
organization. The hidden ego state pattern, though unaccessible to awareness, is nevertheless
still affecting the way they live their lives. Until that hidden pattern can be accessed, the old
learnings and decisions are protected from being updated, discarded if they are no longer
needed or changed to fit the changing circumstances of the person’s life.
Summary
To work effectively with clients, a therapist needs to consider all the major interlocking systems
of human functioning—thoughts, feelings, behaviors, and physiology—and how they interact.
All of these interactions take place in the context of relationship, and relationship is the critical
factor governing psychological change.
Therapists attempt to know their clients from the inside, temporarily experiencing
the world as the client does. This level of attunement facilitates the client’s self-knowing.
The therapist’s self-awareness also provides a model for similar self-awareness on the part
of the client. Together, therapist and client create an “in-between” that is a place of growth
and healing.
Transference and countertransference are integral aspects of the therapeutic relationship.
Both involve a blending of responses learned in old relationships, as well as responses unique
to the present. Recognizing transference responses can help both client and therapist bring life
script patterns to awareness; countertransference, too, can help the therapist recognize those
patterns and their effects on others.
The therapeutic relationship, skillfully managed, can have a positive impact on client’s
cognition, emotions, and behavior. This is accomplished in part by developing increasing
accessibility in the client: he learns to access his previously hidden thoughts and feelings and to
share those internal experiences with the therapist. In so doing, he may move into various states
of the ego, some introjected from past significant others and some connected to earlier devel-
opmental stages. Accessing these ego states can also lead to increased self-awareness. Bringing
hidden patterns to awareness allows them to be changed; changing one aspect of a psycho-
logical system requires that all of the other, interlocking elements also change. Such changes
can, in turn, lead to dissolving a life script, reducing distress, and recovering the ability to form
and maintain healthy relationships.
CHAPTER 5
P
sychotherapy involves both art and science. The “art” side has to do with those aspects
of psychotherapy that cannot quite be captured in words, cannot be specified in a
list of techniques and procedures. Therapeutic artistry comes into play, more than
anywhere else, in creating and maintaining a therapeutic relationship, a relationship that
is purposeful and professional on the one hand, and personal and involved on the other.
As has been emphasized in previous chapters, we believe that developing and maintaining
such a relationship is the single most important factor in successful psychotherapy. Research
appears to bear out this belief: Horvath (2001), reporting on a meta-analysis of 90 independent
clinical investigations, concludes that “it is likely that a little over half of the beneficial effects
of psychotherapy accounted for in previous meta-analyses are linked to the quality of the
alliance” (p. 366)—that is, to the therapeutic relationship.
Horvath goes on to discuss a number of therapist variables that appear to be related to
an effective therapeutic alliance: communication skills, experience and training, personality
and intrapersonal process, and collaboration with the client. There are things that can be
specified about creating and utilizing a good therapeutic relationship, and many of these
things can be taught directly. Some of them have primarily to do with attitude: the “uncondi-
tional positive regard” that Rogers (1951) talked about, and a sense of one’s own purpose and
competence. Others have to do with techniques, the interventions one learns how to make in
a therapy session.
In recent years, there has been an increasing emphasis in the psychotherapeutic literature
on matching therapeutic technique and client dysfunction. Some clients, with some sorts
of problems and dynamics and script patterns, will respond better to one approach; others
83
84 THE ART AND SCIENCE OF RELATIONSHIP
will do better with a different approach. Bornstein and Bowen (1995) say that “the clearest
way to describe an integrated approach to working with the dependent psychotherapy
patient is to begin by describing therapeutic techniques that affect specific aspects of the
dependent person’s functioning” (p. 528). The same could be said of the “resistant” client,
or of the “trauma survivor,” or of any number of other concerns and problems that clients
bring to therapy.
More important than client-specific techniques, though, are the things effective therapists do
with all clients. These are the skills of relationship management: how to create and cultivate the
kind of relationship environment in which the client will experience both safety and challenge,
and in which our other, more specific techniques will be most useful. In other words, both
general skills, skills and behaviors that are helpful with all clients, and client-specific techniques,
techniques that are helpful to some clients but less so to others, are valuable. And both sorts
of skills, general and client-specific, are wrapped in and nourished by the therapist’s art—her
unique, unvoiced, and unvoicable way of being with another person.
General versus specific; art versus science—both are, in fact, false dichotomies. In the rich
complexity of the world of psychotherapy, they are all necessary. Norcross (1995), speaking
of the distinction between general and specific techniques, says “Psychotherapy will prosper
by avoiding the dual extremes of specific effects and of common factors and by endorsing the
Aristotelian median” (p. 503). More simply put, we must not embrace either position exclusively
but, rather, must garner that which is to be learned from each. “Adapting or tailoring the therapy
relationship to specific patient needs and characteristics,” concluded the Steering Committee
of the APA Division 29 Task Force (2001), “enhances the effectiveness of treatment” (p. 495).
This also applies to the tension between therapy-as-art and therapy-as-science: neither extreme
will be as useful as a middle position that recognizes the value of both.
When we, as therapists, use both our artistry and our learned skills for the client’s benefit,
we find that each potentiates the other. Our technically based interventions become warm and
three-dimensional because they come from an involved and caring person. Our warmth and
caring can be channeled into a purposive treatment plan by the appropriate use of technical
skills. The most effective therapy, then, arises out of the interaction between who we are in
the therapeutic relationship and the specific strategies we use in that relationship. “The value
of a clinical intervention,” say Mahoney and Norcross (1993), “is inextricably bound to the
relational context in which it is applied” (p. 423). Without the support and protection of a
carefully maintained therapeutic relationship, the most ingenious and appropriate intervention
can be experienced by the client as threatening, condescending, or irrelevant. In contrast, a good
therapeutic relationship increases both the power of an intervention and the client’s willingness
to be affected by it. Even in short-term, time-limited therapy, the quality of the therapeutic
relationship is a critical factor in the effectiveness of treatment.
As we have seen, most clients come to therapy feeling “stuck.” They are mired in patterns of
thinking and feeling and behaving that are not working any more, but they see no alternative.
Creating a therapeutic relationship 85
Often the very thing that most needs to change is the thing of which they are least aware. Logic
alone—pointing things out, giving advice, nagging or criticizing—does not help; if it did, the
client’s outside-of-therapy relationships would have taken care of the problem. The encounter
with a therapist who does something different—who asks questions or offers interpretations or
suggests experiments in the context of a particular way-of-being-with—is what shakes up the
old patterns, creating a kind of clash between the way the world has always been (and, as far as
the client can see, must always be) and what is actually experienced (Gold, 1996). Experiencing
this clash is a little like discovering that what you thought was north is really south, or that what
you believed happened yesterday is in fact scheduled for tomorrow, or that the experience you
have been terrified of is actually enjoyable: it requires a shift in your whole way of looking at
and responding to the world.
Shifting a familiar pattern is not easy. Script patterns provide (among other things) a way
of organizing the world. The organization may not be comfortable, and it may not bring one
the things one really wants; but at least it’s familiar, dependable, and predictable. It follows that
our task as therapists, if we are to have an impact on the client’s script, must include breaking
into the old way of experiencing the world so that new ideas and feelings can be entertained.
In creating a relationship different from those that the client has experienced before, we do
exactly that: the old beliefs don’t fit what’s happening here, the predicted patterns don’t occur,
the old understandings don’t work. The client may deny the reality of his here-and-now experi-
encing—he will probably do so more than once before he finally allows himself to believe that
what he feels in this therapeutic setting is real. Once he accepts that reality, his only alternative
is to re-examine his old rules and expectations. That re-examination, in turn, can lead to a
new set of organizing principles that are incompatible with the script patterns that have been
governing his life (Rowe, 1999).
Simply experiencing—participating in—the therapeutic relationship can go a long way
toward moving the client out of his stuckness into new ways of being with himself and with
others. The experience will be even more powerful if it is made explicit. “What did you think
when I said … ?” or “What was it like for you when we were talking about … ?” are questions that
encourage clients not only to experience the relationship but also to be consciously aware of that
experience. In Chapter 6, we discuss this sort of therapeutic inquiry at greater length. But it is
not only the client who needs to be sensitive to what is happening in the relationship. Conscious
awareness of the relationship experience is even more important for the therapist. She needs to
notice what is going on, not only in the client, but also in herself and in the interaction between
them. “The interviewer’s own affective and emotional life has to be available to consciousness
simply to aid in the process of sifting the data and identifying the sources of the affects that are
found [in the client]” (Stone, 1996, p. 30). Knowing what she is experiencing and where that
experience comes from helps the therapist to know what is her own “stuff ” and what is coming
from the client. When that distinction is clear and solid, her own internal process provides
some of her best cues as to what her clients need.
86 THE ART AND SCIENCE OF RELATIONSHIP
stood more ‘inside’ it and acknowledged our part in the creation of it” (p. 85). It’s the in-between
again—the notion of a therapeutic space in which each participant, therapist and client, has a
part in the creation of what the other is thinking and feeling and doing. Client and therapist
bear a mutual responsibility for whatever happens during their time together. Acknowledging,
examining, and cherishing that mutuality is contact-making and awareness-enhancing—for
therapist as well as for client.
What does it mean to listen with rather than listening to? How do therapists enter the
“intersubjective field” (Atwood & Stolorow, 1984) and observe what is happening from inside
the therapeutic interaction? An important part of this skill is that the therapist constantly
reminds herself that she is not a neutral observer. She is not watching things unfold within
the client, like a spectator in a theater: she herself is part of the drama. The client is thinking,
feeling, and behaving differently than he would if the therapist were not with him; and the
therapist’s thoughts and feelings (about the client, and about herself) are affected by the
client’s being with her. One of the most important things for a therapist to remember is that
her perceptions of the client are shaped by her own internal experience. “What I essentially
have heard,” says Socor (1989) “are the client’s words played on my sound system. … I may
not purport to have heard the client’s truth—only my translation of it. … My very act of
translation (i.e., the way I hear the ‘truth’ and what I ask about it) will shape the emerging
narrative. I cannot claim ‘abstinence’ ” (p. 108).
When we observe from within, we learn to realize our own responsibility in shaping what
happens from moment to moment in the therapy session. We recognize how we help determine
what the client tells us and how he is responding to our interventions. Acknowledging that
we are partly responsible for what the client says and does—that we are co-creators of the
therapeutic drama—not only provides a more accurate understanding of what is going on in
the therapy session but also helps us to avoid being judgmental: Do I not like what the client is
doing right now? Do I experience him as resistant, as overly dependent, as thinking when he should
be feeling, or emotional when he needs to think? If so, then I must look at how I am helping to
make that happen. I may or may not choose to tell him what I have discovered about myself and
my experiencing, but if I do tell him, I will make it clear that both of us are creating this process,
and that both of us need to deal with it together. This suggests another benefit of observing
from within, rather than from outside: it allows us to explore the nature of the contact between
therapist and client. Exploring the ways in which therapist and client make, distort, or break
contact with each other generally enhances that contact; and enhancing interpersonal contact
encourages and supports enhanced intrapersonal contact and awareness.
One last advantage of observing from within the relationship has to do with the therapist’s
emotional availability, and this brings us back to the notion of therapeutic personhood.
When the therapist sits outside and looks at, she is likely to intellectualize and analyze and
to put her own feelings to one side. If she does feel something about what is happening, she
labels it as a response to what the client is doing, and adds that piece of data to her analysis.
88 THE ART AND SCIENCE OF RELATIONSHIP
The client becomes an object to be understood, manipulated, and repaired; the therapeutic
relationship becomes irrelevant or disappears altogether. Looking at is emotionally distancing.
In contrast, observing from within brings the therapist’s own uniquely personal responses
into the relationship-forming process. Because she is being real with herself, her authen-
ticity permeates her interactions with the client and makes true relationship possible.
The client needs that authenticity, that emotional availability. The therapist’s personhood, her
willingness to be involved in the process, creates a context in which the client can dare to risk
experiencing that which has been unavailable until now. Observing from within, allowing
oneself to be truly a part of the ongoing process, keeps one present for the client, available as
a whole person. The client does not have to do it all alone: we are together through whatever
will happen on this journey that we are taking.
Self-awareness
Staying within the field and taking responsibility for our part in creating it requires that we be
self-aware. We can hardly hold ourselves accountable for doing something if we do not know
that we are doing it. Many young therapists, beginning to learn their craft, try to submerge
themselves in the client’s experience, to be completely focused on what it is like to live
inside that client’s skin. To the extent that they succeed, they lose themselves—and the loss of
self means that the client is again alone. The very thing that these novice therapists think will
be most helpful turns out to be quite unhelpful, for it is relationship-damaging. Moreover, when
we try to ignore our own feelings and responses in order to focus on the client, we become less
and less sensitive to our own behavior and its effect on that client. How can we understand
one half of an interaction without knowing something about the other half? It is like trying
to understand the movements of a dancer without being able to see what his partner is doing.
Responses that make perfect sense as part of an interaction between two people can be utterly
incomprehensible when seen as solitary behavior.
The therapeutic exchange takes place in an interpersonal space created by and belonging
to both client and therapist. Even though the interpersonal space of therapy belongs to both
participants, though, it is the therapist’s responsibility to make that space therapeutic. She does
so, first and foremost, by attending—attending with her ears, with her eyes, and with her heart.
She attends not only to the client but to herself—first to her responses to the client but also to
whatever emerges from her own ongoing needs and fantasies. She places her awareness of her
own thoughts and feelings in the context of her commitment to the client’s welfare, and in this
context she decides what she will share with the client and what she will keep to herself. She
notices how the client responds to her, and how she experiences that response. She demands of
herself no less self-awareness than she hopes for in her client.
Of course, the search for self-awareness cannot become the therapist’s only, or even her
primary, focus during the therapeutic hour. Her first concern is to enter the inner and outer
Creating a therapeutic relationship 89
world that the client is telling her about. The therapist’s attention to self is in service of her
attention to the client. To the degree that the therapist’s focus on her internal experience
enhances her understanding of the client—of what he is saying, doing, and feeling—it will
further the development of a healing therapeutic relationship. If it repeatedly interferes with
attending to the client, it will detract from that relationship. The therapist’s attention shuttles
between self and other, between what-is-happening-in-here and what-is-happening-over-there.
The client, perhaps with less skill and less awareness, is doing the same thing. Both patterns of
attention—that of client and that of therapist—are ingredients in the relationship; neither can
be ignored because each is only understandable in the context of the other.
One of the major factors to be taken into account in understanding the interweaving of
causality between client and therapist is the sensitivity that clients display with regard to what
their therapist says and does. Often without awareness, they respond to the most minimal
shifts in voice tone, expression, or posture. Says Frank (1997), “Not only deliberate interven-
tions, but virtually all of the analyst’s activity, even inactivity, is expressive and continuously
communicates meaning to the patient” (p. 286). Sometimes the meaning communicated is
not at all what the therapist intended; sometimes the client will misinterpret the therapist’s
behaviors, and sometimes he will read accurately what the therapist would have preferred to
keep to herself. Whatever meaning he makes, though, the therapist’s best chance of exploring
and understanding it with him lies in her noticing the stimuli to which he is responding—and
those stimuli come, in significant part, from the therapist herself.
It may seem somewhat paradoxical that, in order to know what goes on inside the client,
we must look within ourselves. Yet, as we shall discover in our discussion of empathy later in
this chapter, our own ability to resonate with the client provides our best cue as to what he is
thinking and feeling. “The person who is at home with the subjective stirrings of his or her own
inner being tends to be sensitive to the inner felt world of others and is not afraid of responding
from this awareness” (Barrett-Lennard, 1997, p. 111). Sensitivity to client and sensitivity to self
work together; as self-examination and self-awareness become almost automatic parts of one’s
therapeutic behavior, one finds oneself increasingly able to read the nonverbal messages the
client is sending.
Our internal response to the client may be useful in three ways, according to Bacal (1997): as
a reaction to what is going on in the client, as a reflection of what is going on in the client, or as
a mixture of both (p. 678). When our internal experience reflects what is going on in the client,
we can sample that experience and use it to understand what the client’s internal world is really
like. When we react to the client, and take note of that reaction, we understand better the effects
the client may have on others and what his social experiences are likely to have been. Most
often, we will have both, reaction and reflection. The importance of distinguishing between
the two cannot be overstated. Imagine, for example, a therapist who experiences a sense of
frustration, mixed with deep sadness, as she listens to her client’s story. If the frustration is a
reflection of the client’s frustration, and the sadness is her own reaction to his pain, she will be
90 THE ART AND SCIENCE OF RELATIONSHIP
moved to intervene in one way; if the sadness is what she feels coming from the client and she
is frustrated by his inability to move beyond it, she is likely to formulate a very different inter-
vention. If she gets it wrong, if she mistakes her own emotional response for a reflection of the
client’s feelings, her intervention is very likely to be off the mark and unhelpful.
Frank (1997) recommends not only that the therapist be self-aware, but that she be willing
to share that self-awareness with her client. Doing so allows both therapist and client access to
whatever creativity, past experience, and insights the therapist may find within herself. Frank
suggests that therapists cultivate a “willingness to be known” and goes on to say that “such an
attitude empowers the work, allowing the therapist to respond with personal as well as profes-
sional resources—common sense, personal experience, wisdom—rather than through strict
adherence to a clinical methodology, which, of course, continues to inform the analyst’s role”
(p. 309). Notice that Frank does not advise us to simply present the client with a monologue
describing our own internal state. Our sense of what is clinically appropriate—helpful to the
client—is always a factor in determining what we choose to share. Again, it is the combination of
therapeutic skill and personal involvement, of objectivity and subjectivity, that creates a unique
therapeutic environment, a kind of interpersonal greenhouse in which the client’s tender new
awarenesses are invited to grow and flourish.
Process exploration
Since the therapeutic relationship is so critical to the client’s experience, it only makes sense that
this relationship should be a focus of therapeutic dialogue during the therapy session. Of course
there will be discussion of the client’s concerns, about what brought him to treatment, what has
happened to him in the past, and how those experiences have shaped his life. But there will also
be inquiry about what is happening between client and therapist and about how the client is
affected by the relationship that is being created in this therapeutic space. There is no substitute
for this sort of here-and-now exploration. Descriptions of past events may be informative, but
such past events are static, history, no longer open to change. The client’s present experience
is alive, constantly changing and shifting: new vistas open up; feelings and connections wink
in and out of awareness; he goes down a familiar path and suddenly finds something he never
noticed before. The therapy session becomes a kind of laboratory, with the client’s ways of
making and breaking contact, of being open and of hiding behind silence or subterfuge, right
in front of him, ready to explore in all of its kaleidoscopic complexity.
The therapist’s task is to further that exploration, wherever it may lead. She does so by
encouraging the client to look inside, to attend to his ongoing thoughts, feelings, hopes, fears,
needs, and expectations as he talks with her. She helps him to notice the connections between
what he experiences here, in the therapy hour, and what he has experienced elsewhere in
his life. She invites him to stay with those parts of his experience that he ordinarily brushes
past or pushes away. And she herself is genuinely involved in that exploration, with her
Creating a therapeutic relationship 91
own human feelings and thoughts available to her and—when she makes the therapeutic
choice to share them—to her client. The therapist uses herself like a spotlight in a dark room,
highlighting what the client tells her (in words and nonverbally), and pointing ahead toward
spaces that have been dim and unknowable for him. As Atwood and Stolorow (1984) remind
us, everything that the client discovers about how he is, here with the therapist, is also a
discovery about who he is in the external world; and every discovery about how he is and
has been in his daily life will help him understand what is happening with him now, with the
therapist. Each intervention that “successfully illuminates for the patient his unconscious
past simultaneously crystallizes an illusive present—the novelty of the therapist as an under-
standing presence. Perceptions of self and other are perforce transformed and reshaped to
allow for the new experience” (p. 60).
Symmetry
High Low
Symmetrical, Asymmetrical,
High
Involved Involved
Involvement
Symmetrical, Asymmetrical,
Low
Detached Detached
primary benefit of the client or patient, that the lawyer’s or doctor’s job is to assist the client
or patient; but the two participants have little or no emotional involvement with each other.
For the final combination, asymmetrical and involved, we turn back to a family example, the
relationship between parent and child. Here, there is emotional involvement, vulnerability, and
caring on the part of both. While the relationship clearly provides benefits for each, there is also
a shared expectation that it is the parent’s job to care for the child and not the other way around.
(Interestingly, over the lifespan of a parent–child relationship, the direction of the asymmetry
often gradually shifts, finally reaching a point at which the now-adult child is caring for the
aging parent.)
Of these four kinds of relationships, the one that best approximates psychotherapy is the
last, the relationship between parent and child. Therapist and client are emotionally open to
each other, each genuinely caring about the other’s welfare. But there is a clear and mutual
expectation that the purpose of the relationship is to assist the client in meeting his needs.
When the client is particularly vulnerable or regressed, the therapist may function much like
a good parent, supporting the client’s exploration, protecting him from self harm, applauding
his success. As the client begins to move out of his life script, into less-painful patterns of being
with self and others, less and less quasiparental functioning is demanded of the therapist—not
unlike the parent’s changing role as a child grows to adulthood.
Therapeutic intent
There is no doubt that parents are emotionally involved with their children, vulnerable to
their children’s pain. Yet good parents know how to be involved and still provide the kinds
of things children need: clear limits, support, generosity tempered by good judgment. Good
parents do not expect their children to take care of them emotionally; a commitment to
effective parenting precludes using one’s children as emotional caretakers. Good therapists
do the same sorts of things, setting limits, providing support, using good judgment in their
Creating a therapeutic relationship 93
decisions about how much to give of themselves. Their commitment to their therapeutic
function prevents good therapists from using clients to further their own emotional
well-being. They do not expect their clients to do this or that in order to please them; they do
not want their clients to be so busy worrying about their therapists’ feelings that they cannot
fully explore their own. This commitment to the therapeutic process is known as therapeutic
intent. Therapeutic intent allows one to be involved, real, and present in relationship with
a client and, at the same time, to maintain the kind of asymmetry that will best promote
his growth.
Modell (1991) points out that “our body in its response to the patient’s affects does not
make a distinction between individuals in ordinary life and those within the therapeutic
frame. We are all hard-wired to respond in a complementary, albeit idiosyncratic fashion …”
(p. 18). Therapists do have emotional responses to clients; we do sometimes become upset,
discouraged, angry, or saddened by what our clients tell us. That is part of being involved, part
of our personhood—part of making a healing relationship. But we strive to use those emotional
responses therapeutically, for the client’s benefit. That is therapeutic intent. Therapy occurs
within an asymmetrical relationship; in relationship-focused integrative psychotherapy, both
the relationship and its asymmetry are essential. When we get it right—when we are able to
be authentically involved in an appropriately asymmetrical relationship and to use our skills
within that relationship—we can call ourselves therapists.
As the client learns that he can trust both the genuineness of the therapist’s involvement,
and her commitment to use that involvement for the client’s benefit, he can talk more and
more freely about his experiences. Lister (1981), speaking of clients who have experienced
trauma, says, “To speak about what has happened and to share this information with another
person are both emotionally laden acts with multiple consequences. Framing into words
involves a departure from initial defenses, which may have altered the memory of the event
itself—through suppression, repression, dissociation, or even psychotic disorganization.
Coming to therapy solidifies a conscious sense of what has happened, or the reality of these
events, or their pain and importance” (p. 874). In some sense, everyone has experienced
trauma: the everyday vicissitudes of life, the relational hurts that are an inevitable part of
growing up with caregivers who are also human, create some trauma for all of us. Whether
one has only experienced these “garden variety” traumas or has passed through the major
and tragic traumas that mark some individuals’ history, talking about those experiences
in the presence of someone who is involved and who acts out of therapeutic intent does
help one to depart from defenses, to bring to awareness what has happened and how
those events have affected one’s way of being in the world—and with awareness comes the
possibility of change.
Maintaining one’s therapeutic intent is not without cost. Frank (1997) reminds us, “Because
they involve self-revelations, each and every one of the analyst’s communications, including
interpretations and, especially, deeply resonant empathic responses, involve self-exposure
94 THE ART AND SCIENCE OF RELATIONSHIP
and leave the analyst open to potential criticism and rejection” (p. 294). That openness to
criticism and rejection is doubly risky because we care about being criticized or rejected.
We care when the client fails to benefit from our work together. We care when he gets hurt
or disappointed or suffers the consequences of some less-than-wise behavior on our part.
We do not protect ourselves by being detached, putting on a veneer of phony “profession-
alism.” Nor do we expect the client to hold back his criticism or rejection or to soften the
story of his pain, so as not to hurt us—remember, this is an asymmetrical relationship, and
the client is not here to take care of us. Instead, we encourage him to tell it all, including the
parts that may be hard for us to hear. If it stings, we allow ourselves to feel the pain and to
be aware of our responses to that pain. Always, our therapeutic intent is the guide to how
those responses will be used in the therapeutic process.
Empathy
Frank’s comment about self-revelations, quoted in the preceding section, included a word
that is perhaps the most common descriptor of what happens in psychotherapy: empathic.
A therapist’s empathic ability is her stock-in-trade; with it, she can understand the client,
walk for a moment in his shoes, be truly with him as he does his therapeutic work. Without it,
she is doomed to be a step behind, not quite there, not quite getting it. The skill of empathic
understanding is a foundation stone for any other technique the therapist may use; it was
one of Rogers’s (1951) three necessary and sufficient conditions for therapeutic growth, and
it is no less important today than it was more than half a century ago when Rogers was first
formulating the client-centered approach. Clearly, this thing called empathy is worth looking
at more closely.
Strangely, though, the more closely we look at the phenomenon of empathy, the more
complicated it gets. Even defining the word is a rather difficult task. Everyone seems to agree
that empathy has to do with being able to understand what the other person is experiencing;
but, after that, things get rather slippery. From one perspective, empathy seems to be a basic
human ability—if not inborn, then acquired very early in life. Small children are sensitive
to the moods of others; if you have ever spent time in a nursery, you know that one crying
infant can set off the whole room. Empathy is not difficult to achieve; everybody does it.
Some people even seem to be hurtfully empathic, using their insight into others as a weapon.
“Surely on the highway you have met that other driver who knows exactly what you want to
do—change lanes, pass, or turn—and deftly, persistently prevents you from doing it. That is
empathy without sympathy” (Shlien, 1997, p. 64). Although we tend to think of empathy as
somehow good, it is in fact value-neutral. Like so many other powerful forces, it can be used
for good or for ill. As therapists, we may use our empathic skills to encourage, support, and
strengthen our clients; we also have the choice of using them to manipulate, coerce, and hurt
(MacIsaac, 1997; Orange, 1995).
Creating a therapeutic relationship 95
However it is used, empathy does have to do with one’s knowing of another. For some theorists,
this knowing is primarily focused on emotion: empathy is the ability to feel, or at least to know,
what another person is feeling. For others, cognition is equally important; it is the totality of the
other person’s internal experience—thoughts, feelings, hopes, and fears—that is sensed through
empathy. Orange (1995) sees empathy as going beyond even this sort of thoughts-and-feelings
knowing. For her, empathy is a sensing of the other person’s deep humanness—of what makes
him real and alive and turns him from an object to be analyzed and dissected into a true other.
“Empathy,” she says, “is the knowledge that emerges from personal relation and creates the
other as a subject” (p. 21). Empathy is what makes relationship possible; for, until there is an
other, like myself but separate from me, there can be no relationship. Conversely, relationship
is also the source of empathy, informing me about that other and making contact between us.
In other words, empathy is both cause and effect, both that which creates relationship and that
which is created by relationship.
We should not really be surprised by this duality, for empathy is a creature of the in-between:
that numinous realm that defies our efforts to order and quantify. Empathy is found at the
border between art and skill; it partakes of both but is limited to neither. Like the nervous
impulse that leaps across the synaptic gap, empathy leaps across the chasm that lies between
two separate, skin-enclosed entities—perhaps even when one of those entities is not a person at
all. “Empathy means, if anything, to glide with one’s own feeling into the dynamic structure of
an object, a pillar, or a crystal or the branch of a tree, or even an animal or man, and as it were,
to trace it from within” (Buber, 1958, p. 97).
Aspects of empathy
“Trace” is an active verb, and Martin Buber’s poetic description suggests that to be empathic
is to actively seek out a sense of the client’s world. Indeed, this is one way in which empathic
understanding is achieved: inquiring about what the client is thinking, feeling, and sensing.
Yet it is not the only way. Those readers who have seen films or videos of Carl Rogers (surely
one of the great masters of empathic understanding) working with clients may remember
that Rogers very seldom asked a question in his sessions. He simply received the information
that the client chose to share, added his own reaction to that information and to the way
in which the client presented it, and gave the result back to the client. Over a series of such
transactions, with the client correcting his perceptions and/or using them as a stimulus to
further exploration, Rogers and his client together came to develop a growing awareness of
the client’s world.
Therapeutic empathy is a receptive, supportive, enfolding sort of phenomenon. It takes
what the client gives, savors it, cherishes it, and gathers it together with everything else
known and sensed about that client. Empathy is also an inquiring, hungering-for-more,
moving-out-into-the-client activity. It forms hypotheses, asks questions to test those
96 THE ART AND SCIENCE OF RELATIONSHIP
hypotheses, examines the answers, and extracts every possible bit of information from
every response. Empathy can be based on analysis of what the client says, noting his
nonverbal signals, thinking our way into understanding. It has also been described as an
almost telepathic activity in which a sense of the client is acquired in a rather mysterious
fashion, not (yet) amenable to scientific understanding. Empathy is most often thought
of as a valuable thing, and to be empathized with is comforting; but, stripped of positive
intent, it is value-neutral and can be used to help, to hurt, or to manipulate. Contradictory
statements? Yes, and yet each is true. These descriptions mark the boundaries of empathic
receiving and responding; they show us the range of activities involving empathy. The most
effective empathic behaviors move along and within the whole range, combining aspects
of each of the apparent contradictions. Empathy is both art and skill, both rational and
mystical, both active and passive. Empathy has many aspects; and, as we develop our
empathic skills, we need to remember to use them all.
Tropp and Stolorow (1997) recommend using different words to refer to different aspects
of empathy. “We have characterized [therapeutic empathy] as an attitude of sustained
empathic inquiry, an attitude that consistently seeks to comprehend the meaning of a patient’s
expressions from a perspective within, rather than outside, the patient’s subjective frame of
reference. We suggest the restriction of the concept of therapeutic empathy to refer to this
distinctive investigatory stance and use some other term, such as affective responsiveness, to
capture the ‘powerful emotional bond between people’ that Kohut believed can also produce
therapeutic effects” (p. 281). Empathy, for these writers, is primarily a thinking activity,
a matter of comprehending.
Most of those who talk about “empathy” do not make the distinction that Tropp and
Stolorow suggest; they tend to lump together the intellectual (the intent to comprehend the
client’s world) and the affective (feeling as the client feels). In the real world of therapy, the
two cannot be separated: without an internal emotional response, our “sustained inquiry”
would be likely to miss the most important parts of the client’s messages, and without that
sustained inquiry we would have only limited data to stimulate our affective responsiveness.
Both are essential; taken together, they create a whole that is greater than either of its parts.
As with so many other complex skills, though, we learn to create the whole by looking at the
parts; we separate them in order to understand them, even as we recognize that they must
ultimately come together again to retain their true identity.
Attending
The most basic ingredient in the empathic process is attending: listening to what the client
says, noticing what he does. This attending is purposeful—we are not simply watching
a movie, waiting to see how it unfolds; we are sorting, comparing, and storing for future
reference. Our intent is to know what it is like to be inside this skin, behind these eyes, to
Creating a therapeutic relationship 97
live in the context of the memories this history has provided and the beliefs these experiences
have generated. We are fully and actively involved in the process.
In our attempt to understand in this way, we must take care not to make the client into
some “out there” thing, totally separate and distinct from ourselves. We, too, are a part of
the equation; our understanding of him is flavored by our own history and expectations.
We listen from within. Our own responses are the guide we use to interpret and give meaning
to what he says and does. This is vicarious introspection—taking into oneself what the client
presents and then exploring that internal representation together with our own responses
to it (Kohut, 1984); or, as Bacal (1997) puts it, “Empathy effectively constitutes a reading of
the analyst’s own affects and … when we ‘empathize’ we are always interpreting the effect on
our subjectivity of what the patient feels, believes, or does” (p. 670). There is nothing new
about this notion; we do it frequently in ordinary social interaction. “If I were you, I would
think/feel/want/wonder …” is a common response between friends. As therapists, though,
we are expected to go beyond this conversational sort of vicarious introspection, constantly
sharpening our sensitivity to the nuances of what the client is telling us and to our own
responses to the client’s message.
According to Tansey and Burke (1989), “It is only by attending to the affective signals
coming from within himself that the analyst is able to fathom their hidden meanings and to
bring into his own consciousness what the patient is unconsciously communicating about
himself through this inductive process” (p. 17). We know more about others and about our
relationships with others than we are aware of. Attending to our small internal events, bringing
them into awareness, will help us to make conscious (and useful) that which was previously
out of awareness. As was mentioned earlier, attending to our own subjectivity also helps us
to be clear about which part of our experience has been imported from the client and which
is our own. Empathy always involves a certain amount of emotional contagion, but it must
also include recognizing that the client is the primary source of the emotional experience
(Agosta, 1984). Gelso and Hayes (2001) stress that “it is important that the therapist maintain
healthy boundaries between self and patient … even though at times these boundaries can
become blurred” (p. 421). Confusing the client’s and the therapist’s responses is one of the
most common empathic errors: getting lost in the feelings we are taking on from the client
or assuming that, because we are responding in a certain way, the client must be responding
that way too. We must always remind ourselves that we are not this other person, that—even
though we may know him very well and sympathize deeply with his situation—our responses
are nevertheless ours and not his, just as his responses are his and not ours.
Cognitive understanding
While affect is perhaps the most common focus of therapeutic empathy, it is not the only
aspect of the client’s functioning that we are interested in. Greenberg and Elliott (1997) point
98 THE ART AND SCIENCE OF RELATIONSHIP
out that there are various “targets” for our empathic responding and that one very important
target is the client’s cognitive process. We want to understand what clients are thinking and,
even more important, how they are thinking. We want to trace the way in which they order
their thoughts, how they move from one topic to the next, what sorts of ideas they shy away
from, and what associations they use to cover or protect themselves. Most of all, we are
interested in the basic assumptions that they use to make meaning, to organize their world
into familiar categories. These assumptions represent their basic guiding values, standards,
or beliefs about self or others.
Empathizing with a cognitive focus requires the same sort of vicarious introspection
as affective empathy. We take in the client’s words, think about what they mean to us; we
ask ourselves how we might come to think like this, where these ideas could have come
from, what other beliefs we would need to hold in order to believe this, and how this
belief might affect our other thoughts and ideas. Empathic sensitivity to both feeling and
thinking involves resonating to the client’s feelings and thoughts, finding the part of us that
knows how to feel and think that way, adding in our own personal affective and cognitive
responses, and then standing back and putting the whole experience into the context of the
client’s ongoing story.
experience and, at the same time, maintain an awareness of self, using that awareness as a
shield against being overwhelmed by what the client is going through. Again, this kind of
psychic shielding is not unique to psychotherapy; we use it every time we make ourselves
emotionally available to a friend in trouble. We sympathize with the friend and try to
understand what he is going through, but we also keep a certain distance. “The reason all of
us do not walk around perpetually being taken over by the affects broadcast by others in our
environment,” says Nathanson (1996), “is that we build what I call an ‘empathic wall’ that
allows us to maintain our personal boundaries in society” (p. 14). Some of us build thicker
“empathic walls” than others; some walls are so thick that very little empathy is possible,
while others are far too thin and their owners far too vulnerable to emotional contagion.
Needless to say, we therapists strive for a middle range, thick enough to protect ourselves from
the intensity of the client’s pain, yet thin enough for us to truly understand his experience.
For Bacal (1997), understanding is the key to maintaining this middle range. By stepping
back from the raw experience—the flood of feeling—and attempting to understand what is
happening (to the client, and to ourselves as well), we can create a “certain psychical distance”
that simultaneously protects and informs us (p. 681).
Conveying empathy
Thus far, we have been focusing on the receptive aspects of empathy: the ways in which a
therapist comes to understand and—to a lesser degree—share in the client’s experience.
If empathy stopped there and only involved the therapist’s internal knowing of the client,
it would be of limited therapeutic value. Empathy comes alive in the therapy hour as the client
becomes aware of the therapist’s understanding and sharing. Our job as therapists is not only
to understand but also to let the client know that we understand. Kohut is quoted by Warner
(1997) as pointing out that “empathy is never by itself supportive or therapeutic. It is, however,
a necessary precondition to being supportive or therapeutic. In other words, even if a mother’s
empathy is correct and accurate, even if her aims are affectionate, it is not her empathy that
satisfies her child’s … needs. Her actions, her responses to the child do this” (p. 130).
How does the therapist let the client know that she does understand? This is accomplished
in a variety of ways. One of the most important of these is the therapist’s spontaneous,
nonverbal responses. As she listens to the client, and takes in what he is sharing with her,
the therapist responds emotionally; that emotional response has physiological correlates
that show up in her posture, facial expression, and respiration—therapists, like their clients,
are constantly giving off signals about what is happening inside themselves. Clients read
those signals (sometimes accurately, sometimes not), just as therapists read their clients’
body language. The first answer to “How do we convey empathy?” then, is “automatically.”
We don’t have to work at it; it simply happens. The therapist’s body lets the client know what
kind of impact he is having on her.
100 THE ART AND SCIENCE OF RELATIONSHIP
Body language is good for conveying emotional information; it is less useful for cognitive
information. To convey thoughts and ideas, we most often turn to words. One of the first
skills that beginning therapists are expected to acquire is that of paraphrasing: giving back to
the client in one’s own words what the client has just said. The most effective paraphrases are
built upon empathy: they include not only the literal information the client has given but also
reflect the therapist’s awareness of the emotional context of the information, and her own
response to that awareness. By giving such a paraphrase—assuming that it is accurate—the
therapist does convey her understanding, does communicate empathy.
Other sorts of verbal responses, too, let clients know that the therapist is exploring with
him, a partner in his discovery of self. Greenberg and Elliott (1997) discuss five forms of
empathic responding. The first of these, understanding, is essentially the sort of paraphrasing
we have been talking about; it includes sharing the therapist’s sense of what the client is
saying, and descriptions of her own responses or experiences that are similar to those of
clients. The second, evocation, involves comments that take the client more and more deeply
into his current experience. The therapist must be in some kind of synchrony in order to do
this successfully. She begins with the client’s current experience and helps him to enhance
and intensify it; the success of her efforts will depend in large part on the accuracy of her
understanding of the client’s starting point.
Next on Greenberg and Elliott’s list is exploration, going with the client into new areas of
awareness. Again, one cannot help someone explore unless one is with him on the journey;
in order to suggest where to look next, the therapist must be close enough to see what the
client sees right now. Exploration and evocation require an emotional resonance to the
client’s experiencing, in order to both follow and lead him further into himself. Conjecture,
the fourth form of empathic responding, involves the therapist sharing her hunches about
what the client is experiencing. Many different explanations exist for these sorts of hunches;
intuition, gut feeling, and subliminal perceptions are just a few. Wherever they come from,
they are based on the therapist’s sensed but not fully understood response to the client’s
behavior. The therapist is never completely certain of their accuracy—she does not know for
sure that the client just experienced a momentary wave of sadness or that he was irritated
by something she just said or distracted by thoughts of something quite unrelated to the
therapeutic conversation. But she senses it, and she shares that sense with the client, not as a
demonstration of her ability to read his mind but as a caringly curious “Did this just happen
with you?”
The final item on the list is interpretation, and—to our way of thinking—it should be
surrounded by large signs reading “Danger!” and “Beware!” Interpretation involves pointing
out patterns and relationships that the client has not yet noticed: that he gets frightened when
he talks about his father, for instance, or that he seems to have the same sort of relationship with
his children as he has with his students. One of the most obvious dangers in using interpreta-
tions is that they may not be correct. When an interpretation is off the mark, the client has the
Creating a therapeutic relationship 101
choice of rejecting it (and knowing that the therapist did not really understand) or accepting
it (and denying the validity of his own experience). Neither of these is likely to enhance the
therapeutic process.
Even when an interpretation is accurate, though, it may not be helpful. Errors in timing, or
in judging how deeply a client is willing to look, will render the most accurate interpretation
useless—or even harmful. On the other hand, an accurate interpretation, delivered at just the
right moment and taking the client just the right distance into his blind spot, can be a most
effective conveyor of empathic understanding. Putting together this kind of interpretation is a
difficult challenge—thus the “Danger!” and “Beware!” signs.
Interpretations that are less than accurate or are given at the wrong moment can derail
the course of therapy. With other expressions of empathy—paraphrases, conjectures, and
the like—getting it wrong or making an error of timing is not so hurtful. As Orange (1995)
points out, “Often our attempts will be inaccurate, but in the atmosphere of emotional safety
provided by our very responsiveness, many patients can use what we offer as a kind of catalyst
for their own emotional expression” (p. 128). By the very nature of things, our expressions of
empathy cannot be perfectly accurate all of the time; we, and the client as well, are aiming at
a moving target, trying to convey in a given moment of time an experience that is constantly
changing. We will always be a little off, a little behind where the client is by the time we
have finished our comment. Therapeutic errors are inevitable, and acknowledging those
errors in a caring way is often highly therapeutic (Guistolise, 1996). If we are partly right,
if our words and actions come close to the client’s experience, his very attempts to refine our
understanding will move him into greater awareness of the shifting, moving panorama of
his internal landscape.
Empathic understanding and empathic responsiveness lie at the roots of the therapeutic
relationship. The various skills of empathy undergird all of the many psychotherapies being
practiced today. For some, empathy is a centerpiece, a primary agent of change and growth.
For relationship-focused integrative psychotherapists, empathy provides a foundation upon
which additional therapeutic activities are built. In one sense, these activities go beyond the
traditional definitions of empathy; in another, they are enhancements and intensifications
of the empathic process as it operates in a relational context. We have come to categorize
these “beyond empathy” therapeutic ingredients as attunement, inquiry, and involvement.
We examine them in Chapter 6.
Summary
Good psychotherapy involves both general and specific factors; it is both an art and a science.
Artistry and science potentiate each other, creating a series of relational experiences that
challenge the client’s script and help him to develop a new set of organizing principles with
which to understand and deal with his world.
102 THE ART AND SCIENCE OF RELATIONSHIP
Psychotherapeutic interventions and techniques are most impactful when delivered in the
context of an effective therapeutic relationship. To create and maintain such a relationship,
the therapist must develop her therapeutic personhood, her ability to listen with the client
rather than to the client, to observe from within the relationship rather than standing outside
it. She must make herself emotionally available to the client. To do this, she must cultivate
self-awareness.
Psychotherapy is an asymmetrical yet emotionally involved process. The element that
distinguishes it from other similarly valenced relationships is therapeutic intent, the consistent
commitment of the therapist to the client’s welfare.
Empathy, the ability to feel with the client, builds the therapeutic relationship; the
relationship, in turn, enhances empathic sensitivity. Empathy can be both active and passive,
analytic and receptive. It involves attending, understanding, and some degree of emotional
contagion. To have a therapeutic effect, empathy must be conveyed to the client, not simply
experienced by the therapist.
CHAPTER 6
Beyond empathy
I
n a previous book, Beyond Empathy: A Therapy of Contact-in-Relationship (Erskine,
Moursund, & Trautmann, 1999), we characterized the skill of inquiry and the qualities of
attunement and involvement as central to effective psychotherapy. Empathy, as discussed
in Chapter 5, is the foundation for inquiry, attunement, and involvement. Each of the three,
however, goes beyond empathy in some way—or, at least, beyond the definitions of empathy
that one finds in the literature. It is likely that truly empathic therapists are also skilled
inquirers, sensitively attuned to their clients and appropriately involved in the therapeutic
process. If so, then attunement, inquiry, and involvement are not extensions of empathy so
much as subdivisions: aspects or facets of the overall empathic frame within which change
and growth are nurtured.
Whichever they are—extensions or subdivisions—attunement, inquiry, and involvement
deserve our close attention. To the degree that we can provide them, our therapy is likely to be
effective and satisfying to both our clients and ourselves.
As is true for nearly every other effort to describe or define some important aspect
of psychotherapy, discussing attunement, inquiry, or involvement alone requires an
artificial and unrealistic teasing apart of what is essentially indivisible. Inquiry without
attunement and involvement is sterile and inquisitorial; involvement and attunement
without inquiry have no sense of direction or purpose. All three, moreover, are useful
only when they are guided by what we have called therapeutic intent: a commitment that
the client’s growth and healing take priority over anything else that may happen in the
therapy session.
103
104 THE ART AND SCIENCE OF RELATIONSHIP
Attunement
Attunement involves sensitizing oneself to the client and responding accordingly. Empathy,
as we have seen, is a kind of “vicarious introspection” (Kohut, 1977), in which the therapist
understands the client by finding something akin to the client’s responses within herself.
Attunement involves using both conscious and out-of-awareness synchronizing of therapist
and client process, so that the therapist’s interventions fit the ongoing, moment-to-moment
needs and processes of the client. It is more than simply feeling what the client feels: it includes
recognizing the client’s experience and moving—cognitively, affectively, and physically—so as
to complement that experience in a contact enhancing way.
In this sense, attunement is not a subdivision of empathy but does extend the concept:
The attuned therapist leads by following. Her interventions often feel, to the client, more like
confirmations than questions: they direct his attention to what he is ready to know but has not
yet quite realized. She anticipates and observes the effects of her behavior on the client; she
decenters from her own experience in order to focus on the client’s process. Yet she also is aware
of her own internal responses, her thoughts, feelings, and associations. She is multi-tasking,
simultaneously following both the client and herself, as well as noting the intricate interactions
between self and other. She communicates this synchrony; with body language and voice tone
as much as (or more than) with words, she weaves a fabric of understanding and concern and,
at the same time, conveys her belief in the client’s ability to grow and change. “I know where you
are,” she seems to be saying, “and we will travel from there together.”
To the degree that the therapist is attuned to the client and conveys that attunement, the
client feels respected. “This therapist not only understands me—she’s really with me! Maybe
the things I’m thinking/feeling/doing/wanting aren’t so hopeless after all.” Attunement conveys
interest, as well: one of the ways we know if people care about us is by their interest, under-
standing, and involvement; their close attention to our story; and their acknowledgment of our
needs and wants.
Respect and interest, in turn, create a climate of safety. The therapist who respects me won’t
turn on me, laugh at me, be disgusted by me. She is interested enough to take the time and
make the effort to understand, all the way through, what I am trying to say; she won’t leap to
the wrong conclusions and steer me in a wrong direction. It’s okay to be here, okay to be who
Beyond empathy 105
I am, okay to (maybe, just a little) let the defenses down and peek at the things I really haven’t
wanted to see.
A client who feels respected and secure in the presence of his therapist can get on with
the primary aim of therapy: reclaiming that which has been closed off, healing that which
has been fragmented, making both internal and external contact where contact has been
interrupted. Attunement reaches beyond the client’s concern with an immediate problem,
down into the hopes and fears and beliefs that keep the problem from being fully solved.
Attunement encourages the client to come to grips with those deep hopes, fears, and beliefs,
to explore them and update them in the light of more recent learnings. And attunement
provides a constant invitation to contact, a gentle but firm and dependable “I’m here” when
the client is feeling overwhelmed and hopeless.
We note one last benefit of attunement: when the therapist does get it wrong and
makes that inevitable error, her previous level of attunement will ease the process of
re-synchronizing and re-establishing a climate of trust. The general level of attunement
sensitizes the therapist to the client’s reaction to having been missed and allows her to
catch her error quickly, acknowledge it, and request clarification. Acknowledging and
apologizing for an error are usually, in fact, another demonstration of attunement; when
the therapist goes off the track, what the client most needs and wants is that she admit it,
apologize, and re-establish contact (Guistolise, 1996).
Attunement comes in many varieties, for there are many aspects of the client’s experience
with which to be in tune. We have found it convenient to attend particularly to five areas of
attunement: affective, cognitive, developmental, rhythmic, and relational (i.e., attunement to
relational needs). We consider each in turn.
Affective attunement
Most therapists are trained to be aware of, and even encourage, clients’ affect. We learn to be
comfortable with our clients’ tears, anger, fear, and (strangely, often the most difficult for us)
joy. We help clients to deepen their affect (or heighten it, depending on whose vocabulary is
being used) and to access emotional responses that they had previously closed off and hidden
from others and even from themselves. Our ability to respond empathically helps clients to
do this affective work. We have talked a lot about empathy already; so what does affective
attunement add?
In an empathetic response, the therapist feels what the client is feeling. She metaphorically
crawls inside the client’s skin and shares the client’s affective experience. The affectively attuned
therapist goes beyond empathy, meeting the client’s affect with her own personal and genuine
affective response (Erskine, Moursund, & Trautmann, 1999).
Moreover, affective attunement requires that the therapist attend not only to the emotion
itself but also to the message being sent by the emotional display. Emotion is a two-person
phenomenon; it is a way of communicating with others who are present physically or in
106 THE ART AND SCIENCE OF RELATIONSHIP
Express pleasure
Joy Pleasure; share the feeling
(not to exceed that of client)
helps us to understand what sorts of things the client may need from us at any given moment
and how to create a response to that need. Together, therapeutic intent and clinical competence
provide a framework for our internal response to the client, ensuring (in most cases) that the
response will be helpful—or at least not destructive.
Each general class of affect seems to call for a certain kind of reciprocal response, whether the
responder be a therapist or someone else in close relationship to the “sender” of the emotional
message (see Figure 6.1). Sadness, for example, requires compassion—not a gushy, “oh you poor
thing” sort of sympathy but a genuine sorrow that the other person is in pain. Anger involves a
request to be taken seriously: the attuned therapist will attend, will be respectful, will not make
light of or try to diffuse or explain things away. Anger is a serious thing; and, to take it seriously,
the therapist must see the world from the perspective of the angry client and allow herself to
be impacted by his anger. It is not necessary that she too feel angry, but it is certainly unhelpful
(and relationally destructive) to be amused by or frightened of what the client is experiencing.
The most appropriately attuned therapeutic response to a client’s fear is a sense of protec-
tiveness. This does not mean that the therapist acts to protect the client—in most cases, such
behavior would get in the way of the client’s working through his fear—but, rather, that the
impulse to protect is stirred in her. The impulse to protect stems from the therapist’s sensitivity
to the nuances of the client’s feelings. Taking those feelings seriously, she is roused to activate
her clinical skills, to figure out what sort of intervention will be most useful in helping the
client deal with his fear; her efforts also convey to him that she is contact-available, that she has
received and is responding to his message.
We have talked about the three most common uncomfortable affects; what about the
pleasant ones? How do we appropriately attune ourselves to a client’s feelings of happiness,
joy, or triumph? Here, the answer is simple: share them. Feel the joy ourselves—but slightly
less intensely than the client does. It is the client’s joy, not ours; the client leads and we follow
(Erskine, 1998b).
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Cognitive attunement
Humans are thinking creatures. How we experience our world is largely determined by how
we think about it, by what meanings we make of it. A given event can be experienced as
amusing, frightening, boring, or exciting; watch people emerging from a carnival “fun house”
and you will see variants of all of those reactions. Our emotions do affect how we think, to
be sure, but equally strong is the effect of our thoughts on how we feel. Cognitions, says Lee
(1998), interact with affects so as to magnify or attenuate the affective processes (p. 145).
We can talk ourselves out of experiencing a strong emotion (“I just won’t think about it;
it really isn’t so bad; I’ll feel better in the morning”) or, as Ellis and the rational emotive
therapists (Ellis, 1997) are fond of pointing out, we can “awfulize” a situation and make
ourselves feel intensely bad about it.
Cognitive attunement involves understanding and temporarily borrowing the process by
which a client makes meaning—not only as those meanings affect his emotions but as they
affect his whole way of making internal and external contact. How does he “sort out” his world?
How clearly does he distinguish between his various perceptions, suppositions, and memories?
How does he go about solving problems—or avoiding them? What are the rules that determine
what he allows himself to think about, and what is forbidden ground? In Beyond Empathy:
A Therapy of Contact-in-Relationship (Erskine, Moursund, & Trautmann, 1999), we described
cognitive attunement in this way:
Cognitive attunement is more than simply attending to content. It is not the same as
“understanding the client’s cognitions” because it goes beyond simple understanding.
It involves attending to the client’s logic, to the process of stringing ideas together,
to the kinds of reasoning that the client uses in order to create meaning out of raw
experience. It’s about what the client is thinking; but more importantly, about how the
client is thinking it. As we attune to the client’s cognitions, we enter the client’s cognitive
space, moving into a kind of resonance with the client and using our own thoughts and
responses as a sounding board to amplify the tiny cues that the client is giving. We bring
the client’s words and nonverbal expressions into ourselves; take on their meanings,
implications, connections; experience this way of thinking ourselves in a kind of internal
“as if.” (p. 54)
Just as affective attunement requires a kind of alternation between attending to the client’s
affect and attending to our own affective response, so cognitive attunement requires that we
alternate between the client’s way of thinking and our own. We adopt the client’s thought
process, as closely as we are able, in order to see the world through his eyes, experience its
events as he does, discover what it is like to live with his blind spots and his defenses. However,
we cannot allow ourselves to stay in that place; it is the contrast between his cognitive process
and our own that allows us to note those distortions and defenses. Without such a contrast, we
would be as blind to his process as he is, and as unable to imagine any other way of thinking.
Beyond empathy 109
We move back and forth, thinking about the client’s frame of reference, then thinking within
that frame of reference, then thinking about what it was like to be within it.
Because we are attuned to the client’s cognitive process, we can better understand and
respond to what he is trying to tell us. Indeed, sometimes we will understand even before he
spells it out: thinking in the same way, we often know where he is going and what conclusions
he may reach. With the trust and the sense of safety that comes from being understood in this
way, the client is increasingly open to pushing the boundaries, both by exploring new areas
on his own and through our invitations and suggestions that he review a memory, consider a
possibility, or examine an interaction.
Sometimes, of course, we will be wrong. Cognitive attunement can never be perfect; we can
never fully enter into another person’s stream of thought. We must constantly remind ourselves
that our understanding of the client’s cognitive world is a hypothesis, not a fact, and that our
trying on of his meaningmaking process is an experiment that requires validation from the
client himself before it can be fully trusted. If we do get it wrong, the most important thing we
can do is acknowledge our error and ask the client to help us get back on track. Sometimes
these sorts of error-and-correction sequences are extraordinarily helpful: they signal our
willingness to respect the client’s wisdom and to admit our own fallibility, and they invite the
client into a process of shared exploration in which he and we each make a uniquely valuable
contribution (Guistolise, 1996).
Developmental attunement
“In all therapies, including psychoanalysis and psychodrama,” write James and Goulding
(1998), regression occurs whether it is planned by the therapist or client or whether it is
spontaneous” (p. 16). Regression has been defined in a variety of ways; for our purposes, we
define it as a return to patterns of thinking, feeling, and/or behaving that were present for
the client at an earlier time in his life. It occurs not only in psychotherapy but in daily life:
whenever we find ourselves responding as we did in a previous developmental period, we have
regressed. Regression is a common phenomenon; it occurs most often under stress but may also
be observed during states of childlike joy or excitement.
Psychotherapeutically, regression is of interest when it represents a fallback to old patterns
of dealing with the world, patterns that were learned earlier in life and remain available to
us when our current strategies are not working. The therapist may invite a client to regress
(“take yourself back to a time when …”) in order to facilitate discovering what those old
patterns are and how they relate to the client’s current difficulties. Other therapeutic
regressions may be spontaneous, a response to the “safe emergency” (Perls, 1973) of the
therapy session. The client may be aware that he has regressed and, indeed, be actively
cooperating in achieving and maintaining the regression, or may be quite unaware of it.
In either case, it is important that the therapist be attuned to the level of regression and
110 THE ART AND SCIENCE OF RELATIONSHIP
which young children move. This is particularly important when the client is regressing
to a relatively early stage of life and his ability (and desire) to communicate verbally may
be limited.
Probably the most important set of guidelines, though, comes from our own intuitive,
emotional response to the client’s behavior. How old does the client feel to us? What sort of
younger person seems to be looking out of his eyes? If we put to one side the adult body in
front of us, what seems to be the most natural way of responding to what he is doing and
saying? We are often able to pick up tiny cues, cues of which we are consciously unaware, from
the nonverbal behavior of our clients; such cues can aggregate out of our awareness and make
themselves known as a general hunch about how to respond most effectively. Spending time
with children—learning to interact with them at their level and sensitizing ourselves to our own
reactions to them—is a good way to hone our ability to attune in this way.
Developmental attunement, if it is to be useful, must be communicated. You may know that
your client is, at this moment, seeing the world and responding to it as he did when he was a
toddler; but this knowledge will be of little use unless the client feels your understanding and
your support. At the same time, the client also needs to know that you are aware of the adult,
here-and-now self who is also participating in the process. Maintaining attunement with a
regressed client requires a kind of therapeutic “double vision,” an ability to recognize and
acknowledge both the regressed-to-childhood (or adolescence, or young adulthood) person
and the self-observing adult. Both are present, both require contact, and both play an important
part in the client’s growth.
One of the most potent ways to maintain developmental attunement is to use the client’s
own language and language patterns. As he regresses, his vocabulary is likely to shift too;
the developmentally attuned therapist shifts with him. If the therapist senses that the client
is moving into the psychological world of a 6-year-old, she talks to him as she would to a
6-year-old. Her own body language is keyed to his: not imitating it, but responding to it as
an adult responds physically to a child. The therapist can facilitate a client’s regression by
encouraging childlike gestures and movements; conversely, she can invite him out of the
regression by requesting that he assume a more adult posture and by using adult language
and phrasing in her responses to him.
We have found, over years of working with clients, that therapeutic regression is a
powerful tool in enhancing contact with self and, eventually, with others as well. It is useful
in overcoming the unconscious defenses that prevent full awareness of thoughts, feelings,
and memories. We have more to say about this in Chapter 9, when we talk about specific
therapeutic interventions. For now, though, suffice it to say that developmental attunement is
the single most vital factor in developing and therapeutically facilitating a client’s regression.
Without developmental attunement, regressions are likely to be short-lived and therapeuti-
cally sterile; with it, they can lead to the corrective emotional experience that lies at the heart
of a relationship-focused integrative psychotherapy.
112 THE ART AND SCIENCE OF RELATIONSHIP
Rhythmic attunement
In a sense, it is odd to give rhythmic attunement a special section of its own, since attuning to
the client’s rhythm is an essential aspect of cognitive, affective, and developmental attunement.
When we are out of synch with the client’s rhythm and timing, he will not experience us
as being attuned in any other way. But there are some particularly interesting aspects of
rhythmic attunement, and dealing with it as a separate topic is one way to make sure we talk
about those aspects.
The term “rhythmic attunement” really defines itself: being sensitive to and responding
within the client’s rhythmic patterns. Rhythm is one of the primary ways in which people, out
of awareness, assess the quality of their contact with each other. When two people are rhythmi-
cally attuned, their transactions mesh together easily. Their silences are comfortable; there is
no competition for who will speak when. Even when they interrupt each other, it is as if one
of them is stimulated by the other’s thought, and the interruption does not jar or derail their
process. In contrast, when they are not attuned rhythmically, their conversation is jerky and
their silences strained. Neither is likely to feel at ease with the other, though they often cannot
explain their discomfort.
In ordinary conversations, each person is responsible for adapting to the other’s rhythm,
maintaining a pacing and style that is comfortable for both. In therapy, the primary respon-
sibility for attunement falls to the therapist. The therapist must attune to the client, not the
other way around; expecting the client to match the therapist’s rhythm will force him into an
artificial way of speaking, thinking, and feeling that will interfere with his work. Tuning in
to and matching a client’s rhythm requires, first, that the therapist attend to that rhythm and
how it may differ from her own. Does the client use long pauses to collect his thoughts, and
is the therapist impatient with those pauses? Or does he jump from idea to idea, illustrating
his words with quick gestures and appearing uneasy if the therapist speaks slowly or has to
search for words?
We can relatively easily (at least in theory) slow ourselves down to attune to the rhythm of a
client who is processing his experience more slowly than we ordinarily do. Speeding ourselves
up to match a rhythmically rapid client is more difficult: how can we think and feel faster,
without losing important information? Rather than try to push ourselves to keep up and risk
distorting or disrupting contact with ourselves and/or the client, it is best for us to acknowledge
the differences and openly request time to digest what the client has been telling us: “You are
moving through these ideas very quickly, and I don’t want to miss anything. Give me a moment
to think about what you’ve been telling me. …”
While individuals do develop their own unique rhythms, some general rhythmic patterns
seem to hold for nearly everyone. Most of these involve slowing down rather than speeding
up. A major goal of therapy is to attend to what has been overlooked and to explore what
has been defended against, and this generally requires that we move more slowly than usual;
indeed, racing along from one association to the next is a way to not notice things and not feel
Beyond empathy 113
one’s feelings. One of the paradoxes of our work is that slowing down is likely to speed up the
therapeutic process, while going too fast is likely to slow the client’s overall progress.
Affective work, in general, proceeds at a slower pace than cognitive work. It is not that we
experience emotions more slowly than we think—quite the contrary; emotions spring up
quickly and can shift and move with lightning speed. A loud, unexpected noise can create
an immediate startle-scare feeling; it takes no time at all to experience tenderness and love
when we look at our infant grandchild; but putting those feelings into words can be a slow
and laborious process. Talking about feelings requires translation from a global, wordless
experience, mediated primarily through body chemistry, to a linear, verbal process. Moreover,
many clients have trained themselves to not attend to their feelings, and they accomplish this by
rushing past them, moving on to a new thought. Giving such clients permission to slow down,
so that they can feel and think and talk about their internal experience, will further their ability
to make and maintain full contact with themselves and with others.
Developmental level—regression—also affects one’s rhythm, and developmentally attuned
therapists recognize that as clients move to younger and younger psychological levels, their
rhythms tend to slow. Indeed, a slowing of rhythm may be a major indicator that the client is
regressing. Just as we tend to talk more slowly to a young child, the therapist needs to attune
herself to the slower rhythm of the client who is at this moment experiencing the world from a
younger, less verbally sophisticated place.
Reviewing what we already know is easier than exploring what is unknown; clients who
exhibit a quite rapid pace when sharing well-rehearsed material are likely to slow down as they
begin to explore new thoughts and previously walled-off emotions. Just as if they were feeling
their way around a dark and unfamiliar (and often frightening) room, they need to take time to
find out what is there and to examine it fully. They need time to integrate the new with the old,
to figure out how their discoveries fit with the familiar and comfortable parts of themselves that
they have known about all along.
For all of these reasons, errors in rhythmic attunement are much more likely to involve
going too fast rather than going too slowly. As therapists, we pride ourselves on being quick
to understand, being good at putting things together; we have been rewarded throughout our
schooling for coming up with right answers quickly. Now we need to put that skill to one side,
slow ourselves down, and slip gently into the client’s rhythm of speaking and moving. When
we do so, the client is likely to feel joined, met, in contact. Our matched rhythms will create a
sense of moving together; the need for lengthy explanations will decrease; the client will feel
protected by our willingness to be together in his way.
Rhythmic attunement extends beyond the sort of transaction-by-transaction rhythms that
we have been discussing. People differ in the length of time they are comfortable in spending
on one topic, one idea, before moving on to the next. They differ in the amount of “warm-up”
time they need at the beginning of a session before moving into full contact with themselves
and with the therapist. There are even differences in rhythm over much longer periods of time:
114 THE ART AND SCIENCE OF RELATIONSHIP
clients often differ in the length of time they need between sessions to process their work. Some
do best with shorter sessions, more frequently spaced; others prefer longer sessions at greater
intervals. The weekly, 50-minute session is convenient for the therapist, but it may not match
the client’s rhythm (Efron, Lukens, & Lukens, 1990). If a client would benefit by changing the
length or frequency of his sessions, it is advisable to do so; when such changes are not possible,
the therapist can at least acknowledge the client’s need. If the therapist lets the client know that
she recognizes his preferred rhythm, and shares her reasons for not adapting to that preference,
the absence of attunement here will be less jarring.
As noted at the beginning of this section, rhythmic attunement flows through all of the
other aspects of attunement. For the client to experience cognitive, developmental, or affective
attunement, the therapist must be operating within that client’s rhythm—his rhythm is a part of
his cognition, his affect, and his developmental level.
Verbal and nonverbal messages sent by the therapist are like the instrumental voices of a
symphony. When one or more of those voices is off tempo, the whole performance sounds
wrong. Moreover, just as listeners respond to one piece of music or another depending on the
state or mood they find themselves in, so the clients will respond differently to different therapist
“symphonies” depending on their own state—dealing with affect or cognition, regressed or
not, energized or fatigued, and so on. It is no accident that a musical metaphor like this fits
with the notion of “attunement.” Hearing all of the nuances of the client’s melody and rhythm,
and responding from and with the harmony of one’s whole therapeutic orchestra, verbally and
nonverbally, is what attunement is all about.
misinterpret what is said. “Therapists must be able to express their reactions and feelings
in their interactions with clients while being sensitive to how this impacts the individual
clients with whom they work” (p. 387). Attuning to the client’s view of us, being sensitive
to what he is needing from us at a given moment, helps us to make sound decisions about
sharing our own inner experience.
The client’s needs come first. If sharing her own feelings will serve the client’s interest, the
therapist may choose to do so. If decentering from her needs and wants, and focusing on the
client, is the most growth-enhancing choice, that is the choice the therapist should make.
Note, though, that focusing on the client’s needs is not the same as trying to meet those needs.
Whether or not to act so as to actually meet a client’s relational need will be determined by a
host of factors. The client’s developmental history, the availability of other social support in
his life and the way in which he uses that support, the nature of the need itself, the point in
treatment at which the need is expressed, the way in which it is expressed—all of these enter
into the therapist’s clinical judgment about what sort of intervention will best serve the client’s
interests. Let us review the eight major relational needs described in Chapter 3, looking at how
each need might arise and manifest itself in the therapy session and exploring some of the
therapist responses that may be helpful.
Security
The need for security in relationship is the most basic of all relational needs. The client needs
to know that his therapist is trustworthy and competent and has his best interests at heart;
but beyond that he needs the visceral experience of having his physical and emotional vulner-
abilities protected. He needs to know that he will be neither humiliated nor pathologized as he
begins to reveal his most secret thoughts and feelings. The need for relational security is most
likely to be foreground at the outset of treatment, when the client may be ambivalent about
the whole process and does not yet know much about this therapist in whom he is expected to
confide. Once the therapist has established herself as worthy of the client’s trust, the security
need tends to recede into the background. It will arise again if the therapist makes a mistake or
if old issues around trust and safety are being explored. Rather than being expressed directly,
the client’s need for security is most often signaled by his drawing back from contact: coming
late for sessions or canceling them altogether; becoming quiet or talking about superficial
matters; misunderstanding or accusing or blaming the therapist for things that happen both in
and out of session.
A client’s security needs must always be attended to, for little substantive work can be
accomplished if the client does not feel safe in the therapeutic relationship. However, direct
reassurances will be of little value. “I want this to be a safe place for you to work” or “I will
never do anything to hurt you” can be mere empty words to a client who is feeling unsafe.
Acknowledging the client’s concern—along with our own desire to allay his fears and our
116 THE ART AND SCIENCE OF RELATIONSHIP
recognition that words alone will not suffice—is generally helpful. Even more important is
attuning and responding appropriately to all of his other relational needs: over time, this is the
behavior that will demonstrate that the relationship is, indeed, safe for him.
Valuing
The client’s need for valuing, you will recall from Chapter 3, has to do with valuing the signifi-
cance and function of his psychological processes—the why of what he does and says, more
than the actual behavior. This sort of valuing is conveyed through the therapist’s contactful
presence, and through her respectful attention to and interest in the client’s phenomenology.
Rather than focusing on the client’s external behaviors, the therapist talks about those behaviors
in the context of the client’s ongoing experience within himself and in relationship to others—
including the therapist herself. Her conviction that every behavior—every response—serves
an understandable and important function allows her to inquire with no hint of criticism or
judgment. If the client doesn’t seem to make sense, if his behavior seems hurtful or silly, then
the therapist (and quite probably the client as well) has simply not yet understood it fully.
While all clients need to feel valued by their therapists, the need for valuing emerges most
intensely in the context of shame. When he feels shame about something he has shared, about
some part of himself that he has exposed, the client’s ability to value himself is undermined;
not valuing himself, he imagines that nobody else can value him either. He withdraws, huddles
inside himself—or moves into an exaggerated, whistling-in-the-dark sort of pseudoconfidence.
Acknowledging and normalizing his need, and the sense of shame that precipitated it, will help
him to re-establish contact. Once contact is re-established, he will be more receptive to the
therapist’s verbal and nonverbal indications that he is indeed valued and respected.
A client who does not experience being valued in his outside-of-therapy relationships may
become overly dependent upon the therapist’s valuing. He may demand frequent evaluations
of his behavior and progress in therapy or may compliment the therapist in the hope of getting
some positive stroke in return. Verbal reassurances are generally less than helpful for these
clients, since they tend to reinforce the client’s dependency; acknowledging the need, engaging
the client in exploring its significance, and helping him to find other relationships in which it
can be met, is usually a better strategy.
willingness to understand and to help. It has to do with being allowed to make the other person
special to us, without having to be ashamed of how we feel toward her. When clients experience
this need, they want to be with someone from whom they can draw strength, guidance, or
wisdom and who will not criticize or belittle them for wanting that kind of support.
The need for this sort of acceptance is sometimes manifested through idealization of the
therapist—she is wonderful, she’s different from anyone else in my life, I think about her
all the time … Such idealization is a normal and natural stage through which many clients
pass; it is an out-of-awareness request for protection and support, and its function should be
respected and valued just as we respect and value every other aspect of the client’s behavior.
When the need for acceptance by a dependable therapist is foreground for a client, it is
not particularly helpful for the therapist to express her own uncertainty or concerns. At this
moment, the client needs her strength, her reliability; he needs her to be a kind of good
parent who can be depended upon to care for him with wisdom and skill. “As an example of
the crucialness of responding,” comments Lee (1998), “when a therapist detects a client’s fear,
yet responds to this fear in an anxious way, the client experiences the therapist’s exacerbating
response as unempathic” (p. 130). Although the therapist in this example accurately notes the
client’s fear, she allows herself to be contaminated by it: she allows her affective attunement to
outweigh her attunement to relational needs and thus misses the client’s need that she be able
to contain his fear rather than share it.
Mutuality
Experienced in the therapy session, mutuality is the need to be with a therapist who has
shared one’s experiences: She really understands, because she has been there herself, and
her acceptance is based on that understanding. Moreover, the client who feels a mutuality
with the therapist can experience a sense of “I’m okay, and what I do/think/feel is okay, in
part because this person I trust has done/thought/felt the same sort of thing.” Clients for
whom the need for mutuality is foreground may want their therapist to have had (and dealt
with) the same sorts of problems that they have, or to have shared a similar childhood history.
The need for mutuality may be expressed through direct questions (“Do you have children
too?” “Have you ever lost a job, like I just did?”) or through probing comments (“I’m not sure
anybody can understand this unless they’ve been abused themselves.” “Straight people don’t
know what it’s like to be gay.”)
While a therapist cannot possibly know firsthand everything her clients have gone through,
she has had (in reality or in fantasy) similar experiences. When she senses the need for mutuality
in a client, it can be useful to talk about herself, her thoughts or feelings or experiences that
parallel the client’s experience in some way. Meeting the need for mutuality, then, requires a
degree of self-revealing; each therapist must decide for herself, on the basis of her personal
comfort level as well as of her sense of what will be helpful to the client, how much self-revelation
118 THE ART AND SCIENCE OF RELATIONSHIP
she is willing to provide. To the degree that she does choose to self-reveal, it is essential to
acknowledge that she can never know completely what it was/is like for this client, because he
is the only person who lives inside of his skin.
Asking personal questions of the therapist is not always a signal that the client is experi-
encing a need for mutuality. Sometimes this sort of question is used as a smoke screen,
a way for the client to avoid dealing with his own painful issues. Even when the mutuality
need is foreground, it may not always be in the client’s best interest to meet that need; the
client may be trying to use his relationship with the therapist as a substitute for satisfying
relationships outside of therapy. Nowhere is the need for a discussion of the therapeutic
process itself more essential than when dealing with a client’s repeated requests that the
therapist talk about herself.
Self-definition
I am me. I can think for myself. My feelings are my own. The need for self-definition is the need
to know and express one’s own uniqueness and to receive acknowledgment and acceptance
of that uniqueness from others. Many clients come to therapy hungry for validation of their
uniqueness. They have been discounted, treated as unimportant or second-best, not allowed
to argue or to say “No.” They are not so much interested in other people’s similar experiences
as in having their own experiences attended to. At moments when this need for self-definition
arises, therapist self-disclosure is not only irrelevant; it is evidence that the therapist does not
understand the client’s needs or is not fully invested in the therapeutic relationship. Failure to
support the need for self-definition can be a further reinforcement of the client’s script belief
that he is unimportant and that nobody really cares about him.
As was pointed out in Chapter 3, the need for self-definition is the complement of the need for
mutuality. A client experiencing the need for mutuality may want to know about the therapist
in order to gain a sense of closeness and similarity; when the need is for self-definition, the
client needs the focus to be on himself. If the client appears impatient when the therapist shares
her own thoughts or feelings, or if he seems to withdraw, the therapist may have misjudged his
state of relational need. At such a moment, it is a good idea to shift back, ask him what it’s like
for him when she talks about herself, and use the exchange as an opportunity to validate his
need to be who he is. Encouraging his disagreements with or challenges of the therapist will
encourage him to define himself as different and valuable in his own right.
Making an impact
Clients can do a great deal of self-exploration by keeping a journal or by talking into a tape
recorder. One problem with this strategy is that the journal or the tape recorder does not answer
back—is not impacted by the client’s input. Relationships in which one does not experience
Beyond empathy 119
having an impact on the other person are one-sided if not actually abusive; just as with a
thwarted need for self-definition, they foster the belief that one is unimportant and that others
don’t care. The therapeutic relationship is no exception: just as the therapist, in order to feel
valued and competent, needs to feel that her behaviors have an effect on the client, so the client
needs to feel that he can make an impact on the therapist—can attract her attention and can
influence the way she thinks and/or feels about things that are important to him.
Unlike the “blank screen” therapist model espoused by traditional psychoanalytic theory,
relationship-focused integrative psychotherapy insists that the therapist be present as a
person, caring about the client, willing to be changed by what happens in the relationship.
If she is moved to tears, she allows those tears to show; if she is angry on the client’s behalf,
the client knows about her anger; if the client corrects her, she is willing to be corrected
and to think seriously about what change may be required. If the client demands a greater
impact than the therapist is willing or able to allow, she acknowledges his desire and shares
her honest response to that desire. Whether the need is actually met, or simply recognized,
her acknowledgment is a validation of the legitimacy of the client’s need and proof that he
does, indeed, have an impact on her.
Other-initiation
When the need for the other to initiate is foreground, the client needs the therapist to do just
that: step in and make the first move. He wants her to offer a new idea, suggest a direction, reach
out a hand. Sometimes clients will signal this need by closing down and becoming silent, and
sometimes they will do the opposite: talk faster, jump from one topic to another, do whatever
they think will please the therapist. Clients who are starved for other-initiation expect to be
ignored, tolerated, or forced to prove themselves; and that expectation limits and distorts their
relationships with others—including their therapist.
“The therapist’s willingness to initiate interpersonal contact or to take responsibility for a
major share of the therapeutic work normalizes the client’s relational need to have someone else
put energy into reaching out to him or her” (Erskine, 1998a, pp. 240–241). There are many ways
to accomplish this. In the therapy session, the therapist can break a silence (rather than always
waiting for the client to speak), or choose a topic (rather than expecting the client to decide what
to talk about), or respond to some nonverbal request (rather than insisting that the client express
his needs directly). She can suggest a more frequent appointment schedule or ask her client if
he would like a different length session. She can phone him to ask about an important life event
that she knows has occurred—a hospitalization, a job change, a public performance. Overdoing
this sort of initiation is, of course, countertherapeutic; it can be an invitation to dependency and
may constitute a quite unwarranted intrusion into the client’s private life. However, when the
client’s need for the therapist to initiate is genuine, taking that first step can provide a corrective
emotional experience that effectively challenges his whole script pattern.
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Expressing love
Of all the relational needs that are dealt with in therapy, this is perhaps the most difficult—
and how ironic! Expressing love and appreciation—and receiving that expression—should be
a joyful experience. When the therapist has been close to the client, seen his confusion and his
pain, accepted him and valued him, and helped him to grow and heal, it is only natural that
the client should feel loving and appreciative; to stifle such feelings would be to retreat into
phoniness and fragmentation again. Yet, most therapists have been trained to be suspicious and
distrustful of their clients’ gestures of affection, always looking for some underlying motivation,
some toxic transferential remnant that must be rooted out and done away with.
It is usually not difficult to tell the difference between a manipulation and a genuine
expression of caring. When a client, out of such genuine feeling, thanks his therapist or tells
her how much she has meant to him, or brings her a gift, she should accept it gracefully and let
him see her pleasure. It does feel good to be appreciated; being real in the relationship means
enjoying the good parts as well as being impacted by the bad.
Attunement errors
Relational needs shift from moment to moment, and being attuned to those shifts requires
close attention to the client’s responses to the therapist’s behavior. What begins as an attuned
response to, say, the need for mutuality or other-initiation can change into a failure to deal with
the need for self-definition. Because therapists are human—and imperfect—such misses are
inevitable; when they occur, we simply go back and talk about the miss.
“Go back and talk about it” is good advice for failures in every facet of attunement. Missing
an affective shift, not understanding a cognitive process, misjudging the client’s psychological
level of development, moving too quickly or too slowly—all are bound to occur sooner or later.
The therapist who castigates herself internally for her error, or tries to gloss it over so the client
won’t notice that it happened, takes herself away from the client and distorts the contact between
them. This sort of contact distortion, in turn, is likely to create a repeat for the client of the very
kinds of relational experience that support his script and have gotten him into the situation
that brought him to therapy in the first place. In contrast, the therapist’s acknowledgment of
what has happened and re-attuning (to herself and to the client) allow the therapeutic process
to move on.
Inquiry
Of all the things that therapists do, asking questions and listening to the answers are probably
the most common. Questions are asked at all stages of therapy, from initial diagnosis to
the final termination process; and question-asking cuts across all theoretical approaches
(though it is a more central activity in some than in others). By “questions,” we do not
Beyond empathy 121
refer just to those sentences that end in a question mark; questions include any sort of
intervention that requests the client to search for information. Replying with an “Oh?” or
a “Hmmm,” repeating what the client has just said, lifting an eyebrow or smiling encour-
agingly, even waiting patiently for what may come next—all of these are forms of inquiry.
Indeed, insofar as the essence of therapy is to help the client explore his internal world and
re-establish contact with self and others, most of what we do as therapists can be seen as a
kind of inquiry.
Asking questions is easy. Questions occur naturally in conversations between friends, in
consultations with professionals, in the classroom, and in the workplace. Children learn to
ask questions as soon as they learn to talk, as anyone who has faced the endless “why” of a
preschooler can tell you. Asking questions therapeutically, on the other hand, can be more
difficult. It requires, among other things, that we know—and remember—the purpose of
our inquiry. Questions can be asked for a variety of reasons: to provide the questioner with
some information (“Where do you keep the napkins?”), to continue an argument (“Why won’t
you let me have the car tonight?”), as an implied criticism (“Why are you watching TV when
you have homework?”), or simply to demand attention (“What are you doing, Mommy?”).
In relationship-focused integrative psychotherapy, inquiry has but one purpose: to assist clients
in expanding awareness, increasing internal and external contact, and enhancing the sense of
self-in-relationship.
If the purpose of inquiry is to expand the client’s awareness, it follows that what the therapist
may learn from the client’s answer is secondary. While we certainly listen to the answers to
our questions (verbal and nonverbal) and learn from those answers, what the client learns is
much more important. Part of the skill involved in therapeutic inquiry is that of getting out of
the client’s way, postponing our need to understand fully in order not to interrupt his process
of discovery. It also follows that the easily answered question, the question to which the client
already knows the answer, is generally less valuable than the question that requires him to
search for a response. Clients do not learn much from stating what they already know; they
learn by being challenged to discover something new. Uncertainty and ambiguity stimulate
people to learn more, to solve the problem, and to clarify what is happening. Questions that ask
about what is not yet known tend to invite the client into his areas of uncertainty and ambiguity
and challenge him to explore those areas. Well-executed inquiry is a spiral process, with each
response leading to a new question, and each question opening the door to a previously out-of-
awareness response.
springs from what Rogers (1951) has termed “unconditional positive regard,” a fundamental
conviction that all clients are doing and have done the best they are capable of at any given
moment. Without this kind of respect, inquiry is likely to turn into interrogation, the
therapist becomes “she-who-knows-better,” and the whole process can disintegrate into
advice-giving or sermonizing. Respecting the client’s wisdom and intentions, in contrast,
leads to genuine interest and healthy curiosity about how the client experiences his world.
Interest and curiosity, in turn, are vital in helping the therapist to frame the sorts of questions
that will further the client’s explorations.
Inquiry should be open-ended. The therapist’s questions and her questioning behaviors
invite the client to search for answers; they do not restrict him or demand that the answers meet
the therapist’s expectations. Indeed, willingness to abandon expectations and let go of precon-
ceived ideas is another hallmark of successful inquiry. Even though the therapist’s theoretical
training and clinical experience may lead her to expect a certain kind of answer (and may have
suggested her question or comment in the first place), she is glad to be surprised. Getting a
response that she did not expect whets her curiosity, pops her out of the rut of the conventional,
and allows her as well as her client to discover something new.
Neimeier (1995) recommends “a willingness to use the client’s personal knowledge system,
to see the problem and the world through his or her eyes, though not necessarily to be encap-
sulated by it. To this is added … a curiosity or fascination with the client’s perspective and
its implications” (p. 114). The therapist’s theoretical and clinical expectations provide a
background for this fascination but must not blind her to what the client is really telling her.
Open-ended questions help to keep the therapist open to learning something new from the
client, something not predicted by her past experience.
What does a therapist do when the client tells her something that she finds difficult to believe?
When he changes the subject; insists on telling long, rambling stories; or simply says “I don’t
know” and then waits? These sorts of behavior suggest that the client may be retreating into
an old defensive system rather than being honest with himself. The first rule of good inquiry
is: do not argue. The therapist should never try to persuade the client that his answer is wrong.
How could it be “wrong” when it came from him? It is his response, and the therapist’s job is to
help him understand it. She may express curiosity, or confusion; she may ask him about what
he means or what lies behind his response. “You surprised me; help me to understand how you
came to that conclusion,” “What happened inside, just before you said that?” “How is this story
related to the problems you were talking about earlier?”
Inquiry grows out of a constant attention to contact. Its goal is contact enhancement; all of
the therapist’s questions are designed to help the client establish and maintain contact of some
sort. The focus at one point may be on his internal contact (“What are you experiencing?”) or
at another on his external contact (“Tell me what you are noticing and attending to right now”);
often, we deal with the contact between therapist and client (“What’s it like for you to hear me
say that?”). Contact leads to health and growth, and lack of contact leads to fragmentation,
Beyond empathy 123
constriction, and shutting down. To the degree that our inquiry promotes the former and
.
Areas of inquiry
Attending to contact and remembering that her purpose is to enhance it helps the therapist
to construct and frame her inquiry. She must be careful, though, not to neglect one aspect of
contact as she pursues another. Therapeutic inquiry is like a web, spun out of many strands; the
therapist follows first this strand, then that; but, eventually, all must be woven into the pattern.
Let us look, for a moment, at these strands.
One of the most obvious strands is that of affect: therapists are used to asking clients about
their feelings, helping clients to explore and deepen their emotional responses. Many clients,
though, are relatively closed to affect. They do not know what they are feeling; they have
learned to disavow or close off their awareness of painful emotions and do not know how to
open those doors. For such clients, inquiring about physical sensations and reactions can be
useful. The therapist can invite her client to be aware of his body, and of what his body is doing.
Is he breathing shallowly? What does that shallow breathing feel like? Is he aware of a swinging
foot or a balled fist? Simply noticing and talking about physical experiences are a first step
toward increased contact with self.
Cognition is another natural area of inquiry. What is the client thinking? What are those
thoughts connected to, and how does he get from one thought to another? What is he
remembering? What decisions is he making, and how is he making them? Thoughts, memories,
and decisions (past and present) often weave back into affect, just as affect can take him into
thinking and remembering.
Inquiry about fantasies provides another window into the client’s phenomenological world.
Fantasies involve thinking, feeling, and sensation. They are not only the client’s daydreams
and night dreams; they also include the client’s hopes, fears, and expectations. They are his
imaginings about what has happened in the past and about what is yet to come. Because they
are built upon past experience, experience that has often been blocked from awareness, they
can help him reconnect with himself, with long-buried thoughts and feelings. Fantasies and
expectations determine the way in which he makes and maintains relationships with others,
and they shape the therapeutic relationship as well. Clients use fantasy to transform painful
internal experiencing into that which can be borne; to provide substitute gratification of needs
that cannot be met in reality; and to manage behaviors that they fear may run out of control.
It is a rich vein of information, and mining it can lead to rich rewards.
Finally, and perhaps most important of all, is inquiry related to the therapeutic
relationship itself. As we said in Chapter 5, the experience of being in a relationship that is
qualitatively different from past, script-forming relationships is a key factor in dissolving
that script. The impact of this relationship experience is heightened when inquiry is used to
124 THE ART AND SCIENCE OF RELATIONSHIP
call attention to it. Questions like “What are you wanting from me right now?” or “How do
you feel about what I just said?” or “What do you think my response would be if you told
me the whole story?” invite the client to explore his reactions to what the therapist is
offering. Is he defending against a level of contact that would be too threatening? He and the
therapist can talk about the threat, as well as the means of defense. Does he disagree with,
disbelieve, or discount what the therapist says? The therapist asks about his disagreement,
disbelief, or discounting. She is open to the client’s criticism, cares about his disbelief, and
is interested in the ways in which he supports the discount. She is also interested in how
the client experiences her support and concern. She needs the client’s feedback in order to
maintain and enhance her attunement to him. “Therapists need to continually engage in
process diagnosis to determine when and how to communicate empathic understanding
and at what level to focus their empathic responses from one moment to the next,” advise
Greenberg and colleagues (Greenberg et al., 2001, p. 383). Process diagnosis includes asking
about the ongoing relationship as the client experiences it. The therapist inquires about this,
just as she inquires about everything else.
As the therapist improves her inquiry skills, learns to gather up the various strands
of experiencing and help the client to explore their interrelationships, she is guided by
attunement. She notices the client’s rhythms, his thinking and feeling, his developmental
level, and his moment-to-moment relational needs. What she notices directs what she asks
about and how she does the asking. But there is another element at work here. Therapists
are not simply skilled machines, taking in information and forming interventions.
The therapeutic process is a relationship, formed in the in-between of two living, thinking,
and feeling human beings. The therapist, as well as the client, is involved in that process.
Involvement, then, is the third aspect/extention/ subdivision of empathy that characterizes
relationship-focused integrative psychotherapy.
Involvement
Involvement is one of those words that most of us think we understand but that turns out
to be very difficult to define. The involved therapist is there for her client, present in the
relationship, real, honest. She cares what happens to this person, and she is willing to put
energy and effort into helping him achieve his goals. She is genuinely interested in this client’s
intrapsychic and interpersonal worlds and communicates that interest through attentiveness,
patience, and respectful inquiry. She risks being vulnerable: she does not insulate herself from
contact but, instead, allows herself to be emotionally touched. She does not hide behind a
mask of phony professionalism; she lets her caring show, talks about her feelings, and admits
to her errors. “By embracing a technique of self-disclosure,” says Billow (2000), “the patient
may feel the analyst’s emotion, without which emotion an authentic analysis is impossible”
(p. 62). Involvement, then, involves emotion and authenticity—emotion and authenticity
Beyond empathy 125
that arise out of commitment to and genuine caring about the client. Involvement is best
understood in terms of the client’s perception: his sense of his therapist as contactful and
truly committed to his welfare.
Acknowledgment
Four therapist activities are especially crucial in maintaining and demonstrating involvement.
The first of these—and the one that tends to be called for earliest in therapy—is acknowl-
edgment. The therapist acknowledges the client by means of her attunement to his thoughts,
feelings, behaviors, and desires, and her sensitive inquiry about all of those facets of his
experience. She hears what he is telling her, and she lets him know that she hears. She is
willing to talk about what is important to him; she doesn’t force him to deal with her agenda.
While she is listening to him she is also listening to herself, in full contact with her own
internal experience and willing to acknowledge that as well. Again, there is no pretending,
no hiding behind some sort of clinical mask. “The analyst is not a blank screen, but a quite
human other presence whose emotionality the patient both correctly perceives as well as
misperceives” (Billow, 2000, p. 63).
Acknowledgment of the client’s affect, relational needs, and physical sensations helps him to
reclaim his own phenomenological experience. He is in the presence of a respectful other who
recognizes and talks about his nonverbal responses, his muscular tensions, his feelings, and
even his fantasies. Through this kind of sensitivity the therapist can guide the client toward
awareness and expression of needs and feelings; she can help the client understand that
emotions and physical sensations may be a form of memory—the only kind of memory
that may be available to him right now. In essence, acknowledgment of the client’s internal
experience reverses the relational failures of the past, providing permission and protection for
him to express that which was ignored or punished in previous relationships.
Perhaps most important of all, the therapist acknowledges her part in the creation of the
therapeutic relationship. What happens during the therapy session is jointly created; therapist
and client both are responsible for the successes and the failures, the stuck spots, and the leaps
ahead. They both are responsible for the misunderstandings, the insights, and the feelings of
care and closeness. Acknowledging our own contribution to relationship issues, as well as
the client’s contribution, breathes life into that relationship. Such acknowledgment requires,
enhances, and demonstrates authentic involvement.
Validation
Validation communicates to the client that his affect, defenses, physical sensations, or
behavioral patterns are related to something significant. The involved therapist lets the
client know that what he says or does is important and that his internal experience has
126 THE ART AND SCIENCE OF RELATIONSHIP
meaning, even though she may not yet understand what that meaning is. One of the tenets of
relationship-focused integrative psychotherapy is that every behavior—every act, thought,
and feeling—has a function; people do not behave randomly. The therapist validates the
function of the client’s behaviors and of his reported internal experiences. The behavior
itself may appear hurtful to self or others—telling oneself that life is hopeless, or feeling
panic when crossing a bridge, or sending poison-pen letters are not desirable behaviors—but
there is an underlying purpose to even the most irrational-appearing response. Moreover,
that purpose is positive; ultimately, the behavior was acquired and is maintained in order
to protect the client from some danger or to achieve some important goal. It is this positive
function that the therapist validates.
Sometimes simple acknowledgment serves as a validation. By attending to the client’s
story, believing that what he says is true as he understands it (or, if he is being untruthful,
that the untruth too serves an important function), the therapist lets the client know that
she values his communication. Greenberg and Paivio (1997) characterize this aspect of
the therapeutic relationship as a new experience for most clients: “feeling that a fragile
sense of oneself is heard, received, validated, and accepted is a source of new transfor-
mative experience” (p. 83).
Going beyond simply acknowledging what the client is saying and doing, the therapist may
explicitly validate some client behavior. This is a particularly useful intervention when the client
himself discounts the behavior. “I don’t know why I react that way,” or “I keep doing the same
dumb thing over and over,” says the client; the therapist responds with “There’s an important
reason for that reaction/behavior. Part of our job is to discover what that reason is.”
It is a truism that clients often experience the therapeutic relationship in the same way that
they have experienced important relationships in the past. These past relationships have taught
them how to be with people, how to communicate their needs and respond to the needs of
others, and what to expect and what to avoid in human interactions. Inevitably, some of those
learnings and expectations will generalize to the therapeutic relationship and the therapist will
be understood in light of how other people have behaved in the client’s past. It is especially
important, then, to note and to validate the client’s responses to the therapist—the way the
client deals with the therapeutic relationship—since these responses may have more to do with
old, script-determined functions than with actual here-and-now events. Uncovering script-
determined functions is a first step in dissolving that script and re-establishing the spontaneity
and creativity of full internal and external contact.
A final aspect of therapeutic validation is confrontation. Confrontation involves calling
attention to a discrepancy—between words and behaviors, between what the client actually
does and how he or she describes it, between thoughts and affect, between expectations and
actual events. Like geological fault lines, discrepancies signal something important going
on beneath the surface. The confrontation, implicitly or explicitly, calls attention to the
underlying process. Again, we assert that a purpose is being served, that the discrepancy has
Beyond empathy 127
a function. Far from being a punitive “gotcha!”, confrontation that validates an underlying
positive goal respectfully invites the client to look more closely at what he is thinking, feeling,
doing, and saying and to value the purpose of that behavior even as he may strive to change
the behavior itself.
Normalization
The involved therapist normalizes her clients’ responses. Clients need reassurance that their
behavior is not crazy, not shameful or disgusting. They come for treatment because they are
doing/thinking/feeling things that they do not want to do/think/feel and because they have
not been able to change their responses; they are likely to believe that they are different from
(and less than) other people, who obviously are much better able to take care of themselves.
Normalizing interventions point out the similarities between clients and others: “Given the
situation you were in, and the resources available to you, it makes sense that you would have
acted (thought, felt) as you did. Anybody would.”
The intent of normalization is to counter a client’s categorization or definition of his internal
experience or his behaviors from a pathological, “something’s wrong-with-me” perspective.
Instead, the therapist presents a point of view that respects the client’s attempts—archaic though
they may be—to resolve conflicts and to protect himself. The client’s confusion, panic, defen-
siveness, memory flashbacks, or bizarre fantasies all derive from coping strategies developed
in difficult and painful situations. It is imperative that the therapist let the client know that his
experience is a normal, self-protective reaction and that others experiencing similar life circum-
stances might well respond in similar ways. Normalization involves both acknowledgment and
validation. The therapist acknowledges what the client is telling her, verbally or nonverbally.
Validating the function of the behavior implies that the function is a reasonable and rational
one; this paves the way for talking about how the client did the best he could do, under the
circumstances, to maintain that function. His choices may not have been good ones, but they
were the best that he—or anyone else in his situation—could have made. Now that the situation
is changing, he is in a position to do something different.
Presence
Acknowledgment, validation, and normalization are specific therapist behaviors that emerge
naturally and inevitably from the conviction that every client is fundamentally a good person,
doing the best he can given his history, belief system, and current resources. These therapist
behaviors emerge because the therapist is present in the relationship, willing to be known as
well as to know, in contact both with the client and with her own experience. Presence is the
fourth ingredient of involvement, and it is fundamental to the process of relationship-focused
integrative psychotherapy.
128 THE ART AND SCIENCE OF RELATIONSHIP
Presence is provided through the therapist’s sustained attunement to the client’s verbal
and nonverbal communication and through her constant respect for and enhancement of the
client’s integrity. It is an expression of the therapist’s full internal and external contactfulness,
and it communicates her dependability and her willingness to take responsibility for her part
in whatever happens in this relationship. It includes receptivity to the client’s affect: willingness
to be impacted by the client’s emotions, to be deeply moved while not becoming anxious,
depressed, or angry.
There is a kind of duality to presence, a duality that we have touched on before: a simulta-
neous attending to other and to self. The therapist de-centers from her own needs, feelings,
fantasies, or desires and makes the client’s process her primary focus; but she does not lose
touch with her own internal process and reactions. “The therapist’s history, relational needs,
sensitivities, theories, professional experience, own psychotherapy, and reading interests all
shape unique reactions to the client. Each of these thoughts and feelings within the therapist
are an essential part of therapeutic presence” (Erskine, Moursund, & Trautmann, 1999, p. 242).
It is not just that the therapist has a unique history—a unique set of past experiences, present
interests, needs, and wants. She also uses her experience as a kind of reference library that
sheds light upon the client, upon her responses to him, and upon their interactions with each
other. Most importantly, the therapist is willing to be transparent in her uniqueness, willing
to let the client see who she is and what she is experiencing, willing to be impacted by that
which impacts the client, and willing for that impact, too, to be seen. The respectful interplay
between self-awareness and de-centering opens the way for what Buber (1958) calls an
“I–Thou” relationship, a relationship between two connected, contactful, self-and-other-aware
individuals. The “I–Thou” relationship, in turn, is the primary source of the transformative
potential of relationship-focused integrative psychotherapy.
One of the immediate consequences of therapeutic presence is that it serves as a model.
The client, seeing that the therapist is willing to be open and vulnerable, is encouraged in
his own openness and vulnerability. Presence also serves as a container for the therapeutic
interaction (Schneider, 1998); it is a sort of psychological safety net, marking an interpersonal
space that supports without constraining and protects without demeaning the client.
Attunement, inquiry, and involvement are the basic elements of a relationship-focused
integrative psychotherapy. They are based on a set of beliefs—a set of attitudes—about people
in general and clients in particular. They grow out of a commitment to the premise that each
client strives to be the best he can be, and that his problems and pains have developed out of
a set of beliefs and decisions, acquired over time, that constrict and distort his way of being in
the world. Yet these basic elements are more than attitudes, more than just a general way of
thinking and feeling about clients: they involve skills, skills that can be acquired, skills that are
applied through all the stages and phases of the therapeutic endeavor. It is time now to turn to
those stages and phases, to consider the various tasks and challenges that arise as therapist and
client journey together toward growth and change.
Beyond empathy 129
Summary
Attunement, inquiry, and involvement are extensions of empathy. They allow the therapist
to use herself, her own personhood, to develop and maintain an effective therapeutic
relationship.
The attuned therapist resonates to the client’s process. She not only attends to what the
client presents, but reciprocates, meeting the client’s thoughts and feelings with her own
affective and cognitive response. When the client is joined by an attuned therapist, he
feels respected and safe and is encouraged to expand his awareness of self and of others.
The therapist attunes to the client’s affect, cognition, psychological developmental level,
rhythm, and relational needs.
Inquiry includes not only questions but also every intervention that invites the client to
deepen his awareness of his own internal process. In this sense, every therapeutic inter-
vention can be a form of inquiry. Effective inquiry is crafted so as to enhance the client’s
self-discovery; what the therapist learns is secondary. Therapeutic inquiries are respectful
and open-ended, and they encourage the client to correct the therapist’s misunderstandings
or misconceptions. The goal of inquiry is to expand the client’s contact with self and others.
Areas of inquiry include the client’s affect, physical sensations, cognition, fantasies, and
relationships.
Involvement has to do with the therapist’s commitment to being an active, caring,
vulnerable, and authentic participant in the therapeutic process. It is reflected in the
therapist’s acknowledgment, validation, and normalization of what the client presents, and
by her being fully present, emotionally available, self-aware, and willing to be known as
well as to know.
CHAPTER 7
T
he first session with a new client is an interesting time. For an inexperienced therapist,
it can also be an anxious time. The therapist is about to meet someone with whom she
hopes to develop a very close and intimate relationship. She will come to know him very
well—better, perhaps, than anyone else in his life. And he will come to know the therapist, too.
Each will be making a decision as to whether to work together: each is feeling the other out,
drawing conclusions. What sort of person is this? What will he or she expect of me? How will we
work together? Beginning therapy is a step into the unknown of contact-in-relationship. It is
only reasonable that the therapist should feel both excited and uneasy about it.
The therapist’s uneasiness is minor, though, compared to what the client is likely to be feeling.
After all, the therapist is the professional here. She isn’t the one who is hurting, who is admitting
that he cannot handle things on his own. She has been here before (or, at least, the client thinks
she has), while he can only imagine what this therapy business will be like.
First-session tasks
Several tasks need to be attended to in an initial session, and the first of these has to do with
the feelings that the therapist and the client are experiencing. The client needs to be given some
sense of what therapy will be like, what the procedures and the expectations are, and what kind
of person the therapist is. He needs to begin to experience contact with the therapist as safe and
supportive and, at the same time, as a relationship where something is going to be accomplished.
As the therapist goes about responding to these needs, both she and the client will begin to feel
more comfortable. Anxiety lessens when something can be done about what is causing the
131
132 THE ART AND SCIENCE OF RELATIONSHIP
anxiety, and here something is being done about it. Therapist and client are beginning to build
a working relationship. Horvath (2001) reports that meta-analysis of more than two decades of
psychotherapy research indicates that “developing the [therapeutic] alliance takes precedence
over technical interventions in the beginning of therapy” (p. 369). The working relationship
is the single most important ingredient in successful therapy, and beginning to build it is the
single most important task of the initial session.
The primary activity through which the working relationship begins to develop is the
therapist’s gathering of information. She needs to learn about this client in order to respond
to his needs and to help him clarify his goals in therapy. She needs to learn what he wants,
why he has come to her, what he expects, how he has attempted to solve his problems in the
past, and how those attempts have succeeded or failed. She does not question or find fault with
what he tells her; she suspends any disbelief that may arise in her (time for that later, perhaps);
he is introducing her to his world, and she is respectfully aware that he knows much more
about that world than she does. Here, the client is the expert, and the therapist is the student.
Her attitude is “more inquisitive than disputational, more approving than disapproving, and
more exploratory than demonstrative” (Neimeier, 1995, p. 115).
The therapist is not the only person who needs to gather information during this first
encounter. Another task of the first session is to give the client a sense of what therapy—
and, specifically, therapy with this therapist—will be like. He will decide, sometime during
this first session, whether he wants to work with this therapist; and, to make that decision, he
needs to have a sense of who she is, how she works, what it feels like to be with her. He also
needs some specific facts: he needs to weigh the costs (monetary, time, emotional) against the
probable benefits, and he needs to know what will be expected of him (we talk more about this
issue later on). Exchanging information is the most obvious task of an initial session; it is also
the vehicle by means of which the therapeutic relationship will begin to grow.
The final (but by no means least important) task for this first session is to provide the client
with a sense of hope. Hope is what will bring him back for further sessions; hope is what makes
it worthwhile for him to invest in and bear the inevitable discomforts of therapy. Hope is born
of the kind of contact that happens between therapist and client, the kind of relationship that
is begun. Before the client leaves, the therapist needs to establish herself as someone who is
present, respectful, and willing to be involved; as someone who understands what this client
wants and has an idea of how to accomplish it; and as someone who knows how to build and
maintain an effective therapeutic relationship.
basic trust. Basic trust begins to be established during the first year of life, emerging out of
the mutual regulation of needs by both the infant and the mother (Stern, 1985). The interac-
tions through which this earliest of relationships is shaped are similar, in many ways, to what
happens at the outset of a relationship-focused therapy. The therapist, by her attunement and
involvement, by the skill with which she inquires and gives information, establishes her trust-
worthiness. Simultaneously, the client’s responses help the therapist to know how she is being
received, whether she is respected, and what kind of expectations this client has about therapy.
Like mother and infant, therapist and client calibrate themselves to each other; and, in that
calibration, mutual trust can grow.
Watson and Greenberg (1994) have provided a description of some of the elements that go
into providing a safe and trustworthy therapeutic environment. According to them, therapists
need to “first, perceive the clients’ verbal and nonverbal communications accurately; second,
communicate and seek confirmation of their understanding; third, negotiate a shared under-
standing or otherwise readjust their understanding in line with their clients’ phenomenological
perspective; and fourth, refrain from expressing critical, intrusive, or hostile thoughts during
the session” (p. 165). These are the basics, the foundation upon which a sense of safety is built.
Understanding the client, and making sure he knows that you understand; being willing to see
the world from his point of view; and maintaining an attitude that is supportive rather than
hostile or critical—all of these encourage the client to say more, explore further. They are the
concrete, experiencable evidence that the therapist can be trusted, that this is indeed a safe
place. They pave the way for building the kind of relationship within which healing and growth
are possible.
Joining
How can we describe the sense of being joined by another? It feels supportive, understanding,
and caring; but none of those words really captures the essence of therapeutic joining. Joining
involves the creation of an in-between, a therapeutic space that is more than the sum of what
each person contributes. For the client who truly feels joined, the therapist is more than a
technician, more than a friend—she is the co-creator of a unique relationship, a partner in
exploring the most private and personal aspects of the client’s life. She is, says Mitchell (1988),
“not simply a vehicle for managing internal pressures and states; interactive exchanges with and
ties to the other become the fundamental psychological reality itself ” (p. 25).
Joining a client in this way requires careful attention to attunement, willingness to put one’s
own style and preferences on hold in the service of attending to the client’s needs. Yet, the
therapist must not move so completely into the client’s frame of reference that she loses her
own individuality. She too must be present, real, knowable. “It is important for clients to see
their therapists as their ‘own person.’ That is, they need to see their therapists as persons who
are able and willing to state their true positions on things, to agree or disagree, to cooperate
134 THE ART AND SCIENCE OF RELATIONSHIP
or confront, and to set self-respecting limits on what they will and will not do in relation to
the client” (Bergner, 1999, p. 205). Contact is possible only when there is something to be
contacted; joining is possible only when there is someone with whom to join. The therapist
treads a delicate line between being too swept into the client’s world (which does not allow
the client an authentic other with whom to interact) and being too wedded to her own
perspective (and thus relatively closed and noncontactful). In the region where these two
extremes come together, therapeutic joining is possible.
an infallible one; he needs a therapist who can make mistakes and admit to them, can
get it wrong and then go back and repair the damage (Guistolise, 1996). The therapist’s
willingness to be human, with all the warts and blemishes that humans have, allows her to
create a truly healing presence.
feelings; and, when the therapist is emotionally impacted, she does not hide her feelings from
the client.
Of course, some clients are very emotionally labile and their emotionality interferes with
thinking clearly and effectively. They have learned not to use their cognitive abilities; have
learned, rather, to use only feelings to communicate with the world. They, too, need to find a
better balance. With such a client, the therapist asks for information, for history, for ideas and
beliefs. She does not criticize, directly or by implication, his display of emotion; rather, she asks
him to think about his feelings—when they arise, how long they have been around, what they
are connected to, and what effect their expression has on others. She is not interested in helping
the client to “get rid of ” some distressing emotion; she is interested in discovering the function
served by that emotion and in developing alternative ways of accomplishing the same thing.
To do that, both therapist and client need to be able to think as well as to feel.
Frequently, clients attribute unwanted behaviors to their feelings. “I did it because I was
angry.” “I felt so bad, I just couldn’t help myself.” “When I’m real scared, I just have to have
a drink.” Miller and DeShazer (2000) point out that while emotions may be reasons for
behaviors, they are not causes of behaviors. Thinking of actions as caused by feelings takes
away the ability to make choices about what to do; people who think this way experience
themselves as uncontrollably driven by their affect. Again, this way of being in the world
is out of balance. Learning to feel and to express emotion without having one’s behavior
controlled by it is another integrative task, another step on the road to becoming whole.
Effective therapists ask questions that invite clear thinking, support the client’s emotions
without making them all-powerful, and deal with behaviors as being related to but not caused
by feelings. They also model that sort of balance in their own behavior, from the outset, in
building relationships with their clients.
Exploring expectations
The work of the first session sets the stage for the work to come. Just as the therapist is learning
about the client and forming hypotheses about what sort of approach will be most helpful, so
the client is learning about the therapist. These learnings will be colored by what he already
believes about therapy, and these beliefs are often formed from fairly dubious sources: television
programs, novels, and even jokes on the Internet. Even if a client’s ideas about therapy in general
are reasonably accurate, they still may not fit with this particular therapist’s style. Say Callaghan,
Naugle, and Folette (1996), “The information the client brings with him/her to the therapy
may not accurately correspond to the way the clinician conducts treatment and can hinder
the development of the therapeutic relationship” (p. 385). The client may, for example, expect
the therapist to behave like a physician, asking questions and gathering information and then
prescribing some sort of treatment; he will be confused and bewildered if the therapist simply
waits patiently for him to talk about whatever is foreground for him. The therapist, in turn,
Beginning the work 137
may wonder why this client is so reticent, so unwilling to take the lead in bringing up the issues
that are important for him; she experiences his confusion as resistant or even hostile—not the
best start for a therapeutic partnership!
One way to avoid this sort of mismatch is to talk about expectations. It can be useful
to find out what the client thinks psychotherapy will be like, and to let him know how
these expectations are similar to and different from the therapist’s own. This is especially
important if the client has been in therapy with someone else; people who have learned
how to be a client with one therapist naturally expect other therapists to behave the same
way. If the therapist’s own style appears to be different from what the client expects, she
can talk about those differences and explain why she works as she does. Giving clients a
rationale, rather than simply telling them that things will be different here and expecting
them to conform, is reasonable and respectful.
The goal of all of this discussion is, of course, to find a way for therapist and client to develop
an effective therapeutic relationship. When both share the same expectations, misunder-
standings will be minimized. The client will have a sense of why the therapist acts as she does
and will be more inclined to give her the benefit of the doubt when she does or says something
unexpected. She is not mysteriously pursuing some goal that the clients cannot or should not
know about; she has a sensible reason for her questions and her silences.
Shared expectations allow people to experience their similarities: we both want the same
thing, and we are both pleased when we make progress. Perceived similarities, in turn,
allow each of us to identify with the other, and this identification helps the joining process.
Particularly at the beginning of treatment, partial identifications (of client with therapist,
and of therapist with client) “act as pathways to a deeper resonance between the unconscious
worlds of the patient and the therapist” (Kainer, 1999, p. 10). Here, again, it is all about
contact, about what will enhance the client’s ability to make contact with the therapist and,
through that relationship, regain contact with himself.
Above all, the client needs to believe that therapy can work for him and that this therapist
is someone who will be able to be helpful. No one knows how much of the success in any
given psychotherapeutic treatment is due to a placebo effect—the client achieving his goals
simply because he expects to—but there is little doubt that the expectation of a favorable
outcome is extremely important. Conversely, without such an expectation, the likelihood
of success is significantly lessened. One of our tasks is that of mobilizing the client’s belief
in therapy and in our ability to conduct therapy, for without that belief there will be little
motivation to do the hard work that successful therapy requires. Weinberger and Eig (1999)
paraphrase Jerome Frank’s summary of what is needed to maximize the client’s sense of
hope: “(a) an emotionally charged healing relationship; (b) a healing setting; (c) a rationale
or myth that plausibly explains the patient’s difficulties and offers a sensible solution; and
(d) a believable treatment or ritual for restoring health” (p. 368). When all of these are present,
the client can believe in the possibility of change, and therapy has begun.
138 THE ART AND SCIENCE OF RELATIONSHIP
An informed choice
Sensible people do not agree to buy something until they know what that something is,
how much it will cost, and what it will do for them. “Buying” therapy works the same way:
clients need to know what therapy is, how much it will cost them, and how it is likely to be
helpful. It is the therapist’s responsibility to provide them with this information. In a sense,
though, therapists can never tell clients exactly what their therapy will be like: therapy is
a journey into the unknown. Exploring that unknown is not a precursor to therapy—it is
therapy. Nevertheless, therapists are obligated—legally and ethically—to give clients the best
description possible: how they work, what may happen, how long it is likely to take, what the
cost (in money, time, and energy) will be.
Many therapists, in fact, go farther than simply telling the client about what therapy will
be like. They have a written description that the client is expected to read and to sign so that
the therapist has evidence that the client has been given the information. This is the informed
consent form, and it is a wise precaution in the litigious climate in which therapists now find
themselves; it protects the therapist from accusations of misleading the client about costs,
expectations, or other aspects of therapy. The problem with informed consent materials is that,
in order to include all the things that the client may want to know about therapy, the forms
can be quite long and quite complicated. Research indicates that the more readable and the
more personalized the informed consent document is, the more comfortable the client is about
working with that therapist (Wagner, Davis, & Handelsman, 1998). Informed consent, then,
must be a compromise between telling everything that the client may find relevant, on the one
hand, and being brief and readable, on the other.
Telling a client how the therapist works is important, but showing him is even more so.
From the moment he walks into the therapist’s office (and perhaps earlier, if she has spoken
with him on the telephone to set up the appointment), he is responding to a host of verbal
and nonverbal cues—many out of his conscious awareness—that tell him what the therapy
experience will be like; these cues will influence his decision even more than the facts the
therapist provides. He is deciding if he likes this therapist and if she is going to like him; if she
knows what she is doing; and if her style of working will meet his needs. What he experiences in
her should be a reasonably accurate sample of what things will be like if the therapy continues.
Beginning the work 139
As an example of the sort of thing that clients may use to form their idea of what therapy will
be like, consider the way in which the therapist chooses to begin the session. Less-experienced
therapists often begin an initial session with some sort of “small talk”—comments about the
weather, the traffic, or some upcoming public event. Asked why they do this, they are likely to
say that they are trying to put the client at ease. In fact, this sort of conversational beginning
is probably more for the benefit of the therapist (who may be feeling somewhat awkward, and
anxious for the client’s approval) than for the client. Starting the session with small talk suggests
that this is how therapy is done; it sets up a mistaken expectation about the work. “Counseling
is not a social conversation,” comments Patterson (1985), “and for the counselor to begin it
as such is misleading in terms of structuring and reinforces such an approach by the client”
(p. 108). What the therapist does, and invites the client to do, during the first session structures
what is to come; and this structure is a large part of what the client will use to make his decision
about continuing.
qualified to work with will be equally rare. When it does happen, the therapist should simply
be honest about it. “I don’t think I’m the best person for you to work with.” “You need to see
someone who has been trained to deal with xxx, and I don’t have that specialized training.”
She makes the referral (preferably giving the client two or three names rather than just one),
thanks him for his interest in seeing her, gives him an opportunity to respond, and ends the
session. The experience may not feel good, for either client or therapist. But, minimally, the
client will be given a better chance to meet his needs, and the therapist will know that she has
done what is best for him.
Ideally, the decision to work together is a clear one on both sides. The client agrees to
commit to at least some number of sessions or for some length of time, or until his goals have
been met, or until a decision is made that the therapy is no longer helpful; the therapist makes
the same commitment. When that sort of agreement cannot be reached, agreeing on a trial
period still may be possible—one or more sessions during which both client and therapist
will have an opportunity to get to know the other better and have more information upon
which to base a longer-term commitment. This sort of tentative agreement should be clearly
spelled out and, if possible, included in the informed consent document. When the trial
period has expired, it is the therapist’s responsibility to bring up the topic and ask the client
whether he wants to continue.
“Reaching an understood and mutually agreed-on change goal is the key process in building
an initial, viable alliance” (p. 21). The best way to learn is by doing; one of the best ways to
learn to be in relationship together in therapy is to do the work of contract building.
Finally, in these days of managed care, clear contracting may be a requirement for
third-party reimbursement. Health-maintenance organizations (HMOs) usually demand
regular reports on each client, including a list of specific treatment goals and progress made
on each. Of course, many of the benefits of therapy cannot be laid out in objective, measurable
terms. Some of the most important therapeutic events may not even be predictable before they
actually occur. Still, concrete goals and objectives provide a useful framework for therapy;
they tie the work together, make it comprehensible, and give it a structure that the client can
understand and commit to—and they provide a responsible form of communication with
third-party payers.
Gathering information
To build a useful contract, one must have information. The therapist is starting from zero;
she needs to find out what is going on for this client. The client may not (consciously) be
much better off; he has a great deal of information, but much of it is disorganized or out
of awareness.
The information needed for good contracting—and for good therapy, as well—consists of
the answers to four questions: (a) How are you? (b) How do you want to be different? (c) How
did you get to be the way you are? (d) How will we know when you have accomplished your
goals? It would be nice if the answers to these questions could be as short and simple as the
questions themselves (or maybe not; if they were, we therapists might have to look for another
profession!), but just the opposite is usually true. In fact, neither client nor therapist will
probably ever have a complete set of answers to any of them; discovering more and more of
the answers is a large part of the therapeutic process. However, some part of the answers—the
part that the client can, at the outset, call to conscious awareness—will form the basis of the
therapeutic contract.
It is not just the client who begins to answer these questions; just as therapist and client are
co-creators of the therapeutic relationship, so they are co-creators of the contract. The therapist
helps the client to discover his answers by suggesting where to look and by talking with the
client about what he finds when he looks there. The therapist’s language is a powerful influence
in this process: the way she expresses her understanding of what the client is telling her will
shape what the client thinks, feels, and believes about himself and his world (Hanna, 1996). It is
essential that the therapist not import her own biases into the information-gathering process,
and that she remember to regard her inferences as hypotheses rather than as facts. Grove
(1991) talks about the importance of using “clean language” in therapy, of making sure that we
approach any topic from the client’s point of view rather than our own. Listening in this way
142 THE ART AND SCIENCE OF RELATIONSHIP
requires constant self-monitoring and constant “course correction” when we veer off into an
unfounded assumption.
“How are you?” has to do with what the client’s life is like right now: his thoughts, his feelings,
and his beliefs. What goes through his mind as he wakes to begin another day? What are the
significant relationships in his life? What does he care about? Hope for? Fear? When does he
feel good, and when does he hurt? There are a thousand answers to “How are you?,” and each
can lead to dozens more. Discovering all of the shifting and changing internal experiences that
answer this question is the very stuff of therapy, and that discovery continues long beyond the
point at which an initial contract has been developed.
Unlike the answers to “How are you?,” the answer to “How do you want to be different?”
may—initially, at least—be short and specific. “I want to stop being depressed.” “I want to
be able to be with people and not feel anxious.” “I want to have an intimate relationship.”
These short and simple answers form the basis for setting therapeutic goals. The wise
therapist, though, does not expect such initial goals to remain unchanged through the entire
course of treatment. An initial goal is often just the tip of the iceberg; what the client knows
(but is afraid to say) that he wants, and what he wants but cannot yet express, lie below
the surface. As the work unfolds, the therapist must be prepared to revise and expand her
understanding of what the client wants and needs.
The next question—“How did you get that way?”—begins the process of unraveling the
tangle of life experiences that have led to the client’s present distress. It has at least as many
answers as “How are you?,” for it asks about the “How are you?” of all of the years and
months and days of the client’s past. The client may not—usually does not—know which
of his past experiences have been most important in forming the schemas and script that
order his life today. Much of that past experience, or at least its significance, is no longer
consciously available to him. Script is, by definition, out of awareness; people do not know
why they think and feel as they do any more than they know why they believe that grass is
green or why they cry when they are sad. “How did you learn to rage at people when you
get upset?” or “How did you come to feel so down on yourself?” may seem unanswerable
questions to a client, but it is often in finding the answers that change begins. “Sorting out
the different strands of interpersonal history that form the standards used for negative
self-evaluation allows a person to gain a perspective on the power of such standards” (Jack,
1999, p. 241). Not only negative self-evaluation but also every other relational response
grows out of “strands of interpersonal history.” These are the strands we trace as we explore
“How did you get that way?”
Finally, “How will we know when you have accomplished your goals?” looks forward to the
end of therapy. As is discussed in Chapter 11, the question of ending treatment is (or should
be) dealt with from the outset. Therapy is not an endless process; it is not a way of life. It is an
enterprise with a purpose; and, when that purpose has been accomplished, the client should be
encouraged to go ahead on his own. There are many reasons, however, that terminating therapy
Beginning the work 143
can be difficult; spelling out, at the beginning, the criteria for termination can help both client
and therapist to know when it is time to say good-bye.
things: phoniness and judgment. “Most patients,” says Strupp (1996), “particularly more
seriously disturbed ones, are exquisitely sensitive to even minimal slights and criticisms.
To cope with these exigencies, a therapist must be correspondingly sensitive” (p. 137). Clients
are also on the alert for any cue that the therapist may be insincere, faking a supportive or
understanding response that she does not really feel. Rather than offer insincere support,
the wise therapist asks for more information and/or responds to the quality of the client’s
experience: “Can you tell me more about it?” “How do you feel about doing that?” “It sounds
like you’ve been in a lot of pain.”
Even silence may be taken as a negative response by a client who has just shared some
important bit of information. Imagine that you are the client and that you have told your
therapist something about yourself, something that you do not usually share with others, or
something that others have reacted to negatively. How the therapist answers will be a sign of
her trustworthiness, of her ability to understand you. But she’s not saying anything! Doesn’t she
get it? Or does she think you’re really stupid? Or bad? “When clients pause in their talk, they
usually (though not always) expect and desire a response from the therapist. Not to receive a
response may be perceived by clients as rejection. Or, it may be seen as an indication that they
were not talking about what they should be talking about” (Patterson, 1985, p. 111). Much
better, then, that the therapist tell the client what her silence is all about: “I didn’t expect to hear
you say that; let me think about it for a moment” or “What you are saying seems very important.
I need a few seconds to fit it in with the other things you’ve been telling me.” Later, when the
client knows the therapist better, he will understand her pauses and her silences; for now, she
must make sure he does not misinterpret them.
In sum, then, what a client says is never “wrong”—mistaken, perhaps; at odds with the facts.
The behavior that he reports may be hurtful and ill-advised. His pain-producing responses may
be unfortunate and deserving of change. His goals may be unattainable, and what he wants from
the therapist may not be possible. Safran and Muran (2000) deal with this latter point, what the
client wants from the therapist: “It is important for the therapist to be empathic and under-
standing while acknowledging the limitations of the therapeutic relationship. It is important
for therapists to see patients’ nonfulfillable wishes for union or nurturance as a normal part
of the human experience, rather than to view them pejoratively as infantile wishes” (p. 242).
By treating the client’s wishes as normal human experiences, his responses as intended to serve
a positive function, the therapist encourages him to explore further; and as he does so, the
therapist can travel with him into his unknown, his once-known, and his yet-to-be.
Diagnosis
The word diagnosis most often refers to determining what “disease” someone is suffering from.
Some doctors diagnose strep throat or hypertension or cancer; doctors of psychiatry diagnose
major depression or dementia or dissociative identity disorder. Other mental health workers
Beginning the work 145
may also need to make these sorts of psychiatric diagnoses, since most insurance companies
and HMOs require them. However, unlike the diagnoses of physical disorders, diagnoses using
DSM-5 (the Diagnostic and Statistical Manual of Mental Disorders, published by the American
Psychiatric Association in 2020, the standardly accepted source for psychiatric diagnosis in
the United States) seldom take into account either the origin of a given disorder or the most
effective treatment for it. The DSM-5 is a category system, in which each diagnosis is based on
a description of a set of symptoms that form a commonly occurring pattern.
While DSM-5 diagnoses can help us know what sorts of things to look for and can also help
professionals communicate with each other about their clients, other sorts of diagnosis may be
more useful in developing a therapeutic contract and building a treatment plan. In this sense,
“diagnosis” means any organized system of describing whatever a client presents in therapy.
Often, the therapist will share this sort of diagnosis with the client; even though the client
may not understand all the implications of the therapist’s description, its overall content will
allow him to hear (and perhaps correct) the therapist’s assessment of the situation. Breggin
(1997), who refers to therapist and client as “partners” in the work of therapy, comments,
“The understanding that the therapist shares with a partner may contain nuances that, while
compatible with their shared understanding, go far beyond it. As the partner with greater
knowledge and experience, these differences, when there, are to be expected. Instead of a
hidden agenda, which can be damaging to an alliance, they represent an asset of knowledge
of the terrain over which a journey will pass” (p. 22).
One common ingredient of these less formal, non-DSM-5 diagnoses is a description of the
client’s strengths and resources. DSM-5, based on a medical model, focuses on pathology—
on what is wrong. Psychotherapists are equally interested in what is right: in what areas the
client is doing well, under what conditions he feels good, what sorts of supportive and health-
giving relationships he has. Not only do these things provide a more well-rounded picture of
the client, but they also yield information that can be utilized in actually working with him.
“Clients seem to listen better if the therapist has not only understood their view of themselves
and their situation, but also finds something positive in what they have been doing” (Chevalier,
1995, p. 43). Building on strengths is generally more effective than building on weaknesses.
We have said over and over again in these pages that relationship is essential to health and
that contact is essential to relationship. Part of the diagnosis in relationship-focused integrative
psychotherapy involves an assessment of where the client is open to contact and where he is
closed to it. Openness to contact is a strength and can be used as a doorway into those areas
that are less available. Ultimately, a goal of therapy is that all aspects of the client’s functioning
be available: that the client have full internal and external contact, be fully aware of his own
experiencing and of the world around him. A fixated life script causes distortion of contact, and
contact distortion is required in order to maintain such script. As the client expands the areas
in which he has contact, he also begins to break up the patterns that have been restricting his
thinking, feeling, behavior, and relationships.
146 THE ART AND SCIENCE OF RELATIONSHIP
This leads us to one last area of diagnosis: life script. Formulating hypotheses about
the nature of the client’s script beliefs and patterns is useful. The more we know about the
client’s life script, the better equipped we are to provide and/or prescribe experiences that
can counter it. The client who has a basic script belief that “people can’t be trusted,” for
instance, can experience the therapist’s trustworthiness through her consistent attention to
the client, her willingness to take responsibility for errors, and her sensitivity to the client’s
relational needs; the client can also be invited to notice situations in which other people have
behaved in a trustworthy fashion. Clients may be helped to make script changes through
suggesting experiments with new behaviors (that do not fit the script system), by rewriting
script-supporting fantasies and ruminations, by planned regressions in which the client
revisits the site and time of the original decision and challenges it at that level (Erskine &
Moursund, 2011; Erskine, 1974/1997a; Goulding & Goulding, 1979). All of these strategies
are most effective when the therapist understands the various parts of the client’s script and
how they fit together. Mismatches and incongruencies in the client’s presentation often signal
the operation of script, as do distortions and disruptions of contact. Much valuable script
information can be found in the client’s history, his account of the important events of his life
and the meanings he has assigned to those events.
As much as possible, the client should be a partner in the diagnostic process. Talking
with them about DSM-5 diagnosis may not be useful, but his input and his corrections
are vital to the other, more dynamic kinds of diagnosis. This is especially true because
contracts evolve out of diagnosis, and the contract must be a joint product of client and
therapist. The therapist does not figure out what is wrong and what the client needs to do,
and then tell him to do it (even though many clients would be delighted if it were that easy).
Rather, therapist and client together develop both the diagnosis (what is wrong here) and
the contract (what we will do about it).
Many clients have histories in which they were not allowed to negotiate to get their needs
met; as a result, they anticipate either being overwhelmed or having to use strong methods
of manipulation and control with their therapists (as was true with their caregivers). Joint
contracting allows these individuals to negotiate, giving them a new experience and obviating
the need for the old patterns (Erskine, 1993/1997c, p. 38). Even for people who have learned to
negotiate, to engage in the give-and-take that is essential in healthy relationships, the contract-
building process is therapeutic in and of itself. It fosters a sense of purpose and of possibility,
a belief that change can happen, and a commitment to achieving personal goals.
Kinds of contracts
Contracts may involve both long- and short-term goals, and short-term contracts are most likely
to shift and change over the course of therapy. As a result of completing one short-term contract,
the client may realize that there is more work to be done. “I want to learn more constructive
Beginning the work 147
uses for my anger,” for example, is an achievable contract; the client who achieves that goal may
then become aware that one function of his anger has been to cover a deeper sense of sadness
and loss, and will want to build a new contract to explore and deal with those feelings. “Local
goals,” say Stern and colleagues (1998), “perform almost constant course corrections that act
to redirect, repair, test, probe, or verify the direction of the interactive flow towards the inter-
mediate goal” (p. 910). Intermediate, longer-term contracts and goals tend to be more general
and are less likely to shift and change: “I want to regain a sense of competence and self-esteem”
and “I want to overcome my depression” are examples of such goals. Whether goals are long- or
short-term, articulation of those goals (as well as reaching them) will be facilitated by a caring,
involved therapeutic presence.
A short-term contract not yet discussed is the session contract. Many therapists open
each session with the question “What would you like to accomplish in our work today?”
The answer to this question is, or can lead to, a contract for the session. Again, such
contracts tend to be springboards into the work rather than being rigidly held to. They are
valuable partly because they give shape to the early part of the session. They help both client
and therapist to avoid the “what shall we talk about today” that can lead into a confusion
of nonproblems, eating up time and distracting from what is really wanted and needed.
A session contract invites the client to take the work seriously from the outset—to consider
what is achievable and what he would like to achieve. It invites him to become aware of his
internal processes, his wants, and his needs. Not infrequently, developing a session contract
is the work of the session; exploring the “what would you like to accomplish” can be, for
someone closed to internal contact, a difficult and lengthy process. Alternatively, the work
initiated by the session contract can shift, leading into areas unanticipated by either client
or therapist. By the end of the hour, work may have been done that seems far, indeed, from
the initial session contract. It is illuminating, though, at the end of such a session, to ask the
client about the relationship between what he is dealing with now (at the end of the hour)
and what he initially wanted to do. Invariably, we have found, the client knows and can
describe how the two are related—even when the therapist cannot.
“Homework” can be a useful part of therapy; it adds to the credibility of the therapist, and it
keeps the client working between sessions and thus extends the therapeutic influence beyond
that which occurs in the therapist’s office. A homework assignment is also a kind of contract,
one in which the client accepts responsibility for carrying out some task before he and the
therapist meet again. Homework usually involves either trying out some new or unfamiliar
behavior or observing (and often writing about) current behavior patterns. It can be designed
to explore patterns of thinking (“Notice every time you discount yourself, and figure out what
you would rather be believing about yourself ”), of feeling (“As soon as you become aware of
those angry feelings coming up, stop and write down what you have just been doing, thinking,
and believing”), or behavior (“Will you agree to spend at least one hour each day this week
doing something that you enjoy?”). Sometimes homework is paradoxical, inviting the client in
148 THE ART AND SCIENCE OF RELATIONSHIP
one way or another to do the very thing that he has been trying to avoid (for instance, the client
who fears being criticized may be asked to deliberately request criticism from his boss); this can
provide insight into the function of his unwanted behavior, as well as breaking up the logjam
of futile struggling that has immobilized him. Whatever the nature of the homework, it must—
like any other contract—be agreed upon by both client and therapist. When it is completed,
the results can be used in building the next session’s contract. When it is not, discussing the
noncompletion often leads to new and useful insights, which in turn provide a foundation for
the next homework contract.
As any salesman can tell you, “closing” a contract is one of the most important parts
of the contracting process. Closing a therapeutic contract involves making sure that the
client fully intends to carry it out and that any reservations he has about it have been aired
and dealt with. Therapeutically useful contracts nearly always involve some sort of cost
(either real or fantasized); if there were no cost, the client would have long ago achieved
the contracted-for goal on his own. Discovering the costs—working through the fears and
prohibitions—does not precede therapy; it is therapy. Indeed, developing and closing a
contract may require much more than a single session. The contracting process begun in
the initial session shapes what is to come; in future work, the client will face, appreciate,
and work through the obstacles to his chosen contract. With that completed, the rest of
therapy may turn out to be just coasting home.
One last word about therapeutic contracting is that part of contract negotiating is renego-
tiating. An initial contract is really a jumping-off point, the first in a series of emerging
therapeutic goals. A good therapeutic contract is an ongoing process rather than a finished
product; it shifts and changes as the work opens up new vistas, new possibilities, and new
areas to be explored.
Saying good-bye
The final task of the first session with a new client is that of saying good-bye. The getting-
acquainted process is well under way, some initial diagnoses have been made, client and
therapist have decided—for now, at least—that they will work together, an initial therapeutic
contract has been (or is being) developed, and a relationship has begun to come into being.
Much has been done, and it is time for this session to end.
The single most important criterion for a good session-ending of an initial session is that
the client wants to return. No matter how difficult, painful, or confrontive some of the earlier
moments may have been (and it is hoped that, in an initial session, this kind of negative
experience is at a minimum), the end of the session is a time for support and appreciation.
To feel good about coming back, the client needs to feel that he has gotten something; that
he has been understood, respected, and valued; and that something worthwhile can come of
this experience.
Beginning the work 149
Beginning therapists need to beware, though, of the temptation to end a session with some
stroke of therapeutic genius that will demonstrate how wise and far-seeing they are. Such
interpretations are likely to do more harm than good: they may simply echo what the client
already knows, leaving him wondering why the therapist would think he needs to be told;
they may go further than the client is ready to look, raising his defenses and lowering his
trust level; or they may miss the mark entirely and leave the client confused and the therapist
looking foolish. Moreover, such endings tend to disempower the client, implying that the
therapist (not the client) is responsible for figuring things out. It is much better for the client
to be impressed with his own wisdom than with that of the therapist; asking him what has
stood out for him in the work that has been done or how he expects to use the work in the
days to come is generally more useful than telling him something about himself. (And the
answer to the latter question, about using the work in his out-of-therapy life, is a fine lead-in
to a homework suggestion.)
The client should leave the therapist’s office feeling like a partner in the work rather than
like a patient being worked on. He is the boss, the CEO, and the therapist is his assistant. He is
the expert on himself, the only one with access to what is to be explored. Respecting him as
the primary changemaker will keep him active and involved in the therapeutic process, and
his activity and involvement will increase the likelihood of a successful outcome (Hanna,
1996, p. 231).
How the first session is ended sets the tone of endings for the duration of the work. The client
should be given some warning that the time is almost up (“I see we have about ten minutes
left; is there anything more that you want to be sure to tell me about today?”) and then, when
it is up, the session ends. Ordinarily, it is not useful to allow the client to drag out the session,
either with small talk (“Looks like a nice weekend coming up; hope you’ve got something good
planned …”) or with last-minute requests (“Oh, I forgot, there’s just one thing I really wanted
to ask you …”). The session is over. The therapist may have enjoyed meeting this person; she
may be glad to be working with him, or she may have trepidations about the work. In either
case, she knows that she and the client stand at the beginning of a journey together. She smiles,
she ushers him out, perhaps they shake hands. The door closes. The next time it opens for this
client, the work will truly have begun.
Summary
Major tasks for the first session with a new client include beginning to build a therapeutic
environment, gathering and giving information, and establishing a sense of hope. To do this,
the therapist must join the client, attending to his thoughts, feelings, behaviors, and expecta-
tions. All of this helps to create and maintain a healing presence.
Both client and therapist must make a decision as to whether they want to work together.
For the client, this requires that he be informed about what therapy will be like and what the
150 THE ART AND SCIENCE OF RELATIONSHIP
relative costs and benefits may be. The therapist should refer the client elsewhere if she is not
trained to work with this sort of person and/or these sorts of problems or if there is a mismatch
of attitudes or values that will prevent her from joining the client in an authentic and caring
therapeutic relationship.
Goals of therapy are defined by the therapeutic contract. Contracts are built around the
answers to four questions: (a) How are you? (b) How would you like to be different? (c) How
did you get to be the way you are? (d) How will we know when you have accomplished your
goals? In finding answers to these questions, a formal diagnosis may be helpful; it can also
be helpful to evaluate the client’s resources and to begin to develop a sense of his life script.
Contracts may be long- or short-term or may even be set up for a single session’s work; they
frequently need to be renegotiated.
The final task of the initial session is saying good-bye. This should be done in such a way that
the client leaves feeling respected and supported, a partner in the therapeutic task.
CHAPTER 8
Moving in
I
n Shakespeare’s Julius Caesar, Cassius says to Brutus:
Although psychotherapy was unknown in Cassius’ day (or in Shakespeare’s, for that matter),
Cassius’ remark was an eloquent description of the task of the psychotherapist. The therapist
serves as a mirror that helps her clients discover that of themselves that they do not yet know.
More often than not, what must be discovered is something that the client has hidden from
himself, and has good reason to keep hidden—were this not so, he would have no need of our
help in rediscovering it.
So the client comes to therapy both wanting to know and wanting not to know. He has
worked hard to keep parts of himself—memories, thoughts, feelings—out of awareness,
yet he needs to rediscover those parts if he is to make the changes he wants. To help him
in the discovery process, we must also help him to move past his don’t-want-to-know.
That is what this chapter is about—getting past the barriers to knowing and accessing
the thoughts, feelings, memories, and physical sensations that the client has hidden
from himself.
151
152 THE ART AND SCIENCE OF RELATIONSHIP
Strupp (1969) has asserted that “for therapeutic learning to occur, the most important
precondition is the patient’s openness to the therapist’s influence” (p. 210). If therapist and client,
working together, can create a relationship in which the client feels safe to be open—as far as
he is able, at any given moment—the therapist can then guide him into the kinds of exploration
and experimentation that lead to more and more full contact with himself. This will involve
helping him to move away from the safe but fruitless questions that he has been asking himself,
away from the behavior patterns that are keeping him stuck, into new and different ways of
knowing himself. The new ways are often uncomfortable and may at first seem unrelated to
his primary goal, and their discomfort and strangeness often invite him to resist and to fall
back into the old and familiar. Yet, if the therapeutic relationship is solid and ongoing, and the
therapist well attuned to the client’s needs and fears, discomfort and strangeness can become
signs of progress rather than barriers.
A major task in the early stages of psychotherapy is teaching the client how to be a client—
how to look inside and begin to reconnect with himself and to welcome the reconnections
when they occur. Most new clients expect therapy to give them “answers.” They ask “why”
questions: Why do these things happen to me? Why do people act that way? Why do I get
myself into such a mess? They have forgotten how to simply observe themselves—what they
are feeling, thinking, and wanting—without trying to explain. The explanations that they create
generally push them back into their old defenses and away from contact with their ongoing
experiencing. Words like “because” and “probably” and “should” take the client into the realm
of explanation and self-criticism and distract him from full contact with himself and with the
therapist. As we go about helping the client access himself, we continually bring him back to
phenomenology, to what he is aware of at the moment (Guidano, 1991, p. 158). Attending to
one’s ongoing phenomenology leads to contact; contact leads to awareness; awareness opens
the door to change and growth.
memories—the intensity of the affect reduced—to free the client to be spontaneously himself
in the here and now.
Not just single emotional responses but whole patterns of emotion as well can become a
part of the don’t-want-to-go-there phenomenon. Greenberg and Paivio (1997) describe some
of these patterns: rage following shame (and blotting out the pain of feeling ashamed), for
instance, or fear following intimacy (inhibiting further contact). Again, these patterns must be
activated and brought into awareness in order to be reorganized. By experiencing them, facing
them, and working them through, the client frees himself from their constrictions.
Working through is a vague sort of concept—necessarily so, since the working-through
process is different for each person and can even be different for different aspects of script
within the same person. Yet one part of working through tends to be constant: working
through requires talking about what one is discovering. “Experience is not simply ‘in’ us,
fully formed,” say Greenberg and Pascual-Leone (1991). “Rather, we need to put words to our
feelings to bring them to full awareness” (p. 171). Not only the putting into words is important
here but also the sharing of those words with a supportive and protective other. The healing
process involves a shuttling between internal and external contact, between focusing on
what one is discovering inside and daring to share those discoveries with another person.
The therapist’s job is to create a psychological space in which that shuttling can occur, to
co-inhabit that space with the client, to both lead (suggesting, inquiring, directing) and follow
(attuned to the client’s needs and rhythms, respecting the client’s wisdom and autonomy) as
the client learns to know himself.
For some clients, accessing and expressing emotions is a slow, cumulative process. At first
tentative, often ashamed of what they are experiencing, they are alert to any sign that the
therapist regards their feelings as odd, wrong, or out of place. Not infrequently, they will
apologize: “I’m sorry for getting so upset,” or “Excuse me for breaking down this way.” If
they sense respect and receptivity in the therapist, they are encouraged to go more and more
deeply into their affective experience. Other clients tend to stop and start: they share some deep
feeling, then pull back and “get control,” then dip again into their emotions. When the therapist
is contactful, yet willing to be governed by the client’s self-pacing, each of these new excursions
into feeling can be a bit deeper than the one before.
Expressing feelings that have been hidden away for months or years can be a frightening
experience, an emotional roller coaster that threatens to go out of control, overwhelming
the client or pushing him into impulsive and perhaps hurtful behaviors. In addition to
supporting the client in his affective exploration, the therapist must also help him to contain
the feelings, taking over some of the responsibility for control, so that the client does not
have to try to hold back and forge ahead at the same time. In order to feel safe, the client
needs to know that the therapist will not be swept up in the storm of emotional expression;
will not be overwhelmed by the client’s sadness, intimidated by his anger, or immobilized
by his fear. Glickauf-Hughes, Wells, and Chance (1996) recommend that the therapist
speak slowly and calmly, so that the client can sense her confidence that the problem can
be managed (p. 434).
Therapists as well as clients can be reassured by their own tone and pace. Slowing down
allows us to listen rather than simply react; it lets us bring our focus back to the client’s
experience rather than our own response, helps us to stay with the client’s perspective instead
of leaping into problem-solving. It reminds us of why we are here: to support and empower the
client in his own journey of discovery. It may be that the process of discovery will be all that is
needed, for “the very acts of approaching, attending to, and accepting or positively evaluating
feelings leads to their transformation” (Greenberg & Paivio, 1997, p. 98). Even when further
work is necessary, that work will go more smoothly when the therapist acts—and feels—calm
and competent.
“Calm and competent,” though, can be overdone if they create artificiality in the therapist’s
manner. The therapist’s external calmness must not be used as a cover-up for her true reaction;
the client will sense that something is wrong, and the therapist’s dissimulation will be more
alarming than if she shared her feelings. “As you tell me that, I find myself getting angry too,”
or “when you talk about what happened to that little boy, I feel sad” are responses that can be
given calmly and still reflect the therapist’s honest reaction. An effective therapist continually
monitors her own expressions of affect, attuning those expressions to the needs of the client,
yet remaining an authentic participant in the therapeutic relationship. She does not so much
hide her feelings as select among them, choosing to express that aspect of herself that will best
facilitate the client’s exploration of his own affective experience.
156 THE ART AND SCIENCE OF RELATIONSHIP
point of simply seeing it as a kind of sensation, without the gloomy or intimidating aspects
normally associated with it” (pp. 252–253). A significant part of the experience of anxiety has
to do with one’s efforts to avoid it or turn it off; anxious feelings that one chooses to move
into, describing them fully to a supportive therapist, are a quite different experience than
anxious feelings that one tries (usually without success) to escape.
Notice, in that last sentence, that the anxious feelings are not only invited, entered into
willingly, but are also put into words. The therapist’s presence as a caring and involved other
changes the quality of any strong emotion, including anxiety. An anxious child instinctively
seeks help and protection from an older, stronger, wiser person. The experience of trauma,
rejection, or betrayal may stifle that natural response, and many anxious adults have taught
themselves to suffer alone. One of the functions of the therapeutic relationship is to allow the
client to regain the ability to seek help and comfort in relationship. The therapist becomes the
caring adult who was not available at the time of the original trauma—the adult who should
have been there to listen, sympathize, and protect the child. As the client regains the ability
to use the therapeutic relationship to mitigate his discomfort, that discomfort (along with his
learned ways of relating to others) begins to be transformed.
Resistance
Resistance, says Freyd (1996), has many names. “Whatever we call it—repression, dissociation,
psychological defense, denial, amnesia, unawareness, or betrayal blindness—the failure to know
some significant and negative aspect of reality is an aspect of human experience that remains
158 THE ART AND SCIENCE OF RELATIONSHIP
at once elusive and of central importance” (p. 16). Resistance is not an abnormal reaction, not
something to criticize the client about, not something that should surprise or dismay a therapist.
It is what people do. It is what therapists are paid to help clients work through. Helping them do
so is one of the most important parts of our job.
Why is resistance such a universal phenomenon? Why should it be so difficult to look
into oneself? To answer this question, we go back to the notion of life script: the patterns of
thoughts, feelings, and behaviors that one has established throughout life in order to manage
and make sense of who and where we are. Changing those script patterns threatens one’s
sense of who one is and how one gets along in life. “Resistance,” Janoff-Bulman (1993) notes,
“actually reflects our powerful tendency to maintain rather than change the fundamental
beliefs that have enabled us to make sense of ourselves and our world” (p. 40). Changing the
interior decorations of one’s psychological home—putting on some new paint, getting a
few different pieces of furniture—is one thing; shaking its very foundations is something
else again! Fundamental changes threaten our stability, our ability to predict and prepare
ourselves for what may come next. Things may be miserable right now; we may be acutely
uncomfortable; but at least the misery and the discomfort are familiar—we know them, we
know what to expect.
In Chapter 2, we discussed the benefits of maintaining a life script, and we introduced
the PICS acronym. PICS applies to resistance as well (resistance is a means whereby script
is maintained): resistance helps us to maintain predictability, of ourselves and of others.
It helps us to maintain our identity, our sense of who we are. It provides us with continuity
from one moment to the next, protecting us from the disruptions of change. It gives us the
illusion of stability in a kaleidoscope of feelings and needs. Predictability, identity, continuity,
stability—without them, where would we be? Who would we be? So, we twist ourselves
around, pushing away any internal or external awareness that might threaten to disrupt our
fragile equilibrium. “The trade-off of a distorted awareness for a sense of security is, I believe,
an organizing principle operating over many levels and realms of human life” (Goleman,
1985, p. 21). People—all people—tend to disrupt or deny any contact with themselves and
others that would threaten the script patterns they guard with such vigilance. That disruption
or denial is the essence of resistance.
Repression
Resistance involves not allowing oneself to know what one knows, to feel what one feels, or
to recognize what one sees; it is a close relative of repression, a concept we introduced in
Chapter 2. Denial of thoughts, disavowal of feelings, and desensitization of our bodies are the
mechanisms by means of which repression is accomplished; they are also the mechanisms
by means of which people resist change. Resistance protects repression; it is an out-of-
awareness attempt to keep the repressive processes intact. At the same time, resistance is
Moving in 159
protected by repression: clients must keep their resistant maneuvers out of awareness if
those maneuvers are to be successful. Each maintains the other; if one fails, the other is
weakened. To understand how a relationship-focused integrative psychotherapy helps clients
to overcome their resistance, then, we shall need to revisit the idea of repression, how it
works, and what its consequences may be.
Freud (1915/1963), who originated the notion of repression, said that “the essence
of repression lies simply in the function of rejecting and keeping something out of
consciousness” (p. 105). Repression is more than simply forgetting something: it is an
active and ongoing process, even though it takes place outside of conscious awareness.
Freud’s descriptions of repression make it sound like a sort of psychic wrestling match, with
repressed elements struggling to make their way into consciousness and the ego’s defenses
struggling with equal vigor to keep them out. Since the whole process is, by definition,
out of awareness, we shall probably never know how accurate Freud’s picture is. What
practitioners now agree upon is that, in repression, there is a failure to access something
that we once knew. Moreover, that something is significant: it relates in some important
way to our present situation. Our inability to access it is not a random error, a coincidence;
it is motivated by our need to protect ourselves from the consequences of bringing it to
consciousness.
“Repression,” say Atwood and Stolorow (1984), “is understood as a process whereby
particular configurations of self and object are prevented from crystallizing in awareness …
because of their association with emotional conflict and subjective danger” (p. 35). Notice
that phrase, “configurations of self and object”: repression is about child and parent, husband
and wife, client and therapist, me and you. Repression is relational; it involves patterns of
self-other, of internal-external. The elements of the pattern—who is involved, and how—are
just outside the client’s awareness, ready to form, but he prevents that formation by keeping
them separate, unrelated, and—by virtue of their unrelatedness—without meaning and
without threat.
Memory as an active process. Repression is a motivated failure to remember something
of significance. To understand just how this works, we need to remind ourselves that
remembering is not simply the conjuring up of some sort of mental picture album. We do
not register images like a camera and store them away to be reviewed at a later time. Rather,
both our first awareness of something and our later recall of it are active, creative processes.
We notice things that have meaning for us—that is, things that relate to our previous store
of experiences in some way. What we notice, as well as what we believe and remember about
it, is strongly influenced by those previous experiences. Imagine, for instance, that you are
walking in the woods when you hear a cracking noise behind you. What could it be? Your
answer will depend largely upon your previous experiences. If you have just seen a movie
or a television program about people shooting at each other, you may hear the noise as a
shot. The next day, you may tell a friend that you heard shooting in the woods; a year later,
160 THE ART AND SCIENCE OF RELATIONSHIP
you may remember the day someone shot at you while you were out walking. Now, stop here
and ask yourself what mental image you have constructed as you read about this incident.
What kind of trees are you imagining in the woods? What was the time of day? If we now say
that the trees are fir trees, that their branches are covered with snow, and that the cracking
noise is one of the branches breaking under the weight of the load, do you have to adjust
your picture? Even the way we read a written description is selective and creative: we fill
in the blanks with our own story. Every time we recall something—whether it happened a
few seconds ago or many years ago—we continue to fill in the blanks. We are involved in
“the continual remembering of our memories of our memories” (Clocksin, 1998, p. 114).
Repression is not only the failure to bring up some stored image; it is also the active mistaken
perceiving or remembering of what happened. We can repress one memory, one awareness,
by papering it over with a memory or a perception of something that never happened—or at
least never happened in the way we now believe it did.
It would be impossible to remember everything. Even people with eidetic memories do
not remember every impression, every sight or sound or idea that has passed through their
conscious awareness. There is simply too much; trying to remember it all would jam our
circuits. We remember the things that are relevant, that may be useful in the future, that help
us to find things we want and avoid things that could be dangerous. Usually, this information
is encoded as traces, key ideas that we use as frameworks upon which to reconstruct the
memory—much as a good comedian remembers only the punch lines of jokes, rebuilding
the rest as needed. We do not forget something entirely when we repress it; we merely
suppress the reconstruction process. But the framework is still there, ready to be built up
again whenever repression fails.
Knowing and not knowing. It is all out of awareness, of course, all the complex ways in which
memory operates. We are unaware, for the most part, of the shortcuts and strategies we use
as we encode a memory trace and of the reconstruction activity we use to bring it back into
consciousness. We are equally—and necessarily—unaware of the ways in which we distort,
delete, and add to what we originally experienced.
The net result of all of this resembles an elaborate filing system, files within files—some
relatively complete and some with instructions about which other files must be opened in
order to gather all the wanted information. Many of these files are easily accessible; others
must be tracked down through the network; still others are locked tight, their information
hidden from conscious awareness. Goleman (1985) describes the locked-up information this
way: “The memories are grouped in ‘themes,’ a particularly rich set of schemas, like a file
of documents. Each theme is arranged like layers of an onion around the core of forbidden
information. The nearer to that core one probes, the stronger is the resistance. The deepest
schemas encode the most painful memories, and are the hardest to activate” (p. 113).
All of this complexity is at odds with what most of us would like to believe about
knowing and remembering. Things would be much simpler if we either knew or did not
Moving in 161
know, remembered or did not remember. But it does not work that way. Says Freyd (1996),
“We know things we cannot articulate, and we know things we do not even know we know.
To know is not unitary” (p. 80). One of the most familiar examples of the know-but-don’t-
know experience is the “tip-of-the-tongue” phenomenon: that word you cannot quite think
of but can almost remember.
record can be retrieved only by returning to that library, or physiological state, in which the
event was first stored” (Bower, 1981, p. 130).
Rossi (1990) believes that the state-dependent nature of memories has to do with actual
substances that affect the brain’s information-coding process. “Under the impact of stress
(any form of emotional or novel experience), many information substances are released
throughout the body. Many of these substances can reach the neural networks of the brain to
encode our life experiences in a state-dependent manner; that is, what we remember, learn, and
experience is dependent on the different psychological states encoded in the brain by informa-
tional substances.” (p. 357).
Whether or not future research will validate Rossi’s theory, it is nevertheless clear that
one’s psychological state, as well as one’s physical surroundings, is a critical factor in one’s
ability to access stored information. Other things being equal, the more similar one’s
present state is to the state in which a memory was acquired, the more easily that memory
can be retrieved. This is especially important when dealing with life script information,
patterns of beliefs and behaviors that were often acquired and coded early in life and/or
at times of great stress. A neglected or abused child, for instance, lays down memories
of neglect or abuse and makes life-determining decisions about himself, others, and the
quality of life in a state of extreme stress; moreover, it is the stress state of a young child
(Erskine & Moursund, 1988/1998). It is small wonder that, as an adult, this person might
have difficulty accessing either the child’s experiences or the decisions and beliefs those
experiences led to; yet, in the presence of a respectful and contactful therapist, the same
person may reenter his earlier psychological state and remember fully both the painful
events and his responses to them.
Selective experiencing. Entering into a given state helps one to access memories laid down in
a past similar state. Some of those memories have the capacity to make us uncomfortable.
It makes sense, then, that our self-protective mechanisms should also lead us to avoid
those memory-triggering states—especially when they are painful in and of themselves.
Resistance serves to protect repression. We are drawn to experiences that fit comfortably
with what we know and want to know; we avoid experiences that do not fit and remind us
of a world we would rather not believe in. “Persons use ‘selective noticing’ of experiences,”
says Atwood (1999), “scanning the environment and taking in only those aspects that are
in agreement with their socially constructed realities” (p. 16).
How can a person know in advance that some experience should be not noticed?
How do we evaluate a perception for its potential dangerousness without letting ourselves
know what it is? Browne (1990) suggests that it is the affective component of an experience
that warns us; the first hint of an emotional reaction sets off a train of events in the central
nervous system that ultimately results in a kind of selective perception and allows us to
notice only that which is “safe.” As for the rest—the door slams shut, experience is walled
off, and even the affect that initiated the process may be banished from awareness.
Moving in 163
Consequences of repression
Repression—and all of the mechanisms that make repression possible—allows one to know
without knowing, to remember without being aware of one’s memories. Moreover, the
repressive process does not stop with the single, original experience that is being restrained.
Repression spreads into other cognitive activities and eventually impacts perception,
recognition, learning, judgment, and behavior (Cloitre, 1997). The result: psychiatric
symptoms, the emotional, cognitive, and often even physical distress that brings clients to
a therapist’s office.
Even though repressive processes tend to ripple out and affect broader and broader areas
of one’s life, they usually prove to be imperfect barriers to memory. Repressed information
leaks through, entering our conscious awareness by means of dreams, fantasies, or flashbacks.
“Because the original traumatic event has been actually perceived, and a trace has been laid
down (in some form of unstable, short-term storage) but not worked through in reflection to
long-term memory, it remains ‘active,’ and, again, in spite of denial, it leaks, breaks through,
and causes ‘flashbacks’ on the screen of perception” (Browne, 1990, p. 28). Flashbacks are at
best uncomfortable; more often they are terrifying. An individual suffering from flashbacks
feels out of control of his own thoughts. Disjointed fragments of memory leap into awareness,
vivid and compelling. He is trapped by these fragments, forced to reexperience and helpless to
change them. His very attempt (out of awareness) to protect himself has resulted in a solution
more painful than the problem itself.
Even when actual flashbacks do not occur, repression is likely to cause other sorts of
perceptual distortions. Repression requires that one block off information about current reality
(lest the current reality trigger the memory that must be repressed). Blocked information
cannot be fully integrated; some parts of the self are literally not allowed to know what other
parts are doing, thinking, or feeling. This can lead to a sense of depersonalization—feeling
detached from one’s own body—or dissociation (Freyd, 1996). In the most extreme cases,
multiple personalities can develop.
Whether it results in obvious pathology such as dissociation or flashbacks, or in less
dramatic alterations of affective and cognitive functioning, the net result of repression is
that it interferes with the natural cycle of need arousal and satisfaction. Individuals who
must keep themselves from knowing and remembering can no longer be spontaneous and
flexible in problem-solving or in maintaining a healthy lifestyle. Their social relationships
are constrained; because they cannot allow themselves full internal awareness, they cannot
be contactful with others.
Therapists are among those “others” with whom the repression-bound person cannot be
contactful. Therapists are dangerous to repression; they threaten the walls behind which painful
memories are hidden. This brings us back to the notion of resistance—the attempt to hold off
the therapist, and her interventions, lest they break through one’s repression and allow all that
forbidden material into awareness.
164 THE ART AND SCIENCE OF RELATIONSHIP
Accessing
The benefits of accessing and sharing previously repressed material are (at least) threefold:
First, as the defensive walls come down, the individual is no longer divided within himself.
He can use all of his cognitive skills, all of his affect, all of his perceptions and memories
as he moves through his daily life. Second, because he no longer must restrict internal
contact, he can also relate to others more openly, and can use those others as a resource.
Finally, as he shares his new awarenesses with others, old feelings and memories change.
Sharing what was private requires that it be recoded, languaged; the recoding process is in
itself detoxifying. What was an amorphous, forbidding, unknowable mass becomes a set
of discrete thoughts, feelings, and behaviors, each of which can now be integrated into the
whole of his sense of self.
All of these benefits notwithstanding, though, the therapist must tread very carefully in
dealing with a client’s resistant behaviors. One of the problems with words like “resistance”
and “repression” is that they can be misunderstood as some sort of conscious and deliberate
process. Comments such as “he’s resistant” or “she’s repressing old memories” have a
pejorative air about them, as if the client is somehow trying to thwart the therapist’s efforts.
Nothing could be farther from the truth: resistance, like repression, takes place outside of
awareness, insulated from one’s will or intentions. They are products of the organism’s innate
tendency to protect itself from pain or danger. Often, the more strongly one consciously tries
to overcome them, the more stubbornly they persist. Our task as therapists is not to blame
or criticize the client for resisting, or to try to crash through his resistance, but to help him
accept resistance as a natural and normal self-protective skill. We respect his resistance, and
we invite him to do so as well: this respect is part of the safety provided within the therapeutic
relationship. Says Schneider (1998), “it is crucial to respect resistances. Resistances are
lifelines to clients and as miserable as clients’ patterns may be, they are the scaffoldings of
their existence, both known and familiar” ( p. 115).
his basic ways of experiencing and organizing the world, he will have to go beyond this
picked-over terrain into a richer internal landscape.
In that internal landscape, deeper than that which the client knows that he knows, there
exists a complex pattern of concepts, meanings, and decisions. Theorists have used a variety
of terms to describe these patterns: “personal construct systems” (Kelly, 1955); “personal
meaning organizations” (Guidano, 1991); “core ordering processes” (Mahoney, 1991).
Whatever we call them, they are the ways in which the client has come to understand himself
and the world around him. They are the rules that make sense of things; they tell him who
and when and where he is. In a very real sense, his pattern is the client; without it, he would
not be who he knows himself to be. It is central to his functioning out in the world and
within himself.
Embedded in this structure, though, like a cancer spreading its cells through healthy
tissue, are the mistaken notions, early childhood conclusions, and survival reactions that
constitute the client’s life script. As we have seen, script beliefs have to do with the self,
with others, and with the quality of life. They tend to be rigid (many were formed during a
developmental period in which cognition was concrete, things were either black or white,
with no shades of gray) and harsh. They often define the client as less than he should be,
yet helpless to change, and the world as punitive and inhospitable. Frequently based on
early traumatic experiences, script beliefs are no more directly knowable than any other
core cognitive processes—perhaps even less so, since they are so often connected to painful
memories that must be kept out of awareness.
Script beliefs are self-perpetuating: under their influence, the client filters and distorts
new information so as not to challenge the familiar structure of the world as he knows it.
One of the therapist’s responsibilities, then, is to interfere with this unaware censorship so
that new perceptions and experiences can move in to upset the old, dysfunctional patterns.
By interrupting the familiar cognitive sequences—the rules and beliefs that squeeze every
new experience into the same old pattern—we help the client to construct new ways of
understanding himself and his world (Greenberg & Pascual-Leone, 1991, p. 181).
Changing well-established patterns is not easy. No one enjoys having familiar ways of
thinking and understanding disrupted. “Radical reconstruction of current meanings, particu-
larly those central to the self, is customarily and understandably resisted,” says Neimeier (1995,
p. 116). Again, the therapist’s task is twofold: respect the resistance, while helping the client to
move through it.
Communication patterns
Implicit relational knowing. The earlier in life a cognitive structure has been laid down, the
more difficult it is to access or to change. This is true partly because the earlier structures are
overlaid by more recent ones, so that accessing may require a kind of progression through
166 THE ART AND SCIENCE OF RELATIONSHIP
stratum after stratum of beliefs and decisions. Moreover, the earliest structures are not verbal;
they were acquired before the individual had language and are thus virtually impervious to
languaged, logical challenge. Stern and his colleagues (1998) describe the “ongoing process
of negotiation” that occurs between infants and their caregivers. The give and take of these
early relationships determines how the infant will organize his way of interacting with the
world, and that organization (which Stern and colleagues call “implicit relational knowing”)
provides the foundation for all later schema. What is internalized at this very early age is
not so much information about the caretakers or their treatment of the infant but, rather,
the whole process of mutual regulation—the back-and-forth-ing, the way in which each
responds and adapts to the other, the whole nonverbal texture of being a human in a world
full of other humans.
When the infant–caretaker relationship is healthy, when the infant’s needs are generally
acknowledged and dealt with, the developing pattern of implicit relational knowing becomes a
solid foundation upon which later learnings about relationship can be built. In contrast, many
clients’ earliest relationships did not acknowledge needs, did not have a consistency of give and
take. Their implicit relational knowing has incorporated this dysfunction, and later relation-
ships have been built upon the same patterns—and more than just built upon: what one expects
in relationships is what one actually creates. An individual’s communication style demands
responses that will confirm his expectations; and, when those responses do not occur, he
is uncomfortable and tends to leave that relationship and find someone who does fit what he is
used to. He can be expected to play out the same drama with his therapist: selective perception
of therapist’s communications, so as to confirm his script beliefs, and rejection and withdrawal
(real or threatened) when the selective perception fails to significantly disguise the reality of
what the therapist is offering.
Ostensible and underlying messages. Every communication contains two levels of message.
The most obvious level is the ostensible content of the communication: “Breakfast is on the
table.” “You stepped on my foot.” “I love you.” Less obvious, and less generally consciously
attended to, is an underlying message that describes or defines the relationship between the two
individuals. “You stepped on my foot” may be an almost apologetic message from a one-down
to a one-up, a warning to a rambunctious child, or a surprised and outraged response to a
presumptuous underling. The underlying message is nonverbal, conveyed through voice tone,
facial expression, and body language, like all nonverbal communications, nearly always carries
more meaning and force than the words it accompanies.
The communications of psychotherapy have the same two levels, ostensible and underlying.
As in any other relationship, when the underlying messages fit the receiver’s relational expecta-
tions, those messages remain largely unnoticed. When they do not fit—when they violate the
client’s or the therapist’s beliefs about the nature of the relationship—they create discomfort.
When an elderly, motherly client says to her young therapist, “You look nice today, dear,”
the therapist’s discomfort probably has to do with the underlying messages about role and
Moving in 167
we look at some of the tasks and interventions that are most typical of a relationship-focused
integrative psychotherapy; in Chapter 10, we return to a consideration of the relationship
itself as a therapeutic intervention.
Summary
One of the most important factors in successful therapy is the client’s openness, his
willingness and ability to look within and begin to reconnect with himself. A central task
for the therapist is to enhance client openness and accessibility. Many clients are unaware
of their feelings and beliefs; the therapist, through her own emotional and cognitive avail-
ability, helps them bring those thoughts and feelings back into awareness. Resistance is a
normal and universal process, emerging from our need to maintain what we know and
have learned to deal with; repressing disquieting ideas and feelings can provide predict-
ability, identity, continuity, and stability. Repression is a way of maintaining resistance, and
resistance protects the process of repression. Memory is an active process; memories are
created rather than simply stored. By means of repression, people screen and/or distort
the memories to which they have access. Some memories may not be consciously available
because, originally laid down while the individual was in a particular psychological state,
they can only be retrieved when he reenters that state. Repressed and state-dependent
material can never be kept completely isolated; repressed thoughts and feelings leak into
awareness, causing discomfort and distress.
Repression requires that some parts of the self be kept separated from the aware ego and
thus restricts one’s ability to function spontaneously and to be fully available in relationships.
Accessing previously repressed material reduces internal division and conflict, enhances
relational ability, and invites script change. Accessing and dissolving script can be difficult to
accomplish, especially if the script patterns were laid down early in life and have been strongly
repressed. The underlying, nonverbal messages embedded in a supportive and authentic
therapeutic relationship can bypass resistance, challenge repressed patterns of thinking and
feeling, and initiate the process of script change.
CHAPTER 9
Therapeutic interventions
“
Many therapies fail or are terminated,” say Stern and colleagues (1998), “not because
of incorrect or unaccepted interpretations, but because of missed opportunities for a
meaningful connection between two people” (p. 904). The same could be said of any other
sort of intervention, either made in the session or given as homework. The connection between
therapist and client is the most important tool that a therapist has, and interventions are, first
of all, made in such a way as to preserve and enhance that connection. Henry and Strupp
(1994) criticize those who describe therapeutic work simply in terms of its technicalities or its
theoretical orientation, saying that such descriptions are “artificially truncated” because they do
not deal with the complexities of the human relationship that forms the basis of therapy.
As we discuss some of the kinds of interventions that may prove useful in helping a client
access and work with his hidden-from-self beliefs and feelings, then, we must keep in mind that
these interventions are useful only in the context of the therapeutic relationship within which
they occur. Relationship gives an intervention its impact, makes it believable, encourages the
client to use it as a way of experimenting with new ways of thinking and feeling about himself
and his world.
Intervention guidelines
In addition to maintaining the therapeutic relationship, there are some other general concerns
to which the therapist needs to attend. The first of these has to do with contact: interven-
tions should be designed to enhance the client’s contact with himself, with the therapist, and,
ultimately with the other people in his world. Whatever the client’s specific presenting problem,
169
170 THE ART AND SCIENCE OF RELATIONSHIP
and whatever specific techniques the therapist may use to help him deal with that problem,
healing ultimately comes about through the client’s increasing ability to establish and maintain
contact with himself and with others and through the emotional experiences that both signal
and deepen that contact. The therapeutic relationship itself, when well managed, invites contact;
it also provides a safe environment within which other contact-enhancing activities can occur
(Gold, 1996).
A second general guideline grows out of the concept of life script, the set of beliefs and
decisions that, out of awareness, limit spontaneity and creativity and keep people stuck in old,
pain-producing patterns. As contact and awareness increase, the therapist helps the client to
challenge his script beliefs, change his script behaviors, and create new experiences that are
inconsistent with script. Whether or not they use “script language,” most therapeutic approaches
are aimed at this sort of change: “different orientations can all be considered attempts to get
the client to question and change old assumptions and construals of reality” (Janoff-Bulman,
1993, p. 39). Tending the therapeutic relationship, fostering contact, and dissolving script are
interrelated activities; each promotes the others.
A third general intervention principle is that, whenever possible, the client should be allowed
to make decisions and discoveries for himself. Making one’s own decisions also means choosing
one’s own goals. People generally work harder and succeed more often when they are pursuing
their own goals rather than following someone else’s plan, just as they best remember the things
they have discovered for themselves. Once a goal (or set of goals) has been agreed upon, the
most effective therapists continually invite the client to choose a starting point for his explo-
rations and to follow the avenue that seems most promising to him. If the exploration takes
him down a blind alley or off on what seems to be a tangent, the therapist may invite the
client to describe the connection between what he is now talking about and what he wants to
accomplish. Usually there is such a connection, even if neither client nor therapist recognized
it until the question was asked.
Letting the client choose his own path and make his own discoveries helps him to gain
confidence in himself and spurs him to further exploration. Conversely, suggesting answers
and telling him about himself (even though it may make the therapist feel wise) can undermine
the client’s self-confidence and increase his passive dependence on the therapist. By telling him
what she has figured out, the therapist is tacitly informing the client that she knows better than
he does; she is teaching him to wait for the next therapeutic pronouncement.
Client as expert
The truth is, of course, that the therapist cannot know the client in the same way that he knows
himself. She may hypothesize on the basis of her training and experience, and her hypotheses
may turn out to be correct—but there are many other things that the client knows about
himself, things of which the therapist is quite ignorant. She cannot possibly experience the
Therapeutic interventions 171
world exactly as he does, any more than she can share the life history that has shaped his experi-
encing. Fortunately, the therapist does not need to understand everything about the client; her
job is to help him to know himself more fully. If she has tended the relationship successfully,
the client will trust her enough to share with her what he is learning. If she pretends to know
more than she really does, or if she leaps in to share her ideas before the client has a chance to
discover his own, she will erode his trust.
The client may choose not to talk about some discoveries or will only talk about them much
later in the course of treatment. That is his choice, and the therapist must respect it. If she
senses that the client is holding back in a way that interferes with their work together, she
may comment on that sense, but the comment will have to do with her concern rather than
being a criticism of his behavior. “When we’re dealing with a human psyche, we must approach
it, if at all, in the same way we would approach a skittish bird during mating season: with
enormous respect for its privacy. And if we’re going to learn about the bird, we must set aside
our own assumptions about what’s going on and pay enough attention to find out what’s really
happening” (Breggin, 1997, p. 13).
Whatever else we may do, then, whatever strategies we may use to enhance contact and assist
in dissolving script, we must also promote the client’s self-respect: his confidence in his ultimate
ability to discover himself, and his valuing of the strength and courage that have allowed
him to survive in a difficult world. No matter how hurtful or odd his behavior may seem,
this behavior must be understood as an essentially good and competent person’s response to a
confusing and threatening world. Too often, warns Wile (1984), “clients are seen as gratifying
infantile impulses, being defensive, having developmental defects, and resisting the therapy. …
Therapists who conceptualize people in these ways may have a hard time making interpreta-
tions that do not communicate at least some element of this pejorative view” (p. 353).
But wait, you may be saying—the client doesn’t know how to discover himself; that’s why he
has come to therapy. If he could do it on his own, he wouldn’t be here. Clients do sometimes
get into trouble by “gratifying infantile impulses,” and their therapy can bog down when they
are “defensive” and “resistant.” How can we help a client get past all this, if we are not supposed
to lead or direct him? And you would be right; a part of the therapist’s job is indeed to get the
client into and through and beyond his defenses, reclaiming those parts of himself that he
resists knowing about. Whenever possible, though, we accomplish this not by directing but by
inviting, not by answering but by asking. Rather than trying to tell a client what he doesn’t know,
the therapist encourages him to attend to what he does know. Internal experience is not an
either–or sort of thing, with a clear demarcation between what is known and what is kept from
awareness. Instead, there is a broad band of almost-known, of could-know-but-never-noticed,
between what is available to awareness and what is not. “By helping clients to actively attend to
and represent their inner experience,” say Watson and Greenberg (1994), “therapists support
clients in realizing more hidden or latent parts of themselves” (p. 154). Successful interventions
bring to a client’s attention that which he is capable of knowing at this moment. By attending to
172 THE ART AND SCIENCE OF RELATIONSHIP
what he can know, he gradually expands the borders of his awareness. The therapist points and
invites, and the client looks. The client decides how far to go; he is in charge.
All this being said, all cautions given, though, there are some strategies and techniques that
a therapist can use to make the treatment more efficient. Particularly in these days of managed
care and time-limited therapy, most clients can no longer afford a leisurely, take-lots-of-detours
sort of treatment—even though they might well benefit from having more time and taking
more excursions. Therapists are expected to help clients make as much progress as possible in
as short a time as possible; and, to do so, they often must become active in suggesting, inviting,
and sharing ideas.
Interpretation
Interpretation is probably the most common of all active therapeutic strategies. In an inter-
pretation, the therapist shares with the client her own perspective about the client’s dynamics.
She tells him, in one way or another, what she thinks is going on and/or what might be useful
in dealing with it. She may comment, for instance, on the similarity between the client’s feelings
toward his wife and his feelings toward his mother; or she may talk about an early decision and
how it seems to be affecting his current behavior, or describe a recurring pattern that she has
seen in the way the client relates to her. Whenever the therapist goes beyond what the client
currently knows, talking instead about what she believes to be true about him, she is making
an interpretation.
Used well (that is, accurately and sparingly), interpretation can be helpful in a number of
ways. Obviously, one of these ways is simply providing information. Interpretations help the
client to understand himself—his feelings, his behaviors, his relationships. They help him to
make sense of what has been frustrating and confusing. When the information is provided in
the context of a caring and respectful relationship, there is also an affective component: the
client feels understood and in contact with the therapist. Moreover, say Buirski and Haglund
(1999), “new cognitive understanding [i.e., accurate interpretation by the therapist] not only
satisfies the longing to be understood, but the function of making sense of the totality of one’s
life experience also promotes self-understanding, self-delineation, self-continuity, and self-
cohesion. Furthermore, new self-understanding contributes to the construction of new organi-
zations of experience” (p. 33).
While most interpretations are primarily aimed at understanding—that is, they are
cognitively oriented—the best interpretations invite other responses as well. They must
“resonate emotionally” (Buirski & Haglund, 1999): the client has a sense of recognition, an
affective “jolt.” Effective interpretations take the client beyond what he knows into the not-yet-
known, and excursions into hidden areas nearly always have an emotional charge. Excitement,
apprehension, and anger are common, as is the release of some affect connected to a memory
long held out of awareness.
Therapeutic interventions 173
Interpretations should not be made lightly or casually; they have major significance
for the client and can affect both the therapeutic relationship and the course of therapy.
They are often taken by the client as pronouncements of “truth,” to be believed whether or
not they fit his own internal experience. Made too frequently, interpretations begin to train
the client to wait for the therapist’s opinion rather than form his own. If interpretations come
from a distant, noncontactful position, they may never connect with the client’s experience,
remaining superficial or even creating new resistance to awareness. “A sterile interpretation
may have been correct or well formulated but it will most likely not have landed or taken
root” (Stern et al., 1998, p. 914). Whether or not an interpretation is accurate in reflecting
some aspect of the client’s dynamics is much less important than how the client experiences it.
If it has enhanced and encouraged his internal awareness, as well as his experience of contact
within the therapeutic relationship, and has not undermined his sense of competence and
self-worth, it has served its purpose well.
Kinds of interpretation
While direct statements of the therapist’s observations or opinions are the most common
kind of intervention, they are by no means the only kind. Indeed, it could be argued that
there is some degree of interpretation in every therapist intervention, since everything the
therapist says or does is partly the product of her own understanding of the client. We might
even hypothesize an interpretation continuum, with “pure” reflections of client statements
at one end and “pure” statements of the therapist’s opinions at the other; most of what the
therapist does—statements, questions, body language—would fall somewhere between these
two extremes.
Confrontation. One of the more frequently maligned varieties of therapist comment is the
confrontation. The word itself has a negative connotation: we tend to think of a confrontation
as forcing us to look at or deal with something we would rather avoid, something that makes
us feel uncomfortable. A therapeutic confrontation, however, does not necessarily cause
discomfort in the client: it is simply a comment about a discrepancy, a mismatch, in what the
client is presenting (Berne, 1966). The client’s facial expression may not match his voice tone, for
instance, and neither of them may fit with the content of what he is saying. He may believe that
he is pursuing a particular goal but be acting in such a way as to make that goal unreachable; or
his behavior during the therapy session may be quite different from the behavior that he reports
outside of therapy. Calling attention to any of these discrepancies is a therapeutic confrontation
(Patterson, 1985, p. 76).
Like any other interpretation, confrontation seeks to broaden and deepen the client’s
awareness. It calls to his attention something that—on the surface, at least—does not seem to
fit, and invites him to look at it more closely. It is not intended as a criticism, and the therapist
must be careful to phrase it so that the client will not feel criticized or humiliated. If the client
174 THE ART AND SCIENCE OF RELATIONSHIP
experiences a confrontation as something intended to help him, to expand his awareness and
enhance his well-being, and if he experiences the therapist as respectful and competent, then
the confrontation can become a confirmation as well: a confirmation of his own commitment
to growth and of the therapist’s concern and involvement.
Metaphor. Metaphor, too, may be used in making an interpretation. Buirski and Haglund
(1999) point out that “an interpretation framed as a metaphor may link modalities of touch,
hearing, and sight; it can bridge past and present experiences simultaneously; it might connect
affect with a narration of experience, and it could allow for associations among different devel-
opmental levels of cognitive processing (such as preverbal sensorimotor experiences and, later,
more advanced levels of symbolic representation)” (p. 35). Metaphors may be quite short and
succinct (“you remind me of a flower that always turns toward the sun”) or may involve a long
and intricate story or even a joke. They may be explicitly linked to the client’s situation, or the
connection may be left rather vague: instead of commenting directly on a client’s self-defeating
behaviors, for example, the therapist may tell a story about an obese man who avoided shopping
for clothes because he was embarassed by his weight and who always fortified himself for the
shopping ordeal by consuming several pieces of cake and a big glass of milk. Milton Erikson was
a master at delivering this latter sort of metaphor (Haley, 1986), and his work clearly demon-
strates that a metaphoric interpretation need not even be consciously understood in order to be
effective; the client can take in and use the information at a level quite out of awareness.
Interpretations can be delivered in the form of questions (have you ever thought about a
possible relationship between your problems at work and what happened to you when you were
a kid at school?) or of directives (I’d like you to stop and think about what you just said and how
it fits with what you told me about your son). In each case, the therapist’s intervention goes
beyond what the client is currently aware of, adding (to a greater or lesser degree) information
or conjecture from the therapist’s point of view.
Cautions
Like any other powerful form of intervention, interpretations can, when badly used, do
harm rather than good. We have already mentioned the need for an interpretation to be
made within the context of a caring and supportive therapeutic relationship. When the client
experiences the therapist as authentically involved in the relationship, committed to the client’s
well-being, he benefits not only from the cognitive awareness provided by an interpretation
but also emotionally: he is being thought about, helped with his problems, no longer alone
in his struggle. This can be a corrective emotional experience, a way of being-in-relationship
that challenges the rigid life script beliefs that have been keeping him stuck. In contrast, if
the interpretation is delivered from an intellectualized, distant, or one-up position, the old
script beliefs are likely to be strengthened and the client’s automatic defensive reaction will
Therapeutic interventions 175
prevent the therapist’s comments from “getting in” to the tender and vulnerable place where
new growth occurs.
Another caution with regard to interpretation has to do with its accuracy. It is not necessary
that every interpretation be a correct representation of the client’s process (although getting
it wrong too often can erode the client’s sense of confidence in the therapist), but it is
necessary that the therapist be willing to be corrected—willing to change or even abandon
an interpretation—if the client disagrees (Guistolise, 1996). Interpretations are not some
sort of truth, handed down from a higher authority; they are hypotheses to be tested in the
laboratory of the therapeutic environment. They should be framed tentatively, often with a
“perhaps” or “have you looked at it this way?” or “it seems to me,” and always followed with
an invitation to the client to correct or clarify what was said or to reject it entirely.
In a number of therapeutic approaches—notably, Gestalt therapy and person-centered
therapy—direct interpretations are not used. Fritz Perls (1969a) warned that inexperienced
therapists are likely to make an interpretation at a time when the client is open and vulnerable
to suggestions, and at such times he is likely to accept the interpretation without pausing to
discover what fits and what does not. This kind of swallowing whole is known as introjection,
and it is perhaps the most serious danger inherent in the use of interpretation. In introjection,
the client uncritically takes in the therapist’s ideas, swallowing them whole, encapsulating them
within his internal system. Kainer (1999) describes introjections as “characterized by a loss of
freedom and choice” (p. 3). The swallowed-whole material is as rigid as the life script—indeed,
it becomes a part of the life script. It sits within, often out of awareness, impervious to the
integrative processes that are ordinarily used on newly acquired information, yet casting its
shadow over a growing constellation of thoughts and feelings and behaviors.
To prevent introjection, the therapist must make certain that the therapeutic relationship
has developed to the point where the client feels safe to say “no” to the interpretation—he must
feel free to disagree, to reject part or all of what the therapist is saying (Perls, Hefferline, &
Goodman, 1951). Rather than introjecting, the client is encouraged to assimilate: to chew up
the therapist’s ideas, spit out what doesn’t feel right, and only accept what is useful. Assimilation
not only prevents introjection but is also a means of attacking and dissolving previously
introjected material. “Because of the introject’s theoretically central role in maintaining
problematic affective/interpersonal cycles, it would stand to reason that any successful therapy
would likely alter a patient’s introject state by some means” (Henry & Strupp, 1994, p. 70).
“Problematic affective/interpersonal cycles” are parts of the life script, as is the “introject state,”
and a successful interpretation may relax or dissolve such cycles and states.
The three most important ingredients for effective interpretation, then, are (in order of
importance) a supportive therapeutic relationship; the therapist’s willingness to be corrected;
and a general level of accuracy. If the therapist’s interpretations are consistently inaccurate, the
client will eventually stop listening or will begin to doubt his own self-knowledge. Therapeutic
support without accuracy and a willingness to be corrected is an impossibility, and accuracy
176 THE ART AND SCIENCE OF RELATIONSHIP
without support and caring is likely to go nowhere. When all three are present, interpretation
becomes a collaborative process: client and therapist work together to understand how things
are, and the process itself is as healing as the content of the interpretation.
The nature of the therapeutic interchange itself can also be changed by a well-selected
therapeutic experiment. Giving voice to an internal dialogue, or allowing his body and his
feelings to enter into the story he is telling, not only gives the client a chance to escape from
the painful familiarity of everyday interactions: the therapist’s support and participation in the
experiment, too, is different from what the client has come to expect from others. VanKessel
and Lietaer (1998) observe that “the client’s typical style of communication calls for a response
from the other which will allow this typical form of communication to continue. … By adopting
a noncommittal stance in the therapeutic dialogue [and, we would add, in the therapeutic
experiment as well], the therapist creates room for him-/herself to steer clear of the role that the
client is trying to force on him/her. … in which the client almost ‘trains’ her/his conversation
partners” (p. 161). And sometimes more than “noncommittal”—the therapist may actually
enter into the fantasy, lending her own emotional intensity to that of the client, guiding him
into new ways of being in relationship.
experiment, something to try out and see what happens. If it leads to something useful,
it may move the therapeutic process forward; if it does not, it has still provided some
additional awareness, something new that may serve as background for further self-
discovery. Experiments like these involve relatively small changes and do not push clients to
do something that would violate their values or their sense of what behaviors are acceptable.
“The effective therapist contributes a knowledge of how to proceed in sequential steps that
do not exceed the patient’s external or self-support and that take into account the structure
of the patient’s personality as well as personal and cultural values. This means helping the
patient identify both with what is and with what is emerging, so that the patient can grow
without disclaiming or artificially pushing him-/herself ” (Yontef, 1998, p. 90).
Putting language and voice to one’s internal conflicts can be an awareness-enhancing
experiment. Clients who frequently use the word “but” in describing their experience (“I don’t
want to yell at them, but …” “I feel scared sometimes, but other times I just get mad …”)
are signaling a tension within themselves, two or more desires pulling them in different
directions. Similarly, negative self-talk (“I get so disgusted with myself …” “I always do stupid
things like that …”) can be an indication of a dialogue between an internal “top dog” and
“under dog”—a controlling and critical part versus a submissive and apologetic part of the
self (Perls, 1969a). Inner dialogues like this tend to be carried on at the edges of awareness;
they have been a part of the client’s internal experience so long that they are like familiar
background noises that are no longer consciously attended to; yet they mask and distort one’s
ability to hear clearly what else is happening. Inviting the client to act out the conflict, to
play the part of first one side and then the other (perhaps designating different seats for each
voice—thus the term two-chair work) allows him to attend to what he is saying to himself and
to begin to experience the connections between this ongoing struggle and the underlying
life script that supports it.
Greenberg and Paivio (1997) suggest that increasing the overall intensity of a client’s descrip-
tions and/or dialogues also enhances awareness and helps him to feel as well as to think about
what he is saying. “In addition to empathic attunement, appropriate degrees of stimulation or
intensification are used at appropriate times to increase arousal and to prime the schemes for
activation, allowing clients easier access to their experience” (p. 6). Asking the client to “say
it louder” or “repeat that, and this time let your body say it too” invites him to let go of the
control that he usually uses to protect himself from awareness, allowing his emotions, too, to be
experienced and expressed. Again, the goal is to dissolve the barriers that have kept him split,
divided within himself, opening the doors to archaic memories, beliefs, and decisions so that
they can be reworked and integrated with his current abilities, resources, and goals.
In a real sense, the whole of therapy is a kind of experiment, an excursion into an arena set
apart from everyday reality, an interaction with someone who refuses to behave in the old,
predictable ways. The therapist attends to and comments on things that other people (including
the client himself) seldom notice; she encourages him to do and say things that he would
Therapeutic interventions 179
never do and say anywhere else; she does not discount him and will not allow him to discount
himself or her. She is not frightened or disgusted by what he says but consistently treats him as
a competent and respect-worthy partner in the therapeutic enterprise. She invites him to value
these new kinds of interactions, to attend to his internal experience as he participates in them,
and to describe that internal experience in detail.
The net result of all this, when it is working well, is that the client becomes more and more
aware of his own internal process. He begins to notice connections, contrasts, and contradic-
tions. Feelings begin to emerge, and memories—and more connections and contrasts and
contradictions. He becomes increasingly open to himself, and with that openness to self
comes increasing openness to the therapist: increasing trust, increasing willingness to share
even that which is tentative and not yet fully known. Openness leads to contact, and contact
encourages yet more openness. Optimal therapeutic responses, say Broucek and Ricci (1998),
may well be defined as those that “simultaneously diminish the patient’s estrangement from
himself or herself and bring about greater communicative contact with the analyst” (p. 429).
Therapeutic experiments and enactments, as well as the relationship out of which they
emerge, are designed to do exactly that. They enhance internal and external contact, so that
the client can finally come to grips with the life script that has for so long constricted and
distorted his ability to be fully himself.
Regression
One of the most common phenomena in relationship-focused integrative psychotherapy is
regression: as a client begins to drop his defenses, allowing himself to express more fully the
totality of his experiencing, he finds himself feeling, acting, and thinking in ways that have
been blocked from awareness and are now reemerging. These patterns of thinking, feeling,
and acting are often repetitions of patterns that were common for him during previous devel-
opmental stages: he recreates ways of being that belong to earlier times of his life. It is as if,
psychologically, he has gone back in time, back to the incidents and experiences during which
he formed the beliefs and made the decisions upon which his life script is based.
When a client is regressed, he has an opportunity to revisit his decision-making process.
Areas of feeling and knowing that are closed off to his normal conscious state are open and
available now; he can work through old traumas, reconsider old decisions, update old beliefs.
“To regress is to go back,” says Ohlsson (1998). “To do regressive therapy is to go back and work
directly with how the client’s past influences present life” (p. 83).
There has been a great deal of controversy in recent years about the accuracy of regressive
memories. Can people “go back” and recall actual occurrences in the past, occurrences that
they cannot remember in their ordinary states of awareness? Chamberlain (1990), among
others, seems to think so: “Memory is limited and perhaps inaccurate, but, in altered states,
it is sometimes remarkably reliable and clearly beyond previously accepted limits” (p. 11).
180 THE ART AND SCIENCE OF RELATIONSHIP
Others (Socor, 1989; Hirt et al., 1999) point out that all memory is an active construction,
strongly affected by subsequent experience and expectations. Our life script itself, based
upon early experiences, shapes what we remember about those experiences and what we
think and feel and do when we regress into them. Socor concludes that it is “an unwarranted
and unverifiable assumption to view regression as an actual ‘retrogression along a time
dimension.’ … [T]here appears no tangible way in which to grasp the elusive, objective
truth” (p. 113).
Fortunately, it is not necessary to resolve this question; the historical accuracy of regressive
experiences appears to be relatively unimportant in terms of their therapeutic usefulness.
What the client is experiencing at any given moment is the world he knows—and this holds
for regressive experiences as well. The memories that are tapped into during a therapeutic
regression may well be distortions of what actually happened, but they are his distortions;
they are what he has constructed and encoded, and they have shaped his way of being over
the years. If we believe that this room is on fire and the doors are all locked, our thoughts
and feelings and actions will all be based on that belief—it does not matter whether or not
the belief is true. In the same way, the constructed reality into which a client regresses is his
internal reality, and its correspondence with historical reality is quite beside the point.
rebuilding of an old context moves the client into regression and allows previously hidden
memories to emerge.
Contact, script, and regression. When affect is experienced spontaneously and naturally,
one moves through a series of stages. First, the feeling begins to build and emerges into
awareness. It is accepted and owned, and one acts so as to express it. This action transforms
the feeling from an internally experienced affect into a socially communicated emotion.
When the expressive action is met with need satisfaction, one moves into completion: the
feeling recedes, and one is free to move on to whatever next claims one’s attention. “It is
when this process is chronically interfered with—when, for example, emergence or identifi-
cation is prevented, or experience is not symbolized in awareness, or expression is constantly
interrupted and action and completion are repeatedly blocked—that people become stuck in
a chronic bad feeling and become dysfunctional and chronically distressed” (Greenberg &
Paivio, 1997, p. 27). This sort of distress is a direct consequence of disruption of internal
contact, so that the client is unable to flow through a natural sequence. He has learned,
through experiences repeated again and again, that his feelings do not lead to a sense of
completion but, rather, to frustration and discomfort. The solution is to not feel them in the
first place. Going back, psychologically, to the scenes of the original frustration, gives him
the opportunity to do it differently: to recreate the natural sequence without interference
and learn to welcome, rather than wall off, his awareness of needs, wants, and interests.
Disruption of internal contact is, of course, out of awareness. Similarly, people are largely
unaware of the behaviors that they use to maintain the disruption. Script-generated behavior
(and thoughts and feelings) does not feel like something one chooses to do; it is more likely to
feel like the only possible response to a given situation. The client has no recollection of ever
acting or feeling differently. Even when other possibilities are suggested (he sees other people
reacting in other ways, or the therapist invites him to try something different for himself), such
a change seems alien and frightening. The sense of danger is usually not realistic in the context
of his current situation; it is an emotional response connected to an earlier trauma. Back then,
it might well have been dangerous to behave differently, to speak up or leave the situation or
even be aware of the feelings and needs that could prompt such action. He learned how to act,
think, and feel (or not act, not think, not feel) so as to make the best of things, to survive with
the least amount of pain. He learned his lessons so well that he even forgot ever learning them.
Regression experiences can help recapture that learning process, help the client remember what
it was he decided to do or not do, and give him an opportunity to change that decision—to
change his script.
Change and growth. Script learnings and decisions are self-protective, and they often work—
for a while. They were developed to keep us safe; when they are disrupted, the sense of danger
is immediate and visceral. One of the major benefits of regressive therapy is that it provides a
safe space in which to experiment with new ways of being and feeling that contradict script
182 THE ART AND SCIENCE OF RELATIONSHIP
but would be far too threatening to try out in the real, outside-of-therapy world. Neimeier
(1995) says that because such regressions take one to “a hypothetical place, a make-believe
world, the client can feel free to experiment with changes without necessarily jeopardizing or
assaulting existing meaning structures. New perspectives can be tried on without shedding
present constructions, thereby circumventing much of the threat and anxiety associated with
significant personal change” (p. 115).
There is no way, of course, that a client can actually undo his past or satisfy the unmet needs
that he experienced decades ago. The pain of those events happened and cannot be changed.
But the decisions he made in response to that pain, the beliefs he developed, and the fragmen-
tation that grew out of them are things that therapy can address. In this sense, the traumas of
the past are amended and healed in the present. Previously blocked memories can be brought
into awareness and put into perspective, so that they can be remembered without having to
repeat, over and over again, the emotions associated with them (Rhinehart, 1998, p. 21).
A regressed client can experience previously toxic relationships in new, nurturing, growth-
producing ways. Instead of being a helpless child subject to the unpredictable behaviors of an
indifferent, neglectful, or abusive caregiver, he is now working with a caring and protective
therapist, an adult who has his best interests at heart and is competent to help him learn how to
be fully himself. Blackstone (1995) describes a client who had been abused as a child and who,
working in the present but feeling the feelings she had in the past, [experienced] a positive
environmental response. Since the client’s self-affirmation was supported, not negated, her
organismic reaction was overwhelmingly positive. Intense positive affect took the place of
rage and terror. So now there is no need for self-negation or adaptation by the client to ‘make
the best of it.’ She does not have to deny or exaggerate parts of the self, but is able to retain
contact with core self and with the other at the same time. (p. 346)
The therapist does not need to know ahead of time what the blocked memories are or to
what events the client needs to return. Because they have been central in the client’s process
of learning how he fits into the world, blocked experiences exert a kind of dynamic pull: when
the client feels safe enough to drop his defenses, he will spontaneously go back to the times
and places and relationships where script beliefs were formed. Says Freyd (1996), “The client
spontaneously creates an episodic interpretation and integration of previously disjointed
sensory and affective memories” (p. 170). Such reprocessing and restructuring allows the
traumas of the past to remain in the past, while the dissociated parts of the personality identified
with the traumas are reintegrated into the whole personality here and now (Sigmund, 1998).
Ultimately, the goal of regressive therapeutic experiments is to dissolve script and to enhance
internal and external contact. Returning to the scene of early script decisions, in the presence
of a concerned and competent therapist and with the added awareness of an observing adult
ego, allows a new dimension of experience within that scene. It is a kind of double vision,
in which the regressed client feels as he did back then but can also be aware of new options,
Therapeutic interventions 183
new resources, and new strengths. He is no longer alone in a world where the only possibility
is to close down, mask his feelings from himself, and make the best of what cannot be altered.
With the encouragement of the therapist, in a fantasy world where he is in charge, things can
be different. Says Ohlsson (1998), “The aim of regressive therapy is to facilitate for the client an
experience that allows him or her to realize that limiting early script decisions may be changed
and/or given up and that redecisions affirming present life possibilities may take their place”
(p. 83). The client does not simply realize that such changes can be made; he can actually make
them! Within the context of regression, script can be changed, early decisions can be re-decided,
and parts of self that were banished can be welcomed back.
Inviting regression
An observer, watching a regressive experience in therapy, might well criticize the therapist as
cruel or unfeeling. The client is being led back into extremely uncomfortable situations and
may be helped to accept a frame of reference in which he is relatively helpless to do much
about it. He feels frustration, fear, anger, pain—all the emotions that one would ordinarily
prefer to avoid. He does not just talk about how bad things were: he experiences them, he is
there. “At times,” say Greenberg and Paivio (1997), “we need to evoke traumatic emotional
memories in order to reprocess and restructure them” (p. 5). One of the first things a therapist
must do to facilitate this sort of work is to remind herself that the client’s discomfort is serving
an important purpose. She must not leap in to rescue him from his distress but must help him
to work through it in a different way, making different decisions and regaining full internal
contact. It is also well to remember Greenberg and Paivio’s warning that working through
feelings is a stage process; it does not happen all at once. Acknowledging and even expressing
feeling is a first step, but moving through to a new resolution may require more than one trip
back into the trauma of the past.
Mahrer (1998) suggests that three stages are involved in bringing about therapeutic change
when working with long-buried feelings and beliefs. The first is to identify the scene in which
the strong feelings occurred and to access and open up the feelings. This is the regressive
experience, the shift in one’s state of consciousness that allows one to reexperience past events
as if they were occurring here and now. Second, we encourage the client to welcome and
appreciate the deeper potential for experiencing and resolving the situation that he now brings
to the problem. Finally, with the juxtaposition of new resources and awarenesses onto the old
situation, the client “undergoes a radical shift into being the qualitatively new person in the
context of past scenes and situations” (pp. 206–207).
When a client moves into a spontaneous regression, the therapist’s first task is to recognize it.
Berne (1961) has suggested four kinds of information that can be used to know when and
to what degree a client has regressed. One of these is the client’s personal history. If the
therapist knows something of the client’s developmental milestones and the relationships in
184 THE ART AND SCIENCE OF RELATIONSHIP
place during each developmental phase, she can often match these to the content of the client’s
story and the manner in which he tells it. Another source of information is the therapist’s
general knowledge of child development. At what age can children be expected to speak
with this sort of sentence construction? Use this tone of voice? Exhibit these mannerisms?
Third, the therapist uses her own social response system: how does she feel toward this
person? How does she feel herself wanting to respond to him? If she temporarily blocks her
awareness of an adult body sitting across from her, what age child does she see when she
looks at him? All three of these sources provide clues that the client has indeed moved into
a state of consciousness different from his ordinary adult way of being; these clues prompt
the therapist to access the fourth and most accurate source of information about regression:
the client’s own report: “How old do you feel right now?” is a question that regressed clients
can usually answer with little hesitation. “About 4 years old.” “Like I did in the third grade.”
“Like a teenager, all awkward and confused.” With this confirmation of her hypothesis, the
therapist can encourage the client to continue and even heighten the regression, so that the
work of reprocessing and restructuring can move forward.
Even when a spontaneous regression does not occur, client or therapist or both may
recognize that a particular incident or relationship has been critical in forming the
client’s life script and that it would be helpful to reconstruct and revisit that incident or
relationship. In such cases, the client may benefit from the therapist’s help in making a shift
of consciousness. For example, the therapist may invite the client to close his eyes and to
visualize himself in a place familiar to him as a child, to see the other people who are there,
or to choose to whom he wants or needs to talk. Some clients follow these directions easily
and need little more encouragement than a simple “Close your eyes and tell Mama what it’s
like when she …” Others, more self-conscious or well defended, may need more extensive
prompting; some require several attempts before learning to recreate an old memory or
may need to return to the critical scene a number of times before resolving it. “When
something happens to us, we do not experience all of it at once,” says Browne (1990).
“Experiencing is a process that takes place over time” (p. 21). Just as the original experience
and its associated feelings and beliefs and decisions took time, so redoing the feelings,
beliefs, and decisions may take time, too.
Some clients are unwilling or unable to accept the invitation into a therapeutic regression.
It feels wrong to them, they do not want to try it, or it just seems silly. “Why go back?” they
ask. “All that is over now; it was bad back then but it’s done; it’s past history.” Clients who voice
these sorts of objections have a right to know the therapist’s thinking, to know why the therapist
believes a regression experience might be helpful. If, after having this explained, the client is still
reluctant, the wise therapist does not push him. When he is ready, he will let her know.
The most essential requirement for a successful regression experience is safety. Regression is
often a frightening experience. The client is going back to a place where resources and defenses
were much more primitive than they are now, often to an incident involving severe trauma.
Therapeutic interventions 185
Reexperiencing those early events means giving up all that he has learned to do to protect
himself, and may feel like losing control altogether. The therapist must serve as an “auxiliary
ego” (Glickauf-Hughes, Wells, & Chance, 1996), providing the protections that the client gives
up during a regression. “I’ll bring you back when you’re ready,” she tells him (sometimes in
words, more often nonverbally), “and I won’t let you die or stay crazy or hurt anyone while
you’re there.” These protections allow the client to move fully into his experience, secure in
the knowledge that he will be taken care of and will be able to return to his normal mode of
functioning when the piece of work ends. He is giving up control temporarily and purposefully,
not losing control (Nichols, 1986); and he will get it back again.
Sometimes, though, even the safety of a supportive therapeutic relationship is not enough to
outweigh a client’s visceral need to avoid the pain of old trauma. It is too much; going back to
that experience would be as difficult as deliberately swallowing something horrid or walking
off a cliff. The client finds himself at the doorway to an awareness that is too frightening, too
painful, too dangerous to move into. He wants to turn and retreat, but that would take him back
into the mess he came to therapy to get out of. He’s stuck: he can’t go back—can’t un-know what
he has learned thus far—and he resists going forward. Schneider (1998) suggests that bringing
the resistance itself into awareness can be helpful at such a point. Instead of fighting against his
resistance, the client is invited to respect it, to be curious, to learn as much as he can about it.
Vivifying resistance in this way can act like a kind of psychic judo: with nothing to push against,
the resistance loses its power. As the client explores how he blocks and sidetracks himself, he
becomes more interested in how that process works than in how to defeat it; and, in learning
how it works, he again expands the boundaries of awareness, often into the very regression
experience that was originally being guarded against.
talk about what you discovered.” Occasionally, a client may need help in grounding himself
again in the present; suggesting that he make eye contact with the therapist or feel the physical
sensations of his hands on the chair arms, his feet on the floor, or the pressure of his body
against chair or couch can provide such help. Some clients need a few moments of silence, as
they sort through and organize what they have experienced; others want to talk right away; still
others want the therapist to talk to them while they “grow up.”
One of the most useful ways in which to end a piece of regression therapy involves a
technique developed by Erskine (1974/1997a), known as “disconnecting the rubber band.”
The client is interacting with someone or something from the past and has reached a
point at which a script decision was made or reinforced. The therapist invites him to voice
his needs, to demand what he wants, and to experience the rejection of that demand. With
the therapist’s encouragement, he intensifies the demand. Then the therapist prompts:
“And tell xxx (Mother, Father, your teacher, Uncle George) what you’re going to do if they
won’t do what you ask.” Almost invariably, the response to this prompt is a script conclusion
or decision, perhaps given actual voice for the first time. The therapist underscores this
voicing, often asking the client to repeat the phrase and notice the decision that is being
made. She then invites the client to tell the other person in the drama what his life will be
like in the future, having made such a decision. The final move in the scenario is to remind
the client that he need not stay with this decision, and that he may, if he wishes, tell the
other person what new decision he is choosing to make. From this simple process often
emerges significant script change; and, with resolution of the dilemma, the client spontane-
ously returns to his normal state of consciousness.
Regression as a continuum
Regression is not an either–or phenomenon, something that clients either do or do not do.
Rather, it is a continuum, extending from simply talking about some past experience, with no
associated affect, to fully experiencing the past event and all of the feelings that accompanied it.
Most of the therapeutic work that involves old memories takes place somewhere between these
two extremes; it is rare that a client will think that something in the past is significant enough
to bring up in therapy and yet have no feelings about it. Additionally, full regression work is
frequently both introduced and followed by a good deal of cognitive, affective, and phenom-
enological exploration.
Formal regression work is not necessary for everyone. Many clients move spontane-
ously into partial regression and gain significant insight and resolution from work at that
level. Others seek therapy to resolve relatively straightforward, here-and-now dilemmas and
neither need nor want to deal directly with life script issues. In contrast, clients whose ability
to solve present problems is blocked by script decisions, whose spontaneity and creativity are
constricted by lack of contact with self and others, may find formal regression work extremely
Therapeutic interventions 187
helpful. Regressions should not be invited, however, until the therapeutic relationship has
matured to the point where the therapist can offer effective protection and support. It is also
useful to have a clear contract that specifies the issue to be dealt with and a plan for how
the client is to return safely to his daily life at the end of each session involving regression
(Sigmund, 1998).
Behavioral interventions
The great fourplex of therapeutic interventions includes thoughts, feelings, physiology,
and behavior. A successful intervention in any of these areas affects functioning in all the
others: changing one’s thinking stimulates changes in emotion, behavior, and physiology;
changing how one feels affects how one thinks, how one acts, and how one’s body
functions; and, as pharmacologically based interventions clearly demonstrate, changing
one’s physiology can lead to significant shifts in thinking, feeling, and behavior. Up until
now, we have been focusing on interventions aimed primarily at thinking (changing script
beliefs and decisions), feeling (working with previously blocked affect), and physiology
(increasing awareness of physical sensations and movements). It is time now to turn to
behaviorally focused interventions.
There is no way that we can, in this volume, do justice to the myriad varieties of behavioral
intervention that have been shown to be therapeutically useful. Behavioral therapists, basing
their intervention strategies on both classical and operant conditioning, have developed scores
of techniques that can be tailored to specific presenting problems, and many books are available
that detail these techniques (Lazarus, 1989; Beck, 1991; Wolpe, 1969; Spiegler & Guevremont,
1993). We shall concentrate here on behavioral interventions designed specifically to enhance
contact and impact life script.
A behavioral intervention involves an invitation to do something different: to change
an old behavior or to try out a new one. What makes such changes effective is not the new
behavior itself as much as the feedback, from self or others, that the new behavior stimulates.
Frank (1991) says that everything we do, think, and feel is an element in an interactive
system; we never operate in a vacuum but are always in the (real or fantasized) presence
of others. Changes in our behavior result in changes in the whole system; everything
shifts in order to reach a new equilibrium, and part of that shift includes feedback that
serves to maintain, intensify, or diminish the behavior that started the whole process.
This is as true for private behavioral changes as for public ones. Haley (1986) reports that
Milton Erikson, one of the great psychotherapeutic wizards, asked a client which foot he
stood on when he put on his trousers and then invited him to do it the opposite way.
The internal feedback resulting from this relatively small behavioral change was enough to
set off a chain of feedback interactions that eventually led to significant resolution of the
client’s problem.
188 THE ART AND SCIENCE OF RELATIONSHIP
“Meaning is made through action, through participation, and through concrete and repre-
sentational manipulations of the world,” says Neimeier (1995). “These manipulations yield
novel experience, that is, perceived invalidations of present systems of knowing that require
active efforts of meaning making to render them sensible within a coherent meaning structure”
(p. 117). When a client experiments with some new behavior and receives the feedback
resulting from that behavior, he is forced to adjust his understanding of self, others, and the
world around him in order to accommodate the new experience. If the new experience conflicts
with his life script, something has to give: either the script must change or the new experience
must be discounted in some way. Either sort of shift is grist for the therapeutic mill, providing
information and/or inviting further awareness.
In planning a behavioral intervention, it is important to select a behavioral change that
will tend to challenge and disrupt script beliefs rather than reinforce them. Just any old
change will not do (unless the client is dealing with a script belief that “nothing can ever be
different”). Inviting a client who believes that “life is hard” or that “I will never succeed” to
try a new and difficult task risks his failing at the task and confirming that life is indeed hard
and that he cannot succeed. Behavioral assignments should build on strengths—strengths in
the client and supports in his environment. Whenever possible, the assignments should be
structured so that no matter what the client does with them, he will succeed. For instance,
in a paradoxical intervention, an anxious client might be invited to figure out something
that will make him even more anxious, right here and right now, and do it. If he succeeds,
he can be helped to explore the nature of his experience of anxiety (an experience that he
usually avoids, and, in avoiding it, makes it even more fearful and disruptive). If he does not
become anxious, he has succeeded in doing a feared thing without fear and must adjust his
belief system accordingly. If he cannot think of an anxiety-making behavior or refuses to
experiment with one, he has succeeded in uncovering something important about himself
and can be invited to explore the relationship between this inability/refusal and his stated
goal in entering therapy.
The purpose of a behavioral intervention, then, is to set up a situation that will result in a
success experience that challenges the client’s script pattern. The behavior may be one that is
contrary to his usual script-bound behaviors, or it may lead to feedback that will stimulate
feelings or thoughts inconsistent with script-dictated feelings and/or script beliefs. This is true
of in-session behavioral interventions as well as behavioral “homework,” assignment of tasks to
be completed outside of therapy and reported on at the next session.
In assigning tasks to be completed outside of the session, it is particularly important
to be sure that the homework cannot be twisted or distorted so that it supports, rather
than challenges, the client’s script. People frequently create the very situations that they
expect (Janoff-Bulman, 1993); and self-fulfilling prophecies are an important factor in
maintaining script. The client who believes that “nobody cares about me” is likely to behave
in ways that will make others reject him; the client whose script labels him as stupid and a
Therapeutic interventions 189
failure sets himself up over and over again to fail and to look stupid. When a behavioral
assignment is sabotaged during the session, the sabotage can be discussed then and there,
and the whole situation may lead to positive change. When the sabotage occurs outside
of therapy, though, the client has days or even weeks during which to use the sabotage to
bolster his script.
No client deliberately tries to sabotage his work; people do not consciously set out to use
behavioral homework to make themselves more miserable. Sabotage, like other defensive
maneuvers, occurs out of awareness. To the therapist, it may appear that the client has delib-
erately set himself up to fail; to the client, his own behavior seems natural or even inevitable.
A socially isolated client, for example, might be assigned the task of inviting a friend over
to watch a sporting event on television. The client complies but is awkward to the point
of rudeness. The visit is a social disaster; the homework assignment has confirmed his
belief that he is unlovable and doomed to a life of loneliness. To avoid this sort of outcome,
homework assignments should be crafted to build on client strengths rather than weaknesses
and should involve small (and doable) changes rather than major shifts in behavior. Further,
the homework should always be debriefed in the next session so that any unanticipated and
unwanted outcomes can be dealt with.
Summary
A variety of psychotherapeutic interventions are available for use in treatment; all of them
should be designed to enhance the client’s internal and external contact, dissolve script, and
support his sense of efficacy and self-worth.
The most common intervention, interpretation, involves sharing the therapist’s hypothesis
about the client’s dynamics. Interpretations may take the form of simple statements, questions,
directives, confrontations, or metaphor. All should be given within the context of an authentic
and supportive relationship, and the therapist must be willing to be corrected by the client if
the client believes the interpretation to be off target. Interpretation should be used carefully
and sparingly, lest the client introject the therapist rather than discover himself.
Enactment and experiments allow the client a new experience designed to clash with
his script beliefs, enhancing his awareness of his internal processes within the safety of a
protective therapeutic relationship. Regression involves moving into a pattern of thoughts,
feelings, and behaviors common to an earlier developmental stage. It is not an either/or
phenomenon; many clients regress partially or shift in and out of a regressive experience.
Regression can help the client access walled-off or state-dependent memories, beliefs, and
decisions; revisit old and toxic relationships with the support of a nurturing and protective
therapist; recreate previously blocked sequences of behavior; and learn to express needs
and wants. Clients can regress spontaneously or can be encouraged to regress by setting a
scene that will be revisited in the regression. Similarly, the regressive experience can end
190 THE ART AND SCIENCE OF RELATIONSHIP
spontaneously or by invitation from the therapist; the “disconnecting the rubber band”
technique may be used to end a regression.
Behavioral interventions encourage changes in behavior that will, in turn, lead to changes
in thoughts, feelings, and physiology. They usually involve trying out new behaviors in the
therapy session or as homework assignments. The value of a behavioral intervention lies
in the feedback the client receives, from self and others, as a result of the new behavior.
Behavioral interventions should be chosen to build on the client’s strengths while challenging
his script pattern.
CHAPTER 10
A focus on relationship
C
hapter 9 began with an assertion that any intervention, if it is to be effective, must
be made in the context of a supportive therapeutic relationship. The chapter then
discussed a number of intervention strategies, all of which are designed to dissolve
script and enhance the client’s ability to make internal and external contact. The therapeutic
relationship itself, though, is perhaps the most potent “intervention” that can be made with
a client: participating in a properly managed therapeutic relationship is in itself a script-
dissolving and contact enhancing experience.
Traditionally, the therapeutic relationship has been seen as a venue within which a client
can work through the traumas that have shaped his life script, bringing to awareness old
decisions and learned responses, so that he has the option of making changes in dysfunctional
patterns of behavior. While relationship-focused integrative psychotherapy makes use of
various sorts of interventions to facilitate this kind of working-through, it is most concerned
with the ways in which the client manages his present relationships and, most particularly,
his relationship with the therapist. Says Safran (1993), “From a technical perspective, the
therapeutic focus appears to be shifting away from the exploration and working through of
a major traumatic event with the therapist that is viewed as a re-enactment of a historical
trauma, toward an ongoing exploration of what are often subtle fluctuations in the quality of
client-therapist relatedness and the clarification of factors obstructing it” (p. 21). From this
perspective, there is less need to return to past events in order to expose and dissolve script,
because the client is acting out his script in the here and now.
The relationship between client and therapist is not simply an adjunct to the work of
therapy; it is a living entity in which two involved individuals come together, both bringing
191
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their emotions, their thoughts, and their ways of reaching out and of pulling away from contact.
The challenge to the therapist is to remain real and involved in this relationship, while at the
same time attending to the dynamics of what is happening in the interaction. She invites the
client to join her in what Plakun (1998) calls a “supraordinate context,” a way of being together
in which therapist and client act and react and, at the same time, observe their actions and
reactions. From this supraordinate context, both participants can begin to notice the patterns
that they are creating and recognize how those patterns are similar to and different from the
patterns that the client establishes with the other people in his life.
through the therapeutic interaction. The message transmitted by the therapist’s interpersonal
stance is as important, if not more important, than any explicit messages” (p. 237). For her
to be effective in creating such a change-inducing interpersonal stance, however, she must be
able to see the overall pattern; thus it is necessary to be both in the relationship and standing
outside of it at the same time.
Transference
The notions of transference and countertransference are among the many legacies that have
come down from the theoretical insights of Sigmund Freud. Freud noticed that his patients
often began to react to him in ways quite inconsistent with his position as their physician.
Rather, they treated him as they had treated significant others in their lives years earlier; more
important, they seemed to expect him to behave just as those significant others had behaved.
Freud came to believe that his patients used him (or any other analyst) to reenact past relation-
ships, and he called this process transference because the patients seemed to transfer onto the
therapist their feelings toward the person in the original relationship. Transference, Freud
believed, offered an important means of understanding the patient’s dynamics, and analysis of
the transference became a staple of psychoanalysis.
Over the years, many therapists have come to believe that Freud’s view of transference was
too narrow. Since all of one’s present relationships are shaped by the past, by the things one
has learned about people and the ways one has learned to interact with others, it is sometimes
difficult to distinguish clearly between a “transference” and a “non-transference” response.
All of our here-and-now social interactions contain some historical elements, just as our inter-
actions even when regressed are colored by our adult experience. Nevertheless, the idea of
transference remains a highly useful one—particularly in the context of a therapy that focuses
on the relationship between client and therapist.
Glassman and Anderson (1999) define transference in terms of the client’s general
patterns of organizing his world, of giving structure to the thousands of individual interac-
tions and transactions in which he engages from day to day. “Transference,” they say, “may
be conceptualized as part of a basic meaning-making process for coming to understand the
interpersonal world. … This meaning-making process reflects the interaction of stimuli
in the social environment and previously acquired knowledge structures used to interpret
194 THE ART AND SCIENCE OF RELATIONSHIP
ongoing experience. … Such knowledge structures may take the form of scripts, schemas,
or prototypes encompassing the self, others, and social situations” (p. 105). Understanding
a client’s script can help make sense of the way in which he interacts with his therapist.
Conversely (and of more practical importance), his ways of dealing with the therapist cast
light on his life script: on his overall way of taking in, making sense of, and responding to the
other people in his world.
In addition to meeting the universal psychological need to organize experience and create
meaning, relationship-focused integrative psychotherapists see transference as a means
whereby the client describes his past: the developmental needs that have not been met and
the defenses that were created to compensate for those deficits. Transference expresses
both an unaware enactment of childhood experiences and, simultaneously, a resistance to
remembering the discomfort of those experiences. Because it involves both acting out an old
experience and resistance to remembering the experience, there is always an element of
internal conflict in a transference reaction. Finally, transference may represent a desire to
satisfy relational needs that were unsatisfied in the past and to achieve closeness and trust
in relationship (Erskine, 1993/1997c).
Transference, then, involves not only responses and reactions held over from the past but
also current relational needs and expectations. Because the scripts that influence the client’s
current social interactions, as well as the old relationship experiences on which they are
based, are not fully available to awareness, his transference behavior is a way of expressing
something about himself that cannot be communicated in any other way. He may respond to
the therapist as he might have responded to an abusive or neglectful or overprotective parent,
but he is often unaware of the parallel between what he is doing and feeling now and what
he did and felt back then. Reenacting the old pattern is literally the only way he can express
what is going on for him.
Sands (1997) recommends that in dealing with transference we focus more on “how we
are being used by patients as ‘new,’ longed-for objects … rather than on how we are being
experienced (and are then invited to experience ourselves) as ‘old,’ pathogenic objects from
the past” (p. 660). Focusing on the here-and-now relationship can help us to understand
the blend of past and present that the transference represents and within which the client is
immersed; it also helps sensitize us to the part that we ourselves are playing in creating and
maintaining that relationship.
In transference behavior, the client enacts past patterns within the context of the present.
Plakun (1998) says that “since enactments are inevitable and ubiquitous therapeutic phenomena,
their detection, analysis, and interpretation offer an opportunity to understand something in a
new way or to turn a corner in treatment” (p. 319). Analysis and interpretation, however, should
be attempted only with caution: as was pointed out in Chapter 9, providing them too quickly or
in a way that the client may experience as nonsupportive or critical may intensify his defenses
and leave him feeling misunderstood or criticized. It is best to begin with a gentle, respectful
A focus on relationship 195
inquiry into the internal experience connected with the client’s transference behavior. Such an
inquiry may lead the client to discover for himself how his present reactions are connected to
old experiences; self-discovery not only is less likely to stimulate defenses but also builds the
client’s sense of competence and autonomy.
Countertransference
What about the therapist’s feelings toward the client? It would be naïve to suppose that
therapists can be neutral, without reactions of liking or disliking, approval or disapproval,
being drawn toward or feeling repelled by their clients. Moreover, such a stance would
be nontherapeutic: an emotionally neutral therapist would be unable to participate in an
authentic therapeutic relationship, would be incapable of being impacted by her clients.
For better or worse, therapists must be involved with their clients, experiencing real reactions
toward them and dealing with real feelings about them. Countertransference, the sum of the
therapist’s reactions to the client, is as necessary and inevitable as are the client’s transference
reactions to the therapist.
When, as is most often the case, the therapist’s initial reaction to a client is positive, she
can proceed with the business of building a therapeutic relationship with relative ease. She
likes the client, and her liking invites him to like and to trust her. When her first impression
is negative, though, things may not run so smoothly. Strupp (1996) observes that therapists
tend to develop a general attitude toward their clients within the first few minutes of their
first meeting and that “this attitude has a profound influence on the … empathic quality of
the therapist’s hypothetical communications to the patient” (p. 135).
What should a therapist do, then, when she finds herself faced with a client toward
whom, for whatever reasons, she finds it difficult to feel supportive? How does she deal
with impulses to be judgmental, critical, or rejecting? First, she must recognize that her
reaction has more to do with herself than with the client. An initial negative response is
a signal about something going on inside the therapist, some internal pattern of thoughts
and feelings that is being stimulated by this client. The therapist needs to look to herself, to
bring to awareness the beliefs/needs/memories that are the source of her response. When
she understands the basis of her feelings and owns her responsibility for them, she can
begin to work through the problem without blaming the client or labeling him as wrong
or bad or unlikable. If the negative feelings persist, consultation with a colleague may be
the next step; she would also be well advised to seek therapy for herself in order to deal
with the unfinished business that is intruding into her professional life. Without working
through our own personal issues, our own script patterns, it is impossible to identify and
deal with the ways in which those issues influence our therapeutic behaviors; ongoing
personal therapy is one of the most important continuing educational experiences available
to practicing therapists.
196 THE ART AND SCIENCE OF RELATIONSHIP
We may meet, rarely, a client whose values and beliefs are so directly and genuinely at
odds with our own that an authentically respectful relationship is impossible to establish.
When this happens, the client should be referred elsewhere. No matter how hard the
therapist may try to be “therapeutic” in this sort of situation, the relationship will be
basically flawed and her therapeutic involvement will be tainted. Again, it is essential that
the therapist own her part in the mismatch: it is not that the client is wrong but, rather,
that he and she differ in their views to such an extent that they would simply not work
well together. Beware, though, if this sort of situation arises more than once in your early
career; there may be more going on than you are aware of, and you would probably benefit
from help in working it through.
Both client and therapist, then, may act out their unfinished business in the therapeutic
relationship, using each other as screens on which to project their out-of-awareness
feelings toward others in their past or present. It is quite usual for therapists to notice how
a client’s life script determines his way of being with and responding to others and how
those script behaviors and responses are played out in the therapeutic hour. Less commonly
recognized are the ways in which the therapist, equipped with her own life script, enters into
that acting out. Plakun (1998) says that therapist and client together create a reciprocally
supported pattern: the therapist “unwittingly participates by projecting back into the patient
reciprocal unconscious conflicted countertransference material from the therapist’s own life
history. … Within such an enactment the therapist is as much an active participant as the
patient”(p. 320). Because client and therapist are both unaware of their own contributions to
the enactment, each may be puzzled by what happens in the interaction; frequent feelings of
puzzlement or confusion are again a signal that the therapist may benefit from consultation
and/or personal therapy.
Among the most notorious transference-countertransference situations arising in therapy
are those involving sexual acting out. The very nature of the therapeutic relationship—its
support and psychological intimacy—invites strong feelings. Clients may mistake the caring
and attention they receive from their therapist as signs of romantic attachment; therapists may
do the same. While it is normal and natural for a client to feel sexually attracted to his therapist,
or vice versa, there are no circumstances under which it is appropriate to act on those feelings.
This is one of the few therapeutic guidelines to which there are no exceptions: a therapist does
not become sexually involved with a client. A client’s sexual invitations must be respectfully
declined and the client invited to discuss his response to that refusal. Say Callaghan, Naugle,
and Folette (1996), “With clients who have difficulty relating to others without sexualizing
the interaction, the therapist discusses openly the importance of the client being able to have
a nonsexual relationship with the therapist, despite the fact that it may seem impossible to do
this” (p. 387). A therapist who has difficulty respecting these guidelines, who is tempted to
act on her sexual feelings toward a client or finds herself engaging in frequent sexual fantasies
involving him, should certainly deal with this issue in her own personal therapy. Again, it is not
A focus on relationship 197
the client who “causes” the feelings. The therapist is responding to unmet relational needs of
the present or unfinished business from the past, both of which need to be dealt with outside
of her relationship with her clients.
Touch
Perhaps because of the taboo surrounding therapist–client sexual contact, and because
touching is such a potent and primitive way of conveying emotion, touch between therapist
and client has been seen by some practitioners as dangerous if not actually improper. It has
been regarded by others as an extremely useful, perhaps even necessary, part of the therapeutic
experience (Rhinehart, 1998).
Touching is, as far as we know, the infant’s earliest means of sensing the presence of another.
Before birth, a mother’s touch surrounds and protects her baby; her first instinct after the child
is born is to hold and to cuddle. It is well known that many newborn mammals literally require
the touch of the mother in order to survive: calves, for instance, must be “licked into shape”
soon after birth, and anyone whose pet has had puppies or kittens can attest to how mother
cats and dogs use their tongues to contact and caress their babies. Physical contact continues
to be necessary long after birth, as Harlow (1958) so effectively demonstrated in his studies of
primate babies. Humans are certainly not exempt from the need for touching; Spitz (1945) and
others have noted infants’ “failure to thrive” as the debilitating and sometimes fatal consequence
of touch deprivation.
Touch, of course, can convey many different messages. It can be comforting, threatening,
playful, or sexual. How the therapist’s touch is experienced by a client will depend not
only on how and where the therapist touches him, but also on the developmental level
at which he is operating at the time he is touched: a touch that might express comfort or
support to a child, for instance, could feel like a sexual invitation to an adult. One of the
necessary elements involved in using touch therapeutically is the ability to diagnose such
transitory developmental levels accurately and to calibrate one’s touching to the client’s
current psychological age.
For an adult, touch can be a formal, almost ritualistic act (as in shaking hands with a
stranger) or an essential component of deep intimacy. It can signal friendship, sympathy, or
concern; or it can represent coercion, threat, or outright abuse. Depending on the circum-
stances, its absence can be a sign of respect or of coldness and distance. There is no formula,
no clearly laid-out set of client behaviors, that will tell the therapist precisely when and
how to touch and when to refrain from touching. One’s empathic response to the client is
probably the best indicator, along with constant sensitivity to how the client responds to
one’s first reaching out. It is wise to ask permission even if the therapist intends only to hold a
frightened client’s hand or put an arm around a grieving client’s shoulder. “May I touch you?”
is certainly appropriate for strong or protracted touching but would seem silly and artificial
198 THE ART AND SCIENCE OF RELATIONSHIP
ever touching a patient: to surrender one’s clinical and creative judgment to such concerns is
deeply corrupting” (p. 148).
In a truly contactful relationship, a relationship in which one’s most private and painful
experiences are to be explored, there will nearly always be a point at which physical touch
will be helpful. When used appropriately, touch can invite the client into deeper awareness of
his own internal process, as well as furthering the therapeutic relationship itself. Three basic
guidelines can help the therapist to avoid inappropriate or damaging touch: (a) The client is
in charge of when, how deeply, and for how long. Touch should be broken off if the client
signals that he no longer wishes that sort of contact. (b) For anything more than light and
short-duration touch, get prior permission. If there is a possibility that the client may need to
be restrained during regressive anger therapy, a signal should be established beforehand that
the client can use to indicate his need to move away from the therapist’s touch, out of the
regression, and back into an adult mode of functioning. (c) Under no circumstances should
the therapist be sexual in her touching, or invite the client to respond sexually to her.
Therapist error
The therapeutic relationship is a potent tool for enhancing client accessibility, as well as a
vehicle for the use of other tools and techniques. It is also a vulnerable relationship. Errors of
omission or commission on the part of the therapist can seriously damage that relationship;
even when errors are not made, the client may perceive the therapist’s behavior differently
than the therapist intended and begin to pull away from contact. Strupp (1996) notes
ruefully that, while doing nothing wrong cannot guarantee success, making mistakes can
easily lead to failure: “The presence of even relatively low frequencies of countertherapeutic
interpersonal process does seem sufficient to prevent change. A little bit of bad process goes
a long way” (p. 79).
“Bad process” is perhaps most clearly visible when the therapist persists in an interpre-
tation or observation about the client that the client rejects. The therapist then labels the
client as resistant, and the client feels misunderstood. In this sort of situation, the correctness
of the therapist’s intervention is almost irrelevant; the client believes that the therapist is
wrong about him, and that belief defines the client’s experience. The original therapist
misunderstanding (from the client’s perspective) is not the major problem here; much more
disruptive to the process is the therapist’s refusal to accept the client’s correction. It is difficult
to trust a therapist who misunderstands or makes false assumptions; it is nearly impossible to
trust a therapist who will not back off from a mistaken assumption once that assumption has
been challenged.
One of the most fertile grounds for misunderstanding involves interpretations about client–
therapist interactions. As we have seen, the notion of transference suggests that what the client
does vis-à-vis the therapist is likely to reflect, to some extent, interactions between that client
200 THE ART AND SCIENCE OF RELATIONSHIP
and significant others in his life. The problem with this view is that it places responsibility
for all such interactions solely with the client: if the client gets angry or suspicious or closes
down and becomes distant, the therapist wonders who else he is angry at or suspicious about or
distancing himself from. Yet the therapeutic relationship, and everything that happens within it,
is co-created, a product of the interaction between client and therapist. The therapist with an
angry or suspicious or distant client must share responsibility for her client’s anger or suspicion
or distance. To assume that the client’s behavior in the therapy session is always and only a
mirror of how he behaves with others is to ignore the therapist’s contribution to that behavior,
blaming (or praising) the client for something that is not wholly his creation. If the therapist
persists in this one-sided perception, the client will inevitably feel misunderstood and is likely
to withdraw from contact.
This does not imply that the therapist should avoid talking about the relationship between
the client’s in- and out-of-therapy behaviors—far from it! Exploring that relationship is a
fundamental aspect of therapeutic work. It does suggest, though, that (as with any other inter-
pretation) comments about in-therapy and out-of-therapy parallels are best made in the form
of questions about the process itself, rather than just the client’s behavior. The most effective
process questions assume a shared responsibility for what happens between client and therapist;
they also invite the client to express his own perceptions of the process. “By maintaining a
stance that leaves the degree of parallel between the transference or the in-session cognitive-
interpersonal cycle and other patterns in the client’s life open, therapists are better able to
approach clients in a nonblaming fashion that accepts responsibility for their own contribu-
tions to the interaction” (Safran & Muran, 2000, p. 239). In dealing with process issues, asking
is generally more useful than telling, and asking about us is generally more useful than asking
about you. “How are we creating this?” is a better question than “What are you doing?”;
“Am I responding to you the way your wife/mother/son does?” engenders much less defen-
siveness than “Do you act this way with your wife/mother/son?”
It is inevitable that a client will, at some time or another, believe that his therapist
has misunderstood him or made some other sort of mistake; it is equally inevitable that
sometimes he will be correct in that assessment. Guistolise (1996) described therapeutic
errors as “inevitable and necessary” in the course of therapy. Errors are inevitable because
therapists, like everyone else, are fallible; they are necessary because, for many clients,
working through and repairing the rift in the relationship caused by the error may be a
fundamental part of the therapeutic process (Safran et al., 2001).
“Misunderstanding is not the logical opposite to understanding,” says Orange (1995).
“Instead, misunderstanding is inherent in the process of understanding, and it is often the
normal condition of psychoanalytic work” (p. 141). Even when the therapist is technically
correct, the client can experience her as being wrong: she may talk when he wishes she would
be silent or maintain silence when he wants her to talk; ask about his experience when he
wants her to share her own (or vice versa); invite deeper exploration when the client wants to
A focus on relationship 201
take a break. No matter how empathically skilled, the therapist cannot read the client’s mind;
occasionally she will miss him. Moreover, the client will organize those misses (and the “hits”
as well) according to his own script beliefs; he expects to be treated as the world has always
treated him, and he will filter and mold his interactions with the therapist to fit those expec-
tations. Says Fosshage (1992), “ruptures are inevitable because no analyst can understand
perfectly or always be sufficiently available … and because an analysand will tend to perceive,
organize, and construct the analytic experience by using problematic schemas that entail …
failures” (pp. 37–38).
It can be frustrating to be misinterpreted by a client, to have our perfectly fine therapeutic
behavior used to “prove” that we are uncaring or incompetent. We would rather our clients
admire us; we would rather they followed our treatment plans and responded as our theories
predict. But neither the world nor the people in it are perfect; and clients do sometimes behave
in ways that are annoying, frustrating, or provoking to their therapists. Such behaviors are
usually script-based: social patterns that have developed over time, patterns that were originally
intended to be self-protective but now are so ingrained that they seem to the client to be the
only possible way to respond. Although the therapist may be aware of this and do her best
to avoid being irritated, or being drawn into a power struggle, or responding with her own
self-protective patterns, she too is human. “Both client and therapist become partners in an
interpersonal dance that, to varying degrees, reenacts unhealthy patterns that are character-
istic for the client,” say Safran and Muran (2000). Whatever unhealthy patterns the therapist
may unknowingly be engaged in will also become a part of the mixture. Therapists are human;
mistakes happen; and every client is an expert at using those mistakes to reinforce his self-
protective life script system.
Recognizing the inevitability of errors should not make us complacent about them.
We avoid them when we can; when we cannot, we attempt to use them therapeutically.
Talking about the error, about what has happened and how it affected the client, is healing.
Honest discussion of what one feels and thinks and apologies for one’s errors are not what
most clients are used to in their relationships. When the therapist responds in this way, she
creates a “something different” experience that disrupts the client’s old, set patterns. In the
interchanges he is used to, breaches are likely to be resented, glossed over, or exaggerated but
never discussed openly and respectfully. When he is encouraged to talk about his experience
of feeling misunderstood or judged or not attended to—and when that experience is taken
seriously—the client may begin to explore some of his deeper beliefs about and experiences
in relationships.
Not only is it possible to turn an error into a therapeutically useful experience—such
transformations may be actually necessary if the work is to be successful. Safran and Muran
(2000) point out that “the exploration and resolution of therapeutic alliance ruptures also
provides an important corrective emotional experience for the client. The experience of
working through an alliance rupture can play an important role in helping the client to
202 THE ART AND SCIENCE OF RELATIONSHIP
develop an interpersonal schema that represents the self as capable of attaining relatedness,
and others as potentially available emotionally” (p. 237). Many clients have developed life
scripts based on the belief that they must ultimately be alone, that others will never respond
positively to them. For such clients, experiencing the therapist’s readiness to acknowledge
an error, to take responsibility for a breach in the relationship and for healing that breach,
challenges those basic beliefs and invites true contact. Bordin (1994) suggests that, the more
severely disturbed the client is, the more he may need these episodes of rupture and healing
to break through his well-established script patterns. Over the years, he has learned that
trust leads only to pain and that expressing his needs drives others away; he has developed
a protective shell that keeps him isolated from others, as well as from his own longing for
relationship. A therapy in which everything went smoothly, in which the therapist made no
errors, would have little chance of breaking through that shell. Interactions would be likely to
remain superficial, and the basic script structure would not be altered. A therapeutic error
invites the client to focus on his disappointment, to sink back into the familiarity of his
old self-protective script pattern; while he is experiencing those reactions most intensely,
the therapist’s responsibility-taking and her attempt to repair the damage can significantly
impact the client’s script belief structure.
When a relationship rupture occurs, the first order of business is to heal the breach and
reestablish contact. The most effective way to accomplish this is to talk about it—to talk
about one’s own part in creating what has happened and to ask the client what he thinks and
feels and needs in order to get on with the work. “A central theme in working through alliance
ruptures involves helping clients to learn that they can express their needs in an individuated
fashion and assert themselves without destroying the therapeutic relationship” (Safran &
Muran, 2000, p. 238). The therapist attunes herself to the client’s affective experience and
responds with a reciprocal affect. If the client is angry, the therapist takes him seriously. If he
is frightened, the therapist allows him to see her wish-to-protect. If he is sad, she is compas-
sionate. Responding to his affect as his present reality, without concern for how he may have
contributed to the problem himself or how mistaken his perception may be, and taking full
responsibility for her own part in stimulating that affect, the therapist demonstrates that
expressing one’s feelings and needs—far from destroying the relationship—is the best way to
restore it (Erskine, 1994/1997d).
frequently a signal of therapist error, they may also be a reaction to the contrast between the
richness of the present therapeutic relationship, on the one hand, and the frustration and pain
of previous relationships, on the other. We have termed such reactions juxtaposition responses
(Erskine, Moursund, & Trautmann, 1999).
Modell (1991) describes such a juxtaposition response in the case of a client whose
childhood relationship with her father was problematical: “Further, if she experiences within
the therapeutic relationship a father love that she had lost or never had and experiences
love in relation to the therapist as if he were a father, the gratification might lead to an acute
sense of loss. Gratification of a father transference in current time may induce a mourning
for what had been lost” (p. 26). To avoid re-encountering grief and mourning over that lost
relationship (grief and mourning that have been pushed out of awareness because they were
too painful to be experienced), she distances herself from the therapist by trivializing and/or
criticizing the relationship.
Grief and mourning for a lost or never-was relationship are not the only reasons for a
juxtaposition response. The experience of being understood, respected, and valued, an
experience that most people find highly desirable, may be quite threatening to some clients.
“What a child has repeatedly experienced as impossible and unreachable in relationships
with key figures,” say VanKessel and Lietaer (1998), “may have come to be seen, little by little,
as unknown and hence unsafe, something that may have caused the longing to be no longer
felt and thus be ‘excommunicated.’ ” (p. 164). It is as if the client tells himself, “This is too
good to be true; I must be misunderstanding what’s happening; I mustn’t let myself take it in
or believe in it because I’ll just get hurt and disappointed again.”
Juxtaposition, then, represents a painful double bind for the client. He desperately wants
and needs to experience a contactful relationship; it is the piece that may have been missing
for him throughout his lifetime. Yet, to meet that need, he must not only risk further hurt
but must also reawaken the pain of loss, the pain that he has spent that lifetime defending
against. Moreover, major aspects of his life script have been organized around keeping the
experience of loss out of awareness, and to deal with it now would require significant script
change—more disruption, more confusion, more pain. No wonder he often chooses to reject
the possibility of real contact in order to keep the old system intact!
It is easy for the therapist to underestimate the power of her therapeutic involvement to
invoke a juxtaposition response. Orange (1995) points out that “many of our patients come to
us with seriously disturbed attachment histories. The most ordinary emotional availability or
responsiveness … may evoke the response of a starving person when offered ordinary food”
(p. 132). What may seem like common courtesy, or simply friendliness—a smile, the touch of
a hand, willingness to sacrifice one’s own agenda and go with the client’s—can be rich beyond
belief to a client starved for relationship. In this sense, the juxtaposition response can, in fact,
be thought of as signaling an error: the error of providing too much, too soon, before the client
can handle it. Like other errors, this one can be used in the service of the work. Encouraging the
204 THE ART AND SCIENCE OF RELATIONSHIP
client to talk about his experience, the contrast between what is being provided now and what
was missing then, and how all this relates to his evolving therapeutic goals, will help him to bear
the distress of reawakening his buried awareness and dissolving the script that has protected
(and isolated) him for so long.
Shame
Another emotional reaction that can lead to a client’s withdrawal from contact is that of
shame. Clients may feel ashamed to have talked of forbidden things, to have displayed
intense reactions, or even to have experienced the feelings engendered by their work.
To deal with the shame, they pull back, retreat into the familiar patterns of their protective
script, and the therapist is left wondering what happened—just when things seemed to be
moving along so well.
Shame results from a complex combination of affective responses. One of these responses is
sadness at not having been accepted as one was, of having one’s behavior and even one’s very
self defined as wrong or not quite good enough—and believing that definition. The sense of
being unaccepted and unacceptable translates into the present and can be projected onto the
therapist, who is experienced as critical or rejecting of the client’s current behavior. The next
component is the fear of being abandoned in the relationship; when one is unacceptable,
it makes sense that others will not stay in relationship with him once they know what he is really
like. Finally, shame requires the disavowal of anger over the expected definition, criticism, or
rejection (Erskine, 1994/1997d).
In its most basic form, this set of affects results in a lowering of self-esteem, an urge to
hide or to go away, an intense desire to be and feel something other than what one is and is
experiencing. It can lead to withdrawal behaviors similar to those seen in a juxtaposition
response; indeed, the two are often paired, with the emotions engendered by relational juxta-
position triggering a sense of shame. For other clients, however, the defense against shame
is to generate a fantasy of self-righteousness. This protects the client against the pain of loss
of relationship, while at the same time providing a pseudotriumph over humiliation and
rejection, and a temporary inflation of self-esteem. Baumeister and his colleagues (quoted
by Izard, Ackerman, & Schultz, 1999) have noted this phenomenon among overly aggressive
boys: “In this case, the root problem is not low self-esteem, but highly inflated self-esteem
and favorable views of self that are relatively unstable” (p. 96).
Whether the experience of shame results in self-criticism and withdrawal, or in artifi-
cially inflated self-righteousness, it has the potential to distort or derail the course of therapy.
The shame-filled client is likely to avoid contact with the therapist, either by berating himself
and fantasizing the therapist’s rejection or by denying fault, responsibility, or need for change.
Says Hite (1996), “To feel … defective, isolated as unlovable, to crave for hidden solitude—all
aspects of a shame experience—threaten the essential ingredient in all effective therapy: the
empathic relationship” (p. 41).
A focus on relationship 205
The first step in dealing with a shame response is to recognize it. Understanding the basis
for the client’s withdrawal or his self-protective braggadocio gives the therapist permission
to pause, organize her thoughts, and develop a plan for intervention. Whenever possible,
that plan should (as usual) involve discussing the ongoing therapeutic interaction and the
feelings that permeate it. Both shame and self-righteousness reflect the defenses used by the
client to avoid experiencing the intensity of how vulnerable and powerless he is to the loss
of relationship. Broucek and Ricci (1998) warn that while many clients will be able to talk
about this vulnerability and will be helped by doing so, others “will react with more shame
to any attempt to directly address their shame” (p. 435). When the client appears unable to
tolerate direct discussion of his shame or unwilling to explore his sense of self-righteousness,
it will do little good to press the issue. The defenses are in place, and battering at them will
only drive his feelings farther out of awareness. It is more useful to continue building and
talking about relationship, continue to work at whatever level the client can manage, and
continue to offer him attunement and involvement. As the relationship strengthens, so will
the client’s ability to explore more deeply.
yet joined in this instant of time. They are the times of client accessibility, the times when
old structures can be challenged and new awareness emerges. More importantly, they are
precious and healing in and of themselves.
Summary
The therapeutic relationship itself is the therapist’s most powerful intervention. It should be
maintained through attending to three primary concerns: authenticity, therapeutic intent, and
a constant attention to the relational context of all client behaviors.
Transference is a basic relational meaning-making process: people learn about relationships
through having experienced them and bring those learnings into the present. A transference
reaction is a description of the client’s past relationships and always involves conflict because it
has elements of both revisiting and resisting old memories. In addition, transference responses
include current relational needs and expectations.
Countertransference, like transference, is an inevitable part of the therapeutic relationship;
it is the sum of the therapist’s reactions to the client. When these reactions are negative,
the therapist must look to herself for their basis; consistently negative countertransference
experiences may call for consultation and/or personal therapy for the therapist. Among the
most harmful countertransference behaviors is sexual acting out with a client; there are no
circumstances under which such behavior is acceptable. Touch is an important means of
communication, especially with a regressed client. There are no formal rules for when and how
to use touch; one’s empathic sense provides the best guideline.
Therapeutic errors can be both harmful and helpful. They are harmful when they cause a
breach in the therapeutic relationship and are not acknowledged but, rather, blamed on the
client’s “resistance.” They can have therapeutic value when discussed openly and nondefen-
sively. Encouraging the client to talk about his feelings and needs when the relationship is
temporarily disrupted and taking full responsibility for our own contributions to the breach
teaches the client valuable relational skills and challenges old script beliefs and patterns.
When the therapeutic relationship creates too much contrast with deficient relation-
ships of the past, the client may withdraw in order to avoid the pain of recognizing just
how bad things really were; this is the juxtaposition response. Clients may also withdraw
from or distort the relationship because of a sense of shame; shame involves sadness, fear of
abandonment, and disavowal of anger. Shame may result in self-rejection or in an exaggerated
sense of self-righteousness. Both shame and self-righteousness are defenses against vulner-
ability and the fear of loss of relationship. Whatever the client may be experiencing in his
relationship with the therapist, it is critically important to discuss that process. Discussion
leads to contact, and contact can create a moment of meeting in which script patterns are
most accessible to change.
CHAPTER 11
Termination
T
he experience of ending is as common in one’s life as the experience of beginning.
Indeed, the two are inextricably connected, for beginning one thing must necessarily
end something else. Learning something new ends forever the state of not knowing that
thing. Every choice for is also a choice not for the other alternatives. Conversely, every ending is
also a beginning, a beginning of life without that which has been left behind. The old-fashioned
word for school graduation, “commencement,” recognizes this relationship: the end of one’s
schooling commences a new set of challenges and opportunities. Endings are really not
endings; they are transitions, passages, movements from one condition of being into another.
We experience them in miniature every time we shift from one thought to the next, every time
we bring a new set of perceptions into foreground and allow what had previously captured
our attention to drift into background, every time we slip from waking to sleep or from sleep
into wakefulness.
In psychotherapy, too, endings are ubiquitous. Every session comes to an end; within a
session, the focus of the work may shift from one concern to another; over weeks and months,
there are transitions in the pace and focus of the work; eventually, treatment terminates and
the client moves on into the rest of his life. Yet, in spite of dealing with them so frequently,
endings seem to be among the most difficult tasks for therapists—both to accomplish and to
talk about.
In this chapter, we talk about therapeutic endings. We focus primarily on termination, the
client’s passage from being-in-therapy to no-longer-a-client; but much of what we say will also
apply to the “little endings” that occur throughout the therapy process. One thing, though, is
unique about therapy termination, uniquely different from all those other endings that client
207
208 THE ART AND SCIENCE OF RELATIONSHIP
and therapist have experienced together: termination marks the end of the relationship. In all
the other endings, the transition has been from one way or time of working together to another
but the relationship has continued. Indeed, in a relationship-focused therapy, the relationship
between client and therapist has been the ground upon which all the work has been based.
Now that relationship will end; even if it is resumed in a new form at some future time, it will
never be quite the same. Both therapist and client must deal with this often-painful reality. Says
Yalom (1985), “Termination is a jolting reminder of the built-in cruelty of the psychothera-
peutic process” (p. 373).
Western culture, as a rule, does not deal well with endings. We try not to think about them;
when we do, we disguise them with euphemisms. We would rather say “I’ll think about it”
than “No”; “good-bye” is replaced with “see you soon” or “don’t forget to write”; even death
itself becomes “passing away.” These sorts of expressions are a kind of deflection from what
is really happening. In using them, we may spare ourselves some of the pain of the ending,
but we also deprive ourselves of fully experiencing that which is now beginning. Clinging to
the tattered shreds of the old, we cannot embrace the new; to the degree that we continue
to look back, we do not see ahead. “Clients who do not say good-bye,” say Goulding and
Goulding (1979), “keep a part of their energy locked in yesterdays. They may refuse intimacy
in the present and experience extreme difficulties with current ‘hellos’ and ‘goodbyes’ ”
(p. 175). With the support of the therapist, the client can create a new and different “goodbye”
experience. In this sense, the end of every session is a rehearsal for the end of therapy as a
whole. As the client deals with each small good-bye, good-bye until the next time he and the
therapist meet again, he learns how to experience fully both the end of this small segment of
his life and the beginning of the next. He can begin to face the reality of transition, feeling
both the discomfort of ending and the excitement of beginning, and can take that new way of
ending (and beginning) out into all of the endings (and beginnings), large and small, of the
rest of his life.
Termination criteria
Unlike the end of each therapy session, which is usually determined by the clock rather than
by a therapist’s or client’s sense that it is time to stop, termination must be consciously decided
upon. Often, that decision is a difficult one; there are no clear and unmistakable signposts
that say, “Now, it is time.” There will always be more that could be done, new problems and
issues that could be explored. The decision to terminate therapy does not mean that clients have
worked out all their issues, that they have acquired all the skills and awareness necessary for a
happy life. Termination should not be postponed until everything is wonderful, until neither
client nor therapist can find anything else to work on—if we waited for that, therapy would last
forever. On the other hand, terminating as soon as an initial goal has been reached or as soon
as the client reports that he doesn’t know what to talk about may leave the most important
Termination 209
issues untouched and set the client up for relapse and a sense of failure. Lankford (1980) points
out that there is a difference between a client having reached a plateau (and needing some
breathing space), being stuck, and being ready to terminate. A major challenge to therapists is
to distinguish among these events.
In theory, figuring out when to terminate should be simple. Therapy should end when
the client has grown to the point at which he has more to gain from being independent of
the therapeutic relationship than from continuing the work. That apparent simplicity often
disappears, though, in the rough-and-tumble actuality of real work with real clients. How does
the therapist know what the client will gain from being independent? How can she determine
the relative benefits of leaving versus staying? What are the specific things that should be taken
into account in making the decision to end a therapeutic relationship?
The first criterion for terminating therapy must, of course, be relief of the symptoms that
brought the client to treatment in the first place. No matter what else he may have accom-
plished, if his painful feelings, his unproductive thinking, his self-hurtful behaviors have not
changed, he will not have gotten what he came for. Yet, as Murdin (2000) reminds us, symptom
relief is only a part of the picture: “My own conclusion is that relief of symptoms is an honorable
goal and cannot be ignored by any therapist. Nevertheless, directly attacking the problem is not
enough in the long term. A more complex view of the therapeutic process is needed if there is
to be a profound change in an individual” (p. 16).
That “more complex view” must take into account not only surface, easily observable changes
in the client, but also a shift in the client’s basic way of relating to himself, to the therapist, and to
the world around him. The discomforts that brought him to therapy are, in fact, side effects of
old and no longer useful problem solutions: script decisions and beliefs that do not work in the
world in which he now lives. Until those decisions and beliefs have changed, he will continue to
act out essentially the same self-limiting and maladaptive patterns that produced his symptoms
in the first place. Browne (1990), speaking of clients who have experienced acute trauma, says,
“The constricted patterns of living, attitudes, and behaviors, which have developed over the
years in an effort to maintain the inibition and avoid the pain of experiencing the trauma that
has been suspended, will also have to change. These do not automatically disappear because
the original traumatic experience has now been fully resolved” (p. 31). The same is true for
those whose trauma has been cumulative: until they have reevaluated and updated their script
decisions and beliefs, until they no longer need to protect themselves in outdated ways against
outdated dangers, they will be less than whole.
With changes in life script come new and more effective ways of dealing with the world.
Contact with previously walled-off parts of self is restored, and the client can use all of that
self in solving problems and developing relationships. His decisions become more integrated:
he considers thoughts, feelings, and values, and he is prepared to take responsibility for the
consequences of his behavior (Lankford, 1980). He has fewer unrealistic expectations of
himself and of others, because he now bases his expectations on contact rather than on fear
210 THE ART AND SCIENCE OF RELATIONSHIP
Client’s choice
Goals reached;
script change has
occurred Client is “marking
Terminate -or- time” no progress
Therapeutic is occurring
impasse has been
reached
Therapist’s choice
Client can no
longer pay
Client fears making -or-
Don’t terminate
needed changes Client or therapist
moving to another
location
that the issue of termination is discussed at intervals throughout the work. The discussion
of termination begins with the first session. When the client’s insurance company or HMO
designates a maximum number of sessions for which the therapist will be reimbursed, both
therapist and client need to keep that limit in mind and tailor the work accordingly. Even when
these constraints are not present, part of the information that clients need to have when they
begin treatment is a sense of how long therapy will take and what it will cost—and this implies
that it will eventually come to an end. Beyond these practical considerations, the therapist is
still responsible for preparing the client for termination: after all, as Bond (1993) reminds us,
the purpose of therapy is to finish. The therapist’s job is not only to help the client to grow and
change but also to do so in a way that progresses naturally toward the point at which therapy is
no longer needed. Talking about that ending point, how it will be recognized, and how closely
it is approaching, is an integral part of the therapeutic process.
When the client wants to terminate and the therapist does not
Before we talk about termination of the whole of therapy against the therapist’s better
judgment, we need to go back to the idea of other, “mini” terminations: termination of the
hour, curtailing discussion of a particular topic, ending a telephone call. Occasionally, clients
will initiate these kinds of endings, wanting to leave the session early or closing off a discussion
by changing the subject or by becoming silent. While these disruptions may be simply a
matter of the client’s not knowing what to say or where to explore next, they are more likely to
be a signal of some relational need not being responded to appropriately. The need is usually
underground, out of the client’s awareness; what he does feel is discomfort, a sense of being
missed or misunderstood by the therapist, or a sense that going on may be too uncomfortable
or dangerous. Dealing with such situations explicitly is always important; overlooking them
can reinforce the client’s avoidance and strengthen his old, script-bound patterns of behavior.
Murdin (2000) describes it like this:
“Little endings” within a session, then, can be both helpful and hurtful. They are helpful in
that they point to what needs to be looked at: by his very closing down, the client is saying,
“This is where it hurts.” They are hurtful in that, if not remedied, they can create a growing
rupture in the therapeutic relationship. If the ending is truly “little,” there will be opportunities
to return to the issue, to talk about what happened, and to repair the damage. Allowing the
Termination 213
the possible benefits of further work. Arguing with him or coaxing him to stay is likely to make
him even more resistant, to feel misunderstood, and to erode the sense of respect and validation
so necessary in a relationship-centered therapy. Instead, the therapist can acknowledge the
client’s decision and compliment him for being clear about his wants and needs (and for his
strength in doing so, even in the face of the therapist’s disagreement). The function of the
client’s anxiety, his anger, or his silence can be validated: they are each protective in some way,
and each serves an important psychological function. At some time in the future, the client may
decide that he wants to find a different and better way to live his life; when that happens, he may
return to treatment. Until then, he leaves with the therapist’s best wishes.
One exception to this rule of “blessing the inevitable” is the situation in which the client,
by leaving treatment, puts himself or others in serious jeopardy. The therapist must assess
carefully the possible risks the client incurs in terminating therapy. Her first duty is to the
client’s welfare, and she must take whatever action is needed to protect him. If the client’s
immediate safety or that of others around him is endangered (fortunately, an unlikely circum-
stance), she is legally and ethically obligated to break confidentiality and report her concerns
to the appropriate authorities and/or to the other people involved. She will, if possible, also
talk with the client about those concerns and tell him what she intends to do.
More often, a premature termination involves no such dramatic action. The client is simply
choosing to deal with his problems on his own; and, while his choice may be unwise, it is
not immediately dangerous. The therapist will encourage the client to talk about his decision.
She will want to understand what (if anything) went wrong, how it is that she and the client
could differ so much in their sense of what is best for him. She will help him to explore his
reasons for quitting, to understand and appreciate what he has accomplished in his work and
what is yet to be done, and to anticipate what all this will mean as he goes on about the business
of being in the world. If his choice to leave does not change as a result of this discussion, the
therapist will support the decision in such a way that the client can return to treatment (with her
or with someone else) at a later date, should he decide to do so, not as someone who terminated
and then could not make it on his own but as a person who has respected his own pacing and
timing and is now ready to begin another chapter of his work.
Just because the therapist is surprised or dismayed by a client’s decision to terminate does not
necessarily mean that the client is wrong. Before assuming that the therapist has failed him or
that the client is too defended, we must consider another possibility: the client may be correct
in wanting to terminate, and the therapist mistaken in wanting to continue. The many reasons
for this sort of therapist error range from practical and financial (this client pays his bills on
time; the therapist’s appointment schedule is not full) to emotional (the client is enjoyable to
work with, the sessions are stimulating, there are many more issues that would be interesting to
explore). The therapist may be insecure about her professional competence or unable to see that
the client really has benefited from the work (Bordin, 1968). Or she may be unconsciously using
the client to meet her own relational needs. Murdin (2000) describes, for example, the therapist
Termination 215
whose reluctance to terminate resembles “the emotional exploitation of the mother who cannot
let her child go and who exercises all sorts of emotional manipulation to keep the patient who
fulfills her narcissistic needs” (p. 67). Just as letting go of the therapist can be difficult for many
clients, so letting go of the client—even when it is time for him to leave her care—may be a
challenge to the therapist.
When the therapist wants to terminate and the client does not
Sometimes a disagreement about termination can work in just the opposite way: the therapist
believes that termination is in the client’s best interest, but the client wants to continue. This can
happen when a time for termination has been agreed upon earlier and, as the time approaches,
the client balks. According to Kramer (1990), even Freud—who proposed that the therapy
process may in fact never be terminable—suggested that at times it may be useful to set a fixed
date to end the work, in order to accelerate the treatment process. However, when the date
arrives, the client may protest: “I’m not done yet; I have more issues to deal with; I’ve just begun
to get to the real stuff.”
As with every other therapeutic issue, the therapist’s course of action must first be based
upon the needs of the client. Why is he now arguing a decision that he agreed upon earlier?
Does he really need to continue, or is he engaged in an “illusory, magical quest for eternal
happiness and perfection, a fragment of childhood narcissism that we never completely
surrender” (Arlow, 1991, p. 51). Would the benefits of extending his work outweigh the
consequences of giving in to his unrealistic demands and, possibly, fostering therapeutic
dependency? If therapy does continue, will he make good use of his time or will he drag his
feet, fearing that if he “gets well” he will lose this relationship that means so much to him?
When therapy becomes an end in itself rather than a means to a more fulfilling life in the
outside-of-therapy world, it may begin to do more harm than good. While the relationship with
the therapist may temporarily become more important than other relationships in the client’s
life, that exaggerated importance must not continue indefinitely. The client, though, may not
cooperate in reassessing and realigning the therapeutic relationship. Just as some infants resist
being weaned, rejecting solid food in favor of the warmth and comfort of the mother’s breast,
some clients resist being weaned from therapy. While both client and therapist may find a great
deal of pleasure in the intimacy of the therapeutic hour, pleasure is not the primary goal; when
the client has outgrown therapy but is unwilling to move into the weaning process, it is the
therapist’s responsibility to initiate that process.
If a client has made little or no progress over a period of several months, if he appears content
to deal only with superficial topics or insists on focusing on the behavior and problems of others
rather than himself, and if confronting these nonuseful behaviors does not change them, it may
well be time to begin discussing termination. Such a discussion should include careful inquiry
as to the client’s sense of what is being accomplished (much more may be going on than the
216 THE ART AND SCIENCE OF RELATIONSHIP
therapist is aware of) and his reasons for wanting to continue. What the client reveals here may
confirm the therapist’s suspicion that continued therapy is no longer advisable, or it may point
to the area in which further work is needed. “There are certain patients,” says Yalom (1985),
“for whom even a consideration of termination is problematic. These patients are particularly
sensitized to abandonment: their self-regard is so low that they consider their illness to be their
only currency in their traffic with the therapist. … If they were to improve, the therapist would
leave them; therefore, they must minimize or conceal progress” (p. 371). For such a client, the
work of termination, including developing a sense of self-worth sufficient to survive the loss of
the therapeutic relationship, is the needed therapy.
Even in situations in which client and therapist have agreed that therapy is done, that the
client’s goals have been reached and he is ready to move on, the approach of the actual moment
of good-bye may be an anxious time for the client. Maybe he was wrong; maybe just a few more
sessions. … “I’ve changed my mind,” he says. “I don’t want to terminate after all.” Salzman
(1989) advises: “The therapist should not be trapped into postponing or abandoning his plans
to terminate because the patient experiences renewed anxiety. It should be clearly understood
by both patient and therapist that anxiety … will occur throughout the patient’s life and that
therapy is not a permanent guarantee against disturbed living” (p. 229).
Forced terminations
At times, sadly, therapy must terminate in spite of the wish of both client and therapist to
continue. Most common among these are terminations required by the policies of the agency
or institution within which the therapy is being done or by the limitations of the client’s
insurance or HMO. Occasionally, but not often, third-party payers or agency supervisors will
allow exceptions to their usual rules; occasionally, clients are willing to continue therapy at
their own expense when their insurance benefits have been exhausted. Kramer (1990) says
of these arrangements, “Those therapeutic disciplines that work with specific and identi-
fiable symptoms, contractual agreements, or predetermined time limits do not have the same
confusion as the open-ended psychotherapies about how and when to stop treatment. They may
have the opposite problem: when to continue” (pp. 4–5). In other words, before seeking an
exception to the rules or encouraging the client to pay out of pocket for additional sessions, the
therapist should make certain that this is an exception: that the client’s situation has turned out
to be different from what either therapist or client anticipated, and that more therapy is actually
needed rather than simply desirable. To do otherwise may send a signal to the client that he is
unable to function without the therapist’s help.
Life changes—for either therapist or client—may also force an undesired termination of
therapy. For example, the client’s career may require him to move to another location or to
work hours incompatible with the therapist’s schedule. The therapist may change jobs, or
move, or leave her practice temporarily for further training. Illnesses can make it impossible
Termination 217
for the therapist or the client to continue the work. Sometimes these problems can be worked
out with sessions scheduled at a different time or in a new location or less frequently than
before, and sometimes they cannot. When a forced termination becomes a possibility, the
focus of the work should shift immediately to that termination—what it will mean to the
client, how he will deal with it, whether he will transfer to another therapist, and what he can
accomplish in the time remaining. Shifting the focus in this way does not mean that his other
issues will be ignored; these issues are the background that will shape and color his reaction
to termination.
Ending therapy, particularly a therapy in which the relationship between client and therapist
is of central importance, always carries with it some sadness. Something that has been very
important is ending; the special bond that has grown between these two people is being severed.
When therapy ends prematurely, forced by circumstances beyond client’s and therapist’s control,
the sadness can be complicated by anger and resentment. Dealing with these feelings and their
relationship to both past and future endings is the next-to-last task of therapy. The last task of
all is actually saying good-bye.
Denial and isolation To accept the reality of loss To remind the client of the ending
and its link with the contract
Anger To experience the pain and grief To accept the client’s feelings; to
deal with any unfinished business
Depression To experience the pain and grief To maintain contact with the client
To end
(We have taken liberties with Tudor’s conceptualization of this issue, choosing to focus on the
importance of the client’s becoming aware of his own experiencing rather than on the need
for confrontation.)
Bargaining involves an activity as well as an emotional experience: the “if you’ll do this,
I’ll do that” activity and its accompanying sense of false hope. Its most common manifestation
in psychotherapy is the attempt to establish a new kind of relationship with the therapist in the
future. The client may suggest meeting the therapist for lunch, for instance, or offer to babysit
or provide some other service. If the client is not helped to understand his process—and to
value it for the functions it serves—he may continue to deny the reality of parting and thus
deprive himself of the chance to work through the remaining stages.
In thinking about the end of therapy and the sadness that the client may feel over what he
is losing, we tend to focus on the loss of the therapist and of the opportunity to experience
this kind of unique relationship. But there is another loss as well, one that is perhaps not
as obvious. In making the changes that occur in successful therapy, the client must let go
of old strategies, old ways of being, old patterns of expectation. The therapist has been the
temporary holder of these aspects of the client’s self; she has been the one who understood
220 THE ART AND SCIENCE OF RELATIONSHIP
them, tolerated them, validated their function. With her, the client could be all of himself,
even those parts that he will eventually outgrow and give up. Now, as therapy ends, that
outgrowing time has arrived, and he may experience “a deep reluctance to bid farewell to
these wild and childish parts of the self ” (Coltart, 1996). Ending therapy means saying
good-bye, not only to the therapist and to the therapeutic relationship but also to one’s oldest
friend of all, one’s former self.
Fear, too, can be a part of the termination experience. “Will I be able to make it on my own?”
“What will I do if I start falling back into the same old stuff?” “Who will there be to understand
me and help me when I need it?” “Things will feel so empty for me, without this relationship;
I’m scared of what that will be like.” As with all of the other emotions of parting, fear and
anxiety should be met head-on: explored, talked about, validated. It makes sense to be afraid of
termination, especially if the therapy has been long-term and the client has come to rely on the
therapist’s presence. It makes sense to experience that fear rather than to try to bury it out of
awareness. It also makes sense to move ahead, through the fear; new beginnings nearly always
carry some portion of anxiety, and the client can handle it.
Some clients become angry as termination nears. Anger can be a defense against fear and
sadness, or it can be a genuine response to the frustration and unfairness of having to say
good-bye to a valued relationship. The client may be embarrassed by his tender or loving
feelings toward the therapist and use anger to cover those feelings; or he may feel that the
therapist is abandoning him; or he may be angry because his own discomfort seems so much
greater than that of the therapist. “I’m feeling terrible, and it doesn’t seem to bother her very
much. Maybe she doesn’t really care about me after all—I probably should never have trusted
her. …” With all of these reactions, the therapist’s job is to help the client to talk openly
about his feelings, to accept them nondefensively, and to take them seriously. Anger can be
energizing and empowering, and termination can provide an opportunity for the client to be
angry while still maintaining—or even enhancing—contact with the person who is the target
of his anger.
While sadness, grief, anger, and fear all have their part in the client’s experience of
termination, focusing only on these uncomfortable emotions would be wrong. There can
be joy and triumph in termination as well. It is a time for congratulations on a job well
done, for celebration of a new beginning. It is a time for appreciation of all that has been
accomplished, by both therapist and client. Says Bond (1993), “It is essential that a healthy
person be able to express gratitude and feelings of love to the analyst before termination can
occur. After all, theirs has been the most intimate relationship of which human beings are
capable” (p. 59). Expressing love is one of the eight relational needs that we have identified
(Erskine, Moursund, & Trautmann, 1999; see also Chapter 3); and this need can emerge
strongly toward the end of a relationship. Strangely, it is often more difficult for therapists
to accept expressions of gratitude and love than to deal with the client’s more negatively
toned emotions. Therapists are trained, after all, to help their clients work through all sorts of
Termination 221
frightening and uncomfortable feelings; unfortunately, many are also trained to be suspicious
of such things as love or gratitude, labeling them as “transference” or “manipulative.” In so
doing, they deprive their clients of the opportunity to end their work with a contactful and
loving expression of what that work has meant to them.
Tasks of termination
We have used the phrase “termination process” a number of times in these paragraphs.
Termination is a process, not an event. It is a process that involves a number of tasks; and,
while the exact nature of these tasks will differ from client to client, there is a core of similarity
among all planned therapy terminations, a set of tasks that need to be attended to if the
therapy is to be complete. All of these tasks involve exploring the client’s internal experience:
his thoughts, feelings, and fantasies about ending therapy. “To ensure that separation is not
experienced by the patient as a catastrophic loss or as abandonment, the therapist needs to
actively engage the patient in the separation experience. The therapist does this by making
the feelings and thoughts associated with termination explicit. His job is to enable the patient
to talk about the apprehension and sadness, as well as the exhilaration, that the patient feels”
(Cashdan, 1988, p. 144).
The first issue likely to be raised is the client’s readiness to terminate. With some clients, this
is relatively straightforward: they have (with the therapist’s support) decided that it is time to
end their work, and they are ready to explore their mixed feelings about their decision. Indeed,
they have been doing so all along, for these feelings have been an important part of the decision
process. Clients for whom termination is likely to be more difficult, in contrast, tend to fall
into two extremes: either they protest, bring up new issues, relapse into previously outgrown
behaviors; or they shrug off termination as unimportant, something about which they have no
strong feelings.
The client who acknowledges no particular feelings about termination, whose attitude
seems to be “I came to do a job, I did it, what’s the big deal?” may be sliding back into an
old pattern of disavowal in which uncomfortable feelings are simply papered over rather
than dealt with openly. Bond (1993) advises, “When leave-taking is too comfortable, the
experienced [therapist] will get suspicious and seek to help the patient find and experience
the hidden grief beneath his defenses. If he leaves without experiencing a mourning period,
he is in line for trouble later” (p. 47). The therapist needs to inquire patiently about the client’s
feelings and may need to go back to strategies used earlier in treatment to help the client
recognize and own his feelings—for instance, using exploration of body sensations as an
avenue into emotional awareness.
The client who protests termination, who pleads for additional sessions, brings up old
issues (or new ones), or relapses into symptomatic behavior, is not denying his reluctance
to terminate; if anything, he is exaggerating it. These kinds of behaviors may be a kind
of bargaining, a way of hanging on to a relationship that the client is afraid to give up.
The therapist’s first task with such a client is to carefully reevaluate the termination decision:
Is it really in the client’s best interests to quit now? What impact is the client trying to make,
and upon whom? Is it possible that the client is right, that further therapy is needed at this
time? Consultation can be quite helpful in these situations, and the consultation should always
include a consideration of the therapist’s feelings and motivations too: if she was wrong in
Termination 223
suggesting or agreeing to termination, why did she allow herself to make that error? What is
happening in the therapeutic relationship that makes her so ready to end it?
If, after careful consideration, the therapist concludes that termination is in fact the best
course, she must inquire about the client’s experience, memories, and relational needs. The most
effective way of dealing with self-hurtful behavior (and exaggerating one’s need for therapeutic
help is, ultimately, self-hurtful) is likely to be validation: confirming and validating the function
of the behavior. Talking about what is happening and what needs the client is attempting to
meet, allows him to feel understood even as he is invited to be honest with himself about what
he is doing. It is seldom experienced as critical or belittling; rather, the client becomes a partner
in the business of discovering what his behavior is intended to accomplish and how those goals
can be met in more appropriate and effective ways.
Clients who attempt to cajole or coerce their therapist into prolonging the work are likely
to use the same kinds of techniques with other people in their lives. They have learned
over and over again that asking straight out does not work, so they wheedle or threaten
instead. Often they are not consciously aware that they are being manipulative; nor are
they aware of the effect that this sort of behavior has on their friends, family, or coworkers.
The therapist’s sharing of her own internal response to his actions can not only help him
realize what he is doing but can also point out the costs of such behavior in his other
relationships. Says Cashdan (1988), “A major goal in the … final stage of treatment is to
provide patients with vital information about the way they are perceived by others. Patients
need to learn in a very direct and immediate way how their interpersonal manipulations
affect those about them. This is accomplished by providing patients with feedback about
what it is like to be the recipient of their projective manipulations” (p. 133). Again, though,
the therapist must take care to couple this feedback (which is a kind of confrontation)
with validation of the underlying function of the behavior. To end therapy without such
confrontation and validation would deny the client one of the most important aspects of
treatment: the experience of being accepted, valued, and understood even when behaving
in ways that seem hurtful or inappropriate.
Since termination of therapy marks the end of a relationship, it is a natural time to explore
other endings, other good-byes. Lankford (1980) describes her termination work: “I also
encourage people to look at their past and consider if they have unfinished business with
people. Might they wish to resolve this with the people directly, or do they prefer to resolve it
within themselves so they can leave it in the past?” (p. 176). This kind of discussion can lead
to the client’s literally going out to people who have been important in his life and talking
with them about issues that have been left unfinished, or it can lead into pieces of therapeutic
work in which the client deals with the fantasy image of someone who is no longer physically
available to him. In either case, the process works in two directions: working through old
unfinished issues allows the client to deal with ending therapy more clearly, unentangled by
the threads of past guilts and resentments; and the experience of talking openly about the
224 THE ART AND SCIENCE OF RELATIONSHIP
end of therapy helps him find the courage and the skill to resolve those old and often painful
relationship issues.
Resolving old issues means letting go: letting go of the anger, the resentment, the fears and
regrets that characterize unsuccessful relationships. It means giving up the dream that the past
can somehow be changed and everything be made all right again. Dealing with feelings toward
the person or persons who have failed the client in the past—who have abused, neglected, or
abandoned him—clears the way for forgiveness: “The patient does not have to forgive these
objects for what they did, but rather for their inability to appreciate the devastating psycho-
logical legacy it would leave behind” (Cashdan, 1988, p. 140). What they did to him may indeed
be unforgivable; but they can at least now be understood as people who were too ignorant,
or too caught up in their own needs, to understand the full import of what they were doing.
Knowing this, the client can also recognize how far he has come, how different he now is from
both himself back then and from the significant others on whom he was once dependent.
No longer needing to protect or distance himself from them, he can walk away free of the
emotional burden he has been carrying for so long.
Pistole (1999) emphasizes the shifting role of the therapist and the client’s need to accept that
shift as therapy moves toward termination. At many times throughout therapy, the therapist
has assumed the role of the nurturing, caring other who was not available in the past when
the client needed relational support: in other words, the therapist has acted so as to respond
to the client’s archaic needs as expressed in the transference. At other times—and increasingly
often toward the close of the work—the therapist acts “so as to promote security in the here-
and-now relationship” (p. 440). Behavior aimed at prolonging the therapy may be a signal that
the client does not yet feel able to function as an autonomous adult and fears that he will fail
without the support of a parental figure. Working through such issues is a significant facet
of the termination process. Therapy cannot be completely successful until the therapeutic
transference has been recognized and is replaced—at least for the most part—by a relationship
between two contactful and fully present individuals.
As he prepares to end the therapy that has been such a central part of his life, the client
will begin to shift his focus from what he is leaving behind to what he is moving toward.
Relationships outside of therapy will become increasingly important and the relationship
with the therapist less so. This shift must be supported. The therapist must help the client to
anticipate the challenges of dealing with his world on his own, to anticipate the problems he
may face and develop strategies for solving them. She needs to affirm clients’ “reorientation and
relearning, [their] withdrawal from therapy, and [their] (re)investment in themselves, in others,
and in the social world beyond therapy” (Tudor, 1995, p. 232).
Before shifting entirely into that out-of-therapy world, though, the client needs to take a
long look back at what he has accomplished. He needs to develop a cognitive frame that will
give structure to the affective work he has done and the changes he has made. Greenberg and
Paivio (1997) suggest that “the final phase of this work involves the creation and consolidation
Termination 225
of new meaning by reflecting on what has occurred and developing a narrative of how the
experience one has been through fits, or changes, one’s identity” (p. 128). To the degree
that therapy has been a worthwhile investment, the client has made significant shifts in his
patterns of thinking, feeling, and behaving. He needs to be grounded in these new ways of
being, feeling the connection between old self and new, integrating all that he has been with
what he is now becoming.
not realistic; (c) gradually create and imagine oneself in more realistic scenes; (d) rehearse
and refine ways of being in the realistic scenes; (e) make a commitment to follow through and
actually try out the new behaviors.
Beginning the role play with a highly unrealistic scene (“You’d probably never actually do
this, but just let yourself imagine what it would be like”) can allay the client’s performance
anxiety; adding humor allows both client and therapist to have fun with the exercise.
Says Mahrer (1998), “To make things safe, the context is playful unreality. Make it exceedingly
clear that this is not for real. Instead, the atmosphere is one of sheer nonsense, silliness, outra-
geousness, caricature. Make it clear that the aim is just to gain a sense of what it could be
like to be this whole new person out in the extratherapy world” (p. 213). A client who first
acts out kicking his boss around the parking lot like a football, for instance, can experience
his newfound strength and assertiveness. He may then express his anger by just shouting at
his imagined boss, still with a sense of strength. Eventually, he can take his angry feelings
into a role play of setting clear and effective limits at work, and this behavior may be one he
is ready to actually try out in reality.
One of the things the client leaves behind as therapy ends is the opportunity to face himself,
to be con-fronted in a supportive and positive way. Therapeutic confrontations, as we have
described them, involve not just calling some response to the client’s attention, but doing
so in order that client and therapist together can explore the psychological function of that
response. This kind of confrontation requires that the client observe himself, that he stand
back and ask what it is he is needing, what he is trying to accomplish. Learning to develop
this kind of self-awareness is an important generalization task: clients need to be able to step
back from problematic situations, observe themselves and their responses, and open their
awareness not only to what they are doing but also to the needs that they are experiencing and
how their behavior is related to those needs. This is one area in which the client can usefully
take the therapist’s voice with him into the post-therapy world. “The collaborative aspects of
the therapeutic relationship,” say Glickauf-Hughes, Wells, and Chance (1996), “strengthen the
client’s capacity to observe and reflect upon his/her experiences in the presence of the therapist
and to gradually extend these observing functions to situations outside of the therapeutic
situation” (p. 433).
done and at what the relationship has become. Looking forward to what will happen for
the client during the coming weeks, months, and years has probably been going on to some
extent during the last few sessions; it is an important part of preparing for termination.
The last session’s forward-looking is essentially a review of this work: what sorts of
situations are likely to be difficult for the client and how will he manage them? How will
the work he has done over the course of therapy help him to handle those difficulties in
a new and more effective way? Under what circumstances is he likely to relapse into his
old patterns, how will he recognize a relapse, and what will he do about it? How will he
know if he needs to return for more work, either a therapeutic “booster shot” or for more
extended treatment?
The backward-looking of the final session should be a review of what has been accom-
plished and, perhaps more importantly, of how the client’s relationships (with the therapist
and with others) have changed. Salzman (1989) takes a rather businesslike view of this
retrospective process: “Before termination, the therapist should review the work done and
also what has been left undone. Introspection, not preoccupation, should be encouraged,
and a closing statement of the history of treatment and assessment of progress should be
made before the therapeutic relationship is brought to an end” (p. 228). Salzman is correct,
of course; these things do need to be done. However, in a relationship-focused therapy,
there is much more to consider than an objective “assessment of progress.” Here are two
people who have created, between themselves, something unique and precious, something
that will never be exactly repeated. The special quality of their working relationship, of the
openness they have developed and the struggles they have shared, must also be acknowl-
edged and celebrated.
Along with acknowledging the relationship they have created, therapist and client will
need to acknowledge each other, to share their sense of appreciation for what the other
has done. The client has changed in ways that would not have been possible without the
therapist’s guidance, and he is grateful. He is grateful for the therapist’s patience, for her
support, and for her skill. He needs to express this gratitude, and the therapist needs to accept
it graciously. This is not the time to explore the hidden meaning of a gift or a thank-you,
to be concerned about manipulation or unresolved transference; this is the time to simply
accept with thanks.
The therapist too may choose to share her appreciation of the client, of what the client
has done and of what being a part of the client’s journey has meant to her. She may have
her own reasons for gratitude: she too has had her off days, has occasionally misunderstood
or been too focused on her own agenda, and the client has been willing to move past her
errors. Cashdan (1988) suggests that the therapist may wish to thank the client for putting
up with “some of the therapist’s idiosyncrasies or occasional lapses. The therapist might want
to acknowledge the patient’s forbearance in the face of trying episodes that occurred during
the course of treatment” (p. 146).
228 THE ART AND SCIENCE OF RELATIONSHIP
Both client and therapist have done well; and both could have done things differently,
perhaps with even better results. Termination can bring a sense of regret for lost opportunities,
for work not done, and for possibilities not realized; and this too should be acknowledged.
Murdin (2000) comments, “Both the patient and the therapist will have ideas about what
has been missed, although they may be different. Patients can be encouraged to say what
they have missed or not been able to change. Therapists are less likely to say what they think
has not been done unless it relates to what the patient has already said” (p. 146). The old
guideline for therapeutic credit and blame—that the client gets credit for what goes well and
the therapist takes responsibility for what goes badly—is perhaps most critical at the end of
treatment. One of the cardinal objectives in termination is that the client should leave with
a sense of accomplishment, both in order to engage in posttherapy pursuits with confidence
and to be able to return to treatment, if necessary, without having to lose face or feel that he
has failed. The therapist may choose to comment on areas for future work but must be careful
to avoid any sense of criticism of how the client has used their time together.
After all this—the reviews, the appreciations, the regrets—comes, at last, the moment of
good-bye. This is a moment, says Tudor (1999), “in which the psychotherapist models in his or
her behavior, thinking, expression of feeling, attitude (posture), and social and transpersonal
awareness an integrated Adult relationship which allows him or her to let go of the client, thus
ultimately promoting the client’s autonomy” (p. 233).
But must the therapist let go completely? Must the relationship truly and forever end?
Is there no possibility of some new kind of coming-together, some new basis for relationship?
After all, these two people have been through so much together and know each other so well—
what a loss to let all of that disappear. Yes, it is difficult, but to do otherwise would prevent the
client from doing what he most needs to do at this point: end the work. Termination with the
hope of continuing in some other way is not real termination. Coltart (1996) lists a number
of reasons why termination should be a true parting: “the reinforcement of the strength of
internal objects; a refusal to expose, and perhaps impose, too much of the therapist’s real self
on vulnerable ex-patients; and granting them a freedom to work through and resolve final
transferences, in fact, all remaining problems, on their own. It also allows patients to be sad
and to manage their own mourning for the loss” (p. 125).
And so the work ends. The client leaves, perhaps to seek therapy again sometime in the
future, perhaps not. Even if he does return, to this therapist or to someone else, it will not be the
same. This therapy, this unique experience of being and working and growing together, is done.
The growing together is over, but the growing is not: both therapist and client, in their separate
lives, will continue to grow and change. It is their continued growth that prevents either from
returning to this relationship that has now ended. There is an old saying, “One cannot step
twice in the same river.” The river flows on, continually changing; it can never again be exactly
as it is now. As therapy ends, two lives that have joined for a time now flow apart; they can never
rejoin in exactly the same way.
Termination 229
Summary
Endings are an inevitable and often difficult part of life. Psychotherapeutic termination can be
particularly difficult because it marks the end of a highly valued relationship.
Criteria for termination include symptom relief, changes in the client’s underlying script,
improved problem-solving and relationship skills, and a shift in the client–therapist relationship.
Client and therapist may not agree about when to terminate. If the client chooses to leave
prematurely, the therapist should allow him to do so in a way that will facilitate his returning to
treatment at a later time. If the client is overly reluctant to terminate, it is important to discuss
his reasons fully; dealing with termination issues may be the major therapeutic work that needs
to be accomplished.
Sometimes circumstances force termination against the wishes of both client and therapist.
These circumstances include restrictions on the part of insurance or agency, or client’s or
therapist’s life changes.
Preparing for termination involves a thorough discussion of feelings. The client may feel
sadness, fear, anger, or joy and satisfaction. The therapist, too, may feel both pleasure and
regrets and will want to share some of these feelings with the client. Other tasks of preparing
for termination include exploring the client’s readiness to leave, dealing with his tendencies
to either minimize or overstate his discomfort with termination, confronting manipulative
behavior, exploring other life experiences of ending relationships, letting go of old unfinished
business, shifting focus from in-therapy process to out-of-therapy concerns (including general-
izing new skills to out-of-therapy relationships), and appreciating therapeutic changes.
In the final session, the client should be helped to anticipate what his life will be like now
that he has completed his therapy, to look back at what he has accomplished, to express
his appreciation of the therapist’s contribution (and to accept the therapist’s appreciation of
him), and to talk about what may have been missed or may remain to be dealt with later.
Part III
The Transcript
Ch apt e r 1 2
The transcript
I
n the preceding chapters, we have presented a great deal of theoretical material, as well as
some highly practical suggestions about how to conduct an effective relationship-focused
integrative psychotherapy. To show how these ideas are actually used, we have prepared an
annotated transcript of a therapy session. The transcript is taken from a recording of a session
conducted in the offices of the Institute for Integrative Psychotherapy; it is a verbatim record of
the full session, changed only to protect the identity of the client.
Annotations, particularly when they occur frequently, can interrupt the reader’s sense
of the flow of therapeutic work. To avoid this kind of interruption, we have chosen to insert
the annotations as footnotes; the reader is then free to read transcript and annotations
together or to first read through the transcript without interruption and then re-read it in
connection with the annotations. In most cases, annotations contain a reference to a page
or pages in previous chapters where the issue in question is discussed. The reader will also
notice that the transactions between therapist and client are numbered to make referencing
them easier.
The client, in this session, Ellin, is a tall, attractive woman in her late 40s. This is her fourth
session with this therapist (she also was in treatment with another therapist for several months,
some years earlier), and she is familiar with the setting in which the work will take place.
She enters, makes herself comfortable, and waits for the therapist to speak first:
1
THERAPIST: Where would you like to start today?
2
ELLIN: Um, I’ve got an idea, but I’m not quite sure where it will lead. And, um … there’s
so much I’ve been thinking about, like when I wake up at 4 A.M. and can’t go back to sleep;
233
234 THE ART AND SCIENCE OF RELATIONSHIP
I think I’ve gone about as far as I can go with it on my own. And I want to know where else
it can go. And, um, it’s, um, it’s to do with not feeling safe around my dad.1
3
THERAPIST: Ouch … What a constant tension that must bring to you. Not so much like
an ouch, but more like just a heaviness.
4
ELLIN: Yeah, and I’ve felt that way for so long, and I’ve talked about it before, but now
I don’t want to, you know, I can see that’s no point in it still being around. So I want to
really try and get rid of it.2
5
THERAPIST: (pause) What kinds of things do you think about at 4 in the morning?
6
ELLIN: Well, I was thinking about the times when I, when I haven’t trusted my dad.
Or I haven’t respected him. Um … but it’s all tied up with my mother, and my mother’s,
um, well partly my mother’s jealousy, and partly expectation of my dad, um, cheating
on her. Which he did, all the way through their marriage. And they now live separately,
um … (pause) so it’s partly like there was a real reason for her to feel jealous; which
I was aware of when I got older. And there was a real reason for me to feel on guard
around my dad. Because … (pause) it’s like, because he, he couldn’t show affection, he
didn’t know how to be affectionate, it all got tied up in sexual innuendos, and sort of
inappropriate language … (pause) Well, what I was thinking this morning is, um …
well, there are hundreds of things, but one is that I recently went up to Chicago and
joined my family for a kind of reunion. And, um, there’s a tension between my mother,
my father, and my aunt. Because my mother feels jealous of my aunt, and anybody who’s
affectionate to her. And my dad clearly prefers my aunt to my mother, even though
there isn’t anything sexual, cause they’re sort of in their 70s and 80s. And it’s, um, it’s
that, that is a sort of continuation of years and years. But, um, it’s like … yeah. Um …
well like one time I wanted to go through Chicago to my mother’s house, and I decided
to stay the night at my dad’s apartment. And that, that felt risky, because I don’t really
know whether I can trust him, cause that would be me alone with him. But it was also
sort of added to by my mother’s reaction: “Oh, he won’t like that. He doesn’t like people
staying at his place.” And it was this kind of “keep off ”—you know, it’s like, I think
there’s always been that element of “don’t get close.”
1
Although this is not an initial session, and the overall therapeutic contracting work was done earlier, the therapist has still
invited Ellin into a contract. Both Ellin and the therapist know, by now, that this session contract is likely to be a springboard,
a starting place rather than a statement of what will actually be accomplished, and the therapist’s question acknowledges this.
Ellin, too, acknowledges that she doesn’t know where the work will take her; what she does know is that she wants to deal
with unfinished business with her father. Saying that she has “gone about as far as I can go on my own” is a request to be taken
further by the therapist. (See Chapter 7, p. 170; Chapter 9, p. 163.)
2
Ellin has worked with this therapist for three previous sessions and has learned to move into her work with little or
no warm-up. The therapist, recognizing Ellin’s readiness to work, waits a moment (to allow her to elaborate if she will)
and then asks a question that will move her quickly from her rather vague statement to a specific starting point.
(See Chapter 6, pp. 112–113)
The transcript 235
7
THERAPIST: You think the message was “don’t get close,” rather than her attempting to
protect you from his rebuff.3
8 ELLIN: Definitely. Yeah. I didn’t have a sense of her being protective.
9 THERAPIST: The way you describe her, she sounds so critical.4
10 ELLIN: Yeah. She is. Yeah …
11 THERAPIST: What just happened to you there?5
12
ELLIN: (voice is breaking) Well it’s just like, her old relationship with me and to the world
is critical. … And it’s kind of like one of these, um, like you finish a phone call and you
realize you feel worse afterwards. But I’m getting better at picking it up. I mean, the most
recent example is, I went to this wedding. And she asked me, “How did the wedding go?
Did you look nice? You tried your best to look nice.” And it’s that kind of … you know, it’s
like “why bother?” That’s how I hear it, anyway. Sort of like …6
13 THERAPIST: Why bother? What’s that mean?
14 ELLIN: (tearful) It’s a waste of time.
15 THERAPIST: You mean, you tried your best and you still can’t look nice?
16
ELLIN: (nods) And, um … sort of like, um, it’s all (sigh) … it’s all tied up with being attractive.
It’s sort of like feeling it was dangerous to be attractive in my, in my childhood. (sigh)7
17 THERAPIST: (pause) And that’s in reference to both mother and father.
18 ELLIN: Yeah. Yeah.
19 THERAPIST: Mother would be jealous, and father … you couldn’t be sure what he’d do.
3
Throughout this whole, rather rambling statement of Ellin’s, the therapist has not only listened respectfully, but has maintained
cognitive attunement, following both the content of her discourse and the way in which she organizes and frames that content.
He has put himself into her frame of reference, adjusting his thinking pattern to hers, following her process of moving from one
idea to the next. It is this attunement that allows him to extract the most important feature of her story, that mother was rejecting
rather than protective. As we shall see, this lack of protection has been a critical element in forming the script pattern that is now
so troubling to her. (See Chapter 6, p. 108)
4
This is one of many empathic interventions in this transcript in which the therapist’s tone of voice conveys even more
than his words. With the addition of body language, his response goes beyond simply reflecting what the client has said: he
has “listened from within,” attending to his own reactions to Ellin’s description of her mother as well as to Ellin’s. His short
statement includes both his sense of Ellin’s experience and an acknowledgment of his own emotional response to mother.
(See Chapter 5, p. 91)
5
The therapist’s affective attunement sensitizes him to a subtle shift in Ellin’s affective state, and he makes a phenomenological
inquiry. Does the question predict or create Ellin’s immediate emotional response? Or does her behavior predict/create the
therapist’s intervention? The therapeutic process has already become a mutually regulated process, a dance between two fully
involved individuals, each responding to the subtle cues given by the other. (See Chapter 6, pp. 105, 122)
6
Thinking and feeling are intertwined throughout life. Ellin’s thoughts about her appearance are shaped by her feelings about
herself (which, in turn, have been twisted and toxified by Mother’s criticisms). Her feelings are triggered and directed by the
beliefs—the cognitions—that accompany them. (See Chapter 3, p. 40)
7
Every child needs attention and approval. But Ellin’s early efforts to satisfy these needs met with criticism from Mother and
sexualized responses from Father. No wonder the need to be approval-worthy had to go underground! Feelings involving a desire
to be close and to be admired were transformed into feelings of wariness and anxiety, and her perception of herself as lovable was
buried beneath a protective belief in her own unattractiveness. (See Chapter 3, pp. 42, 53)
236 THE ART AND SCIENCE OF RELATIONSHIP
8
In this and the several preceding transactions, the therapist is using phenomenological inquiry to explore both the client’s early
experience and her current thoughts and feelings about those experiences. He is respectful and interested; he does not interpret
Ellin’s words or add to her story but, rather, uses clarifying questions (and implied questions) to help both of them understand
how past and present interact for her. (See Chapter 6, p. 122)
9
The earlier a script pattern is established, the more firmly set it becomes within one’s overall way of being in the world. Here is
evidence that events shaping her script belief that she is unattractive were occurring at least as early as 2 years. No wonder that
belief is so well entrenched, so capable of withstanding the evidence of her own eyes! (See Chapter 2, p. 25)
10
Unlike the previous inquiries, which have been primarily phenomenological—that is, having to do with Ellin’s internal
experience—this question asks about an external reality. Its purpose is to place the client’s description of the problem, and her
affect around it, in the context of what her family was like, and so to evaluate its objective significance.
11
In the context of an antagonistic relationship, one in which the child does not feel accepted or respected, criticism interferes
with the development of a sense of self-worth and creates, instead, a sense of shame. The therapist’s authentic respect and
involvement in the therapeutic relationship allow Ellin, in his presence, to temporarily set aside her feelings of physical
wrongness, even though the rest of the time Mother’s criticisms continue to distort her sense of self. (See Chapter 3, p. 47;
Chapter 10, p. 204)
12
The therapist’s matter-of-fact reference to Ellin’s figure is worlds away from her father’s sexual suggestions; Ellin is being given
an experience that runs directly counter to the experiences with Father on which her script beliefs and decisions are based.
The therapist’s question is designed not only to elicit information (useful to both Ellin and the therapist) but also to ensure that
Ellin notices and remembers this new way of being in relationship. (See Chapter 5, p. 79)
The transcript 237
32
ELLIN: It’s that, yeah, I’m sort of overwhelmed. I’m remembering back to playing
volleyball back at school, and being in the front row. And, um, people just, like freaking
out, when I stood in front of the net. (sigh)13
33 THERAPIST: What age are you talking about, as a volleyball player?14
34 ELLIN: Anywhere from 11 to 16.
35
THERAPIST: So in some ways that’s the age you’re reexperiencing right now. Somewhat
under 16.15
36 THERAPIST: (continuing) So if I tell you that you look good …
37 ELLIN: I go back to the horrible place.16
38
THERAPIST: Do I threaten your sexual security, like Dad’s sexual innuendos threatened
your security? (Ellin nods a “yes.”) So you’re in a real double bind. (Ellin begins to sob.)
Needing to be seen by us guys as not the gawky kid to laugh at, and yet needing not to be
seen as a sexual object. And with boys you usually get one or the other.17
39
ELLIN: (sigh) (long pause) (sigh) You know, the, the double bind is, I expect, um, I expect
to be rejected for the way that I look, and if I’m not then I reject that person.18
13
Appreciation of her physical beauty, unaccompanied by any sexual invitation or innuendo, does not fit Ellin’s life script.
According to her script, people will either find her unattractive or will sexualize their interactions with her. Since the therapist’s
comments cannot be assimilated into her pattern of script expectations, she defends against them by quickly moving on to
another memory, rather than staying with the here-and-now experience. (See Chapter 3, p. 43)
14
The therapist suspects that Ellin may be not only relating what happened but actually reexperiencing it: a spontaneous
(though partial) regression. His question is designed to assess that regression, as well as to give Ellin permission to continue it.
(See Chapter 9, pp. 179–180)
15
Even though Ellin’s description of her volleyball experience was given in the past tense, her body language, voice tone, and
vocabulary were that of a teenager. At this moment, an archaeopsychic (Child) ego state may be in charge. Developmentally
attuned, the therapist recognizes the partial regression: although Ellin was experiencing the world at that moment from a Child
ego state, her neopsychic (Adult) ego is still accessible and can respond to the therapist’s question. The script information Ellin
needs, though, will not be found in the answers of an Adult; it lives and operates in a Child ego state. Through much of the
rest of this piece of work, the therapist will focus on helping Ellin to continue to access that young ego state so as to recover the
emotions, cognitions, and decisions that are distorting her ability to function in the world as a creative and contactful adult.
To do so, and to take advantage of the regression when it occurs, he will need to maintain a constant developmental attunement
with her. (See Chapter 4, p. 79; Chapter 6, p. 110; Chapter 9, pp. 181–182)
16
The partial emotional regression continues: Ellin’s early experiences with Father have led her to form a script belief that
admiration from a man will always lead to a sexual advance. She now plays out that expectation in her response to the therapist’s
compliment, going back to the “horrible place” of having to deal with father’s abuse. (See Chapter 8, p. 165)
17
Reading Ellin’s body language, the therapist recognizes that her sense of security with him is threatened: his compliments
have triggered a transference reaction, and she is responding to him in the same way that she responded to her father’s
sexual innuendos. Simply acknowledging her need for relational security, giving words to the tension between wanting to be
attractive, yet not wanting to be a sex object, does far more to meet the need for security than would any facile reassurances.
His comment is an interpretation, but it resonates so exactly with Ellin’s experience that it feels to her more like a reflection
of what she is saying, a confirmation that the therapist does understand—a demonstration of his cognitive attunement.
(See Chapter 6, pp. 109–110; Chapter 9, p. 172; Chapter 10, p. 186)
18
The constant barrage of verbal and nonverbal criticism, and the constant need to be wary of Father, constitute a severe cumulative
trauma. Not only the verbal criticisms from mother, that Ellin remembers, but much earlier relational patterns as well have probably
been a part of her script-forming process. Mother didn’t suddenly decide, when Ellin was 13 or 14 years old, to disapprove of her;
238 THE ART AND SCIENCE OF RELATIONSHIP
40
ELLIN: (continuing, after a long pause), I have this sort of image, I just became aware of it
about a month ago. That, um, if anybody touches me, even a woman, like a friend or my
daughter, I’m wary. I’m wary: what will other people think? It’s like, you know, this worry …19
41 THERAPIST: What will my mother think if someone likes me?
42
ELLIN: No, it’s like … touch equals sex. And they will think I’m doing something
wrong … (sigh) It’s, that’s how my dad has contaminated my thoughts. You know,
everything had a sexual slant, and nothing could be natural.20
43
THERAPIST: We need to talk to him here about that. How he contaminated you.
And continues to contaminate your life.
44 ELLIN: (sigh) What, just talk to him?
45
THERAPIST: Well, listening to myself I wonder if I started to talk to him. Listening to
my voice tone here, I suspect I have something to say to him.21
46 ELLIN: What are you saying?
47 THERAPIST: Could you hear my voice tone?
48 ELLIN: Yeah.
49 THERAPIST: What did you think of my voice tone, when I brought up talking to him?22
50 ELLIN: Well … angry.
51 THERAPIST: Yeah, I was feeling angry. And you heard the anger in my suggestion.23
hints of that rejection must have been present throughout most of Ellin’s life. Ellin’s processes of implicit relational knowing
organized these hints into something that made sense: “I’m not lovable.” “Unlovable people get rejected.” “If someone doesn’t reject
me, there’s something wrong and I’d better keep my distance.” (See Chapter 3, pp. 54–56; Chapter 8, pp. 155–156)
19
Ellin’s script belief is that she will be rejected because of her physical unattractiveness. This belief shapes her behavior: she is
“wary” and rejects people who don’t fit her expectations. It’s easy to see how this script belief-behavior system is self-perpetuating:
when people don’t reject her, she treats them in such a way that they will reject her the next time they meet. Her wariness and
expectation of rejection are thus confirmed. (See Chapter 2, p. 26)
20
What a wonderful description of an introject: “dad has contaminated my thoughts.” The introjected father is present in Ellin’s
cognition, injecting his sexuality into all of her relationships. The defenses are softening, however, in response to the therapist’s
attentive and respectful inquiry. The very fact that Ellin realizes that these are Father’s responses, not her own, suggests that she
may be ready to dissolve the introject and rid herself of the contamination. (See Chapter 2, p. 31)
21
The therapist is involved, emotionally active, in this relationship. He is not sitting back in some cognitively remote place.
He attends to his own emotional response, not only as he experiences it phenomenologically but also through listening to his own
voice tone and body language. Here, his voice has been rather harsh, and he realizes that he has grown angry with Ellin’s father—
angrier, probably, than Ellin can yet allow herself to be. He shifts his focus to Ellin and how she is responding to his angry-sounding
voice; his choice of intervention is based both on her experience of him (as he understands it) and on his own feelings. That inter-
vention, acknowledging his own anger and implicitly inviting Ellin to do the same, will help her to reclaim her own genuine anger,
just as it helps the therapist to maintain and enhance his contact with her. (See Chapter 4, pp. 69–70; Chapter 5, pp. 83–84)
22
One of the most important areas of inquiry is that of the therapeutic relationship itself. The therapist’s question here invites
Ellin to talk about how it is between them, but she doesn’t hear it that way; she responds with a description of his voice rather
than of what it was like for her to hear it. The therapist does not press the point; Ellin’s choice of answer suggests she is not yet
ready for a discussion of their relationship. (See Chapter 6, pp. 123–124)
23
The therapist has responded emotionally and does not try to hide his emotional response from himself or from Ellin. He is
providing a model of internal and external contact. More important, he is continuing to build relationship by bringing his whole
self to the interaction. (See Chapter 5, p. 88; Chapter 6, p. 124)
The transcript 239
52
ELLIN: I’m feeling a bit scared now. (sigh) I’m remembering the other thing I thought this
morning, in bed, was that he was very, um, he was very strong. And, um, you know in some
ways I wanted to rely on him. You know, like, he was, he was there when I was really … say
in danger, or—you know, he was reliable in that way. And I just had this image of, um …
(crying) what happened one time, I couldn’t get home, and we lived in a very small place,
with no bus route. And something went wrong that I didn’t get home, and I remember
telephoning, and my dad walking all this—about two miles, to meet me. And I was waiting
under this tree. (cries) And I just think, “Why couldn’t he be there the rest of the time?”24
53
THERAPIST: Yeah. Say that to him, Ellin. Just look at him here (gestures toward an
empty chair). “Why couldn’t you be here?”25
54 ELLIN: I wanted to feel safe.26
55 THERAPIST: Yeah. Tell him.
56
ELLIN: (talking to the “father” chair) I didn’t like the way you talked. I wanted you to
listen, when I said I didn’t want to hear those jokes.
57 THERAPIST: Keep going.27
58 ELLIN: (sigh, long pause; then, to the chair) I wanted you to be faithful to the family …28
59 THERAPIST: (pause) And tell him what you mean by that.
60 ELLIN: (to the chair) I just wanted an ordinary dad.
61
THERAPIST: Faithful to the family … (Ellin sobs) An important phrase. Not just to
your mother. The family. (Ellin sighs deeply) Keep going, Ellin. Keep telling him about
that pain inside.
62
ELLIN: (long pause) Yeah, it’s almost like, with his behavior, like he aggravated the
difficulty between me and my mom. You know, he kind of, because …
24
As Ellin allows herself to reenter the psychological world that she lived in as a young girl, she begins to experience the phenom-
enology of that younger person, feelings and thoughts that she successfully barricades herself against when she is in her normal,
adult state. (See Chapter 9, pp. 179–180)
25
Openness to one’s own feelings, concern for the client’s welfare, and the skillful use of therapeutic technique are all demon-
strated in this single, short intervention. The therapist’s initial “Yeah” is said with voice tone and feeling that clearly convey his
involvement, his frustration with Ellin’s father’s behavior and his strong support for her beginning to demand what she needs.
That involvement helps him to select and introduce a technique—empty-chair work—that will help Ellin to recreate the psycho-
logical state in which she experienced her relationship with Father in childhood: the state in which her early memories were laid
down, and which may need to be reexperienced if those memories are to be brought back into awareness. Speaking “to” Father,
rather than talking about him, not only supports the regression but also allows Ellin to experience in fantasy the kind of contact
that was denied her in reality. (See Chapter 5, p. 88; Chapter 9, p. 176)
26
Ellin goes simply and directly to the heart of her problem with Father: the most basic relational need, that for security in the
relationship, was not met. (See Chapter 3, p. 46)
27
“Keep going” is an inquiry, even though it is not formally a question. It is a request that Ellin explore further, expanding her
internal awareness. It is completely neutral: it does not suggest what Ellin should be discovering or where her exploration should
lead. This neutrality respects Ellin’s ability to discover her own answers. (See Chapter 6, pp. 120–121; Chapter 9, pp. 164–165)
28
The open-ended “keep going” has yielded something new. Even though the therapist does not yet fully understand what Ellin
means, he is alerted by the unexpectedness of her response and quick to follow up on it. (See Chapter 6, p. 122)
240 THE ART AND SCIENCE OF RELATIONSHIP
29
Ellin has not fully immersed herself in the fantasy of talking to Father; she breaks off and addresses her comment to the
therapist. But talking about her father, to someone else, will not be as useful as interacting with him. To bring her back into that
interaction, the therapist simply requests that she tell Father what she has just told him. (See Chapter 9, pp. 179–180)
30
Although Ellin agreed to talk to Father, she found it difficult to begin again. The therapist “primes the pump,” encouraging her
to extend and expand on the thought that she had begun to express.
31
The therapist responds empathically to Ellin’s emotional discomfort. Rather than insisting that she continue the dialogue
with Father, he reflects how hard it is for her to do so, even in fantasy. The warmth and kindness in his voice, his forward-
leaning body, his facial expression, and his willingness to abandon his agenda in order to acknowledge her distress are further
evidence to her that he does understand, that he is fully present and aware of her internal experience. (See Chapter 5, p. 99;
Chapter 9, p. 185)
32
As soon as she feels heard, understood, protected, Ellin is willing to return to the empty-chair exercise. Taking advantage of
her willingness to deal with Father directly, the therapist invites her to do so within another regression: through imaging and
talking to her young father, Ellin will herself be pulled back to the time when her father was that age—her own early adolescence.
(See Chapter 9, p. 183)
33
Children (and adults as well) often try to protect their parents, even when those parents have behaved badly. The relationship
with parents is needed and must be maintained. Ellin excuses her father because he “meant well,” thus preserving the image
of a good daddy. In order to do so, she must deny her own knowing, her ability to be fully aware of her internal and external
experience. The denial allows her to stay in relationship with him even though he has been sexually inappropriate with her. In his
response, the therapist picks up on this dynamic and makes it explicit. (See Chapter 3, p. 56)
The transcript 241
sexual innuendos. And she can’t even tell you how terrible it is with Mom’s criticism …
Now you gotta stop it and make it safe for her to come close to you. You are damaging your
daughter, because now she has neither parent. … Now listen to her, and change!34
74 ELLIN: No, it’s too late. Too late.
75 THERAPIST: Tell your father that.
76 ELLIN: (sigh) (pause) Yeah …
77 THERAPIST: Tell him, “It’s too late, Dad.”
78 ELLIN: Yeah. It’s too late.
79 THERAPIST: And tell him what that means.35
80
ELLIN: (sigh; pause; then, to “Father”) Yeah, it’s like when I wanted to, when I was a child
I needed you there. It’s no use saying you love me. I know you say you love me …
81 THERAPIST: Which isn’t the same as “I know you love me.” “I know you say you love me.”36
82 ELLIN: Oh, yeah …
83
THERAPIST: (talking again to the chair) Father. Loving, to a child, is always in behavior.
Not in abstract concepts. And this daughter of yours needs you to love her by stopping all of
the sexual innuendos, (Ellin sighs loudly) and stopping the sex outside—with other people—
She’s begging you to be faithful to the family. (Ellin weeps) Take her seriously, Father!37
84 ELLIN: (deep sigh) It hurts …
85
THERAPIST: (still talking to “Father”) She doesn’t dare get angry at you because you’re
all she’s got … and she doesn’t really have you, when she’s so tense.
86
ELLIN: What’s coming through my head now is, um, it is, it’s important, because it’s like, um,
it confirms the feeling I’ve had all these years, like, when I was sitting on the bus with my dad,
we were heading back to my dad’s apartment. And my dad started to get off the bus, like, it
was one stop ahead. And then he kissed me on the lips—it felt like an intrusion. It felt like
34
The therapist is attending to a number of things in this relatively long intervention. He is modeling the effective use of the
empty-chair technique, showing Ellin how to make Father’s presence psychologically real. He is demonstrating his attunement
to Ellin’s needs: his understanding of her emotional experience, and his own emotional response to that experience. Finally, by
demanding—in Ellin’s presence—that Father behave appropriately, he is allowing Ellin to at last be in relationship with a strong,
protective, trustworthy man. Since such a relationship is not possible in the context of Ellin’s script system, the experience
constitutes a strong challenge to that script. (See Chapter 4, pp. 70–71)
35
“It’s too late” is almost a sign-off statement: “It’s too late, so I won’t talk to you about it.” The therapist’s intervention encourages
Ellin to stay in contact with Father rather than withdrawing. Equally important, it is a form of phenomenological inquiry:
“what is happening, inside you, as you say those words?”
36
One’s sense of self is shaped by the experience of loving and being loved. But the love Father offered was not love at all but,
rather, a way of using Ellin for his own gratification. Ellin collaborated with Father in maintaining the illusion of his loving her, in
order to preserve the needed relationship. But that illusion must be identified and reevaluated if Ellin is to regain her ability to be
fully contactful with self and with others. (See Chapter 3, p. 53)
37
The therapist has become the Child’s advocate, interposing himself between Ellin and her father. He says what may be
impossible for Ellin—for any child—to say to a parent who is loved and needed and simultaneously feared and disliked.
The therapist senses that Ellin’s relational need, as she confronts her powerful father, is to be in the presence of someone who is
strong and protective: a need that her mother did not meet when Ellin was small. (See Chapter 3, pp. 46–47)
242 THE ART AND SCIENCE OF RELATIONSHIP
that wasn’t needed. I didn’t want it! And it’s like … it’s like he snuck in—you know, he kind of,
it’s like he was pouncing. When I didn’t expect it. And I don’t want it.38
87 THERAPIST: (repeating Ellin’s words) “I don’t want it. I don’t want it.” Try those
words again.
88 ELLIN: (bursts into loud crying)
89 THERAPIST: (to “Father”) Father, listen to her. She said “I don’t want it.” “I don’t want it,”
she said, Father. Now listen to her, and respect that. (pause) And she still wants you.39
90 ELLIN: (to “Father”) I want to be able to be close. (cries loudly again)
91 THERAPIST: “I want …”
92 ELLIN: (to “Father”) I want to feel just safe … I want to feel loved without being frightened.
93 THERAPIST: “And what I want you to do is …”
94 ELLIN: Oh, yeah … (to “Father”) I want you to keep the boundary. (cries)
95 THERAPIST: “So that … (pause) You keep the boundary, Father, so that …” (long pause)
Say it, Ellin.
96 ELLIN: I don’t know!
97 THERAPIST: “So that I don’t have to.” See if those words fit your experience. “You keep
the boundary, Father, so that I don’t have to. Just try it out, see if those words fit your
experience. If not, change them.40
98 ELLIN: (still to “Father”) It’s like, I want you to see it from my point of view.41
99 THERAPIST: Tell him what would happen, Ellin, if he would take the responsibility
for keeping the boundaries. What would be different for that teenage girl, if he was the
responsible one for keeping the boundaries?42
100 ELLIN: Then it would have been safe to be attractive.
38
We have no way of knowing whether Father’s sexual advances went beyond what Ellin is reporting here—nor does she.
Her relationship with her father is a classic example of a situation in which repression of trauma is likely to occur: knowledge of
the trauma would damage her relationship with both parents, relationships that are, in spite of everything, still very important
to her. If some traumatic memory has been repressed, it may reemerge spontaneously as the work progresses. There is no
need for the therapist to probe for it; Ellin can continue her work on the basis of what she does know about Father’s behavior.
(See Chapter 2, p. 29)
39
Closely attuned to Ellin’s process, the therapist is able to put into words the two polarities that represent Ellin’s pain around her
relationship with her father: she doesn’t want his sexuality, but she does want him. (See Chapter 6, p. 104)
40
Attuned to what Ellin herself cannot yet articulate, the therapist suggests an experiment. His suggestion is an interpretation—it
goes beyond what Ellin has put into words—but it is qualified by an invitation to see if it fits her experience. If it doesn’t fit, if the
interpretation was off the mark, she is free to change it. Either way, she is supported in deepening her awareness of her long-
unexpressed needs and wants. (See Chapter 9, p. 177)
41
While her longing for father’s understanding is not new—Ellin has felt it for as long as she can remember—she has never before
conceptualized it in quite this way. Enactment of an interaction with Father, this time with the therapist’s support and with the
skills and life experience of an adult, has allowed her to frame her feelings in a new way, a way that may allow her to go even more
deeply into the pain of the old need-not-met. (See Chapter 9, pp. 176–177)
42
This is an inquiry about Ellin’s fantasy of what could have been. Her response will help her to reconnect with the fears and
dreams of the young girl who so badly needed an appropriately loving father. (See Chapter 6, p. 123)
The transcript 243
43
The pauses here and in Ellin’s response reflect the therapist’s rhythmic attunement to Ellin’s pace and tempo. She needs to stop,
cry, experience the feelings that have been hidden away for so long. The therapist speaks gently, softly, slowly, allowing her time
to explore her internal experience while at the same time encouraging her to go even farther. (See Chapter 6, p. 113)
44
With Mother, too, the relational need for security was not met. How can you feel safe with someone who regards you as the
enemy? Moreover, Mother did not meet Ellin’s need for acceptance and validation in relationship. Yet the relationship with
Mother was still needed, and Ellin had to find a way to protect herself without destroying that relationship. One way in which she
does this is by introjecting Mother’s perception of her; she has come to experience herself as unattractive, too tall, and masculine-
looking. (See Chapter 2, p. 31; Chapter 3, p. 57)
45
This is more than a reflection, different from an interpretation. The therapist’s voice tone is perhaps more important than
his actual words; it is deeply compassionate. He enfolds Ellin in his concern and caring, much as a parent would respond to his
child’s pain. (See Chapter 10, p. 192)
46
One of the indications of the presence of an introject is self-criticism: “I just felt wrong in everything.” Ellin’s self-critical inner
dialogue probably involves an introject of Mother, whom Ellin has reported as being a constant critic. (See Chapter 2, p. 33)
47
This passage exemplifies a number of developmental principles. First, it is an example of how social learnings give meaning to
the events of our lives. To an infant or young child, the sight of a man’s genitals is not threatening; the child may be curious, but
244 THE ART AND SCIENCE OF RELATIONSHIP
hardly frightened. Ellin has learned from others (parents, siblings, schoolmates, books, or television) that when someone exposes
himself he is dangerous. Moreover, she has learned not to expect protection from her mother, protection that she needs in order
to develop effective strategies for dealing with her fears. The fearful experience remains in her memory as an effective “hot spot,”
capable of triggering the same sense of fear and pain now as it did when she was a schoolchild. Finally, the intensity of her current
feelings about the event clearly indicate that it constituted trauma—and the trauma lay not so much in seeing a man exposing
himself as in the absence of support and comfort from mother. (See Chapter 2, p. 21; Chapter 3, pp. 54–55).
48
Much of Ellin’s story reflects an intense need for support and acceptance, and the therapist chooses to respond to that need.
He will be a strong, dependable, caring other (like Ellin’s aunt) who can be counted on to understand and value this young girl,
even—especially—when her parents do not meet that need. (See Chapter 3, pp. 46–47)
49
Ellin’s early expressions of affection were met with criticism by Mother and by inappropriately sexualized responses from
Dad. No wonder she sent her affectionate feelings underground: the consistent message to her was that such feelings were either
inappropriate or dangerous. Over the years, her ability to behave affectionately was repressed again and again until it became
split-off, no longer available to her. She experienced herself as “cold,” and probably was experienced that way by others as well.
(See Chapter 3, p. 53)
50
All her life, Ellin has longed for this kind of compassion and protection; finally, with the therapist, she is experiencing
such a relationship. She needs to express her appreciation, her sense of connectedness with the therapist. He has been there
for her; now she wants to tell him how meaningful that was. The therapist doesn’t shrug off or minimize what she says, nor
does he treat it as a manifestation of transference; he simply reflects what was important to her and accepts her gratitude.
(See Chapter 6, p. 120)
The transcript 245
129
THERAPIST: That’s sort of like holding your breath. Bet you don’t stay aggressive, do
you? You burst something out, and then you shut up again.51
130 ELLIN: Uh-huh …
131
THERAPIST: It’s even hard to face your dad and talk to him. Did you notice that here?
You kept talking about him. … How was it for you when I talked to him? I was aggressive.
132
ELLIN: I just felt the damage has been done. It’s like, I couldn’t undo it. (sigh) I needed
it then.
133 THERAPIST: Yes, you did.
134
ELLIN: (pause) But I want to take something away so I don’t go on doing it. You know, as
an adult, I don’t spoil my relationships …
135 THERAPIST: “So I don’t go on doing it”? What’s the it?
136 ELLIN: Sense of, um, dread, really.
137 THERAPIST: Have you ever gotten angry with your father?
138
ELLIN: Um … (pause) I remember getting angry with him, in a therapy session when
I was working with Dr. Johnson.
139 THERAPIST: How was that?
140
ELLIN: Well, it was angry. (laughs) Yeah. But it wasn’t angry about me. It was angry about
the way he was treating my brother.52
141 THERAPIST: I mean angry about you.
142 ELLIN: No, I haven’t done that.
143
THERAPIST: It seems to me like that’s what might give you some of your self back.
That you’re not just subject to his damage. That you can retrieve yourself from this.
But not alone. With my support.53
144 ELLIN: Yeah, I could do that.
145
THERAPIST: So how about talking to him directly about how he damaged you, and what
you feel about that.
51
The therapist is commenting on Ellin’s script-bound behavior, her substitution of withdrawal for anger. This substitution serves
all the functions in the PICS acronym: it keeps life predictable (she knows what to expect from people when she shuts down and
withdraws); it preserves her identity (as a person who doesn’t get angry); it provides continuity (she acts, and is seen as acting, in
pretty much the same way from day to day, and others therefore treat her in the same way); and stability (to behave differently
would make her feel uncomfortable, frightened, maybe even out of control). She will need a great deal of support and encour-
agement from the therapist if she is to break through the old response pattern. (See Chapter 2, p. 24)
52
Ellin has felt sad about her relationship with Father and has been frustrated by his unwillingness to change. Her deep desire
to maintain the possibility of a better relationship, though, has led her to close off awareness of how angry she has been at his
inappropriate behavior. She literally cannot feel her own anger (and her laugh is a way of defending herself against becoming
aware of it), so it is no wonder that she cannot express it. (See Chapter 8, p. 154)
53
This is an interpretation in the form of a suggestion of how to proceed: almost, but not quite, a directive. The therapist is saying
that Ellin needs to experience being angry with Father on her own behalf, to use that anger to protect herself and to learn that she
does not have to be a frightened victim. Again, the interpretation follows so smoothly from Ellin’s own discoveries that there is no
break in Ellin’s process, no sense that she has been interrupted and set upon another path. (See Chapter 9, p. 174)
246 THE ART AND SCIENCE OF RELATIONSHIP
146 ELLIN: What I’m thinking now is it, it … it wasn’t anything big.
147 THERAPIST: (loudly) It was big! (more calmly) Look how it’s affected you. That’s big!54
148 ELLIN: (sighs)
149
THERAPIST: What an important desire you have, to protect him like that. To protect
him from all criticism. And you do want me to know that he’s not a totally bad man.55
150 ELLIN: He’s not.
151
THERAPIST: That you still love him and feel loyal to him, even with what he’s done. And
that he still loves you. He’s still your dad, and he’s still there in important ways sometimes.
152
ELLIN: Yeah. That’s the part that—I don’t want to have a sort of, um, well, I don’t want to
have a barrier between me and him if it’s not needed.
153
THERAPIST: Great. This is about having what you want with him in the way of
relationship. Not about getting rid of him.
154 ELLIN: Yeah. I don’t want to do that. (Her voice breaks) I really don’t …56
155
THERAPIST: Okay. I’ve got the message. I’m not going to trash your dad. (pause) Now,
talk to him.57
156
ELLIN: (gusty sigh, then turns again toward the empty chair) Oh, I do want you to be
different.
157 THERAPIST: Keep going. “I want you to be different, Dad …”
158
ELLIN: (to “Father”) I want you to reform. It’s like, kind of like, I want you to get rid of
those thoughts.
159 THERAPIST: (pause) Um-hm. Keep going.
160
ELLIN: (to “Father”) It’s like, we went all the way to the West Coast so that it would be safe
to come back, but it wasn’t. So you let my mum down. And I was seven then, and from
54
The therapist, in this initial comment, allows his own strong feelings to emerge. His response is almost an outburst, a
spontaneous expression of indignation and outrage. As such, it not only validates her experience, and its long-term significance,
but it also demonstrates his involvement, letting Ellin know that she has made an impact on him and thus meeting another of the
primary relational needs. (See Chapter 3, p. 48; Chapter 6, pp. 118–119)
55
Ellin minimizes the damage done to her by her father’s behavior, and the minimizing is part of what keeps her fragmented,
within herself and in her relationships with others. Minimizing her own feelings is not helpful to her, not something that the
therapist wants to encourage. Yet it has an important function: it protects Father, and thus sustains the illusion/possibility of a
warm and supportive relationship with him. The therapist, in validating and valuing the function of the behavior, expresses his
involvement and attunement without supporting the behavior itself. (See Chapter 6, p. 126)
56
As we have seen, Ellin still clings to the possibility (the illusion?) of a relationship with her father. What she had with him was
painful, but it was nevertheless important. Even painful relationships are still relationships, still meet our need to be in contact
with others. The therapist will need to allow Ellin to express all of her feelings toward her father—not just the anger—so that she
does not experience herself as destroying the connection entirely. (See Chapter 3, p. 44)
57
Ellin’s fear of losing her father has threatened to overwhelm her. Rather than inviting her to explore that fear (which could be
too much for her to deal with right now, and could cause her to throw up her old defenses again) the therapist is calm and matter-
of-fact as he states his own intentions. He lets Ellin know that he heard and understood how important Father is, and that he will
not try to take that relationship away from her. He does so at a pace, and with a tone, that also conveys his own calm, his own
comfort that the work is moving along as it should. (See Chapter 8, p. 155)
The transcript 247
then on it was still bad. And it could have been a new beginning. You could have, (sigh)
you could have committed yourself to … (sigh) to being moral.
161 THERAPIST: Um-hm. That says a lot. Go ahead, Ellin. “You could have …”
162 ELLIN: (to “Father”) If only I could have respected you!
163
THERAPIST: Here comes the harder part. You ready? (Ellin cries) “I’m angry with
you, Dad …”58
164 ELLIN: (to “Father”) I’m angry with you for letting me down …
165 THERAPIST: Yes! (pause) Keep going. “And I’m angry …”
166
ELLIN: (to “Father”) Angry at you … always slipping that sexual thing into every
relationship.
167 THERAPIST: “I’m angry!”
168
ELLIN: (to “Father”) I’m angry for having been on guard for so long! I’m tired! I don’t
want to be on guard any more! (sobs)
169 THERAPIST: Right! … (loudly) “I’m angry!”59
170
ELLIN: (slightly louder, to “Father”) I’m angry at your behavior. At the way you think.
The way you speak.
171 THERAPIST: “I’m angry that you didn’t take care of me!”
172 ELLIN: (to “Father”) I’m angry that you didn’t listen.
173
THERAPIST: Yeah. You didn’t listen to me, and you didn’t listen to my mom. Keep going:
“I’m angry that … I’m angry …”
174 ELLIN: (more softly) Just thinking when I was little … I worshiped him …60
175
THERAPIST: Keep talking to him. “I worshiped you, Dad …” (Ellin sighs several times)
“And you corrupted that.”
176 ELLIN: Yeah … (softly, to “Father”) You corrupted … my love.
177 THERAPIST: Um-hm. … Keep going, Ellin … Tell him … about protecting his children.61
58
The therapist is helping Ellin to access feelings that will be painful and hard to bear, and Ellin’s anxiety level is rising again.
Yet, even though she is very uncomfortable, she continues to follow his direction. She understands what he is doing and trusts
that he will not let her get lost in her feelings. (See Chapter 8, p. 156)
59
The therapist is not neutral here, nor even simply supporting what Ellin is doing. He is a part of the dialogue, letting his
own emotion show as he, too, expresses his anger toward Father even as he is speaking for Ellin. He models the free access to
feelings that Ellin needs to achieve, and in so doing he gives both permission for and impetus to Ellin’s own emerging anger.
(See Chapter 6, pp. 124–125; Chapter 9, p. 178)
60
Although impossible to convey in a written transcript, the above several exchanges involve a great deal of rhythmic attunement
on the part of the therapist. As Ellin begins to allow herself to feel her frustration and anger toward her father, her rhythmic
pattern changes: she speaks more quickly, without long pauses between sentences. The therapist picks up on this shifting pattern
and responds quickly as well, not allowing pauses between her statements and his that could break the rhythm. Voicing, and even
exaggerating, her rhythm and voice tone, helps Ellin to maintain the regression and access the forbidden feelings. Eventually,
however, her need for a good daddy, her need to keep Father in that role, overcomes her anger; she returns, sadly, to her longing
for Father’s uncontaminated support and approval. (See Chapter 6, p. 112)
61
Ellin’s rhythm has shifted again; she now speaks more slowly, reflectively. The therapist shifts with her, softening his voice and
pausing between phrases, just as Ellin is doing. (See Chapter 6, p. 112)
248 THE ART AND SCIENCE OF RELATIONSHIP
178
ELLIN: Yeah … He, he could have protected me. (turning to “Father”) And instead, I felt
you, uh, abusing me.
179 THERAPIST: More concerned about himself …
180
ELLIN: You don’t know how right that is. That is him. (to “Father”) Always concerned
about what suited you.62
181 THERAPIST: “And I feel …”
182
ELLIN: I feel damaged. … That, that’s just another thought that I had in bed this morning.
I thought, when we went to a restaurant, there were five of us round the table. We’d be
looking at the menu. Before we’d finished ordering, he would say, “Five of the so-and-so’s
please.” What he’d decided to have.
183 THERAPIST: Regardless of what you wanted.
184
ELLIN: He still does that. If I’m at a restaurant, and I say “I like white wine,” he will order red.
185 THERAPIST: Tell him about that, Ellin. “You—don’t listen! You don’t care!
186 ELLIN: You don’t care. You’re just thinking about yourself and your own needs.
187
THERAPIST: Now keep—let your energy get higher, Ellin. So that he can feel the impact
of you. Let him hear you! Let him feel you!63
188 ELLIN: (a bit louder) I want—my—needs—to count.
189 THERAPIST: Yes! Now louder. (shouting) “Listen to me!”
190 ELLIN: (sigh) Listen to my therapist!64
191 THERAPIST: Hm … that’s what I said before. I guess I do want to talk to him. Is that okay?
192 ELLIN: I wish you would.
193
THERAPIST: (shouting) Listen to your daughter! She’s got things to say. What she thinks
and what she feels matters. Not just you. And not just your satisfaction.65
62
At this point, it is as if we are observing family therapy: Father’s presence is almost palpable, and there is no sense of strangeness
in either Ellin’s or the therapist’s addressing the empty chair. Each of them moves easily between talking to each other and talking
to “Father.” Creating this situation in fantasy gives the added advantage of a “Father” who does not fight back, does not defend
himself in the familiar ways that might have propelled Ellin back into her old script behaviors. She is free to deal with him in a
new way and experience her strength and wholeness in doing so. (See Chapter 9, p. 177).
63
Much of the work with the image of Father involves behavioral interventions, inviting Ellin to experiment with new behaviors
and to discover what those new behaviors lead to. Encouraging Ellin to increase the intensity of her demands will help her to
experience the depth of her feelings, the anger and frustration that she has kept locked away. The therapist frames his urging as a
way to let Father hear and feel Ellin’s anger, but the primary therapeutic purpose is to bring to awareness the parts of herself—her
feelings, belief, and decisions—that have been hidden away since early childhood. (See Chapter 9, p. 178)
64
Ellin tried, but she couldn’t bring herself to be fully open to her father about her anger—and was probably unable to be
fully open with herself either. Her response is a slip-of-the-ear; perhaps she misunderstood the focus of the therapist’s last
three words. Such slips are often an expression of an unconscious need—does she want the therapist to speak for her? She
cannot ask more directly, because she also needs the therapist to offer on his own, rather than simply acquiesce to her request.
She needs him to be her voice, and she also needs him to step in, take over, so that she can feel protected. The two primary
relational needs at this moment are that the therapist be strong and protective and also initiate what comes next—and he does.
(See Chapter 6, pp. 116–117, 119)
65
This is more than simply mirroring, or even exaggerating, Ellin’s feelings. The therapist’s words, voice tone, and body
language convey his own emotions, his genuine indignation and outrage at what Ellin’s father has done. The therapist is not
The transcript 249
194
ELLIN: That makes sense, “not just your satisfaction.” That’s like my whole childhood.
I want to feel protected. What I had to do as a child is think round corners. I had to …
I wanted to protect myself from the jokes, cause I didn’t want to be sexualized by them.
195
THERAPIST: Yes! (to “Father”) Keep your satisfaction and your sexual needs private and
in your bedroom! It doesn’t belong in the living room, and it doesn’t belong in the dining
room, and it doesn’t belong in the kitchen.
196
ELLIN: That’s right. I remember a secretary coming to our house. I must have been
about 14 … and I remember her tidying herself up, cause my dad hadn’t come back
from work, and I remember her putting on lipstick, making her hair look nice … (cries)
I just realized that she’s another one that he … (cries hard) And it was in my house …
It’s like, I always had to be on guard … (cries)66
197
THERAPIST: (to “Father”) Keep your sexual contacts out of her space. You don’t bring
your secretaries that you’ve had sex with into your house, where she has to encounter it!
It’s too confusing!
198 ELLIN: Ahhhhhhh. …
199 THERAPIST: So that she can be beautiful because she’s beautiful, not for your pleasure!
200 ELLIN: Ahhh! (cries) Ahhh …
201
THERAPIST: Not so that you can wonder what she’s like! But because she’s beautiful!
For herself !67
202 ELLIN: It’s like nobody was safe. Like everybody, everybody had been contaminated.
203
THERAPIST: Right. It’s too confusing! And so it’s hard to be a woman and enjoy your
own beauty in the midst of all that.68
204 ELLIN: I couldn’t.
205
THERAPIST: No! (to “Father”) And you, Father, were responsible for keeping that
safe for her!
206 ELLIN: But even my aunt …
sitting back and reflecting what Ellin experiences; he is fully present and involved in the interaction. The intensity of his
commands may have an impact on Ellin’s introjected father—the aspects of her father that she has taken into herself and that
continue to contaminate her thinking—and it also continues to provide her with the experience of a strong and protective
relationship. (See Chapter 2, p. 20; Chapter 4, p. 74; Chapter 6, p. 103).
66
Until this moment, Ellin had been able to keep herself from conscious awareness that her father was having an affair
with this secretary. All of the pieces were there—she hasn’t learned any new facts during this therapy session—but she
kept those pieces unconnected, frozen, unassimilated. Now, with the therapist’s support, the pieces are beginning to come
together, and along with those connections come the painful feelings that have been festering away for so many years.
(See Chapter 8, p. 161)
67
As the therapist joins Ellin in her demands, he expresses his own anger resonating with hers. Ellin does not have to deal with
Father alone; she has a powerful ally who feels much as she does. With the experience of support and of being emotionally joined,
she is able to take the next step in discovering her blocked-off memories. (See Chapter 4, p. 77)
68
By inference, the therapist is saying that anyone would have been confused in Ellin’s situation, anyone would have found it
difficult to feel and act like a beautiful, sexual woman. He is normalizing Ellin’s behavior—one of the elements of therapeutic
involvement. (See Chapter 6, p. 127)
250 THE ART AND SCIENCE OF RELATIONSHIP
207
THERAPIST: (still to “Father”) Even her aunt, whom she so much loves and trusts …
(Ellin cries hard) Even that was contaminated! And when she’s angry with you about it,
you listen to her! (Ellin cries more loudly) You have corrupted her life, and she has to tell
you about it! Cause that’s how she can know herself: as she hears herself tell you!
208 ELLIN: Ohhhh! Ohhhhhh! I wanted to feel safe! (sobbing loudly)
209
THERAPIST: (to “Father”) She needed you in order to feel safe with her mother! To make
sense out of her mother! And when you go and get screwy on her, where does she go? …
She needs you! And she needs you to be strong, and she needs you to be safe! And she
needs you to be a father. (pause, then to Ellin) Now you use your words with him. Your
words. Your energy.
210 ELLIN: (to “Father”) Ohhh, I wanted to feel safe!
211 THERAPIST: Yes. Again. Scream it at him!69
212
ELLIN: (more quietly, still to “Father”) Oh, I wanted to feel safe, to be close … I can’t get
close, cause it’s not safe … I don’t want you to die without me feeling safe!
213 THERAPIST: Yes.
214 ELLIN: And close.
215 THERAPIST: Um-hm.
216 ELLIN: He should have protected me. I shouldn’t have needed to be on guard. (sigh)
217 THERAPIST: (pause) Is there more you need to say to him?70
218
ELLIN: I’m just trying to remember something … I don’t know, but I think it must have
been a dream. … It’s all it was like … just contaminated everything.
219 THERAPIST: Yes. What else …
220 ELLIN: It’s like … I’ve always had to be, I felt I’ve always had to be on guard. (sigh)
221
THERAPIST: Okay. We have just a little time left. May I take you one step further?
(Ellin nods) Will you look at me? (Ellin cries) And say, “I need to feel safe with you.”71
69
The therapist is encouraging Ellin to increase the intensity of her demands: as one’s intensity increases, one is able to
access more and more of the buried emotion of past experiences. Ellin needs to recover that experience so that she can deal
with it in awareness rather than having it fester underground and contaminate her ways of being with people in the present.
(See Chapter 9, p. 177)
70
Recognizing that Ellin has spontaneously emerged from the regression (she has partly done so several times already,
but this time she seems more completely in the present, speaking as an Adult ego), the therapist acknowledges the shift.
The end of the session is approaching, and it would be helpful for Ellin to reach some sort of closure before she leaves.
(See Chapter 9, pp. 185–186)
71
The therapist sees an opportunity to deal with what is happening between himself and Ellin: to use their ongoing process as
a kind of laboratory, in which Ellin can learn more about how she keeps herself out of contact with others and how much she
wants to have a different sort of relationship. There are two inquiries in his intervention: the first requests Ellin’s permission
to proceed (a kind of mini-contract), and the second, in the form of a directive, invites Ellin to explore her feelings about him.
Note, too, that the therapist uses this transition as a time to remind Ellin that the session will soon end: part of his trust-
worthiness lies in his commitment to keep her safe, and part of safety is not being caught unaware by the end of their time
together. (See Chapter 6, pp. 120–121)
The transcript 251
72
Ellin’s feelings toward the therapist are mixed with her feelings (current and past) toward her father. Both Father and therapist
are strong; both are important to her; she would not want to damage either relationship. Telling the therapist “I need to feel safe
with you” is scary partly because it would have been scary—perhaps even dangerous—to make that statement to Father, but it
is also frightening to risk her current relationship with the therapist by suggesting that she might not feel safe with him. This is
the essence of transference: feelings and responses experienced toward significant people in the past are transferred onto and
combined with current feelings in current relationships. Behaving in this new and contactful way with the therapist—expressing
her needs clearly and strongly—is a way to practice a new behavior that she needs to carry out into her out-of-therapy world.
(See Chapter 4, p. 72; Chapter 10, p. 194; Chapter 11, p. 211)
73
Ellin and the therapist have been searching deeply into experiences that Ellin has kept buried away for a long time. In doing
so, Ellin has experienced a sense of genuine contact. She has let her barriers down and has remained safe. And it feels good.
But, even in the feeling good, another piece is about to emerge. (See Chapter 4, p. 78)
74
In this response, and in the preceding one, the therapist mistakenly believes that Ellin’s sudden and intense need for
relational safety has to do with what is happening here, in the therapy session: that he has missed something and has created
a break in the contact between them. Rather than asking first about her feelings (which would subtly shift the responsibility
back to her), he immediately owns his therapeutic responsibility and asks her to tell him where he went wrong. What he does
not realize is that Ellin has again regressed, and is reexperiencing the need for protection from her mother. When he does
understand what is happening, the therapist moves to support her demands: confronting Mother’s lack of protection is a
new behavior, inconsistent with Ellin’s script beliefs and decisions, and may lead to dissolving some of those old restrictions.
(See Chapter 5, p. 87; Chapter 10, p. 200)
75
This is hard, frightening work for Ellin, and her body language shows how frightened she feels. The crux of her
problems with Mother was not only Mother’s criticism, but also Mother’s lack of protection—and this was the part she
could not let herself know about. Had she allowed herself to recognize what she needed from Mother, she would also have
had to be aware of how unsafe she felt with Father. And that lack of safety (along with her anger) had to be kept out of
awareness in order to hold onto some semblance of relationship with him. Her resistance is an automatic self-protective
reaction: her heightened affect and frantic speech allow her to be confused, to not know, using fear to avoid the pain.
She knows that she needs to open this dark area and look inside—but she still doesn’t want to do it. (See Chapter 8,
pp. 153, 157)
252 THE ART AND SCIENCE OF RELATIONSHIP
234
ELLIN: Ohhh. … There’s something missing. It’s like, it’s like, uh, I felt she was jealous
for a reason …76
235 THERAPIST: (pause) She knew about your father. … And she knew that you might be …
236 ELLIN: It’s like she didn’t, she didn’t keep me safe … I couldn’t relax.
237
THERAPIST: She didn’t talk to you about it. She didn’t say, “These are some things you
can do.” And most of all, by talking about it, to say “You can talk with me, because I know.”
238 ELLIN: I couldn’t talk to her.
239 THERAPIST: She just got angry at you. As though you were the problem.
240
ELLIN: Yeah … (pause) That was, I was dreaming about it. I couldn’t tell her, because
she would be angry. She was the last person I could tell.
241 THERAPIST: And you needed to be able to tell her.
242 ELLIN: (crying) I think that’s, why I, it’s like …
243 THERAPIST: Even the man who exposed himself …
244 ELLIN: (sobs loudly) I couldn’t tellllll. …
245 THERAPIST: Like you were somehow responsible?
246 ELLIN: Yeah!
247 THERAPIST: For a pervert?
248 ELLIN: Yeah!
249 THERAPIST: At five years old?77
250 ELLIN: It would be turned against me.
251 THERAPIST: So say that to your mother. “I need you …”
252 ELLIN: To protect me.
253 THERAPIST: Um-hm!
254 ELLIN: To be there for me.
255 THERAPIST: Um-hm!
256
ELLIN: It’s like, I’m slipping away now. It’s, I’m remembering … I don’t know if I dreamed
it. It’s like, I don’t have the protection. Wasn’t safe … Something I saw on TV triggered
something off for me that … I had to do it all on my own. Um … that’s what I’ve been
dreaming about all night.78
76
Another hint that Father’s behavior may have gone beyond the things that Ellin has been describing. Again, though, the
therapist does not press for details. If there was more, and when she is ready to talk about it, Ellin will do so. In the meantime, the
therapist follows her lead. (See Chapter 2, pp. 27–28)
77
In these last two comments (and earlier, as well), the therapist’s voice tone expresses his indignation. He is not merely reflecting
Ellin’s story—he is resonating to her pain and feeling fiercely protective of her. He will not try to take the pain away—Ellin
needs to deal with it herself, and the therapist recognizes that—but he wishes he could, wishes it had never happened, is angry
at Ellin’s mother for her treatment of Ellin. His involvement gives Ellin the courage she needs to go even farther into her painful
memories. (See Chapter 8, p. 154)
78
A report of “slipping away,” especially from someone who has been articulate and willing to explore unknown areas, is often a
signal of heightened resistance. Long-buried thoughts and feelings are being stirred, broken connections are being remade, and
Ellin’s script system is under siege. Closing down, becoming confused, not communicating—these are the last-ditch strategies of
a defensive system that can no longer contain repressed memories and ideas. Ellin’s dream was likely a preview of her work today,
The transcript 253
rising out of her knowledge that she would be seeing the therapist and would be moving into frightening material; repressed ideas
and feelings often emerge in dreams, when the mechanisms of defense relax their vigilance. Now, those mechanisms are snapping
back into place, but at a more primitive level. (See Chapter 8, p. 163)
79
The therapist recognizes Ellin’s “I was bad” as a child’s response to Ellin’s introjected critical mother. This child cannot defend
herself, can only accept Mother’s toxic criticisms and apologize. To forestall Ellin’s retraumatization and a reinforcement of her
script system, the therapist speaks for her, confronting Mother’s displacement of her own pain onto Ellin. In doing so, he also
meets Ellin’s relational need for other-initiation (which she never got from Mother) and for safety and acceptance from a strong
and dependable other. He also (here and in his next remarks to Mother) demonstrates his continued involvement: he is not
neutral but is genuinely angry with Mother on Ellin’s behalf. (See Chapter 3, pp. 46–47; Chapter 6, pp. 116–117, 119)
80
As we have seen, Ellin has introjected her mother’s perception of her as being unattractive and too tall. At the time she was
introjecting this self-description, she translated “unattractive” and “too tall” into “masculine”. She now carries this view of herself,
believing that it is an accurate reflection of reality; she is unaware that it is Mother’s perception, not her own. Just as with her
introjection of Father’s way of sexualizing relationships, this introjection acts like a piece of Mother residing within Ellin’s psyche,
a foreign presence that Ellin nevertheless believes to be part of herself. (See Chapter 2, p. 31)
81
A confrontation calls attention to a discrepancy, in this case between Ellin’s perception of herself and her actual appearance and
behavior. It invites her to look more closely at the contrast between the two and at the possible purpose served by maintaining the
distortion. (See Chapter 6, pp. 126–127)
254 THE ART AND SCIENCE OF RELATIONSHIP
270
ELLIN: (cries) It wasn’t safe to be a daughter. (continues to cry) It wasn’t safe to be
feminine …
271
THERAPIST: And you are. And you may try to hide it. I believe that. Cause you don’t
feel safe.
272 ELLIN: I still don’t. I sit on a bus at the age of 49 and I still don’t feel safe next to my dad.82
273
THERAPIST: I want you to be safe with me. And that’s my responsibility. It’s up to me,
when people are telling jokes before our group sessions start, to choose which jokes I’m
gonna tell, and which jokes I won’t tell, so that you can be among us. (pause) It’s up to
me to know when and how and with appropriate permission, about touching you. And if
I don’t do that, I bear the responsibility. And it’s up to me to make sure that I get my own
needs met elsewhere, so that I don’t look lustfully at you.83
274 ELLIN: (whispering) Oh, God … Ohh … that’s beyond my wildest dreams … (crying)84
275
THERAPIST: (pause) You don’t have to dream about it; you have it. Right here.
So that you can be safe to do the therapeutic work you need to do. (pause) Is this a good
stopping place for you?
276
ELLIN: (still very softly) Yes … I want to go home, and just think about this, and feel what
it’s like … to feel safe … (cries again)85
277
THERAPIST: I think that’s a good idea. How about sitting here quietly for a few
minutes, to reflect on what you’ve learned this morning? And I’ll see you again, next
week, same time.
278 ELLIN: Yes. Thank you.
82
Here is the pervasiveness of script: Ellin, a mature and competent adult, still finds herself reacting like a frightened child in the
presence of her father. (See Chapter 2, p. 35)
83
Hearing this response, it is hard to imagine anything that could be more different from Father’s way of relating to
Ellin. The therapist has been open about his appreciation of Ellin’s physical appearance, but he is equally clear about the
boundaries he will keep. She can enjoy his admiration without fearing what may come next—exactly what she needed, and
didn’t get, from her father. The explicitly verbalized experience of this new way of being with a man is a direct challenge
to her script beliefs that she is unattractive, and that it would be unsafe to be physically desirable. (See Chapter 4, p. 75;
Chapter 5, p. 85)
84
The ultimate quest of all human beings is contact: being aware of self, and being in relationship with another who has
that same awareness. Ellin’s life script has never allowed her such a relationship. Her father’s sexuality and her mother’s
criticism, and the absence of needed protection provided by either parent, have led her to protect herself by not trusting,
by holding herself aloof and apart. Yet she longs for what she has never had and could never really put into words. What the
therapist promises has created a moment of meeting, a moment of relationship that is, indeed, beyond her wildest dreams.
(See Chapter 10, p. 199)
85
As Ellin thinks about what she has experienced emotionally, she will create a cognitive framework that anchors
her therapeutic gains. Over a series of similar pieces of work, she will begin to understand—both cognitively and
emotionally—how her old script beliefs were protective for her at one time but are no longer needed in the present.
This kind of processing may either precede or follow actual behavioral changes outside of therapy, but it nearly always
occurs at some time or other as the client begins to reestablish a coherent sense of self. (See Chapter 4, pp. 70–71;
Chapter 11, pp. 224–225)
Postscript
T
his session exemplifies a number of principles of relationship-focused integrative
psychotherapy, as can be seen from the many annotations we have added. The two
threads that run through the work have to do with Ellin’s father’s sexual inappro-
priateness and her mother’s criticism, rejection, and lack of protection. Ellin’s life script has
developed as a way to protect herself against both Mother and Father, while still maintaining
a semblance of relationship with them. She has learned to think of herself as masculine and
unattractive (thus simultaneously preempting Mother’s criticism and protecting herself from
Father’s sexual come-ons) and to be wary and untrusting in relationships. By providing her with
a new relational experience, in which she is respected, accepted, and admired for her beauty,
while at the same time maintaining clear and strong sexual boundaries, the therapist challenges
Ellin’s script system.
It is unlikely that one such therapeutic experience would bring about longlasting changes
in Ellin’s life script or in the behavior patterns that the script has dictated. Over time, however,
with more opportunities to feel what this kind of relationship can be like, and what she can
be like as she begins to change her script beliefs and behaviors and to recover the softer, more
feminine parts of herself, changes will occur. Ellin is on the way to becoming a whole person,
spontaneous and creative, contactful in her relationships, freed from the constrictions of an
outgrown life script.
255
Transcript linkage index
I
n this index, we provide links between the content of the first chapters and the verbatim
transcript found in Chapter 12. Numbers in bold preceded by # refer to transactions in
the transcript itself; “note” refers to associated footnotes. We have attempted to select
examples that typify the client reactions and characteristics and the therapist activities
described in the text. Often, though, we have found that the “example” is spread throughout
large sections of transcript; indeed, our awareness of the interrelationship between the whole
transcript and each of the individual excerpts was a major factor in our decision to provide
you with an entire session of therapeutic work.
Whether you use the following material to find transcript examples as you read the
chapters for the first time, or whether you use it later—after you have already read
through the whole transcript—you may well find segments that illustrate our ideas
better than the ones we have chosen. That can happen if we have not found the very
best examples, but it can also be a function of a kind of synergy: you, the reader, have
now become a part of creating the process reflected in our transcript. You will invest the
printed words with your own meanings, your own history, your own emotional response.
In a very real sense, each reader will discover a different transcript, because each reader
(like each client and each therapist) understands the work through the lens of his or her
unique personal history.
At any rate, we have enjoyed preparing this set of links. It has allowed us to appreciate once
again the fact that our work does, indeed, reflect our theory—that we do practice what we
preach. We hope that the section will be useful and enjoyable for you, as well.
257
258 Transcript linkage index
Chapter 2
p. 20, the importance of relationships to human functioning: #12 & note 6; #30 & note 11
p. 20, others’ reactions to us shape our emotional responses: #12 & note 6; #16 & note 7
p. 23, scripts provide rules for managing our lives: #39–40 & notes 18, 19
p. 24, reasons for staying in script: #129 & note 51
p. 25, tension between illusory safety of script and problems created by script-bound behavior:
#40 & note 19
p. 27: example of repression: #196 & note 66
p. 31, example of an introject: #104 & note 44; #266–268 & note 79
p. 31, nature of introject: #257–260
p. 33, the script spiral: #40–42; #106; #258
p. 34, people create life experiences that further reinforce script: #39
Chapter 3
p. 39, self is shaped by relationship experiences: #106 & note 46; #110
p. 40, cognition and emotion are intertwined: #12 & note 6
p. 42, importance of significant other’s responses: #12
p. 43, script is self-perpetuating aspect of personality: #40–42 & notes 19, 20
p. 43, script perpetuates the belief that one’s needs won’t be met: #39 & note 18
p. 46, response to an adult relational need being met: #122
p. 46, relational need for security: #52
p. 52, two parents give different messages to child: #16–19
p. 53, script results in beliefs about the self: #260–261 & note 79
p. 58, recollection of cumulative trauma: #106
Chapter 4
p. 64, client has thought about problems: #2
p. 65, clients’ emotional experience interferes with everyday life: #39–42 & notes 18, 19; #168
p. 66, cognitive aspects of memories easy to recall: #52
p. 70, healing is experienced through mutually experienced emotional connection: #270–274 &
notes 83, 84
p. 71, therapist’s involvement helps client to feel cared for: #30 & note 11
p. 72, contactful relationship feels good: #224 & note 72
p. 73, use of transference to evaluate experiences and memories: #38 & note 17; #221–222 &
notes 71, 72
p. 74, therapist uses own feelings to get sense of client: #193 & note 65
p. 75, use therapeutic relationship to explore client’s beliefs: #38 & note 17; #270–273
Transcript linkage index 259
p. 77, relationship helps client work through painful affect: #105–106 & notes 45, 46
p. 77, therapist helps client go into forbidden awarenesses: #201–202 & note 67
p. 77, therapist stays with process whatever client does: #146–155
p. 77, behaving differently creates new emotional memories: #122
pp. 79–80, example of archaeopsychic functioning: #32–35 & note 14
p. 79, example of introjected material: #42 & note 20
Chapter 5
p. 85, therapist counters old way of experiencing the world: #31 & note 12; #273 & note 83
p. 85, calling attention to what’s happening in therapeutic relationship: #31 & note 12; #49 &
note 22
p. 86, therapist uses own emotional response, along with techniques: #53 & note 25
p. 87, therapist & client together create the therapeutic process: #80–89
p. 87, therapist takes responsibility for her part of process: #227–229 & note 74
p. 88, therapist is honest and open about her emotional responses: #51 & note 23
p. 88, therapist’s internal experience reflects what is going on in the client: #69 & note 31
p. 88, client is not alone in his work: #143
p. 89, therapist uses combination of therapeutic skill and personal involvement: #45 & note 21
p. 90, discussion of quality of therapeutic relationship: #38; #131
p. 94, therapist is open to criticism: #227–229
p. 95, empathy involves understanding more than just the client’s words: #17–23; #111
p. 98, empathy with a cognitive focus: #21
p. 99, conveying empathy through spontaneous, nonverbal responses: #109
p. 100, paraphrasing: #12–15; #21
p. 100, empathy as evocation: #53 & note 25; #99
p. 100, empathy as “exploration”: #143
p. 100, empathy as conjecture: #125–127
p. 100, attuned response demonstrates synchrony with client’s process: #73 & note 34
Chapter 6
p. 106, an attuned intervention: #89 & note 39
p. 105, heightening affect: #87; #165–170; #187
p. 105, attuned therapist resonates with client’s meanings: #89 & note 39
p. 106, attending to cues that signal client’s emotional response: #11 & note 5
p. 108, compassionate response to client’s sadness: #111
p. 109, cognitive attunement: #6–7 & note 3
p. 109, inviting regression: #71 & note 32
260 Transcript linkage index
Chapter 7
p. 136, therapist models dealing with emotions: #51 & note 23
p. 136, asking questions that invite clear thinking: #23–29
p. 141, therapist uses inferences as hypotheses, not facts: #97
p. 143, therapist helps client go beyond the facts: #12–13; #99
p. 143, therapist helps client explore protective strategies: #36–39
p. 147, session contract acts as springboard: #1–2 & note 1
p. 149, warn client that session is nearing end: #221
Chapter 8
p. 152, discomfort can be a sign of progress: #52
p. 152, bring client back to own phenomenology: #11; #181
p. 153, clients close off awareness of some feelings: #140 & note 52
Transcript linkage index 261
Chapter 9
p. 170, therapy challenges client’s old assumptions: #266–269 & notes 80 & 81
p. 170, help client find his own focus: #1–2 & note 1
p. 171, encourage client to expand own self-knowledge: #56–57 & note 27
p. 172, example of an interpretation: #94–97 & note 40
p. 172, interpretation helps client make sense of what has been frustrating and confusing:
#38 & note 17
p. 173, interpretation through confrontation: #269 & note 81
p. 174, interpretation though a directive: #137–143 & note 53
p. 176, creating a therapeutic experiment: #53 & note 25
p. 177, therapeutic experiments not limited to reality: #71; #178–180 & note 62
p. 177, therapist enters client’s fantasy: #193 & note 65
p. 177, increasing intensity: #187
p. 179, client notices new connections: #196 & note 66
p. 179, regression: #52 & note 24
pp. 183–184, spontaneous regression: #32–35 & note 15
p. 183, inviting a therapeutic regression: #71 & note 32
p. 184, assessing regression by means of client’s own report: #33–35 & note 14
p. 185, moving out of regression spontaneously: #212–216 & note 70
p. 188, behavioral interventions challenge script beliefs: #222 & note 71
Chapter 10
pp. 191–192, client & therapist establish new kind of relationship: #272–273 & note 83
p. 192, therapist may become the parent-who-never-was: #193 & note 65
p. 192, client experiences interactional sequences similar to those of healthy childhood:
#105 & note 45
262 Transcript linkage index
p. 194, exploring the here-and-now relationship between client and therapist: #221–222 &
note 72
pp. 194–195, inquiry into the internal experience of behavior connected to transference:
#38 & note 17
p. 200, therapist takes responsibility for her own part of interaction: #226–229 & note 74
p. 204, development of sense of shame: #22–30 & note 11
p. 205, a moment of meeting: #273–274 & note 84
Chapter 11
p. 211, therapist warns client when session is about to end: #222
p. 225, discuss how work will generalize: #276–277 & note 85
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278 Name index
Kohut, H., 96, 97, 99, 104 Orange, D., 44, 70, 94, 95, 101, 200, 203
Krackow, E., 180
Paivio, S., 126, 153, 154, 155, 178, 181, 183,
Lambert, M., 15 192, 224
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Lee, R., 106, 108, 117, 153, 156, 213 176, 178
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Lowen, A., 9 Pine, F., 38
Lukens, M., 114 Plakun, E., 192, 194, 196
Lukens, R., 114 Polster, E., 30
Lyons-Ruth, K., 43 Polster, M., 30
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MacIsaac, D., 94
Mahler, M., 38 Querlu, D., 38
Mahoney, M., 84, 165, 217
Mahrer, A., 183, 210, 225, 226 Racker, M., 72
Maslow, A., 44, 71 Repacholi, B., 39
Meltzoff, A., 39 Rhinehart, J., 182, 197, 198
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71, 133
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Morillion, M., 38 Schneider, K., 128, 164, 185
Morton, J., 38 Schultz, D., 204
Moursund, J., 24, 26, 53, 58, 86, 103, 105, 108, Shlien, J., 94
128, 146, 162, 203, 220 Shoda, Y., 34
Muran, J., 144, 192, 200, 201, 202 Sigmund, E., 30, 32, 182, 187
Slap, J., 42
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Nichols, M., 185 Stein, D., 24, 25, 77, 78
Norcross, J., 10, 11, 15, 84 Steiner, C., 140
Stern, D., 38, 49, 133, 147, 166, 169, 173, 205
Ohlsson, T., 179, 183 Stolorow, R., 27, 31, 40, 41, 42, 49, 53, 70, 77, 87,
Olson, D., 50 91, 96, 159, 210
280 Name index
281
282 Subject index
‘I love reading this book. It is an essential text in my counselling and psychotherapy courses.
I find the relational orientation to be informative, powerful, and comprehensive while the style
of writing makes the concepts and methods easy for trainees to learn. The various examples
of actual therapy help my trainees to be effective therapists and also help me to be a better
trainer and supervisor.’
Elena Maria Guarrella, trainer and supervisor, Istituto di Analisi Transazionale
Integrativa, Roma, Italy
‘This splendid book is ideal for the experienced psychotherapist and mental health counsellor
while also serving as an important professional guide for someone new to the professions.
It conveys Richard Erskine’s and Janet Moursund’s very meaningful philosophy, theory, and
methods of relational psychotherapy. The authors address the therapeutic relationship with
respect, profundity, and hope. The relevant case examples make the theory come alive. It was
a pleasure to read this book and learn from two master psychotherapists.’
Amaia Mauriz Etxabe, licensed clinical psychologist, certified integrative
psychotherapist, trainer and supervisor; Professor of Psychology, Deusto University;
Director, BIOS Institute for Integrative Psychotherapy, Bilbao, Spain
‘I love this book. The writing is simple, yet the authors cover a vast knowledge of psychotherapy
and counselling while offering practical guidelines on how to work with our clients. Throughout
this book, I was accompanied in understanding how authentic relationships are achieved,
maintained, and repaired when disrupted. The transcripts of actual therapy sessions, and the
authors’ explanations, reveal how a relationally focused integrative psychotherapy enhances
our clients’ healing and wellbeing. This book is a must-read for all mental health practitioners.’
Karen Cesarano, chartered psychologist and psychotherapist; trainer and supervisor,
International Integrative Psychotherapy Association
Richard G. Erskine, PhD, Training Director at the Institute for Integrative Psychotherapy, is a
clinical psychologist with five decades of experience in the clinical practice and teaching of
psychotherapy.
Janet P. Moursund, PhD, founder of the Center for Community Counseling, is a retired
psychotherapist and professor of counselling psychology.