Adagio

from Concerto in D minor, BWV 974 A. Marcello-J. S. Bach

Piano Transcription by Sam Franko

     
      

Larghetto affecttuoso

 
Violin

     
 
                   
Larghetto affecttuoso

    
     
         


  
Piano

            
                 
5


        
        
 
                       
     


                   

                
0
9
2

  
             

      

                


   

 
                                     
12

         
                  

              
 
        
expr.

     


         

16

                            
    


                           
                  
 

       
 
20

 
  
      
                         


                          
                 


   
    

24

                  

           


       

      
     
      
rit. a tempo



2
       
      
27

                 

                    


                       
 

           
     


30

  
            
       
        

    
     
            

             
  

33

                                       

       
    
          
    
      
 
rit.



         
          

              
36


        
  
   

                       
     


3
   
          

40

  
        

 


      

   
   
   