Table of Contents

1. Disclaimer .................................................................................................................. 1

2. Welcome to TRAKTOR ............................................................................................... 2

2.1. Document Conventions ..................................................................................... 2

3. New in TRAKTOR PRO 3.1 ......................................................................................... 3

4. The TRAKTOR Workflow ............................................................................................ 5

5. Setting Up TRAKTOR ................................................................................................. 7

5.1. Importing Your Data from a Previous TRAKTOR Version ..................................... 8
5.2. Pre-Configuring TRAKTOR using the Setup Wizard ............................................ 8
5.3. Configuring TRAKTOR to Use with an External Audio Interface ........................... 8
5.4. Selecting TRAKTOR Layouts ............................................................................ 9
5.4.1. TRAKTOR Layout – Essential ................................................................. 9
5.4.2. TRAKTOR Layout – Extended ............................................................... 10
5.4.3. TRAKTOR Layout – Browser .................................................................. 11
5.4.4. TRAKTOR Layout – Parallel ................................................................... 11
5.4.5. TRAKTOR Layout – Preparation ............................................................ 12
5.5. Switching Deck Layouts .................................................................................. 13
5.5.1. Deck Layout – Micro ............................................................................. 13
5.5.2. Deck Layout – Small ............................................................................. 13
5.5.3. Deck Layout – Essential ........................................................................ 14
5.5.4. Deck Layout – Full ................................................................................ 14
5.5.5. Deck Layout – Advanced ...................................................................... 15
5.5.6. Deck Layout – Parallel Slim ................................................................... 15
5.5.7. Deck Layout – Parallel Full .................................................................... 16

6. TRAKTOR Overview ................................................................................................. 18

6.1. Application Menu Bar ...................................................................................... 19
6.2. Header .......................................................................................................... 19
6.3. Global Section ................................................................................................ 20
6.3.1. Master Control Panel ............................................................................ 21
6.3.2. FX Units ............................................................................................... 23
6.3.3. Audio Recorder .................................................................................... 24
6.3.4. LOOP RECORDER .............................................................................. 25
6.4. Decks and Deck Types ................................................................................... 26
6.4.1. Common Deck Controls ........................................................................ 26
6.4.2. Track Deck ........................................................................................... 31
6.4.3. STEM Deck .......................................................................................... 31
6.4.4. Remix Deck ......................................................................................... 33
6.4.5. Live Input ............................................................................................. 34
6.4.6. Advanced Panel ................................................................................... 35
6.4.7. Advanced Panel on the Remix Deck ...................................................... 38
6.5. Mixer ............................................................................................................. 39
6.5.1. Mixer Channel ...................................................................................... 40
 6.5.2. Crossfade Controls ............................................................................... 41
6.6. Browser ......................................................................................................... 41

7. Automatic Track Synchronization ............................................................................... 43

7.1. Beatgrid ......................................................................................................... 43
7.2. Tempo Master and Master Clock ..................................................................... 43
7.3. Automatic Tempo Master Assignment .............................................................. 43

8. Basic Usage Tutorials ............................................................................................... 44

8.1. Importing Music to the Track Collection ............................................................ 44
8.2. Browsing for Music ......................................................................................... 44
8.2.1. Navigating through Folders in the Browser Tree ..................................... 44
8.2.2. Performing a Text Search ...................................................................... 45
8.2.3. Previewing Tracks in the Browser .......................................................... 45
8.3. Loading Music into Decks ............................................................................... 45
8.3.1. Loading Tracks from Your iTunes Library ............................................... 46
8.4. Mixing Your First Two Tracks ........................................................................... 47
8.4.1. Prerequisites ........................................................................................ 47
8.4.2. Loading the First Track into Deck A ....................................................... 47
8.4.3. Starting Playback of Deck A .................................................................. 47
8.4.4. Loading the Second Track into Deck B ................................................... 48
8.4.5. Syncing the Track Tempos .................................................................... 48
8.4.6. Starting Playback of the Second Track ................................................... 48
8.4.7. Mixing in the Audio Signal ..................................................................... 48
8.5. Adjusting Gain Levels for Incoming Audio Signals ............................................. 49
8.5.1. Dynamic Range .................................................................................... 49
8.5.2. Clipping ............................................................................................... 49
8.5.3. Headroom ............................................................................................ 50
8.5.4. Always Level Incoming Audio Signals .................................................... 50
8.6. Using the Equalizer ......................................................................................... 50
8.6.1. EQing the Bass Frequencies of Tracks during Transition ......................... 50
8.7. Working with Mixer FX .................................................................................... 51
8.7.1. About Mixer FX .................................................................................... 51
8.7.2. Enabling Mixer FX ................................................................................ 52
8.7.3. Selecting Mixer FX ............................................................................... 52
8.7.4. Applying Mixer FX ................................................................................ 52
8.7.5. Pre-Selecting Mixer FX ......................................................................... 53
8.8. Working with Hotcue buttons and Flux Mode .................................................... 53
8.8.1. Accessing the Cue Page in the Advanced Panel ..................................... 53
8.8.2. Storing Cue Points using Hotcue buttons ............................................... 53
8.8.3. Storing Loops using Hotcue buttons ...................................................... 54
8.8.4. Triggering Stored Hotcues ..................................................................... 54
8.8.5. Remapping Stored Hotcues .................................................................. 54
8.8.6. Using Flux Mode and Reverse Mode ..................................................... 54
8.9. Locking the Key of Tracks ............................................................................... 55
8.10. Working with the Waveform and the Stripe ..................................................... 56

9. Advanced Usage Tutorials ......................................................................................... 58

9.1. Working with Cue Points ................................................................................. 58
9.1.1. About Cue Points ................................................................................. 58
9.1.2. Cue Point Types ................................................................................... 58
9.1.3. Accessing the CUE Page in the Advanced Panel .................................... 59
9.1.4. Setting Cue Points ................................................................................ 59
9.1.5. Storing Cue Points ................................................................................ 59
9.1.6. Jumping to Cue Points .......................................................................... 60
9.1.7. Renaming Cue Points ........................................................................... 60
9.1.8. Changing the Cue Point Type ................................................................ 60
9.1.9. Deleting Cue Points .............................................................................. 61
9.1.10. Setting Fade Out and Fade In Cue Points in Tracks for Automated Mix-
ing ................................................................................................................ 61
9.2. Working with Loops ........................................................................................ 62
9.2.1. About Looping ...................................................................................... 62
9.2.2. Enable Looping with a Predefined Loopsize ........................................... 62
9.2.3. Enable Looping with a Customized Loop Size ........................................ 63
9.2.4. Disable Looping ................................................................................... 63
9.2.5. Storing Loops ....................................................................................... 63
9.2.6. Moving the Loop ................................................................................... 64
9.2.7. Moving Loop In Points and Loop Out Points ........................................... 64
9.3. Working with FX Units ..................................................................................... 65
9.3.1. Assigning FX Units to Mixer Channels ................................................... 65
9.3.2. Using the FX Unit in Single FX Mode ..................................................... 65
9.3.3. Switching between Single FX Mode and Goup FX Mode ......................... 66
9.3.4. Using the FX Units in Group FX Mode ................................................... 66
9.3.5. Saving a Snapshot of FX Parameter Settings ......................................... 67
9.4. Using the Cue Channel for Mixing .................................................................... 67
9.5. Working with STEM Decks .............................................................................. 68
9.5.1. About STEM Files ................................................................................ 68
9.5.2. Loading a STEM File ............................................................................ 68
9.5.3. Playing Back the STEM File .................................................................. 69
9.5.4. Adjusting STEM Parts Volumes ............................................................. 69
9.5.5. Applying Filter FX to STEM Parts .......................................................... 69
9.5.6. Applying FX Send to STEM Parts .......................................................... 70
9.6. Working with Remix Decks .............................................................................. 70
9.6.1. About Remix Sets ................................................................................. 71
9.6.2. Loading Remix Sets ............................................................................. 71
9.6.3. Enabling and Adjusting the Remix Deck's Quantize Mode ....................... 71
9.6.4. Triggering Samples ............................................................................... 72
9.6.5. Switching Sample Grid Pages ............................................................... 72
9.6.6. Adjusting the Volume and Muting Sample Slots ...................................... 73
9.6.7. Applying Filter Effects the Sample Slots ................................................. 73
9.6.8. Locking Key for Sample Slots ................................................................ 74
9.6.9. Sending Sample Slots to FX Units ......................................................... 74
9.6.10. Routing Sample Slots into the Headphones Cue Channel ..................... 74
9.6.11. Enabling Punch Mode for the Sample Slot ............................................ 75
9.7. Creating Remix Sets ....................................................................................... 75
9.7.1. Importing Samples to the Track Collection .............................................. 75
 9.7.2. Creating an empty Remix Set ................................................................ 75
9.7.3. Loading Samples into Samples Cells ..................................................... 76
9.7.4. Capturing Samples from Tracks ............................................................. 76
9.7.5. Changing Sample Colors ...................................................................... 76
9.7.6. Adjusting Sample Parameter Settings .................................................... 76
9.7.7. Saving a Remix Set .............................................................................. 78
9.7.8. Exporting Remix Sets ........................................................................... 79
9.8. Correcting Beatgrids ....................................................................................... 79

10. Working with Playlists .............................................................................................. 81

10.1. Creating Playlists .......................................................................................... 81
10.2. Adding Tracks to Playlists .............................................................................. 81
10.3. Sorting Tracks in Playlists .............................................................................. 81
10.4. Organizing Playlists in Folders ....................................................................... 82
10.5. Exporting Playlists ........................................................................................ 82
10.6. Importing Playlists ......................................................................................... 83
10.7. Importing iTunes Playlists .............................................................................. 83
10.8. Using Preparation Playlist ............................................................................. 83
10.9. History Playlists ............................................................................................ 84
10.10. Track Status Icons in the Track List .............................................................. 84
10.11. Playlist Maintenance ................................................................................... 84
10.11.1. Renaming a Playlist .......................................................................... 85
10.11.2. Removing Tracks from Playlists ......................................................... 85
10.11.3. Restore Auto GAIN Value .................................................................. 85
10.11.4. Resetting Played State of Tracks ....................................................... 85
10.11.5. Deleting Playlists .............................................................................. 85
10.11.6. Removing Duplicates from Playlists .................................................... 85
10.11.7. Saving Playlists as Webpage File ....................................................... 86
10.11.8. Search Tracks in Playlists .................................................................. 86
10.11.9. Clearing Playlists .............................................................................. 86

11. Managing Your Track Collection ............................................................................... 87

11.1. About the Track Collection ............................................................................. 87
11.2. Compatible Audio File Formats ...................................................................... 87
11.3. Importing Music Files from the Local Music Folder .......................................... 87
11.4. Adding Music from Other Folders ................................................................... 87
11.5. Importing iTunes Tracks into Your Track Collection .......................................... 88
11.6. Importing Remix Sets .................................................................................... 88
11.7. Show Tracks on Your Local Drive ................................................................... 88
11.8. Editing Track Metadata in the Track List ......................................................... 88
11.9. Editing Track Metadata using the Edit Dialog .................................................. 89
11.10. Editing Track Cover Artwork ......................................................................... 90
11.11. Assigning Playlists and Folders to the Favorites ............................................ 90
11.12. Track Collection Maintenance ...................................................................... 91
11.12.1. Checking Consistency of your Track Collection ................................... 91
11.12.2. Analyzing Tracks Manually ................................................................ 93
11.12.3. Relocating Missing Tracks ................................................................. 94
11.12.4. Deleting Tracks from the Track Collection ........................................... 95
 11.12.5. Saving Your Track Collection ............................................................. 95
11.12.6. Exporting Your Track Collection ......................................................... 95
11.12.7. Restoring the Track Collection from an Automatic Backup ................... 96
11.12.8. Clearing Your Track Collection ........................................................... 96

12. Advanced Operation of TRAKTOR ........................................................................... 97

12.1. Synchronization using Ableton Link ................................................................ 97
12.1.1. Connecting to a Network ..................................................................... 97
12.1.2. Joining and Leaving a Link Session ..................................................... 97
12.1.3. Synchronizing TRAKTOR Decks to the Link Timeline ............................ 98
12.2. Syncing TRAKTOR via MIDI Clock ................................................................ 100
12.2.1. Syncing TRAKTOR to External MIDI Clock Signal ................................ 100
12.2.2. Using TRAKTOR as Master Clock ...................................................... 100
12.2.3. Syncing two Instances of TRAKTOR ................................................... 101
12.3. Recording Your Mix with the AUDIO RECORDER .......................................... 101
12.4. Broadcasting Your Mix ................................................................................. 102
12.4.1. Streaming Protocol ............................................................................ 104
12.5. Using Cruise Mode for Automatic Mixing ....................................................... 104
12.6. Enabling FX Unit 3 and FX Unit 4 ................................................................. 105
12.7. Configuring the FX Units to be used in Send FX Mode ................................... 105
12.8. Additional Mouse Controls for Faders and Knobs ........................................... 106
12.9. Managing TRAKTOR Layouts ....................................................................... 107
12.10. Enabling Tooltips ........................................................................................ 108

13. Setting up TRAKTOR for SCRATCH Control ............................................................ 110

13.1. Connecting Audio Interface to Computer ....................................................... 110
13.2. Connecting Audio Interface to DJ Mixer ......................................................... 110
13.3. Connecting Turntables to Audio Interface ...................................................... 111
13.4. Connecting CD Players to Audio Interface ..................................................... 111
13.5. Connecting Amplification System to DJ Mixer ................................................ 111
13.6. Connecting Headphones to DJ Mixer ............................................................ 111
13.7. Final Hardware Preparations ........................................................................ 111
13.8. Configuring TRAKTOR for SCRATCH Control ............................................... 112
13.9. Control TRAKTOR using Timecode Media ..................................................... 113
13.10. Switching to Scratch Playback Mode ........................................................... 113
13.11. The Control Zones on CD ........................................................................... 114
13.12. The Control Zones on Vinyl ........................................................................ 114
13.13. Tracking Modes ......................................................................................... 115

14. Common TRAKTOR Setups ................................................................................... 116

14.1. Using TRAKTOR with an External Mixer ........................................................ 116
14.2. Using TRAKTOR with an Add-On Controller .................................................. 117
14.3. Integrating a Microphone to Your TRAKTOR Setup ........................................ 117

15. Configuring MIDI Controller for Controlling TRAKTOR .............................................. 119

15.1. Importing Controller Mapping ........................................................................ 119
15.2. Controller Manager Overview ....................................................................... 119
15.2.1. Device Setup Section ......................................................................... 120
 15.2.2. Assignment Table Section .................................................................. 121
15.2.3. Device Mapping Section ..................................................................... 122
15.2.4. Mapping Details Section ..................................................................... 122
15.2.5. Available Controller Types .................................................................. 123
15.3. Assigning MIDI Controls ............................................................................... 125
15.4. Assignable MIDI Controls ............................................................................. 127
15.4.1. AUDIO RECORDER .......................................................................... 127
15.4.2. Browser ............................................................................................ 128
15.4.3. Deck Common .................................................................................. 129
15.4.4. FX Unit ............................................................................................. 131
15.4.5. Global ............................................................................................... 131
15.4.6. Layout .............................................................................................. 132
15.4.7. LOOP RECORDER ........................................................................... 132
15.4.8. Master Clock ..................................................................................... 132
15.4.9. Mixer ................................................................................................ 132
15.4.10. Modifier ........................................................................................... 133
15.4.11. Preview Player ................................................................................. 134
15.4.12. Remix Deck ..................................................................................... 134
15.4.13. Track Deck ...................................................................................... 135

16. Preferences ........................................................................................................... 137

16.1. Preferences Dialog Overview ....................................................................... 137
16.2. Preferences – Audio Setup Page .................................................................. 139
16.3. Preferences – Output Routing Page .............................................................. 140
16.4. Preferences – Input Routing Page ................................................................ 143
16.5. Preferences – External Sync Page ................................................................ 144
16.6. Preferences – Timecode Setup Page ............................................................ 145
16.7. Preferences – Loading Page ........................................................................ 147
16.8. Preferences – Transport Page ...................................................................... 148
16.9. Preferences – Decks Layout Page ................................................................ 151
16.10. Preferences – Track Decks Page ................................................................ 153
16.11. Preferences – Remix Decks Page ............................................................... 155
16.12. Preferences – Mixer Page .......................................................................... 157
16.13. Preferences – Global Settings Page ............................................................ 160
16.14. Preferences – Effects Page ........................................................................ 162
16.15. Preferences – Mix Recorder Page ............................................................... 164
16.16. Preferences – Loop Recorder Page ............................................................ 165
16.17. Preferences – Broadcasting Page ............................................................... 166
16.18. Preferences – Browser Details Page ........................................................... 168
16.19. Preferences – Layout Manager Page .......................................................... 169
16.20. Preferences – File Management Page ......................................................... 170
16.21. Preferences – Analyze Options Page .......................................................... 173
16.22. Preferences – Controller Manager Page ...................................................... 175

17. Effect Reference .................................................................................................... 176

17.1. Delay .......................................................................................................... 176
17.2. Reverb ........................................................................................................ 177
17.3. Flanger ....................................................................................................... 177
17.4. Flanger Pulse .............................................................................................. 178
17.5. Flanger Flux ................................................................................................ 178
17.6. Gater .......................................................................................................... 179
17.7. Beatmasher 2 .............................................................................................. 179
17.8. Delay T3 ..................................................................................................... 180
17.9. Filter LFO .................................................................................................... 181
17.10. Filter Pulse ................................................................................................ 181
17.11. Filter .......................................................................................................... 182
17.12. Filter:92 LFO ............................................................................................. 183
17.13. Filter:92 Pulse ........................................................................................... 183
17.14. Phaser ...................................................................................................... 184
17.15. Phaser Pulse ............................................................................................. 185
17.16. Phaser Flux ............................................................................................... 185
17.17. Reverse Grain ........................................................................................... 186
17.18. Turntable FX .............................................................................................. 186
17.19. Iceverb ...................................................................................................... 187
17.20. Reverb T3 ................................................................................................. 187
17.21. Ring Modulator .......................................................................................... 187
17.22. Digital LoFi ................................................................................................ 188
17.23. Mulholland Drive ........................................................................................ 188
17.24. Transpose Stretch ...................................................................................... 189
17.25. BeatSlicer Buffer ........................................................................................ 190
17.26. Formant Filter ............................................................................................ 190
17.27. Peak Filter ................................................................................................. 190
17.28. Tape Delay ................................................................................................ 191
17.29. Ramp Delay .............................................................................................. 191
17.30. Auto Bouncer ............................................................................................. 192
17.31. Bouncer .................................................................................................... 193
 Disclaimer

1. DISCLAIMER

The information in this document is subject to change without notice and does not represent a
commitment on the part of Native Instruments GmbH. The software described by this document is
subject to a License Agreement and may not be copied to other media. No part of this publication
may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior
written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.
“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instruments
GmbH.
Mac, macOS, GarageBand, Logic and iTunes are registered trademarks of Apple Inc., registered
in the U.S. and other countries.
Windows and DirectSound are registered trademarks of Microsoft Corporation in the United States
and/or other countries.
Ableton Live™ and LINK™ are a trademarks of Ableton AG.
All other trademarks are the property of their respective owners and use of them does not imply
any affiliation with or endorsement by them.
Document authored by: Native Instruments GmbH
Software version: 3.1 (02/2019)
Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in
making this a better product.

1
 Welcome to TRAKTOR

2. WELCOME TO TRAKTOR

Thank you for choosing TRAKTOR PRO 3 — it is because of customers like you that we can con-
tinue developing groundbreaking music software and hardware. TRAKTOR is the most powerful
and versatile DJ software on the market. With TRAKTOR, you can mix your tracks traditionally as
well as combine your tracks and loops in a non-linear way, using it as a powerful live remixing tool.
This documentation provides you with all the information you need to make use of TRAKTOR’s
features to their full capacity.

2.1. Document Conventions

This document uses particular formatting to point out special facts and to warn you of potential is-
sues. The icons introducing the following notes let you see what kind of information can be expec-
ted:

The speech bubble icon indicates a useful tip that may help you to solve a task more
efficiently.

The exclamation mark icon highlights important information that is essential for the
given context.

The warning icon warns you of serious issues and potential risks that require your
full attention.

Furthermore, the following formatting is used:

• Paths to locations on your hard disk or other storage devices are printed in italics.
• Important names and concepts are printed in bold.
• Square brackets are used to reference keys on a computer’s keyboard, e.g., Press [Shift] +
[Enter].

2
 New in TRAKTOR PRO 3.1

3. NEW IN TRAKTOR PRO 3.1

With the release of TRAKTOR PRO 3.1 you get plenty of new features and improvements, includ-
ing:
Preparation View
The new TRAKTOR layout Preparation gives you wider view on deck A. The waveform reaches
over the entire application window which enables you to easy prepare your tracks with cue points
and loops. For more information, refer to Switching Deck Layouts.
Parallel Waveforms View
You can now stack the track waveforms over the entire application window above the decks using
the TRAKTOR layout Parallel. This enables you to preview the waveforms and quickly switch be-
tween the tracks without relying on prelistening. For more information, refer to Selecting TRAK-
TOR Layouts.
Tooltips for the Preferences dialog
TRAKTOR now provides you with tooltips for the options in the Preferences dialog. You can ena-
ble tooltips directly in TRAKTOR's header. For more information, refer to Enabling Tooltips.
Overmapping TRAKTOR KONTROL S8 and D2 controllers now supported
TRAKTOR now supports overmapping of the TRAKTOR KONTROL S8 and D2 controllers using
the Controller Manager in the Preferences dialog. For more information on configuring MIDI con-
trollers, refer to Configuring MIDI Controller for Controlling TRAKTOR.
Duplicating Layouts
The Layout Manager in the Preferences dialog now contains the Duplicate button for duplicating
existing TRAKTOR layouts. For more information, refer to Managing TRAKTOR Layouts.
Non destructive File handling
A set of Tag writing mode options has been added to the File Management page in the Prefer-
ences. These options are used to configure which types of metadata TRAKTOR does write and
does not write into the audio files. For more information, refer to Preferences – File Management
Page.

New in TRAKTOR PRO 3

TRAKTOR PRO 3 preserves most of the workflows of TRAKTOR PRO 2. It will install alongside
TRAKTOR PRO 2 and offer you to copy your collection.
All controllers and setups supported with TRAKTOR PRO 2 remain supported with TRAKTOR
PRO 3.
With the release of TRAKTOR PRO 3 you get plenty of new features and improvements, including:
Fully Overhauled User Interface
We have overhauled TRAKTOR’s user interface for extra clarity, by flattening and sharpening
it. Now in challenging environments, you can see everything you need at a glance. New Master
and Channel level metering means you can accurately control your mix with full visual feedback.
Improved information hierarchy, consistency in design and colors throughout all panels of the ap-
plication, drop-down menus, dialogs, full width Hotcue buttons.

3
 New in TRAKTOR PRO 3.1

New Mixer Effects

Whether it’s heavy drops or smooth transitions that define your style, the new Mixer FX are de-
signed for one-knob modulation with big-sounding results. Choose from eight extra effects and
three new filters to assign to each channel, in addition to TRAKTOR’s famous Deck FX.
TRAKTOR PRO 3 introduces the concept of easy to use, one-knob Mixer Effects located in the
mixer channels. The new type of effects will be launched with a selection of eight standard effects:
Reverb, Dual Delay, Dotted Delay, Flanger, Time Gater, Noise, Crush and Barber Pole.
Scratch right out of the box
TRAKTOR SCRATCH is now included in TRAKTOR PRO 3, right out of the box.
Use any soundcard
DJs using timecode vinyl can now use any soundcard they like, in addition to tried and tested
TRAKTOR SCRATCH Certified soundcards and mixers. So if there’s a model that does it for you,
or if you’re playing back-to-back with somebody on a different setup, TRAKTOR can adapt.
Additional master limiter
An alternative, additional Master Limiter provides a more transparent sound.

4
 The TRAKTOR Workflow

4. THE TRAKTOR WORKFLOW

The following steps outline the key workflow of using TRAKTOR. Each milestone step is briefly in-
troduced and provides links with further information:

1. Importing Your Music: At first, you need to import your music into TRAKTOR. When you im-
port your music, all music files get stored in the Track Collection. The Track Collection uses
track-specific metadata to categorize the tracks by certain criteria. For more information, refer
to Importing Music to the Track Collection.
2. Browsing for Music: Once your music is imported in TRAKTOR, you can use the Browser to
find specific tracks for your mix. Search for music in the Browser by performing a text search
or by navigating the Browser Tree. The Track List shows the tracks of the selected folder with
its metadata sorted inside a table. For more information, refer to Browsing for Music.
3. Loading Tracks into Decks: When loading a track from the Track List, TRAKTOR calculates
its exact tempo and key information. This analysis of each track can also be done before
loading tracks. While analyzing, TRAKTOR creates the Beatgrid and the Waveform for each
imported track. This information is then stored for each track in the Track Collection. For more
information, refer to Loading Music into Decks.
4. Start Playback of a Deck: In order to hear music from the Deck you need to adjust the Mixer
controls of the respective Mixer channel and set the crossfader accordingly. Then you can
start playback and the Waveform will start moving. For more information, refer to Mixing Your
First Two Tracks.
5. Finding and loading another Track: While the first track is playing you can browse for the
next track in your Track Collection and load it into another Deck. For more information, refer
to Mixing Your First Two Tracks.
6. Syncing the Tracks: Since TRAKTOR has calculated the tempos and the Beatgrids for both
tracks, you can sync the next track with the track that is currently playing by using the SYNC
button on the stopped Deck. Now when playing back the next track, the beats of both tracks
will perfectly match. You can also sync the tracks manually by using the tempo and synchro-
nization controls provided on any Deck. For more information, refer to Mixing Your First Two
Tracks.
7. Previewing the transition: The Mixer provides you with the controls to preview the next
track when preparing the transition, using your headphones. This allows you to find the right
position for starting playback, and you can then fade the track in using the crossfader. For
more information, refer to Using the Cue Channel for Mixing.
8. Using Equalizer and adding Effects: To make transitions more flawless, the Mixer is equip-
ped with equalizer controls for tweaking frequency bands in the audio signals. Furthermore,
TRAKTOR provides FX Units and Mixer FX for modulating the audio signals. For more infor-
mation, refer to Using the Equalizer, Working with FX Units, Working with Mixer FX.
9. Cueing using Hotcue buttons: You can create Cue points and store them on Hotcue but-
tons. When later loading the track, you can trigger the Hotcues and the playback will instantly
continue from the stored cue point position. For more information, refer to Working with Hot-
cue buttons and Flux Mode, Working with Cue Points.
10. Looping: TRAKTOR provides you with Loop controls for enabling Loops in pre-defined sizes.
As with Cue points, Loops can be stored using the Hotcue buttons and triggered at a later

5
 The TRAKTOR Workflow

time. For more information, refer to Working with Hotcue buttons and Flux Mode, Working
with Loops.
11. Remixing: Using the STEM Decks, you can perform your music by taking out entire musical
elements in STEM Files. You can also remix your music using Loops and One-shot Samples
in Remix Decks. For more information, refer to Working with STEM Decks, Working with Re-
mix Decks.

6
 Setting Up TRAKTOR

5. SETTING UP TRAKTOR

This section assumes you have already installed TRAKTOR PRO 3 using NATIVE ACCESS, and
that you can start to configure TRAKTOR for its first use. If this is not the case, follow the instruc-
tions using this link Registering and Installing a Native Instruments Product using NATIVE AC-
CESS.

TRAKTOR can be used in various setups. Besides using TRAKTOR with a dedicated TRAKTOR
KONTROL hardware controller, it can also be used with an external audio interface (with or without
an external DJ Mixer).

It can also be used with a MIDI controller of another manufacturer. In this case, you need to load
the specific controller mapping file or you create a custom controller mapping yourself.

TRAKTOR with External Audio Interface

This section and so this documentation assumes you are using TRAKTOR with at least an exter-
nal audio interface with one stereo output and a stereo headphone output. This way we can make
sure the workflows explained also apply to TRAKTOR setups using any other external audio
equipment or controller with an integrated audio interface.

Of course you can use TRAKTOR with your the built-in sound card. However, you
are then only using the stereo output.

The steps in this section will guide you through the process of configuring TRAKTOR using an ex-
ternal audio interface.

TRAKTOR Configuration Steps

When starting TRAKTOR for the first time, you need to configure TRAKTOR so that it works in
your specific setup. The following steps for configuring TRAKTOR are required:

1. Importing Data from previous installations: If you have installed a previous TRAKTOR in-
stallation, TRAKTOR asks you to import the data. For more information, refer to Importing
Your Data from a Previous TRAKTOR Version.
2. Configuring TRAKTOR using the Setup Wizard: The Setup Wizard helps to you configure
TRAKTOR step-by-step. For more information, refer to Pre-Configuring TRAKTOR using the
Setup Wizard.
3. Configuring TRAKTOR for using the external audio interface: When connecting an exter-
nal audio interface, TRAKTOR automatically sets the Mixing Mode to External Mixing. For
more information on setting up TRAKTOR with an external audio interface, refer to Configur-
ing TRAKTOR to Use with an External Audio Interface.
4. TRAKTOR Layouts and Layout Switching: TRAKTOR provides several Layouts that dis-
play more or less elements, depending on use case. For more information, refer to TRAK-
TOR Layouts and Layout Switching.

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 Setting Up TRAKTOR

5.1. Importing Your Data from a Previous TRAKTOR Version

When you start TRAKTOR for the first time, TRAKTOR will ask if you want to import your previous
data by copying the existing user content to a new folder in your user folder. Your previous data
will not be altered if you copy it to the new default folder.

5.2. Pre-Configuring TRAKTOR using the Setup Wizard

When starting TRAKTOR for the first time, you are provided with the Setup Wizard. In a few steps,
the Setup Wizard guides you through the process of configuring TRAKTOR. It can also be used to
reset TRAKTOR to an out-of-the-box setup.

Setup Wizard Pages

1. The WELCOME page asks you to connect any controllers and devices to your computer.
2. The MIXER SETUP page asks you to select whether or not you want to use TRAKTOR with a
controller different than TRAKTOR KONTROL. If yes, on the next page you can choose the
controller manufacturer and model from the drop-down lists.
3. On the DECK LAYOUT page you can select whether or not you are using Timecode vinyls or
CDs to externally control TRAKTOR's Decks. Furthermore, you can select how many Decks
and the Flavors you want to use. This can also be changed from within the software.
4. The SUMMARY Page shows you the configuration of TRAKTOR. You can click Back to
change the settings made, Cancel to close the Setup Wizard completely, or Finish, which
confirms your configuration.

Starting the Setup Wizard

You can start the Setup Wizard in two ways:

1. Select Start Setup Wizard in the Help menu of the Application Menu bar (not visible in Full-
screen mode).
2. Or click the Setup Wizard button at the bottom left corner of the Preferences dialog window.

5.3. Configuring TRAKTOR to Use with an External Audio In-

terface
To use TRAKTOR’s preview feature, you need to have an audio interface with two independent
stereo outputs, one for the Master Out and one for the Headphones CUE channel. Refer to the
manufacturer’s manual for installing and connecting your external audio interface.
In TRAKTOR, do the following:

1. Click the Preferences button in the Header to open the Preferences.

2. Select the Audio Setup page.
3. Select your external audio interface from the Audio Device drop-down menu.
4. Open the Output Routing page.
5. Select Internal under Mixing Mode.
6. Select an output pair for Output Master and one output pair for Output Monitor.

8
 Setting Up TRAKTOR

7. If your audio device provides another output, you can assign this to the Output Record.
8. Close the Preferences.
TRAKTOR is now configured.

5.4. Selecting TRAKTOR Layouts

TRAKTOR provides a set of user interface layouts to organize its graphical user interface. These
are called TRAKTOR Layouts. Each TRAKTOR Layout is appropriate for a particular use case
where certain user interface elements are displayed while others remain hidden. In this section
you will learn how to select another TRAKTOR Layout. In addition, you are introduced to the vari-
ous TRAKTOR Layouts.
You can select different TRAKTOR layouts directly in the header:

1. Click the TRAKTOR layout drop-down menu in the header.

2. Select a TRAKTOR layout from the list.

The appearance of the user interface changes according to the selected TRAKTOR layout.

Default TRAKTOR Layouts

You can choose between the following standard TRAKTOR Layouts:

• Essential, Extended, Browser, Mixer, Parallel, and Preparation

Additionally, you can create your own TRAKTOR layouts to customize the user interface to your
needs. For more information, refer to Managing TRAKTOR Layouts.

5.4.1. TRAKTOR Layout – Essential

The Essential layout shows the most important control elements for basic mixing. The decks show
the waveforms, stripes and the transport controls. The Essential layout is optimized for using an
external controller as the internal mixer is not shown.

9
 Setting Up TRAKTOR

TRAKTOR layout – Essential.

5.4.2. TRAKTOR Layout – Extended

The Extended layout shows Hotcue and effect controls. The decks are extended and show the ad-
vanced panels with Hotcue and loop controls. The mixer shows the panorama control for each
channel and provide controls for applying Mixer FX and FX Units. The global section shows the FX
Units.

TRAKTOR layout – Extended.

10
 Setting Up TRAKTOR

5.4.3. TRAKTOR Layout – Browser

The Browser layout shows a maximized view on the browser and a minimized view on the decks.
The mixer is not visible in the this TRAKTOR layout. This arrangement gives you the best view on
your browser and the track list to prepare playlists and to maintain your track collection.

TRAKTOR layout – Browser.

5.4.4. TRAKTOR Layout – Parallel

The Parallel layout shows the waveforms stacked above the decks to support you on mixing tracks
visually even without using SYNC and prelistening. The waveforms reach over the entire applica-
tion window to give you a wider view on the tracks. This lets you quickly switch between the tracks.
The parallel beatgrids indicate to what degree the tracks are in or out of sync without relying on
prelistening. The Parallel layout also works for mixing with four decks.

11
 Setting Up TRAKTOR

TRAKTOR layout – Parallel.

5.4.5. TRAKTOR Layout – Preparation

The Preparation layout shows only deck A that is enlarged across the entire application window,
and the maximized browser. The wider view of the waveform and stripe help you to precisely or-
ganize your cue points and loops. The other decks and the mixer are not visible in this TRAKTOR
layout.

TRAKTOR layout – Preparation.

12
 Setting Up TRAKTOR

5.5. Switching Deck Layouts

You can switch the decks between various deck layouts. There are seven deck layouts available
from providing least controls up to most controls with stacked waveforms directly above the decks.
In this section you will learn how to change the deck layout. In addition, you will be introduced with
the different deck layouts.

Switching the Deck Layout

To switch the deck layout:

• Perform a double-click in the deck header.

The deck layout switches. Each double-click in the deck header switches to the next deck
layout.

TRAKTOR automatically saves the deck layout for the current TRAKTOR layout. You can also se-
lect the Deck layout in the Decks Layout page in the Preferences.

Available Deck Layouts

The following deck layouts are available:

• Micro, Small, Essential, Full, Advanced, Parallel Slim, and Parallel Full

5.5.1. Deck Layout – Micro

When using deck layout Micro, you will see the following information and deck controls:

• Stripe
• Play button
• Deck header showing the first row with the information track title, remaining track time, and cur-
rent track tempo

Deck layout – Micro.

5.5.2. Deck Layout – Small

When using the deck layout Small, you will see the following information and deck controls:

• Stripe
• Transport controls

13
 Setting Up TRAKTOR

• Keylock button
• Tempo bend controls
• Tempo fader
• Phase meter
• SYNC and MASTER buttons
• Deck header showing the first row with the information cover art, track title, remaining track
time, and current track tempo

Deck layout – Small.

5.5.3. Deck Layout – Essential

When using the deck layout Essential, you will see the following information and deck controls:

• Waveform
• Stripe
• Transport controls
• Keylock button
• Tempo bend controls
• Tempo fader
• Phase meter
• SYNC and MASTER buttons
• Deck header showing the first row with track the information track title, remaining track time,
and current track temp

Deck layout – Essential.

5.5.4. Deck Layout – Full

When using the deck layout Full, you will see the following information and Deck controls:

• Waveform
• Stripe

14
 Setting Up TRAKTOR

• Transport controls
• Keylock button
• Tempo bend controls
• Tempo fader
• Phase meter
• SYNC and MASTER buttons
• Full deck header with all track information

Deck layout – Full.

5.5.5. Deck Layout – Advanced

When using the deck layout Advanced, you will see the following information and deck controls:

• Waveform
• Stripe
• Advanced Panel
• Transport controls
• Keylock button
• Pitch bend controls
• Tempo fader
• Phase meter
• SYNC and MASTER buttons
• Full deck header with all track information

Deck layout – Advanced.

5.5.6. Deck Layout – Parallel Slim

When using the deck layout Parallel Slim, you will see the following information and deck controls:

15
 Setting Up TRAKTOR

• Stacked waveforms of deck A and B above the decks.

• Stripe
• Transport controls
• Keylock button
• Tempo bend controls
• Tempo fader
• Phase meter
• SYNC and MASTER buttons
• Deck header showing the first row with the track information cover art, track title, remaining
track time, and current track tempo

Deck layout – Parallel Slim.

5.5.7. Deck Layout – Parallel Full

When using deck layout Parallel Full, you will see the following information and deck controls:

• Stacked waveforms of deck A and B above the decks

• Stripe
• Transport controls
• Advanced Panel
• Keylock button
• Tempo bend controls
• Tempo fader
• Phase meter
• SYNC and MASTER buttons
• Full deck header with all track information

16
 Setting Up TRAKTOR

Deck layout – Parallel Full.

17
 TRAKTOR Overview

6. TRAKTOR OVERVIEW

The picture below shows the interface of TRAKTOR.

1
2

TRAKTOR PRO 3 user interface.

(1) Application menu bar: Provides access to basic functions and information about the software.
For more information, refer to Application Menu Bar.

(2) Header: Here you can find various status indicators and useful functions and buttons, e.g., the
Preferences button. For more information, refer to Header.

(3) Global section: The Global section contains the FX Units, the Master Control panel, the AU-
DIO RECORDER, and the LOOP RECORDER. For more information, refer to Global Section.

(4) Decks: TRAKTOR provides you with the four virtual Decks A, B, C, and D. The Decks are
where tracks, STEM files, and Samples are played back. If you previously selected to use only two
Decks A and B from the Setup Wizard, you can enable the lower Decks C and D in the Preferen-
ces. For more information, refer to Decks and Deck Types.

(5) Mixer: The Mixer receives audio signals on its four Mixer channels, coming from the four
Decks. The Mixer’s basic purpose is to adjust the relative level of each Mixer channel, to control
the channels’ frequency content, possibly routing them into the FX Units, before sending the over-
all result to the master output. For more information, refer to Mixer.

(6) Browser: Lets you manage all your tracks in the Track Collection. You can group tracks in
Playlists, sort them according to various attributes, and search within Playlists as well as in the en-
tire Track Collection. For more information, refer to Browser.

18
 TRAKTOR Overview

6.1. Application Menu Bar

The Application menu bar provides access to File, View , and Help menus.

Application menu bar.

File: Contains options for setting up TRAKTOR.

• Preferences: Opens the Preferences dialog.

• Audio Setup: Directly calls up the Audio Setup page in the Preferences dialog.
• Controller Manager: Directly calls up the Controller Manager page in the Preferences dialog.
• Exit: Closes the TRAKTOR application.

View: Contains options for the TRAKTOR Layout.

• Layouts: Shows the list of available TRAKTOR Layouts you can select.
• Fullscreen: Switches the TRAKTOR application into Fullscreen view.

Help: Contains options for updating TRAKTOR and getting help.

• Check for Updates on Native Access: Calls up the Native Access application that is checking
for available software updates.
• Downloads: Opens the web browser on your computer and directs you to the download page
on the Native Instruments website.
• Get Started with TRAKTOR: Opens the web browser on your computer and directs you to the
TRAKTOR video tutorials page on the Native Instruments website.
• Online TRAKTOR documentation: Opens the web browser on your computer and directs you
to the Online TRAKTOR documentation page on the Native Instruments website.
• Start Setup Wizard: Launches the Setup Wizard for configuring TRAKTOR.
• Buy Upgrades and Accessories: Opens the web browser on your computer and directs you
to the TRAKTOR products page on the Native Instruments website.
• About: Opens the about screen.

6.2. Header
The Header is located at the very top of TRAKTOR’s user interface and contains various status
indicators, and useful functions and buttons.

1 2 4 6 8 10 12 14 16

3 5 7 9 11 13 15
Header.

19
 TRAKTOR Overview

(1) TRAKTOR Logo: Clicking the TRAKTOR logo displays the about screen with the current ver-
sion number of the TRAKTOR software, the credits, and some additional information.
(2) MIDI indicator: Indicates the incoming MIDI and Native (NHL) signals. The indicator lights blue
while a signal is received.
(3) Connection indicator: Indicates if all listed controllers are connected. The indicator lights blue
if all controllers are connected, orange if some controllers are connected, unlit if no controller is
connected.
(4) Audio indicator: Indicates the connection to your audio interface. It lights up blue if an audio
interface is connected, red if no audio interface is connected, orange if the internal soundcard se-
lected. For more information, refer to Preferences Audio setup.
(5) LOAD indicator: Indicates how much computing time available per audio buffer is currently
used by TRAKTOR to process audio data contained in one buffer. This value shows how much
CPU load the audio processing requires and how much headroom is left before audio starts drop-
ping out. The system should be kept at values below the LOAD indicator turning red.
(6) Master Output level meter: Displays the Master Output level.
(7) System Clock: Displays the time of day derived from the system time of your computer.
(8) Battery indicator: Indicates how much power remains in your computer's battery. It lights up
blue if a power supply is connected and red when running out of battery power.
(9) Recording indicator: Indicates the status of the AUDIO RECORDER. It lights up red when re-
cording. For more information, refer to Recording Your Mix with the AUDIO RECORDER.
(10) Layout selector: Provides you with a list of default TRAKTOR Layouts. For more information,
refer to TRAKTOR Layouts and Layout Switching.
(11) Maximize Browser button: Maximizes the Browser view by minimizing the sizes of the
Decks, the Mixer, and the Global section.
(12) Preferences button: Opens the Preferences dialog. All TRAKTOR settings are made here.
For more information, refer to Preferences.
(13) Cruise Mode button: Enables Cruise mode allowing you to automatically play one track after
the other from a Playlist or your Track Collection. Cruise mode seamlessly takes over playback
control. For more information, refer to Using Cruise Mode for Automatic Mixing.
(14) Tooltip button: Enables the tooltips in TRAKTOR.
(15) Fullscreen button: Enables Fullscreen mode. When enabled, none of the operating system’s
controls are visible.
(16) NI Logo: Displays the about screen with the current version number of the TRAKTOR soft-
ware, the credits, and some additional information.

6.3. Global Section

The Global section contains five distinct panels with global controls and recording functions: FX
Unit 1 and FX Unit 2, AUDIO RECORDER, LOOP RECORDER, and the Master Control panel. Not
all of the panels can be displayed at once. The Master Control panel is always visible. In the left
panel you can display FX Unit 1 or the LOOP RECORDER, and on the right side you can display
either FX Unit 2 or the AUDIO RECORDER. The panels can be selected using the corresponding
buttons at the far left and right of the Global section.

20
 TRAKTOR Overview

1 2 1

Global Section with FX Unit 1 and 2 displayed.

(1) FX Unit 1 and FX Unit 2: TRAKTOR offers four FX Units for tweaking the audio signals in the
Mixer. By default, only FX Unit 1 and FX Unit 2 are enabled. All FX Units can be freely assigned to
any of the Mixer channels A - D. For more information, refer to FX Units.

(2) Master Control panel: The Master Control panel is a central component of TRAKTOR. It lets
you control the MAIN volume, and defines the behavior for setting Cue Points and Loops as well
as enabling and disabling the Master Limiter. It also contains the Master Clock and works as a
tempo reference for the Sync function and the effects. Here you can also join or start network ses-
sions via Ableton Link, or send a MIDI Clock signal to external hardware and software. For more
information, refer to Master Control Panel.

1 2

Global Section with the LOOP RECORDER and AUDIO RECORDER displayed.

(1) LOOP RECORDER: The LOOP RECORDER allows you to instantly create Loops from the
Mixer’s main output signal, from a particular Deck, or from an external audio input. For more infor-
mation, refer to LOOP RECORDER.

(2) AUDIO RECORDER: The AUDIO RECORDER enables you to record your mix from the main
output as well as from other physical audio inputs. For more information, refer to Audio Recorder.

6.3.1. Master Control Panel

The Master Control panel is a central component of TRAKTOR. It allows you control the MAIN vol-
ume, and defines the behavior for setting Cue Points and Loops. It also contains the Master
Clock and works as a tempo reference for the Sync function and for the effects. Here you can also
join or start network sessions via Ableton Link, or send a MIDI Clock signal to external hardware
and software.

1 2 3

7 6 5 4
Master Control panel.

21
 TRAKTOR Overview

(1) SNAP: Enables SNAP mode. When SNAP mode is enabled, Cue Points or Loops are always
set to the closest beat. The button lights up blue when enabled.

(2) MASTER CLOCK TEMPO display: Displays the current tempo and offset of the Master Clock.
You can enter a new tempo with a double-click.

(3) MAIN knob: Controls the main output volume.

(4) LIMITER: Enables the Limiter for the main output signal. When enabled, the main output level
meter shows the Limiter position right before the red LEDs. For more information, refer to Adjust-
ing Gain Levels for Incoming Audio Signals.

(5) MASTER: When enabled you can play on four Decks with a stable tempo reference. It is also
the mode to be used when TRAKTOR is sending out the master tempo via MIDI Clock messages
to another application or hardware being slaved to TRAKTOR.

(6) AUTO: When enabled TRAKTOR automatically selects one of the Decks as Tempo Master.
The Master Clock then automatically syncs to the Master Deck.

(7) LINK: Syncs TRAKTOR to an Ableton Link session and gives additional status information. For
more information, refer to Synchronization using Ableton Link. When the Enable MIDI Clock set-
ting is enabled in the External Sync page in the Preferences, LINK is replaced by EXT. For more
information, refer to Syncing TRAKTOR via MIDI Clock.

(8) QUANT: Enables Quantize mode. Quantize mode lets you jump between Cue Points and Stor-
ed Loops seamlessly, without losing sync. Skipping in the track in Quantize mode brings the play-
head position to the next destination without losing sync. The button lights up blue when enabled.

Further Master Clock Controls

When hovering the mouse over the MASTER CLOCK display you are provided with additional
Master Clock controls.

1 2

4 3
Master Control panel.

(1) TAP button: With this button you can tap in the desired Master Clock tempo.

(2) Master Clock Bend buttons: Slows down or speeds up the Master Tempo momentarily.

(3) MASTER CLOCK Tempo Up / Down buttons: Decreases or Increases the Master Tempo
step-wise.

(4) Metronome (Master Clock Tick): Toggles an audible metronome beat tick with the Master
Clock as source on or off.

22
 TRAKTOR Overview

Further MIDI Clock Sync Controls

When the MIDI Clock is enabled in the Preferences, the Master Control panel expands providing
further MIDI Clock controls. For more information, refer to Preferences – External Sync Page.

2
3
Master Control panel.

(1) Offset display: Indicates the offset for the synchronization.

(2) MASTER CLOCK START: Enables or disables MIDI Clock for external synchronization.
(3) MASTER CLOCK SYNC: Resets the external devices (slaves) connected via MIDI clock.

6.3.2. FX Units
TRAKTOR offers four FX Units which give you the control of adding FX to your mix. By default
there are only two FX Units enabled - FX Unit 1 and FX Unit 2. Each FX Unit can be assigned to
any Mixer channel individually or to more than one Mixer channel at a time. The FX Units are loca-
ted on the left and the right side in the Global section. A click on the FX Unit buttons labeled FX on
either end of the Global section shows the corresponding FX Unit.
The FX Units are used as insert effects by default, but you can also use them as post-fader effects
and as Send effects. The FX Units are freely configurable.
Additionally, you can choose from two different FX Unit modes in TRAKTOR: Either Single FX
mode, where four buttons and four knobs control one effect, or Group FX mode, where you can
use chain of three effects. For more Information on using the FX Units, refer to Working with FX
Units.

FX Units in Single FX Mode

In Single FX mode you get full control over all parameters of a single effect.

1 2 3 4 5 6

11 10 9 8 7
FX Unit 1 in Single FX Mode.

23
 TRAKTOR Overview

In Single FX mode you get full control over all parameters of a single effect.
(1) FX Unit Config drop-down menu: Opens a drop-down menu for configuring the FX Unit and
taking snapshots. Additionally, the number identifies the FX Unit and the selected FX mode.
(2) D/W knob: Controls the direct-to-processed signal mix.
(3) FX Selector: Selects the effect to be controlled in the FX Unit.
(4) – (6) FX Parameter control 1 – 3: Modulates the parameters for the selected effect.
(7), (8) FX buttons 1 – 2: Controls the selected effect. The exact function depends on the selected
effect.
(9) RST button: Resets all parameters for the selected effect. This button is not available for all
effects.
(10) FX On button: Switches the effect on and off. If on, the buttons light up yellow.

FX Unit 1 in Group FX Mode

In Group FX mode you can control up to three FX at once in one FX Unit.

1 2 3 4 5 6

10 9 8 7
FX Unit 1 in Group FX Mode.

(1) FX Unit Config drop-down menu: Opens a drop-down menu for configuring the FX Unit and
taking snapshots. Additionally, the number identifies the FX Unit and the selected FX mode.
(2) D/W knob: Controls the direct-to-processed signal mix for the entire effect chain.
(3) FX Selector 1 – 3: Selects the effect to be controlled in the FX Unit.
(4) – (6) Effect Amount knob 1 – 3: Controls the individual effect amount.
(7) – (9) Effect On buttons 1 – 3: Switches every effect in the effect chain on and off.
(10) FX On button: Switches the effect on and off.

6.3.3. Audio Recorder

The Audio Recorder in TRAKTOR is used for recording your mixes or audio from an external
source e.g. your mix with an external mixer, a microphone, or a turntable. It is also used for broad-
casting your mix. A click on the Tape icon displays the AUDIO RECORDER in the Global Section.

24
 TRAKTOR Overview

1 2 3

7 6 5 4
AUDIO RECORDER.

(1) Broadcast button: Starts broadcasting your mix once a server has been installed and config-
ured.
(2) Display: Shows the actual file size and recorded time.
(3) CUT button: Saves the recording until the current recording time and seamlessly starts a new
file for recording.
(4) AUDIO RECORDER button: Opens the AUDIO RECORDER.
(5) Recording meter: Indicates the current recording level.
(6) Record GAIN knob: Adjusts the level for the incoming audio signal.
(7) Record button: Starts and stops recording and saves the recorded file in the Recordings fold-
er.

6.3.4. LOOP RECORDER

The LOOP RECORDER allows you to record Loops from several sources on the fly. A click on the
LOOP RECORDER button on the left side of the Global section displays the LOOP RECORDER.

1 2 3 4

8 7 6 5
LOOP RECORDER.

(1) DRY/WET knob: Adjusts the ratio of main-to-recorded signal.

(2) Progress bar: Displays the current length of the recording.
(3) SIZE button: Determines the initial length of the recording.
(4) Delete / Undo / Redo: Deletes the recorded Loop, undoes the last overdubbing, and restores
last undo.
(5) Play button: Starts and stops playback of the recording.
(6) Record button: Starts and stops the recording and the overdubbing.

25
 TRAKTOR Overview

(7) Source drop-down menu: Selects the source for the recording.
(8) LOOP RECORDER button: Opens the LOOP RECORDER.

If you’re using TRAKTOR with the Scratch feature and are therefore in External Mix-
ing mode, the only available recording source to select is EXT.

6.4. Decks and Deck Types

TRAKTOR provides you with four virtual Decks. These Decks can be operated in different Deck
Types which are Track Deck, STEM Deck, Remix Deck, and Live Input:
The Decks contain common Deck elements as well as Deck elements specific to their Deck Type.
For more information on common Deck elements, refer to ???.

• Track Deck: The Track Deck in TRAKTOR represents the equivalent of a turntable or a CD
player used to play back conventional tracks in a classic mixing setup. For more information,
refer to Track Deck.
• STEM Deck: The STEM Deck is capable of playing back and remixing STEM Files
(.stem.mp4). The functionality is basically identical to the Track Deck, but features additional
sub-mix controls for the four Slot Volumes, Filters, and FX Sends for the STEM Parts. For more
information, refer to STEM Deck.

It is mandatory that STEM Files have to be analyzed before loading them into a
STEM Deck. It is not possible to load and play a STEM File before it has been
analyzed.

• Remix Deck: The Remix Deck provides you with four Sample Slots, for adding Samples and
loops to your mix. You can load, create and save complex Remix Sets, and arrange Samples
live in your mix. The Remix Deck comes with a variety of Sample-related features. For more
information, refer to Remix Deck.
• Live Input: The Live Input is not a Deck, but it allows you to include live audio from an external
source in your mix. This can be from any audio input, i.e. a turntable, a microphone, or a syn-
thesizer. For more information, refer to Live Input.

6.4.1. Common Deck Controls

Besides the Live Input, any Deck provides the same synchronization, trigger, and track modifica-
tion controls. The following image shows a full Deck:

26
 TRAKTOR Overview

1 2 3

9 4
5
8
7 6
Common Deck controls.

(1) Deck Header: Displays information about the loaded track, like the artist name or track title. By
double-clicking the Deck Header, you can switch the Deck layout between five different views from
minimized to full layout. For more information, refer to Deck Header.
(2) Deck Tempo display: Contains information about the track tempo. Depending on Deck Type,
the contained elements and controls slightly differ. For more information, refer to Deck Tempo Dis-
play on the Remix Deck.
(3) Deck Focus: Identifies the Deck and holds a menu for selecting the Deck Flavor and the play-
back mode for the Deck. Each Deck is named by a letter A, B, C and D. The letter of the focused
Deck is highlighted in orange.
(4) Synchronization and Tempo controls: Define if the Deck is the Tempo Master or if it is
synced to the Tempo Master. The controls visualize if the track is out of sync, and they contain
tempo bend controls. For more information, refer to Synchronization and Tempo Controls.
(4) Deck center: Hosts the elements and controls the characteristic of the selected Deck Flavor.
For more Information, refer to Track Deck,STEM Deck,Remix Deck, and Live Input.
(5) Loop controls: Activate looping and define the loop size. For more information, refer to Loop
Controls.
(6) Advanced panel: On the Track Deck and on the STEM Deck, the Advanced panel contains
advanced control options for Cue Point and Loop management. On the Remix Deck the Advanced
panel gives you access to the parameter settings of the individual Sample Cells. For more informa-
tion, refer to ??? and Advanced Panel on the Remix Deck.
(7) Advanced panel button: Shows and hides the Advanced panel below the Loop controls for
Deck A and B, and for Deck C and D, respectively. It also shows and hides the Panorama controls
in the Mixer for Deck A and B, and for Deck C and D, respectively.
(8) Transport controls: Contain the usual transport controls Play/Pause and CUE as well as the
Flux mode and Reverse mode buttons. For more information, refer to Transport Controls.

27
 TRAKTOR Overview

Deck Header
The Deck Header displays information about the loaded track, Remix Set, or STEM File such as
the artist name, track title and tempo. The displayed information can be customized in the Prefer-
ences.

1 2 3 4 5 6 7 8 9

Deck Header.

(1) Track Cover Artwork: Displays the cover artwork of the track.
(2) Track title: Displays the track title.
(3) Artist name: Displays the artist name.
(4) Album title: Displays the album title.
(5) Track time: Displays the track time.
(6) Remaining track time: Displays the time remaining until the track ends.
(8) Current tempo: Displays the current tempo value in BPM, determined by the Tempo Fader po-
sition.
(7) Tempo fader position: Reflects the current Tempo fader position as a percentage.
(9) Base tempo: Represents the original track tempo.

Deck Tempo Display on the Remix Deck

The Deck Tempo display in the Remix Deck's Header contains further controls for the Remix Deck.

1 2 3 4 5

8 7 6
Deck Tempo display on the Remix Deck.

(1) Quantize value drop-down menu: Selects the quantize value.

(2) Quantize value: Shows current quantize value for the Remix Deck.
(3) Quantize enable: The dot enables or disables Quantize mode on the Remix Deck. Quantize is
enabled when the dot is lit blue.
(4) Remix Deck Tempo: Shows the current tempo of the Deck. Dragging this value up and down
changes the tempo. A double-click resets it to the base tempo.
(5) Tempo fader position: Represents the current Tempo fader position.

28
 TRAKTOR Overview

(6) Base tempo: Represents the original Remix Deck tempo. You can enter a new value by dou-
ble-clicking.
(7) Capture source: Represents the selected source for capturing Samples when using hardware
controllers. The triangle that appears when hovering with the mouse, opens a drop-down menu
where you can select the source.
(8) Beat Count: Represents the current internal Beat Count position of the Remix Deck. Synchro-
nization and quantize functions are based on this value.

Synchronization and Tempo Controls

Any Deck Type contains the same controls for syncing and for adjusting the tempo manually.

1 2 3 4 5

Synchronization and Tempo controls.

(1) SYNC button: Synchronizes the current track to the Tempo Master.
(2) MASTER button: Sets the Deck as the Tempo Master.
(3) Phase meter: Visually indicates the offset of the beats when manually syncing a track to the
Tempo Master or the Master Clock.
(4) Tempo bend buttons: Correct the offset of the beats when manually syncing a track to the
Tempo Master or the Master Clock. The left arrow slightly slows down the tempo and the right ar-
row speeds it up.
(5) Tempo fader: Decreases or increases the tempo of the playing track, Remix Set, or STEM file
in the respective Deck.

Transport Controls
All Deck Types contain the same transport controls, which are used for playing back tracks with
TRAKTOR’s internal playback mode.

1 2 3 4 5

Transport controls.

(1) Play/Pause button: Starts or pauses playback of the Deck.

29
 TRAKTOR Overview

(2) CUE button: Depending on the playback state, this button either sets a new Floating Cue Point
or jumps to the previously set Floating Cue Point.
(3) CUP button (CUE/Play): Jumps to the current cue point and starts playback upon release.
(4) Flux Mode button: Enables Flux mode for the Deck. For more information on Flux mode, refer
to Working with Hotcue buttons and Flux Mode.
(5) Reverse Mode button: Enables Reverse mode and Flux Mode for the Deck. For more infor-
mation on Reverse mode, refer to Working with Hotcue buttons and Flux Mode.

Scratch Controls
When setting the Deck’s playback mode to Scratch Control, the CUE and CUP buttons are re-
placed by the Absolute Mode button and the Relative Mode button.

1 2

Transport controls in Scratch Playback mode.

(1) Relative Mode button: Enables Relative mode for controlling the Deck with Timecode vinyl or
CD.
(2) Absolute Mode button: Enables Absolute mode for controlling the Deck with Timecode vinyl
or CD.

Loop Controls
The Loop controls offer the functions required for the creative usage of Loops in your mix.

2 3 2 4 5 6
Loop controls.

(1) Active Loop: When a Loop is enabled it is highlighted in green in the Waveform display and in
the Stripe view.
(2) Arrow buttons: Clicking the left and right arrows of the Loop Size control will scroll through the
list of Loop values. The Arrow buttons flash if the selected size is out of range.
(3) Loop size control: Determine the size of the enabled or disabled Loop.
(4) Loop In button: Sets the start point for the Loop.

30
 TRAKTOR Overview

(5) Loop Out button: Sets the end point for the Loop. The Loop will be enabled when the play-
back position reaches these two points and the ACTIVE button will be highlighted.
(6) ACTIVE button: Enables/disables Looping. The button lights up green when Looping is ena-
bled.

6.4.2. Track Deck

The Track Deck in TRAKTOR is the equivalent to a turntable or a CD player in a classic mixing
setup, used to play back conventional tracks. Besides the Common Deck controls, the Track
Deck's center contains the following elements:

Track Deck.

(1) Waveform display: Visually represents a localized view of the loaded track. The brighter color
shade represents higher frequencies, while the darker color shade represents lower frequencies. It
also shows the Beatgrid markers, and shows zoom controls when hovering the mouse over the
Waveform display.
(2) Stripe view: The Stripe view shows the entire waveform of the track including all Cue Point
markers and Loop markers. You can jump back to the start of the track or directly jump within the
track by clicking inside the Stripe view. You can also activate Keylock for the track.

6.4.3. STEM Deck

The STEM Deck operates in a similar way to the Track Deck, however instead of the Waveform
display it provides the Multi-Track Waveform:

31
 TRAKTOR Overview

STEM Deck.

(1) Multi-Track Waveform: The Multi-Track Waveform shows the waveforms of the STEM Parts,
and provides controls to adjust volumes and apply effects individually. The brighter color shade
represents higher frequencies, while the darker color shade represents lower frequencies.

For more information on the Multi-Track Waveform, refer to section Multi-Track Waveform.

(2) Stripe view: Shows the entire Waveform of the STEM File including all Cue Point markers and
Loop markers. You can jump back to the start of the track or directly jump within the track by click-
ing inside the Stripe view. You can also activate Keylock for the STEM file.

Multi-Track Waveform
The Multi-Track Waveform shows the waveforms of the STEM Parts, and provides controls to ad-
just volumes and apply effects individually.

1 2 3 5

4
Multi-Track Waveform.

(1) STEM channel 1 – 4: Each of the four rows represents one STEM Channel, including the indi-
vidual STEM Part name.

(2) Volume control: Every STEM Channel provides a Volume control for adjusting the volume in-
dividually. All STEM controls can be hidden using the small arrow button.

(3) Filter controls: Every STEM Channel provides Filter controls. The Filter button enables the Fil-
ter, whereby the Filter knob determines the Filter amount.

32
 TRAKTOR Overview

(4) FX Send control: Every STEM channel provides FX Send controls. The FX Send button ena-
bles FX Send mode for the individual STEM Channel, whereby the FX Send knob determines the
FX Send amount.
(5) Waveform: Each STEM Channel displays the waveform of the contained STEM Part in a differ-
ent color, as well as the Beatgrid.

6.4.4. Remix Deck

Besides the Common Deck controls, the Remix Deck's center contains the following elements:

Remix Deck.

(1) Sample Slot: The Remix Deck shows four Samples Slots containing the Samples, trigger con-
trols and other elements. For more information, refer to Sample Slot.
(2) Advanced panel: The Advanced panel on the Remix Deck contains options for i.e. adjusting
Sample Grids. For more information, refer to Advanced Panel on the Remix Deck.

Sample Slot
A Sample Slot contains the following elements:

1 2 3

7
4
6 5
Sample Slot.

(1) Sample name: Displays the name of the Sample loaded in the Slot Player.

33
 TRAKTOR Overview

(2) Slot Player: Displays the waveform of the Sample currently loaded. A moving red playhead
indicates the current playback position within the Sample. Hovering the mouse over the Slot Player
shows a Mute button, which mutes/unmutes the Sample.

(3) Volume control: Controls the Sample Slot's volume. This control is applied after the individual
Gain control of a Sample Cell, which is accessible from the Advanced panel.

(4) Filter control: Applies a low-pass or high-pass filter to the Sample Slot by moving the bar
downwards or upwards, respectively.

(5) Sample Cell: Represents the container for Samples in the Sample Slot.

(6) Play Type indicator: Indicates whether the Sample Cell is set to Loop or One-shot mode.
Clicking this symbol also triggers the Sample.

(7) Page Selector: Selects the current Page with Samples for the Remix Set.

1 2

Sample Slot hovered.

(1) Sample Slot parameters: Each Sample Slot has a set of parameters. Hovering the mouse
over the Sample Slot Player or Sample title displays the relevant parameters:

• Keylock button: Separates the playback key from the playback speed. This control needs to
be activated to adjust the Sample Cell's pitch in the Advanced panel. Otherwise, the Sample
Cell's pitch directly relates to the Remix Deck's tempo.
• FX button: Routes the Sample Slot through the FX Unit(s) currently assigned to the Mixer
channel for the Remix Deck.
• Monitor button: Routes the Sample Slot to the Mixer’s Monitor Output (which can be moni-
tored in headphones).
• Punch mode: When a Sample is triggered, the position of that Sample is fixed to the Remix
Deck's internal timeline.

(2) Sample Mute: Mutes/un-mutes the Sample Slot.

6.4.5. Live Input

When selecting the Deck Flavor Live Input, you can route the audio signal from an external audio
source into TRAKTOR and add it to your mix. The Live Input does not provide any control ele-
ments apart from the Deck focus.

34
 TRAKTOR Overview

Live Input.

6.4.6. Advanced Panel

On the Track Deck and on the STEM Deck, the Advanced panel contains advanced control op-
tions for Cue Point and Loop management, and for correcting the Beatgrids for your tracks. On the
Remix Deck, the Advanced panel gives you access to the parameter settings of the individual
Sample Cells. For more information on the Advanced panel on the Remix Deck, refer to Ad-
vanced Panel on the Remix Deck.

1 2
Advanced panel.

(1) Advanced panel button: Shows and hides the Advanced panel below the Loop controls for
Deck A and B, and for Deck C and D, respectively. It also shows and hides the Panorama controls
in the Mixer for Deck A and B, and for Deck C and D, respectively.

The Advanced panel can only be displayed when the Deck is displayed in full Deck
layout and in advanced Deck layout.

(2) Advanced panel page selector: Selects one of three Advanced panel pages; MOVE, CUE,
and GRID containing individual control and editing elements.

• CUE: Provides direct access to 8 user-definable Cue/Loop In Points per track, as well as fur-
ther Cue Point management controls. For more information, refer to Working with Cue Points.

35
 TRAKTOR Overview

• MOVE: Provides options for moving the active Loop within the track as well as jumping the cur-
rent playhead position within the track by beats. For more information, refer to Working with
Loops.
• GRID: Provides control over the Beatmarker, the Beatgrid, and the stored tempo of a track. For
more information, refer to Correcting Beatgrids.

Advanced Panel – CUE Page

The CUE page provides direct access to eight user-definable Cue/Loop In Points per track, as well
as further Cue Point management controls. For more information, refer to Working with Hotcue
buttons and Flux Mode, Working with Cue Points, and Working with Loops.

2 3 4 5 6 7 8
Advanced Panel – CUE page.

(1) Hotcue 1 – 8: Allows you to directly set or access eight Hotcue or Loop In Points per track.
(2) Prev Cue / Next Cue: Skips backward or forward to the previous or next stored Cue Point in
the track.
(3) Cue Point Position: Displays the position of the selected Cue Point or Loop in minutes : sec-
onds : milliseconds.
(4) Cue Point List: Selects the Cue Point.
(5) Cue Point Type menu: Provides a list of several Cue Point Types.
(6) Delete Cue Point: Deletes the selected Cue Point or Loop In Point.
(7) MAP: Enables Hotcue Mapping mode. When enabled, pressing a Hotcue button will map the
displayed Cue Point or Loop In Point to it.
(8) STORE: Stores the selected Cue Point and maps it to the next free Hotcue button.

Advanced Panel – MOVE Page

The MOVE page provides options for moving the active Loop within the track, as well as for jump-
ing the current playhead position within the track by beats. For more information, refer to Working
with Loops.

36
 TRAKTOR Overview

1 2 3 4 5

6
Advanced Panel – MOVE page.

(1) Move Mode menu: Selects one of the Move modes BeatJump, Loop, Loop In, and Loop
Out.

(2) Move Size control: Selects the step size in beats.

(3) LOOP mode: Selects a step size that is based on the current Loop size for the movement.

(4) Cue Move BWD: Depending on the selected Move mode, the selected Cue Point or Loop is
moved backwards at the selected step size.

(5) Cue Move FWD: Depending on the selected Move mode, the selected Cue Point or Loop is
moved forward at the selected step size.

(6) FINE mode: Selects a fine step size for the movement. Use this for fine adjustments.

Advanced Panel – GRID Page

The GRID page provides control over the Beatmarker, the Beatgrid, and the stored tempo of a
track. For more information, refer to Correcting Beatgrids.

1 2 3 4 5 6 7 8

14 13 12 11 10 9
Advanced Panel – GRID page.

(1) Move Grid BWD: Moves the Grid backward.

(2) Move Grid FWD: Moves the Grid forward.

(3) Analysis Lock button: Locks all values against future changes by the track analysis and by
the user.

(4) BPM Edit Display: Shows the current tempo of the track. A double-click enables manual tem-
po adjustment.

(5) Set Gridmarker: Sets a Gridmarker at the current playback position.

(6) Delete Gridmarker: Deletes the last set Gridmarker.

(7) AUTO Grid: Calculates the BPM of the current track and sets a Gridmarker next to the current
playback position. This function is only available for previously analyzed tracks.

37
 TRAKTOR Overview

(8) TAP: Sets the BPM based on how fast or slow the button is tapped. The BPM will be adjusted
after the fourth tap.
(9) RESET Gridmarker: Resets the set BMP and recalculates it.
(10 BMP x2: Doubles the tempo in the Edit Display.
(11 BPM /2: Halves the tempo in the Edit Display.
(12) Beat Tick: Enables an audible beat tick (metronome) to help align the Beatgrid during play-
back. In Internal Mixer mode, the Beat Tick is only audible on signals cued over the head-
phones. In External Mixer mode, the tick is laid over the Deck's Mixer channel signal when Head-
phone Cue on the Internal Mixer is active.
(13) BPM INC (Increase): Precisely increases the BPM in minor steps. As a result the Beatgrid
gets narrower.
(14) BPM DEC (Decrease): Precisely decreases the BPM in minor steps. As a result the Beatgrid
gets expanded.

6.4.7. Advanced Panel on the Remix Deck

Each Sample Cell has a set of individual parameters, which are accessible from the Remix Deck's
Advanced Panel. The Advanced panel can only be displayed when in Full Deck Layout or Ad-
vanced Deck Layout.

1 2 3 4 5 6 7 8

13 12 11 10 9
Advanced Panel on the Remix Deck.

(1) SAMPLE PITCH control: Sets the pitch for the selected Sample in semitone steps.
(2) SAMPLE GAIN control: Sets the gain level for the selected Sample.
(3) BPM x2: Doubles the tempo of the Sample.
(4) BPM Edit Display: Shows the current BPM value for the Sample. A double-click enables man-
ual tempo adjustment.
(5) Move Grid Left: Moves the Sample Cell's Beatgrid to the left.
(6) Move Grid Right: Moves the Sample Cell's Beatrgid to the right.
(7) Trigger Type: When enabled (Latch mode), a Sample will continue to play after you release
the mouse button, either until the end of the Sample is reached (for One-shot Samples) or until it is
stopped by some other method (like triggering a new Sample in the same Slot).
The alternative Type is Gate mode, where a Sample will only play while you’re holding down on
the mouse button. Upon releasing the mouse button, the Sample will stop playing.
(8) Reverse Playback: Enables reverse playback for the Sample Cell currently being played in the
Slot Player.

38
 TRAKTOR Overview

(9) Play Type: This property determines whether a Sample stops after reaching its end or if it con-
tinuously loops. When set to One-Shot (arrow symbol), a Sample will stop playing when it gets to
its end. When set to Loop (ellipse symbol), the Sample will automatically return to its start and con-
tinue playing indefinitely.
(10) Sync Type: This property determines if the Sample should be synchronized to the Remix
Deck’s Tempo or not. When SYNC is on, the Sample’s BPM will match the Remix Deck’s BPM.
When SYNC is off, the Sample will play at its original speed.
(11) BPM Increase: Precisely increases the BPM in minor steps. As a result the Beatgrid is expan-
ded.
(12) BPM Decrease: Precisely decreases the BPM in minor steps. As a result the Beatgrid be-
comes narrower.
(13) BPM /2: Halves the tempo of the Sample.

6.5. Mixer
The Mixer is the center of TRAKTOR, used to control and modulate the audio signals coming from
the Decks before they are sent to the master output.

3 4 5

2
Mixer.

(1) Mixer channel: Contains the controls to adjust the Mixer channels’ volume and to modulate
the audio signals’ frequency. Furthermore, you can assign the FX Units to the Mixer channel and
route the audio signal to the Headphone Cue channel. For more information, refer to Mixer Chan-
nel.
(2) Crossfade controls: These controls allow you to make seamless transitions between various
Mixer channels. For more information, refer to Crossfade Controls
(3) Headphone Cue Vol: Determine the ratio of the cue-signal-to-master-signal in your head-
phones.
(4) Headphone Cue Mix: Let you adjust the Headphone Cue volume.
(5) AUX control: Controls the volume of the AUX input, which can be fed by an external signal like
a microphone. For more information, refer to AUX Control.

The available Mixer controls differ depending on the current Mixing mode and the
selected TRAKTOR Layout. If TRAKTOR is used in External Mixing mode, the chan-
nel faders, the crossfader, as well as Heaphone Cue controls are disabled.

39
 TRAKTOR Overview

6.5.1. Mixer Channel

The Mixer channel contains the controls to adjust the Mixer channels’ volume and to modulate the
audio signals’ frequency. Furthermore, you can assign the Mixer channel to the FX Units and route
the audio signal to the Headphone Cue channel.

1 2 3
4
13 5
12 6
11
10 7
9

8
Mixer channel.

(1) GAIN knob: Controls the pre-fader input level. GAIN is only visible when full size Deck Layouts
are activated.

(2) GAIN View button: Enables/disables visibility of the GAIN button. When disabled, the the pre-
fader input level cannot be adjusted manually.

(3) Channel Level Meter: Indicate the current volume of the audio signal in the Mixer channel. It
also indicates if the signal is clipping.

(4) HI, MID, LOW EQ knobs: Adjusts the high, middle, and lower frequencies in the audio signal.

(5) HI, MID, LOW Kill buttons: Complete takes out (kills) high, middle, and lower frequencies from
the audio signal.

(6) Mixer FX On button: Enables/disables the Mixer FX.

(7) Channel fader: The channel fader adjust the channel volume.

(8) CUE channel button: Sends the audio signal to the Headphone Cue channel for preview. For
using the Cue function a multi-channel audio device is required. The Cue channel button is only
visible when full size Decks Layout is enabled. For more information, refer to Using the Cue Chan-
nel for Mixing.

(9) KEY button: Locks the key for the Deck.

(10) KEY knob: Controls the key of a playing track without affecting its tempo.

(11) FX Assign buttons: Assigns the individual FX Unit to the Mixer channel.

(12) Mixer FX drop-down menu: HEre you can select the Mixer FX.

(13) Mixer FX Amount knob: The Mixer FX Amount knob controls the selected Mixer FX.

40
 TRAKTOR Overview

(14) PAN knob: Controls the balance between the left and right stereo channel for any Mixer
channel individually. The PAN knobs are only visible when the Advanced Panels are opened.

6.5.2. Crossfade Controls

These controls allow you to make seamless transitions between various Mixer channels.

4 3 2 1 2 3 4

Crossfade controls.

(1) Crossfader: Enables transitions between Decks by dragging it from one side to the other. The
crossfader curve can be adjusted individually in the Preferences.

(2) Crossfader assign buttons: Allow to assign the Mixer channels to be audible either on the left
or right crossfader position.

(3) Fade left / right buttons: Let the crossfader move to the dedicated direction step by step.

(4) Auto fade left / right button: Let the crossfader automatically move from one side to the other.

6.6. Browser
TRAKTOR’s Browser lets you load tracks into Decks and provides you with tools to organize your
Track Collection.

1 7
2

5
Browser.

(1) Preview Player: Allows you to preview tracks before loading them into a Deck. For more infor-
mation, refer to Previewing Tracks in the Browser.

(2) Search field: Provides a live search based on the tags of the tracks in the Collection. For more
information, refer to Browsing for Music.

(3) Browser Tree: Displays the content of the selected folder:

41
 TRAKTOR Overview

• Track Collection: Contains all tracks imported to your Track Collection. They are automatically
sorted by Artist, Release, Label or Genre.
• Playlists: Contains all your TRAKTOR Playlists.
• Explorer: Lets you browse your hard drives for tracks. It also contains an Archive folder con-
taining History Playlists.
• Audio Recordings: Contains all recordings created with the AUDIO RECORDER.
• iTunes: Provides direct access to your iTunes Library including all iTunes Playlists.
• History: Contains latest history playlists.
Each History Playlist is time-stamped and contains the additional columns Start-Time, Dura-
tion, Deck for more information about when and how you have played the tracks.

(4) Cover Artwork: Displays the Cover Artwork of the selected track in the Track List.
(5) Status bar: Displays the progress of track analysis, error messages, and the overall status of
TRAKTOR.
(6) Track List: Shows tracks depending on the source that is selected (folder, Playlist, search re-
sults or tag-based).
(7) Favorites: Provides direct access to favorite Playlists and favorite folders.

42
 Automatic Track Synchronization

7. AUTOMATIC TRACK SYNCHRONIZATION

This section introduces the principles of the automatic synchronization features offered by TRAK-
TOR.
One of the key features of TRAKTOR is the automatic synchronization of tracks. After loading
tracks into the Decks, you can synchronize the track tempos with the SYNC function. The tempo of
the synced track then adjusts to the tempo of the Tempo Master, for example, the track in the play-
ing Deck. For this to work, TRAKTOR uses the tempo and beat information from the Beatgrids of
tracks. Samples and time-evolving effects sync to the current Tempo Master automatically.

7.1. Beatgrid
TRAKTOR analyzes the tracks by providing reliable tempo information for syncing. This analysis
determines the tempo (BPM) as well as the position of the beats; the result is the Beatgrid. There
is a specific Beatgrid for each of your tracks.

7.2. Tempo Master and Master Clock

The Tempo Master represents the reference tempo to which the Decks synchronize. When ena-
bling the SYNC function on a Deck, TRAKTOR synchronizes the track to the Tempo Master. The
Tempo Master can either be a Deck or TRAKTOR's Master Clock. When the Master Clock is the
Tempo Master, it then represents the global tempo reference to which all Decks can sync. The
Tempo Master does not have to be the same throughout your mix, but there can only be one Tem-
po Master.

7.3. Automatic Tempo Master Assignment

TRAKTOR assigns the new Tempo Master automatically using the AUTO mode in the Master Con-
trol panel. When mixing tracks using the SYNC function, the synced Deck automatically becomes
the new Tempo Master, as soon as the track of the current Tempo Master Deck ends or is stopped
manually. This continues until no other track is synced to the Tempo Master. Then the Master
Clock automatically becomes the new Tempo Master as soon the current track stops playing. The
MASTER button then lights up in the Master Control panel.
The AUTO mode is activated by default.

43
 Basic Usage Tutorials

8. BASIC USAGE TUTORIALS

This section introduces you to the basics of importing, browsing and previewing tracks as well as
loading music to the Decks. The tutorials also guide you through the fundamentals of mixing your
tracks, using Equalizer and Hotcues as well as using Mixer FXs.

8.1. Importing Music to the Track Collection

The most convenient way to get your tracks into TRAKTOR's Track Collection is using drag and
drop:

• Drag the music files from the location on your computer and drop them in the Track Collec-
tion folder in TRAKTOR's Browser Tree.
TRAKTOR now analyzes the metadata of the music files and stores the files in the Track
Collection.

8.2. Browsing for Music

The Browser lets you conveniently find the tracks you are looking for. You can navigate along the
subfolders of the Track Collection in the Browser Tree or you can perform a text search in the
Search field.

8.2.1. Navigating through Folders in the Browser Tree

To navigate the Browser Tree:

1. In the Browser Tree expand the Track Collection folder to show the subfolders.
2. Expand the subfolder of the metadata category by which you want to search a track, i.e. Ar-
tists.

3. Select the subfolder named by the artist to your liking, for example, Native Instruments.
The Track List now shows all the music according to the selected artist.
4. In the Track List, browse for a track to your liking.
5. Load the track into Deck A by using drag and drop.
TRAKTOR now analyzes the entire track for calculating the tempo (BPM) to create the Beat-
grid and the Waveform.

44
 Basic Usage Tutorials

8.2.2. Performing a Text Search

You can perform a text search in the current playlist or in the Track Collection:

1. Click in the Search field.

2. Start typing the characters in relation to the track you are looking for. This can either be the
track name, the artist, or another category.
Upon typing, the Track List instantly filters the selected playlist.

3. Press [Enter] on your computer keyboard.

The Track list now provides you with all the music in the Track Collection matching your
search query.

8.2.3. Previewing Tracks in the Browser

TRAKTOR’S Browser provides a Preview Player to preview tracks without loading them into a
Deck and without changing the played stated and play count.

To use the Preview Player you need to assign an output to "Output Preview" (for Ex-
ternal Mixer mode) or "Output Monitor" (for Internal Mixer mode). Find these settings
on the Output Routing page in the Preferences.

To preview a track in the Preview Player:

1. Drag-and-drop a track from the Track List into the Preview Player.

The Stripe view is visible.

2. Click the play button to start preview.
3. Click inside the Stripe view to skip within the track.
4. Click the play button again to stop preview.

8.3. Loading Music into Decks

To load a track, STEM file, or Remix Set into a Deck, you may use one of the following methods:
using drag and drop or using the context menu.

45
 Basic Usage Tutorials

Loading Music via Drag and Drop

• Drag the selected music from the Track List and drop it into the Deck to your liking.
TRAKTOR now analyzes the track for its tempo (BPM) to create the Beatgrid and the Wave-
form. Depending on the selected track, the Deck flavor switches, i.e to a STEM Deck. The
Track information are visible in the Deck Header.

Loading Music via Browser Context Menu

1. Right-click the track in the Track list to open the context menu.
2. Select the entry for the Deck you want to load the track in to, i.e Load into Track Deck A.
TRAKTOR now analyzes the track for calculating its tempo (BPM) to create the Beatgrid and
the Waveform.

The entries in the context menu differ according to the selected music. When right-
clicking a Remix Set, the entries change to i.e. Load into Remix Deck A. If none of
the Decks is currently a Remix Deck, the corresponding entries are not available in
the Browser context menu. This also applies to STEM files.

8.3.1. Loading Tracks from Your iTunes Library

You can load tracks from your iTunes Library and Playlists directly from TRAKTOR. The iTunes
folder in the Browser Tree directly accesses your iTunes Library and its Playlists. Editing functions
are not available.
To load a track from your iTunes Library:

1. Select the iTunes folder in the Browser Tree to display its content in the Track List. A double-
click expands the iTunes folder.

2. Browse for a track in the Track List or in the Playlists.

3. Drag the track and drop it into a Deck to load it.

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8.4. Mixing Your First Two Tracks

In this section you will learn to mix your first two tracks using Track Deck A and Track Deck B. At
first prepare the Mixer by adjusting the control elements for mixing from Deck A to B. Then you
load the first track into Deck A, and begin to perform step by step.

8.4.1. Prerequisites
1. Set the crossfader to the left-most position.

2. Assign Mixer channel A to the left crossfader position.

3. Assign Mixer channel B to the right crossfader position.

4. Set Channel fader A to maximum position.

5. Set Channel fader B to maximum position.
6. Set the MAIN knob to center position at 0.0 dB.
7. Set the volume of your audio system or active speakers to minimum level.

8.4.2. Loading the First Track into Deck A

1. Browse for a track to your liking in the Track Collection, i.e. the demo track Berlin Haupt-
bahnhof by Native Instruments.
2. Drag and drop the track into Deck A to load it.
TRAKTOR now analyzes the track for its tempo and to create the Beatgrid and the Wave-
form.

8.4.3. Starting Playback of Deck A

To start playback on Track Deck A:

1. Click the Play button.

The waveform starts moving and the Channel Volume meter LEDs and the MAIN Volume
Level meter LEDs start to illuminate.
2. Slowly increase the volume of your audio system or active speakers to a moderate listening
level.
You now hear the audio of the track in your speakers.

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8.4.4. Loading the Second Track into Deck B

1. Browse for a track with a similar tempo to your liking in the Track Collection, i.e. Lisa.
2. Drag and drop the track into Deck B to load it.
TRAKTOR now analyzes the Track for its tempo and to create the Beatgrid and the Wave-
form.

8.4.5. Syncing the Track Tempos

In order to sync the tempos both tracks:

• Click the SYNC button on Deck B.

The tempos of both tracks are now in sync, indicated by the equal tempo value in the Deck
Header. The Tempo fader on Deck B has also moved accordingly and the SYNC button
lights up.

8.4.6. Starting Playback of the Second Track

When the playback time of the Track in Deck A is almost over you can start the playback of Deck
B:

• Click the Play button on Deck B.

The waveform starts moving and the Channel Volume meter LEDs in Mixer channel B illumi-
nate. The tracks in Deck A and Deck B play beat-accurate in sync.

8.4.7. Mixing in the Audio Signal

You can now mix in the audio signal of Mixer channel B into the main signal:

1. Drag the crossfader and slowly move it towards center position, then hold it for a moment.

The audio signal of the track in Mixer channel B is fading into the main signal.
2. While the track in Deck A reaches its end, slowly move the crossfader to the right-most posi-
tion.

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The audio signal of Mixer channel A slowly fades out of the main signal. Only Mixer Channel
B is now audible. Alternatively to the crossfader, you can also use the Fade left and Fade
right buttons to move the crossfader step-wise, or you can even use the Autofade buttons to
let the crossfader automatically move to the opposite side. You have now mixed your first two
tracks.

With the end of the playback of Deck A, Deck B automatically becomes the new Tempo Master
and is ready for the next transition to another Deck.

• To mix another track, repeat the aforementioned steps.

8.5. Adjusting Gain Levels for Incoming Audio Signals

In this section you briefly learn about the importance of adjusting or leveling the gain levels for in-
coming audio signals in the Mixer as well as adjusting the outgoing master volume level to the
connected sound system or active speakers.

Adjusting the levels at these different stages supports the audio quality of the mix and ensures the
best possible dynamic range. It also protects the audience from potential ear damage and pre-
serves the audio equipment, for example, power amplifiers and speakers.

8.5.1. Dynamic Range

Each track has its own dynamic range. This means the maximum volume level of a single musical
element in a track can be way louder than the average volume of all musical elements together.
Besides the different average audio levels, the dynamic ranges between tracks can also differ.
That is why it is important to align the levels of the incoming audio signals to prevent them from
clipping.

The normal dynamic range for an audio signal is between no sound to nominal level (0 dB).

8.5.2. Clipping
If an audio signal clips, the gain of the audio signal is too high. An audio signal clips if it exceeds
the nominal level and also the headroom – normally at +6 dB. Then the audio signal starts to dis-
tort and looses dynamics and punch. Although the audio signal then seems louder, the entire au-
dio quality decreases significantly. This critical audio signal can damage ears and audio equip-
ment. That is why it is important to as well adjust the gain levels to protect ears and electronics.

To protect the audio equipment connected to the MAIN output stage, TRAKTOR uses an integra-
ted Limiter. The purpose of the Limiter is to prevent the signal from clipping by reducing the dy-
namic range.

However, the Limiter in TRAKTOR can be switched off.

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We not recommend to switch off the Limiter.

8.5.3. Headroom
Before an audio signal starts to clip there is still a reserve to buffer transient audio peaks, the so-
called headroom. The headroom starts where where nominal level ends, at 0 db. It normally ends
before + 6dB.
However, you can configure the available Headroom for your Mixer channels in the Preferences on
the Mixer page, or you can entirely switched it off. Furthermore, you can let the Channel Level Me-
ters reflect the Headroom settings. For more information, refer to Preferences – Mixer Page.

8.5.4. Always Level Incoming Audio Signals

When you mix using the Auto Gain function, the incoming audio signals from the Decks are always
leveled by TRAKTOR automatically. This ensures none of your tracks dominate over the others.
The Auto Gain function is active by default. However, if you prefer to adjust the gain level by your-
self, i.e. when using an external Mixer or a controller with integrated Mixer, you can also deactivate
this feature in the Preferences. In this case you always have to make sure the audio levels always
stay in the area before clipping.

8.6. Using the Equalizer

The EQ knobs and EQ Kill buttons are used for making sound adjustments to tracks while cueing
and while mixing.

• The EQ knobs adjust the high, middle, or low frequencies in the audio signal.
• The Kill buttons completely remove high, middle, or low frequencies from the audio signal.

Using the EQs can make transitions more flawless. The following example outlines a procedure on
how to use the Equalizer during a transition.

8.6.1. EQing the Bass Frequencies of Tracks during Transi-

tion
The most common EQing technique is to take out the bass of the next track before the transition
and to gradually bring it back in during the transition.
Assuming you want to transition tracks from Deck A to Deck B:

1. Before starting the transition, turn the LOW knob on Mixer channel B to minimum position for
taking out the bass frequencies of the track in Deck B.
2. Progressively mix in Mixer channel B by gradually moving the crossfader from the left to the
center position.
Both tracks are audible in the Master signal but the track on Deck B has no bass.

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3. When you want to bring the bass back in, gradually increase the bass amount of Mixer chan-
nel B while simultaneously decreasing that of Mixer channel A using the LOW knobs on both
Mixer channels.
Both tracks are still audible in the Master signal but the track on Deck A has no bass.
4. Complete the transition by gradually moving the crossfader all the way to the right.
You mixed two tracks in conjunction with the Equalizer.

Alternatively to the EQ knobs, you can also use the EQ Kill buttons. These buttons
are used for immediate killing the respective the frequency band of the audio signals
during transitions as well as for performances in between.

Using the EQs during a transition to take out frequencies can avoid clipping that can
easily occur when two tracks play together with full volume.

8.7. Working with Mixer FX

In this section you learn how to apply Mixer FX to your mix.

8.7.1. About Mixer FX

A Mixer FX is a grouped effect which can be applied to the audio signal in the Mixer channel using
the Mixer FX Amount knob. Aside from the Filter, you can choose one of four Mixer FX from the
Mixer FX drop-down menu below the Mixer FX Amount knob. In total TRAKTOR provides you with
eight Mixer FX of which you can pre-select four in the Preferences.

Available MIXER FX
When you start TRAKTOR, the Filter is always selected by default. However, you can pre-select
four MIXER FX from the available eight:

• Reverb
• Dual Delay
• Noise
• Time Gater
• Flanger
• Barber Pole
• Dotted Delay
• Modern Krush

Pre-Selected Mixer FX
By default the following Mixer FX are pre-selected:

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• Filter: The pointer color of the Mixer FX Amount knob is orange. The Filter is not removable
from the drop-down menu.
• Reverb: The pointer color of the Mixer FX Amount knob is red.
• Dual Delay: The pointer color of the Mixer FX Amount knob is green.
• Noise: The pointer color of the Mixer FX Amount knob is blue.
• Time Gater: The pointer color of the Mixer FX Amount knob is yellow.

8.7.2. Enabling Mixer FX

To enable the Mixer FX for the Mixer channel:

• Click the Mixer FX On button.

The button lights up with the color of the selected Mixer FX, indicating the Mixer FX is ena-
bled.

8.7.3. Selecting Mixer FX

To select another Mixer FX from the pre-selection:

1. Click the label next to the Mixer FX On button to open the Mixer FX drop-down menu.

2. Select the Mixer FX you want to use.

The pointer color of the Mixer FX Amount knob changed according to the selected Mixer FX.

8.7.4. Applying Mixer FX

You can apply the Mixer FX by turning the Mixer FX Amount knob when Mixer FX is enabled for
the Mixer channel:

1. Apply a low-pass Filter FX by turning the Mixer FX Amount knob counter-clockwise.

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The higher and middle frequencies get progressively filtered out from the audio signal and
you noticeably hear the low-pass Filter FX.
2. Apply a high-pass Filter FX by turning the Mixer FX Amount knob clockwise.

The middle and lower frequencies get progressively filtered out from the audio signal and
you noticeably hear the high-pass Filter FX.

8.7.5. Pre-Selecting Mixer FX

To change the pre-selection for the Mixer FX drop-down menu:

1. Open the Preferences and select the Mixer page.

2. Under Mixer FX select the Mixer FX in the drop-down menus for the individual Mixer FX
Slots 1 – 4.

8.8. Working with Hotcue buttons and Flux Mode

In TRAKTOR, you can assign Cue Points and Loops to the eight Hotcue buttons (Hotcues) on
the CUE Page in the Advanced Panel. This allows instant access to your most important Cue
Points and Loops.

8.8.1. Accessing the Cue Page in the Advanced Panel

To manage your Cue Points in a track, you need to open the CUE page in the Advanced Panel
first:

1. Click on the Advanced Panel button to display the Advanced Panels of Deck A and B, and
Deck C and D, respectively.

2. In the Advanced Panel select CUE to the show CUE page.

8.8.2. Storing Cue Points using Hotcue buttons

1. Playback the track or scroll to the position in the track where you want to set a Cue Point.
2. Click a Hotcue button to set a Cue Point at the current playback position and to store it on
the Hotcue button.

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The Cue Point is stored to the Hotcue button. The Hotcue button lights up blue.

8.8.3. Storing Loops using Hotcue buttons

1. Playback the track or scroll to the position in the track where you want to activate a Loop.
2. Activate a Loop with a size of your liking using the Loop control bar.
3. Click a Hotcue button to store the Loop on the Hotcue button.
The Loop is stored to the Hotcue button. The Hotcue button lights up green.

8.8.4. Triggering Stored Hotcues

The behavior of a Hotcue button depends on the playback status of the track.

When the Deck is playing:

• Click a Hotcue button to jump to the stored Cue Point or Loop and for continuing playback.

When the Deck is stopped, the Hotcue buttons behave in the same manner as the CUE button in
the Transport Controls:

• Click and hold a Hotcue button to jump to the stored Cue Point or Loop.
Holding the Hotcue button continues playback until it is released. Upon release the playback
position will jump back to the Cue Point or Loop and remain paused.

8.8.5. Remapping Stored Hotcues

The MAP button allows you to remap stored Cue Points and Loops to other Hotcue buttons:

1. Click the Hotcue button with the Cue Point or Loop you want to remap.
2. Click the MAP button to enable MAP mode.
3. Click the Hotcue button to which you want to map the Cue Point or Loop.
The Cue Point or Loop is mapped to the new Hotcue button. The original Hotcue button is
now empty.

8.8.6. Using Flux Mode and Reverse Mode

Flux mode lets you jump to Cue Points and Loops without loosing the phrasing of your tracks. It is
a timeline-based transport technique that lets you interact with TRAKTOR's transport controls and
then immediately jump back to the position of the timeline where the track would have been if the
transport action had not been used in the first place. In other words, it is as if a second, virtual
playhead continues forward in your track while TRAKTOR loops or jumps to a Cue Point.

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When you release the Loop or Cue Point—by releasing the relevant Hotcue button—playback re-
sumes at this playhead position. The longer you loop, the farther ahead the playhead position will
move and therefore the farther ahead playback will jump to when you release Hotcue button. The
virtual Flux mode timeline is represented by a green playhead in the Waveform view.

Additionally, a Flux Mode indicator will flash in the Deck Header.

You can also enable the Reverse mode, which allows the track playback reversely from the current
playhead position.

Enabling Flux Mode

To enable Flux mode for the Deck:

• Click the Flux mode button.

Enabling Reverse Mode

To enable Reverse mode for the Deck:

1. Click and hold the Reverse mode button.

The track plays back reversely.

2. Release the Reverse mode button to resume normal playback.

8.9. Locking the Key of Tracks

When synchronizing tracks, you alter their tempo and consequently their pitch (or key). Slowing
down a track will cause its pitch to drop, while speeding up the track will cause its pitch to rise.
This is not problematic for small tempo adjustments. But when the tempo is changed more drasti-
cally, the resulting pitch shift might sound unnatural - especially for vocals.

To avoid this, TRAKTOR provides you with the Keylock feature that uncouples the pitch (key) and
the tempo (BPM) of a track. This means if you lock the key of a track at the normal tempo, and you
then move the tempo fader up or down, the tempo changes but the key remains unaffected.

Locking at Original Key

1. Load a track into any Deck.

2. Set the tempo fader to the original tempo position.
3. Click the Key Lock switch in the Stripe view or click the Key switch in the Mixer channel to
lock the key for the track.

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When now changing the tempo, you will notice the key remains at its original pitch.

Changing Key Without Tempo

You can change the key of a track without changing the tempo:

1. Load a track into any Deck.

2. Click the Key Lock switch in the Stripe view or click the Key switch in the Mixer channel to
lock the key for the track.

3. Turn the Key knob clockwise or counter-clockwise to change the key accordingly.
The key changes without affecting the tempo.

8.10. Working with the Waveform and the Stripe

The Waveform and the Stripe are visual representations of the loaded track. Once a track has
been analyzed, the Waveform and the Stripe will be displayed.

The mouse hovers the Waveform Display to display additional controls.

Waveform
The Waveform gives an overview of the loaded track, its transients, and Beatgrid information.

• The Waveform is only visible in Essential, Full, and Advanced Deck Layouts. It is not available
when using the Micro or Small Deck Layouts. You can change the Deck Layout in the Preferen-
ces. For more information, refer to Preferences – Decks Layout Page.
• The Waveform has color-coded transients; lighter colors represent high frequency content
while darker colors represent low frequency content.
• The Waveform provides a visual reference for BeatJumps, Cue Points, Loops and Beatmark-
ers. Zoom in the Waveform to precisely place markers.
• The Waveform and Stripe share the same Color Mode (color scheme). There are four Color
Modes available: Ultraviolet, Infrared, X-Ray and Spectrum. You can change the Color Mode in
the Preferences. For more information, refer to Preferences – Decks Layout Page.
• The behavior of dragging the waveform with the mouse depends on the Mouse Control mode.
There are two Mouse Control modes available: Vinyl and Snap. You can change the behavior
in the Preferences. For more information, refer to Preferences – Transport Page.

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Waveform View Interactions

1. You can zoom in and out on a waveform by clicking the + and - buttons.
2. A click on the = symbol resets the zoom view.
3. Dragging the Waveform: The behavior of dragging the waveform with the mouse depends on
the Mouse Control mode. There are two Mouse Control modes available: Vinyl and Snap.

Stripe
The Stripe gives an overview of the entire track. It also displays the current playback position as
well as all of the Cue Points and Loops.

• The Stripe is visible in all Deck Layouts.

• The Stripe provides a visual overview of BeatJumps, Cue Points, Loops and Beatmarkers.
• The Stripe flashes red when the configured Track End Warning Time is reached.

Stripe Interactions

• When clicking inside the Stripe, the consequent behavior depends on the SNAP mode and
QUANTIZE mode.

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9. ADVANCED USAGE TUTORIALS

This section guides you through more advanced workflows of TRAKTOR PRO 3 such as using FX
Units, creating Remix Sets, working with Cue Points and managing your Track Collection.

9.1. Working with Cue Points

In this section you learn how to work with Cue Points. At first you learn what exactly a Cue Point is
and about the different available types. Then you will learn where in TRAKTOR you can store and
manage your Cue Points.

9.1.1. About Cue Points

Starting from a particular point in a track (for mixing in, triggering, etc.) is called “cueing”. TRAK-
TOR lets you mark points for cueing and for directly jumping to particular positions—so called Cue
Points. Cue Points can be stored for each track which allows you to re-use them at a later stage or
in a later session. With the eight Hotcue buttons on the CUE page in the Advanced Panel, you can
store your most important Cue Points (and Loops) and trigger them any time with a click. Besides
jumping to particular positions of a track e.g., beginning vocals, instrumentals or breaks, Cue
Points can also be used for creative techniques such as remixing parts of a track or beat-juggling
performances.

9.1.2. Cue Point Types

TRAKTOR provides several Cue Point types for several purposes. This section gives a detailed
description of the different Cue Point Types available in the Cue Type drop-down menu, featured
on the CUE page in the Advanced panel:

Cue Point types in the Waveform and Stripe.

• Floating Cue Point: The Floating Cue Point is always your starting point for working with cue
points and for storing loops. The Floating Cue Point is displayed in white.
• Cue Point: The regular Cue Points used to jump to particular positions in the track. Cue Points
are displayed in blue.
• Load: A track with a Load Cue Point will automatically jump to this point when loaded. Load
Cue Points are displayed in yellow.

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If you want to make use of Load Cue Points, you need to enable the Initially cue
to Load Marker option in the Preferences > Loading > Loading.

• Fade Out and Fade In: The Fade Out and Fade In Cue Points are used for the automated
Cue/Play of tracks. For this to work, you have to set a Fade Out Cue Point in one track and a
Fade In Cue Point in another track. Fade In and Fade Out Cue Points are displayed in orange.
For more information, refer to Setting Fade Out and Fade In Cue Points in Tracks for Automa-
ted Mixing.
• Grid (Beatmarker): This is a special Cue Point from which the regularly spaced Beatgrid is cre-
ated. The Beatmarker sets the starting point for the Beatgrid. Beatmarkers are displayed in
white. For more information, refer to Beatgrids and Correcting Beatgrids.
• Loop (Loop In point ): When selecting Loop from the menu, this changes the selected Cue
Point into a Loop In marker. Loop markers are displayed in green. For more information, refer
to Working with Loops.

9.1.3. Accessing the CUE Page in the Advanced Panel

To manage your Cue Points in a track, you need to open the CUE page in the Advanced Panel:

1. Click on the Advanced Panel button to display the Advanced Panels of Deck A and B, and
Deck C and D, respectively.

2. In the Advanced Panel select CUE to the show CUE page.

9.1.4. Setting Cue Points

Setting Cue Points is straight forward. On a paused Deck:

1. Scroll to the position in the track where you want to set a Cue Point.
2. Click the CUE button in the Transport Controls to set the Cue Point at the current position.

When you now playback the track and you click the CUE button in the transport controls, the play-
head jumps directly to the Cue Point.

9.1.5. Storing Cue Points

Cue Points can be stored to the CUE List.

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1. Scroll to the position in the track where you want to set a Cue Point.
2. Click the CUE button in the Transport Controls to set the Cue Point at the current position.
3. Click the STORE button on the CUE page in the Advanced Panel to store the Cue Point.
The Cue Point is stored in the Cue List.

9.1.6. Jumping to Cue Points

When you have stored a number of Cue Points in the CUE list you can select them individually to
jump to the respective position in the track.

Skipping to the Next/Previous Stored Cue Point

• Use the Next/Previous Cue Point buttons to skip from one Stored Cue Point to the next.
The playhead jumps to the respective position in the Waveform and in the Stripe. The Cue
Position display shows the position of the stored Cue Point within the track.

Selecting Cue Points from the CUE List

You can jump to Cue Point positions in the track by selecting the Cue Point directly from the CUE
list:

1. Click on the arrow button to open the CUE list.

2. Click one of the entries to select the stored Cue Point.
The playhead jumps to the respective position in the Waveform and in the Stripe. The Cue
Position display shows the position of the stored Cue Point within the track.

9.1.7. Renaming Cue Points

You can rename any stored Cue Point in a track:

1. Select the stored Cue Point you want to rename.

2. Click in the Cue Name display to enable editing.
3. Enter the name.

9.1.8. Changing the Cue Point Type

You can change the Cue Point Type using the Cue Type menu, which is featured on the CUE page
in the Advanced Panel.

The following Cue Point Types are available in the Cue Type drop-down menu:

• Cue (Cue Point).

• Fade-In (Fade In Cue Point)
• Fade-Out (Fade Out Cue Point)
• Load (Load Cue Point)
• Grid (Gridmarker)
• Loop (Loop In Point)

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Procedure

1. Select the stored Cue Point for which you want to change the Cue Type.
2. Click on the Cue Type menu button to open the menu.
3. Select the Cue Type to which you want to change the Cue Point.
The Cue Point Type and the color of the Cue Point marker in the Waveform display and the
Stripe view are changed accordingly.

9.1.9. Deleting Cue Points

If you want to delete a stored Cue Point permanently, perform the following:

1. Select the stored Cue Point you want to delete.

2. Click on the Bin icon to delete the Cue Point.
The Cue Point is permanently deleted.

9.1.10. Setting Fade Out and Fade In Cue Points in Tracks for
Automated Mixing
This section explains how you set Fade Out Points and Fade In Cue Points for tracks to be mixed
automatically. For this to work, you have to set a Fade Out Cue Point in one track and a Fade In
Cue Point in the other track. While a Fade Out Cue Point always triggers the playback of the next
track, a Fade In Cue Point triggers no action. Fade In and Fade Out Cue Points also work when
using Cruise mode.

You have to enable the Activate Fade In & Fade Out Markers option in the Prefer-
ences > Loading > Loading.

Defining the Fade Out Point in the First Track in Deck A

1. On a Track Deck open the Advanced Panel and select the CUE page.
2. Load a track into Deck A.
3. Scroll to the position where you want the track to fade out for the transition.
4. Click CUE to set the Cue Point to this position.
5. Click STORE to convert the Cue Point into a stored Cue Point.
6. Open the Cue Type drop-down menu and and select Fade-Out.
An orange Fade Out Cue Point appears in the Waveform and in the Stripe.

Defining the Fade In Point in the Second Track in Deck B

1. Load a track into Deck B.

2. Scroll to the position where you want the track to fade for the transition.
3. Click CUE to set the Cue Point to this position.

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4. Click STORE to convert the Cue Point into a stored Cue Point.
5. Open the Cue Type drop-down menu and and select Fade-In.
An orange Fade In Cue Point appears in the Waveform and in the Stripe.

When you start the playback of the track in Deck A and the playhead crosses the Fade Out Cue
Point, the track in Deck B will automatically begin playing from its Fade In Cue Point.

9.2. Working with Loops

In this section you will learn how to work with Loops using TRAKTOR’s dedicated Loop controls.

9.2.1. About Looping

A Loop is a snippet of audio that repeats (loops). Loops are used as tools for remixing parts of
tracks and as a way to extend track transitions. The length or size of Loops differ but are always
beat-accurate. This means Loops always stick to the beat.

Available Auto-Loop Sizes

In TRAKTOR you can trigger a loop using one of the following predefined loop sizes automatically:

• 1/32 of a beat
• 1/16 of a beat
• 1/8 of a beat
• 1/4 of a beat
• 1/2 of a beat
• 1 beat
• 2 beats
• 4 beats
• 8 beats
• 16 beats
• 32 beats

You can also define the loop start and loop end manually with the help of dedicated Loop IN and
OUT buttons.

9.2.2. Enable Looping with a Predefined Loopsize

To enable looping on a playing track:

• Click one of the Auto Loop buttons with the predefined size on the Deck.

This automatically enables Looping at the current playback position in the track. The Loop is
marked in green in the Waveform display. Also, the ACTIVE button lights up in green.

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By pressing the ACTIVE button when no Loop is enabled, this will enable the next Loop stored in
the track.

9.2.3. Enable Looping with a Customized Loop Size

You can also enable Looping with a customized Loop size:
On a playing Deck:

1. Click the IN button to set the Loop In Point at the current position in the Waveform display.

2. Wait as long as you want the loop size to be.

3. Click the OUT button to set the Loop Out Point.

Looping is enabled using a customized Loop size.

9.2.4. Disable Looping

To disable Looping:

• Click the ACTIVE button.

Looping stops and playback continues as normal. The Loop In and Out markers remain at
their positions in the Waveform dsplay. The ACTIVE button is unlit.

9.2.5. Storing Loops

As with Cue Points you can also store Loops and return to them at a later point. Loops are stored
on the CUE page in the Advanced Panel.
To store the active Loop:

1. Open the Advanced Panel.

2. Select the CUE page.
3. Click an empty Hotcue button to store the current Loop.

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The Loop is stored on the Hotcue button. The Hotcue button lights up green. You can return
to the Loop by pressing the same Hotcue button again.

Besides using the Hotcue buttons you can alternatively use the STORE button in the CUE page to
store loops in the CUE list.

9.2.6. Moving the Loop

You can also quickly move the current Loop across your track by using the MOVE tab in the Ad-
vanced Panel:

1. Open the MOVE tab in the Advanced Panel.

2. Select Loop from the drop-down menu.

3. Select a Move Size from the MOVE Size Control bar.

4. Move the Loop forward or backward by clicking the Loop Move buttons (arrow buttons).

9.2.7. Moving Loop In Points and Loop Out Points

The Loop In and Loop Out modes allow you to move the Loop In Point and the Loop Out Point of
the enabled Loop. This will change the Loop size making it smaller or larger by a set amount when
the Cue Move BWD/FWD buttons are used.

Moving only Loop In or Loop Out point can be used for tension-building drum roll ef-
fects with the active loop.

Procedure

1. Select Loop In from the Move Mode menu.

2. Choose a move size in the Move Size Control bar.
3. Use the Cue Move BWD/FWD buttons to move the Loop In Point by the chosen amount.
4. To move the Loop Out Point, repeat the aforementioned steps with selecting the Loop Out
entry from the Move Mode menu.

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• By using the LOOP Mode button, you select a move size that is based on the current Loop
size for the movement.
• By using FINE Mode button, you select a fine step size for the movement. The MOVE Size
Control bar automatically switches to FINE. Use xFNE to make even finer changes.

9.3. Working with FX Units

In this section you will learn how to assign FX Units to Mixer channels and how to control individu-
al Effect parameters in the FX Units. The FX units can be operated in different modes and are
freely configurable.

9.3.1. Assigning FX Units to Mixer Channels

Assigning FX Units to Mixer channels is straight forward. In order to assign an FX Unit to a Mixer
channel:

• Click the FX Unit On button for the corresponding FX Unit in the Mixer channel.

The FX Unit is assigned and the FX Unit On button lights up orange.

Any FX Unit can be assigned to all Mixer channels simultaneously.

9.3.2. Using the FX Unit in Single FX Mode

In Single FX mode you have full control over all the parameters of one effect:

Selecting an Effect

• Select an effect in the Effect selector.

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Modulate the Effect Behavior

• Modulate the behavior of the selected effect with the Effect Parameter knobs and Effect but-
tons.

Control the Mix between the Effect Signal and the Original Signal

1. Turn the D/W knob to control the direct-to-processed signal mix.

2. Switch the effect on and off by clicking the Effect On button.

Resetting the Parameter Settings

• Click the RST button to reset all the effect settings inside the panel to the default value.

9.3.3. Switching between Single FX Mode and Goup FX Mode

In order to select Single FX mode or Group FX mode for an FX Unit:

1. Click the FX Unit number to open the context menu.

2. Select Group or Single.

The FX Unit switched to the selected FX mode.

An FX Unit in Single FX mode can be recognized on the single dot next to the FX Unit number. An
FX Unit in Group FX mode shows three dots.

9.3.4. Using the FX Units in Group FX Mode

In Group FX mode you can use and control up to three effects in one FX Unit:

Selecting Effects

• Select the effects you want to use in the Effect selectors.

Switching Effects On and Off

• Switch on and off every effect in the effect chain with the three FX On buttons.

Controlling the Effect Amounts

• Control the effect amounts with the Effect Amount knobs.

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Controlling the Mix of the Effect Signal and the Original Signal

• Turn the D/W knob to control the direct-to-processed signal mix for the entire effect chain.

Resetting the Effect Settings

• Double-click an effect knob to reset the individual setting to the default value.

9.3.5. Saving a Snapshot of FX Parameter Settings

You can save the current parameter settings in the FX unit in a snapshot:

1. Click the FX Unit number to open the context menu.

2. While holding the left mouse button, select Save Snapshot and release.

The parameter settings are saved. The next time you select the Effect in an FX Unit, this will
recall the saved settings.

9.4. Using the Cue Channel for Mixing

Any Mixer channel provides the Cue button to send the audio signal to the Headphones Cue chan-
nel. This way you can prepare the transition to the next track, preview tracks, or preview effect be-
havior in a live situation. In order to use the Headphone Cue channel, you ideally use a TRAKTOR
KONTROL DJ controller providing the dedicated Headphone Cue channel. However, you can also
use an external audio interface with a monitor output channel and configure it in the Preferences.
For more information on, refer to Configuring TRAKTOR to Use with an External Audio Interface.

To cue the next track in the Headphones Cue channel:

1. Switch the TRAKTOR Layout to Mixer by selecting it from the Layout drop-down menu in the
header.

The Headphone Cue controls and the Cue buttons on the Mixer channels are now displayed.
2. Click the Cue button on the Mixer channel with the audio signal you want to mix next.

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The button lights up, indicating that the audio signal of the Mixer channel is sent to the Head-
phone Cue channel which you will hear in your headphones.
3. Turn the VOL knob to adjust the volume of the Headphones Cue channel to a moderate lis-
tening level.

4. Turn the MIX knob to adjust the balance between the cued track and the main mix in your
headphones. Turn it counter-clockwise when you want to concentrate on the cued track and
turn it clockwise when you want to hear more of the main mix.

9.5. Working with STEM Decks

In this section you learn how to load and play back a STEM file, how to adjust volumes and apply
Filter FX on individual STEM parts in the STEM Decks.

STEM files allow you to interact with four different musical elements of a track independently while
DJing. The four STEM parts of a track can be modified individually to create spontaneous instru-
mentals, remixes, or mashups. You can create transitions between elements STEM-by-STEM, or
apply effects and EQ to just to a specific STEM part instead of the entire track. To get really crea-
tive, mix musical elements across multiple STEM Decks, for example, you could take the vocals
from one track and mix it with the beat from another.

9.5.1. About STEM Files

A STEM File is a track in the file format stem.mp4 that contains four audio tracks (STEM Parts).
Each STEM Part represents one of the key elements, for example, drums, percussions, synths,
vocals, of the entire track. By default when a STEM File is played back in TRAKTOR all STEM
Parts are audible and summarize to an entire track.

STEM Files have to be Analyzed Before they can be Loaded

Due to the large amount of data that must be read from a STEM File, it is necessary that STEM
Files are analyzed before loading into a STEM Deck. It is not possible to load and play a STEM
File before it has been analyzed.

For more information on how to analyze tracks or STEM files, refer to Analyzing Tracks Manually.

9.5.2. Loading a STEM File

To load a STEM File from the Track Collection:

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1. In the Browser navigate to Track Collection > All Stems.

2. Select a STEM File from the Track List.

3. Drag and drop the STEM File into the desired Deck.
The Deck Type automatically switches to STEM Deck. The Waveform display shows the four
individual STEM Part Waveforms. The Stripe view shows the Waveform for the entire STEM
File.

9.5.3. Playing Back the STEM File

In order to play back a STEM File:

• Click on the Play button on the STEM Deck.

The STEM Deck plays back the STEM File similar to a track. The individual waveforms start
moving.

9.5.4. Adjusting STEM Parts Volumes

In order to adjust the volumes for the individual STEM Parts or take them completely out:

• Drag the Volume knob up or down in any of the STEM Channels.

The volume of the musical element in the STEM Part decreases or increases accordingly.

Resetting STEM Part Volumes

In order to reset STEM Part volumes:

• Double-click the respective volume knob.

The volume is set back to default.

9.5.5. Applying Filter FX to STEM Parts

In order to apply a Filter effect to key elements of the music:

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1. In any STEM Channel, click the Filter button to activate the Filter effect.
2. Drag the respective Filter knob up or down to change the Filter FX amount.

You hear a high-pass or a low-pass filter applied to the key elements of the music.

Resetting Filter FX in STEM Parts

In order to reset Filter FX:

• Double-click the respective Filter knob.

The parameter is set back to default.

9.5.6. Applying FX Send to STEM Parts

In order to apply FX Send to key elements of the music:

1. In any STEM Channel, click the FX Send on button to apply the FX Send.
2. Drag the respective FX Send knob up or down to change the FX Send amount.

You will hear the Effect from the assigned FX Unit applied to the key element of the music.

Resetting FX Send Parameters in STEM Parts

In order to reset FX Send parameters:

• Double-click the respective FX Send knob.

The FX Send parameter is set to default.

9.6. Working with Remix Decks

With Remix Decks you can load collections of Samples (Remix Sets) and trigger the individual
Samples to add them to your mix. As with Track Decks and STEM Decks, Remix Decks can be
synchronized to the Tempo Master ensuring the Samples always play in sync with other tracks.

You can also create your own Remix Sets by directly capturing Samples from tracks in Track
Decks or from the LOOP RECORDER, and saving them in your Track Collection. For more infor-
mation on creating new Remix Sets, refer to Creating Remix Sets.

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9.6.1. About Remix Sets

A Remix set is a collection of Samples to be loaded into a Remix Deck at once. A Remix Set can
contain up to 64 Samples organized in the Sample Grid. The Sample Grid consists of four Col-
umns containing 16 Sample Cells each. When a Remix Set is loaded into a Remix Deck, the first
16 Samples are visible in the four Sample Slots, with four Samples per Sample Slot.

9.6.2. Loading Remix Sets

To load a Remix Set from your Track Collection:

1. Select the folder All Remix Sets in the Browser Tree to display all Remix Sets in the Track
List.

2. Drag the Remix Set to your liking and drop it in any Deck.
The Deck loads the Remix Set and switches the Deck Type to Remix Deck.

9.6.3. Enabling and Adjusting the Remix Deck's Quantize

Mode
The Remix Deck provides an internal Quantize mode in order to let the Samples trigger at the right
beat in the internal timeline. The Quantize value can be determined in the Deck Tempo display in
the Deck Header:

To enable Quantize mode for the Remix Deck:

1. Click gray dot to enable Quantize mode for the Remix Deck.

The dot lights up blue, indicating Quantize mode is enabled for the Remix Deck.

2. Click on the triangle next to the blue dot to open the Quantize value menu.
3. Select the Quantize value at which you want the Samples to trigger, i.e. 1 (one beat).

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The Quantize mode is enabled and the Quantize value is set for the Remix Deck. The Sam-
ples will now trigger always to the downbeat.

9.6.4. Triggering Samples

In order to trigger Samples in Sample Cells, proceed as follows:

1. Click the Play button on the Remix Deck.

The Remix Deck starts playing and is ready for triggering Samples. The Beat counter starts
counting the beats according the internal timeline of the Remix Deck.
2. Click the Sample Trigger buttons in the Sample Cells in each Sample Slot one by one.
The Sample Trigger buttons flash until the next down beat (Quantize value set to 1 beat) of
their internal timeline is reached, and then start playing. The playheads move in the Slot
Players.

3. Anytime, trigger other Samples in the Sample Slots, by clicking their Sample Trigger buttons
in the Sample Cells.
The Sample Trigger buttons flash until the next down beat is reached, and then start playing.
The former Samples stop playback immediately.

Stopping Samples
To stop the Samples and reset the playheads to start positions:

• Hold [Shift] + click the individual Sample Trigger button.

The Sample stops playback according to the setting of the Quantize value.

9.6.5. Switching Sample Grid Pages

The Sample Grid can contain up to 64 Samples over four pages with 16 Samples each.

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To scroll through the Sample Grid pages:

• Click the Page Selector to switch to the individual page on the Sample Grid.

9.6.6. Adjusting the Volume and Muting Sample Slots

The volume level of any Sample Slot can be adjusted and the Sample Slot itself can be muted:

Adjusting Sample Slot Volume

• Drag the Volume fader up or down.

Resetting Sample Slot Volume

• Double-click the Volume fader.

Muting Sample Slots

1. Hover the mouse over the Slot Player to display additional controls.

2. Click the mute button to mute the Sample Slot.

9.6.7. Applying Filter Effects the Sample Slots

Any Sample Slot contains a Filter control for applying a high-pass or low-pass filter immediately:

• Drag the Filter control up or down to apply a high-pass or low-pass Filter Effect to the Sam-
ple Slot.

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Resetting the Filter

To reset the Filter:

• Double-click the Filter control.

9.6.8. Locking Key for Sample Slots

When adjusting the Remix Deck's tempo or syncing the Remix Deck to the Tempo Master, you can
prevent the Sample changing its pitch by locking the key for the individual Sample Slots:

1. Hover the mouse over the Slot Player.

Additional Slot parameters appear.
2. Click on the Slot Keylock control to enable keylock for the Sample Slot.

When you now change the Remix Deck's tempo, the pitch of the Samples in the Sample Slot
remains.

9.6.9. Sending Sample Slots to FX Units

Using the FX Unit(s) assigned to the Remix Deck's Mixer channel has no effect by default. In order
to use the FX Units the Sample Slots need to be send to the FX Units individually.

1. Hover the mouse over the Slot Player.

Additional Slot parameters appear.
2. Click on the Slot FX Enable control to send the Sample slot to the FX Unit(s) assigned to the
Mixer channel.

When now adjusting the parameters in the FX Unit(s), the sound of the Sample Slot gets
modulated accordingly.

9.6.10. Routing Sample Slots into the Headphones Cue

Channel
To route individual Sample Slots into the Headphone Cue channel:

1. Hover the mouse over the Slot Player.

Additional Slot parameters appear.

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2. Click on the Slot Monitor control to route the Sample Slot to the Headphone Cue channel.

9.6.11. Enabling Punch Mode for the Sample Slot

When triggering another Sample in the Sample Slot, the new Sample starts playback from its start
position, independently from the playhead position of the previous Sample. When Punch mode is
enabled for the Sample Slot, the triggered Sample will start the playback from the playhead posi-
tion of the previous Sample.
To enable Slot Punch Mode:

1. Hover the mouse over the Slot Player.

Additional Slot parameters appear.
2. Click on the Slot Punch Mode button to enable Slot Punch mode for the Sample Slot.

When now triggering another Sample in the Sample Slot, the triggered Sample will start the
playback from the playhead position of the previous Sample.

9.7. Creating Remix Sets

In this section you learn to create Remix Sets using the Remix Deck. You learn to capture Sam-
ples from different sources and to make further refinements and adjustments for the Samples.
When your edits are final, you save the Remix Set into your Track Collection.

9.7.1. Importing Samples to the Track Collection

When importing tracks into the Track Collection TRAKTOR recognizes tracks shorter than 10 sec-
onds and categorizes them as Samples. You can find the Samples in the All Samples subfolder in
the Track Collection.

9.7.2. Creating an empty Remix Set

Before you can load Samples into a Remix Deck, you need to create an empty Remix Set. This is
done by assigning a Deck to a Remix Deck:

1. Click on the Deck Focus to open the context menu.

2. Select Remix Deck.

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The Deck is switched to the Deck Flavor Remix Deck. The Remix Deck is empty. You can
now load or capture Samples into the Sample Cells.

9.7.3. Loading Samples into Samples Cells

You can load Samples into Sample Cells directly from TRAKTOR’s Track Collection:

1. In the Browser Tree select the folder All Samples to display all Samples in your Track Col-
lection.
2. Drag a Sample from the Track list and drop it into any Sample Cell in the Sample Slot.
The Sample is now loaded and ready to play.
3. To load more Samples to Sample Cells, repeat the aforementioned steps.

When a Sample Cell already contains a Sample, loading another Sample to the Sample Cell repla-
ces the Sample.

9.7.4. Capturing Samples from Tracks

You can capture Samples directly from Track Decks on the fly:

1. Activate SNAP mode in the Master Control panel.

2. Load and play back a track in a Track Deck.
3. Activate a Loop with the desired size at the playback position to your liking.
4. Drag the track title in the Track Deck Header and drop into a Sample Cell in the Remix Deck.
The Loop is copied as a Sample in the Sample Cell.

If the Track Deck you captured from was not playing a Loop, the Remix Deck will still capture a
Sample from it, but it will instead take it from the current playback position. The Sample will auto-
matically be cut to the length of the selected Loop size in the Loop control bar in the Track Deck.

9.7.5. Changing Sample Colors

When loading or capturing Samples, TRAKTOR randomly assigns a color to the Samples. Howev-
er, you can change the color of Samples in Sample Cells to your liking:

1. Right-click the Sample Trigger button to display the 16 color palette.

2. Select the desired color.
The Sample color is changed.

9.7.6. Adjusting Sample Parameter Settings

This section introduces you to the several parameter settings for adjusting your Samples in your
Remix Set.

Defining the Playback Behavior of a Sample Cell

The following options let you define how the Sample plays back when it is triggered:

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1. Click the Sample Play Type button to define the Sample to be played back as a Loop or One-
shot.

2. Click the Reverse mode button, if you want the Sample to be played back reversely.

3. Click the Sample Sync mode button to let the Sample be played back in sync to the Remix
Deck.

4. Click the Sample Trigger Type button to let the Sample play back until its end or for only as
long as you keep the Sample Trigger button clicked.

When enabled (Latch mode), a Sample will continue to play after you release the mouse but-
ton, either until the end of the Sample is reached (for One-shot Samples) or until it is stopped
by some other method (like triggering a new Sample in the same Slot). Latch mode is ena-
bled by default.
When disabled (Gate mode), a Sample will play only when the mouse button is held. Upon
releasing the mouse button, the Sample will stop playing immediately.

Adjusting Sample Gain and Pitch

As recorded or captured Samples can have different recording levels, it can be mandatory to ad-
just the gain level for individual Samples in the Remix Set.

1. Click the name of the Sample you want to edit.

2. Drag the Sample GAIN knob to adjust the gain level to your liking.

As recorded or captured Samples can have different pitches that might not be suited to other Sam-
ples in the Remix Set, it can be mandatory to adjust the pitch for individual Samples:

1. Click the name of the Sample you want to edit.

2. Drag the Sample Pitch knob to adjust the pitch to your liking.

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Adjusting Sample Base Tempo

As recorded or captured Samples can have different base tempos, it can be mandatory to adjust
the base tempo for individual Samples in the Remix Set.

1. Click the name of the Sample you want to edit.

2. Click in the Sample Tempo display and enter the desired tempo in BPM.

You can halve or double the current tempo using the x2 or /2 buttons to adjust the base tempo
accordingly.

Correcting Sample Beatgrid

As the Beatgrid of recorded or captured Samples might not be calculated correctly, it can be man-
datory to correct the Beatgrid for individual Samples in the Remix Set.

1. Click the name of the Sample you want to edit.

2. Use the Move Grid Left and Move Grid Right buttons to moves the Sample's Beatgrid to the
left or to the right.

3. Use the BPM Decrease and BPM Increase buttons to make minor corrections to the base
tempo.

As a result the Beatgrid gets expanded or compressed.

9.7.7. Saving a Remix Set

1. Double-click the current title New Remix Set in the Deck Header to enable renaming.

2. Type in a new name for the Remix Set.

3. In the Browser Tree select the folder All Remix Sets to display all Remix Sets in the Track
List.
4. Click and hold the Remix Set title in the Deck Header and drag it down into the Track List.
The Remix Set is saved and stored in the Track Collection. Additionally, all contained Sam-
ples are stored as individual Samples in the All Samples folder.

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9.7.8. Exporting Remix Sets

To export Remix Sets:

1. Expand the Track Collection folder in the Browser Tree.

2. Select the All Remix Sets folder to display its Remix Sets in the Track List.
3. Right-click the Remix Set you want to export to open the context menu.
4. Select Export Remix Set.
5. In the dialog navigate to the destination you want to export to.
6. Confirm.
TRAKTOR now exports the Remix Set.

9.8. Correcting Beatgrids

When TRAKTOR calculates the track tempo it also creates the Beatgrid for the track. However,
when a track contains a complex rhythm or uneven timing it can happen the Beatgrid does not
match precisely.

Incorrect Beatgrid.

To correct mismatching Beatgrids, TRAKTOR provides you with the tools to do so:

Step 1 - Opening the GRID page

1. Load the track with the mismatching Beatgrid into a Deck.

2. Click Play to start playback.
3. On the Deck click the Advanced Panel button to open the Advanced Panel.
4. Click on GRID to select the GRID page.

Step 2 - Enabling Beat Tick

• Click the Beat Tick button to enable the beat tick for the Deck.

You now hear a tick on every beat of the calculated tempo and Beatgrid. If the Beatgrid is
miscalculated, you notice the beat tick is off the track's beat.

Step 3 - Correcting the Beatgrid

You can now correct the Beatgrid by using the following buttons:

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1. Click the MOVE GRID BWD and MOVE GRID FWD buttons to move the Beatgrid backward
or forward.

2. Click the BPM INC or BPM DEC buttons to compress or enlarge the Beatgrid slighty.

These buttons change the tempo value accordingly.

Alternative Step - Creating a new Beatgrid

If the aforementioned steps do not lead to the expected results you can also create a new Beatgrid
manually:

1. Click the Delete Beatgrid Marker button to delete the current Beatgrid.

2. Skip to a beat in the track.

3. Click the Set Beatgrid Marker button to set a Beatgrid marker at that position.

Outgoing from that position a new Beatgrid is created throughout the track according to the
base tempo.

You can also define a new base tempo by either tapping in the Tempo using the TAP button or by
entering the tempo in the tempo edit display.

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10. WORKING WITH PLAYLISTS

In this section you learn about Playlists and how work with them. Playlists are effective tools of
organizing your tracks for different purposes. Generally, a Playlist is a collection of tracks to be
used for preparing for DJ sets.

• One track can be contained in multiple Playlists.

• A Playlist can be re-ordered or reset to the original state rapidly.
• Additional functions are saving, loading and exporting Playlists.

10.1. Creating Playlists

To create a new Playlist you either do it in the Browser Tree or directly of selected tracks:

Creating a New Playlist in the Browser Tree

1. Right-click the Playlists folder in the Browser Tree.

2. Select Create Playlist from the context menu.
3. Type a name for your new Playlist in the dialog.
4. Click OK to confirm.
Your new Playlist appears under the Playlists folder.

Creating a New Playlist from Selected Tracks

1. Select one or more tracks in the Track List.

2. Drag these tracks onto the Playlists folder in the Browser Tree.
3. Type a name for your Playlist in the dialog.
4. Click OK to confirm.
Your new Playlist appears under the Playlists folder.

10.2. Adding Tracks to Playlists

1. Click and hold the track(s) in the Track List.
2. Drag the selection onto any Playlist in the Browser Tree.
The tracks are added to the Playlist. New tracks will be added at the last position in the Play-
list.

Additionally, you can directly add the tracks at the desired position inside the Playlist by moving
the mouse over to the Track List and dropping it at the position to your liking. The orange line indi-
cates where the track(s) will be inserted when releasing the mouse button.

10.3. Sorting Tracks in Playlists

There are several ways to sort tracks in Playlists:

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Sorting Tracks by Original Order

• Click on the header of the #-column to sort the Playlist by original track order.

Sorting Tracks by Category

• Click on the name of the column header to sort the Playlist by this category. A second
click inverts the sorting order.

After restarting TRAKTOR all Playlists will reset to their original track order.

Consolidating a Categorized Track Sorting

To make a categorized track sorting permanent:

1. Right-click the Playlist in the Browser Tree to open the context menu.
2. Select the option Consolidate.

Changing the Original Track Sorting Order

This is only possible when the tracks are sorted in original order:

1. Click on the header of the #-column to sort the Playlist by original track order.
2. Select one or more track(s) and drag them up or down in the Playlist. The orange line indi-
cates where the selection will drop when releasing the mouse button.

10.4. Organizing Playlists in Folders

You have the option to further organize your Playlists by creating Playlist folders:

1. Right-click the Playlist folder in the Browser Tree to open the context menu.
2. Select Create Folder.
3. Type in the name for the Playlist folder in the dialog.
4. Click OK to confirm.
Your new Playlist folder will appear under the Playlist folder. You can now add Playlists to
this folder via drag-and-drop.

10.5. Exporting Playlists

You can export your Playlists including the tracks to import and playing them on other computers
with TRAKTOR. Exporting a Playlist creates a folder containing the tracks in the Playlist as well as
the Playlist file.
To export a Playlist:

1. Right-click the Playlist in the Browser Tree to open the context menu.
2. Select Export Playlist.
3. Enter a name for the Playlist to be exported in the dialog.
4. Enter a destination path.

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5. Click OK to confirm.
TRAKTOR now exports the Playlist including the tracks to the destination on your computer.

10.6. Importing Playlists

Importing Playlists including tracks of another computer with TRAKTOR can be done in several
ways. You can use the context menu or drag and drop.

Importing Playlists using the Context Menu

1. Right-click on the Playlists folder or a Playlist sub-folder in the Browser Tree to open the
context menu.
2. Select Import Playlist.
The Playlist and all contained tracks will be added to your Track Collection.

Importing Playlists using Drag and Drop

1. Locate the Playlist file (*.nml) on your computer.

2. Drag-and-drop the Playlist file onto the Playlists folder in the Browser Tree or onto a Playlist
folder you have created.
The Playlist and all contained tracks will be added to your Track Collection.

10.7. Importing iTunes Playlists

You can directly import iTunes Playlists into your TRAKTOR Playlists folder:

1. Double-click the iTunes folder in the Browser Tree to display the iTunes Playlists.
2. Right-click a Playlist to open the context menu.
3. Select Import to Playlists.
4. In the dialog enter the name for the new Playlist.
5. Click OK to confirm.

10.8. Using Preparation Playlist

The Preparation Playlist is used to prepare your next mix. When adding tracks to the Preparation
Playlist, they show a diamond icon in the first column in the Track List. Any existing Playlist can be
used as the Preparation Playlist.

Selecting a Playlist as the Preparation Playlist

1. Right-click a Playlist in the Browser Tree to open the context menu.

2. Select Select as Preparation List.
The Playlist icon changes to the Preparation Playlist icon.

Appending Tracks to the Preparation Playlist

1. Right-click any track(s) in the Track List to open the context menu.

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2. Select Append to Preparation Playlist to add the selection to the Preparation Playlist.
3. Alternatively, select Add as Next to Preparation Playlist to insert the selection after the last
loaded track into the Preparation Playlist.
Each track is displayed with a diamond icon indicating it appends to the Preparation Playlist.

10.9. History Playlists

It can be useful to have a record of which tracks were played in a specific session. TRAKTOR au-
tomatically lists the tracks you have played in the History Playlist which will be stored in a Histo-
ry Playlist file when TRAKTOR gets closed. When opening TRAKTOR again the History Playlist in
the Browser Tree is cleared.
You can then find all History Playlists labeled with date and time in the Explorer > Archive folder
in the Browser Tree.

History Playlist Storage Location on your Computer

You can find the History Playlists labeled with date and time also in the following location on your
computer:

• Windows: My Documents\Native Instruments\Traktor\History

• macOS: Users/~/Native Instruments/Traktor/History

10.10. Track Status Icons in the Track List

When loading and playing tracks, TRAKTOR records the status of the individual tracks in the icon
column in the Track List:

• Deck Letters A, B, C and D: Identify the tracks currently loaded into the Decks.
• Check mark: Identifies tracks that have already been played.
• Exclamation mark: Identifies tracks which are not found at the file’s previous location. Some
possible reasons for this could be that a storage medium is unavailable (external hard drive for
example), the location of the track has been changed or the track has been renamed.
• Lock icon: Identifies tracks with a locked Beatgrid.
• Triangle (only available in the History and Archive folders): Identifies tracks that have already
been played. Tracks that have been previewed will not be marked.

Sorting the Track List by Track Status

When sorting the Track List by Track Status, the tracks are listed by the following order:

• Already played tracks on top.

• Currently playing tracks in the center.
• Unplayed tracks below.
• Missing tracks at the bottom.

10.11. Playlist Maintenance

To maintain you Playlists TRAKTOR provides you with several functions and commands to do so.

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10.11.1. Renaming a Playlist

To rename a Playlist:

1. Right-click the Playlist in the Browser Tree to open the context menu.
2. Select Rename.
3. Enter the new name for the Playlist.

10.11.2. Removing Tracks from Playlists

To remove tracks from a Playlist:

1. Right-click the track(s) in the Playlist to open the context menu.

2. Select Delete.
The track is removed.

10.11.3. Restore Auto GAIN Value

If you changed the gain values for tracks in the Playlist you can restore them to the Auto Gain val-
ues:

1. Right-click the track(s) in the Track List of the Playlist to open the context menu.
2. Select Restore AutoGain.
The gain value is restored to original.

10.11.4. Resetting Played State of Tracks

To reset the status of played tracks in your Playlist:

1. Right-click the track in the Playlist to open the context menu.

2. Select Reset Played State.
The play count and the status are reset.

10.11.5. Deleting Playlists

To delete a Playlist from the Browser Tree:

1. Right-click the Playlist in the Browser Tree to open the context menu.
2. Select Delete Playlist.
The Playlist is deleted.

10.11.6. Removing Duplicates from Playlists

To remove tracks which are more than one time in your Playlist:

1. Right-click the Playlist in the Browser Tree to open the context menu.
2. Select Remove Duplicates.
All double entries in the Playlist are removed.

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10.11.7. Saving Playlists as Webpage File

You can save a Playlist to a webpage file (HTML file) which allows you to create an overview of the
running order of tracks.

1. Right-click the Playlist in the Browser Tree to open the context menu.
2. Select Save as Webpage.
3. Enter a name for the Playlist.
4. Enter a destination for the exported file.
5. From the List Options select the columns you want to add to the Playlist file.
6. Click OK to confirm.
The Playlist is saved as HTML file.

10.11.8. Search Tracks in Playlists

To find out if tracks are already added to a Playlist:

1. Right-click the track(s) in the Track List to open the context menu.
2. Select Search in Playlists.
TRAKTOR now searches for the selected track(s) and returns with a report showing all Play-
lists containing the selected track(s).

10.11.9. Clearing Playlists

To clear a Playlist from all tracks:

1. Right-click the Playlist in the Browser Tree to open the context menu.
2. Select Clear Playlist.
All tracks are removed from the selected Playlist.

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11. MANAGING YOUR TRACK COLLECTION

In this section you learn how to manage your Track Collection.

11.1. About the Track Collection

The Track Collection represents all the music you use in TRAKTOR. With the Track Collection you
can organize, tag, and prepare your tracks for being played as part of your mix.
A benefit of the Track Collection is that it stores the metadata of the tracks, like track title, artist
name, tempo, genre, key etc. It also stores TRAKTOR-specific information about your tracks.

11.2. Compatible Audio File Formats

TRAKTOR supports the following music file formats:

• MP3
• M4A (AAC)
• WAV
• AIFF
• FLAC
• OGG Vorbis

DRM-protected music files cannot be played back in TRAKTOR. This affects for ex-
ample AAC-tracks bought in the iTunes store.

WMA files are not supported in TRAKTOR.

11.3. Importing Music Files from the Local Music Folder

You can import the music contained in the local music folder of your operating system:

1. Right-click the Track Collection folder in the Browser Tree to open the context menu.
2. Select Import Music Folders.
TRAKTOR now imports the music files from the local music folder.

11.4. Adding Music from Other Folders

If you have stored tracks in other folders or on external storage devices, you can add these folders
to the list of TRAKTOR Music Folders as follows:

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1. Open the File Management page in the Preferences.

2. Under Music Folders click Add…
3. In the dialog navigate to a folder you want to add.
4. Confirm your selection.
5. Repeat to add all of your music folders.
6. Click Close to apply the changes.
When now selecting the folder Music Folders in the Explorer folder in the Browser Tree,
TRAKTOR scans the respective folders and update the Track List accordingly. Subfolders
are automatically included in the scan. Hence, you don’t need to add them to this list.

11.5. Importing iTunes Tracks into Your Track Collection

You can import tracks from your iTunes Library into the Track Collection:

1. Select the iTunes folder in the Browser Tree to display its content in the Track List. A double-
click expands the folder in the Browser Tree.
2. Select the track(s) you want to import into the Track Collection.
3. Right-click on the selection to open the context menu.
4. Hover the mouse over Import to Collection to display further importing options.
5. Select either as Tracks, as Looped Samples, or as One-Shot-Samples to load the selec-
tion into the Track Collection accordingly.

11.6. Importing Remix Sets

To import Remix Sets into your Track Collection:

1. Expand the Track Collection folder in the Browser Tree.

2. Select the All Remix Sets folder.
3. Drag the Remix Sets (*.trak) file on your computer and drop it into the Track List.
The new Remix Sets are now added and appear in the Track List.

11.7. Show Tracks on Your Local Drive

To open the destination of tracks stored on your local drive:

1. Right-click the track(s) in the Track List to open the context menu.
2. Select Show in Explorer/Finder.
Your operating system opens a window with the track(s) stored on your local drive.

11.8. Editing Track Metadata in the Track List

Each track in your Collection can contain track metadata properties such as track title, artist name,
album name, cover artwork, etc. TRAKTOR gives you the option to edit these metadata properties
in two ways.

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If you are using iTunes for collection management we recommend that you only edit
tag metadata in iTunes.

1. Select a track in the Track List to highlight it.

2. Click in the property field with the metadata information you want to edit, for example,[ the
artist name.
A cursor appears in the property field.
3. Edit the artist's name.
4. If you want to edit further property fields, repeat the aforementioned steps.
5. Press the Enter key on your keyboard to exit Inline Editing mode and confirm your entries, or
press the [Esc] key to abort editing.

11.9. Editing Track Metadata using the Edit Dialog

Not all properties of a track are visible in the Track List. To get access to all available properties of
a track, use the Edit Dialog. This dialog allows simultaneous editing of a selection of tracks.

Edit Dialog Overview

The dialog contains the following elements:

Edit dialog.

Editing a Single Track

Select a track in the Track List.

1. Right-click a track to open the context menu.

2. Select Edit.
The Track List turns into the Edit dialog.
3. Edit the individual information for your track.
4. Use the drop-down menu in any track property field to select a previously stored tag from
your Track Collection.

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5. To apply the changes, click the button labeled Apply or OK. Use the Restore button to undo
any changes you have made, or use Cancel to abort editing and to close the Edit dialog.

Editing a Selection of Tracks

If you want to edit a selection of tracks, for example, all tracks of an album:

1. Select the tracks in the Track List.

2. Right-click to open the context menu.
3. Select Edit to open the Edit dialog.
The Edit dialog appears. Checked checkboxes indicate which of the attributes share the
same value across the selected tracks. The checks also indicate that anything written into
the related field will be saved to the metadata tag upon applying changes. Unchecked check-
boxes indicate that the tracks do not have identical values for this field.
4. To change an attribute globally for all selected tracks, make sure that the box is checked.
5. To edit your selected tracks one by one, use the Previous and Next buttons at the bottom of
the dialog.
6. To apply the changes, click the button labeled Apply or OK.

Use the Restore button to undo any changes you have made, or use Cancel to abort editing and
to close the Edit dialog.

11.10. Editing Track Cover Artwork

TRAKTOR allows you to either import or delete .jpeg cover artwork for tracks in your Track Collec-
tion.

Importing Cover Artworks

To import or replace Cover Artwork for tracks:

1. Right-click a track or several tracks in the Track List to open the context menu.
2. Select Import Cover.
3. In the dialog select the cover artwork file on your computer and confirm.
The cover artwork is now stored within the track file(s).

Deleting Cover Artworks

To delete Cover Artwork from tracks:

1. Right-click a track or several tracks in the Track List to open the context menu.
2. Select Delete Cover.
The cover artwork(s) are deleted for the track(s).

11.11. Assigning Playlists and Folders to the Favorites

The Favorites area is the navigational tool located at the top of the Browser.

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Pre-assigned Favorites

• Preparation
• History
• Track Collection
• All Tracks
• All Remix Sets
• Demo Tracks
• Demo Remix Sets

Assigning Folders and Playlists to the Favorites

You can assign any folder or any Playlist in the Browser Tree to the Favorites:

• Drag the folder or Playlist name from the Browser Tree and drop is onto a free (not assigned)
Favorite slot.
Now you can access the Playlist quickly by clicking on the relevant Favorite.

11.12. Track Collection Maintenance

In this section you learn to maintain your Track Collection in terms of consistency and security
backups. There are many things to keep track of such as removing obsolete tracks or relocating
tracks that have been moved to another folder on your local drive, etc. These maintenance pro-
cesses can be time consuming, so we recommend to not perform these tasks during live situa-
tions.

11.12.1. Checking Consistency of your Track Collection

Importing tracks without analysis, reorganization of local music folders, and deleting tracks from
from local music folders lead to an inconsistent Track Collection. To keep track of your changes
you can execute a Consistency Check on your Track Collection and get a detailed result in the
Consistency Check Report.

The Consistency Check Report Dialog

The Consistency Check Report provides an overview of your Track Collection and provides op-
tions for immediately solving problems.

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Consistency Check Report dialog.

• Tabs: Selects the individual tab with detailed information about the Consistency Check Report.
• Relocate button: Opens the Relocate dialog to start relocation of missing tracks.
• Remove Missing button: Removes references to not existing tracks from the Track Collection.
• Analyze button: Starts analysis of tracks to be analyzed or to be re-analyzed, respectively.
• Lists all missing tracks in the Track Collection.
• Lists all tracks in the Track Collection that need to be analyzed or re-analyzed, respectively.

Show Overview Tab

• Total Tracks: The total number of tracks in your Track Collection.

• Tracks Missing: The total number of tracks that have been deleted from your hard drive or
moved from their original location.
• Tracks Not Analyzed: The total number of tracks that have not been analyzed.
• Tracks Missing Stripe: The total number of tracks that have been imported and analyzed but
their Stripe view information has been moved or deleted.
• Total Tracks To Analyze: The total number of tracks that need to be analyzed or re-analyzed,
respectively.
• Lists all missing tracks in the Track Collection.

Missing Tracks Tab

• Lists all missing tracks in the Track Collection.

Tracks To Analyze Tab

• Lists all tracks in the Track Collection that need to be analyzed or re-analyzed, respectively.

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Executing Consistency Check

1. Right-click the Track Collection folder in the Browser Tree to open the context menu.
2. Select Check Consistency to execute it.
Once TRAKTOR has run the check, the Consistency Check Report will appear showing the
results.

Executing Consistency Check on TRAKTOR Startup

To execute the Consistency Check and show its Report when starting TRAKTOR:

1. Open the File Management page in the Preferences.

2. Check the box labeled Show Consistency Check Report on Startup.
3. Close the Preferences.
The Consistency Check will now be executed each time you start TRAKTOR.

Executing the Consistency Check on startup can increase TRAKTOR’s startup time.

11.12.2. Analyzing Tracks Manually

In a live situation, analyzing tracks or even collections of tracks can be very time consuming when
importing them into the Track Collection or when loading tracks into Decks. The moment for the
analysis can be determined on the File Management page in the Preferences. You can also
switch it off entirely. In this case, you can analyze your tracks manually when not in a live situation.

STEM files always need to be analyzed before loading them into a Deck.

Executing the Analysis

1. Right-click a track or a selection of tracks in the Track List to open the context menu. You
can also right-click a Playlist in the Browser tree.
2. Select Analyze (Async).
The Analyze dialog opens.
3. Select the options for the analysis.
4. Click OK to start the analysis.

Analysis Dialog Options

The dialog box provides two options:

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• All: When selected, this analyzes tracks according to the default settings selected in Analyze
Options page in the Preferences.

For locked tracks the All option does not permit the BPM, Beatgrid markers,
Gain, or Key to be overwritten.

• Special: When selected, you are provided with a more detailed range of analysis settings that
can be performed on tracks:
• BPM: When selected TRAKTOR analyzes the track to calculate the tempo. In the drop-
down menu below you can pre-define the tempo range you want TRAKTOR to analyze.

In case you are analyzing a large number of tracks with very different tempos,
select either a wide range or leave it to automatic. However, narrowing down
the tempo range will provide more accurate results.

• Set Beatgrid: Sets the Beatgrid on the track and aligns it to the nearest downbeat. If the
track already contains a Beatgrid, TRAKTOR will move it accordingly.

Beatgrids cannot be set without checking the BPM, as the two options are in-
terlinked.

• Key: Detects the track’s Key.

• Gain: Removes the current Gain values of the selected tracks, and replace them with an Auto-
Gain value during analysis.
• Replace Locked Values: Momentarily unlocks tracks for letting the options selected above ap-
ply to locked tracks as well.
• Parallel Processing: Enables parallel analysis of tracks.

This option increases CPU load and should not be used in live situation.

11.12.3. Relocating Missing Tracks

If you have restructured a music folder on your local drive, the references to the contained tracks
in the Track Collection lead to missing tracks. This can be corrected by relocating the missing
tracks:

1. Right-click the track(s) in the Track List to open the context menu.
2. Select Relocate.

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3. In the browse dialog navigate to the destination where your missing track have been
moved. To find multiple tracks in different folders, navigate to the top-level folder where they
are stored. You can even select your main hard drive folder.
4. Confirm your edits.
The track is now relocated.

11.12.4. Deleting Tracks from the Track Collection

To delete tracks from your Track Collection:

1. Right-click the track(s) in the Track List to open the context menu.
2. Select Delete from Collection.
3. From the security dialog select one of the following options:
• delete from collection: Deletes the track(s) from the Track Collection and from all Play-
lists.
• additionally remove TRAKTOR tags (may take some time): Deletes the track(s) from
the Track Collection and from all Playlists, and all TRAKTOR specific tags will be re-
moved from the music files.
• additionally delete file(s) from hard drive: Deletes the track(s) from the Track Collec-
tion and from all Playlists, and deletes the music file(s) from your computer.
The tracks are deleted from your Track Collection.

11.12.5. Saving Your Track Collection

The Track Collection will be automatically saved each time when you close TRAKTOR. However,
you can also save your edits in the Track Collection manually:

1. Right-click the Track Collection folder in the Browser Tree to open the context menu.
2. Select Save Collection.

11.12.6. Exporting Your Track Collection

You can export your entire Track Collection for a backup on another hard drive.

1. Right-click the Track Collection folder in the Browser Tree to open the context menu.
2. Select Export the Collection to open the Export Tracks dialog.
3. Enter the title for the backup in the Playlist Title field. Do not remove the $ symbol in the
beginning.
4. Select the path to store the backup in the Destination field.
5. Select the file format in the Export Format drop-down menu.
6. Select Copy Tracks To Destination.
7. Click OK to confirm.
TRAKTOR now exports your Track Collection.

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11.12.7. Restoring the Track Collection from an Automatic

Backup
Each time when you change something in your Track Collection and close TRAKTOR, a backup of
your Track Collection is created in the Backup folder in TRAKTOR's Root folder on your local
drive. If you delete something in your Track Collection by mistake, you can restore to an earlier
version:

1. Right-click the Track Collection folder in the Browser Tree to open the context menu.
2. Select Import another Collection to open the browser dialog.
3. Double-click the Backup folder to open it.
4. Double-click the Collection folder to open it.
5. Select the backup version to which you would like to restore.
6. Click OK to confirm.
The Track Collection is now restored to a previous version.

11.12.8. Clearing Your Track Collection

To clear your Track Collection:

1. Right-click the Track Collection folder in the Browser Tree to open the context menu.
2. Select Clear Collection.
3. From the security dialog select one of the following options:
• clear collection: Deletes the tracks from the Track Collection and from all Playlists.
• additionally remove Traktor tags (may take some time): Deletes the tracks from the
Track Collection and from all Playlists, and all TRAKTOR specific tags will be removed
from the music files on your local drive.
• additionally delete file(s) from hard drive:Deletes the tracks from the Track Collection
and from all Playlists, and deletes the music files from your computer.
All tracks are deleted from your Track Collection.

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12. ADVANCED OPERATION OF TRAKTOR

This section explains you the advanced features of TRAKTOR PRO 3 such as using MIDI and
master clocks, recording and broadcasting mixes and using Cruise Mode.

12.1. Synchronization using Ableton Link

Ableton Link is a protocol that synchronizes beat, phase and tempo of Link-enabled applications
on the same computer or over a shared network. This means you can conveniently keep applica-
tions synchronized across different devices or join a group jam with others with minimal setup.
Connecting applications via Link provides you with the ability to synchronize them to a shared
timeline and change the tempo globally from each of the connected applications.

12.1.1. Connecting to a Network

Applications that support Ableton Link can join a Link session when connected to the same net-
work. To enable Link within TRAKTOR, simply make sure the computer running TRAKTOR is con-
nected to the same local network as the other applications you want to link to. This can either be a
local network or an ad-hoc (computer-to-computer) connection.
To ensure maximum security and reliability while using Link, there are several things you may want
to consider:

• For reliability, connect to the local network using a router via an Ethernet cable.
• If you do use a Wi-Fi network, be sure to use a password to prevent excluded users from join-
ing your session.
• For the most secure and reliable connection, create a Link session via a direct connection from
one computer to another using a Thunderbolt or Ethernet cable. For more general information
on setting up and using Link, please refer to the Link FAQs article located on the Ableton web-
site: https://help.ableton.com/hc/en-us/articles/209776125-Link-FAQs.

12.1.2. Joining and Leaving a Link Session

LINK MIDI CLOCK NOTE GENERAL

When Link is active, it is not possible to synchronize TRAKTOR to incoming MIDI
Clock as a slave. Link will take priority. Sending MIDI Clock from TRAKTOR as a
master is still possible.

It is possible to join a Link session at any time by clicking the LINK button. When another Link-
enabled application is connected, a moving bar within the LINK button is displayed even though
TRAKTOR’s Decks are stopped. This bar represents the global phase of Link that all participating
applications lock into.

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After clicking the Play button on a SYNC-enabled Deck, playback will resume on the downbeat
once the progress bar within the LINK button is filled. The first participant to join the session sets
the initial tempo, from then on any participant in the session can change the tempo in their respec-
tive application. If multiple participants change the tempo at the same time, the last tempo change
will take effect.

The option LINK must be enabled under External Clock Source on the External
Sync page in the Preferences in order LINK to be visible in the Master Control pan-
el.

To start or join a Link session, proceed as follows:

1. Click the LINK button located in the Master Control panel.

TRAKTOR will either join an existing Link session or begin a new session.
2. Start playback on a SYNC-enabled Deck.
The Deck is now synchronized with the Link timeline. For more information about synchroniz-
ing TRAKTOR Decks to the Link timeline, see section Synchronizing TRAKTOR Decks to the
Link Timeline.
3. To stop using Link, and leave the session, click LINK again.

While connected, the LINK button displays how many other Link-enabled applications are connec-
ted via Link. The example below indicates that there are four other applications connected.

12.1.3. Synchronizing TRAKTOR Decks to the Link Timeline

Most applications supporting Ableton Link have a unique timeline that is automatically synced as
long as Link is enabled. In TRAKTOR, enabling Link synchronizes the Master Clock to the com-
mon Link timeline. The Master Clock is automatically set as the tempo master in TRAKTOR and
can serve as a SYNC reference for the Decks.

When using External Sync, the automatic Tempo Master assignment mode AUTO is
disabled and the Master Clock is forced to always be the Tempo Master. The tempo
of such session cannot be changed from the Decks but only from the Master Clock
controls.

The Deck’s behavior when synchronized to the Master Clock, and thus the Link timeline, is defined
by the Sync Mode, which can be set in TRAKTOR’s Preferences under Sync Mode on the Trans-
port page.

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BeatSync Mode
BeatSync mode is recommended when using Link. It synchronizes both tempo and phase of a
Deck to the tempo master, in this case the Link timeline. The phase of the Deck is aligned when
the SYNC button is turned on. SYNC turns dim when the phase of the Deck is shifted manually
(i.e. when scratching or holding a Deck in the stopped position), but TRAKTOR will re-align the
phase when the Deck plays normally again (i.e. when you release the record or jog wheel).

The Beatgrids of your tracks need to be properly set for BeatSync to function cor-
rectly.

TempoSync Mode
TempoSync maintains tempo-only synchronization to the Tempo Master, in this case the Link
timeline. The phase of the Deck is aligned when the SYNC button is turned on. SYNC turns dim if
the phase of a Deck is shifted. The tempo always remains synchronized in this mode. When using
TempoSync with Link, drifts in tempo and phase may occur.

You can quickly re-align the tempo and phase by pressing the Deck’s SYNC button
twice.

In order to keep drifts in tempo and phase to a minimum:

• Avoid large and sudden tempo changes.

• Use an Ethernet cable instead of a wireless connection.
• Increase the buffer size (latency) for your audio driver in the Audio Setup page of the Prefer-
ences to avoid buffer underruns. For example, if you normally set your buffer size to 256 sam-
ples, set it to 512 samples.

On macOS, you can use the Latency slider in the Audio Setup page to adjust the
buffer size. On Windows, click on Settings in the Audio Setup page to change the
buffer size in the control panel of your audio driver.

Matching the Downbeat

Since TRAKTOR’s playback is not automatically synchronized to the first downbeat of a bar (beat
1 of 4), you may have to correct this manually. You can use the blue bar below the LINK button as
an indicator. It shows the phase of the Link timeline relative to the current bar.

• Release the downbeat of your track when the bar is empty.

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Resetting the Downbeat

Occasionally, for example due to tempo offsets or when resuming playback after having stopped,
TRAKTOR’s Master Clock may be out of phase in relation to the Link timeline. To quickly reset the
phase, you can use TRAKTOR's Reset Downbeat function. It is available as a mapping command
in the Controller Managerpage in the Preferences under Add In… > Master Clock > Ableton Link
> Reset Downbeat.

Resetting the downbeat may cause skip by one or two beats backwards in the Link
timeline.

12.2. Syncing TRAKTOR via MIDI Clock

TRAKTOR allows you to sync external hardware and software using MIDI Clock signals to be con-
trolled in the Master Controls panel in the Global section.
You can enable the MIDI Clock on the External Sync page in the Preferences.

12.2.1. Syncing TRAKTOR to External MIDI Clock Signal

TRAKTOR is able to receive MIDI Clock Signals (Clock Slave) from another computer running
TRAKTOR, from other applications, or from MIDI hardware sending MIDI Clock:

1. Open the Controller Manager page in the Preferences.

2. Click Add....
3. Select Generic MIDI from the drop-down menu to create a new generic MIDI device.
4. In the In-Port drop-down menu, select the port from which you want the device to receive the
incoming MIDI Clock signal.
5. Select the External Sync page in the Preferences.
6. Click EXT to select the External Clock Source.
7. Close the Preferences.
8. In the Master Control Panel click EXT.
The TRAKTOR Master Clock now follows the external MIDI Clock signal once it is started.
9. Press the start button on the sending device, to sync the clock to the phase of the application
or hardware sending the MIDI Clock signal,

In case of an offset between the sending hard- or software and TRAKTOR, the offset has to be
adjusted in the sending (Master) device.

12.2.2. Using TRAKTOR as Master Clock

To use TRAKTOR as the tempo source using its Master Clock, TRAKTOR has to send the MIDI
Clock Signal to the external hard- or software:

1. Open the Controller Manager page in the Preferences.

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2. Create a new generic MIDI device.

3. Assign the Out-Port to the device you want to send the MIDI Clock signal to.
4. Open the External Sync page in the Preferences.
5. Tick Enable MIDI Clock.
The additional MIDI Clock functions are now displayed in the Master Control panel.
6. To start sending a MIDI Clock signal, click the Start/Stop button. Clicking it again stops send-
ing.
When MIDI Clock is enabled, the Start/Stop button is lit blue. The Tempo Display shows the
tempo of the MIDI Clock signal in BPM.

By clicking the SYNC button, TRAKTOR triggers a MIDI Clock Stop Message immediately fol-
lowed by a MIDI Clock Start Message to re-sync the external hard- or software.
It may be required to adjust the offset between TRAKTOR and the receiving hard- or software.

For syncing external hardware with the MIDI Clock, the Master Clock has to be set
as Master Tempo Source.

12.2.3. Syncing two Instances of TRAKTOR

These are the steps to sync two versions of TRAKTOR running on different computers:

1. Connect the two computers via MIDI in order to transmit the MIDI Clock signals.
2. Decide which of the two computers should be the Clock Master and click the MASTER but-
ton in the Master Control panel.
3. On the other computer click the AUTO button in the Master Control panel.
4. To sync both computers, press the TICK button in the Master Control panel.
5. Once the two ticks are audible, press the SYNC button in the Master Control panel on the
sending computer in order to reset the receiving computer.
6. Now start tweaking the MIDI Clock Sending Offset until the two Ticks are in perfect sync by
clicking the Offset button.
7. You can then turn off the Ticks.

12.3. Recording Your Mix with the AUDIO RECORDER

In order to record your mix with the AUDIO RECORDER you at first need to make some adjust-
ments in the Preferences and also to the AUDIO RECORDER to record audio from TRAKTOR's
Master Output.

Adjusting AUDIO RECORDER Preferences

Before you start recording you have to adjust the settings on the Mix Recorder page in the Prefer-
ences to define the audio source and the file settings:

1. Open the Mix Recorder page in the Preferences.

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2. Select the Source option Internal.

3. Set the directory you want to save the recording file(s).
4. Select the file size at which TRAKTOR will automatically split the recordings file.
5. Close the Preferences.

For more information about the Mix Recorder Preferences, refer to Preferences – Mix Recorder
Page.

Adjusting Recording level

1. Click the AUDIO RECORDER button in the Global section to display the AUDIO RECORD-
ER.
2. Playback a track on any Deck to monitor the incoming audio signal in the AUDIO RECORD-
ER.
The Recordings Level Meter in the AUDIO RECORDER reflects the incoming audio signal. If
not, make sure the channel fader is raised and the crossfader is positioned accordingly.
3. Adjust the recording level with the GAIN knob of the AUDIO RECORDER.

For more information about adjusting levels, refer to Adjusting Gain Levels for Incoming Audio Sig-
nals.

Recording Your Mix

1. Click the Record button to start the recording.

The display shows the actual file size and recorded time. When the maximum file size is
reached, TRAKTOR splits the actual file and seamlessly starts a new file for recording.
2. Click the CUT button to manually split the actual file and to seamlessly start a new file for
recording.
3. To stop the recording, click the Record button again.
This saves the recorded file.

12.4. Broadcasting Your Mix

With TRAKTOR you are able to broadcast your mix over the Internet. Basically everything that is
audible from the Master Out can be streamed to the Internet, and listeners all over the world are
able to listen to your broadcast in real time.

In order to broadcast your mix with the AUDIO RECORDER you at first need to make some ad-
justments in the Preferences and also to the AUDIO RECORDER .

Adjusting AUDIO RECORDER Preferences

To let the AUDIO RECORDER receive audio from TRAKTOR's Master Output you need to adjust it
on the Mix Recorder page in the Preferences:

1. Open the Mix Recorder page in the Preferences.

2. Select Internal in the Source option.

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For more information about the Mix Recorder Preferences, refer to Preferences – Mix Recorder
Page.

Configuring TRAKTOR for Broadcasting

To broadcast your mix you need to adjust TRAKTOR to send your

Before getting started, it is necessary to configure TRAKTOR so that the local client can connect
to the server and the metadata of the radio stream contains the correct information:

1. Open Broadcasting Page in the Preferences.

2. Adjust the Proxy Settings according to your current Internet configuration. If you are not us-
ing a proxy, simply check None.
3. Under Server Settings, input the Address of the Icecast server you want to connect to. This
can be either a hostname or an IP-address.
4. Specify the port where the Icecast server can be reached. Most servers use the default set-
ting of 8000.
5. Type in the Mount path and Password. This information can be obtained from the host of
the Icecast server and permits only authorized clients to stream data from there.
6. Select the Format for the streaming. Note that with a higher bit rate, more bandwidth is used
for every single stream. Therefore, given the same bandwidth, fewer listeners can tune in at
the same time.
7. In the Metadata Settings, enter the information about your broadcast. This information is
sent to the server and your listeners.
TRAKTOR is ready for broadcasting.

For more information about the Broadcasting page in the Preferences, refer to Preferences –
Broadcasting Page.

Adjusting Recording level

1. Click the Audio Recorder button in the Global Section to display the AUDIO RECORDER.
2. Playback a track on any Deck to monitor the incoming audio signal in the AUDIO RECORD-
ER.
The Recordings Level Meter in the AUDIO RECORDER reflects the incoming audio signal. If
not, make sure the channel fader is raised and the crossfader is positioned accordingly.
3. Adjust the recording level with the Record GAIN knob.

For more information about adjusting levels, refer to Adjusting Gain Levels for Incoming Audio Sig-
nals.

Starting Broadcast

1. Click the Broadcast button to start broadcasting.

If the button is highlighted, you are connected to the icecast server. If the Broadcast button is
flashing, the connection with the Icecast server could not be established. In this case, check
if the settings on the Broadcasting Page in the Preferences are entered correctly.
2. To stop broadcasting, click the Broadcast button again.

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12.4.1. Streaming Protocol

TRAKTOR uses a streaming protocol called Icecast. The TRAKTOR software contains an Icecast
client, which can send data to an Icecast server.
To use this feature, you need access to a computer running as an Icecast server. It is recommen-
ded that this computer has an Internet connection with at least 128 kb/s upstream transfer rate.
The available bandwidth is being shared among the listeners, so it should be as high as possible.

For more information about setting up an Icecast server, refer to the Icecast web-
site http://www.icecast.org/docs.php.

Icecast works only on Windows and Linux. For Broadcasting with on macOS take a
look at the easy-to-use application Nicecast from rogue amoeba rogueamoeba.com/
nicecast/.

12.5. Using Cruise Mode for Automatic Mixing

Cruise mode lets TRAKTOR automatically mix the tracks contained in the selected Playlist or the
Track Collection folder one after the other.

Cruise Mode will also work when using an external mixer.

Enabling Cruise Mode

1. Select any Playlist or the Track Collection folder in the Browser Tree.
2. Load a Track from the Track List into a Deck.
3. Click the Play button on that Deck to start playback.
4. Click the Cruise mode button in the Header to enable Cruise mode.
Cruise mode is enabled. TRAKTOR now mixes the tracks contained in the Track List one by
one.

Cruise Mode Behavior

When Cruise mode is enabled you can observe the following behavior of TRAKTOR:

• The playing track continues to play.

• The channel fader for the playing track will be completely raised, whereas the channel fader for
the next track will be set to minimum position.
• The crossfader is set to center position and remains.

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• The next track in the Playlist is automatically loaded into the opposite Deck.
• The next track will automatically start playback a few seconds before the current track reaches
its end.

Tips for Using Cruise Mode

• At least one track has to be playing when engaging Cruise mode.

• Use a Playlist to create an order for the tracks to be played automatically.
• You can optimize Cruise mode transitions by setting Fade In and Fade Out points in the tracks.
For more information on setting Fade In and Fade Out points, refer to Setting Fade Out and
Fade In Cue Points in Tracks for Automated Mixing.
• You can manually trigger the transition to the next track at any moment by pulling down the
channel fader of the playing track.

12.6. Enabling FX Unit 3 and FX Unit 4

In order to use FX Unit 3 and FX Unit 4 you need to enable the option 4 FX Units in the Preferen-
ces.

1. Open the Effects page in the Preferences.

2. Enable 4 FX Units in the FX Unit Routing section.

When FX Units 3 and 4 are activated:

• The FX Units 1 and 3, and FX Units 2 and 4 share the panels in the Global section.
• In any Mixer channel there are now four FX Unit On buttons available.

FX Unit 1 and 3 in Single FX Mode

FX Unit 1 and 3 in Single FX Mode.

FX Unit 1 and 3 in Group FX Mode

FX Unit 1 and 3 in Group FX Mode.

12.7. Configuring the FX Units to be used in Send FX Mode

The FX Units can also be used in Send FX mode in conjunction with an external mixer with inte-
grated multi-channel audio interface connected to your computer. This section guides you through
the various steps for configuring the FX Unit to be used in Send FX mode.

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Send FX mode is only available in External Mixer mode and has to be configured in
the Preferences.

Step 1 – Enabling External Mixer Mode

1. Open the Preferences.

2. Select Output Routing page.
3. Set the Mixing Mode to External.

Step 2 – Configuring the Output Send Channel

• On the Output Routing page, set an output of your audio device as Output Send.
This output will typically be connected to the FX return input of the external mixer.

Step 3 – Configuring the Input Send Channel

1. Open the Input Routing page in the Preferences.

2. Under Input FX Send (Ext) set an input of your audio device to Input Send.
This input typically is connected to the FX send output of the mixer.

Step 4 – Routing the FX Unit for Send FX

1. Open the Effects page in the Preferences.

2. Under FX Unit Routing set the FX Unit you like to Send.
The audio signal that is sent to the FX Units is now entirely controlled by the FX Send knobs
or buttons of the external mixer.

12.8. Additional Mouse Controls for Faders and Knobs

Using Additional Plus and Minus Buttons

When hovering the mouse over the Tempo fader or a knob, small + and - buttons appear next to it.
These buttons allow for more precise changes and are better suited to set a knob to a specific val-
ue:

1. Hover the mouse over a control element to display its + and - buttons.
2. Click the + and - buttons to move the Tempo fader or turn the knob stepwise into the respec-
tive direction.

Adjusting Sensitivity of Plus and Minus buttons for Knobs

TRAKTOR offers five sensitivity options for step-wise controlling the parameters with the + and -
buttons: Min, Fine, Default, Coarse, and Switch. The sensitivity can be adjusted for any control
element individually.
In order to adjust the sensitivity for a control element:

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1. Hover the mouse over a control element to display its + and - buttons.
2. Perform a right-click on either the + or - button to open the sensitivity options menu.
3. Select one of the options.
4. Click the + and - buttons or use the mouse wheel to see how the behavior of the knob or
fader has changed.

Adjusting Sensitivity of Plus and Minus buttons for Knobs

With the mouse you can also jump from the current parameter value to any other value immediate-
ly.

1. Right-click and hold any knob to display another knob pointer in gray.
2. While holding the right mouse button, drag the mouse to turn the gray knob pointer to the
position to your liking.
3. While still holding the right mouse button, click and also hold the left mouse button.
This turns the blue knob pointer to the gray knob pointer position.
4. Release the left mouse button before and then release the left mouse button.
The parameter value changed immediately.

12.9. Managing TRAKTOR Layouts

In this section you will learn how to create new TRAKTOR layouts using the Layout Manager
page in the Preferences. There are various ways to create user TRAKTOR layouts. You can add a
standard TRAKTOR layout as a basis for your custom layout or you can duplicate and customize
an existing TRAKTOR layout.

Adding a TRAKTOR Layout

To add a new TRAKTOR layout:

1. Open the Preferences.

2. Select the Layout Manager page.
3. Click on Add... to open the drop-down menu.
4. Select the TRAKTOR layout you want to add from the drop-down menu.
The new TRAKTOR layout is added to the Personal Layouts table on the Layout Manager
page.

Renaming a TRAKTOR Layout

You can rename any TRAKTOR layout in the Personal Layouts table:

1. Select the TRAKTOR layout you want to rename.

2. Click in the Change Name text field and delete the current text.
3. Enter the new title for the TRAKTOR layout.
4. Click on Rename.
The TRAKTOR layout is renamed.

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Customizing TRAKTOR Layouts

You can customize any TRAKTOR layout in the Personal Layouts table to your needs.

1. Select the TRAKTOR layout you want to customize in the Personal Layouts table.
2. Open the Preferences page with the option you want to select, for example, Decks Layout.
3. Select the option, for example, 4 Decks from the decks drop-down menu.
The user interface now shows four decks.
4. Continue to customize the TRAKTOR layout by selecting further options in the Preferences.
The user interface will change according to your customs. All changes are automatically
saved for the selected TRAKTOR layout.

Duplicating a TRAKTOR Layout

Besides adding standard TRAKTOR layouts you can also duplicate a customized TRAKTOR lay-
out and further refine this to your needs:

1. Select the TRAKTOR layout you want to duplicate in the Personal Layouts table.
2. Click on Duplicate.
A duplicate of the selected TRAKTOR layout is added to the Personal Layouts table. You
can now rename and customize the duplicate to your needs.

Sorting Layouts
You can sort TRAKTOR layouts by priority in the layouts drop-down menu in the header.

1. Select a TRAKTOR layout in the Personal Layouts table in the Layout Manager page in
the Preferences.
2. Use the Move Up and Move Down buttons to move the selected TRAKTOR layout up or
down in the Personal Layouts table.
The order of the TRAKTOR layouts also changes in the TRAKTOR layout drop-down menu
in the header.

12.10. Enabling Tooltips

In TRAKTOR, you can enable tooltips which give you instant information about the control element
you currently hover with the mouse. Tooltips are available for control elements, for areas on the
user interface, and for the options in the Preferences dialog. You can enable the tooltips in the
header.
To enable the tooltips:

• Click the tooltips button in the header.

The Tooltip button lits blue indicating the tooltips are enabled. When you now hover a control
element, you are presented with the corresponding tooltip.

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13. SETTING UP TRAKTOR FOR SCRATCH CON-

TROL

This section describes how to set up TRAKTOR to control it using Timecode Vinyls or Timecode
CDs.
In order to make use of TRAKTOR's SCRATCH functionality, you need further external audio
equipment by use case:

Required Equipment
For a two Deck Scratch Setup, you need the following devices:

• 2 x DJ turntable, or 2 x CD player
• 1 x SCRATCH certified DJ Mixer, or 1 x DJ Mixer with at least 2 channels + 1 audio interface
with 2 inputs and 2 outputs

If you cannot switch the output signal from PHONO to LINE on your DJ turnta-
bles, it is mandatory the audio interface has at least two integrated PHONO pre-
amplifiers. Refer to the documentation of your turntables and your audio interface
for more information.

• matching cables for connecting the devices

• Timecode control media: 2 x TRAKTOR SCRATCH Vinyls or 2 x TRAKTOR SCRATCH CDs

13.1. Connecting Audio Interface to Computer

This section assumes you have already installed the latest driver software version of your audio
interface on your computer. For more information about installing the driver software of your audio
interface, refer to the documentation of your audio interface.
To connect the audio interface to your computer:

1. Connect the USB cable belonging to your audio interface to the USB socket on the audio in-
terface.
2. Connect the other end of the USB cable to the USB socket of your computer.

13.2. Connecting Audio Interface to DJ Mixer

In order to play back and mix your tracks using TRAKTOR with Timecode vinyls, you need to con-
nect the audio interface to a DJ mixer:

1. Using a pair of RCA cables, connect the audio outputs for channel A of your audio interface
to the Line/CD channel inputs on your DJ mixer.
2. Using a pair of RCA cables, connect the audio outputs for channel B of your audio interface
to the Line/CD channel inputs on your DJ mixer.

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3. Switch the DJ mixer channels connected to the audio interface to Line input mode.
4. Connect the DJ mixer to the power outlet without switching it on afterwards.

13.3. Connecting Turntables to Audio Interface

1. Using a pair of RCA cables, connect the left and right audio outputs of the left turntable to the
inputs for channel A of the audio interface.
2. Using a pair of RCA cables, connect the left and right audio output of the right turntable to
the inputs for channel B of the audio interface.
3. In case the turntables provide separate ground cables, attach the ground cables to the
ground screw on your DJ mixer.

13.4. Connecting CD Players to Audio Interface

1. Using a pair of RCA cables, connect the left and right audio outputs of the left CD player to
the inputs for channel A of the audio interface.
2. Using a pair of RCA cables, connect the left and right audio output of the right CD player to
the inputs for channel B of the audio interface.

13.5. Connecting Amplification System to DJ Mixer

1. Switch off your amplification system (active speakers or power amplifier).
2. Connect the Main (or Master) outputs of your DJ mixer to the inputs of your amplification sys-
tem using matching cables.

13.6. Connecting Headphones to DJ Mixer

• Connect your headphones to your mixer's headphones socket (most often labeled "Head-
phones" or "Phones").

Before putting on headphones, always make sure the headphone volume control is
set to minimum! Then, while playing music, slowly increase the headphone volume
until it reaches the desired listening level.

13.7. Final Hardware Preparations

Having the setup installed you can prepare the last steps before you can start TRAKTOR on your
computer:

Connecting Devices to Power Outlets

1. Connect the DJ Mixer and the turntables, or CD Players, respectively, to the power outlets.

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2. Connect your computer to the power outlet

Switching on Devices
To avoid speaker noises, fully turn down the volume controls on all devices before you switch them
on. It is recommended to switch on the devices in this order:

1. Switch on your computer.

2. Switch on your turntables, or CD Players.
3. Swich on your DJ Mixer.
4. Switch on your amplification system.

Put on or insert Timecode Control Media

1. If you are using turntables, put a Control Vinyl on each of your turntables.
2. If you are using CD players, insert a Control CD into each of your CD players.

13.8. Configuring TRAKTOR for SCRATCH Control

To configure TRAKTOR for using the Scratch functionality you can do it manually or also by using
the Setup Wizard. This section describes the several steps to manually configure TRAKTOR for
using a two Deck Scratch setup:

We recommend to configure TRAKTOR for Scratch manually, as using the Setup

Wizard instead will overwrite all your settings and restore TRAKTOR to the default
configuration.

Selecting the Audio Interface

Select your audio interface in the Preferences:

1. Start TRAKTOR on your computer.

2. Open the Preferences.
3. Select the Audio Setup page.
4. Select your audio interface from the Audio Device drop-down menu.
The audio interface is selected.

Configuring the Audio Interface

Configure the outputs and inputs of your audio interface:

1. Open the Preferences.

2. Select the Output Routing page.
3. Select External in the Mixing Mode option.
The options on the Output Routing page have changed.

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4. Select the individual outputs of your audio interface in Output Deck A and Output Deck B.
5. Select the Input Routing page.
6. Select the individual inputs of your audio interface in Input Deck A and Input Deck B.
The audio interface is configured.

Configuring the Decks

When the audio interface is configured you can configure TRAKTOR's Decks:

1. Open the Preferences.

2. Select the Timecode Setup page.
3. Select Scratch Control for Deck A and for Deck B.
The Transport controls change accordingly. The CUE and CUP buttons are replaced by the
Relative Mode and Absolute Mode buttons.
4. Select the Decks Layout page.
5. In the Platter / Scope options, select the Scope entry from the drop-down menu for Deck A
and B.
Decks A and B are now configured and show the Scopes.

13.9. Control TRAKTOR using Timecode Media

When the audio interface and TRAKTOR's Decks are configured, you can start to control TRAK-
TOR using Timecode media:

1. Put on Timecode vinyls on your turntables or insert Timecode CDs in your CD players.
2. Start playback of the devices.
TRAKTOR will automatically calibrate for timecode control as soon it receives the timecode
signals for the first time. TRAKTOR will analyze position and tempo of the timecode source,
along with the signal quality. The Scopes give you visual feedback about the calibration.

You can control up to four of TRAKTOR's Decks using Timecode media simultane-
ously. If you want to use four turntables or four CD players, you can purchase addi-
tional Control Vinyls or Control CDs in the Native Instruments online shop.

Checking Calibration of Timecode Media

When the scopes are displayed on the Decks you can directly check the calibration. If the signal
quality is sufficient, your Timecode medium will be detected. Subsequently the signal meter to the
right of the scope will fill up completely, and the scope will show two circles. If you have a track
loaded on the associated Deck, it will start playing immediately.

13.10. Switching to Scratch Playback Mode

1. Click the Deck letter to open the Playback Mode drop-down menu.

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2. Select Scratch Control.

In Scratch Control mode, the CUE and CUP buttons are changed to Relative
Mode and Absolute Mode buttons.

13.11. The Control Zones on CD

The control CD consists of the following three tracks, each with different playback functions:

CD Track 1: LEAD-IN—(0:04 min)

Skipping to CD Track 1 will skip into the lead-in of the loaded track. It also allows for scratching on
the first beat of Track 2.

CD Track 2: PLAYBACK—(25:00)
This track is used for regular playback.

TRAKTOR will switch to Internal mode when reaching the end of Track 2 on the con-
trol CD.

CD Track 3: BROWSE—(5:00)
Skipping to CD Track 3 allows you to scroll up and down through your Playlist by manually spin-
ning the jog wheel of your CD player.

To play the selected Track, skip back to CD Track 2 by pressing the “previous track” button on your
CD player.

13.12. The Control Zones on Vinyl

The Control Vinyl consists of the following three zones, each with different playback functions:

LEAD-IN Zone – The First Few Millimeters of the Vinyl

1. Dropping the needle into the lead-in zone of the record will skip to the beginning of the Track.
2. Use this to skip back to the beginning of a track when playing in the Relative Control Read-
ing mode.

PLAYBACK Zone – Main Playback Zone of the Vinyl

• This is subdivided into 10 Tracks on Side A and 15 Tracks on Side B. This zone is used for
regular playback.
• The divisions are visual markers of time, equally spaced by 1 minute and do not affect the con-
tinuous playback of the loaded track.

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When reaching the end on the vinyl, TRAKTOR will switch to Internal mode to
avoid a sudden playback stop.

BROWSE Zone – Last Track of the Vinyl

1. Dropping the needle in the Browse Zone allows you to scroll up and down through your play-
list by manually spinning the record forward or backward.
2. To play the selected track, simply place the tonearm back into the Playback Zone.

13.13. Tracking Modes

The following sections describe how the timecode will be interpreted.

Absolute Tracking Mode

Absolute Tracking mode links the absolute position of the needle on the record—or the laser on
the CD—to the playback position of your track. In this mode, you can skip through the track by
placing the needle at another position on the record (known as needle-dropping).
To enable Absolute Tracking mode on a Deck:

• Click the button displaying a record and tone-arm.

Relative Tracking Mode

Relative Tracking mode allows you to play loops, use cue points, match beats and even prevent
skipping, all while still allowing control of playback like with a real record. The position of the track
no longer correspond to the needle position on the timecode vinyl. Relative Tracking mode is ena-
bled automatically when entering a loop or when syncing a track to another tempo source (e.g. the
master tempo or another Deck).
To enable Relative Tracking mode on a Deck:

• Click the button displaying a record without tone-arm.

To skip back to the beginning of the track while using Relative Tracking mode:

• Drop the needle into the lead-in area of the record, or restart playback on CD players.

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14. COMMON TRAKTOR SETUPS

Here the user will find information about the most common setups of using TRAKTOR with:

• external audio interface

• DJ mixer
• DJ controller
• microphone
• integration of external audio sources

14.1. Using TRAKTOR with an External Mixer

This section describes how to use TRAKTOR with an external mixer. At first you are provided with
the overview of the required hardware. As of an example, this is the required hardware to control
two TRAKTOR Decks. Then you learn how to connect the hardware, and how to configure TRAK-
TOR accordingly.

Required Hardware
To control two TRAKTOR Decks, you need the following hardware:

• An audio interface with two output pairs

• A mixer with two input pairs
• USB cable
• Two stereo RCA cables

If you want to control three or four TRAKTOR Decks, you need an audio interface with the accord-
ing amount of outputs, and a mixer with the according amount of inputs.

Connecting the Hardware

Connect the hardware like the following:

1. Connect the audio interface to your computer with the supplied USB cable.
2. Connect the outputs of your audio interface to the respective inputs of your external mixer
using RCA cables.

Configuring TRAKTOR
To let TRAKTOR use the connected audio interface, you need to select and configure the audio
interface in the Preferences:

1. Start TRAKTOR on your computer.

2. Open the Preferences.
3. Select the Audio Setup page.
4. Select your external audio interface from the Audio Device drop-down menu.
5. Open the Output Routing page.

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6. Select External under Mixing Mode.

7. Select an output pair for every Deck.
8. Close the Preferences.
TRAKTOR is configured to be used with the connected audio interface and the external mix-
er.

You can now control all mixer related functions with your external mixer. To control other TRAK-
TOR’s features from external you need a MIDI controller. For more information, refer to Using
TRAKTOR with an Add-On Controller.
You can configure the External Mixing mode on the Mixer page in the Preferences. This way you
can use the functions of TRAKTOR's internal mixer before the audio signals are send to the audio
interface. For more information, refer to Preferences – Mixer Page.

14.2. Using TRAKTOR with an Add-On Controller

MIDI controllers without mixer controls serve as additions to an existing TRAKTOR setup. For ex-
ample, this can be a TRAKTOR setup consisting of an audio interface and an external mixer.
When you add a MIDI controller to this setup, you can control more of TRAKTOR's advanced fea-
tures, like the FX Units or transport controls.
To add your MIDI controller to your TRAKTOR setup:

1. Connect your controller to your computer with the supplied USB cable.
2. Start TRAKTOR on your computer.
3. Open the Preferences.
4. Select the Controller Manager page.
5. Under Device Setup click Add....
6. Navigate through the drop-down menu to select your MIDI controller.
The controller is added to your TRAKTOR setup.
7. Move a fader or knob on the MIDI controller and observe the MIDI indicator in TRAKTOR'S
header.
Whenever you move anything on the MIDI controller, the MIDI indicator should show activity.

14.3. Integrating a Microphone to Your TRAKTOR Setup

TRAKTOR allows you to integrate a microphone to your TRAKTOR setup. This can either be con-
nected to the microphone input of your computer or the microphone input on your external audio
interface. This section introduces the several steps of connecting the microphone and configura-
tion in TRAKTOR.

Connecting the Microphone to your Audio Interface

• Connect your microphone to the microphone input of your computer or the audio interface.

Configuring the Microphone Input Channel

You can now route the microphone signal from the audio interface to any input channel in the Pref-
erences.

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1. In TRAKTOR open the Preferences.

2. Select the Input Routing page.
3. Select the channel from the drop-down menu to which you connected the microphone, for
example, Input Aux or Input FX Send (Ext).

If you want to apply effects to the microphone signal, you can also select the
microphone channel from the drop-down menu of an unused Deck, for exam-
ple, Input Deck D. Then you need to set the Deck Type to Live Input.

4. If your audio interface provides a gain control, adjust the input gain of your microphone input
channel. Monitor the gain setting with the level meters right to the drop-down selection me-
nus.
5. Close the Preferences.
The microphone is configured.

Mixing the Microphone Signal using the Auxiliary Control

If the input channel for the microphone is configured for the Input Aux channel, you can mix the
microphone signal into your mix by the following action:

1. Switch the TRAKTOR Layout to Mixer to display the Aux control.

2. Turn the AUX control to the desired level.

Routing the Microphone Signal into the LOOP RECORDER

If you want the LOOP RECORDER to record Samples from the microphone:

1. In the Global section open the LOOP RECORDER.

2. Select EXT or AUX from the SOURCE drop-down menu.
You can now record Loops from the microphone signal.

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15. CONFIGURING MIDI CONTROLLER FOR CON-

TROLLING TRAKTOR

This section gives you an overview of the Controller Manager page in the Preferences. At first
you learn how to import controller configuration files. Then you find all necessary information for
configuring your MIDI controller to be used with TRAKTOR.

15.1. Importing Controller Mapping

To import a controller mapping file (.tsi) you can do it using the Import dialog in the Preferences:

1. Click on Import in the Preferences.

2. Locate the *.tsi file on your local drive.
3. Confirm.
4. In the dialog select the categories to be imported.

5. Click OK.
The Preferences dialog shows the Controller Manager page.
6. Select your controller mapping from the Device drop-down menu.

15.2. Controller Manager Overview

This section provides an overview of the Controller Manager. The Controller Manager is located in
the Controller Manager page in the Preferences.
The Controller Manager unifies all of TRAKTOR's MIDI and keyboard mappings, as well as MIDI
setup on one page in the Preferences. Settings and mappings can be imported, exported, and
customized all from this one Preferences page.
For the purposes of this document, a "Control" can be considered a TRAKTOR mapping as MIDI
channels, controls, and controlled parameters correspond to each other.
Before creating any new controller mapping, we recommend to first check if you can select your
MIDI controller using the Setup Wizard. There are templates available for many MIDI controllers,
which can be loaded with the Setup Wizard.

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15.2.1. Device Setup Section

Device Setup allows you to create multiple mappings for your computer keyboard, MIDI control-
lers, and some HID devices.

Device Setup section on the Controller Manager page in the Preferences.

By default, all MIDI In- and Out-Ports are active per mapping. This can cause unintended behavior
of your whole MIDI setup. The first thing to do is to select the appropriate MIDI device for each
MIDI mapping instead of leaving it on All Ports.
All mappings are concurrently active! If unintended behavior is observed for certain Controls, try to
isolate the problem by disabling all other mappings, which can be done by setting the In- and Out-
Ports to "None."

• Device: Selects a mapping to edit. The selection does not define the active mapping because
all mappings are always active unless you set the In- and Out-Ports to None.
• In-Port: Defines the MIDI In port for the selected mapping. It is set to All by default and should
be changed to your physical MIDI in-port or to a virtual MIDI port.

A virtual MIDI connection can be used to send MIDI data between two applica-
tions on the same computer.

• Out-Port: This defines the MIDI Out port for the selected mapping. It is set to All by default and
should be set to your physical MIDI out-port or to a virtual MIDI port.
• Add...: Opens a drop-down menu with the following options:
• Generic Keyboard: Creates a mapping for assigning computer keyboard keys to TRAK-
TOR Controls.
• Generic MIDI: Creates a mapping for assigning MIDI controls to TRAKTOR Controls.
• Import: Here you can add a mapping to the Device list from your local drive. Mappings that
are already loaded will not be overwritten or deleted. Since this function always creates a
new device, you need to delete the other devices in the list if you do not want to use them at
the same time.
The Add... menu includes all mappings for the devices natively supported by this version of
TRAKTOR.
• Edit...: Opens a drop-down menu with the following options:
• Edit Comment: Adds a comment to the Mapping name. This will appear at the beginning of
the mapping name in the Device drop-down list.
• Duplicate: Makes a copy of the selected mapping.
• Export: Allows you to store the selected mapping as a file on your local drive.
• Delete: Deletes the selected mapping.

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• Show Version: Shows the version of the underlying TSI file.

• Device Target: Selects the device you want to control. Available options are Decks A – D, or
Deck Focus.
• Modifier State: Displays the current value for each of the eight modifiers within the selected
mapping, and is mainly used as a debugging tool for complex mappings. If you work with modi-
fiers, it is important to know what value is assigned to a modifier, particularly if something is not
working as intended.

15.2.2. Assignment Table Section

The Assignment Table lists all assignments for the mapping that is selected in the Device drop-
down menu under Device Setup. Remember that all mapped devices are active at the same time,
not just the currently selected mapping.

Assignment Table section on the Controller Manager page in the Preferences.

You can sort the Assignment Table by any column if you click on the header of the
column, which is very useful for large mappings. Also adding descriptive comments
for each Control assignment can be very helpful allowing you to sort by the comment
column.

• Control: This is the name of the function assignment. You can add Controls via the Add in...
and Add Out... buttons. A complete list of all Controls and their meaning can be found in sec-
tion Available Controller Types.
• I/O: States if a Control will be used as a MIDI input (from a knob, button, or encoder) or a MIDI
output (to an LED or level meter).
• Use MIDI input Control (In) when you want to assign a TRAKTOR element to an external
MIDI controller element (like a knob on a MIDI controller).
• MIDI output Controls (Out) are mostly used when your controller has the ability to receive
feedback, such as LED output, to show the current state of the software user interface.
• Assignment: Shows the target you have specified in the Assignment drop-down menu un-
der Mapping Details. This can be Deck A to D or Device Target for Deck controls, and Glob-
al for other Controls and modifiers. These settings are explained in the Mapping Details sec-
tion Mapping Details Section.

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• Mode: Shows the interaction mode you have set for a Control under Mapping Details. The
available modes depend on the type of Control (e.g. button, fader/knob, encoder). Interaction
modes are explained in section Mapping Details Section.
• Mapped to: Shows either the source for the Control (input devices) or the target (output devi-
ces).
• Cond1 and Cond2: Display the values of the first and second conditions as set under Map-
ping Details. Modifiers are explained in section Mapping Details Section.
• Comment: You can enter a comment in this field, which is stored with the Control assignment.

The currently selected Control in the list is highlighted in yellow. If there is another Control in the
list and it has the same Control source assigned in the Mapped to column as the selected Control,
this will be highlighted in a darker yellow. This feature is especially useful for debugging large map-
ping lists.

15.2.3. Device Mapping Section

The Device Mapping area allows you to map TRAKTOR controls to desired control elements of a
MIDI device.

Device Mapping section on the Controller Manager page in the Preferences.

• Learn: Allows you to map the control to the desired knob/button/key by simply turning/pressing/
hitting the relevant input parameter.
The Learn function is available for MIDI Input controllers and HID controls (keyboard, mouse
etc.).
Learn stays enabled until you press this button again. This allows you to assign several con-
trols in one go.
Do not forget to disable Learn when you are finished in order to avoid undesired assignments.
• Assignment Drop-Down menu: Here you can manually assign a control.
This is the only way to assign a MIDI output controller or HID (keyboard, mouse etc.). On the
first level of the drop-down list you choose the MIDI channel (1-16). If no assignment is work-
ing, check which MIDI channel your MIDI controller or HID is set to for sending and receiving
MIDI.
• Reset: Deletes the current assignment.
• Comment: You can enter a comment in this field, which is stored with the Control assignment.

15.2.4. Mapping Details Section

The Mapping Details area allows to make customization to mapped TRAKTOR controls i.e the
Modifier Conditions and the Interactions Mode.

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Mapping Details section on the Controller Manager page in the Preferences.

• Modifier Conditions: A Modifier allows you to define a Control, either a MIDI message or key-
board key (depending on the mapping), to operate another Control depending on one or even
two condition(s).
Each Modifier functions as an If command. In order to execute the Control, each Modifier's Val-
ue condition must be met, and those Modifiers and Value conditions are set here. Once they
have been set, they will appear for that Control in the Assignment Table under the columns
Cond1 and Cond2 (e.g. M1=0).
A Modifier is always restricted to the mapping it is part of. You cannot use a Modifier for any-
thing outside of a mapping. Each mapping can have up to eight Modifiers (M1 to M8).

• Type of Controller: The controller types available here depend on the Control target you have
added to the mapping. For example:
While a Deck's Play/Pause only allows to be mapped to a button, other parameters (like the
Filter Mixer FX Amount knob) can be assigned to knobs and faders. The Interaction Mode and
the Button Options below the Mapping Details section depend on the selected Controller
Type.
• Assignment: The available options are Deck A to Deck D and Device Target for Deck con-
trol, and Global for other Controls and Modifiers.
If you select one of the Decks here, the Control is always routed to this Deck. If you select
Device Target, you can specify the actual target under Device Setup at the top of the Con-
troller Manager page.

15.2.5. Available Controller Types

The available Controller Types depend on the Control target.

Button
Available Interaction modes for buttons:

• Toggle: When you press and release the MIDI button or Key, the TRAKTOR button is enabled,
when you press and release it again, it is disabled.
• Hold: This is the default setting for buttons. The TRAKTOR button will stay pressed as long as
your MIDI button or keyboard key is pressed. If you release the MIDI button/key, the TRAKTOR
button will also be released.
• Invert: Inverts the action. For an input controller this means that the TRAKTOR button is press-
ed when you release the MIDI button or keyboard key and vice versa.
• Direct: When selecting this, you can specify either 0 or 1 in the Button options below. This can
be used if you want a specific MIDI button or Key to always set a certain TRAKTOR button sta-
tus, independently of the current TRAKTOR status. For example: Define a Play/Pause control-
ler for Deck A, set the Interaction mode to Direct and the Value for the Direct mode to 1. Now

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assign a MIDI note or keyboard key to it using MIDI learn. Whatever the current state of the
Deck A Start button is (pressed or not pressed), hitting the defined MIDI button or Key will al-
ways playback the track in Deck A, so if the Start button is not pressed yet, the playback will
start, if it is already playing, nothing will happen.

Button Options
The elements appearing in the Button options are dependent on the Interaction Mode you have set
and in some cases on the actual parameter you edit.

• Value (Direct mode): The available range of numbers can differ and is dependent on the Con-
trol you are editing. Some Controls only allow integers while others allow fractions.
• Invert (Toggle and Hold modes): Inverts the movement of your external Control. For an input
controller this means that the TRAKTOR button is pressed when you release the MIDI button
or keyboard key and vice versa.
• Auto Repeat: Holding down the button will auto repeat that input. This is only available for spe-
cific Controls.
• Resolution: Allows you to adjust (fine or coarse) the increment or decrement of the input. This
is only available for specific Controls such as the buttons below the Deck TEMPO fader.

There are other parameters available in this section. Remember that all parameters appearing
here are pre-defined for each available Control.

Fader/Knob
Faders or knobs can have one of the following Interaction Modes:

• Direct: The position of the external Control always matches the position of the TRAKTOR pa-
rameter.

• Relative: The position of the TRAKTOR parameter can be shifted compared to the external
Control. Relative mode is best suited for incremental knobs (which send -1 and +1 instead of
absolute values). Here are some examples of Relative Interaction mode applications:
• When you can only control a certain portion of the entire range of a parameter, such as the fil-
ter.
• Tempo fader at high resolution. This allows you to press Sync and then fine-control the tem-
po fader at the synched position.
• When you can only control a certain portion of the entire range of a parameter, such as the
filter.
• Relative mode can be used when a knob or fader is shared between different parameters to
avoid skips when switching to the other assignment.

Fader/Knob Options

• Soft Takeover (Direct mode): Enable this to avoid parameter jumps when starting controlling a
parameter.
• Invert (Direct and Relative mode): Inverts the action of your external Control. High fader/knob
values become low values in the TRAKTOR and vice versa.

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Encoder

• Enc.-Mode: You can switch between two types of encoders. 7Fh/01h is standard for most con-
trollers. However if your encoder mapping does not behave as intended (e.g. inverted) or the
mapped parameter reacts too coarsely, it is most likely due to the wrong encoder mode and we
recommend trying the alternate mode (3Fh/41h).

Encoder Options

• Rotary Sensitivity (Relative mode): This defines the speed of the TRAKTOR Control move-
ment. A higher value will make a TRAKTOR fader or knob move faster.
• Rotary Acceleration (Relative mode): It is recommended to set this to 0% for most applica-
tions. We recommend experimenting with this after you have tried the Sensitivity parameter.
The TRAKTOR Control position is influenced by the speed of the external Control movement.
As a side effect, this results in a different value of the TRAKTOR Control if for example you
move a fader up fast and then slowly down to its original position.
• Invert (Direct and Relative mode): Inverts the action of your external Control. High fader/knob
values become low values in TRAKTOR and vice versa.

15.3. Assigning MIDI Controls

This section outlines the workflow of assigning MIDI controls to your MIDI controller using TRAK-
TOR's Controller Manager. To begin, you need to select your MIDI controller. Then you will start to
assign the MIDI controls to the individual controller types, like buttons or knobs, on your MIDI con-
troller.
For an overview of all assignable MIDI controls, refer to Assignable MIDI Controls.

Procedure
To assign MIDI controls to your MIDI controller:

1. Open the Preferences.

2. Select the Controller Manager page.
3. Select your controller from the Device drop-down menu, for example, Traktor.Kontrol S2
MK3 (S2MK3).

4. Click Add In... below the Assignment Table to open the drop-down menu.

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5. Select the MIDI Input control from that drop-down menu, for example, Track Deck > Key-
lock On.

The MIDI input control Keylock On is now listed in the Assignment Table.
6. Click Learn to arm the Controller Manager to receive the command of MIDI control type from
the MIDI controller.

7. Use the individual control on your MIDI controller, for example, press Pad 4 on the left S2
Deck.
The MIDI control Keylock On is assigned to Pad 4 on the Left Deck.

8. Select Override factory map to disable the original function of that control type. If you unse-
lect that option, then the control type triggers both the original function and the newly map-
ped function.

9. Repeat the aforementioned steps to assign further MIDI controls to other control types on the
controller.
10. When you are finish, click Learn again to disarm the Controller Manager.
The MIDI controls are assigned to your controller.

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15.4. Assignable MIDI Controls

In this section, you will find a list of all MIDI controls that you can assign to external MIDI control-
lers with the Controller Manager in TRAKTOR's Preferences. For more information on mapping
MIDI controls to external controllers, refer to Configuring MIDI Controller for Controlling TRAK-
TOR.

Before you assign individual MIDI controls to your controller, you can use the Setup Wizard to
check whether a mapping file for you MIDI controller is already available:

• To start the Setup Wizard, go to Help > Start Setup Wizard in TRAKTOR's Application
Menu Bar.

About Input and Output Controls

There are two types of assignable controls:

• Input controls: Input controls can receive MIDI signals from an external MIDI controller such
as a slider or a knob. For example, you can assign the Play/Pause control to a button on a
MIDI controller and trigger this command with that button. Every Input control also has an Out-
put control counterpart, which can send LED states to a controller for visual feedback. Input
controls are available via the Add In... button in the Assignment Table.
• Output controls: Output controls can send LED states to external hardware for visual feed-
back. For example, you can assign the "Track End Warning" control from the Track Deck con-
trols to a controller LED. This way the controller LED lights up when a track in a Track Deck is
nearby reaching its end. Output controls are available via the Add Out... button in the Assign-
ment Table.

In the screenshot below, you see a TRAKTOR control mapped to a controller both as an input, re-
ceiving signal, and as an output, sending signal. In this example, TRAKTOR's Deck Play/Pause
control receives a MIDI signal from a button on the controller, and it also sends an on-state to the
button's LED when Play/Pause is initiated.

The Play/Pause control added to the mapping both as an input and as an output control.

15.4.1. AUDIO RECORDER

The following table lists the assignable MIDI controls of the AUDIO RECORDER.

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Name Description Input/Output

Record/Stop Starts/stops the recording of the AUDIO RECORDER In/Out
Cut Cuts the audio of the AUDIO RECORDER at the current position and begins a In/Out
new file
Gain Adjust Adjusts the gain of the AUDIO RECORDER In/Out
Load Last Recording Loads the last audio recording into a Deck In/Out

15.4.2. Browser
The following table lists the assignable MIDI controls of the Browser.

Name Description Input/Output

List > Delete Deletes a file from the Track Collection In/Out
List > Reset Played-State Resets the played-state for the selected file In/Out
List > Analyze Analyses the selected file In/Out
List > Restore Auto-Gain Restores the auto-gain value for the selected file In/Out
List > Detect BPM Detects the BPM for the selected file In/Out
List > BPM Unlock Unlocks the BPM for the selected file In/Out
List > BPM Lock Locks the BPM for the selected file In/Out
List > Edit Shows the editable metadata for the selected file In/Out
List > Relocate Relocates the selected file In/Out
List > Add as Track To Collection Adds the selected file(s) to the Trak Collection and sets type In/Out
as track
List > Add as One-Shot Sample To Adds the selected file(s) to the Track Collection and sets type In/Out
Collection as One-shot Sample
List > Add as Loop To Collection Adds the selected file(s) to the Track Collection and sets type In/Out
as Loop Sample
List > Set to One-Shot Sample Sets the type of the selected file to One-shot Sample In/Out
List > Set to Looped Sample Sets the type of the selected file to looped Sample In/Out
List > Set to Track Sets the type of the selected file to track In/Out
List > Select Up/Down Scrolls up/down one file in the Track List In/Out
List > Select Page Up/Down Scrolls up/down one page in the Track List In/Out
List > Select Top/Bottom Scrolls to the first/last file in the Track List In/Out
List > Select Extend Up/Down Extends the selection by one file upwards/downwards In/Out
List > Select Extend Page Up/Down Extends the selection by one page upwards/downwards In/Out
List > Select Extend Top/Bottom Extends the selection by all files upwards/downwards In/Out
List > Select All Select all files in the Track List In/Out
List > Consolidate Renumbers the playlist according to the current order In/Out
List > Search Moves the cursor in the search field, so a search can be star- In/Out
ted by typing in the search criteria
List > Search Clear Clears the current search In/Out
List > Search in Playlists Displays a popup with all playlists that contain the selected In/Out
file
List > Show In Explorer Navigates the file explorer to the physical path of the selected In/Out
file
List > Clear In/Out
List > Expand Content Set Shows the content of the selected Remix Set In/Out
List > Jump To Current Track Jumps to the last loaded track In/Out

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Name Description Input/Output

List > Append To Preparation List Appends the selected track to the Preparation List In/Out
List > Add As Next To Preparation Adds the selected track to the Preparation List right after the In/Out
List position of the last loaded track
List > Export as Remix Set Exports a Remix Set file In/Out
Tree > Save Collection Saves the collection to your hard disk In/Out
Tree > Delete In/Out
Tree > Reset Played-State Resets the played-state for the selected playlist In/Out
Tree > Analyze Analyses the contents of the selected playlist In/Out
Tree > Restore AutoGain Restores auto-gain for the contents of the selected playlist In/Out
Tree > Edit Shows the editable metadata for the selected playlist In/Out
Tree > Relocate Relocates the selected playlist In/Out
Tree > Import Collection Imports another Track Collection In/Out
Tree > Import Music Folders Imports new files from the music folders In/Out
Tree > Export Exports the selected playlist In/Out
Tree > Export Printable Exports the selected playlist as a web page In/Out
Tree > Rename Playlist or Folder Rename the selected playlist or folder In/Out
Tree > Select Up/Down Navigate up/down one folder in the Browser Tree In/Out
Tree > Select Expand/Collapse Expands/collapses the selected folder in the Browser Tree In/Out
Tree > Create Playlist Creates a new playlist in the selected playlist folder In/Out
Tree > Delete Playlist Deletes the selected playlist In/Out
Tree > Create Playlist Folder Creates a new playlist folder In/Out
Tree > Delete Playlist Folder Deletes the selected playlist folder In/Out
Tree > Refresh Explorer Folder Con- Refreshes the folder content of the Explorer folder In/Out
tent
Tree > Check Consistency Checks the consistency of the Track Collection and shows a In/Out
report
Tree > Add Folder To Music Folders Adds a music folder to the Explorer folder In/Out
Favorites > Selector Selects one of the favorite playlists In/Out
Favorites > Add Selected Tracks To Adds the selected tracks to the mapped favorites list In/Out
Favorite

15.4.3. Deck Common

The following table lists the assignable MIDI controls of the controls that are common to Track
Decks, STEM Decks, and Remix Decks.

Name Description Input/

Output
Load Next Loads the next track in the current list into the Deck In/Out
Load Previous Loads the previous track in the current list into the Deck In/Out
Load Selected Loads the selected track into the Deck In/Out
Unload Unload the track from the Deck In/Out
Play/Pause Play/pause Deck playback In/Out
Cue Cue to the current Floating Cue Point In/Out
CUP (Cue Play) Cue to the current Floating Cue Point and start playing immediately In/Out
Seek Position Seek back/forth in the track In/Out

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Name Description Input/

Output
Jog Touch On Map Jog Wheel's top plate. When track is playing, this will stop the In/Out
track and start Scratch mode (in cooperation with Jog Turn)
Jog Turn Map Jog Wheel to pitch bend track. In cooperation with Jog Touch On In/Out
this starts scratching when the track is playing
Set as Tempo Master Sets a Deck as the Tempo Master In/Out
Sync On Activates Sync for a Deck In/Out
Phase Sync Syncs a Deck's phase In/Out
Tempo Sync Syncs a Deck's tempo In/Out
Tempo Bend Increases/decreases playback speed temporarily in steps In/Out
Tempo Bend (stepless) Increases/decreases playback speed temporarily In/Out
Tempo Adjust Adjusts the tempo for a Deck In/Out
Tempo Range Selector Sets the tempo range for a Deck In/Out
Keylock On Activates/deactivates Keylock for a Deck In/Out
Keylock On (Preserve Pitch) Activates/deactivates Keylock for a Deck with preserving the current In/Out
pitch
Key Adjust Adjusts the key for a Deck In/Out
Analyze Loaded Track Initiates the Analysis for the track loaded in a Deck In/Out
Deck Flavor Selector Sets the Deck Type to Track Deck, Remix Deck, STEM Deck, or Live In/Out
Input for a Deck
Deck Size Selector Sets the Deck Size to Micro, Small, Essential, Full or Advanced for In/Out
two corresponding Decks
Advanced Panel Toggle Shows/hides the Advanced Panel for two corresponding Decks In/Out
Advanced Panel Tab Selector Selects the MOVE, CUE or GRID tab in the Advanced Panel In/Out
Timecode > Scratch Control Activates/deactivates Scratch control for a Deck In/Out
On
Timecode > Playback Mode Sets the playback mode for a scratch controlled Deck to Internal, Rel- In/Out
Int/Rel/Abs ative or Absolute
Timecode > Platter/Scope Sets the Platter/Scope view to Off, Minimized, Platter or Scope In/Out
View Selector
Timecode > Calibrate Initiates the calibration for the timecode signal of a Deck In/Out
Timecode > Reset Tempo Resets the tempo offset for a Deck in scratch control mode In/Out
Offset
Move > Size Selector Sets the move size In/Out
Move > Mode Selector Sets the move mode to beatjump, loop, loop in or loop out In/Out
Move > Move Initiates a forward or backward move In/Out
Move > Beatjump Sets the beatjump length and intitiates the beatjump directly In/Out
Loop > Loop In/Set Cue Sets the loop In/floating cue point In/Out
Loop > Loop Out Sets the Loop Out point and activates the Loop In/Out
Loop > Loop Size Selector Sets the auto Loop size In/Out
Loop > Loop Set Sets an auto Loop with the current Loop size at the playback position In/Out
and activates it
Loop > Loop Size Select + Sets the auto Loop size and sets an active auto Loop with the current In/Out
Set loop size at the playback position
Loop > Backward Loop Size Sets the auto Loop size and sets an active backward auto Loop with In/Out
Select + Set the current loop size at the playback position
Loop > Loop Active On Activates/deactivates all Loops In/Out
Phase Outputs the value of the phase meter as it is visible on a Deck (output Out
value is 0 when the phase of the decks match)

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Name Description Input/

Output
Beat Phase Outputs the Distance to the next gridline (output value is 0 when play- Out
back marker hits gridline)
Deck is Loaded Outputs if a track is loaded in a Deck Out
Is In Active Loop Outputs 1 if the track is in a loop and 0 otherwise Out
Freeze Mode > Freeze Mode Enables/Disables Freeze Mode In/Out
On
Freeze Mode > Freeze Slice Sets the Slice Size In/Out
Size Adjust
Freeze Mode > Freeze Slice Set this to the number of Slices you will map to your controller In/Out
Count Adjust
Freeze Mode > Slice Trigger List of individual Slice triggers (1 -16) that can potentially be assigned In/Out
(1 - 16) to a controller.

15.4.4. FX Unit
The following table lists the assignable MIDI controls of the FX Unit.

Name Description Input/Output

Unit On Enables/Disables an FX unit In/Out
Dry/Wet Adjust Adjusts the amount between dry/wet of an FX unit In/Out
Knob 1 Controls knob 1 of an FX unit In/Out
Knob 2 Controls knob 2 of an FX unit In/Out
Knob 3 Controls knob 3 of an FX unit In/Out
Button 1 Enables/Disables button 1 of an FX unit In/Out
Button 2 Enables/Disables button 2 of an FX unit In/Out
Button 3 Enables/Disables button 3 of an FX unit In/Out
Effect 1 Selector Selects the effect 1 of an FX Unit in Group FX mode or in Single FX mode) In/Out
Effect 2 Selector Selects the effect 2 of an FX Unit in Group FX mode In/Out
Effect 3 Selector Selects the effect 3 of an FX Unit in Group FX mode In/Out
FX Unit Mode Selector Sets an FX Unit in to Group FX mode or to Single FX mode In/Out
FX Store Preset Stores an FX Unit's current parameters as a preset In/Out
Effect LFO Reset Resets an FX Unit's LFO In/Out

15.4.5. Global
The following table lists the assignable MIDI controls for global functions.

Name Description Input/Output

Snap On Enables/disables the snap mode In/Out
Quant On Enables/disables the Quantize mode In/Out
Broadcasting On Enables/disables broadcasting In/Out
Cruise Mode On Enables/disables Cruise mode In/Out
Show Slider Values On Enables/disables showing the values of each slider In/Out
Tool Tips On Enables/disables tooltips In/Out
Send Monitor State Sends the current state to all LED buttons In/Out

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15.4.6. Layout
The following table lists the assignable MIDI controls of the user interface layout controls.

Name Description Input/Output

Only Browser On Maximizes the Browser In/Out
Layout Selector Selects one of the TRAKTOR Layouts In/Out
Fullscreen On Enables/disables fullscreen mode In/Out
Deck Focus Selector Switches the Deck Focus Sets the Deck focused Deck In/Out
Toggle Last Focus Switches the Deck focus between the last Deck and the current Deck In/Out

15.4.7. LOOP RECORDER

The following table lists the assignable MIDI controls of the LOOP RECORDER.

Name Description Input/Output

Record Starts/stops the recording of the LOOP RECORDER In/Out
Size Sets the recording size of the LOOP RECORDER In/Out
Dry/Wet Adjust Adjusts the dry/wet ratio of the LOOP RECORDER In/Out
Play/Pause Starts/stops playback of the recorded LOOP In/Out
Delete Deletes the recorded Loop In/Out
Undo/Redo Undoes/redoes the last action performed in the LOOP RECORDER In/Out
Playback Position Outputs the playback position of the LOOP RECORDER (range: 0 to 1) Out
Undo State Outputs the undo state of the LOOP RECORDER Out
State Outputs the state of the LOOP RECORDER Out

15.4.8. Master Clock

The following table lists the assignable MIDI controls of the Master Clock.

Name Description Input/Output

Ableton Link > Reset Down- Syncs to the next downbeat In/Out
beat
Auto Master Mode Sets the Master Clock to Auto mode In/Out
Master Tempo Selector Sets the Tempo Master source to Clock, Deck A, Deck B, Deck C or In/Out
Deck D
Set Tempo Master Adjusts the Master Clock's tempo In/Out
Tempo Bend Up Increases the tempo temporarily In/Out
Tempo Bend Down Decreases the tempo temporarily In/Out
Beat Tap Sets the tempo by tapping it in In/Out
Tick On Enables/disables the Master Clock's metronome tick In/Out
Clock Int/Ext Switches the Master Clock between internal and external In/Out
Clock Send Enables/disables sending of the MIDI clock In/Out
Clock Trigger MIDI Sync Triggers the MIDI clock synchronization (MIDI Start) In/Out

15.4.9. Mixer
The following table lists the assignable MIDI controls of the Mixer.

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Name Description Input/Output

Gain Adjust Adjusts the Gain for a Mixer channel In/Out
Auto-Gain Adjust Enables/disables Auto-Gain In/Out
Auto-Gain View On Enables/disables the Gain function for the Mixer channel In/Out
FX Unit 1 On Engages/disengages FX Unit 1 to a Deck In/Out
FX Unit 2 On Engages/disengages FX Unit 2 to a Deck In/Out
FX Unit 3 On Engages/disengages FX Unit 3 to a Deck In/Out
FX Unit 4 On Engages/disengages FX Unit 4 to a Deck In/Out
Deck Effect On Assigns/unassigns the corresponding FX Unit to a Deck (for example, In/Out
FX Unit 1 for Deck A)
Mixer FX Adjust Adjusts the amount for the Mixer FX for a Mixer channel In/Out
Mixer FX On Enables/disables the Mixer FX for a Mixer channel In/Out
Mixer FX Selector Selects the Mixer FX In/Out
Balance Adjust Adjusts the balance for a Mixer channel In/Out
Monitor Cue On Enables/Disables sending the audio of a Mixer channel to the CUE In/Out
channel
Volume Adjust Adjusts the volume for a Mixer channel In/Out
Master Volume Adjust Adjusts the Master output volume In/Out
Limiter On Enables/Disables the Limiter In/Out
Monitor Volume Adjust Adjusts the volume for the CUE channel In/Out
Monitor Mix Adjust Adjusts the mix of the the Master signal and the CUE signal In/Out
Microphone Gain Adjust Adjusts the Gain of the microphone In/Out
EQ > High Adjust Adjusts the high frequencies for a Mixer channel In/Out
EQ > High Kill Enable/Disable kill the high frequencies for a Mixer channel In/Out
EQ > Mid Adjust Adjusts the mid frequencies for a Mixer channel In/Out
EQ > Mid Kill Enable/Disable kill the mid frequencies for a Mixer channel In/Out
EQ > MidLow Adjust Adjusts the midlow frequencies for a Mixer channel In/Out
EQ > MidLow Kill Enable/Disable kill the midlow frequencies for a Mixer channel In/Out
EQ > Low Adjust Adjusts the low frequencies for a Mixer channel In/Out
EQ > Low Kill Enable/Disable kill the low frequencies for a Mixer channel In/Out
X-Fader > Position Sets the crossfaders position In/Out
X-Fader > Curve Adjust Adjusts the crossfader's curve between soft and sharp In/Out
X-Fader > Assign Left Assigns/unassigns a Deck to the crossfader's left side In/Out
X-Fader > Assign Right Assigns/unassigns a Deck to the crossfader's right side In/Out
X-Fader > Auto X-Fade Left Auto crossfades to the left side In/Out
X-Fader > Auto X-Fade Right Auto crossfades to the right side In/Out

15.4.10. Modifier
The following table lists the assignable MIDI controls of modifiers.

Name Description Input/Output

Modifier #1 Sets modifier #1 In/Out
Modifier #2 Sets modifier #2 In/Out
Modifier #3 Sets modifier #3 In/Out
Modifier #4 Sets modifier #4 In/Out
Modifier #5 Sets modifier #5 In/Out

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Name Description Input/Output

Modifier #6 Sets modifier #6 In/Out
Modifier #7 Sets modifier #7 In/Out
Modifier #8 Sets modifier #8 In/Out

15.4.11. Preview Player

The following table lists the assignable MIDI controls of the Preview Player.

Name Description Input/Output

Load Selected Loads the selected track into the Preview Player In/Out
Play/Pause Starts/Stops playback of the Preview Player In/Out
Seek Position Seeks the position in the Preview Player In/Out
Unload Unloads the Preview Player In/Out

15.4.12. Remix Deck

The following table lists the assignable MIDI controls that are specific to the Remix Deck.

Name Description Input/

Output
Save Remix Set Saves the contents of a Remix Deck as a Remix Set In/Out
Load Set from List Loads a Remix Set from the Track List in the Browser In/Out
Slot Volume Adjust Adjusts the volume of a Sample Slot In/Out
Slot Filter On Enables/Disables the filter for a Sample Slot In/Out
Slot Filter Adjust Adjusts the filter for a Sample Slot In/Out
Slot Capture/Trigger/Mute Captures a Sample from a Track Deck or LOOP RECORDER, trig- In/Out
gers it, then toggles between mute and unmute
Slot Mute On Mutes/Unmutes a Sample Slot In/Out
Slot Stop/Delete/Load from List Stops Sample Slot playback if playing, unloads Sample Slot if stop- In/Out
ped and loads into Sample Slot from Track List if Sample Slot is emp-
ty
Slot Retrigger Retriggers the playback of a Sample Slot In/Out
Slot Play Mode Sets the Sample Slot Play Mode to looped or one-shot In/Out
Slot Keylock On Enables/disables the keylock of a Sample Slot In/Out
Slot State Outputs the state of a Sample Slot Out
Slot FX On Engages/disengages the Sample Slot to the FX Unit assigned to the In/Out
Mixer channel
Slot Monitor On Enables/disables sending the audio of a Sample Slot to the CUE In/Out
channel
Slot Punch On Enables/Disables Punch Mode for a Sample Slot In/Out
Quantize Selector Selects the Quantize value of the Remix Deck In/Out
Quantize On Enables/Disables Quantize mode for the Remix Deck In/Out
Capture Source Selector Selects the source (a Track Deck or LOOP Recorder) when capturing In/Out
new Samples into the Remix Deck
Sample Page Selector Toggles between the four Sample pages iof the Remix Set In/Out
Legacy > Play All Slots Starts/Stops playback of all Slots for a Remix Deck In/Out
Legacy > Trigger All Slots Triggers all Sample Slots for a Remix Deck In/Out
Legacy > Slot Retrigger Play Starts playback of a Sample Slot from the beginning In/Out

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Name Description Input/

Output
Legacy > Slot Load from List Loads the selected Sample into a Sample Slot In/Out
Legacy > Slot Unload Unloads a Sample Slot In/Out
Legacy > Slot Capture from Captures the audio from a Track Deck and puts it in a Sample Slot In/Out
Deck
Legacy > Slot Capture from Captures the audio from the Loop Recorder and puts it in a Sample In/Out
Loop Recorder Slot
Legacy > Slot Copy from Slot Copies the the sample from one Sample Slot to another In/Out
Legacy > Play Mode All Slots Switches the Play Mode between looped and one-shot for all Slots in In/Out
a Remix Deck
Legacy > Slot Size x2 Doubles the size of a Sample Slot In/Out
Legacy > Slot Size /2 Halves the size of a Sample Slot In/Out
Legacy > Slot Size Reset Resets the size of a Sample Slot In/Out
Legacy > Slot Size Adjust Adjusts the size of a Sample Slot In/Out
Direct Mapping > Slot X > Slot Triggers the specified Sample Cell. The Sample will behave based on In
X Cell Y Trigger its current playback parameters and playstate, or in conjunction with
one of the Direct Mapping modifiers
Direct Mapping > Slot X > Slot Outputs the current playback state of the Sample Cell such as Empty, Out
X Cell Y State Loaded, or Playing
Direct Mapping > Cell Load Hold this modifier while triggering a sample cell in order to load the In/Out
Modifier selected Sample from the Browser into the Sample Cell
Direct Mapping > Cell Delete Hold this modifier while triggering a sample cell in order to delete the In/Out
Modifier Sample from the Sample Cell
Direct Mapping > Cell Reverse To reverse the playback direction of a Sample Cell, hold this modifier In/Out
Modifier and hold a Sample Cell trigger. If this modifier is released before the
Sample trigger is released, the Sample will stay locked in reverse
playback mode
Direct Mapping > Capture Hold this modifier while triggering a Sample Cell in order to capture a In/Out
Modifier Sample from the current Capture Source into the Sample Cell. The
length of the captured Sample will match the Auto-Loop Size of the
Capture Source
Meters > Slot Pre-Fader Level Outputs the pre-fader level (L) of a Sample Slot Out
(L)
Meters > Slot Pre-Fader Level Outputs the pre-fader level (R) of a Sample Slot Out
(R)
Meters > Slot Pre-Fader Level Outputs the pre-fader level (L+R) of a Sample Slot Out
(L+R)
Step Sequencer > Sequencer Enables the Pattern Recorder In/Out
On
Step Sequencer > Swing Hold this modifier and turn the encoder in order to adjust the Pattern In/Out
Amount Length
Step Sequencer > Selected Hold this modifier to select another Sample. In/Out
Sample
Step Sequencer > Pattern Defines the Pattern Length of the selected Sample. In/Out
Length
Step Sequencer > Enable Step Enables or disables step 1 to step 16 In/Out
1 to 16

15.4.13. Track Deck

The following table lists the assignable MIDI controls that are specific to the Track Deck and the
STEM Deck.

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Name Description Input/Output

Load into Next Stopped Deck Loads selected track into the first available stopped Deck In/Out
Load, Loop, and Play Loads the selected track, cue to Load Marker, set Auto Loop In/Out
with current Loop length, and play Deck
Duplicate Track Deck A Duplicates the loaded track from Deck A into a Deck In/Out
Duplicate Track Deck B Duplicates the loaded track from Deck B into a Deck In/Out
Duplicate Track Deck C Duplicates the loaded track from Deck C into a Deck In/Out
Duplicate Track Deck D Duplicates the loaded track from Deck D into a Deck In/Out
Waveform Zoom Adjust Adjusts the zoom of the waveform for a Deck In/Out
DAW View Shows/hides the DAW view on a STEM Deck In/Out
Keylock On Enables/disables Keylock In/Out
Keylock On (Preserve Pitch) Enables/disables Keylock and preserves the pitch In/Out
Key Adjust Adjusts the key value In/Out
Cue > Set Cue and Store as next Sets a cue point and stores it as the next available Hotcue In/Out
Hotcue
Cue > Store Floating Cue/Loop as Stores the floating cue/loop as the next available Hotcue In/Out
next Hotcue
Cue > Delete current Hotcue Deletes the current Hotcue In/Out
Cue > Jump to Next/Prev Cue/ Jumps to the previous/next cue point or Loop In/Out
Loop
Cue > Map Hotcue Maps the floating cue point to a Hotcue In/Out
Cue > Select/Set+Store Hotcue Sets and stores a Hotcue at the playback position or jumps to In/Out
the Hotcue if it already exists
Cue > Delete Hotcue Deletes a Hotcue In/Out
Cue > Cue Type Selector Sets the cue type (cue, fade-in, fade-out, load, grid or loop) for a In/Out
Hotcue
Hotcue 1 Type Outputs the type of hotcue 1 Out
Hotcue 2 Type Outputs the type of Hotcue 2 Out
Hotcue 3 Type Outputs the type of Hotcue 3 Out
Hotcue 4 Type Outputs the type of Hotcue 4 Out
Hotcue 5 Type Outputs the type of Hotcue 5 Out
Hotcue 6 Type Outputs the type of Hotcue 6 Out
Hotcue 7 Type Outputs the type of Hotcue 7 Out
Hotcue 8 Type Outputs the type of Hotcue 8 Out
Grid > Autogrid Initiates the track analysis and sets the BPM and a Beatgrid In/Out
marker after analysis
Grid > Reset BPM Initiates the recalculation of the BPM In/Out
Grid > Copy Phase from Tempo Copies the phase from the Tempo Master In/Out
Master
Grid > Set Grid Marker Sets a Beatgrid marker at the current playback position In/Out
Grid > Delete Grid Marker Deletes the last Beatgrid marker In/Out
Grid > Move Grid Marker Moves a Beatgrid marker In/Out
Grid > BPM Adjust Adjusts the BPM of the track In/Out
Grid > BPM Lock On Prevents changing the BPM of a track when enabled In/Out
Grid > BPM x2 Doubles the BPM value of the track In/Out
Grid > BPM /2 Halves the BPM of the track In/Out
Grid > Beat Tap Sets the BPM of the track by tapping it in In/Out
Grid >Tick On Enables/disables the tick sound in beat In/Out

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16. PREFERENCES

The Preferences provides you with various options to customize specific parts of your TRAKTOR
system. This section describes the Preferences dialog including all options in the corresponding
pages in order of appearance.

16.1. Preferences Dialog Overview

TRAKTOR provides various options to customize specific parts of your system. This section de-
scribes all options from the Preferences dialog in order of appearance.

Preferences dialog.

(1) Preferences Pages: The customization options are sorted by category and occur in several
tabs in the left column of the Preferences dialog. When connecting an external Native Instruments
controller to your computer (e.g. TRAKTOR KONTROL S2/S4), an additional Preferences page
will appear.

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You will find more information on these Preferences in the corresponding hardware controller man-
ual.
(2) Setup Wizard button: Starts the Setup Wizard for resetting TRAKTOR to a fresh out-of-the-
box configuration.
(3) Import: Allows you to import a TRAKTOR configuration from a TRAKTOR Settings Information
file (.tsi). After selecting the configuration file an Import filter dialog will be displayed allowing you
to choose which settings to be imported.
(4) Export: Allows you to save a TRAKTOR configuration in a TRAKTOR Settings Information file
(.tsi). An Export filter dialog will be displayed allowing you to choose which settings to be exported.

Export and Import Filters

When exporting or importing a TRAKTOR configuration, you can select which settings of the con-
figuration to be exported or imported in a dialog.

Export/import dialog.

• Keyboard Mappings: Export / import settings for keyboard mappings as configured in Prefer-
ences > Controller Manager.
• Controller Mappings: Export / import settings for Controller Mappings as configured in Prefer-
ences > Controller Manager.
• GUI Layout: Export / import settings for GUI layouts as set in Preferences > Layout Manager.
• File Load- And Write- paths: Export / import settings for file directories as configured in Pref-
erences > File Management > Directories.
• Favorites: Export / import favorite browser details as configured in Preferences > Browser De-
tails.
• Broadcasting: Export / import Proxy, Server and Metadata settings from Preferences > Broad-
casting.
• Audio Device Settings: Export / import audio setup device details from Preferences > Audio
Setup.
• MIDI Clock settings: Export / import MIDI clock setting from Preferences > MIDI Clock.
• Effect Settings: Export / import effects setting including FX Unit routing, FX Unit mode and FX
pre-selection as configured in Preferences > Effects.
• Other Preferences and setting: Export / import all other preference and settings such as
Global settings for example, Tooltips on or off, or if TRAKTOR starts in Fullscreen mode etc.

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16.2. Preferences – Audio Setup Page

This section describes the options in the Audio Setup page.

Preferences – Audio Setup page.

Audio Setup

• Audio Device: Allows you to select the external audio interface. If no external audio interface
is selected, you can always select the built-in sound card as the audio device.
• Sample Rate: Allows you to select a sample rate according to the audio interface. Note that
higher sample rates require more CPU load. The standard sample rate is at 44.1 kHz which is
also used by audio by CDs.
• Buffer Size: Determines the size of the audio data packages which are sent to and processed
by the CPU. The higher the buffer size, the longer it takes for a signal to finally arrive at the
output as audio. We recommend a value between 256 and 512.
• Latency: Displays the calculated latency values determined by the Sample Rate and Buffer
Size. Lower latency values are better but require more CPU load. A value too low can lead to
audio dropouts, artifacts, or other unwanted behavior. Start with a latency setting of around 15

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ms and adjust it according to your system. A value of between 5 ms and 10 ms is considered

adequate.
On macOS, use the slider to set an audio latency that is suitable for your system. On Windows,
use the Settings button to open your audio device’s control panel that lets you set the audio
latency.

Phono / Line

• Input Channel: Enables you to switch the Input channel from Phono to Line mode on a Na-
tive Instruments AUDIO 4 DJ and AUDIO 8 DJ Interface. This is necessary when switching
from using from turntables to CD players.

Routing

• Swap Channels: Enables you to reroute channels (swap channel pairs) from your audio inter-
face within TRAKTOR. This is useful for rerouting channels without physically swapping leads
on your audio hardware.

Built-in Soundcard

• Win Built-In: Allows you to select the internal soundcard as fallback. This will be the sound-
card used by your system in case your Audio Device set in the Audio Setup section will be re-
moved.

Multi-Core

• Enable Multi-Core Processor Support: When enabled, the CPU load can be brought down
for demanding tasks such as running Keylock on all Decks. The function must be disabled,
when running a second real-time application on the same computer.

16.3. Preferences – Output Routing Page

On this page you can configure the signal path from TRAKTOR to your audio interface. The availa-
ble options depend on the selected Mixing Mode. You can select either Internal or External Mix-
ing Mode. The options for both Mixing Modes are explained in the following.

The audio routing is usually automatically configured for all TRAKTOR KONTROL
controllers, certified controllers, and audio interfaces.

Internal Mixing Mode

If you use TRAKTOR’s Internal Mixer select Internal. Internal mixing mode provides the following
options:

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Preferences – Output Routing page with Internal Mixing Mode selected.

• Output Monitor: Selects the output pair to pre-listen to your tracks.

Using the Cue buttons on TRAKTOR’s internal Mixer sends the audio signals of the internal
Mixer channels to a separate output pair. In Internal Mixing Mode the Output Monitor channel
is also the output channel of the Preview Player in the Browser.
• Mono: Merges the channels into mono mode.
• Output Master: Selects the output pair for the master output.
• Mono: Merges the channels into mono mode.
• Output Record: Selects the output pair for the recording output.
The recording outputs send the master output signal from TRAKTOR to a separate mixer input
or recording device for recording your mix.

External Mixing Mode

If you use an external mixer select External. External mixing mode provides the following options:

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Preferences – Output Routing page with External Mixing Mode selected.

• Output Deck A/B/C/D: Selects an output pair for each Deck.

The options depend on your audio interface. You may also sum Decks up to one output pair.
This is useful if your audio interface has limited outputs.
• Output Preview: Selects an output pair for the Preview Player.
• Output FX Return: Selects an output pair for using send effects.

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16.4. Preferences – Input Routing Page

Here you can configure how TRAKTOR to use the various inputs of your audio interface for incor-
porating audio signals from external audio devices. The Volume Meters to the right of the input se-
lections will display the signal level if a signal is present. You may also sum Decks up to one input
pair.

Preferences – Input Routing page.

• Input Deck A / B / C / D: Selects an input pair for incorporating the audio signal from an exter-
nal audio device.
• Input FX Send (Ext): Selects an input pair for using send effects.
• Input Aux: Selects an input pair for the auxiliary input. This is only available when Internal Mix-
ing Mode is selected in the Output Routing page.

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16.5. Preferences – External Sync Page

This section describes the options in the External Sync page.

Preferences – External Sync page.

External Clock Source

• LINK: if selected the LINK is displayed in the Master Control panel. Use this option for con-
necting to external devices using Ableton LINK connection.
• EXT: If selected the LINK is replaced by the EXT. Use this option for connecting to external
devices using MIDI connection.

MIDI Clock Settings

• Enable MIDI Clock: If this option is checked, the Master Control panel extends providing you
additional MIDI Clock controls.

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16.6. Preferences – Timecode Setup Page

When using Timecode vinyls or Timecode CDs you can make special configurations in this page.

Preferences – Timecode Setup page.

Timecode Inputs
The control signal Scopes give you a visual idea of the quality of the Timecode Control signal.

Tracking
• Track Start Position: Selects the start position of the tracking between 0 min and 10 min. This
is useful if you want to sticker your record with a lead-in sticker, or the beginning of your control
record is worn out or scratched.
• Turntable Speed: Selects 45 RPM handling mode for the control record. This option requires
to also select 45 RPM Playback on the connected turntable. When unchecked, 33 RPM is the
default.
• Tracking Alert: When selected TRAKTOR gives visual feedback if the Timecode Control signal
quality becomes bad. In this case the tracking buttons start flashing in red. While the red flash-

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ing is normal when you move the record back and forth, if the red flashing occurs during normal
forward playback, you probably have dust under the needle.
• Load next track when flipping record: With this option checked, you can load the next track
of any Playlist by flipping the record.
• Use playlist scrolling zone: With this option, you can enable Playlist Scrolling. For example,
skipping to CD Track 3 allows you to scroll up and down through your Playlist by manually spin-
ning the Jog Wheel on your CD player.
• Switch to Absolute mode in lead-in: Check this option if you want the Tracking mode to
switch to Absolute Mode when placing the needle in the Lead-In of the Timecode vinyl or skip
to the first track of the Timecode CD.
• Switch to Absolute mode when loading: Check this option if you want the Tracking mode
always to switch to Absolute Mode when loading a track.

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16.7. Preferences – Loading Page

This section describes the options in the Loading page.

Preferences – Loading page.

Loading

• Loading only into stopped Deck: Prevents loading into a playing Deck and therefore stops
you from accidentally loading a track into the wrong Deck.
• Stop playback at end of track: Stops the playback of a Deck when a track is at its end.
• Duplicate Deck when loading same track: If a track is currently loaded into a Deck, you can
directly copy the track and its playback position by using drag and drop from the Deck Heading
to another Deck.
• Load next at end of track: Enables TRAKTOR to automatically load the next track from the
current Playlist. Switching to another Playlist during playback does not activate another Playlist.
• Initially Cue to Load Marker: With this enabled, a track will automatically cue to an establish-
ed Load Marker when it is loaded.

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• Activate Fade & Fade Out Markers: Allows the use of Fade In and Fade Out Markers for au-
tomatic crossfades between tracks.
• Cruise Loops Playlist: This option affects the Cruise mode. With this option checked, TRAK-
TOR will repeat the Playlist from the beginning when the end of the list is reached.

Resetting Controls

• Reset all Deck controls when loading track: Resets all Deck controls to their default value
when a track is loaded.
• Reset all mixer controls when loading track: Resets all mixer controls to their default value
when a track is loaded.

16.8. Preferences – Transport Page

This section describes the options in the Transport page.

Preferences – Transport page.

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Tempo

• Set Tempo Range To: Determines a global tempo range for all Tempo faders to define the
maximum amount you can increase or decrease tempo. The available values are 2 %, 4 %,
6 %, 8 %, 10 %, 12 %, 14 %, 16 %, 18 %, 20 %, 25 %, 35 %, 50 % and 100 %. If you choose a
range of 100 % you are able to perform a full stop of a track.
• Current Tempo Range: Displays the current tempo range for the Tempo Fader of each Deck.

Tempo Bend

• Sensitivity: Adjusts the sensitivity of the Tempo Bend function. The value range of the slider is
0–200 %. By default the Sensitivity is set to 100%.
• Tempo Bend Progressive Sensitivity: When unselected, using the Tempo bend buttons
slightly increases or decreases the tempo as long as one of the Tempo bend buttons are
used. When selected, using the Tempo bend buttons let the tempo progressively speed-up or
slow-down as long as the Tempo bend buttons are used.

Sync Mode
There are two methods for synchronizing tracks: TempoSync and BeatSync.

• TempoSync: Maintains tempo-only synchronization between the tracks. The phase of the
Decks will be aligned when the SYNC button is used. If the phase of the Decks are shifted,
SYNC will turn dim. The tempos will remain synced in this mode.
• BeatSync: Forces tempo and phase synchronization between the tracks. The phase of the
Decks will be aligned when the SYNC button is used. If the phase of the tracks are shifted
manually, for example, by Scratching or holding a Deck in the stopped position, SYNC will turn
dim, but TRAKTOR will re-align the phase of the tracks when the Deck plays normally again
when you release the record or Jog Wheel.

This concept allows you, even if you are using TRAKTOR SCRATCH, to keep your tracks tempo-
matched, and also raise the tempo of two or more tracks simultaneously, even if their phases are
shifted.

Auto Master Mode: There are two options for enabling Tempo Master ability for the Remix Deck,
and for restricting assignment of the Tempo Master to Decks that are on air:

• Remix Decks can be Tempo Master: With this option enabled, Remix Decks will behave in a
standard Deck manner, i.e., they can become your Tempo Master throughout a mix. If you wish
for Remix Decks to never be the Tempo Master, disable this option.
• Only On-Air Decks can be Tempo Master: When deactivated, a Deck can only become the
Tempo Master automatically if it's loaded and playing. Therefore, if you stop the current Tempo
Master, TRAKTOR will find the next playing Deck and assign it as the Tempo Master.
When activated, it will be mandatory that the playing Deck is audible in the master output in
order to become Tempo Master.
You might prefer having this option turned on as it will ensure that the Tempo Master is always
a track that you can hear, so there is no risk of synced Decks following the tempo of a Deck
that cannot be heard.

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However, in some cases, especially when performing scratch routines, you will prefer to leave
this preference turned off. That way, you can perform scratch routines (which includes turning
the volume down on certain Decks without either the channel faders or the crossfader) with
TRAKTOR assigning the Tempo Master to a different Deck.

Key Lock
The Key Lock Modes determine the range in which the Key Lock function operates if activated in
the Decks.

• Scratch: Key Lock gets disabled when playback speed is below -30 % or above +50 %. When
doing scratch routines with Timecode media or Jog Wheels, this leads to a more natural
scratch sound.
• Normal: Key Lock is enabled within the full tempo range.

Loops

• Auto-Detect Size: Determines the size beneath which a track is automatically detected as loop
and therefore will be looped automatically. An automatically detected loop will show the green
loop markers at the beginning and end in the Waveform/Stripe.

Play Count

• Min. Playtime: Determines the time that must to be exceeded until a track is marked as played
and therefore is added to the history Playlist for this session. When the minimum playtime is
reached, the track is displayed with the Checkmark icon, which marks it as played. Also, its
Play Count is raised.

Beat Counter

• Bars per Phrase: Determines how many bars a phrase shall contain. A bar consists of 4
beats. This setting influences directly the Beats and Beats to Cue options in Preferences >
Decks > Deck Heading.

Mouse Control
The following options affect the behavior of the detailed waveform when clicking it with the mouse.
The following modes are available:

• Vinyl: When enabled, clicking the waveform stops the track like putting your hand on a record
on a turntable. Holding the mouse and dragging back and forth works like scratching or spin-
ning a record.
• Snap: When enabled, the mouse arrow will always snap to the beat of the loaded track.
If you click inside the waveform the play position jumps to the beat next to where you clicked
and the playback stops.
Clicking in the waveform and holding the mouse button while the Deck is paused works like the
Cue button.
Right-clicking on the waveform works like the Deck Play button.

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Cue Play (CUP Mode)

• Instant: Instantly starts playback when clicking CUP.

• On Release: Starts playback after releasing CUP button.

16.9. Preferences – Decks Layout Page

This section describes the options in the Decks Layout page.

Preferences – Decks Layout page.

Deck Flavor

• A, B, C, D: Selects the current Deck Type for each Deck. Track Deck, Remix Deck, STEM
Deck, or Live Input.

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Deck Layout

• Size A & B, Size C & D: Switch between Micro, Small, Essential, Full or Advanced Decks to
save screen space. Micro and Small Decks do not show the Waveform and Advanced Con-
trols. Select Advanced Decks to make Advanced Controls visible.

• Show Deck C & D: Displays Decks C and D. If unchecked, Decks C and D are hidden and
muted, except for Live Input flavor which will stay live even if Decks C and D are hidden.

Tempo Fader

• Here you can determine on which Decks the Tempo Fader is enabled and visible.

Platter / Scope

• Here you can switch between Minimized, Platter, and Scope panels to be visible in the Decks
when using TRAKTOR SCRATCH. You may also turn the panels off.

Scratch Panels are only available if TRAKTOR SCRATCH and the required hard-
ware are installed.

Miscellaneous

• Grid Mode: Switches the view of the Beatmarker from Full, Dim, Ticks and Invisible.
• Show Minute Markers: Switches the Minute Markers in the Stripes on or off.
• Show Bar Markers: Switches the Bar Markers in the Waveforms on or off.
• Color Mode: Select from four waveforms Ultraviolet, Infrared, X-Ray, and Spectrum.

Deck Header

• Show Cover Art: Switches the Cover Art icon in the Deck Headers on or off.
• Show Phase Meter: Switches the Phase Meters in the Decks on or off.

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16.10. Preferences – Track Decks Page

This section describes the options in the Track Deck page. The options also apply to the STEM
Decks.

Preferences – Track Decks page.

Deck Header

• Top Row / Middle Row / Bottom Row: Here you can choose which information for a loaded
track will be shown in the Deck Header. There are three fields per three rows available. The top
row is displayed larger and the bottom row smaller, so you can sort the information by impor-
tance.

Advanced Tabs

• A, B, C, D: For each Deck, select the Advanced Panel page to be displayed when the Ad-
vanced Panel is opened.

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Miscellaneous

• Track End Warning: Determines the point in time when the track end warning will begin. When
the playback position on the Track Deck reaches the set Track End Warning time the Stripe will
flash red indicating the track is about to end. The timescale of the Track End Warning ranges
from 0 to 120 seconds.
• PlayMarker Position: Determines the playhead position in the Waveform. The playhead indi-
cates the current playback position within a track. At value 0 the playhead position is at the far
left, at value 50 it is in the middle (default position), and at value 100 it is at the far right.
• Stripe View Fit: Determines the Stripe view either from the length of the Record (timecode
media) or to the actual length of the loaded Track. The Record will represent the whole Stripe
view even if the loaded track is shorter. Track is selected by default.
• Default Zoom: Determines the default Zoom level of the Waveform view on the Track Decks. A
value of -1.00 will zoom out as far possible and likewise a value of +1.00 will zoom in as close
as possible. Once the default value is set the Track Decks will maintain this view each time
they are used. Alternatively, you may use the + and - symbols on the waveform display itself to
alter the zoom view.

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16.11. Preferences – Remix Decks Page

This section describes the options in the Remix Decks page.

Preferences – Remix Decks page.

Remix Deck Layout

• Show Volume Fader: Determines if the Slot Volume controls are visible or hidden in the Remix
Deck.
• Show Filter Fader: Determines if the Filter fader controls are visible or hidden in the Remix
Deck.
• Permanently Show Slot Indicators: Determines if the minimized Slot Parameter indicators
are permanently visible or not in the Remix Deck. When checked, minimized Slot Parameter
indicators are always visible in the Sample Slots. When unchecked, the minimized Slot Param-
eter indicators are hidden. In both cases, the Slot Parameter buttons will always appear when
hovering the mouse pointer over the Sample Slots.
• Set Auto-Gain When Loading Samples: Determines if TRAKTOR should use the Auto-Gain
value stored in a Sample when it is loaded into the Remix Deck. When this option is un-

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checked, TRAKTOR will leave the Sample's gain at 0.0 dB, thus, playing the Sample at its orig-
inal level. When checked, TRAKTOR will adjust the gain level as specified by the Auto-Gain
level in the Sample so that it plays at an almost maximum volume (matching the level of other
Samples that were loaded with Auto-Gain).

Behaviors

• Auto-Enable Deck Play on Sample Trigger: With this option enabled, TRAKTOR will force
the Remix Deck's Play button to the on state whenever you trigger a Sample, even if the Deck
had been previously stopped. When this option is disabled, triggering Samples will have no ef-
fect on the Remix Deck's Play button, allowing you to select the Sample before starting play-
back of the entire Deck.
• One-Shot Samples Ignore Punch Mode: With this option enabled, Samples in One-shot
mode will ignore the setting of Punch mode, they will always play starting from the beginning.
When this option is disabled, Samples in One-shot mode will follow the rules of Punch mode:
they will start playing from a location corresponding to the phase/location of the previously
playing Sample.
• One-Shot Samples Ignore Quantize Mode: With this option enabled, Samples in One-shot
mode will ignore the setting of the Remix Deck's Quantize mode.

Saving

• Auto-Save Edited Remix Sets: When this option is enabled, TRAKTOR will automatically
save the current Remix Set when you initiate actions that will alter the current contents of the
Remix Deck.

When initiating Auto-Save, you will not be presented with any dialogs. If the Remix
Set already exists in the Track Collection, the older version will be automatically
overwritten.

When this option is unchecked, TRAKTOR will not attempt to save edited Remix Sets in the above
conditions. Instead, TRAKTOR will simply discard all changes made. This can be the preferred
workflow if you want your Remix Sets to always start from the same state for each performance,
regardless of what you did to them during a previous performance.

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16.12. Preferences – Mixer Page

This section describes the options on the Mixer page.

Preferences – Mixer page.

EQ / Filter Selection
• EQ Type: Selects the EQ type to be controlled using the internal Mixer. You can choose be-
tween six alternative EQ Types, which differ from each other in their sound and features:
• Classic: The standard three-band TRAKTOR EQ.
• P600: This three-band EQ model references older DJ mixers by a Japanese manufacturer.
• NUO: This three-band EQ model references a line of DJ mixers by a Spanish manufacturer.
• Xone: This EQ model references a line of DJ mixers by a British manufacturer. It adds an
additional mid setting for a total of four EQ-bands. Note that this additional band may not be
accessible from your controller.
• Z ISO: This is the same three-band EQ as found in the new TRAKTOR KONTROL Z2 DJ
mixer. It is a full kill isolator EQ with a 24 db/octave slope, and sharply cuts the respective
frequency band when turned fully counterclockwise.

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• P800: This three-band EQ model references more recent DJ mixers by a Japanese manu-
facturer.
• Filter Type: Selects the Filter type to be controlled using the internal Mixer.
• Ladder: The Ladder filter concept is commonly associated with classic synthesizers. It of-
fers a steep response and a lot of resonance.
• Xone: This filter is modeled after a line of DJ mixers by a British manufacturer. It has a
more mellow slope and less resonance.
• Z: This is the same filter model as found in the new TRAKTOR KONTROL Z2 DJ-mixer. It is
a steep filter, but it does not have as much resonance as the Ladder model.

Mixer FX

• Mixer FX Slot 1, 2, 3, 4: Preselect one of seven available Mixer FX for each of the Mixer FX
slots: Reverb, Dual Delay, Noise, Time Gater, Flanger, Shepard, and Barber Pole.

Crossfader

• Auto Crossfade Time: Adjusts the amount of time for the auto crossfade function to crossfade
between tracks.
• Smooth/Sharp: Adjusts the crossfader curve from Smooth to Sharp.

Mixer Layout

• EQ + Fader: Shows or hides the EQ controls and the Channel faders from the internal Mixer.
• Filter + Key + Gain + Cue + Balance: Shows or hides the Filter, Key, Gain, Cue, and Balance
controls from the internal Mixer.
• Crossfader: Shows or hides the crossfader from the internal Mixer.

Internal Mixing Mode

The options in this section let you configure the Internal Mixing Mode.

• Enable Autogain: When you enable this option, TRAKTOR adjusts the gain for the incoming
audio signals automatically.
• Enable Limiter: Enables the Limiter to prevent clipping of the outgoing audio signal. You can
also access this option directly from the Master Control panel.
• Limiter Type: Selects the Limiter type Classic or Transparent from the drop-down menu.
• Classic allows a slight digital distortion of the signal.
• Transparent compresses the signal in a less audible way.
• Headroom: Here you can define the size of the headroom by selecting one of the values from
the drop-down menu. Select from None, -3dB, -6dB, -9dB, or -12dB. When None is selected,
there is no additional headroom before the audio signal starts clipping. When a specific value is
selected, there is additional headroom in the relevant size before the signal starts clipping.
• Apply Headroom to Channel Meters: When this setting is enabled the current headroom set-
ting is visually reflected by the Channel Meter LEDs in the Mixer channels.

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External Mixing Mode

When you enable the External Mixing Mode on the Output Routing page in the Preferences,
then the audio signals bypass the internal Mixer. The audio signals are directly sent to the outputs
of the audio interface. The options in this section let you configure the External Mixing Mode. This
enables you to additionally use the internal Mixer controls. The following options are available:

• Enable Master Volume Control: Enables the Master Volume control in the software. When
you use the MAIN knob in the software, then you can adjust the levels for all outgoing audio
signals at once.
• Enable EQ + GAIN: Enables the EQ and GAIN controls in the Mixer channels in the software.
When you use the EQ and GAIN controls, then you can individually adjust the EQ and GAIN
values for the outgoing audio signals.
• Enable Mixer FX: Enables the Mixer FX controls in the software. You can then apply TRAK-
TOR's Mixer FX to the outgoing audio signals.
• Enable Autogain: When you enable this option, TRAKTOR adjusts the gain for the incoming
audio signals automatically.
• Limiter Type: Selects the Limiter type Classic or Transparent from the drop-down menu.
• Classic allows a slight digital distortion of the signal.
• Transparent compresses the signal in a less audible way.
• Enable Limiter: Enables the Limiter to prevent clipping of the outgoing audio signal. You can
also access this option directly from the Master Control panel.
• Headroom: Here you can define the size of the headroom by selecting one of the values from
the drop-down menu. Select from None, -3dB, -6dB, -9dB, or -12dB. When None is selected,
there is no additional headroom before the audio signal starts clipping. When a specific value is
selected, there is additional headroom in the relevant size before the signal starts clipping.
• Apply Headroom to Channel Meters: When this setting is enabled the current headroom set-
ting is visually reflected by the Channel Meter LEDs in the Mixer channels.

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16.13. Preferences – Global Settings Page

This section describes the options in the Global Setings page.

Preferences – Global Settings page.

Global Section

• Show Global Section: Shows or hides the Global section.

• Left: Determines if FX Unit 1 or LOOP RECORDER to be displayed by default on the left-hand
side of the Global section.
• Right: Determines if FX Unit 2 or AUDIO RECORDER to be displayed by default on the right-
hand side of the Global section.

Miscellaneous

• Fullscreen Resolution: Determines the zoom factor of TRAKTOR’s fullscreen view. If set to
Desktop, TRAKTOR uses the native resolution of your computer 1:1. When choosing another

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option, the full screen view appears larger (zoomed in) because TRAKTOR assumes a lower
screen resolution. The available options depend on your hardware.
• Switch to Fullscreen on Startup: With this selected, TRAKTOR will open in full screen mode
(maximizing the TRAKTOR window) each time it is started.
• Show Tooltips: Enable or disable Tools Tips. If you would like to familiarize yourself with
TRAKTOR we recommend you enable Tool Tips as they provide a short descriptions of inter-
face.
• Deck Focus: Select control of the visual Deck Focus from the following menu:
Software: Enable Software control of Deck Focus.
Hardware: Enable Hardware control of Deck Focus.
None: Disable Deck Focus.
• Show value when over control: With this option checked, knobs like Gain, Master Volume, or
the Effects’ knobs show their actual value when hovering over it.
• Enable Deck Header Warnings: When enabled, TRAKTOR informs you of important deck re-
lated warning messages directly through the Deck Headers. With the Deck Header Warnings
disabled, TRAKTOR's status bar will still display warnings.
• Reset Hidden Dialogs: Resets all dialogs that have been hidden by clicking on the “Don’t
Show This Again” checkbox.

Usage Data
Usage Data Tracking can be disabled / enabled at any time, allowing you to decide exactly when
you wish to share anonymous data.

• Read more...: Opens your web browser and directs you to more information about Usage Data
Tracking on the Native Instruments website.
• Yes, enable Usage Data Tracking: This checkbox enables Usage Data tracking.
• No, I don't want to contribute: This checkbox disables Usage Data tracking.

For more information on Usage Data Tracking, refer to the knowledge-base https://support.native-
instruments.com/hc/en-us/articles/209545029.

Usage Data Tracking technology is enabled / disabled on each computer individual-

ly. This means that if you use TRAKTOR on more than one computer, disabling / en-
abling Usage Data Tracking will not automatically disable / enable Usage Data
Tracking on the other computer.

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16.14. Preferences – Effects Page

This section describes the options in the Effects page.

Effects page.

FX Unit Routing

• FX1, FX2, FX3, FX4: The values in the drop-down menus determine if the FX Unit is routed as
Insert, Send, or Post Fader effect.
Insert: In Insert mode, the FX Unit is inserted into the signal chain right before the channel fil-
ter. The balance of the direct signal (Dry) and effect signal (Wet) is controlled by the D/W-knob
in the FX Unit.
Send: In Send mode, the FX Unit becomes independent from TRAKTOR’s internal signal flow.
The FX Unit receives input externally from one of the inputs of the audio interface as selected
in Preferences > Input Routing. The FX Unit sends its output to one of the Outputs of the audio
interface, as selected in Preferences > Output Routing. Only one audio interface input and out-
put is supported. If you use more than one send effect, they are chained in the order 1-2-3-4.

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Post Fader: In Post Fader mode, the FX Unit is inserted into the signal chain after the chan-
nel's volume fader so it will still be audible when turning down the volume on a channel. The
balance of the direct signal (Dry) and effect signal (Wet) is controlled by the D/W-knob in the
FX Unit. Post Fader effects are not available in External Mixer mode.
• 2 FX Units / 4 FX Units: Switches between 2 FX Units or 4 FX Units to be available in the
Global Section.
• Restore parameters when switching FX: When this option is checked, the FX Units parame-
ters are restored to their default settings when switching FX in FX Units.

FX Panel Mode

• FX1, FX2, FX3, FX4: The values in the drop-down menus determine the FX Mode for the FX
Unit.
Single: The Single FX mode provides a more detailed control over one selected effect.
Group: The Group FX mode gives you control of up to three selected effects in one FX Unit.

FX Pre-Selection
TRAKTOR provides a vast range of FX. You can create a personal selection of all available effects
to narrow down the FX appearing in the Effect Selector of the FX Units.

• Add: You can add the selected FX from the Pre-Selected Effects column to the Available Ef-
fects column with a click on Add.
• Remove: You can remove the selected FX from the Available Effects column to the Pre-Se-
lected Effects column with a click on Remove.
• Up / Down: Let you move the selected FX in the Pre-Selected Effects column up or down.

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16.15. Preferences – Mix Recorder Page

This section describes the options in the Mix Recorder page.

Preferences – Mix Recorder page.

Source

• Source: Selects the recording source, either the Internal source to record from TRAKTOR’s
internal Master output or the Extenal to record an external audio source like a turntable, micro-
phone, or from your external hardware mixer.
• External Input: Selects the input channel from which TRAKTOR will record external audio.

File

• Directory: Determines the file path in which your audio recordings are stored.
• Prefix: Here you can enter a prefix to be added to the filename of each recording.
• Split File at Size: With a file size selected, your audio recordings will be split each time the file
size is reached. The maximum file size is 2048 MB.

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16.16. Preferences – Loop Recorder Page

This section describes the options in the Loop Recorder page.

Preferences – Loop Recorder page.

Latency

• Rec. Latency: Adjust the recording latency of the Loop Recorder if in External mixer mode.

Overdubbing

• LoopDecay: Adjust the percentage of how long it takes for recorded audio to fade out when
overdubbing.

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16.17. Preferences – Broadcasting Page

Broadcasting allows you to stream your DJ set live over the Internet. To do this you must first set-
up a 'client and server' configuration. You can do this by installing a server on your computer that
will provide a stream of the source (TRAKTOR) to clients connected to your server.
You must have a server configured correctly and running before you can begin your broadcast. For
more information on setting up a server and Broadcasting please refer to Broadcasting Your Mix.
A description of the Broadcasting preferences page follows:

Preferences – Broadcasting page.

Proxy Settings
If connecting to the Internet through a Proxy, you can configure TRAKTOR to use your Proxy set-
tings:

• Custom: Use this option if you want to add your own custom Proxy Settings.
• Default: Select this option to use the same Proxy Settings from your computer as the Proxy in
TRAKTOR.

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• None: Select this option if you do not want to use a Proxy.

• Proxy Address: Manually enter the IP (Internet Protocol) address of your custom proxy server.
• Port: Enter the port number of your custom proxy server. Most servers use the default port
number setting of 8000.

Server Settings
Use this menu to configure TRAKTOR to use your server.

• Address: Manually enter the IP (Internet Protocol) address of your computer.

Refer to the help section of your operating system for information on how to find
your computer's IP address.

• Port: Enter the Port number. Most servers use the default port number setting of 8000.
• Mount Path: Enter the mount path (a specific directory) you want your listeners to connect to.
This is useful when broadcasting two events on the same server.
• Password: Enter the password of your server.
• Format: Select the sound quality you want to broadcast. Higher resolutions will require more
bandwidth. Use an appropriate setting for your connection.

Metadata Settings
In this section you can configure metadata for your broadcasting stream. This is the information
your listeners will see.

• Stream URL: Represents the URL (Uniform Resource Locator) you are broadcasting on and
the URL you should give to your listeners.
• Stream Name: Represents the title of your broadcast to be displayed.
• Stream Description: Represents a description for your broadcast to be displayed.
• Stream Genre: Represents the genre of music you broadcast.

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16.18. Preferences – Browser Details Page

This section describes the options in the Browser Details page.

Preferences – Browser Details page.

Editing

• Allow Inline Editing in List Window: If checked, you can edit metadata of your music files by
double-clicking them in the Track List. With this option unchecked, editing track tags in the
Track List is not allowed to prevent unwanted changes, for example, during a live situation.
• Font & Font Size: Selects the font and the font size for the Browser.
• List Row Height: Determines the list row height in the Track List.

Browser Details

• Show Preview Player: Shows or hides the Preview Player.

• Show Cover Art: Shows or hides the cover art window.

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• Show Playlist Favorites: Shows or hides the Browser Favorites on top of the Track List.
• Show Track Info: Shows or hides the track info bar.
• Show Status Bar/Error Messages: Shows or hides the Status Bar. This area also displays er-
ror messages.

16.19. Preferences – Layout Manager Page

In the Layout Manager page you can customize TRAKTOR’s Layouts.

Preferences – Layout Manager page.

Layout Manager

• Change Name: Here you can type in a name for the selected Layout.
• Rename: Verifies your entry.
• Personal Layouts: Lists all stored Layouts. A click on the Layout activates it. The active layout
is marked with Active in the first column. The order in this list also defines the order of layouts
in the Layout Selector of TRAKTOR’s Header.

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• Add: Creates a new layout.

• Remove: Deletes the selected layout.
• Duplicate: Duplicates the selected layout.
• Move Up/Down: Changes the position of the selected layout in the layout dropdown of TRAK-
TOR’s header section.

16.20. Preferences – File Management Page

This section describes the options in the File Management page.

Preferences – File Management page.

File Management

• Import Music-Folders at Startup: With this selected, each time TRAKTOR is started, it will
automatically import all tracks in your Music Folder that have not already been imported.
• Determine track-time automatically (before analysis): With this option checked TRAKTOR
estimates the track-time before analyzing it.

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• Analyze new imported tracks: Performs an automatic analysis of all new tracks when impor-
ted into the Track Collection.
• Analyze new tracks when loading into deck: Triggers the analysis only when loading a track
into a Deck. The Status bar at the bottom of TRAKTOR will provide visual feedback on analysis
progress and alert you if there is a problem. Analyzing the tracks on demand possibly avoids
CPU load problems with a permanent background analysis.

Analysis generates high CPU load. Due to lower prioritization of the analysis
process there is no risk of slowdowns for TRAKTOR itself, but when using addi-
tional software along with TRAKTOR, you may note that the software performs
slower than usual.

• Save created Loops and Samples automatically: Automatically saves the Loops and Sam-
ples you created in TRAKTOR for later use.
• Show Consistency Check Report on Startup: With this selected, the Consistency Check Re-
port will be displayed each time you start TRAKTOR. This report displays information about
your Track Collection and gives options to manage it.

File structure mode

The following File Structure modes determine the file structure when exporting a Playlist.

• None: File names will not be changed during export.

• Flat: File names will be changed into a 01 Artist - Title format during export.
• Artist: During export, sub-folders with the artist names will be created.
• Label: During export, sub-folders with the label names will be created.

Tag writing mode

The Tag writing mode determines the tags TRAKTOR will write to the files.

• Do not write any tags to files: When selected TRAKTOR does not write any tags to the files.
• Only write custom Traktor tags: When selected TRAKTOR only writes custom tags to the
files.
• Write all tags to files: When selected TRAKTOR writes all tags into files.

Directories
These settings define TRAKTOR’s directories. The directories can be changed by using the …!
button and selecting the path of the preferred folder. Using the reset buttons set the directories
back to the defaults.

• Root Dir: This is the path to your Track Collection/Playlists/Settings/History/Mappings files.

• Sample Dir: This is the path to your Sample files used in Remix Decks.
• Remix Sets Dir: This is the path to your Remix Sets used in Remix Decks.
• iTunes Music Library: If you want to use TRAKTOR’s iTunes integration you have to select
the path of your iTunes Library.

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Music Folders
If you want to use your own music folder structure you can add your music folders in this list.
TRAKTOR can automatically import all music files stored within this Music Folder.

• Add…: Lets you add folders as Music Folders.

• Delete: Deletes the selected Music Folder from the list.
• Change…: If you changed the directory or the name of a Music Folder in your system use this
button to change the path of the directory also in TRAKTOR.

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16.21. Preferences – Analyze Options Page

This page provides options concerning the default settings of the Analysis function when import-
ing/analyzing audio files.

Preferences – Analyze Options page.

BPM Detection

• BPM Range: Selects the minimum and maximum beats per minute (BPM) values of the tracks
you are going to analyze.
This will help TRAKTOR’s BPM-analysis find the correct BPM value when analyzing. The Au-
tomatic setting uses artificial intelligence techniques to help improve the tempo and downbeat
results. For example, Drum and Bass tracks will have tempos in the 170BPM range instead of
85BPM.

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We recommend to use this setting if your collection contains a wide variety of

genres which you want to analyze together.

• Set Beatgrid when detecting BPM: By checking this option, TRAKTOR will place a Beatgrid
on the track and will align it to the nearest downbeat. If the track already contains a Beatgrid,
TRAKTOR will move it, if necessary, to the nearest downbeat.
• Store Beatmarker as Hotcue: When TRAKTOR analyzes a track it creates a Beatmarker as
reference for the Beatgrid. With this option enabled the Beatmarker is also available for use as
a Hotcue. Disable this option to prevent accidental erasure; as a result, you will not be able to
use the Beatmarker as a Hotcue.

Musical Key
TRAKTOR automatically detects a track’s key which can be displayed in TRAKTOR as well as be
written into the metadata of the track. The following settings are available:

• Displayed in Traktor: Selects the notation to be displayed in the Key column of the Browser.
This option can be changed at any time and will change the way all Keys are displayed in
TRAKTOR. Available notations are: Musical, Musical (all sharps), Open Key.
• Written to File Tags: Selects the notation to be written into the metadata of a track file itself so
that the notation information can be used in third party software applications. Available nota-
tions are: Musical, Musical (all sharps), Open Key, Key Text.

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16.22. Preferences – Controller Manager Page

The Controller Manager page unifies all of TRAKTOR's MIDI and Keyboard Mappings, as well as
MIDI setup in one preference page. Settings and mappings can be imported, exported, and cus-
tomized all from this one Preferences page. For more information on configuring a MIDI controller,
refer to Configuring MIDI Controller for Controlling TRAKTOR.

Preferences – Controller Manager page.

• Device Setup: Allows you to create multiple mappings for your computer keyboard, MIDI con-
trollers, and some HID devices.
• Assignment Table: Lists all assignments for the mapping that is selected in Device. All map-
ped devices are active at the same time, not just the selected mapping.
• Device Mapping: Allows you to map TRAKTOR controls to desired control elements of a MIDI
device.
• Mapping Details: allows to make customization to mapped TRAKTOR controls i.e the Modifier
Conditions and the Interactions Mode.

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17. EFFECT REFERENCE

In this section you will find an overview of all 40 Effects contained in TRAKTOR.

17.1. Delay
This is the classic tempo-synced Delay with Freeze button. The rate of the Delay is directly con-
trolled by the Master Clock of TRAKTOR to ensure that the Delay syncs to the beat even during
tempo changes.

Single Mode

• FILTER: Internal carbonized high pass and low pass filter (similar to a bandpass filter). The fil-
ter is open when the knob is in full left position and progressively cuts out low and high fre-
quencies when turned to the right.
• FEEDB (Feedback): Controls the strength of the delay’s feedback, making the effect stronger
and more colorful. Min: low feedback, Max: strong feedback.
• RATE: Controls the Delay time. The 7 available values are expressed in fractions of bars, and
are equally distributed over the range of the knob. Min—Max: 1/32, 1/16, 1/8, 3/16, 1/4, 3/8,
4/4.

The Rate knob continues to work in Freeze mode and allows interesting mash-ups. It is important,
though, to turn the knob down to low values only briefly because otherwise the buffer will empty.

The effect rate can be switched during operation without any crackles or glitches in
audio!

Even in Freeze mode the Delay follows the Master Clock and will therefore seam-
lessly merge into the mix once released.

• FRZ (Freeze): Freezes the Delay by closing the input and turning up the Feedback to maxi-
mum value. The filter remains active in the feedback loop. For endless freezes, the FILTER
knob has to be therefore turned down to full left position.
• SPRD (Stereo Spread): Creates an offset between the delay times of the left and right channel
giving the effect of spatial depth. The Delay times are: L Min—Max: 1/32, 1/16, 1/8, 3/16, 2/4,
3/8, 4/4 R Min—Max: 1/32, 1/8, 3/16, 3/8, 3/8, 2/4, 4/4.

Group Mode (1-Knob Control)

The knob works like the RATE knob in Single mode at a medium Feedback value.

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17.2. Reverb
Classic Reverb with extreme room sizes, individual low and high pass filter controls, and Freeze
function.

Single Mode

• HP: High Pass filter in the effect loop—fully open when turned to the left.
• LP: Low Pass filter in the effect loop—fully open when turned to the right.
• SIZE: Controls the size of the added reverb, ranging from small to vast room sizes.
• FRZ (Freeze): Freezes the Reverb by closing the input and leaving the output open.

Group Mode (1-Knob Control)

Works like the SIZE knob in Single mode.

17.3. Flanger
A Classic Flanger with tempo based and free running rate control and stereo phasing.

Single Mode

• SPRD (Stereo Spread): Creates a stereo spread effect by controlling the phase offset between
the left and right stereo channel. Min: no phase offset, Max: maximum phase offset (1/2 period)
• FEEDB (Feedback): Controls the amount of the Flanger’s feedback, making the effect stronger
and more colorful. Min: no feedback, Max: maximum feedback
• RATE: Controls the rate of Flanger oscillation. The 11 available values are expressed in frac-
tions of bars, and are equally distributed over the range of the knob. Max—Min: 16 bars, 8
bars, 4 bars, 2 bars, 4/4, 2/4, 3/8, 1/4, 3/16, 1/8, 1/16.
• UP: When pressed the direction of the oscillation is inverted, starting with the lowest frequency,
and moves upward.
• FR.R: Enables continuous rate control, independent from tempo and ranges from 30 sec (Max)
to 1/30 sec (Min).
• LFO RESET (Master panel): Resets the oscillation and restarts at the lowest or highest point,
according to the status of DN/UP.

The LFO RESET button in the Master panel resets the low frequency oscillation
phase to zero (highest point).

Group Mode (1-Knob Control)

• The knob controls the rate of the up and down oscillation of the flanging sound. The knob
behaves like the RATE knob in Single mode with Freerun activated.

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17.4. Flanger Pulse

Innovative, semi-automatic Flanger effect that is triggered by signal peaks in the music producing
interesting lashing sounds.

Has the most effect on music with gaps in it, such as drum loops, because the self-oscillation can
develop best in empty parts of the music.

Single Mode

• SHAPE: Controls the shape of the Flanger Pulse. The range of the controller bears a multitude
of patterns and morphs between them for continuously new sound effects. Explore the range of
this knob in combination with the FEEDB and the AMNT knob and store the preset whenever
you like it.
• FEEDB (Feedback): Controls the strength of the Flanger’s feedback making the effect stronger
and more colorful. Min: low feedback, Max: strong feedback
• AMNT (Amount): The knob has two operating zones on the left and the right side of the center
position and controls the modulation amount of the Flanger frequency.
• FB- (Inverted Feedback): Only passes uneven harmonics, making the flanging effect sound
deeper in frequency.
• SPR (Stereo Spread): Creates an offset between the flanging effect of the right and left stereo
channel giving the effect of spatial depth.

Group Mode (1-Knob Control)

The knob has two operating zones on the left and the right side of the center position. It behaves
like the AMNT knob in Single mode.

17.5. Flanger Flux

Manually controlled Flanger suited for jog wheel control.

Single Mode

• FEEDB (Feedback): Controls the amount of the Flanger’s feedback, making the effect stronger
and more colorful. Min: low feedback, Max: strong feedback.
• PITCH: Controls the pitch of the effect. The center position of the knob is neutral, to either side
the flanging effect moves from high to low frequencies.
• FB- (Inverted Feedback): Only passes uneven harmonics making the flanging effect sound
deeper in frequency.
• SPR (Stereo Spread): Creates an offset between the flanging effect of the right and left stereo
channel, giving the effect of spatial depth.

Group Mode (1-Knob Control)

The knob controls the PITCH of the effect. The center position of the knob is neutral—to either
side the flanging effect moves from high to low frequencies.

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17.6. Gater
The Gater rhythmically mutes parts of the audio at adjustable rates. The Master Clock controls the
rate and the moment in time of muting. A hissing noise can be added to the Gater for emphasizing
the rhythmical pattern.
In order for the Gater to match the beats in the music, it is absolutely necessary that your tracks
have well aligned Beatgrids and that the Master Clock follows the track tempo in Auto Mode.

Single Mode

• NOISE (Noise Level): Controls the amount of hissing noise added to the Gate. Min: No added
hissing, Max: Much added hissing.
• SHAPE: Controls the shape of the Gate. Min—Center: 1 % Hold, 0 % Decay—50 % Hold, 0 %
Decay Center—Max: 50 % Hold, 0 % Decay—0 % Hold, 100 % Decay.
• RATE: Controls the rate of the Gater. The 5 available values are expressed in fractions of bars,
and are equally distributed over the range of the knob. Min—Max: Off—1/4—1/8—1/16—1/32.
• MTE (Mute): Fully mutes the music and passes only the added hissing noise.

Activating MTE in combination with no added Noise Level results in no audio output.

• STT (Stutter): Activates 3/16 gating time for producing a stuttering effect.

Activating STT disables the action of the RATE knob.

Group Mode (1-Knob Control)

The knob controls the rate of the Gater and behaves like the RATE knob in Single mode.

17.7. Beatmasher 2
The Beatmasher 2 is a buffer-based effect that captures a short loop from the current audio materi-
al and mashes it up.

Single Mode

• ON: When turning on the effect it samples one bar or audio based on the tempo of the master
clock. To sample a new piece of audio, turn the effect off and then back on.

The effect has to be started in off mode and then turned on to sample the current audio.

• GATE: Combined controller for different ways of mixing and gating the sampled material:
• In full left position bypasses the effect. From full left to centre mixes in progressively bigger
chunks of the buffered audio.
• In centre position just plays the buffered audio. From center to full right position cuts out
progressively bigger chunks of audio like a gater.
• ROT (Rotate): Shifts the sampled audio relative to its original position in steps of 1/8 notes. At
minimum Length, the Rotate knob continuously rotates the sample.
• LEN (Length): Controls the length of the audio played back from the buffer.

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• WRP (Warp): Re-syncs the effect on each bar for more musical results.
• REV (Reverse): Reverses the playback direction of the buffered audio samples.

Group Mode (1-Knob Control)

This knob behaves like the LEN (Length) knob in Single mode.

17.8. Delay T3
Classical tempo-synced Delay with a Freeze button. The Rate of the Delay is directly controlled by
TRAKTOR’s Master Clock to ensure that the Delay syncs to the beat also during tempo changes.

Single Mode

• FILTER: Internal high pass filter and low pass filter (similar to a band pass filter). The filter is
open when the knob is in center position. It progressively cuts out low frequencies when turned
to the right and cuts out high frequencies when turned to the left.
• FEEDB (Feedback): Controls the strength of the delays feedback, making the effect stronger
and more colorful:
• Min: low feedback
• Max: strong feedback
• RATE: Controls the Delay time. Compared to prior TRAKTOR versions, the orientation of the
knob has changed to: Min: long delay times, Max: short delay times. The 7 available values are
expressed in fractions of bars, and are equally distributed over the range of the knob. The
knobs position is displayed in bold letters:
• Min ⇨ Max: 4/4, 3/8, 1/4, 3/16, 1/8, 1/16, 1/32.

The effect rate can be switched during operation without any crackles or glitches in audio!

Even in Freeze mode the Delay follows the Master Clock and will therefore seam-
lessly merge into the mix once it is released.

The RATE knob continues to work in Freeze mode and allows interesting mash-ups.
It is important to turn the knob down to low values only shortly because otherwise
the buffer will empty.

• FRZ (Freeze): Freezes the Delay by closing the input while playing the delay with the set Feed-
back. The filer remains active in the feedback loop. For endless freezes, the FILTER knob has
to be therefore turned to the middle position.
• FR.R (Free Run): When pressed, delay times are not quantized and can be changed continu-
ously. Changing delay times while the Delay is active may result in sudden skips in pitch and
rhythm.

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Group Mode (1-Knob Control)

The knob works like the RATE knob in Single mode at a medium Feedback value.

17.9. Filter LFO

This is a classic filter based on ladder filter architecture with tempo-synced LFO. The LFO is either
driven by the Beatgrid (and therefore is always in sync with the track) or can be driven in Freerun
mode.

In Freerun mode (FR.R) the rate of the Flanger oscillation is not tied to the musical
tempo and varies continuously from 30 sec (Max) to 1/30 sec (Min).

Single Mode

The LFO RST button resets the low frequency oscillation phase to zero (highest
point).

• D/RNG (Dry-Range): Controls the strength of the effect with a combination of Dry-Wet and the
LFO-Range. The filter is fully bypassed in full left position. As soon as the knob is not in full left
position the filter kicks in fully and the knob progressively increases the range of the LFO when
turned clockwise.
• SHAPE: Controls the shape of the LFO. At the full left knob position the shape is a triangle,
morphing into a saw tooth with sharp decay at the full right knob position.
• RES: Controls the resonance of the filter. High resonance makes the filter sound colorful and
more noticeable. Min: low resonance, Max: high resonance
• RATE: Controls the rate of Filter oscillation. The 11 available values are expressed in fractions
of bars, and are equally distributed over the range of the knob. –Max—Min : 16 bars, 8 bars,
4 bars, 2 bars, 4/4, 2/4, 3/8, 1/4, 3/16, 1/8, 1/16
• UP: When pressed the direction of the oscillation is inverted, starting with the lowest frequency,
and moves upward.
• FR.R: In Freerun mode (FR.R) the rate of the Phaser oscillation is not tied to the musical tem-
po and varies continuously from 30 sec (Max) to 1/30 sec (Min).

Group Mode (1-Knob Control)

The knob behaves like the RATE knob in Freerun mode in Single mode.

17.10. Filter Pulse

Innovative, auto-controlled Filter effects based on ladder filter architecture, and triggered by signal
peaks in the music producing interesting lashing sounds.

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It has the most effect on music with gaps in it, such as drum loops, because the self-oscillation can
develop in empty parts of the music.

Single Mode

• SOFTEN: Controls the smoothness of the cutoff envelope. The more the knob is turned to the
right, the softer the filter sweeps will be.
• RES: Controls the resonance of the filter. High resonance makes the filter sound colorful and
more noticeable. Min: low resonance, Max: high resonance.
• AMT: Controls the frequency where the filter action takes place. Compared to a regular filter,
the filter frequency is modulated by the peaks in the music resulting in a dynamic pattern of
filter sweeps. In center position the modulation is neutral, to the right the modulation goes up-
wards and to the left the modulation goes downwards.
• P.SN (Peak Sensitivity): This raises the threshold for the peak envelope follower from 50 % to
80 %.
• P.MD (Peak Mode): This enabled Peak Sensitivity (see above).

Group Mode (1-Knob Control)

The knob behaves like the AMNT knob in Single mode.

17.11. Filter
Classic filter with 2-knob and single knob control modes, based on ladder filter architecture.

Single Mode

• HP (High Pass):
• Controls the low cutoff frequency.
• Passes the entire band in full left position (bypass).
• Progressively cuts frequencies from low to high when turned to the right.
• RES: Controls the resonance of the filter. High resonance makes the filter sound colorful and
more noticeable. Min: low resonance, Max: high resonance.
• LP (Low Pass):
• Controls the high cutoff frequency.
• Passes the entire band in full right position (bypass).
• Progressively cuts frequencies from high to low when turned to the left.
• BRJ (Band Reject): Switches the filter to Band Reject mode. In this mode the frequencies be-
tween the two cutoff frequencies are eliminated rather than passed through.
• DJM (DJ Mode):
• Switches the panel to 1-knob filter control. The LP knob becomes a bipolar control for con-
trolling both the lower and higher cutoff frequency.
• Passes the entire band in center position.
• Progressively cuts frequencies from high to low when turned from center to the left.
• Progressively cuts frequencies from low to high when turned from center to the right.

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In DJ Mode (DJM) the LP knob is labeled LP/HP and has a combined function to
control both low-cut and high-cut frequencies.

Group Mode (1-Knob Control)

The knob controls the effect in DJ mode and behaves like the LP/HP knob in Single mode.

17.12. Filter:92 LFO

This filter is modeled after Allen & Heath’s Xone:92 mixer with tempo-synced LFO. The LFO is ei-
ther driven by the Beatgrid (and therefore is always in sync with the track) or can be driven in
Freerun mode.

Single Mode

The LFO RST button resets the low frequency oscillation phase to zero (highest
point).

• D/RNG (Dry-Range): Controls the strength of the effect with a combination of Dry-Wet and the
LFO-Range. The filter is fully bypassed in full left position. As soon as the knob is not in full left
position the filter kicks in fully and the knob progressively increases the range of the LFO when
turned clockwise.
• SHAPE: Controls the shape of the LFO. At the full left knob position the shape is a triangle,
morphing into a saw tooth with sharp decay at the full right knob position.
• RES: Controls the resonance of the filter. High resonance makes the filter sound colorful and
more noticeable. Min: low resonance, Max: high resonance.
• RATE: Controls the rate of Filter oscillation. The 11 available values are expressed in fractions
of bars, and are equally distributed over the range of the knob. –Max—Min : 16 bars, 8 bars, 4
bars, 2 bars, 4/4, 2/4, 3/8, 1/4, 3/16, 1/8, 1/16.
• UP: When pressed the direction of the oscillation is inverted, starting with the lowest frequency,
and moves upward.
• FR.R: In Freerun mode (FR.R) the rate of the LFO oscillation is not tied to the musical tempo
and varies continuously from 30 sec (Max) to 1/30 sec (Min).

17.13. Filter:92 Pulse

Innovative, auto-controlled Filter effect modeled after the filters on Allen & Heath’s Xone:92 mixer
and triggered by signal peaks in the music producing interesting lashing sounds.

It has the most effect on music with gaps in it, such as drum loops, because the self-oscillation can
develop best in empty parts of the music.

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Single Mode
• SOFTEN: Controls the smoothness of the cutoff envelope. The more the knob is turned to the
right, the softer the filter sweeps will be.
• RES: Controls the resonance of the filter. High resonance makes the filter sound colorful and
more noticeable. Min: low resonance, Max: high resonance.
• AMT:
• Controls the frequency where the filter action takes place. Compared to a regular filter, the
filter frequency is modulated by the peaks in the music resulting in a dynamic pattern of fil-
ter sweeps.
• In center position the modulation is neutral, to the right the modulation goes upwards and to
the left the modulation goes downwards.
• P.SN (Peak Sensitivity): Raises the threshold for the peak envelope follower from 50 % to
80 %.
• P.MD (Peak Mode): This enables Peak Sensitivity (see above).

17.14. Phaser
Classic Phaser with tempo based and free running rate control and stereo phasing.
The controls of the Phaser are identical in behavior to those of the Flanger.

Single Mode
• SPRD (Stereo Spread): Creates a stereo spread effect by controlling the phase offset between
the left and right stereo channel. Min: no phase offset, Max: maximum phase offset (1/2 peri-
od).
• FEEDB (Feedback): Controls the amount of the Phaser’s feedback, making the effect stronger
and more colorful. Min: no feedback, Max: maximum feedback.
• RATE: Controls the rate of Phaser oscillation. The 11 available values are expressed in frac-
tions of bars, and are equally distributed over the range of the knob. Max—Min: 16 bars,
8 bars, 4 bars, 2 bars, 4/4, 2/4, 3/8, 1/4, 3/16, 1/8, 1/16.
• UP: When pressed the direction of the oscillation is inverted, starting with the lowest frequency,
and moves upward.
• FR.R: Enables continuous rate control, independent from tempo and ranges from 30 sec (Max)
to 1/30 sec (Min).
• LFO RST: Resets the oscillation and restarts at the lowest or highest point, according to the
status of DN/UP.

The RST button resets the low frequency oscillation phase to zero (highest point).

Group Mode (1-Knob Control)

The knob controls the rate of the up and down oscillation of the flanging sound. The knob behaves
like the RATE knob in Single mode with Freerun activated.

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17.15. Phaser Pulse

Innovative, auto-controlled Phaser effect that is triggered by signal peaks in the music producing
interesting lashing sounds.

It has the most effect on music with gaps in it, such as drum loops, because the self-oscillation can
develop best in empty parts of the music.

Single Mode

• SHAPE: Controls the shape of the Phaser Pulse. The range of the controller bears a multitude
of patterns and morphs between them for continuously new sound effects. Explore the range of
this knob in combination with the FEEDB and the AMNT knob and store the preset whenever
you like it.
• FEEDB (Feedback): Controls the strength of the Phaser’s feedback making the effect stronger
and more colorful. Min: low feedback, Max: strong feedback
• AMNT (Amount): The knob has two operating zones on the left and the right side of the center
position and controls the modulation amount of the Phaser's frequency.
• 8PL (8 Pole): Switches between 6 Pole and 8 Pole filters making the effect more intense.
• SPRD (Stereo Spread): Creates an offset between the phasing effect of the right and left ster-
eo channel giving the effect of spatial depth.

Group Mode (1-Knob Control)

The knob has two operating zones on the left and the right side of the center position. It behaves
like the AMNT knob in Single mode.

17.16. Phaser Flux

Manually controlled Phaser suited for jog wheel control. The controls of the Phaser Flux are identi-
cal in behavior to those of the Flanger Flux described above, except for the 8 Pole switch:

Single Mode

• FEEDB (Feedback): Controls the amount of the Phaser’s feedback, making the effect stronger
and more colorful. Min: low feedback, Max: strong feedback.
• PITCH: Controls the pitch of the effect. The center position of the knob is neutral, to either side
the phasing effect moves from high to low frequencies.
• 8PL (8 Pole): Switches between 6 Pole and 8 Pole filters, making the effect more intense.
• SPR (Stereo Spread): Creates an offset between the phasing effect of the right and left stereo
channel, giving the effect of spatial depth.

Group Mode (1-Knob Control)

The knob controls the PITCH of the effect. The center position of the knob is neutral—to either
side the flanging effect moves from high to low frequencies.

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17.17. Reverse Grain

Buffer based effect for capturing a loop form the current audio material and successively playing it
backwards with different mash up options.
The effect has to be started in off mode and then turned on to sample the current audio.

Single Mode

• ON: Samples audio and plays the buffer backwards.

• PITCH:
• Controls the pitch of the sampled audio.
• Normal pitch in full right position. Progressively decreases pitch when turned to the left.
• Ranges from 0 to 100.
• GRAIN: Controls the size of the audio grains. Creates interesting effects when used in combi-
nation with the SPEED knob.
• SPEED:
• Controls playback speed of the samples’ audio grains.
• Plays at normal speed in full right position.
• Progressively reduces playback speed when turned to the left.
• INV (Inverted): Plays the grains in reversed order.
• FWD (Forward): Inverts playback direction from backward playback to forward playback.

Group Mode (1-Knob Control)

Behaves like the GRAIN knob in Single Effect mode.

17.18. Turntable FX
This effect emulates sounds produced by spinning back or slowing down a record playing on a
turntable.
The effect has to be started in off mode and then turned on to sample the current audio.

Single Mode

• BRK (Turntable Brake):

• Triggers the turntable brake effect produced when pressing start/stop on a turntable.
• The speed of the braking sound is controlled by the B.SPD knob.
• The wind down time and the speed up time can be individually controlled by changing the
position of the B.SPD knob while BRK is on.
• AMNT: Controls the amount of the rocking motion triggered with the RCK button.
• R.SPD (Rocking Speed): Controls the speed of the rocking motion triggered with the RCK but-
ton.
• B.SPD (Braking Speed): Controls the speed of the brake motion triggered with the BRK button.
• RCK (Rock): Triggers the rocking motion of the turntable.
• REW: Triggers a rewind effect. The acceleration of the rewind effect is controlled by with the
B.SPD knob.

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Group Mode (1-Knob Control)

The ON button behaves like the BRK button and the knob like the B.SPD knob in Single Effect
mode.

17.19. Iceverb
The Iceverb is an innovative Reverb with self-oscillating filters for interesting colorful effects. The
Filter of the Iceverb is outside the feedback loop, which makes the decay independent from the
filter settings.

Single Mode

• ICING: Controls the resonance of the filter and therefore the intensity of the color.
• COLOR: Controls the cutoff frequency of the filter and therefore the color of the reverb.
• SIZE: Controls the size of the added reverb, ranging from small to vast room sizes.
• FRZ (Freeze): Freezes the reverb by closing the input and leaving the output open. The SIZE
control remains active in Freeze mode allowing interesting pitch effects.

Group Mode (1-Knob Control)

Works like the SIZE knob in Single mode.

17.20. Reverb T3
Classic Reverb with extreme room sizes, individual low pass & high pass Filter Controls, and
Freeze function like in TRAKTOR 3 and previous TRAKTOR SCRATCH versions.

Single Mode

• LP: LP filter in the effect loop—fully open when turned to the left.
• HP: HP filter in the effect loop—fully open when turned to the right.
• SIZE: Control the size of the added reverb, ranging from small to vast room sizes.
• FRZ (Freeze): Freezes the Reverb by closing the input and leaving open the output.

Group Mode (1-Knob Control)

• Works like the SIZE knob in Single mode.

17.21. Ring Modulator

The Ring Modulator is an effect that modulates the tracks by multiplying the high frequency signal
onto the audio material.

Single Mode

• AM-RM: Morphs the type of modulation from amplitude modulation in full left position to ring
modulation in full right position. Amplitude modulation sounds softer compared to ring modula-
tion.

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• RAW: Controls the shape of the modulation oscillator. The oscillator is a sine wave in full left
position for smooth sounds and a filtered square wave in full right position for harsher sounds.
• PITCH: Controls the frequency of the modulating oscillator from low in full left position to high in
full right position (100 Hz—8371 Hz).

Group Mode (1-Knob Control)

This knob behaves with a combination of RAW and PITCH controls in Single Effect mode.

17.22. Digital LoFi

Digital LoFi decomposes the music by reducing its bit depth and the sample rate.

Single Mode

• BIT (Bit Depth): Controls the bit rate ranging from full bit rate in full left position to just above
one bit in full right position.
• SMTH (Sample Rate Smooth): Creates a smoother effect by introducing a lag into the sample
rate reduction.
• SRTE (Sample Rate): Controls the Sample Rate reduction raging from no reduction in full left
position to 100 Hz sample rate in full right position.

This knob only has an effect in combination with SMTH (sample rate smooth).

• SPREAD: Creates an offset between the sample reproduced on the right and left stereo chan-
nel giving the effect of spatial depth.

Group Mode (1-Knob Control)

Works like a combination of the SRTE and the BIT knob in Single mode.

17.23. Mulholland Drive

The Mulholland Drive is a highly sensitive overdrive effect with two independent overdrive units
and unpredictable self-oscillating behavior. When Feedback is activated it has most effect on mu-
sic with gaps in it, such as drum loops, because the self-oscillation can develop best in empty
parts of the music.
Without Feedback activated it behaves like a regular drive effect.

Single Mode

• TONE:
• Controls the frequency of the feedback tone.
• Requires a certain amount of feedback to have an effect.
• Creates a great variety of tones when used in combination with the FEEDB knob.
• FEEDB (Feedback): Controls the amount of feedback in the effect ranging from 0 to 100 %.
With zero feedback in full left position, the effect behaves like regular tube distortion.

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• DRIVE (Overdrive): Controls which of the two overdrive units is fed and by how much. Drives
only one unit in full left and full right position and morphs between them when in between.
• FB- (Inverted Feedback): Only passes uneven harmonics, making the effect sound deeper in
frequency.

Group Mode (1-Knob Control)

This knob behaves like the DRIVE knob in Single Effect mode.
At high DRIVE and FEEDB values the effect can produce sound even without any input.

17.24. Transpose Stretch

The Transpose Stretch is a classic Pitch-Shifter with additional Grain-Size and Time-Stretch con-
trol.

Single Mode

• STRCH (Time Stretch): As soon as the knob is moved away from full left position, the input is
recorded for 1 bar (2 if the button “Tx2” is pressed) and then is endlessly looped and played
back. The more the knob is moved to the right, the more the time is stretched until the music
comes to a complete stop on a single “Grain”.

The STRCH knob has to be in full left position to open the input of the effect. The effect must be
loaded with the STRCH knob in full left position!

• GRNSZ (Grain Size):

• This knob only works when the GRN button below is enabled, and controls the size of the
grains. Otherwise the grain size is automatically linked internally for best overall pitching.
• It ranges from large grains (333 ms) in full left position to short grains (5 ms) in full right
position.
• Very small sizes can lead to nice FM/ring modulating metallic sounds. Also try starting at
“full stop” and then transpose to max for metallic “moaning” sounds.
• KEY:
• Controls the pitch of the grains.
• Center position is neutral and plays the grains at original pitch.
• To the right, the grains are pitched up to +1 octave in full right position.
• To the left, the grains are pitched down to -5 octaves.
• GRN: Enables Grain Size Control.
• ST.2: Play 2 bars instead of 1 bar when in STRCH mode.

Group Mode (1-Knob Control)

Works like the KEY knob in Single mode.

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17.25. BeatSlicer Buffer

BeatSlicer Buffer samples 2 bars of audio, subdivides it in small chunks and replays the chunks in
a different sequence creating a rhythmically shuffled version of the original music. The effect pro-
vides 20 different patterns grouped in 5 styles. The effect starts sampling two bars when turned
ON and will stay in sync with the Master Clock even during tempo changes.

Single Mode

• BUZZ: Creates a beat-roll effect by increasing the repetition rate within one beat of the current
pattern.
• STYLE: Selects one of five groups of patterns.
• PAT (Pattern): Switches between different patterns within a group. The first pattern of a group
is always neutral (i.e. bypasses the signal in original sequence).
• GO: When pressing GO audio material is buffered and at the same time manipulated. Size of
the buffered loop is 1 bar.
• 2 BAR (2 Bars): When activating the 2 BAR button, the entire buffer of two bars is used for
slicing. Otherwise only the first bar of audio buffer is sliced.

Group Mode
The knob represents the PAT (Pattern) knob in Single Effects mode.

17.26. Formant Filter

Formant Filter imitates the sound of spoken vowels by morphing three bandpass filters into each
other.

Single Mode

• SHARP: Makes the vowel sound more present.

• TALK: Morphs between the formants produced from the mouth (a, e, i, o, u). On the left it
sounds dark becoming brighter when moved to the right.
• TYP: Type button deactivated makes the vowels sound "German". Activating the button makes
it sound more "English"

Group Mode (1-Knob Control)

Represents the TALK knob in Single Effects Mode.

17.27. Peak Filter

The Peak Filter adds a peak to the original signal for a specific frequency spectrum. The peak can
be increased to four times louder than the original signal. An additional brickwall limiter makes
sure that the increased dB is limited to the maximum 0 db.

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Single Mode

• D/W: The D/W not only mixes the modulated audio signal to the original signal but additionally
increases the filter frequency of the peak.
• PUMP: Adds brickwall limitation to the effected signal.
• EDGE: Modulates the width of the peak by increasing the resonance. When turned to the right,
the emphasized frequency becomes more pronounced.
• FREQ: Controls the frequency that is emphasized.
• KILL: Inverts the peak and makes the effect similar to a notch filter.

Group Mode (1-Knob Control)

This knob represents the FREQ knob in Single effects mode.

17.28. Tape Delay

An emulation of a tempo synced analog tape delay with tape saturation. The effect also allows a
filter to be applied to delayed signals and a freeze function to hold the signal itself.

Single Mode

• FILT (Filter): Internal high pass filter. The filter is open when the knob is in full left position and
progressively cuts out low frequencies when turned to the right.
• FBK (Feedback): Controls the strength of the delay’s feedback, making the effect stronger and
more colorful.
• SPEED: Controls the speed of the Tape Delay.

The effect rate can be switched during operation without any crackles or glitches in audio!

Even in Freeze mode the Delay follows the Master Clock and will therefore seam-
lessly merge into the mix once released.

• FRZ (Freeze): Freezes the Delay by closing the input and turning up the Feedback to maxi-
mum value. The filter remains active in the feedback loop. For endless freezes, the FILTER
knob has to be therefore turned down to full left position.
• ACCL: Activates a higher acceleration of the virtual tape speed.

Group Mode (1-Knob Control)

This knob works like the ACCL knob in Single effects mode.

17.29. Ramp Delay

Creative delay with adjustable transition time between different delay rates.

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Single Mode

• FILTER: Bipolar control for controlling both the lower and higher cutoff frequency. Passes the
entire band in center position. Progressively cuts frequencies from high to low, when turned
from center to the left. Progressively cuts frequencies from low to high, when turned from cen-
ter to the right.
• DURATION:
• Controls the length of the delay ramp. The ramp defines how long the delay takes to transi-
tion between different delay rates.
• The 7 available values are expressed in fractions of bars, and are equally distributed over
the range of the knob. The knobs position is displayed in bold letters: Min ⇨ Max: 1/4, 2/4,
4/4, 2 BARS, 4 BARS, 8 BARS, 16 BARS.
• RATE:
• Controls the speed of the Ramp Delay.
• The 7 available values are expressed in fractions of bars, and are equally distributed over
the range of the knob. The knobs position is displayed in bold letters: Min ⇨ Max: 4/4, 3/8,
1/4, 3/16, 1/8, 1/16, 1/32.

The effect rate can be switched during operation without any crackles or glitches in audio!

Even in Freeze mode the Delay follows the Master Clock and will therefore seam-
lessly merge into the mix once released.

• FRZ (Freeze): Freezes the Delay by closing the input and turning up the Feedback to maxi-
mum value. The filter remains active in the feedback loop. For endless freezes, the FILTER
knob has to be therefore turned down to full left position.
• FB+ (Feedback): Raises the feedback to 90 %.

Group Mode (1-Knob Control)

The knob works like the RATE knob in Single effects mode with a predefined duration of 2 Bars.

17.30. Auto Bouncer

The Auto Bouncer is a buffer-based effect that captures snippets of 1 beat and repeats them
based on 5 predefined patterns.

Single Mode

• TRANS (Transpose): Adjusts transposition of the repetitions. When turned from center to right
the transposition will increase as it follows the pattern. When turned from center to left the
transposition will decrease as it follows the pattern.
• BEND: Increases and decreases the repetitions. When turned from center to right the speed
will decrease by progress of the pattern. When turned from center to left the speed will in-
crease by progress of the pattern.

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• PATTERN: The 5 available patterns are numbered 0-4.

• X2: Doubles the Density of repetitions.
• ALT: Activates alternative patterns 0-4.

Group Mode (1-Knob Control)

The knob works like the BEND knob in Single effects mode.

17.31. Bouncer
The Bouncer is a buffer-based effect that captures snippets of 1 beat and repeats them at various
speeds and pitch.

Single Mode

• TRANS (Transpose): Adjusts the transposition of the repetitions. When turned from center to
right the repetitions will be pitched up. When turned from center to left the repetitions will be
pitched down.
• FILTER: Low-pass filter that is open when turned fully to the right. Turning it to the left will pro-
gressively cut high frequencies.
• SPEED: Defines the speed of the repeated samples.
• AUT: Re-samples the input every 2 (2/4) beats when activated.
• X2: Doubles the current speed value.

Group Mode (1-Knob Control)

The knob works like the SPEED knob in Single effects mode.

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