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The Gift (episode)

For the region of land immediately south of the Wall belonging to the Night's Watch see "The Gift".

"The Gift" is the seventh episode of the fifth season of Game of Thrones. It is
the forty-seventh episode of the series overall. It premiered on May 24, 2015. It The Gift
was written by David Benioff & D.B. Weiss and directed by Miguel Sapochnik.
Season 5 Episode 7

Contents [show]

Plot
Jon prepares for conflict. Sansa tries to talk to Theon. Brienne waits for a sign.
Stannis remains stubborn. Jaime attempts to reconnect with family.
Air date May 24, 2015
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Runtime 59 minutes

Summary Written by David Benioff & D.B. Weiss

Directed by Miguel Sapochnik

At the Wall
Episode Guide
Jon departs for Hardhome with Tormund and a group of rangers, after speaking
Previous Next
with Ser Alliser Thorne and Sam. Before they leave, Sam gives Jon some of his
"Unbowed, Unbent, "Hardhome"
dragonglass weapons, reminding him of their use against the White Walkers. Unbroken"
Afterward, Sam and Gilly visit Maester Aemon, who is bedridden and dying
from old age. Gilly brings her baby Little Sam for him to hold and cheer him up
a little. Aemon happily notes that her son has a laugh just like his little brother Egg (King Aegon V) had when he was a baby. In a
moment of clarity, Aemon gravely warns Gilly that she and her son must leave the Wall while they still can, before winter comes
(and the White Walkers with it). The couple stay as Aemon's condition steadily deteriorates during the night, and he fades in and
out of consciousness. Gilly urges Sam to get some sleep while she watches over Aemon, as she predicts that he'll have to
conduct the funeral in the daytime, but Sam insists on being there for the old maester who's always been good to him. Near the
end Aemon wakes up delirious from a dream, still lost in memory from his youth: he calls out to his brother Egg, and says that he
had a strange dream that he was an old man. Aemon passes away soon afterwards.

In the courtyard of Castle Black, Sam eulogizes Aemon before lighting his funeral pyre,
declaring for all to hear that he was the blood of the dragon - "but now his watch is ended."
Ser Alliser quietly warns him that one by one, Sam is losing all his friends. Afterward, Gilly is
attacked in the dining hall by two brothers, but Sam and Jon's direwolf, Ghost, come to her
rescue. Sam is badly beaten, and Gilly tends to his injuries. Still in grief at Aemon's death and
impressed by Sam defending her, Gilly climbs on top of him and they have sex. Samwell loses his virginity with
Gilly.
In the North
At Winterfell, Reek brings food to Sansa. She begs him for help, telling him how she has been
locked in her bedchamber since her wedding and is visited by Ramsay every night and he forces himself on her. Reek simply
tells her to obey Ramsay or else he would do worse things to her. Sansa asks what Ramsay did to Reek to break him to such an

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extent, but he can't bring himself to tell her. He tries to leave but Sansa grabs and reminds him that he betrayed her family,
making Reek apologize profusely. Sansa informs him that her family still has allies in the North and tells him to light a candle at
the top of the Broken Tower which will signal them that she is in danger. When Reek refuses to do it, Sansa reminds him of his
true name, Theon Greyjoy, and makes him promise that he'll help her. Reek hesitantly agrees. He trudges through the snow with
the candle, up a flight of stairs and into Ramsay’s room.

Later, Sansa is taken to see Ramsay on the ramparts, which are still under construction. While he is distracted, Sansa grabs a
workman's tool lying on a nearby barrel and pockets it. Ramsay speaks of his thoughts on how they will easily defeat Stannis's
army since their soldiers, unlike Stannis's, are trained to fight in the snow, and how he'll one day be the Lord of Winterfell and the
Warden of the North.

Sansa reminds him of the unborn baby, who, if a boy, will have a stronger claim on the North since he'll be a true-born. Ramsay
tells her that he is Roose Bolton's eldest son, legitimized by the king, who Sansa reminds him is another bastard. Ramsay is
obviously angered by Sansa's remarks, but doesn't act on it, simply stating that bastards can rise in the world too, informing her
of Jon's appointment as Lord Commander of the Night's Watch. Ramsay then brings up the reason why he summoned her, and
shows her the crucified and partly flayed corpse of the old woman who promised to help Sansa if she lit a candle in the Broken
Tower. Ramsay then reveals to Sansa that Reek, who seems miserable to have squashed Sansa's only hope of an escape,
came to him and told him everything. Sansa chokes back tears as a gleeful Ramsay orders his men to take her back to her
chamber. Meanwhile, Brienne stares intently at Winterfell castle from her room in the inn, waiting for the sign to rescue Sansa.

Stannis's troops make camp during a violent snowstorm. Davos Seaworth meets with Stannis
and informs him that forty horses died the previous night and more will die come sunset. The
Stormcrows, a sellsword company, have fled in the night. Davos thinks that they should go
back to Castle Black and wait out the weather since they do not have enough food, but
Stannis stubbornly tells him that they will not retreat to Castle Black because he will not risk
being known as "the King who Ran". As winter will soon arrive, they also run the risk of being Stannis inside his command tent
with Davos and Melisandre, en
stuck at Castle Black for years, during which the Boltons will regain their strength. Seeing no
route to Winterfell.
other way to convince Stannis otherwise, Davos leaves.

Stannis asks Melisandre if she is sure of their victory at Winterfell. Melisandre assures him,
reminding him that he also saw the vision of his victory in the flames, but Stannis is not so sure what he saw anymore.
Melisandre reassures him that her visions will come true, but also states that a sacrifice, one with King's blood, must be made in
order to ensure their victory, implying that they sacrifice Shireen. Stannis is infuriated by the suggestion and orders her to leave.

In Dorne
Prince Doran has Areo Hotah bring Myrcella to Jaime in the quarters where he is confined, as
Jaime is concerned for her safety. Displaying a somewhat more critical mind than her
brothers, Myrcella is suspicious about Jaime's "diplomatic mission" to bring her back to King's
Landing, to which Jaime only replies that there are "complicated matters" involved. Myrcella
flatly refuses to return with him, stating her intent to marry Trystane.

Bronn is singing The Dornishman's Wife in his jail cell, while in the adjoining cell, the Sand Myrcella and Jaime talk about

Snakes listen with a mix of annoyance from Obara and Nymeria and amusement from Tyene. Trystane.

After he finishes, the two parties trade barbs, and Tyene inquires about Bronn's arm, which
she cut with her daggers during their earlier fight, with Bronn brushing it off as "a new scar". The two begin to talk about Tyene's
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beauty, which Bronn dismisses until she begins to disrobe. Bronn stares intently, and begins to change his mind about her.
Tyene once again inquires about his arm, and then his head, at which point Bronn's nose starts bleeding and his vision blurs.

Bronn collapses and tries to play off his sudden illness, but Tyene reveals that her daggers
were coated with a slow-acting poison called The Long Farewell, and her attempts to seduce
Bronn were to get his heart pumping faster, thereby allowing the poison to act quicker. She
points to an ampoule on her necklace, which contains the antidote, but only offers to give it to
Bronn on the condition that he agrees that she is the most beautiful woman in the world.
Bronn is poisoned by Tyene
Growing weaker, Bronn barely manages to reply affirmatively, and she tosses the ampoule to Sand.
a relieved Bronn. Tyene smiles smugly at him and remarks that she finds him handsome as
well, before re-robing and sitting down next to her mildly amused half-sisters.

In King's Landing
In the Great Sept of Baelor, Lady Olenna meets with the High Sparrow to discuss the imprisonment of her grandchildren, Ser
Loras and Queen Margaery. Although they briefly bond over the infirmities of age, she demands that he release them and he
declines, stating they will be punished for their crimes. The High Sparrow tells her that the Gods' Laws must be applied to
everyone equally. Olenna first tries to bribe him, but learning that he cannot be bought, threatens to end the Tyrell support for the
capital by ending shipments of food. Again the High Sparrow is unfazed, remarking that the nobility of Westeros have forgotten
they are outnumbered by the common folk and tells Olenna to ponder what happens when the many stop fearing the few.
Returning to her palanquin, Olenna receives a letter bearing Petyr Baelish's seal.

Meanwhile, in the Red Keep, King Tommen rails over his inability to help Margaery. He wants to start a war for Margaery,
declaring his love for her to a dumbstruck Cersei. To maintain control of the situation, she offers to speak with the High Sparrow
for him and advocate for Margaery and Loras's release. Although clearly suspicious, the still-overwhelmed Tommen agrees.

Littlefinger meets with Olenna in his ransacked brothel, where they share a tense conversation. Olenna reminds him of the role
they both played in Joffrey's murder, and that, should her House fall, she will have no reason to keep his involvement a secret.
Littlefinger explains why he returned to King's Landing - he dared not refuse Cersei's summons, and was obliged to give her
information. He tells Olenna that he will give her the same thing he gave Cersei: a handsome young man — implied, in this
instance, to be Lancel.

In the Sept's cells, Cersei meets with Margaery and brings her food but Margaery refuses, revealing that she knows her mother-
in-law is responsible for having her and Loras imprisoned. Cersei, fearful of being overheard, denies this. Margaery mocks
Cersei for her unconvincing lies of trying to save her, going as far as to say that while she knows how to lie and scheme, she
doesn't understand innocence and decency well enough to fake them, which Margaery suspects is why Tommen loves her,
Margaery, and was willing to send Cersei back to Casterly Rock. Cersei, concealing her fury, tells Margaery her trial will soon
begin and that her son needs his mother more than ever. Margaery throws the stew at Cersei, and yells at her to get out. Cersei
leaves the cell, smiling smugly at Margaery.

On her way out, a still gleeful Cersei meets with the High Sparrow in a chapel that predates the Great Sept. The pair briefly
discuss the legal process that Margaery and Loras will face. As the conversation goes on, however, it's clear that the High
Sparrow is about to turn the tables on Cersei. When Brother Lancel appears, Cersei realizes what is about to happen, and her
triumphant smile begins to crack. The High Sparrow has an irate Cersei taken into custody by a group of Septas who ignore
Cersei's threats and lock her in a cell.

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In Meereen
Jorah is sold by Malko to Yezzan zo Qaggaz. Before Yezzan leaves, Tyrion convinces him that Jorah and he are a team, and is
also bought. In Meereen, Daenerys and Daario discuss her impending marriage to Hizdahr zo Loraq. After rejecting his
suggestion that she marry him instead, Daario advises her that, on the day the fighting pits are reopened, she should gather all
the Great, Wise and Good Masters and kill them. Dany is reluctant to do so, as she believes it will give her the reputation of a
butcher, to which Daario replies that "all rulers are either butchers or meat".

Yezzan takes his fighters to Meereen, to test them in the lower pits and seek out those who
are worthy to fight in the Great Pit of Daznak. They fight in front of a reluctant Daenerys, as
Hizdahr has convinced her that Meereen's ruler occasionally makes the rounds to the lower
pits ahead of the main tournament. Jorah enters the Pits early, upon realizing that she is
watching and will be repulsed by what she's seeing, and elbows down Yezzan who tried to Dany views the fighters training
berate him. Jorah easily defeats the other fighters without killing them, impressing Dany for Daznak's Pit.
enough to prevent her from leaving. When he reveals his identity, however, her face swiftly
twists into a scowl and she orders him taken away. Before the Unsullied can comply, Jorah
declares that he brought her a gift, and Tyrion enters the arena and reveals his identity to the astonished Queen.

Appearances

Main: The Gift (episode)/Appearances

First
Brant
Derek
Arryk
Erryk
Yezzan zo Qaggaz
Unella
Moelle
Scolera

Deaths
Aemon
Old woman
Many unnamed Slaves

Production
Cast

Starring Guest Starring

Peter Dinklage as Tyrion Lannister Diana Rigg as Olenna Tyrell

Nikolaj Coster-Waldau as Jaime Lannister Jonathan Pryce as the High Sparrow
Lena Headey as Cersei Lannister Peter Vaughan as Aemon
Emilia Clarke as Daenerys Targaryen Owen Teale as Alliser Thorne
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Kit Harington as Jon Snow Ben Crompton as Eddison Tollett

Aidan Gillen as Petyr Baelish DeObia Oparei as Areo Hotah
Natalie Dormer as Margaery Tyrell Enzo Cilenti as Yezzan zo Qaggaz
Stephen Dillane as Stannis Baratheon Keisha Castle-Hughes as Obara Sand
Liam Cunningham as Davos Seaworth Rosabell Laurenti Sellers as Tyene Sand
Carice van Houten as Melisandre Jessica Henwick as Nymeria Sand
John Bradley as Samwell Tarly Daniel Portman as Podrick Payne
Kristofer Hivju as Tormund Giantsbane Joel Fry as Hizdahr zo Loraq
Hannah Murray as Gilly Nell Tiger Free as Myrcella Baratheon
Dean-Charles Chapman as Tommen Baratheon Brenock O'Connor as Olly
Alfie Allen as Theon Greyjoy Eugene Simon as Lancel
Sophie Turner as Sansa Stark Adewale Akinnuoye-Agbaje as Malko
Iwan Rheon as Ramsay Bolton Hannah Waddingham as Unella
Gwendoline Christie as Brienne of Tarth Brian Fortune as Othell Yarwyck
Jerome Flynn as Bronn Michael Condron as Bowen Marsh
Michiel Huisman as Daario Naharis Ian Lloyd Anderson as Derek
with Iain Glen as Jorah Mormont Jonathan Byrne as Brant
Nikola Bace as a Tyrell guard

Uncredited

Roman Beguns as a Fighter

James Bleakney a Baratheon Soldier
Rob de Groot as a Fighter
Graeme Peacock as a Volantis Fighter
Mark Quigley as a Baratheon Fighter
Michael Stuart as a Night's Watch Officer
Unknown as Boake

Cast notes
21 of 27 cast members for the fifth season appear in this episode.
Starring cast members Indira Varma (Ellaria Sand), Maisie Williams (Arya Stark), Conleth Hill (Varys), Nathalie Emmanuel
(Missandei), Tom Wlaschiha (Jaqen H'ghar) and Michael McElhatton (Roose Bolton) are not credited and do not appear in
this episode.
Trevor Addie, George Appleby, Richard Bradshaw, Rob DeGroot, Levan Doran, Clint Elvy, James Embree, Radoslav
Ignatov, Borislav Iliev, Rowley Irlam, Danko Yordanov, Leona McCarron, Camilla Naprous, Radoslav Parvanov, Jan
Petrina, Marc Redmond, Paul Shapcott and Ryan Stuart were stunt performers in this episode.

Notes
The title of this episode refers to Tyrion, who was initially kidnapped by Jorah Mormont as a "gift" for Queen Daenerys, and
he refers to himself as such when he presents himself to her. Perhaps it also refers to the "gift" Littlefinger says he has for
Olenna, the same kind he gave Cersei. It does not, as was initially assumed, refer to "The Gift", the region of land
immediately south of The Wall which was "gifted" to the Night's Watch when the Wall was constructed, for their sustenance
and support.

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Arya Stark and Braavos do not appear in this episode. Brienne of Tarth briefly appears for one shot as she waits for a
signal but she has no speaking lines. House Greyjoy has not yet appeared this season.
As of this episode, Tyrion Lannister has officially surpassed his current material from the most recent novel. The
fifth and most current novel ends with Tyrion in Meereen and in the fighting pits, and he catches sight of Daenerys at one
point, but they have not met face to face yet. It is implied that their meeting is on the verge of happening soon, at the
beginning of the next novel. Daenerys's storyline is also going to finish all of her material from the fifth novel by the end of
Season 5.
Executive producer David Benioff explained in an interview with Entertainment Weekly that they moved the meeting
between Tyrion and Daenerys up slightly like this because they felt it wasn't good dramatic pacing to hype up earlier
in the season that they would meet, only to leave viewers hanging across the break until Season 6. As Benioff said:
"Creatively it made sense to us, because we wanted it to happen. They’re two of the best characters of the show. To
have them come so close together this season then have them not meet felt incredibly frustrating. Also, we’re on a
relatively fast pace. We don’t want to do a 10-year adaptation of the books, we don’t want to do a nine-year
adaptation. We’re not going to spend four seasons in Meereen. It’s time for these two to get together. It’s hard to
come up with a more eloquent explanation, but this just felt right. [Varys] puts Tyrion’s mission out there [in the
season premiere] and the mission ends in Meereen....There will always be some fans who will think it’s blasphemy,
but we can't not do something because we're afraid of the reaction. I like to think we've always done what’s in the
best interest of the show and we hope most people agree."[1] Benioff and Weiss have frequently said in the past that
they feel they are adapting the story as a whole and not trying to neatly match one book to each season, i.e. Jaime
didn't do much in the second novel so they moved some of his more interesting material from the beginning of the
third novel (when he starts traveling with Brienne) up to the end of Season 2.

Daenerys and Daario Naharis mention that she is facing "enemies within and without" Meereen. In the novels, while the
attacks of the Sons of the Harpy are an ongoing problem within Meereen, Daenerys is also threatened by the slave-
masters from Yunkai who reasserted control over that city. In Season 4 it was mentioned that the slave-masters retook
Yunkai, and that Daenerys was sending Hizdahr and Daario as envoys to treat with them. In the novels, Daenerys has
disrupted the international slave-trade so much (because Meereen is a major exporter of slaves) that the major slaver
factions of the region, particularly the Wise Masters of Yunkai, mass armies against her, and much of her narrative in the
fifth novel involves a dangerous series of political moves to try to stave off open war with the slave-masters from outside
Meereen. The TV series has condensed events by focusing more on the threats within the city - but apparently the Yunkish
slave-masters are still applying external pressure on Daenerys, "off screen": note that Yezzan zo Qaggaz is a Yunkish
slave-master, and Tyrion and Jorah are sold to him at a slave-auction being held on the outskirts of Meereen, apparently at
a Yunkish camp.
The slave-masters from each of the three major cities in Slaver's Bay are addressed by different titles: those from
Meereen are the "Great Masters", from Yunkai the "Wise Masters", and from Astapor the "Good Masters". When
Daario is talking to Daenerys in bed he flippantly says she should gather up and kill all of the Great Masters, Wise
Masters, and "Worthy Masters". There are no "Worthy Masters", but Daario seems to be just sarcastically referring to
"Good Masters" by slightly misnaming them on purpose.

Daario's suggestion to round up all of the slave-masters and kill them all has a few more details in the novels, absent from
the TV series: in the book version, he casually suggestions to lure all of the slave-masters into a trap by inviting them all as
guests to her marriage ceremony to Hizdahr, and then massacring them all under flag of peace: "Winkle them out of their
pyramids on some pretext. A wedding might serve. Why not? Promise your hand to Hizdahr and all the Great Masters will
come to see you married. When they gather in the Temple of the Graces, turn us loose upon them." (A Dance with
Dragons, Daenerys IV) This has clear narrative echoes of the Red Wedding, though the overt comparison is not made in
the text. Daenerys is so appalled at his suggestion, however, that it drives her in the other direction, to seek peace through
the marriage-alliance.
When Malko presents Jorah Mormont at the slave auction, he mixes up several facts in his sales pitch, some clearly on
purpose: he claims that Jorah is a Westerosi knight from an ancient house trained in sword and lance, who fought beside

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the stag king Robert (which is true); he goes on to claim that Jorah was first through the breach at the "Siege of Spyke",
wielding a flaming sword with which he killed 50 men - at the Siege of Pyke, Thoros of Myr was actually first through the
breach and wielded a flaming sword; Jorah was through the breach right after him, and performed so valiantly in the battle
that King Robert knighted him (and he probably killed quite a few enemies). Malko finishes by claiming that Jorah killed
Khal Drogo in single combat - when Jorah told Malko directly in the last episode that he killed Drogo's bloodrider, Qotho, in
single combat (so on that point at least Malko is exaggerating on purpose).
At the slave auction, the currency that is used in Meereen is mentioned by name for the first time: Gold Honors. Jorah is
bought for 20 Gold Honors by Yezzan, which based on the bidding seems like a relatively substantial price for a pit fighter.
Several places in Essos use currency called "Gold Honors", but they have different appearances and values in each (just
as "United States dollars" and "Canadian dollars" are two separate things). There are Meereen Gold Honors, Volantis Gold
Honors, and Qarth Gold Honors. Yunkai and Astapor apparently also use their own Gold Honors. The exchange rate
between Westerosi "Gold Dragon" coins and Meereen "Gold Honor" coins is unknown.
In the novels, 5,000 Gold Honors for a pair of slaves sent to the fighting pits is actually thought to be insultingly low.
References to Gold Honors in the Season 5 "Histories & Lore" video (for "The Fighting Pits of Meereen") use figures
closer to the novels, saying that a champion gladiator-slave can be worth 300,000 Gold Honors. It might be possible
to reconcile this if it were established that the slavers at the auction in this episode were simply speaking in clipped
phrases, i.e. "I bid twenty" as short for "I bid twenty (thousand)".

When Jorah and Tyrion go out to the fighting pit, the way the camera shots are framed (and particularly Yezzan's pre-fight
pep talk to them) seem to be homages to the film Gladiator, directed by Ridley Scott, which won the Academy Award for
Best Picture in 2000. Incidentally, actor Jack Gleeson stated that while he based his performance as Joffrey Baratheon on
several major film villains, one of his strongest influences was the main villain in Gladiator, the arrogant and petulant
Emperor Commodus.
While filming the fighting pit training scenes, actor Iain Glen {Jorah) scratched his left eye, which made it fill up with blood.
Instead of writing that into the script, every shot of him in episodes seven and eight ("The Gift" and "Hardhome") had to be
digitally fixed in post-production.[2]
Maester Aemon's death makes Daenerys the last known full-blooded Targaryen in the entire world.
Through intermarriage, a few of the other Great Houses have some Targaryen blood in them, specifically House
Baratheon and House Martell, but then, most of the Houses are interrelated on some level. Aemon considered
Daenerys to be the last Targaryen after him, and all other characters conceive of her as the "last Targaryen".
Maester Aemon's death is highly unusual for a death in the TV series, in that he is the first on-screen character to
simply die from old age, and peacefully in his bed at that (as the producers even point out in the Inside the Episode
video). Historical characters mentioned in the narrative have died of old age, but they lived before the events of the
narrative. The only other character to die of old age and natural causes during the time frame of the TV series itself
was Hoster Tully, Catelyn Stark's father, early in Season 3 - but he was never a "speaking role" nor did he ever
appear alive on-camera; he died off-screen and he only appeared as a corpse at his funeral. Thus the point stands
that Aemon is the only "on-screen character" to ever die simply from old age.

On his deathbed, Aemon talks about his younger brother Aegon, nicknamed "Egg", who went on to become King Aegon V
Targaryen after Aemon refused the throne. He is one of the two titular protagonists in the Tales of Dunk and Egg, and
ongoing series of prequel novellas written by George R.R. Martin which begin 90 years before the start of the main A Song
of Ice and Fire series, detailing Egg's rise from a young boy to king on the Iron Throne. Martin has discussed optioning the
rights to the prequel novellas to HBO to make a Tales of Dunk and Egg TV adaptation, though negotiations are in a very
early stage as of this episode, and due to the extreme workload it would only possibly be produced after the main TV
series is finished.

Aemon and Egg had two older brothers and neither was expected to become king, so Aemon became a maester.
Both of their older brothers later died, yet because maesters give up all claims to inheritance and title, the crown
passed to his younger brother Aegon. Aemon still "refused the throne" because Aegon was a populist reformer who

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wanted to raise taxes on the rich, making him unpopular with many powerful nobles, who urged that Aemon ask
permission to be released from his vows to become king ahead of Egg. Aemon easily could have become king with
their support, but he felt it would be dishonorable to renege on his vows and refused their offer. He also did not want
to be used as a political pawn against his own brother, so he then joined the Night's Watch - at the Wall he was as far
removed as possible from the intrigues at the royal court, and he then had taken two sets of vows abdicating any
right to inheritance (and the Watch's vows are held to be even more sacrosanct than maesters' vows). Many others
take part in the political intrigues and wars to take and hold the Iron Throne, and usually end up getting killed or
betrayed. Aemon, in contrast, was outright offered the throne, but instead of being consumed by ambition he simply
declined and was content to selflessly provide advice to others throughout his life - and unlike those who fought over
the throne, he ended up dying peacefully in his bed of natural causes at over a hundred years old.

Aemon refers to Gilly as "Gillyflower". In the Season 3 finale, "Mhysa", when Aemon first met Gilly, he realized she had
been named after Gillyflowers, which are a real-life kind of flower.
In the novels, Gilly is not attacked by two men of the Night's Watch who want to rape her (though many members of the
Watch are indeed convicted rapers who were given a choice between exile to the Wall or castration as punishment).
Instead, after Aemon dies Samwell and Gilly have a toast to his life and both end up getting very drunk, and in their shared
grief they seek comfort together physically (as in the TV series, Gilly is actively moving this forward - she pushes him back
onto her bed and she is on top as they have sex - while Samwell is reluctant because this is breaking his vows of celibacy,
but he soon gives in). The TV series entirely invented the additional element that Gilly is nearly raped but saved by
Samwell - multiple professional critics complained that this was unnecessary and formulaic, and also insensitive given that
there were already several other sexual assaults in the TV series (some of which had more reason to be in the TV series
than this scene, given that they were in the novels, i.e. the description that Gregor Clegane brutally raped and killed Elia
Martell, or Ramsay Bolton hunting, raping, and killing young women for sport).[3]
The brief scene in which Ghost defends Gilly and Samwell from their attackers may have been filmed on a sound
stage in Calgary, Canada. In Season 5 (in this episode and his last appearance in the season premiere), Ghost has
been played by a real trained wolf named Quigley. The production team wanted to hire a full-sized wolf to play Ghost
now that he is older. They had been trying to work with Quigley's owner for several years now, but their schedules in
past seasons did not match. Originally they wanted to simply ship Quigley to Northern Ireland, but due to several
restrictions on international transport of large animals, they ultimately decided it was easier to just fly out to Canada
and film the actors with Quigley in an interior set constructed in Calgary. This is similar to how back in Season 3, Bart
the Bear could not be transported from the United States to Northern Ireland, so Gwendoline Christie (Brienne of
Tarth) and Nikolaj Coster-Waldau (Jaime Lannister) had to film the bear-pit scene at Harrenhal in a small set
constructed on a studio lot in Los Angeles.[4]
When Gilly has sex with Samwell in the novels, she whispers "I am your wife now" to him. When Jon Snow had sex
with Ygritte, it was later pointed out to him that the wildlings don't have formal "laws" so much as loose customs
about Marriage: essentially if a man has sex with a woman and she stays in a relationship with him, this is enough for
the wildlings to consider them a husband and wife, without any ceremony - and thus from a wildling point of view,
Ygritte could call herself Jon's wife (bluntly, "Jon's woman") and Gilly can call herself Samwell's wife. A major element
of wildling marriage is missing from Sam and Gilly's relationship, though - the kidnapping: Ygritte explained to Jon
that a wildling man is supposed to kidnap the woman he wants, while risking serious injury or even death from her
and her family, but if he succeeds, it means he is strong and brave and cunning - and that's what wildling woman
wants as a husband, and Jon fulfilled that term (although he insisted that the act of kidnapping Ygritte by him was not
meant for sex). Sam could be said to have absconded with Gilly when they fled Craster's Keep (but in the novels it
was actually Craster's other wives that urged Sam to flee with and protect Gilly). Either way, in the novels after they
sober up, Gilly doesn't call herself Samwell's "wife" again, and after they both lost control like that he is reluctant to
have sex with her again, due to his vows.
John Bradley (Samwell Tarly) commented on Sam and Gilly's intimate scene together: "That scene says a lot about
the treatment of sex on Game of Thrones. I'm very reluctant to call it a sex scene. I think it's a love scene. There's a

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difference, and I think sex can be treated on the show in almost animalistic terms. It can be seen as a very base
symptom of the human condition, to want that. And a lot of times on the show, it can very guttural and scatological
and dealt with very practically, as just a physical act. But when you see a love scene on the show, there's a difference
in tone. It's treated with more respect, and that's where the layers come from in that scene. You're seeing two people
physically demonstrating their love for each other. Gilly's changed him. She saved him. Sam saved Gilly's life, in a
very literal sense, but Gilly has saved Sam's spirit. They saved each other.[5]

Although not directly stated, Jon Snow and Tormund are not riding directly to Hardhome: Castle Black is in the middle of
the continent, so they are riding to the eastern end of the Wall to Eastwatch-by-the-Sea, one of only three remaining
manned forts on the Wall and the Watch's only port. Hardhome is also on the east coast. Stannis explained previously that
because he is going inland he would loan his remaining ships to Jon for this mission. When they arrive at Hardhome next
episode they indeed arrive by ship.
Ramsay Bolton says that he is no longer a bastard but was "naturalized" - this isn't an actual legal term in Westeros, the
correct one used previously is "Legitimized". The polite term for bastard children is "natural children" - though given
Ramsay's half-educated and wild condition, it is possible that in-universe Ramsay himself is mistakenly using an incorrect,
slurred term (sort of like saying, "I've been un-bastard-ized").
This episode's dialogue makes it explicitly clear to viewers that Ramsay's legitimization was a decree issued by King
Tommen, which Roose then delivered to his son Ramsay - Roose himself never had the power to legitimize Ramsay,
only a king can do that. The dialogue in Season 4's "The Mountain and the Viper" left this somewhat vague to
viewers, when Roose handed the legitimization decree to Ramsay but didn't mention Tommen. Promotional images
from that episode did show a close-up of the decree Roose handed to Ramsay, and it indeed had Tommen's stag-
and-lion sigil on the seal, but casual viewers who only watched the aired episode wouldn't have been able to know it
was a decree from Tommen and the Lannisters.

Sansa spars with Ramsay by bringing up that his father Roose is going to have a baby with his new wife Walda Frey, and if
it is a boy he would be ahead of Ramsay in the line of succession. This isn't a "mistake" of dialogue but Sansa is making a
slanted argument to make a jab at Ramsay. Martin has stated that legitimization of bastard children happens so rarely in
Westeros that there is simply no official legal precedent for where they stand in the line of succession. If a lord has a
legitimized bastard son but then a younger, legitimate son with a new wife, which of them will be heir is simply up to the
lord's discretion - whether he wants to go by absolute age, or to rank his legitimized bastard behind his born-legitimate
children. For that matter, some even argue that a legitimized bastard son ranks behind a younger but born-legitimate
daughter. Such disputes are a frequent cause of civil wars in Westeros. If Walda has a son it wouldn't automatically be the
new heir, as Sansa's line might imply, but she is trying to unsettle Ramsay by pointing out that there are many who
nonetheless feel that Roose's new born-legitimate child will outrank him.
Ramsay and Roose discussed Walda's pregnancy two episodes ago in "Kill the Boy", and Roose reiterated that he
considers Ramsay his heir, even if Walda has a son - but as the TV producers pointed out in the behind-the-scenes
videos, he is now holding it over Ramsay's head that he needs to shape up and behave himself, because if he
doesn't Roose now has a fallback option and can disinherit him if he wants to.

In this episode, Ramsay informs Sansa that her half-brother Jon Snow has become Lord Commander of the Night's Watch.
In the books, Sansa has not returned to Winterfell and does not marry Ramsay Bolton but remains in the Vale. Sansa
learns of Jon’s recent election as Lord Commander of the Night’s Watch from Myranda Royce in the fourth book, prompting
Sansa to think how “so sweet” it would be to see Jon again and that he is the only surviving member of her immediate
family she has left. She has a few more distant surviving family members but her uncle Edmure Tully is a Lannister
prisoner, the rest of the Tully garrison are hopelessly besieged at Riverrun and her cousin, Sweetrobin Arryn, is little more
than a sickly puppet of Littlefinger.
At this point in the TV series, Jon and Sansa have never actually exchanged dialogue. In the books, they haven’t
shared dialogue in present time but only in memory. They briefly appeared together when the entire Stark household
gathers in Winterfell's courtyard to greet King Robert's arrival. Sansa was very close to her mother Catelyn, who
avoided her husband's bastard son by another woman, and she also pursued different interests such as needlework
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and dancing. As a result, Sansa might not have spent much time with Jon, unlike the tomboyish Arya, who was very
close to Jon. Nonetheless, in Sansa’s current predicament, it is obvious that Sansa would turn to Jon for help or
shelter, which Jon would certainly provide. Despite Sansa and Jon apparently not having as much interaction growing
up, other than in shared family memories, they think of each other at various points in the books after their family’s
separation. Some examples include Jon missing his family, including Sansa, when he first experiences the hardships
of the Night's Watch; recalling Sansa’s advice to him on how to talk to girls; and, upon regarding the beauty of a
winter morning, fondly recalling how Sansa would call this an “enchantment.” Likewise, Sansa thinks about Jon when
she meets a member of the Night’s Watch in the first novel; remembers Jon with the rest of her family while she sings
in the sept during the Battle of Blackwater; and thinks of how "so sweet" it would be to see Jon again in the fourth
novel while she is hiding in the Vale with Littlefinger.

Ramsay mentions that Stannis has bolstered his forces with "thousands of foreign sellswords". At Stannis's camp, Davos
later also mentions that they have hired sellsword companies (though the Stormcrows ran off in the night). This is a major
running subplot in the novels which has apparently been heavily condensed in the TV series. It isn't even directly explained
how Stannis got the money to hire so many sellswords, but simply mentioned in passing that he has them.
Essentially, in the novels, as it progressively becomes clear that Cersei and the Lannisters cannot pay back the Iron
Bank of Braavos, the bank correspondingly becomes more willing to give even more new loans to Stannis, so he can
hire more sellswords. Apparently this happened "off screen" in the TV series, though it was explained three episodes
ago in "Sons of the Harpy" that the Iron Bank has called in its debts, and the Lannisters only physically possess one
twentieth of the total debts they owe the bank.
Time moves more slowly in the TV series than in the novels, about one year per season, and Stannis spent about
half of Season 5 at Castle Black. It stands to reason that he stayed there longer in the TV continuity, perhaps a few
months while he reconsolidated his remaining army (and sent letters to Northern leaders like Lyanna Mormont to try
to win their allegiance). It is therefore entirely possible that, off-screen, in the past weeks Stannis was exchanging
letters back and forth to the Free Cities, getting more loans from the Iron Bank, and also hiring and transporting new
sellsword companies. Stannis said in Season 4 that he had about 4,000 men left - he visibly had around 3,000 men in
the Battle of Castle Black, though he may have left a few hundred men behind to garrison Dragonstone. In the next
episode the Boltons say that Stannis's total forces number about 6,000 (minus the Stormcrows who left), so about 2-
3,000 of his remaining force must be sellswords.
In the novels, there are more scenes at the Small Council in which Cersei ineptly tries to deal with the debt crisis, as
representatives from the Iron Bank come to the council but Cersei's only response is to insult them. This culminates
in Cersei bluntly telling the bank that, despite the huge amount of money she owes them, she has no intention of
paying them back even a fraction of what they are owed for the duration of the ongoing rebellions by Stannis or the
Greyjoys - which might take years to be completely crushed. The Iron Bank responds by officially switching its
support to Stannis as the acknowledged rightful king, and sending Tycho Nestoris to the Wall in person to extend him
a massive new loan, enough to hire 20,000 new sellswords. Stannis signs the contract (in his own blood), then
dispatches one of his knights (Ser Justin Massey) to go to the Free Cities to hire these new forces (needed for when
he hopes to march on southern Westeros), though he then proceeds in his march towards Winterfell with his current
forces. Given that Cersei is already imprisoned by the High Sparrow in this episode, these scenes of Cersei insulting
the bank, causing them to officially switch support to Stannis with massive new loans, seems to have been heavily
condensed and is only somewhat implied that the bank must have been giving Stannis even more loans as they get
more angry at Cersei for not paying them back.
Davos mentions to Stannis that the Stormcrows are a sellsword company that they hired, 500 men strong, but they
lost heart at the rough march through the snow and ran off during the night. This is a nod to the novels, in which the
Stormcrows play a larger role. When Daenerys arrives in Slaver's Bay, there are actually two sellsword companies
that she wins to her allegiance: the Second Sons and the Stormcrows. The TV series simplified this by only having
her encounter the Second Sons (but then doubling the number of soldiers that the Second Sons have in the TV
series). In the novels, Daario Naharis was actually the captain of the Stormcrows, not the Second Sons, but he was

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made leader of the Second Sons in the TV series after this was condensed together. The Stormcrows are currently at
the Slaver's Bay and have nothing to do with Stannis and his military campaign at the North.

Melisandre reveals that she wants to sacrifice Shireen to the Lord of Light to ensure victory. She has made no mention of
this intention in the novels - yet, though it is implied that she might want to in the future (not necessarily against the Boltons
but in the war against the White Walkers). Melisandre also mentioned last season that she wanted Shireen taken with them
when they left for the Wall because the Lord of Light's plans involve her.
In the novels, when Stannis receives his new giant loan from the Iron Bank and sends Ser Justin Massey to Braavos
to hire a major new army of 20,000 sellswords, he specifically says that even if he dies in battle and the assault
against Winterfell fails, he expects his remaining forces elsewhere to return and keep fighting to put his daughter
Shireen on the Iron Throne.

Melisandre and Stannis mention that she threw leeches containing "king's blood" (Gendry's blood) into a fire back in
Season 3 episode "Second Sons", as a spell to kill the rival kings in Westeros, after which Robb Stark and Joffrey
Baratheon did indeed die. Oddly, they do not refer to two facts that cast serious doubts on Melisandre's claims: first, only
two of the three "usurpers" have died, although Stannis also named Balon Greyjoy during the spell as another rival king
that will die; second, neither of them was killed by magical means.
In the books, Davos stresses those facts in order to discredit Melisandre, and by that - to dissuade Stannis of
sacrificing his bastard nephew Edric Storm (in the show he was replaced by Gendry), as Melisandre keeps
demanding. Melisandre insists that the Boltons and Freys were merely the Lord of Light's instruments; Stannis,
however, agrees with Davos and refuses to let Melisandre to sacrifice Edric. When the third "false king" dies, Stannis
finally agrees to sacrifice Edric, but Davos has already sent him away.
Perhaps not coincidentally, the episode makes it a point for Sansa to emphasize to Reek that he is really Theon, son
of "Balon Greyjoy". Balon has barely appeared or even been mentioned in the TV series since Season 2 ended. He
only briefly appeared for a single scene in the Season 3 finale. The only other time that Balon was even mentioned
between the Season 3 finale and this episode was back in Season 4's "The Mountain and the Viper", but again, only
in the sense that Ramsay has Reek "pretend to be Theon", and he introduces himself as "Theon, son of Balon".

Myrcella Baratheon says that she has been in Dorne "for years". In the novels, Myrcella has only been in Dorne for about
six months at this point. However, the TV-Timeline moves more slowly than in the novels, at a rate of one TV season equal
to about one year of in-universe story-time. Given that Myrcella went to Dorne in mid-Season 2, and it is now mid-Season
5, TV-Myrcella has indeed been in Dorne for about three years now.
This does raise a separate issue: Gilly's baby Little Sam was born in mid-Season 3, meaning that he should be
nearly two years old at this point. He can't plausibly be "a baby" much longer going into Season 6. Also, in the novels,
wildlings don't actually name their children until they are two years old, due to their high infant mortality rate living
north of the Wall. After Aemon dies, Gilly says that she wants to name Mance Rayder's baby in his honor once he
turns two years old.

Bronn finishes singing The Dornishman's Wife, which he started singing in the preceding episode and insisted that the
whole song really hinged on the ending - which is the punchline to an obscene joke. The subject of the song keeps praising
the beauty of the Dornishman's wife while describing what a dangerous fighter the Dornishman is; ultimately the
Dornishman challenges him to a duel and he is mortally injured, but as he lies dying he tells his companions that he is
unconcerned, for while the Dornishman has taken his life, he has "tasted" the Dornishman's wife. Jerome Flynn, who plays
Bronn, is actually a professional singer and gets to show off his talents in this episode (much as he did back in Season 2's
"Blackwater" when he got to sing The Rains of Castamere).
Tyene mentions that the poison she coated her daggers is from Asshai. This is where Melisandre is from, and it is
infamous as a city of sorcerers and alchemists, and a major exporter of many poisons (Tyene didn't go to Asshai to obtain
it herself, the poison made its way west along trade routes).
Several professional reviews criticized the invented scene of Tyene taunting Bronn by flashing her breasts at him.
Combined with the fact that the actress herself admitted she had no prior martial arts training at all (leading to heavy

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criticism of the lackluster fight scene in the preceding episode), this led to accusations that she was primarily cast for her
physical appearance in the nude scene.[6][7] Rosabell Laurenti Sellers (Tyene) also admitted that she had never even
watched an episode of the TV series before being cast (though she tried to catch up quickly after she joined).[8] The scene
of Tyene taunting Bronn was actually used as the audition scene for the character (just the dialogue, not the nudity), so it
wasn't just a rushed last-minute addition.[9]
Some TV-first viewers may have been confused or thought it contrived that Cersei Lannister comes to the Great Sept
without guards, purely to gloat at Margaery Tyrell, and that it takes a very long time for her to realize that the High Sparrow
is talking about her sins and has turned on her. Actually, this is essentially what happens in the novels: Cersei has mentally
deteriorated and she is no longer behaving rationally (even compared to her already unstable personality at the time of the
first novel). Cersei becomes a Point of View character for the first time in the fourth novel, on which her current storyline in
the TV series is based. After Joffrey and Tywin die, combined with the stress of her own inability to rule effectively (and
handle the debt crisis or the Tyrells' growing influence), Cersei starts drinking heavily, and her already paranoid and
vindictive traits grow to extreme levels. Cersei spends much of the fourth novel in a drunken fog, staggering from one folly
to the next, her thoughts so fixated on destroying Margaery (or Tyrion) that she becomes oblivious to any other threats
around her - for entire chapters, her skewed and rambling inner thought monologue focuses almost exclusively on her
plans to have the Faith put Margaery on trial, only to mention in passing for a single sentence that Pycelle gaped at her in
shock when she revealed that she re-armed the Faith Militant. Cersei smugly thinks she has a brilliant plan to have
Margaery put on trial by the Faith, even though it really isn't a fool-proof plan, and she hasn't thought out its long-term
consequences at all. Olenna even voiced her shock about this to Cersei's face in the previous episode, bluntly pointing out
to her that the Lannisters are dependent on the Tyrells as their only major remaining source of money, food, and extra
soldiers (in the middle of an already huge debt crisis), but Cersei blithely ignores these obvious points. Cersei also cannot
comprehend that she is making her son look politically weak and ineffectual by conspiring to have his queen imprisoned:
even if Cersei thinks that overall she is preventing him from becoming the Tyrells' puppet, she is really more focused on
making him her puppet.
Tommen briefly imitates Joffrey by saying he should summon the army to storm the Great Sept and "kill them all" to
get Margaery back - unlike his older brother, however, Tommen is a sane and moral person, and only says this
because he is worried about the safety of the wife he loves (in contrast to Joffrey, who would have people killed over
slight insults real or imagined). Moreover, he only says this in a brief moment of anger, but when reminded that it
would be impractical (Margaery would be the first to die) instantly recognizes he shouldn't do that and just meekly
drops the suggestion (again, in contrast to how Joffrey couldn't be talked out of crazed and violent actions).
The High Sparrow points out that the Great Sept of Baelor wasn't in King's Landing since the founding of the city,
which was about 300 years ago. The Great Sept was commissioned by King Baelor the Blessed, who died about 130
years ago.

Putting the scene between Cersei and Tommen and then Jaime and Myrcella right next to each other helps raise a large
point: Cersei never had a substantial relationship with her younger children, but doted on her eldest child Joffrey, spoiling
him rotten while almost ignoring Tommen and Myrcella. Certainly, Cersei convinced herself that she was a good mother
and "loved" all of her children, but she was never greatly concerned for their happiness. She was angered when Myrcella
was sent off to Dorne, or that Tywin and then Margaery took control of Tommen away from her - but even then, it was more
in the sense that something which "belonged" to her was being taken away. Tommen also mentioned back in Season 4's
"Oathkeeper" that Joffrey would often terrorize him, threatening to kill his pet cat Ser Pounce, but Cersei never did anything
to protect him from her favorite son. In this episode she lies and manipulates Tommen while mixing in half-truths: he is
upset at what is happening to his new wife, not realizing that Cersei herself caused it (though she thinks she's doing what
is best for him). In contrast, Myrcella then flatly tells Jaime that she's actually happier in Dorne than back in King's Landing
with Cersei, and they don't even know her very well.
Myrcella says that Cersei told her she had to go to Dorne (in the books Myrcella is sent without Cersei's knowledge
and consent, and against her will): this did not appear directly on-screen, but that is not just an accident of the TV
adaptation, because Tommen and Myrcella barely had any scenes together with Cersei in the novels either (in direct

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contrast with Catelyn Stark, who would have earnest conversations with all of her children, even young Bran). Cersei
never had a heart-to-heart scene in which she discussed with Myrcella that she had to go to Dorne for the marriage-
alliance. Because Cersei was denied POV chapters in the first three novels, along with her children, conversations
she would have obviously had with them do not occur in the books - not because they didn't take place, but because
no POV character would have been present to describe such personal interactions. Cersei's internal monologue prior
to her being consumed by the prophecy, paranoia, and alcoholism (something which disgusted her about Robert)
does not exist in the books, as she does not get her own POV chapters until the fourth novel, after the deaths of
Joffrey and Tywin and her growing dependency on alcohol.

Littlefinger's brothel remains abandoned, after being trashed by the Faith Militant, who also painted angry graffiti on the
walls. Olenna Tyrell and Littlefinger secretly meet in the the abandoned brothel. Diana Rigg (Olenna) remarked in an earlier
interview on what she thought was a hilarious detail which might not be immediately noticeable to viewers: because it is a
brothel, there are dildos and sex toys strewn all over the floor - the dildos are made of clay and the idea is that they were
smashed when the Faith Militant trashed the brothel, so when Rigg was filming the scene there were bits of smashed clay
dildos strewn all over the floor. Rigg joked that it would have made a great photo for her next birthday card.[10]
Olenna has reverted to her Season 3 and 4 costume of teals, pale greens, and dull golds, after wearing House Tyrell's
bolder "true colors" in the previous episode. It's likely she does this because she ostensibly goes to negotiate with the High
Sparrow, instead of being overtly intimidating. A more mundane possibility is that Olenna might have rushed from
Highgarden and is making do with whatever Tyrell wardrobe was on hand in the Red Keep.
According to Finn Jones, who plays Loras Tyrell, the Sparrows motivates were not religious at all but using religion as
a guise for a power grab. Finn Jones said about the Sparrows in an interview that "It's paupers fed up with the elitist
rule."[11] Evidence for this is backed up by Olenna telling the High Sparrow that "Half the men, women, and children
in this foul city break the sacred laws. You live among murderers, thieves, and rapists. And yet you punish Loras for
shagging and Margaery for defending her brother?"
The High Sparrow tells Olenna that The Seven-Pointed Star prohibits buggery and perjury. It is unclear if this is also true in
the novels.
This is the first time since Season 2 that Game of Thrones has aired during Memorial Day Weekend. As in seasons 1 and
2, there was an associated decline in ratings.

In the books

See: Differences between books and TV series - Season 5#The_Gift

The episode is adapted from the following chapters of A Feast for Crows:
Chapter 15, Samwell II: In his illness, Maester Aemon hallucinates he is young again and, confusing Sam for his
brother Aegon, he tells him: “Egg, I dreamed that I was old.”
Chapter 35, Samwell IV: Aemon dies of old age and Sam eulogizes him as a great man, a maester of the Citadel,
chained and sworn, and sworn brother of the Night’s Watch, ever faithful. Sam exalts that no man was wiser, gentler,
or kinder, and that he had counseled a dozen Lord Commanders. Finally, Sam recites: "He was the blood of the
dragon, but now his fire has gone out. He was Aemon Targaryen. And now his watch is ended." Afterwards, Sam and
Gilly have sex for the first time.
Chapter 40, The Princess in the Tower: The Sand Snakes remain imprisoned at Doran’s orders.
Chapter 41, Alayne III: Sansa is told her brother Jon is the new Lord Commander of the Night's Watch.
Chapter 43, Cersei X: Cersei goes to the Great Sept to gloat at Margaery, who she finds barefoot and shivering in a
dark little cell. Cersei feigns sympathy and support, yet Margaery abandons all pretenses, confronts Cersei about her
part in this and screams at her to get out, calling her a "vile, scheming, evil bitch." Cersei claims she will forgive those
words, as Margaery is understandably upset, and walks out. Then, Cersei talks to the High Sparrow, who asks her if

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she spoke to Margaery, and says the Queen will be tried by the Faith, with seven judges. However, he also reveals a
witness against Cersei for the crimes of murder and fornication. She tries to run away but is apprehended by a group
of septas, who don't pay heed to her commands, her screams of "I am the queen!" or to her threats, and imprison her
instead. Cersei threatens Septa Unella, telling her she will have her killed.

The episode is adapted from the following chapters of A Dance with Dragons:
Chapter 23, Daenerys IV: Daenerys expects Hizdahr zo Loraq to put a stop to the Sons of the Harpy’s attacks as a
condition of their betrothal. In bed after sex, Daario says she should have all the Great Masters of dubious loyalty
executed, which horrifies Dany.
Chapter 30, Daenerys V: Just as expected, the Harpy attacks stop after Dany's betrothal to Hizdahr.
Chapter 37, The Prince of Winterfell: Ramsay's bride begs Reek to help her escape. He refuses.
Chapter 38, The Watcher: Prince Doran hosts Cersei’s Kingsguard, who is concerned about Myrcella’s well-being
after her assassination attempt. He asks to see her and Doran concedes.
Chapter 39, Jon VIII: A wildling envoy is sent North to offer the Free Folk shelter South of the Wall.
Chapter 41, The Turncloak: Winter has hit Winterfell. A Bolton muses that, while Stannis is at the mercy of the
weather, they are sheltered in the castle. Ramsay keeps his wife locked away in her room, and Theon has seen the
bruises on her body. He warns her that Ramsay only hurts people when they make him angry, so she should do as
he says.
Chapter 42, The King’s Prize: A snowstorm stalls Stannis’ army in its way to Winterfell. The king is advised to perform
sacrifices to appease the Lord of Light, and also to make camp until the weather improves instead of marching
forward, but he ignores them all.
Chapter 43, Daenerys VII: In bed together, Daario expresses his unhappiness at Dany’s betrothal to Hizdahr, and
asks Dany to marry him instead. Knowing she can't follow her heart, she denies him.
Chapter 46, A Ghost in Winterfell: Reek is let in a plot to rescue Ramsay’s wife, but he is afraid of what Ramsay may
do to him and refuses to help.
Chapter 47, Tyrion X: Tyrion and Jorah arrive to a slave auction just outside Meereen, where they are sold to a slaver
named Yezzan. Then, Tyrion is told that they are to perform at Daznak's Pit.
Chapter 49, Jon X: Jon sends Night’s Watch men in ships to Hardhome in order to bring the wildlings south of the
Wall, so that they are safe from the White Walkers and don’t become wights.
Chapter 57, Tyrion XI: In a Meereenese fighting pit, Tyrion sees Daenerys for the first time.
Chapter 69, Jon XIII: Jon plans his rescue mission to Hardhome with Tormund.
The sixth novel, The Winds of Winter, remains unpublished, so there are some events brought forward from it that may
occur in the story, yet the specific chapters are unknown. This may include Sansa's wedding and her return to Winterfell,
both of which are also part of Littlefinger's plan in the books but have not happened yet. The meeting of Tyrion and
Daenerys has been confirmed to take place in the sixth book.

Memorable Quotes
Ramsay Bolton: "You should hold on to your candles. The nights are so long now."

Samwell Tarly: "His name was Aemon Targaryen. He came to us from King's Landing. A Maester of the Citadel, chained and
sworn, and sworn Brother of the Night's Watch, ever faithful. No man was wiser, or gentler or kinder. At the Wall, a dozen Lord
Commanders came and went during his years of service but he was always there to counsel them. He was the blood of the
Dragon... but now his fire has gone out. And now his Watch is ended."

Bronn: [Singing] "Brothers, oh Brothers, my days here are done, the Dornishman's taken my life, but what does it matter, for all
men must die, and I've tasted the Dornishman's wife, I have, I've tasted the Dornishman's wife!"

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Tyrion Lannister: "I am the gift."

Margaery Tyrell: "Lies come easily to you. Everyone knows that, but innocence, decency, concern, you're not very good at
those, I'm afraid. Perhaps that's why your son was so eager to cast you aside for me."

Margaery Tyrell: "Get out, you hateful bitch!"

High Sparrow: "Strip away the gold and the ornaments, knock down the statues and the pillars, and this is what remains.
Something simple, solid, and true. The Tyrells' finery will be stripped away. Their lies knocked down, their true hearts laid bare
for all to see. And so it will be for all of us, high and low alike. What will we find when we strip away your finery? A young man
came to us not long ago, broken in body and spirit. He had so much to strip away, so much weighing him down. But piece by
piece he unburdened himself. Let go of pride, vanity, sin. Now his soul is so light, he will float through the Seven Heavens like a
bird. And he has much to say about you."

[Lancel Lannister, Cersei's cousin and former lover, steps into the room in the uniform of the Faith Militant. Cersei starts to exit,
but the door opens and she is blocked by a tall Septa.]
Cersei Lannister: "Move. Let me go, immediately. You will order her to let me go! I am the Queen! I am the Queen, have you
lost your mind?! Let me go!

Cersei Lannister: "Look at my face. It's the last thing you'll see before you die."

Gallery

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Margaery locked away in her

cell

See also
The Gift on Wikipedia

The Gift (episode) on IMDb

The Gift on A Wiki of Ice and Fire

References
1. ↑ [1]
2. ↑ Season 5 Blu-ray commentary
3. ↑ [2]
4. ↑ [3]
5. ↑ [4]
6. ↑ [5]
7. ↑ [6]
8. ↑ [ http://www.ew.com/article/2015/05/28/game-thrones-sand-snakes ]
9. ↑ [7]
10. ↑ [8]
11. ↑ Why Is Sexuality on Trial in Game of Thrones?

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