Authorized Edition Guitar ¢ Vocai

TESLA
==WITH TABLATURE ©

FIVE MAN ACOUSTICAL JAM

~~ = 2

HY “a —S=rA TK Tr iss
Music " | », = ae
~
Usa LA
FIVE MAN ACOUSTICAL JAM
Management: Q Prime, Inc. Coyri ight© 1994 chery LaneMele coupe
“International Copyright Secured All Rights Reserved
Transcribed by Mark Phillips, Paul Pappas All tights reserved. No part
of thispublication
and Steve Gorenberg Stored inaate or retrieval system,
Music Engraving by W.R. Music
Production: Daniel Rosenbaum/Rana Bernhardt
Art Direction: Rosemary Cappa-Jen
Director Of Music: Mark Phillips
Photography by Chris Painter
Lonienis
4° Comin’ Atcha Live/Truckin’
14 ¢ Heaven’s Trail (No Way Out)
23 ° The Way It Is
39 * Signs
42 ° We Can Work It Out
44 ¢ Gettin’ Better
49 * Before My Eyes
54 ° Paradise
64 ° Lodi
68 ° Mother’s Little Helper
70 ° Modern Day Cowboy
77° Love Song
92 ° Tommy’s Down Home
94° Down Fo’ Boogie

98 * Tablature Explanation
 Comin’ Atcha Live
Words and Music by
Gtr. I (open - E tuning) Jeff Keith, Frank Hannon and Kevin Wheat
B A E ES DS
ffTf. faefr. Ha fy12fr. ST) 1Ofr.

wislide wi/slide w/slide wislide wislide

Gtr. II (standard tuning)

= F¢ B A BE CH D By
x. x xO x ° (ole) x xX. x x x x

Ht eea i een
134211 1333 lit 231 1333 1333 1333

Medium Rock 4 = 132

—J—1

Triplet feel cz Ae J
FHS w/Rhy. Fig. 1 (9 times)
Rhy. Fig. 1 (Gtr. II)--------------------------- a Gtr

7 : 3 : , 3 3 3 , w/slide
mf
| 5 5}

ft 4 4 4 G—4 4 4 & 4 :
2 2 -2 --g——9-—_9 9 9 9 ; |
*Gtr. I in open - E tuning (low to high): EB EG#BE

6 ee See.

5 5—5——5 5—5-—5—} 5
S- 2 ao 5 5
2 x |
|

2 2 2
(24 — 2 2
2)
| |

Play 4 times : ;
5 (end Rhy. Fig. 2) w/Rhy. Fig. 1 (2 times)
B A Fi
Bil) SS SS
Rhy. Fig. 2 Rhy. Fig. 1A (Gtr. I}------------- ,

ee

Copyright © 1986 City Kidd Music (ASCAP)

: This Arrangement © 1994 City Kidd Music
4 International Copyright Secured All Rights Reserved
 1st Verse
w/Rhy. Figs. 1 & 1A (both 15 times)

mean ma - chine,_— I’m the kind you don’t wan - na meet. —

Mid - dle name is trou - ble, in dan -

ger in the street. —_

my ped - al’s to the floor =

Nel
ee Os eatie
Th.
Deneve ere spect ssc r= Im al - — ways com - in’ back —_ for more. —

w/Rhy. Fig. 3 A B

~
(Nes|!
on L Laan a

ah
SS Fo ee]
tt} 4p, Sey SS a aaa
al Die i ae Yao eee D ie ee) "Se ee ee FSS SS ee a eS
EES SS aee | GE ST

st
———— Here I come. —_ You bet- ter step a side._—

U
ey Selo —
|anne

a ma
(eens

By
i. . a, Ra ee ee ee. (ae Ge AT aa oa

.
ie @ ng 2. __ a el ee DE »..
See Sas
GW’? BEY BY Gey eee eee esses cease Bee S—_d si Y Se a”
° ED CITIO
ES <= e
Re

ag PERE eee eae oe |

PE

> ea ae ae a ae [ARE AIS Bee ae el

LS
ee Sas ee
+

WEG Dee US ee ae ea eT ae
Sars a ee a Ce EA EEE Sy Pe ee
WoT 7 ent aR te oe | as ae a ae ee =

Rhy. Fig. 3 (Gtr. II) 1.2.3

lily

hi
lid
ih
Hh

ih

lh
iy
ih

inne
Wy

pil
lll
ji

[| YFeine | |
=
[He

—
=

ih|
iz

|
|
|
;

|
 I said— here I come,— oh yeah.—
—
SS Sa. ry
Be BS BS Sa Saee ES ESS IE (ee
Bee ee
— Se BS SS SS ee as Ss ee Sa Be

Welle Pma= come sine at - cha live.

long slide

“FP -- 7 7 , 3
_—— FSS 7 F

w/Rhy. Fig. 2 (2 times)

Ft B A E Ft B A E

I’m com- in’ at - cha live.

2nd Verse
w/Rhy. Figs. 1 & 1A (both 7 times)
Ft

I on - ly warn you once, I nev- er give a

SS qe. Saas Well, an - y- thing could hap- pen, like— the— roll - ir— of==— the ‘diem

A B w/Rhy. Fig. 3 A B
* ps : 5 (~~

peeiet Here we come. — You bet-ter step a - side.—

NNNMN
 A B
. e =e aN —ss
oir 4
one
nS es,
ee aa
We’re com - in’ at - cha hve.
3

pg PRae =
ee es

est et i iz
PSSSa

long slide

~§——5-—_5 pote pb 7 fe =|
5 F is F
7-—F SSS
=
|

Chorus
w/Rhy. Fig. 2 (4 times) B A

. —— sa TTDd1 fy f
We’re com -.in’ at - cha live.
(Com - in’ at - cha live!)

E hd eG B A is :

Com - in’ at- cha live. You bet-ter step a - side.—

 DO eee paama 7 Gbs AbS Gbs AbS
, Gtr. I
——3— 1

ox ete bp a4

long slide

b+ 4+2— z
12
eas

Gtr. II

== eee
Fee eee
eee bets
©
[oo Dar or ae

w/Rhy. Fig. 4 (2 1/2 times) Gbs AbS

 AS
w/Rhy. Fig. 5 (2 1/2 times) a a

thee tetrey, == == z
ess
Full 1/2
4 a ated

so ea a7
SS
|

|
ani a & 7—9
=

(Gtr. II cont. in notation)

(Hi oes se Soar me Ome mee ha

C5

(Gtr. I cont. in slashes)

aap ohh
 (E) ES DS ES
Gen). 2. oop een) eee
Gtr. II

DS ES

1/2 12 1/2 1/2 w/Fill 1 (Gtr. 1)

12— 0.0 =e Oe 0,050 aoa o

3 8 F (SSE =
6—9

wee) eae ee
Chorus ; ; E F} B A
/Rhy. Fig. 2 (8 times

teh et f
We’re com- in’ at - cha live.
(Com-— in» at - cha live!) =—— (Com- in’ at - cha live!)—

You bet- ter step a - side.—

at - cha live!)=

Com - ine) at -"cha hve a Come = tin’ att=ncha live:—

iF © be ~s 1 | ie : me.

a. Stepia -side-=-sastep magn side, === *cause here we—— come.

(Com-in’ at - cha _ live!)— (Com- in’ at - cha _ live!)
Segue to “Truckin’”

10
 Truckin’
Words and Music by
_ Garcia, Hunter, Lesh and Weir

Gtr. I (open - E tuning):

Fiao a8 peck Ei5 am, GS Gis AS Ats5 BS E Gt

Lilt
fe
11111 111
eee eae .
es eB .
~ ya en me ree (orwislide) = aide side
Gtr. II Gees tuning):
_B FHS AtS E Ff

13331
ie fa fil ff fil Ee” 231 134211

Medium Rock ¢ = 132

a

Triplet feel euad ey dy

FES
Rhy. Fig. 1A (*Gtr. ae
eee a 5 eee oe I TRE HONE 8 Ek a
a’ mee pita2a eS) TS

Gtr. I
3
a ‘ U
Le ig fy
ie (24 ee

w/Rhy. Figs. 1&1A vif] ae) ri

FHS Gtrs. I & II , d 3 J

IF rite Gye Se sls SS eee SSE een,

x wy [ie a ae
(MS RSS. El wi LEP Gee ae ee
NSP, ee

Truck - in’, I’m a - go - in’ home,— woh, woh, ba - by, back where

Copyright © 1970 Ice Nine Publishing Co., Inc. (ASCAP)

This Arrangement © 1994 Ice Nine Publishing Co., Inc.
International Copyright Secured All Rights Reserved 11
 eee Dew Ong.— Back home sit down and patch my bones — and
B w/Rhy. Figs. 1&1A (both 2 times)
‘FHS

get back truck - in’ on.

w/Rhy. Figs. 1 & 1A (both 4 times)

What in the hell ey - en hap - pened to sweet Jane? She

3 iS
Some oe ee eS) Pay Lae
eae ese |aera SS ee ey |
a as ol —— —— aaa eens eg
lost her mar- bles, you know that she ain’t the same. Liv- in’ on reds, vi- ta-min Cand

S33 SS

w/Rhy. Figs. 1 & 1A

FHS B

Bust - ed down on _ Bour- bon Street. — Set up like a

bowl - in’ pil—— Knocked down, some - times I’m ___ wear- in’ thin They
w/Rhy. Figs. 1 & 1A (both 1 1/2 times)
Seer Piss ae i Se Pane less) ine! FHS
i os ya

FHS GS" GES" FAS) ARS

t css ae
Gtrs. I & II 4 2 s! “ s p

12
 Rhy. Fig. 2A (Gtr. I) (end Rhy. Fig. 2A)
BS AS G#5 F#5 GtS BS

a “ Ul
awa ale so. co) Niemen
fA. Te + —e——— jo —____»—_—_
222 brs) a rr fy _
OU UL 07) (2D ee re 2 a re ED EP ED
MANSY, (Cl rE ae ” a

Some - times the lights all shin - in’ on me,

Rhy. Fig. 2 (Gtr. II) (end Rhy. Fig. 2)

*Gtr. I w/slide (next 2 bars).

w/Rhy. Figs. 2 & 2A (Slide worn on 2nd finger.)
B aN BS AS GHS F#S G#S BS

oth - er times_— I can bare - ly see.

E =e Gt

yeatt his——_‘@ ———_@ ——_ 775 = ee

(CET A r 6
mse EEESS,
UNO a
a a
e
ce e ra
a oe ies
SL! aeel
ee =os& CaeB Pat
et
Late’ -= ly it oc - curs to me, what a

Gtr. II
ON4 a
SI (PE ene BY
_ E E SEER 7 eee eee fc3 ae SS eae Se SY eS eT Ry Re ee
1653 ie Ge TE es Ss a re
SS
SS ae RS as a ea a eee eed (2 A ee ee ee a a

NG en aek ee Re NEE ee Sn ae

__ SS SS eee See ee ee eee ee ee

LS NS 2 ee eee ee eee 5 Ts a a ES:
*Gtr. I w/slide (next 2 bars)
w/Rhy. Figs. 1 & 1A
FHS

131 oe
ee ees strange trip it’s been. —
FHS E Ft (Gtr. I out)

i} *
oe’ as
=e ee

*Strum chord freely

13
 Heaven’s Trail (No Way Out)
Words and Music b
Jeff Keith and Tommy Skeoc

Slowly J = 69 w/Harmonica Moderately 4 = 114

N.C. Dsus} 4 N.C.

*Tuning (low to high); DADGAD st

*Gtr. I POCO VVVTVVDVVDVVVVALOD

————
*Tuning (low to high): DADGBA

Rhy. Fig. 1 (Gtr. I)

(Gtr. I) (end Rhy. Fig. 1)
f) States eee Arrrrrne
© eas temas a el See eee eeemee ee
(an es | ae a es I
ASV, = TS SS eS SEN RR aes SS Se me
. j i i = ‘

w/Rhy. Fig. 1 (2 times)

DS N.C. D5 ANC
a Kg Re BE = TE GET SE ee
en SSS | ee ae ee ee
=e eS ees ee Sees Rae ee
SRE Es Fr Te ee| —__1)

St.

Copyright © 1989 City Kidd Music (ASCAP)

This Arrangement © 1994 City Kidd Music (ASCAP)
14 International Copyright Secured All Rights Reserved
 lst Verse
oe os 1 (3 times)

See ee
slick trip. Dm al- ways read - y on the stage I’m _ in

rage.
Zea sme ehay) -s 10; sathes estime—— Ofgaemy a lifes
SS Se
SS SS Yes, in- deed.— What a_ sweet, —
ie Fig. 1 ie se II)

$l sweet life
See it
See
is. ———_—* 2.00 =) stl some —
*When both gtrs. play Rhy. Fig. 1, notes on
1st & 2nd strings are played by Gtr. I only.
2nd, 3rd Verses
w/Rhy. Fig. 1 (4 times) (Gtrs. I & II)
2nd time Gtr. II substitute Rhy. Fill 4
DS N.C. D5 N.C.

= lo - co two- bit floo - sie with a Lou- ie Le- strange. Ain’t good for noth-in’ but trou-
3. See additional lyrics

a ble, they’re just two fools liv - i to their names.—

=e And now it’s
Ist time Gtr. II substitute Rhy. Fill1 | Play 2nd time only
2nd time Gtr. II substitute Rhy. Fill 5 |w/Rhy. Fig. 2
DS N.C. DS Dm/F Gsus2 Dm/F

Stattsin’ top “fain on

Rhy. Fill 4 (Gtr. ID)

(Gtr. II out)
[
fa a en Ge Led 7 SC ee eae |
eH 1
0 ere 1
aes EE
8 ®

15
 w/Rhy. Fig. 2
DS Dm/F Gsus2 Dm/F

Pre-chorus (You) know, there’s

w/Rhy. Fig. 2 (1 1/2 times) w/Fill 1 (2nd time only)
DS Dm/F _—Gsus2 Dm/F DS Dm/F

,
noth - ir likeeeethe:
ses =a
real world —_
—down. ——
wiRhy. Fill 2 wiRby. Fig. 2
Gsus Dm/F Gsus2 Dm/F

é= eee
i[—

There’s noth - in’ like the world Out. side turns me

2nd time Gtr. II] substitute Fill 2
Dsust 4 Dsus4

=i $ =z : $ See = Zee 2 —S
[ ri

up - side down. — makes me fecl=— like Tm head- in’ down— a

Girl an TAS aN

Set ee
w/slide
cresc.

Tt

Fill 1 (Gtr. ID)

mp w/slide
let ring
6—\6-

Rhy. Fill 2 (Gtr. I

poe
Let TiNges eee anne ne eee 4
ic 8 6 8

16
 N.C DS N.C.
A ma % 4 Came a
@ ares aoe v, :¥
te
one - way, dead - end street. There’s no way out, no way out of this liv- ing hell.—

*Rhy. Fig. 3 (Gtrs. I & I)

aie

eoa

2 (Ga eae
|
Se aS Saas
i) Sn es

w/o slideng

Hel 8 +0
+2 5 8
DQ 5 6

(cont. on upper staff)

Y

———
peetet
aa bss =
Cy 5 -—-e =
Kej-—_ u

*Throughout Rhy. Fig. 3 all notes on Ist & 2nd strings are played by Gtr. I only.
2nd time, on D.S. & when recalled, Rhy. Fig. 3 includes slight strumming variations ad lib.

DS N.C.

Hes
V
—y 3
es No way out, no way out un - less you walk heav - en’s trail.

|A Cae Ds Pee epee ee

SS
7). SS a a f | = t

an
Y —

Hoo as on os enna == sae e eee 4

19 8 ¢——_§—_—_6-
——2 2 2 2 -2 2 2
—__——9 6 ‘ ; ‘ G
6 S 6 3 — Sa eas Te ‘ € 6 o—
3) 5 8 8 ‘+ -8 ——-6
*1st time chords are played by
Gtr. II only (omit 1st & 2nd strings).
To Coda
; D5 pce eel N.C.

by 3 ee eee ee ee ee
y=) a

No way out, no way out of this liv - ing hell,

Ho aes ee a
=o (= ee Rees Ss ee ee ee ES Sy
——
Ww See ceee

Ha === ------------ |
© oe
6 sg :
2 2 iz:

an Se : ——5- 35-9 5 :
ise p

17
 ie
2nd time Gtr. II substitute Rhy. Fill 6 w/Rhy. Fill 3 w/2nd bar of Rhy. Fig. 1

Se hve =eine | hell = 1/2

(end Rhy Fig 3 we 12 vy1/2

py palaiae.

as :

—* 1/2 1/2 1/2

A

w/Rhy. Fig. 1
DSN: N.C.

3. You know, I had it =

1/4 1/2

_/ ont. in Rhy. Fill 4

1/4 1/2 ra

Harmonica solo
w/Rhy. Fig. 3 (Gtr. I)
D5. NIG D5 N.C. D5) NEE D5

Rhy. Fill 6 (Gtr. ID) fee tte Rhy. Fill 3 (Gtr. I)

18
 Guitar solo
Gtr. II D5
a
aan? seg
7 <= Sol
i fan
ASP, x
Se

“ 8 0
|
% * a 6 2 2 2 2 2 68 F
* * 6 (O-—— 0 @ 6 6 6 San ‘i 6
0 6 6 6 3 —0-—.0 6 6 8
6 8 6 6 3 a O. & 8 ES R=
Gtr. I

. . See
Hes
eee
a]
SS ;
:
ee
—
i
a isc
f
il
:
ee
lo" i
:
|
i
— j
SL
5
~— N /. a
Ze
p Ss

sl.
; 6 8 8 8 8 (oy 6
feria | 9—e—o—l fo 6—5 5-3 6
-—_—}-2| 2 6 ; 6 i ; ‘ i ee Qs oO Oe
ee See
Se (o7 G 6- o— See 6 Gane8 oe-8- eee
(97 oe6 a4 : a cane
6G 8 s s 8 A 8 8 8 6 8

f) —— =
eo? ,
7. Sa B i XI 7 ee Cae a eS J : i
mAASY,

1/2
Q———-

0 “ 6x
BS a |
8 8 8— 9—o—9—_|—_9
0 0 _0_ 09 _0_6—_6_@_—__8
8 8 8 8 9
0 U —8 =: 6 | 4

aa 2S SPS ia
PS I
Si, &

\4 ee
Y WY

ig\—8
{0 g0 G8
aan 2 eae Gare ere re ee 5 42
+o]
87 o-- ~—g———
¢—__—_¢—- §——0- 9 0 0o- +o 0 0-0
o——0 o——
¢—— 8 8——®-
8—* 6¢—_|-—_—__0—_—_—_—__9—__0- 8 od

—— = = = ars =WeeRope 852

2 a ae
mS
: SaaS == a a = aI
P P sl. ‘
AySA
jee le ee 12 ig sl
ae = |
Oa Or iE _— oe
8 : ‘ 6G 6 8 6=-—6-——0-—6 2 6 6 a : aa x si

S Pe pees epee, =
oo
a o___# = = Sy
=
a3 = ae zy
fe
oe aS et! Py
—
6) CE
PAY Z_ 1 =

A ea ee Nae

WY et Noe

‘a 8 : : 5 3
a @ 8 a 2 rs Sas SSLeraT ——s 3 1
i e107 6 € :
ieee ny
9 ;g a 9 9 -—_—_—_ 0 6

19
 sl.

20
Lt i AN)
//
——————
—
= i _19-_—_ 19 —
=
—_19_0—_19 19
=a Tf +9 +9 1 Oe SalOa
=. 3
=

D.S. al Coda

nc.

ieee [0 24 8 0-9 -—-2— 4244-9 7—

———- +04 ; ; 6 0 rn —@-——_§—_—_9__—__@- @- S
Saad 8 : SN)! r EPL Seas &
Coda wilast bar of Rhy. Fig. 3 w/Rhy. Fig. 3 (1st 6 bars only)
D5. w/Rhy. Fill 7 N.C. ' DS pee N.C.

= I guess I'll live inhell. There’sno way out, no way out_— of this liv- ing hell.—

D5 N.C. DS N.C. aan

_seoes No way out, no way out un- less youwalk heav - en’s trail. No way out, no way out—__ of this liv-ing hell,—

ceeeet 04, . ; 0 * 0 *

*Notes on Ist & 2nd strings played by Gtr. I only.

**Chords played by Gtr. II only.

21
 Free time

- Le
ees
w/Rhy. Fill 8

a liv-ing hell. Oh, - yeah. Oh, yeah.

Gtrs. 1 & II ‘ (aa —— 3—_ 3 (Gtr. II out)

rit.

Sere J =76
N.C

= Whoo!
= = SSS
(Spoken:) Yes, it’s a beautiful thing. You know,
SS
Dsus}4

Rhy. Fill 8 (Gtr. I)

So.
a

Additional Lyrics

3. You know, I had it made in the shade

Thinkin’ that it’s not so bad after all.
That’s when I woke up, smelled the coffee.
Now I’m back where I started again, yes.
And now it’s pourin’ rain on my parade.

2nd Pre-chorus:
You know, there’s nothin’ like the real world
To get me down. No!
One is there to lift you up,
One to drag you down.
Now, don’t you see
That we’re headin’ down a one-way, dead-end street. (To Chorus)

22
 The Way It Is
Words and Music by
Jeff Keith, Troy Luccketta, Tommy Skeoch
and Frank Hannon
D Dsus4 Fsus2 Fmaj7 GS/A G GS/A
Xxo XX_O X XX fo) XOOOOX oOo xo000 X

134 321 21 34 3

psuus4
Dsus2 ono Csus2 G/B Glype 2)

Hee ee ee
xXxOoO ° XxXO0O O ° XXOOOX

Moderately slow 4 = 86
@ 3fr. © 2fr.
Dsus4 D Fsus2 Fmaj7 F Fmaj7 GIA GB sG GS/A D
GT
ie ee ee ee Be ea ee
H
a —
Intro mp

= rae =

Dsus4 D Dsus2. Dsus4 D Dsus4¢ D_ Fsus2 Fmaj7

oars Z me rem ee
2 Deanne fe 2 2 ae 2 rae ees

Harm- ----------------------------+-+-++-------------------------

@ open
D> ED Dsus4 D Dsus2 Dsus4 D Dsus4 D Fsus2 Fmaj7

= aes > = > = > P

“ppcacanamg rh 4
ip
~~~
et a | ge
Sg pe
Ss a at eee — el — |
S/o. oe a.
ASP,

we wee eee eee eee enews 1 pa,

Pr P
_,

Copyright © 1989 City Kidd Music (ASCAP)

This Arrangement © 1994 City Kidd Music (ASCAP)
International Copyright Secured All Rights Reserved 23
 ® 3fr. © 2fr. i @ open
F Fmaj7 Gi) iGae-B <G Dis D D

ASD Tee ea ee
Gt = Se

$i Le = Lele |
Full 1/2 1/2

8—1+6-+0- 18-8 —_46

1st, 2nd Verses @ 3fr.

5 1D) Dsus4 D_ Fsus2 Fmaj7 F Fmaj7 G/A

des = ieee
1. Does - - ho gets the ‘best=—
2. See ectan nes

:ty *

RS
OnMwn

*2nd time Gtrs. I & III w/slight

strumming variations ad lib.

© 2fr.
G B G pss D Dsus4 D Dsus2 Dsus4 D

ry 2 5 2 Ber ee ay rei Ser ee. Jie ee2 TS ae

a ee

24
 D Dsus4 D Fsus2 Fmaj7 F Fmaj7 G/A
2 oie EN aSEEdrop BS eve STP De ee foeH

nev-er was meant to be that way, ——=— nev - er should

© of. Chorus

fob 6 Dis =D psus4 Cadd2

frp et
— > Poe o- > es —

== fy sy———_———
f} i
| fi i! 7

be that - a way at all. The way it is, that’s the

=,
.
fan = a
zs
== 1
i A
%
-
fw —

4 : — = 4

= = => > mf iv =

3 3 —=3 3 3 3—3 2 a | gt pa 6 6
3-3-3 3 3-3 33 |
6 6— 8 2 2 2 6-—0-—0 o 4 o
‘i 6 = 036 0—_O 6 6 6 = 002 2 2 sae
2 2 2-2 2 es : 3 “3

&

G/B G5S/A G GS/A G te D

— > Ze —

( fF wy a
a SSS See ee
iy
ee ee
way that it goes,

2 Se ee ee ee SS
SC IS et ee a a , PO; «
If: Sl St > Se a ee Se Eee eee
(80) SS 2 SE ee, a ee ee ee .. Bee, ee. ee

> > >

ae a Oe 4 es

25
 Dsus4 D Dsus2 Dsus4 D DSUs} Cadd2
oP ee ee ee empgel 5a oweire raeee I

yes. That ’s the way it is, that’s the

G/B GS/A G GS/A G

way that it goes, in the strang - est ways. ——

f}
\J
a
law
ASW,

>

I[2.
®@ open Bridge
D DS/A G Gltype 2) A

Sip
£ Jide
> > > >
J2ee See ea >
ae eee >

mp —

What it is —=

26
 D Dsuss D DSYSS G
ee a Te ee a er
sees eae eee
and- a what it was,— what shall be shall be,

A G(type 2)

p Sain) eo ae Peete) age

Vv
TR
Ca a
ye iii paw aes
ae oes he
fastre,ot
LS
_——— 2
Oh, some - times it hap - pens in the strang
- est ways,

— =
nope FrSeo oni ieee See
=. : A i A J _ . A . |
ares, |
gl

some - times it’s hard to be - lieve. Do you be - lieve?

 Gitype2) A Gl type 2)

5 | Z 3) Z regal eal Sn e 5 SPS es re

: ae ke
ye eee
© ——
at -. a _

Do you be - lieve? Can you be - lieve?

pe
Lat
diSd ggSI
—o.—__ \— fae te
}
eae oe x
=
eee
=
— i
a
| =.
a a ee
eo ee
oe
@ ag |
ey —_ aE SSS i SS
a a a leEa
as ee = a = za

ae => > >

> = =>

—3—_3—3—_3 3—3—3— @—_—_—_0———_0—_ 896 _6—_0—_ 696

3—_3—_3_3 33 2 2—9___9 9 93 2-2-9 —4
@——_@—_—__@—_—_—__8—@- 2 99 95 9 3 9 93
6—_6—0— 6 4 a es (Se
5—_6———_0 3 ;
es a ; G 3 7
ne a 2

D DS¥s4 Cadd2 G/B G5/A G GS/A

= > > 2 = > =

2
ea
ane)

= ee eeee
a =

i (a E =] _———_
_ ns es erGee

The way Ss its the way— that it goes,

G ¢ D Dsus4 DDsus2 Dsus4 DDsus2

2 J I 2 a 2 De
— = >

eS ee
work - in’ in the, work - in’ in the strang - est ways.

28
 Guitar solo
D DsUs4 Cadd2 G/B GS/A G GS/A
2
>
Pa ae A oeek, ee Se oo eS a

G A A D D D Dsus4 D Fsus2 Fmaj7

eo ee) ee eee eee eee

r} * <—
a a
_A "iy Fie @ @ @—_ » 2» _ .
CF fon ES SS | ee ee ee ee ee
20 I. SS a TT 3 ae ees a.
—— |

F Fmaj7 GIA G D

ee ee J ee 2 ge ee Lee
ee )\

Dsus4 D Dsus2 Dsus4 D Dsus4 D Fsus2 Fmaj7

ea >
eee
a > a
aS >
eet.
—
eo.
> > >
eee —
os

oa sl.
EX
StS qe SS Pa I ee ee Se ee ee
. a Se aS ST Rae a Se ee ee ee See el Ge es en eee
VJ

2©
 3rd Verse
D Dsus4 Fsus2 Fmaj7

Lo re ee ee

3.Now it real- ly don’t mat - ter who,

gets the best of who, it nev-er did and it nev - er will,-

30
 Jy eee eee
Dsus4 D Dsus2 Dsus4 Dsus4 D_ Fsus2 Fmaj7

eee Sf > => — >

1 ——————— It nev-er was meant for it to

@ 3fr.
F Fmaj7 G/A G Dies

wr
>(on oa jaca = a =]
is = —}———}
poe 2 oe. H

be that = way. Why must it be that way at all?

at Pea = a
=VoriAe__-s_-.. -..__ - «4
A ts ee
KO — Sith = = =

D Dsus Cadd2 G/B GS/A G GS/A

31
 G/A Dsus4 D Dsus2 Dsus4 D

hap - pen in’ day yeah, yeah, yeah.

Pcp
2 Ser aE a
3373 oe
2 2

Dd
6 0—-0-

GS/A G GS/A
Ny

=
That’s the way it is, that’s the way

Pe =

© 3fr.

32
 D D Cadd2 G/B GS/A G GS/A
—_—_———_—<—} —

y) a b: Ee 2 oF - 2 a Pas eed Fe a a
> => >

a_————E—— = Eee
— =e —s 2

That’s the way it is,—— that’s the way it is,

Sieg arne >eedpoe OR ae cafe ee ee

eS v, —t == =
> == eG ue = =
> >

2—2—§ —_0- SU OO 3— 3 33-3 a Pa RS SSSe EL

3 3 Sa ee ee a a Se 4 a a Se <a Td
2 2 6-— 0 —0 060-9 000-0
6- 6 SSS ae a 2 2 2. 8 6- 0-00: 0—0--0—-0 6=—0-—_0--6
3 3 —s_ 3 2 2 2-2-2 2-222 2—_2— 86
3 ae 3—3

G Cc D Dsus4 D Dsus2 Dsus4 D

i ’ SESE mam fmm names |

2 Be z ss, 2 2 2 D 2 a J- ~J p é Bee ee Poe ee ie

> = > = = == > > Pe

that’s the way it is,____ that’s the way it goes,

6 DY
Cm, | 2.
a) =S- le
Se,
eee
ee.
Bee aeee
ee EE) ey
a.
ae
Diss
eee SS Se
p . @ spo
28 ¢ Se ees 4
o/s _g-_—-@--- -@-—_¢@-@ ! 7 At 4
v, | | — 4 — o- a S
a tL}

SS = > =

D Cadd2 G/B GS/A G GS/A

em a eee hor A eee

A Full Full
f\ y i i L v3 fl ie a i A i i A A a i in as

—————————— Sr
SS Aa es ee ae | es eT = =a
AS
ages tt es ee
=—— ——
—— = -—e—_

Full Full Full

19-———-- 40-9 -6 —, p-9 10

33
 (Gtr. I out)

4H Yeah.

si. sl.
aan

sl. sl.

Outro
DS D6 DS D6 DS F#5

that s the way it goes.

Um, that’s the way it is, that’s the way it goes.

34
 ® open @ open

“ D D Dgusz D D Dgus2

= a > > >

r)
, aa
; te —- ee

amin a =
at cea se =
0 ae es

I see it hap- pen day— af- ter day, yeah) syeahy ===

J —— i a oe @ Su ta — $$ ==z=
ay J a a \_ a i j
OSU) SSS SS, ee, eee, RA EE eee Ea Dee pee ae]

= = eae

Sa San’: Os, Ore Ores Orme (Cm a mee. 2 Sol a 2 6

a Se <p 3 a ae 3
8 Ca Omron 6 2 3 2 3
; é § 2 6 . 8 : 6 6 6 5 5 6 8 §—_}—_—_8-—-
8 6—0—0——6: |

G A D Dsus4 D Dsus2 Dsus4 GS/A

2
=<
Dae >
ae >
ee
> =
eg ae), >
Cees
ETE
4 ay
"e's!
7 amin) D. = Ssa = &
Blan ef
ASD,

now work- in’ in the strang - est ways. —_ Yeah, yeah,

Serre
SS Sas
op Emel onl
SS SS =
5 —t J ol
a
: ie ¢ i £ S Eh edt
= = ie

6 2 2 2
Sp a
8- -8— 8 oo 2 2 2— 2 Zz
‘ 508 : 6 * — 8 2 ra: a |a Sm 6- 1) 6 6 6 6
3.3

Gltype2) A G/A D Dsus2 Dsus4 D Dsus2 Dsus4 GS/A

yeah, Vedanta Yeah, yeah,

a tg Lay =
oo
(cour PEO
ree
—__ 0—¢ 66-4
Sea cra aeEe ee
ee ee fOr ee

>
; $ei >
3 a
Se. co : rare
SS

[etas ae SE Se eS La os es a a
a ee
oe
a ae

35
 G GIA A D Dsus4 D Dsus2. Dsus4 GS5/A

éiy
yeah, yeah, yeah, : : eee ee 2

Gt
3 3 9 3 3 0 o—F 7
3 \Jemma) Sem “4 wo ea eet (igen eke &
0 o—0 0 o——f———— Pe et
0 po enna f oe) hee .—. ae
——— 2 2 1 ise 0 “Sh seep faeran
——_§—_—_§—-§-—8-—_—-6 —
G Gitype 2)

49—10-—10-—— 10-10 —_16—_, 18-10-40 ————__10———

410 10 10-—- 10 10-10 4+6—10—10———_10 10—10-10-—10 40 —§¢-
RAB SR ge tt)

G Gltype2) A G/A D Dsus4 D Dsus2 Dsus4 G5/A

Bia

a ——42- tie

Gltype 2) A G/A D Dsus4 D_ Dsus2 Dsus4 GS5/A

j ig Ae I a PP ae i ie ee Ee i

36
 G Gltype 2) A G/A D Dsus4 D Dsus2 Dsus4 GS/A
e— Srey

i
>_>
Ra —_
BF mt AOA 7 cite 2 es >
oePy Se E bss,
aa
H P in

;
ai’ ae
tas —
H } = > iea eg
=
ee | eal
1G SE ane 2688 Se 2 a Say Se SSS Aa Oa, ee RS
lS) i eS ee ee es eee es eee ee PS 2S PE Ee Se eS
mS. —" ————_—__ SS ] | ee LLLx£ £&£&£&&}&}&} |

H P es eh 0
3 p33 : 7
See
9 5—4 9 : Ne ar Se Ee eer eae |

G Gltype2) A G/A D Dsus4 D Dsus2 Dsus4 G5/A

—— ay her
3 esa ae cs eee SE mes ee ee ees a Pe whe wD le Soe
> oe > — — > > =< > on

Cr Ww
; 4 ih} @« «
Sse ¢« —¢ 3 Ee
em Ges 2 mii
BSE SS see eS SS ESS Lees
ics ms Gs
e se ?2s &f_ sy
ees
SBS Es io

-. US 2" a ee a _" az . a Sp es ee a a i

; Z iuexe Cat ee

Gltype2) A G/A D Dsus4 D Dsus2 Dsus4G5/A

5: ee eee a) ee nSoe
2
Sl) SF | ees Pe Ee Ee ES 7.
Cy 7 2 a 2 SS ee ES ES emcees aaa eee
0
MANSY, 2 SE
Can you be- lieve? Do you be- lieve?

a . d
Te) = SES a eee eee ee 1 Y
2 GS. aS BE eee Saar ST SF Ss See. Se. Bae
TX i 2g | See See eS SS Ee Bee ee Se 5
7 ae GB. b. Bie... By ae 1S SS Se ae ee, ee ee ee ae f

eee ee eo
Glype2) A G/A D Dsus4 D Dsus2 Dsus4 A5/G

> 2S Se SSS Ee ee =a _~=e aeee

5" nT Se

Do you be - lieve? Can—— you be - lieve?

37
 Glve 2) A G/A D Dsus¢ D DSYS$ Dsus4 GS/A
j Dd
I SS eee ee) ae eee
a
TAS ee
—— feE = “.
PAY

And that’s the way it is, that’s the way it is, yeah, yeah, yeah.—

oF ake Eee Iout)

(Gtr.
2 Toate sae aa

And that’s the way it is, that’s the way it goes.

Additional Lyrics
2. Even though we could never seem to work things out,
I still love you just the same, I do.
I miss your smile and that sparkle in your eyes.
You’re so beautiful, never change. (To Chorus)

38
 Signs
Words and Music by
Arthur Thomas
D Dsus4 DS/A G/B A9sus4 A G
Xxo xoo xX X_0O X X00000 xo ie} (eke)

13 Lil 21 34

B5 Bm Cadd2 \GsIA DIFS A6 . Dadd4

134 13421 21 34 34 *T 132 311 32

J T =thumb

Moderately slow ¢ = 82 (cont. in notation)

D Dsus4 Dsus4 D Dsus4 D DS/A G/B
=. » la aa FEDcogsfo pia marin|stry
oy ~D) wie

7S = es
Intro Gtr L

1. And the

GH : 7 7

=
*Play chord in parentheses Ist time only.
% 1st, 2nd, 3rd Verses
1c G/B D/

SS ——— SZ

sign says, “Long - haired, freak- y peo- ple need not==— sap ply Soy
2.3, See additional lyrics (cont. in slashes)
iP
*Gtr. I ; a

Venyinge. eee. 4 letiring meee nea let ring -------------- i ae Seri pece neo 2 4
ae ta
3 2 3 3 6 6
a= 8 [SSS 3 3 8 8
= ry = et 8 8 8

3 go = a}
se
——@:
ae
8
3
sy

*Throughout Verses, Choruses, Bridges, & Outro, Gtr. III doubles Gtr. I w/slight strumming variations ad lib.
2nd time & on D.S., Gtr. 1 includes slight strumming variations ad lib. 1st 4 bars of 3rd Verse are played mp.
A9sus4 A A9sus4 G A9sus4A

onl) Ss eesine Si-igeioe cc! eR ake ene ae ee, ee, one ee.
cee
aaa my hair - der my hat and I went in to ask why. —
A9sus4 G

He said, “You look like a fine,_ out - stand - ing young— man,— I think you’ll_ do.”—_ Whrtso 1
D A9sus4 A G A9sus4 A A9sus4

took off my hat and said, “I- mag- ine that, huh, me a-work-ing for you. Oh.
oo
Cadd2 D G

Signs, signs, ev - ’ry- where a sign block - ing up the scen-er- y, break - ing my mind.
*Lead vocal is doubled next 4 bars.
Copyright © 1971 by Ensign Music Corporation/Aquila Publishing Company
This Arrangement © 1994 by Ensign Music Corporation/Aquila Publishing Company
All rights for the world controlled and administered by Ensign Music Corporation
International Copyright Secured All Rights Reserved 39
 To Coda
@/1.
A9sus4 A GS/A Cadd2

Do this
a5
don’t— do— that.
Sw Can’t you read _— he: sign?
D Dsus4 D Dsus4 D Dsus4 D DS/A GS/A
aS errs eae TEP se Spaemiere:
rome reetelioe 5
; = ae
2.And_ the

2 2
—§- rs

SS ee eae eee
l2 Cadd2

es pxau
A6 A AQsus4 G Dsus4 D Dadd4
Ie oo ae ee ee ee

— ey

say now mis - ter can’t_— you read? You got to have a shirt and tic===) (Os petra scat
D A9sus4 A G A9sus4

You can’t Watch;=— —-no;=—= you—_ canit=—=" eat; You ain't sup - posed _ to
D Dsus4 D Dsus4 D Dsus4 D NC

be here. And the

sign said, “You got to have a mem- ber- ship card to get Side==— Ooh!
Guitar solo
Cadd2 G D G
J
1/2
Gtr. Lys

40
D A9sus4 A A9sus4 Cadd2 (cont. in notation)
SE ee, Dette oe pees See rae es eee nee
y : 1/2 1/2

= ~te oe ue

1/2
sl Pp Pp 1/2
+2—_ >= +8 = = se }
t6><6 Se Saar aT & +8-
o> aaa

D.S. al Coda

D Dsus4 D Dsus4 D Dsus4 D D5/A G/B %

= — = —*

3. And the

mp?
3
—a 2
32 3 3
-3-—32 2
3
2
3—_3-——3
3 2 2
2 -2 2 2 2 2 2 2 7 2 FSETSE
6 6 6 8 6 8 8 8 8 6 6 6 6
@ Ore !
*Gtr. [ to left of slash. P Outro
D G
ee ee ee oS
Cadd2 Cadd2

® ee, ae ee —
=e pT? =
Signs,_—_ signs, ev - ‘ry- where a sign block -
*Lead vocal is doubled till end.
D G D A9sus4 A GS/A

ing up the scen-er- y, break - ing my mind. Do this, don’tt— do— that. Can’t you read—— the sign?—

ly

| =
SSS
Additional Lyrics

2. And the sign says, “Anybody caught trespassing will be shot on sight.”
So I jumped the fence and yelled at the house, “Hey, what gives you the right
To put up a fence to keep me out or to keep Mother Nature in?”
If God was here he’d tell it to your face, “Man, you’re some kinda sinner.” (To Chorus)

3. And the sign says, “Everybody welcome, come in and kneel down and pray.”
And then they pass around the plate at the end of it all, and I didn’t have a penny to pay.
So I got me a pen and a paper, and I made up my own fuckin’ sign.
I said, “Thank you, Lord, for thinkin’ about me, I’m alive and doing fine. (To Chorus)

41
 We Can Work It Out
Words and Music by
John Lennon and Paul McCartney

Dsus4 Cadd9 G vA» Bm = Ft Bm/A Bm/G Bm/F$

21 34 111 fF 134211 342 1 342 1 342

Moderately J =110

D Dsus4 D
*Gtr. I

mf

Leal ryetOmSccumalt y. Do I have to keep— on talk - in’

2. 3. 4. See additional ee

*Two acous. gtrs. arr. for one

Cadd9 D Dsus4 D

A, ADP Sage Fe One ee oe ee ee ee ee

eee
tll I can’t— go on? While to see it your way,

Cadd9

ae ae eee AGT Ter A nosso

run the risk of know- ing that our love — may soon be gone.—

G D G Ny 4th time to =

=>

Sa
We can work it out.— We can work it out.

Copyright © 1965 Northern Songs

Copyright Renewed
All Rights Controlled and Administered by MCA Music Publishing,
A Division of MCA, Inc., 1755 Broadway, New York, NY 10019 under license from Northern Songs
42 International Copyright Secured All Rights Reserved
Life is ver - y short, and there’s no time
G Fisus4 FH

for fuss - ing and

fight - ing, my friend.

*Play only lowest note of chord
when asterisk is indicated (throughout).

w/Rhy. Fig. 1

= so I will ask you once a -

Ist time, D.C. (no repeat); D G

2nd time, D.C. al Coda f

Ea eT nen a
Segue to “Signs”

Additional Lyrics

2. Think of what you’re saying.

You can get it wrong and still you
Think that it’s all right.
Think of what I’m saying.
We can work it out and get it
Straight or say goodnight.
We can work it out.
We can work it out. (To Bridge)

3. Try to see it my way.

Only time will tell if Iam
Right or I am wrong.
While to see it your way,
There’s a chance that we might fall
Apart before too long.
We can work it out.
We can work it out. (To Bridge)

4. Repeat 3rd Verse

43
 Gettin’ Better
Words and Music by
Jeff Keith and Frank Hannon

A G D AS GS Bm
XO x oo XXO xo x XOOXX x

Hie a He i
am 21 34 132 114 2 13421

Moderately 4 = 118

1. Vocal tacet
2 Kalli -aeein garaine= out - side my dow, = but
3. Soon the sun— will shine through— my
Gt. I H Pp

3rd time substitute Rhy. Fill 1

all in all I know it’s get- tin’ bet- ter ev - "ry day.
When it’s gon-=" na’ ‘come. eee youknow I _ real- ly,

Rhy. Fill 1

Copyright © 1986 City Kidd Music (ASCAP)

This Arrangement © 1994 City Kidd Music
44 International Copyright Secured All Rights Reserved
 im 2:
D D A A/Ct
a area _eene_ eee | a) AS eee ee a

os
v
(on haeee
i
Pe ee 0 A. ee
= eee
——————|| =

Bm Bm/A G
—~

ieeea ee ee ee
f\ al J

ee
Y
aS Sa
F = — oe —
Saye INO}== 0; NO 00;=— bute! know — it’s get - tin’

0 a a os eT i SS [fF Se
C70 ee ee ee _e Ee meee Ca (a a CS me WR ee pe ERSa)
2 SS a Te a Ser ss ee ee

a tempo

' 3
4
4 : 4
_
=e e

" A D
aN '
0 Se eee ee ee ee a z's
a a Og ies) Ga ae ears Renee est eee

bet - ter ev = Ty day: (Spoken:) Thank you. Can you feel it?

; HP co (cont. in slashes)
SS SS a a Le 2) ETT
SS IT WE
2 = ma es Sy 4 [Le H
Hta3—t—_f aS Cee ee |}—|-—_—@ —________f ____}__]|__|___ Ji? 0 0 Bee eee
= Sas
ee = Sa Sa eee
|
U
Lox
: oe
rit.
gh aly

Medium Rock ¢ = 130

A G D A G D A G Dawes
Gtrs.
oudia dy Syd Day Ded yey
Ds Tr) S11 DD
. oy
: | SSS et
=) a ee el
Pees Reece J =
oS =
Oh, it’s get-tin’ bet- ter now, ev - ‘ry day.—

G D A G A Di 7A (end Rhy. Fig. 1)

45
 lst, 2nd Verses 2nd time Gtr. I
w/Rhy. Fig. 1 substitute Rhy. Fill 4
A G

hard-work-in’ man- do- in’ all that,” [=== can; try- in’ to make- ends— meet.— Just a -
2. See additional lyrics w/Rhy. Fill 2
w/Rhy. Fig. 1 (1st 3 bars only) Gtr.I *AS G5
A Gi werPD A in zt A Gale D See ae RES)

mak- in’ my way- through this jun gle to day, it’s get- tin’ the best- of— Mey
*AS is played 1st time only.
Chorus 2nd time Gtr. I continues to play A chord.

ni: alae | Soar ee ap So saan

ie pies Fig. 1 ee I)

an Fab) ae ee 4

2. Now been a bet - ter_ ev - uh

‘ry day.
*Chords in parentheses played by
Gtr. II only.

46
 wRhy
Ww Ke 1 (Gtr. tr. ID)
Wong.
A G A G D, A G D A
Pp
loo P H aS i ~ Pp oP
i
ya ms ty
‘8 ae
Saeeauree= oS ee
= = oa 7

H
P
2
2-44
H

w/Rhy. Fig. 1 (1st 3 bars only) (Gtr. II)

a G D A G 17)
iP P P
aN aS aS a ue

w/Rhy. Fill 2 1/2

A G D A G5
CN
P yy —

oo a —————
Ss =e — ==2=2=== Eas Ses ae ee

12

+6—14 —+4—-4+4 +6—_16—_16—_44 +4 em

Chorus :
w/Rhy. Fig. 2 Gtr. I substitute Rhy. Fill 5

Now it’s on - ly get-tin’ bet - ter and a _ change——_ has fi- n’lly come my _ way.—

Rhy. Fill 5 (Gtr. I)

7a=
a ===
oe Sa

47
 G D Bm A Seti
Gtrs.
ie nea “¢ )

i
been so much bet -
*Chords in parentheses
played by Gtr. II only.
: ;

ooee
3bars only)
are Fig, 1 (1st P

S
ee 2 cine

=
get- tin’ bet- ter ev- ‘ry day, yeah.
w/Rhy. Fig 1 (1st 2 bars only) (5 times)

A G D A G D A

Pain heel ett a> ;

be £ ; = SS = ie
can feel it real-ly is (get - tin’ bet - ter). Whoa, ev - ‘ry

G D A

bevasiae
cos Sees a—— == ao tg
day now. — real - ly fec== (get - tin’

A G D A G D A G DA
a aa

c = i 2 2
ter) Hmm, ev - ’ry day (get - tin’ bet - ter)

G D A ee G DOA G Da

iUSeeecte tiny bet -

= == | |
*Chord in parentheses played by Gtr. I only.

Additional Lyrics

2. Now been a change in the scene, if you know what I mean.

Good things are comin’ my way.
Now I’m livin’ my life and I’m doin’ it right.
Sunshine in every day. (To Chorus)

48

OL
 Before My Eyes
Words and Music by
Jeff Keith, Tommy Skeoch, Frank Hannon
and Troy Luccketta
XxO_ X

Moderately 4 = 110
Dm9 Dm6/9 Bbhadd# 4/D Dsus2
Gtr. II (12-stg. acous.)

peed ee
let ring throughout

= Se
6 —6— eas =O 8

Dm9 Dm6/9 Bbadd#4/D Dsus2

8- se) 8 se 6 8
6 6 6 6 6 6
4 3
€ 6 6 6

Dm9 Dm6/9 Bbadd#4/D Dsus2

Gtr. I (6-stg. acous.)
sl. RB22224228 28
f\

coe:
a E eee = 7 ——
sl. A234 244220888

(ah fae Sea! SS | a | eee

2 Seaees
| 8 7 | 5 |

Gtr. II

Beers te
eee |et aie =aa PE Saas
LoS ee 12 Peer,
eet a) ae DD ts femoal= pes] see ete

8 6 6 8 o———— 6 6 :
te 7 die li 5 Sc A 4: : " . ;
—————1-£ =o : L3 6 6 8 446

Copyright © 1986 City Kidd Music (ASCAP)

This Arrangement © 1994 City Kidd Music
International Copyright Secured All Rights Reserved 49
 Dm9
yo
Full Dm6/9 Bbadd#4/D Dsus2

2 —
+ z Fs
sl.

1st, 2nd Verses

Dsus2 Bbadd#4/D Em75

aS
1.She comes— on soft - ly “as she moves a - cross— the
2. See additional lyrics

ee
Gtrs.
1& I

Bbadd#4/F Dsus2 Bbadd#4/D

TS ——- “oe

’ ee Se ee ee eeee
room be - fore me. Te canit—— Teu-easists=e== I'm hyp- no - __ tized,_

Rhy. Fig. 1

6 6- See 8
<i 3 3 3 — 3 3 3 3
3 3 2 2
ai 8 0

50
 Em7b5 Bbadd#4/F Asus2

6 M Y

== Se ee
sur - round - ed_ by _ her.

(end Rhy. Fig. 1) Rhy. Fig. 2

Fadd#4/A Bm7)5 Fadd# 4/C

as a LT C=
f) | ;LY = : EY
2a
(a
— =f
f

I can’t— for - get that face and —— if will, —

(end Rhy. Fig. 2)

SS SS weal ee ere a ae Seren SaaS SS eS SS Se
teas? sje ——
Slat ae Sa Se eT at =e

w/Rhy. Fig. 2 (Gtrs. I & IT)

Asus2 Fadd#4/A Bm75 Faddt4/C

I will go back to that place. She stands be - fore—__— my—

Chorus
Dm9 Dm6/9 Bbadd#4/D Dsus2
an in SS
f\ oe ‘ @ aa
Ea’ a pa L, = =e) Pe Se
Les?
Vv,
2 eee oeeneL ee Seen! ces
anced ove
eee ee
Gomes
ee
cea econ

ooo right be-fore— my—

i|
Rhy. Fig. 3 (Gtrs. I & II) (end Ruy Figs)

sul l hh Hith
HI Hy 4
lll

w/Rhy. Fig. 3
Dm9 Dm6/9 Bbadd#4/D Dsus2 wilast bar of Rhy. Fig. 3

51
 Guitar solo
w/Rhy. Fig. 3 (4 times) (Gtr. IT)
Dm9 Dm6/9 Bbadd#4/D Dsus2

Dm9 Full Dm6/9 Bbadd#4/D

Dm6/9
Dsus2 Dm9 Qo eee Sars cee ee ee ee eaamee
ic
HP poe P

- U_3_4
trem. pick. ign JE
H P ae aS
=
—104446-
—_—§4? +2—

15-14

Dm6/9 Bbadd#4/D Dsus2

et Sahel
at ea eS CO 1 w/last bar of Rhy. Fig. 3

3rd Verse
w/Rhy. Fig. 1 (4 times) (Gtrs. I & IT)
Dsus2 Bbaddt4/D Em7b5

52
 add#
Bbadd$4/F Dsus2 Bbadd#4/D
sete
a a a ee a
room bea=s. fore == Canta re = sist, I'm hyp - no - tized,—

Em7)5 Bbadd#4/F Dsus2

ee
¥

I can see the

Bbadd#4/D Em7)5 Bbadd{4/F

col - ors com - ing one Ce 1 an - oth - er for me

Dsus2 Bbadd#4/D Em7)5 Bbadd#4/F

See an im - age of my - self be- fore—— my-—

w/Rhy. Fig. 3 (3 3/4 times) (Gtrs. I & IT)

Dm9 Dm6/9 Bbadd#4/D Dsus2

VCS oe yeah, — right be - ‘fore — my

Additional Lyrics

2. I can see the colors coming one after another for me.
I see the words and feel the sound poing *round in my head.
But I know there’s something out there. Please tell me,
Is this reality right before my eyes? (To Chorus)

53
 Paradise
Words and Music by
Jeff Keith, Brian Wheat
and Frank Hannon

Am | G/A Dm G5 Em7 Em :G"

XOOO0OX G7 Xx0000 ° 000 Ts) 3fr.

134211 134211

C Amsus2 Esus4 Amsus4 Gill Cyre2)

oF wD xo 0 900 x_o

32 1 23 234 32 4 32 14

Ballad J = 78
Am
RiffA(GtrI) yy — Riff A)
Gtrs. 1 & II

H **Gtr. I to left of slash. H sl sl.

Rhy. Fig. 2
Rhy. Fig. 1(*Gtr. III) (end Rhy. Fig. 1)

= —- se cos

w/fingers p
mf
8

en
*Piano arr. for gtr.

Copyright © 1989 City Kidd Music (ASCAP)

This Arrangement © 1994 City Kidd Music (ASCAP)
54 International Copyright Secured All Rights Reserved
 w/Rhy. Fig. 2 sl.

= pili
Esus4 E Am

isl fe i ee me

J
3 Gtr. II
H Pp sl.

510 6-18
i RS eh a
4—5—4 45a
if if

NA!

rece
:
|
8 l

4
Dmgus2 wt
ie el

Full
1257 10a at oS to te
+3
iors
w/Riff A & Al
& Rhy. Fig. 1
Esus4 E Am

1st, 2nd Verses

Am G/A Dm G/A_ G5 G7 Em7
*Gtr I |
> cas > > i > oa —_ > > =

i
Cli
S..
eee
NICS
ae Ee A
Ge
TS
| a
aes Re
Pee eee sa mimes Fs
=
SN (a ee a meet
_——— <q
1.Hold me close- now, hold me _ tight.— Don’t let go of me
2. See additional lyrics

*Gtr. I i i] a Powe
= g é =~ @ 4 2.2 ~

er
NSA
\. 7" i ee Sa SE 7 SS
i| ee Te dd ee) ee en Ed (el es ee De ee O_O
SS
EES ee
SSS ee
. V —— a = —
let ring .------- 4 let ring ------------- 4
St.
3 —4—
if ~-§ -—€ 6-6 - 6 {é6~ t)
‘Saat | Lao He, CR GOT US 2
AF
al TET TUS WaES
Ema - Srna
er b? eee ae ae |
*2nd time Gtrs. I & II
w/srumming variations ad lib.
 G G/A Am G/A Dm G/A

eee eteee
Em
Jed STO SD | Sete

Se You're all want, youre all I need.- Hold me close- now, hold me tight.-

@
®
®
®
Bee
oQ

8 6- 00a
8 6 0-0-1:
8 & —§—0—2
= 2 2 ra aa I
2 74 2, 2.3
€ a 6—0=——t

G5 G7 Em? Em F G wiRiffs
A & Al
Sw Tra Pee sr ee ee ae ee Le ae & Rhy. Fig.1
> — = > — = > >

Am

Se ae
Ss, Zi

= Andedonit sete co. (Of) pte CO en ee Sweet par - a -

NARA Ie BAR 4 let ring

3 +
3

dise,— yeah. How I love— all of those cra- zy lit- tle things— you’ve said and done—

RH pbl £
ae Sa ‘RSs
_ Gaia

56
 w/Rhy. Figs. 2 & 2A
Am Am/G
lax

He &P HP
5 a 5 l a
S 5 5 aa a eS
—5— 5 cto
a | iePa
BS eS 530-9
5 : s
H P HP jal ae
Dmsus4 Dm DmSus4 Dm Esus4

Dar- lin’, dry your eyes.— I can’t stand to see— you cry. Now just turn and walk a-way.— Don't look

ee ai (end Riff B)

ny MEU t eee 8 ||| ok CUTIE goes a . Le Layee Be tigiy fae eee a cade RES Sade eae
sl. sl.
8+ ae 6 0 ©
Sr 7
|
J

lt w/Riff
A & Al & Rhy. Fig.1

bo ==
EB Am
A 3

SS SS SSS SSS ee
back when I say good - bye par - Bue wCISC
iS SiaT BHTNI (CPE a DSS RES rin Aira 1

r:
ion =r = a = ?
f) ————! -

my, : H

-1 oS ee a Aled let ring --------------------4

&
8 8 -— 94

Rhy. Fig. 2A (Gtr. II)

57
 w/Rhy. Figs. 2 & 2A
ie b © open w/Riff B
(w/last bar of Rhy. Fig. 2) A Am Amsus2 Am ©3r.
w/Rhy. Fill1 E Sie) i J J G Am _ Amsus2 A

no more. say - in’ z

good- bye par - a- dise. My sweet par - a - dise.—

Dies Dm Dye Dm Esus4

as You are the rea-son why— it tears me up in - side,— and I break— down and cry. Did- n't want-
F Em7 Esus4 E EF

EetOmsay, good- bye par - a - dise.

58
 Faster 4 = 102
w/Rhy. Fig. 3 (1st 2 bars only) saat 1%, ed ree
Am G/A Rhy. Fig. 3A
ae PES ae ea rae ea ree
= —— =
he

dise. I'm so lost with - out—— you.

Rhy. Fig. 3B

*When Rhy. Fig. is recalled substitute

G/A for chord in parentheses.
Amsus2 G/A_ Gil C (type 2)

| ae ee Ses
ene ae ees ear Corer=
=== = po = yt eS SS
I can’t live with - out— you. I’ve been a- way too long now. To - night—

ha
(os eens
eh
== hd
Coe
tg
oe hs
fe
° NY : ir. i4 4 ‘| SS
NY
WY

a
(end Rhy. Fig. 3A)
oe Con? GIA w/Rhy. Figs. 3A & 3B
PA z - 2 a 2a B 2 4 B 2 2 Am Amsus4 Am
a Ge y
= =a Saal =e
SS) a :
==) I’m on=—= my way back home — to you.

os iawn = ea
; (end Rhy. Fig. 3B)

$3: —— -

*Piano arr. for gtr.

59
 Amsus4
G/A Gl Cltype 2) G" Clype 2) GIA

ut Et tS |
My, my par ae eeGiSes=— My par - =a CISe=—=

Gtr I To hold you ine oy arms you’re all that I a - dore

ae Cone ieee ru =: =e. =—— -—s ae

-# 2 2 i$: ,—e- : 5 3 bs i i i i i i —

slight rit. = can

——————

Freely
w/Rhy. Fill2
Dm (cont. in notation)
y) oF Dmsus2 Dm7sus2 Dm
phe

ra=—
PM
D
law
3 b
z
ea
=
— the door, yeah. I'll nev- er say good-bye a -_ gain, no.
A Gtr. I Gtr. II

[a == SS SS
y, Ss « 4 >
2 L'a

3 rc SS =
let ring---------------------- iwe eed ene nen ene ce eceeenenenenenentasseen~---enorewen= 4
oes 4 See i o—t awa
Eran e- mM a ees ee
Servi aa eee |
|oie cae PH
ET
eae
*Gtr. I to Jeft of slash.

Rhy. Fill 2 (*Gtr. II)

*Piano arr. for gtr.

60
 Slower 4 =78
Outro
Dm Cadd2 G6/B Gm/Bb Cadd2 Dm Cadd2

zara
faa

let ring

3 o
6

G6/B Gm/Bb Cadd2 Dm Cadd2 G6/B Gm/B> Cadd2

fe ——| es—— =
f) = es

Peaase| | ani [iss]

ees

Saez
(peace

ia
EEN

— —_——

=2am —_——"|

aa
—

qian Ee Bitar = Paes

ee,

ow b 2 Bw Se BS Ba EG) a a ae ES Al OW Gu eee eee Ee a ee ee

of. CaS ae eee
eS Se EE eS Se San nee SF ee Bea"
2S eae BS es "Be ee eB
DONS 0 a OF) PT Le TT BS |} | 2 ES) aa AR AES Ee Dae BS Sr
C) D —— | ; Y F

Dm Cadd2 G6/B Gm/Bb Cadd2 Dm Cadd2

——
P ———— eee ——
a —
= ——- —
— Pine

f\
Ss ——
ae oe eo| — ==. EoeaSimin
— ee
ao ami ne aia
eS — Seaaon aleS Pe ==-S
SS Ses Ss
See
LO a ee oe eT = ee Oe ee SSS Soae BS
—_—— = P
P ame P Fas
a s a,

3 a 3 3
eed 5 ee es aL oe

61
 Cadd2

1/4 as Full

—} 43-13 40-13 43 -13—16 43—16—

Gm/Bb Cadd2 Dm Cadd2

G6/B

—+—0 —9—t—# —8—t—8—

-3 3s 3 = 3—3—3—3
8 © 8 —e 2 e—
Os: € = o——_2—
2 Care Gao oae -8- ==

H P Peeeeeseew
ze nfl 2 .
i
Span neon
~ Se pe ps RT ae

a2 an
a 4044+ —412—
+0—42 40424042 — 40—9—40 +@¢——-42
42 +0—12-

62
 w/Rhy. Fill 3
G6/B Gm/B> Cadd2 Dm
pee ae Pe EY (aN

f |
75
fas P— 14
= rn
Slee
= =
eS eS
= Ct
ao
: 3
Ce §
EaG 6 fe |
7
Set 5 5 ealseman
Sse Saas

rit.

O——t

@
“s
2 +4
+

i 6
I

sl.

A = aN
yo = 1
———— a ee | | = H
9, 3 i

Rhy. Fill 3 (*Gtr. I)

*Piano arr. for gtr.

Additional Lyrics

2. Days go by and life goes on.

Feel I’ve been away too long.
What I would give to be with you.
Days go by and life drags on.
Feel I’ve been away too long.
For much too long, yeah.
And all the while that I’m away,
Don’t let our love fade away.
Don’t you fade away.
Now as sure as the sun is gonna shine,
The day will come.
Now I’m waitin’ for the day,
There'll be no more sayin’ goodbye paradise.

63
 Words and Music by
John C. Fogerty

G G F G(type2) Am Cltype2) Em7 D A Bm

32 1 21 34 134211 231 32 14 132 lll 13421

Moderately J = 129
C F Gltype2)C

ca Dre prs = Bi Se ares J 2 JJ

Intro Mm Gi =
esUl = —~ a

et = a. eee oi) Sa SSS

sl. sl.
T 5 5—5 5—6 688 86 __6—_5—_0—_6 6 6—6
As 5—5 5—7— 79 _ 9955775 ee eee 5——5
B T Se 7
|
H

1st, 2nd, 3rd Verses

y $83 Oe ee
! = : : SSS aa
1. Just a- bout a_ year a - go==
2.3. See additional lyrics

P PB.
8 8 §— 8- st 8- SS 8 -6- 8 8 tS
+ tz + + 4-1 + + 8 a a + + +
8 =o 8 8 Te aR Tee 06 8 8
2 2 rs 2 2 2 2 2 oa ee 2 2
3 Sie SS 3 3 3 3 3 ee 3 3-

* 2nd time & on D.S. Gtrs. I & II

include slight strumming variations ad lib.

F ic Gitype2)

JT fp aDpe 2 ieee eee eee

SOON

Copyright © 1969 Jondora Music (BMI)

This Arrangement © 1994 Jondora Music
64 International Copyright Secured All Rights Reserved
 c G(vre2) Am Gltype2) G

| SSee ee ae ASD ee ee BS ae ae

——s Well, things got bad_—_ and things got worse, I

VS ;
x jp Ev ae wa i — 4 I
-§—_ §—_ 5 —_ 6 —S os aan ‘
Sa

3 3 3 3 6 6 8 -8 8 8 8-
3 3 3 3 = t + t t =r t
4 4 & 4 o- =O==50 2 2 =2 2 4 2
5 5 2 2 =e 2 2 2 2 cs 2-
9 ee eee —8—#-
3 3 3 3 + 3

F Glyre2) C G

2 eee eS pee a eee

ee a a

Oh Lord I’m

aceon
Ss

6 6 3 8
4 1 1-4 4
4 68 a= 8
Z 2 a 2 |
3 3 33
To Coda

F G(type2) oe i. |

Z DSS aae ae aes ee, y oD ee ae eeena 2) eae

SS i
SS ee a Pe See
oes Soaeeeeee pea
yen wt SSS SS — =H
2 d
stuck in Lo - di a - gain Zeal
1/2
_ ws a \
ee
a ———
= SSeS ee eens = a i a
ASV, 4 Jae Se Se v. Esai
§ 1/2

2 5 8
Fos si

65
 Guitar solo
Cc Gyre2)

—
= :
z= = =22S
S2erEeae
“NS
RP
TTS
Vw

sl.
55 5 5 5 5 5 5 _5_5_5 66 _6_6_| 6 _6-8 8 _6_8_8_8_8_8-
Cir. ae 5 5 55 5 7 7 9 9 9——F

F Gitvre2) CC

====. ===
eee
ch
ry Rt

G Gltype2) -F Glype2) CC

J Je ne eae PE ae oy Ee a 2 D2 SF oa
. b

12 42
+2 +2 42

Cltype2)
ee ee
Coda

|: :
aig a

)
te [ith
ttt
AR POHOHY bwyoowdd
 4th Verse
D G

ee
4. If I had a mil -_ ion dol -lars for ev - "ry song I’ve sung,—
* Gtr. II doubles Gtr. I w/slight
strumming variations ad lib. till end.

es et a ee
G(type2) Bm G

Sas a aeeee
ee
= ev =a) OLY, time — I’ve had to play while

Gltype2)

peo - ple sat____ there drunk, —— you know I'd catch the next—

Bm G Em7 D

EX (EIS

a
= train, um, backs to where I live.

— 5

Nisa Peis J \eesg

ee
Lord, stuck in ay

D Gtype2)

Additional Lyrics

2.1 rode in on the Greyhound, and I'll be walking back if I go.

I was just passing through, it must be seven months or more.
I ran out of time and money, it looks like they took my friend.
Oh Lord, I’m stuck in Lodi again. (To Guitar solo)

3. Man from the magazine, he said I was on my way.

Somewhere I lost connection, I ran out of songs to play.
I came into town, a one-night stand. It looks like my plans fell through.
Oh Lord, I’m stuck in Lodi again. (To Coda)

67
 Mother’s Little Helper
Mick Jagger and Keith Richards

D7 Em F G x Cc° Am xD

213 23 134211 21 34 =A | 231 132

Medium 2 J = 114
w/Riff A

TE EE Boe. eee AD eee ela PPREY ee.

What a drag it is get - ting d=

*Gtr. I is 6-stg. acous. and Gtr. II is 12-stg. acous.

Gtr. I doubles Gtr. II throughout, except when Gtr. I plays Riff A. 1st - 4th Verses
% Em

y == > =e ee ae = — > >

- = a ae aea Se
ae | ee ee ee
Os
1.“Kids are difS y= feree- rent to - day,”—
2. 3. 4. See additional lyrics

JIIAA TL) DDL) Pe eee

= I hear ev - ‘ry moth - er say. They just need — some - thing to - day—

FETA SII Pa Se ee eee

ew to calm her down.—

SSS And though she’s
eee not real - ly ili
Cc Am

> > > = > =

es there’s a lit - tle yel - low pill. — She goes Tun - ning for the shel -
*For next 4 bars, strum softly,

;
with no accents, hitting only
upper strings of chord.

Riff A (Gtr. I)

Copyright © 1966 ABKCO Music, Inc.

This Arrangement © 1994 ABKCO Music, Inc.
International Copyright Secured All Rights Reserved
68 Used by Permission
 eS aS as a a OS NS Se a Bs a a elem

ter of her moth - er’s

SS lit - tle help = GE and two gets her on her way,—
w/RiffA

as gets her through_ her bus- y day.—

To ai Brides

2.“Things are “Oh Doc - tor, Dicase = some more— of

D 3 J J J G : J J J

these.” Out - side the door she took-— four

Cc J J E J Em J J

more. What a drag it is get - ting old.

Ist time, D.S. (take 2nd ending);
2nd time D.S. al Coda
w/Riff A

3.“Men just
4.“Men just
D G
Coda rN
°
% S < > > Space > oan

Hey!

Additional Lyrics

2. “Things are different today,” I hear every mother say.

Cooking fresh food for a husband’s such a drag.
So she buys an instant cake, and she burns her frozen steak,
And goes running for the shelter of her mother’s little helper,
And two gets her on her way, gets her through her busy day. (To Bridge)

3. “Men just aren’t the same today,” I hear every mother say, 4. “Men just aren’t the same today,” I hear every mother say.
td just don’t appreciate that you get tired. The pursuit of happiness is such a bore.
nee ’re so hard to satisfy; you can tranquilize your mind, If you take some more of those, you will get an overdose.
go running for the shelter of her mother’s little ee No more running for the shelter of her mother’s little helper.
And our gets her through the night, helps to minimize her plight.(To Bridge) And four gets her on her way...

69
 Modern Day Cowboy
Words and Music by
Jeff Keith, Frank Hannon
and Tommy Skeoch
D/A G/A__ Bsus4Fmaj7add#4_F 8: Am

Ge
312 321
a He
134 1342 134211
ee
oe 231

FIA Gyre?) Fmaj7/A E/A

| a Ge ee
Moderately J = 102

Gtr. II (acous.)
Am Fmaj7/A G6/A Am Fmaj7/A G6/A

2
3 een 3

;
- Hepa

= maa
;
(Gtr. IT)

6- =6- a awe
L
otoeae a | =
2 2 = 4 5 |
=o
| 3
4
0
4
6 6 606 6 aoe | es
~6 “9

ie a
“na Fmaj7/A G6/A

ros
ttt
titty tn nt tt

>

5 ies

Rhy. Fig. 1
Zee
A=

. let ring------------------
“ rs 9
o- Orr g
+
2 3 Se a =o aS
= 3 o— a —>— |
—9

Tai —¢ 0 ry

Copyright © 1986 City Kidd Music (ASCAP)

This Arrangement © 1994 City Kidd Music
70 International Copyright Secured All Rights Reserved
 D/A F/A AS F/A D/A F/A
ae

— 2 2 2 2 2 —
4 4 3 -3 2 3 s— 4 4 3 3

|
Sa 8 == 0
w/Rhy. Fig.1
AS F/A D/A F/A AS F/A D/A F/A

M l
H P -.eens

sl.

HP ee

AS F/A D/A F/A AS F/A

% a

1.Storm - y night— un - der ‘jet - black skies.— Bil - ly pulls __ in- to town._

USS Se aes rel Sar ae

2. 3. See additional lyrics

|
eae 2 Sa ts 2 a
=== 3 4 4 at 2
SaaS 8 € Saues €

D/A G/A AS F/A D/A F/A

hy
== Baers 6S ee Ee ee eee |e ee, eee
=== Sa Eee eS eee CF

Thun - der rolled— and_ the light- nin’ bolts __—

=
os = pe SS eS SS eS =
—————
Sa 4 i ee a ee
rch ise

3
vw 2S If ae ee ie GS Ss a ee : ee ee : 2- - ae 2 ;
6 ;
5

71
 lst time w/Fill 1
2nd time w/Fill 2
AS F/A D/A G/A Am F/A
a ees ‘

——= Ua at come crash the —_ground.

Se eee
eee Cold as ice,
Rhy. Fig. 2 (Gtrs. I & II)

SSS
G/A F/A

Se as) he walks
ae
“ini=to: the room] with - a

== (end Rhy. Fig. 2)

Nw Nod oO
NH
Nos
L.*) wo
m+ AN
o

Lb hare dh Dh
1—?
far) feo)

Am F/A G/A D/A Am F/A

i Baan 4 a
: S ae f — = oe S|

an- oth-er man— who was feel - in’ the same way. All hell— is break - in’ loose!_—

SSS ee
(cont. in slashes)

1 t | —-3—3 3
| a Pasa on 8es 4
0- 8

Fill 2 (Gtr. I)

f2
 Pre-chorus
D/A G/A Bsus 4 Fmaj7add#4 Bsus4
eee oe Oe Ae A Pa ee eee

fo Senter I said, bang — bang,

eae
shoot ’em up.— I said, bang,-
*G

pee) IT ag TI Snes
Chorus

— bang, blow— you a- way!— substitute

G (type 2). It’s a show - down— ina
G/A D/A Am F/A D/A G/A EVA #22 <.

=e
— nomman’s: sands] == for the cow- boy of the mod - em’ day:-2— Come on,

‘Ws
Am F/A G/A D/A F/A
aN

- . = =
don’t be hang - in’ ’round,___________*cause the cow - boy - ‘ll blow you a
w/Rhy. Fill 1 w/Rhy. Fig. 1
AS F/A

way.
[2.
w/Rhy. Fig. 2 (1st 3 bars only)
Am F/A G/A D/A Am F/A FN
aa

sun - down,— don’t be hang- in’ ‘round, *cause the cow- boy - ‘ll blow you a - way.—

5 - ys 4
Ow! 5 Full

Rhy. Fill 1
E
Gtr. II
$o
Gtr. I

let ring

73
 Guitar solo

iW ee. Nea ee es

0-8-8887
7 7 8-40-8-F
+3 ee

oom Am
5 J Te ee2) Sia) ae es oe O- oo oe
loco ul

P
10-8 8
= g F

C Gltype2) (cont. innotation) Am Fmaj7/A

pee
Full Full
ee eee eee
(cont. in slashes)
4 pin.
pS Z Gtr. I Full
é P ss A
;
I

7
SSSseees 3
J
Full Full
y, az Full
+6 16——— 16 — 6 mA +6- 16 —— 6-7 5=
| —8-6—5

: a |

®open
G/A A DIA Am Fmaj7/A G/A DIA E/A
ee a ee ee ee a Bee ee Ome eee ee
3
 Am Fmaj7/A G/A A D/A Am Fmaj7/A

ee ee

—_j—__

(Spoken:) Olé!

+3—-12-———
19 — 13 te
+4

w/Rhy. Fig. 1 (2 times)

AS F/A D/A F/A AS F/A
H P
— fs a
i fon,

H \e
Ea ae Sas ee ee ee El
Tt
~-

Full
D/A F/A eu AS F/A

D.S. al Coda
D/A F/A AS F/A D/A F/A
rh a ot tes honcho Ula RL Ge the apt eagdecs e-piee sl, puoco sHicaeP
aN
%
LS) SS SES Se See -=yo = ili 3 ee“ aan FS See |
aay eS ey SaaS eae ES "5S Rd ES A See t)
Bi. eS = es —— a ne a ae eS ES (EY SSE SERN a el ET) ET RN a _ce |
(Lt af ag)

sl. H le ~~
4545 4515 45 45 ; —

75
 w/Rhy. Fig. 2
Am F/A G/A D/A Am F/A

Se ee Cae a See ee Rees BS I Gl (SS Sar Pees Cee (aa ESE ew

ey | 8 ee fe SY fe |
eee. eae

sun - down,— don’t you be hang- in’ ’round,— *cause the cow- boy - *Ilblow you a - way.-

Gus. I & II

G/A E/A Fmaj7/A

em APS

= It’s a show - down,

G/A D/A Am Fmaj7/A

yeah, yeah,__—-_- yeah

G/A D/A E/A Fmaj7/A G/A D/A

Dm mmo D Aiea

=. SS
w/Rhy. Fill 2
Fmaj7/A Gtr. II Am

3 B 2 2 2 es os Lo Bs

Rhy. Fill 2 (Gtr. 1)

Additional Lyrics
2. Al Capone and Bad Boy Jones on the wrong side of the law.
Johnny D. and his company, always first to the draw.
Gangster lean, feelin’ so mean, tryin’ to take more than their share.
Cause all they saw was ruling it all. The scent of blood was in the air. (To Pre-chorus)

3. So here we are and we’ve come this far but it’s only getting worse.
The foreign lands, with their terrorist demands, only cause the good to hurt.
The U.S.A., the U.S.S.R., with their six-guns to their sides.
I see the message, it’s written on the wall. Too much anger deep inside. (To Pre-chorus)

76
 Love Song
Words and Music by
Jeff Keith and Frank Hannon

pert
Os

|
«x
°

°
A>

es
ied

05
+t
=

-e e
x

is2
Moderately fast, freely 4 144

eras aunt om

ans,
ttt
HAT
Intro solo

Hh
ant
G

Bi
Am Am/G Am Am

a
ii

a
Gtr. I (acous

city
oe

rrtt| Bout
a a

arte
SERBS
Pa ea
rcnuh

iz
‘anak
EDEN

let ring
Tt)

bt
ld

orang

ele 22)
aac

eee
|

iB
I
d |

l
apt
|
os
LL

Hain
hala

(ih)
LT
((1D)).)
eT
7th
a)
(hs £
ii

ca}

ubaa
Mi

=
I
rt fat

aii
|Bau
ae
PET
ube

Lb
Hn
eee
eT
Mi
|

ci
|

Fmaj7

Copyright © 1989 City Kidd Music (ASCAP)

This Arrangement © 1994 City Kidd Music
International Copyright Secured All Rights Reserved 77
 —?.

5 4s $+4- 5.424

Gamo

Sy f
15 NS 2

3 6—15__13_12
8 8 15-43-42
8 —6 +4-42-16
—— ee 6
= 5 See eS ae | Nae eet
5 5 3 5 3 2 3 7
iP sl.

accel.

2 2 St Se Se 5
3—$-3---7- — 7. o= 8 0.316
2 7
8 o—
SRA

78
 Freely (4 = 60) 3 P IBY ip Ee

G D/F# p D/Ft

D/F4 Em H P A N.C.
at = fas 3 3 3 3 3 3

SS c=See as
f\ « |= mmc ———— Srv
necaacee21

‘2a aaa

= c Paap 12 5 Paap 12 Pep Pp

a Hea VY

% Si, ae 3 3 as a 3 3
He errr = Serer er ris ae aes rr rrrercrriere Sabects
Ep Pp Pp Bipot ee Pan ob Ere Seep Pepe hipe bp Pp Steg
P
Pee PPPs EP oP Py, PP PP) PoP BaP ee PP PPP PP
0 Se ee ee ee, S| Se — — — —
20 4 vA 2-0 420420420420420 |
—S-

79
 ie

$ =
5
=
g_
 G/D D

So you think

Em
a
_
Lees
ms
—
=
that your love____ has fi- n’lly reached the end

a
yi Ff 3
2 -—$

o—— =
Sees as 0 —e—
0 —§——9—_—_—¢
\ aa o-—-6— 6 8
2 ——2——2—3 9
—2 2—2-____3— 2
5 — 6 ———@ 0-6:

Am G
oe os,

oat LIEN
to = Ss ———— rT
massy, —=
An- y time you call, night)or ‘day, == Pll be right there for you —

81
 Bm

if you need a friend, yeah.

Em Bm

=
It’s gon - na take a I know.

Bm A

to mend your bro ken heart.

don’t—_ you e - ven wor- ry, Phil - a- del - phi-a, *cause

82
 Bm D G/D

know you'll find love

=
= = oe
fo =
sl.
Se 2 2 z=
<= 3 3 p= See
2 2 = 2 ae Seca if
eran si si

G D/Ft G D/Ft

a e's
| REET Sa SB |
Hest ae = |
Love is all a - round you
*Gtrs. I & II

Ew] =
Oa

— ** = = >
7 3 SS <= SSS SE 3 3 2 2 2 ae ae }
se IE Oo ey 3 . 8 ~ aa Ae 3-——6
Ss estes? = ar So 6—_—9—0 2 2—2____3_-8
aa | 0 = ———— 0 0 : 0 0 0 0 0

are | 2———2— —— - 2 oe 3 =3 2
45

*Gtr. II acous. 12 stg. **Play Ff (© 2fr. ) w/thumb (next 4 bars).

G D/F# G D/F

i a 0 v fe Res
faces
Ley—< a ee yeaa ee SSS 3 Ea ee TY
Love is knock - in’ out - side the door.

*2nd time audience sings next 3 bars.

83
 w/Rhy. Fill 1
Em

Wait - in’ for you

Sie is this love made just two.—

8 sy a: ar 8 T?
8 6 §—___—___——-- 4
=o a oe 6 1-8
2 2 ete se 2
2 a —— 2 3
—o Ces 6 6
ra
D Dsus4 D Dsus4 D_ Dsus2

Keep an heart and you'll find love ag gain —— know.

2 —2—_____2-——-3 —2— ata oe

3 3 ue
SAE gS er oe Be -3——3
ae 2 aye 2 3 rs 3
€ 8 60-66 Cae 0a =§- 0-0
Rhy. Guitar solo I
Fig, 1 Em
Did CD aba ED jie (Gtr
ae Daas ees a

=== ieee = ae
you'll find love a - gain,— I know Full

Full

Rhy. Fill 1 (Gtr. 11)

84
 fae. oo. oe io ee
Em Bm A

sl.

rs Mae aes : es

So EEE es ee ee a a a I a a eas nee]

a
a
=.
a
a
” eS SS
ae es ¥
H_P sl. Ky ,
| aaa e +5 te 1

Bm (end Rhy. Fig. 1)

7 en a SE

a *
iS ae = H

eg hs og Sogo 5 == =Sa—=
iE ae A#—_}—_F a op
ag

H
—<—<—x“«———

i me, Sere ‘ees

[eT a 9

H
w/Rhy. Fig. 1
Em Bm
Full Full_

pe
Fe
ee
fog ee a ee teen eee a eee
ee
f *
eat eee, Sar oe Soe ae
on
tA ee SS SS SS
—— 1
S=3-—!

Full
EX
Aes

12—t4———-44- —
ee
SL.

Em Bm A Am H P G

2 LP ead
= eT, ee —_— ea

= = =],
—— =
<<
i be
—_
a
een en eee
ee ee

H
HP aw
10—13—1210—13__121013—_1210
16-42

85
 (Gtr. E out)

ne bend (Vocal:) It’s all around.

u

arewew "sl sl. sl. sl

te 29-99 99 — 99 — — > =
fb {42} Sf
SS SS a
+3- SS SO
|
_ Guitar solo II
(end Rhy. Fill 2) w/Rhy. Fig. 1 (2 times) Full
Dsus4 D Dsus4D Dsus4D Em Bm
Rhy. Full BB2®22D
Fill 2 MA H P Full Full~wey
Gu. Ds
i ay nn |
Je
:
aes = :
oe A rR:

*electric w/distortion sl.

Em -

anne il. atid POCuee

5 =

+3—_12— 16
542 2+
as a rae
ac? reeseSO
sl. H
: sl

Full _ D
Me oo p Bm
etn
sl. sl. sl. H
a agne
:
ne

|
Cliniri grace
let sores a are
ull? :
LS =
4244444414
>< 9-_9-_ 9° 9 7§-_#-_#_
#9

Full
Full Full veNMA Vian
Full Full

Full Full yy; MA Full te Full Full

~n.nnesn were eonrne ~eweenewy
+7 Oe +2
—4§—45 42 42 15-42 +2
7- +4 +4—_44-42
7-—7—_9 -9- ¢ |
|
H sl 6—_6

86
 Full Full Full
HP
ry di loco Lf .\ ~~~

LU3-—

rare Full Full

SI HP awe

w/Rhy. Fill2
Dsus4 D Fee SUS) Dsus4 D

Rhy. Fig.2 G D Em D Cc

ae. Pe! Sie To A No oS

% peed pees ; ~ ae.

Love will find a Way. Dar- lin’, love is gon- na find— a way,—

*w/Rhy. Fig. 2 (3 times)

(end Rhy. Fig. 2) G D

|
aan
a
zt

a- find its way— back — to you. Love will find a way,

*On DS. play 2 1/2 times only.

87
 2nd time Gtr. III substitute Fill 1

iek
tf pple ot
So look a - round,— pen your eyes.

2nd time Gtr. III substitute Fill 2

G

He fs
Sees: f
Love is gon - na find a way. Love is gon- na, love is gon- na,

2nd time Gtr. III substitute Fill 3

Em D 6 G D
, 3 3 ees

— === a
love is gon-na, love is gon-na find a _ way, yeah. Love _ will find a way.—

Ae oak, ge eee ee a
love's son-na find aa Way=- nbacks Sto av ouse =e ees yeah, yeah, yeah.

Full Full Full B: Full

Full Full Full Full Full

Fill 2 (Gtr. II) Fill 3 (Gtr. III)

es = A aes (ed ee EE reo ae =
= a oo i)— >¢—¢—¢ —¢
i-—e-g-4 Se ay ae oabea

3 2 1947
3 s 26-4917—_1917— :
2 +9
—

sl.

88
 Guitar solo III
w/Rhy. Fig. 2 (2 times)

Gtr. III Bi a ee Pp Full x H P

| eee See oo eee alae

on ES EE OE ie eee , 1/4 Full

Full Full Full Full

} a } } RAR 220) sl. sl. sl.
—19 45 = — =
t2—_14 +4 +4 4 4— FSU LLL ELS ae a a de z =t
4god 5 |

Em D — ; D.S. al Coda
u Panes
3 si DNA
poy!
es ee
ehhh
PH %

eas de s ee
L G

i ———_——_= Soa ee
— 7 a

| Full Full Full

sl.

frig = a way — back to VOUS yeah

89
 Free time
(Gtr. II tacet)
Gtr. II
ee es
———. —___.

| Zs : s]
242-8 ag

PT Se. sl. PaSHaee: 2)

In time (4 = 80)
Outro
w/Rhy. Fig. 3 (Gtr. II)
G D/FH

*Fret Ff (© 2fr. )w/thumb.

G D/F G D/Ft G D/Fi

do— do do do do— do. (Audience:) I

(cont. in slashes)

let ring------------------- 1
rit.

*Fret Ff (© 2fr. )w/thumb.

90
SS ga
G D/Ft G D/Fi

know. Sha - do- be, sha- do- be, sha- do - be.(Audience:) I

y:ete aires oS: ee me

G D/FY G ee

TEDW IN Gocer ene oe 4

Full r cresc,

6
= :
SS a |
3 H t
Freetime
w/voc. ad lib (till end)
Gu

yeah, yeah, yeah.

NGUTARDarn oan Se eee ee eae

Full

91
 Tommy’s Down Home
Words and Music by
G ey: f DP Tommy Skeoch
ah
21 34 32 1
ct 1144 132

Medium bright Country ¢ = 126

Intro ; G

I don’t
Acous. gtr.

Cc

1st Verse , Pa yeas vee i

G
Go
2.2 ey A Re ae Pa ee ES GE 2S PS Pee Sa aSS OF Pay
| (1. SE SE GES Ss ee GE SE i Gee Gee ey oes 9 So a 09 (BA SEE O ee Sb So ee Ee ee eee
[SQN 9ee)
a oes EE) EEE NC] Fe Sa =a a

smoke ma - ri- jua - na, I dont take LS) =D ‘cause I'm a

*Play only lowest note of chord when

asterisk is indicated (throughout).

coun- try boy— from Nash- ville, with my boots up to my knees. — I like to

Copyright © 1990 City Kidd Music (ASCAP)

This Arrangement © 1994 City Kidd Music
92 International Copyright Secured All Rights Reserved
 2nd Verse
G
Rhy. Fig. 2

4 SASTIIST IAS F La ae pe wy sc Law

sit a-round- and be la - zy, I like to drink a lot of beer, — ’cause I’m a

eeAle een -

coun - try boy— from Nash - ville with my hair cut to my _— ears.— I'd like to
3rd Verse
w/Rhy. Fig.2

cut the balls_ off a long- haired hip - pie and tie them up— tto a_ tree,— *cause I’m a

coun - try boy— from Nash - _ ville, that’s Nash - ville, Ten- nes - see.——

w/Rhy. Fig. 1 (2 times) 2 3 BS B g J3—~J B J In 2 3

Well, I’m a coun - try boy—— from Nash- ville, Ten - nes - see.—

JS Se a eS ee ee a ae eee Sees

ae (Spoken:) Don’t fuck with

Oe Te ec
open Fr

a
: 2 2 rit. 2 ua ?'
(GaN

93
 Down Fo’ Boogie
Words and Music by
Jeff Keith, Tommy Skeoch
and Joe Ed Keith
ae: E7 D7 G AT A Db9 C9
oo x + fe XXO fele) — 5fr. x 1 12fr. x

2y 3241 213 21 34 131211 1333 21333 21333

Bright Rock /Boogie 4 = 144

Tripletfeel J J.-J 3, Seen w/Rhy. Fill 1

Intro (Bass & Drums)
€ AT
J -! By J 4 AsJ ayes “J:

— See
Gtr. I (acous.)

*w/slide

otal
} 2
*Gtr. I w/slide throughout
**Rhy. Fig. 1 includes Rhy. Fill 1

(end Rhy. Fig.1) Rhy. Fig. 1A

Sided) Igoe ee) ee ee Byes Bile

Si ——4

&e pe eee

ss
Rhy. Fill 1 (Gtr. 11)

5—

a
SO

Copyright © 1990 City Kidd Music (ASCAP)

4 This Arrangement © 1994 City Kidd Music
9 International Copyright Secured All Rights Reserved
 ee i ees ee en

(end Rhy. Fig. 1A)

1st Verse
J- Spas ee aaa w/Rhy. Fig. 1

I’m gon - na ride on out into, oatheae sun and I

*Rhy. Fig.2

*When Rhy. Fig. 2 is recalled,

play w/slight variations ad lib.

pag
AT D7

o.oo
Sea aD

won't be back till the morn - ing comes. — Get - tin’ down fo’ a __ boo - gie

: : ie

all> night — long. —— I said

(end Rhy. Fig. 2)
Sa pn A = eg O PELE IAAL |
oS ee Se ee VE Bes eee Gee) eee ee ) - eel
a a a gp ey SD ee lO ae A ae |
7 | Ee) SS EE Ee EE BD ee ED # ae (Ee ee |

GREAT SRS ane ae eae Te|

ne, ee a ee ae | 5 BA ae a oe ee a ee

OS ee
4
CSS SS a TS ENO eo I
2nd Verse
w/Rhy. Figs. 1 & 2

come one, come all, gath - er round, — ‘cause we're all gon - na

95
gi Aide eer ZS
G

down.— Get - tin’ down fo’ boo- gie al = eaeht== along

ate solo I
w/Rhy. Fig. 1A (1st 6 bars only) E7
GtrI ¢ — ee Sa AT a

Se er ee ee
aoe pig coreiuowren comers: | I —
5 £ |
2 : (cont. in
ie
(G.I) J a Bs J 2) ce notation)

: Sees )y 1/2

Gr = 255, 2: aS a
Ss Se ee fa a

|
Guitar solo II
w/RDy..Figs 2") eq Meal a |. gig a ie pte. pili lemma bpOL sete carr
c PN P

: eS =a eee
sl (aN

~
iz)S

e e e
Ce) Ss Sa ae 5 Tt F : gs : os

a
: ie

r a r
]

a e |

e e e
a ee oe
=
e oe Fig. 2 (1st 6 bars roe rsRhy. Fig. 1

—Se
I’m gon- ride hes sun won't be back till the
cae Fill 2

morn- ing comes._ I'm _get- tin’ down a boo- gie all = hight—— Jong.=

Rhy. Fill 2 (Gtr. I)

a
96
 4th Verse
w/Rhy. Fig. 2 (1st 6 bars only)
(C 17) Al

Gemigueoglge chil cape Knoaes ore meh

a : ite 2 ne
I’m get- tin’ down fo’ a _ boo-gie, down —_ fo’ a boo- gie,—
ae 3 3 3 D7 G

SS
aN (aa fi ae

I'm get- tin’ down fo’ A DOO! 5, p16 all night long,—
€ AT D7 G
JT) Seen eee ee ee eee |e
oS
=.
2ugE gS SSS oe
ae VeSmle iGo I'm get-tin’ down fo’ a boo- gie— all— _ night_ long. —

6 5‘ es
wa 4
=
=
7
ae
= po Se
ee
— i
eg_g-¢_@¢-
—

5 Ss
—+§ +5
2
2
2 ae
TF: 7
T Ste AN i» s +2

t2

Cc A7 D7
al
J | 2 es 2 BS yp 2 2 2 “) z Z PAE eS
SX 2 aan . (ax

tA
Hts eS SE ee
eee st =n
pass Tell me, how ’bout you? — I’m get - tin’ down fo’ a. boom, p1e—_
A aa t a

SSS
a
eS So
a = =- ce
S29 SSS PRD ER ar ET

16 ie T S5>
+7 +7 7 ia Oe Se]

7.
S/o
p. AY —————
ey PSs
a ee = =

all____ night ~— long.—

A fan
= Eee Sa So Se ae ea 7
i. = Sy ea eg es D A oS a ee > U
fas —el BES ae ee ee ed a ee SA ey ee I
Sv a e e 2 =a
es eae
eee Is
ed ee eo ee Ses Pee Sd Sees
——

——§—_—9- 3

*straight eighths
 TABLATURE EXPLANATION
TABLATURE: A six-line staff that graphically represents the guitar fingerboard, with the top line
indicating the highest sounding string (high E). By placing a number on the appropriate line, the
String and fret of any note can be indicated. The number 0 represents an open string. For example:
1st string - High E
2nd string - B
3rd string - G
4th string - D
5th string - A
6th string - Low E

5th string, 3rd fret 1st string, 15th fret, an open

E chord
2nd string, 15th fret,
played together
Definitions for Special Guitar Notation
BEND: Strike the note and bend up VIBRATO: The string is vibrated by HAMMER-ON: Strike the first (lower)
Ye step (one fret). rapidly bending and releasing the note, then sound the higher note
note with the left hand or tremolo with another finger by fretting it
bar. without picking.
ate H

HAMMER-ON: Without picking,

BEND: Strike the note and bend upa WIDE OR EXAGGERATED sound the note indicated by sharply
whole step (two frets). VIBRATO: The pitch is varied to a fretting the note with a left-hand

=
Full
4
greater degree by vibrating with the finger.
left hand or tremolo bar.

BEND AND RELEASE: Strike the PULL-OFF: Place both fingers on the
note and bend up % (or whole) step, SLIDE: Strike the first note and then notes to be sounded. Strike the first
then release the bend back to the slide the same left-hand finger up or note and without picking, pull the
Original note. All three notes are tied, down to the second note. The finger off to sound the second
only the first note is struck. second note is not struck. (lower) note.
1/2 (or Full)
sl.
Vega

1/2 (or Full) sl.

——
PRE-BEND: Bend the note up % (or
whole) step, then strike it. SLIDE: Same as above, except the
between the note indicated and the
small note shown in parentheses by
second note is struck. hammering on and pulling off.
1/2 (or Full)
o~
sl.

sl. &

24

PRE-BEND AND RELEASE: Bend TAPPING: Hammer (“tap”) the fret

the note up % (or whole) step. Strike SLIDE: Slide up to the note indicated indicated with the right-hand index
it and release the bend back to the from a few frets below. or middle finger and pull off to the
original note. note fretted by the left hand.
1/2 (or Full)

BES
1/2 (or Full) Tee
=O. F

SLIDE: Strike the note and slide up

PICK SLIDE: The edge of the pick is
UNISON BEND: Strike the two notes or down an indefinite number of
rubbed down the length of the string
simultaneously and bend the lower frets, releasing finger pressure at the
producing a scratchy sound.
note up to the pitch of the higher. end of the slide.
Full
sl, sl.

pick slide
Full
 TREMOLO PICKING: The note is ARTIFICIAL HARMONIC: The note MUFFLED STRINGS: A percussive
picked as rapidly and continuously is fretted normally and a harmonic is sound is produced by laying the left
as possible. produced by adding the edge of the hand across the strings without
thumb or the tip of the index finger depressing them and striking them
of the right hand to the normal pick with the right hand.
attack. High volume or distortion will
trem. pick allow for a greater variety of
harmonics.
AH.
(8yva)
=

RAKE: Drag the pick across the

strings indicated from low to high
with a single downward motion.
RHYTHM SLASHES: Strum chords
A.H. pitch: E in rhythm indicated. Use chord
voicings found in the fingering
diagrams at the top of the first page
of the transcription.

= TREMOLO BAR: The pitch of the

note or chord is dropped a specified
number of steps then returned to the
Jd503
ARPEGGIO: Play the notes of the original pitch.
chord indicated by quickly rolling
them from bottom to top. ' Sea
EG
2

trem. bar
See

a RHYTHM SLASHES (SINGLE

NOTES): Single notes can be
indicated in rhythm slashes. The
circled number above the note name
NATURAL HARMONIC: Strike the indicates which string to play. When
note while the left hand lightly successive notes are played on the
touches the string over the fret PALM MUTING: The note is partially same string, only the fret numbers
indicated. muted by the right hand lightly are given.
touching the string(s) just before the
x ©3fr 2fr open ©3tfr.

i dr
bridge.
5
Iles

Harm.

NOTE: Tablature numbers in parentheses mean:

1. The note is being sustained over a barline (note in standard notation is tied), or

2 The note is sustained, but a new articulation (such as a hammer-on, pull-off, slide or vibrato) begins, or

3. The note is a barely audible “ghost” note (note in standard notation is also in parentheses).

Definitions of Musical Symbols

va | Play an octave higher than written f (staccato) Play note short

15ma Play two octaves higher than written
Repeat previous beat (used for quarter or eighth notes)

eco Play a3 written 4/ Repeat previous beat (used for sixteenth notes)
PP (pianissimo) Very soft Y, Repeat previous measure

P (piano) Soft
: Repeat measures between repeat signs
mp (mezzo - piano) Moderately soft [| P P 9

(mezzo - ;
Begeenee?)= forte) Moderately loud When a repeated section has
different endings, play the first
f (forte) Loud ending only the first time and the
Sf (fortissimo) Very loud second ending only the second time.

= (accent) Accentuate note (play it louder) D.S. al Coda Go back to the sign (), then play until the measure
f marked “To Coda,” then skip to the section labeled “Coda.”

e> faccent) Accentuate note with great intensity

D.C. al Fine Go back to the beginning of the song and play until the measure
marked “Fine” (end).
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