PTZ Sony x1000
PTZ Sony x1000
Operating Instructions
Software Version 2.10
Before operating the unit, please read this manual thoroughly
and retain it for future reference.
BRC-X1000/H800
2
Accessing the camera from a web browser .. 50
Operation ............................................................. 51
Connecting with RCP/MSU devices ............ 51
Outputting Tracking Data ............................. 51
Upgrading the firmware ................................ 52
Changing the password ................................. 52
Appendix
Message List ........................................................ 53
Troubleshooting ................................................... 54
Menu Configuration ........................................... 56
Preset Items ......................................................... 59
Specifications ....................................................... 61
Dimensions ................................................... 63
SYSTEM SELECT switch settings .............. 64
Pin array of the VISCA RS-422 terminal and
how to use it .................................................. 64
3
Overview NOTICE TO USERS
© 2016 Sony Corporation. All rights reserved. This
Safety Regulations (Supplied) manual or the software described herein, in whole or
Describes the important points for safe use of the in part, may not be reproduced, translated or reduced
camera. to any machine readable form without prior written
Be sure to read it. approval from Sony Corporation.
Jumping to a related page Sony Corporation reserves the right to make any
When you read the instructions on a computer display modification to this manual or the information
and click on the related part of the relevant page that is contained herein at any time without notice.
being displayed, you jump to the related page. Relevant The software described herein may also be governed
pages can be searched easily. by the terms of a separate user license agreement.
4
Precautions for
Preventing Access to
the Camera by an
Unintended Third Party
The camera settings may be changed by an unintended
third party on the network, depending on the usage
environment.
The camera can be fraudulently accessed in a network
environment where a device is connected or connectable
to the network without the administrator’s permission,
or where a PC or other network device connected to the
network can be used without any permission.
After configuring the camera, immediately change the
password you use for upgrading the firmware on the
camera, from a Web browser on your PC, and for
changing settings. For how to change password, see
“Changing the password” (page 52).
5
Equipped with PoE+ (Power Over
Features Ethernet Plus)
The camera is compatible with PoE+ (Power Over
Pan/Tilt/Zoom CMOS video camera Ethernet Plus), so a single LAN cable can be used for
equipped with a small built-in pan-tilt power provision and control.
In addition to 12× optical zoom, it uses Sony’s 2×*1 Supports network connection with RCP/
Clear Image Zoom function and 2× Tele Convert
mode*2 to achieve the equivalent of up to 48×*2 MSU
telephoto performance. Network connection to an optional remote control panel
*1 When shooting at 1920×1080 only. 1.5× when
(RCP) or master setup unit (MSU) is supported.
shooting at 3840×2160.
*2
When shooting at 1920×1080 only. Picture Profile preset function
High sensitivity and high resolution from Picture Profile presets PP1 to PP6 can be loaded. By
using these presets, you can match the image texture
built-in 1.0-type CMOS image sensor with other types of camcorders that support the Picture
With the built-in highly photosensitive 1.0-type Exmor Profile function, or create an image texture that is
R® CMOS sensor, high resolution shooting with less similar to that of cinematic film.
noise can be achieved. Highly sensitive shooting unique
to the large sensor can be achieved. In addition, the Built-in ND filter
camera is equipped with a ZEISS Vario-Sonnar T* built- The camera is equipped with a built-in ND filter to
in lens. enable adjustment of the light level in bright lighting
conditions without changing the shutter speed or iris.
Multi-format support You can choose from Off, 1/4, 1/16, and 1/64.
3840×2160/29.97p (2SI) *1
1920×1080/59.94p, 1920×1080/59.94i, Supports output of tracking data
1280×720/59.94p Tracking information of the pan/tilt/zoom, focus, and
3840×2160/25p (2SI) *1 iris is output in sync with the sync signal.
1920×1080/50p, 1920×1080/50i, 1280×720/50p The data output complies with the industry standard
3840×2160/23.98p(2SI)*1, 1920×1080/23.98p free-d protocol for integration with various VR/AR
Switching possible with the SYSTEM SELECT switch systems.
*1 Compatible only with the BRC-X1000
6
If a fault inside the camera is detected, the lamp
Location and Function flashes at approximately 0.7 second intervals
irrespective of the on/off status of the back Tally
of Parts lamp. When a fault is detected, its content will be
displayed in the menu (see page 53). If, however,
“CAMERA FAULT” is shown, the back Tally lamp
Camera may not flash.
F POWER lamp
Flashes in green when the camera is connected to an
outlet using an AC adapter and power cord (not
supplied), or when power is being supplied by
connecting the camera and PoE+ Hub using a LAN
cable. The green lamp stops flashing and lights up
when start-up is complete.
The green lamp flashes when the camera receives an
operation command from the supplied remote
commander.
5 6 7
The orange lamp comes on when the POWER
button on the supplied remote commander is
A Lens pressed.
The yellow lamp flashes while upgrading the
This is a 12× magnification optical zoom lens.
When CLEAR IMAGE ZOOM in the PAN TILT firmware.
ZOOM menu is turned on, the camera can zoom up The orange lamp flashes when there are defects in
to 18× for 4K and 24× for HD. the camera (for instance, when rotations of fan
motor slow down or stop etc.).
Note
G NETWORK lamp
Do not touch the part around the lens when
Lamp flashes during initialization when it is
energized.
connected to a PoE+ Hub using a LAN cable and
power is being supplied from the PoE+ Hub. The
B Tally lamp
lamp lights up when it is connected to the network
Lights up in red when a VISCA Tally command is
once start-up is complete.
received or the camera is selected by the remote
Lights up after start-up is complete if network is
controller (not supplied) (depending on the setting
connected, when power is supplied to the camera
mode). Brightness can be selected from HIGH,
from outlet using AC adapter and power cord. The
LOW, and OFF (the lights are turned off) in TALLY
lamp is unlit when not connected to the network.
MODE in the SYSTEM menu.
The lamp turns off while upgrading the firmware.
The lamp flashes when there are defects in the
C Remote commander sensors
These are sensors for the supplied remote camera (for example, when the fan motor stops).
commander.
7
Back Factory settings for network
Network settings
BRC-X1000 IP address: 192.168.0.100
Subnet mask: 255.255.255.0
8 9 0 qa qs qd qf
Default gateway: 0.0.0.0
CNS tab (page 51)
IR SELECT CAMERA SETUP
1 2 3 Mode: Bridge
ON
1 2 3 4 5 6 7 8
SYSTEM
SELECT
IN VISCA RS - 422 OUT LAN
12V
Master IP: 0.0.0.0
OSD
ON OFF Camera No.: 1
HDMI OUT MONITOR OUT LINE OUT
Tracking data output tab (page 51)
EXT SYNC IN
SDI 1 SDI 2 SDI 1 SDI 2
TERMI-
NATION Enable: Off
ON OFF
1 2 3 4 5 6 7 8
qg qh qj qk ql w; wa ws wd wf
8
* Turn the power off or to standby, then turn the power Q VISCA RS-422 OUT terminal
on to reflect the changes after setting. When you connect multiple cameras, connect it to
4 Baud Rate settings of RS-422 for VISCA the VISCA RS-422 IN terminal of the next camera
communication in the daisy chain connection.
Switch state Baud Rate
R MONITOR OUT
ON 38400 bps
Outputs the image from the camera as a 4K or HD
OFF 9600 bps signal.
* Turn the power off and on to reflect the changes 4K output:
after setting. Connect the SDI 1 (3G-SDI) output to the SDI 1
567 Camera address settings input and the SDI 2 (3G-SDI) output to the SDI 2
Sets camera address. input respectively.
It is normally set to “Auto”. When “Auto” is HD output:
selected, an address is automatically assigned to the Connect to SDI 1 (3G-SDI) or SDI 2 (3G-SDI).
camera. * The contents of the menu screen, such as text, can
To set the address manually, set a value between “1” be displayed in the output signal when the OSD
to “7” for this switch as indicated below. switch is turned ON.
Switch No. * For the BRC-H800, only HD output is available.
Camera address
5 6 7
S OSD (On Screen Display) switch
OFF OFF OFF Auto The contents of the menu screen, such as text, can be
ON OFF OFF 1 superimposed onto the video signal output to
OFF ON OFF 2 MONITOR OUT & HDMI OUT when the switch is
ON ON OFF 3 turned ON.
OFF OFF ON 4
T LINE OUT
ON OFF ON 5 Outputs the image from the camera as a 4K or HD
OFF ON ON 6 signal. OSD (screen display) is not superimposed,
ON ON ON 7 irrespective of the OSD switch setting.
4K output:
* Turn the power off and on to reflect the changes
Connect the SDI 1 (3G-SDI) output to the SDI 1
after setting.
input and the SDI 2 (3G-SDI) output to the SDI 2
input respectively.
N U (earth) terminal
HD output:
O HDMI OUT terminal Connect to SDI 1 (3G-SDI) or SDI 2 (3G-SDI).
Supplies the images as an HDMI video signal. * For the BRC-H800, only HD output is available.
* The contents of the menu screen, such as text, can
be displayed in the output signal when the OSD U LAN (network) terminal (RJ-45)
switch is turned ON. Network communication and PoE+* power supply
are provided using the network cable (category 5e or
Notes higher, shielded twist pair).
For more information on the connection, refer to the
• When either 0 or 8 is selected for SYSTEM
instruction manual of the power supply system.
SELECT, 2K output from the HDMI output
terminal results in lower quality images. (*PoE+: an abbreviation of Power over Ethernet
• When 7 is selected for SYSTEM SELECT, VGA Plus, which complies with IEEE802.3at)
output from the HDMI output terminal results in The indicator lights up or flashes when the camera
lower quality images. is connected to the network. The indicator is off
when the camera is not connected to the network.
P VISCA RS-422 IN terminal
Connect with an remote controller (not supplied). Note
When you connect multiple cameras, connect it to When connecting this product to a network, connect
the VISCA RS-422 OUT terminal of the previous via a system that provides a protection function,
camera in the daisy chain connection. such as a router or firewall. If connected without
such protection, security issues may occur.
9
V EXT SYNC IN
Accepts an external sync signal.
Remote commander (supplied)
W TERMINATION switch
POWER
6
X 12 V ! (DC power input) terminal CAMERA SELECT
FOCUS
AUTO MANUAL
2 FAR NEAR
7
Do not use any AC adapter other than the 3 STD REV
Bottom PAN-TILT
4 HOME
PAN-TILT
RESET
Note
If two or more cameras are adjacent and have the
Y Ceiling bracket mounting screw holes
When you install the camera to the ceiling, on a same camera number, they are operated
shelf, or in another high spot, secure the supplied simultaneously with the supplied remote
ceiling bracket to these holes using four of the commander. When you install the cameras close to
supplied screws. each other, set different camera numbers.
The four feet are attached to the holes at the factory. For setting of camera No., see “Operating multiple
cameras with the remote commander” (page 46).
For installation, see “Installing the camera at a high
spot” (page 16). B FOCUS buttons
Used for focus adjustment.
Z Tripod screw holes (1/4-20UNC) Press the AUTO button to adjust the focus
Used to fix the camera to the camera tripod or automatically. To adjust the focus manually, press
something similar. the MANUAL button, and adjust it with the FAR
and NEAR buttons.
wj Rating label
This label shows the name of device and its electric Note
rating.
Press the MANUAL button and adjust the focus
manually when shooting the following objects.
Important
• White walls and other objects without contrast
The product name and electric rating are located at
• Objects behind glass
the bottom of the unit. • Objects with horizontal stripes
• Objects on which bright lights are cast or reflected
• Nightscapes and other dark objects with blinking
lights
10
• Lit objects shot with darkened exposure H POSITION buttons
adjustment or exposure compensation settings Hold down the PRESET button and press button 1 to
6 to store the current camera direction, zoom, focus
C DATA SCREEN button adjustment and backlight compensation in the
Press this button to display the main menu PAGE. memory of the pressed number button.
Press it again to close the menu. If you press the To erase the memory contents, hold down the
button when a lower-level menu is selected, the RESET button and press button 1 to 6.
display goes back to a higher-level menu.
Notes
Notes
• These buttons do not function when the menu is
• You cannot perform pan/tilt/zoom operations
displayed.
while the menu is displayed, except when
• Some memory contents may not be erased even if
recording using the PTZ TRACE function.
you use the RESET button.
• The menus are output through MONITOR OUT
For details on items that can be stored by the
and HDMI OUT. When you want to display the
PRESET button and erased by the RESET button,
menus, turn on the OSD switch on the back of the
see “Preset Items” (page 59).
camera.
I PAN-TILT RESET button
D PAN-TILT button
Press this button to reset the pan/tilt position.
Press the arrow buttons to pan or tilt the camera.
Press the HOME button to face the camera back to
J ZOOM buttons
the front. Use the SLOW button to zoom slowly, and the
When the menu is displayed, use V or v to select the FAST button to zoom quickly.
menu items and B or b to change the set values. Press the T (telephoto) side of the button to zoom in,
Display the menu of selected items with the HOME and the W (wide angle) side to zoom out.
button.
The selected setting menu is displayed by pressing
the HOME button when the main menu is displayed.
F POWER button
Press this button to turn on power or to put the
camera in the standby mode.
Note
The BACK LIGHT button is enabled when MODE
in the EXPOSURE menu is FULL AUTO,
SHUTTER Pri, IRIS Pri, or GAIN Pri.
11
Installing Batteries in the remote
commander
Installing batteries
Two R6 (size AA) batteries are required for the remote
commander. To avoid the risk of explosion, use R6 (size
AA) manganese or alkaline batteries.
Note
Danger of explosion if the batteries are incorrectly
replaced. Replace only with the same or equivalent type
recommended by the manufacturer. When you dispose
of the batteries, you must obey the laws of your area or
country.
12
System Configuration
This camera can be arranged into various system configurations with other products (not supplied). This section
describes typical system examples, with the required components and the main usage of each system.
System Configuration
Video monitor
Video signal
Remote commander (supplied)
Signal flow
System Configuration
Video monitor
Remote controller
Video signal
Remote Control (VISCA) signal
, Signal flow
13
Connecting multiple cameras to the remote controller (not supplied)
System Configuration
Video monitor
Video switcher
Remote controller
Video signal
Remote Control (VISCA) signal
Tally/contact signal
, Signal flow
14
Installation and Connection Installing the camera on a desk
1/4 -20UNC
4 = 4.5 mm to 7 mm
4 = 0.18 to 0.27 inches
Caution
Installation of the camera using the tripod screws and
screw holes should not be done for installation on a
ceiling, shelf, or other high spot.
15
Installing the camera at a high spot Installing the camera on the ceiling
(example)
The camera can be mounted on a ceiling or on a shelf or
stand located at a high spot using the supplied ceiling 1 Turn on IMG FLIP in the SYSTEM menu.
bracket.
The surface on which the camera will be mounted
2 Loosen the four screws at the bottom of the
camera to remove the four feet.
should be level. If you have to mount the camera on a
tilted surface, make sure that the angle is less than 15
degrees to ensure the camera can pan/tilt properly.
Caution
• When you want the camera to be mounted at a high
spot, such as on a ceiling, have a professional
contractor do the job.
• When you mount the camera at a high spot, make
sure the attachment materials to which the camera
will be mounted and the fittings (except for
accessories) are capable of supporting a weight of 60
kg or greater and that the installation is done
properly. If the installation is not strong enough, the
camera may fall, resulting in a serious injury.
• As a fall prevention measure, be sure to attach the
supplied wire rope to the camera securely.
• When you mount the camera at a high spot, inspect
the installation once a year for any loosened parts. 3 Attach the ceiling bracket (A) to the bottom
Depending on the operation conditions, inspect of the camera by using supplied four
more frequently. screws (3 M3×8).
Align the a mark of the bracket (A) with the front
Before installing the camera of the camera as illustrated, with the screw holes of
Decide which way the camera will shoot, and drill holes the bracket aligned to the screw holes of the camera.
for the ceiling bracket (B) and the connecting cable in
3 M3×8 (supplied)
the ceiling or the shelf. For the dimensions of the ceiling Ceiling
bracket (B), see page 63. bracket (A)
a mark
Notes
• Connection cables cannot be routed through the
ceiling bracket (A). A hole to route wires through is
needed in the ceiling or the shelf at the back of the
camera.
• Do not mount anything other than the camera onto the
ceiling bracket. Front of the
• The ceiling bracket cannot be mounted on a junction camera
box.
16
6 Attach the wire rope for fall prevention to
Caution
the ceiling bracket (A).
Put the wire rope through the fitting for wire rope of
Use the supplied screws. Otherwise, you may
the ceiling bracket (A) and securely attach it to the
break the internal parts of the camera.
bracket using the supplied stainless steel screw (3
4 Attach the ceiling bracket (B) to the M4×8).
attachment materials (not supplied) to
mount the camera on the ceiling. Wire rope (supplied)
Be sure to attach it so that the f hole of the ceiling
bracket (B) is placed where the front of the camera 3M4×8 (supplied)
will face. Fitting for wire rope
Attachment materials
Ceiling
f hole
Ceiling bracket (B)
Attachment
materials
Ceiling
17
7 Aligning the a hole in the front of the ceiling
bracket (A) to the ◊ hole of the ceiling
bracket (B), push in the camera unit, and 3 M3×8
turn the camera with the ceiling bracket (A) (supplied)
clockwise to temporarily secure the
camera.
Ceiling
◊ mark
1
Align
9-1Connect the cables to the terminals at the
Ceiling back of the camera.
a mark bracket (A)
2
Ceiling
Notes
• Make sure no load is applied to the connectors of
the cables.
• For measures that prevent the cord of the AC
adapter (not supplied) from being pulled out, see
“Connecting the Camera” (page 23).
• For measures that prevent the HDMI cable from
being pulled out, proceed to “9-2” after
connecting the HDMI cable. Then, connect all
the other cables.
18
9-2To help prevent the HDMI cable from being Installing the camera on a shelf located
pulled out, remove the HDMI cable locking at a high spot (example)
screw (M2.6×6, black), and use it to attach
the supplied HDMI cable fixing plate to the 1 Loosen the four screws at the bottom of the
back of the camera. Secure the HDMI cable camera to remove the four feet.
with a commercially available tie-wrap.
a mark
Tie-wrap (commercially
available)
HDMI cable fixing plate
(supplied)
Note
Do not leave the HDMI cable attached to the camera
if you do not use it. Front of the
camera
10 Flip the SONY nameplate and 4K or HD Ceiling
bracket (A)
nameplate around as necessary.
Note
Use the supplied screws. Otherwise, you may break
the internal parts of the camera.
19
3 Attach the wire rope for fall prevention to 4 Mount the ceiling bracket (B) onto the shelf
the ceiling bracket (A). where the camera will be mounted.
Put the wire rope through the fitting for wire rope of Use four screws (not supplied). Choose the right
the ceiling bracket (A) and securely attach it to the type of screws for the material of the shelf.
Be sure to attach it so that the f hole of the ceiling
bracket using the supplied stainless steel screw (3
bracket (B) is placed where the front of the camera
M4×8). will face.
Wire rope (supplied)
Screws (4)
Ceiling bracket
(B)
Ceiling bracket f hole
(A)
Hole for
connecting cable
Shelf
Caution
Use the supplied screw. Otherwise, the wire rope
may not function properly.
20
5 Attach the wire rope for fall prevention to 6 Aligning the a hole in the front of the ceiling
the attachment materials on the shelf side. bracket (A) to the ◊ hole of the ceiling
Using an M5 (3/16 inches) socket cap screw (not bracket (B), push in the camera unit, and
supplied), attach it to the attachment materials turn the camera with the ceiling bracket (A)
different from the one to which the shelf containing clockwise to temporarily secure the
the ceiling bracket (B) is attached. camera.
a mark
Wire rope
(supplied)
Align
◊ mark
21
7 Secure the ceiling brackets (A) and (B)
Notes
using supplied three screws (3 M3×8).
• Make sure no load is applied to the connectors of
the cables.
• For measures that prevent the cord of the AC
adapter (not supplied) or HDMI cable from being
pulled out, see “Connecting the Camera”
(page 23).
• For measures that prevent the HDMI cable from
being pulled out, follow the steps in “9-2” of
“Installing the camera on the ceiling (example)”
after connecting the HDMI cable. Then, connect
all the other cables.
3 M3×8
(supplied)
22
AC adapter cord clamper
Connecting the Camera
AC adapter cord
1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
OSD
ON OFF
(not supplied)
To power supply 2 Put the AC adapter cord through the cord clamper and
lock the cord clamper.
Note
1 Connect the AC adapter (not supplied) and Do not use any AC adapter other than the specified
a power supply cord. optional one. Otherwise, a fire or malfunction may
occur.
23
Connecting a single camera to a
switcher, recorder and monitor
Devices equipped with an HDMI input terminal
ON
1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
OSD
ON OFF
ON
1 2 3 4 5 6 7 8
HDMI OUT MONITOR OUT LINE OUT
12V SDI 1 SDI 2 SDI 1 SDI 2 EXT SYNC IN
SYSTEM IN VISCA RS - 422 OUT LAN TERMI-
SELECT NATION
OSD
ON OFF
ON OFF
HDMI cable
Network cable (not supplied)
(commercially
available)
To HDMI input terminal
ON
1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
OSD
ON OFF
24
Devices equipped with an SDI input terminal
(HD output): BRC-X1000
Connecting a single camera to a
single remote controller (not
IR SELECT
1 2 3
CAMERA SETUP
supplied)
ON
1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
OSD
ON OFF
SDI OUT
ON
1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
OSD
ON OFF
1
RS-422
9 1
TALLY/CONTACT
9
!
DC 12V
1 2 3 4 5 6 7 8
12V
25
IR SELECT CAMERA SETUP
1 2 3
ON
1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
OSD
ON OFF
1 9 1 9
DC 12V
ON
DC 12V 1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
OSD
ON OFF
ON
1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
When you make the connecting cable, refer to the pin OSD
ON OFF
1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
OSD
ON OFF
Connecting a commercially
available video switcher
For 4K output
When you want to switch cameras, connect a
commercially available video switcher.
26
For the connection to the video switcher, refer to the For HD output
operating instructions of the switcher. When you want to switch cameras, connect a
* LINE OUT menu display is not output. commercially available video switcher.
* You can switch the MONITOR OUT menu display by For the connection to the video switcher, refer to the
turning the OSD switch on/off. operating instructions of the switcher.
Depending on the application, you can choose the one
you want.
IR SELECT CAMERA SETUP
1 2 3
ON
1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
OSD
ON OFF
ON
1 2 3 4 5 6 7 8 SDI 1 SDI 2 SDI 1 SDI 2 EXT SYNC IN
12V TERMI-
SYSTEM IN VISCA RS - 422 OUT LAN NATION
SELECT ON OFF
OSD
ON OFF
Network cable
(commercially
Network cable available)
Connecting cable with BNC
(commercially connector (commercially
available) available)
Connecting cable with
BNC connector
(commercially available) IR SELECT CAMERA SETUP
1 2 3
ON
1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
OSD
ON OFF
Video monitor
Connecting cable with
Network cable BNC connector
Video monitor Connecting cable
(commercially (commercially
with BNC connector
Network cable available) available)
(commercially
(commercially available)
available)
ON
1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
OSD
ON OFF
Connecting cable
RS-422 conversion with BNC
cable connector
RS-422 conversion (commercially
cable available)
(commercially
available) Connecting control
signals
Video switcher
MODE LAN RS-232C
VISCA
RS-422 TALLY/CONTACT !
1 9 1 9
DC 12V
Connecting control * The BRC-H800 does not have MONITOR OUT SDI
signals 2 LINE OUT SDI 2 terminal.
Video switcher * Use straight network cables.
* Equivalent signals are delivered to both SDI 1 and SDI
2.
* The BRC-H800 does not have MONITOR OUT SDI
2 LINE OUT SDI 2 terminal.
* Use straight network cables.
27
Externally synchronizing a single
camera
ON
1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
OSD
ON OFF
TERMINATION
switch: On
External synchronization
Multiple cameras can be synchronized to a specific
reference signal.
Providing a reference signal to the EXT SYNC IN
terminal (page 10) allows the camera to be synchronized
in phase with the video signal. Depending on the system
frequency, the compatible reference signal varies.
System select Compatible reference signals
0: 3840×2160/29.97p 1920×1080/59.94i
1: 1920×1080/59.94p 720×486/59.94i (NTSC)
2: 1920×1080/59.94i
4,7: 1280×720/59.94p 1920×1080/59.94i
1280×720/59.94p
720×486/59.94i (NTSC)
8: 3840×2160/25p 1920×1080/50i
9: 1920×1080/50p 720×576/50i (PAL)
A:1920×1080/50i
C:1280×720/50p 1920×1080/50i
1280×720/50p
720×576/50i (PAL)
E: 3840×2160/23.98p 1920×1080/47.95i (23.98PsF)
F: 1920×1080/23.98p
Notes
• When the reference signal is unstable, the camera
cannot be externally synchronized.
• Sub-carriers cannot be synchronized.
28
operation. This corresponds to the joystick button on
Adjusting and Configuring a remote controller.
: Indicates use of the DATA SCREEN button
through On-Screen Menus (equivalent to MENU) to show/hide the menu
screen.
AUTO MANUAL
FAR NEAR
Show/hide menu
switch STD REV
1 2 3
4 5 6
PRESET RESET
POSITION
PAN-TILT/CURSOR
Confirm selection/
Item select HOME execute operation
PAN-TILT
RESET
1 Cursor
This section explains how to read the on-screen menus The cursor selects a setting menu.
before starting menu operations. Press the V or v button of the remote commander to
move the cursor up or down.
For the overall menu configurations, see page 56.
2 Menu items
Notes Press the V or v button of the remote commander to
• You cannot perform pan/tilt/zoom operations while select a setting menu. Press the HOME button of the
the menu is displayed. remote commander to display the selected setting
• The menus are output through MONITOR OUT and menu.
HDMI OUT.
When you want to display the menus, turn on the OSD
switch on the back of the camera. Setting menu
The setting menu selected on the main menu is
Confirming selection of menu items displayed.
and settings / Executing operations
Icons for buttons used for setup operations are displayed
along the bottom of the currently displayed menu
screen.
or : Indicates use of the V/v/B/b
buttons to select menu items and settings. These
correspond to the joystick directions on a remote
controller.
: Indicates use of the HOME button (equivalent to
ENTER) to confirm the menu item or setting
selection, or to advance to the next screen or next
29
How to Use Menus
This section explains how to configure the camera using
the supplied remote commander.
ER
W
PO
displayed.
T
C
LE
3
SE
A
L
UA
ER
AN
2
AM
M
C
HT
LIG
S
R
U
1
EA
C
CK
2 Cursor
FO
BA
R
FA
TO
AU
The cursor selects a setting item.
EN
3
RE
EV
SC
R
TA
6
DA
ET
2
3
ES
D
ST
R
Press the V or v button of the remote commander to 1
5
1
N
IO
SIT
4
T
PO
T
E
IL
ES
T T
-T
SE -TIL
PR
N
move the cursor up or down.
RE AN
PA
P
E
M
HO
ST
FA
M
O
T
ZO
2, 4
W
O
W
SL
3 Setting items
T
W
T
The setting items for this setting menu are
SE
5
EC L/R
N
TIO
DIR
displayed.
Press the V or v button of the remote commander to
select a setting item. Press the B or b button to
change the set value. 1 Press the DATA SCREEN button.
The main menu is displayed.
4 Set value
The current set values are displayed.
Press the B or b button of the remote commander to
change the set value.
30
3 Press the HOME button.
The selected menu is displayed.
EXPOSURE Menu
The EXPOSURE menu is used to set the items regarding
the exposure.
31
1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, prominent if sensitivity is increased to make the
1/6000, and 1/10000. image brighter. You can decrease noise by
When the signal format is 2160/25p (the adjusting the exposure through lower shutter
BRC-X1000 only), 1080/50p, 1080/50i, or speeds to cancel sensitivity adjustments. When
720/50p you do this, turn on GAIN POINT and set the
POINT POSITION to the sensitivity at which you
You can choose from 1/6, 1/12, 1/25, 1/30, 1/50,
want the shutter speed to change. When the
1/60, 1/100, 1/120, 1/150, 1/215, 1/300, 1/425,
shutter speed reaches MIN SPEED for exposure
1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500,
adjustment, increase sensitivity to adjust
1/6000, and 1/10000.
exposure. This setting is enabled when MODE is
When the signal format is 2160/23.98p either FULL AUTO or IRIS Pri.
(the BRC-X1000 only), 1080/23.98p
POINT POSITION: This is enabled when GAIN
You can choose from 1/6, 1/12, 1/24, 1/25, 1/40, POINT is turned ON. When sensitivity during
1/48, 1/50, 1/60, 1/96, 1/100, 1/120, 1/144, 1/192, exposure adjustment reaches the value for
1/200, 1/288, 1/400, 1/576, 1/1200, 1/2400, POINT POSITION, exposure is adjusted through
1/4800, and 1/10000. a slower shutter speed. This setting is enabled
IRIS: When EXPOSURE MODE is either MANUAL when MODE is either FULL AUTO or IRIS Pri.
or IRIS Pri, you can choose aperture setting. You cannot choose a value smaller than the GAIN
You can choose from F2.8/F3.1/F3.4/F3.7/F4.0/ setting.
F4.4/F4.8/F5.2/F5.6/F6.2/F6.8/F7.3/F8.0/F8.7/ MAX SPEED: This sets the maximum (fastest)
F9.6/F10/F11. shutter speed when exposure is adjusted with the
AE SPEED: Select the adjustment speed for exposure electronic shutter.
adjustment. This setting is enabled when MODE is FULL
You can adjust the speed at which the camera AUTO, IRIS Pri, or GAIN Pri. You cannot choose
reaches the optimum exposure setting from 1 a value slower than MIN SPEED.
(Standard) to 48 (Slow). Adjust this when the When the signal format is 2160/29.97p
brightness of the object changes instantaneously. (the BRC-X1000 only), 1080/59.94p, 1080/
This setting is enabled when MODE is FULL 59.94i, 720/59.94p
AUTO, SHUTTER Pri, IRIS Pri, or GAIN Pri. You can choose from 1/30, 1/50, 1/60, 1/90,
EX-COMP: Turn this ON when you want to correct 1/100, 1/125, 1/180, 1/250, 1/350, 1/500, 1/725,
brightness of a picture whose exposure is already 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000,
automatically adjusted. This setting is enabled and 1/10000.
when MODE is FULL AUTO, SHUTTER Pri, When the signal format is 2160/25p (the
IRIS Pri, or GAIN Pri. The LEVEL setting is BRC-X1000 only), 1080/50p, 1080/50i, 720/
displayed when this is turned ON. 50p
You can choose from 1/25, 1/30, 1/50, 1/60,
LEVEL: Choose a level to adjust the brightness of a
1/100, 1/120, 1/150, 1/215, 1/300, 1/425, 1/600,
picture whose exposure is already automatically
1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000,
adjusted. Choose a value from –7 to +7 for the
and 1/10000.
level.
When the signal format is 2160/23.98p
This is not displayed when EX-COMP is turned
(the BRC-X1000 only), 1080/23.98p
OFF.
You can choose from 1/24, 1/25, 1/40, 1/48, 1/50,
GAIN LIMIT: Set the maximum sensitivity when
1/60, 1/96, 1/100, 1/120, 1/144, 1/192, 1/200,
exposure is automatically adjusted using
1/288, 1/400, 1/576, 1/1200, 1/2400, 1/4800, and
sensitivity. Choose a value from 9 dB to 24 dB (in
1/10000.
3 dB increments) or you can turn this OFF. When
turned off, the maximum is not limited. This MIN SPEED: This sets the minimum (slowest)
setting is enabled when MODE is FULL AUTO, shutter speed when exposure is adjusted with the
SHUTTER Pri, or IRIS Pri. You cannot choose a electronic shutter.
value smaller than the POINT POSITION setting. This setting is enabled when MODE is FULL
AUTO, IRIS Pri, or GAIN Pri. You cannot choose
GAIN POINT: When you set MIN SPEED to be
a value faster than MAX SPEED.
slower than the output image frame rate, the
When the signal format is 2160/29.97p
shutter speed controls exposure based on the
(the BRC-X1000 only), 1080/59.94p, 1080/
GAIN POINT setting. Normally, when exposure
59.94i, 720/59.94p
is controlled with sensitivity, noise becomes
32
You can choose from 1/8, 1/15, 1/30, 1/50, 1/60,
1/90, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500,
1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000,
COLOR Menu
1/6000, and 1/10000.
When the signal format is 2160/25p (the The COLOR menu is used to adjust the white balance
BRC-X1000 only), 1080/50p, 1080/50i, 720/ and the color.
50p
You can choose from 1/6, 1/12, 1/25, 1/30, 1/50,
1/60, 1/100, 1/120, 1/150, 1/215, 1/300, 1/425,
1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500,
1/6000, and 1/10000.
When the signal format is 2160/23.98p
(the BRC-X1000 only), 1080/23.98p
You can choose from 1/6, 1/12, 1/24, 1/25, 1/40,
1/48, 1/50, 1/60, 1/96, 1/100, 1/120, 1/144, 1/192,
1/200, 1/288, 1/400, 1/576, 1/1200, 1/2400,
1/4800, and 1/10000.
BACK LIGHT: This menu allows you to enable/
disable backlight compensation so that exposure
is optimized for backlight. You can choose either
ON or OFF. This setting is enabled when MODE WHITE BALANCE MODE
is FULL AUTO, SHUTTER Pri, IRIS Pri, or This setting allows you to select a white balance mode.
GAIN Pri. You can choose from AUTO1, AUTO2, INDOOR,
SPOT LIGHT: This menu allows you to enable/ OUTDOOR, ONE PUSH, and MANUAL.
disable spotlight compensation by adjusting the AUTO1: Automatically adjusts the color to be closest to
exposure darker when a part of the object is the image you are viewing.
bright, such as a person’s face in spotlight. You AUTO2: Automatically adjusts the white balance to
can choose either ON or OFF. This setting is reproduce the original colors of the objects,
enabled when MODE is FULL AUTO, eliminating the influences of ambient
SHUTTER Pri, IRIS Pri, or GAIN Pri. SPOT illumination.
LIGHT becomes disabled when BACK LIGHT is INDOOR: Fixes R/B GAIN when the color temperature
ON. is 3200 K.
OUTDOOR: Fixes R/B GAIN when the color
temperature is 5800 K.
ONE PUSH: White balance is adjusted when you press
the HOME button of the supplied remote
commander or the top button or ONE PUSH
AWB button on the joystick of an remote
controller, while shooting a large white object.
MANUAL: Allows you to manually adjust the white
balance.
When you select any of the above modes, you will see
available options for the selected mode among the
following setting items.
33
OFFSET: The white convergence point can be shifted
when WHITE BALANCE mode is AUTO1,
AUTO2, or ONE PUSH. The range is from –7 to
DETAIL Menu
0 to +7. White balance is shifted toward blue
when a negative value is chosen, and it is shifted The DETAIL menu is used to adjust the image enhancer
toward red when a positive value is chosen. function.
R. GAIN and B. GAIN: Displayed when MANUAL
is chosen. White balance can be manually
adjusted within the range from –128 to +127.
MATRIX
You can emphasize or weaken a specific color region
while keeping the white convergence point unchanged.
When you turn this ON, the following items are
displayed for adjustment.
SELECT: You can choose an internal preset matrix
for matrix calculation. You can choose from
STD, HIGH SAT, FL LIGHT, MOVIE, STILL,
CINEMA, PRO, ITU709, and B/W. This
becomes disabled when MATRIX is turned OFF. MODE
LEVEL (color level): You can adjust the color density When you choose AUTO, contour correction signal is
of the picture. Choose a value in the range from 0 automatically added.
to 14. The greater the number, the denser the When you want to make adjustment by yourself, choose
colors, and vice versa. This becomes disabled MANUAL.
when MATRIX is turned OFF. Only LEVEL will be displayed when you choose
PHASE: You can adjust the color tone of the entire AUTO.
picture. Choose a value from –7 to 0 to +7. This LEVEL: You can set the volume of the contour
becomes disabled when MATRIX is turned OFF. correction signal. Choose a value from –7 to +8.
R-G, R-B, G-R, G-B, B-R, B-G: You can set a The greater the value, the stronger the contour
coefficient for each combination of RGB correction signal.
individually, to adjust the hue of the entire BAND WIDTH: You can set the bandwidth for
picture. signals undergoing contour emphasis. You can
Choose a value from –99 to 0 to +99. This choose from DEFAULT, LOW, MIDDLE, HIGH,
becomes disabled when MATRIX is turned OFF. and WIDE. For example, when you choose
MIDDLE, the middle range of the signals is
elevated, and contours in that middle range are
emphasized.
CRISPENING: You can choose the fineness of the
objects subject to contour correction with contour
correction signals.
Choose a value from 0 to 7. When you choose a
higher value, minute contour correction signal
elements are removed, and only the high level
contour correction signals are left, which reduces
noise. When you choose a lower value, minute
contour correction signal elements are added to
the picture, increasing noise.
H/V BALANCE: You can choose the ratio for
horizontal and vertical contour correction signal
elements. Choose a value from –2 to 0 to +2.
When you choose a higher value, the horizontal
contour correction elements become greater
compared to the vertical elements.
34
B/W BALANCE: You can adjust the balance between
contours in black on the low brightness side of the
spectrum and contours in white on the high
KNEE Menu
brightness side. Choose from TYPE1 to TYPE5.
The ratio of contours in black is higher for The KNEE menu is used to adjust the KNEE.
TYPE1 while the ratio of contours in white is
higher for TYPE5.
LIMIT: You can set the maximum value for the
amount of contour emphasis in black on the low
brightness side of the spectrum and in white on
the high brightness side. Choose a value from 0 to
7.
HIGHLIGHT DETAIL: You can adjust the level of
contour added to brightly-lit objects. Choose a
value from 0 to 4. Adjust this when you want to
emphasize the contour of a brightly-lit object in a
bright background.
SUPER LOW: Emphasizes contours in the super low
range. Choose a value from 0 to 7. The greater the
SETTING
value, the greater the contour emphasis. Contrast
and resolution increase. When you turn this ON, the following KNEE MODE
setting items are displayed for adjustment.
KNEE MODE: When you choose AUTO, the KNEE
level is automatically calculated based on the
brightness level of the picture being shot. When
you choose MANUAL, you can manually adjust
the KNEE level irrespective of the brightness
level of the picture.
KNEE SLOPE: When KNEE MODE is
MANUAL, you can adjust the gradient of
KNEE (compression rate).
Choose a value from –7 to 0 to +7. This is
disabled when KNEE MODE is AUTO.
KNEE POINT: When KNEE MODE is
MANUAL, you can adjust the knee point.
Choose a value from 0 to 12. This is disabled
when KNEE MODE is AUTO.
35
PATTERN: Choose a value from 0 to 51. This
GAMMA/VISIBILITY can be chosen when SELECT is PATTERN.
PATTERN FINE: Choose a value from 0 to 9.
ENHANCER Menu When PATTERN is 0, 0 cannot be chosen for
PATTERN FINE. When PATTERN is 51, a
value larger than 2 cannot be chosen for
The GAMMA/VISIBILITY ENHANCER menu is used PATTERN FINE. This can be chosen when
to adjust GAMMA correction and VISIBILITY SELECT is PATTERN.
ENHANCER features. OFFSET: You can choose the offset of the output level
of gamma curves.
Choose a value from –64 to 0 to +64.
LEVEL: You can adjust the correction level of the
GAMMA curve. Choose a value from –7 to 0 to
+7.
BLACK GAMMA: You can adjust the black gamma
level to recreate gradation in the dark areas of the
picture or to suppress noise with black-out.
Choose a value from –7 to 0 to +7.
BLACK GAMMA RANGE: You can adjust the
brightness range for which BLACK GAMMA
becomes effective. Choose from LOW,
MIDDLE, and HIGH. The range becomes small
GAMMA when LOW is chosen, and it becomes large when
HIGH is chosen.
SELECT BLACK LEVEL: You can adjust the master BLACK
LEVEL. Choose a value from –48 to 0 to +48.
You can choose the type of basic curve for GAMMA
correction.
STD: Standard setting (same as the MOVIE setting on VISIBILITY ENHANCER
the camera).
STRAIGHT: This selects a straight GAMMA curve. SETTING
MOVIE: Use standard gamma curve for movies. When this is turned ON, gradation correction is
STILL: Use gamma curve for the tone of a still image. adaptively performed according to the scene being shot.
CINE1: Softens the contrast in darker regions and
emphasizes gradation changes in lighter regions, EFFECT
producing a subdued tone overall. You can adjust the brightness of the shadows on the
CINE2: Similar to [CINE1] but optimized for editing screen. Choose a value from –3 to 0 to +3.
with up to 100% video signal.
CINE3: Stronger contrast between dark and light
regions and greater emphasis on black gradation
changes (compared to [CINE1] and [CINE2]).
CINE4: Stronger contrast than [CINE3] in darker
regions. Compared to the standard curve, has less
contrast in darker regions and more contrast in
lighter regions.
ITU709: Gamma curve equivalent to ITU-709.
PATTERN: You can choose a gamma curve from 512
patterns stored in the camera. You can specify the
pattern out of 512 patterns using PATTERN and
PATTERN FINE. PATTERN defines the upper
two digits of the pattern, and PATTERN FINE
defines the last digit.
36
FOCUS Menu PICTURE/OPTICAL
FILTER Menu
The FOCUS menu is used to select the focus mode.
FLICKER CANCEL
When this is turned ON, the flicker correction feature
becomes enabled.
When this is turned OFF, the flicker correction feature
becomes disabled.
Note
Depending on conditions such as the type of
illumination and shutter speed, the flicker correction
feature may not be effective.
If the frame rate is close to the power supply frequency,
the flicker correction feature may not be able to fully
remove flickers, even if it is enabled. If this happens, use
the electronic shutter.
We recommend turning OFF, FLICKER CANCEL
37
under lights where no flicker is generated, such as
outdoors.
PAN TILT/ZOOM
ND FILTER Menu
You can adjust the internal ND filter to control the light
level according to the brightness of the subject.
The PAN TILT/ZOOM menu is used to select the pan/
OFF: Do not use ND filter. tilt/zoom mode.
1/4: Use ND filter to reduce the light level to
approximately 1/4.
1/16: Use ND filter to reduce the light level to
approximately 1/16.
1/64: Use ND filter to reduce the light level to
approximately 1/64.
IR CUT FILTER
You can choose either to enable or disable the IR CUT
FILTER feature.
By disabling the IR CUT FILTER, the gain in the IR
region is increased allowing the camera to capture
images in shadow.
Day: IR CUT FILTER is enabled to remove LIMIT (pan/tilt limit)
unnecessary IR.
Night: IR CUT FILTER is disabled. The picture PAN
becomes monochrome.
Set whether to limit the pan rotation range.
OFF: Do not apply range limit.
ON: Apply range limit.
LEFT: END, 169° to –169°, adjustable in
1° increments.
RIGHT: END, –169° to 169°, adjustable in
1° increments.
TILT
Set whether to limit the tilt rotation range.
OFF: Do not apply range limit.
ON: Apply range limit.
DOWN: END, –29° to 89°, adjustable in 1° increments.
UP: END, 89° to –29°, adjustable in 1° increments.
38
Setting range of LEFT/RIGHT RAMP CURVE (acceleration/deceleration
CENTER (±0°) curve)
You can set the acceleration/deceleration curve for pan
and tilt.
MODE1: The camera accelerates/decelerates quicker
than MODE2.
MODE2: This is the standard acceleration/deceleration
curve.
MODE3: The camera accelerates/decelerates slower
than MODE2.
END (90°)
89°
±0°
–29°
END (30°)
Notes
• Before storing the camera position in a preset
memory, configure the PAN setting and TILT setting
under LIMIT. If the camera position is not within the
range of the PAN setting or TILT setting under
LIMIT, you cannot store the camera position in the
preset memory.
• The PAN setting and TILT setting under LIMIT are
reset to the factory settings when you change the IMG
FLIP setting in the SYSTEM menu.
39
VIDEO OUT Menu SYSTEM Menu
Note
You cannot turn OFF, IR RECEIVE when using the
supplied remote commander. To turn off IR RECEIVE,
use the remote controller (not supplied) or VISCA
command.
40
TALLY MODE Note
This allows you to set up the Tally lamps on the front For pan/tilt operation using when P/T SPEED TYPE is
and back of the camera. Choose from HIGH, LOW, and set to Extd. STEP, use a remote controller that supports
OFF. this speed type. Correct operation may not occur if
HIGH: When the Tally lamp is turned on, the one on the using a remote controller that does not support this
front of the camera comes on bright. speed type.
LOW: When the Tally lamp is turned on, the one on the
front of the camera comes on dim. P/T SLOW MODE
OFF: When the Tally-lamp-on command is issued, the Set to ON to reduce the speed of each step setting for
Tally lamps on the front and back of the camera slower pan/tilt operation. This is enabled when P/T
do not come on. SPEED TYPE is set to NORMAL or Extd. RANGE.
Notes
• Enabled only when SYSTEM SELECT is set to
1920×1080.
• The angle of view when TELE CONVERT MODE is
set to 2x is narrower than when set to OFF.
PRESET MODE
Sets preset mode.
MODE1: Recall all saved settings when recalling a
preset.
MODE2: Recall only the pan, tilt, zoom, and focus
positions when recalling a preset.
TRACE: Select to control operation using the PTZ
TRACE function, without displaying the menu.
41
NETWORK Menu PICTURE PROFILE
Menu
The NETWORK menu is used to configure Network
settings.
42
LEVEL,
PHASE,
R-G,
PTZ TRACE Menu
R-B,
G-R,
G-B,
B-R,
B-G
• DETAIL
LEVEL,
MODE
Settings can be adjusted individually after
recalling a Picture Profile.
To save settings, save to a preset.
Notes
• The settings for a Picture Profile cannot be changed.
• To load specific settings at startup, save the settings in
preset position 1. PTZ TRACE is a function used to record pan/tilt/zoom
operations, controlled by the remote commander or a
remote controller, and then to play back the operations
as required. Up to 16 pan/tilt/zoom positions can be
recorded for up to 180 seconds.
Notes
• If pan and tilt limits are configured in the PAN TILT/
ZOOM menu after recording operations, the pan and
tilt limits are not applied upon playback.
• To use the PTZ TRACE function and pan/tilt limit
function together, first configure the PAN and TILT
settings in the PAN TILT/ZOOM menu and then use
the PTZ TRACE function.
• Recorded operations will be erased if the IMG FLIP
setting or camera operating frequency setting is
changed.
• When P/T SPEED TYPE is set to Extd. STEP, the
recorded trace may not be reproducible upon
playback.
• Playback operations will restore CLEAR IMAGE
ZOOM, RAMP CURVE, P/T SPEED TYPE, P/T
SLOW MODE, and ZOOM SPEED TYPE to their
states held during recording.
TRACE NO: Select the TRACE number to record, play
back, or delete.
RECORD: Record operations.
PLAY: Play back the recorded operations.
DELETE: Delete the recorded operations.
RECORDED TRACE NO: Displays the recorded
TRACE numbers.
ELAPSED TIME (SEC): Displays the elapsed time
during recording or playback in seconds.
43
For details, refer to the operating instructions of the 3 Press the HOME button to begin playback.
remote controller. The recorded pan/tilt/zoom operations are played
back, and the ELAPSED TIME(SEC) number
increases in increments of 1.
Recording pan/tilt and zoom During playback, the menu screen display
operations continues, with *PLAYING* displayed at the
bottom of the screen.
1 Select the trace number you want to record
in TRACE NO. Note
Playback stops if a pan, tilt, or zoom operation is
2 Move the cursor to RECORD, and press the performed during playback using the remote
HOME button. commander or a remote controller.
*SETTING(ENTER TO START REC)* is
displayed at the bottom of the screen. Deleting recorded pan/tilt and
3 Move to the record start position, and press zoom operations
the HOME button.
*RECORDING(ENTER TO START STOP)* is 1 Select the trace number you want to delete
displayed at the bottom of the screen. in TRACE NO.
4 Perform the pan/tilt and zoom operations 2 Move the cursor to DELETE, and press the
you want to record. HOME button.
During recording, the ELAPSED TIME(SEC) The recording is deleted, and the corresponding
number at the bottom of the screen increases in trace number is removed from RECORDED
increments of 1. TRACE NO.
During recording, the menu screen display
continues.
Note
If using the remote commander, pan/tilt and zoom
operations cannot be performed simultaneously.
Note
The recording automatically stops after the
maximum recording time has elapsed.
44
Operations Using the Supplied Pan/Tilt and Zoom
Remote Commander
Operations
ER
W
PO
CAMERA SELECT
T
C
LE
3
SE
Before operating, check that the camera and peripheral
L
UA
ER
AN
2
AM
M
C
HT
LIG
S
R
U
1
EA
devices are properly installed and connected.
CK
FO
BA
R
REV
FA
TO
AU
EN
3
RE
EV
SC
R
2
TA
6
DA
ET
2
ES
D
For details, see “Installing the Camera” (page 15) and
ST
R
STD
5
1
N
IO
SIT
PAN-TILT
4
ET
PO
T
IL
ES
T T
“Connecting the Camera” (page 23).
-T
SE -TIL
PR
RE AN
PA
RESET
P
E
M
HO
ST
FA
M
O
T
ZO
W
O
HOME
W
SL
T
W
T
SE
EC L/R
N
TIO
DIR
Turning on the Power L/R DIRECTION
SET
IR SELECT
1 2 3
CAMERA SETUP
1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
OSD
camera.
ON OFF
Note
Wait at least 10 seconds if you want to turn on the
camera again after putting it in the standby mode.
45
If the camera moves in a different Zooming
direction from what you intended
The camera is preset to face toward the right whenever Press either of the ZOOM buttons.
the b button is pressed. You might wish to reverse the
direction in which the camera moves, for example, when PAN-TILT
RESET
you change the direction of the camera while checking Subject appears
SLOW ZOOM FAST Subject appears
T T closer. (Telephoto)
the picture on the screen. In such cases, press the 2 farther away. (Wide
angle) W W
(REV) button while holding down the L/R DIRECTION L/R
DIRECTION SET
L/R Note
DIRECTION SET
When you perform pan/tilt operations while the camera
While holding down is in telephoto mode, the moving speed of the image on
STD
the screen may be a little jerky.
1
Press
Operating multiple cameras with
L/R
DIRECTION SET
the remote commander
While holding down
REV
1 Set the IR SELECT switch on the rear of the
camera you want to operate to 1, 2 or 3.
2
Press
123
IR SELECT
Note
The above setting changes only the signal emitted from
the remote commander, and does not change the setting
of the camera itself. Therefore, repeat the setting process 2 Press the CAMERA SELECT button on the
for each remote commander if you are using more than remote commander that corresponds to the
one remote commander. number set in step 1.
2 3 CAMERA
menu screen AUTO
FAR
FOCUS
NEAR
MANUAL
SELECT
When the camera is moved or turned by hand or by DATA SCREEN BACK LIGHT
46
Adjusting the Camera Note
The BACK LIGHT button is enabled when MODE in
the EXPOSURE menu is FULL AUTO, SHUTTER Pri,
IRIS Pri, or GAIN Pri.
ER
W
PO NEAR
T
C
LE
3
SE
A
L
UA
ER
AN
2
AM
M
MANUAL
C
HT
LIG
S
R
U
1
EA
C
CK
FO
BA
R
BACK LIGHT
FA
TO
AU
EN
3
RE
EV
SC
R
TA
6
DA
ET
2
ES
D
ST
AUTO
5
1
N
IO
SIT
4
ET
PO
T
IL
ES
T T
-T
SE -TIL
PR
RE AN
PA
FAR P
E
M
HO
ST
FA
M
O
T
ZO
W
O
W
SL
T
W
T
SE
EC L/R
N
TIO
DIR
Focusing on a subject
CAMERA SELECT
Focusing on a far 1 2 3
FOCUS
AUTO MANUAL
FAR NEAR
1 2 3
47
DATA SCREEN BACK LIGHT
Settings in Memory
1 2 3
Press the
4 5 6 POSITION
PRESET RESET
While holding down POSITION button you want
– Preset Feature to set.
For details on the camera settings that can be preset, see Clearing the preset memory
“Preset Items” (page 59).
Hold down the RESET button and press the desired
POSITION button from buttons 1 to 6 for which you
ER
W
PO
3
LE
3
SE
A
L
UA
ER
AN
2
AM
M
C
HT
LIG
S
R
U
1
4 POSITION 1~6
EA
C
CK
FO
BA
EN
3
RE
EV
SC
Press the
R
TA
6
DA
ET
2
RESET
ES
D
STD REV
ST
R
5
POSITION
1
1 2 3
IO
SIT
4
ET
PO
T
IL
ES
T T
IL
2
SE -T
PR
4 PRESET
RE AN
PA
4 5 6
E
M
HO
to clear.
ST
PRESET RESET
FA
M
POSITION
O
T
ZO
W
O
W
SL
3
W
T
SE
EC L/R
N
TIO
DIR
Notes
• If you want to retain the previous pan and tilt positions
Storing the camera status when the power is turned off and turned on again,
store those positions in POSITION 1.
When PRESET MODE is set to TRACE, the camera
1 Set PRESET MODE in the SYSTEM menu to
does not move to the trace start position when the
MODE1 or MODE2.
power is turned on.
• Storing or clearing the settings in POSITION 1 takes
2 Press the PAN-TILT RESET button to reset
about two seconds longer than for other positions.
the pan/ tilt position.
• When you are storing or clearing the settings in one
POSITION, you cannot restore, store or clear the
3 Adjust the position, zoom, and focus of the settings in another POSITION.
camera. (See pages 46 and 47.) • For details on the items that can be cleared from the
memory, see page 59.
4 Hold down the PRESET button and press • When PRESET MODE is set to MODE2 in the
any of the POSITION buttons, 1 to 6, in SYSTEM menu, only the pan/tilt, zoom, and focus
which you want to store the settings. positions of the camera are recalled.
48
Recording pan/tilt and zoom
Storing Camera Pan/Tilt operations
and Zoom Operations
1 Adjust the operation start position of the
– PTZ TRACE function camera.
2, 4
SE
A
L
UA
ER
AN
2
AM
M
C
HT
LIG
S
R
U
operations
1
EA
C
CK
FO
POSITION 1~6
BA
R
FA
TO
AU
EN
3
RE
EV
SC
R
TA
6
DA
ET
2
RESET
ES
D
ST
1
5
1
PO
T
IL
ES
T T
-T
SE -TIL
PR
2, 4 PRESET
RE AN
PA
T
S
FA
M
position.
O
T
ZO
W
O
W
SL
1, 3
W
2
T
SE
EC L/R
N
Playback starts.
Note
Notes
Playback stops if a pan, tilt, or zoom operation is
• If using the remote commander, pan/tilt and zoom performed during playback.
operations cannot be performed simultaneously.
• The menu and camera status are not displayed on the
screen. Deleting recorded pan/tilt and
• Recorded operations will be erased if the IMG FLIP zoom operations
setting or camera operating frequency setting is
changed. Hold down the RESET button and press the desired
• When P/T SPEED TYPE is set to Extd. STEP, the POSITION1 to 6 button for which you want to clear the
recorded trace may not be reproducible upon registered recording.
playback.
• Playback operations will restore CLEAR IMAGE
ZOOM, RAMP CURVE, P/T SPEED TYPE, P/T
SLOW MODE, and ZOOM SPEED TYPE to their
states held during recording.
• The camera supports up to 16 patterns of recorded
operations. The number of patterns that are supported
will vary depending on the device used.
- RM-IP500 (sold separately): Up to 16
- RM-IP10 (sold separately): Up to 16
- Remote commander (supplied): Up to 6
49
Password: Admin_1234
Accessing from a Web Browser
Note
You can access the camera from a web browser on a PC
to upgrade the firmware and to change settings. The password change screen is displayed when the
An IP address must be set on the camera to access it camera is accessed using the factory-set password. You
from a web browser. For details on IP settings, refer to can view other tabs after changing the password.
“RM-IP Setup Tool Guide” or “RM-IP10 Setup Tool
Guide.”
Setting-up the PC
One of the following system configurations is required
for the PC:
OS
Windows 8.1 Pro (32-bit version, 64-bit version)
Windows 10 Pro (32-bit version, 64-bit version)
Web browser
Windows Internet Explorer Ver. 11.0
Notes
• In the case of Windows 8.1, use the Internet Explorer
desktop user interface (desktop UI) version.
• Turn off tablet mode when using Windows 10.
• Every page is optimized for Internet Explorer in
Medium font size.
• The web page displayed when you log in to the camera
is made using JavaScript. The web page may not
display correctly if your computer uses certain
software, such as anti-virus software.
50
Destination IP address
Operation When Transfer mode is set to Always, specify the IP
address of the client which will receive the tracking data
from the camera.
Connecting with RCP/MSU devices
UDP port number
The camera can be connected to an optional remote
When Transfer mode is set to Always, specify the UDP
control panel (RCP) or master setup unit (MSU) for
port of the client which will receive the tracking data
operation. For details about supported devices, contact
from the camera.
your Sony sales representative.
When Transfer mode is set to On demand, specify the
UDP port number on which the camera will listen for
Configure the following settings on the CNS tab to
messages from the client.
connect with an RCP/MSU.
Transfer mode
Mode
Set the output control method for the tracking data.
Bridge: Set to BRIDGE mode to connect directly with
an RCP on a LAN. Always: Always output tracking data.
MCS: Set to MCS mode when building a multi- On demand: Start/stop output of tracking data in
camera system on a LAN. accordance with a “Type D0 (poll/command)”
message from the client.
Master IP Address
Camera ID
Set the IP address of the master device when building a
multi-camera system on a LAN. Set the ID for identifying the camera.
51
value) of the unit from the lower 12 bits Checking the version after the update
multiplied by 100. It takes approximately 10 minutes to upgrade the
firmware.
Notes
When the upgrading is completed, the camera
• When mounted on a ceiling, set IMG FLIP in the automatically starts in the new upgraded version. Click
SYSTEM menu to ON so that the Camera Pan Angle the [Reload] button after the reboot. The firmware
and Camera Tilt Angle data is in the correct version after the update will be displayed in Software
orientation. version on the screen.
• The TELE CONVERT MODE magnification setting
has no effect on the Camera Zoom value.
Changing the password
Upgrading the firmware You can change the password on the Password tab. The
length of the password should be between 8 to 32
You can upgrade the firmware on the Firmware update characters. Alphanumeric characters, hyphens “-”, and
tab. The Model name of the camera, Camera name, and underscores “_” can be used in the password. The
Software version are displayed. password must contain both letters and numbers.
The password can be changed as follows:
Notes
• Do not turn off the camera while you are upgrading the 1 Enter your current password in the “Current
firmware. password” field.
• It takes approximately 10 minutes to upgrade the
firmware. You cannot access the camera while the 2 Enter your new password in the “New
upgrading is in progress. You also will not see any password” and “Re-type new password”
image while the upgrading is in progress. fields.
Display sample: If the OS language is English
3 Press the OK button.
Note
Upgrading the firmware The user name cannot be changed.
You can upgrade the firmware as follows:
52
Appendix
Message List
The following messages and indications may appear on this camera. Perform the following as necessary.
53
Troubleshooting
Before bringing in your camera for service, check the following as a guide to troubleshooting the problem. If the
problem cannot be corrected, consult your Sony dealer.
54
Symptom Cause Remedy
VISCA is not available, even The computer is not correctly connected to Make sure the connection between the computer
when a computer is connected the camera. and camera is made correctly.
to the camera. Confirm that the baud rate (9600 bps or 38400
bps) is correctly set on the CAMERA SETUP
switch at the back of the camera (page 8) and in
the PC settings.
Check that the camera is not damaged by
connecting the camera to the remote controller
RM-IP500/IP10.
The camera cannot be operated – Remove the plug of the power cord from the AC
at all. outlet, then reinsert it into the AC outlet after
waiting a while.
55
Menu Configuration
The camera menu is configured as described below. For more details, refer to the pages in parentheses.
The initial settings of each item are in bold. Only supported functions are displayed.
EXPOSURE MODE FULL AUTO, MANUAL, SHUTTER Pri, IRIS Pri, GAIN Pri
(page 31) GAIN –3dB, 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB
(Adjustable only when MODE in the EXPOSURE menu is set to MANUAL or GAIN Pri.)
SPEED For the 59.94 frame rate of video output: 1/8, 1/15, 1/30, 1/50, 1/60, 1/90, 1/100, 1/125,
1/180, 1/250, 1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000
For the 29.97 frame rate of video output: 1/8, 1/15, 1/30, 1/50, 1/60, 1/90, 1/100, 1/125,
1/180, 1/250, 1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000
For the 50 frame rate of video output: 1/6, 1/12, 1/25, 1/30, 1/50, 1/60, 1/100, 1/120, 1/150,
1/215, 1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000
For the 25 frame rate of video output: 1/6, 1/12, 1/25, 1/30, 1/50, 1/60, 1/100, 1/120, 1/150,
1/215, 1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000
For the 23.98 frame rate of video output: 1/6, 1/12, 1/24, 1/25, 1/40, 1/48, 1/50, 1/60, 1/96, 1/100,
1/120, 1/144, 1/192, 1/200, 1/288, 1/400, 1/576, 1/1200, 1/2400, 1/4800, 1/10000
(Adjustable only when MODE in the EXPOSURE menu is set to MANUAL or SHUTTER Pri.)
IRIS F2.8/F3.1/F3.4/F3.7/F4.0/F4.4/F4.8/F5.2/F5.6/F6.2/F6.8/F7.3/F8.0/F8.7/F9.6/F10/F11
(Adjustable only when MODE in the EXPOSURE menu is set to MANUAL or IRIS Pri.)
AE SPEED 1 ~ 48 (Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO,
GAIN Pri, SHUTTER Pri, or IRIS Pri.)
EX-COMP OFF, ON (Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO,
GAIN Pri, SHUTTER Pri or IRIS Pri.)
LEVEL -7, -6, -5, -4, -3, -2, -1, 0, +1, +2, +3, +4, +5, +6, +7
(Adjustable only when MODE in the EX-COMP menu is set to ON.)
GAIN LIMIT 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, OFF
(Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO,
SHUTTER Pri or IRIS Pri.)
GAIN POINT OFF, ON (Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO or IRIS Pri.)
POINT POSITION 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB
(Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO or IRIS Pri.)
MAX SPEED For the 59.94 frame rate of video output: 1/30, 1/50, 1/60, 1/90, 1/100, 1/125, 1/180, 1/250,
1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000
For the 29.97 frame rate of video output: 1/30, 1/50, 1/60, 1/90, 1/100, 1/125, 1/180, 1/250,
1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000
For the 50 frame rate of video output: 1/25, 1/30, 1/50, 1/60, 1/100, 1/120, 1/150, 1/215, 1/300,
1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000
For the 25 frame rate of video output: 1/25, 1/30, 1/50, 1/60, 1/100, 1/120, 1/150, 1/215, 1/300,
1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000
For the 23.98 frame rate of video output: 1/24, 1/25, 1/40, 1/48, 1/50, 1/60, 1/96, 1/100, 1/120, 1/144,
1/192, 1/200, 1/288, 1/400, 1/576, 1/1200, 1/2400, 1/4800, 1/10000
(Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO, GAIN Pri or IRIS Pri.)
MIN SPEED For the 59.94 frame rate of video output: 1/8, 1/15, 1/30, 1/50, 1/60, 1/90, 1/100, 1/125, 1/180,
1/250, 1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000
For the 29.97 frame rate of video output: 1/8, 1/15, 1/30, 1/50, 1/60, 1/90, 1/100, 1/125, 1/180,
1/250, 1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000
For the 50 frame rate of video output: 1/6, 1/12, 1/25, 1/30, 1/50, 1/60, 1/100, 1/120, 1/150,
1/215, 1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000
For the 25 frame rate of video output: 1/6, 1/12, 1/25, 1/30, 1/50, 1/60, 1/100, 1/120, 1/150,
1/215, 1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000
For the 23.98 frame rate of video output: 1/6, 1/12, 1/24, 1/25, 1/40, 1/48, 1/50, 1/60, 1/96, 1/100,
1/120, 1/144, 1/192, 1/200, 1/288, 1/400, 1/576, 1/1200, 1/2400, 1/4800, 1/10000
(Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO, GAIN Pri or IRIS Pri.)
BACK LIGHT OFF, ON (Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO,
GAIN Pri, SHUTTER Pri or IRIS Pri.)
SPOT LIGHT OFF, ON (Adjustable only when MODE in the EXPOSURE menu is set to FULL AUTO,
GAIN Pri, SHUTTER Pri or IRIS Pri.)
56
COLOR WHITE BALANCE MODE AUTO1, AUTO2, INDOOR, OUTDOOR, ONE PUSH, MANUAL
(page 33) SPEED 1, 2, 3, 4, 5 (Adjustable only when COLOR MODE in the WHITE BALANCE menu is set to
AUTO1 or AUTO2.)
OFFSET –7, –6, –5, –4, –3, –2, –1, 0, +1, +2, +3, +4, +5, +6, +7
(Adjustable only when COLOR MODE in the WHITE BALANCE menu is set to AUTO1,
AUTO2 or ONE PUSH.)
R.GAIN –128∼0∼+127 (Adjustable only when COLOR MODE in the WHITE BALANCE menu is
set to MANUAL.)
B.GAIN –128∼0∼+127 (Adjustable only when COLOR MODE in the WHITE BALANCE menu is
set to MANUAL.)
MATRIX OFF, ON
SELECT STD, HIGH SAT, FL LIGHT, MOVIE, STILL, CINEMA, PRO, ITU709, B/W
(Adjustable only when COLOR MODE in the MATRIX menu is set to ON.)
LEVEL 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 (Adjustable only when COLOR MODE in
the MATRIX menu is set to ON.)
PHASE –7, –6, –5, –4, –3, –2, –1, 0, +1, +2, +3, +4, +5, +6, +7 (Adjustable only when COLOR MODE in
the MATRIX menu is set to ON.)
R-G –99∼0∼+99 (Adjustable only when MODE in the MATRIX menu is set to ON.)
R-B –99∼0∼+99 (Adjustable only when MODE in the MATRIX menu is set to ON.)
G-R –99∼0∼+99 (Adjustable only when MODE in the MATRIX menu is set to ON.)
G-B –99∼0∼+99 (Adjustable only when MODE in the MATRIX menu is set to ON.)
B-R –99∼0∼+99 (Adjustable only when MODE in the MATRIX menu is set to ON.)
B-G –99∼0∼+99 (Adjustable only when MODE in the MATRIX menu is set to ON.)
GAMMA / GAMMA
VISIBILITY SELECT STD, STRAIGHT, PATTERN, MOVIE, STILL, CINE1, CINE2, CINE3, CINE4, ITU709
ENHANCER PATTERN 0∼25∼51 (Adjustable only when the SELECT is set to PATTERN.)
(page 36) PATTERN FINE 0∼6∼9 (Adjustable only when the SELECT is set to PATTERN.)
OFFSET –64∼0∼+64
LEVEL –7∼0∼+7
BLACK GAMMA –7∼0∼+7
BLACK GAMMA RANGE LOW, MIDDLE, HIGH
BLACK LEVEL –48∼0∼+48
VISIBILITY ENHANCER
SETTING OFF, ON
EFFECT –3, –2, –1, 0, +1, +2, +3
OPTICAL FILTER
ND FILTER OFF, 1/4, 1/16, 1/64
IR CUT FILTER NIGHT, DAY
57
PAN TILT ZOOM PAN TILT
(page 38) LIMIT
PAN OFF, ON
LEFT END, 169~–169 (Adjustable when PAN is set to ON.)
RIGHT END, –169~169 (Adjustable when PAN is set to ON.)
TILT OFF, ON
DOWN END, –29~89 (Adjustable when TILT is set to ON.)
UP END, 89~–29 (Adjustable when TILT is set to ON.)
RAMP CURVE MODE1, MODE2, MODE3
ZOOM
CLEAR IMAGE ZOOM OFF, ON
H PHASE
H PHASE 0∼3∼95
H PHASE FINE 0∼9
58
Items that can be stored Preset position
Preset Items number
1 2 to 100
The following items are stored in the memory of the LEVEL z a
camera. BAND WIDTH z a
CRISPENING z a
General Items
H/V BALANCE z a
Items that can be stored Preset position B/W BALANCE z a
number LIMIT z a
1 2 to 100 HIGHLIGHT DETAIL z a
PAN TILT Position z a SUPER LOW z a
ZOOM Position z a KNEE SETTING z a
FOCUS Position (Only when z a KNEE MODE z a
manual) KNEE SLOPE z a
KNEE POINT z a
Menu Items Which Can Be Preset
GAMMA SELECT z a
Items that can be stored Preset position PATTERN z a
number PATTERN FINE z a
1 2 to 100 OFFSET z a
EXPOSURE MODE z a
LEVEL z a
GAIN z a
BLACK GAMMA z a
GAIN LIMIT z a
BLACK GAMMA RANGE z a
GAIN POINT z a
BLACK LEVEL z a
POINT POSITION z a
VE SETTING z a
SPEED z a
VE EFFECT z a
MAX SPEED z a
FOCUS MODE z a
MIN SPEED z a
NOISE REDUCTION z a
IRIS z a
2D NR LEVEL z a
AE SPEED z a
3D NR LEVEL z a
EX-COMP z a
FLICKER CANCEL z a
LEVEL z a
ND FILTER z a
BACK LIGHT z a
IR CUT FILTER z a
SPOT LIGHT z a
PAN f ×
WHITE BALANCE MODE z a
LEFT f ×
SPEED z a
RIGHT f ×
OFFSET z a
TILT f ×
R.GAIN z a
UP f ×
B.GAIN z a
DOWN f ×
MATRIX SELECT z a
RAMP CURVE f ×
LEVEL z a
CLEAR IMAGE ZOOM z a
PHASE z a
HDMI VIDEO MODE f ×
R-G z a
COLOR SPACE f ×
R-B z a
H PHASE f ×
G-R z a
H PHASE FINE f ×
G-B z a
IMG FLIP1) × ×
B-R z a
PAN REVERSE f ×
B-G z a
TILT REVERSE f ×
DETAIL MODE z a
IR RECEIVE f ×
59
Items that can be stored Preset position
number
1 2 to 100
TALLY MODE f ×
TELE CONVERT MODE f ×
PRESET MODE × ×
1)
P/T SPEED TYPE × ×
P/T SLOW MODE1) × ×
1)
ZOOM SPEED TYPE × ×
VERSION ×
IPv4 ADDRESS ×
SUBNET MASK ×
GATEWAY ×
NAME ×
PROFILE ×
OPERATION ×
1) IMG FLIP, P/T SPEED TYPE, P/T SLOW MODE, and ZOOM SPEED
TYPE are enabled with the current settings irrespective of the preset
settings.
z Can be stored. During power-up, the camera boots-up with the
settings stored in this preset number.
a Can be stored. After power-up, the stored setting value is applied by
recalling the relevant preset number.
f Can be stored. During power-up, the camera boots-up with the
settings stored in this preset number. The setting value is not
initialized by a reset. The settings do not change even if the preset is
recalled after the corresponding setting values have been changed.
× Cannot be stored.
60
*2 When P/T SPEED TYPE is set to
Specifications NORMAL
*3 When P/T SPEED TYPE is set to
Extd. RANGE
System *4 When P/T SPEED TYPE is set to
61
Installation angle
Less than ±15 degrees to the horizontal
surface
Supplied Accessories
Remote commander (1)
Ceiling bracket (A) (1)
Ceiling bracket (B) (1)
Wire rope (1)
Mounting screws (3 M3×8) (7)
Stainless steel screw (3 M4×8) (1)
HDMI cable fixing plate (1)
Optional accessories
IP remote controller (RM-IP500/IP10)
AC adapter (AC-UES1230 series)
62
Dimensions
Top Front
Side Bottom
Tripod screw
102 (4 1/8)
(2 1/8)
51
(2 3/8)
149 (5 7/8)
58
98 (3 7/8)
98 (3 7/8)
99 (4)
238 (9 3/8)
20
H
86 .2
ø1 ø8
23.1
20˚
50
20
ø161 30
50
4-ø4.2 Hole
20
Unit: mm (inches)
30˚ 50
63
SYSTEM SELECT switch settings Pin array of the VISCA RS-422
The image output method (video format) for the HDMI terminal and how to use it
OUT/SDI OUT terminals can be set with this switch.
Pin array of VISCA RS-422 terminal
1 8 1 8
IN OUT
Pin No. Function Pin No. Function
IR SELECT
1 2 3
CAMERA SETUP 1 TX– 1 RX–
ON
1 2 3 4 5 6 7 8
12V
SYSTEM IN VISCA RS - 422 OUT LAN
SELECT
OSD
ON OFF
2 TX+ 2 RX+
HDMI OUT MONITOR OUT LINE OUT
SDI 1 SDI 2 SDI 1 SDI 2 EXT SYNC IN
TERMI-
NATION
ON OFF 3 RX– 3 TX–
4 GND 4 GND
5 GND 5 GND
Select your desired 6 RX+ 6 TX+
video output format
7 N.C. 7 N.C.
8 N.C. 8 N.C.
1 1920×1080/59.94p 1920×1080/59.94p
1 9
2 1920×1080/59.94i 1920×1080/59.94i
3 No output No output RM-IP10 Camera
4 1280×720/59.94p 1280×720/59.94p 1 N.C. 1 TX–
5 No output No output 2 N.C. 2 TX+
6 No output No output 3 N.C. Shield 3 RX–
7 HDMI: 640×480/59.94p HDMI: 640×480/59.94p 4 N.C. 4 GND
SDI: 1280×720/59.94p SDI: 1280×720/59.94p
5 GND 5 GND
8 3840×2160/25p No output
6 RX– 6 RX+
9 1920×1080/50p 1920×1080/50p
7 RX+ 7 N.C.
A 1920×1080/50i 1920×1080/50i
8 TX– 8 N.C.
B No output No output
9 TX+
C 1280×720/50p 1280×720/50p
D No output No output
E 3840×2160/23.98p No output Notes
64
Sony Corporation