Thèse NR Elaine Danielson
Thèse NR Elaine Danielson
ABSTRACT
This paper examines the benefit of nursery rhymes in
literacy acquisition. It begins by discussing the history and attribution of
various rhymes and the linkage of nursery rhymes with Mother Goose. It then
suggests literacy advantages of children who know nursery rhymes over
children who do not, which include the abilities to: (1) learn the intonation
patterns of a language; (2) learn new words and concepts; (3) understand the
basis of learning to read and write; and (4) appreciate poetry. The paper
concludes that exploring rhymes in games, poetry and songs are enjoyable ways
to provide knowledge and skills that can later help children become
successful readers and writers. (Contains 16 references.) (EF)
by Elaine Danielson
Introduction.
Because he does not read for enjoyment as much as I wish he would or think he
should, Thomas, my youngest son, claims that it is because I didn't read to him when he
was growing up. I, of course, deny this. However, his older brother, James, has Down's
Syndrome and since James didn't walk until he was 26 months old, we spent many hours
sitting, reading picture books and reciting nursery rhymes. I could have "burned out"
when Thomas came along five years later because he claims that, for one thing, he did
not know many nursery rhymes when he entered kindergarten. That is NOT good since
research seems to suggest that one of the best indicators of how well children will learn to
read is their ability to recite nursery rhymes when they walk into kindergarten
(Cunningham, 1991). Both boys did learn to read and write, but I always felt remiss
about depriving Thomas of his nursery rhyme heritage. So, the purpose of this article is
told or sung to small children. The oral tradition of nursery rhymes is ancient, but new
verses have steadily been added through the years. A French poem, numbering the days
of the month similar to "Thirty days hath September," was recorded in the 13th century;
but such late comers as Twinkle, Twinkle Little Star"(1806) and "Mary Had a Little
Lamb" (1830) seem to be just as important and highly valued as the earlier ones. Most
nursery rhymes date from the 16th, 17th and most frequently, the 18th centuries
(Britannica.com Inc. 1999-2000). Apparently, most were originally composed for adult
entertainment and were popular ballads and songs. This is hard to believe because
nursery rhymes are often nonsensical. However, many of these songs and rhymes were
sung in taverns and often in rounds, so when the men had too much to drink, their words
became nonsense. (Vander Meer, 1999). There are always exceptions. For example, "Oh
where, oh where ish mine little dog gone" did not come out of a tavern, but was a
(Britannica.com Inc.1999-2000). At any rate, nursery rhymes have come under attack
many times through the years, As early as the seventeenth century, our stern forefathers
considered many of these verses unfit for childish ears. Their adult perceptions saw
brutality, dishonesty, and irresponsibility rather than silliness and nonsensical fun. In
more recent years, harsh criticism has been leveled at the apparent sexism in the verses
(Cullinan, 1989) like "The frog who would a wooing go" which first appeared in 1580.
Although many theories have been advanced attributing hidden political significance
to nursery rhymes, there is no reason to suppose they were any different than the popular
songs of the day. Some were inspired by personalities of the time. For example, "Little
Jack Horner" (recorded 1725) was associated with a Thomas Horner, a steward to the
Abbot of Glastonbury, during the reign of King Henry VIII. According to legend, the
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king wanted more land and the Abbot, hoping to appease the king, sent him a special gift:
a pie containing 12 deeds to manor houses in Glastonbury. On his way to London, the
not-so- loyal courier, Homer, stuck his thumb into the pie and extracted the deed for
Me lls Manor, a plum piece of real estate, where his descendants live to this day
(Chalmers, 1989). The earliest known published English collection of nursery rhymes
was Tommy Thumb's Song Book (London, 1744). It included "Little Tom Tucker,"
"Sing a Song of Sixpence," and "Who Killed Cock Robin?" The most influential book
was Mother's Goose's Melody: or Sonnets for the Cradle published by the firm of John
Newbery in 1781. Among its 51 rhymes were "Jack and Jill," "Ding Dong Bell" and
Hush a -bye-Baby on the tree top." An edition was reprinted in the United States in 1785
by Isaiah Thomas. Its popularity is attested to by the fact that they are still called Mother
be the source of the body of traditional children's songs and verses known as nursery
rhymes. The term has been traced to a book, La Muse Historique (1650), written by
Loret, a Frenchman, in which the sentence "like a Mother Goose story" appeared
(Delamar, 1987). In 1697, Charles Perrault used the phrase in a published a collection of
eight fairy tales. Although the book was titled Histories and Tales of Long ago, with
Morals, the title page showed an old woman spinning and telling stories which bore the
5
words, "Tales of My Mother the Goose." Perrault, consequently, set the stage for the
name to become a household word (Delamar, 1987). Mother Goose is often pictured as a
beak-nosed, sharp-chinned, elderly woman riding on the back of a flying gander. The
persistent legend that she was an actual Boston woman, Elizabeth Goose, whose grave in
Old Granary Burying Grounds is still a tourist attraction, is false. No evidence of the
book of rhymes she supposedly wrote in 1719 has ever been found. According to
Delamar (1987), author of Mother Goose: From Nursery to Literature, a Mother Goose
rhyme is given that label if it meets various criteria. Some say it's the subject matter.
Others say it is the patter and rhythm of the verse. Some even say it's the length of the
piece. Some insist that the author must be unknown. These arguments are not applied to
nursery rhymes in generalonly to the traditional verses that commonly are now
classified as Mother Goose. From this, it's obvious that there is still confusion about
what really constitutes a Mother Goose rhyme and sets them apart from other nursery
rhymes. To clarify, Delamar (1987) writes that a nursery rhyme is not necessarily a
"Mother Goose" rhyme, but a "Mother Goose" rhyme is a nursery rhyme. Iona and Peter
Opie, authors of two definitive works, The Oxford Nursery Rhyme Book and The Oxford
Much ingenuity has been exercised to show that certain nursery rhymes
Have had greater significance than is now apparent.
They have been vested with mystic symbolism, linked with
social and political events, and numerous attempts
have been made to identify the nursery characters with real persons.
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It should be stated straightway that the bulk of these speculations
are worthless. Fortunately, the theories are so numerous they
tend to cancel each other out (Opie and Opie, 1951).
has been found that children who know nursery rhymes have an advantage over those
who do not (Myers, 1994). Why is this the case? They appear to help children: (a) learn
the intonation patterns of a language (b) learn new words and concepts, (c) understand
the basis of learning to read and write, and (d) gain appreciation of poetry.
The rhythm of the language, the compact structure of the narratives, and the engaging
characters all combine to produce the perfect model for young children to develop an ear
for the music of words, phrases and sentences (Cullinan, 1991). The rhymes help convey
the characteristic speech rhythms of the language. There are phrases to chant, nonsense
words to mimic and alliterative repetitions to practice. The beat, stress, sound and
Some nursery rhymes may have been composed to teach children to count, to learn the
alphabet, learn new words, expand their imaginations or to say their prayers. Written text
places high demands on vocabulary knowledge. And nursery rhymes can help develop
this knowledge because there is much to be gained from the language of the verses. The
7 C. PY VAL LE
nursery verses not only help to reinforce children's knowledge of speech patterns but also
to learn new and vivid words. But they do it in a "fun" way rather than as lessons. This
enjoyment helps develop communication and rapport between reader/teller and child.
Plus there can be an instant common bond between home and school when familiar
nursery rhymes are read or recited by the teacher on the first day of school.
Rhymes repetition can also sensitize children to the individual units of sounds known
as phonemes which make up words. An individual's awareness that spoken words consist
That individuals have the ability to rhyme to match beginning sounds are among the ways
phonological awareness traditionally has been determined. The ability to break words
that are spoken down into sound parts and/or blend the sounds parts into words is
necessary to acquire the alphabetic principle. The alphabetic principle means knowing
that sound parts are represented by written letters. This enables children to employ a
sound-based strategy called phonics (among other reading strategies) when they are
attempting to read or write words that they do not know (Cecil, 1999). Children who
reading. Therefore, it is important to work with phonological awareness early so that later
the ability to decode may be less difficult. Many aspects of language development are
spontaneous and natural, but phonological awareness is not necessarily like that. Many
children cannot understand that words are made up of sounds. They may have speech
discrimination, but phonological awareness is not the same as speech discrimination.
Speech discrimination is the ability to discriminate the sounds of language, such as being
able to tell the difference between bat and hat or time and tame. Students having
Speech discrimination is natural and automatic and does not require abstracting sounds,
So, because longer units are easier to perceive than individual speech sounds, a good
place to begin to develop phonological awareness is through rhymes which are the easier
of the phonological awareness tasks (Yopp, 1988). Reading nursery rhymes and other
rhyming tasks help children develop the ability to detect rhyme. In a study conducted in
Great Britain, children who knew nursery rhymes were better at detecting rhyme and also
did better in early reading than those who had no such knowledge (Maclean, Bryant &
Bradley, 1987). At first just reading nursery rhymes so that children enjoy them is
enough. Then they can memorize them later if they want to (Gunning, 2000).
Of course, reading and writing depends upon knowledge of print. The use of nursery
rhymes can aid in developing concepts of print and can help children become aware of
the speech to print match. By reciting a favorite rhyme a few times, followed by printing
the rhyme on a chart and rereading it while pointing to each word to preserve the sense of
rhyme, reading it together and then having the child read the rhyme helps to make that
connection between spoken and written language. Obviously, children are more
9
successful learning to read if the words of the text are familiar. They are especially
motivated to learn if the words are popular and fun like those in nursery rhymes. Kids
are aware fairly early that the same set of sounds can have different meanings, but when
they begin to read, they can see that different words may be spelled differently. For
example,
This may seem like a small thing, but children are learning more about literacy than they
realize when they are exposed to print in this informal way. It is true that "things that
people think are trivial are just the things that are worth taking seriously" (Myers, 1994).
comprehension, as well, and in listening to stories, poems and rhymes, children can
Another thing that nursery rhymes can do is form a legitimate basis upon which to
build an appreciation of poetry. Nursery rhymes are among the best-known literature in
America and are the first form of poetry that most children experience. Godden (1988)
maintains that children should be introduced to poetry through nursery rhymes because
nursery rhymes are true poems, poetry, with all its gifts of language rhythm and
10
Free the fancy, charm the tongue and ear, delight the inward eye
And many of them are tiny masterpieces of word craftsmanship....Last
but not least, they are not only crammed with vivid little scenes and
objects and living creatures, but, however fantastic and nonsensical they
may be, they are a direct short cut into poetry itself (De la Mare, 1983).
An appreciation for Mother Goose rhymes can also form a basis for the writing of one's
Nursery rhymes have come up in the world. There is now a recognized Mother Goose
Day celebrated on May lst in the United States, It was founded by Gloria Delamar in
1987 in tandem with the publication of her book, Mother Goose: From Nursery to
Literature. Exploring rhymes in games, poetry and songs is an enjoyable way to provide
knowledge and skills that can later help children become successful readers and writers.
Nursery rhymes provide a means for children to read words effortlessly and accurately
they have heard and seen many times. What a powerful and fun way to begin a literacy
quest.
References
Ball, Eileen Wynne (May 1997). " Phonological Awareness: Implications for Whole
Language and Emergent Literacy Programs." Topics in Language Disorders. 17, pp. 14-
26.
Cecil, Nancy (1999). Striking a Balance Positive Practices for Early Literacy.
Scottsdale, AZ: Holcomb Hathaway.
Chalmers, Irena (1989). . The Great American Baby Almanac. Viking Studio Books.
Cullinan, Bernice (1989). Literature and the Child. New York; Harcourt Brace
Jovanovich College Publishers.
BESTCOPYAVAILABLE
Cunningham. Patricia (1991). Phonics They Use. New York: Harper Collins.
Delamar, Gloria T. (1987). Mother Goose: From Nursery to Literature. North Carolina:
McFarland & Company, Inc.
Godden, Rumer (1988)."Shining Popocatapetl: Poetry for Children." The Horn Book
May/June, pp. 305-314.
Gunning, Thomas (2000). Creating Literacy Instruction for All Children. Boston: Allyn
and Bacon.
De la Mare, Walter (1983). Molly Whuppie. New York: Farrar, Straus, & Giroux.
Opie, Iona and Peter (1951). The Dictionary of Nursery Rhymes (London: Oxford
University Press.
Maclean, M., Bryant, L. and Bradley, L. (May/June 1987). "Rhymes, Nursery Rhymes ,
Reading and Early Childhood: Merrill-Palmer Quarterly, 33, pp. 255-281.
Marino, Jane. " B is for Baby, B is for Books." School Library Journal, 43, pp. 110-111.
Myers, Greg (April, 1994). "Playground Poetry," English Today, 10. Pp. 36-40.
Snow, C.E., Burns, M. S. & Griffin, P. (1998) Preventing Reading Difficulties in Young
Children. Washington, DC: National Academy Press.
Van der Meer, Antonia (February 1999). "Why Toddlers Need Nursery Rhymes,"
Parents 74, pp. 115-116.
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