Muffles College Drama Fest

Adapted from Alexandre Dumas

Language depatment
Jarrel Fuentes
CAST OF CHARACTERS
Edmond Dantes - (Age ranges from 19-35) Naïve sailor who becomes disillusioned and
hardened after spending 14 years in prison for a crime he did not commit; he assumes a new
identity as “The Count of Monte Cristo” in order to seek revenge on his enemies.

Mercedes Herrera - (Age ranges slightly younger than Edmond 18-34) Edmond’s fiancé. A
Godly woman who reluctantly marries Fernand out of loneliness.

Morrel - (40s) Ship owner and Edmond’s employer.

Fernand Mondego - (Age ranges similar to Edmond 19-35) Treacherous friend of Edmond who
will stop at nothing to steal his fiancé.

Danglars - (Age ranges slightly older than Edmond 25-41) Greedy purser aboard Edmond’s
ship; eventually becomes a banker.

Old Dantes - (Age ranges 50-60) Edmonds father and supporter; he is proud of his son and
happy at his choice of wife.

Gerard de Villefort - (Age ranges slightly older than Edmond 22-38) Ambitious Chief
Prosecutor of Marseilles who will do anything to further his career and status; eventually
becomes the King’s Attorney.

Noirtier - (40-50) Villefort’s father. He is an unashamed Bonapartist despite his son’s deferring
political views and threats.

Abbe Faria - (50s) Wise genius held in the same prison as Edmond. A pious priest and father-
figure to Edmond, he teaches him from his vast knowledge.

Jacopo - (18-30) Bumbling thief and smuggler. Loyal “side-kick” to the Count of Monte Cristo.

Luisa Vampa - (25-35) Leader of a band of smugglers. Boisterous and lively rogue.

Albert Mondego - (16) Fernand and Mercedes’s son. Headstrong, but values honor above all
else.

Townsfolk, Officers, Servants, Prison Overseer, Guards, Smugglers, Carnival Revelers, Party
Guests, Judge

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 ACT I SCENE I
SETTING: Late evening, the base of a docking ship at a busy port.
AT CURTAINS: Dantes disembarks his ship and glances over a letter before tucking it away
into his shirt pocket. Mercedes and Mondengo enter from upstage left as if in search for someone
specific. Upon seeing Dantes, Mercedes comes to life with excitement. She releases herself form
Mondengo’s grasp.
MERCEDES:
Edmond?!
DANTES:
Mercedes! Mercedes!
(At this moment, they lock eyes and run toward each other; Mercedes leaps into Edmond’s arms
and they share a tender embrace.)
DANTES:
Every night, I looked up into the sky and saw our star, and because of its light I knew you were
near for this star always brings me back to you.
MERCEDES:
Oh Edmond, may the light of our star never fade for without you my life would mean nothing.
DANTES:
Oh, sweet Mercedes. (suddenly realizes Mondengo is gone) Where did Fernand go?
MERCEDES:
I don’t know; he’s been in a foul mood all day. Let him be; what matters is that you are here.
(As they lean in for a kiss, Edmund and Mercedes are interrupted by someone lightly tapping
Edmond’s shoulders; behind him, stands a well-dressed middle-aged man.)
MORREL:
Pardon my interruption of you young lovers, but I believe you and I have business to settle
Dantes.
DANTES:
Ah yes Mr. Morrel I was just coming to see you sir.
MORREL:
No rush my dear boy; I know when a sailor disembarks his heart goes in search of his love.
(looking to Mercedes) How are you today my dear?

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 MERCEDES:
Very well sir.
MORREL:
Good to know. So, Dantes did you have any trouble?
DANTES:
(a sombre tune plays in the background) Yes sir, unfortunately captain LeClare died of brain
fever during our return home.
DANGALARS:
(disembarking the ship and arriving onstage) Yes sir Mr. Morrel, captain LeClare died on the
isle of Elba as Dantes commanded the crew to make a stop there. Personally, I told him it was a
bad idea and that we should have sailed home immediately to get help for the captain. If he had
listened to me perhaps the captain might still be alive.
MORREL:
Does he speak the truth Edmond?
DANTES:
He does sir. As first officer I ordered the crew to sail to Elba as it was the captain’s dying
request.
MORREL:
Elba is a dangerous island Edmond. Are you sure you had no trouble?
DANTES:
(seems lost in thought as he gently strokes his shirt pocket containing the letter; finally, he
collects himself) No, no trouble sir. We were able to get some medicine for the captain and it
helped to keep him alive for a further three days.
MORREL:
You took a brave decision Edmond, brave but still foolish; however, you did deliver my ship and
my goods, so I suppose a thank you is in order. (Morrel shakes Edmond’s hand and begins to
walk away)
DANGALARS:
(upset) Thanks! You thank him for taking on the duties of captain when the captain was not yet
dead? He should be punished, not thanked.

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 MORREL:
(stopping mid stride and turning back to look at the trio, Edmond, Mercedes and Dangalars)
You are right; Edmund, step forward. (Edmund moves to Morrel who leans in and whispers in
Edmund’s ear before lightly tapping him on the shoulder and walking away with a sly smile on
his face. Edmund turns to Mercedes looking stunned)
MERCEDES:
What is it my love? Is everything ok?
DANTES:
He made me captain of the Pharro.
(Dangalars, upon hearing Edmund’s response storms off in pursuit of Morrel seemingly to argue
his decision.)
MERCEDES:
My Edmond will be a captain?! So, I will be wearing a wedding dress?
DANTES:
Sooner than you think my dear for with this news our future begins today.
MERCEDES:
Is this really true my love?
DANTES:
Yes, it is my love, you shall marry a captain!
MERCEDES:
Oh Edm0nd, life couldn’t be any better. (Edmund and Mercedes tenderly embrace and lean in
for a long-awaited kiss; stage fades to black SCENE)
ACT I SCENE II
SETTING: Edm0nd and Mercedes’ wedding rehearsal dinner a few weeks later.
AT CURTAINS: Guest are celebrating as they eagerly await the arrival of Edmund and
Mercedes. In the background, lively party music can be heard. The women prepare the table
while the men drink and chatter with each other.
GUEST #1:
I know they are not here yet, but let’s raise our glasses to Edmund…
ALL:
Honest and brave,

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 GUEST #3:
But more lucky than smart
GUEST #2:
And to Mercedes at his side
ALL:
Smart and beautiful
GUEST #3:
But known for her fire
(Enter Dantes and Mercedes. On seeing them, there is a loud cheer from the crowd. Guest #1
welcomes them with a glass of wine.)
OLD DANTES:
Silence! Silence! To all you friends and family gathered here I thank you. I stand before you a
proud father. (he puts his hands on the shoulders of Mercedes and Edmond) May life bring you
joy and a son who makes his father proud just as Edmund has for me. (The crowd lets out a loud
cheer)
MORREL:
(Stepping forward from the crowd) A toast to my newest captain and one of the best sailors I
have had the privilege of working with. To Edmond and Mercedes! (The crowd cheers loudly)
(Edmond and Mercedes move downstage centre lights dim on the guest in the background as
they continue in a pantomime of party actions. The spotlight shines on Edmond and Mercedes as
they speak gently to each other. In the corner, a spotlight also shines on Dangalas who has
moved over and ushers Mondengo towards downstage left to engage him in conversation)
MONDENGO:
Her heart shall be mine.
DANGALARS:
Patience, soon, Mondengo you shall be engaged and I the new captain of the Pharro.
MONDENGO:
Dangalars, you will erase any and all traces of Edmond! Mercedes shall never find it out of our
involvement.
DANGALARS:
(Placing his hands around Mondengo as they slowly walk towards a vacant seat where
Mondengo sits.) The plans I make stay secret to the end. She’ll never find it out.

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 MONDENGO:
Do you have Morrel’s trust?
DANGALARS:
Nobody else knows the Pharro as well as I do, how it uses steam and slips through reefs. (lowers
his voice to almost a whisper) I know of a letter. (Mondengo stands with a gleeful look on his
face) They’ll ether execute him or banish him. Either way, he’ll be gone. (They walk off-centre
continuing their conversation)
(The party is now a full-fledged celebration; music plays as the guests dance and revel in the
celebration. The music and dancing continue for a few minutes; three loud knocks are then
heard from the door.)
OFFICER:
In the name of the law, open the door!
EDMUND:
I’m sure the neighbours called the police. (The guests lough uncontrollably)
(The door opens, and three guards enter the room; in the background, Monte Cristo theme
plays)
LEAD GUARD:
(Carrying a warrant under his arm) Who of you here is Edmond Dantes?!
DANTES:
(Steps forward from the crowd) That’s me sir, what can I do for you?
LEAD GUARD:
Edmond Dantes, I arrest you in the name of the law.
DANTES:
This must be a mistake!
OLD DANTES:
Yes certainly, I assure you officers, my son I a good boy. All this must be a terrible mistake.
DANTES:
What is it I am charged with?
LEAD GUARD:
I am not at liberty to discuss the nature of your arrest.

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 DANTES:
This must be a mistake! A mistake sir, I have done nothing wrong!
OLD DANTES:
My son is an honest and good man.
MONDEGO:
(seeing Mercedes’s distress, moves to her and takes her away from the commotion.) Don’t be
upset, if he goes with them, they will see he has done nothing wrong and soon everything will be
resolved.
(The crowd begins to encroach on the guards. They murmur in approval and support of
Edmund. The guards, on seeing this, take up a defensive posture and begin pushing the people
back. A scuffle between the soldiers and the crowd begins as the soldiers try to arrest Dantes.
Shots are fired)
DANTES:
Friends listen to me; I’ll be back before the next tide. Until then, continue celebrating and leave
some wine for me. (looks over to Mercedes who is sobbing in the arms of Mondengo; he
attempts to walk over to them, but Lead Guard places his hands on Dantes’ shoulder stopping
him.) My life lies in your hands, Mondengo. Make sure she gets home safely!
MONDENGO:
You can put your mind at rest my friend. (to Mercedes) Come! (Exit all, stage goes dark)
ACT I SCENE III
SETTING: The interior of Gerard de Villefort’s office; there is only a desk an imposing chair on
stage. Behind the desk sits Gerard de Villefort with his gazed lowered to a letter he is examining.
VILLEFORT:
You are the first mate of the Pharro?
DANTES:
Yes sir.
VILLEFORT:
But you don’t seem to be dressed for a conspiracy.
DANTES:
Conspiracy sir!? I was arrested at the reception for my wedding sir. I have no interest in being a
part of any conspiracy.

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 VILLEFORT:
Tell me. Have you ever served under the criminal Bonaparte?
DANTES:
Bonaparte!? No sir! What are you saying?
VILLEFORT:
It is reported that your political beliefs are extremist. Do you deny that your ship made a call to
the Isle of Elba?
DANTES:
I do not sir. I was ordered to do so by my captain; he was the only man to go ashore.
VILLEFORT:
What is your position Dantes? Are you a loyal royalist?
DANTES:
I don’t know anything about nor do I care about politics sir. But the sea…I know the sea.
VILLEFORT:
Tell me, what you love!
DANTES:
I love my father, my Mercedes and Mr. Morel.
VILLEFORT:
Name your enemies!
DANTES:
I have no enemies sir.
VILLEFORT:
(scoffs) So, you are a saint then? You are a holy man.
DANTES:
No sir, I am not holy. I’m just a simple sailor and I don’t know why I am here.
VILLEFORT:
Did your captain give you an envelope?
DANTES:
Yes sir.
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 VILLEFORT:
Where is it?
DANTES:
I carry it with me on my person sir.
VILLEFORT:
Give it to me!
DANTES:
I promised my captain that…
VILLEFORT:
I order you in the name of the king to give it to me!
DANTES:
In the name of the king…of course. (Dantes goes into his pocket, retrieves the letter and hands it
over to Villefort. Villefort opens the letter and begins reading; he walks to his chair to sit.) What
does it say sir?
VILLEFORT:
Had you known the contents of this letter you would not have carried it on your person. You
would have denied all knowledge of it when I asked for it; that you actually surrendered it to me
clearly establishes your innocence of any complicity in this matter.
DANTES:
Then if I am innocent sir…
VILLEFORT:
Go back to your bride.
DANTES:
God bless you Mr. de Villefort. (Dantes begins walking towards the door)
VILLEFORT:
Oh, one more thing. I seen no address on the letter.
DANTES:
I was told when and where to deliver it sir.
VILLEFORT:
To what address?

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 DANTES:
1520 Jules Fontaine Avenue.
VILLEFORT:
To anyone in particular?
DANTES:
Yes sir. A Mr. Noirtier, (stunned, Villefort looks up and immediately moves towards Dantes)
Francois Noirtier. Is that all sir?
VILLEFORT:
No! A few more questions. Do you know this person, Noirtier? Have you spoken his name to
anyone?
DANTES:
I do not sir and I have spoken his name to no one but you sir.
VILLEFORT:
I’m sorry to tell you this but I can’t dismiss you just yet. You see your case is a political one, so
the law states that you must be detained overnight. (Villefort places his arms on Dantes’
shoulder) You see the principal charge against you is this letter; (he takes out a lighter from his
pocket, holds up the letter and sets it on fire) if there is no letter, then there is no evidence against
you, and if there is no evidence then there is no charge. You will be out by the morning. I
guarantee it.
DANTES:
Mr. de Villefort you are a good man.
VILLEFORT:
Now listen carefully. You are never to speak of this letter again and you have never heard the
name Noirtier. Understood?
DANTES:
Yes sir.
VILLEFORT:
You will be taken to the city jail but just for the night, a mere formality. (Dantes nods his head;
two guards enter and take him away. Villefort sits at his desk; he bangs the desk) Noirtier!
Noirtier! Why does that name pursue me like a demon to my grave? Guards! (two guards enter)
see to it that Mr. Dantes is taken immediately to the prison château d’If.
(stage goes dark as an ominous theme plays. Scene)

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 ACT I SCENE IV
SETTING: The interior of a bar late night.
AT CURTAIN: Patrons roam around the bar drinking and chattering; on a table to the far right
sits an older gentleman. He looks as though he is waiting for someone. On another table sit
Mondengo and Dangalars; they are drinking a chatting in a secretive manner. Villefort enters
stage right and goes to the table with the unknown gentleman whose back is turned to Villefort.
Villefort pull the vacant chair next to the man sits down. The man immediately turns around. He
is shocked to see Villefort sitting next to him.
VILLEFORT:
Good evening Mr. Noitier.
NOIRTIER:
What the devil?!
VILLEFORT:
Are you expecting a messenger?
NOITIER:
Yes…but not you that’s impossible.
VILLEFORT:
Me…no…but to put the circumstances in a nutshell. Your messenger was intercepted.
NOITIER:
…and the message?
VILLEFORT:
Destroyed…the paper was destroyed but the message remains in here (he points to his head).
Dates, names, places, times everything concerting your little plot against the king. I have no
intention of telling you of course.
NOITIER:
(sarcastically) Nice to see you my son.
VILLEFORT:
(sarcastically) Nice to see you father. You have been a thorn in my side ever since I started my
public career. Imagine my own father working as an enemy of the king. If people find out, it will
be the end of me. My fight for law and justice would be lost, all my ambition for nobility gone. I
have lived with the fear of discovery for too long, but tonight your actions will propel me
forward. I shall deliver this message to the king’s government and gain a promotion.

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 NOITIER:
Always the cunning devil, ever the selfish beast.
VILLEFORT:
You will soon be the father of an important man; does that not please you, it should. (Mondengo
and Dangalars motion Villefort over to them; Villefort snaps his finger and two guards come
over to Noitier and escort him out. Villefort then goes over to Mondengo and Dagalars’ table.
He sits and joins them.)
SONG:
A story Told
ACT II SCENE I
AT CURTAINS: Stage is dark except for a dim spotlight that is focused on a nun as she finishes
up her prayers and exits. Mercedes enters and kneels in prayer.
MERCEDES:
Oh, Lord listen to me pleading. Oh Lord, please spare him. Oh, Lord, he hides nothing from you;
please bring him back to me. (Spot light shifts from Mercedes praying in the foreground to
Dantes on the floor in the background.)
DANTES:
(weakly) Mercedes…Mercedes…Mercedes. (Two guards enter and take Dantes away; a few feet
away, a third guard awaits with a whip. Dates is made to kneel as two guards hold his arms
outstretched and the third whips him, Dantes Screams. The spotlight is now shared between a
praying Mercedes and a screaming Dantes.)
MERCEDES:
In the darkest of night, in the haunting of every storm, in the mysterious shadows everywhere, let
my prayers and the love that owns my heart serve as the shimmer of our star. My beloved
Edmond, know that you will never be alone. (Mercedes finishes up her prayer with the sign of
the cross and sits. Enter Mondengo from behind. He carries a bouquet of flowers and seems in a
cheery disposition.)
MONDENGO:
(smiling, he lightly places his hand on Mercedes’ shoulder. Mercedes turns excitedly as if
expecting Edmond. When she sees it is Mondengo, she tenses up and a look of disappointment
comes over her face.) I wanted to give you these flowers. (kneeling, Mercedes looks away)
Aren’t these the ones you like so much? They are full of beauty, silent strength and simple
brilliance, just like you. I know you are suffering from pain and fear. If you can’t bear it anymore
then I’ll hold your hand and listen to you. (He gently takes Mercedes’ hand and attempts to kiss
it)

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 MERCEDES:
(Pulling her hand away from Mondengo) Have you heard anything, any rumour? Did they find
out it was a mistake? Tell me what they say! Tell me what I can do for Edmond.
MONDENGO:
I’m sure he will be home soon, but if your fears become reality then come and take comfort in
me. I’ll always be here for you.
MERCEDS:
God how can this be, gone without a trace like a ghost nobody ever saw! Have you heard
anything? Please tell me what you know. (Mercedes falls into Mondengo’s arms; Mondengo
comforts her. The stage goes dark, a spotlight shine on Dantes who is upstage center in his cell)
DANTES:
(sitting on the floor staring blankly. He has a piece of chalk and scratches on the wall) Another
day…another week…another month…another year…another day, another night until its night
again. (he lies on the ground) The sun has fled I go to bed and scratch a line on the wall another
day where nothing changes at all. And everyday shuffles by like the day before on its way to the
blackest of skies. And every day a little death comes and paces the floor and a little bit more of
me dies. Another night I spend alone until its day again. Our little star has moved away, and all
the world is black. I only see I’m not me without her. Everyday a little death for every day I die;
everyday a little death and still I know not why. (Lights fade as Dantes sleeps. Spotlight returns
to Mercedes and Mondengo)
MERCEDES:
(wiping away tears from her eyes and with a new resolve) He will come back! He will return to
me!
MONDENGO:
Perhaps he will, but how long will you wait while life passes you by? You have to live for today.
MERCEDES:
I will live when we are together again, every day I will pray until then and one day when open
my eyes he will be standing right over there.
MONDENGO:
(starts walking away, he suddenly stops and has a stern look on his face.) There’s something I
must say. I wanted to protect you…I wish there was a way I could make it untrue… I heard the
news today…I fear the worse has happened. (Mercedes has an increasingly concerned look on
her face) An accident occurred…Edmond Dantes is dead. Dead and gone (he makes the sign of

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the cross, Mercedes falls to the ground screaming and beating her fist to the floor. Mondengo
kneels to hold her in his arms as a sly smile flashes across his face) Rest in peace Edmond; may
flights of angels sing you to your grave. (To Mercedes) Let me hold and help to heal you. (stage
goes dark exit all)
ACT II SCENE II
AT CURTAIN: Dantes is seated in his cell. He has obviously aged and seems to have given up.
The sound of what appears to be digging can be heard.
ABBE FARIA:
(appears suddenly) The wrong way, I’ve been digging in the wrong direction for 8 years.
(laughs uncontrollably) and all because the compass I built was not sufficiently magnetized.
(continues laughing, he suddenly takes notice of Dantes. He speaks with a sense of familiarity) I
feared that this would happen, but what else should I have done? I can’t see the movement of the
sun in my cell. (Faria notices Dantes’ windows) Windows! Windows! You have windows! That
would have solved everything. I could have kept track of the movement of the stars over the
seasons. (looks at Dantes who seems amazed at seeing another human being) Oh, excuse me my
dear boy. You must think I am the rudest person on this planet or maybe the only person
(laughs). Allow me to introduce myself: my name is Abbe Faria, and you?
DANTES:
Prisoner 627
ABBE FARIA:
Um…no my boy…I mean what’s your real name?
DANTES:
(stares blankly at Faria and responds hesitantly) Edmond…Edmond… (with some joy) Edmond
Dantes!
ABBE FARIA:
There! (lifts Dantes from the ground and checks his biceps) With a strong man such as you we
could ourselves to freedom in let’s say…3 or 4 years. Maybe even less, but this time we will dig
in the right direction. There are also a few important things I can tach you along the way, things
like history, politics, languages, science and of course mathematics. Shall we start?
DANTES:
Yes, yes teach me everything.
ABBE FARIA:
No, I meant digging. I was asking you if we shall begin digging. I’ve travelled around the world
and learned a few things; every day until our escape, you will study. (The stage is semi-lit as the

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men start chipping at the wall.) Soon you will not speak like a sailor Dantes, but as a man of
class and dignity.
DANTES:
Teach me all you know Abbe, for with your knowledge I will be able to return to my Mercedes
and re-kindle our love then I will be able to leave this wretched existence behind.
ABBE FARIA:
Sometimes the past has a way of leaving us behind; sometimes the truth isn’t as it seems. your
dream might already be gone.
DANTES:
What do you mean the truth isn’t as it seems?
ABBE FARIA:
Pay no attention to me, it’s just the ramblings of an old man.
DANTES:
(grabs Faria) Mercedes will wait for me. We promised ourselves: Never Alone!
ABBE FARIA:
Ok! Ok! (stage fades to black, scene)
ACTII SCENE III
AT CURTAIN: Abe Faria is teaching Dantes how to carry himself like a gentleman. Dantes
follows in an awkward manner but eventually gets it right.
ABBE FARIA:
You have made much progress in these last few years Dantes. What a difference three years
make.
DANTES:
I have been here for 14 years, the only thing that keeps me going is the thought of seeing
Mercedes again. I see her face every night that I go to bed. I hear her voice in the whistle of the
wind. (tone shifts to anger) I see the faces of Mondengo, Dangalars and Villefort as well only
their faces are crushed under my boot.
ABBE FARIA:
You are driven by hate.
DANTES:
Hate is what is driving me forward.

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 ABBE FARIA:
But it destroys what can be yours. (they return to digging, after a few seconds) My boy there is
something I must tell you; before all this, I was a priest and academic serving the richest man
alive: Count Sparda. (coughs)
DANTES:
Are you ok?
ABBE FARIA:
Yes, just a cough. I fear all these years digging have not been kind to my lungs. (coughs) If I told
you there is a treasure bigger than you can imagine, unimaginable riches and only I know where
it is. What would you say? (Dantes stares at him for a few seconds and smiles before returning
to his digging) You don’t believe me, but the treasure exists. If we keep working at this pace, we
will be free in less than a year. I…I will share it with you buy you have to defeat those demons in
your heart and trust in God, my boy. Trust in God!
DANTES:
I want justice! And if God won’t give me justice then I’ll claim it myself! Just as they deserve it.
ABBE FARIA:
Hatred is blind, anger is foolhardy, and he who pours out vengeance risks having to drink a bitter
draft. (there is a sudden noise as the guards discover the tunnel, the stage goes dark. There is the
sound of commotion, the stage is lit again, Faria lies on the ground)
DANTES:
Abbe, Abbe, Oh God! (Dantes falls to the ground and holds Faria) I only have this one friend.
Don’t take away the only friend I have! Please save him. I beg you. Good heavens please let him
live!
ABBE FARIA:
(coughs) Dantes…the treasure.
DANTES:
I will bring you some water.
ABBE FARIA:
There is no time; the treasure. I have to tell you…
DANTES:
Quiet, quiet. We’ll talk about it tomorrow.

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 ABBE FARIA:
Tomorrow…I will not be around. I’m afraid I will taste freedom before you. The treasure…
DANTES:
Yes, Yes, the treasure, please lie down, I…
ABBE FARIA:
Listen to me, idiot! There is a small rocky island named Monte Cristo. When you get there, go to
the easternmost point of the island. Dive a little more than 200 meters below the surface. When
you resurface, you will be in a gigantic cave where the treasure is hidden. Use I wisely Edmond!
But desist from your hatred! Because “I will repay” sayeth the Lord. (chokes)
DANTES:
The tunnel is almost finished, rest a little and we’ll escape as we’ve planned.
ABBE FARIA:
My time is ended Edmond, but you must go on, the world is waiting for you. Leave me. Look to
your heart and remember our lessons; when you think of me, smile. (Faria dies)
DANTES:
(crying) I will return for you my friend. (lays Faria on the ground and places his hands on his
chest. The sounds of approaching guards can be heard; Dantes hides)
GUARD #1:
(enters Faria’s cell and stands over his body) So the old man finally died. What a shame. He was
crazy, but he made this job interesting. I wonder if his stories about the treasure were true.
GUARD #2:
Well I guess we’ll never know. It’s a burial at sea for him. Fetch me a sheet!
GUARD #3:
(runs in carrying a sheet) Sir, there’s been an incident in the east wing, the boss requires our
presence.
GUARD #2:
He is going nowhere soon, (they all laugh) cover him up and we’ll be back for his body later.
GUARD #2 & #3:
Yes Sir! (They take the sheet and cover Faria’s body before they leave. Dantes comes out of
hiding; he rolls Faria’s body into his hiding spot and takes Faria’s place on the stretcher. After
some time, the Guard #1 and #3 return to dispose of the body at sea)

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 GUARD #1:
(taking a hold of the stretcher) talk about dead weight! (they laugh as they exit stage with the
Dantes’ body. The stage goes dark. Scene)
ACT II SCENE IV
AT CURTAINS: Dantes is unconscious on the deck on an unknown ship. He is surrounded by a
mostly female crew who stare at him. He is kicked awake by one of the female pirates.
PIRATE #1:
What is this ugly pile that the tide has dragged in today?
PIRATE #2:
I don’t know but he smells like a rotting animal.
PIRATE #3:
He seems like no one worth selling.
PIRATE #4:
Just throw him back, the sharks will like him. (They all laugh, the women grab Dantes in an
attempt to throw him back overboard. Dantes picks up some rope and begins to fight them off.)
LUISA VAMPA:
Stop! There might be something useful behind that dirt. (moving towards Dantes) What’s a man
doing here, alone and in the middle of the sea? I would really like to hear his story. He is allowed
to stay.
ALL:
What!
LUISA VAMPA:
But on this ship every sailor has to make a contribution.
DANTES:
It certainly doesn’t seem so.
LUISA VAMPA:
Maybe you will see things differently when I let these ladies throw you overboard. (the crew
cheers)
DANTES:
That may be, but it won’t help you either.

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 LUISA VAMPA:
Oh! We need help, do we! Because we are a crew of women, we must need help. (the crew
laughs) Please sir tell us why!
DANTES:
(looks up) Judging by the look of your jib boom, I can tell your boatswain is an incompetent
idiot. Rope is lying around everywhere. There is chafing in the rig and your forecastle smells like
a cesspit.
LUISA VAMPA:
So, he is a sailor. Well we’ve managed until now.
PIRATE #1:
Luisa Vampa doesn’t need any help!
LUISA VAMPA:
I wasn’t always called Luisa Vampa, just like you weren’t always called…
DANTES:
Edmond…Edmond Faria.
LUISA VAMPA:
Well then, Edmond Faria. I once lived like every other woman, washing, cooking, cleaning all
the time. But then my husband cheated on me, that’s why I drove a blade into his body. After
that I wanted to see the world, so these lovely ladies and I set out on the seas and haven’t needed
any man since…except for a few things. The dream of a man I can trust is long gone.
PIRATE #2:
Heaven forbid you lie to her.
LUISA VAMPA:
Tell me Edmond, do you fight better than you lie?
DANTES:
When I must.
LUISA VAMPA:
Jacopo! Please help our admiral and teach him how to dance along the knife’s edge. (The crew
cheers. Enter Jacopo behind him, another sailor carries two knives; she hands one to Jacopo
and one to Dantes.)

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 DANTES:
What are the rules?
JACOPO:
Just one…there are no rules. (crew laughs)
LUISA VAMPA:
Until death! May the best man win. (the men engage in a tense knife fight. The crowd cheers
wildly. Dantes is eventually able to get the better of Jacopo) Not bad, admiral. So long Jacopo!
(laughs)
DANTES:
I have never killed a man without any good reason and I won’t start now. (releases Jacopo)
LUISA VAMPA:
To save your life, is that not a good reason? To earn a berth on this ship, is that not a good
reason?
DANTES:
To kill a man for fun is not a good reason. (hands the knife to Vampa)
LUISA VAMPA:
Where did you learn how to fight like that?
DANTES:
An old friend taught me, he taught me how to fight, how to read, how to think, how to do lots of
useful things.
LUISA VAMPA:
(walks over to Dantes and caresses his back) I could also teach you a few useful things. (the
crew lets out a few “oooohs”, Vampa brings them to silence with a stare.) Get him some fresh
clothes, he stays and Jacopo lives. (walks away)
JACOPO:
(runs to Dantes, grabs his hands and bows to him) I am forever in your debt. From now on I will
go wherever you go; your enemies are my enemies.
DANTES:
Consider your debt paid. Besides, I have to walk my path alone.
JACOPO:
Nobody should travel alone, because everyman has his burden. Let me take some of it.

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 DANTES:
(laughs) so you want to be my conscience?
JACOPO:
No, just your friend.
LUISA VAMPA:
Hey Edmond! (tosses him a shirt) There’s more to your story than you tell us, but I believe
people either tell what they hide or die in order to hide it. And all I say: what’s the difference!
(laughs, crew joins in)
DANTES:
There is an island named Monte Cristo do you know of it?
LUISA VAMPA:
A dirt rock, not even 100 miles away.
DANTES:
I must go there to settle an old debt.
LUISA VAMPA:
Nobody lives there, even a goat would jump off a cliff there. (crew laughs) Eh, set sail for Monte
Cristo! (crew cheers, the stage goes dark spotlight shines on Dantes and Jacopo)
JACOPO:
What’s on Monte Cristo my Lord?
DANTES:
(an ominous theme plays) A new life Jacopo; a life as the Count of Monte Cristo. A life that will
finally allow me to get justice. I will be able to buy justice, as much justice as I want! (stage
goes dark, scene)
ACT III SCENE I
AT CURTAINS: The interior of the Mondengo home. Albert and Mercedes enter the room in the
midst of an argument. Inside is a singular chair and a nightstand. On the nightstand is a bottle of
whiskey and a whiskey glass.
ALBERT:
But mother, everyone is going.
MERCEDES:
If everyone jumped off a bridge, would you do the same?

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 ALBERT:
It’s the biggest party of the year mother all my friends are going. It’s not fair that I can’t go. I am
almost 16 mother I should be allowed to go.
MERCEDES:
Your father is home. You can ask him.
MONDENGO:
(obviously drunk, as he staggers in) Home, sweet home. Oh, you’ve been waiting for me, dear.
That’s so sweet. (he staggers his way to the chair and begins to pour himself a drink)
MERCEDES:
Haven’t you had enough already?
MONDENGO:
Just consider it a little nightcap…my love.
ALBERT:
Father, I was just telling mother that some of us are going to the city to see the carnival. Well we
want to go, and I was…
MONDENGO:
(sitting on the chair and having his drink) …and I should care because…? (shocked, Albert looks
to his mother)
ALBERT:
…because I wanted to ask if I can go with them?
MONDENGO:
I couldn’t care less. Personally, I could do with a bit of peace and quiet in this house. (laughs,
Mercedes glares at Mondengo.) Eh! (he places his drink on the nightstand and takes out his
wallet) here is $200 my boy, buy yourself a good time. (Albert takes the money, smiles, gives
Mercedes a kiss on the cheek and runs off)
MERCEDES:
So, you had a good night at the casino…for once? (Mondengo gets up from the chair) The bills
were due today Fernand. I had to beg our creditors for an extension Mr. Debois from the bank
says he wants his money by end of business tomorrow.
MONDENGO:
(walks up to Mercedes) …or else?

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 MERCEDES:
You stink of women. Everyday you smell of cigar smoke, whiskey and women.
MONDENGO:
What good does it do you to be bitter, my dear. My mistresses and I were happy in my passions
and you were happy in your ignorance.
MERCEDES:
Don’t flatter yourself Fernand, I was neither happy nor ignorant having known about the last
three women.
MONDENGO:
Well since my attempts at secrecy have obviously failed there is no need keeping up pretences.
(begins walking away) It’s actually quite liberating wouldn’t you say? (takes out some cash from
his wallet and places it on the nightstand.) see to it that the bills are paid. (stage goes dark,
spotlight shifts to the Dangalars’ home)
DANGALARS:
(sitting at his desk and examining some business papers; he seems stressed out by what he is
looking at.) Julia! Julia! Get in here now!
JULIA DANGALARS:
How dare you summon me in such a manner! I am the lady of this house, not some mere servant
girl.
DANGALARS:
I shall summon you in any manner I please. How dare you spend so much money?! Is it not
enough that you live in such luxury?
JULIA DANGALARS:
(Indignantly) Do not raise your voice at me! Have you forgotten that you are where you are
because of me? I am the one who forged those documents; I am the one who helped you to steal
Morrel’s business? Every single dime you have is because of me.
DANGALARS:
How can I forget when every day you remind me of it? Your habit is bleeding us dry; we are
almost out of money. I am moving money from one account to another just to keep us going.
JULIA DANGALARS:
Well Baron, you are a smart business man and banker, (authoritatively) so find more money!
(stage goes dark, spotlight shifts to the Villefort’s home, Villefort sits examining some court
documents.)

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 VALENTINE:
Father you promised that you would come with me to grandfather’s tomb.
VILLEFORT:
I am sorry Valentine, but I cannot at this time, I have a very important case that I must prepare
for.
VALENTINE:
You have been working on this case for too long now, does grandfather not deserve our respect?
Today is the anniversary of his death. Or have you forgotten?
VILLEFORT:
I have not forgotten Valentine, I will never forget for more reasons than you may know.
VALENTINE:
Father, can you tell me again how grandfather died?
VILLEFORT:
(hesitantly) You know what, family comes first so, lets go to grandfather’s grave.
VALENTINE:
I am so proud of you father, you are the most successful prosecutor in the country, but most of
all you are an honest and just man. You are the perfect father and the perfect son. Grandfather
would be proud. (stage goes dark, Dantes appears center stage; a few seconds later, Jacopo
appears on stage)
DANTES:
What did you find out?
JACOPO:
Your father…your father is dead; he died of starvation.
DANTES:
(a look of shock and anger flashes on his face) And Mercedes? What about Mercedes?
JACOPO:
Mr. Morrel lost his business to Dangalars and lives in poverty. Villefort became chief prosecutor
and lives with his wife and daughter.
DANTES:
(grabs Jacopo by the shoulders) Mercedes, what of Mercedes? Is she still living in her family
home? Is she…?

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 JACOPO:
It’s not that easy sir. It breaks my heart…
DANTES:
(angrily) God just tell me! Is she dead?
JACOPO:
She is married, to Fernand Mondengo. They have a son named Albert who is engaged to
Villefort’s daughter Valentine. I’m sorry.
DANTES:
(angrily) Leave! Leave! I want to be alone!
(Song Hell to your doorsteps)
ACT III SCENE II
AT CURTAINS: A group of carnival revellers dance through the street; they cheer and drink
and enjoy the general festivities of carnival. Albert and his friends are central in the revelling. A
beautiful woman dances seductively in front of Albert. His friends encourage his to pursue her.
She runs off and Albert follows her only to eventually be separated from his friends.
ALBERT:
Stop! Stop! Wait for me! (mystery girl giggles and runs away) Wait, who are you? (mystery girl
runs away, Albert follows. She suddenly stops and seductively calls him over with her finger.
Albert smiles and starts moving to her. Suddenly, four masked figures appear; two of the four
assailants grab and hold Albert by the arms.)
KIDNAPPER #1:
You really shouldn’t be so stupid and to follow a woman of the night. (punches Albert. The other
kidnapper joins in beating Albert)
ALBERT:
Do you know how I am, I am Albert Mondengo, son of Fernand and Mercedes Mondengo you
will not live to regret your actions. (kidnappers laugh)
KIDNAPPER #2:
Boy you best shut your mouth. (slaps Albert.)
MONTE CRISTO:
(appearing suddenly) Release him you animals. (Monte Cristo fights all four assailants, when
Albert is released, he attempts to join in the fight. Monte Cristo stops him.) Stay back! Albert,
run!

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 ALBERT:
I won’t leave without you!
MONTE CRISTO:
Don’t be a fool I can take care of myself. (Albert takes off running, the fight continues for a few
seconds then suddenly stops. The kidnappers remove their masks, revealing themselves to be
Jacopo, Luisa Vampa and two of her crew members.)
LUISA VAMPA:
(gasping) I see your fighting skills have gotten better. You know we really should stop meeting
like this don’t you think?
MONTE CRISTO:
(laughing) Don’t worry Luisa we won’t see each other for a while.
LUISA VAMPA:
Hmm. So, you are going through with your plan. The boy?
MONTE CRISTO:
My ticket to the grand prize, Fernand Mondongo. My enemies will meet their demise, Dangalars
because of his greed, Villefort for his hypocrisy and Mondengo for his excessive lust.
LUISA VAMPA:
So that’s what you want?
MONTE CRISTO:
(annoyed at Luisa’s question) Jacopo, give the lady a reward to show my gratitude. (Jacopo
hands Luisa an envelope; she checks its contents)
LUISA VAMPA:
(curtsying) Thank you for your generosity my dear Count. (Stage goes dark, exit all, except for
Monte Cristo)
ALBERT:
(appears on stage gasping and out of breath; suddenly sees Monte Cristo; surprised) How…?
MONTE CRISTO:
You really must be careful young man. These streets are dangerous.
ALBERT:

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Sir I am Albert Mondengo, and I am forever in your debt.
MONTE CRISTO:
You’ve had quite an ordeal, I insist, you must come to my estate; I am hosting a reception in two
weeks. Agreed?
ALBERT:
Agreed. May I ask who you are sir and how you came to know of my ordeal?
MONTE CRISTO:
I have many connections, some of which are less than reputable. I pay well to be informed of
anything of note in any city in which I stay, and the kidnapping of the son of Fernand Mondengo
is of note. I will have my people be in touch about the reception. See you in two weeks Albert.
(Monte Cristo begins walking away)
ALBERT:
Your name sir.
MONTE CRISTO:
(spotlight shines on Monte Cristo; dramatic music swells) The count of Monte Cristo. (stage
goes dark scene)
ACT III SCENE III
AT CURTAINS: The interior of Monte Cristo’s mansion, there is a large gathering of well-
dressed people in the room. Villefort, Dangalars and Mondengo are all there accompanied by
there spouses. Several other couples are also in the ball room, including Albert and Valentine de
Villefort. The people move around seeming in conversation. Servers move around giving out
refreshments. In a corner, Dangalars, Mondengo and Villefort are engaged in conversation.
DANGALARS:
So, it seems he really is as rich as they say.
VILLEFORT:
All the money in the world cannot make up for the content of a man’s character, I think the
question should be is he an honourable man?
MONDENGO:
Well if he really is as courageous as Albert says then his honour is without question.

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 JACOPO:
(bangs a staff on the ground) Ladies and gentlemen the Count of Monte Cristo! (audience cheers
as Monte Cristo appears. People step forward to shake the Count’s hand.) Your grace may I
present the Baron and Baroness Dangalars.
MONTE CRISTO:
(shaking hand with Dangalars) Ah what a pleasure.
DANGALARS:
The pleasure is our dear Count.
MONTE CRISTO:
You are too kind, sir. Dangalars is to be envied for his business savvy.
DANGALARS:
(laughs) Are you interested in some business dealings?
MONTE CRISTO:
Yes, but not tonight, I will have my people get in contact with you. (Baron and Mrs. Dangalars
leave)
JACOPO:
Mr. and Mrs. Chief Prosecutor Gerard de Villefort.
MONTE CRISTO:
The most ethical and formidable chief prosecutor; it is my pleasure to welcome you in my home
Mr. and Mrs. Villefort.
VILLEFORT:
You flatter me dear Count, I a but a servant of the people doing the best I can.
MONTE CRISTO:
You are too humble Mr. Villefort. Your brilliance should be recognized. (the Villefort’s leave)
JACOPO:
(to Monte Cristo) I can’t believe they don’t recognize you.
MONTE CRISTO:
People see what they want to see Jacopo. They don’t see me, they only see an opportunity to
improve their status.

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 ALBERT:
(with Valentine on his arms, approaches Monte Cristo) Count Monte Cristo may I present my
fiancé Valentine de Villefort.
MONTE CRISTO:
Enchanted ma’am, you are just as beautiful and charming as Albert promised.
ALBERT:
(goes over to his mother and father) Come father, mother, I want to introduce you to my friend
the Count of Monte Cristo. The man who saved my life. (Mercedes lingers behind to finish up a
conversation she is having.)
MONDENGO:
Count we will forever be in your debt for saving our son. May I present my wife Mercedes….
Mercedes dear. (Mercedes turns to greet the Count; a stun look is on her face as she seems to
recognize him. Song: I Know Those Eyes/This Man is Dead, stage goes dark)
AT CURTAIN: A few minutes after everyone has left. Monte Cristo stands on stage as Jacopo
enters.
MONTE CRISTO:
Did you deliver the documents I gave you?
JACOPO:
Yes, all the documents were delivered as you instructed.
MONTE CRISTO:
Did Mr. Morrel get the money?
JACOPO:
Yes, he was speechless.
MONTE CRISTO:
And happy?
JACOPO:
Yes, speechless because he was happy.
MONTE CRISTO:
The wheels of justice are now fully in motion Jacopo. They shall all pay for their crimes against
me.

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 JACOPO:
Why don’t you just forget those three and live the life you have left? You have enough money to
live a life of luxury many times over.
MONTE CRISTO:
(bitterly) My only care is justice, and I will claim it no matter what. What they did to me will
never be forgotten. I will destroy them all.
JACOPO:
And Mercedes? What will become of Mercedes? She obviously did not forget you. (Monte
Cristo remains silent, lights slowly dim on Monte Cristo until the stage is dark. Scene)
ACT IV SCENE I
AT CURTAIN: Dangalars, Villefort and Mondengo are on stage, each man seems worried and in
a state of agitation. Monte Cristo is also on stage but standing behind the trio overseeing his plot.
DANGALARS:
(crushing papers and falling to his knees) I am ruined! Ruined!
JULIA DANGALARS:
(walks and sees Dangalars on the floor) Pick yourself up from the floor at once. What is the
matter with you making all this noise in my house?
DANGALARS:
(quietly, almost whisper like) We lost everything.
JULIA:
(straining to hear him) Speak up you worm, I cannot hear you.
DANGALARS:
(shouting) I said we lost everything! I listened to Monte Cristo’s investment advice and invested
in Lerrom International and lost everything.
JULIA DANGALARS:
What do you mean everything?!
DANGALARS:
I made the deal on credit, I liquidated all our assets. The stock made a profit last week and now it
is bleeding money, its worthless. We’ve lost everything, everything.

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 JULIA DANGALARS:
(calmly) Well, we own a bank. Divert money from the bank into our personal account and we
will be fine.
DANGALARS:
(panicking) You don’t understand, I even invested the bank’s assets and I did so without
approval. I’m ruined. (lights dim on Danglars and shine on Monte Cristo)
MONTE CRISTO:
Your greed has done you in Dangalars, you always want more and more and now that geed has
ruined you.
OFFICER:
(knock at the door) Baron Dangalars! In the name of the law you are under arrest for fraud and
embezzlement. Guards take him away. (two guards grab Dangalars)
DANGALARS:
No! Where are you taking me? No!
OFFICER:
Guards take him to château d’If. (Dangalars screams as he is taken away)
MONTE CRISTO:
(ginning sinisterly) One. (Spotlight shifts to three men sitting behind a desk, after a few seconds
Villefort and Valentine walk in)
VILLEFORT:
What is the meaning of this, why do you summon me before you?
CHIEF JUSTICE:
You will do well to remind yourself of where you are Mr. Villefort. This is no ordinary room sir.
This is the supreme court and you stand before the justices of the supreme court.
VILLEFORT:
My apologies honourable chief justice, I simply find it strange for me to have been summoned
before you today.
CHIEF JUSTICE:
Mr. de Villefort you stand before us today accused of two counts of murder. (a stunned look
flashes on Villefort’s face) The first is the case of a child whom you are accused of burying alive
in order to conceal an extramarital affair and the second is the case of your father Noitier de
Villefort. How do you respond to these allegations Mr. de Villefort?

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 VILLEFORT:
Lies! Lies and slander. I have been a faithful servant of this court for 16 years. I have put many
criminals behind bars and gotten justice for many families; this is no doubt an act of sabotage by
those who oppose justice.
VALENTINE:
I assure chief justice sir; my father would never do the things he is accused of. He is a man of
honour and above all, he is a servant of the people.
VILLEFORT:
I demand to know what proof you have and who dares to slander my name.
CHIEF JUSTICE:
(opens a file and holds up the different documents he reads) the lease on your mistress’s house,
singed by you, the death certificate of your mistress, Ms. Elily Renaud, the sworn testimony of
Dr. Bertuccio certifying you as the father. (Villefort seems to enter a daze and falls to the
ground) letters between you and notorious gang leader Caderousse plotting the murder of your
father, receipts showing cash transfers between yourself and Caderousse. Shall I continue.
MONTE CRISTO:
You know nothing of truth Villefort, lies are you only friends; you care about nothing unless you
profit from it. Your lies and deceit are your downfall now.
VALENTINE:
(sobbing) Father is this true? Father please it is not so. Father…. father (she kneels next to him
and shakes him)
VILLEFORT:
(in a trance like state) I had to…. I had to…Noitier, would have ruined me… I had to…. I had
to…
MONTE CRISTO:
Two (the stage goes dark; the sound of Valentine’s sobs is all that can be heard; scene)
ACT IV SCENE II
AT CURTAINS:
The interior of the Mondengo home; Albert, Mercedes and Valentine are engaged in a heated
discussion. Albert is loading a gun.
ALBERT:
He destroyed our good reputation. Our honour!

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 MERCEDES:
Our reputation was destroyed a long time ago, and our honour was just a farce Albert.
ALBERT:
He posed as my friend, am I also to forget that farce? Am I to simply let that go? No! I am going
to make him pay for what he has done to our family, to me. (starts walking away)
VALENTINE:
Albert! Have you forgotten how he fought off your kidnappers? You are no match for him; don’t
be crazy.
ALBERT:
(returns back to Valentine) Crazy, what’s crazy about wanting to give my fiancé a good
reputation. I must restore my family’s honour.
VALENTINE:
And what about my family’s reputation? My family is just as ruined. My father is in jail, driven
to madness after being exposed for killing his own child and his own father. My life will never
be the same again.
ALBERT:
(taking her hands) All the more reason to clear our good name.
VALENTINE:
(sobbing) I don’t care about any of that Albert. I care about you. Please don’t do this.
MERCEDES:
Albert don’t be stupid. Listen to Valentine. (Albert hesitates for a moment then leaves; Valentine
and Mercedes embrace each other) You will stay here tonight. Don’t worry, I know what has to
be done. (Mercedes leaves; stage goes dark)
AT CURTAINS: Monte Cristo is standing on stage alone. Mercedes enters in a panic.
MERCEDES:
He is just a child Edmond!
MONTE CRISTO:
Edmond? You are mistaken ma’am I am not this Edmond you speak of.
MERCEDES:
I know it is you Edmond, I knew it the instant we met at your party.

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 MONTE CRISTO:
Edmond Dantes is dead ma’am I’m sure you heard. What do you want of me?
MERCEDES:
Just a few answers from you and I shall trouble you no more.
MONTE CRISTO:
Ask your questions.
MERCEDES:
Where have you been?
MONTE CRISTO:
14 years in the dungeon of the Château d’If and everywhere else you can imagine.
MERCEDES:
Did you suffer?
MONTE CRISTO:
(scoffs) Are you finished now? I’ve got a great deal on my mind.
MERCEDES:
Why did you not come to me?
MONTE CRISTO:
(yelling) Why did you not wait for me? You married the very man who betrayed me and now
you come here to beg me to spare the life of his son?
MERCEDES:
(sobbingly) My son! Hate me if you really want to but not Albert; he is innocent. He does not
deserve your vengeance. It was I. I was weak and could bear my loneliness no longer. I married
Fernand because they told me you died. I beg of you Edmond; don’t kill my son it is not fair for
him to pay for mine and his father’s crimes.
MONTE CRISTO:
Fair?! (pause, Monte Cristo glares at Mercedes; she looks at him stunned at his anger) Is life
fair? Life is for the strong, pity for the weak. Justice belongs to those who claim it. (Monte
Cristo walks away)
MERCEDES: (sobbingly, yells out to Monte Cristo) Don’t do this Edmond. I beg of you don’t.
(softly) What did they do to you; you are no longer my Edmond. (stage goes dark scene)

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 ACT IV SCENE III
AT CURTAINS: Jacopo, Monte Cristo and Albert and Albert’s guard are on stage, both Albert
and Monte Cristo are holding pistols in their hands; the inspect the pistols before exchanging.
Albert and Monte Cristo stand with their backs to each other as Jacopo counts. Each man takes
one step Jacopo counts.
JACOPO:
One..two…three…four…five…six…seven…eight…nine…ten (at ten, both men turn to face
each other. There is a pause, Albert fires and misses wide. Monte Cristo then aims at Albert
preparing to fire before Valentine suddenly steps in)
VALENTINE:
(runs and stands in front of Albert) Stop! Please don’t do this count; please don’t destroy my life
any further.
ALBERT:
Valentine at least let my family name die in honour.
VALENTINE:
(turns to Albert) What would you gain from that?!
ALBERT:
Everything there that is left to be gained.
VALENTINE:
Is your heart so cold that you would kill someone with so much to live for… (Jacopo and
Albert’s servant take Valentine away as she kicks and fights to bet free; she runs to Albert just as
Monte Cristo fires over their heads.)
MONTE CRISTO:
Albert go to your mother, let her tell you the truth. Do everything for her; I have done all I can.
(exit all except Monte Cristo, song: The Man I Used to Be. Stage goes dark Scene)
ACT V SCENE I
AT CURTAINS:
Monte Cristo is on stage alone. Mercedes enters.
MERCEDES:
Edmond!

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 MONTE CRISTO:
Mercedes, what are you doing here? Is everything alright?
MERCEDES:
Everything is fine. Albert is home with Valentine. (hesitates) I am forever in your debt; a debt I
can never repay for as long as I live.
MONTE CRISTO:
You don’t owe me anything. You help me to see that my path was a foolish one. That as I dug
the graves of Dangalars, Villefort and Fernand, I also dug my own.
MERCEDES:
In my dreams I have seen this moment over and over. Oh Edmond, I mourned for you in the
secret recesses of my heart. When I thought you dead I should have died too, but foolishly I went
on living and for nearly 20 years compared all men to you and found fault in them all. Missing
you has been a day after day, year after year torment to me. And in all this time, my only
consolation have been my son and the thought of the life that should have been ours. (Monte
Cristo and Mercedes share an embrace)
MONDENGO:
(sarcastically) How adorable. So, the light begins to break. Old sailor boy back from the dead to
claim his revenge. Dangalars jailed, Villefort driven mad… is it my turn Edmond?
MONTE CRISTO:
It is.
MONDENGO:
I understand you want to live a wealth life Mercedes but to run into his arms so quickly…I guess
you really are a whore!
MERCEDES:
Even if he were a poor sailor again I would still choose him over you. All you ever did was lie to
me, our life together is all a lie.
MONDENGO:
You’ve done very well Edmond the way you expose us one by one and then you strike. But
before you kick this dog to death beware…
MONTE CRISTO:
He barks.

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 MONDENGO:
Bites! (pulls out a gun) Can you defend yourself Edmond, or can you stab only in the dark.
(Edmond lunges at Mondengo knocking to gun out of his hands. The men engage in a struggle
over the gun. The contest is hard fought with each getting the upper hand at certain points.
Finally, Monte Cristo gets a hold of the gun and has Mondengo at gunpoint.)
MONTE CRISTO:
Enough Mondengo, enough hate, blood, vengeance. There is no need to say your prayers, you
won’t escape prison by the simple trick of dying. You will server your sentence in this world
before you go to hell. (two guards enter and take Mondengo away) Three (Monte Cristo falls to
floor and sits; Mercedes sits next to him and takes his hands)
MERCEDES:
It’s over Edmond, we can finally rebuild our lives together.
MONTE CRISTO:
(looks at Mercedes, smiles and caresses her face; she lets her head fall on his shoulder; they
remain quite for a few second; softly) Mercedes, you are everything I thought I ever wanted in
life and more and for the last few years all I have thought about is you and avenging the wrongs
done to me. But now that my task is accomplished I feel no joy. I lost myself to vengeance, my
soul.
MERCEDES:
(sniffling) Edmond, what are you saying?
MONTE CRISTO:
The more I think about it, the more I realize that you and I can never be. Our live will never be
real again. As amazing as you are Mercedes we both know that you are in love with Edmond
Dantes and Edmond Dantes is dead; he died in prison.
MERCEDES:
Someday I may be free of Edmond the way you obviously are free of him. Until then, (kisses
Monte Cristo’s hand) goodbye Count of Monte Cristo. (Mercedes gets up and leaves, her eyes
filled with tears, stage goes dark)
End

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 Songs
Song Description Scene
A Story Told Mondengo, Villefort and Dangalars come End of ACT I
together in conspiracy. They each lay out their
reasons for wanting to see Dantes in jail and the
benefits they will claim. This song reveals the
extent to which the conspirators are willing to
go in order to achieve their goals.

Hell to Your Dantes finds out that his father has died of End of ACT III
Doorsteps starvation, Morrrel is bankrupt, his conspirators SCENE I
have advanced in life, and that he is forgotten
by Mercedes. He vows revenge on all those
who have wronged him. This song shows the
extent of Dantes quest for vengeance, as he
plots to ruin all those who conspired against
him.

I know Those Mercedes meets Dantes for the first time in ACT III SCENE III
Eyes/This Man is years, she is the only one to recognize who he
Dead truly is. Dates and Mercedes engage in a duet,
Mercedes recognizing him and Dantes saying
he is dead. This song embodies the inner
turmoil of each character, as they still very
much love each other but realize that their paths
are very different.

The Man I Used to Monte Cristo realizes that for as much as he ACT V SCENE I
Be wants to be ruthless, there is still a part of him
that is bound to Edmond. He recognizes that his
desire for vengeance is consuming his soul. It
serves as semi cathartic for Monte Cristo, as
part of his vengeful soul is redeemed.

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 A Story Told
Mondego:
We are friends, are we not?
Danglar: And our interests are the same
Villefort: We collaborate
Danglar: And trust in fate
Danglar: to parcel out the blame
Mondego: There are ends we've all got
Mondego: That can justify the means
Danglar: We negotiate
Villefort: The fabricate the facts
Villefort: Behind the scene
Mondego: Keeping all the details vague
Mondego: And secrets hidden
Danglar: Safe from the balanced sheet
Danglar: Of those you trust
Danglar: BECAUSE
Danglar: History is a story told by the
Danglar: Winners of the fight
Danglar: You imply a little
Mondego: Lie a little
Mondego: Testifying
Villefort: Try a little
All: Sailor
Mondego: Who's gonna question
Mondego: What goes on in the middle
Mondego: of the night?
Mondego: Not a tinker

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Danglar: Not a tailor
Mondego: Not his father or Mercedes
Villefort: Or a jailor (laughs evilly)
Mondego: So we all are agreed
Mondego: Let's be vigilant and wise
Danglar: We must all pretend
Danglar: Our naive friend
Danglar: Was caught in his own lies
Danglar: For our plan to succeed
Danglar: We must share but one belief
Danglar: Edmond Dantes stays
Danglar: And ends his days
Danglar: Inside the Chateau d'If!
Mondego: Were the softest things
Mondego: He'll touch are stones
Mondego: And darkness
Mondego: Deep in a craggy isle
Mondego: And dungeon's keep
Villefort: BECAUSE
Villefort: History's a story told by the
Villefort: Men who make the laws
Danglar: We supply a little
Mondego: TO help the gullible to buy
Mondego: a little fable
Villefort: What will become of the
Villefort: righteous men who
Villefort: Fashioned Dantes' Flaws?
Danglar: The rich

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Mondego: And well respected
Villefort: Are no more to be rejected
Villefort: at our table
Mondego:I'll be a comfort in her time of
Mondego:Grief and Anguish!
Mondego: I'll be Mercedes' ever faithful
Mondego: Acolyte
Mondego: Every night
Villefort: A part of me wishes Dantes
Villefort: didn't have to languish
Mondego: But I can see
Mondego: It's him or me
Danglar: let him sit there and rot
Danglar: TIll he's forgot!
Mondego: LET HIM ROT!
All: History's a story told by
All: The people who survive
Villefort: Let me sign and then initial
Danglar: It's the truth if it's official
Danglar: In the story
Mondego: What if it costs us
Mondego: One young man so
Mondego: Three more men can survive?
Villefort: He's a price we have to pay
Mondego: TO live and fight another day
Mondego: For love and glory
Danglar: He was standing in the way of
Danglar: Precious justice. Set on sail

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Villefort: SO goes the story
Mondego: Stick to the story
All: Here ends the story!

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