0026888 Hi: SiS Clarinet Exam Pieces ABRSM Grade 7 Selected from the 2014-2017 syllabus Piano accompaniment Contents USTA 1 Johannes Brahms Andantino-Presto non assai: third movement from Clarinet Quintet in B minor, Op. 115 2 Prangols Devienne Adagio: second movement from Sonata in B flat, Op. 70 No. 1 3. Hyacinthe Eléonore Klosé Rondo: second movement from Deuxiéme Solo, Op. 10 2 16 usTs 1 Taran Carter Poisoned Sketches 2 Michael Head Echo Valley 3 Paul Hindemith Lebhaft: second movement from Sonata B28 uste 1 Johann Sebastian Bach Courante: third movement from Suite in D, BWV 1012, ‘solo trans. Alamiro Giampieri 2 Richard Rodney Bennett Night Thoughts: second movement from Sonatina solo Karl Kroll Study in G: No. 2 from 30 Etiiden fiir Klarinette die Technik der Zunge betreffend solo Footnotes: Anthony Burton and Colin Lawson (CL “The picces in this alburn have been taken from a varity of different sources. Where appropriate, they have been checked swith original source material and edited to help the player when preparing for performance. Any editorial additions are ‘sven in small print within square brackets: or in the case of slurs and ties, n the form ~. Details of other editorial Smendments or suggestions are given in the foomates erath marks (tained! here where they appear in the source ‘aition) and all editorial additions are for guldance only; they are not comprehensive or obligatory. Descriptive titles _are given in their original language. and transtations into English appear above the footnotes. ABRSM Clarinet Exams: requirements Pieces In the exam, candidates must play three pieces, one chosen from each of the three syllabus lists (A. B and C). Candidates ae fre to choose fom the pieces printed in this album and/or from the other piece st forthe grade: ul ists gen 'in the clarinet part with this score as well as in the 2014-2017 Woodwind syllabus. m oni ‘Scales and arpeggios Fall details are avsilable online at wwwcabram.org/earine 7 ‘Stght-reading ‘orn the 2014-2017 Woodwind syllabus booklet. Bee eee - INN 20102608 ieiaipiengiiin anZz tt tit nmuthorzes Andantino-Presto non assai ane Third movement from Clarinet Quintet in B minor, Op. 115 Egited by and piano Johannes Brahms reduction by Colin Lawson (1e33-971 Andantino [J =.104] == SE Z ‘psemplice and it ail clatme a spectal as a remarkable achieve playing of the clarinetist 201, Brass Clarinet Quinte was immediately Moa paves lke. Towards he eo of his if, rans was intenced Daye O15 and To Sian Op. 12, which gave a age peas ote eames Op. 14, Quine OP cancion of te thd movement anaposes he plan pat oi instrument. The thematic material ‘of the Presto is closely related to that ‘of the opening Andanitino: ar roe ofthe rtchet might therefore remain te ime tvoughout Cl = mmposed pian accompaniment or line in Af avaiable fr es nian ot On ts first appearance i place in the hearts and) Richard Mahifeld to write his Clarinet Trio profile. Like Mozart, Brahms wrote his Quint the clarinet part can be played on the B flat (orhich returns atthe end of the movement), “This piano accompaniment is for Clarinet in B fla; wwwwabrsm.org/audioshop. wwwabrsm.org/audioshop. es) oViolinen, Bratsche und Violoncell, Op. 115 (Berlin: N. Simrock, 1892)Presto non assai, ma con sentimento === ‘molto piano mesza vocene12 Megat tinauthorized Copies of ts Adagio a Second movement from Sonata in B flat, Op. 70 No. 1 Francois Devienne (1759-1803) = Ezited by and continuo realization by Colin Lawson Adagio D267) eae = ie PE Se ‘doles In order to accommodate th smodate the Clarinet in B fat. In bars m has been trans line, where it sounds an octave lem done bars 5-8 the right hand oft ransposed down a tone from C minor to B flat minor415Cis | copie oft eo 16 Rondo Second movement fram Deuxiéme Solo, Op. 10 HE. Klosé (1908-801 Edited by Colin Lawson Parnes == | aker Louls-Auguste Buffet inthe production ofthe Parise taught at the Military School of Music and solos and studies and a tutor which remains th accompaniment for orchestra or piano, was written as a solo de concours for the end-of year competitive examinations at the Paris Conservatoire, and was ast work in 1840, 1841 and 1870. The Kondo must be played snch clarinettist who collaborated with the instrument m: ture ofthe Boehm system clarinet in general use today. In Joved teacher, with a number of notable pupils. He wrote many Hyacinthe Eléonore Klosé was a Fret radical key mechanism that isa feat the Conservatoire, and was a much: {in use today. His Deuxidme Solo, which was originally published wit tunggtnatton, In this printed edition, broken sher lines indicate editorial c-cnaiaanmnadeenenemen tea walk19{a tempo]mm‘pp legato e senza nuance © (pp)tera f eee — a 3 == —— a =F tg eres SEE fone See ee Se (P)Poisoned Sketches Taran Carter {born 1980) With humour 4. = 112 fe raran Carter isan Australian composer educated at san lege ofthe Ars in Melbourne. He ames among he ihe oon 996 "aan Caren ua ones as Taki anlsxanakeand AMO PAL 287 cling Pan Simon. the Beatles fo etal piece Moondari Musicby the Melbourne aie Rediohead. His opera Busking Hugs was performed ‘opera Australia in 2001, and his arch d by Opera Austr in vonte inclies Poisoned Skerches, written in 2007. The ie(4. = 100) slower, molto rubato +. = 72 36A ve Se be <_ ete t31Sp ae a == —fact vast pe “t= ¢oe Cm Echo Valley le Michael Head (1900-76), Moderato, con rubato 4 = ¢.60 igs ee 34 composer Michael Head studied at the Royal ting all over the world. He was hest known for hisOy icon tomake unauthorized ‘copies of this copyright Lebhaft Second movement from Sonata Paul Hindemith (1895-1963) Lebhaft (J = bis 92) [2 = up to 92] <=. —_— =. = Sa Be a fe ae “The German composer Paul Hindemith wasa well-known viola soloist, andissaid to have been able o play many other instruments competently. ‘As well as composing operas and large-scale orchestral works, he also wrote a great deal of what he called Gebrauchsmustk (‘music for use). Between 1935 and 1955, he produced a series of sonatas for every standard orchestral instrument (and some others) with piano. This isthe second movement of the Clarinet Sonata of 1989, a scher7o marked with the German word for ‘lively’ or “brisk. Like most scherzos, it has ‘ contrasting central trio section starting at bar 51 ~ though the piano's repetition of the trio melody overlaps with the return of the scherzo ata4243,45,