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Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
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Microsoft Office 365
®
™

POWERPOINT 2016
®

INTERMEDIATE

SUSAN L. SEBOK

Australia • Brazil • Japan • Korea • Mexico • Singapore • Spain • United Kingdom • United States

Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
 Shelly Cashman Microsoft © 2017 Cengage Learning
PowerPoint 2016: Intermediate ALL RIGHTS RESERVED. No part of this work covered by the copyright
Susan L. Sebok herein may be reproduced or distributed in any form or by any means,
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The material in this book was written using Microsoft Office 2016 and
was Quality Assurance tested before the publication date. As Microsoft
continually updates Office 2016 and Office 365, your software experience
may vary slightly from what is seen in the printed text.

Printed in the United States of America

Print Number: 01 Print Year: 2016
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
 Microsoft Office 365
®
™

POWERPOINT 2016
®

INTERMEDIATE

Contents
Productivity Apps for School and Work Organizing Files and Folders OFF 27
Introduction to OneNote 2016 PA 2 To Create a Folder OFF 28
Introduction to Sway PA 6 Folder Windows OFF 30
Introduction to Office Mix PA 10 To Create a Folder within a Folder OFF 30
Introduction to Microsoft Edge PA 14 To Expand a Folder, Scroll through Folder
Contents, and Collapse a Folder OFF 31
To Switch from One App to Another OFF 32
Microsoft Office 2016 and Windows 10 To Save a File in a Folder OFF 32
Navigating in Dialog Boxes OFF 35
To Minimize and Restore a Window OFF 35
Office 2016 and Windows 10:
To Save a File on OneDrive OFF 37
Essential Concepts and Skills
To Sign Out of a Microsoft Account OFF 38
Objectives OFF 1
Screen Resolution OFF 39
Roadmap OFF 1
To Change the Screen Resolution OFF 40
Introduction to the Windows 10 Operating System OFF 2
To Exit an App with One Document Open OFF 42
Using a Touch Screen and a Mouse OFF 3
To Copy a Folder to OneDrive OFF 42
Scrolling OFF 4
To Unlink a OneDrive Account OFF 44
Keyboard Shortcuts OFF 5
Additional Common Features of Office Apps OFF 46
Starting Windows OFF 5
To Run an App Using the Search Box OFF 46
To Sign In to an Account OFF 6
To Open an Existing File OFF 47
The Windows Desktop OFF 8
To Create a New Document from
Introduction to Microsoft Office 2016 OFF 8
the Backstage View OFF 48
Microsoft Office 2016 Apps OFF 8
To Enter Text in a Presentation OFF 49
Microsoft Office 2016 Suites OFF 9
To Save a File in a Folder OFF 49
Running and Using an App OFF 10
To Close a File Using the Backstage View OFF 49
PowerPoint OFF 10
To Open a Recent File Using the
To Run an App Using the Start Menu
Backstage View OFF 50
and Create a Blank Presentation OFF 10
To Create a New Blank Document
To Maximize a Window OFF 12
from File Explorer OFF 51
PowerPoint Window, Ribbon, and Elements
To Run an App from File Explorer
Common to Office Apps OFF 13
and Open a File OFF 51
To Display a Different Tab on the Ribbon OFF 19
To Enter Text in a Slide OFF 52
To Collapse and Expand the Ribbon and
To Save an Existing Office File with
Use Full Screen Mode OFF 19
the Same File Name OFF 52
To Use a Shortcut Menu to Relocate the
To Save a File with a New File Name OFF 52
Quick Access Toolbar OFF 21
To Exit an Office App OFF 53
To Customize the Quick Access Toolbar OFF 22
Renaming, Moving, and Deleting Files OFF 53
To Enter Content in a Title Slide OFF 23
To Rename a File OFF 53
Document Properties OFF 24
To Move a File OFF 54
To Change Document Properties OFF 24
To Delete a File OFF 54
Printing, Saving, and Organizing Files OFF 25
Microsoft Office and Windows Help OFF 55
Printing a Presentation OFF 25
To Open the Help Window in an Office App OFF 55
To Print a Presentation OFF 26

iii
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
iv Contents Microsoft PowerPoint 2016 Intermediate

Moving and Resizing Windows OFF 56 PowerPoint Views PPT 26

To Move a Window by Dragging OFF 56 To Move to Another Slide
To Resize a Window by Dragging OFF 56 in Normal View PPT 26
Using Office Help OFF 57 Inserting Pictures into Slides PPT 28
To Obtain Help Using the Search Text Box OFF 57 To Insert a Picture into the Title Slide PPT 28
Obtaining Help while Working in an Office App OFF 58 To Insert a Picture into a Slide without a
To Obtain Help Using the Tell Me Box OFF 59 Content Placeholder PPT 29
Using the Windows Search Box OFF 59 To Insert a Picture into a Content Placeholder PPT 30
To Use the Windows Search Box OFF 59 To Insert a Picture into a Slide without a
Summary OFF 60 Content Placeholder PPT 31
Apply Your Knowledge OFF 61 Resizing Photos and Illustrations PPT 32
Extend Your Knowledge OFF 62 To Proportionally Resize Pictures PPT 32
Expand Your World OFF 62 To Nonproportionally Resize the
In the Labs OFF 63 Photograph on Slide 2 PPT 33
To Resize the Illustration on Slide 4 PPT 34
To Move Pictures PPT 35

Microsoft PowerPoint 2016 To Rotate a Picture

Ending a Slide Show with a Closing Slide
PPT 36
PPT 37
To Duplicate a Slide PPT 38
To Arrange a Slide PPT 39
MODULE ONE
Making Changes to Slide Text Content PPT 39
Creating and Editing a Replacing Text in an Existing Slide PPT 40
Presentation with Pictures Deleting Text PPT 40
Objectives PPT 1
To Delete Text in a Placeholder PPT 40
Introduction PPT 1
Adding a Transition PPT 42
Project — Presentation with a Bulleted List
To Add a Transition between Slides PPT 42
and Pictures PPT 2
Document Properties PPT 44
Choosing a Document Theme and Variant PPT 3
Viewing the Presentation in Slide Show View PPT 45
To Choose a Document Theme and Variant PPT 3
To Start Slide Show View PPT 45
Creating a Title Slide PPT 5
To Move Manually through Slides
To Enter the Presentation Title PPT 6
in a Slide Show PPT 46
Correcting a Mistake When Typing PPT 7
To Save and Print the Presentation PPT 47
Paragraphs PPT 7
Summary PPT 48
To Enter the Presentation
Apply Your Knowledge PPT 49
Subtitle Paragraph PPT 7
Extend Your Knowledge PPT 50
To Zoom a Slide PPT 8
Expand Your World PPT 51
Formatting Characters in a Presentation PPT 9
In the Labs PPT 52
Fonts and Font Styles PPT 9
To Select a Paragraph PPT 9
To Italicize Text PPT 10 MODULE TWO
To Increase Font Size PPT 10 Enhancing a Presentation with Pictures,
To Select a Word PPT 11 Shapes, and WordArt
To Change the Text Color PPT 11 Objectives PPT 57
Adding a New Slide to a Presentation PPT 12 Introduction PPT 57
To Add a New Text Slide Project — Presentation with Pictures,
with a Bulleted List PPT 12 Shapes, and Wordart PPT 57
Creating a Text Slide with a Multilevel Bulleted List PPT 13 Downloading a Theme and Editing Slides PPT 59
To Enter a Slide Title PPT 14 To Search for and Download an
To Select a Text Placeholder PPT 15 Online Theme PPT 59
To Type a Multilevel Bulleted List PPT 15 To Delete a Slide PPT 60
To Type the Remaining Text for Slide 2 PPT 17 To Create a Title Slide PPT 61
To Select a Group of Words PPT 17 To Create the First Text Slide PPT 62
To Bold Text PPT 18 To Create the Second Text Slide PPT 63
To Increase Font Size PPT 18 Inserting and Formatting Pictures
Adding New Slides, Changing Slide Layouts, in a Presentation PPT 63
and Changing the Theme PPT 19 To Insert a Picture into a Slide
To Add a New Slide and Enter without a Content Placeholder PPT 63
a Slide Title and Headings PPT 19 To Change a Picture PPT 65
To Add a Slide with the Title To Correct a Picture PPT 66
Only Layout PPT 21 To Apply a Picture Style PPT 67
To Enter a Slide Title PPT 23 To Add a Picture Border PPT 68
To Change the Theme PPT 23 To Change a Picture Border Color PPT 69
To Change the Variant PPT 25 To Apply Picture Effects PPT 70
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
 Microsoft PowerPoint 2016 Intermediate Contents v

Inserting and Formatting a Shape PPT 71 To Move a Placeholder PPT 129

To Add a Shape PPT 72 To Delete a Placeholder PPT 130
To Resize a Shape PPT 73 Changing Views PPT 131
To Add Other Shapes PPT 74 To Change Views PPT 131
To Apply a Shape Style PPT 75 Modifying and Copying an Illustration PPT 132
To Apply Another Style PPT 77 To Zoom a Slide PPT 133
To Add Text to a Shape PPT 78 To Ungroup an Illustration PPT 133
To Change the Font PPT 78 To Change the Color of a Clip Object PPT 134
To Format the Text PPT 79 To Delete a Clip Object PPT 136
Format Painter PPT 80 To Regroup Objects PPT 137
To Format Text Using the To Copy a Clip from One Slide to Another PPT 138
Format Painter PPT 80 Adding Media to Slides PPT 139
To Copy and Paste a Shape PPT 81 To Insert a Video File PPT 140
Formatting Slide Backgrounds PPT 83 To Trim a Video File PPT 141
To Insert a Texture Fill PPT 84 To Add Video Options PPT 142
To Format the Background Texture To Insert an Audio File PPT 143
Fill Transparency PPT 86 To Add Audio Options PPT 145
To Insert a Gradient Fill PPT 86 To Resize a Video PPT 147
To Insert a Picture to Create a Background PPT 87 To Add a Video Style PPT 147
To Format the Background Picture To Add a Video Border PPT 148
Fill Transparency PPT 88 To Change a Video Border Color PPT 149
Inserting and Formatting Wordart PPT 88 Animating Slide Content PPT 150
To Insert WordArt PPT 89 Custom Animations PPT 150
To Change the WordArt Shape PPT 90 To Animate an Illustration Using
To Apply a WordArt Text Fill PPT 91 an Entrance Effect PPT 150
To Change the Weight of the To Change Animation Direction PPT 151
WordArt Outline PPT 92 To Animate an Illustration Using
To Change the Color of the an Emphasis Effect PPT 152
WordArt Outline PPT 93 To Animate an Illustration Using
Reviewing and Revising Individual Slides PPT 94 an Exit Effect PPT 153
Replace Dialog Box PPT 94 To Change Exit Animation Direction PPT 154
To Find and Insert a Synonym PPT 94 To Preview an Animation Sequence PPT 154
To Add Notes PPT 95 To Modify Entrance Animation Timing PPT 155
To Find and Replace Text PPT 96 To Modify Emphasis and Exit Timings PPT 156
Checking Spelling PPT 97 To Animate Content Placeholder Paragraphs PPT 157
To Check Spelling PPT 98 Customizing Slide Elements PPT 158
To Add a Transition between Slides PPT 100 To Change the Theme and Variant
To Print Speaker Notes PPT 101 on One Slide PPT 159
To Save and Print the Presentation PPT 102 To Change the Theme Colors PPT 160
Summary PPT 103 To Run a Slide Show with Media PPT 161
Apply Your Knowledge PPT 104 To Preview and Print a Handout PPT 161
Extend Your Knowledge PPT 107 Summary PPT 162
Expand Your World PPT 110 Apply Your Knowledge PPT 163
In the Labs PPT 111 Extend Your Knowledge PPT 166
Expand Your World PPT 169
In the Labs PPT 170
MODULE THREE
Reusing a Presentation and Adding Media
and Animation MODULE FOUR
Objectives PPT 121 Creating and Formatting
Introduction PPT 121 Information Graphics
Project — Presentation with Video, Audio, Objectives PPT 177
Animation, and Photos with Effects PPT 121 Introduction PPT 177
Inserting Photos and Adding Effects PPT 123 Project — Presentation with SmartArt,
To Insert and Resize a Photo into a a Chart, and a Table PPT 177
Slide without Content Placeholders PPT 123 Creating and Formatting a SmartArt Graphic PPT 179
Adjusting Photo Colors PPT 124 To Insert a SmartArt Graphic PPT 179
To Color a Photo PPT 124 Text Pane PPT 181
To Add an Artistic Effect to a Photo PPT 125 To Enter Text in a SmartArt
To Change the Stacking Order PPT 126 Graphic PPT 181
Modifying Placeholders PPT 127 To Format Text Pane Characters PPT 182
To Resize a Placeholder PPT 128 To Insert a Picture from a File
To Align Paragraph Text PPT 128 into a SmartArt Graphic PPT 183
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
vi Contents Microsoft PowerPoint 2016 Intermediate

To Insert Additional Pictures from a File into To Review, Accept, and Reject
a SmartArt Graphic PPT 184 Presentation Changes PPT 241
To Apply a SmartArt Style PPT 184 To Review, Accept, and Reject
To Change SmartArt Color PPT 185 Slide Changes PPT 244
To Resize a SmartArt Graphic PPT 187 To Review Comments PPT 245
To Change the Font Size and Move a Text Box PPT 187 To Reply to a Comment PPT 246
To Convert Text to To Insert a Comment PPT 247
a SmartArt Graphic PPT 188 To Delete a Comment PPT 248
To Insert Pictures from a File into a To Review and Accept Slide Changes on the
SmartArt Graphic PPT 189 Remaining Slides PPT 249
To Add a SmartArt Style to the Graphic PPT 189 To Run the Revised Presentation
To Change the SmartArt Color PPT 190 in Reading View PPT 250
To Resize a SmartArt Graphic PPT 191 To End the Review and Hide Markup PPT 250
To Format SmartArt Graphic Text PPT 191 SharePoint PPT 251
Adding a Chart to a Slide and Formatting PPT 192 Reusing Slides from an Existing Presentation PPT 252
Microsoft Excel and Microsoft Graph PPT 192 To Reuse Slides from an Existing Presentation PPT 253
To Insert a Chart PPT 193 To Capture Part of a Screen Using
To Replace Sample Data PPT 195 Screen Clipping PPT 255
To Change the Shape Outline Weight PPT 196 Adding a Footer PPT 256
To Change the Shape Outline Color PPT 197 To Add a Footer with Fixed Information PPT 257
To Change a Chart Layout PPT 198 To Clear Formatting PPT 258
To Resize a Chart PPT 198 Changing Slide Size and Slide Show Resolution PPT 259
To Change the Title and Legend To Set Slide Size PPT 259
Font and Font Size PPT 199 To Set Presentation Resolution PPT 260
To Rotate a Chart PPT 199 Saving and Packaging a Presentation PPT 262
To Separate a Pie Slice PPT 201 To Save a File as a PowerPoint Show PPT 262
To Insert a Text Box and Format Text PPT 201 To Save a Slide as an Image PPT 263
Adding a Table to a Slide and Formatting PPT 202 To Package a Presentation for
Tables PPT 203 Storage on a Compact Disc PPT 264
To Insert an Empty Table PPT 203 To View a PowerPoint Show Using the
To Enter Data in a Table PPT 204 PowerPoint Viewer PPT 266
To Insert a Symbol PPT 205 To Save a Presentation in a Previous
To Copy a Symbol PPT 206 PowerPoint Format PPT 266
To Apply a Table Style PPT 207 Protecting and Securing a Presentation PPT 268
To Add Borders to a Table PPT 208 To Identify Presentation Features Not
To Add an Effect to a Table PPT 209 Supported by Previous Versions PPT 268
To Resize a Table PPT 211 To Remove Inappropriate Information PPT 269
To Merge Cells PPT 212 To Set a Password PPT 271
To Display Text in a Cell Vertically PPT 214 To Mark a Presentation as Final PPT 273
To Add an Image to a Table and Using Presentation Tools PPT 274
Change the Transparency PPT 215 Delivering and Navigating a Presentation Using
To Align Text in Cells PPT 217 the Control Bar PPT 274
To Format Table Data PPT 218 To Highlight Items on a Slide PPT 275
To Add a Transition between Slides PPT 219 To Change Ink Color PPT 275
To Save and Print the Presentation PPT 219 To Save, Reset the Resolution, and
Summary PPT 220 Print the Presentation PPT 277
Apply Your Knowledge PPT 221 Summary PPT 278
Extend Your Knowledge PPT 222 Apply Your Knowledge PPT 279
Expand Your World PPT 224 Extend Your Knowledge PPT 280
In the Labs PPT 225 Expand Your World PPT 282
In the Labs PPT 282
MODULE FIVE
Collaborating on and Delivering MODULE SIX
a Presentation Navigating Presentations Using Hyperlinks
Objectives PPT 233 and Action Buttons
Introduction PPT 233 Objectives PPT 289
Project — Presentation with Comments, Introduction PPT 289
Inserted Slides, Protection, and Annotation PPT 234 Project — Presentation with Action Buttons,
Collaborating on a Presentation PPT 236 Hyperlinks, and Formatted Bullet Characters PPT 289
To Merge a Presentation PPT 236 Creating a Presentation from a Microsoft
To Print Comments PPT 237 Word Outline PPT 293
To Preview the Presentation Changes PPT 240 Converting Documents for Use in PowerPoint PPT 293
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
 Microsoft PowerPoint 2016 Intermediate Contents vii

To Open a Microsoft Word Outline Expand Your World PPT 342

as a Presentation PPT 294 In the Labs PPT 343
To Change the Slide 1 Layout and Change the
Document Theme PPT 296 MODULE SEVEN
To Insert Pictures PPT 296
Creating a Self-Running Presentation
Adding Hyperlinks and Action Buttons PPT 297
Containing Animation
To Add a Hyperlink to a Picture PPT 298
Objectives PPT 353
To Add Hyperlinks to the Remaining
Introduction PPT 353
Slide 1 Pictures PPT 298
Project — Presentation with Adjusted Pictures,
To Add a Hyperlink to a Paragraph PPT 299
Animated Content, and Slide Timings PPT 353
To Add Hyperlinks to the Remaining
Adjusting and Cropping a Photo PPT 355
Slide 5 Paragraphs PPT 300
To Remove a Background PPT 355
Action Buttons PPT 300
To Refine Background Removal PPT 356
To Insert an Action Button PPT 301
To Crop a Photo PPT 359
To Size an Action Button PPT 303
To Compress a Photo PPT 360
To Change an Action Button Fill Color PPT 304
Animating Slide Content PPT 361
To Copy an Action Button PPT 305
To Animate a Photo Using an Entrance Effect PPT 362
To Edit an Action Button Setting PPT 306
To Change Animation Direction PPT 362
To Hyperlink to Another PowerPoint File PPT 307
To Animate a Photo Using an Emphasis Effect PPT 363
To Hyperlink to a Second Slide in
To Animate a Photo Using an Exit Effect
Another PowerPoint File PPT 309
and Change Animation Direction PPT 364
To Hyperlink to a Microsoft Word File PPT 310
To Preview an Animation Sequence PPT 364
To Insert and Format Action Buttons on
To Modify Entrance Animation Timing PPT 365
the Hyperlinked File PPT 311
To Modify Emphasis and Exit Timings PPT 365
Positioning Slide Elements PPT 312
To Animate Title Text Placeholder Paragraphs PPT 366
Aligning and Distributing Objects PPT 312
To Change Animation Order PPT 367
To Display Slide Thumbnails in the Slides Tab PPT 313
To Rename Slide Objects PPT 368
To Display the Drawing Guides PPT 313
To Insert a Text Box and Format Text PPT 370
To Position a Picture Using Guides PPT 314
To Animate a Text Box Using an Entrance Effect PPT 372
To Position the Slide 4 and Slide 3 Pictures PPT 315
To Animate a Text Box by Applying a
To Hide Guides PPT 316
Motion Path PPT 373
To Display the Rulers PPT 316
To Adjust a Motion Path PPT 374
To Align Pictures PPT 316
To Associate a Sound with an Animation PPT 375
To Distribute Pictures PPT 318
To Draw a Custom Motion Path PPT 376
To Hide Rulers PPT 319
To Use the Animation Painter to
Hiding a Slide PPT 319
Animate a Picture PPT 379
To Hide a Slide PPT 319
To Animate a SmartArt Graphic PPT 381
Modifying Placeholder Text Settings PPT 320
To Change a SmartArt Graphic
To Center Placeholder Text PPT 321
Animation Sequence PPT 381
To Align Placeholder Text PPT 322
To Animate a Chart PPT 382
To Change Paragraph Line Spacing PPT 323
To Animate a List PPT 383
To Create Columns in a Placeholder PPT 324
To Dim Text after Animation PPT 384
To Adjust Column Spacing PPT 325
To Use the Animation Painter to Animate Text PPT 385
To Format the Content Placeholder PPT 326
To Create Credits PPT 386
To Enter a Line Break PPT 326
To Use the Eyedropper to Format Text PPT 388
Modifying Bullets PPT 327
To Trigger an Animation Effect PPT 389
To Change a Bullet Character to a Picture PPT 327
To Modify a Transition Effect PPT 389
To Change a Bullet Character to a Symbol PPT 329
To Apply a Transition to a Single Slide PPT 390
To Change Bullet Size PPT 331
To Run an Animated Slide Show PPT 390
To Change the Size of Other Bullet Characters PPT 332
Preparing for a Self-Running Presentation PPT 391
To Format Bullet Color PPT 332
To Rehearse Timings PPT 391
To Change a Bullet Character to a Number PPT 333
To Adjust Timings Manually PPT 393
To Format a Numbered List PPT 334
To Create a Self-Running Presentation PPT 393
To Remove Bullet Characters PPT 335
To Run an Animated Slide Show PPT 394
Running a Slide Show with Hyperlinks and
To Save and Exit PowerPoint PPT 394
Action Buttons PPT 336
Summary PPT 394
To Run a Slide Show with Hyperlinks,
Apply Your Knowledge PPT 395
Action Buttons, and a Hidden Slide PPT 336
Extend Your Knowledge PPT 397
To Save, Print, and Exit PowerPoint PPT 337
Expand Your World PPT 401
Summary PPT 337
In the Labs PPT 401
Apply Your Knowledge PPT 338
Extend Your Knowledge PPT 339 Index IND 1

Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Productivity Apps for
OneNote
Sway
Office Mix

School and Work Edge

Corinne Hoisington

Lochlan keeps track of

his class notes, football
plays, and internship Zoe is using the annotation
meetings with OneNote. features of Microsoft Edge
to take and save web notes
for her research paper.

Nori is creating a Sway

site to highlight this year’s
activities for the Student
Government Association. Hunter is adding interactive
videos and screen recordings
to his PowerPoint resume.

© Rawpixel/Shutterstock.com

Being computer literate no longer means mastery of only Word, Excel,

PowerPoint, Outlook, and Access. To become technology power users, Hunter,
Nori, Zoe, and Lochlan are exploring Microsoft OneNote, Sway, Mix, and Edge in
Office 2016 and Windows 10.

Introduction to OneNote 2016 ................. 2

Module

Learn to use productivity apps!

In this

Introduction to Sway .................................. 6

Links to companion Sways, featuring
Introduction to Office Mix ....................... 10 videos with hands-on instructions, are
Introduction to Microsoft Edge .............. 14 located on www.cengagebrain.com.

Productivity Apps for School and Work PA-1

Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
 Introduction to OneNote 2016
notebook | section tab | To Do tag | screen clipping | note | template | Microsoft OneNote
Bottom Line Mobile app | sync | drawing canvas | inked handwriting | Ink to Text
• OneNote is a note-taking
app for your academic and As you glance around any classroom, you invariably see paper notebooks and notepads
professional life. on each desk. Because deciphering and sharing handwritten notes can be a challenge,
• Use OneNote to get organized Microsoft OneNote 2016 replaces physical notebooks, binders, and paper notes with a
by gathering your ideas, searchable, digital notebook. OneNote captures your ideas and schoolwork on any device
sketches, webpages, photos, so you can stay organized, share notes, and work with others on projects. Whether you
videos, and notes in one place. are a student taking class notes as shown in Figure 1 or an employee taking notes in
company meetings, OneNote is the one place to keep notes for all of your projects.

Figure 1: OneNote 2016 notebook

Each notebook is divided into Use To Do tags, icons that

sections, also called section help you keep track of your
tabs, by subject or topic. assignments and other tasks.

Type on a page Personalize a page Write or draw

to add a note, a with a template, or directly on the
small window stationery. page using
that contains drawing tools.
text or other
types of
information. Pages can include
pictures such as Attach files and
screen clippings, enter equations
images from any part so you have
of a computer screen. everything you
need in one place.

Creating a OneNote Notebook

OneNote is divided into sections similar to those in a spiral-bound notebook. Each
OneNote notebook contains sections, pages, and other notebooks. You can use One-
Note for school, business, and personal projects. Store information for each type of
project in different notebooks to keep your tasks separate, or use any other organiza-
tion that suits you. OneNote is flexible enough to adapt to the way you want to work.
When you create a notebook, it contains a blank page with a plain white background
Learn to use OneNote! by default, though you can use templates, or stationery, to apply designs in categories
Links to companion Sways, such as Academic, Business, Decorative, and Planners. Start typing or use the buttons
featuring videos with hands-on on the Insert tab to insert notes, which are small resizable windows that can contain
instructions, are located on text, equations, tables, on-screen writing, images, audio and video recordings, to-do
www.cengagebrain.com. lists, file attachments, and file printouts. Add as many notes as you need to each page.

Syncing a Notebook to the Cloud

OneNote saves your notes every time you make a change in a notebook. To make sure
you can access your notebooks with a laptop, tablet, or smartphone wherever you
are, OneNote uses cloud-based storage, such as OneDrive or SharePoint. Microsoft
OneNote Mobile app, a lightweight version of OneNote 2016 shown in Figure 2, is
available for free in the Windows Store, Google Play for Android devices, and the
AppStore for iOS devices.
If you have a Microsoft account, OneNote saves your notes on OneDrive auto-
matically for all your mobile devices and computers, which is called syncing. For
example, you can use OneNote to take notes on your laptop during class, and then

PA-2 Productivity Apps for School and Work

Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
open OneNote on your phone to study later. To use a notebook stored on your com-
puter with your OneNote Mobile app, move the notebook to OneDrive. You can
quickly share notebook content with other people using OneDrive.

Figure 2: Microsoft OneNote Mobile app

Notes synced to
OneDrive and
displayed on a
smartphone

Taking Notes
Use OneNote pages to organize your notes by class and topic or lecture. Beyond sim-
ple typed notes, OneNote stores drawings, converts handwriting to searchable text and On the Job Now
mathematical sketches to equations, and records audio and video. OneNote is ideal for taking notes
OneNote includes drawing tools that let you sketch freehand drawings such as bio- during meetings, whether you are
logical cell diagrams and financial supply-and-demand charts. As shown in Figure 3, the recording minutes, documenting
Draw tab on the ribbon provides these drawing tools along with shapes so you can insert a discussion, sketching product
diagrams and other illustrations to represent your ideas. When you draw on a page, One- diagrams, or listing follow-up
Note creates a drawing canvas, which is a container for shapes and lines. items. Use a meeting template
to add pages with content
appropriate for meetings.
Figure 3: Tools on the Draw tab

Draw tab

Pens and
highlighters
are in the
Tools group.
Insert rectangles Lines and shapes are
and lines from the in the Shapes group.
Shapes group.

Make drawings
using pens in
Insert text the Tools group.
using the Type
button in the
Tools group.

Converting Handwriting to Text

When you use a pen tool to write on a notebook page, the text you enter is called
inked handwriting. OneNote can convert inked handwriting to typed text when
you use the Ink to Text button in the Convert group on the Draw tab, as shown in
Figure 4. After OneNote converts the handwriting to text, you can use the Search box
to find terms in the converted text or any other note in your notebooks.

Productivity Apps for School and Workƒ PA-3

Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
 Figure 4: Converting handwriting to text

Ink to Text button

Handwriting
Writing inserted converted to
with a fingertip searchable text

On the Job Now Recording a Lecture

If your computer or mobile device has a microphone or camera, OneNote can record the
Use OneNote as a place to brain- audio or video from a lecture or business meeting as shown in Figure 5. When you record
storm ongoing work projects. If
a notebook contains sensitive
a lecture (with your instructor’s permission), you can follow along, take regular notes at
material, you can password-pro- your own pace, and review the video recording later. You can control the start, pause, and
tect some or all of the notebook stop motions of the recording when you play back the recording of your notes.
so that only certain people can
open it.
Figure 5: Video inserted in a notebook

Record Video Audio & Video

button Recording tab

Video recording

Math Lecture
video file

© iStock.com/petrograd99

PA-4 Productivity Apps for School and Work

Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Try This Now Learn to use OneNote!
Links to companion Sways,
1: Taking Notes for a Week
featuring videos with hands-on
As a student, you can get organized by using OneNote to take detailed notes in your
instructions, are located on
classes. Perform the following tasks:
www.cengagebrain.com.
a. Create a new OneNote notebook on your Microsoft OneDrive account (the
default location for new notebooks). Name the notebook with your first name
followed by “Notes,” as in Caleb Notes.
b. Create four section tabs, each with a different class name.
c. Take detailed notes in those classes for one week. Be sure to include notes, drawings, and other types of content.
d. Sync your notes with your OneDrive. Submit your assignment in the format specified by your instructor.

2: Using OneNote to Organize a Research Paper

You have a research paper due on the topic of three habits of successful students. Use OneNote to organize your research.
Perform the following tasks:
a. Create a new OneNote notebook on your Microsoft OneDrive account. Name the notebook Success Research.
b. Create three section tabs with the following names:
• Take Detailed Notes
• Be Respectful in Class
• Come to Class Prepared
c. On the web, research the topics and find three sources for each section. Copy a sentence from each source and paste
the sentence into the appropriate section. When you paste the sentence, OneNote inserts it in a note with a link to the
source.
d. Sync your notes with your OneDrive. Submit your assignment in the format specified by your instructor.

3: Planning Your Career

Note: This activity requires a webcam or built-in video camera on any type of device.
Consider an occupation that interests you. Using OneNote, examine the responsibilities, education requirements, potential
salary, and employment outlook of a specific career. Perform the following tasks:
a. Create a new OneNote notebook on your Microsoft OneDrive account. Name the notebook with your first name
followed by a career title, such as Kara - App Developer.
b. Create four section tabs with the names Responsibilities, Education Requirements, Median Salary, and Employment
Outlook.
c. Research the responsibilities of your career path. Using OneNote, record a short video (approximately 30 seconds) of
yourself explaining the responsibilities of your career path. Place the video in the Responsibilities section.
d. On the web, research the educational requirements for your career path and find two appropriate sources. Copy a para-
graph from each source and paste them into the appropriate section. When you paste a paragraph, OneNote inserts it
in a note with a link to the source.
e. Research the median salary for a single year for this career. Create a mathematical equation in the Median
Salary section that multiplies the amount of the median salary times 20 years to calculate how much you will
possibly earn.
f. For the Employment Outlook section, research the outlook for your career path. Take at least four notes about what you
find when researching the topic.
g. Sync your notes with your OneDrive. Submit your assignment in the format specified by your instructor.

Productivity Apps for School and Workƒ PA-5

Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
 Introduction to Sway
Sway site | responsive design | Storyline | card | Creative Commons license | animation
Bottom Line emphasis effects | Docs.com
• Drag photos, videos, and
Expressing your ideas in a presentation typically means creating PowerPoint slides
files from your computer and
or a Word document. Microsoft Sway gives you another way to engage an audience.
content from Facebook and
Sway is a free Microsoft tool available at Sway.com or as an app in Office 365.
Twitter directly to your Sway
Using Sway, you can combine text, images, videos, and social media in a website
presentation.
called a Sway site that you can share and display on any device. To get started,
• Run Sway in a web browser or
you create a digital story on a web-based canvas without borders, slides, cells, or
as an app on your smartphone,
page breaks. A Sway site organizes the text, images, and video into a responsive
and save presentations as
design, which means your content adapts perfectly to any screen size as shown in
webpages.
Figure 6. You store a Sway site in the cloud on OneDrive using a free Microsoft
account.

Figure 6: Sway site with responsive design

You can display a

Sway presentation
in a web browser.

© iStock.com/marinello, © iStock.com/marekuliasz
Sway uses
responsive
design to make
sure pages fit
perfectly on
any device.

Creating a Sway Presentation

Learn to use Sway! You can use Sway to build a digital flyer, a club newsletter, a vacation blog, an informa-
Links to companion Sways,
tional site, a digital art portfolio, or a new product rollout. After you select your topic
featuring videos with hands-on
and sign into Sway with your Microsoft account, a Storyline opens, providing tools
instructions, are located on
and a work area for composing your digital story. See Figure 7. Each story can include
www.cengagebrain.com.
text, images, and videos. You create a Sway by adding text and media content into a
Storyline section, or card. To add pictures, videos, or documents, select a card in the
left pane and then select the Insert Content button. The first card in a Sway presenta-
tion contains a title and background image.

PA-6 Productivity Apps for School and Work

Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Figure 7: Creating a Sway site

Design and create

Sway presentations. Share and play
published Sway sites.

Arrange content in a Storyline,

which contains all the text,
pictures, videos, and other
media in a Sway presentation.

To add content, select a

card, which is designed After selecting a card,
to hold a particular type click the Insert Content
of information. button to add the content
to the Sway presentation.

Adding Content to Build a Story

As you work, Sway searches the Internet to help you find relevant images, videos,
On the Job Now
tweets, and other content from online sources such as Bing, YouTube, Twitter, and
Facebook. You can drag content from the search results right into the Storyline. In If you have a Microsoft Word
addition, you can upload your own images and videos directly in the presentation. document containing an outline
For example, if you are creating a Sway presentation about the market for commer- of your business content, drag the
outline into Sway to create a card
cial drones, Sway suggests content to incorporate into the presentation by displaying for each topic.
it in the left pane as search results. The search results include drone images tagged
with a Creative Commons license at online sources as shown in Figure 8. A Creative
Commons license is a public copyright license that allows the free distribution of an
otherwise copyrighted work. In addition, you can specify the source of the media. For
example, you can add your own Facebook or OneNote pictures and videos in Sway
without leaving the app.

Figure 8: Images in Sway search results

Information about Creative

Select the source Commons licenses
of media objects
Storyline title

Drag an image to the

picture placeholder box

Suggested images in
the search results

Productivity Apps for School and Workƒ PA-7

Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
 Designing a Sway
Sway professionally designs your Storyline content by resizing background images and
On the Job Now fonts to fit your display, and by floating text, animating media, embedding video, and
If your project team wants to col-
removing images as a page scrolls out of view. Sway also evaluates the images in your
laborate on a Sway presentation, Storyline and suggests a color palette based on colors that appear in your photos. Use
click the Authors button on the the Design button to display tools including color palettes, font choices, animation
navigation bar to invite others to emphasis effects, and style templates to provide a personality for a Sway presentation.
edit the presentation. Instead of creating your own design, you can click the Remix button, which randomly
selects unique designs for your Sway site.

Publishing a Sway
Use the Play button to display your finished Sway presentation as a website. The
Address bar includes a unique web address where others can view your Sway site. As
the author, you can edit a published Sway site by clicking the Edit button (pencil icon)
on the Sway toolbar.

Sharing a Sway
When you are ready to share your Sway website, you have several options as shown in
Figure 9. Use the Share slider button to share the Sway site publically or keep it private.
If you add the Sway site to the Microsoft Docs.com public gallery, anyone worldwide can
use Bing, Google, or other search engines to find, view, and share your Sway site. You can
also share your Sway site using Facebook, Twitter, Google+, Yammer, and other social
media sites. Link your presentation to any webpage or email the link to your audience.
Sway can also generate a code for embedding the link within another webpage.

Figure 9: Sharing a Sway site

Share button

Drag the slider button to

Just me to keep the Sway
site private

Post the Sway

site on Docs.com

Options differ depending

on your Microsoft account

Send friends a link

to the Sway site

PA-8 Productivity Apps for School and Work

Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Try This Now Learn to use Sway!
Links to companion Sways,
1: Creating a Sway Resume
featuring videos with hands-on
Sway is a digital storytelling app. Create a Sway resume to share the skills, job experi-
instructions, are located on
ences, and achievements you have that match the requirements of a future job interest.
www.cengagebrain.com.
Perform the following tasks:
a. Create a new presentation in Sway to use as a digital resume. Title the Sway
Storyline with your full name and then select a background image.
b. Create three separate sections titled Academic Background, Work Experience, and Skills, and insert text, a picture,
and a paragraph or bulleted points in each section. Be sure to include your own picture.
c. Add a fourth section that includes a video about your school that you find online.
d. Customize the design of your presentation.
e. Submit your assignment link in the format specified by your instructor.

2: Creating an Online Sway Newsletter

Newsletters are designed to capture the attention of their target audience. Using Sway, create a newsletter for a club, organiza-
tion, or your favorite music group. Perform the following tasks:
a. Create a new presentation in Sway to use as a digital newsletter for a club, organization, or your favorite music group.
Provide a title for the Sway Storyline and select an appropriate background image.
b. Select three separate sections with appropriate titles, such as Upcoming Events. In each section, insert text, a picture,
and a paragraph or bulleted points.
c. Add a fourth section that includes a video about your selected topic.
d. Customize the design of your presentation.
e. Submit your assignment link in the format specified by your instructor.

3: Creating and Sharing a Technology Presentation

To place a Sway presentation in the hands of your entire audience, you can share a link to the Sway presentation. Create a Sway
presentation on a new technology and share it with your class. Perform the following tasks:
a. Create a new presentation in Sway about a cutting-edge technology topic. Provide a title for the Sway Storyline and
select a background image.
b. Create four separate sections about your topic, and include text, a picture, and a paragraph in each section.
c. Add a fifth section that includes a video about your topic.
d. Customize the design of your presentation.
e. Share the link to your Sway with your classmates and submit your assignment link in the format specified by your
instructor.

Productivity Apps for School and Workƒ PA-9

Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
 Introduction to Office Mix
add-in | clip | slide recording | Slide Notes | screen recording | free-response quiz
Bottom Line
• Office Mix is a free PowerPoint To enliven business meetings and lectures, Microsoft adds a new dimension to pre-
add-in from Microsoft that adds sentations with a powerful toolset called Office Mix, a free add-in for PowerPoint. (An
features to PowerPoint. add-in is software that works with an installed app to extend its features.) Using Office
• The Mix tab on the PowerPoint Mix, you can record yourself on video, capture still and moving images on your desk-
ribbon provides tools for creat- top, and insert interactive elements such as quizzes and live webpages directly into
ing screen recordings, videos, PowerPoint slides. When you post the finished presentation to OneDrive, Office Mix
interactive quizzes, and live provides a link you can share with friends and colleagues. Anyone with an Internet
webpages. connection and a web browser can watch a published Office Mix presentation, such as
the one in Figure 10, on a computer or mobile device.

Figure 10: Office Mix presentation

You can view a published

Office Mix presentation in a
browser on any device, even
if PowerPoint is not installed.

Click to continue
to the next slide.
Display a list of
slides with titles.

Adding Office Mix to PowerPoint

Learn to use Office Mix! To get started, you create an Office Mix account at the website mix.office.com using an
Links to companion Sways,
email address or a Facebook or Google account. Next, you download and install the Office
featuring videos with hands-on
Mix add-in (see Figure 11). Office Mix appears as a new tab named Mix on the PowerPoint
instructions, are located on
ribbon in versions of Office 2013 and Office 2016 running on personal computers (PCs).
www.cengagebrain.com.
Figure 11: Getting started with Office Mix

Download the Office Mix free

add-in from mix.office.com.

Click the Get Office Mix

button to download Office
Mix and install it as a tab
on the PowerPoint ribbon.

PA-10 Productivity Apps for School and Work

Copyright 2017 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. WCN 02-200-203
Another random document with
no related content on Scribd:
 "Morning at last," said Uncle Reuben, lifting his head, with a deep sigh
of relief. "This has been the longest night I have ever known."

"Yes, morning," said Willard Drummond, looking up bitterly at the dull,

leaden sky; "and we so far from Westport yet; Only one day more between
her and an ignominious death."

Uncle Reuben looked at him a moment, and then at the bowed form in
the cart, with a look of calm reproach.

"Is thee tired, Christie?" he said, approaching her.

She lifted her head, disclosing a face so white and haggard, so worn
with fatigue, sleeplessness, and grief, that even Willard started back in
sorrow and alarm.

"Oh, little Christie! I knew this journey would kill thee!" said Uncle
Reuben, with a groan.

"I feel a little tired, that is all," she said, forcing a wan smile. "Dear
friend, do not look at me with such frightened, anxious eyes; it is nothing."

"Thee is deadly pale, Christie."

"I am cold," she said, with a shiver; "nothing more."

"And wet through," said Uncle Reuben, sorrowfully. "We must stop at
the first house we meet, and get some dry clothes, and some breakfast."

"No, no; you must not stop; there is no time to lose. Pray, go on," said
Christie, in alarm.

"Thee must take time," said Uncle Reuben, firmly, looking straight at
Willard. "Thee will hardly live to see Westport, else. Does thee want to die
a suicide, Christie?"

"He speaks truly, dearest—we must stop at the nearest farm-house," said
Willard, bending over her. "My poor Christie, you do indeed look jaded to
death," he added, sorrowfully.
 "It is nothing, Willard. If I only reach Westport in time, I care for
nothing else."

"But I do, Christie. I want you after that to hurry and get well, and come
with me to Italy, to far-off, beautiful Italy, where our lives will be happy as
a fairy-tale."

She lifted her large, lustrous blue eyes to his face, with along, steady
gaze—the calm, far-seeing gaze of a soul lingering on the verge of eternity.
How plainly those mournful eyes said "Too late! too late!" But she did not
speak; she only smiled faintly, and then sank wearily back, with her head
shrouded in her mantle once more.

The white hands of morning were now fast pushing aside the clouds of
night. As they went on they encountered one or two laborers, with spades
on their shoulders, going to their daily toil, who stared at them with
lackluster eyes, as if they thought them ghosts. At the end of half an hour
they reached a comfortable-looking farmhouse, and alighted at the outer
gate. Willard lifted Christie out in his arms, while Uncle Reuben, with his
whip, kept off the dogs that ran out, barking loudly. The noise brought the
farmer himself to the door, who, noticing the drooping form of Christie, and
the pale, worn face of her companions, cordially invited them to enter.

There was a bright, cheerful fire blazing on the ample hearth, and a
woman bending over it, preparing breakfast. As she placed a chair for
Christie, into which the young girl dropped, totally exhausted, Willard drew
her aside, and placing his purse in her hands said:

"My good woman, you perceive the young lady's clothes are wet
through. Will you be good enough to take her to your room, and furnish her
with some dry ones?"

"Yes, sir, I'm sure I'll be glad to help her, poor young thing! I've got
some will jest about fit her," said the woman, with a sympathizing look.

Willard whispered a few words in the ear of Christie, who arose and
followed the woman from the room, while a girl about Christie's size took
charge of the breakfast. Willard seated himself near the fire, and fell once
more into a painful reverie, from which the return of Christie aroused him.
He placed a chair for her beside his own, and sinking into it she dropped her
weary little head on his shoulder.

Breakfast was soon smoking on the table, and the three wayfarers took
seats; but much as they needed food, this errand had effectually taken away
their appetites, and it was with the utmost difficulty they could prevail upon
Christie even to swallow a cup of coffee.

"Can you furnish me with a horse and wagon to reach N——?" said
Willard to their host, as they arose from the table.

"Yes, you can come with me," replied the man. "I'm going there myself
in an hour."

"What time will you be in N——?" said Willard, anxiously.

"Little after noon."

"And if we take fresh horses immediately we can reach Westport before

morning, can we not?"

"Oh, yes, very easily; travel all night, and you'll be there in the morning.
S'pose you're going, with everybody else, to see the woman executed, eh?
Lord bless me! what's the matter with her?" said the man, in dismay, as
Christie, with a loud, indescribable cry, hid her face in her hands.

"Nothing! nothing!" said Willard, and with a face perfectly colorless.

"What time—at what hour, I mean, does this execution take place?"

"Nine in the morning; has to be early on account of the mob. Nobody

ever heard tell of such a mass of people as will be there. Most as many as at
the Day of Judgment."

"Can you not start right away?"

"No, couldn't before an hour."

"Is there any other conveyance to be hired near?"

 "No, there ain't," said the man, shortly; "everybody wants their own to
take themselves there. If it's to see her hung you want, you'll be plenty time
when I start."

There was no help for it; and Willard and his equally impatient
companions were obliged to wait almost two hours before the farmer was
ready to start. Then he and his wife mounted on the front seat, and Willard
and Christie sat behind, and throwing her arms around his neck, Christie
bade Uncle Reuben a last farewell.

"Good-by, little Christie!" he said, sorrowfully, "Good-by, and Heaven

bless thee. I will come to see thee some day soon."

And then good Uncle Reuben entered his donkey-cart, and turned his
sad face toward the lonesome forest cottage, doubly lonesome now. And
Christie, shrinking closer to Willard, laid her tired head on his arm, too
weary and exhausted even to weep for the friend she had left.

The farmer, who had no intention of injuring his horse by fast driving,
went plodding at a jog-trot onward, in spite of Willard's furious demands to
drive fast. Inwardly cursing the lazy beast, he gave up the effort at last, and
strove to while away the tedious hours in conversing with Christie.

Slowly and somewhat incoherently he learned from her all the events of
that night, and of her after life in the cottage, and her motives for remaining
there.

"And you were willing to remain in that isolated place all your life that I
might marry Sibyl Campbell, my poor Christie!" he said, with a pang of
deepest remorse. "And so you loved me still, even believing me guilty?"

"Oh, Willard! did you think for one moment that I could cease to love
you?" she answered, fervently. "It was because I loved you so well that I
wished to see you happy with Sibyl."

"My faithful, leal-hearted, unselfish little wife," he groaned, pressing

her closer to his side.
 "But, Willard, there is one thing I want to know. I want to hear it from
your own lips. Answer me truly, as you hope for salvation, do you love Sibyl
Campbell?"

"Oh, Christie, I do! I do! Better than life, better than my soul's
salvation? Better than my hopes of heaven do I love her!" he exclaimed,
passionately.

"It is well," she said, folding her hands, with a slight shiver. "Thank
Heaven for the boon of death."

"But, Christie, I will forget her; you are my wife. I will go far away,
where I will never see her more!" he said, recalled to himself. "By devoting
my life to you, I will try to atone for all I have made you suffer, sweet
wife."

"It will not be necessary, Willard. Dearest, best Willard, can you not see
I am dying?"

"Christie!" he cried out in alarm.

"I mean that my days are numbered; and, Willard, I am happy. I only
wish for life long enough to save Sibyl."

Something in her tone checked the words he was going to say, and both
relapsed into silence, broken at last by her saying:

"Tell me all that has happened to you and to my friends, since that
night."

And then he began, and related all; his father's death; the shock he
received on hearing of her murder; of his departure for Europe with the
Campbells; of their return and their marriage. At this point he could feel a
slight shudder run through the frame of Christie; but when he spoke of the
unlooked-for interruption, and of Sibyl's being carried off to prison, and of
her condemnation, she trembled so convulsively that he was forced to stop.
 "Oh, poor Sibyl!" she said, passionately. "Oh, Willard! her fate was far
worse than mine. What is suffering of any kind compared with the shame—
the overwhelming disgrace—of that trial, exposed to the merciless eyes of
the hundreds? And that I should, in any way, be the cause! Oh, Willard! it is
dreadful!"

She wept, so violently that he was alarmed.

"My own dear Christie, be calm," he said, soothingly. "Consider that

you are now going to save her life."

Still she wept on, until her overcharged heart was relieved; and then,
worn out in mind and body, she fell fast asleep on his shoulder.

Early in the afternoon they reached N——, which they found crowded
with strangers on their way to Westport.

Leaving Christie in a hotel, Willard went to seek for a fast horse to take
them to town; but, to his dismay, he found that every vehicle in the village
was already engaged. Nearly insane with wild impatience, he offered
enormous sums for a horse; but as the stern "Impossible!" rose against all
his demands, he was forced to return to the hotel in a state bordering on
frenzy, and offer the farmer with whom they had come the price of a dozen
horses if he would only consent to surrender the wagon to him and let him
drive.

Carried away by the young man's distracted words and manner, he at

last consented; and causing Christie to be wrapped up in a large, warm
shawl to protect her from the night air, he lifted her into the wagon, took his
seat beside her, and dashed off at a break-neck pace.

Not a word was spoken, as Willard, urging the animal to its utmost
speed, almost flew over the ground. The few remaining hours of daylight
passed, and night fell dark and starless. On, still on, he urged the reeking,
foaming, panting beast. They were still far from Westport—scarcely more
than half way—and the short night would soon be gone. Each time the tired
animal would halt, panting for a moment, the vision of Sibyl, in her prison-
cell waiting for death, would rise before him, until, nearly mad with
impatience, he would mercilessly lash the poor brute on to greater speed.

But, just as he was beginning to hope that the rate at which they were
going would, in two or three hours, bring them to Westport, the animal,
completely exhausted, dropped to the ground, unable to proceed another
step.

With a furious imprecation, Willard sprang out and strove to assist him
to his feet, but in vain. The horse was totally unable even to rise.

For one moment Willard leaned against the wagon, while a feeling of
utter despair filled his heart. The distance from Westport—the few
intervening hours—the impossibility of procuring another horse—the awful
peril of Sibyl, struck a chill, like that of death to his heart.

"All is lost, Christie—all is lost!" he said, in a voice so altered that she

scarcely knew it. "The horse is driven to death, and in ten short hours Sibyl
dies!"

"Heaven help us!" said Christie, wringing her pale hands. "Willard, we
must walk."

"Walk!" he repeated, bitterly. "Before the end of the first mile your fate
would be similar to his." And he touched the animal with his foot.

"Try me—try me!" said Christie, springing from her seat. "Heaven will
give me strength in this hour. Oh, Willard, hasten!"

With a speed as great as it was unnatural, Christie started forward; and

Willard, with a last despairing effort, accompanied her, expecting every
moment to see her fictitious strength give way. But no! it was as if a new
spirit had entered that slight frame—for as she never could have walked in
her days of perfect health and strength, she walked now; never for one
moment faltering, until the first dawn of morning grew red in the sky. But
with its first blush Willard felt the faint hope that had hitherto buoyed him
up die entirely away. Walk as they might, he felt it would be high noon
before they could reach Westport.
 "It is all useless, Christie," he said, pausing abruptly. "It is no use trying
—we can never save her!"

"We will save her—we shall save her!" exclaimed Christie, with a
strange kind of exultation. "Hark!" she added, "do you not hear a carriage
approaching?"

Even as she spoke, a cloud of dust arose, and the thunder of wheels was
heard rapidly approaching.

"Saved!" she cried, joyfully. "Praised be God!"

Willard sprang forward to intercept the driver, and saw a large country
wagon nearly filled with people.

"Can you take us to Westport? Our errand is one of life and death!"

Something in Willard's tone startled the man; but after a moment's stare,
he replied:

"Yes; jump in."

Lifting Christie in first, he took his seat beside her, and again dashed
off.

"Hasten—hasten! for the love of Heaven!" cried Willard, passionately.

"I'll do my best," said the man. "I want to be in time for the execution,
anyway."

On they fled. Mile after mile was passed; but, to the excited mind of
Willard, they seemed going at a snail's pace. Did the sun ever rise so rapidly
any morning before as it did on that? Eight o'clock, and still ten miles from
Westport.

"Faster—faster! A thousand—two thousand—three thousand dollars, if

we only reach Westport before nine," shouted Willard, almost maddened.
"A human life depends on it—I have a reprieve."
 "Hooray!" shouted the boy who drove. "If ever Sultan went, he'll have
to go it now. Here's my stick; tie your handkerchief on it, to hoist when we
get into the town, and they'll stop the execution."

Lashing his horse until the perspiration stood in great beads on his
forehead, away they flew, and ten minutes before nine rushed furiously into
the town.

The streets were crowded—blocked up with people—a boundless sea of

human beings! And near the jail they beheld the scaffold, and a sight which
seemed to paralyze the very life in their hearts. For there, with the sheriff
and a group of her immediate friends, stood Sibyl Campbell, whiter than the
dead, robed for death, cold, still, and rigid.

A deep, awe-struck silence had fallen over the vast crowd—a silence
more terrible than the wildest shouts could have been.

Raising the white handkerchief, the boy waved it in the air, shouting,
wildly: "A reprieve—a reprieve!" and drove furiously right through the
startled throng, heedless of those he trampled down in his way.

The multitude took up the cry, and "A reprieve! a reprieve! a reprieve!"
rang out, gathering force as it went, until, from a low, hoarse shout, it rose
to a wild, triumphal song that rang to the very heavens.

And on, on, through the waving sea of human beings, they drove, until
they reached the scaffold; and then rising to her feet, the thunder-struck
spectators beheld the pale, beautiful face of the long-lost Christie.

CHAPTER XXXV.

MEETINGS AND PARTINGS.

 "I am not mad; I would to heaven I were,
For then 'tis like I should forget myself.
Oh, if I could, what grief should I forget!"—SHAKESPEARE.

For one moment, so great was the surprise, that every shout was hushed,
and the silence of death reigned. The next, a wild, fearful cry, that those
who heard would never forget, rang out, and a man, amid the crowd, fell
heavily to the ground.

There was a swaying to and fro, as the vast sea of human beings made
way for those who raised Edgar Courtney, white and senseless, from the
ground—a dark stream of blood oozing from his lips—and a murmur ran
round: "He has burst a blood-vessel!" But in another moment he was
forgotten, and every eye was riveted on the scaffold; every ear was strained
to hear what was passing there.

Sibyl's mind, stunned by the many shocks it had lately received had
sunk into a sort of lethargy, from which nothing could arouse her; and now
she stared vaguely at Christie, like one in a dream.

But, with a passionate exclamation, Mr. Brantwell sprang forward and

caught Christie's hand, exclaiming:

"Saved! saved! Sibyl is saved! Christie lives!"

And then the mob, catching up the words, sent forth shout after shout,
until the very air seemed to ring.

"Saved! saved!" repeated Christie, with wild exultation; and then the
unnatural strength that had hitherto borne her up gave way, and she sank
fainting in the arms of Willard.

"Let us leave this horrible place," said Mr. Brantwell, drawing Sibyl's
arm within his own, and leading her away.

"My carriage is near," said a gentleman who stood beside them, "and I
beg you to make use of it."
 "I shall do so with pleasure. Sir," to the sheriff, "I presume Miss
Campbell may now accompany me to the hotel, since she is discovered to
be innocent of the crime with which she is charged?"

The sheriff bowed in silence.

"Mr. Drummond, you had better bring this young girl also. You perceive
she has fainted," said Mr. Brantwell.

The clergyman, with Sibyl, entered the carriage, followed by

Drummond bearing Christie, and then the carriage drove rapidly away
toward the hotel.

And the surprised and wondering crowd dispersed, to spread the

astonishing news far and wide.

Sibyl, like one in a dream, had allowed herself hitherto to be led

passively wherever they willed; but at the entrance of Willard, she started,
like one who receives a galvanic shock; her face, a moment before like
marble, grew crimson; her wild, black eyes lit fiercely up; and turning to
Mr. Brantwell, she haughtily demanded:

"Why is he here? How dare he ever enter my presence again?"

"My dear Sibyl, be reasonable," said the minister, delighted that even
anger should rouse her from her apathy, "Mr. Drummond has saved your
life."

"I would sooner die than owe my life to him!" she said, passionately.

"My dear Sibyl," said the minister, soothingly, as he cast a deprecating

glance at Willard, "You mustn't talk like this; it's very wrong, you know."

"Let her speak, Mr. Brantwell; I deserve it all," said Willard, bitterly.

His words, the sound of his voice, wrought a revulsion in her feelings,
and she cried out, in a tone of passionate reproach:
 "Oh, Willard, Willard! how could you deceive me so? I loved you so
much, so much Willard, and yet you deceived me! Oh, it was cruel, it was
base, it was treacherous, it was unmanly to trifle with a poor young girl
thus!"

"Sibyl, I am a wretch! I dare not ask you to forgive me!" he groaned, in

bitterest remorse.

"And she—she is your wife, is she not?" she said, fixing her flaming
eyes, on the pale, wan face of Christie.

"She is; but she had no part in deceiving you, Sibyl; all the blame must
rest on me. As I deceived you, so did I deceive her, villain that I was," he
replied.

"Mr. Drummond, she is dead, I fear," said Mr. Brantwell, looking in

alarm at the white, rigid face of Christie.

"No, she has only swooned; she breaths yet."

"Here we are, at the hotel, thank Heaven!" said the minister, as the
coach stopped.

A vast crowd had assembled here. For a moment all shrank from
passing through it, but there was no help for it.

"My brother is here?" said Sibyl, in a hurried whisper.

"Yes."

"Take me to his room then," she said, passing her arm through that of
the clergyman.

"You will take Mrs. Drummond to my apartment," said the minister,

kindly; "the waiter will show you where it is. I will join you in a few
moments."

Bearing the light form of his still senseless wife in his arms, Willard
entered the room and laid her on the bed.
 The wife of the host entered with restoratives, but it was long ere the
heavy lids were raised from the sad blue eyes.

"My own Christie, you are better now?" said Willard, bending over her.

She smiled faintly, and pressed her hand to her heart.

"Yes, I will soon be better," she said, in a strange tone. "Willard, where
is Sibyl?"

"With her brother, dearest."

"Have you told her all?"

"No, Christie, I have explained nothing."

"Send for her, then; for her brother, too, and Mr. Brantwell. I want to tell
them all, and get Sibyl's forgiveness before I—"

"Before you—what?"

"Nothing, dearest Willard, Have you sent?"

A servant entered, and the message was delivered.

"But she has nothing to forgive you, Christie; you never wronged her."

"Oh, I did. I did, unintentionally, perhaps, but still I wronged her. Hark!
they are coming, Willard."

There was a soft knock at the door. Willard opened it, and Mr.
Brantwell, followed by Sibyl and Captain Campbell, entered. The young
captain, pale, thin, and haggard, cast a fierce, implacable glance at Willard;
but the sight of the frail, spiritual, attenuated form of Christie checked the
fierce, passionate words that were already rising to his lips.

A great change was perceptible in Sibyl during these few minutes. The
exhortations of the good clergyman had evidently not been without effect;
for her pale, worn face had a calm, subdued look, as if she had at last
realized the great danger she had escaped.

"Miss Sibyl—dear Miss Sibyl, can you ever forgive me?" said the sad,
sweet voice of Christie, as she held out her hand and looked wistfully,
imploringly into Sibyl's face.

"Oh, Christie, I have nothing to forgive you. You were not guilty," said
Sibyl, sinking down by the bedside, and hiding her face in Christie's little
thin hand.

"Not willfully, but still I wronged you. And there is another—-will you
not forgive him?"

"Never, so he'p me Heaven!" fiercely exclaimed Sibyl, springing up and

casting upon him a glance of fire.

"Sibyl, I am dying! You will not refuse my last request? Oh, Sibyl, in a
moment of thoughtless passion he married me; but all the time he loved you
best. I can see it all now. He loved you then—he loves you now, better than
all the world."

"And you can forgive him for the irreparable wrong he has done you—a
deserted home, a blighted life, and an early death? Christie, you are an
angel!"

"No, no; only a frail sinner, with so much to be forgiven herself, that she
can easily, joyfully forgive that. Sibyl, my hours are numbered. Will you
render them miserable by refusing my last request?"

"Oh, Christie, you know not what you ask!"

"Sibyl, do you not love Willard still?"

"Oh, I do—I do! Heaven forgive me, I do!" she said, passionately.

"And he loves you. Willard, come here—take Sibyl's hand. Now, Sibyl,
promise when I am gone to be his wife."
 There was a fierce struggle in the passionate heart of Sibyl—a last
struggle between love and pride, and her burning sense of the great wrong
he had done her. With her face bowed, her whole frame quivering, she did
not look up—would not speak, until the little hand of Christie fell
imploringly on her head.

"Sibyl, I cannot go until you promise me this. Oh, Sibyl, I love you both
so much that I would willingly die to make you happy. You love one
another still; why should this one fault, committed in a moment of
thoughtlessness make your whole future lives miserable? Oh, Sibyl, we
have all so much to be forgiven, can you not pardon this?"

Still no reply

"Sibyl, I am dying! if I can forgive the wrong done me, why—oh, why
cannot you? Oh, Sibyl, cast out this false pride that will make you wretched
all your life, and make my last moments happy by this promise. Oh, Sibyl,
dearest Sibyl, consent!"

"Christie, you have conquered." said Sibyl, as she kissed through her
fast-falling tears, the pale brow of the dying girl. Then rising, she placed her
hand in Willard's, and said, with sad earnestness:

"Willard, we have both erred; let us forget the past. I love you still, and
forgive you all."

He did not reply—he could not speak; but he raised the hand she
extended to his lips, and turned toward the window.

"Oh, thank Heaven—thank Heaven for this!" cried Christie, exultingly.

"Now I can die in peace."

There was a low rap at the door. Captain Campbell opened it, and Laura
Courtney, pale, wild and excited, entered.

"Mrs. Courtney! you here?" exclaimed Mr. Brantwell, in surprise.

 "Oh, Mr. Brantwell, Edgar is dying—the doctor says so; and he is
raving and saying the most frightful things. He wants to see Captain
Campbell and his sister immediately."

"Me!" said Sibyl. "What can he want with me?"

"Oh, I do not know. He is saying such dreadful things! Come with me,"
said Mrs. Courtney, catching Sibyl's arm in a wild, terrified way and
drawing her from the room.

Mr. Brantwell, Willard, and his dying girl-wife were left alone.

"I want to see Aunt Tom and Carl," said Christie, faintly. "Do you know
where they are to be found?"

"They are on the island," said Mr. Brantwell, "and consequently have
not heard of your arrival here. I will send a messenger over for them, if you
wish."

"Yes, yes!" said Christie, eagerly; "send now—right away."

Mr. Brantwell left the room, and speedily returned to say that a man had
gone, and Mrs. Tom and her nephew might be expected in a few hours.

And then the good clergyman came and sat down beside the dying girl,
and, taking her hand in his, began talking in a low earnest tone, while
Willard, with his head bowed on his hand, sat by the window, absorbed by
many conflicting thoughts.

And thus an hour passed; and then Captain Campbell and his sister
returned, pale and excited, as if by some strange tidings.

"Mr. Courtney?" said the minister, inquiringly.

"Is dead!" answered Captain Campbell, with a slight shudder.

"Is it possible? How very sudden!" said Mr. Brantwell, in surprise,

"What was the matter?"
 "He ruptured an artery this morning," replied the young man, beginning
to pace the room with rapid strides: "and that, with the shock caused by the
unexpected appearance of Christie, caused his death."

"Christie's appearance! How could that shock him?" said the minister,
still more surprised.

"He thought her dead—thought himself her murderer, and fancied she
had risen from the grave to accuse him," said Captain Campbell, excitedly.

"Thought himself her murderer!" said the minister, still repeating the
young man's words, like an echo. "How was that?"

Both Christie and Willard fixed their eyes eagerly on the excited face of
the young captain.

"Well, it was he who stabbed her that night on the beach. He has
confessed it all," said Captain Campbell.

"He stabbed her!" exclaimed Willard, springing to his feet, while

Christie uttered a faint cry; "and why, in the name of Heaven, should he try
to murder her? What had she ever done to him?"

"Nothing. He did not mean to injure Christie. He mistook her for his
wife."

"Mistook me for his wife!" said Christie, like one in a dream. "And did
he want to kill his wife?"

"Yes; horrible as it seems, he wanted to kill her!" said Captain

Campbell. "The way of it was this," he said, stopping suddenly in his
excited walk, "Courtney was jealous of his wife; he fancied she had gone to
keep an appointment with some one on the island"—a slight flush of
crimson glowed for an instant on his dark cheek as he spoke—"and he
determined to follow her there. He went. In the storm and darkness he met
Christie. He thought her his wife, and stabbed her, and left her for dead on
the ground. Some apparition that he met terrified him, and he fled from the
island—first returning to the spot where he had left Christie; but finding the
body gone, swept away by the tide, as he imagined. He returned the next
evening to the parsonage; there he found his wife living, but hearing the
rumor of Christie's death, he knew he had stabbed her in his blind fury. He
heard, also, that my sister had gone to the island that night, and that a
woman resembling her had been seen flying through the storm about the
time the deed was committed, and the diabolical project entered his head of
having her accused of the murder, and thus freeing himself forever from all
possibility of blame. How well he succeeded, we all know; and Sibyl would
have died an ignominious death for his crime, had not a retributive
Providence sent Christie here at the eleventh hour to save her, and bring his
crime to light; but too late to save her from the shame and humiliation of
what has passed. May the foul fiend catch his soul for it!"

"Oh, brother! hush!" said Sibyl, laying her hand on his arm. "Remember
you speak of the dead!"

"This is monstrous," said Mr. Brantwell, in a tone of horror. "I never

dreamt that any man in his senses could have committed such a crime."

"He was not in his senses," said Sibyl, "he was crazed with jealousy."

"Was he not sane when he accused you—the double-dyed perjurer?"

exclaimed Captain Campbell, fiercely, "Oh, why does God permit such
frightful injustice to go so long unpunished? Where slept His thunderbolts
that this demon in human form was not stricken dead where he stood?"

"Guy, my dear boy, be calm," interposed Mr. Brantwell. "God is His

own interpreter; and in His own good time has seen fit to save your sister.
Let what is past be forgotten—'let by-gones be by-gones.'"

"But Christie has not told us yet how she was saved." said Sibyl; "all
that is still involved in mystery."

Faintly, and in broken sentences, for her strength was failing fast,
Christie related all that the reader already knows. To explain the presence of
Bertha on the island, it was necessary, however painful it might be, to tell
her story; and Guy and Sibyl listened in sorrow and amazement.
 "Then my father's wife lives yet," said Sibyl, slowly.

"And now I remember, though indistinctly, like a dream, of catching a

glimpse of a tall, dark, handsome Woman in the upper rooms of the old
lodge, when I was a boy," said Guy, thoughtfully. "It is strange I thought so
little of it at the time, for her presence there was singular. What terrible
revelations time brings to light! Who would ever suppose my father could
have done such a deed?"

"His child, too, may be living yet," said Mr. Brantwell. "How
unfortunate that there is no clew to tell what may have been its fate."

Ere any one could reply, a bustle at the door arrested their attention;
and, the next moment, Mrs. Tom entered, followed by Carl, and rushing to
the bed, clasped Christie in her arms, laughing and crying hysterically.

"My own darling child! my own blessed baby! my dear, darling little
Christie!" were her exclamations, between laughing, and crying, and
hugging.

"Dear Aunt Tom! dear, good Aunt Tom! Oh, I am so glad, so glad to see
you again!" said Christie, throwing her arms round her neck, her wan face
flushing with joy.

"And to think that you was married, and I never knowed a word about
it! Lor' sakes! an' to be killed, too, and come to life at the nick o' time!" said
Mrs. Tom, with another hug, and a laugh, and a fresh burst of tears. "Carl,
you great, lazy, idle vagabones, come over here and see Christie, 'stead o'
standing there, shiftin' from one foot to another, like you had got into a nest
o' young wipers."

Thus adjured, in the sharp, peremptory tone that reminded Christie of

other days, Carl advanced and pressed his lips to Christie's cheek as
gingerly as though he were afraid of burning himself. Evidently relieved
when this was over, he edged off toward the door, and, at the invitation of
Sibyl, took a seat, and sat down on the extreme edge of the chair.
 And then, when Mrs. Tom had hugged and kissed Christie to her heart's
content, and laughed and cried herself into something like composure, her
first demand was to Lear all that had happened "sence that there awful
night."

And Sibyl, fearing to further agitate Christie, who had now fallen back,
completely exhausted, on her pillow, led the bustling little woman over to
the window, and seating herself near her, related all.

Mrs. Tom listened with many "lor' sakes'!" and "gracious me's!" and
"oh's!" and "ah, Lord's!" until Sibyl began relating the maniac's story. As
she proceeded, Mrs. Tom grew violently agitated; and before she could
reach the end, the old lady had jumped up, and, pale and trembling, bent
over Christie.

"Christie, look here," she said, excitedly, "that there crazy woman had a
little child, had she, the time she was walled up in that room?"

"Yes," replied Christie, wonderingly.

"That there little child was left in Campbell's Lodge, with Mark
Campbell, was it?" continued Mrs. Tom, more and more agitated.

"Yes, I believe so. Why, Aunt Tom, what's the matter?"

"And they never could find out what became of it after, could they?"
again asked Mrs. Tom, sinking into a chair.

"No. Why, what in the world does ail you, Aunt Tom?" said Christie, in
still increasing surprise.

"Oh, my Saviour! Oh, my dear Lord! Only to think on it! Christie, that
there crazy woman is your mother! You are the little child that was left with
Mark Campbell!"

In a moment nearly all present were on their feet, gazing in wonder and
amaze on Mrs. Tom, and on each other, as if asking what in the world they
were destined to hear next.
 Christie, too weak now to betray any emotion, lay still, with her
wondering blue eyes fixed on the old woman's face.

"Yes, you needn't stare, all of you; it's jest so," said Mrs. Tom, very
much excited; "and the way of it was this: One morning airly, jest as I riz,
Mark Campbell came into my cottage with something I took to be a bundle,
under his cloak. He opened it, and you may guess the astonishment I was in,
when, instead o' a bundle, he laid the sweetest, dearest, puttiest little baby
on the table ever I seed. Lor' sakes! I was so completely consternified I
hadn't a word to say, but jest stood starin' with my mouth wide open, fust at
him and then at the baby that was sleepin' like a sweet little angel. Before I
could ask him a single blessed question 'bout it, he sez to me:

"'Mrs. Tom, there's a child I want tooken care of. Ef you'll do it, I'll pay
you; if you won't——'

"I don't know what he was going to say, for I broke out with the greatest
string o' questions just then that ever was, asking him all about the baby;
but he only looked fierce, and wouldn't tell me a word.

"'If you will take it, Mrs. Tom,' sez he, 'you shall be well rewarded for
taking care of it; but you must never, while I live, breathe to a living soul
that I left it with you. If you do,' sez he, 'it will be all the worse for you.'

"'And its mother,' sez I; 'Where's she?'

"My conscience! if you had seen him then! His face got like a thunder-
cloud, and he said, in a voice that made me tremble—yes, even me, and
there ain't many I'd tremble before, thank the Lord:

"'Never mention that word again, or I swear I'll blow your brains out as
I would a rabbit's!'

"And then he rushed from the house, leaving me more astonished and
frightened than ever I had been before in all my born days.

"But I kept the baby, and called it 'Christina,' after a sister I had once
(Carl Henley's mother, poor thing! that went and heaved herself away on a
vagabones of a fellow), and kept it till it grew up. Mark Campbell died a
little while after, but we never spoke another word about the child; but now
I know, arter hearing about the crazy woman, she was its mother."

Aunt Tom paused for breath, and Sibyl, with a great cry, sprang forward
and clasped Christie in her arms.

"My sister! my sister! my dear little sister!" she exclaimed, through her
fast falling tears. "Oh, Christie! oh, Christie! to discover you are my sister
when it is too late!"

With her arms round Sibyl's neck, her golden head lying on her
shoulder, Christie said, in a voice, so faint that Sibyl had to stoop down
very low to hear her:

"I am going, Sibyl, dear sister Sibyl! Tell Guy, my brother, and Aunt
Tom, to come and bid me good-by."

In a voice choked with sobs, Sibyl called them to the bedside, to receive
that parting embrace. Guy's eyes were full of tears, and Mrs. Tom's sobs
resounded audibly through the room.

"And now, Sibyl, my own, my darling sister, good-by, and Heaven bless
you. Hush! do not weep so;" and the little wan arms clasped Sibyl's neck in
a last embrace. "Dearest Sibyl, go now and send Willard to me."

Pressing a last kiss on the transparent brow, Sibyl arose, and beckoned
Willard to approach.

Calm and tearless, but pale with a grief too intense for tears, he came
over. A flush of love and joy lit up the wan face at his approach, her arms—
with a last effort—encircled his neck; the golden head dropped on his
breast, while the sweet beautiful lips murmured:

"Dear Willard! dearest Willard! good-by! I am going; going to heaven to

pray for you and Sibyl. You will try to be very happy, and make her very
happy, when I am gone—will you not? Lift me up, Willard, and carry me to
the window, I want to see the beautiful sunlight once more."
 He lifted the slight little form, and sat down, with her in his arms, beside
the window. A bright ray of sunshine flashed in, and lit up with a sort of
glory the angel-brow, the golden hair, and the sweet, pale face.

Colder and colder grew the hand in his; lower sank the head on his
bosom; fainter and fainter beat the gentle, loving heart. No sound, save the
suppressed sobs of Mrs. Tom, broke the stillness of the room.

Suddenly the closed eyes flew open, with a vivid, radiant light; the
sweet lips Darted in a smile of ineffable joy; and she half rose from her
recumbent posture. The next, she fell back; the blue eyes closed; a slight
shiver passed through her frame; and the streaming sunshine fell on the face
of the dead.

* * * * *

One year after, there was a wedding—a very quiet, private one—at the
little church of N——. And when it was over, Sibyl and Willard entered
their plain, dark traveling carriage, and bidding good-by to their friends
assembled in the parsonage, set out for Willard's Virginia home—where, in
the unclouded sunshine of the future, they soon forgot, or learned to only
look back with tender regret, to the sufferings and sorrows of the past.

Christie was not forgotten. The oldest daughter of Mr. and Mrs.
Drummond, a gentle, dark-eyed girl, bears her name.

* * * * *

Three months after the marriage of Sibyl, her brother led to the altar
Laura Courtney, whose natural vivacity soon overcame the shock she had
received by the sudden death of Edgar Courtney, her unloved husband; and
three days later, in the good bark "Evening Star," she was dancing over the
bright waves of the Atlantic, on her way to Europe with Captain Campbell.

Willard Drummond sent for Uncle Reuben and Bertha, and for several
years they resided with him. But when at last the gentle maniac passed in
peace away, her faithful cousin bade them farewell, and set out for his
boyhood home, to pass his last days under the old roof-tree.
 And Aunt Tom, good old Aunt Tom, staid still on the island, which no
persuasions could ever induce her to leave, and there brought up Mr. Carl
Henley in the way he should go; and employed her whole heart and soul in
the, alas! vain labor of curing him of the sin of laziness. If any reader is
concerned in knowing the future fate of that interesting young gentleman, I
am happy to say, when he arrived at the years of discretion, he made the
acquaintance of a strapping, strong-armed, red-cheeked German girl, who
fell violently in love with the tallow-candle complexion and tow locks of
the fascinating youth. Mr. Henley, after revolving the matter over
profoundly in all its bearings, came to the conclusion that he might as well
marry her as not, which he accordingly did, in the "fullness of time"—
having previously extorted a promise from her to do all the work. Mrs.
Tom, who had an invincible antipathy to "furriners," looked with dislike at
first on her niece-in-law; but the unvarying good humor of Mrs. Henley,
and her willingness to work, soon completely gained the good old lady's
affections, and mastered her prejudices.

THE END.
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