

6 Consolations
No. 3 in D♭ Major
Franz Liszt


S. 172


    
Lento placido. cantando

       

 sempre legatissimo


3 3 3 3

        
Piano


  



         
 

    
 
4

                    

         
   


         
    

     
7

              

                    
    


 
       
  

()    

   
10

         


   


         
   


    
  
     
     
   

    
  
13

    
         
  
 

                    
2

    
16

  
                        
   


          
   

       
     



19

    
         
 
         
    
   


       
   
()     


     
  
  
22

          
                   
    
   


  
    

        
       
 

25

               
            
 
 




()   


             
27 expressivo

              

         
   
()     

            

 
dolcissimo 3

 
30


                  
        
  


   

      
            
  
32

               
          
   


        
   

 
         
34  expressivo

     
      
   
                          


    
     

   
  

  
  

37

 
                          
 


   

                     
  

39

                       
      
dolcissimo

               
 

  pocorit.
        

     
 
4


 
41

          
                

        



    


          
 
44

  
              
   
 
         


 
 

       
   
()  

       
     


48

      
                   
   
     
 


     
()     


     
  
51

   
           
        
 


   
 

                
     
53

     
         
  

              
  
  
  

 5

           
                              
    
    
56

  
   
smorzando


()


 
                  
   


         
     
57

   

    
            



rit. perdendosi


 